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Speaker 1: Hi, guys, what you're trying to get into? What day

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Speaker 1: is shoon? What you're trying to do?

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Speaker 2: That's a ringtone right there, Bubba.

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Speaker 1: That's a fire song.

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Speaker 2: By the way, it is a fire song.

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Speaker 1: I gotta tell you. Since I told our listeners about

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Speaker 1: it and you remind you about it, I've been singing

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Speaker 1: it NonStop. It's like, you know how you usually get

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Speaker 1: like a summer hooky song in your head. My summer

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Speaker 1: hooky song in my head is what you're trying to

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Speaker 1: get in.

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Speaker 2: I'm d w that's amazing because twenty years ago your

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Speaker 2: summer song was turn me inside out. So I can't

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Speaker 2: speak because you're every wear me when I when I

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Speaker 2: got Michelle.

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Speaker 1: Branch knows how many shout outs she gets on this podcast.

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Speaker 2: Yeah, she should know because she's not alone.

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Speaker 1: Oh oh, I think Michelle Branch must be aware that

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Speaker 1: how many times over the years I've spoken about her.

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Speaker 2: Do you think Michelle Branch gives two shits about us?

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Speaker 1: Do you think? Yes? I think Michelle Brand she likes

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Speaker 1: any people that are talking about a song she wrote

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Speaker 1: twenty years ago.

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Speaker 2: I hear that, man.

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Speaker 1: I don't know what happened to her.

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Speaker 2: She joined so she she I think she got married,

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Speaker 2: had kids, joined a band.

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Speaker 1: Doesn't mean she gave up her musical she did.

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Speaker 3: She was.

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Speaker 2: She's in a band right now. It's her and another

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Speaker 2: young lady and they do a they do music together.

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Speaker 1: But fuck would they do as long as they cover Ebby?

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Speaker 2: To me, they do very they do, uh that very good.

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Speaker 2: Casey put me onto them because you know how Casey

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Speaker 2: works in music sometimes. And she put me onto them

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Speaker 2: and was like, Yo, she's dope. She joined a band.

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Speaker 2: I rocked.

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Speaker 1: I rock out to her in my trouble. You know,

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Speaker 1: I've been thinking about putting my my my sort of

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Speaker 1: girl pop workout list on the on on on the

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Speaker 1: web so people.

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Speaker 2: Can do that ship.

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Speaker 1: Yeah, do that ship yeah, because iTunes needs that. Yeah,

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Speaker 1: people listen. I can never find a workout playlist that

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Speaker 1: suits my needs.

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Speaker 2: Right.

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Speaker 1: A lot of people clearly agree with you on on

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Speaker 1: rap and hip hop because if you go on like

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Speaker 1: the standard playlist on iTunes or wherever, they're all like

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Speaker 1: ninety five percent that and and like hits one is

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Speaker 1: all like stuff I don't listen.

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Speaker 2: To, like Wu Tang do you don't listen to the

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Speaker 2: Wu Tang?

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Speaker 1: I don't listen to No, I don't listen to Wu Tang.

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Speaker 2: Do you know who? But you know who method man is.

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Speaker 1: Yeah, of course he was in Garden State.

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Speaker 2: That's right, that's right. But you know he's in it.

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Speaker 2: You do know that he is in a band with

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Speaker 2: about twelve people. Can four other Wu Tang members.

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Speaker 1: There's Wu, There's Tang, there's clan.

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Speaker 2: I'm gonna say some names and you're gonna be like, oh, yeah,

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Speaker 2: I've heard of them, of course, A dirty bastard.

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Speaker 1: Of course I've heard of him. He was, he was,

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Speaker 1: he died right, Yes, he did the Rizza, Yeah, I've heard.

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Speaker 1: I can picture him, dude, the Rizza. We hung out

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Speaker 1: with him one night and you spell it rza. I

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Speaker 1: know that.

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Speaker 2: Yeah, we hung out at Chateau. He came through and

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Speaker 2: kicked it with us that night. We would hang You're

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Speaker 2: not supposed to talk about Chateau on this actually, so

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Speaker 2: let me take that back. Well, you know what happens

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Speaker 2: at the chateau is supposed to stay at chateau.

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Speaker 1: Right now, you can't be dropping Choateau things. I hung

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Speaker 1: out with Drake at the Chatau.

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Speaker 2: Once you see, look at you spilling the beans.

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Speaker 1: Okay, get ahead, who else? Rizza ODV method Man, method Man,

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Speaker 1: ghost face Killer. Yeah, I've heard of him. I can't

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Speaker 1: picture his face, can you God?

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Speaker 2: You God?

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Speaker 1: I don't know you God. The jizzer, I don't know

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Speaker 1: the jizza.

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Speaker 2: That's the genius, uh inspector deck. There you go.

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Speaker 1: Wow, there's a big band. A lot of people in

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Speaker 1: this band.

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Speaker 2: Oh yeah, it's a huge band.

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Speaker 1: You really like their music a lot?

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Speaker 2: Are you kidding me? I smoke on the mic, like

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Speaker 2: smoking Joe Frazier, the hell Raiser, raising hell with the flavor,

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Speaker 2: terrorizing jams, like troops in Pakistan, swinging through your town

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Speaker 2: like your neighborhood spy. The man so armed, TikTok keep ticking.

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Speaker 2: Come on now, you don't know nothing about the wu

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Speaker 2: tang okay yo e t h o d man e

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Speaker 2: t h o d man. Hey, you get off my cloud.

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Speaker 2: You don't know me and you don't know my now

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Speaker 2: you don't notice.

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Speaker 4: No.

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Speaker 1: I have a question though, when you when you have

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Speaker 1: a big like rap supergroup like that, are there they

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Speaker 1: all dirty?

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Speaker 2: Baby? I got your money, don't you bury?

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Speaker 1: I said, Hey, I know that song. Yeah, that's before

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Speaker 1: you go into another song. I have a question, do

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Speaker 1: they all take turns like I'm gonna rap now all right,

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Speaker 1: now you're up, you wrap now that kind of thing

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Speaker 1: like like like they take turns.

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Speaker 2: Well, some of them have like a connection. So remember

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Speaker 2: run DMC growing.

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Speaker 1: Up, Yes, right, yes, yes, yes, the Adidas.

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Speaker 2: My Adida's right, those two had a connection. So when

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Speaker 2: they rapped, they could, when they rhyme, they could bounce

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Speaker 2: off of each other. Some people it's like you and I,

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Speaker 2: how we have a good uh how we have good chemistry.

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Speaker 2: Same thing with rappers, right, and you look for when

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Speaker 2: you're a rapper, you look for that person that you

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Speaker 2: have chemistry. Drake and Future have really good chemistry together.

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Speaker 2: So they do a lot of records together. And so

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Speaker 2: it's the same thing you know, uh in in the

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Speaker 2: Wu Tang because it was so big, the wo was

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Speaker 2: so big, there are little tiny groups with inside.

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Speaker 1: Their sub groups within the Wu.

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Speaker 2: Right, So ghost Face and uh ghost Face and Ray

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Speaker 2: Kwana Chef. That's the one I forgot to mention. I

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Speaker 2: should have put Ray Kuana. He got the best. He

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Speaker 2: got probably the best bill for Cuban Linx is probably

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Speaker 2: the best Wu Tang record in my opinion. It's got

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Speaker 2: so many good songs on it anyway, ghost Face and

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Speaker 2: Ray Kwan do very well together and on record they

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Speaker 2: bounce off of each other very well. So they're are.

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Speaker 1: Now who's your favorite? If you had to pick one

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Speaker 1: member of the Wu Tang clan, that's like your favorite

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Speaker 1: rapper in the group.

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Speaker 2: The Jizz, the Genius, I like him a lot. I

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Speaker 2: liked o dB a lot. I like I like Meth

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Speaker 2: Method man, I like I like all of you. To

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Speaker 2: be honest, are they still Are they still? Like ghost

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Speaker 2: Face got somebody life.

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Speaker 1: When the world's normal? Do they still tour?

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Speaker 2: I hope? So it's a lot of egos, man, it's

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Speaker 2: a lot of them, man, how do you do that?

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Speaker 2: How do you That's like? Look, the Jackson five couldn't

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Speaker 2: stay together and they were brothers.

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Speaker 1: How do you do it? Mean, when we go on

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Speaker 1: the road, eventually touring this show, I feel like your

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Speaker 1: ego is gonna soar like an eagle out of control.

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Speaker 2: It depends on if they you're gonna want.

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Speaker 1: You're gonna have demands, you're gonna have in your rider.

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Speaker 1: There's gonna be all sorts of rules, no eye contact.

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Speaker 2: It all depends on how loud they applaud for me

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Speaker 2: if they applaud for you louder then they applaud for me,

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Speaker 2: I feel like I'll fall into a little you know,

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Speaker 2: I'll back into a Well, we're gonna have Dan when

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Speaker 2: going applaud for me more than they applaud for you.

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Speaker 2: You damn right, man, I want my bus to be bigger.

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Speaker 1: Yeah, we're gonna measure up. We're gonna have the same bus.

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Speaker 1: Listen when Dan. We're gonna bring Dan and Joel and

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Speaker 1: Dan's gonna bring his thunderous applause button, so we'll be

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Speaker 1: able to augment whatever the crowd does. We'll be able

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Speaker 1: to augment the audience. You ever were looking at an

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Speaker 1: award show and you hear the applause on an award

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Speaker 1: show and then you look around and no one's clapping. Yeah,

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Speaker 1: like like like no one in an award show is

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Speaker 1: paying attention, so that they they'd be like a third

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Speaker 1: of them clapping, so they just augment all this thunderous applause. Well,

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Speaker 1: that's gonna be what Dan is doing for us when

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Speaker 1: we're on tour with the show.

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Speaker 2: So before we before we start the show, Dan will

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Speaker 2: be like, all right, so I need some thunderous applause

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Speaker 2: from you guys. Okay, everybody, and now I need some laughter,

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Speaker 2: need some laughter.

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Speaker 1: No, no, no, bro, he's just gonna bring it. It'll

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Speaker 1: be it'll be a it'll be a button.

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Speaker 2: Well, hell yeah, he's gonna be. He's gonna bring it.

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Speaker 2: Dan always brings it.

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Speaker 1: Yeah, Dan's gonna bring it.

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Speaker 2: Dude, he's gonna bring it. Of course he brings it.

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Speaker 2: We're gonna applause.

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Speaker 1: I think we're probably gonna play arenas and and we're

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Speaker 1: gonna and we're gonna need to do sound checks at

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Speaker 1: these arenas.

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Speaker 2: If we play arenas, imagine that. Imagine we go to London. Yeah,

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Speaker 2: and what's the big arena to the O two two

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Speaker 2: and we play the O two. That would be the

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Speaker 2: best day of my life. I'm gonna tell you something

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Speaker 2: right now, London, make it listen, make it happen. Let's

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Speaker 2: put it out there like that.

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Speaker 1: Listen. I'm sure, I'm sure we're gonna be playing like

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Speaker 1: four hundred seat theaters. But in reality, let's secret it

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Speaker 1: that we sell out the ODE two arena for fake

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Speaker 1: doctor's real friends.

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Speaker 2: That would be the best. That would be the best

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Speaker 2: night of my life.

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Speaker 1: Listen, you got to put ship out there. You got

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Speaker 1: to put outrageous ship out there and make it come true.

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Speaker 1: Remember I told you about the whiteboard. You'd get a

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Speaker 1: whiteboard and you write the most outrageous ship you want

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Speaker 1: to have happened in your life, and you look at

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Speaker 1: it every single day.

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Speaker 2: Who'd you say, did that?

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Speaker 1: Well? I have a lot of people in my life

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Speaker 1: and told me this. But the great the anecdote I

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Speaker 1: referenced on the show was I'm friends with John, the

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Speaker 1: Legends manager, and they her name is Ty and they

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Speaker 1: went to a high school together. And she said when

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Speaker 1: he first started, they got a big whiteboard and they

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Speaker 1: were putting them out. They were like, let's be outraged,

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Speaker 1: like I don't know, cover of Time magazine, like this,

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Speaker 1: many Grammys. They were like sitting there laughing about the

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Speaker 1: outrageous ship they were putting on this whiteboard. And she

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Speaker 1: to me and she said, every single thing on that

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Speaker 1: whiteboard happened. And she said, now I do whiteboards with

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Speaker 1: all my clients and and like you know, so anyway,

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Speaker 1: it's about manifesting, it's about making shit happen. I have

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Speaker 1: a whiteboard in my bedroom and I'll some some things

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Speaker 1: on there are like goals I have and some things

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Speaker 1: on there are like outrageous. I mean, obviously we're not

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Speaker 1: gonna sell it out arena, but I'm saying you can.

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Speaker 2: You can no put that shit on the board. It

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Speaker 2: could happen. It happened for John Legend. Man, the dude's

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Speaker 2: got egot. He got the egot. Let's make it happen.

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Speaker 1: Dude. Well, maybe we'd have to bring John Legend if

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Speaker 1: it was like if we opened for John Legend, let's

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Speaker 1: do it. Let's call Legend. Yeah, man, listen, the guy's

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Speaker 1: got an egot. Okay, So put your egot on your board.

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Speaker 1: I believe in it because you look at the board

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Speaker 1: every day and even in your subconscious brain, your mind

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Speaker 1: is going, I'm gonna find a way to work on

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Speaker 1: that today. I'm gonna make that call I'm afraid to make.

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Speaker 1: I'm gonna. You know, for some people, it's fitness. They're like,

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Speaker 1: you know what, I just looked at that whiteboard, and

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Speaker 1: I gotta get on the treadmill today.

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Speaker 2: I promise myself, I like this, I'm gonna I'm gonna

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Speaker 2: put the white board in my in my bedroom, get

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Speaker 2: white share it with Casey. I'mna be like, baby, let's

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Speaker 2: put the most outrageous yes on this board.

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Speaker 1: I'm telling you listeners, this is the you know, Brene

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Speaker 1: Brown very popular. This is our Brene Brown moment. This

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Speaker 1: is our self help motivational moment on Fake Doctor's Real Friends.

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Speaker 1: You can make anything happen.

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Speaker 2: Okay, dude, I love this. I love this. I love you.

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Speaker 2: I love that we did this together, the four of

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Speaker 2: us and our and our listeners. Yeah, what do you

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Speaker 2: make that shit happen? Let's I have a sweatshirt on

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Speaker 2: today because my wife of those Bieber things. No, it's

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Speaker 2: Mickey Mouse, you.

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Speaker 1: Know, my my my forty something crisis is being managed

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Speaker 1: by just getting lots of tattoos.

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Speaker 2: Nice. Good for you, man.

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Speaker 1: I was always afraid to get tattoos because my father

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Speaker 1: hated them. And when my sister died, I got her

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Speaker 1: name in Hebrew on my on my arm, and my

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Speaker 1: father kind of like was okay with that because it

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Speaker 1: was you know, meaningful and it was Hebrew. And then

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Speaker 1: when he pasd way like, I realized that so much.

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Speaker 1: Even though I was in my forties, I still was

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Speaker 1: so nervous about what my father would think. And then

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Speaker 1: I was like, all right, it's time to fucking tattoo

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Speaker 1: the ship out of myself right on.

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Speaker 2: So you're gonna have a sleeve soon.

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Speaker 1: Well, I know about a sleeve, But where do you

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Speaker 1: want your face? When I get it, I was thinking

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Speaker 1: my left ariola?

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Speaker 2: I was thinking your face for sure?

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Speaker 1: What if I did you on my pictoralis major and

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Speaker 1: then listen and then your mouth was open, But then

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Speaker 1: in your mouth was my left ariola.

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Speaker 2: That's weird, that's weird. I prefer you just got my

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Speaker 2: face on your face, like you took my face and

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Speaker 2: tattooed it on your face.

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Speaker 5: Episode about this.

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Speaker 2: No, I didn't say on his whole face, like my

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Speaker 2: face on his cheeks.

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Speaker 1: I don't know.

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Speaker 2: Second, I don't know a second.

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Speaker 1: I don't joy his black face. If I Joe, can

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Speaker 1: you imagine all you.

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Speaker 2: Can think of him painting my face on his face?

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Speaker 3: I would face off text but like a tattoo for.

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Speaker 2: Right, No, it would be an outline.

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Speaker 1: Joelle, Joelle, it would be an outline. Joel's like now

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Speaker 1: managing all of our black face issues. She's like, guys,

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Speaker 1: sounding like that might be black Hey, guys, I got

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Speaker 1: to chime in here. That sounds like it might be

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Speaker 1: black face. Joelle would be an outline. It wouldn't be

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Speaker 1: like colored in, it would be it would be an

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Speaker 1: outline of Donald's face.

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Speaker 2: Well, I would just want it on your cheek or

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Speaker 2: on your forehead, you know.

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Speaker 1: By the way, the guy tattoos me told me that

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Speaker 1: we were talking about all these young kids that are

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Speaker 1: getting tattoos on their face and how ridiculous it is.

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Speaker 1: And he said that he's really surprised that any of

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Speaker 1: these artists are doing it because there's sort of this

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Speaker 1: unwritten code amongst tattoo artists that you would never put

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Speaker 1: a tattoo on a young person's face, right, and because

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Speaker 1: for obvious reasons, And he said, and now that there's

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Speaker 1: this fad of it happening, he thinks that they're all

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Speaker 1: just doing it for Instagram fame, because these kids are often,

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Speaker 1: you know, famous people, and they're doing it saying, fuck it,

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Speaker 1: I'm gonna get my fifteen minutes of fame. But you know, obviously,

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Speaker 1: get these young people that are all tattooing the share

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Speaker 1: of their faces.

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Speaker 2: Dude, you might not be able to get the money later,

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Speaker 2: you know what I mean, Get the money now if

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Speaker 2: you can. That's that's the that's the yolo man. You

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Speaker 2: only live once.

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Speaker 1: You know, are you would tattoo a child's face?

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Speaker 2: Donald, I'm not, First of all, I am not a

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Speaker 2: tattoo artist, so I'll never have to put myself in

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Speaker 2: this situation. Well, you just.

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Speaker 1: Told these guys and tattoo someone's face.

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Speaker 2: I'm saying, the reasoning behind it is this, dude, do

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Speaker 2: you You don't listen? If scrubs didn't happen, you don't

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Speaker 2: know what you would have done to make them, to

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Speaker 2: make ends meet. If you're acting, if you're acting and

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Speaker 2: directing stuff, you know what I mean? You could have

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Speaker 2: gone into a business that you might not be proud of.

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Speaker 2: You might be. You might be my Instagram model right now,

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Speaker 2: and ang talking about you followers.

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Speaker 1: I love how these girls Instagram influence people. They took

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Speaker 1: like a little time off for COVID and the Black

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Speaker 1: Lives Matter movement, and now they're all back, fucking tushes

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Speaker 1: in the air, selling tea on some yacht and a visa.

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Speaker 2: Oh my god, yolo. Nobody says yolo anymore these days.

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Speaker 1: I don't know TikTok dancing.

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Speaker 2: I've been inside so long, I have no idea what

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Speaker 2: the kids are saying.

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Speaker 1: They're all on some old guy's yacht doing a TikTok dance.

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Speaker 1: But you know what, they must have put that shit

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Speaker 1: on the white board.

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Speaker 2: Imagine that was on the whiteboard. Imagine that's the white board.

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Speaker 2: What do you want to.

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Speaker 1: Be that's their fucking white board. I want to be

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Speaker 1: on a yacht having somebody pay for it, making that

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Speaker 1: Instagram money.

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Speaker 2: That's what's up. That's what hey there it is. Go

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Speaker 2: for yours, listen. That's what I say to everybody and

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Speaker 2: anybody out there who has dreams and they want fame.

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Speaker 2: As long as you don't disrespect nobody or hurt nobody,

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Speaker 2: go for yours. Man.

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Speaker 1: Yeah, but if you can try and go for something

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Speaker 1: that contributes to society in some meaningful.

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Speaker 2: Way, sure you can find yourself later on. You got

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Speaker 2: everybody had something to say.

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Speaker 1: I miss you so much.

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Speaker 2: I miss you so much more. Dude, should we.

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Speaker 1: Get into the show? Tom Kavano's here, I'm so excited

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Speaker 1: about counting.

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Speaker 2: Six Stories.

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Speaker 6: I'm that show we made about a bunch of dogs

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Speaker 6: and nurses.

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Speaker 4: And I said, he's the stories netwll s so ganda

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Speaker 4: around you here yet round here?

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Speaker 1: And what a show? What a show we have today? Donald,

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Speaker 1: It's a really good episode and the hilarious Tom kavanaughs. Here.

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Speaker 1: We have so much to say. Let's just get in, Dan,

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Speaker 1: allow him into the room. Here he comes. I haven't

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Speaker 1: seen him in years. I haven't seen him in years.

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Speaker 2: Tom call.

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Speaker 1: Look at some applause, Dan thunder a clause.

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Speaker 2: Look at how handsome you. It's like, look at you

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Speaker 2: and look at him.

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Speaker 1: Like, look at in the mirror.

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Speaker 7: It's that's that's pandemic.

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Speaker 2: You've got the pandemic face going on.

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Speaker 5: Now.

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Speaker 1: You did get more handsome with age, Tom Cavanaugh, and

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Speaker 1: I can say that because people think we look alike.

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Speaker 7: This is true. I can say likewise, my friend, look

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Speaker 7: at you guys, My goodness, gracious, I'm so good, so

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Speaker 7: good to see your faces.

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Speaker 2: Holy see yours. Are you living in Canada or do

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Speaker 2: you live in the US?

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Speaker 7: Still well, I live in New York, but I film

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Speaker 7: a show in Canada, and when the pandemic hit, I

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Speaker 7: stuck it up north. Hi, Joel, I'm Tom. By the way,

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Speaker 7: I'm nice to meet you in person. I listened to

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Speaker 7: you guys, so I've sort of been familiar with that.

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Speaker 2: Do you know what I watch your show?

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Speaker 7: Right?

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Speaker 2: You know? I watch your show.

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Speaker 7: I don't know that, but I know you have like

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Speaker 7: twenty seven children, so I figure maybe in that demo some.

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Speaker 1: Well but not watching it for his kids. He's watching

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Speaker 1: it for him.

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Speaker 2: So for me, I love the flash. Dude, are you

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Speaker 2: kidding me?

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Speaker 7: That's trumendic?

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Speaker 2: You got a dynamite cast? Great?

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Speaker 1: How old is your target? Tom he watches all of

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00:17:01,720 --> 00:17:05,040
Speaker 1: this stuff? C W is a bunch of teams?

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Speaker 2: How does how did listen? Man? Are you? Is this

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Speaker 2: the only?

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Speaker 7: Man?

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Speaker 2: Listen?

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Speaker 1: Man?

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Speaker 2: Is this the only Wells?

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Speaker 3: Now?

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Speaker 2: Are you the only? Is this? Is this the final Wells?

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Speaker 2: Because the multiverse, the crisis happened, and everything happened. You know,

400
00:17:21,160 --> 00:17:23,480
Speaker 2: there's only what like four earths five earths now in

401
00:17:23,520 --> 00:17:28,119
Speaker 2: the whole arrow verse, and now Supergirl lives on Earth

402
00:17:28,280 --> 00:17:32,280
Speaker 2: one with you guys, And I don't know. My point is.

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Speaker 2: My point is, let the man fucking speak, dude, No, no, no,

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Speaker 2: keep going.

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Speaker 1: He's getting worked up, Tommy, you're really excited.

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Speaker 2: But I really do love the show. I really do

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Speaker 2: love the show. Now you and Cisco Ramone together, I

408
00:17:44,280 --> 00:17:46,520
Speaker 2: love Wells and Cisco Ramon. I love the whole thing.

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Speaker 2: So look, my question is, are you the only Wells? Left.

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Speaker 2: Now that you've gone off and you've become pariah and

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00:17:52,240 --> 00:17:55,200
Speaker 2: everything like that, is this the only Wells there is?

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Speaker 7: Here's what's ridiculous about doing the show, a superhero show.

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00:18:00,720 --> 00:18:03,239
Speaker 7: I run into people like like you, and I just

414
00:18:03,359 --> 00:18:07,520
Speaker 7: am so inferior with my knowledge. I'm like, you know more,

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00:18:07,880 --> 00:18:10,160
Speaker 7: you know more than me. And I'm not exaggerating. I'm

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Speaker 7: not trying to play Donald like. I understand by listening

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Speaker 7: to you that you have a better grasp of the

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Speaker 7: whole thing than I do. I feel like, as you

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Speaker 7: guys know, when you do a long running television show,

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Speaker 7: if there needs to be another Wells, there can be

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Speaker 7: another Wells.

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Speaker 2: That's what's up. I thought that. Yeah, absolutely, here's the thing.

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Speaker 1: Can you explain, Donald. First of all, catch your breath,

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Speaker 1: calm down. Okay, you're embarrassing us in front of our guests.

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Speaker 2: Listen. This is this is exactly what I did to

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Speaker 2: George lucas Man. This is exactly what I.

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Speaker 1: Can get too high. And by the way, when this

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Speaker 1: show's over, he's gonna take a nap because he's gonna

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00:18:46,560 --> 00:18:48,720
Speaker 1: get woozy. He gets very amped up and then he

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Speaker 1: gets woozy.

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Speaker 2: This is what this is all the fans out there

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Speaker 2: who were wondering how I geek out when I when

433
00:18:55,080 --> 00:18:57,399
Speaker 2: I meet or talk to people that do something that

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Speaker 2: I'm like, holy shit about this? Is it right here?

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00:19:00,040 --> 00:19:02,240
Speaker 2: I can't breathe right now. I sweating. I know I

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00:19:02,240 --> 00:19:04,520
Speaker 2: have a sweatshirt on, but I'm sweating under here.

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Speaker 1: All right, But calm down now. For those of you

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Speaker 1: who don't know, Tom is on the Flash. And as

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Speaker 1: I understand it, with the CW Superhero shows, you bounce

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Speaker 1: around to the other shows in the same universe, right

441
00:19:14,560 --> 00:19:17,360
Speaker 1: and they all they're all under the Greg Burlany umbrella.

442
00:19:17,400 --> 00:19:17,840
Speaker 1: I'm guessing.

443
00:19:17,960 --> 00:19:20,119
Speaker 7: Yes, the golden Boy of Hollywood that used to be

444
00:19:20,240 --> 00:19:23,360
Speaker 7: Bill Lawrence is now Greg Burlanty and has he has

445
00:19:23,760 --> 00:19:25,120
Speaker 7: four hundred shows on the air.

446
00:19:25,320 --> 00:19:27,560
Speaker 1: Yeah, he's by the way, my very first job, Tom

447
00:19:27,640 --> 00:19:30,240
Speaker 1: Kevin well first lead in the movie was Broken Hearts Club,

448
00:19:30,320 --> 00:19:34,840
Speaker 1: Greg Burlanni's first movie. That's tremendous, and and now and

449
00:19:34,840 --> 00:19:37,960
Speaker 1: and and he we went to Northwestern together and he

450
00:19:38,440 --> 00:19:41,240
Speaker 1: now he's like, has the most shows on television of anybody.

451
00:19:41,680 --> 00:19:47,640
Speaker 7: You and I when we were talking about doing your podcast, Uh,

452
00:19:47,840 --> 00:19:50,920
Speaker 7: the text that came up right next to that text,

453
00:19:50,920 --> 00:19:53,800
Speaker 7: the last time we talked, can I can I read

454
00:19:53,800 --> 00:19:54,800
Speaker 7: a text that you as.

455
00:19:54,720 --> 00:20:00,360
Speaker 1: Long as it's not like you up, it's quite It's

456
00:20:00,400 --> 00:20:02,199
Speaker 1: like four in the morning and I'm hammered you up.

457
00:20:02,240 --> 00:20:08,760
Speaker 7: No, it's solid comedy. It's you say, tell Berlanty, I

458
00:20:08,880 --> 00:20:13,120
Speaker 7: want to do a cameos reverse Flash's brother. I say done.

459
00:20:13,320 --> 00:20:16,200
Speaker 7: You say, totally unbuild though a surprise. But I'll need

460
00:20:16,240 --> 00:20:19,960
Speaker 7: special powers. I say, make a list, power list, nothing

461
00:20:19,960 --> 00:20:22,680
Speaker 7: with heavy hammers. That shit is boring. You say, laser

462
00:20:22,680 --> 00:20:24,840
Speaker 7: eyes please. I say those are free.

463
00:20:26,119 --> 00:20:26,880
Speaker 1: That sounds great.

464
00:20:28,000 --> 00:20:29,399
Speaker 7: I feel like it's a miss.

465
00:20:29,400 --> 00:20:30,760
Speaker 1: Why did that never happen?

466
00:20:30,880 --> 00:20:32,720
Speaker 7: Now I know what I feel like now that would've

467
00:20:32,760 --> 00:20:34,560
Speaker 7: done this, and I know that Donald wants to be

468
00:20:34,640 --> 00:20:36,880
Speaker 7: on board. I feel like now it's just now. Now

469
00:20:36,920 --> 00:20:38,879
Speaker 7: you're forcing his hand because you're putting it out to

470
00:20:38,920 --> 00:20:40,800
Speaker 7: the public and I was going to have to hire you.

471
00:20:41,119 --> 00:20:44,160
Speaker 2: We were talking about white boards and putting manifesting your

472
00:20:44,160 --> 00:20:47,280
Speaker 2: destination onto white boards. This is on my white board.

473
00:20:47,280 --> 00:20:48,720
Speaker 2: I'm putting it out there right now.

474
00:20:49,160 --> 00:20:51,280
Speaker 1: I want to call Brilanny and I had to call

475
00:20:51,320 --> 00:20:53,840
Speaker 1: him about something else, but I want to call Brilanny

476
00:20:53,880 --> 00:20:56,280
Speaker 1: and say listen, Tom said I could be on the show.

477
00:20:56,640 --> 00:20:58,600
Speaker 7: Yeah, because I have that kind of yes.

478
00:20:59,560 --> 00:21:04,720
Speaker 1: I spoke to he said, like, hang on a second, Tom, Yeah,

479
00:21:05,640 --> 00:21:08,359
Speaker 1: he's got he's got so many he's got so many shows.

480
00:21:08,400 --> 00:21:11,159
Speaker 1: He's like Tom Tom Tom Tom he is, I know

481
00:21:11,160 --> 00:21:13,719
Speaker 1: who he is. And then he called, he calls to

482
00:21:13,720 --> 00:21:22,359
Speaker 1: a secretary. Do we still do Flash? Yeah? But by

483
00:21:22,400 --> 00:21:23,960
Speaker 1: the way, how funny would that be if Donald and

484
00:21:24,000 --> 00:21:26,000
Speaker 1: I came on? I mean, I don't, to be honest,

485
00:21:26,080 --> 00:21:28,720
Speaker 1: I don't. I don't get breathless about the superhero stuff

486
00:21:28,760 --> 00:21:31,520
Speaker 1: like Donald, but he really loves it. So sorry, I digress.

487
00:21:32,040 --> 00:21:33,280
Speaker 7: You should do it. I know the other thing you

488
00:21:33,280 --> 00:21:36,320
Speaker 7: should do, Donald, You should figure out knowing it as

489
00:21:36,320 --> 00:21:38,520
Speaker 7: you do. You should figure out what the what the

490
00:21:38,600 --> 00:21:40,159
Speaker 7: role is that you want Because.

491
00:21:40,040 --> 00:21:41,720
Speaker 2: I know what I want. There's what do you want?

492
00:21:42,040 --> 00:21:42,280
Speaker 2: I want?

493
00:21:42,280 --> 00:21:43,360
Speaker 7: Tone don't say mine.

494
00:21:43,359 --> 00:21:46,000
Speaker 2: I kind of like, listen, I'm gonna put it out there.

495
00:21:46,760 --> 00:21:48,879
Speaker 2: What do you want to You guys kind of opened

496
00:21:48,920 --> 00:21:52,399
Speaker 2: it up when Arrow ended, and I know, I'm not

497
00:21:52,520 --> 00:21:55,040
Speaker 2: sure if you guys are allowed to touch it. You

498
00:21:55,200 --> 00:21:58,120
Speaker 2: kind of touch on it in Stargirl. But I think

499
00:21:58,400 --> 00:22:01,200
Speaker 2: Green Lantern needs to be in this. You know what

500
00:22:01,240 --> 00:22:01,520
Speaker 2: I mean?

501
00:22:02,920 --> 00:22:05,439
Speaker 1: Joel is a Jewel is a big fan of this

502
00:22:05,480 --> 00:22:06,080
Speaker 1: world too.

503
00:22:06,000 --> 00:22:09,400
Speaker 2: And there's so many There are so many that are

504
00:22:09,440 --> 00:22:11,840
Speaker 2: in the Lantern core and I know that you know.

505
00:22:12,119 --> 00:22:15,000
Speaker 2: And also size doesn't matter when you're a Lantern. You

506
00:22:15,000 --> 00:22:18,640
Speaker 2: could be tiny, you could be why, you could be right,

507
00:22:19,000 --> 00:22:21,960
Speaker 2: come on, man. Anyway, My point is I think that's

508
00:22:22,040 --> 00:22:25,760
Speaker 2: one character that would be a lot of fun to play.

509
00:22:25,880 --> 00:22:29,360
Speaker 2: You know, there's so many people in the DC universe,

510
00:22:29,640 --> 00:22:32,359
Speaker 2: but if I had a choice and they were willing

511
00:22:32,400 --> 00:22:35,960
Speaker 2: to do it, I would love to be Green Lantern.

512
00:22:36,200 --> 00:22:39,320
Speaker 7: All right, And John, I think that's really special. And

513
00:22:39,440 --> 00:22:42,120
Speaker 7: dear to Greg, so, I think that's great you're making

514
00:22:42,160 --> 00:22:42,600
Speaker 7: this happen.

515
00:22:42,880 --> 00:22:46,119
Speaker 1: New Slash and the Green Can the Green Lantern be

516
00:22:46,160 --> 00:22:46,720
Speaker 1: forty six?

517
00:22:48,040 --> 00:22:51,280
Speaker 7: He can be anything, he could be any Look, I'm

518
00:22:51,320 --> 00:22:53,679
Speaker 7: playing the reverse Slash. I'm a yellow. I'm wear a

519
00:22:53,720 --> 00:22:54,600
Speaker 7: yellow super suit.

520
00:22:54,640 --> 00:22:59,280
Speaker 1: And sorry Tom for those of us who don't know,

521
00:22:59,359 --> 00:23:01,240
Speaker 1: and I'm sure some of our listeners don't know, can

522
00:23:01,280 --> 00:23:05,719
Speaker 1: you just explain in in non superhero terms, what reverse

523
00:23:05,800 --> 00:23:09,520
Speaker 1: Flash means? Is there a young guys flash?

524
00:23:09,600 --> 00:23:12,040
Speaker 7: Yes, there's a good looking It's kind of like when

525
00:23:12,040 --> 00:23:14,639
Speaker 7: we did Scrub, Like a good looking handsome guy is

526
00:23:14,680 --> 00:23:16,359
Speaker 7: the lead and then they cast this guy as his

527
00:23:16,480 --> 00:23:21,320
Speaker 7: brother Bill Lawrence have lost a bet somewhere, So basically

528
00:23:21,400 --> 00:23:22,320
Speaker 7: a young guy Tom.

529
00:23:22,359 --> 00:23:25,000
Speaker 1: When you insult your looks, you insult my looks. So

530
00:23:26,600 --> 00:23:29,760
Speaker 1: you're a handsome you look like to me when you

531
00:23:29,800 --> 00:23:31,760
Speaker 1: when you when you came on, I thought we got

532
00:23:31,880 --> 00:23:34,359
Speaker 1: I thought we got Tom Kavanaugh. Why is Brad Pitt

533
00:23:34,480 --> 00:23:35,399
Speaker 1: on the podcast?

534
00:23:36,000 --> 00:23:37,280
Speaker 7: That's what that's what you thought?

535
00:23:38,800 --> 00:23:41,080
Speaker 1: Okay, sorry? What is the Reverse Flash? For those of us?

536
00:23:41,080 --> 00:23:43,840
Speaker 7: So he's the he's the Joker to the Batman, the

537
00:23:43,920 --> 00:23:47,600
Speaker 7: Lex Luthor to the he's the bad guys that we have.

538
00:23:47,640 --> 00:23:50,600
Speaker 7: A young fellow, Grant Gustin plays the Flash and the

539
00:23:50,760 --> 00:23:53,200
Speaker 7: arch Enemy is the Reverse Flash. He wears a red suit,

540
00:23:53,280 --> 00:23:55,159
Speaker 7: and I play the arch Enemy the Reverse Flash e

541
00:23:55,320 --> 00:23:56,920
Speaker 7: art on. I wear a yellow suit. And that's kind

542
00:23:56,920 --> 00:23:57,200
Speaker 7: of it.

543
00:23:57,359 --> 00:23:59,639
Speaker 1: Are you doing lots of stunts and fighting? Yeah?

544
00:23:59,760 --> 00:24:02,320
Speaker 7: Yeah, can you imagine it's crazy? You know that bucket

545
00:24:02,320 --> 00:24:04,600
Speaker 7: list that you have as an as an actor, and

546
00:24:05,160 --> 00:24:07,080
Speaker 7: you want to do this theater, You want to do

547
00:24:07,200 --> 00:24:09,159
Speaker 7: this show. You want to do something like shows, you

548
00:24:09,160 --> 00:24:10,120
Speaker 7: want to the whiteboard.

549
00:24:10,640 --> 00:24:13,080
Speaker 1: Yeah, we started, we started the show time before we

550
00:24:13,160 --> 00:24:15,639
Speaker 1: came on talking about just manifesting things by putting on

551
00:24:15,720 --> 00:24:16,960
Speaker 1: a whiteboard and staring at it.

552
00:24:16,960 --> 00:24:18,920
Speaker 7: In me, it was weird to be in your green

553
00:24:19,040 --> 00:24:21,480
Speaker 7: room and not have the speakers going. I'm like, I

554
00:24:21,520 --> 00:24:22,560
Speaker 7: wonder what they're talking about.

555
00:24:23,200 --> 00:24:25,520
Speaker 1: We were talking about you, we were talking about manifesting,

556
00:24:25,560 --> 00:24:26,000
Speaker 1: and then you.

557
00:24:26,359 --> 00:24:28,880
Speaker 7: Well, that's exactly. That's a great that's such a great call.

558
00:24:29,000 --> 00:24:30,639
Speaker 7: This is one of those things I never would have

559
00:24:30,640 --> 00:24:33,600
Speaker 7: expected to do a superhero show, and it's a you know,

560
00:24:33,680 --> 00:24:36,000
Speaker 7: in terms of a bucket list, it's it's so fun.

561
00:24:36,560 --> 00:24:38,080
Speaker 2: Yeah, you guys look like you have a lot of

562
00:24:38,080 --> 00:24:39,280
Speaker 2: fun on it, and it has.

563
00:24:39,240 --> 00:24:40,879
Speaker 1: No end in sight. On your show, it has no

564
00:24:41,000 --> 00:24:43,000
Speaker 1: end in sight. I mean, I just feel like they

565
00:24:43,240 --> 00:24:46,240
Speaker 1: the Greg Brilin keeps adding more and more to this,

566
00:24:46,440 --> 00:24:49,000
Speaker 1: to this world, right, I don't know if they're all

567
00:24:49,080 --> 00:24:51,240
Speaker 1: they all must be successful because they all keep going.

568
00:24:51,480 --> 00:24:54,760
Speaker 7: I honestly, I honestly don't know. I never would have thought.

569
00:24:55,119 --> 00:24:57,040
Speaker 7: I think when they started a number of years ago,

570
00:24:57,080 --> 00:25:00,880
Speaker 7: they had uh and they've done super you know, it

571
00:25:00,920 --> 00:25:05,040
Speaker 7: was the Superman Show, small though, and then they did

572
00:25:05,320 --> 00:25:07,600
Speaker 7: Arrow and Arrow I think did well. And then but

573
00:25:07,680 --> 00:25:10,919
Speaker 7: when we started Flash, you guys, you guys all know

574
00:25:10,960 --> 00:25:13,800
Speaker 7: how it is. We started flashing. I said to my wife, well,

575
00:25:13,800 --> 00:25:16,600
Speaker 7: this will be canceled in seven so I'll go up

576
00:25:16,600 --> 00:25:18,439
Speaker 7: to Vancouver from New York and we'll shoot and then

577
00:25:18,440 --> 00:25:20,879
Speaker 7: it'll get canceled. Because even at that time I had

578
00:25:20,920 --> 00:25:23,720
Speaker 7: done two shows for Greg and both of them had,

579
00:25:23,840 --> 00:25:26,840
Speaker 7: you know, been canceled relatively quickly, because that's just how

580
00:25:26,880 --> 00:25:30,119
Speaker 7: it goes. And so I didn't foresee it, you know,

581
00:25:30,160 --> 00:25:32,200
Speaker 7: I just I never expected to go, and this thing

582
00:25:32,400 --> 00:25:34,359
Speaker 7: seemed to go. And even when you say there's no

583
00:25:34,480 --> 00:25:37,680
Speaker 7: end in sight, I still expect that you'll just get

584
00:25:37,720 --> 00:25:39,840
Speaker 7: the call aay, so yeah, we're done.

585
00:25:40,119 --> 00:25:40,760
Speaker 2: You just never know.

586
00:25:40,960 --> 00:25:43,440
Speaker 1: For those for those of you not in the entertainmentdustry,

587
00:25:43,600 --> 00:25:44,760
Speaker 1: we just we just never know.

588
00:25:44,920 --> 00:25:45,119
Speaker 2: You know.

589
00:25:45,160 --> 00:25:47,240
Speaker 1: You get you get a show like Scrubs and you're like, oh, okay,

590
00:25:47,359 --> 00:25:49,840
Speaker 1: this could go six episodes and then it goes nine

591
00:25:49,880 --> 00:25:53,040
Speaker 1: years or you know, or or you know, Donald's did

592
00:25:53,040 --> 00:25:55,320
Speaker 1: this show and it when a season, and I did

593
00:25:55,359 --> 00:25:56,800
Speaker 1: a show when a season. You just you just have

594
00:25:57,240 --> 00:25:59,080
Speaker 1: every single time, it's a roll of the dice, no

595
00:25:59,160 --> 00:26:02,680
Speaker 1: matter you no matter how many good ingredients there are,

596
00:26:02,720 --> 00:26:03,400
Speaker 1: you just never know.

597
00:26:03,840 --> 00:26:06,120
Speaker 7: Yeh. Yeah, And most of the time the numbers are,

598
00:26:06,200 --> 00:26:07,639
Speaker 7: it's gonna get canceled.

599
00:26:07,680 --> 00:26:10,200
Speaker 1: It's not going to go right, especially now more than ever,

600
00:26:10,240 --> 00:26:13,879
Speaker 1: because you know, it's there's so much content. How the

601
00:26:13,960 --> 00:26:17,320
Speaker 1: hell does the something fine eyeballs? You know, and you're

602
00:26:17,359 --> 00:26:20,480
Speaker 1: on the classic old school true network.

603
00:26:20,960 --> 00:26:25,240
Speaker 2: You know, you guys do twenty four episodes a season.

604
00:26:25,960 --> 00:26:27,679
Speaker 2: Do you know what it's like to be able to

605
00:26:27,720 --> 00:26:31,679
Speaker 2: do something? Most I remember? I remember I did a

606
00:26:31,680 --> 00:26:36,080
Speaker 2: show called The Exes right after Scrubs, right of course, Yeah,

607
00:26:36,119 --> 00:26:39,480
Speaker 2: we did ten episodes a season. That was it for

608
00:26:39,560 --> 00:26:43,960
Speaker 2: an actor. It's like, wait, well, hold on, let's I

609
00:26:44,000 --> 00:26:45,920
Speaker 2: want to be I want to work all year round

610
00:26:45,960 --> 00:26:48,800
Speaker 2: if I possibly can. It was really weird to work

611
00:26:48,880 --> 00:26:52,080
Speaker 2: ten episodes and then have all of this time off

612
00:26:52,119 --> 00:26:54,600
Speaker 2: until you came back and did another ten. Or you

613
00:26:54,640 --> 00:26:57,040
Speaker 2: would do or we would do thirty and they would

614
00:26:57,040 --> 00:27:00,280
Speaker 2: just chop it up into episodes. It was like you

615
00:27:00,320 --> 00:27:03,359
Speaker 2: never really find you never really find a pace or

616
00:27:03,359 --> 00:27:05,520
Speaker 2: a footing. It's like, well, how long are we going?

617
00:27:05,520 --> 00:27:07,880
Speaker 2: We're only going to do ten twenty two? You guys

618
00:27:07,880 --> 00:27:09,760
Speaker 2: seem to you know you live in Canada right now?

619
00:27:10,040 --> 00:27:16,280
Speaker 7: Yes? Yeah? Is it Vancouver, Vancouver, Canada? Coniferous jewel of

620
00:27:16,280 --> 00:27:18,119
Speaker 7: the city. Have you guys been I have.

621
00:27:18,240 --> 00:27:19,200
Speaker 2: I love that town too.

622
00:27:19,320 --> 00:27:21,480
Speaker 1: I think it's a beautiful city. I love it there.

623
00:27:21,800 --> 00:27:23,800
Speaker 1: I was there when the sun was out and it

624
00:27:23,840 --> 00:27:27,240
Speaker 1: was magnificent. Yes, And then I was told that it's

625
00:27:27,280 --> 00:27:28,720
Speaker 1: not always like that, and I don't know if I

626
00:27:28,720 --> 00:27:30,960
Speaker 1: would if I would like it rainy.

627
00:27:31,040 --> 00:27:33,399
Speaker 7: It's yeah, it's a it's a question of taste, like

628
00:27:33,440 --> 00:27:35,640
Speaker 7: when the sun shines as no finer place. I don't

629
00:27:35,680 --> 00:27:37,200
Speaker 7: mind the rain, but I think if you were somebody

630
00:27:37,240 --> 00:27:41,639
Speaker 7: that didn't like rain and preferred like seasons in snow,

631
00:27:41,720 --> 00:27:43,399
Speaker 7: then this city would not be for you. But it

632
00:27:43,440 --> 00:27:45,920
Speaker 7: really is. It really is a coniferous jewel of a city.

633
00:27:45,960 --> 00:27:48,600
Speaker 1: And are you mostly on stages and such or do

634
00:27:48,640 --> 00:27:50,359
Speaker 1: you go out and shoot on locations and stuff.

635
00:27:50,600 --> 00:27:55,000
Speaker 7: It's it's almost fallows a pretty regular schedule where we

636
00:27:55,040 --> 00:27:56,560
Speaker 7: do a lot of stage work early in the week

637
00:27:56,560 --> 00:27:59,280
Speaker 7: and then we do all this the stunt stuff. You know,

638
00:27:59,440 --> 00:28:01,880
Speaker 7: it's always you know, so Thursday, Friday nights, we're gonna

639
00:28:01,880 --> 00:28:03,760
Speaker 7: be we're gonna start at you know, five pm, or

640
00:28:03,800 --> 00:28:05,560
Speaker 7: we're gonna go all night and we're gonna like, you know,

641
00:28:05,600 --> 00:28:06,960
Speaker 7: have the guy run up a building and fight a

642
00:28:07,000 --> 00:28:08,800
Speaker 7: monster and then like we're gonna come back and win,

643
00:28:09,160 --> 00:28:09,359
Speaker 7: you know.

644
00:28:09,600 --> 00:28:11,399
Speaker 2: So you kind of you kind of you kind of

645
00:28:11,400 --> 00:28:13,400
Speaker 2: have to stay in shape for this thing, like you're

646
00:28:13,480 --> 00:28:16,359
Speaker 2: you're asked to do way more than you expected to

647
00:28:16,400 --> 00:28:17,480
Speaker 2: do when you started. Huh.

648
00:28:17,560 --> 00:28:20,040
Speaker 7: Hey, it's a blessing and a curse, you know, because

649
00:28:20,119 --> 00:28:22,120
Speaker 7: the other thing is too is as you guys know too,

650
00:28:22,200 --> 00:28:25,359
Speaker 7: Like I mean, I'm older than you guys, but there's

651
00:28:25,400 --> 00:28:28,360
Speaker 7: a there's a thing where you when you were a

652
00:28:28,400 --> 00:28:32,000
Speaker 7: young actor, you could be vain, but you wouldn't really

653
00:28:32,040 --> 00:28:34,479
Speaker 7: matter because you're probably gonna look fine, you know. And

654
00:28:34,520 --> 00:28:37,080
Speaker 7: then you get a little bit older, and then your coach,

655
00:28:37,359 --> 00:28:40,240
Speaker 7: the people you're acting with, your co actors are twenty

656
00:28:40,280 --> 00:28:43,880
Speaker 7: eight twenty nine, you know, and they are fantastic, and

657
00:28:43,920 --> 00:28:46,920
Speaker 7: then there's you, you know, and he's he looks great

658
00:28:46,920 --> 00:28:48,680
Speaker 7: in the suit. And then you can't really be on

659
00:28:48,720 --> 00:28:51,640
Speaker 7: the donut diet while you're on the suit, so you

660
00:28:51,720 --> 00:28:54,920
Speaker 7: kind of have to keep keeping in shape, you know.

661
00:28:55,000 --> 00:28:55,840
Speaker 7: And so it's do.

662
00:28:55,800 --> 00:28:57,560
Speaker 2: You hang out with Jesse l Martin a lot?

663
00:28:57,720 --> 00:29:00,280
Speaker 7: Jesse is a legend, as you guys know, coming from her.

664
00:29:00,280 --> 00:29:04,040
Speaker 7: He's just he's amazing He's got this thing, sus because

665
00:29:04,080 --> 00:29:06,920
Speaker 7: he's the captain. You know, he can he work, you

666
00:29:07,000 --> 00:29:09,160
Speaker 7: wear a hat and an overcoat. He doesn't have to

667
00:29:09,160 --> 00:29:11,760
Speaker 7: worry too much about you know. He's just like he's

668
00:29:11,840 --> 00:29:14,760
Speaker 7: kind of like he runs. He basically is the beating heart,

669
00:29:14,840 --> 00:29:18,040
Speaker 7: you know, runs the show, the center of you know, reason,

670
00:29:18,200 --> 00:29:22,200
Speaker 7: and uh, you know he's he's got a great job

671
00:29:22,200 --> 00:29:23,080
Speaker 7: and appreciates it.

672
00:29:23,400 --> 00:29:25,959
Speaker 1: So Tom when ed when the show ed, I want

673
00:29:26,000 --> 00:29:28,040
Speaker 1: to talk about that. When it came out, I was

674
00:29:28,280 --> 00:29:33,000
Speaker 1: an unemployed actor and my mom called me very very

675
00:29:33,040 --> 00:29:35,720
Speaker 1: concerned that I that I that I had gotten a

676
00:29:35,840 --> 00:29:38,719
Speaker 1: lead in the TV show and not told her because

677
00:29:38,760 --> 00:29:42,480
Speaker 1: she didn't understand why why I was on billboards all

678
00:29:42,480 --> 00:29:43,440
Speaker 1: over the country.

679
00:29:44,080 --> 00:29:45,280
Speaker 7: And is that true?

680
00:29:45,400 --> 00:29:48,520
Speaker 1: That's how it is? I mean, no, it is, I

681
00:29:48,560 --> 00:29:51,120
Speaker 1: mean she she she obviously sused that it was not me,

682
00:29:51,280 --> 00:29:55,200
Speaker 1: but she was like, there is a young man who's

683
00:29:55,240 --> 00:29:58,520
Speaker 1: on every billboard in town and he looks a lot

684
00:29:58,800 --> 00:30:02,400
Speaker 1: like you. And I remember thinking, oh, yeah, mom, that's

685
00:30:02,400 --> 00:30:05,360
Speaker 1: that's not me. Uh yeah, I'm still still trying to

686
00:30:05,360 --> 00:30:10,200
Speaker 1: get some auditions going and uh and it was really

687
00:30:10,280 --> 00:30:13,240
Speaker 1: humbling because I was like that fucking guy who looks

688
00:30:13,280 --> 00:30:16,600
Speaker 1: exactly like me as a as a hit show leading

689
00:30:16,840 --> 00:30:19,600
Speaker 1: role on NBC. Now, no one's ever gonna hire me.

690
00:30:19,640 --> 00:30:21,840
Speaker 1: By the way, Dak Shepherd, who also looks like us,

691
00:30:22,720 --> 00:30:24,320
Speaker 1: told me this. He was like when I was, when

692
00:30:24,320 --> 00:30:27,400
Speaker 1: I was, you know, became famous and was all over

693
00:30:27,440 --> 00:30:29,440
Speaker 1: the place. He was like, well, how is this gonna

694
00:30:29,440 --> 00:30:32,160
Speaker 1: fuck my career? Because I look like that guy, and

695
00:30:32,200 --> 00:30:36,600
Speaker 1: that guy's already working and so anyway, I wanted to

696
00:30:36,600 --> 00:30:38,640
Speaker 1: talk to you about Ed and tell us I imagine

697
00:30:38,640 --> 00:30:40,400
Speaker 1: that was your big break, right, I mean, I know

698
00:30:40,440 --> 00:30:42,240
Speaker 1: you worked a bunch, but that was your first your

699
00:30:42,240 --> 00:30:44,440
Speaker 1: own show, right for sure?

700
00:30:44,520 --> 00:30:48,600
Speaker 7: I mean, first off, Dak's and you have done quite

701
00:30:48,640 --> 00:30:49,400
Speaker 7: well for yourselves.

702
00:30:49,520 --> 00:30:52,800
Speaker 2: Yeah, I worked out guys, so's Ray Romano.

703
00:30:52,960 --> 00:30:55,200
Speaker 1: Yes, it worked out, It did work out.

704
00:30:55,560 --> 00:30:59,120
Speaker 7: But yeah, I had done I'm Canadian and I had

705
00:31:00,200 --> 00:31:03,760
Speaker 7: I moved to New York City and I think eighty

706
00:31:03,840 --> 00:31:06,640
Speaker 7: nine to do Broadway. I did like a decade of

707
00:31:06,800 --> 00:31:11,080
Speaker 7: theater and I absolutely loved it, absolutely, one hundred percent

708
00:31:11,160 --> 00:31:14,720
Speaker 7: loved that. And then I had done a small guest

709
00:31:14,760 --> 00:31:17,479
Speaker 7: spots for literally for ten years on ABCNBC. Back then

710
00:31:17,520 --> 00:31:20,040
Speaker 7: it was like just the four, right, and I'd done

711
00:31:20,080 --> 00:31:24,440
Speaker 7: a show called Providence and then But I had no

712
00:31:25,360 --> 00:31:29,120
Speaker 7: idea of the profile that you guys enjoyed on Scrubs

713
00:31:30,000 --> 00:31:31,520
Speaker 7: because the shows, a lot of the shows that I

714
00:31:31,520 --> 00:31:33,560
Speaker 7: had done, when they were television shows or series, I'd

715
00:31:33,560 --> 00:31:36,680
Speaker 7: done a couple of series in Canada, they were Canadian shows,

716
00:31:37,440 --> 00:31:40,080
Speaker 7: and there's no cross border pollination between the two countries.

717
00:31:40,880 --> 00:31:43,640
Speaker 7: In other words, you'll shoot a show in Canada and

718
00:31:43,640 --> 00:31:48,480
Speaker 7: you'll do ten episodes, but everybody in Canada is watching Friends, you.

719
00:31:48,520 --> 00:31:51,960
Speaker 1: Know, So who's watching these Canadian shows?

720
00:31:52,040 --> 00:31:56,120
Speaker 7: Well, it's it's different. In Canada. There's a federal mandate

721
00:31:56,160 --> 00:32:00,280
Speaker 7: for these television shows, so they do them, and some

722
00:32:00,320 --> 00:32:04,400
Speaker 7: of them are quite quite good. And there's not a

723
00:32:04,760 --> 00:32:08,880
Speaker 7: there's not a mill the way there is behind the

724
00:32:09,040 --> 00:32:11,960
Speaker 7: entertainment industry and the States. Up in Canada, it doesn't,

725
00:32:12,240 --> 00:32:14,600
Speaker 7: you know. Part of the ethos of the country is like, well,

726
00:32:14,680 --> 00:32:17,120
Speaker 7: let's not get too big for ourselves then, you know,

727
00:32:17,200 --> 00:32:20,560
Speaker 7: and so and in the States it's very much the opposite,

728
00:32:20,640 --> 00:32:22,320
Speaker 7: like let's see how we can build up and how

729
00:32:22,360 --> 00:32:27,040
Speaker 7: big we can get. And why that why that ethos

730
00:32:27,120 --> 00:32:30,600
Speaker 7: is good is that you know you you if you're

731
00:32:30,640 --> 00:32:33,600
Speaker 7: working as an actor, you're working largely because you love

732
00:32:33,640 --> 00:32:36,960
Speaker 7: it because a lot of the attention, at least back then.

733
00:32:37,040 --> 00:32:39,960
Speaker 7: Now it's different because everything can be found. But back then,

734
00:32:40,800 --> 00:32:42,440
Speaker 7: you know, you were you were doing the same stuff

735
00:32:42,440 --> 00:32:44,720
Speaker 7: we would do on Scrubs that you'd come to set

736
00:32:44,800 --> 00:32:46,720
Speaker 7: and there's all the you know, the crew, and there's

737
00:32:46,720 --> 00:32:48,840
Speaker 7: the people and it's and it's great and you love it,

738
00:32:48,880 --> 00:32:51,080
Speaker 7: and then you leave set and it's still the exact

739
00:32:51,120 --> 00:32:55,040
Speaker 7: same experience. It's just that you're not going to radio

740
00:32:55,040 --> 00:32:57,400
Speaker 7: City Music Hall and doing the upfronts, you know what

741
00:32:57,440 --> 00:33:00,400
Speaker 7: I mean. And so but it's nice in this way

742
00:33:00,480 --> 00:33:03,280
Speaker 7: because you understand that, oh, this is this is what

743
00:33:03,360 --> 00:33:05,680
Speaker 7: I love to do. And by the time I got ed,

744
00:33:05,840 --> 00:33:09,440
Speaker 7: like you know, fifteen years later, it was I was

745
00:33:09,800 --> 00:33:12,920
Speaker 7: aware enough that it was it's still the same experience.

746
00:33:12,960 --> 00:33:15,680
Speaker 7: And so even though suddenly, like you say, there was

747
00:33:15,720 --> 00:33:19,560
Speaker 7: like billboards plastered all over the place, I was readily

748
00:33:19,560 --> 00:33:22,960
Speaker 7: aware that you know that that was all that that

749
00:33:23,080 --> 00:33:26,160
Speaker 7: can get ripped away and it's semi superficial, and so

750
00:33:26,200 --> 00:33:28,160
Speaker 7: I think that was a nice little I don't know

751
00:33:28,200 --> 00:33:31,040
Speaker 7: what it would be like to have your face plastered

752
00:33:31,120 --> 00:33:34,280
Speaker 7: all over the place when you're in your mid twenties.

753
00:33:34,280 --> 00:33:35,560
Speaker 7: I think it would be a I think it would

754
00:33:35,560 --> 00:33:36,400
Speaker 7: be a tough fight.

755
00:33:36,560 --> 00:33:39,239
Speaker 1: We didn't on We didn't get a big billboard buy right,

756
00:33:39,480 --> 00:33:42,320
Speaker 1: Why the NBC didn't go They certainly went all in.

757
00:33:42,520 --> 00:33:45,160
Speaker 1: Whoever made the billboard decision for ED went all in.

758
00:33:45,280 --> 00:33:48,040
Speaker 1: And by the time Scrubs came on, they were like, dude,

759
00:33:48,080 --> 00:33:50,280
Speaker 1: remember a few years ago we shot our billboard budget

760
00:33:50,280 --> 00:33:52,640
Speaker 1: on ED. We have no billboard Scrubs.

761
00:33:53,400 --> 00:33:56,840
Speaker 7: Yeah, I'm so sorry about that, because why that's why

762
00:33:56,880 --> 00:33:59,480
Speaker 7: you guys didn't get that big bill But what was

763
00:33:59,480 --> 00:34:02,040
Speaker 7: funny is like I remember when the when Scrubs started,

764
00:34:02,080 --> 00:34:04,880
Speaker 7: how just how much of a splash it made. I'm

765
00:34:04,920 --> 00:34:07,320
Speaker 7: sure you can remember, and it's not lost on you,

766
00:34:07,440 --> 00:34:10,879
Speaker 7: how like big a deal that that was. Like that

767
00:34:11,080 --> 00:34:14,080
Speaker 7: show was so important, it seemed at the time.

768
00:34:14,000 --> 00:34:16,759
Speaker 1: It was bizarre for us because also, you know, we

769
00:34:16,800 --> 00:34:20,240
Speaker 1: compare it to now, you know, the amount of people

770
00:34:20,320 --> 00:34:24,160
Speaker 1: watching a single TV show just doesn't happen anymore, especially live,

771
00:34:25,400 --> 00:34:28,200
Speaker 1: we really even at all, but let alone live when

772
00:34:28,239 --> 00:34:31,560
Speaker 1: it's airing. So it was a completely different eras that

773
00:34:31,600 --> 00:34:32,400
Speaker 1: would watch at.

774
00:34:32,239 --> 00:34:35,680
Speaker 2: Our worst, at our worst TV shows. Now if they

775
00:34:35,719 --> 00:34:39,080
Speaker 2: got our worst numbers, right, Yes, they would be considered

776
00:34:39,160 --> 00:34:39,680
Speaker 2: hit shows.

777
00:34:40,160 --> 00:34:41,640
Speaker 7: Yeah, I mean yeah, no.

778
00:34:42,719 --> 00:34:45,600
Speaker 1: Wie, Tom, was was ed written for you? Or did

779
00:34:45,600 --> 00:34:46,040
Speaker 1: you audition?

780
00:34:46,160 --> 00:34:49,200
Speaker 7: No? No, no, no, they didn't No, No, that was again,

781
00:34:49,239 --> 00:34:52,120
Speaker 7: that was NBC. They didn't want me at all, Like

782
00:34:52,280 --> 00:34:54,120
Speaker 7: we had to. They went through, I think a year

783
00:34:54,120 --> 00:35:00,600
Speaker 7: of casting known people and you know, better humans, you know,

784
00:35:00,800 --> 00:35:01,280
Speaker 7: and then.

785
00:35:01,239 --> 00:35:03,720
Speaker 1: Well, you know what, just just so people that weren't

786
00:35:03,719 --> 00:35:06,440
Speaker 1: in the entertainment industry know, they'll often try and get

787
00:35:06,840 --> 00:35:10,640
Speaker 1: a known star that's right and if and that doesn't

788
00:35:10,640 --> 00:35:12,839
Speaker 1: always work out for the reasons, and then they go, okay,

789
00:35:12,880 --> 00:35:15,080
Speaker 1: well let's start to read people that aren't famous yet,

790
00:35:15,120 --> 00:35:17,600
Speaker 1: and which is when this is how people like the

791
00:35:17,640 --> 00:35:21,279
Speaker 1: two of you. Well, yeah, I mean exactly exactly. It's

792
00:35:21,320 --> 00:35:24,600
Speaker 1: exactly how both Tom and I got our parts exactly.

793
00:35:24,640 --> 00:35:26,680
Speaker 7: I was like the third I think, the third round

794
00:35:26,800 --> 00:35:28,680
Speaker 7: or so of doing it. The only reason I had

795
00:35:28,680 --> 00:35:33,600
Speaker 7: that job. I remember how generous you were at Bill's

796
00:35:33,680 --> 00:35:38,360
Speaker 7: fortieth and we had the party and he was you know,

797
00:35:38,400 --> 00:35:41,360
Speaker 7: you were like, you were just so gracious about because

798
00:35:41,360 --> 00:35:45,480
Speaker 7: you're clearly incredibly talented, and yet you had to wherewithal

799
00:35:45,520 --> 00:35:48,319
Speaker 7: to say I owe so much to this guy, and

800
00:35:48,440 --> 00:35:52,200
Speaker 7: I had the same story. There's a Robernette and John

801
00:35:52,239 --> 00:35:54,040
Speaker 7: Beckerman who ran the late show with let him and

802
00:35:54,800 --> 00:35:56,840
Speaker 7: were those are the guys that the only reason I

803
00:35:56,880 --> 00:35:58,680
Speaker 7: got the job is those guys said this is the guy,

804
00:35:59,120 --> 00:36:03,440
Speaker 7: and you know, they managed to have enough stock that

805
00:36:03,480 --> 00:36:06,800
Speaker 7: people would listen to them. And without without somebody standing

806
00:36:06,880 --> 00:36:09,840
Speaker 7: up for you, sometimes you just it just doesn't you know,

807
00:36:09,880 --> 00:36:11,560
Speaker 7: it doesn't go your way, like those people are the

808
00:36:11,640 --> 00:36:14,239
Speaker 7: only reason I got that job.

809
00:36:14,360 --> 00:36:16,000
Speaker 1: Do you know how many odd times you auditioned?

810
00:36:17,320 --> 00:36:23,239
Speaker 7: I know I auditioned once in Los Angeles, and you

811
00:36:23,280 --> 00:36:24,719
Speaker 7: know how it is when you're like, oh, that that

812
00:36:24,760 --> 00:36:26,480
Speaker 7: went well, you feel good about it. But I was

813
00:36:26,520 --> 00:36:28,799
Speaker 7: also like, okay, it was pilot season and it was

814
00:36:28,840 --> 00:36:30,719
Speaker 7: like one read during the day, but it felt good.

815
00:36:30,719 --> 00:36:35,239
Speaker 7: And then then they called me to have the the

816
00:36:35,280 --> 00:36:37,000
Speaker 7: sessions that they do. They have a studio session and

817
00:36:37,000 --> 00:36:39,640
Speaker 7: a network session, and it was very It was like

818
00:36:40,040 --> 00:36:43,839
Speaker 7: and this is I hope this isn't boring. I don't

819
00:36:43,920 --> 00:36:47,759
Speaker 7: mean to talk about but they we went and we

820
00:36:47,840 --> 00:36:49,440
Speaker 7: had to do it. It was at CBS at the time,

821
00:36:49,480 --> 00:36:50,640
Speaker 7: by the way, I don't know if you guys know

822
00:36:50,719 --> 00:36:54,360
Speaker 7: that show that was CBS, not NBC, and CBS ultimately

823
00:36:55,440 --> 00:36:58,880
Speaker 7: didn't think so they got picked up at CBS, and

824
00:36:58,920 --> 00:37:01,439
Speaker 7: then CBS ever aired the show, and then a year

825
00:37:01,520 --> 00:37:03,799
Speaker 7: later NBC picked it up, Which is weird.

826
00:37:03,880 --> 00:37:05,080
Speaker 1: That never happens.

827
00:37:05,400 --> 00:37:06,080
Speaker 7: It never happened.

828
00:37:06,120 --> 00:37:07,759
Speaker 1: Every time you make a pilot, it's always such a

829
00:37:07,760 --> 00:37:09,920
Speaker 1: bizarre thing, both when I've been in them or when

830
00:37:09,880 --> 00:37:12,439
Speaker 1: I've directed them. You put so they put so much

831
00:37:12,480 --> 00:37:14,879
Speaker 1: money in, they put so much work in, and then

832
00:37:14,880 --> 00:37:17,920
Speaker 1: a network chooses what they choose, and then the discards

833
00:37:18,040 --> 00:37:20,440
Speaker 1: are like they have like the smell of shit on them.

834
00:37:20,480 --> 00:37:22,480
Speaker 1: No one will touch them, and it's like, it's like,

835
00:37:22,600 --> 00:37:25,840
Speaker 1: what someone just spent six million dollars making this pilot.

836
00:37:26,120 --> 00:37:29,000
Speaker 1: You could look at it and maybe recas, maybe you

837
00:37:29,040 --> 00:37:32,200
Speaker 1: could recast some things exactly, you could reshoot half of

838
00:37:32,239 --> 00:37:33,919
Speaker 1: it whatever, Well, why are you throwing it all away?

839
00:37:34,239 --> 00:37:37,080
Speaker 1: It's so it's always a bizarre waste of money to me,

840
00:37:37,480 --> 00:37:40,359
Speaker 1: because there's there's diamonds in the rough that no one

841
00:37:40,440 --> 00:37:43,480
Speaker 1: is So this situation is very rare that then another

842
00:37:43,520 --> 00:37:45,000
Speaker 1: network wade Man will take it.

843
00:37:45,160 --> 00:37:48,440
Speaker 7: I don't know that it ever happened before with CBS.

844
00:37:48,480 --> 00:37:50,560
Speaker 7: I think from what I heard. The only reason that

845
00:37:50,560 --> 00:37:56,000
Speaker 7: that happened was again because Robert nette And ran the

846
00:37:56,080 --> 00:38:00,800
Speaker 7: Letterman Show. It was because Letterman had such a big

847
00:38:01,239 --> 00:38:02,840
Speaker 7: he was such a big paycheck, he was such a

848
00:38:02,840 --> 00:38:05,600
Speaker 7: big entity at the time. That was the only reason

849
00:38:05,640 --> 00:38:08,800
Speaker 7: I think that that that card. If a producer didn't

850
00:38:08,800 --> 00:38:12,200
Speaker 7: have that card to say, that would probably have never

851
00:38:12,760 --> 00:38:16,320
Speaker 7: never happened. But when I went into to read, you know, ostensively,

852
00:38:16,400 --> 00:38:19,840
Speaker 7: the thing was a comedy with heart, and so you know,

853
00:38:20,320 --> 00:38:21,759
Speaker 7: you know, you know how these it's so funny, how

854
00:38:21,760 --> 00:38:24,960
Speaker 7: these things change. So I went in to read. I

855
00:38:25,080 --> 00:38:27,399
Speaker 7: was solid and funny in the room and made them laugh.

856
00:38:27,480 --> 00:38:30,239
Speaker 7: And then normally, okay, the job is yours, this is

857
00:38:30,239 --> 00:38:33,120
Speaker 7: at the network read. But then somebody there's you know,

858
00:38:33,120 --> 00:38:35,080
Speaker 7: twenty five people in the room, and somebody starts going

859
00:38:35,080 --> 00:38:37,400
Speaker 7: about but what about this this I don't like this

860
00:38:37,480 --> 00:38:39,840
Speaker 7: about him? And then that sort of you know, you

861
00:38:39,960 --> 00:38:42,359
Speaker 7: see that the next thing you know, you had it

862
00:38:42,400 --> 00:38:44,440
Speaker 7: and then you don't have it right. And I remember

863
00:38:44,920 --> 00:38:47,279
Speaker 7: Rob and John came out and Rob was he had

864
00:38:47,280 --> 00:38:50,960
Speaker 7: this real serious face and he's like, look, so they

865
00:38:50,960 --> 00:38:52,560
Speaker 7: don't know if you can they don't know if you

866
00:38:52,600 --> 00:38:57,239
Speaker 7: can do straight drama. So even though it was a

867
00:38:57,280 --> 00:38:59,879
Speaker 7: comedic scene, about a guy finding out that his wife

868
00:38:59,880 --> 00:39:03,080
Speaker 7: is sleeping with a mailman. And they're like, you just

869
00:39:03,120 --> 00:39:05,560
Speaker 7: need to do that scene again and throw out all

870
00:39:05,560 --> 00:39:07,440
Speaker 7: the comedy and play it like, you know, play it

871
00:39:07,480 --> 00:39:11,719
Speaker 7: like a Shakespeare tragedy. I was like, okay, oh my god.

872
00:39:11,880 --> 00:39:14,520
Speaker 7: And I went in and did that and you know,

873
00:39:15,200 --> 00:39:18,240
Speaker 7: just completely straight as possible, and they were like, okay,

874
00:39:18,520 --> 00:39:19,399
Speaker 7: can you can do that too.

875
00:39:19,480 --> 00:39:22,400
Speaker 2: It's so amazing, the exact same speech I got pretty

876
00:39:22,440 --> 00:39:24,480
Speaker 2: much really fucked up. Yeah, pretty much what I.

877
00:39:24,800 --> 00:39:26,799
Speaker 1: They weren't saying you fucked up, Donald legit fucked up.

878
00:39:26,800 --> 00:39:27,719
Speaker 1: He didn't say he fucked up.

879
00:39:27,880 --> 00:39:30,040
Speaker 2: No, I didn't. When I wore audition for Scrubs, I

880
00:39:30,080 --> 00:39:32,360
Speaker 2: got real big in the audition because it was a

881
00:39:32,360 --> 00:39:35,600
Speaker 2: comedic scene, and I got real big and animated, and

882
00:39:35,680 --> 00:39:38,640
Speaker 2: Bill had to come out and be like, dude, tone

883
00:39:38,760 --> 00:39:40,080
Speaker 2: that ship down.

884
00:39:41,640 --> 00:39:44,479
Speaker 7: Yeah, because it's funny. As you know, like I think,

885
00:39:44,600 --> 00:39:48,000
Speaker 7: sometimes an executive here's another executive speaking, goes, I better

886
00:39:48,040 --> 00:39:50,440
Speaker 7: weigh in as well, you know. So suddenly they're like

887
00:39:50,480 --> 00:39:52,000
Speaker 7: he's big, Yeah, he's too bid, Yeah, he's too bid.

888
00:39:52,000 --> 00:39:53,680
Speaker 7: Suddenly it becomes his thing and you're like.

889
00:39:53,800 --> 00:39:56,080
Speaker 1: Oh, no, if actors only if actors who have yet

890
00:39:56,120 --> 00:39:58,359
Speaker 1: to be in one of these rooms only knew, Oh

891
00:39:58,440 --> 00:40:01,319
Speaker 1: my gosh, the tight you're walking to try and get

892
00:40:01,320 --> 00:40:04,080
Speaker 1: a fucking roll. Yeah, oh dude, and how it just

893
00:40:04,160 --> 00:40:07,960
Speaker 1: it just falls on one person being like, I don't

894
00:40:07,760 --> 00:40:10,719
Speaker 1: know what if, and then all of a sudden you

895
00:40:10,719 --> 00:40:12,439
Speaker 1: didn't have the part anymore, and you had the part

896
00:40:12,440 --> 00:40:13,040
Speaker 1: for a second.

897
00:40:13,360 --> 00:40:13,640
Speaker 7: Yeah.

898
00:40:13,719 --> 00:40:17,719
Speaker 2: Right. I've been in a room and watch somebody destroy it,

899
00:40:17,800 --> 00:40:20,680
Speaker 2: like kill it, come in and destroy it, and then

900
00:40:20,719 --> 00:40:23,120
Speaker 2: someone else come in and do a really good job

901
00:40:23,360 --> 00:40:27,399
Speaker 2: but not destroy it. And I saw, well the first

902
00:40:27,400 --> 00:40:30,640
Speaker 2: person obviously, and one person in the room was like, well,

903
00:40:30,680 --> 00:40:34,440
Speaker 2: you know what, I'm not sure they actually look like

904
00:40:34,600 --> 00:40:37,239
Speaker 2: the part. You know what, You're right, they don't necessarily

905
00:40:37,280 --> 00:40:39,760
Speaker 2: look like the part. And all of this doubt happened,

906
00:40:39,840 --> 00:40:43,279
Speaker 2: and the person that crushed it did not get the role,

907
00:40:43,320 --> 00:40:45,759
Speaker 2: and the person that just did good got the role.

908
00:40:45,760 --> 00:40:46,400
Speaker 2: Because there was.

909
00:40:46,440 --> 00:40:47,960
Speaker 7: Getting tense just listening to this.

910
00:40:48,080 --> 00:40:51,600
Speaker 1: It's crazy, dude. I was on working on something and

911
00:40:51,640 --> 00:40:54,759
Speaker 1: this girl came in and she was young, you know,

912
00:40:54,840 --> 00:40:56,840
Speaker 1: she was like a young Jennifer Gardner type. She was

913
00:40:56,880 --> 00:41:00,560
Speaker 1: really pretty. She was early twenties and super exc expressive

914
00:41:00,600 --> 00:41:02,959
Speaker 1: and funny, and I thought that she should get the part.

915
00:41:03,360 --> 00:41:06,479
Speaker 1: Another girl came in very very funny. Well, you could

916
00:41:06,480 --> 00:41:08,799
Speaker 1: have done it too, but I preferred the first girl.

917
00:41:08,800 --> 00:41:10,959
Speaker 1: I thought she was better. One of the executives goes

918
00:41:11,320 --> 00:41:13,719
Speaker 1: regarding the first girl the young Jennifer Garner type, but

919
00:41:13,800 --> 00:41:20,120
Speaker 1: she goes, she's very expressive. Should we worry about her

920
00:41:20,160 --> 00:41:26,440
Speaker 1: wrinkling early? Oh wow, Now, mind you, this is like

921
00:41:26,560 --> 00:41:31,120
Speaker 1: a twenty early twenty something year old girl and she's

922
00:41:31,520 --> 00:41:35,000
Speaker 1: very pretty. And the not only is that the most

923
00:41:35,080 --> 00:41:37,200
Speaker 1: ludicrous thing you can ever imagine another human being saying,

924
00:41:37,239 --> 00:41:39,200
Speaker 1: but in your mind the show is going to go

925
00:41:39,320 --> 00:41:44,120
Speaker 1: so many years that her wrinkles that come from her

926
00:41:44,160 --> 00:41:46,200
Speaker 1: being expressive were going to be a problem. I mean,

927
00:41:46,239 --> 00:41:47,640
Speaker 1: it was the most ludicrous thing I've ever heard of

928
00:41:47,640 --> 00:41:48,120
Speaker 1: them a whole lot.

929
00:41:48,200 --> 00:41:52,319
Speaker 7: It's appalling. It's appalling. The other part of it is

930
00:41:52,400 --> 00:41:54,960
Speaker 7: actors can act, you know, and so so I don't

931
00:41:55,000 --> 00:41:56,319
Speaker 7: how many times so like you've done a thing and

932
00:41:56,320 --> 00:41:59,120
Speaker 7: then like yeah, the feedback is, yeah, we wanted it

933
00:41:59,160 --> 00:41:59,720
Speaker 7: a little bigger.

934
00:41:59,719 --> 00:42:03,919
Speaker 2: It's like say that ship, you know, say that ship.

935
00:42:04,200 --> 00:42:06,319
Speaker 2: Why don't you let me do the whole audit? Listen? Man,

936
00:42:06,360 --> 00:42:09,479
Speaker 2: why did you let me do the whole audition that big.

937
00:42:09,520 --> 00:42:11,319
Speaker 2: Then if that's the case, somebody in the room could

938
00:42:11,320 --> 00:42:14,040
Speaker 2: have said, hey, you know what, I love your choice.

939
00:42:14,040 --> 00:42:16,840
Speaker 2: You could be diplomatic about it. I loved your choice. Listen,

940
00:42:16,960 --> 00:42:18,760
Speaker 2: can you tone it down a little bit this time?

941
00:42:19,160 --> 00:42:19,359
Speaker 1: Right?

942
00:42:19,640 --> 00:42:22,640
Speaker 2: You know what I mean? That never happens anymore, dude.

943
00:42:22,680 --> 00:42:24,440
Speaker 2: I do remember though, back in the day when I

944
00:42:24,520 --> 00:42:26,799
Speaker 2: was going out for auditions, and it would be like

945
00:42:26,880 --> 00:42:29,680
Speaker 2: somebody who was from the urban or from the streets

946
00:42:29,719 --> 00:42:31,759
Speaker 2: and stuff like that, and you'd get the can you

947
00:42:31,760 --> 00:42:36,200
Speaker 2: can you spice it up a little doing something? You

948
00:42:36,320 --> 00:42:38,960
Speaker 2: can you can you put a little sauce on that?

949
00:42:39,160 --> 00:42:41,719
Speaker 1: No? How would they say it? Like what's the worst ways?

950
00:42:41,840 --> 00:42:43,960
Speaker 2: One would say that, can you spice it up a

951
00:42:44,000 --> 00:42:44,399
Speaker 2: little bit?

952
00:42:44,440 --> 00:42:45,520
Speaker 1: Spice it up a little?

953
00:42:45,560 --> 00:42:46,800
Speaker 2: And you'd be like what.

954
00:42:49,760 --> 00:42:52,320
Speaker 1: I had a producer say to me once about a script.

955
00:42:52,400 --> 00:42:55,200
Speaker 1: She goes, you know, she was this old lady. She goes,

956
00:42:55,239 --> 00:42:59,359
Speaker 1: you know, you could go black with it, and I go, okay, yeah,

957
00:42:59,400 --> 00:43:02,080
Speaker 1: that's that's there's no reason. She goes, you know, they're

958
00:43:02,120 --> 00:43:08,080
Speaker 1: doing their thing. She did that, judge, you guys can't

959
00:43:08,080 --> 00:43:09,719
Speaker 1: see the gest dure me And she sort of rocks

960
00:43:09,760 --> 00:43:11,960
Speaker 1: back and forth. She goes, you know, they're they're doing

961
00:43:12,040 --> 00:43:18,879
Speaker 1: their thing. It was one of the most awkward things

962
00:43:18,920 --> 00:43:21,759
Speaker 1: I've ever witnessed. I go, okay, so you want them

963
00:43:21,800 --> 00:43:28,759
Speaker 1: to do their thing? I got it? Oh my god,

964
00:43:28,760 --> 00:43:30,360
Speaker 1: should we get it? We have to take a break probably,

965
00:43:31,480 --> 00:43:32,960
Speaker 1: and then we're gonna get into the episode. All right,

966
00:43:33,000 --> 00:43:35,200
Speaker 1: We'll be right back with the Tom Kavanaugh.

967
00:43:41,960 --> 00:43:46,200
Speaker 2: We're bad, bad Hey.

968
00:43:46,360 --> 00:43:46,600
Speaker 3: Tom.

969
00:43:47,080 --> 00:43:50,759
Speaker 2: So we always talk about how everybody met Bill and

970
00:43:50,800 --> 00:43:53,239
Speaker 2: how you came to this show. You wound up during

971
00:43:53,280 --> 00:43:55,719
Speaker 2: the show for several seasons, lots.

972
00:43:55,480 --> 00:43:57,440
Speaker 1: Of episodes you miss have you must have been one

973
00:43:57,480 --> 00:43:59,600
Speaker 1: of our most recurring guest stars.

974
00:44:00,800 --> 00:44:03,319
Speaker 7: I don't know that, but I can tell you I

975
00:44:03,480 --> 00:44:07,960
Speaker 7: was always hugely grateful to get the call. I sort

976
00:44:08,000 --> 00:44:10,359
Speaker 7: of feel like even being on this podcast is sort

977
00:44:10,400 --> 00:44:13,320
Speaker 7: of like I've sort of, like I was telling your producers,

978
00:44:13,360 --> 00:44:16,880
Speaker 7: I've sort of like glommed my way on by like

979
00:44:17,160 --> 00:44:19,799
Speaker 7: you know, get that somehow this got put out there.

980
00:44:19,840 --> 00:44:21,520
Speaker 7: But I also felt that same way about Scrubs, Like

981
00:44:21,680 --> 00:44:24,840
Speaker 7: I don't really do scrubs, but I sort of like

982
00:44:25,200 --> 00:44:27,480
Speaker 7: piggybacked on the back of their success. And I've been

983
00:44:27,520 --> 00:44:30,120
Speaker 7: basically a parasite this whole time, and I'm so so

984
00:44:30,200 --> 00:44:31,800
Speaker 7: grateful for it because.

985
00:44:31,360 --> 00:44:32,520
Speaker 1: People loved you on the show.

986
00:44:32,600 --> 00:44:32,799
Speaker 2: Tom.

987
00:44:32,880 --> 00:44:33,959
Speaker 1: Sorry, it's funny, how.

988
00:44:33,960 --> 00:44:35,920
Speaker 7: Like, no, no, but it's funny. How like when you

989
00:44:35,960 --> 00:44:38,799
Speaker 7: like it isn't anywhere, you can't find it anywhere. Most

990
00:44:38,800 --> 00:44:41,919
Speaker 7: of this a lot of stuff that's harder, harder to find.

991
00:44:41,960 --> 00:44:45,040
Speaker 7: And I would say Scrubs is the thing. Even though

992
00:44:45,280 --> 00:44:47,920
Speaker 7: you know, you guys were you get all. You guys

993
00:44:47,960 --> 00:44:50,520
Speaker 7: did such a great job, but I did nothing. I

994
00:44:50,600 --> 00:44:54,440
Speaker 7: still get recognized all the time from I hear people

995
00:44:54,480 --> 00:44:56,319
Speaker 7: all the time want to say, hey, little brother, or

996
00:44:56,360 --> 00:44:58,720
Speaker 7: they remember this, they remember the bathtub episode. I remember

997
00:44:58,719 --> 00:44:59,680
Speaker 7: this kind of thing. And you know, it was like

998
00:44:59,719 --> 00:45:02,080
Speaker 7: ninety years ago and people are still like it's still resonant.

999
00:45:02,120 --> 00:45:04,720
Speaker 7: It's on Comedy Central. It's just like it's it's lovely

1000
00:45:04,800 --> 00:45:06,880
Speaker 7: to be associated with your success.

1001
00:45:07,280 --> 00:45:09,360
Speaker 1: Well, people really loved you on the show. They really,

1002
00:45:10,000 --> 00:45:12,480
Speaker 1: you know, when when when Donald and I talked about

1003
00:45:12,520 --> 00:45:16,400
Speaker 1: having guests on a lot of people asked for the

1004
00:45:16,560 --> 00:45:19,360
Speaker 1: Tom Kavanaugh. But wait a second, sorry, go back to

1005
00:45:19,440 --> 00:45:21,040
Speaker 1: what Donald asked, how did you come about? How did

1006
00:45:21,080 --> 00:45:22,560
Speaker 1: it come about? Did you know Bill or was it

1007
00:45:22,600 --> 00:45:25,200
Speaker 1: the obvious that people thought he's on NBC. He looks

1008
00:45:25,239 --> 00:45:26,200
Speaker 1: like Zach that kind of thing.

1009
00:45:26,920 --> 00:45:33,920
Speaker 7: No, I I think I had been friendly with Bill

1010
00:45:34,480 --> 00:45:37,759
Speaker 7: and we weren't. We weren't friends before we sort of

1011
00:45:37,800 --> 00:45:41,320
Speaker 7: became friends throughout, but we had, you know, had spoken

1012
00:45:41,400 --> 00:45:46,319
Speaker 7: and gotten along and he he and his wife had

1013
00:45:46,320 --> 00:45:49,520
Speaker 7: always been like quite friendly and generous and stuff, and

1014
00:45:49,560 --> 00:45:52,760
Speaker 7: so I think it must have been him saying, oh, okay,

1015
00:45:52,840 --> 00:45:57,600
Speaker 7: I know Tom. I I have a friendly relationship with him,

1016
00:45:57,800 --> 00:46:00,440
Speaker 7: and so this seems like a natural fit because of

1017
00:46:00,600 --> 00:46:03,360
Speaker 7: how we look. I think you run into people and

1018
00:46:03,360 --> 00:46:05,840
Speaker 7: you're like, I would like to work with this person again,

1019
00:46:05,920 --> 00:46:07,480
Speaker 7: you know what I mean. That happens occasionally, and it

1020
00:46:07,480 --> 00:46:11,080
Speaker 7: almost never happens. I think all your intentions are always great,

1021
00:46:11,600 --> 00:46:14,720
Speaker 7: and yet you're still trying to have a job and survive,

1022
00:46:14,800 --> 00:46:18,279
Speaker 7: and so sometimes it's quite quite difficult, given you know,

1023
00:46:18,760 --> 00:46:22,680
Speaker 7: it's very difficult to repatriate again. So I think I

1024
00:46:22,719 --> 00:46:24,480
Speaker 7: think maybe we got along and then he was like,

1025
00:46:24,480 --> 00:46:26,640
Speaker 7: oh this is this could be a nice little one off,

1026
00:46:26,680 --> 00:46:30,319
Speaker 7: but then it ended up being more, which is tremendous.

1027
00:46:30,000 --> 00:46:32,560
Speaker 2: Because you're really good on the show Man. Also, you know,

1028
00:46:33,680 --> 00:46:37,640
Speaker 2: I we talk about this all the time in remembering

1029
00:46:37,640 --> 00:46:39,400
Speaker 2: the shows. This is one of we talk about it

1030
00:46:39,440 --> 00:46:41,360
Speaker 2: so much that it's become a bingo. It's one of

1031
00:46:41,400 --> 00:46:45,160
Speaker 2: the bingo questions, Like somebody made a bingo sheet, and

1032
00:46:45,480 --> 00:46:48,000
Speaker 2: on the bingo sheet it says they'll talk about at

1033
00:46:48,000 --> 00:46:51,400
Speaker 2: some point, you know, if they talk about not remembering

1034
00:46:51,440 --> 00:46:54,759
Speaker 2: the show, you get a letter, right, And this is

1035
00:46:54,800 --> 00:46:58,480
Speaker 2: one of those moments because I really didn't remember this

1036
00:46:58,800 --> 00:47:02,240
Speaker 2: episode that much. I knew the first episode I remember

1037
00:47:02,280 --> 00:47:05,520
Speaker 2: you on is when John Ritter passed away and then

1038
00:47:05,600 --> 00:47:07,719
Speaker 2: you out of nowhere. Was like, yo, you know what,

1039
00:47:07,800 --> 00:47:10,160
Speaker 2: I'll come in and now and wait, how.

1040
00:47:10,200 --> 00:47:11,040
Speaker 1: Was that this one?

1041
00:47:11,480 --> 00:47:13,520
Speaker 2: That's not this one? That's not this one at all?

1042
00:47:14,640 --> 00:47:17,160
Speaker 7: That was another significant one that was such a again,

1043
00:47:17,680 --> 00:47:19,000
Speaker 7: you know, I think I don't know if you had

1044
00:47:19,080 --> 00:47:21,000
Speaker 7: because you're there and you have no basis of comparison

1045
00:47:21,040 --> 00:47:24,399
Speaker 7: for you people. You guys were like all all all

1046
00:47:24,440 --> 00:47:27,720
Speaker 7: your group was such a welcoming you know. It's it's

1047
00:47:27,760 --> 00:47:30,040
Speaker 7: it's interesting because once you go through, you know, thirty

1048
00:47:30,120 --> 00:47:33,080
Speaker 7: years of this stuff, it's not always you know, it's

1049
00:47:33,120 --> 00:47:35,759
Speaker 7: not always a group like that, you know, and I

1050
00:47:35,960 --> 00:47:38,919
Speaker 7: obviously don't know all the inside stories and stuff because

1051
00:47:38,960 --> 00:47:41,600
Speaker 7: I would just come in and out, but but being

1052
00:47:41,640 --> 00:47:47,520
Speaker 7: in a place where you felt welcomed and encouraged, and

1053
00:47:47,600 --> 00:47:49,920
Speaker 7: the idea is that that you guys. I can remember

1054
00:47:50,040 --> 00:47:52,080
Speaker 7: laughing so hard at the stuff you guys would do

1055
00:47:52,280 --> 00:47:54,560
Speaker 7: that wasn't in the script, knowing that you would do

1056
00:47:54,640 --> 00:47:56,799
Speaker 7: this stuff verbatim as it was in the script, knowing

1057
00:47:56,800 --> 00:47:58,640
Speaker 7: that you would get your blows, your chances later. And

1058
00:47:58,640 --> 00:48:02,160
Speaker 7: I thought, this is incredible, this this environment. I remember you,

1059
00:48:02,360 --> 00:48:05,400
Speaker 7: Zach doing one of I've seen like the actor who

1060
00:48:05,440 --> 00:48:09,080
Speaker 7: played Ross Kueller, David Swimmer running to he had an

1061
00:48:09,160 --> 00:48:12,440
Speaker 7: open laundry door and he like hits his head on

1062
00:48:12,480 --> 00:48:14,359
Speaker 7: it and falls over there. That's one of the most

1063
00:48:14,400 --> 00:48:16,719
Speaker 7: solid modern day praftfalls. And you did one to do

1064
00:48:16,800 --> 00:48:19,520
Speaker 7: a glass door that was like we're just we're just watching,

1065
00:48:19,880 --> 00:48:21,799
Speaker 7: you know. We were sitting by the monitors and I

1066
00:48:21,840 --> 00:48:23,640
Speaker 7: was like, I remember thinking this and this is like

1067
00:48:23,719 --> 00:48:25,880
Speaker 7: years ago. I remember thinking I could watch him do

1068
00:48:25,960 --> 00:48:29,759
Speaker 7: this all long. Every time you didn't get tired of it,

1069
00:48:29,800 --> 00:48:31,360
Speaker 7: you kept doing it. Every time you did it, it was

1070
00:48:31,360 --> 00:48:32,520
Speaker 7: like seemed like better than the last.

1071
00:48:32,680 --> 00:48:34,560
Speaker 1: I wanted to get it right, you know. I so

1072
00:48:35,120 --> 00:48:38,160
Speaker 1: enjoyed doing the physical comedy, and and I would get

1073
00:48:38,640 --> 00:48:41,479
Speaker 1: competitive just with myself wanting to be wanting to wanting

1074
00:48:41,520 --> 00:48:44,279
Speaker 1: to make a really good one. And and uh, you

1075
00:48:44,280 --> 00:48:46,240
Speaker 1: know that was a bit of my that was my sport.

1076
00:48:46,320 --> 00:48:48,920
Speaker 1: If you will try to be good at I remember

1077
00:48:48,920 --> 00:48:50,640
Speaker 1: one time in one of the episodes, you jumped out

1078
00:48:50,640 --> 00:48:53,240
Speaker 1: and I just improved monsters.

1079
00:48:56,400 --> 00:48:56,640
Speaker 3: Yeah.

1080
00:48:57,200 --> 00:49:00,319
Speaker 1: And you know, the fun thing about the show, as

1081
00:49:00,320 --> 00:49:04,560
Speaker 1: you were just saying, was there was such a vibe

1082
00:49:04,760 --> 00:49:08,440
Speaker 1: of just safety, that is, this is a safe environment.

1083
00:49:08,760 --> 00:49:12,600
Speaker 1: Go nuts, do be adventurous. You know, Bill will tell

1084
00:49:12,640 --> 00:49:15,000
Speaker 1: you you obviously get to it as written, but he'll

1085
00:49:15,000 --> 00:49:16,399
Speaker 1: tell you if he wants you to bring it down.

1086
00:49:16,800 --> 00:49:19,319
Speaker 1: But I was just watching this your first episode, and

1087
00:49:19,719 --> 00:49:23,240
Speaker 1: you were making such bold choices and right so tricky,

1088
00:49:23,320 --> 00:49:25,040
Speaker 1: which is tricky because you know, we'd be bound the show.

1089
00:49:25,080 --> 00:49:27,080
Speaker 1: We're regulars, we're there all the time. We had we

1090
00:49:27,120 --> 00:49:30,160
Speaker 1: had kind of built up that comfortableness for a guest

1091
00:49:30,160 --> 00:49:32,279
Speaker 1: star to come on and be like, all right, I'm

1092
00:49:32,280 --> 00:49:34,640
Speaker 1: gonna do a bold character. I'm gonna make bold choices.

1093
00:49:34,920 --> 00:49:37,000
Speaker 1: I was really I was really impressed with you just

1094
00:49:37,040 --> 00:49:38,880
Speaker 1: watching it back, because it's one thing if you do

1095
00:49:38,960 --> 00:49:41,360
Speaker 1: it like on your fifth episode, here you are is

1096
00:49:41,400 --> 00:49:43,200
Speaker 1: your first time on set, your guest star of a

1097
00:49:43,600 --> 00:49:47,640
Speaker 1: show that that's really popular, and you came up with

1098
00:49:47,680 --> 00:49:50,759
Speaker 1: this character which was nothing like your character on ED

1099
00:49:50,880 --> 00:49:52,680
Speaker 1: and was just bold and funny.

1100
00:49:53,160 --> 00:49:55,839
Speaker 7: But it was probably a lot to do with, like

1101
00:49:55,880 --> 00:49:59,919
Speaker 7: I say, just being around a place where people were like, hey,

1102
00:50:00,239 --> 00:50:04,560
Speaker 7: have fun, enjoy I think I think it just bears

1103
00:50:04,560 --> 00:50:08,200
Speaker 7: repeating that your show was such a such a place

1104
00:50:08,200 --> 00:50:10,640
Speaker 7: where you know, you welcome people to do that very

1105
00:50:10,640 --> 00:50:13,719
Speaker 7: thing you were talking about. I remember also being so impressed.

1106
00:50:14,480 --> 00:50:17,200
Speaker 7: I'm sorry of talking about it, but it just it

1107
00:50:17,320 --> 00:50:19,719
Speaker 7: just seemed like I remember season six coming in and

1108
00:50:19,760 --> 00:50:22,319
Speaker 7: doing something and I remember thinking, I remember watching on

1109
00:50:22,440 --> 00:50:27,160
Speaker 7: different shows i'd done, how you know people buy into like, well,

1110
00:50:27,160 --> 00:50:30,200
Speaker 7: how what's our place in the universe of television? Like

1111
00:50:30,239 --> 00:50:31,359
Speaker 7: are we popular? Are we?

1112
00:50:31,560 --> 00:50:31,680
Speaker 4: You know?

1113
00:50:31,719 --> 00:50:35,640
Speaker 7: Are we getting enough attention? And I think you guys

1114
00:50:35,680 --> 00:50:38,440
Speaker 7: probably had you know, the NBA, Why don't they promote us?

1115
00:50:38,480 --> 00:50:40,600
Speaker 7: All that kind of stuff. But I remember coming in

1116
00:50:41,040 --> 00:50:44,360
Speaker 7: on season six and watching you had settled into this

1117
00:50:44,400 --> 00:50:46,560
Speaker 7: thing like this is us and this is for us,

1118
00:50:46,680 --> 00:50:50,000
Speaker 7: and it was such a smart and intelligent way to

1119
00:50:50,080 --> 00:50:53,120
Speaker 7: understand that life is fleeting, this is fleeting, and so

1120
00:50:53,520 --> 00:50:56,320
Speaker 7: let's just all be for this show. And when you

1121
00:50:56,360 --> 00:50:59,040
Speaker 7: when you come from a different place and you come

1122
00:50:59,080 --> 00:51:03,080
Speaker 7: into that, it influenced me for the rest of my

1123
00:51:03,120 --> 00:51:05,160
Speaker 7: career to go, this is really what you want. People

1124
00:51:05,200 --> 00:51:07,439
Speaker 7: who are having each other's backs, who are for each other,

1125
00:51:07,719 --> 00:51:11,239
Speaker 7: who want to just do this scene right now as

1126
00:51:11,280 --> 00:51:13,680
Speaker 7: best as they can. And what more is that?

1127
00:51:14,840 --> 00:51:17,480
Speaker 1: Yeah, speaking of doing a scene, really well, how fucking

1128
00:51:17,520 --> 00:51:20,520
Speaker 1: funny are you stealing the lab coat and going in

1129
00:51:20,520 --> 00:51:21,840
Speaker 1: to attend to a patient?

1130
00:51:22,239 --> 00:51:23,400
Speaker 2: That shit was hilarious.

1131
00:51:23,520 --> 00:51:26,400
Speaker 1: Yeah, mister laughed, before we do that.

1132
00:51:27,880 --> 00:51:31,400
Speaker 2: Before we do that, let's get into this, uh recap?

1133
00:51:32,160 --> 00:51:36,000
Speaker 1: Oh yeah, sorry, So Tom, every episode, Donald will sum

1134
00:51:36,040 --> 00:51:38,879
Speaker 1: it up. He has thirty seconds. I time him. Yes,

1135
00:51:38,960 --> 00:51:41,920
Speaker 1: and this is great. Okay, So Donald, hold on getting

1136
00:51:41,920 --> 00:51:44,360
Speaker 1: my stop watch up. He's been crushing it lately. He

1137
00:51:44,440 --> 00:51:49,160
Speaker 1: got in a little cocky late and and and ending early,

1138
00:51:49,200 --> 00:51:50,719
Speaker 1: which I don't like. I like you to fill your

1139
00:51:50,760 --> 00:51:51,400
Speaker 1: time now.

1140
00:51:51,280 --> 00:51:52,160
Speaker 2: This might go over.

1141
00:51:52,480 --> 00:51:55,360
Speaker 1: Okay, on your mark, get set go.

1142
00:51:56,160 --> 00:51:59,280
Speaker 2: J D's brother Dan comes to visit. He wrecks havoc

1143
00:51:59,360 --> 00:52:02,399
Speaker 2: on all of j these relationships. JD wishes his brother

1144
00:52:02,440 --> 00:52:05,080
Speaker 2: would just grow up Turkey and cocks are beefing again,

1145
00:52:05,360 --> 00:52:07,799
Speaker 2: this time because both have good arguments on why their

1146
00:52:07,800 --> 00:52:10,560
Speaker 2: departments are better at saving lives. By the act break,

1147
00:52:10,760 --> 00:52:13,640
Speaker 2: Jdan Turk are shamed, Turk of himself, j D of

1148
00:52:13,680 --> 00:52:15,520
Speaker 2: his brother. For Turk, it takes a lesson from an

1149
00:52:15,600 --> 00:52:19,080
Speaker 2: unexpected person for him to regain faith that he's doing

1150
00:52:19,120 --> 00:52:21,760
Speaker 2: his job the right way. For JD, it's him learning

1151
00:52:21,920 --> 00:52:24,960
Speaker 2: and understanding that not all people are built the same.

1152
00:52:25,280 --> 00:52:27,839
Speaker 2: Some people are content with who they are. How far

1153
00:52:27,880 --> 00:52:28,480
Speaker 2: did I go over?

1154
00:52:28,800 --> 00:52:30,920
Speaker 1: It's thirty six, But you had some fuck ups, and

1155
00:52:30,960 --> 00:52:33,160
Speaker 1: I think the audiences to give you geez.

1156
00:52:33,880 --> 00:52:34,960
Speaker 7: I thought it was amazing.

1157
00:52:35,080 --> 00:52:36,920
Speaker 1: It's well done. It's well done. I think when you

1158
00:52:36,960 --> 00:52:39,000
Speaker 1: were hurt. I don't think you rehearsed this time. Sometimes.

1159
00:52:39,560 --> 00:52:42,359
Speaker 2: No, it's freaking We're an hour into the damn show.

1160
00:52:42,440 --> 00:52:43,400
Speaker 2: I expected to do that.

1161
00:52:44,239 --> 00:52:47,160
Speaker 1: You well, he didn't know that Tom Cavanaugh was going

1162
00:52:47,200 --> 00:52:47,960
Speaker 1: to be so interesting.

1163
00:52:48,280 --> 00:52:50,080
Speaker 2: I said, listen, I knew Tom was going to be

1164
00:52:50,120 --> 00:52:51,839
Speaker 2: this interesting. So you're saying we were going to get

1165
00:52:51,840 --> 00:52:52,359
Speaker 2: into the show.

1166
00:52:52,640 --> 00:52:54,759
Speaker 1: What you're saying is that you were rehearsed right before

1167
00:52:54,800 --> 00:52:56,400
Speaker 1: he went on the air, And now you're rusty.

1168
00:52:56,560 --> 00:52:58,319
Speaker 2: And I was rusty. If you give me another chance,

1169
00:52:58,360 --> 00:52:59,120
Speaker 2: I bet it's better.

1170
00:52:59,480 --> 00:53:02,839
Speaker 1: No on here again, sick, good job. You know what, Well,

1171
00:53:02,920 --> 00:53:04,840
Speaker 1: you know what, We'll have Dan speed it up a

1172
00:53:04,880 --> 00:53:07,600
Speaker 1: little bit. No, we can't do no. Yeah, thirty six seconds.

1173
00:53:07,880 --> 00:53:11,400
Speaker 1: Thirty six well done though. Well yes, well that's the

1174
00:53:11,440 --> 00:53:13,480
Speaker 1: episode to remind you, Tom. We did this as a

1175
00:53:13,520 --> 00:53:15,360
Speaker 1: service to people who want a brief reminder of what

1176
00:53:15,360 --> 00:53:19,439
Speaker 1: the episode was Tom. Tom comes to visit me. He's

1177
00:53:19,480 --> 00:53:23,040
Speaker 1: been driving a car across the country as a for

1178
00:53:23,040 --> 00:53:26,200
Speaker 1: for three hundred dollars and uh, he has no fear

1179
00:53:26,280 --> 00:53:28,920
Speaker 1: of doctor Cox, which is just mind boggling me. And

1180
00:53:28,960 --> 00:53:32,280
Speaker 1: I'm squirming that he's I'm squirming as he meets Cox

1181
00:53:32,320 --> 00:53:34,720
Speaker 1: for the first time and is fucking with doctor Cox.

1182
00:53:35,000 --> 00:53:37,040
Speaker 2: Yeah, that would be the best day of my life.

1183
00:53:37,040 --> 00:53:40,560
Speaker 2: If I went to my brother's job and he had

1184
00:53:40,800 --> 00:53:44,320
Speaker 2: a boss that was bullying him, and I could freaking

1185
00:53:44,440 --> 00:53:46,759
Speaker 2: and I know that no matter what, he's gonna get

1186
00:53:46,760 --> 00:53:49,200
Speaker 2: bullied anyway. I'm gonna fuck some shit up. Then how

1187
00:53:49,239 --> 00:53:51,160
Speaker 2: about this, oh wort, you got to mess with my

1188
00:53:51,160 --> 00:53:53,080
Speaker 2: little brother. Now I'm gonna mess with you.

1189
00:53:53,160 --> 00:53:55,600
Speaker 1: Yeah, you know, I remember the day. I think I

1190
00:53:55,640 --> 00:53:58,759
Speaker 1: remember on the day Tom even being nervous in real

1191
00:53:58,840 --> 00:54:03,200
Speaker 1: life because I was so you know, Johnny was Johnny

1192
00:54:03,320 --> 00:54:06,480
Speaker 1: and I we wear versions of our characters and and

1193
00:54:06,520 --> 00:54:08,239
Speaker 1: we would just play that. Now you came in as

1194
00:54:08,239 --> 00:54:10,319
Speaker 1: an alpha fucking with him, and I think I think

1195
00:54:10,360 --> 00:54:12,839
Speaker 1: I recalled even on the day, being a little uncomfortable,

1196
00:54:12,920 --> 00:54:16,839
Speaker 1: but I think didn't like it, and I'm I'm sure

1197
00:54:16,880 --> 00:54:20,959
Speaker 1: he did, because nobody in that hospital, in the real

1198
00:54:21,000 --> 00:54:23,120
Speaker 1: world or on or in the world of the show

1199
00:54:23,400 --> 00:54:26,279
Speaker 1: fucked with him, and he had gotten quite comfortable with that.

1200
00:54:26,360 --> 00:54:29,360
Speaker 1: And now here's someone who looks just like me walking

1201
00:54:29,400 --> 00:54:33,600
Speaker 1: with him. But that was great. And then so the

1202
00:54:33,880 --> 00:54:36,200
Speaker 1: let's talk about that Rickles moment. That was pretty fucking funny.

1203
00:54:36,239 --> 00:54:38,680
Speaker 2: That ship was hilarious. I love the fact that the

1204
00:54:38,719 --> 00:54:42,120
Speaker 2: reason why it's gonna happen is because he hears Bambi

1205
00:54:42,400 --> 00:54:43,759
Speaker 2: and you're like, all right, I don't want you to

1206
00:54:43,760 --> 00:54:45,160
Speaker 2: call me bamb before the rest of my life. I'll

1207
00:54:45,200 --> 00:54:48,160
Speaker 2: love a lab wear a lab coat with a lab cooat.

1208
00:54:48,280 --> 00:54:50,279
Speaker 2: And he walks in, and he goes and you know,

1209
00:54:50,680 --> 00:54:53,120
Speaker 2: and and and we find out just before he walks

1210
00:54:53,160 --> 00:54:55,319
Speaker 2: in that the guy's got to live and that the

1211
00:54:55,320 --> 00:54:58,680
Speaker 2: surgery was everything was a success. And the first thing

1212
00:54:58,760 --> 00:55:04,640
Speaker 2: Tom says, Dan says it was touch and go for.

1213
00:55:03,120 --> 00:55:05,799
Speaker 1: Ye, and then he goes, you got out. We got

1214
00:55:05,880 --> 00:55:07,080
Speaker 1: to look out for those little rickles.

1215
00:55:07,120 --> 00:55:09,600
Speaker 7: And he goes his name is ricks He's like the

1216
00:55:09,600 --> 00:55:11,480
Speaker 7: little reckles the kids future.

1217
00:55:13,719 --> 00:55:15,600
Speaker 1: And then I go, okay, thank you. When you go,

1218
00:55:15,680 --> 00:55:20,160
Speaker 1: damn it, Bamby, I'm busy to find a good nurse

1219
00:55:20,200 --> 00:55:26,560
Speaker 1: these days. And shot was really funny by Michael Spiller

1220
00:55:26,600 --> 00:55:29,440
Speaker 1: when you when you turn around, Yeah, I'm always a

1221
00:55:29,480 --> 00:55:30,680
Speaker 1: sucker for the quick turnaround.

1222
00:55:30,719 --> 00:55:33,120
Speaker 7: Yes, of course, damn it, Bamby, give me a second.

1223
00:55:33,280 --> 00:55:36,000
Speaker 7: Yeah exactly, I'm busy.

1224
00:55:36,800 --> 00:55:41,600
Speaker 1: Hilarious, And now my nightmare would be my brother coming

1225
00:55:41,640 --> 00:55:45,399
Speaker 1: and flirting with someone that I had feelings for and

1226
00:55:45,680 --> 00:55:48,319
Speaker 1: let alone also your friend. I mean, this is like

1227
00:55:48,360 --> 00:55:51,759
Speaker 1: always awkward when you have a friend that's like, I

1228
00:55:51,800 --> 00:55:53,520
Speaker 1: don't know if this guy's ever happened to you, where

1229
00:55:53,560 --> 00:55:55,359
Speaker 1: like you broke up with someone and then you see

1230
00:55:55,360 --> 00:55:59,080
Speaker 1: your friends starting to like and you're like, what the fuck?

1231
00:55:59,480 --> 00:56:02,120
Speaker 1: And and and I just I felt for JD as

1232
00:56:02,160 --> 00:56:04,000
Speaker 1: you as you and Sarah are walking down the hall

1233
00:56:04,080 --> 00:56:07,680
Speaker 1: and flirting, and it's cruel, it's awful, it's so fucking mean.

1234
00:56:07,920 --> 00:56:08,520
Speaker 7: It's awful.

1235
00:56:08,960 --> 00:56:11,000
Speaker 1: Yeah, it's mean, by the way, it's me on both parts.

1236
00:56:11,000 --> 00:56:13,479
Speaker 1: It's mean on, it's mean on. I mean, you guys

1237
00:56:13,520 --> 00:56:17,000
Speaker 1: have a brother. You guys those two characters had had

1238
00:56:17,000 --> 00:56:20,800
Speaker 1: a brother competition thing, obviously, but the fact that Elliott

1239
00:56:20,880 --> 00:56:22,920
Speaker 1: was so willing to just like dive in and be

1240
00:56:23,040 --> 00:56:24,680
Speaker 1: all like gigly that was so cruel.

1241
00:56:25,040 --> 00:56:27,400
Speaker 7: Yeah, it was mean. It was like, ah, he's so funny,

1242
00:56:27,440 --> 00:56:29,279
Speaker 7: and he's not really that funny, but he was just

1243
00:56:29,320 --> 00:56:32,240
Speaker 7: being You're like, ah, yeah, I know, that's okay. You

1244
00:56:32,360 --> 00:56:35,600
Speaker 7: just and then the idea that wait, this is actually happened,

1245
00:56:35,600 --> 00:56:37,360
Speaker 7: This is happening, is happening. You know.

1246
00:56:37,480 --> 00:56:41,040
Speaker 2: I love I love the how he realizes it's happening

1247
00:56:41,560 --> 00:56:45,640
Speaker 2: out of nowhere. You turn day tonight by flicking a switch.

1248
00:56:47,040 --> 00:56:50,040
Speaker 1: That was great. And then they start totally making out,

1249
00:56:50,480 --> 00:56:52,279
Speaker 1: and then and then they pop back to reality. And

1250
00:56:52,360 --> 00:56:56,800
Speaker 1: then in reality, I yell, stop your stop your stupid laughing.

1251
00:56:56,840 --> 00:56:58,560
Speaker 1: It makes you look like a whore.

1252
00:56:58,840 --> 00:57:02,400
Speaker 7: Right, and you're like kidding, just the worst thing you

1253
00:57:02,400 --> 00:57:05,000
Speaker 7: could say. And then the way I.

1254
00:57:04,880 --> 00:57:06,960
Speaker 1: Did it was like vomiting it up, like I couldn't

1255
00:57:07,120 --> 00:57:08,879
Speaker 1: I couldn't hold in the rain.

1256
00:57:09,760 --> 00:57:11,040
Speaker 7: You skewed it out.

1257
00:57:11,520 --> 00:57:13,600
Speaker 2: Yeah, stupid laughing.

1258
00:57:13,680 --> 00:57:14,480
Speaker 1: It makes you look like.

1259
00:57:15,000 --> 00:57:17,280
Speaker 2: Goodness grace jump cut.

1260
00:57:17,600 --> 00:57:20,040
Speaker 1: Yeah, I must have been tricky to shoot. We must

1261
00:57:20,080 --> 00:57:21,480
Speaker 1: have done the first part and then come back.

1262
00:57:21,520 --> 00:57:23,680
Speaker 7: We did. We did. Then we came back at night

1263
00:57:23,720 --> 00:57:25,680
Speaker 7: and Sarah had this idea. We were both chewing gum,

1264
00:57:25,800 --> 00:57:29,160
Speaker 7: like spit the gum out, you know, and then like

1265
00:57:29,320 --> 00:57:32,320
Speaker 7: you know, have the all the fun two three, four.

1266
00:57:32,360 --> 00:57:34,240
Speaker 1: Were you call that chewing gum like throughout the whole

1267
00:57:34,240 --> 00:57:36,080
Speaker 1: scene or do you you both? You know, sometimes when

1268
00:57:36,080 --> 00:57:37,520
Speaker 1: you're an actor, you know you're going to make out

1269
00:57:37,520 --> 00:57:39,840
Speaker 1: with someone, you want to have fresh minty breath. Was it?

1270
00:57:39,960 --> 00:57:42,360
Speaker 7: I think she? I think she no. I think she

1271
00:57:42,520 --> 00:57:46,840
Speaker 7: added gum later on, because there was. It was one

1272
00:57:46,880 --> 00:57:48,800
Speaker 7: of two things. One is like you kissed the person,

1273
00:57:48,840 --> 00:57:50,080
Speaker 7: then they have the gum that you had in your

1274
00:57:50,120 --> 00:57:53,120
Speaker 7: mouth not great or you know, pew pew. And I

1275
00:57:53,160 --> 00:57:55,640
Speaker 7: think she we realized we could have a we could

1276
00:57:55,680 --> 00:57:57,800
Speaker 7: double down on the comedy moment by spitting our gum out.

1277
00:57:57,840 --> 00:58:01,040
Speaker 1: Before the used to happen. We used to have Banaka

1278
00:58:01,080 --> 00:58:03,960
Speaker 1: on set, not not just for I remember you.

1279
00:58:03,920 --> 00:58:06,720
Speaker 7: Guys had the You guys had the you also had

1280
00:58:06,720 --> 00:58:08,520
Speaker 7: the boom things that melt in your mouth.

1281
00:58:08,600 --> 00:58:10,680
Speaker 2: Oh yeah, yeah, it does give you heartburn.

1282
00:58:10,760 --> 00:58:13,000
Speaker 1: They give me heartburn. Yeah, both both Donald and I

1283
00:58:13,080 --> 00:58:14,720
Speaker 1: would have too many and they would give us heartburn.

1284
00:58:15,040 --> 00:58:19,840
Speaker 1: But the old school aerosol spray baknaka, which is my favorite.

1285
00:58:20,000 --> 00:58:22,000
Speaker 1: We started having it just from we had kissing scenes

1286
00:58:22,000 --> 00:58:24,080
Speaker 1: and we didn't want to have bad breath for our

1287
00:58:24,120 --> 00:58:26,439
Speaker 1: scene partner. But then it became like, you know, we're

1288
00:58:26,440 --> 00:58:28,600
Speaker 1: all friends, all up in each other's faces all day long.

1289
00:58:28,600 --> 00:58:31,120
Speaker 1: We're like, let's make a rule everybody, we don't have

1290
00:58:31,240 --> 00:58:33,480
Speaker 1: bad breath, and so we would like just be spraying

1291
00:58:33,480 --> 00:58:34,040
Speaker 1: a NonStop.

1292
00:58:34,120 --> 00:58:36,960
Speaker 2: Dude. I remember, it became how many can you spray

1293
00:58:37,200 --> 00:58:41,600
Speaker 2: in your mouth? And burn his mouth like tin under

1294
00:58:41,600 --> 00:58:44,360
Speaker 2: the tongue, just for ships and Giggles's.

1295
00:58:44,400 --> 00:58:47,800
Speaker 1: And eventually our boom operator velcrode one to the boom

1296
00:58:48,360 --> 00:58:52,520
Speaker 1: and and we called it boom naka and we'd be

1297
00:58:52,560 --> 00:58:54,560
Speaker 1: like Kevin boom naka and he would just dip the

1298
00:58:54,600 --> 00:58:57,959
Speaker 1: boom down. We'd pull the ASO off off the mic

1299
00:58:58,280 --> 00:59:00,440
Speaker 1: it was on beltrow and then and it attach it

1300
00:59:00,520 --> 00:59:00,960
Speaker 1: back up.

1301
00:59:01,480 --> 00:59:02,760
Speaker 7: That's greadte a right there.

1302
00:59:02,840 --> 00:59:04,880
Speaker 1: That's some Yeah, that was thought we thought he was

1303
00:59:04,920 --> 00:59:06,240
Speaker 1: gonna do it for like a day as a joke.

1304
00:59:06,280 --> 00:59:10,960
Speaker 7: It was up there for years, same same canister, hopefully

1305
00:59:11,080 --> 00:59:12,919
Speaker 7: hopefully changed out.

1306
00:59:13,800 --> 00:59:16,120
Speaker 1: I like when at five point twenty four when when

1307
00:59:16,320 --> 00:59:19,080
Speaker 1: Cox goes, well, people please stop calling me? Yes, and

1308
00:59:19,080 --> 00:59:21,360
Speaker 1: then kelse Walkspine goes hey, I'm nuts.

1309
00:59:21,400 --> 00:59:24,160
Speaker 2: Sorry, I'm nutsy, how's it going, I'm nuts.

1310
00:59:27,800 --> 00:59:29,200
Speaker 7: He had another one in there where was like I

1311
00:59:29,200 --> 00:59:33,400
Speaker 7: don't have time for pity or something like that, or yeah.

1312
00:59:32,480 --> 00:59:34,000
Speaker 2: Right when he's talking to Johnny Castle.

1313
00:59:34,600 --> 00:59:37,480
Speaker 1: Oh yeah, I wrote that down too, and why does

1314
00:59:37,600 --> 00:59:39,800
Speaker 1: why does well? First of all, when you scare me

1315
00:59:39,840 --> 00:59:42,480
Speaker 1: in the shower? Hilarious. That was the first of many scared.

1316
00:59:42,280 --> 00:59:44,320
Speaker 7: We did, like ten we did ten. Do you remember that?

1317
00:59:44,640 --> 00:59:49,040
Speaker 7: I remember I remember waiting, waiting in the thing behind

1318
00:59:49,080 --> 00:59:51,280
Speaker 7: the curtain and like thinking, oh this, maybe this one

1319
00:59:51,320 --> 00:59:53,240
Speaker 7: will do this, Like there was we had like five

1320
00:59:53,320 --> 00:59:55,360
Speaker 7: or six different ones, and I think the first one

1321
00:59:55,800 --> 00:59:57,120
Speaker 7: was really terrifying for you.

1322
00:59:57,440 --> 01:00:00,400
Speaker 1: I remember that. Uh, it's funny. I just put two

1323
01:00:00,440 --> 01:00:02,640
Speaker 1: and two together that I guess we bought the clear

1324
01:00:02,680 --> 01:00:05,120
Speaker 1: shower curtain that's in the opening of the show, right,

1325
01:00:05,120 --> 01:00:07,320
Speaker 1: because wasn't there a clear shower curtain when you scare me.

1326
01:00:07,520 --> 01:00:09,760
Speaker 7: Yeah, the no, no, there isn't a shower curtain that

1327
01:00:10,160 --> 01:00:12,080
Speaker 7: it's opaque when I come out because you don't see me.

1328
01:00:12,200 --> 01:00:13,880
Speaker 7: And then right and you.

1329
01:00:14,600 --> 01:00:17,040
Speaker 2: It looks like it's clear. I thought I have I have.

1330
01:00:17,560 --> 01:00:19,800
Speaker 7: Because you have you guys have that runner earlier on.

1331
01:00:20,000 --> 01:00:22,640
Speaker 1: Yeah, so we're we're shopping for a clear shower curtain,

1332
01:00:22,760 --> 01:00:26,280
Speaker 1: and then whereas it it is five point thirty two.

1333
01:00:27,200 --> 01:00:28,920
Speaker 1: I'm just curious because it'd be funny if we uh

1334
01:00:29,600 --> 01:00:32,640
Speaker 1: we happen to keep the shower. Yeah it's clear.

1335
01:00:33,120 --> 01:00:34,480
Speaker 7: Oh goodness, how could it?

1336
01:00:34,640 --> 01:00:34,800
Speaker 1: Then?

1337
01:00:34,840 --> 01:00:35,960
Speaker 7: How can you bought it?

1338
01:00:36,080 --> 01:00:37,080
Speaker 1: We actually bought it?

1339
01:00:37,400 --> 01:00:37,920
Speaker 2: There you go.

1340
01:00:38,240 --> 01:00:42,760
Speaker 1: Okay, look at that continuity. Yeah, I mean I got air, dude,

1341
01:00:43,000 --> 01:00:45,640
Speaker 1: you scared the ship out of me. And I mean

1342
01:00:45,760 --> 01:00:48,200
Speaker 1: in real life, and I think the character. But I

1343
01:00:48,720 --> 01:00:50,680
Speaker 1: obviously had a nice juicy map behind me because I

1344
01:00:50,680 --> 01:00:51,760
Speaker 1: like literally flew up.

1345
01:00:52,400 --> 01:00:55,400
Speaker 7: Yes, yes it's solid and once again, Zach.

1346
01:00:55,240 --> 01:00:58,080
Speaker 1: Braft solid, Zach Braft special.

1347
01:00:58,240 --> 01:00:59,080
Speaker 7: It's good stuff.

1348
01:00:59,200 --> 01:01:06,440
Speaker 1: I laughed. When makes her own Halloween candy, she says

1349
01:01:06,920 --> 01:01:09,360
Speaker 1: she's dressed. First of all, she's dressed like raggedy ann

1350
01:01:10,200 --> 01:01:13,440
Speaker 1: and uh and there's like this bowl of popcorn and

1351
01:01:13,520 --> 01:01:15,880
Speaker 1: homemade lollipops, and she says something like, if you want

1352
01:01:15,960 --> 01:01:19,480
Speaker 1: name brand stuff, this fist is packed with nuts or something.

1353
01:01:21,720 --> 01:01:26,160
Speaker 2: This episode was actually written by Tim Hobert. Yes, I believe.

1354
01:01:26,640 --> 01:01:28,680
Speaker 2: Was he with us the first season? Well, he came

1355
01:01:28,720 --> 01:01:29,520
Speaker 2: in on second.

1356
01:01:29,360 --> 01:01:31,360
Speaker 1: Him was not their first season, no, but he's a

1357
01:01:31,440 --> 01:01:32,080
Speaker 1: very funny writer.

1358
01:01:32,200 --> 01:01:35,000
Speaker 2: So this is his first big episode. This is first

1359
01:01:35,040 --> 01:01:37,960
Speaker 2: episode of the season. Then, yeah, and also Mike Spiller's

1360
01:01:38,000 --> 01:01:39,200
Speaker 2: back as our director.

1361
01:01:39,360 --> 01:01:41,600
Speaker 1: We like Spiller a lot. This is the first episode

1362
01:01:41,600 --> 01:01:43,800
Speaker 1: in which I read on Scrubs Wiki this is the

1363
01:01:43,840 --> 01:01:46,640
Speaker 1: first episode that you're ever called Gandhi by doctor Cox.

1364
01:01:46,840 --> 01:01:50,280
Speaker 2: That's interesting. Sarah's sister is actually one of the interns

1365
01:01:50,280 --> 01:01:53,200
Speaker 2: in this episode. Also, yeah, and Cox is I mean

1366
01:01:53,200 --> 01:01:55,360
Speaker 2: when Kelso's doing rounds in the beginning.

1367
01:01:55,120 --> 01:01:58,920
Speaker 1: Sarah chosen when Kelso pulls he hates the costumes, and

1368
01:01:58,960 --> 01:02:02,439
Speaker 1: he pulls some cat ears off, and that's Sarah's sister,

1369
01:02:02,840 --> 01:02:05,800
Speaker 1: not not her younger sister obviously, that's yeah, it's her

1370
01:02:05,800 --> 01:02:10,600
Speaker 1: older sister. And then I noticed that Johnny Castle playing Doug.

1371
01:02:10,880 --> 01:02:14,000
Speaker 1: He takes off the clown knows and kisses it. And

1372
01:02:14,040 --> 01:02:16,080
Speaker 1: I remember on the day thinking that was so random

1373
01:02:16,080 --> 01:02:17,760
Speaker 1: and funny, but I have no idea why he does

1374
01:02:17,800 --> 01:02:21,880
Speaker 1: it. It's very weird. Came out. Yeah, no, I know exactly

1375
01:02:22,000 --> 01:02:24,520
Speaker 1: takes the clown that Kelso says, take that fucking costume off,

1376
01:02:24,560 --> 01:02:26,200
Speaker 1: and he takes the nose off, and he looks at

1377
01:02:26,240 --> 01:02:29,240
Speaker 1: it and he gives a little kiss before he fucking

1378
01:02:29,320 --> 01:02:31,280
Speaker 1: which is just so weird and amazing.

1379
01:02:32,600 --> 01:02:35,080
Speaker 2: I don't know why he did it, but yeah.

1380
01:02:34,720 --> 01:02:38,120
Speaker 7: The scene between you and Johnny C when you win

1381
01:02:38,200 --> 01:02:40,240
Speaker 7: the bet is like, to me, that was just such

1382
01:02:41,240 --> 01:02:45,000
Speaker 7: classic Scrubs because it's it's good in the in and

1383
01:02:45,000 --> 01:02:47,160
Speaker 7: of itself with the comedy's just hilarious, especially when you're

1384
01:02:47,160 --> 01:02:49,400
Speaker 7: celebrating and it kind of goes on, then it goes on,

1385
01:02:49,560 --> 01:02:53,040
Speaker 7: then it keeps going on, which I personally it's funny.

1386
01:02:53,160 --> 01:02:54,840
Speaker 7: Then it's sort of maybe not funny. Then it's really

1387
01:02:54,840 --> 01:02:56,280
Speaker 7: funny because you just keep doing it.

1388
01:02:56,320 --> 01:02:56,680
Speaker 2: You do the.

1389
01:02:56,680 --> 01:02:59,240
Speaker 7: Backward why, and it's just all the different beats of

1390
01:02:59,240 --> 01:03:01,720
Speaker 7: your comedy. There just like had me laughing and I'd

1391
01:03:01,800 --> 01:03:04,640
Speaker 7: forgotten the scene and then and then there's then there's

1392
01:03:04,680 --> 01:03:09,120
Speaker 7: that other level where he's like yes, which is what

1393
01:03:09,360 --> 01:03:11,680
Speaker 7: that's what your show did so well, where it's like

1394
01:03:11,880 --> 01:03:13,480
Speaker 7: you have the great comedy and that could just on

1395
01:03:13,520 --> 01:03:15,520
Speaker 7: another show that would just be enough. And then it's

1396
01:03:15,520 --> 01:03:18,880
Speaker 7: like there's a hammer a gravitas that still works. It's beautiful.

1397
01:03:19,440 --> 01:03:21,840
Speaker 7: It ends with ends with you, like with a legit

1398
01:03:22,400 --> 01:03:25,080
Speaker 7: serious moment considering this information. It's great.

1399
01:03:25,320 --> 01:03:26,760
Speaker 1: It's a matter of Joelle and you just look like

1400
01:03:26,800 --> 01:03:27,800
Speaker 1: you freaked ou him on something.

1401
01:03:28,080 --> 01:03:30,760
Speaker 3: Oh oh, Gena Price Price when heard a thing I

1402
01:03:30,800 --> 01:03:31,720
Speaker 3: did and I love her?

1403
01:03:31,920 --> 01:03:34,880
Speaker 2: Sorry, OK, wait, what happened?

1404
01:03:34,920 --> 01:03:37,600
Speaker 1: I'm sorry, wait what happened? I think since you distracted

1405
01:03:37,640 --> 01:03:39,440
Speaker 1: the show, you're gonna have to share what happened?

1406
01:03:39,720 --> 01:03:41,400
Speaker 3: Sorry, Gina Price, Bikeeleo.

1407
01:03:42,120 --> 01:03:43,280
Speaker 2: It is a amazing director.

1408
01:03:43,320 --> 01:03:46,000
Speaker 3: She directed to Love Basketball and she just has a

1409
01:03:46,080 --> 01:03:50,640
Speaker 3: new movie on Netflix, Cold, Oh my gosh, The Old Guard. Yes,

1410
01:03:50,720 --> 01:03:52,640
Speaker 3: black lady who's been working for a very long time,

1411
01:03:52,720 --> 01:03:53,360
Speaker 3: and I love her.

1412
01:03:53,720 --> 01:03:57,000
Speaker 2: She used to write on Felicity, like season one of Felicity,

1413
01:03:57,120 --> 01:03:59,560
Speaker 2: she wrote, and then she went on to all right.

1414
01:03:59,480 --> 01:04:01,800
Speaker 1: But what that made your face light up? Because I

1415
01:04:01,800 --> 01:04:03,280
Speaker 1: thought it was Tom's use of the word.

1416
01:04:03,080 --> 01:04:07,960
Speaker 2: Gravitas acknowledge my existence.

1417
01:04:09,120 --> 01:04:12,000
Speaker 1: I get so excited. Oh well, congratulations, what did she say?

1418
01:04:12,080 --> 01:04:13,880
Speaker 1: What she like? You're one of the articles you've written

1419
01:04:13,960 --> 01:04:14,320
Speaker 1: or something.

1420
01:04:14,640 --> 01:04:15,280
Speaker 2: Yeah, I did a.

1421
01:04:15,240 --> 01:04:18,120
Speaker 3: Pod talking about the new movie and she was like

1422
01:04:18,160 --> 01:04:18,920
Speaker 3: this was so great.

1423
01:04:18,960 --> 01:04:23,040
Speaker 2: I was like, oh my god, that's okay. That's always

1424
01:04:23,040 --> 01:04:25,880
Speaker 2: good to be. Don't asologetic, don't know that.

1425
01:04:27,200 --> 01:04:29,000
Speaker 1: I just want the listeners to know from my point

1426
01:04:29,000 --> 01:04:33,080
Speaker 1: of view. Tom said the word gravitas, and Joel's face

1427
01:04:33,160 --> 01:04:35,520
Speaker 1: lit up and she started like doing the hand thing

1428
01:04:35,520 --> 01:04:38,520
Speaker 1: where you might cry, and I'm like, wow, Joelle really

1429
01:04:38,560 --> 01:04:40,080
Speaker 1: loves the word gravias.

1430
01:04:41,880 --> 01:04:45,320
Speaker 7: She had better reasons to celebrate, h better reasons to celebrate.

1431
01:04:45,560 --> 01:04:48,439
Speaker 7: I'm glad to hear it wasn't gravitas either. The old

1432
01:04:48,440 --> 01:04:49,440
Speaker 7: guard plug. That's great, that.

1433
01:04:49,440 --> 01:04:51,600
Speaker 2: Would be that would be the funniest ship ever.

1434
01:04:52,040 --> 01:04:55,920
Speaker 1: But she just loves to word gravataz whenever she whenever

1435
01:04:55,960 --> 01:05:01,520
Speaker 1: she hears it, she has to fan her eyes. I

1436
01:05:01,560 --> 01:05:05,120
Speaker 1: love Donald. You're bragging about having two singles in your wallet.

1437
01:05:05,160 --> 01:05:07,040
Speaker 1: You say hello mister when he gives you the funny

1438
01:05:07,040 --> 01:05:10,960
Speaker 1: Hello Jackson, me introduce you to the Washington Brothers.

1439
01:05:11,360 --> 01:05:14,000
Speaker 2: Right now, you guys get nice and acquainted.

1440
01:05:13,560 --> 01:05:20,520
Speaker 1: And in Mamalt you're dancing. There was so funny. Man.

1441
01:05:20,800 --> 01:05:22,920
Speaker 2: Yes, I had a lot of I had a lot

1442
01:05:22,920 --> 01:05:24,880
Speaker 2: of fun doing that. I'm sure I did. It's it's

1443
01:05:24,920 --> 01:05:28,520
Speaker 2: really weird, you know how things change, Because everybody did

1444
01:05:28,520 --> 01:05:32,160
Speaker 2: a Michael Jackson impersonation back in the day, everybody did it.

1445
01:05:32,520 --> 01:05:35,560
Speaker 2: I can't recall the last time I've seen Michael Jackson impersonation.

1446
01:05:35,920 --> 01:05:37,720
Speaker 2: He's been a very, very long time.

1447
01:05:37,840 --> 01:05:39,480
Speaker 1: Now, you probably if we were doing the show now,

1448
01:05:39,480 --> 01:05:42,200
Speaker 1: you probably wouldn't be doing so many Michael Jackson's Now.

1449
01:05:42,200 --> 01:05:44,560
Speaker 1: I love a Growing Pain shout out for those of

1450
01:05:44,560 --> 01:05:46,280
Speaker 1: you who were too young to know. Growing Pains was

1451
01:05:46,320 --> 01:05:51,920
Speaker 1: a very popular sitcom and starring Kirk Cameron. And uh

1452
01:05:51,920 --> 01:05:53,880
Speaker 1: when when I when when we all go to lunch,

1453
01:05:54,880 --> 01:05:56,840
Speaker 1: I say, oh, no, I'm trying to defend Dan. Oh no,

1454
01:05:56,880 --> 01:05:59,959
Speaker 1: he lives with my mom, but he's got his own area.

1455
01:06:00,120 --> 01:06:02,880
Speaker 1: He's like Kirk Cameron when he's at the garage with Boner.

1456
01:06:04,160 --> 01:06:06,240
Speaker 1: And Kirk Cameron had a friend in the show name

1457
01:06:06,360 --> 01:06:08,960
Speaker 1: name Boner, which made no sense. Why was his friend

1458
01:06:09,040 --> 01:06:10,920
Speaker 1: named Boner? Everyone knows what his name.

1459
01:06:11,000 --> 01:06:14,000
Speaker 2: His last name was the Bones, the Bone, and his

1460
01:06:14,200 --> 01:06:15,880
Speaker 2: dad's name was Sylvester.

1461
01:06:16,440 --> 01:06:18,920
Speaker 7: But then you right, you yell out to the room, Boner.

1462
01:06:20,640 --> 01:06:24,479
Speaker 7: Come on, everyone's too too low hanging fruit.

1463
01:06:24,560 --> 01:06:27,880
Speaker 2: No, come on, boner, speaking of laging, you guys didn't

1464
01:06:27,880 --> 01:06:31,160
Speaker 2: hear what I said. His dad's name Will was Sylvester

1465
01:06:31,400 --> 01:06:33,000
Speaker 2: and his last name is sta Bone.

1466
01:06:33,360 --> 01:06:36,760
Speaker 1: Sylvester Stabone. Yeah, do you know the growing Pains theme?

1467
01:06:36,840 --> 01:06:39,240
Speaker 2: Instead of Sylvester Stallone, Sylvester Stabone?

1468
01:06:39,480 --> 01:06:40,320
Speaker 1: Do you know the pain?

1469
01:06:40,800 --> 01:06:41,280
Speaker 7: I get it?

1470
01:06:41,600 --> 01:06:45,720
Speaker 2: Okay, it just wasn't that funny. I guess I'm sorry.

1471
01:06:45,880 --> 01:06:48,320
Speaker 2: I thought it was hilarious when I first arder with

1472
01:06:48,440 --> 01:06:51,240
Speaker 2: Joe kids. Wait a second, boner, your dad's name is

1473
01:06:51,280 --> 01:06:54,000
Speaker 2: Sylvester stabone And then he turns back and looks that

1474
01:06:54,040 --> 01:06:56,160
Speaker 2: Mike and goes, who knew.

1475
01:06:59,120 --> 01:06:59,200
Speaker 5: What?

1476
01:06:59,400 --> 01:06:59,520
Speaker 7: Right?

1477
01:06:59,800 --> 01:07:01,000
Speaker 2: Joe? A joke?

1478
01:07:03,120 --> 01:07:05,760
Speaker 1: Donald? Do you know theme song? Tom? Tom? You might

1479
01:07:05,800 --> 01:07:08,520
Speaker 1: not know this, but Donald can sing song.

1480
01:07:08,560 --> 01:07:12,160
Speaker 2: If you tell me how it starts, I could sing it.

1481
01:07:10,200 --> 01:07:16,200
Speaker 2: Show me that smart again, Okay, Zech, I got it.

1482
01:07:16,560 --> 01:07:21,400
Speaker 2: Don't waste anov it on your crying. And we're nowhere

1483
01:07:21,440 --> 01:07:26,600
Speaker 2: near the end. Her best is edit to begain.

1484
01:07:28,400 --> 01:07:31,160
Speaker 1: Oh, okay, start it too high.

1485
01:07:31,360 --> 01:07:36,760
Speaker 2: As long as we got each other, we got the

1486
01:07:36,800 --> 01:07:40,720
Speaker 2: world hanging right, and our hands baby rain or.

1487
01:07:40,720 --> 01:07:43,160
Speaker 1: Shine foot all the time.

1488
01:07:43,360 --> 01:07:50,920
Speaker 2: Okay, we've got each other sharing the left alone sharing

1489
01:07:51,040 --> 01:07:54,120
Speaker 2: the left.

1490
01:07:56,320 --> 01:07:58,960
Speaker 1: So I'm going to release an album tom of Donald.

1491
01:07:58,840 --> 01:08:01,480
Speaker 2: Have to show that dignity. The show that did every

1492
01:08:01,720 --> 01:08:03,800
Speaker 2: season they did a different version of that song.

1493
01:08:04,160 --> 01:08:06,560
Speaker 1: Oh really. They also at some point they had a

1494
01:08:06,600 --> 01:08:08,880
Speaker 1: baby and then they were like, the baby's boring, and

1495
01:08:08,960 --> 01:08:12,240
Speaker 1: next season she's gonna be five. And also they also

1496
01:08:12,320 --> 01:08:14,600
Speaker 1: had nobody else to age, but the baby was all

1497
01:08:14,600 --> 01:08:15,320
Speaker 1: of a sudden five.

1498
01:08:15,600 --> 01:08:17,880
Speaker 2: They also like fostered a kid for a little bit.

1499
01:08:18,200 --> 01:08:20,720
Speaker 2: Who was young Leonardo DiCaprio.

1500
01:08:21,640 --> 01:08:26,519
Speaker 1: Oh right, I was young Leo's first show, I believe, Well,

1501
01:08:26,520 --> 01:08:28,040
Speaker 1: I don't know if it was his first, but there's

1502
01:08:28,120 --> 01:08:30,760
Speaker 1: really cute. I've seen like you know when they do

1503
01:08:30,920 --> 01:08:34,080
Speaker 1: like you know, you know, remember who this little boy was.

1504
01:08:34,120 --> 01:08:37,040
Speaker 1: I've seen like his first interviews. I just love being

1505
01:08:37,040 --> 01:08:39,000
Speaker 1: an actor and I'm just happy to be with these guys.

1506
01:08:39,000 --> 01:08:40,200
Speaker 1: And it was really cute.

1507
01:08:40,400 --> 01:08:42,160
Speaker 2: And now look at him.

1508
01:08:42,200 --> 01:08:44,679
Speaker 1: Donald has a little Leo crushed. Tommy comes up almost

1509
01:08:44,720 --> 01:08:45,520
Speaker 1: every episode.

1510
01:08:45,600 --> 01:08:46,920
Speaker 2: I love Leonardo DiCaprio.

1511
01:08:47,080 --> 01:08:47,599
Speaker 1: Yeah, so.

1512
01:08:49,040 --> 01:08:51,240
Speaker 2: Last one of my favorite actors of all time.

1513
01:08:51,360 --> 01:08:54,639
Speaker 1: One of our last episodes ended with Donald talking about

1514
01:08:54,760 --> 01:08:55,599
Speaker 1: trying to doc with.

1515
01:08:55,720 --> 01:09:02,920
Speaker 2: No no, no, no no later break We gotta we

1516
01:09:03,000 --> 01:09:07,040
Speaker 2: gotta go to break. We gotta guess guys to bring

1517
01:09:07,640 --> 01:09:10,559
Speaker 2: just we should go to break. Guys break.

1518
01:09:10,640 --> 01:09:12,679
Speaker 1: We'll be right back after Donald dox Leo.

1519
01:09:13,120 --> 01:09:15,479
Speaker 2: No, no, no, no, So what's again?

1520
01:09:15,640 --> 01:09:16,439
Speaker 7: What did he say?

1521
01:09:16,479 --> 01:09:17,120
Speaker 2: What was that?

1522
01:09:17,240 --> 01:09:17,400
Speaker 1: Now?

1523
01:09:17,479 --> 01:09:19,519
Speaker 2: I did not say I wanted to dock with Leo.

1524
01:09:19,600 --> 01:09:21,120
Speaker 2: I just said thought he was a great actor.

1525
01:09:21,280 --> 01:09:22,519
Speaker 1: We went to break, We went.

1526
01:09:23,200 --> 01:09:24,200
Speaker 2: We haven't okay yet?

1527
01:09:24,240 --> 01:09:25,320
Speaker 1: All right, now we're going to break.

1528
01:09:25,520 --> 01:09:27,679
Speaker 2: We gotta I think we need to clarify this because

1529
01:09:27,680 --> 01:09:29,840
Speaker 2: I don't want it out there and the ethos that

1530
01:09:30,280 --> 01:09:32,720
Speaker 2: somebody that I'm walking around telling people I want to

1531
01:09:32,760 --> 01:09:34,599
Speaker 2: dock with Leo because that ain't what's happening here.

1532
01:09:34,680 --> 01:09:38,080
Speaker 1: Okay, that does not want to doc Leo. Everybody, Yes,

1533
01:09:38,120 --> 01:09:48,760
Speaker 1: he does. We're going to break. All right, now we're

1534
01:09:48,760 --> 01:09:50,880
Speaker 1: back Tom. We take a caller here on this show

1535
01:09:51,360 --> 01:09:54,760
Speaker 1: and Joel curates them. There are zillions of people that

1536
01:09:54,840 --> 01:09:57,840
Speaker 1: email her and try and send her payola. Uh and

1537
01:09:57,880 --> 01:09:59,120
Speaker 1: she it's.

1538
01:09:58,960 --> 01:10:01,400
Speaker 2: All steps, all the money, she accepts, all the money,

1539
01:10:01,800 --> 01:10:05,559
Speaker 2: all the money sends. You sending money to Joel, do

1540
01:10:05,600 --> 01:10:08,599
Speaker 2: it the right way. Don't send like sending the real deal.

1541
01:10:08,600 --> 01:10:11,240
Speaker 2: How do we feel thought? If you don't get picked.

1542
01:10:11,320 --> 01:10:12,519
Speaker 2: But money does help.

1543
01:10:12,760 --> 01:10:14,720
Speaker 1: But you know, cash is a little crass. What you

1544
01:10:14,720 --> 01:10:18,600
Speaker 1: could sell send baskets. Cash is crash. I don't know

1545
01:10:18,640 --> 01:10:20,160
Speaker 1: if it has ever said that before, but I was

1546
01:10:20,200 --> 01:10:20,679
Speaker 1: a good lion.

1547
01:10:20,800 --> 01:10:21,719
Speaker 7: Cash is crass.

1548
01:10:21,840 --> 01:10:24,920
Speaker 1: Cash is crash. Send the woman a wine basket or

1549
01:10:25,400 --> 01:10:29,000
Speaker 1: some of God's let us. Uh, she'll take either one. O. G.

1550
01:10:29,200 --> 01:10:30,240
Speaker 2: Cush is preferred?

1551
01:10:30,920 --> 01:10:37,000
Speaker 1: Who have preferred for the Tom Cavanaugh? Who Who's America's

1552
01:10:37,080 --> 01:10:38,080
Speaker 1: favorite older brother?

1553
01:10:38,520 --> 01:10:43,880
Speaker 5: We have Christina Christina.

1554
01:10:44,400 --> 01:10:51,600
Speaker 2: Hello, where are you calling from? Christina Kuston and the Uh.

1555
01:10:52,680 --> 01:10:55,479
Speaker 1: Christina, you're an e ournurse we heard, so that means

1556
01:10:55,520 --> 01:10:58,240
Speaker 1: you're gonna get even more respect than the average caller.

1557
01:10:58,280 --> 01:11:00,280
Speaker 1: We give our callers a lot of respect, but R

1558
01:11:00,439 --> 01:11:02,200
Speaker 1: nurse gets top respect.

1559
01:11:02,200 --> 01:11:03,840
Speaker 7: From Thank you.

1560
01:11:04,040 --> 01:11:06,240
Speaker 2: What's it like? What's it like right now? You guys

1561
01:11:06,240 --> 01:11:06,839
Speaker 2: are in Houston.

1562
01:11:06,880 --> 01:11:10,360
Speaker 7: It's a it sucks. Yeah.

1563
01:11:10,360 --> 01:11:13,120
Speaker 1: What's the status? I think I had heard that Texas

1564
01:11:13,240 --> 01:11:16,000
Speaker 1: was legitimately running out of ICU beds.

1565
01:11:16,320 --> 01:11:19,000
Speaker 5: Yeah, I mean, we tried to ship out a critical

1566
01:11:19,040 --> 01:11:21,240
Speaker 5: patient the other night and couldn't get a hospital that

1567
01:11:21,280 --> 01:11:23,439
Speaker 5: could take him in Houston. We tried to fight him

1568
01:11:23,439 --> 01:11:25,080
Speaker 5: out because we didn't have a specialist for it and

1569
01:11:25,120 --> 01:11:26,280
Speaker 5: could not find a hospital.

1570
01:11:27,479 --> 01:11:28,120
Speaker 7: It's tragic.

1571
01:11:28,680 --> 01:11:31,200
Speaker 1: It's tragic, my god. And people need to hear from

1572
01:11:31,200 --> 01:11:33,080
Speaker 1: people like you on the front lines because I think

1573
01:11:33,360 --> 01:11:35,400
Speaker 1: a lot of people, you know, as we've talked about

1574
01:11:35,400 --> 01:11:38,160
Speaker 1: on the show, Donald and I lost a friend and uh,

1575
01:11:38,600 --> 01:11:40,960
Speaker 1: and I think people like you who ru on the

1576
01:11:40,960 --> 01:11:43,679
Speaker 1: front lines, people like us who've lost a loved one,

1577
01:11:43,840 --> 01:11:47,840
Speaker 1: we're seeing him. And Dan was explaining something on the show.

1578
01:11:47,880 --> 01:11:50,559
Speaker 1: I thought that was really really landing with me that

1579
01:11:51,040 --> 01:11:53,000
Speaker 1: unless you're on the front lines and the seeing it,

1580
01:11:53,200 --> 01:11:55,080
Speaker 1: you can kind of live in this sort of dream

1581
01:11:55,120 --> 01:11:57,880
Speaker 1: world where you you know, you're just you know, obviously,

1582
01:11:57,960 --> 01:11:59,519
Speaker 1: I know people are suffering, they're not working, and the

1583
01:11:59,560 --> 01:12:02,040
Speaker 1: kids aren't in school, but it cannot it's a little

1584
01:12:02,040 --> 01:12:04,080
Speaker 1: bit out of sight, out of mind. Whereas someone like

1585
01:12:04,200 --> 01:12:07,840
Speaker 1: you who's seeing this every single day, it must be

1586
01:12:08,080 --> 01:12:09,519
Speaker 1: just very very traumatic for you.

1587
01:12:09,720 --> 01:12:12,720
Speaker 2: We also see what COVID does to people too, what

1588
01:12:12,880 --> 01:12:15,439
Speaker 2: and and and and a lot of people that's something

1589
01:12:15,439 --> 01:12:21,479
Speaker 2: that Americans don't see. We don't see the uh, what's

1590
01:12:21,600 --> 01:12:25,880
Speaker 2: what's left up people after COVID has ravaged their bodies

1591
01:12:26,000 --> 01:12:30,360
Speaker 2: and uh and and you know, rect habit, rectaboc on

1592
01:12:30,439 --> 01:12:34,760
Speaker 2: their organs and stuff. So, uh, it's just.

1593
01:12:34,760 --> 01:12:37,200
Speaker 5: A it's a slab in the face when we're risking

1594
01:12:37,280 --> 01:12:38,960
Speaker 5: our lives and then people are on here saying it's

1595
01:12:39,000 --> 01:12:43,559
Speaker 5: a hoax or that it's a it's just frustrating because

1596
01:12:43,560 --> 01:12:44,240
Speaker 5: we don't have any reason to.

1597
01:12:44,240 --> 01:12:46,600
Speaker 1: Lie about it, right, I know, I know, but we

1598
01:12:46,640 --> 01:12:48,559
Speaker 1: see that. But we see that. I see even in

1599
01:12:48,600 --> 01:12:51,040
Speaker 1: our comments on Instagram. I do't know you saw this. Donald.

1600
01:12:51,040 --> 01:12:54,400
Speaker 1: People were like, enough of the mask talk. You're becoming

1601
01:12:54,439 --> 01:12:57,400
Speaker 1: like every other show. And I want to like throw

1602
01:12:57,520 --> 01:13:00,439
Speaker 1: my fucking phone at the wall because I was like,

1603
01:13:00,479 --> 01:13:02,960
Speaker 1: our friend just died, so there's gonna be some COVID

1604
01:13:03,000 --> 01:13:08,920
Speaker 1: talk wear a fucking mask, right, But anyway, we thank

1605
01:13:08,960 --> 01:13:12,240
Speaker 1: you for for I just think there's nothing more noble

1606
01:13:12,479 --> 01:13:16,040
Speaker 1: than being a nurse. And there's extra cherry on top

1607
01:13:16,120 --> 01:13:19,040
Speaker 1: for doing it in the er because the things you

1608
01:13:19,080 --> 01:13:19,639
Speaker 1: must see.

1609
01:13:20,240 --> 01:13:21,720
Speaker 5: And I want to thank y'all real quick for the

1610
01:13:21,800 --> 01:13:24,880
Speaker 5: video that y'all did with Neil Patrick Harris thanking all

1611
01:13:24,880 --> 01:13:27,080
Speaker 5: the healthcare workers. It did not get enough props, but

1612
01:13:27,439 --> 01:13:28,360
Speaker 5: it really meant something.

1613
01:13:28,840 --> 01:13:33,200
Speaker 1: Oh thank you. So let's switch to something more like

1614
01:13:34,000 --> 01:13:36,160
Speaker 1: where our main mission is to make people gig a

1615
01:13:36,160 --> 01:13:38,200
Speaker 1: little bit. Do you have any questions for for us

1616
01:13:38,240 --> 01:13:40,479
Speaker 1: about Scrubs or anything? It could be about the Flash,

1617
01:13:40,600 --> 01:13:41,000
Speaker 1: I don't know.

1618
01:13:42,360 --> 01:13:44,160
Speaker 5: My first question is, what's the craziest thing. A fan

1619
01:13:44,280 --> 01:13:44,960
Speaker 5: has asked, Joe.

1620
01:13:45,280 --> 01:13:48,040
Speaker 2: Oh my gosh, have you ever signed anyone? And then

1621
01:13:48,080 --> 01:13:49,760
Speaker 2: they you saw them again and they were like, I

1622
01:13:49,800 --> 01:13:51,360
Speaker 2: turned your signature into a tattoo.

1623
01:13:51,439 --> 01:13:54,320
Speaker 1: Yes, I've had that, and.

1624
01:13:54,320 --> 01:13:55,880
Speaker 5: People get tattoos of you? Is that weird?

1625
01:13:56,200 --> 01:13:59,800
Speaker 1: Yeah? I was talking about this yesterday. There's some really

1626
01:13:59,800 --> 01:14:03,559
Speaker 1: weird tattoos of me out there. And also I actually

1627
01:14:03,600 --> 01:14:06,840
Speaker 1: liked the ones some people have tattooed lines from Garden

1628
01:14:06,880 --> 01:14:09,519
Speaker 1: State that were meaningful to them a film I wrote

1629
01:14:09,520 --> 01:14:12,080
Speaker 1: so I that I think is really cool because my

1630
01:14:12,320 --> 01:14:15,559
Speaker 1: something I came up with was meant enough to them

1631
01:14:15,600 --> 01:14:17,840
Speaker 1: to put on their body as a as A as

1632
01:14:17,960 --> 01:14:21,760
Speaker 1: whatever a mantra if you will. But what I've seen,

1633
01:14:21,840 --> 01:14:25,120
Speaker 1: like like the weirdest faces I've made on Scrubs where

1634
01:14:25,120 --> 01:14:28,040
Speaker 1: I'm like, you know, like screaming out of fear, like

1635
01:14:28,160 --> 01:14:30,400
Speaker 1: actually in this episode with Tom where I'm like screaming

1636
01:14:30,400 --> 01:14:34,520
Speaker 1: out of fear, and I've seen that on like someone's thigh.

1637
01:14:34,880 --> 01:14:37,400
Speaker 1: Donald I saw a tattoo of you that ask that

1638
01:14:37,479 --> 01:14:38,640
Speaker 1: looked sodhing like you.

1639
01:14:38,800 --> 01:14:41,639
Speaker 2: It looked nothing like me. It looked like Charles Barkley.

1640
01:14:44,400 --> 01:14:47,519
Speaker 2: You're on my back and it looked like Charles literally

1641
01:14:47,680 --> 01:14:50,400
Speaker 2: now you know, as a kid, I was a big

1642
01:14:50,400 --> 01:14:52,880
Speaker 2: fan of Charles Barklay. But it didn't look anything like me.

1643
01:14:53,000 --> 01:14:56,519
Speaker 2: It looked literally like Charles Barkley. Right, the weirdest thing

1644
01:14:56,520 --> 01:14:58,080
Speaker 2: that's ever happened to me. I get a lot of

1645
01:14:58,080 --> 01:14:59,920
Speaker 2: people asking for it to eat.

1646
01:15:00,920 --> 01:15:02,800
Speaker 1: Yes, that happens to you a lot because they think

1647
01:15:02,840 --> 01:15:04,200
Speaker 1: you're very strong and they don't.

1648
01:15:04,040 --> 01:15:07,120
Speaker 2: Know I can hold a lot of people up there. Yeah,

1649
01:15:07,160 --> 01:15:10,240
Speaker 2: but it's it's.

1650
01:15:09,000 --> 01:15:11,519
Speaker 1: Donald you do. Let a lot more people mount you

1651
01:15:11,560 --> 01:15:12,839
Speaker 1: than I would ever.

1652
01:15:14,520 --> 01:15:19,400
Speaker 2: Listen. If you are brave enough to ask me, I

1653
01:15:19,479 --> 01:15:26,080
Speaker 2: will most likely oblige. Now you should you now?

1654
01:15:27,120 --> 01:15:29,479
Speaker 7: He said, most likely? Fine print That being said that.

1655
01:15:29,840 --> 01:15:31,800
Speaker 1: The fine print, Tom is like, you must have been

1656
01:15:31,840 --> 01:15:34,000
Speaker 1: under a certain amount of weight before trying to please

1657
01:15:33,960 --> 01:15:35,280
Speaker 1: ast all permission. Don't do it in front of his

1658
01:15:35,360 --> 01:15:41,799
Speaker 1: children or his wife will bitch slap you.

1659
01:15:41,880 --> 01:15:44,679
Speaker 2: Well, the fine print is the fine print truly is

1660
01:15:44,720 --> 01:15:46,639
Speaker 2: like it has to be a special occasion. It can't

1661
01:15:46,680 --> 01:15:48,240
Speaker 2: just be out of nowhere, like you walk down the

1662
01:15:48,240 --> 01:15:51,519
Speaker 2: street and like, let's eagle, and that's not gonna happen.

1663
01:15:51,880 --> 01:15:54,000
Speaker 2: It has to be you know, it has to be

1664
01:15:54,040 --> 01:15:58,439
Speaker 2: something like if I'm at a conference and it's you

1665
01:15:58,479 --> 01:15:59,320
Speaker 2: know what I mean, and.

1666
01:15:59,280 --> 01:16:02,759
Speaker 1: They got to catch you, you're not woozy.

1667
01:16:03,040 --> 01:16:04,960
Speaker 2: So that's the one thing that that's the one thing

1668
01:16:05,000 --> 01:16:08,000
Speaker 2: that that's pretty weird is that being asked to eagle.

1669
01:16:08,040 --> 01:16:09,920
Speaker 2: It's like, really want to jump on my back? You

1670
01:16:09,960 --> 01:16:12,000
Speaker 2: feel that comfortable right now to walk up to me

1671
01:16:12,640 --> 01:16:15,080
Speaker 2: ask me to give you an ask and ask me

1672
01:16:15,120 --> 01:16:16,400
Speaker 2: to give you a piggyback ride?

1673
01:16:17,400 --> 01:16:19,680
Speaker 1: Tom, have you ever had a weird fan moments? I

1674
01:16:19,720 --> 01:16:21,880
Speaker 1: bet some of your young Flash fans have asked for

1675
01:16:21,920 --> 01:16:22,479
Speaker 1: something odd.

1676
01:16:23,080 --> 01:16:25,200
Speaker 7: I think just what you were saying earlier, I think

1677
01:16:25,240 --> 01:16:29,559
Speaker 7: it really tests your metal as an actor when somebody

1678
01:16:30,200 --> 01:16:35,479
Speaker 7: suddenly unveils a tattoo of you on them, because you know,

1679
01:16:35,720 --> 01:16:37,360
Speaker 7: I think the reaction they're looking for is like, oh,

1680
01:16:37,400 --> 01:16:38,960
Speaker 7: that's great, wow, you.

1681
01:16:38,840 --> 01:16:44,479
Speaker 8: Know, but really your reaction is ah, right, yeah, you know,

1682
01:16:44,760 --> 01:16:46,160
Speaker 8: and you really got to you got to try and

1683
01:16:46,200 --> 01:16:48,920
Speaker 8: cover that as best you can because they've got, you know,

1684
01:16:49,120 --> 01:16:51,520
Speaker 8: a permanent ink on their body.

1685
01:16:51,960 --> 01:16:53,640
Speaker 1: Read it. I'm just worse.

1686
01:16:53,880 --> 01:16:58,800
Speaker 7: Of course, you're naturally assumed they're going to regret it.

1687
01:16:58,920 --> 01:17:00,680
Speaker 7: You think the next day. You don't think you're going

1688
01:17:00,720 --> 01:17:03,240
Speaker 7: to end up seeing it ever, But yeah, of course

1689
01:17:03,280 --> 01:17:04,559
Speaker 7: it's going to be a massive regret.

1690
01:17:04,640 --> 01:17:06,599
Speaker 1: Well, we talked before you came on to about how

1691
01:17:06,640 --> 01:17:11,960
Speaker 1: I'm gonna get Donald on my face, just like Joel Joel.

1692
01:17:12,479 --> 01:17:16,599
Speaker 1: Joel reminded us that I should not attempt to shade

1693
01:17:16,600 --> 01:17:18,000
Speaker 1: it in at all, because.

1694
01:17:18,200 --> 01:17:20,320
Speaker 7: Uh huh, I listened. I listened to your episode.

1695
01:17:20,400 --> 01:17:24,000
Speaker 1: Yeah listen, of course. Yeah, you guys were very well

1696
01:17:24,240 --> 01:17:27,520
Speaker 1: that Joel just came on in a moment of nervousness,

1697
01:17:27,520 --> 01:17:30,720
Speaker 1: being like, guys, guys, here's the.

1698
01:17:30,800 --> 01:17:34,320
Speaker 7: Voice, here's the voice of reason. Please listen to the voice.

1699
01:17:34,120 --> 01:17:37,080
Speaker 1: Of I assure Joel that would be solely an outline

1700
01:17:37,120 --> 01:17:38,080
Speaker 1: of his beautiful face.

1701
01:17:38,800 --> 01:17:41,240
Speaker 5: How many people have sent you in Apple Teini in

1702
01:17:41,280 --> 01:17:41,519
Speaker 5: the bar?

1703
01:17:42,640 --> 01:17:45,599
Speaker 1: Oh, that's a very good question. That's happened a bunch.

1704
01:17:45,880 --> 01:17:48,360
Speaker 1: I got and sent a lot of Apple teini's. They

1705
01:17:48,479 --> 01:17:50,439
Speaker 1: don't I don't.

1706
01:17:49,960 --> 01:17:52,040
Speaker 2: Like apple, just be honest, it's very.

1707
01:17:51,840 --> 01:17:54,720
Speaker 1: Sweet, it's sugar, I don't. I mean, I understand it.

1708
01:17:54,720 --> 01:17:57,439
Speaker 1: If you're if you're young, or if you're if you're

1709
01:17:57,439 --> 01:17:58,680
Speaker 1: out for a night and you want to have a

1710
01:17:58,720 --> 01:18:00,800
Speaker 1: funny cocktail. But I just think that if you you

1711
01:18:00,840 --> 01:18:03,200
Speaker 1: shouldn't get drunk on them because they are so filled with.

1712
01:18:03,240 --> 01:18:05,519
Speaker 2: Sugar headache the next day.

1713
01:18:06,120 --> 01:18:08,200
Speaker 1: I'm one of the owners of a restaurant in New

1714
01:18:08,240 --> 01:18:10,760
Speaker 1: York that I'll give a plug to now called the

1715
01:18:10,800 --> 01:18:16,240
Speaker 1: Mermaid Oyster Bar and seventy seventy nine McDougall if you'd

1716
01:18:16,280 --> 01:18:17,960
Speaker 1: like to check it out when the world reopens.

1717
01:18:18,439 --> 01:18:21,120
Speaker 2: But do they serve oysters at this oyster.

1718
01:18:21,040 --> 01:18:24,080
Speaker 1: Yes, they have the sixteen different types of oysters. Wow,

1719
01:18:24,439 --> 01:18:26,080
Speaker 1: I love that you just said, do they serve oysters

1720
01:18:26,080 --> 01:18:26,840
Speaker 1: at this oyster bar?

1721
01:18:28,560 --> 01:18:31,960
Speaker 7: He was trying to trying to see if it was no.

1722
01:18:33,400 --> 01:18:35,040
Speaker 1: Good, he'd be a good friend and trying to be like,

1723
01:18:35,080 --> 01:18:37,560
Speaker 1: tell us more about this. So you probably want to

1724
01:18:37,600 --> 01:18:38,800
Speaker 1: know about our lobster roll.

1725
01:18:38,880 --> 01:18:40,559
Speaker 2: Donald, Do you have a lobster roll?

1726
01:18:40,640 --> 01:18:42,920
Speaker 1: Oh, we have the best lobster roll in Manhattan. I'll

1727
01:18:42,920 --> 01:18:43,680
Speaker 1: tell you that right now.

1728
01:18:44,000 --> 01:18:44,400
Speaker 2: Really.

1729
01:18:44,800 --> 01:18:48,599
Speaker 1: Yeah, And my point was is that the owner told

1730
01:18:48,680 --> 01:18:50,120
Speaker 1: me that he's like, do you have an idea why

1731
01:18:50,120 --> 01:18:54,400
Speaker 1: people keep coming in and ordering Apple teenies? And he's like,

1732
01:18:54,120 --> 01:18:55,880
Speaker 1: I don't know, but can you make them? He's like, no,

1733
01:18:55,880 --> 01:18:58,200
Speaker 1: we're not making Apple Teeni's, but just people, just tell

1734
01:18:58,240 --> 01:18:59,519
Speaker 1: your fans to stop ordering.

1735
01:19:04,200 --> 01:19:06,240
Speaker 2: When we were young and they were tasty, though.

1736
01:19:06,840 --> 01:19:08,320
Speaker 1: I don't know. Do you like them, Christina?

1737
01:19:09,000 --> 01:19:09,840
Speaker 5: A little sweet for me?

1738
01:19:11,000 --> 01:19:12,120
Speaker 1: Do you have another question for us?

1739
01:19:12,200 --> 01:19:12,639
Speaker 7: Christina?

1740
01:19:13,520 --> 01:19:15,880
Speaker 5: So Scrubs one, what is your most memorable scene that

1741
01:19:15,920 --> 01:19:16,360
Speaker 5: you filmed?

1742
01:19:17,040 --> 01:19:19,160
Speaker 7: Oh? Heavy question, good question.

1743
01:19:19,560 --> 01:19:19,840
Speaker 2: Wow.

1744
01:19:21,560 --> 01:19:24,439
Speaker 1: Well Tom can go first because he's the test. He's

1745
01:19:24,439 --> 01:19:26,160
Speaker 1: got less to think about it because he's only.

1746
01:19:26,120 --> 01:19:27,439
Speaker 7: Did six or so episodes.

1747
01:19:28,000 --> 01:19:28,559
Speaker 2: It's easy.

1748
01:19:28,840 --> 01:19:32,439
Speaker 7: It was just, you know, I loved almost every scene

1749
01:19:32,800 --> 01:19:34,679
Speaker 7: we did for comedy. There was one where the three

1750
01:19:34,680 --> 01:19:35,400
Speaker 7: of us were.

1751
01:19:36,040 --> 01:19:37,639
Speaker 2: Part buddies where we did the farts.

1752
01:19:38,160 --> 01:19:39,760
Speaker 7: Yeah, we were goofing around the thing and that we

1753
01:19:39,840 --> 01:19:41,920
Speaker 7: had to we were eating breakfast and then we had

1754
01:19:41,920 --> 01:19:43,760
Speaker 7: to go. I had to go to the bathroom and

1755
01:19:43,800 --> 01:19:46,439
Speaker 7: it just became this long running I'll be in there

1756
01:19:46,439 --> 01:19:49,200
Speaker 7: for one minute, two minutes, five minutes, ten minutes, one minute.

1757
01:19:50,160 --> 01:19:53,719
Speaker 7: And then the other one was just the John Ritter stuff.

1758
01:19:53,760 --> 01:19:55,760
Speaker 7: To have been like a part of that with with

1759
01:19:55,880 --> 01:19:58,839
Speaker 7: you guys, was you know, it was, it was meaningful. Certainly.

1760
01:19:59,439 --> 01:20:03,519
Speaker 7: The bath the bathtub scene was a little less fun

1761
01:20:03,560 --> 01:20:07,679
Speaker 7: than you might expect. At one point, John c Riley

1762
01:20:07,760 --> 01:20:10,439
Speaker 7: is like, by now you're sitting in what amounts to

1763
01:20:10,600 --> 01:20:13,559
Speaker 7: probably eighty percent of your own urine, and I think

1764
01:20:13,560 --> 01:20:15,840
Speaker 7: that was probably closer to the truth. So less fun.

1765
01:20:15,920 --> 01:20:18,960
Speaker 7: But at the same time, you know, it's one thing

1766
01:20:18,960 --> 01:20:21,960
Speaker 7: that I hear a lot, you know about the Captain

1767
01:20:21,960 --> 01:20:25,080
Speaker 7: bubble Beard or whatever the heck it was called. Anyway,

1768
01:20:25,400 --> 01:20:27,519
Speaker 7: you guys, that's enough. Now you've had enough time. I've stalled,

1769
01:20:27,560 --> 01:20:29,800
Speaker 7: well enough, I feel, and now you guys have the

1770
01:20:29,840 --> 01:20:31,040
Speaker 7: tarmac ready talk.

1771
01:20:30,880 --> 01:20:35,080
Speaker 1: About your best shows. We answered something similar to this recently,

1772
01:20:35,200 --> 01:20:36,920
Speaker 1: but I wonder if it's the same answer for you.

1773
01:20:36,960 --> 01:20:38,680
Speaker 2: Donald, go ahead, well to Star Wars.

1774
01:20:39,040 --> 01:20:40,120
Speaker 1: Oh yeah, you're right.

1775
01:20:42,000 --> 01:20:46,839
Speaker 2: Also getting the opportunity to do an Indiana Jones situation

1776
01:20:46,960 --> 01:20:49,920
Speaker 2: in someone's colon, it was a lot of fun, right,

1777
01:20:50,000 --> 01:20:52,400
Speaker 2: doing the whole opening to Raters of the Lost Dark

1778
01:20:52,400 --> 01:20:58,120
Speaker 2: in side of someone's colony fun. And then, to be

1779
01:20:58,160 --> 01:21:03,200
Speaker 2: honest with you, one of my favorite scenes, it's a

1780
01:21:03,200 --> 01:21:06,680
Speaker 2: song but Zach and I singing everything comes down to

1781
01:21:06,760 --> 01:21:10,000
Speaker 2: Pooh still to this day is one of my like

1782
01:21:10,080 --> 01:21:13,040
Speaker 2: I watched that with the smile and I can't watch

1783
01:21:13,080 --> 01:21:15,280
Speaker 2: a lot of the things that I do, but that's

1784
01:21:15,320 --> 01:21:18,000
Speaker 2: one thing that I've done where I'm like that was.

1785
01:21:18,160 --> 01:21:20,680
Speaker 2: That was fucking a great time shooting that.

1786
01:21:21,080 --> 01:21:24,040
Speaker 1: Yeah, one of my favorite times was repelling across the

1787
01:21:24,640 --> 01:21:27,559
Speaker 1: fake city street on the Universal back lot on the

1788
01:21:27,600 --> 01:21:29,640
Speaker 1: episode where Donald and I go on a quest to

1789
01:21:29,720 --> 01:21:34,880
Speaker 1: find Molly, Heather Graham's character, and we repel across the

1790
01:21:34,920 --> 01:21:37,639
Speaker 1: street and then nail the wall and I fall into

1791
01:21:37,640 --> 01:21:40,160
Speaker 1: a bunch of garbage and then I get up and

1792
01:21:40,200 --> 01:21:42,360
Speaker 1: she looks at me, and I act like I'm surprised

1793
01:21:42,360 --> 01:21:45,080
Speaker 1: to see her, and I go, Molly, what are you

1794
01:21:45,320 --> 01:21:48,280
Speaker 1: doing here? That was just the most fun because you know, do.

1795
01:21:48,240 --> 01:21:51,920
Speaker 2: You remember how you got the to repel across the rope.

1796
01:21:51,720 --> 01:21:53,679
Speaker 1: Which I pulled your shirt off of you?

1797
01:21:53,680 --> 01:21:55,880
Speaker 2: No, you pulled my gown off of me. I did

1798
01:21:55,920 --> 01:21:57,679
Speaker 2: I have a gown on it or it wasn't a shirt?

1799
01:21:59,560 --> 01:22:03,519
Speaker 1: Yeah? Yeah? And I go, yeah, I pull it off

1800
01:22:03,560 --> 01:22:06,439
Speaker 1: and you gasp and then you're shirtless. And then I

1801
01:22:06,520 --> 01:22:09,720
Speaker 1: turn it. I turn I turned into a thing to

1802
01:22:09,760 --> 01:22:13,360
Speaker 1: repel across the street and then and then I go Molly,

1803
01:22:13,439 --> 01:22:15,160
Speaker 1: and she goes, what are you doing here? And then

1804
01:22:15,200 --> 01:22:16,880
Speaker 1: all of a sudden you just see Donald in the

1805
01:22:16,880 --> 01:22:24,040
Speaker 1: background drop down into frame naked. So that was just

1806
01:22:24,040 --> 01:22:27,080
Speaker 1: so fun because you know, we didn't always Yeah, as

1807
01:22:27,120 --> 01:22:29,040
Speaker 1: I've said before on the podcast, that episode was like

1808
01:22:29,120 --> 01:22:32,080
Speaker 1: so epic. We didn't always do episodes that were that big.

1809
01:22:32,120 --> 01:22:35,200
Speaker 1: And there we were like taking over the Universal backlat

1810
01:22:35,400 --> 01:22:38,160
Speaker 1: to do that scene, and I was directing and and

1811
01:22:38,439 --> 01:22:40,320
Speaker 1: it was just funny. I remember just laughing my ass

1812
01:22:40,360 --> 01:22:44,320
Speaker 1: off that night. All Right, well we got to go

1813
01:22:44,360 --> 01:22:47,760
Speaker 1: because our show's going so incredibly long. But Christina, thank you,

1814
01:22:47,840 --> 01:22:50,800
Speaker 1: and in all sincerity, thank you so much for for

1815
01:22:50,800 --> 01:22:53,800
Speaker 1: what you and for being on the front lines for us.

1816
01:22:53,960 --> 01:22:55,679
Speaker 5: Can I just see y'all to give a quick shout

1817
01:22:55,680 --> 01:22:57,479
Speaker 5: out to my best friends that are super jealous right

1818
01:22:57,479 --> 01:22:59,800
Speaker 5: now of course, Preston and Nikki.

1819
01:23:00,680 --> 01:23:05,120
Speaker 2: Yo, Preston, Nikki, it's down a faison and.

1820
01:23:06,160 --> 01:23:13,280
Speaker 1: I'm Zack graff and Zach Braffell.

1821
01:23:13,520 --> 01:23:17,040
Speaker 7: Sorry, what's happening y'all?

1822
01:23:18,720 --> 01:23:23,200
Speaker 1: What's happening y'all? What's happening? By present and Nikki and bye, Christina,

1823
01:23:23,200 --> 01:23:23,680
Speaker 1: Thank you so.

1824
01:23:23,680 --> 01:23:25,639
Speaker 7: Much, Thank you, Christina.

1825
01:23:26,080 --> 01:23:28,320
Speaker 1: Now listen, it's not beneath us, its scrubs. To do

1826
01:23:28,360 --> 01:23:31,320
Speaker 1: a fart joke every now and then, and uh, and this, Your.

1827
01:23:31,280 --> 01:23:35,080
Speaker 2: Family loves to fart. Dorians love to fart, dude, It's true.

1828
01:23:35,200 --> 01:23:36,840
Speaker 1: Oh, by the way, we were, we were, we were.

1829
01:23:36,880 --> 01:23:39,320
Speaker 1: We were lucky enough to have the late John Ritter

1830
01:23:39,400 --> 01:23:42,040
Speaker 1: do a fart joke on on the show before he

1831
01:23:42,120 --> 01:23:44,599
Speaker 1: passed away. And now we have the great Tom Cavanaugh

1832
01:23:44,960 --> 01:23:48,120
Speaker 1: honoring us with a fart joke. We we sprinkled him around.

1833
01:23:48,840 --> 01:23:55,000
Speaker 7: That was sprinkle him around. Good analogy. Your reaction is tremendous.

1834
01:23:55,120 --> 01:23:59,240
Speaker 7: It's like it's everywhere. It's a man who can't escape,

1835
01:23:59,240 --> 01:23:59,879
Speaker 7: it's everywhere.

1836
01:24:00,040 --> 01:24:03,600
Speaker 1: It is so horrible though, when when someone is flatulent

1837
01:24:03,680 --> 01:24:05,840
Speaker 1: in a car and you don't have control of the window,

1838
01:24:05,880 --> 01:24:08,200
Speaker 1: isn't it just a horrible, horrible moment of life.

1839
01:24:08,640 --> 01:24:17,719
Speaker 7: I think an airplane is worse, but yes, airplane, everybody's

1840
01:24:17,720 --> 01:24:19,040
Speaker 7: staring straight ahead.

1841
01:24:18,800 --> 01:24:20,880
Speaker 1: And there's moment on a plane where you're like, you

1842
01:24:20,920 --> 01:24:23,839
Speaker 1: don't want anyone to think it's you to react.

1843
01:24:24,040 --> 01:24:25,280
Speaker 7: You have to go, oh geez.

1844
01:24:25,280 --> 01:24:27,439
Speaker 1: I always put my t shirt over my nose so

1845
01:24:27,560 --> 01:24:31,360
Speaker 1: people know like, oh, he's reacting, it's clearly not him, right.

1846
01:24:32,000 --> 01:24:34,519
Speaker 2: It's just like when you go into the bathroom after

1847
01:24:34,560 --> 01:24:37,920
Speaker 2: somebody took a ship and on the airplane, and then

1848
01:24:37,920 --> 01:24:39,840
Speaker 2: you've got to come out and face all the people.

1849
01:24:39,840 --> 01:24:40,840
Speaker 2: I'm sure we've talked about it.

1850
01:24:40,960 --> 01:24:43,040
Speaker 1: We have. We talked about that horrible thing. And especially

1851
01:24:43,040 --> 01:24:44,800
Speaker 1: when you're in the public eye, you don't want someone

1852
01:24:44,800 --> 01:24:46,920
Speaker 1: to be like, dude, I was on a plane and

1853
01:24:46,960 --> 01:24:51,639
Speaker 1: Tom kavanall cross the bathroom and meanwhile you're thinking, like, no,

1854
01:24:51,760 --> 01:24:54,040
Speaker 1: mother effort. That was the guy before me.

1855
01:24:55,640 --> 01:24:56,760
Speaker 7: I don't know. I don't know if I would be

1856
01:24:56,760 --> 01:24:59,479
Speaker 7: that upset, but okay, yeah.

1857
01:24:58,960 --> 01:25:01,200
Speaker 1: I have an anxiety of when I go into a

1858
01:25:01,240 --> 01:25:04,160
Speaker 1: bathroom and it's been just rocked and then I come

1859
01:25:04,200 --> 01:25:06,960
Speaker 1: out and I'm like, I didn't do that. That was

1860
01:25:07,000 --> 01:25:10,000
Speaker 1: someone before me. I think you should do such.

1861
01:25:09,880 --> 01:25:11,880
Speaker 2: An anxiety about public restrooms period.

1862
01:25:11,960 --> 01:25:13,960
Speaker 1: Dude, do you think people you put toilet paper down

1863
01:25:14,000 --> 01:25:14,360
Speaker 1: on the seat?

1864
01:25:14,400 --> 01:25:17,439
Speaker 2: Listen, man, we could go to the movies the whole family,

1865
01:25:17,680 --> 01:25:19,719
Speaker 2: back when going to the movies was a thing. We'd

1866
01:25:19,720 --> 01:25:22,080
Speaker 2: be at the movie theater if I and the movie

1867
01:25:22,120 --> 01:25:24,719
Speaker 2: could be five minutes away from starting. If I feel

1868
01:25:24,760 --> 01:25:27,720
Speaker 2: even the slightest bit of a bubble in my guts,

1869
01:25:28,560 --> 01:25:32,080
Speaker 2: we're going home. Oh really, I'm not shitting at a

1870
01:25:32,120 --> 01:25:32,479
Speaker 2: movie theater.

1871
01:25:32,479 --> 01:25:33,960
Speaker 1: Your poor kids. What do they do?

1872
01:25:34,320 --> 01:25:38,599
Speaker 2: They cry on the way home that year in kids

1873
01:25:38,600 --> 01:25:41,240
Speaker 2: home because you had to poop. Listen. I remember I

1874
01:25:41,320 --> 01:25:43,960
Speaker 2: remember one time going to a club and getting to

1875
01:25:44,040 --> 01:25:47,920
Speaker 2: the club and being at the club and uh, you know,

1876
01:25:48,240 --> 01:25:51,599
Speaker 2: about to dance and it was lit that night, and

1877
01:25:51,640 --> 01:25:53,439
Speaker 2: feeling a bubble in my guts and being like, you

1878
01:25:53,439 --> 01:25:54,200
Speaker 2: know what, I'm going home.

1879
01:25:54,720 --> 01:25:59,000
Speaker 1: Oh at restaurants, so you never pull, you never pull

1880
01:25:59,000 --> 01:25:59,439
Speaker 1: in public.

1881
01:25:59,600 --> 01:26:01,800
Speaker 2: I try my hardest not to poo in public. I

1882
01:26:01,840 --> 01:26:06,000
Speaker 2: have a phobia of it. It's uh, I don't know, man.

1883
01:26:06,439 --> 01:26:08,680
Speaker 7: Do you keep your outings to a concentric circle where

1884
01:26:08,680 --> 01:26:10,120
Speaker 7: you can make the getaway if you have to.

1885
01:26:10,760 --> 01:26:13,040
Speaker 2: No, there's been times where I was like, yo, I

1886
01:26:13,080 --> 01:26:15,400
Speaker 2: gotta do something. We gotta do something. Do you have friends.

1887
01:26:15,640 --> 01:26:19,720
Speaker 2: It's just something about a public A public restroom is I.

1888
01:26:19,800 --> 01:26:20,240
Speaker 1: Used to have that.

1889
01:26:20,320 --> 01:26:22,120
Speaker 2: For some reason, I can't do it.

1890
01:26:22,280 --> 01:26:23,559
Speaker 1: When I was a kid, I had it. I got

1891
01:26:23,560 --> 01:26:25,960
Speaker 1: over it. But one thing I can't do is if

1892
01:26:26,000 --> 01:26:28,040
Speaker 1: it were in the men's room and there's and there's

1893
01:26:28,040 --> 01:26:31,120
Speaker 1: a line of stalls, I cannot poo if someone else

1894
01:26:31,200 --> 01:26:34,360
Speaker 1: is in the stall. I have to wait until the

1895
01:26:34,360 --> 01:26:38,479
Speaker 1: stalls are empty. I can't hear it next me. I

1896
01:26:38,520 --> 01:26:41,080
Speaker 1: just can't want next hear that. But also I can't

1897
01:26:41,080 --> 01:26:43,840
Speaker 1: sit next to the person and they're like farting and

1898
01:26:44,200 --> 01:26:49,960
Speaker 1: you hear them like I can't. It's too uncomfortable for me.

1899
01:26:49,479 --> 01:27:01,719
Speaker 7: You got to hand it to them for their effort.

1900
01:27:01,800 --> 01:27:03,760
Speaker 7: You know, they really have to go.

1901
01:27:03,960 --> 01:27:05,360
Speaker 2: You know, I don't want to be that guy. Man,

1902
01:27:05,400 --> 01:27:08,760
Speaker 2: I've been. I've been in the bathroom where another man

1903
01:27:08,800 --> 01:27:10,720
Speaker 2: did that. And I was a kid. I was very

1904
01:27:10,760 --> 01:27:13,440
Speaker 2: young and it was me and we were doing a commercial.

1905
01:27:13,439 --> 01:27:16,680
Speaker 2: It was a basketball commercial. What, yeah, it was a

1906
01:27:16,680 --> 01:27:19,200
Speaker 2: basketball commercial. Already tell us, I know we should talk

1907
01:27:19,240 --> 01:27:21,320
Speaker 2: about basketball. You have to come back on because we

1908
01:27:21,320 --> 01:27:23,840
Speaker 2: need to talk about our NBA Entertainment League days and

1909
01:27:23,880 --> 01:27:24,519
Speaker 2: all that stuff.

1910
01:27:24,520 --> 01:27:27,880
Speaker 1: Tom, Tom, Well you already since we since you're.

1911
01:27:30,640 --> 01:27:32,479
Speaker 7: You, Joe, you heard this, Dan, you heard this right.

1912
01:27:32,560 --> 01:27:35,400
Speaker 7: So I was invited. So that's what that's what those

1913
01:27:35,439 --> 01:27:36,479
Speaker 7: days are going to be.

1914
01:27:36,520 --> 01:27:39,400
Speaker 2: Now one pound, now you'll be back, now, be back.

1915
01:27:40,160 --> 01:27:42,640
Speaker 2: But we were filming a basketball commercial and I was

1916
01:27:42,800 --> 01:27:45,360
Speaker 2: very young and one but I wasn't young enough where

1917
01:27:45,400 --> 01:27:46,880
Speaker 2: my parents had to be there. But there was one

1918
01:27:46,920 --> 01:27:49,360
Speaker 2: kid who was very young and his dad had to

1919
01:27:49,400 --> 01:27:51,880
Speaker 2: be there and his dad would play basket. We were

1920
01:27:51,880 --> 01:27:54,200
Speaker 2: playing like we were all doing this you know, uh

1921
01:27:54,800 --> 01:27:57,000
Speaker 2: uh the commercial. So we were all playing like full

1922
01:27:57,040 --> 01:28:01,360
Speaker 2: courts on other basketball courts. And we would play with

1923
01:28:01,400 --> 01:28:04,200
Speaker 2: his dad too. And I remember going to the bathroom,

1924
01:28:04,200 --> 01:28:05,559
Speaker 2: me and a bunch of other dudes. We were going

1925
01:28:05,560 --> 01:28:07,880
Speaker 2: to take a leak and the dad was in the

1926
01:28:07,920 --> 01:28:14,760
Speaker 2: bathroom and was having a real hard time pooping, like

1927
01:28:14,840 --> 01:28:16,600
Speaker 2: the type of ship like the like the type of

1928
01:28:16,640 --> 01:28:17,639
Speaker 2: stuff was like, oh.

1929
01:28:17,640 --> 01:28:25,920
Speaker 1: God, damn ship. Why why when someone yells.

1930
01:28:25,680 --> 01:28:35,759
Speaker 2: Why the corn? That's the corn. That's the corn.

1931
01:28:35,800 --> 01:28:38,040
Speaker 1: Okay, you don't corn people are might be eating when

1932
01:28:38,040 --> 01:28:38,640
Speaker 1: they listen to this.

1933
01:28:38,680 --> 01:28:40,240
Speaker 2: Okay, we'll cut that out. We'll cut out the corn.

1934
01:28:40,320 --> 01:28:41,000
Speaker 1: No, I want to leave it.

1935
01:28:41,040 --> 01:28:44,320
Speaker 2: I like, okay, all right. Anyway, My point is I

1936
01:28:44,400 --> 01:28:47,840
Speaker 2: remember when he came out of the bathroom, the shame

1937
01:28:47,960 --> 01:28:49,880
Speaker 2: on his poor son's face because we were like, yo,

1938
01:28:49,880 --> 01:28:53,800
Speaker 2: your dad's and they're blowing it up. And I think

1939
01:28:53,800 --> 01:28:56,360
Speaker 2: that's where my phobia comes from. I don't want to

1940
01:28:56,400 --> 01:28:56,920
Speaker 2: be that guy.

1941
01:28:57,120 --> 01:28:58,840
Speaker 1: From when I was a kid, my mom took me

1942
01:28:58,920 --> 01:29:01,040
Speaker 1: into the stall with her. You know, I was of

1943
01:29:01,080 --> 01:29:03,799
Speaker 1: an age where she was obviously not leaving me alone,

1944
01:29:04,040 --> 01:29:07,080
Speaker 1: and a woman was really farting a lot as she

1945
01:29:07,280 --> 01:29:10,280
Speaker 1: was going pooh. And then we came out to the

1946
01:29:10,320 --> 01:29:13,840
Speaker 1: sinks and I apparently turned to the woman and pointed

1947
01:29:13,880 --> 01:29:14,320
Speaker 1: and went.

1948
01:29:14,240 --> 01:29:24,320
Speaker 9: Mom, that's the lady who was farting.

1949
01:29:24,800 --> 01:29:27,160
Speaker 1: My mom says, like to this day, that's the most

1950
01:29:27,160 --> 01:29:28,439
Speaker 1: embarrassing moment of her life.

1951
01:29:29,080 --> 01:29:31,040
Speaker 2: Goodness, all right?

1952
01:29:32,960 --> 01:29:35,960
Speaker 1: The gorilla by the way, Donald, I literally looked down.

1953
01:29:36,920 --> 01:29:38,800
Speaker 1: I looked down at my notes and saw I thought

1954
01:29:38,840 --> 01:29:40,000
Speaker 1: that was a really funny reveal.

1955
01:29:40,600 --> 01:29:42,200
Speaker 2: Yeah, I thought that was very You think Ken was

1956
01:29:42,200 --> 01:29:42,920
Speaker 2: ever in the suit?

1957
01:29:43,560 --> 01:29:43,640
Speaker 7: Oh?

1958
01:29:43,720 --> 01:29:44,920
Speaker 2: I don't know. That's a great question.

1959
01:29:45,040 --> 01:29:46,040
Speaker 7: That is a great question.

1960
01:29:46,920 --> 01:29:48,680
Speaker 2: Let's ask Bill that one.

1961
01:29:49,160 --> 01:29:51,200
Speaker 1: Let's ask Bill, because Bill, I'm sure you want to

1962
01:29:51,240 --> 01:29:54,439
Speaker 1: say hi to the Tom Cavanaugh And you know, I

1963
01:29:54,439 --> 01:29:58,000
Speaker 1: did notice some of the fans were missing you and

1964
01:29:58,040 --> 01:30:03,000
Speaker 1: you're sabotaging our show by telling the secret numbers? So Bill,

1965
01:30:03,880 --> 01:30:07,120
Speaker 1: was Ken Jenkins ever in the gorilla suit? And also

1966
01:30:07,200 --> 01:30:12,000
Speaker 1: say hi to Tom Kavanaugh? Bill, Hey, guys, how you doing.

1967
01:30:13,479 --> 01:30:17,719
Speaker 10: Question number Ken Jenkins in that gorilla suit? I seem

1968
01:30:17,760 --> 01:30:20,400
Speaker 10: to recall is what I love about Ken, you know,

1969
01:30:20,720 --> 01:30:23,400
Speaker 10: trying to be respectful of actors. I was like, of course, Ken,

1970
01:30:24,000 --> 01:30:25,759
Speaker 10: if you want to be the guy in the suit,

1971
01:30:25,920 --> 01:30:28,599
Speaker 10: you know, we and I think he cut me off

1972
01:30:29,280 --> 01:30:31,920
Speaker 10: and said, Bill, if it's not gonna you're not gonna

1973
01:30:31,920 --> 01:30:35,120
Speaker 10: see me, I don't care if I'm ever in that grocer.

1974
01:30:36,280 --> 01:30:38,200
Speaker 10: So I do not think Ken Jenkins was ever in

1975
01:30:38,240 --> 01:30:43,360
Speaker 10: that thing, pretty sure. Uh and uh I respect him

1976
01:30:43,400 --> 01:30:46,680
Speaker 10: more for it. Also got to say, man, h not

1977
01:30:46,760 --> 01:30:48,639
Speaker 10: only one of my favorite guest stars on the show,

1978
01:30:48,720 --> 01:30:51,160
Speaker 10: but an all time good buddy Tom Kavanaugh.

1979
01:30:51,200 --> 01:30:53,200
Speaker 1: Hello, sir, oh hi Tommy.

1980
01:30:53,320 --> 01:30:53,880
Speaker 7: How you doing?

1981
01:30:53,960 --> 01:30:54,160
Speaker 1: Man?

1982
01:30:54,880 --> 01:30:57,960
Speaker 10: I don't mean to steal this podcast, but it has

1983
01:30:58,040 --> 01:31:00,240
Speaker 10: been way too long since we've seen each other. Has

1984
01:31:00,439 --> 01:31:02,600
Speaker 10: been a has got to be at least like for

1985
01:31:02,760 --> 01:31:04,400
Speaker 10: like five or six or seven.

1986
01:31:04,200 --> 01:31:04,639
Speaker 2: Or eight months.

1987
01:31:05,360 --> 01:31:05,519
Speaker 7: Eight?

1988
01:31:06,000 --> 01:31:09,800
Speaker 1: No, thank you, jas guy is.

1989
01:31:09,840 --> 01:31:15,680
Speaker 2: Turn it off down season two? Damn get a new.

1990
01:31:15,800 --> 01:31:18,519
Speaker 1: You need a new trick. Trying to hijack our show.

1991
01:31:20,920 --> 01:31:23,479
Speaker 1: You know, speaking of tricks, the janitor never does his trick.

1992
01:31:23,840 --> 01:31:26,080
Speaker 2: I was I was asking, I was about to ask that.

1993
01:31:26,080 --> 01:31:27,880
Speaker 1: It's a writing it's a writing flow of Bill.

1994
01:31:28,040 --> 01:31:30,280
Speaker 2: Sorry, what was that about?

1995
01:31:30,360 --> 01:31:32,880
Speaker 1: Since you just tried to hijack our show by saying

1996
01:31:32,880 --> 01:31:34,960
Speaker 1: the numbers, I will tell you even though now you

1997
01:31:35,000 --> 01:31:39,200
Speaker 1: can't reply that, uh you're fucking up? Or Tim Ober,

1998
01:31:39,800 --> 01:31:42,479
Speaker 1: Tim Over, Tim Hovers fucked up, somebody who fucked up?

1999
01:31:42,520 --> 01:31:44,200
Speaker 1: Why do you lay in that the janitor's going to

2000
01:31:44,240 --> 01:31:47,559
Speaker 1: do a trick and he never does. I think it's

2001
01:31:47,560 --> 01:31:50,920
Speaker 1: a mislead for him being in the gorilla suit. But

2002
01:31:50,920 --> 01:31:53,200
Speaker 1: but he's he's like twice Ken's height, so that doesn't

2003
01:31:53,240 --> 01:31:56,800
Speaker 1: really work. I'm just saying, do you want to talk

2004
01:31:56,840 --> 01:31:58,320
Speaker 1: about how great it was to have Tom Cavanaugh on

2005
01:31:58,400 --> 01:31:58,919
Speaker 1: the podcast?

2006
01:31:59,040 --> 01:32:01,519
Speaker 2: Dude, you have to come back. You'd already said you will.

2007
01:32:01,720 --> 01:32:05,160
Speaker 7: I'm going to force your hand. That was a classic

2008
01:32:05,200 --> 01:32:07,840
Speaker 7: misplay on your two guys parts here, guys. You guys like, hey, Tom,

2009
01:32:07,840 --> 01:32:10,280
Speaker 7: come back. He's like, he's obsessive. Joelle is gonna be

2010
01:32:10,360 --> 01:32:13,519
Speaker 7: like he all he does is ab He's like, uh, episode,

2011
01:32:13,920 --> 01:32:16,120
Speaker 7: he's just come back, come back? Can I come back?

2012
01:32:17,439 --> 01:32:17,679
Speaker 2: Dude?

2013
01:32:17,720 --> 01:32:18,840
Speaker 1: Love you.

2014
01:32:18,920 --> 01:32:21,600
Speaker 2: We have some stories. You and I we've played a

2015
01:32:21,640 --> 01:32:23,720
Speaker 2: lot of basketball together. And so the next time you're

2016
01:32:23,760 --> 01:32:24,879
Speaker 2: on the next episode about.

2017
01:32:24,720 --> 01:32:26,120
Speaker 1: That, you guys will talk sports ball.

2018
01:32:26,200 --> 01:32:27,960
Speaker 7: Yeah, you can go grab a tea and we'll like,

2019
01:32:28,240 --> 01:32:29,760
Speaker 7: we'll talk hoops and then you can come back ten

2020
01:32:29,800 --> 01:32:30,200
Speaker 7: minutes later.

2021
01:32:30,280 --> 01:32:30,559
Speaker 2: Come back.

2022
01:32:30,720 --> 01:32:33,760
Speaker 1: I will just put on Dear Evan Hanson and listen

2023
01:32:34,920 --> 01:32:36,560
Speaker 1: the whole time, and you guys will wave on the

2024
01:32:36,640 --> 01:32:40,240
Speaker 1: zoom call when it's O perfect. No, seriously, man, we

2025
01:32:40,280 --> 01:32:40,960
Speaker 1: love you. You're great.

2026
01:32:41,240 --> 01:32:43,559
Speaker 7: I'm so happy to be a part of this. Thank

2027
01:32:43,600 --> 01:32:44,559
Speaker 7: you guys for having me on.

2028
01:32:44,560 --> 01:32:46,679
Speaker 1: I mean great, No, thank you, thank you, and thank

2029
01:32:46,680 --> 01:32:50,120
Speaker 1: you to Daniel and Joel and uh and Donald do

2030
01:32:50,160 --> 01:32:51,639
Speaker 1: you want to lead us in this song? I love

2031
01:32:51,680 --> 01:32:54,559
Speaker 1: you Donald Faison, I love you Zach Braff and we

2032
01:32:54,600 --> 01:32:58,360
Speaker 1: love you listeners. Thank you for listening and for being amazing,

2033
01:32:58,439 --> 01:33:02,400
Speaker 1: and subscribe to this and and and what else? Email

2034
01:33:02,520 --> 01:33:05,880
Speaker 1: Joel Scrubs iHeart at gmail dot com.

2035
01:33:05,920 --> 01:33:09,760
Speaker 2: And that's it. That is absolutely to the five six,

2036
01:33:09,880 --> 01:33:11,040
Speaker 2: seven eight stories.

2037
01:33:11,760 --> 01:33:16,080
Speaker 6: I'm that show we made about a bunch of times

2038
01:33:16,080 --> 01:33:21,400
Speaker 6: and nurses. In Janader I said, here's the stories net

2039
01:33:21,560 --> 01:33:22,519
Speaker 6: all should know.

2040
01:33:24,160 --> 01:33:28,479
Speaker 2: So Gander rab here, are ganner Rabu here our

2041
01:33:28,720 --> 01:33:31,760
Speaker 7: Scott We show is and no