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Speaker 1: I turned the dandy I ella, and he's I said,

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Speaker 1: gimme that marker. He says, you know, I love the smell.

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Speaker 2: The smell, and he's.

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Speaker 1: Sniffing all the markers. And I say, you're going to

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Speaker 1: give yourself some kind of crazy head cons pass house.

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Speaker 2: And what do you think happened next? What I took

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Speaker 2: the markers back. He's such a sensory creature. Oh, yes,

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Speaker 2: you know, it's all about sense and stimulation with that.

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Speaker 1: Oh and because it's so tactile too, because later on

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Speaker 1: he was like rubbing his cheek up against.

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Speaker 2: The white board and he hasnes and he cold. It's

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Speaker 2: so nice, it's cold.

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Speaker 1: Hey, what what up?

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Speaker 2: What app But welcome to Hollywood Handbook, and it'sider's guide

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Speaker 2: to kicking button dropping names in the red carpet line

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Speaker 2: back hallways of this industry we call showbiz Quick box

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Speaker 2: office Report. You wanted to do? Mm hmm Yeah.

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Speaker 1: The movie that is really doing a bunch of money

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Speaker 1: right now is just having all kinds of people paid

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Speaker 1: for tickets and it's been a big hit and everybody's

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Speaker 1: really happy about it. And I'm happy to be involved.

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Speaker 1: We have a new Oh and you were gonna do

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Speaker 1: just a quick TV rating round up.

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Speaker 2: Yes, yes, everybody's watching TV today and that's the TV

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Speaker 2: round up. We have a new segment. Those are our

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Speaker 2: old segments. We have a new segment that we want

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Speaker 2: to do this week. You don't really often see some

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Speaker 2: of the people we have working behind the scenes for us.

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Speaker 2: The engineer sort of has to be in the room

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Speaker 2: while we're while we're doing these things. Is just the

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Speaker 2: nature of the beast. But as people who do movies,

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Speaker 2: Sean and I have people who we can't be everywhere

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Speaker 2: at once.

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Speaker 3: You know.

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Speaker 2: That's the thing is.

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Speaker 1: Some of the nice parts of fame, celebrity, success, money

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Speaker 1: is you have a lot of opportunities of ways to

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Speaker 1: spend your time, and unfortunately you can't feel all of them.

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Speaker 1: And so, uh, we like to have little tentacles out

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Speaker 1: there in the world. And and that's how I think

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Speaker 1: of some of these you know, men and women that

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Speaker 1: we have working for.

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Speaker 2: Which are extensions of us, part of our There where

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Speaker 2: the suction, you know, where the thorax and the.

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Speaker 1: Thorax and the brain and you know, and the one

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Speaker 1: big eye and the beak, and so that is kind

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Speaker 1: of what we want to talk about. And we have

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Speaker 1: you know, a new tentacle.

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Speaker 2: I haven't had a chance. They do grow back. What's

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Speaker 2: interesting about tentacles is you can cut one off.

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Speaker 1: And we have cut a couple off being a lazy tentacle, yes,

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Speaker 1: and for mouthing off and and or not wanting to

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Speaker 1: do what I want to.

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Speaker 2: And it turns out that they can just regenerate a

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Speaker 2: very replaceable pretty much instance, extremely replaceable.

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Speaker 1: And you know who I'm talking to. But Hayes interviewed

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Speaker 1: this particular tentacle, and I haven't met him yet.

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Speaker 2: Come let me get a look at you. Boy. This

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Speaker 2: is uh, this is Andy Andy.

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Speaker 1: Okay, we'll get to that later. And all right, let

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Speaker 1: me see your hands.

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Speaker 2: Boy, you have bottom or top?

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Speaker 1: Little dirt under your fingernails there. You know, the mark

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Speaker 1: of a gentleman is his hands.

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Speaker 2: Bottom or top? What would you say, is the top

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Speaker 2: part of your hand? Prone?

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Speaker 1: Or soup hine? That's how you remember.

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Speaker 2: Souphine? Is there soups on? Soups on souphine?

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Speaker 1: Is you can carry soup with it, soups on prone

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Speaker 1: prone like a drone. If you were making it look

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Speaker 1: like a plane, you'd sort of do this right.

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Speaker 2: So that's some planes are like drones.

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Speaker 1: That's drone. I get it brown like a drone soup

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Speaker 1: so on soupine. But when you show it to me prone.

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Speaker 1: You should have clean fingernails. People look at You can

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Speaker 1: have the fanciest clothes in the world and the nicest shoes.

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Speaker 1: If you've got dirt onto your fingernails, you're not a gentleman.

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Speaker 2: Yes, and Andy, you're you're a new intern. You're very excited, Yeah,

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Speaker 2: very nervous, which I which is understandable given the circumstances

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Speaker 2: you're in. We got to know you because your your

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Speaker 2: dad is who.

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Speaker 4: Is mister Rob Reiner director sometimes actor?

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Speaker 2: Yes, father, that's right, that's your dad. We would be

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Speaker 2: very excited to really work with Rob. Yes, we have.

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Speaker 1: He's something cooking that we think he'd be great.

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Speaker 2: Yes for And we'd love any opportunity to now that

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Speaker 2: we are working with you, to maybe have the chance

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Speaker 2: to talk to Rob at some point and see, I know,

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Speaker 2: and he's very busy.

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Speaker 4: Very super busy.

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Speaker 2: You know that we've done this and like we've sort

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Speaker 2: of reached out to his favor for him. Maybe he's

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Speaker 2: a favorite coming for us. Maybe he could reach out

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Speaker 2: to our family and.

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Speaker 4: Well, I could probably talk to my mom and then

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Speaker 4: she might be able to, like maybe talk to him.

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Speaker 1: I don't need to know how the sausage gets made.

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Speaker 2: Yeah, it doesn't matter how you do it.

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Speaker 1: I don't care which you talk to him or heard.

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Speaker 1: Just we want to do something with Rob.

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Speaker 2: Every conversation you have in a day is not it's

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Speaker 2: not of central importance to us.

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Speaker 1: If we all talk about everyone we're going to talk

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Speaker 1: to after this podcast, nothing's getting there.

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Speaker 2: Okay, but that's fine because you knew and like where.

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Speaker 2: We are excited to have you teaching you know, experience

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Speaker 2: and to work with you. It's very nice what we

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Speaker 2: wanted you to do today, and we started talk to

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Speaker 2: you about this. You, Sean and I are working in movies.

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Speaker 2: You're expected to see movies. You have to be familiar

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Speaker 2: with everything.

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Speaker 1: If you've got a meeting with so and so, oh

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Speaker 1: and you haven't seen Who's It's, What's It's movie, then

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Speaker 1: you might wind up looking like a real dunderhead.

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Speaker 2: There are only twenty four hours in a day. There

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Speaker 2: are that there are so many movies being that are

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Speaker 2: happening all the time. Every time you look up, there's

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Speaker 2: new movies.

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Speaker 1: Yeah, and we've talked about how we sleep sitting up

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Speaker 1: in a chair with a spoon in our hands, so

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Speaker 1: that every time we doze off, the spoon clatters on

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Speaker 1: the concrete floor and can keep watching. It startles us awake.

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Speaker 1: So we do get twenty two usable hours in a day. Hm,

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Speaker 1: But even that's not enough to see everything. So we

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Speaker 1: like to send our tentacles out. They watch the movie,

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Speaker 1: they report back to us so that we don't look

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Speaker 1: like well dunderheads, quite frankly.

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Speaker 2: And they do it during the two hours a day

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Speaker 2: from four to six am they have to be watching

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Speaker 2: a movie, so it's like we're awake.

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Speaker 1: It's like we get all twenty four and we're watching movies.

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Speaker 2: So, Andy, you went to see Edge of Tomorrow for us?

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Speaker 4: Did Yeah?

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Speaker 2: Did you keep your receipt? Oh? Sorry I threw it.

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Speaker 1: Okay, don't be sorry to me.

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Speaker 2: Sorry to be sorry. Well it's cash out of your pocket. Yeah,

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Speaker 2: you understand, we can't do it without. We just can't

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Speaker 2: believe that you take on your word that, like, oh,

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Speaker 2: I went to go see this movie.

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Speaker 1: For all we know, you fingered the popcorn girl and

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Speaker 1: got snuck in through the back for free. I mean,

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Speaker 1: I honestly and you know, I mean, you don't wash

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Speaker 1: your hands.

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Speaker 2: Yeah, and you could be coming to us and saying, oh,

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Speaker 2: I went to go see this movie. It was nine

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Speaker 2: thousand dollars. And we have no way of knowing whether

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Speaker 2: or not movies these days, yes, see, exactly right, movies

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Speaker 2: these days are getting His dad Rob told them that

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Speaker 2: these movies these days are getting very expensive. And you

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Speaker 2: know that because your dad's Rob Reiner. So you understand

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Speaker 2: how we can't just be tossing you money whenever you

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Speaker 2: say that you spend a certain amount on the movies.

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Speaker 4: Well, I guess I'm here to learn, So I guess

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Speaker 4: this is a learning moment for me.

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Speaker 1: I guess, I guess. Yeah, a lot of no guess work.

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Speaker 1: You know, a lot of you are here to learn,

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Speaker 1: and this is a learning moment.

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Speaker 2: Yes, you went to see Edge of Tomorrow. Yeah. Absolutely.

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Speaker 2: We want you to tell us, just sort of give

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Speaker 2: us a summary of the movie so that when we

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Speaker 2: go into meetings with the guys who brought you Edge

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Speaker 2: of Tomorrow will be informed and we can have smart,

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Speaker 2: smart opinions about the movie and like interesting things to share.

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Speaker 5: Sure.

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Speaker 4: Well, yeah, it's it's starring Tom Cruise. Well you can

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Speaker 4: just launch right, well, so aliens speaking of tentacles. Technical

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Speaker 4: aliens have taken over the world in this movie.

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Speaker 2: And no, we don't need like the flourishes of like

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Speaker 2: just the straightforward story. Yes, okay, so necessarily yeah alright.

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Speaker 4: So so Tom Cruise goes to war and he's he's

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Speaker 4: bad at war. He's never been to war before, and

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Speaker 4: so he dies. But then all of a sudden, he

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Speaker 4: realizes every time he dies, he keeps getting He wakes

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Speaker 4: up the day before. It's like a like almost like

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Speaker 4: Groundhog's Day, the film I love it.

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Speaker 2: Yeah, yeah, yeah, it's like Groundhouse.

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Speaker 1: This movie is like.

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Speaker 4: That kind of but yeah, but like with war and

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Speaker 4: like aliens and stuff, and so he keeps waking up

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Speaker 4: and it's the same day over and over again. So

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Speaker 4: every time he gets better at fighting the war and

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Speaker 4: he has to use his skills that he keeps learning

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Speaker 4: to win with war.

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Speaker 1: The aliens are doing they're like killing guys. It's not funny. Funny, Yeah,

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Speaker 1: that's one of the funniest movies ever.

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Speaker 4: Yeah. Yeah, I guess it's more of an action There

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Speaker 4: are some jokes every once in a while, but it

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Speaker 4: is an action kind of movie.

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Speaker 1: How's that like gunhog Day.

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Speaker 4: I guess, yeah, it's it's not in that, it's not.

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Speaker 2: It sounds like a battle movie. Yeah. From what you're describing,

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Speaker 2: it sounds like it's a movie with you talk about

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Speaker 2: all this war and battling.

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Speaker 1: He's fighting war and he's doing the battles. Yeah, I mean,

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Speaker 1: is that it's like a battle? Is it like Battle

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Speaker 1: Battle Star?

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Speaker 2: Yeah?

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Speaker 1: Is it that?

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Speaker 2: Yeah?

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Speaker 4: I don't know. I actually haven't seen Battlestar, but but

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Speaker 4: there are battles and they very helpful.

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Speaker 1: We found the one guy who hasn't seen Battlestar.

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Speaker 2: But and it would be nice if you, you know,

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Speaker 2: educating yourself about movies in this role of yours.

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Speaker 1: Especially if you're going to be referencing other films, like

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Speaker 1: it's kind of like this. Yeah, and I'm pretty sure

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Speaker 1: at this point you've only seen two movies.

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Speaker 2: You know, you've seen.

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Speaker 1: Groundhog Day, right, and you've seen Edge Tomorrow, and you're

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Speaker 1: like they're similar.

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Speaker 2: It does sounds like you're because they're both movies, that

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Speaker 2: they're that they're like the same thing.

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Speaker 4: I guess I'm saying that there.

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Speaker 2: One is so funny and the other is battling.

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Speaker 4: Yeah, yeah, they're not similar in that way. I guess

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Speaker 4: you guys are right, you are right. Sorry, I should

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Speaker 4: stop stop guessing.

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Speaker 1: I don't guess if you if you're guessing, don't say it.

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Speaker 1: You know.

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Speaker 2: So what so what else is in that movie?

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Speaker 1: Yeah?

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Speaker 4: So, yeah, there's there's lots of battle scenes. And then

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Speaker 4: at Tom Cruise, mean you say he's bad at war?

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Speaker 4: Yeah at the beginning, what is that? He's falling down,

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Speaker 4: he dies, he gets killed. I get right at the beginning.

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Speaker 2: So you're saying everyone who wait, wait, Andy, wait, you're

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Speaker 2: saying that anyone who dies on the battlefield is bad

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Speaker 2: at war. I guess.

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Speaker 1: I mean, I didn't mean your nervous and I know.

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Speaker 4: Yeah, I do, I do. I didn't mean to say

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Speaker 4: it that way, I think. I Oh, boy, veterans I respect.

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Speaker 2: Well, not just the veterans, I mean they don't. They're

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Speaker 2: not around to hear what you're saying.

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Speaker 4: But with their families, sure, all of that veterans still

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Speaker 4: listen to this show. They're not around to here.

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Speaker 2: No, they're because they died because, in your words, they're

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Speaker 2: bad at war.

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Speaker 1: Okay, my wife's grandfather died in World War two?

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Speaker 2: Would he be bad at war? He was?

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Speaker 1: Saving them baby from a machine.

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Speaker 2: Yeah.

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Speaker 1: Yes, some komakazi guy had gotten hold of a threshing

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Speaker 1: mass machine and was driving it right at a baby

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Speaker 1: and he saved it and he shot the kamikaze man.

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Speaker 2: But he got all threshed out, He got threshed to pieces.

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Speaker 1: Was he bad at war?

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Speaker 4: I meant that he had never been to war before,

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Speaker 4: like he hadn't.

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Speaker 1: Boy, I wish there were more people who were bad

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Speaker 1: at war around, if that's being bad at war.

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Speaker 2: Yeah, yeah, we could.

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Speaker 1: Use a couple more people who were bad at war,

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Speaker 1: if that's what it is, Because in my book, that's

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Speaker 1: a hero.

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Speaker 2: And it's because you're new and we are, like we've

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Speaker 2: said we are very then you agree that this is

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Speaker 2: just teaching for you and we are excited to we

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Speaker 2: are very excited to work with Rob. So it's not like, oh,

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Speaker 2: please don't go to Rob. And I can see you

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Speaker 2: going and saying, oh, these guys were saying like this

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Speaker 2: is they were talking about me. They were nice to

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Speaker 2: me the townhog Day.

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Speaker 1: And it's just like that's not the case. Yeah, see

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Speaker 1: groundhog Day, but see other stuff. He'd watch Battlestar.

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Speaker 4: He might listen to this though, So I don't.

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Speaker 2: I don't know if well, then he'll oh, exactly what

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Speaker 2: was going on, listen to it and gets the real

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Speaker 2: story instead of whatever whatever bs you're bringing it.

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Speaker 1: But I don't think he is going to listen to

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Speaker 1: it because I can't imagine that he's not interested in

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Speaker 1: what you're going to be doing on here.

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Speaker 2: And quite frankly, this isn't for him. For the people,

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Speaker 2: he's the pleasure of listening to you every night at dinner,

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Speaker 2: family dinner time.

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Speaker 1: I can't imagine he's going back for a double dip

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Speaker 1: of that. After he gets one conversation and with you

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Speaker 1: a day is probably enough.

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Speaker 2: What else happens in that.

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Speaker 4: Movie, please well, Tom Cruise meets up with Emily Blunt.

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Speaker 2: Is his name Tom Cruise? In the movie, his.

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Speaker 4: Name is Lieutenant Colonel Bill Cage.

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Speaker 2: Can you imagine for a moment, what would happen if

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Speaker 2: we went into a meeting and we said we liked

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Speaker 2: the movie, and we said we loved when Tom Cruise

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Speaker 2: was killing those aliens. We'd be laughed out of this,

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Speaker 2: out of the whole city block.

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Speaker 1: I literally look like a complete underhead. Spare me that

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Speaker 1: Emily Blunt nonsense as well, that's what he was just

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Speaker 1: getting to. He said, he meets Emily Blunt. I bet

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Speaker 1: she's got a character name. I know you, you know kids,

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Speaker 1: and you're smoking doobies. You like to say blunt. You

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Speaker 1: think that makes you cool. Well, it's not cool to me, buddy.

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Speaker 1: I've seen both sides of that story.

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Speaker 2: Do you want to hear more about that? Yeah?

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Speaker 1: You want to know more about that?

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Speaker 6: Yeah?

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Speaker 2: A second and yeah a second? Well, okay, done?

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Speaker 1: End Well starts out fun games right, looking at black

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Speaker 1: light posters and listening to the dark side of the moon,

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Speaker 1: And next thing you know, you're on skid row.

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Speaker 2: Wow, you have for that story? Are you so busy

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Speaker 2: that you don't have time to hear a story that

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Speaker 2: actually might help you out?

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Speaker 4: Andy, I've got all day, really, I mean, if you

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Speaker 4: if that's it sounded like.

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Speaker 1: I don't care if you're Rob Bryan, your son or not, anybody.

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Speaker 1: That could happen to anybody. You can start, you know,

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Speaker 1: sparkling up those doobies enough you're gonna not know which

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Speaker 1: ways up and And the fact of the matter is,

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Speaker 1: I'll tell you which ways. It's the opposite the way

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Speaker 1: you're going. You're going down downtown down to skid row

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Speaker 1: and you're gonna be living there and it's not nice.

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Speaker 4: So Emily Blend's character's name is Rita Okay, that's pretty good,

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Speaker 4: and Rita vertaski and so she we find out that

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Speaker 4: she had the same thing that Tom Cruise has where

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Speaker 4: the previous alien battle, she was the one that kept

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Speaker 4: getting reincarnated and would start the day over, and so

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Speaker 4: she is like a super soldier at this point. She's

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Speaker 4: like really, I don't want to say really good at war,

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Speaker 4: but she's like a great soldier at that point. And

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Speaker 4: so they meet up and there's so.

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Speaker 1: Via Warshawski can also do the war again every day.

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Speaker 2: Rita vertaskim.

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Speaker 1: Not what she said, but go ahead.

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Speaker 4: And she So yeah, they meet up and they sort

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Speaker 4: of make a team, and there's maybe even like a

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Speaker 4: hint of romance, which is exciting, and they have to

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Speaker 4: learn they have.

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Speaker 1: To there is a hint of romance, or there may

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Speaker 1: be is even a hint of romance, because if it's

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Speaker 1: your bringing that to it because you just saw a

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Speaker 1: pretty girl and just you know, lost your head and

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Speaker 1: just maybe started thinking about kiss her and pretending you're

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Speaker 1: Tom Cruise.

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Speaker 2: When you're watching this movie. These movies put yourself in

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Speaker 2: the mind of like a mature adult, like if someone

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Speaker 2: who has had some experience and has sort of been

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Speaker 2: down that road a few times.

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Speaker 1: I can't be talking to these guys, the guys who

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Speaker 1: brought me Edge of Tomorrow, and describing their movie from

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Speaker 1: the perspective of a virgin who's pretending that he's Tom

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Speaker 1: Cruise and then hoping Tom Cruise is going to get

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Speaker 1: a smooch.

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Speaker 2: And we can't be going in there saying that that

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Speaker 2: Mia has a tight little keyster on her or something

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Speaker 2: like that, just because that was what you were zeroed

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Speaker 2: in on for all two hours. Well, they can't be

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Speaker 2: doing that.

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Speaker 4: They care about each other at the very at the

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Speaker 4: very least.

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Speaker 5: So.

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Speaker 4: But they make a good team regardless, and they work

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Speaker 4: together to try and stop the aliens and keep them

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Speaker 4: from taking over the Earth.

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Speaker 1: Independence Day.

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Speaker 4: And do you want to know the end?

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Speaker 2: I don't.

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Speaker 4: I'm not sure. Oh I guess you have to.

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Speaker 2: Yeah, what they're gonna ask us what the end was? Yeah?

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Speaker 4: Okay, So they they work together and then they find

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Speaker 4: ed happens where Tom Cruise loses his power.

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Speaker 1: You know what, maybe we should just cancel this meeting.

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Speaker 1: I just feel like this one's a wash. We can't

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Speaker 1: we certainly can't walk in here with what we've gotten

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Speaker 1: so far. Do you do you agree? His I mean,

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Speaker 1: I can't take this meeting with what I've gotten so far.

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Speaker 2: It didn't cost us anything. You know, we're not paying

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Speaker 2: for this because we don't have a receipt. Oh sure

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Speaker 2: it's free, So that for that reason, I would be

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Speaker 2: more inclined to say to agree with you and say

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Speaker 2: it was a watch. You get what you pay for.

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Speaker 1: It is very appropriate in this scenario, right, because it's

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Speaker 1: like we're not paying anything and we're getting literally nothing.

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Speaker 1: But maybe next time he'll be better because this hopefully

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Speaker 1: has taught you something and hopefully you can tell Daddy, hey, Daddy, Rob,

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Speaker 1: I actually learned something today.

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Speaker 2: Because here's what I don't know at this point. I

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Speaker 2: don't know why the movie called that. I don't know

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Speaker 2: who made this movie, who I'm gonna be meeting with,

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Speaker 2: Because if you're thinking about this, when I show up,

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Speaker 2: I'm gonna have to know who it is that I'm

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Speaker 2: having this meeting. And as at this point of this conversation,

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Speaker 2: I don't know that.

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Speaker 4: I actually don't know who directed it either I forgot to.

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Speaker 2: That's obvious. It's very clear from the substance of this

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Speaker 2: conversation that you don't know and I happen to know

387
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Speaker 2: that it is Doug Lemon, and I only know that,

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Speaker 2: just I only know that because I'm such.

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Speaker 1: A fan of go.

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Speaker 2: In your version. What you like us to do is

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Speaker 2: to go in there and not know anyone's name, just.

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Speaker 1: Be flying completely saying the actors' names and lusting after

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Speaker 1: via Warshawski and doing and talking about groundhog Day and

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Speaker 1: doing you know, Ned Ryerson watched that first step. It's

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Speaker 1: a doozy stick the whole time. And that's just not

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Speaker 1: what we're.

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Speaker 2: Gonna do in this meeting. Okay, okay, do you want

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Speaker 2: us to do that in the meeting?

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Speaker 4: No?

400
00:19:25,880 --> 00:19:28,200
Speaker 2: No, no, just say the word you want us to know.

401
00:19:28,240 --> 00:19:28,520
Speaker 2: I don't.

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00:19:28,560 --> 00:19:30,720
Speaker 4: I want you guys to know everything you need to

403
00:19:30,760 --> 00:19:32,720
Speaker 4: know about it this because.

404
00:19:32,440 --> 00:19:35,600
Speaker 2: We could do it on contact. Yeah, I mean, you

405
00:19:35,640 --> 00:19:37,760
Speaker 2: don't have to act like we couldn't do something like that.

406
00:19:37,800 --> 00:19:38,960
Speaker 2: We actually could do it.

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Speaker 1: If it sounds funny to you, it's the wrong kind

408
00:19:40,720 --> 00:19:42,560
Speaker 1: of funny. So just tell us if you want us

409
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Speaker 1: to do it, and we will yeah, we'll do that

410
00:19:44,440 --> 00:19:45,119
Speaker 1: in a second.

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Speaker 2: The idea that we'd be scared to sacrifice one contact

412
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Speaker 2: is like, oh, like that's a last meeting.

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Speaker 1: Well, whether one bad meeting would even make Doug Lemon

414
00:19:56,480 --> 00:20:03,960
Speaker 1: stop taking my calls for ridiculous, it's actually very patronizing. Well,

415
00:20:04,080 --> 00:20:06,240
Speaker 1: there's a sink out there if you want to go

416
00:20:06,320 --> 00:20:09,960
Speaker 1: ahead and give your fingers a good scrubbing on the

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Speaker 1: way out.

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Speaker 4: Okay, thank thank you for I really feel like I

419
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Speaker 4: learned a lot. And you guys are great mentors to me.

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00:20:18,480 --> 00:20:22,600
Speaker 2: And you're gonna be going home and you and you'll

421
00:20:22,640 --> 00:20:26,679
Speaker 2: walk in there and your dad might say he might

422
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Speaker 2: ask you how your day went. And in that scenario,

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Speaker 2: you what what kind of thing would you say?

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Speaker 4: Oh, man, I think probably just like it was good.

425
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Speaker 4: And then go to my go to my room.

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Speaker 2: Yess how your day was? You say it was good,

427
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Speaker 2: and you just go upstairs to your room. Yeah, I

428
00:20:43,680 --> 00:20:46,760
Speaker 2: get it, Well I should do what might have some

429
00:20:46,800 --> 00:20:49,399
Speaker 2: words about Sean might have some stuff to tell you

430
00:20:49,480 --> 00:20:51,120
Speaker 2: about the things you might be doing up there.

431
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Speaker 4: Oh yeah, well I don't want to go down that

432
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Speaker 4: if you have two men, I do, but I don't know,

433
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Speaker 4: we don't I think I did.

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Speaker 6: Do his good.

435
00:21:00,280 --> 00:21:03,280
Speaker 1: Everything's fine, and then go lock yourself in your room

436
00:21:03,320 --> 00:21:07,280
Speaker 1: and start sparking doobies and no, boy, isn't this good?

437
00:21:07,320 --> 00:21:11,600
Speaker 1: And we're laughing at the silly shows that we watch,

438
00:21:11,640 --> 00:21:16,160
Speaker 1: all this weird oh humor, anti comedy and this liquid television.

439
00:21:16,240 --> 00:21:20,040
Speaker 1: Oh god, it's liquid television. It's Eon Flux and all

440
00:21:20,160 --> 00:21:25,240
Speaker 1: that nonsense. Alex Winter is hosting, you know, and it's like,

441
00:21:25,600 --> 00:21:27,960
Speaker 1: you know, there's a reason that Keanu was the breakout

442
00:21:27,960 --> 00:21:32,440
Speaker 1: from Bill and Ted and said he wasn't sparking psychotropic

443
00:21:32,640 --> 00:21:38,960
Speaker 1: drugs okay in a casual way on a daily basis,

444
00:21:39,680 --> 00:21:41,760
Speaker 1: And you see where you wound up. Alex Winters down

445
00:21:41,800 --> 00:21:44,440
Speaker 1: to skid row. You could be his roommate. Me and

446
00:21:44,560 --> 00:21:48,360
Speaker 1: Keanu are gonna be doing going We're actually going sledding

447
00:21:48,400 --> 00:21:48,960
Speaker 1: this weekend.

448
00:21:49,080 --> 00:21:51,280
Speaker 2: So let's run that conversation back one more time of

449
00:21:51,400 --> 00:21:56,320
Speaker 2: you walking into your house. Nice house, Oh yeah, really nice?

450
00:21:56,440 --> 00:21:56,640
Speaker 5: Yeah?

451
00:21:56,960 --> 00:22:00,040
Speaker 2: Okay, well really dad.

452
00:22:00,520 --> 00:22:03,840
Speaker 4: He's on the couch. Maybe he's usually there, and so yeah,

453
00:22:04,000 --> 00:22:05,560
Speaker 4: he asked me how my day was, and I say, well,

454
00:22:05,600 --> 00:22:10,120
Speaker 4: you know, I met some really bright Hollywood.

455
00:22:10,760 --> 00:22:11,879
Speaker 2: How should I do?

456
00:22:11,920 --> 00:22:13,680
Speaker 4: You want to tell me how I should describe you guys,

457
00:22:13,720 --> 00:22:14,760
Speaker 4: or should I describe you?

458
00:22:15,440 --> 00:22:19,440
Speaker 2: Well, I describing things, not your strong Yeah, that's true.

459
00:22:19,640 --> 00:22:21,959
Speaker 4: If you have an idea, like maybe you know Hollywood

460
00:22:22,240 --> 00:22:24,320
Speaker 4: big shots.

461
00:22:24,160 --> 00:22:28,760
Speaker 2: Just say I mean it's just like just be natural,

462
00:22:28,880 --> 00:22:32,000
Speaker 2: just like a normal there's like a normal guy. I mean,

463
00:22:32,119 --> 00:22:34,680
Speaker 2: Jesus say, it's good. I got a job with these

464
00:22:35,080 --> 00:22:37,760
Speaker 2: these guys, Sean and Hayes. They have a lot of

465
00:22:37,800 --> 00:22:40,760
Speaker 2: good ideas about movies. Yeah, and I'm learning a lot

466
00:22:40,800 --> 00:22:55,560
Speaker 2: from them. Yeah, it's perfect. Are you fucking serious? Sam? Sam? Yeah?

467
00:22:55,560 --> 00:23:00,439
Speaker 2: What was that noise? Phone ringer? No, it wasn't. I

468
00:23:00,520 --> 00:23:03,760
Speaker 2: know what a phone ringer sounds like. I've heard a

469
00:23:03,760 --> 00:23:07,080
Speaker 2: lot of phones. Yeah, I've gotten plenty of I've got phones.

470
00:23:07,200 --> 00:23:07,800
Speaker 1: Not what a phone?

471
00:23:08,800 --> 00:23:11,239
Speaker 2: And is that what a phone sounds like? What I've heard?

472
00:23:11,480 --> 00:23:14,679
Speaker 2: And this guy and this guy's juiced out.

473
00:23:14,520 --> 00:23:16,520
Speaker 1: Of his gord on who knows what, and even he

474
00:23:16,560 --> 00:23:18,639
Speaker 1: could recognize that it's not a phone ringer. And Andy,

475
00:23:18,680 --> 00:23:21,679
Speaker 1: that wasn't one of your hallucinations. Okay, that's really a

476
00:23:21,760 --> 00:23:22,560
Speaker 1: sound that happened.

477
00:23:24,440 --> 00:23:29,680
Speaker 2: What was that? It's a phone ringer? Sam, I got

478
00:23:29,720 --> 00:23:35,240
Speaker 2: all day? What was that noise? It's a clip from

479
00:23:35,359 --> 00:23:36,399
Speaker 2: a movie.

480
00:23:36,760 --> 00:23:40,159
Speaker 1: Uh huh, Sam, if you want to play chicken with me,

481
00:23:40,280 --> 00:23:43,400
Speaker 1: you're gonna wind up face first, flying off the side

482
00:23:43,400 --> 00:23:47,760
Speaker 1: of a cliff because I'm not backing down, flying up

483
00:23:47,840 --> 00:23:50,679
Speaker 1: the side of off this off the side, Run the

484
00:23:50,720 --> 00:23:54,679
Speaker 1: tape back, clean your fucking ears out, flying up the side.

485
00:23:55,720 --> 00:23:58,080
Speaker 1: There's a clip from a movie? Then, how come I

486
00:23:58,119 --> 00:24:01,320
Speaker 1: never heard of it? I love movies. Play it again,

487
00:24:02,800 --> 00:24:06,480
Speaker 1: Play it again, Sam, Play it again, Sam. If you

488
00:24:06,520 --> 00:24:09,160
Speaker 1: wan't my fucking little cousin to.

489
00:24:11,480 --> 00:24:17,280
Speaker 2: In all the world, what is that? What the hell.

490
00:24:19,040 --> 00:24:22,600
Speaker 1: Movies sound better than that? That sounds well, that sound

491
00:24:22,680 --> 00:24:26,359
Speaker 1: quality is terrible, even so from a theater.

492
00:24:26,440 --> 00:24:29,199
Speaker 2: It's my phone? Is that you?

493
00:24:29,240 --> 00:24:29,480
Speaker 5: No?

494
00:24:30,000 --> 00:24:32,440
Speaker 1: Is it okay? Is this like a YouTube movie you made?

495
00:24:32,440 --> 00:24:33,919
Speaker 1: And now you're like, this is a movie?

496
00:24:34,080 --> 00:24:34,879
Speaker 2: What's your friend?

497
00:24:36,200 --> 00:24:39,040
Speaker 1: No, it's just a ringer that comes up when he texts.

498
00:24:39,880 --> 00:24:42,520
Speaker 1: That's so, that is your friend. That's somebody techs friend.

499
00:24:42,600 --> 00:24:43,399
Speaker 1: That's his sound.

500
00:24:45,359 --> 00:24:46,960
Speaker 2: What are you typing? What do you need to type

501
00:24:47,040 --> 00:24:50,320
Speaker 2: right now? You're talking to us? It's making a note

502
00:24:51,880 --> 00:24:56,760
Speaker 2: to do? What edit this ound? What have you just

503
00:24:56,760 --> 00:24:58,280
Speaker 2: been editing out?

504
00:24:58,600 --> 00:25:01,239
Speaker 1: And what have you been doing? I haven't editing now?

505
00:25:01,359 --> 00:25:03,200
Speaker 1: Is this making a note till later editing.

506
00:25:03,280 --> 00:25:04,919
Speaker 2: No, but what it is? But what have you just

507
00:25:04,960 --> 00:25:09,480
Speaker 2: been deciding unilaterally because you're president of the show, to just.

508
00:25:09,600 --> 00:25:12,399
Speaker 7: Edit out this part where I've made a mistake.

509
00:25:12,520 --> 00:25:15,399
Speaker 2: No, but like in the in past shows, because now

510
00:25:15,440 --> 00:25:18,440
Speaker 2: that I know you're just deciding without.

511
00:25:18,480 --> 00:25:20,199
Speaker 1: We don't have time to listen to this. I mean,

512
00:25:20,240 --> 00:25:22,119
Speaker 1: I just assumed you were leaving in the good stuff

513
00:25:22,160 --> 00:25:23,080
Speaker 1: we do. No.

514
00:25:23,080 --> 00:25:26,160
Speaker 7: No, almost any edit I send you, I've edited out

515
00:25:26,520 --> 00:25:28,159
Speaker 7: anything I've done poorly?

516
00:25:31,359 --> 00:25:31,639
Speaker 2: Sam?

517
00:25:31,680 --> 00:25:35,840
Speaker 1: What did I do to you? You don't remember to

518
00:25:35,880 --> 00:25:37,880
Speaker 1: make me deserve this kind of thing? You don't remember?

519
00:25:38,800 --> 00:25:41,720
Speaker 1: You don't remember Thanksgiving ninety seven.

520
00:25:42,760 --> 00:25:43,159
Speaker 5: I don't know.

521
00:25:43,200 --> 00:25:47,680
Speaker 1: I go to a lot of Thanksgiving, Sam.

522
00:25:46,480 --> 00:25:47,880
Speaker 2: Yeah, I remember. Everything's good.

523
00:25:48,600 --> 00:25:51,760
Speaker 1: I remember every Thanksgiving. I don't get blackout drunk immediately.

524
00:25:52,960 --> 00:25:58,080
Speaker 1: I've I mean, if I'm remembering correctly, ninety seven is

525
00:25:58,119 --> 00:26:01,080
Speaker 1: when I when I took the stuffing out of the turkey,

526
00:26:01,119 --> 00:26:03,440
Speaker 1: I poured in a bunch of uzo and I drank

527
00:26:03,520 --> 00:26:07,280
Speaker 1: uzo out of the Turkey's you know, sort of butthole.

528
00:26:06,960 --> 00:26:09,480
Speaker 2: I remember that? Is that what you're referring to.

529
00:26:09,600 --> 00:26:10,920
Speaker 7: I don't see what it has to do with you

530
00:26:11,080 --> 00:26:14,720
Speaker 7: necessarily and then afterwards when you said, my favorite Sam

531
00:26:14,760 --> 00:26:16,160
Speaker 7: cousin Sam, come in here.

532
00:26:16,560 --> 00:26:17,560
Speaker 2: You remember what happened next?

533
00:26:17,640 --> 00:26:20,800
Speaker 1: My favorite Sam, little cousin Sam, my favorite Sam. Yeah,

534
00:26:21,160 --> 00:26:22,879
Speaker 1: I probably asked you to show me on the internetworks

535
00:26:22,960 --> 00:26:23,280
Speaker 1: or something.

536
00:26:25,600 --> 00:26:29,440
Speaker 2: That's not what happened. Well, then that's like you remember either.

537
00:26:29,680 --> 00:26:32,360
Speaker 7: And then he crammed the stuffing he had taken out

538
00:26:32,440 --> 00:26:37,120
Speaker 7: into me. Oh yeah, he said, you're yelling yeah, because

539
00:26:37,160 --> 00:26:38,080
Speaker 7: you're the turkey.

540
00:26:38,440 --> 00:26:39,880
Speaker 2: Because you're the turkey. It was you.

541
00:26:39,960 --> 00:26:41,520
Speaker 1: Yeah, you would be in a little bit of a turkey.

542
00:26:41,560 --> 00:26:42,719
Speaker 1: That's an affectionate nickname.

543
00:26:42,760 --> 00:26:47,119
Speaker 2: Did you not get it? No, that's funny because you were.

544
00:26:47,920 --> 00:26:56,040
Speaker 2: It's in every orfice orphis y arfous orphis. People called

545
00:26:56,080 --> 00:26:57,919
Speaker 2: me orphis.

546
00:26:57,440 --> 00:27:02,520
Speaker 6: Orphis stuff a good bye, I got the stuff in

547
00:27:02,560 --> 00:27:08,680
Speaker 6: good every corphicereto weirdo.

548
00:27:09,160 --> 00:27:13,720
Speaker 2: Okay, well that was good. Uh Andy, Thanks, thanks guys,

549
00:27:13,880 --> 00:27:16,040
Speaker 2: sy all the best of your dad.

550
00:27:16,480 --> 00:27:17,880
Speaker 1: Absolutely better luck next time.

551
00:27:18,080 --> 00:27:20,280
Speaker 2: We have a great guest. Today. Aubrey Plaza is here

552
00:27:20,359 --> 00:27:22,680
Speaker 2: talk about movies on Hollywood Handbook.

553
00:27:23,560 --> 00:27:29,800
Speaker 5: Hollywood Handbook.

554
00:27:29,880 --> 00:27:32,439
Speaker 2: So I say to carry and Moss. You know you

555
00:27:32,480 --> 00:27:34,439
Speaker 2: want to celebrate balance as I have no problem with that.

556
00:27:34,440 --> 00:27:36,480
Speaker 2: That's really fine with me, but what you're giving me

557
00:27:36,560 --> 00:27:40,359
Speaker 2: aren't aren't flowers. Those are toothbrushes. And she gets you know,

558
00:27:40,400 --> 00:27:42,399
Speaker 2: now she's sad and she like starts eating them to

559
00:27:42,520 --> 00:27:45,400
Speaker 2: prove their flowers. She goes to the hospital. She dies briefly.

560
00:27:45,960 --> 00:27:49,080
Speaker 2: And so now I'm all press of pay. I just

561
00:27:49,080 --> 00:27:50,720
Speaker 2: have to when I see the tooth brushes, I just

562
00:27:50,720 --> 00:27:53,760
Speaker 2: have to sniff them and say, like, good flowers. But

563
00:27:54,880 --> 00:27:57,280
Speaker 2: for our thing, like I'm that's something I will.

564
00:27:57,480 --> 00:27:58,359
Speaker 1: I don't want to embarrass her.

565
00:27:58,840 --> 00:28:01,440
Speaker 2: Hey, welcome to how I would handbook An Insider's guide

566
00:28:01,440 --> 00:28:03,560
Speaker 2: to kicking button dropping names on the red carpet line

567
00:28:03,560 --> 00:28:06,679
Speaker 2: back hallways of this industry we call showbiz. What up?

568
00:28:06,720 --> 00:28:07,200
Speaker 3: What up?

569
00:28:07,720 --> 00:28:09,760
Speaker 2: What up? What up? And to all of you, and

570
00:28:09,800 --> 00:28:14,640
Speaker 2: to our guest, Aubrey Plaza is here. You know her

571
00:28:14,680 --> 00:28:18,040
Speaker 2: from safety not guaranteed. They probably are listening to this

572
00:28:18,160 --> 00:28:20,720
Speaker 2: in the morning. They like to listen when they drive

573
00:28:20,800 --> 00:28:22,800
Speaker 2: to work and get excited for work evening.

574
00:28:23,760 --> 00:28:26,440
Speaker 1: Yeah, just cover all our bases and there are afternoon

575
00:28:26,520 --> 00:28:28,440
Speaker 1: We do have some night owl listeners, and we've got

576
00:28:28,440 --> 00:28:33,160
Speaker 1: some lunch break listeners as well, and I like covering. Okay, yeah,

577
00:28:33,200 --> 00:28:35,200
Speaker 1: and so this could be at any time of year.

578
00:28:35,240 --> 00:28:37,520
Speaker 2: We do have a few people and our listeners who

579
00:28:37,600 --> 00:28:37,920
Speaker 2: like to.

580
00:28:38,880 --> 00:28:43,160
Speaker 1: A couple wed a couple, yes, and some sexual deviants

581
00:28:43,920 --> 00:28:45,120
Speaker 1: in case it's Wednesday.

582
00:28:45,280 --> 00:28:45,680
Speaker 5: Mm hmm.

583
00:28:45,800 --> 00:28:48,880
Speaker 1: Yeah, yeah, yeah, I get it when people like to hunt.

584
00:28:49,040 --> 00:28:49,440
Speaker 2: Mm hmm.

585
00:28:49,640 --> 00:28:55,080
Speaker 1: Now, so people all the time say, uh, well's Hollywood.

586
00:28:55,160 --> 00:28:58,040
Speaker 1: You guys all know each other, you know your own friends,

587
00:28:58,080 --> 00:29:00,960
Speaker 1: and yeah we are, but don't get to see the

588
00:29:00,960 --> 00:29:03,000
Speaker 1: people you really care about as much as you like.

589
00:29:04,280 --> 00:29:06,280
Speaker 1: But A I saw you just like a week ago.

590
00:29:07,160 --> 00:29:07,520
Speaker 5: You did?

591
00:29:07,680 --> 00:29:10,320
Speaker 1: And then did you want to tell the story or

592
00:29:10,320 --> 00:29:12,600
Speaker 1: should I about the chips at the party?

593
00:29:13,760 --> 00:29:15,840
Speaker 5: I don't have a story about any chips.

594
00:29:16,040 --> 00:29:17,640
Speaker 2: You want trying to tell it? Do you want me

595
00:29:17,680 --> 00:29:18,920
Speaker 2: to tell it? And then you finish it?

596
00:29:19,320 --> 00:29:22,360
Speaker 5: Call it so that everyone knows how there was no story.

597
00:29:22,880 --> 00:29:27,480
Speaker 1: Well, when I arrived at this party.

598
00:29:26,360 --> 00:29:29,040
Speaker 8: I had a bag of chips and that was it.

599
00:29:29,680 --> 00:29:31,920
Speaker 2: Yeah, okay.

600
00:29:31,920 --> 00:29:37,360
Speaker 5: So he came in and started talking about the chips.

601
00:29:37,400 --> 00:29:41,560
Speaker 1: Oh okay, yeah, that you had, and well they were

602
00:29:41,560 --> 00:29:42,280
Speaker 1: pretty popular.

603
00:29:42,480 --> 00:29:44,000
Speaker 8: Huh, higher vibe off.

604
00:29:44,200 --> 00:29:47,440
Speaker 1: Because you were refilling the tortilla. These are tortilla chips.

605
00:29:48,120 --> 00:29:50,800
Speaker 1: There were the three different colors, right, the different sort

606
00:29:50,840 --> 00:29:52,120
Speaker 1: of grain, it puts on.

607
00:29:53,760 --> 00:29:55,920
Speaker 2: And so I love how humble you are. So did

608
00:29:55,960 --> 00:29:59,840
Speaker 2: you remember the story after you'd forgot? But you just

609
00:30:00,200 --> 00:30:00,880
Speaker 2: told the story.

610
00:30:01,000 --> 00:30:04,080
Speaker 5: It's like if you walk down the street five minutes

611
00:30:04,120 --> 00:30:07,280
Speaker 5: ago and you were like, I walked down the street,

612
00:30:07,920 --> 00:30:09,800
Speaker 5: but five minutes ago. That's it.

613
00:30:10,440 --> 00:30:14,080
Speaker 2: But it's shot. It's a story about you because of

614
00:30:14,160 --> 00:30:14,800
Speaker 2: the character.

615
00:30:15,320 --> 00:30:17,640
Speaker 5: Isn't that story has a beginning, a middle, and an end.

616
00:30:18,080 --> 00:30:19,040
Speaker 2: But isn't What we.

617
00:30:18,960 --> 00:30:22,400
Speaker 1: Do in Hollywood as storytellers is just sort of take

618
00:30:22,480 --> 00:30:25,320
Speaker 1: things that people do, relate to refilling the chips walking

619
00:30:25,360 --> 00:30:29,560
Speaker 1: down the street, you know. But it's the characters we

620
00:30:29,640 --> 00:30:31,280
Speaker 1: tell these stories about that make.

621
00:30:31,200 --> 00:30:34,760
Speaker 2: It so interesting. And now, because you like food and

622
00:30:34,800 --> 00:30:37,640
Speaker 2: you like serving people food like chips and things like that,

623
00:30:37,720 --> 00:30:40,920
Speaker 2: and you've you've brought some brought delicacy with you. You've

624
00:30:40,920 --> 00:30:41,880
Speaker 2: brought some cro nuts.

625
00:30:41,960 --> 00:30:42,719
Speaker 8: I did.

626
00:30:42,440 --> 00:30:45,960
Speaker 5: I brought it in real life and I brought to

627
00:30:46,360 --> 00:30:49,959
Speaker 5: uh they're called cro nuts and never tried these things,

628
00:30:50,040 --> 00:30:52,880
Speaker 5: but yeah, they're they're they're all the rage in New

629
00:30:52,960 --> 00:30:56,920
Speaker 5: York speak on that what is what is the They're

630
00:30:56,920 --> 00:30:58,840
Speaker 5: a combination. I'm going to open the thing for you

631
00:30:58,960 --> 00:31:00,200
Speaker 5: and for the listeners.

632
00:30:59,800 --> 00:31:01,800
Speaker 1: Out sim can you get some picts of these cronuts.

633
00:31:01,800 --> 00:31:02,800
Speaker 8: For us, we got two.

634
00:31:03,120 --> 00:31:05,920
Speaker 5: We got a chocolate one, and we got a vanilla. Now,

635
00:31:05,960 --> 00:31:08,920
Speaker 5: the thing that makes some cronuts are they're half donut

636
00:31:09,000 --> 00:31:14,160
Speaker 5: and half croissant, so they're kind of like a flaky,

637
00:31:14,960 --> 00:31:19,120
Speaker 5: buttery doughnut with the consistency of a croissant.

638
00:31:19,640 --> 00:31:21,320
Speaker 2: And you like discovering new foods.

639
00:31:21,400 --> 00:31:23,320
Speaker 5: I don't.

640
00:31:23,320 --> 00:31:25,440
Speaker 2: You're something. You have a reputation. It's being something of

641
00:31:25,480 --> 00:31:26,080
Speaker 2: a foodie.

642
00:31:26,200 --> 00:31:28,360
Speaker 5: No, I was just really late and I felt bad,

643
00:31:28,440 --> 00:31:30,000
Speaker 5: so I brought you guys.

644
00:31:29,600 --> 00:31:32,280
Speaker 1: Sort of a food adventurer. And were you seeing these

645
00:31:32,320 --> 00:31:35,680
Speaker 1: croissants in Petty Perry.

646
00:31:35,840 --> 00:31:40,360
Speaker 8: I was just yes, they don't have this. No, they

647
00:31:40,360 --> 00:31:41,000
Speaker 8: don't have this.

648
00:31:40,960 --> 00:31:42,959
Speaker 1: And don't have the chronuts. We beat them to It

649
00:31:43,080 --> 00:31:45,280
Speaker 1: is an American beat them at their own game.

650
00:31:45,320 --> 00:31:46,480
Speaker 5: An American nightmare.

651
00:31:47,840 --> 00:31:50,520
Speaker 2: The French would not an American nightmare in Paris like

652
00:31:50,520 --> 00:31:51,840
Speaker 2: a werewolf dreams.

653
00:31:52,000 --> 00:31:56,080
Speaker 1: Okay, so here live on air me the real Sean

654
00:31:56,120 --> 00:31:59,280
Speaker 1: Clement's taking his real first bite of a coronat.

655
00:31:59,480 --> 00:32:02,000
Speaker 5: I'm excited for this, Okay, I've been wanting to try

656
00:32:02,040 --> 00:32:02,360
Speaker 5: these things.

657
00:32:02,440 --> 00:32:05,240
Speaker 2: You did get the picture? Hang, because people are gonna

658
00:32:05,240 --> 00:32:07,560
Speaker 2: wonder whether or not. It's real, and I'll take out

659
00:32:07,560 --> 00:32:12,000
Speaker 2: my removable tooth for this cut.

660
00:32:12,640 --> 00:32:13,760
Speaker 5: That's not cool? Man?

661
00:32:14,280 --> 00:32:14,800
Speaker 8: Is that real?

662
00:32:15,360 --> 00:32:15,560
Speaker 5: Yes?

663
00:32:17,120 --> 00:32:17,920
Speaker 4: That's fucked up?

664
00:32:21,040 --> 00:32:21,800
Speaker 5: He went for the n.

665
00:32:24,280 --> 00:32:27,400
Speaker 8: Mmm okay, really is it worth it?

666
00:32:27,440 --> 00:32:27,600
Speaker 2: Though?

667
00:32:28,240 --> 00:32:29,080
Speaker 5: You can be honest?

668
00:32:30,360 --> 00:32:31,480
Speaker 2: Worthwhile is buying it?

669
00:32:32,160 --> 00:32:32,680
Speaker 8: Yeah?

670
00:32:33,120 --> 00:32:35,520
Speaker 5: Like worth the combination.

671
00:32:37,000 --> 00:32:40,800
Speaker 1: Well, it's hard for me to recommend this to our

672
00:32:40,840 --> 00:32:44,480
Speaker 1: listeners who maybe don't have the refined palette that I do.

673
00:32:44,960 --> 00:32:47,280
Speaker 1: But I'm getting a lot of different notes of sweetness

674
00:32:47,920 --> 00:32:48,479
Speaker 1: and sugar.

675
00:32:49,280 --> 00:32:50,560
Speaker 2: Mm hmm. It's pretty good.

676
00:32:50,720 --> 00:32:51,920
Speaker 8: What about the texture?

677
00:32:52,520 --> 00:32:53,000
Speaker 2: That's good?

678
00:32:54,240 --> 00:32:54,600
Speaker 5: All right?

679
00:32:55,480 --> 00:32:57,280
Speaker 2: How would you compare it because our listeners, I guess,

680
00:32:57,280 --> 00:33:01,760
Speaker 2: would mostly be eating like maze m like a sort

681
00:33:01,800 --> 00:33:02,680
Speaker 2: of a corn mash.

682
00:33:03,600 --> 00:33:06,600
Speaker 1: There, Yes, there is. I was kind of upset about it.

683
00:33:06,880 --> 00:33:08,720
Speaker 8: Oh Jesus, sorry, I didn't know.

684
00:33:08,640 --> 00:33:09,200
Speaker 5: There was going to be.

685
00:33:11,280 --> 00:33:12,920
Speaker 2: How it was described and worth asking.

686
00:33:13,120 --> 00:33:15,760
Speaker 8: I thought it was just a flaky outer shell.

687
00:33:16,240 --> 00:33:20,880
Speaker 2: That would be good. Sorry, that would be really good.

688
00:33:21,080 --> 00:33:23,560
Speaker 5: Just a bunch of cream just going down your throat.

689
00:33:23,400 --> 00:33:24,680
Speaker 2: What you described? Mm hmm.

690
00:33:26,320 --> 00:33:28,320
Speaker 1: Yeah, I've got a lot of a lot of cream

691
00:33:28,720 --> 00:33:29,440
Speaker 1: trickling down.

692
00:33:30,120 --> 00:33:31,880
Speaker 2: Yep in the old gullet. Yep, you're sick?

693
00:33:32,560 --> 00:33:33,200
Speaker 5: You like it?

694
00:33:35,240 --> 00:33:37,920
Speaker 1: On my terms. I do not I don't like to be.

695
00:33:39,680 --> 00:33:41,040
Speaker 2: I was just put my tooth back in.

696
00:33:42,000 --> 00:33:43,520
Speaker 5: How many times have you had sex?

697
00:33:47,040 --> 00:33:47,400
Speaker 4: Uh?

698
00:33:47,680 --> 00:33:48,800
Speaker 2: Do you define sex?

699
00:33:48,880 --> 00:33:49,080
Speaker 5: You know?

700
00:33:49,120 --> 00:33:50,720
Speaker 2: It's such a it is what.

701
00:33:50,680 --> 00:33:51,040
Speaker 3: Is it mean?

702
00:33:51,120 --> 00:33:54,240
Speaker 2: What's hooking up? These days? Hookup culture has gotten to

703
00:33:54,280 --> 00:33:57,160
Speaker 2: this place where like people so I hooked up with him,

704
00:33:57,240 --> 00:33:59,840
Speaker 2: he packed up with me, and she's hitting up with him?

705
00:34:00,120 --> 00:34:00,720
Speaker 2: Is it is?

706
00:34:01,080 --> 00:34:01,680
Speaker 8: It is weird.

707
00:34:01,760 --> 00:34:04,760
Speaker 5: My dad is always like, hey, like when I'm at home,

708
00:34:04,880 --> 00:34:06,800
Speaker 5: he's like, you should really hook up with your aunt.

709
00:34:06,880 --> 00:34:08,120
Speaker 5: You know she's been you.

710
00:34:08,080 --> 00:34:10,359
Speaker 2: Know, asking him, and it's like, why does your dad

711
00:34:10,400 --> 00:34:13,440
Speaker 2: want you to have a sexual relationship with your What

712
00:34:13,600 --> 00:34:14,800
Speaker 2: happened culture?

713
00:34:14,880 --> 00:34:15,880
Speaker 6: That were?

714
00:34:17,000 --> 00:34:21,279
Speaker 2: Yeah, but it's a great question our aunts. I not

715
00:34:21,320 --> 00:34:23,640
Speaker 2: for you. I don't do anything like that. He does

716
00:34:24,080 --> 00:34:26,480
Speaker 2: no sugar, okay, I do no sugar.

717
00:34:26,840 --> 00:34:28,760
Speaker 1: You should have gotten him one of these green juices.

718
00:34:29,520 --> 00:34:31,560
Speaker 1: That's about the only thing he'll have get.

719
00:34:31,400 --> 00:34:34,400
Speaker 2: You one that was made with local We're already starting

720
00:34:34,600 --> 00:34:38,560
Speaker 2: so far behind, and it's just doesn't make sense to

721
00:34:38,600 --> 00:34:39,279
Speaker 2: get food right now.

722
00:34:39,280 --> 00:34:41,319
Speaker 5: I don't usually leave my house on Saturdays until like

723
00:34:41,400 --> 00:34:43,080
Speaker 5: four pm.

724
00:34:43,120 --> 00:34:46,400
Speaker 2: It's a bit of a nice so you're sort of

725
00:34:47,560 --> 00:34:52,400
Speaker 2: a homebody, sort of sure, sort of a whim Peter.

726
00:34:53,840 --> 00:35:02,600
Speaker 2: What is Mark Duplace like? Really? Really? What? Really? Nicely?

727
00:35:02,800 --> 00:35:03,080
Speaker 5: Nice?

728
00:35:03,280 --> 00:35:07,359
Speaker 1: Okay, Okay, that's great, that's good and he seems get

729
00:35:07,400 --> 00:35:08,479
Speaker 1: your pens out, scoop troops.

730
00:35:08,880 --> 00:35:15,920
Speaker 5: Right, Yeah, he's a great guy. He's really talented. M

731
00:35:16,880 --> 00:35:18,760
Speaker 5: he's really really good taste.

732
00:35:19,080 --> 00:35:20,160
Speaker 2: What's Redta like?

733
00:35:21,120 --> 00:35:21,920
Speaker 8: Hilarious?

734
00:35:22,440 --> 00:35:23,120
Speaker 1: That is funny?

735
00:35:23,120 --> 00:35:23,440
Speaker 2: Okay?

736
00:35:23,480 --> 00:35:24,840
Speaker 1: Good?

737
00:35:24,880 --> 00:35:28,880
Speaker 5: Loves uh the Dodgers?

738
00:35:29,880 --> 00:35:31,640
Speaker 1: Okay, that's a baseball team out here in.

739
00:35:31,560 --> 00:35:33,239
Speaker 8: Los Angeles, La activities.

740
00:35:34,600 --> 00:35:37,880
Speaker 2: Anna Kendrick, Oh yeah, fucking bitch.

741
00:35:38,320 --> 00:35:40,920
Speaker 1: Okay, don't like her as much, all right, doesn't come

742
00:35:40,960 --> 00:35:43,799
Speaker 1: across the very nice she can sing.

743
00:35:44,000 --> 00:35:46,080
Speaker 5: Huh yeah, hell yeah she can sing.

744
00:35:46,760 --> 00:35:51,800
Speaker 1: Enough about Anna Kendrick though, In order for our listeners

745
00:35:51,840 --> 00:35:55,000
Speaker 1: to get to know you a little bit, what was

746
00:35:55,040 --> 00:35:59,200
Speaker 1: it like for you working with Dame d'ham.

747
00:36:00,640 --> 00:36:02,720
Speaker 5: So are you asking about Dane or are you asking

748
00:36:02,719 --> 00:36:03,440
Speaker 5: about what.

749
00:36:03,840 --> 00:36:06,600
Speaker 2: Was for you the filter of your experience to work

750
00:36:06,640 --> 00:36:08,600
Speaker 2: with Dane? Was he nice on a movie?

751
00:36:09,680 --> 00:36:12,279
Speaker 5: Yeah, he's nice. He's a nice guy.

752
00:36:12,400 --> 00:36:15,160
Speaker 2: Oh, pretty good. He seems very nice.

753
00:36:16,640 --> 00:36:17,480
Speaker 5: He's nice.

754
00:36:18,239 --> 00:36:20,920
Speaker 2: Are you now when you're on set?

755
00:36:21,160 --> 00:36:23,480
Speaker 1: Are you cracking up all the time at what Nick

756
00:36:23,520 --> 00:36:24,239
Speaker 1: Offerman's doing.

757
00:36:25,040 --> 00:36:27,959
Speaker 5: I'm just having a whole lot of fun on set

758
00:36:28,600 --> 00:36:29,160
Speaker 5: rolling around.

759
00:36:29,280 --> 00:36:31,520
Speaker 2: It seems like you guys are having a job. You

760
00:36:31,520 --> 00:36:34,120
Speaker 2: can tell that while you're watching the show. You can

761
00:36:34,120 --> 00:36:37,400
Speaker 2: see that you guys are friends. Behind the scenes, Nick's always.

762
00:36:37,120 --> 00:36:42,040
Speaker 5: Grabbing a prop and making me giggle. It's a real

763
00:36:42,160 --> 00:36:44,479
Speaker 5: good time. I mean, I can't believe it's a job.

764
00:36:44,680 --> 00:36:47,320
Speaker 8: Yeah, it's just it's a delight.

765
00:36:47,680 --> 00:36:51,200
Speaker 5: Just every morning. I just I just smacked myself in

766
00:36:51,239 --> 00:36:54,480
Speaker 5: the face and go, how do you get this jobby

767
00:36:54,600 --> 00:36:59,560
Speaker 5: little piece of shit? And I just am so experience

768
00:37:00,080 --> 00:37:04,040
Speaker 5: explained that I just look at myself and I think,

769
00:37:04,160 --> 00:37:09,600
Speaker 5: you piece of ship, a little scamp like you just

770
00:37:09,640 --> 00:37:14,560
Speaker 5: scamped around and you just sniffed around, and you just

771
00:37:14,960 --> 00:37:18,640
Speaker 5: climbed up that little tree and me a little nest

772
00:37:18,800 --> 00:37:20,839
Speaker 5: like you fucking belong there.

773
00:37:22,120 --> 00:37:24,000
Speaker 8: You just get.

774
00:37:23,760 --> 00:37:29,799
Speaker 5: A coy drive your car, ding dong, Good morning everybody.

775
00:37:30,080 --> 00:37:30,400
Speaker 8: Action.

776
00:37:31,200 --> 00:37:36,040
Speaker 5: Yeah and wait, and I don't know, it's a good time.

777
00:37:36,239 --> 00:37:37,320
Speaker 5: I have a good time.

778
00:37:37,400 --> 00:37:40,759
Speaker 2: And keep talking, okay.

779
00:37:41,680 --> 00:37:42,520
Speaker 8: You Well.

780
00:37:43,040 --> 00:37:46,839
Speaker 5: The thing is, I just every morning I get up

781
00:37:46,960 --> 00:37:50,759
Speaker 5: and I just make make a little breakfast and think

782
00:37:50,800 --> 00:37:52,960
Speaker 5: what do I want to put in my body today?

783
00:37:53,640 --> 00:37:57,359
Speaker 5: I have full control over what I can consume and

784
00:37:57,400 --> 00:37:58,960
Speaker 5: what can reject.

785
00:37:59,040 --> 00:38:00,560
Speaker 2: One of the only things you have control.

786
00:38:00,920 --> 00:38:04,359
Speaker 5: So I make those choices. They're hard choices, I make them.

787
00:38:04,360 --> 00:38:08,040
Speaker 5: I try to keep a good, healthy perspective on just

788
00:38:08,120 --> 00:38:13,319
Speaker 5: the things deciding on and the things that I It.

789
00:38:13,200 --> 00:38:16,759
Speaker 2: Comes back to food for you. You're just like your

790
00:38:16,920 --> 00:38:21,759
Speaker 2: food obsessions, food big chip, obsessed with anything. It was

791
00:38:21,760 --> 00:38:22,279
Speaker 2: a big thing.

792
00:38:24,000 --> 00:38:29,600
Speaker 5: No, these were these were these were gesture, gesture and

793
00:38:29,680 --> 00:38:32,120
Speaker 5: food can be anything, now, wouldn't you.

794
00:38:32,760 --> 00:38:34,520
Speaker 8: Have you ever heard of feeders.

795
00:38:34,719 --> 00:38:35,880
Speaker 5: Now that I'm obsessed with.

796
00:38:36,719 --> 00:38:37,919
Speaker 2: No, is that like people who eat.

797
00:38:38,320 --> 00:38:41,600
Speaker 5: It's people who It's a sexual kind of thing. You

798
00:38:41,640 --> 00:38:43,880
Speaker 5: can look it up online. There's forums and stuff, but

799
00:38:43,920 --> 00:38:47,440
Speaker 5: it's basically like people who feed each other. My friend

800
00:38:47,480 --> 00:38:50,200
Speaker 5: told me about it, and uh, he got pretty obsessed

801
00:38:50,239 --> 00:38:52,400
Speaker 5: with watching the videos. But it's just like you know,

802
00:38:52,440 --> 00:38:55,919
Speaker 5: you meet someone and you just start feeding.

803
00:38:55,600 --> 00:38:58,320
Speaker 1: Them, feed them. Yeah, and that's sexual.

804
00:38:59,400 --> 00:39:01,319
Speaker 2: It's like bringing them foods, sort of like what you did.

805
00:39:02,480 --> 00:39:05,279
Speaker 5: Yeah, this is like a mild form, you know, me

806
00:39:06,120 --> 00:39:06,759
Speaker 5: feeding you.

807
00:39:06,680 --> 00:39:09,479
Speaker 1: Guys and surprising me with the cream like that. Yeah,

808
00:39:10,640 --> 00:39:11,759
Speaker 1: it was pretty dastardly.

809
00:39:12,040 --> 00:39:14,000
Speaker 5: That was creamy surprise.

810
00:39:14,280 --> 00:39:20,480
Speaker 1: When you're choosing the film role. For instance, Uh, you're

811
00:39:20,520 --> 00:39:23,040
Speaker 1: in this movie about Alex. Was it hard for you

812
00:39:23,080 --> 00:39:25,160
Speaker 1: that mister Schmid had that beard for the whole movie?

813
00:39:26,440 --> 00:39:32,160
Speaker 5: Okay, mister Schmidt, Oh right, did you forget for a second.

814
00:39:32,600 --> 00:39:37,439
Speaker 2: Yeah, you are a Latina and you're sort of part

815
00:39:37,440 --> 00:39:44,000
Speaker 2: of this larger Latina revolution going on in Hollywood with

816
00:39:44,120 --> 00:39:50,280
Speaker 2: you and Selma and Penelope and pause and pause, Vega

817
00:39:50,320 --> 00:39:51,440
Speaker 2: and Pazzy La Grita.

818
00:39:51,600 --> 00:40:00,239
Speaker 5: Mm hmmm, Sophia and Constance Marie, Yes, yes, Shakira.

819
00:40:01,160 --> 00:40:02,840
Speaker 1: As starting yes.

820
00:40:03,160 --> 00:40:14,040
Speaker 9: As the last Pardicular movie see independentesquando actively como salaslicas

821
00:40:14,239 --> 00:40:21,200
Speaker 9: Grand Bloock Bustards makes.

822
00:40:21,200 --> 00:40:26,160
Speaker 5: And that's you know, I don't always feel.

823
00:40:27,160 --> 00:40:29,920
Speaker 2: Yeah, is movies is more fun than TV is?

824
00:40:31,440 --> 00:40:32,760
Speaker 5: Can you say that again?

825
00:40:33,360 --> 00:40:35,160
Speaker 2: Is movies is more fun than TV?

826
00:40:35,360 --> 00:40:35,400
Speaker 4: Is?

827
00:40:36,640 --> 00:40:46,799
Speaker 2: He gs like different different, that'sliculo.

828
00:40:50,000 --> 00:40:52,319
Speaker 5: Deficial. Mm. Yeah.

829
00:40:54,120 --> 00:40:55,960
Speaker 1: And just for some of our listeners at home, you

830
00:40:56,040 --> 00:40:59,520
Speaker 1: don't speak Spanish, but uh, you know, obviously Hayes and

831
00:40:59,560 --> 00:41:00,320
Speaker 1: I are very worldly.

832
00:41:00,440 --> 00:41:03,839
Speaker 2: But what did you say just now? I said why?

833
00:41:04,040 --> 00:41:08,120
Speaker 5: I said movies are more difficult. I don't know, you guys,

834
00:41:08,320 --> 00:41:11,000
Speaker 5: It's they're just apples and oranges. I don't know how

835
00:41:11,040 --> 00:41:14,000
Speaker 5: to compare them. I mean, one is just a journey

836
00:41:14,080 --> 00:41:17,160
Speaker 5: that you complete in a short amount of time, and

837
00:41:17,520 --> 00:41:21,520
Speaker 5: one is a journey that you don't see the light

838
00:41:21,600 --> 00:41:23,680
Speaker 5: at the end of the tunnel, but you you know

839
00:41:23,880 --> 00:41:27,880
Speaker 5: it's there, and that informs your performance and your choices.

840
00:41:29,200 --> 00:41:35,920
Speaker 3: Yeah, but the food on both sets are great. You

841
00:41:36,040 --> 00:41:39,920
Speaker 3: like food, Yes, gotta get get get that food or

842
00:41:40,000 --> 00:41:40,399
Speaker 3: will die?

843
00:41:40,800 --> 00:41:41,000
Speaker 5: Yes.

844
00:41:43,520 --> 00:41:49,960
Speaker 2: Black eyed peas also kind of food with that Beth,

845
00:41:50,880 --> 00:41:51,279
Speaker 2: mm hmm.

846
00:41:52,440 --> 00:41:56,040
Speaker 5: It's a zombie. People are calling it a zomb.

847
00:41:55,920 --> 00:41:58,360
Speaker 1: Com too scary.

848
00:41:59,120 --> 00:42:01,960
Speaker 2: It does sound very scary. It's not why would anyone

849
00:42:02,000 --> 00:42:02,520
Speaker 2: want to do that?

850
00:42:03,520 --> 00:42:03,800
Speaker 5: Do what?

851
00:42:04,320 --> 00:42:05,319
Speaker 2: Well, it seems like you.

852
00:42:05,480 --> 00:42:09,520
Speaker 1: Really like things that are creepy and scary, witchy and gholi. Oh,

853
00:42:11,480 --> 00:42:13,840
Speaker 1: just a form of rebellion.

854
00:42:13,600 --> 00:42:16,359
Speaker 5: Or yeah, I want to just go. I don't give

855
00:42:16,400 --> 00:42:19,640
Speaker 5: a shit. I'm a fucking witch. I can do spells.

856
00:42:20,600 --> 00:42:21,680
Speaker 8: I live outside the.

857
00:42:23,520 --> 00:42:24,880
Speaker 2: Outside the house humanity.

858
00:42:26,560 --> 00:42:31,200
Speaker 5: I just like the underworld. And I think every girl

859
00:42:31,600 --> 00:42:34,000
Speaker 5: goes through a phase and you know when they're twelve

860
00:42:34,200 --> 00:42:36,279
Speaker 5: or in seventh grade where they kind of get into

861
00:42:36,280 --> 00:42:36,920
Speaker 5: feel an apple.

862
00:42:37,160 --> 00:42:39,520
Speaker 8: They think they're witch, you know, they dabble.

863
00:42:39,840 --> 00:42:41,759
Speaker 5: I mean, it's something that I don't think guys can

864
00:42:41,840 --> 00:42:42,680
Speaker 5: fully understand.

865
00:42:42,920 --> 00:42:44,120
Speaker 8: There's like a long.

866
00:42:44,280 --> 00:42:50,600
Speaker 5: History of you know, Midwivy Witch is kind of it's

867
00:42:50,640 --> 00:42:54,319
Speaker 5: a feminine kind of experience that you probably will never

868
00:42:54,360 --> 00:42:56,680
Speaker 5: be able to tap into. And some people kind of

869
00:42:56,760 --> 00:42:59,400
Speaker 5: let it go and they say these games are for children,

870
00:42:59,480 --> 00:43:01,800
Speaker 5: and I I'm one of those people that kind of

871
00:43:01,920 --> 00:43:05,440
Speaker 5: just lets it continue on in my adult life for boys.

872
00:43:05,480 --> 00:43:08,080
Speaker 1: Actually, Gandalf, I think that's Gandalf the boys.

873
00:43:08,120 --> 00:43:10,200
Speaker 2: Don't you agree? I actually take offense to that because

874
00:43:10,239 --> 00:43:13,640
Speaker 2: boys can like Gandalf, who is a wizard. Yes, but

875
00:43:13,800 --> 00:43:17,520
Speaker 2: that's very similar to a witch because of magic, because

876
00:43:17,560 --> 00:43:18,960
Speaker 2: of doing, because they can do matter.

877
00:43:19,040 --> 00:43:20,640
Speaker 1: He's in the woods for a lot of what his

878
00:43:20,719 --> 00:43:21,479
Speaker 1: stuff is doing.

879
00:43:21,760 --> 00:43:24,839
Speaker 2: Yes, don't you agree? Yeah?

880
00:43:25,120 --> 00:43:27,399
Speaker 5: I do think he's in the woods for most things

881
00:43:27,480 --> 00:43:27,919
Speaker 5: he does.

882
00:43:28,440 --> 00:43:32,320
Speaker 2: Okay, so that's settled. Then oh, oh, it's time for

883
00:43:32,400 --> 00:43:35,120
Speaker 2: the popcorn and guy song means it's time for the

884
00:43:35,160 --> 00:43:38,960
Speaker 2: popcorn gallery. Then why don't you explain?

885
00:43:39,440 --> 00:43:43,840
Speaker 4: Okay, So people.

886
00:43:44,840 --> 00:43:51,000
Speaker 2: Like movies and people like people who are in movies.

887
00:43:51,360 --> 00:43:54,919
Speaker 1: Maybe it's you, maybe it's his, it's not engineer Sam,

888
00:43:55,080 --> 00:43:59,160
Speaker 1: but it's someone right now what they wish when they're

889
00:43:59,200 --> 00:44:02,560
Speaker 1: in the movies. Is most movies don't let you talk

890
00:44:02,680 --> 00:44:05,480
Speaker 1: to the people in the movies. Jersey Boys does, but

891
00:44:05,640 --> 00:44:07,160
Speaker 1: I think most of the other ones don't.

892
00:44:07,960 --> 00:44:08,920
Speaker 5: People in the audience.

893
00:44:09,320 --> 00:44:09,640
Speaker 2: Mmmm.

894
00:44:10,320 --> 00:44:12,640
Speaker 5: I don't think there's a rule that says you're not

895
00:44:12,719 --> 00:44:15,320
Speaker 5: allowed to say whatever the fuck you want when you watch.

896
00:44:15,160 --> 00:44:20,239
Speaker 1: A movie, right, okay, yes, but the people in the

897
00:44:20,280 --> 00:44:21,880
Speaker 1: movies don't acknowledge that.

898
00:44:22,080 --> 00:44:22,440
Speaker 8: Queens.

899
00:44:23,560 --> 00:44:25,919
Speaker 5: Yes, those people say whatever they want.

900
00:44:26,360 --> 00:44:28,720
Speaker 2: Yes, and this isn't what people are those.

901
00:44:28,760 --> 00:44:31,120
Speaker 5: I didn't say anything about New Yorkers.

902
00:44:31,719 --> 00:44:33,040
Speaker 1: Yeah, that's New Yorkers.

903
00:44:33,239 --> 00:44:36,560
Speaker 2: They say, hey, keep it down in the movie.

904
00:44:37,920 --> 00:44:39,200
Speaker 5: No, they talk to the screen.

905
00:44:40,080 --> 00:44:42,040
Speaker 1: Well, yeah, the one guy's talking to the screen and

906
00:44:42,120 --> 00:44:44,040
Speaker 1: somebody else is saying keep it down.

907
00:44:44,280 --> 00:44:45,399
Speaker 2: No, he's saying keep it down.

908
00:44:45,440 --> 00:44:47,680
Speaker 1: To the Oh, he's telling the movie characters to keep

909
00:44:47,719 --> 00:44:48,000
Speaker 1: it down.

910
00:44:48,080 --> 00:44:49,160
Speaker 8: Yeah, you hate Jewish people?

911
00:44:50,320 --> 00:44:52,400
Speaker 2: Wait, who are you looking right at me for that?

912
00:44:53,280 --> 00:44:53,480
Speaker 5: Yeah?

913
00:44:53,600 --> 00:44:57,160
Speaker 2: Why would you say that. Let's reach into the Let's

914
00:44:57,200 --> 00:44:59,239
Speaker 2: reach into the popcorn bag and we'll pull out a

915
00:44:59,320 --> 00:45:04,560
Speaker 2: question from one of les. Let's get a question for RB. Okay, yeah, okay,

916
00:45:04,680 --> 00:45:06,560
Speaker 2: we reached in if it's slimy.

917
00:45:06,360 --> 00:45:06,759
Speaker 4: And it was.

918
00:45:08,239 --> 00:45:13,600
Speaker 2: Again with the Scary Witch. This question is from Chanson Aubrey.

919
00:45:13,800 --> 00:45:16,560
Speaker 2: Why is shame such a major motivator for you?

920
00:45:17,560 --> 00:45:25,359
Speaker 5: Shame being ashamed, being ashamed of my body or my personality.

921
00:45:25,719 --> 00:45:28,560
Speaker 2: He didn't specify. I don't know.

922
00:45:31,800 --> 00:45:36,600
Speaker 5: I think anything that's coming from kind of like a dark, personal,

923
00:45:37,040 --> 00:45:41,320
Speaker 5: insecure place is it's the best. It's always the best

924
00:45:41,600 --> 00:45:47,120
Speaker 5: kind of motivation, darkness to just be not myself.

925
00:45:47,840 --> 00:45:49,320
Speaker 8: You know, I'm ashamed of myself.

926
00:45:49,400 --> 00:45:54,080
Speaker 5: I don't want to be who I perceive myself as,

927
00:45:54,600 --> 00:45:58,120
Speaker 5: so I just have to quickly do things to make

928
00:45:58,160 --> 00:46:02,000
Speaker 5: people think that I'm something else, someone else, And it's

929
00:46:02,360 --> 00:46:05,000
Speaker 5: just it's a it's a rat race.

930
00:46:05,680 --> 00:46:10,720
Speaker 1: But I'm all in, Yeah, you're gonna win, and you're winning.

931
00:46:10,760 --> 00:46:11,640
Speaker 1: You're getting the cheese.

932
00:46:12,440 --> 00:46:13,840
Speaker 4: Yeah, I gotta get that cheese.

933
00:46:14,040 --> 00:46:15,960
Speaker 1: I gotta get that. Gotta get that.

934
00:46:17,480 --> 00:46:22,560
Speaker 2: Let's reach back into the bag, suche.

935
00:46:24,280 --> 00:46:28,200
Speaker 1: And Mark's really branching out and doing some feminine a

936
00:46:28,320 --> 00:46:29,360
Speaker 1: variety of voices and.

937
00:46:29,440 --> 00:46:30,760
Speaker 2: Descriptions of the popcorn.

938
00:46:30,920 --> 00:46:34,640
Speaker 1: I might try chocolate, the chocolate cronat.

939
00:46:36,640 --> 00:46:38,759
Speaker 5: What about just the if I nibble the end of it,

940
00:46:39,200 --> 00:46:39,880
Speaker 5: you should try it.

941
00:46:39,960 --> 00:46:41,400
Speaker 1: I'd love to see. I'd love to know if that

942
00:46:41,440 --> 00:46:45,920
Speaker 1: one's filled with cream too. What a nasty surprise that was.

943
00:46:47,600 --> 00:46:47,960
Speaker 8: Mm hmm.

944
00:46:48,640 --> 00:46:51,520
Speaker 1: Yeah, they got you pretty good. Huh yeah, you need

945
00:46:51,600 --> 00:46:53,640
Speaker 1: something she's.

946
00:46:53,480 --> 00:46:54,160
Speaker 2: Got to wipe up.

947
00:46:54,200 --> 00:46:57,160
Speaker 1: And it isn't eating food messy? And isn't that part

948
00:46:57,200 --> 00:47:01,160
Speaker 1: of what's fun about it? I like this, she's loving it.

949
00:47:02,520 --> 00:47:05,160
Speaker 2: M h People think that we eat all this clean

950
00:47:05,280 --> 00:47:06,799
Speaker 2: food and just because we live out here.

951
00:47:06,800 --> 00:47:09,280
Speaker 1: And oh well, they just pictures these perfect little tidy

952
00:47:09,440 --> 00:47:11,080
Speaker 1: little like a single pee on the end of a

953
00:47:11,160 --> 00:47:15,759
Speaker 1: four and husbands. Mm hmm, it is a cheat day.

954
00:47:18,120 --> 00:47:19,520
Speaker 2: Did we reach into the bag already?

955
00:47:20,320 --> 00:47:20,480
Speaker 5: Uh?

956
00:47:20,640 --> 00:47:22,919
Speaker 2: Yes we did. It was crunchy. If you'll recall, here's

957
00:47:22,960 --> 00:47:26,880
Speaker 2: a question from Bozo's of basketball. Aubrey Mark Hoppus of

958
00:47:26,920 --> 00:47:29,360
Speaker 2: blankin ay Too recently changed his Twitter name. We just

959
00:47:29,480 --> 00:47:36,680
Speaker 2: talked about him to family star Coppus thoughts, No, you

960
00:47:36,960 --> 00:47:38,520
Speaker 2: think that he should not have done that.

961
00:47:38,960 --> 00:47:39,799
Speaker 5: I don't have any thoughts.

962
00:47:43,000 --> 00:47:43,960
Speaker 2: Let's reach back into the.

963
00:47:43,960 --> 00:47:49,000
Speaker 5: Bag that's filled with nata just if you wanted.

964
00:47:48,800 --> 00:47:52,240
Speaker 1: To know, the popcorn is filled with this popcorn questions

965
00:47:52,280 --> 00:47:53,120
Speaker 1: filled with Natella?

966
00:47:53,320 --> 00:47:57,560
Speaker 2: Okay, well, Aubrey, how do they do those scenes in

967
00:47:57,560 --> 00:47:59,880
Speaker 2: Scott Pilgrim where your swear words were baked at was

968
00:48:00,040 --> 00:48:02,000
Speaker 2: is that CGI or a horn in your mouth?

969
00:48:02,840 --> 00:48:05,400
Speaker 5: It was a horn in my mouth, piece of shit.

970
00:48:07,360 --> 00:48:10,400
Speaker 1: That's from Jacob C. That's from Jacob C. Jacob C,

971
00:48:10,480 --> 00:48:12,400
Speaker 1: who's the piece of shit? Just really getting what he

972
00:48:12,520 --> 00:48:13,640
Speaker 1: deserves this round.

973
00:48:16,080 --> 00:48:17,600
Speaker 5: You didn't explain how to get here?

974
00:48:17,880 --> 00:48:21,080
Speaker 8: That great to Yan, It's.

975
00:48:21,080 --> 00:48:23,759
Speaker 1: Really how would you explain it? Actually, I would love

976
00:48:23,800 --> 00:48:24,760
Speaker 1: to hear how you would.

977
00:48:24,840 --> 00:48:27,040
Speaker 8: You said, above ground parking lot. You gave me the code.

978
00:48:27,200 --> 00:48:30,640
Speaker 5: There was a huge sign that just said exit. I'm

979
00:48:30,640 --> 00:48:31,359
Speaker 5: not going to go in there.

980
00:48:31,760 --> 00:48:36,600
Speaker 1: Well, I'll tell you what a lot of times, if

981
00:48:36,640 --> 00:48:39,880
Speaker 1: there is an entrance to a place, there's an exit

982
00:48:39,960 --> 00:48:44,080
Speaker 1: somewhere nearby, and vice versa. Do you agree with that?

983
00:48:44,800 --> 00:48:46,120
Speaker 8: What is this ted talk?

984
00:48:48,160 --> 00:48:51,000
Speaker 2: This is your ted talk Aubrey. When I Google you,

985
00:48:51,200 --> 00:48:55,080
Speaker 2: it auto completes it says Aubrey Plaza first wiki and

986
00:48:55,160 --> 00:48:57,520
Speaker 2: then the next one is Aubrey Plaza. Feet. Why do

987
00:48:57,640 --> 00:48:59,520
Speaker 2: you want people to know about your feet so much?

988
00:49:00,080 --> 00:49:03,680
Speaker 5: That's a weird internet thing that happens to most actresses.

989
00:49:03,840 --> 00:49:07,200
Speaker 5: There's a big online foot fetish community.

990
00:49:07,560 --> 00:49:11,360
Speaker 2: Huh whose actresses feet are? I've never seen I've.

991
00:49:11,239 --> 00:49:14,759
Speaker 8: Never clicked on that ship and I'm lying.

992
00:49:17,239 --> 00:49:21,600
Speaker 1: Yeah, you want your publicist to really push those feet.

993
00:49:21,719 --> 00:49:23,720
Speaker 2: Huh, Well.

994
00:49:25,840 --> 00:49:27,920
Speaker 5: I'm not. I'm not ashamed of my feet. That's what

995
00:49:28,000 --> 00:49:28,600
Speaker 5: you're asking me.

996
00:49:29,520 --> 00:49:31,680
Speaker 1: And you heard it here first, and everybody go ahead.

997
00:49:32,360 --> 00:49:38,040
Speaker 5: If there's an opportunity for me to be barefoot camera,

998
00:49:39,239 --> 00:49:42,080
Speaker 5: I'll take it and I like and I'll like it

999
00:49:42,960 --> 00:49:44,720
Speaker 5: because I know I'm making people happy.

1000
00:49:45,239 --> 00:49:47,120
Speaker 1: Yeah you could. Yeah, you work that into a lot

1001
00:49:47,160 --> 00:49:47,720
Speaker 1: of your stuff.

1002
00:49:49,120 --> 00:49:51,400
Speaker 2: You talked a little bit about having no regrets.

1003
00:49:51,840 --> 00:49:52,040
Speaker 6: Is it.

1004
00:49:53,600 --> 00:49:55,080
Speaker 2: Important for you to live in the moment?

1005
00:49:56,239 --> 00:49:58,880
Speaker 5: Oh? Yeah, every moment counts.

1006
00:50:00,080 --> 00:50:03,800
Speaker 1: I like to get in between those, you know what

1007
00:50:03,880 --> 00:50:06,680
Speaker 1: I mean, Get right in between those those.

1008
00:50:07,960 --> 00:50:08,360
Speaker 5: Moments.

1009
00:50:08,600 --> 00:50:09,160
Speaker 2: You know what I mean.

1010
00:50:09,200 --> 00:50:11,719
Speaker 1: If you can get in between those, that's where you

1011
00:50:11,760 --> 00:50:13,880
Speaker 1: can really make some changes.

1012
00:50:14,160 --> 00:50:14,680
Speaker 2: Speak on that.

1013
00:50:15,080 --> 00:50:15,920
Speaker 1: Speak on that for me.

1014
00:50:16,080 --> 00:50:16,319
Speaker 4: Okay.

1015
00:50:16,560 --> 00:50:21,160
Speaker 5: If I'm sitting in traffic and I know, honey, I'm

1016
00:50:21,200 --> 00:50:24,920
Speaker 5: not moving anytime soon, I don't let it bother me.

1017
00:50:25,320 --> 00:50:31,600
Speaker 5: I it's the journey, not the destination that would carry

1018
00:50:32,960 --> 00:50:36,160
Speaker 5: I just think to myself, how can I make this fun?

1019
00:50:36,239 --> 00:50:37,920
Speaker 5: How can I make this an adventure? How can I

1020
00:50:37,960 --> 00:50:40,000
Speaker 5: do something? How can I how can I be cool?

1021
00:50:40,080 --> 00:50:42,400
Speaker 5: How can I be how can I and.

1022
00:50:42,480 --> 00:50:44,879
Speaker 8: I just I just am.

1023
00:50:46,360 --> 00:50:50,320
Speaker 1: Sometimes someone says, are you stuck in traffic? And I go, no,

1024
00:50:50,440 --> 00:50:54,680
Speaker 1: I'm not stuck in traffic. I'm hanging out in the car. Yeah,

1025
00:50:55,040 --> 00:50:57,839
Speaker 1: I mean is that it's just that little ship perspective.

1026
00:50:58,560 --> 00:51:00,720
Speaker 1: I'm listening to like a science but bok, I'm listening

1027
00:51:00,800 --> 00:51:02,040
Speaker 1: to my sign you know.

1028
00:51:03,040 --> 00:51:05,759
Speaker 5: No, I'm just listening to the Amanda knock story on

1029
00:51:05,960 --> 00:51:10,200
Speaker 5: tape and learning more in depth, you know, information about

1030
00:51:10,239 --> 00:51:10,720
Speaker 5: that case.

1031
00:51:11,520 --> 00:51:14,040
Speaker 1: What is it about Amanda Knox that captured you?

1032
00:51:14,680 --> 00:51:16,799
Speaker 5: Oh, I don't know. I was just using that as

1033
00:51:16,840 --> 00:51:18,800
Speaker 5: a example.

1034
00:51:18,880 --> 00:51:20,440
Speaker 1: Well, there's a reason it was right on the tip

1035
00:51:20,480 --> 00:51:21,000
Speaker 1: of your tongue.

1036
00:51:21,120 --> 00:51:23,080
Speaker 8: No, what there wasn't.

1037
00:51:24,760 --> 00:51:27,400
Speaker 1: And inventing an imagination can be a big part of

1038
00:51:28,560 --> 00:51:36,440
Speaker 1: being creative. Oh the old God bless you. Yeah, Andrew

1039
00:51:36,600 --> 00:51:38,680
Speaker 1: asks she's allergic to the cronus.

1040
00:51:39,040 --> 00:51:40,080
Speaker 8: I'm allergic, Aubrey.

1041
00:51:40,200 --> 00:51:41,000
Speaker 2: What's your dad do?

1042
00:51:41,880 --> 00:51:42,799
Speaker 8: He's a stockbroker?

1043
00:51:43,920 --> 00:51:51,720
Speaker 2: Ah for Merrill Lynch? Oh okay, yeah, boiler room.

1044
00:51:53,920 --> 00:51:55,720
Speaker 8: Hashtag Wolf of Wall Street?

1045
00:51:56,040 --> 00:51:59,719
Speaker 1: Yes, yes, points you have.

1046
00:52:02,600 --> 00:52:06,160
Speaker 2: Dogs. Was it harsh.

1047
00:52:10,760 --> 00:52:13,360
Speaker 1: Hard for you to decide whether to let your dogs

1048
00:52:13,400 --> 00:52:15,279
Speaker 1: go into acting, being that we do live in.

1049
00:52:17,000 --> 00:52:17,800
Speaker 2: Los Angeles?

1050
00:52:21,320 --> 00:52:23,480
Speaker 5: No, you know, I think if you want your dogs

1051
00:52:23,520 --> 00:52:27,000
Speaker 5: to be famous, you do the necessary steps and you

1052
00:52:27,239 --> 00:52:30,000
Speaker 5: just remember that when we're home at night. You know,

1053
00:52:30,160 --> 00:52:33,480
Speaker 5: family rules apply, and like you don't have to give

1054
00:52:33,520 --> 00:52:37,120
Speaker 5: into every whim and you just need to stay on

1055
00:52:37,160 --> 00:52:41,520
Speaker 5: your ground and just create boundaries that are healthy, but

1056
00:52:42,160 --> 00:52:45,480
Speaker 5: also don't let them meet too much, because you know you.

1057
00:52:45,560 --> 00:52:47,719
Speaker 2: Brought up the standard ground law. How do you feel

1058
00:52:47,719 --> 00:52:53,120
Speaker 2: about George Zimmerman as a fellow Latina.

1059
00:52:54,480 --> 00:52:58,239
Speaker 5: I don't, I don't. I can't speak on that not today.

1060
00:52:58,880 --> 00:53:03,720
Speaker 1: Controversial that whatever people would be upset about, that's probably

1061
00:53:03,800 --> 00:53:05,120
Speaker 1: where you it's not worth it.

1062
00:53:05,600 --> 00:53:07,680
Speaker 2: There's just things these days. Well, it's true that, like

1063
00:53:07,800 --> 00:53:10,839
Speaker 2: I agree, there's like stuff you can't really say it's

1064
00:53:10,880 --> 00:53:14,120
Speaker 2: like because it's not PC. Yeah, so you have to

1065
00:53:14,560 --> 00:53:16,640
Speaker 2: just like hold back stuff you're going.

1066
00:53:16,600 --> 00:53:18,560
Speaker 1: To get worth it for me, because if it's not

1067
00:53:18,680 --> 00:53:20,600
Speaker 1: worth to get piled on by the Twitter verse. And

1068
00:53:20,600 --> 00:53:21,920
Speaker 1: there's certain things where it's.

1069
00:53:21,840 --> 00:53:25,360
Speaker 2: Like in like company, you know, everyone has to just

1070
00:53:25,480 --> 00:53:28,279
Speaker 2: like march in lockstep, and we all have to think

1071
00:53:28,360 --> 00:53:30,720
Speaker 2: the same thing about this stuff. Here's the assigned opinion

1072
00:53:30,840 --> 00:53:33,000
Speaker 2: on this, and let's not look any deeper, you know,

1073
00:53:33,160 --> 00:53:36,640
Speaker 2: and to really think about it. You're getting into some trouble.

1074
00:53:36,680 --> 00:53:41,040
Speaker 2: I agree with you about that. Aubrey, Thank you so

1075
00:53:41,160 --> 00:53:43,440
Speaker 2: much for coming and talking about all the different foods

1076
00:53:43,960 --> 00:53:49,840
Speaker 2: that you're obsessed with. Rate us on iTunes, like us

1077
00:53:49,880 --> 00:53:54,000
Speaker 2: on the forums, and buy the pro version of our podcast. Yeah,

1078
00:53:54,000 --> 00:53:55,800
Speaker 2: and if you buy the pro version? Who bought it

1079
00:53:55,920 --> 00:53:56,279
Speaker 2: this week?

1080
00:53:57,000 --> 00:53:57,120
Speaker 4: Was it?

1081
00:53:57,440 --> 00:53:58,840
Speaker 2: Think of the children? You must have been thinking of

1082
00:53:58,840 --> 00:54:00,479
Speaker 2: the children. Think of the children the pro.

1083
00:54:00,480 --> 00:54:03,439
Speaker 1: Version this week, And as a little added bonus for them,

1084
00:54:03,920 --> 00:54:06,520
Speaker 1: Aubrey's going to walk them through sort of a real

1085
00:54:06,600 --> 00:54:09,480
Speaker 1: life virtual tour of a craft services table.

1086
00:54:10,800 --> 00:54:13,560
Speaker 5: Oh all right, that's.

1087
00:54:15,080 --> 00:54:15,719
Speaker 2: It's fun for you.

1088
00:54:16,760 --> 00:54:18,560
Speaker 1: Yeah, it's be fun for you. You love food and

1089
00:54:18,719 --> 00:54:19,600
Speaker 1: you love the movies.

1090
00:54:20,080 --> 00:54:24,160
Speaker 5: Yeah. I loved the terms to craft services crafty.

1091
00:54:24,960 --> 00:54:26,520
Speaker 1: What a cool like a fox?

1092
00:54:26,600 --> 00:54:31,200
Speaker 2: That reminds me of a fox mm hmm from Fables.

1093
00:54:31,640 --> 00:54:31,960
Speaker 5: M hm.

1094
00:54:32,080 --> 00:54:33,160
Speaker 2: Anyway you were going to do that?

1095
00:54:33,520 --> 00:54:35,040
Speaker 1: It reminds me of being a camp when I was

1096
00:54:35,080 --> 00:54:42,600
Speaker 1: a kid, crafts sleep boy camp. I did go to one. Yeah,

1097
00:54:44,320 --> 00:54:45,440
Speaker 1: we got into some trouble there.

1098
00:54:45,480 --> 00:54:46,840
Speaker 5: Boy was your virginity?

1099
00:54:47,800 --> 00:54:51,520
Speaker 1: No, I'm waiting on that, wait for the right night.

1100
00:54:52,600 --> 00:54:56,480
Speaker 1: I am married, but I am waiting for the right moment.

1101
00:54:56,520 --> 00:55:00,399
Speaker 1: Where we both feel like we're there, you know, emotionally. Oh,

1102
00:55:01,920 --> 00:55:04,000
Speaker 1: but in the meantime, we do still have fun. We

1103
00:55:04,120 --> 00:55:07,640
Speaker 1: do fun stuff, But no we haven't. That's gross traditional intercourse.

1104
00:55:07,719 --> 00:55:09,400
Speaker 1: If that's I mean, you asked me about the beginning

1105
00:55:09,400 --> 00:55:11,560
Speaker 1: of the podcast, how many times why I had sex

1106
00:55:11,920 --> 00:55:13,680
Speaker 1: the way that you define it, the way most people

1107
00:55:13,760 --> 00:55:15,560
Speaker 1: think of it. I guess it would be a zero.

1108
00:55:15,719 --> 00:55:17,600
Speaker 1: But that doesn't mean that I haven't had fun and

1109
00:55:17,680 --> 00:55:18,480
Speaker 1: that doesn't mean that.

1110
00:55:19,040 --> 00:55:24,120
Speaker 3: But do we have to do this?

1111
00:55:25,120 --> 00:55:27,640
Speaker 2: Could you just describe the craft services table for she

1112
00:55:27,760 --> 00:55:29,000
Speaker 2: says that we do have to do this.

1113
00:55:29,120 --> 00:55:32,520
Speaker 5: Okay, walking up to the craft service table is like

1114
00:55:34,280 --> 00:55:42,880
Speaker 5: walking into the fucking Williwonka factory times a billion. You

1115
00:55:43,000 --> 00:55:49,920
Speaker 5: got your lettuce cups, You got your almonds nouttles um.

1116
00:55:51,040 --> 00:55:55,359
Speaker 8: You got a sack of fruit. Always got that real

1117
00:55:55,480 --> 00:55:57,440
Speaker 8: good fruit too, the exotic.

1118
00:55:57,040 --> 00:56:05,200
Speaker 5: Kind pineapples, berries, boys and berries, licktonberries, all kinds of

1119
00:56:05,280 --> 00:56:07,920
Speaker 5: exact things that you would never get at a normal

1120
00:56:08,160 --> 00:56:13,640
Speaker 5: place that doesn't have crafty. You got your Trader Joe's section,

1121
00:56:14,320 --> 00:56:22,600
Speaker 5: you know, dark chocolate covered pisashio berries and like banana clusters.

1122
00:56:22,880 --> 00:56:26,400
Speaker 5: And then you got your hot foods, and those are

1123
00:56:26,400 --> 00:56:29,879
Speaker 5: always changing out, so they're never mild moderate temperature. They're

1124
00:56:29,920 --> 00:56:36,719
Speaker 5: always the right temperature. Your onion chicken wraps and you're

1125
00:56:38,000 --> 00:56:43,640
Speaker 5: you know, your spaghetti wraps, things like that. Oh no,

1126
00:56:44,440 --> 00:56:48,560
Speaker 5: you got your machiata station only for mock only for

1127
00:56:48,719 --> 00:56:52,840
Speaker 5: mock fives as we call them. That's a four o'clock drink.

1128
00:56:54,080 --> 00:56:56,480
Speaker 5: Got to get those mock fives. Keeps you running a

1129
00:56:56,520 --> 00:57:01,680
Speaker 5: whole cruise on the fuel. And you got your spaw water.

1130
00:57:02,320 --> 00:57:04,719
Speaker 5: Always have spaw water. We don't just do regular water.

1131
00:57:04,800 --> 00:57:10,160
Speaker 5: We do water that's infused, as they call it, with herbs, nettles,

1132
00:57:11,640 --> 00:57:17,760
Speaker 5: rose hips and all kinds of shit. And finally, you

1133
00:57:17,840 --> 00:57:24,000
Speaker 5: got your big fat cake because every day we decided

1134
00:57:24,080 --> 00:57:27,200
Speaker 5: that anyone that works on a set in any capacity

1135
00:57:27,400 --> 00:57:32,680
Speaker 5: deserves a fucking cake every day. It's not anyone's birthday,

1136
00:57:32,880 --> 00:57:34,920
Speaker 5: it's just a cake to be like you did it.

1137
00:57:35,520 --> 00:57:39,720
Speaker 5: You're working on this fucking thing. You're getting paid. You

1138
00:57:39,880 --> 00:57:42,680
Speaker 5: deserve to eat a cake. You deserve to have your

1139
00:57:42,720 --> 00:57:47,080
Speaker 5: cake and eat it too. Have fun.

1140
00:57:47,640 --> 00:57:58,240
Speaker 2: Bye bye, Hollywood, Hamburg. This has been an Earwook Media production.

1141
00:57:58,480 --> 00:58:01,520
Speaker 1: Executive producers Jeff Ulrick and Scott Ackerman for more information,

1142
00:58:01,680 --> 00:58:02,640
Speaker 1: visit earwolf dot com

1143
00:58:07,400 --> 00:58:18,040
Speaker 2: Ear Warf Radio, Boom dot com, The worf Dead