WEBVTT - Hot and Bothered

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<v Speaker 1>As a dad, actor, producer for an activist, my schedule

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<v Speaker 1>fills up fast and as we all know, a life

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<v Speaker 1>can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>Hey everyone, it's warmer vol drama. When it comes to insurance,

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<v Speaker 1>Isn't it time to stop believing old tales when it

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<v Speaker 1>It's your journey. Good morning Europe, Early, I wanted to

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<v Speaker 1>check the PR package from this morning. The rumor is

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<v Speaker 1>not mentioned in a press clipping. Funny how a PR

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<v Speaker 1>stunt can make a bad situation to suppe overnight, Amre.

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<v Speaker 1>That's good, isn't it? Of course? I'm glad it's old her.

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<v Speaker 1>By the way, Wisdom texts me this morning, he kept

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<v Speaker 1>me today? Oh did he say why? No? I just

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<v Speaker 1>said something came up. M M okay, Well I guess

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<v Speaker 1>we have the day off, So can I join you

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<v Speaker 1>in the shower? Of course? How can I say no

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<v Speaker 1>to thatch my hair. I could. It's okay, it's the good.

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<v Speaker 1>This isn't really working, is it? No? No, it is

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<v Speaker 1>it is it will Let's just slow down a breath. Okay,

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<v Speaker 1>I closed my eyes. We were finally falling into sync.

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<v Speaker 1>But then something unexpected happened when I opened my eyes.

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<v Speaker 1>Suddenly it was wisdom who I started to imagine the

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<v Speaker 1>shower with me? Wait to be out? How much that?

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<v Speaker 1>I jumped in? Hey, what's wrong? Ah? Nothing, nothing, Sorry,

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<v Speaker 1>I just scott a chill. No, days off may not

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<v Speaker 1>be for us. I think. Go ahead to the studio,

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<v Speaker 1>work on some stuff. Oh okay, are you sure we

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<v Speaker 1>have the day all to ourselves. You should come. I'm

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<v Speaker 1>sure it'd make your mom happy to hear your working

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<v Speaker 1>on some new tracks. I really don't care what she

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<v Speaker 1>thinks right now. Mi Madre literally abandoned me in a

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<v Speaker 1>swarm of paparazzi. Ow. We did serve ourselves up to

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<v Speaker 1>the paparazzi in the silver platter last night. How's that

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<v Speaker 1>any different? It just is, Honey. We're only a few

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<v Speaker 1>days away from the Grammys. I'd rather focus on the

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<v Speaker 1>track we have. Wow. Seeing as my part is done,

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<v Speaker 1>I'm going in all right, I'll be ready in ten.

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<v Speaker 1>I'll make it some breakfast. I knew he was in

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<v Speaker 1>his head about the whole shower thing, but I couldn't

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<v Speaker 1>ignore the fact that the one day we had off

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<v Speaker 1>before the Grammys, Broldigo's suggestion was to go into the studio.

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<v Speaker 1>It's like neither one of us knew what to do

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<v Speaker 1>with each other outside of work. But if going to

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<v Speaker 1>the studio was the only way to spend the day

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<v Speaker 1>with him, That's what I would do, even though I

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<v Speaker 1>couldn't get wisdom out of my head. So here's a thought.

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<v Speaker 1>As you pointed out, if the Grammys go well, everyone's

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<v Speaker 1>going to be asking what kind of music I've turned

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<v Speaker 1>to do next? Right. I know we're taking a vacation

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<v Speaker 1>after the Grammys, but what if we start trying to

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<v Speaker 1>find my new sound? Can we not have an agenda today?

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<v Speaker 1>Let's just go in and see what happens. Yeah, you're right?

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<v Speaker 1>Mm where was consas served? My queen? Thank you, honey.

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<v Speaker 1>Well I thought this they would never come. Mom, What

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<v Speaker 1>are you doing here? I heard you book some studio time,

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<v Speaker 1>and I couldn't help myself. I gave Marcos a call.

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<v Speaker 1>He might swim by later too, if you don't mind, Mom.

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<v Speaker 1>We don't have anything to play you guys yet. And

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<v Speaker 1>yes I was able to get away from the paparazzi

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<v Speaker 1>and make it home safe. Thanks for asking. Oh now,

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<v Speaker 1>who's the one being dramatic? I like this melody a lot.

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<v Speaker 1>What am I listening to? It's nothing. Your son in

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<v Speaker 1>law is just warming up, Rodrigo. Aren't there are a

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<v Speaker 1>few songs you worked on for the last album that

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<v Speaker 1>we're never used. Yeah, half dozen or so. Why don't

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<v Speaker 1>we start by hearing some of those? In typical Carmen fashion,

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<v Speaker 1>we had just started the session and my mother was

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<v Speaker 1>already taking it over. Yeah, sure, wait, let's not do that.

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<v Speaker 1>I want this new album to have a completely different

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<v Speaker 1>theme and focus. Yeah, have you even heard the songs.

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<v Speaker 1>Let's have a listen. There might be some magic in

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<v Speaker 1>some of them. Oh just one second, hello, could you

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<v Speaker 1>just play along? I just I hate how he chicks

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<v Speaker 1>over the sooner you show or something, the sooner she

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<v Speaker 1>leaves Madcos is just around the corner. He's so excited

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<v Speaker 1>you're back in the studio. Well, we are here to please, okay, Rodrigo,

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<v Speaker 1>Let's see what you've got A good song is a

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<v Speaker 1>good song, and yours are usually right. I appreciate that

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<v Speaker 1>Karmann get too excited. I haven't heard them yet and

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<v Speaker 1>could still reject them all. And I thought you and

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<v Speaker 1>I were turning a corner. Song choices were not my

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<v Speaker 1>mother's decision to make, even if she was my manager.

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<v Speaker 1>They were mine. And even though I knew none of

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<v Speaker 1>these tracks would end up on my next album, I

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<v Speaker 1>couldn't see past how she was still trying to control me,

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<v Speaker 1>even after all the conversations we'd had in the last

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<v Speaker 1>few days. All right, so this is the first track.

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<v Speaker 1>Let me see what you think. Definitely not that one.

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<v Speaker 1>You barely heard it. After fifteen years of doing this,

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<v Speaker 1>I know what I like and what works for me. Next, Okay,

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<v Speaker 1>how about this one? That sounds too much like Intoxica?

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<v Speaker 1>I don't think so. No, this one definitely sounds dated.

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<v Speaker 1>Didn't Monica Salda do a song that kind of sounds

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<v Speaker 1>like this? I don't think so. Pasa na I Margada.

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<v Speaker 1>There's nothing wrong with small similarities and songs. Fans like

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<v Speaker 1>it if it's done right. But I'm trying to do

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<v Speaker 1>something original. Hello, Hello, Hello, Hey, Rodrigo Marcos, how's my

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<v Speaker 1>superstar doing. Hey, Marcos, how is chigua wa? I close

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<v Speaker 1>the deal? How's everything here? Nothing to report yet? I

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<v Speaker 1>don't know about that. Whenever I hear new music is

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<v Speaker 1>like waking up up on Christmas morning to Rodrigo's homemade

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<v Speaker 1>juros and Jampurrado. You're making way too much out of

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<v Speaker 1>this session. We're just reviewing some tracks we haven't used before.

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<v Speaker 1>I love to hear whatever. You have nothing worth hearing yet,

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<v Speaker 1>she's being overly critical. Some of Rodrigo's old tracks have

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<v Speaker 1>a lot of potential. The two just haven't been in

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<v Speaker 1>the studio in over a year, so they're finding their footing.

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<v Speaker 1>That's okay. Inspiration comes when you least expected, right, That's

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<v Speaker 1>what I'm betting on. Why don't we take a launch

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<v Speaker 1>good idea. I go pick up some food from across

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<v Speaker 1>the street. I'll go with you, Marcos, what would you

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<v Speaker 1>like a scissor salad and sparkling water. Mom, I'll have

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<v Speaker 1>whatever you're getting. All right, we'll be back him. As

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<v Speaker 1>a dad, actor, producer, and activist, my schedule feels up fast,

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<v Speaker 1>and as we all know, life can be. That's why

0:10:01.120 --> 0:10:03.760
<v Speaker 1>good help is always welcome by when your friend offers

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<v Speaker 1>you those important words of advice, or when your mom

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<v Speaker 1>When it comes to the bunking myths, Unda is thinking

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<v Speaker 1>of every mile hand it's your journey. Proud partner of

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<v Speaker 1>Michael Tura podcast network, Porrico, I'm wearing heels. Can you

0:12:40.520 --> 0:12:44.120
<v Speaker 1>please slow down? Please don't ever undermine me or my

0:12:44.200 --> 0:12:48.120
<v Speaker 1>work to the label again. Okay, what are you talking about?

0:12:48.440 --> 0:12:52.480
<v Speaker 1>Nothing worth hearing yet? I just meant there was nothing

0:12:52.559 --> 0:12:54.920
<v Speaker 1>we were ready to share. That's not how it sounded.

0:12:54.960 --> 0:12:57.679
<v Speaker 1>You and your mom were talking about my tracks melodies.

0:12:57.760 --> 0:13:01.560
<v Speaker 1>I wrote melodies that don't even have your voice saw them, honey.

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<v Speaker 1>I didn't mean to undermine your work. I just didn't

0:13:04.840 --> 0:13:08.160
<v Speaker 1>appreciate my mom taking over our session, my session. I

0:13:08.240 --> 0:13:09.800
<v Speaker 1>was the one that wanted to come in and clear

0:13:09.920 --> 0:13:12.480
<v Speaker 1>my head. I don't need your mom's commentary, but I

0:13:12.480 --> 0:13:15.400
<v Speaker 1>expect it from her. But you shooting on every track

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<v Speaker 1>I play is not the way I planned to clear

0:13:17.200 --> 0:13:19.720
<v Speaker 1>my head. If you wanted to clear your head, we

0:13:19.760 --> 0:13:23.040
<v Speaker 1>shouldn't have come to the studio at all. You talk

0:13:23.120 --> 0:13:25.160
<v Speaker 1>about taking a break, but you can't even be in

0:13:25.160 --> 0:13:27.120
<v Speaker 1>the same room with me if it means facing what's

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<v Speaker 1>actually going on between us and what's that exactly? You're

0:13:30.600 --> 0:13:34.640
<v Speaker 1>so ready to talk about it, say it, I haven't.

0:13:34.960 --> 0:13:44.920
<v Speaker 1>That's what I thought that I woke in on something

0:13:45.000 --> 0:13:47.640
<v Speaker 1>I shouldn't have a Alita is still upset with me

0:13:47.720 --> 0:13:49.640
<v Speaker 1>about leaving her at the airport to deal with the

0:13:49.720 --> 0:13:53.160
<v Speaker 1>paparazzi by herself. That's not all she should be upset about.

0:13:53.440 --> 0:13:56.880
<v Speaker 1>What do you mean? It's just when I called TMZ

0:13:57.000 --> 0:13:59.920
<v Speaker 1>about Wisdom dinner last night, it made us seem like

0:14:00.240 --> 0:14:02.640
<v Speaker 1>it was a second tip they received from my Lelita's

0:14:02.640 --> 0:14:06.240
<v Speaker 1>team and one day. And I would never tip off

0:14:06.240 --> 0:14:09.640
<v Speaker 1>the paparazzi with on my client's consent. But you know,

0:14:10.120 --> 0:14:13.800
<v Speaker 1>not everyone handles business the same way. You wouldn't understand.

0:14:14.640 --> 0:14:17.280
<v Speaker 1>Sometimes a mother needs to let the real world teach

0:14:17.320 --> 0:14:20.520
<v Speaker 1>her child a lesson. I think I will feel better

0:14:21.400 --> 0:14:24.280
<v Speaker 1>if I knew that you had done that as her manager,

0:14:24.720 --> 0:14:28.280
<v Speaker 1>not her mother. You have no right to judge me,

0:14:28.640 --> 0:14:31.760
<v Speaker 1>I know, But why don't you try building her confidence

0:14:31.800 --> 0:14:34.120
<v Speaker 1>instead of always shooting her down. Who do you think

0:14:34.160 --> 0:14:37.120
<v Speaker 1>she'll turn to when she finds out the truth, Oh,

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<v Speaker 1>you wouldn't. Don't act like I'm the first manager to

0:14:40.280 --> 0:14:42.200
<v Speaker 1>do something like that. I thought you said you did

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<v Speaker 1>that as her mother. You're playing with fire, Carmen, and

0:14:46.680 --> 0:14:59.840
<v Speaker 1>sooner or later, you're gonna get burned. If you're enjoying

0:14:59.840 --> 0:15:03.320
<v Speaker 1>a the Lita Changing the Key. Please subscribe, rate and

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<v Speaker 1>review our show wherever you're listening. Avelita Changing the Key

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<v Speaker 1>is a production of Sonoro in partnership with Rhearts Michael

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<v Speaker 1>Tura Network. Created and written by li Jia Vijalobos. Produced

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<v Speaker 1>by Luisa Duardo Castillo, Grinza Chaires and Bettina Lopez Mendoza.

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<v Speaker 1>Directed by Javier Perrazza, Developed by Jasmine Romero, Betina Lopez

0:15:26.440 --> 0:15:30.760
<v Speaker 1>and Christian Catar Executive produced by Gisel Banzes and conal

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<v Speaker 1>Byrne for iHeart and Camilla Victoriano and Josia Weinstein for Sonoro.

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<v Speaker 1>Executive produced by Dayangerero and li Jiavianoos. This episode written

0:15:40.840 --> 0:15:45.240
<v Speaker 1>by li Jiaviaalobos with help from Daniela Sarkis, Bettina Lopez,

0:15:45.480 --> 0:15:50.480
<v Speaker 1>Rodrigo Bravo, Moniza Hinrichs, Mariana Martinez Gomez and Ed Garesteva.

0:15:51.040 --> 0:15:56.120
<v Speaker 1>Performances in this episode by Diangerero, Jesse Garcia, Ana Ortiz

0:15:56.440 --> 0:16:00.680
<v Speaker 1>and Benny Nieves. Recording and engineering by Andrez Baa and

0:16:00.840 --> 0:16:06.640
<v Speaker 1>Emiliano Quintana, with sound designed by Andres Bayena, Armando Un,

0:16:07.560 --> 0:16:13.000
<v Speaker 1>Emiliano Quintana and Cassandra Tinajero. Additional editing by Daniel Padilla,

0:16:13.160 --> 0:16:17.840
<v Speaker 1>Fernando Calabiz and Manuel Para. Casting and coordination by Rli Day,

0:16:18.280 --> 0:16:24.120
<v Speaker 1>Mike Paige, Christina Blevins Andres Chaidis, Alexandra Gonzalez, Querensa, Chidis,

0:16:24.440 --> 0:16:29.360
<v Speaker 1>Christian Hatar and Nick Milanez. Original songs by Laura Cruz,

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<v Speaker 1>Ector Fernandez, Sean Metta, Miranda Johnson and plays Am music

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<v Speaker 1>director Kamara Kamba. As a dad actor producer for an activist,

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<v Speaker 1>my schedule feels up fast and as we all know,

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<v Speaker 1>life can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>it's Mala and Diosa, co hosts of Locatra Radio. Listen.

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<v Speaker 1>Life is too much these days. We all have to

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