1 00:00:00,560 --> 00:00:04,680 Speaker 1: Tonight's classic episode all about celebrities. This is one for 2 00:00:04,760 --> 00:00:08,560 Speaker 1: the pop culture fans in the crowd. We went through 3 00:00:08,560 --> 00:00:11,000 Speaker 1: a Beatles phase a while back to where we were 4 00:00:11,039 --> 00:00:13,800 Speaker 1: asking ourselves, oh gosh, we did a video about it. 5 00:00:13,840 --> 00:00:16,280 Speaker 1: Did the real Paul McCartney get replaced? 6 00:00:16,520 --> 00:00:19,079 Speaker 2: Turn me on dead man? He was the Walrus? He 7 00:00:19,200 --> 00:00:19,799 Speaker 2: is the Walrus? 8 00:00:19,920 --> 00:00:21,160 Speaker 1: Or is he the Walrus? 9 00:00:22,440 --> 00:00:24,520 Speaker 2: Is that the one? No? Yeah, we did that, But 10 00:00:24,560 --> 00:00:28,040 Speaker 2: we also did the audition tape wherein we imply that Ben, 11 00:00:28,080 --> 00:00:31,160 Speaker 2: you and I have been replaced by agents of some sort. 12 00:00:31,360 --> 00:00:36,600 Speaker 1: Everybody knows that, yeah, and everybody has these crazy theories too, 13 00:00:36,720 --> 00:00:40,199 Speaker 1: about not just celebrities, not just your Taylor Swift's, but 14 00:00:40,280 --> 00:00:44,800 Speaker 1: also your notable historical figures. You're a Saddam Hussein's, you know, 15 00:00:44,960 --> 00:00:49,599 Speaker 1: the great villains of history. Now, in this classic episode, 16 00:00:49,640 --> 00:00:53,960 Speaker 1: we're looking at fact fiction and plausibility of the idea 17 00:00:54,000 --> 00:00:57,120 Speaker 1: of body doubles, and also, would you ever get a 18 00:00:57,120 --> 00:01:02,200 Speaker 1: body double if the situation wation presented, I'd consider it. 19 00:01:04,920 --> 00:01:06,520 Speaker 1: I feel like the best way to do it, the 20 00:01:06,600 --> 00:01:08,520 Speaker 1: honest way to do it, is just to have an 21 00:01:08,520 --> 00:01:09,319 Speaker 1: identical twin. 22 00:01:10,360 --> 00:01:12,240 Speaker 2: I think how everyone can't be so lucky? 23 00:01:12,840 --> 00:01:14,000 Speaker 1: Yeah, not yet. 24 00:01:14,680 --> 00:01:19,160 Speaker 3: From UFOs to psychic powers and government conspiracies, history is 25 00:01:19,240 --> 00:01:23,560 Speaker 3: riddled with unexplained events. You can turn back now or 26 00:01:23,640 --> 00:01:25,640 Speaker 3: learn this stuff they don't want you to know. 27 00:01:26,560 --> 00:01:30,280 Speaker 1: A production of iHeart Radios How Stuff Works. 28 00:01:38,680 --> 00:01:41,160 Speaker 2: Welcome back to the show. My name is Matt Noel 29 00:01:41,319 --> 00:01:42,720 Speaker 2: is on an adventure. 30 00:01:43,080 --> 00:01:45,200 Speaker 1: They called me Ben. We were joined as always with 31 00:01:45,319 --> 00:01:49,520 Speaker 1: our super producer Paul Mission Control Decat most importantly, you 32 00:01:49,560 --> 00:01:52,040 Speaker 1: are here, and that makes this stuff they don't want 33 00:01:52,040 --> 00:01:55,440 Speaker 1: you to know. We have a special guest of sorts today, Matt. 34 00:01:55,280 --> 00:01:58,680 Speaker 2: We do. We have JJ Posway. He's a new producer 35 00:01:58,760 --> 00:02:04,440 Speaker 2: here at the iHeart Radio Network, the iHeart Radio Podcast Network. 36 00:02:04,920 --> 00:02:06,840 Speaker 1: That's a hard shrug you're doing there, man. 37 00:02:06,920 --> 00:02:09,280 Speaker 2: Whatever this thing is they we're a part of, is 38 00:02:09,320 --> 00:02:13,160 Speaker 2: called Yeah, it's pretty pretty awesome. It's good to have 39 00:02:13,200 --> 00:02:15,560 Speaker 2: you here. JJ. Apparently he knew like what this show 40 00:02:15,800 --> 00:02:17,200 Speaker 2: was before getting. 41 00:02:16,919 --> 00:02:19,440 Speaker 1: Here, right, and we're still friends. 42 00:02:19,639 --> 00:02:22,000 Speaker 2: Yeah, I know, he's like trip. He hasn't looked me 43 00:02:22,040 --> 00:02:23,800 Speaker 2: in the eye yet, just because I kind of like 44 00:02:23,880 --> 00:02:27,440 Speaker 2: ran into the studio right before we hit record. Yeah, 45 00:02:27,480 --> 00:02:30,880 Speaker 2: and I can't see him because my view of JJ. Oh, Okay, 46 00:02:30,880 --> 00:02:32,000 Speaker 2: he's looking at me oh gosh. 47 00:02:32,240 --> 00:02:35,040 Speaker 1: Yeah. Yeah, Well you've got sort of blue steel vibe 48 00:02:35,080 --> 00:02:37,240 Speaker 1: going on today, so I can see how people would be, 49 00:02:37,520 --> 00:02:39,960 Speaker 1: you know, gotcha a little bit intimidated. 50 00:02:40,120 --> 00:02:42,200 Speaker 2: Oh I'm feeling it. I'm feeling the blue steel. 51 00:02:42,520 --> 00:02:44,000 Speaker 1: Yeah, I'm going for kind of an eye of the 52 00:02:44,040 --> 00:02:46,440 Speaker 1: tiger thing and I'm sort of doing it. I'm pulling 53 00:02:46,480 --> 00:02:47,200 Speaker 1: it off kind of. 54 00:02:47,280 --> 00:02:50,320 Speaker 2: Oh no, I'm seeing the intensity. So just to check 55 00:02:50,320 --> 00:02:52,440 Speaker 2: in with you, everything's good. We just had our big 56 00:02:52,680 --> 00:02:55,320 Speaker 2: July fourth, like I guess, weekend. 57 00:02:56,360 --> 00:03:00,639 Speaker 1: Yeah, yeah, I have some some traveler that I need 58 00:03:00,680 --> 00:03:05,880 Speaker 1: to catch up on. But yeah, July fourth, woo woo America. Right. 59 00:03:06,040 --> 00:03:07,960 Speaker 1: I hope you had a good weekend as well. And 60 00:03:08,040 --> 00:03:13,040 Speaker 1: if you are listening in a different country, July fourth, 61 00:03:13,480 --> 00:03:15,640 Speaker 1: I think it's weird for us to assume everybody knows this. 62 00:03:15,760 --> 00:03:22,480 Speaker 1: July fourth is when the United States celebrates independence from Britain, right, 63 00:03:22,560 --> 00:03:26,600 Speaker 1: And the way in which the US most often tends 64 00:03:26,639 --> 00:03:31,680 Speaker 1: to celebrate this day is through getting kind of drunk, 65 00:03:32,320 --> 00:03:34,680 Speaker 1: lighting fireworks, and having barbecues. 66 00:03:34,920 --> 00:03:38,000 Speaker 2: There you go, and that's what some of us did. 67 00:03:39,960 --> 00:03:43,200 Speaker 1: That's very diplomatic. How are you guys doing out there 68 00:03:43,200 --> 00:03:44,760 Speaker 1: in the booth? Thumbs up, thumbs. 69 00:03:44,440 --> 00:03:46,480 Speaker 2: Down, thumbs up all the way combs up. 70 00:03:46,520 --> 00:03:49,480 Speaker 1: That's great. And how are you doing, folks out there 71 00:03:49,560 --> 00:03:53,480 Speaker 1: listening to day? Do you have something on your mind? 72 00:03:53,720 --> 00:03:57,320 Speaker 1: How We're going to investigate some pretty interesting stuff here 73 00:03:57,320 --> 00:03:59,440 Speaker 1: that may be familiar to some of us. If at 74 00:03:59,480 --> 00:04:03,640 Speaker 1: any time while we're exploring this strange rabbit hole, the 75 00:04:03,680 --> 00:04:06,240 Speaker 1: spirit so moves you when you have something on your 76 00:04:06,280 --> 00:04:07,560 Speaker 1: mind that you want to tell us and you don't 77 00:04:07,560 --> 00:04:10,280 Speaker 1: want to have to type it out, they have no fear. 78 00:04:10,360 --> 00:04:13,440 Speaker 1: You can pause the show. We'll wait for you, and 79 00:04:13,480 --> 00:04:14,440 Speaker 1: you can give us a call. 80 00:04:15,120 --> 00:04:17,920 Speaker 2: You can call us at one eight three three s 81 00:04:18,880 --> 00:04:23,000 Speaker 2: wk'll you'll figure it out. You'll hear Ben on there. 82 00:04:23,080 --> 00:04:24,279 Speaker 2: You'll know you're in the right place. 83 00:04:25,279 --> 00:04:27,560 Speaker 1: And I feel like we've established the rules of the call. 84 00:04:27,640 --> 00:04:31,200 Speaker 1: I lied such that at this point, you know, fill 85 00:04:31,240 --> 00:04:34,839 Speaker 1: it up. Yeah, all you have to do is call so. 86 00:04:34,839 --> 00:04:37,720 Speaker 2: So we talked at the top here just about how 87 00:04:39,800 --> 00:04:44,920 Speaker 2: honestly odd it is when someone I can't speak for you, Ben, 88 00:04:45,120 --> 00:04:49,400 Speaker 2: but it's an odd experience when someone recognizes your voice. 89 00:04:51,000 --> 00:04:53,320 Speaker 2: And on this show it's only happened to me a 90 00:04:53,320 --> 00:04:56,960 Speaker 2: handful of times. I'm assuming that it's happened to you 91 00:04:57,040 --> 00:05:01,000 Speaker 2: more because you had a visual present on this show 92 00:05:01,080 --> 00:05:04,440 Speaker 2: for so long, and so many people watch those videos. 93 00:05:05,000 --> 00:05:09,720 Speaker 2: But today we're talking about the concept of being known, 94 00:05:10,160 --> 00:05:12,520 Speaker 2: of being recognized right. 95 00:05:12,360 --> 00:05:14,880 Speaker 1: To the nth degree. As indeed, Matt, we were talking 96 00:05:14,920 --> 00:05:18,720 Speaker 1: about the concept of celebrity. Celebrity is really bizarre when 97 00:05:18,720 --> 00:05:21,719 Speaker 1: you think about it. Since before the dawn of recorded 98 00:05:21,800 --> 00:05:25,200 Speaker 1: human history, we've looked to place our beliefs and our 99 00:05:25,320 --> 00:05:29,520 Speaker 1: values on the form of a familiar face, something that 100 00:05:29,640 --> 00:05:32,440 Speaker 1: is like us. Abstract ideas were all well and good 101 00:05:32,480 --> 00:05:37,040 Speaker 1: on their own, but generally speaking, humans like other humans 102 00:05:37,240 --> 00:05:40,000 Speaker 1: or things that look like humans, and they want that 103 00:05:40,040 --> 00:05:43,359 Speaker 1: to be sort of a code rack upon which ideas hang, 104 00:05:43,880 --> 00:05:48,960 Speaker 1: something with which we can directly identify. So for a 105 00:05:49,040 --> 00:05:54,159 Speaker 1: lot of people, maybe during the Cold War in the West, 106 00:05:54,279 --> 00:05:59,320 Speaker 1: when they thought of communism, they didn't think of a 107 00:05:59,360 --> 00:06:04,760 Speaker 1: bunch of ideals written by some stuffy, old dead European folks. 108 00:06:04,800 --> 00:06:10,000 Speaker 1: They thought about specific propaganda image, maybe a soldier in 109 00:06:10,080 --> 00:06:11,520 Speaker 1: red marching or something. 110 00:06:11,600 --> 00:06:18,440 Speaker 2: Yeah, we are a symbol seeking being, the human is 111 00:06:18,680 --> 00:06:22,120 Speaker 2: and the celebrities a lot of times are the representations 112 00:06:22,160 --> 00:06:26,160 Speaker 2: of from propaganda are ways for us to quickly organize 113 00:06:26,720 --> 00:06:29,120 Speaker 2: the way we feel about something, or the way we 114 00:06:29,160 --> 00:06:31,080 Speaker 2: should feel about something, or the way we actually do 115 00:06:31,440 --> 00:06:33,479 Speaker 2: feel about something or someone right. 116 00:06:33,560 --> 00:06:35,839 Speaker 1: And we can be blinded by this too, which is 117 00:06:35,839 --> 00:06:37,880 Speaker 1: a bit of a different bag of badgers for us. 118 00:06:38,120 --> 00:06:41,880 Speaker 1: We can be blinded by this in strange ways, and 119 00:06:42,240 --> 00:06:46,600 Speaker 1: our brains are pretty good at making things seem normal. 120 00:06:47,200 --> 00:06:52,440 Speaker 1: So picture, imagine your mind, the most famous person you 121 00:06:52,480 --> 00:06:55,440 Speaker 1: can think of, the most famous person caveat who is 122 00:06:55,480 --> 00:07:01,440 Speaker 1: alive today. If that person said something that jibe with 123 00:07:01,520 --> 00:07:06,800 Speaker 1: what they usually say, their diehard supporters are more likely 124 00:07:06,880 --> 00:07:09,920 Speaker 1: to go along with it because they identify with the 125 00:07:10,000 --> 00:07:14,920 Speaker 1: person first interesting and the idea that they have. You know, 126 00:07:14,960 --> 00:07:18,200 Speaker 1: they can be led along or led astray someone say, 127 00:07:18,880 --> 00:07:21,120 Speaker 1: just by the way in which that person with whom 128 00:07:21,120 --> 00:07:25,360 Speaker 1: they identify says or explains a certain thing. And this 129 00:07:25,560 --> 00:07:29,080 Speaker 1: is why human beings love the concept of celebrities. In 130 00:07:29,120 --> 00:07:32,680 Speaker 1: a lot of ways, celebrities today are similar to deities 131 00:07:32,920 --> 00:07:37,000 Speaker 1: in ancient times. You know, people obsess over them. We 132 00:07:37,120 --> 00:07:41,800 Speaker 1: perform certain rituals, and that doesn't necessarily mean, you know, 133 00:07:42,040 --> 00:07:46,400 Speaker 1: you're sacrificing a goat to Neil de grass Tyson or 134 00:07:46,440 --> 00:07:47,720 Speaker 1: Bill Hie or something It. 135 00:07:47,640 --> 00:07:51,280 Speaker 2: Can be as simple as checking your Instagram stories every 136 00:07:51,400 --> 00:07:54,120 Speaker 2: day or every couple of hours, or something. 137 00:07:53,920 --> 00:07:59,200 Speaker 1: Right right, Or you always listen to a song by 138 00:07:59,240 --> 00:08:02,320 Speaker 1: your favorite musician when you're about to do a thing, 139 00:08:02,600 --> 00:08:05,120 Speaker 1: you know what I mean, Like you always play on 140 00:08:05,200 --> 00:08:07,600 Speaker 1: the Road Again by Willie Nelson when you're on a 141 00:08:07,680 --> 00:08:08,120 Speaker 1: road trip. 142 00:08:08,440 --> 00:08:11,280 Speaker 2: So that's the first track at least, right. 143 00:08:11,320 --> 00:08:17,560 Speaker 1: Right, exactly, So when we perform these rituals, we feel 144 00:08:17,640 --> 00:08:21,400 Speaker 1: a genuine personal connection with entities that we may have 145 00:08:21,560 --> 00:08:25,520 Speaker 1: never met and may well never meet an hour lifetime. 146 00:08:25,320 --> 00:08:28,920 Speaker 2: And who may not be anything like the representation that 147 00:08:29,040 --> 00:08:31,680 Speaker 2: exists on whatever medium you're consuming exactly. 148 00:08:31,760 --> 00:08:34,160 Speaker 1: So it's no wonder then that the world of celebrity 149 00:08:34,240 --> 00:08:38,240 Speaker 1: is also a world rife with conspiracy. A while back, 150 00:08:39,000 --> 00:08:43,120 Speaker 1: I wanted to bring this to your attention. A while back, Matt, 151 00:08:43,160 --> 00:08:47,320 Speaker 1: you and I did a strange video which I still 152 00:08:47,360 --> 00:08:52,080 Speaker 1: think holds up. Yeah, it's kind of ridiculous, but in 153 00:08:52,120 --> 00:08:55,360 Speaker 1: that video we have this sort of meet the team 154 00:08:55,480 --> 00:08:59,440 Speaker 1: kind of thing, right, And in there you have you 155 00:08:59,559 --> 00:09:05,679 Speaker 1: built this great chart supporting the notion that Paul McCartney 156 00:09:05,720 --> 00:09:08,160 Speaker 1: had died and been replaced by someone else. Do you 157 00:09:08,160 --> 00:09:08,600 Speaker 1: remember this? 158 00:09:08,800 --> 00:09:11,800 Speaker 2: I do remember this and shout out to Diana, my wife, 159 00:09:11,880 --> 00:09:15,040 Speaker 2: because she gave me most of the information that was 160 00:09:15,040 --> 00:09:17,920 Speaker 2: included in that. She helped me build that thing. She 161 00:09:18,320 --> 00:09:20,880 Speaker 2: is she has an obsession like we're talking about with 162 00:09:21,000 --> 00:09:26,440 Speaker 2: the Beatles, whether living or dead, and she knows so much. 163 00:09:26,640 --> 00:09:29,080 Speaker 2: She basically was like, oh, yeah, well, here's all the things. 164 00:09:29,120 --> 00:09:30,720 Speaker 2: You just put this on there, put that on there all, 165 00:09:30,720 --> 00:09:32,320 Speaker 2: cut all this stuff out here. You got it. 166 00:09:32,600 --> 00:09:36,240 Speaker 1: That's awesome, man, that's awesome. That video is still around 167 00:09:36,320 --> 00:09:39,560 Speaker 1: on our YouTube channel, which I missed, by the way, 168 00:09:39,960 --> 00:09:42,920 Speaker 1: for some reason. The main thing I remember about that 169 00:09:43,040 --> 00:09:46,920 Speaker 1: video is you holding some kind of pipe, yes, and 170 00:09:46,960 --> 00:09:51,600 Speaker 1: looking and explaining this conspiracy thing to me, and then 171 00:09:51,600 --> 00:09:52,600 Speaker 1: we're in a bathroom. 172 00:09:52,840 --> 00:09:55,360 Speaker 2: Yeah, we realized we're in a bathroom and you've been 173 00:09:55,480 --> 00:09:56,560 Speaker 2: urinating the entire time. 174 00:09:56,600 --> 00:10:01,160 Speaker 1: Oh, that's right. As it cuts over, spoil h it 175 00:10:01,280 --> 00:10:04,000 Speaker 1: is safe for work. We should say that we thought 176 00:10:04,000 --> 00:10:06,199 Speaker 1: that was hilarious and we hope you enjoy it. Maybe 177 00:10:06,200 --> 00:10:08,880 Speaker 1: some of our fellow longtime listeners in the audience remember 178 00:10:08,920 --> 00:10:11,760 Speaker 1: that when today we are diving back into the world 179 00:10:11,840 --> 00:10:15,160 Speaker 1: of celebrity conspiracy, specifically the idea that some of the 180 00:10:15,160 --> 00:10:19,160 Speaker 1: world's most famous people have been secretly replaced by lookalikes, 181 00:10:19,559 --> 00:10:22,000 Speaker 1: body doubles, dappel gangers. 182 00:10:22,240 --> 00:10:26,760 Speaker 2: Oooh, dappele gangers. Can I say it? So? Guess what? 183 00:10:27,440 --> 00:10:30,560 Speaker 2: Here are the facts? Just doesn't sound the same when 184 00:10:30,600 --> 00:10:33,559 Speaker 2: we've got it, here are the facts. When we hear 185 00:10:33,600 --> 00:10:36,640 Speaker 2: that word celebrity, you know, we've been talking about this 186 00:10:36,640 --> 00:10:38,400 Speaker 2: whole time. We're all on the same page. We understand 187 00:10:38,400 --> 00:10:41,000 Speaker 2: what that is. Somebody who is known a famous person 188 00:10:41,200 --> 00:10:44,120 Speaker 2: and athlete, a musician, an actor, maybe even one of 189 00:10:44,160 --> 00:10:47,160 Speaker 2: those insta fluencers. I don't even know how you say it. 190 00:10:47,480 --> 00:10:52,520 Speaker 1: Oh, that's good that I did. That's great. Yeah, that's good. 191 00:10:52,840 --> 00:10:54,360 Speaker 1: I like that exactly. 192 00:10:55,640 --> 00:11:00,960 Speaker 2: But but there's a there's a thing here and it's 193 00:11:01,040 --> 00:11:03,040 Speaker 2: tough to differentiate, but we're gonna try and do it. 194 00:11:03,040 --> 00:11:08,320 Speaker 2: Here between someone being capital F famous, it's not really capital, 195 00:11:08,360 --> 00:11:10,360 Speaker 2: but let's just use a capital F as in this 196 00:11:10,480 --> 00:11:14,320 Speaker 2: person is known throughout the world for some reason as 197 00:11:14,360 --> 00:11:19,640 Speaker 2: a human person that does things, but then an internet 198 00:11:20,080 --> 00:11:22,280 Speaker 2: famous person that is slightly different. 199 00:11:23,120 --> 00:11:26,120 Speaker 1: Yeah, I would, I would say so, I would completely 200 00:11:26,200 --> 00:11:32,760 Speaker 1: agree with that. So we're talking maybe about athletes, musicians, 201 00:11:33,000 --> 00:11:36,719 Speaker 1: actors and so on. That's often what we mean, right, 202 00:11:36,760 --> 00:11:39,120 Speaker 1: when we say, as you say, capital F famous or 203 00:11:39,679 --> 00:11:42,839 Speaker 1: heads of states or heads of religions, people. 204 00:11:42,559 --> 00:11:46,160 Speaker 2: Who are photographed by other people all the time. 205 00:11:46,640 --> 00:11:48,640 Speaker 1: And then we have and then we have the thing 206 00:11:48,720 --> 00:11:53,120 Speaker 1: where people are maybe more famous in a specific field. 207 00:11:53,440 --> 00:11:57,720 Speaker 1: That's probably where I would put what we call instafluencers 208 00:11:57,960 --> 00:12:04,320 Speaker 1: or very very well known YouTubers who focus on a 209 00:12:04,360 --> 00:12:07,440 Speaker 1: specific thing, right, And of course we have to be honest. 210 00:12:08,400 --> 00:12:11,640 Speaker 1: Podcasters fall in that. There are some, there are some 211 00:12:13,640 --> 00:12:17,840 Speaker 1: maybe they count as capital F famous people who are 212 00:12:17,920 --> 00:12:20,480 Speaker 1: also podcasters, but they're not famous for that. 213 00:12:20,640 --> 00:12:23,120 Speaker 2: Yeah, that makes sense thinking about Will Ferrell right there. 214 00:12:23,360 --> 00:12:26,600 Speaker 1: Oh that's right, yeah, yeah, yeah, yeah, he'll get into 215 00:12:26,640 --> 00:12:29,000 Speaker 1: podcasts right now, I think it's just Ron Burgundy. 216 00:12:29,080 --> 00:12:30,160 Speaker 2: Oh yeah, exactly. 217 00:12:30,640 --> 00:12:38,480 Speaker 1: So. So it's strange, and it's also it's a bit 218 00:12:39,600 --> 00:12:43,480 Speaker 1: unsettling the idea or the notion of celebrity because it 219 00:12:43,559 --> 00:12:48,280 Speaker 1: places hierarchical value on people in a way that should 220 00:12:48,280 --> 00:12:53,640 Speaker 1: not really exist. Absolutely, So, with all that in mind, 221 00:12:54,080 --> 00:12:56,400 Speaker 1: if we do a very broad definition, if we sort 222 00:12:56,400 --> 00:12:59,440 Speaker 1: of mash up those kind of known in their field 223 00:12:59,559 --> 00:13:03,400 Speaker 1: people and the worldwide known people, you know, the Michael 224 00:13:03,480 --> 00:13:06,120 Speaker 1: Jackson's and so on. If you smash them all together 225 00:13:06,160 --> 00:13:09,960 Speaker 1: into one thing. We can ask ourselves how many people 226 00:13:10,760 --> 00:13:13,320 Speaker 1: in this world, in one way or another would be 227 00:13:13,480 --> 00:13:17,960 Speaker 1: considered famous. It's really really tough to tell. Some, like 228 00:13:18,000 --> 00:13:21,680 Speaker 1: you said, Matt, are known worldwide as a kind of 229 00:13:22,080 --> 00:13:26,400 Speaker 1: eternal position, like the pope changes, but everybody is aware 230 00:13:26,400 --> 00:13:29,320 Speaker 1: of the idea of the pope. Yeah, the pope is 231 00:13:29,520 --> 00:13:33,079 Speaker 1: very very well known, not always very very popular, but 232 00:13:33,320 --> 00:13:36,440 Speaker 1: very very well known. And some people are known more 233 00:13:36,480 --> 00:13:40,679 Speaker 1: in their field of expertise. What's someone who would be 234 00:13:40,800 --> 00:13:43,720 Speaker 1: really specific field of expertise? 235 00:13:43,840 --> 00:13:48,760 Speaker 2: We know, I'm thinking of scientists a lot of times, 236 00:13:49,040 --> 00:13:55,760 Speaker 2: or like perhaps an FBI investigator that is known in 237 00:13:55,800 --> 00:14:00,160 Speaker 2: the true crime world and or the law enforcement. 238 00:13:59,720 --> 00:14:04,160 Speaker 1: Feel great, okay, I've got one. How about Nobel Prize winners. 239 00:14:04,200 --> 00:14:09,559 Speaker 1: So there's an American astrophysicist, John C. Mather, who essentially 240 00:14:10,000 --> 00:14:13,760 Speaker 1: proved that the Big Bang was real, not just the theory. 241 00:14:14,800 --> 00:14:18,040 Speaker 1: He is very well known in his field. Yeah, but 242 00:14:19,120 --> 00:14:22,280 Speaker 1: you know, it's difficult because if you ask the average 243 00:14:22,520 --> 00:14:24,440 Speaker 1: this is not a ding on the average person. If 244 00:14:24,440 --> 00:14:30,160 Speaker 1: you ask the average person name your two favorite astrophysicists, 245 00:14:30,640 --> 00:14:34,760 Speaker 1: they might have a tough time. Yeah, because most people's 246 00:14:34,840 --> 00:14:38,120 Speaker 1: conversations are not going to relate to that on a 247 00:14:38,240 --> 00:14:41,160 Speaker 1: day to day basis. So we have experts in their field, 248 00:14:41,240 --> 00:14:44,320 Speaker 1: we have worldwide famous, and then we have some infamous 249 00:14:44,360 --> 00:14:49,040 Speaker 1: people like the child molester Jeffrey Epstein. Oh, hey, it's 250 00:14:49,120 --> 00:14:50,920 Speaker 1: not alleged. We don't have to say alleged. 251 00:14:51,000 --> 00:14:54,360 Speaker 2: Let's do an anti shout out to you, Jeffrey Epstein 252 00:14:54,560 --> 00:14:59,080 Speaker 2: for possibly actually facing charges and going to jail. Maybe 253 00:14:59,120 --> 00:14:59,800 Speaker 2: this time. 254 00:14:59,680 --> 00:15:03,120 Speaker 1: Will we'll see. I think at this point the money 255 00:15:03,200 --> 00:15:08,360 Speaker 1: matters less than the potential co conspirators who could be indicted. 256 00:15:09,160 --> 00:15:11,000 Speaker 1: I don't know. I don't want to be too skeptical 257 00:15:11,000 --> 00:15:15,040 Speaker 1: about it, but it's just so well rare for people 258 00:15:15,080 --> 00:15:16,520 Speaker 1: at that level to go to jail. 259 00:15:16,360 --> 00:15:18,520 Speaker 2: And especially after what happened last time that we have 260 00:15:18,520 --> 00:15:22,080 Speaker 2: a whole episode on about if you're interested, but beware 261 00:15:22,480 --> 00:15:25,080 Speaker 2: you will throw things as you're listening. 262 00:15:24,800 --> 00:15:27,880 Speaker 1: To it, right, And maybe it'll be like the Westminster 263 00:15:28,920 --> 00:15:32,560 Speaker 1: the Westminster child abuse circle where they tossed out a 264 00:15:32,640 --> 00:15:37,520 Speaker 1: few scapegoats posthumously. Yeah, and then the people who are 265 00:15:37,520 --> 00:15:41,480 Speaker 1: implicated were also the people investigating it and nothing ever changed. 266 00:15:42,200 --> 00:15:45,760 Speaker 1: I don't know, I you know, hope springs Eternal anyway, 267 00:15:46,000 --> 00:15:49,280 Speaker 1: So we've got those people infamous, the villains, the well 268 00:15:49,320 --> 00:15:53,080 Speaker 1: known experts in their field, the worldwide. Everybody knows who 269 00:15:53,120 --> 00:15:56,440 Speaker 1: that is kind of people. How do we tell how 270 00:15:56,480 --> 00:16:00,400 Speaker 1: many people in the world are those sorts of folks? 271 00:16:01,320 --> 00:16:04,800 Speaker 2: Well, we have some help here in this quest, even 272 00:16:04,800 --> 00:16:08,640 Speaker 2: if it's not the perfect examination of it, it's it's 273 00:16:08,680 --> 00:16:13,000 Speaker 2: getting us somewhere. Right. There's this mathematician named Samuel Arbsman 274 00:16:13,480 --> 00:16:17,080 Speaker 2: who who took a pretty interesting approach in back in 275 00:16:17,120 --> 00:16:20,520 Speaker 2: twenty thirteen. He looked at Wikipedia and they have this 276 00:16:20,560 --> 00:16:23,920 Speaker 2: thing on there called living People. It's a category in 277 00:16:23,960 --> 00:16:26,600 Speaker 2: which you can kind of search and navigate through. And 278 00:16:26,680 --> 00:16:30,000 Speaker 2: at the time that the count in twenty thirteen, the 279 00:16:30,080 --> 00:16:35,000 Speaker 2: number of living people was just over six hundred thousand, 280 00:16:35,320 --> 00:16:38,000 Speaker 2: six hundred and four than one hundred and seventy four. 281 00:16:38,440 --> 00:16:42,560 Speaker 2: And he, you know, he even admitted when with his 282 00:16:42,640 --> 00:16:47,479 Speaker 2: own study and everything he was doing, that Wikipedia's notability 283 00:16:47,680 --> 00:16:51,040 Speaker 2: standard was pretty low as when it came to like 284 00:16:51,080 --> 00:16:53,920 Speaker 2: who is famous, who is not famous? Who is worthy 285 00:16:53,920 --> 00:16:55,240 Speaker 2: of being on Wikipedia? 286 00:16:55,560 --> 00:16:58,280 Speaker 1: Right, some of our coworkers are in Wikipedia. I don't 287 00:16:58,280 --> 00:17:00,400 Speaker 1: think we are, but so our coworkers. 288 00:17:00,160 --> 00:17:02,400 Speaker 2: Are, Yeah, we are not. Josh and Chuck. I believe 289 00:17:02,400 --> 00:17:05,000 Speaker 2: we're on there, and I think maybe Holly and Tracy. 290 00:17:04,680 --> 00:17:08,520 Speaker 1: That makes sense. The question here is how many of 291 00:17:08,560 --> 00:17:13,879 Speaker 1: these over six hundred thousand people has everyone heard of? 292 00:17:14,119 --> 00:17:17,639 Speaker 1: Could one person have heard of them all? That is doubtful. 293 00:17:17,800 --> 00:17:18,600 Speaker 2: Yeah, it's just. 294 00:17:18,800 --> 00:17:22,760 Speaker 1: So many people. But with this in mind, we can 295 00:17:22,960 --> 00:17:27,440 Speaker 1: at least, as Arbsman puts it, get a hint of understanding. 296 00:17:27,840 --> 00:17:29,280 Speaker 1: We can we can get a little bit of a 297 00:17:29,320 --> 00:17:32,159 Speaker 1: spider sense or a guestimate about how common fame is 298 00:17:32,240 --> 00:17:34,760 Speaker 1: in the world. And so here's how his shortcut works. 299 00:17:35,280 --> 00:17:39,520 Speaker 1: He divided the famous people count by the global population 300 00:17:39,840 --> 00:17:45,879 Speaker 1: in twenty thirteen, which was seven point h six billion, approximately, 301 00:17:46,320 --> 00:17:49,560 Speaker 1: and then with that math he got the number of 302 00:17:49,640 --> 00:17:54,960 Speaker 1: point zero zero eighty six percent, so much less than 303 00:17:55,080 --> 00:17:58,720 Speaker 1: one percent, which is probably good for everybody's sanity, right, 304 00:17:59,160 --> 00:18:03,080 Speaker 1: and probably bad for the celebrity stalker industry, but you know, 305 00:18:03,119 --> 00:18:05,520 Speaker 1: they're just gonna have to deal with it. This number 306 00:18:05,600 --> 00:18:09,240 Speaker 1: is not ironclad by any means, but it's still pretty 307 00:18:09,240 --> 00:18:12,480 Speaker 1: fascinating because it tells us when we're talking about possible 308 00:18:12,520 --> 00:18:17,280 Speaker 1: celebrity doppelgangers, we're also talking about a very small subset 309 00:18:17,480 --> 00:18:21,639 Speaker 1: of an already very tiny slice of humanity, and based 310 00:18:21,640 --> 00:18:25,399 Speaker 1: on that fact alone, we might think initially, we might 311 00:18:25,440 --> 00:18:28,560 Speaker 1: think it would be easy to spot an impersonator or 312 00:18:28,680 --> 00:18:33,280 Speaker 1: a replacement. You know, there's someone saying, I am the 313 00:18:33,400 --> 00:18:39,080 Speaker 1: number one Carly ray Jepson fan. Is that a person? 314 00:18:39,320 --> 00:18:41,800 Speaker 2: I think so. I don't know who it is, but 315 00:18:41,840 --> 00:18:42,920 Speaker 2: I've heard that name before. 316 00:18:42,960 --> 00:18:47,600 Speaker 1: Okay, so someone loves this person, Carl ray Jepson. They say, 317 00:18:47,640 --> 00:18:53,960 Speaker 1: I've got all of her albums or videos, whatever she's 318 00:18:53,960 --> 00:18:56,359 Speaker 1: done it. If it's in the public sphere, then I 319 00:18:56,480 --> 00:18:59,000 Speaker 1: have it, says the super fan. So I would notice 320 00:18:59,080 --> 00:19:03,560 Speaker 1: immediately change even if those filthy, casual Carly ray Jepson 321 00:19:03,640 --> 00:19:08,639 Speaker 1: fans don't understand the magnitude of my work. Then we 322 00:19:08,680 --> 00:19:11,680 Speaker 1: could go a bit further and assume the average living 323 00:19:12,080 --> 00:19:17,080 Speaker 1: celebrity will tend to be photographed and filmed more often 324 00:19:17,200 --> 00:19:19,560 Speaker 1: than the average non celebrity. 325 00:19:19,080 --> 00:19:21,320 Speaker 2: Right, yeah, I mean it would have to be, or 326 00:19:21,359 --> 00:19:25,080 Speaker 2: would it. Yes. So a lot of the things we've 327 00:19:25,080 --> 00:19:29,840 Speaker 2: been discussing thus far are our assumptions. We're making assumptions 328 00:19:29,880 --> 00:19:35,240 Speaker 2: based on evidence and numbers and our own experiences, but 329 00:19:35,320 --> 00:19:38,240 Speaker 2: they are assumptions. But really, think about it. If we're 330 00:19:38,240 --> 00:19:43,000 Speaker 2: talking about the current president, or any president, or maybe 331 00:19:43,320 --> 00:19:48,439 Speaker 2: some daytime news hosts. Many, many famous people have entire 332 00:19:48,520 --> 00:19:52,119 Speaker 2: groups of people, teams who are controlling their images. They 333 00:19:52,160 --> 00:19:56,920 Speaker 2: have offices built around managing the icon that is their 334 00:19:57,080 --> 00:20:01,320 Speaker 2: very own celebrity, that is a pr little gem or 335 00:20:01,320 --> 00:20:05,480 Speaker 2: something that they get to show around. And it may 336 00:20:05,520 --> 00:20:09,359 Speaker 2: actually be easier for a celebrity to be replaced because 337 00:20:09,400 --> 00:20:11,720 Speaker 2: in many ways they've already been replaced by all of 338 00:20:11,720 --> 00:20:15,840 Speaker 2: these images of themselves, these versions, these virtual versions of 339 00:20:15,920 --> 00:20:18,199 Speaker 2: themselves that are out there. Sure, you know, they've had 340 00:20:18,200 --> 00:20:22,080 Speaker 2: different haircuts over you know, the time that they've been famous. 341 00:20:22,440 --> 00:20:24,480 Speaker 2: They wear a lot of different outfits, They go to 342 00:20:24,520 --> 00:20:26,960 Speaker 2: all these different places and do different things. 343 00:20:28,119 --> 00:20:29,960 Speaker 1: Celebrities, Yeah, I think it's a good point. Hon of 344 00:20:30,000 --> 00:20:34,760 Speaker 1: celebrities are more tightly controlled than one might imagine. When 345 00:20:34,840 --> 00:20:39,840 Speaker 1: we say replaced, we don't necessarily mean somebody's cutting off 346 00:20:39,880 --> 00:20:42,600 Speaker 1: their fingers one by one and sticking other people's fingers 347 00:20:42,640 --> 00:20:44,600 Speaker 1: on their hands, but that would be interesting. 348 00:20:44,880 --> 00:20:47,600 Speaker 2: They live by scripts a lot of times, right, even 349 00:20:47,640 --> 00:20:50,760 Speaker 2: if it's not their own intention. 350 00:20:50,760 --> 00:20:55,000 Speaker 1: Like their words may not be their own. Their words 351 00:20:55,000 --> 00:20:58,080 Speaker 1: may be written by publicists or speech writers or social 352 00:20:58,200 --> 00:21:04,680 Speaker 1: media gurus. Their candids are often carefully orchestrated by professional photographers, 353 00:21:04,960 --> 00:21:09,200 Speaker 1: and their trends and attitudes or their public stances may 354 00:21:09,240 --> 00:21:13,399 Speaker 1: be dictated by deep dive marketing research indicating the most 355 00:21:13,400 --> 00:21:17,320 Speaker 1: attention grabbing responses, opinions, or hot takes of the day. 356 00:21:17,520 --> 00:21:19,880 Speaker 2: Or for some movie that they're about to put out, 357 00:21:19,920 --> 00:21:22,320 Speaker 2: they have to say certain things or be careful not 358 00:21:22,400 --> 00:21:23,359 Speaker 2: to say other things. 359 00:21:23,840 --> 00:21:27,879 Speaker 1: So it might not be as difficult for a celebrity 360 00:21:28,040 --> 00:21:31,159 Speaker 1: to be taken out and replaced. It might not be 361 00:21:31,200 --> 00:21:34,600 Speaker 1: as difficult as it initially sounds, because let's admit it 362 00:21:34,600 --> 00:21:36,719 Speaker 1: sounds kind of out there. But the question today is 363 00:21:36,760 --> 00:21:40,879 Speaker 1: could it really happen? Could some celebrity known around the 364 00:21:40,960 --> 00:21:44,320 Speaker 1: world actually be replaced? And if so, how and if 365 00:21:44,320 --> 00:21:44,879 Speaker 1: so why? 366 00:21:46,280 --> 00:21:48,200 Speaker 2: And we're going to talk about that after a quick 367 00:21:48,200 --> 00:21:49,280 Speaker 2: word from our sponsor. 368 00:21:56,240 --> 00:21:58,960 Speaker 1: Here's where it gets crazy. We were talking about this 369 00:21:59,040 --> 00:22:02,560 Speaker 1: earlier off air. Body doubles are real. 370 00:22:02,840 --> 00:22:07,600 Speaker 2: This stuff happened, yeah, oh for real, in in two places. 371 00:22:08,160 --> 00:22:11,240 Speaker 2: And the first one is one that you already know about. 372 00:22:11,640 --> 00:22:16,800 Speaker 2: There are body doubles in Hollywood in filmmaking, for sure. 373 00:22:17,359 --> 00:22:18,280 Speaker 1: Yeah, yeah, good call. 374 00:22:18,359 --> 00:22:21,639 Speaker 2: When when you're thinking about stunt doubles and stand ins. 375 00:22:21,760 --> 00:22:25,080 Speaker 2: There are there are people whose job it is to 376 00:22:25,359 --> 00:22:28,600 Speaker 2: look like a celebrity and either stand in light to 377 00:22:28,640 --> 00:22:31,600 Speaker 2: make sure that it looks good with the costume or something. 378 00:22:31,920 --> 00:22:36,720 Speaker 2: And then also people who get paid to do very dangerous, 379 00:22:36,800 --> 00:22:40,640 Speaker 2: sometimes terrifying things, and they look like at least similar to. 380 00:22:40,680 --> 00:22:45,440 Speaker 1: A celebrity exactly, and they're but they're publicly acknowledged. 381 00:22:45,600 --> 00:22:49,640 Speaker 2: They're publicly acknowledged, but you won't know who they are 382 00:22:49,760 --> 00:22:53,080 Speaker 2: unless you're a huge fan of stunt doubles or you 383 00:22:53,119 --> 00:22:55,560 Speaker 2: know a person of a celebrity and also know their 384 00:22:55,600 --> 00:22:59,760 Speaker 2: stunt double or team of stunt doubles. But but in 385 00:23:00,160 --> 00:23:03,120 Speaker 2: there's another case here in it's politics, and that's when 386 00:23:03,160 --> 00:23:07,720 Speaker 2: you have a huge state actor, a figure that's known really, 387 00:23:07,760 --> 00:23:12,280 Speaker 2: really well, but is also in danger of being assassinated 388 00:23:12,520 --> 00:23:14,119 Speaker 2: or at least harmed. 389 00:23:14,119 --> 00:23:17,800 Speaker 1: Right, right, So one of the most famous cases would 390 00:23:17,840 --> 00:23:23,680 Speaker 1: be Joseph Stalin. He was a real pill. He implemented 391 00:23:25,040 --> 00:23:29,760 Speaker 1: controversial plots against citizens of the Soviet Union, even ministers 392 00:23:29,800 --> 00:23:31,200 Speaker 1: and folks who are in his inner. 393 00:23:30,960 --> 00:23:33,679 Speaker 2: Circle, the place that he was the leader. 394 00:23:34,000 --> 00:23:38,199 Speaker 1: Yes, yes, people who opposed him were executed after a 395 00:23:38,240 --> 00:23:42,240 Speaker 1: fake trial on a good day. Other days they just disappeared, 396 00:23:42,240 --> 00:23:45,440 Speaker 1: and we mean disappeared from history. They were removed from 397 00:23:45,440 --> 00:23:50,480 Speaker 1: official photographs, real devious stuff. Stalin increased the role of 398 00:23:50,520 --> 00:23:53,720 Speaker 1: the Soviet secret police as he became the absolute power 399 00:23:53,760 --> 00:23:56,119 Speaker 1: in the thirties, and it made sense for him to 400 00:23:56,200 --> 00:23:59,480 Speaker 1: use these political decoys because he was protecting himself from 401 00:23:59,520 --> 00:24:03,840 Speaker 1: his growing list of enemies. We don't know how many 402 00:24:04,440 --> 00:24:07,000 Speaker 1: body doubles he had. He definitely had more than one. 403 00:24:07,480 --> 00:24:10,119 Speaker 1: We know about two for sure. One was a double 404 00:24:10,280 --> 00:24:14,480 Speaker 1: named Rashid, and he was dismissed from the army because 405 00:24:14,520 --> 00:24:17,760 Speaker 1: he looked too much like Stalin. He went home, a 406 00:24:17,760 --> 00:24:20,800 Speaker 1: government agent came to recruit him, and he became a 407 00:24:20,880 --> 00:24:24,359 Speaker 1: sit in for the dictator at meetings and banquets. Somehow 408 00:24:24,359 --> 00:24:27,679 Speaker 1: he survived being in close proximity to Stalin, and he 409 00:24:27,880 --> 00:24:31,399 Speaker 1: died in nineteen ninety one at the ripe old age 410 00:24:31,440 --> 00:24:35,119 Speaker 1: of ninety three. So well done, Rashid, good job staying alive. 411 00:24:35,880 --> 00:24:38,360 Speaker 1: We also, I do have to mention, we also have 412 00:24:38,560 --> 00:24:42,920 Speaker 1: a episode of ridiculous history that's entirely about body doubles 413 00:24:43,000 --> 00:24:45,520 Speaker 1: in the political sphere. So it always into a little 414 00:24:45,520 --> 00:24:48,400 Speaker 1: bit more of this. But he is again just one 415 00:24:48,880 --> 00:24:52,879 Speaker 1: of Stalin's body doubles. There's one that's a little more 416 00:24:53,160 --> 00:24:53,720 Speaker 1: well known. 417 00:24:53,760 --> 00:24:56,680 Speaker 2: I would say, oh, yeah, somebody, how do you say 418 00:24:56,720 --> 00:24:59,040 Speaker 2: his name, Felix Dadev Dadeese. 419 00:24:59,160 --> 00:24:59,840 Speaker 1: Yeah, yeah, I think that. 420 00:25:00,600 --> 00:25:02,720 Speaker 2: Yeah. So you can head on over and listen to 421 00:25:02,760 --> 00:25:05,440 Speaker 2: that episode of Ridiculous History now, or you can hear 422 00:25:05,520 --> 00:25:07,760 Speaker 2: this abridged version right now. 423 00:25:08,040 --> 00:25:12,960 Speaker 1: Oh, this is one small fact about Dadyev. He was 424 00:25:13,040 --> 00:25:16,639 Speaker 1: so good that in nineteen forty five he was flown 425 00:25:16,720 --> 00:25:20,240 Speaker 1: to Yalta and he met with President Roosevelt and Prime 426 00:25:20,280 --> 00:25:25,840 Speaker 1: Minister Churchill, whoa after the after the during the post 427 00:25:25,880 --> 00:25:27,400 Speaker 1: war organ reorganization. 428 00:25:27,560 --> 00:25:30,679 Speaker 2: Gotcha, was it was it as the double? 429 00:25:31,840 --> 00:25:34,000 Speaker 1: It was Stalin? They thought they. 430 00:25:33,920 --> 00:25:34,719 Speaker 2: Thought he was Stalin. 431 00:25:35,480 --> 00:25:38,000 Speaker 1: Oh my god, which I mean, well done. Right. 432 00:25:38,200 --> 00:25:38,880 Speaker 2: Yeah. 433 00:25:38,960 --> 00:25:42,439 Speaker 1: So this is one example. But then we also have 434 00:25:42,560 --> 00:25:46,280 Speaker 1: the examples from the Middle East, most famously Iraq. 435 00:25:46,720 --> 00:25:51,080 Speaker 2: Yes, Saddam Hussein and one of his sons were really 436 00:25:51,240 --> 00:25:57,120 Speaker 2: really big big body double fans. Let's see, let's see, 437 00:25:57,119 --> 00:26:00,800 Speaker 2: we've got some quotes here that come from inverse. This 438 00:26:00,960 --> 00:26:03,800 Speaker 2: is the late Iraqi dictator reportedly employed a roster of 439 00:26:03,840 --> 00:26:06,679 Speaker 2: body doubles. When you know, when he was ruling. And 440 00:26:06,840 --> 00:26:09,200 Speaker 2: when we say roster here, we're not talking about one 441 00:26:09,280 --> 00:26:14,600 Speaker 2: or two really good body doubles. We're talking about a dozen, dozens, 442 00:26:14,680 --> 00:26:18,359 Speaker 2: perhaps of people who looked similarly enough to him that 443 00:26:18,440 --> 00:26:20,440 Speaker 2: they were employed throughout his rule. 444 00:26:21,080 --> 00:26:25,320 Speaker 1: Right. He was a prolific fan of body doubles, and 445 00:26:26,119 --> 00:26:29,400 Speaker 1: people would observe this, keep a very very close eye 446 00:26:29,480 --> 00:26:31,960 Speaker 1: on it, especially his tensions were ratcheting up in that 447 00:26:32,080 --> 00:26:34,920 Speaker 1: part of the world, and they would they would read 448 00:26:35,000 --> 00:26:37,560 Speaker 1: some more or less kind of read tea leaves and 449 00:26:37,560 --> 00:26:42,400 Speaker 1: try to interpret smaller clues like the way his bodyguards acted. 450 00:26:43,119 --> 00:26:46,000 Speaker 1: You know, did they act differently around the true dictator 451 00:26:46,320 --> 00:26:51,880 Speaker 1: than they did around his body double. Saddam was reportedly 452 00:26:52,119 --> 00:26:54,880 Speaker 1: possessed of a little bit of an ego. Yeah, and 453 00:26:55,000 --> 00:26:57,439 Speaker 1: he was a big fan of close ups, and so 454 00:26:57,880 --> 00:27:00,399 Speaker 1: people began to think, well, if he doesn't get his 455 00:27:00,480 --> 00:27:03,520 Speaker 1: close up in during one of his many speeches and proclamations, 456 00:27:03,600 --> 00:27:06,679 Speaker 1: that means it's a body double. People are so worried 457 00:27:06,720 --> 00:27:09,080 Speaker 1: about this that in two thousand and three, when he 458 00:27:09,200 --> 00:27:13,320 Speaker 1: was captured, then Defense Secretary Donald H. Rumsfeld had to 459 00:27:13,359 --> 00:27:16,639 Speaker 1: like go out and address concerns that they may have 460 00:27:16,720 --> 00:27:20,119 Speaker 1: nabbed at decoy and was you know, they were figuring 461 00:27:20,119 --> 00:27:22,800 Speaker 1: out ways to determine whether this was the real Saddam 462 00:27:22,880 --> 00:27:25,760 Speaker 1: Mussin and this practice continued. 463 00:27:26,280 --> 00:27:28,199 Speaker 2: Oh and just to jump in there, I remember in 464 00:27:28,200 --> 00:27:31,640 Speaker 2: two thousand and three when Saddam was captured, thinking that's 465 00:27:32,040 --> 00:27:35,400 Speaker 2: not the real Saddam Hussein. And I was very skeptical 466 00:27:35,440 --> 00:27:39,080 Speaker 2: of it. But I didn't I didn't know. I wasn't 467 00:27:39,119 --> 00:27:41,399 Speaker 2: thinking about it at that level at this point, but 468 00:27:41,480 --> 00:27:44,600 Speaker 2: I was aware just through pop culture that that Saddam 469 00:27:44,640 --> 00:27:46,960 Speaker 2: Mussein did employ body doubles. 470 00:27:47,880 --> 00:27:54,480 Speaker 1: And his oldest son, Oude Hussein was a monster, and 471 00:27:54,880 --> 00:27:57,960 Speaker 1: that doesn't have anything to do with his practice. It 472 00:27:58,000 --> 00:28:00,160 Speaker 1: looks like he learned from dear old dad and and 473 00:28:00,359 --> 00:28:03,919 Speaker 1: he started using body doubles as well. There was a 474 00:28:03,920 --> 00:28:07,399 Speaker 1: guy named Latif who said he went to school with 475 00:28:07,560 --> 00:28:12,080 Speaker 1: Ude Hussang and in nineteen eighty eight he was enlisted 476 00:28:12,119 --> 00:28:15,320 Speaker 1: to be Uday's body double non consensually. 477 00:28:15,760 --> 00:28:19,280 Speaker 2: Yeah, because in Iraq there's this mandatory thing where you 478 00:28:19,320 --> 00:28:21,840 Speaker 2: have to join the military when you reach a certain age, 479 00:28:22,240 --> 00:28:26,000 Speaker 2: and Uday's body double was basically told, yeah, you are 480 00:28:26,040 --> 00:28:29,439 Speaker 2: going to join as Ude, and that's it. 481 00:28:29,520 --> 00:28:34,440 Speaker 1: That's what's what that's what's happening. Yeah, and the guy 482 00:28:34,560 --> 00:28:39,000 Speaker 1: who was Uday's body double survived, escaped to rock and 483 00:28:39,040 --> 00:28:41,640 Speaker 1: there was even a movie made about his story called 484 00:28:42,120 --> 00:28:43,280 Speaker 1: The Devil's Double. 485 00:28:43,600 --> 00:28:48,160 Speaker 2: Yeah, and you know, yeah, he is one man, the 486 00:28:48,240 --> 00:28:51,120 Speaker 2: person that we're talking about. Sure, and he had some 487 00:28:51,160 --> 00:28:54,120 Speaker 2: stories to tell. He had a lot of claims and 488 00:28:54,160 --> 00:28:56,760 Speaker 2: it's difficult to you know, back a lot of that 489 00:28:56,960 --> 00:28:59,480 Speaker 2: up with hard facts. But again, this is a person 490 00:28:59,520 --> 00:29:01,680 Speaker 2: who expec sperienced them and then his claiming to have 491 00:29:01,800 --> 00:29:04,960 Speaker 2: experienced them. But he said he got shot over twenty 492 00:29:04,960 --> 00:29:06,280 Speaker 2: five times twenty how many times? 493 00:29:06,320 --> 00:29:07,040 Speaker 1: Twenty six times? 494 00:29:07,280 --> 00:29:12,400 Speaker 2: Twenty six times while he was impersonating the son of 495 00:29:12,440 --> 00:29:16,480 Speaker 2: the Iraqi dictator as well as something else crazy. 496 00:29:16,520 --> 00:29:16,680 Speaker 1: Oh. 497 00:29:16,920 --> 00:29:22,240 Speaker 2: He was describing Ouday as essentially someone who was off 498 00:29:22,240 --> 00:29:22,800 Speaker 2: his rocker. 499 00:29:23,160 --> 00:29:29,160 Speaker 1: Oh yeah, incredibly violent and enjoyed torturing people, like really 500 00:29:29,320 --> 00:29:29,800 Speaker 1: enjoyed it. 501 00:29:30,200 --> 00:29:36,120 Speaker 2: And you know, it's tough because that's one person's opinion. 502 00:29:36,960 --> 00:29:40,920 Speaker 2: I don't know enough about him. I've seen other documentation 503 00:29:41,360 --> 00:29:44,360 Speaker 2: of other people claiming very similar things, so I'm inclined 504 00:29:44,400 --> 00:29:44,920 Speaker 2: to believe it. 505 00:29:45,040 --> 00:29:47,360 Speaker 1: Okay, that's very fair of you. I just want to 506 00:29:47,400 --> 00:29:54,880 Speaker 1: go on record he did Yeah, torture be abominable, unforgivable things. 507 00:29:54,920 --> 00:30:00,560 Speaker 1: We're talking repeat sexual assault. We're talking murdering people for 508 00:30:00,760 --> 00:30:03,640 Speaker 1: them for the thrill of it, like the old Diet 509 00:30:03,640 --> 00:30:09,000 Speaker 1: coke commercial jingle. It's not surprising that he would have 510 00:30:09,000 --> 00:30:12,000 Speaker 1: a body double because there were many, many people who 511 00:30:12,040 --> 00:30:16,320 Speaker 1: wanted him dead for his many many atrocities. Okay, it's 512 00:30:16,360 --> 00:30:18,080 Speaker 1: just it's like to the point where it's a lot 513 00:30:18,080 --> 00:30:19,440 Speaker 1: of work for one dude. 514 00:30:19,960 --> 00:30:25,000 Speaker 2: Oh, dude, I hear you for me. It's trusting. You know, 515 00:30:25,160 --> 00:30:28,440 Speaker 2: any Western source that would say that about somebody you 516 00:30:28,440 --> 00:30:29,320 Speaker 2: know like that? 517 00:30:29,680 --> 00:30:31,240 Speaker 1: I see a really good point. 518 00:30:31,280 --> 00:30:34,280 Speaker 2: It's it's hard for me to know where the line 519 00:30:34,320 --> 00:30:36,840 Speaker 2: is of what's true because I don't I don't disbelieve 520 00:30:36,960 --> 00:30:38,760 Speaker 2: that he did some pretty terrible things. 521 00:30:39,080 --> 00:30:42,600 Speaker 1: Yeah, I see, But was it exaggerated for propaganda purposes 522 00:30:42,640 --> 00:30:47,040 Speaker 1: and so on? It's a good question. Uh. There is 523 00:30:47,080 --> 00:30:49,680 Speaker 1: another question that we should address, which is how many 524 00:30:49,720 --> 00:30:55,400 Speaker 1: more suspected body doubles are out there? According to Joe R. Reader, 525 00:30:55,520 --> 00:30:59,040 Speaker 1: who is a former undersecretary for the US Army, in 526 00:30:59,040 --> 00:31:03,600 Speaker 1: two thousand and one, he said that many many world 527 00:31:03,640 --> 00:31:06,800 Speaker 1: leaders had used body doubles to escape capture. He said 528 00:31:06,800 --> 00:31:11,320 Speaker 1: Osama bin Laden used body doubles man Well Noriega, Fidel 529 00:31:11,480 --> 00:31:15,160 Speaker 1: Castro and more. And there were even rumors that Hitler 530 00:31:15,240 --> 00:31:18,040 Speaker 1: used a body double to escape death. That is a 531 00:31:18,080 --> 00:31:19,280 Speaker 1: story for another day. 532 00:31:19,320 --> 00:31:22,040 Speaker 2: I think, oh, we've got I'm pretty sure a whole 533 00:31:22,040 --> 00:31:25,080 Speaker 2: episode on that. Check it out if you're if you're 534 00:31:25,120 --> 00:31:30,400 Speaker 2: interested it, it's pretty compelling. I don't know, Argentina. 535 00:31:32,000 --> 00:31:35,200 Speaker 1: I mean, yeh, Nazi Nazi Party members did escape there 536 00:31:35,240 --> 00:31:40,160 Speaker 1: through the rat lines, right, they certainly did. So. We 537 00:31:40,200 --> 00:31:44,560 Speaker 1: also know that body doubles were used in ancient times, 538 00:31:45,480 --> 00:31:48,160 Speaker 1: not even really in ancient times. They were used up 539 00:31:48,360 --> 00:31:54,840 Speaker 1: until the widespread dissemination of photography right and av equipment, 540 00:31:55,440 --> 00:31:59,480 Speaker 1: So it became easier to say, oh, no, no, no, no, 541 00:31:59,520 --> 00:32:02,400 Speaker 1: I've seen a picture of the emperor. Yeah, and you 542 00:32:02,800 --> 00:32:07,040 Speaker 1: do not talk like him, you do not look like him, You, sir, 543 00:32:07,200 --> 00:32:08,920 Speaker 1: are an impostor. 544 00:32:08,360 --> 00:32:12,200 Speaker 2: Well, yeah, basically, any way to record image or sound, right, 545 00:32:12,640 --> 00:32:15,560 Speaker 2: because if you're just dealing with an illustration and a 546 00:32:15,680 --> 00:32:19,960 Speaker 2: written document, even that has quotations or something in it, 547 00:32:20,440 --> 00:32:23,760 Speaker 2: that's the only way to know the even the president 548 00:32:23,920 --> 00:32:28,440 Speaker 2: like George Washington. Imagine how many people in the United 549 00:32:28,440 --> 00:32:33,560 Speaker 2: States actually saw George Washington, and then most of what 550 00:32:34,000 --> 00:32:36,640 Speaker 2: people in the public knew of him throughout the world 551 00:32:37,000 --> 00:32:43,080 Speaker 2: were paintings, Yeah, illustrations, paintings, any image of him that 552 00:32:43,320 --> 00:32:47,880 Speaker 2: was just created from another person's imagination through looking at 553 00:32:47,960 --> 00:32:48,960 Speaker 2: him exactly. 554 00:32:49,240 --> 00:32:51,520 Speaker 1: And now that we have access to these amazing surveillance 555 00:32:51,560 --> 00:32:56,239 Speaker 1: devices called smartphones, yeah, it's very very easy to not 556 00:32:56,440 --> 00:33:01,040 Speaker 1: only take pictures of people, but to find pictures of people, 557 00:33:01,400 --> 00:33:04,560 Speaker 1: and they don't have to be famous. So it seems 558 00:33:04,600 --> 00:33:07,920 Speaker 1: like we're back to square one. How would you effectively 559 00:33:08,040 --> 00:33:11,160 Speaker 1: fool people if you were a politician and athlete, a musician, 560 00:33:11,200 --> 00:33:13,440 Speaker 1: an actor, and so on and so on. In this 561 00:33:14,120 --> 00:33:18,440 Speaker 1: world where it's much easier to verify this, it turns 562 00:33:18,480 --> 00:33:22,160 Speaker 1: out that the same technology that made body doubles and 563 00:33:22,200 --> 00:33:26,560 Speaker 1: impersonations more difficult for a time may make it much easier. 564 00:33:27,840 --> 00:33:32,400 Speaker 1: And we'll we'll explore why after a word from our sponsor. 565 00:33:39,840 --> 00:33:41,520 Speaker 1: All Right, that's a bit of a bait and switch, 566 00:33:42,240 --> 00:33:46,400 Speaker 1: because we have to get to celebrity body doubles. This 567 00:33:46,480 --> 00:33:49,800 Speaker 1: is the meat of what we are. This is the 568 00:33:50,320 --> 00:33:55,080 Speaker 1: meat of the conspiracy burger. Okay, I didn't eat lunch today. 569 00:33:55,160 --> 00:33:57,520 Speaker 1: I'm just these are all going to be food comparisons. 570 00:33:57,600 --> 00:34:00,240 Speaker 2: Me neither, and I'm right there with you. I would 571 00:34:00,280 --> 00:34:04,400 Speaker 2: like to add some Bieber bacon on top of whatever 572 00:34:04,480 --> 00:34:09,040 Speaker 2: this sandwich slash hamburger we're creating here. And really, there's 573 00:34:09,040 --> 00:34:15,680 Speaker 2: an entire industry out there of people impersonating celebrities. Really yeah, 574 00:34:15,719 --> 00:34:18,040 Speaker 2: and it's what we were talking about right before the 575 00:34:18,040 --> 00:34:22,440 Speaker 2: break to your your phone, Instagram, Facebook, social media. On 576 00:34:22,520 --> 00:34:25,800 Speaker 2: the streets of New York City, there are people in 577 00:34:26,400 --> 00:34:31,080 Speaker 2: La my god, just everywhere. There are people who impersonate 578 00:34:31,160 --> 00:34:34,680 Speaker 2: singers and go do shows. There are people who impersonate 579 00:34:34,840 --> 00:34:36,200 Speaker 2: actors and do events. 580 00:34:36,960 --> 00:34:43,239 Speaker 1: There are people who impersonate fictional characters. I have some 581 00:34:43,280 --> 00:34:44,560 Speaker 1: pretty good friends. 582 00:34:44,640 --> 00:34:45,960 Speaker 2: Who impersonate Bill Murray. 583 00:34:47,560 --> 00:34:50,120 Speaker 1: Not yet, okay, no I had I think that was 584 00:34:50,200 --> 00:34:51,600 Speaker 1: just him. I think that was Bill. 585 00:34:51,760 --> 00:34:53,040 Speaker 2: Oh really, no one. 586 00:34:52,920 --> 00:34:56,759 Speaker 1: Will ever believe us, I know, but I know some 587 00:34:56,800 --> 00:35:01,880 Speaker 1: people who, for instance, appear at functions, children's parties and 588 00:35:01,880 --> 00:35:06,120 Speaker 1: stuff as you know, Cinderella or as snow White or something. 589 00:35:06,360 --> 00:35:08,279 Speaker 1: I also have friends who do this, yeah, and that 590 00:35:08,640 --> 00:35:13,520 Speaker 1: that seems like a really wholesome gig. We're not talking 591 00:35:13,560 --> 00:35:17,920 Speaker 1: about those kind of impersonators. We're not talking about someone 592 00:35:17,920 --> 00:35:21,960 Speaker 1: who is doing a spot on kiss cover band or something. 593 00:35:22,800 --> 00:35:30,359 Speaker 1: We're talking about impersonators who replace celebrities in a way 594 00:35:30,960 --> 00:35:34,400 Speaker 1: for the purposes of crime. And this goes back to 595 00:35:34,440 --> 00:35:38,000 Speaker 1: the Bieber bacon that you mentioned earlier. Yeah, more of 596 00:35:38,040 --> 00:35:39,640 Speaker 1: a bi burrito, right it. 597 00:35:39,600 --> 00:35:43,480 Speaker 2: Is a Yeah, the bi burrito comes after the bacon. 598 00:35:43,560 --> 00:35:48,120 Speaker 2: So the bacon is actually it's terrible to call that 599 00:35:48,160 --> 00:35:51,280 Speaker 2: because I'm a big fan of bacon. Big ups to you, Bacon, 600 00:35:51,400 --> 00:35:54,160 Speaker 2: just for existing and being and even though you're terrible 601 00:35:54,200 --> 00:35:57,120 Speaker 2: for me and for the environment and all of those things, 602 00:35:57,200 --> 00:36:01,319 Speaker 2: thank you for providing your oils with which to cook 603 00:36:01,360 --> 00:36:03,640 Speaker 2: other things. Okay, let's just go to get on here. 604 00:36:03,840 --> 00:36:08,640 Speaker 2: So you may love Justin Bieber, you may loath him 605 00:36:09,120 --> 00:36:11,920 Speaker 2: either way. There's no denying that this guy, the image 606 00:36:11,920 --> 00:36:16,640 Speaker 2: of him, his voice, everything about him is extremely extremely popular, 607 00:36:16,960 --> 00:36:21,840 Speaker 2: and specifically with younger women, younger girls, teenage girls in particular. 608 00:36:22,320 --> 00:36:27,439 Speaker 2: And there's this man named Leem wirmi R. He's thirty, 609 00:36:27,560 --> 00:36:32,040 Speaker 2: he was thirty four years old, and he really capitalized 610 00:36:32,360 --> 00:36:36,279 Speaker 2: on Justin Bieber's popularity, and not in a good way. 611 00:36:37,120 --> 00:36:43,960 Speaker 1: No, he would pretend to be this teenager Justin Bieber 612 00:36:44,160 --> 00:36:49,440 Speaker 1: online and he would talk to teenage fans, and he 613 00:36:49,480 --> 00:36:56,520 Speaker 1: would start hounding them for money and then explicit sexual 614 00:36:57,080 --> 00:37:01,359 Speaker 1: videos of themselves. If they didn't send him money, then 615 00:37:01,440 --> 00:37:03,879 Speaker 1: he would say that he was going to post their 616 00:37:03,960 --> 00:37:09,200 Speaker 1: videos online. This guy's an uber creep, and you have 617 00:37:09,320 --> 00:37:12,880 Speaker 1: to imagine how emotionally traumatizing that is. You're a huge 618 00:37:13,000 --> 00:37:16,640 Speaker 1: super fan, it's your favorite singer, you have, like maybe 619 00:37:16,680 --> 00:37:19,719 Speaker 1: it's your first crush or something, and you think that 620 00:37:20,160 --> 00:37:24,240 Speaker 1: this person is asking you, an underage person, a child, 621 00:37:25,000 --> 00:37:28,520 Speaker 1: for what nude videos or something. And then for some reason, 622 00:37:28,960 --> 00:37:31,560 Speaker 1: this guy has got to be at least a multi millionaire, 623 00:37:32,160 --> 00:37:33,720 Speaker 1: is shaking you down for cash. 624 00:37:34,160 --> 00:37:40,520 Speaker 2: Yeah, hopefully, you know, you'd think that someone would recognize that. 625 00:37:40,640 --> 00:37:45,680 Speaker 2: But again, that kind of fog of celebrity, it's. 626 00:37:45,600 --> 00:37:51,279 Speaker 1: Powerful, right, and some people start successful criminal careers by 627 00:37:51,560 --> 00:37:54,479 Speaker 1: rinsing and repeating this sort of tactic. There's an person 628 00:37:54,560 --> 00:37:57,839 Speaker 1: here named Emma Charlton who posed as a Vanity Fair 629 00:37:58,080 --> 00:38:02,800 Speaker 1: editor and a winterer, the one occurs in that film 630 00:38:02,880 --> 00:38:07,040 Speaker 1: The Devilwaar's Product. So Charleton tricked this guy into falling 631 00:38:07,080 --> 00:38:10,920 Speaker 1: in love marrying her, and then she just robbed him blind. 632 00:38:12,080 --> 00:38:14,960 Speaker 1: It turned out she had a long history of impersonating 633 00:38:15,040 --> 00:38:19,880 Speaker 1: other people, some famous and fleecing, fleecing various dudes that 634 00:38:20,760 --> 00:38:23,040 Speaker 1: thought they were in love with her. So those are 635 00:38:23,080 --> 00:38:26,640 Speaker 1: pretty dark. That's still not quite what we're what we're 636 00:38:26,719 --> 00:38:31,439 Speaker 1: getting at, right, Let's let's go to something a little 637 00:38:31,480 --> 00:38:35,239 Speaker 1: bit softer just for a second, right, because people also 638 00:38:35,320 --> 00:38:39,240 Speaker 1: impersonate celebrities for the purpose of pranking. 639 00:38:39,680 --> 00:38:43,760 Speaker 2: Right, Yeah, there was there was this thing that occurred 640 00:38:43,880 --> 00:38:48,760 Speaker 2: back in twenty eighteen where this picture of Justin Bieber 641 00:38:49,000 --> 00:38:51,200 Speaker 2: was going all around the internet. I think we may 642 00:38:51,280 --> 00:38:54,080 Speaker 2: have mentioned it in passing before on this show. 643 00:38:54,400 --> 00:38:57,200 Speaker 1: This is what I meant by bieber Rito, Yes, exactly. 644 00:38:57,360 --> 00:39:01,839 Speaker 2: Where it was a photograph of Justin Bieber wearing a hat, sunglasses, 645 00:39:02,040 --> 00:39:04,759 Speaker 2: and a hoodie and he was eating a burrito from 646 00:39:04,800 --> 00:39:08,120 Speaker 2: the center of the burrito rather than at one of 647 00:39:08,200 --> 00:39:12,560 Speaker 2: the ends. And it was supposedly taken by some passerby 648 00:39:12,719 --> 00:39:14,960 Speaker 2: while Justin Bieber was enjoying a burrito, just out in 649 00:39:15,000 --> 00:39:18,279 Speaker 2: the park somewhere, and it got retweeted so many, like 650 00:39:18,440 --> 00:39:22,600 Speaker 2: I don't even know exactly how many times, thousands and 651 00:39:22,680 --> 00:39:25,600 Speaker 2: thousands of times. It was posted on all kinds of 652 00:39:25,640 --> 00:39:29,879 Speaker 2: different blogs, and it became I guess a trending thing 653 00:39:29,960 --> 00:39:32,320 Speaker 2: that was occurring. But it turned out that it was 654 00:39:32,400 --> 00:39:36,799 Speaker 2: literally just some pranksters that were pretending to be Justin 655 00:39:36,840 --> 00:39:40,759 Speaker 2: Bieber and that's all it was the entire time. But 656 00:39:40,880 --> 00:39:43,800 Speaker 2: you think that you'd think that with the number of 657 00:39:43,920 --> 00:39:47,680 Speaker 2: people who know who this kid is. Who are this 658 00:39:47,800 --> 00:39:50,239 Speaker 2: guy Justin Bieber? I guess he's a bit older now, 659 00:39:50,560 --> 00:39:53,160 Speaker 2: but who know who he is? They know exactly what 660 00:39:53,280 --> 00:39:56,640 Speaker 2: he looks like. You'd think that somebody somewhere would have 661 00:39:57,680 --> 00:40:01,200 Speaker 2: figured out that that wasn't him. It didn't happen until 662 00:40:01,239 --> 00:40:04,319 Speaker 2: these guys posted a YouTube video explaining exactly what they 663 00:40:04,400 --> 00:40:05,239 Speaker 2: did and how they did it. 664 00:40:05,520 --> 00:40:09,560 Speaker 1: Wow, weird. I guess the reaction was just so attention 665 00:40:09,719 --> 00:40:10,439 Speaker 1: grabbing right. 666 00:40:10,440 --> 00:40:14,760 Speaker 2: Well, and think about this around you, on your social media, 667 00:40:14,840 --> 00:40:18,400 Speaker 2: whatever you're using, everyone is believing that this is an 668 00:40:18,480 --> 00:40:21,560 Speaker 2: actual picture of Justin Bieber. So you almost don't even 669 00:40:21,640 --> 00:40:24,839 Speaker 2: question or you don't question it whatsoever. You just take 670 00:40:24,840 --> 00:40:27,040 Speaker 2: it for granted. Oh that's Justin Bieber. That's weird. 671 00:40:27,480 --> 00:40:29,640 Speaker 1: I'm gonna be honest with you, Matt. I'm just gonna 672 00:40:29,800 --> 00:40:31,720 Speaker 1: lay it all out on the table. I can confess 673 00:40:31,800 --> 00:40:35,080 Speaker 1: to you. I no ding on the guy, but I 674 00:40:35,200 --> 00:40:40,760 Speaker 1: am not typically in a situation where my Bieber count 675 00:40:41,560 --> 00:40:44,400 Speaker 1: is very very low on a day to day basis. 676 00:40:44,920 --> 00:40:49,640 Speaker 2: Oh, you have your encounters with the Beebes. The Beebes, Yeah, 677 00:40:50,080 --> 00:40:53,600 Speaker 2: is that a thing? The Beebster I don't know. I 678 00:40:53,719 --> 00:40:56,760 Speaker 2: don't know be Justin Oh. 679 00:40:57,040 --> 00:40:59,960 Speaker 1: All right, well, you know, I wish him the best 680 00:41:00,120 --> 00:41:02,480 Speaker 1: the luck in his career because it's tough work to 681 00:41:02,520 --> 00:41:03,080 Speaker 1: be a musician. 682 00:41:03,200 --> 00:41:06,680 Speaker 2: I'll tell you this, tremendous respect for Justin Bieber on 683 00:41:06,800 --> 00:41:10,239 Speaker 2: this side over here. Even though he did he caught 684 00:41:10,320 --> 00:41:12,960 Speaker 2: up doing a lot of things that has been That's 685 00:41:13,000 --> 00:41:15,240 Speaker 2: a little kid that has been fighting through the music 686 00:41:15,320 --> 00:41:17,200 Speaker 2: industry since he was a little kid. 687 00:41:18,040 --> 00:41:21,239 Speaker 1: That's so very kind of you. I mean, come on, 688 00:41:21,640 --> 00:41:25,320 Speaker 1: I don't have a statement because I just don't know 689 00:41:25,440 --> 00:41:28,759 Speaker 1: much about it. But we see how even a very 690 00:41:28,920 --> 00:41:35,160 Speaker 1: well known person can be can be impersonated very deluiously. 691 00:41:35,280 --> 00:41:37,719 Speaker 1: It doesn't it doesn't matter how famous you are. Maybe 692 00:41:37,760 --> 00:41:40,480 Speaker 1: to your point about social media, it could make it easier. 693 00:41:40,960 --> 00:41:43,200 Speaker 1: Now we get to the stuff that people will tend 694 00:41:43,280 --> 00:41:45,840 Speaker 1: to dismiss out of hand. What if a celebrity was 695 00:41:45,960 --> 00:41:50,680 Speaker 1: not consensually impersonated, right, What if they were murdered and 696 00:41:50,840 --> 00:41:54,840 Speaker 1: replaced somehow taken out. This brings us to twenty fifteen 697 00:41:55,160 --> 00:42:00,920 Speaker 1: when buzzfeeds Ryan Broderick found a Brazilian blog called Avril 698 00:42:01,160 --> 00:42:06,360 Speaker 1: is Dead, referring to the musician Avril Levine. The idea 699 00:42:06,640 --> 00:42:10,080 Speaker 1: is in the blog now. Avril Levine got famous in 700 00:42:10,120 --> 00:42:13,759 Speaker 1: the early two thousands, and then she was emotionally overwhelmed. 701 00:42:13,960 --> 00:42:18,040 Speaker 1: Her grandfather passed away and she died by suicide right 702 00:42:18,120 --> 00:42:20,919 Speaker 1: after the release of her first album, which was called 703 00:42:21,040 --> 00:42:26,480 Speaker 1: let Go. Oddly enough, according to this theory, the record company, 704 00:42:26,560 --> 00:42:29,360 Speaker 1: the record label did not let Go because the first 705 00:42:29,400 --> 00:42:32,480 Speaker 1: album was so successful. They said, Okay, we can just 706 00:42:32,880 --> 00:42:36,120 Speaker 1: get someone who looks kind of like her, a doppelganger, 707 00:42:36,480 --> 00:42:39,840 Speaker 1: and keep the machine going, keep the money coming. In 708 00:42:40,840 --> 00:42:44,560 Speaker 1: a little while later, Avril Levine finally addressed this idea, 709 00:42:44,920 --> 00:42:48,400 Speaker 1: and she said in an interview on an Australian radio 710 00:42:48,520 --> 00:42:54,200 Speaker 1: station KIS ten sixty five for anyone interested, nice the 711 00:42:54,320 --> 00:42:56,600 Speaker 1: host aster, did you laugh at the rumors that went 712 00:42:56,640 --> 00:42:58,800 Speaker 1: around where you no longer exist and there's a clone 713 00:42:58,840 --> 00:43:01,680 Speaker 1: of you, to which Aril applies. Yes, some people think 714 00:43:01,719 --> 00:43:03,640 Speaker 1: that I'm not the real me, which is so weird, 715 00:43:03,840 --> 00:43:06,680 Speaker 1: Like why would they even think that. For supporters of 716 00:43:06,760 --> 00:43:10,719 Speaker 1: this theory, there, you know, you're probably white knuckled right 717 00:43:10,800 --> 00:43:12,879 Speaker 1: now with your hands on the steering wheel or whatever, 718 00:43:12,960 --> 00:43:17,120 Speaker 1: and you're saying, of course, that's what the clone would 719 00:43:17,239 --> 00:43:19,600 Speaker 1: say that the actor would say. 720 00:43:19,800 --> 00:43:25,280 Speaker 2: Yeah, exactly. But you know, as weird as it sounds, 721 00:43:26,560 --> 00:43:31,000 Speaker 2: imagine just put yourself in the shoes of some record company. 722 00:43:32,719 --> 00:43:34,920 Speaker 2: Now this is gonna sound weird, but just imagine this. 723 00:43:35,520 --> 00:43:38,000 Speaker 2: You're the head of a record label. You just had 724 00:43:38,080 --> 00:43:42,600 Speaker 2: one of the most popular albums ever come out, or 725 00:43:42,640 --> 00:43:45,120 Speaker 2: at least within the past like a couple of years, 726 00:43:46,160 --> 00:43:49,480 Speaker 2: come out on your label, and it's this one singer 727 00:43:49,560 --> 00:43:52,680 Speaker 2: songwriter that is gonna make you. You know, they've made 728 00:43:52,680 --> 00:43:54,680 Speaker 2: you millions of dollars. They're gonna make you millions and 729 00:43:54,760 --> 00:43:58,080 Speaker 2: millions of dollars with their next album and everything. What 730 00:43:58,200 --> 00:44:01,880 Speaker 2: if that person dies and it's kept quiet enough to 731 00:44:01,920 --> 00:44:05,880 Speaker 2: where you think, well, maybe we can put out another album. 732 00:44:07,480 --> 00:44:09,320 Speaker 2: I mean, that's insane to think about. 733 00:44:09,640 --> 00:44:11,839 Speaker 1: Like, what would you do given the opportunity right now? 734 00:44:11,920 --> 00:44:15,120 Speaker 2: Exactly, you already have millions of dollars, you're going you're 735 00:44:15,160 --> 00:44:17,680 Speaker 2: set to make millions more, tens of millions of dollars. 736 00:44:18,400 --> 00:44:20,560 Speaker 2: What would you do to continue that money flowing in? 737 00:44:21,640 --> 00:44:24,200 Speaker 2: I don't know. That's one of those age old questions. 738 00:44:24,920 --> 00:44:27,320 Speaker 2: Why do powerful, old rich people do some of the 739 00:44:27,480 --> 00:44:32,440 Speaker 2: things that they get accused of and sometimes convicted for sure? Anyway, 740 00:44:32,560 --> 00:44:35,440 Speaker 2: so it goes to Black Mirror. Have you seen Season 741 00:44:35,520 --> 00:44:36,320 Speaker 2: five Black Mirror? 742 00:44:36,719 --> 00:44:36,919 Speaker 1: Yes? 743 00:44:37,600 --> 00:44:39,279 Speaker 2: So there are only three episodes, but one of them 744 00:44:39,360 --> 00:44:42,520 Speaker 2: features Miley Cyrus and in it she plays a pop 745 00:44:42,600 --> 00:44:47,520 Speaker 2: star called Ashley Oh. And this pop star spoilers by 746 00:44:47,560 --> 00:44:49,120 Speaker 2: the way ahead right after this. 747 00:44:49,719 --> 00:44:52,640 Speaker 1: Cow down three two one spoilers. 748 00:44:52,840 --> 00:44:55,799 Speaker 2: So she gets placed in a medically induced coma by 749 00:44:55,960 --> 00:44:58,919 Speaker 2: her management team essentially her aunt and some other people 750 00:44:59,000 --> 00:45:01,960 Speaker 2: working for her, and then they want to replace this 751 00:45:02,120 --> 00:45:06,799 Speaker 2: pop star with an AI. Essentially it's called Ashley Too, 752 00:45:06,920 --> 00:45:10,800 Speaker 2: but it's created from this weird, little, compartmentalized, pr friendly 753 00:45:11,040 --> 00:45:13,879 Speaker 2: version of Ashley Oh's personality. 754 00:45:14,160 --> 00:45:17,000 Speaker 1: Yeah, but the the hardware they start off with is 755 00:45:17,360 --> 00:45:20,680 Speaker 1: I very rarely use this word, but it's kind of cute. 756 00:45:20,800 --> 00:45:25,120 Speaker 2: Oh the little tiny Yeah, No, I agreed, But in 757 00:45:25,200 --> 00:45:28,920 Speaker 2: this case they're going to make use of holograms and 758 00:45:29,239 --> 00:45:35,560 Speaker 2: Ashley Oh's personality to basically replace the pop star completely. 759 00:45:35,960 --> 00:45:39,280 Speaker 2: And it feels a lot like this story with Avril Levine, 760 00:45:39,440 --> 00:45:43,239 Speaker 2: like to continue the money flowing in, they would do 761 00:45:43,280 --> 00:45:47,680 Speaker 2: whatever they needed to do to make this person at 762 00:45:47,760 --> 00:45:49,120 Speaker 2: least seem real. 763 00:45:49,400 --> 00:45:53,399 Speaker 1: Right, right, and they would be able to apply near 764 00:45:53,560 --> 00:45:54,759 Speaker 1: future technology. 765 00:45:55,000 --> 00:45:57,560 Speaker 2: Yeah, and it's you know, but it's not the first 766 00:45:57,600 --> 00:46:01,280 Speaker 2: time some pop star has been, you know, so accused 767 00:46:01,360 --> 00:46:02,360 Speaker 2: of being not the. 768 00:46:02,400 --> 00:46:07,320 Speaker 1: Real one, right, that's correct. This one is for you, Diana, 769 00:46:07,480 --> 00:46:11,360 Speaker 1: although working with us on that previous video, I'm pretty 770 00:46:11,400 --> 00:46:14,520 Speaker 1: sure you know all of all of this already, that's right. 771 00:46:14,719 --> 00:46:19,520 Speaker 1: September nineteen sixty nine, a rumor that Paul McCartney, famed 772 00:46:19,600 --> 00:46:23,240 Speaker 1: member of the Beatles, had died, began spreading across college 773 00:46:23,360 --> 00:46:29,360 Speaker 1: campuses in the States. These rumors expanded. There was a 774 00:46:29,480 --> 00:46:33,160 Speaker 1: snowball aggregate effect because people felt they were finding more 775 00:46:33,280 --> 00:46:37,840 Speaker 1: and more clues hidden in album covers and in Beatles songs, 776 00:46:38,200 --> 00:46:42,000 Speaker 1: and clue hunting was infectious, addictive, and fun. Within a 777 00:46:42,080 --> 00:46:45,800 Speaker 1: few weeks, this blows up and its global for most people. 778 00:46:46,360 --> 00:46:51,279 Speaker 1: This craze was short lived, and Paul McCartney, if it 779 00:46:51,400 --> 00:46:54,399 Speaker 1: is him, has an interview where he says, no, I've 780 00:46:54,440 --> 00:46:58,560 Speaker 1: been taking some family time. I've been in Scotland, Kenya, 781 00:46:58,680 --> 00:47:00,960 Speaker 1: places like that go off the grid. 782 00:47:00,840 --> 00:47:04,680 Speaker 2: Because you know, I'm massively rich, yeah, and I can 783 00:47:04,840 --> 00:47:05,960 Speaker 2: just go places like that. 784 00:47:06,480 --> 00:47:12,040 Speaker 1: John Lennon is very stressful to work with. That's pretty obvious. 785 00:47:11,760 --> 00:47:17,280 Speaker 2: Right, I mean, yeah, I know McCartney also has his quirks. 786 00:47:17,480 --> 00:47:19,440 Speaker 1: Sure, sure, that's true. 787 00:47:19,840 --> 00:47:23,000 Speaker 2: Just to give John Lennon the benefit of a doubt, okay. 788 00:47:23,280 --> 00:47:27,000 Speaker 1: Right, right, I mean right, that's that's true. Well, McCartney, though, 789 00:47:27,040 --> 00:47:29,480 Speaker 1: he has this interview in Life magazine where he's like, 790 00:47:30,320 --> 00:47:37,480 Speaker 1: you know, very much alave whatever and to Scotland, and 791 00:47:37,680 --> 00:47:41,840 Speaker 1: despite denying the rumors of the exaggerated rumors of his 792 00:47:41,960 --> 00:47:46,720 Speaker 1: death in a very Mark Twain esque way, McCartney still 793 00:47:46,840 --> 00:47:49,880 Speaker 1: had to confront these things. People said that he was 794 00:47:50,160 --> 00:47:54,400 Speaker 1: a lookalike. His real name was William Shears Campbell or 795 00:47:54,840 --> 00:48:00,480 Speaker 1: William Shephard. William Campbell allegedly became Billy Shears on sarch Pepper, 796 00:48:01,680 --> 00:48:06,880 Speaker 1: and William Shephard was supposedly the inspiration behind the continuing 797 00:48:07,080 --> 00:48:09,040 Speaker 1: story of Bungalow Bill. 798 00:48:09,760 --> 00:48:10,320 Speaker 2: That's awesome. 799 00:48:11,640 --> 00:48:13,799 Speaker 1: It's a weird one buckalo Bill. 800 00:48:13,920 --> 00:48:15,839 Speaker 2: We listened to a lot of Beatles at my house. 801 00:48:15,960 --> 00:48:16,239 Speaker 1: Uh huh. 802 00:48:16,400 --> 00:48:19,319 Speaker 2: So all of this stuff rings so true to me. Ah, 803 00:48:20,280 --> 00:48:20,719 Speaker 2: I love it. 804 00:48:21,200 --> 00:48:23,240 Speaker 1: So how did this how did this one start? 805 00:48:23,680 --> 00:48:28,560 Speaker 2: Oh? There's an article it's called is Beadle Paul McCartney Dead? 806 00:48:29,000 --> 00:48:32,880 Speaker 2: And it was written September seventeenth, nineteen sixty nine this 807 00:48:33,360 --> 00:48:35,920 Speaker 2: gentleman named Tim Harper, who was the editor of the 808 00:48:36,120 --> 00:48:39,799 Speaker 2: Drake Times Delphic. It was a student newspaper of Drake 809 00:48:39,920 --> 00:48:44,520 Speaker 2: University over in Des Moines, Iowa. Now, this article, it 810 00:48:45,160 --> 00:48:48,279 Speaker 2: addressed the rumor, essentially the rumor mill that was kind 811 00:48:48,280 --> 00:48:52,319 Speaker 2: of going around the school that all these clues, if 812 00:48:52,360 --> 00:48:54,839 Speaker 2: you put them together, it means that Paul McCartney has 813 00:48:54,880 --> 00:48:57,160 Speaker 2: somehow died. And let's let's look at some of these 814 00:48:57,960 --> 00:49:02,719 Speaker 2: messages here. So it include a message that says, turn 815 00:49:02,840 --> 00:49:06,040 Speaker 2: me on dead man. And this comes from the White 816 00:49:06,080 --> 00:49:09,360 Speaker 2: album from the song Revolution nine. And it's when you 817 00:49:09,480 --> 00:49:12,360 Speaker 2: play it backwards, it's that old backwards masking thing that 818 00:49:12,400 --> 00:49:18,400 Speaker 2: we've talked about before. And this apparently if you like 819 00:49:18,640 --> 00:49:20,759 Speaker 2: look at all of the rumors and the things that 820 00:49:20,800 --> 00:49:22,799 Speaker 2: were published, if you try trace it all the way back, 821 00:49:22,880 --> 00:49:25,360 Speaker 2: you get to this article, the. 822 00:49:25,960 --> 00:49:28,560 Speaker 1: One that we just mentioned in Iowa, right right right 823 00:49:28,640 --> 00:49:32,600 Speaker 1: by Tim Harper. So according to music journalist Merrill Nowden. 824 00:49:32,719 --> 00:49:35,640 Speaker 1: This was the first published work on the idea that 825 00:49:35,800 --> 00:49:37,520 Speaker 1: Paul McCartney was dead. 826 00:49:37,600 --> 00:49:41,839 Speaker 2: Because of some backward masks lyrics, turn me on dead man. 827 00:49:42,000 --> 00:49:45,120 Speaker 1: It's weird, yeah, weird flex So we have let's do 828 00:49:45,239 --> 00:49:45,880 Speaker 1: one more example. 829 00:49:45,960 --> 00:49:48,320 Speaker 2: What about Abby Road? He wasn't wearing shoes and he 830 00:49:48,440 --> 00:49:48,840 Speaker 2: was smoking. 831 00:49:49,040 --> 00:49:52,480 Speaker 1: What about Abby Road? I'm just saying, he standing with 832 00:49:52,560 --> 00:49:54,680 Speaker 1: four people who all looked kind of alike. What you 833 00:49:54,760 --> 00:49:58,759 Speaker 1: gotta differentiate yourself just Paul, I. 834 00:49:58,760 --> 00:50:00,480 Speaker 2: Don't know, man. What about that car crash? 835 00:50:01,120 --> 00:50:03,000 Speaker 1: I don't know. He was in a car crash and 836 00:50:03,080 --> 00:50:09,200 Speaker 1: his many So I've got to say a lot of 837 00:50:09,239 --> 00:50:12,400 Speaker 1: people still think that is a fringe theory, among them 838 00:50:12,480 --> 00:50:15,640 Speaker 1: being the man who, as we record this podcast, claims 839 00:50:15,680 --> 00:50:18,719 Speaker 1: to be Paul McCartney. He would say he claims to 840 00:50:18,800 --> 00:50:20,560 Speaker 1: be that because he is Paul McCartney. 841 00:50:20,680 --> 00:50:21,360 Speaker 2: Yeah, he would. 842 00:50:23,040 --> 00:50:27,080 Speaker 1: I I am profoundly inspired by your commitment to this. 843 00:50:27,800 --> 00:50:31,200 Speaker 1: I know it's Do you seriously think it's the case? 844 00:50:31,600 --> 00:50:32,160 Speaker 2: No, I don't. 845 00:50:32,400 --> 00:50:37,000 Speaker 1: I will, I will. I will send you and Diana 846 00:50:37,200 --> 00:50:40,360 Speaker 1: on an adventure in a foreign country. If it turns 847 00:50:40,400 --> 00:50:44,840 Speaker 1: out that he is not really Paul McCartney. 848 00:50:45,040 --> 00:50:49,600 Speaker 2: Okay, accepted, deal. I will work, which work now will 849 00:50:49,640 --> 00:50:52,000 Speaker 2: be to prove that that is not Paul McCartney. 850 00:50:52,680 --> 00:50:56,279 Speaker 1: So we'll do one more before Diana put me in 851 00:50:56,360 --> 00:51:00,840 Speaker 1: the poorhouse, and that is Taylor Swift. People, this is 852 00:51:00,880 --> 00:51:03,680 Speaker 1: a weird one. I found people were arguing, based entirely 853 00:51:03,800 --> 00:51:06,160 Speaker 1: on the photographs, that Taylor Swift is in fact the 854 00:51:06,280 --> 00:51:11,640 Speaker 1: clone of a former Satanic priestess. Yeah, as you do. 855 00:51:11,960 --> 00:51:15,520 Speaker 1: This dates back to twenty eleven, and people will say 856 00:51:15,600 --> 00:51:19,360 Speaker 1: that Swift is actually a clone of one Zena Levey, 857 00:51:19,600 --> 00:51:22,160 Speaker 1: the daughter of the founder of the Church of Satan, 858 00:51:22,200 --> 00:51:22,920 Speaker 1: Anton LaVey. 859 00:51:23,080 --> 00:51:23,319 Speaker 2: Whoa. 860 00:51:24,000 --> 00:51:27,160 Speaker 1: And there are a bunch of videos on YouTube comparing 861 00:51:27,239 --> 00:51:31,399 Speaker 1: the two. I would suggest, I mean, take a look 862 00:51:31,440 --> 00:51:33,600 Speaker 1: at them if you want. They don't look very similar. 863 00:51:33,719 --> 00:51:35,840 Speaker 1: But a lot of that is interpretive and I. 864 00:51:36,040 --> 00:51:37,000 Speaker 2: The beholder and so on. 865 00:51:37,840 --> 00:51:41,000 Speaker 1: So right now, it doesn't seem that there's too much 866 00:51:41,120 --> 00:51:44,960 Speaker 1: sand to the idea that celebrities could be killed, replaced, 867 00:51:45,080 --> 00:51:47,280 Speaker 1: or taken out. We're not quite at that black mirror 868 00:51:47,440 --> 00:51:48,560 Speaker 1: level yet. 869 00:51:48,680 --> 00:51:50,320 Speaker 2: At least not in person. 870 00:51:51,200 --> 00:51:54,439 Speaker 1: It is going to happen, though it's going to happen, 871 00:51:54,520 --> 00:51:57,440 Speaker 1: it's not gonna maybe happen in person, But we are 872 00:51:57,560 --> 00:52:01,239 Speaker 1: in the world of deep fakes. Is what is deep fake? 873 00:52:01,360 --> 00:52:03,240 Speaker 1: Aside from another episode. 874 00:52:03,000 --> 00:52:07,000 Speaker 2: Well, it's yeah. It's a way to digitally manipulate the 875 00:52:07,480 --> 00:52:13,280 Speaker 2: sound and image on you know, in digital photography and audio, 876 00:52:13,640 --> 00:52:17,319 Speaker 2: to make it seem as though a person, in this case, 877 00:52:17,360 --> 00:52:20,959 Speaker 2: a celebrity or well known individual is saying or doing 878 00:52:21,160 --> 00:52:26,080 Speaker 2: something that they are actually not. And it's quite effective. 879 00:52:26,600 --> 00:52:29,960 Speaker 2: If you go back to twenty sixteen, I'm by the way, 880 00:52:30,239 --> 00:52:34,239 Speaker 2: just watching Mister Robots season three, and back in season two, 881 00:52:34,960 --> 00:52:38,040 Speaker 2: they had just a quick little piece of video that 882 00:52:38,120 --> 00:52:42,320 Speaker 2: happens on a television screen where President Obama is talking 883 00:52:42,520 --> 00:52:46,000 Speaker 2: and he mentions one of the characters, Tyrrell Wellick and 884 00:52:47,239 --> 00:52:50,239 Speaker 2: it at the time in twenty sixteen, I remember being 885 00:52:51,719 --> 00:52:54,680 Speaker 2: taken aback by it. I didn't understand, like, how did 886 00:52:54,719 --> 00:52:58,000 Speaker 2: they get the president to say that? Why would they 887 00:52:58,080 --> 00:53:01,040 Speaker 2: why would he agree to that? What do you pay 888 00:53:01,120 --> 00:53:04,080 Speaker 2: a president when he makes a quick little cameo? 889 00:53:04,719 --> 00:53:07,640 Speaker 1: At counterpoint, you don't pay presidents. You donate to their 890 00:53:07,680 --> 00:53:09,760 Speaker 1: foundation's charities and campaign funds. 891 00:53:10,239 --> 00:53:13,680 Speaker 2: There you go, there you go. No, I was perplexed 892 00:53:13,680 --> 00:53:17,120 Speaker 2: by it, and I remember I think we even I 893 00:53:17,160 --> 00:53:19,320 Speaker 2: can't remember We mentioned it on the show a like 894 00:53:19,440 --> 00:53:22,080 Speaker 2: when it came out, but we have talked about it 895 00:53:22,160 --> 00:53:26,480 Speaker 2: since then, and you can see there are YouTube channels 896 00:53:26,520 --> 00:53:31,560 Speaker 2: online with the deep fakes that are super just believable 897 00:53:31,800 --> 00:53:38,120 Speaker 2: and scary, putting other people's faces on bodies, making those 898 00:53:38,160 --> 00:53:42,839 Speaker 2: bodies say things, putting words into the mouths of other 899 00:53:42,960 --> 00:53:46,560 Speaker 2: people who are being interviewed. If you want to, let's 900 00:53:46,600 --> 00:53:48,560 Speaker 2: just stay on the President Obama thing. If you go 901 00:53:48,760 --> 00:53:51,960 Speaker 2: to twenty eighteen, two years later, after the Mister Robots 902 00:53:52,000 --> 00:53:55,440 Speaker 2: Season two thing, you go to this video that Jordan 903 00:53:55,520 --> 00:53:59,920 Speaker 2: Peel made and he impersonated President Obama quite a bit 904 00:54:00,040 --> 00:54:02,160 Speaker 2: in his career, or he continues to do that, but 905 00:54:02,480 --> 00:54:05,200 Speaker 2: for a while there was one of, you know, one 906 00:54:05,239 --> 00:54:07,560 Speaker 2: of the funniest things he was doing, at least according 907 00:54:07,600 --> 00:54:10,040 Speaker 2: to me, right, he nailed the voice, just so so 908 00:54:10,200 --> 00:54:12,400 Speaker 2: good with the voice. Well, he made a video in 909 00:54:12,520 --> 00:54:17,120 Speaker 2: twenty eighteen of him talking and a deep faked video 910 00:54:17,400 --> 00:54:20,719 Speaker 2: of President Obama saying all the things that Jordan Peele 911 00:54:20,840 --> 00:54:23,160 Speaker 2: was saying. I remember that, yeah, And it was in 912 00:54:23,440 --> 00:54:27,880 Speaker 2: warning to everyone that you have to really trust the 913 00:54:28,040 --> 00:54:31,160 Speaker 2: news sources that you look at. You have to trust 914 00:54:31,600 --> 00:54:34,759 Speaker 2: the videos you watch. Uh, huh, And it's becoming harder 915 00:54:34,800 --> 00:54:35,560 Speaker 2: and harder to do that. 916 00:54:35,880 --> 00:54:37,440 Speaker 1: I would say, ups, I always say you have to 917 00:54:37,560 --> 00:54:38,440 Speaker 1: distrust more. 918 00:54:38,520 --> 00:54:41,800 Speaker 2: So, well, yeah, you have to trust the humans that 919 00:54:41,880 --> 00:54:42,800 Speaker 2: are behind the thing. 920 00:54:42,800 --> 00:54:45,080 Speaker 1: Right exactly, you have to trust the source or you 921 00:54:45,200 --> 00:54:48,520 Speaker 1: have to at least do your own due diligence on this. 922 00:54:49,000 --> 00:54:52,640 Speaker 1: And Hollywood of course, very very excited over the moon 923 00:54:52,760 --> 00:54:57,480 Speaker 1: about this. Can you imagine how much more affordable films 924 00:54:57,640 --> 00:55:04,160 Speaker 1: will become? Why would you need to pay whomever you know, 925 00:55:04,360 --> 00:55:09,279 Speaker 1: like Julia Roberts or Idris Elba? What would you need 926 00:55:09,360 --> 00:55:12,520 Speaker 1: to pay them millions and millions of dollars every time 927 00:55:12,560 --> 00:55:14,480 Speaker 1: you make a movie when you could just buy the 928 00:55:14,680 --> 00:55:19,439 Speaker 1: rights to their likeness and their voice and then use 929 00:55:19,520 --> 00:55:24,040 Speaker 1: deep fake technology. Holograms are there that they're pretty sophisticated, 930 00:55:24,120 --> 00:55:25,879 Speaker 1: but we're not the point where they can replace human 931 00:55:25,960 --> 00:55:26,879 Speaker 1: beings yet. 932 00:55:27,239 --> 00:55:29,880 Speaker 2: Well, and at this point, almost all consumption occurs on 933 00:55:29,920 --> 00:55:30,360 Speaker 2: our phones. 934 00:55:30,760 --> 00:55:34,279 Speaker 1: True. Also, I gotta go on this one pitch. You 935 00:55:34,360 --> 00:55:38,200 Speaker 1: got to pitch one thing, Okay, So imagine we combine 936 00:55:38,280 --> 00:55:46,279 Speaker 1: deep fakes with AI kind of limited AI. This leads 937 00:55:46,360 --> 00:55:49,480 Speaker 1: us to a strange place very very quickly. I have 938 00:55:49,600 --> 00:55:54,040 Speaker 1: a prediction I predict that in the mid future, you know, 939 00:55:54,160 --> 00:56:00,000 Speaker 1: midterm futures. So it's completely possible that we could democratize 940 00:56:01,239 --> 00:56:04,799 Speaker 1: screenwriting and filmmaking in a very strange way, a way 941 00:56:04,960 --> 00:56:09,120 Speaker 1: that would not require more than one human being to 942 00:56:09,200 --> 00:56:11,880 Speaker 1: be involved. Imagine if you had something that was like 943 00:56:12,400 --> 00:56:17,040 Speaker 1: Alexa or Siri or Google Home or whatever, and instead 944 00:56:17,040 --> 00:56:19,400 Speaker 1: of just messing with audio, this would mess with audio 945 00:56:19,440 --> 00:56:21,920 Speaker 1: and visual. So you could just say to it. You 946 00:56:22,000 --> 00:56:29,719 Speaker 1: could say, hey, Google or Alexa, combine Police Academy for 947 00:56:30,320 --> 00:56:34,239 Speaker 1: and just name another film. Back to the Future three 948 00:56:34,440 --> 00:56:36,960 Speaker 1: and Back to the Future three. Just combine those together 949 00:56:37,360 --> 00:56:40,280 Speaker 1: and make a film for me. And then this algorithm 950 00:56:40,320 --> 00:56:42,920 Speaker 1: would be able to write the script for that that 951 00:56:43,080 --> 00:56:47,680 Speaker 1: combines these things, take the references from the other visual aspects, 952 00:56:48,080 --> 00:56:52,160 Speaker 1: and combine those so that we would have something like, 953 00:56:52,360 --> 00:56:54,960 Speaker 1: you know, back to the Police Academy four or back 954 00:56:55,000 --> 00:56:57,319 Speaker 1: to the Police Academy three, you know what I mean? Yeah, 955 00:56:57,960 --> 00:57:01,000 Speaker 1: oh wow, or Police Academy to the you know, It's 956 00:57:01,080 --> 00:57:05,239 Speaker 1: completely possible, And then that means the only human being 957 00:57:05,360 --> 00:57:09,080 Speaker 1: involved in that entire process once this technology exists is 958 00:57:09,160 --> 00:57:13,040 Speaker 1: the person who asks the question. And I think we're 959 00:57:13,120 --> 00:57:16,840 Speaker 1: on the way there. Wow, pretty pretty stunning stuff. 960 00:57:17,120 --> 00:57:19,520 Speaker 2: Yeah, it's funny too, because all you'd have to do 961 00:57:20,880 --> 00:57:23,520 Speaker 2: is combine some of the top grossing films over the 962 00:57:23,640 --> 00:57:28,360 Speaker 2: past fifty years basically, and then you could just have 963 00:57:28,520 --> 00:57:31,360 Speaker 2: new hits and change the proper nouns. 964 00:57:31,360 --> 00:57:34,680 Speaker 1: And script writing is so formulaic. Yeah, any ways, for 965 00:57:34,800 --> 00:57:39,040 Speaker 1: a lot of those films. But it appears that at 966 00:57:39,160 --> 00:57:41,880 Speaker 1: least for now, at least in the cases we've outlined, 967 00:57:41,880 --> 00:57:46,640 Speaker 1: there's no solid proof of celebrities being actively murdered and replaced. 968 00:57:47,040 --> 00:57:53,320 Speaker 1: Yet we do see the numerous possibilities for replacement, if 969 00:57:53,400 --> 00:57:58,439 Speaker 1: not assassination, and we do know that there are likely 970 00:57:59,240 --> 00:58:04,760 Speaker 1: body doubles out there in other forms other I mean, 971 00:58:04,800 --> 00:58:07,840 Speaker 1: there's still bodies other forms or other applications would be 972 00:58:07,880 --> 00:58:08,720 Speaker 1: a better way to say it. 973 00:58:09,120 --> 00:58:12,040 Speaker 2: You know, I just have to say something here. I 974 00:58:12,240 --> 00:58:16,320 Speaker 2: believe that a lot of these allegations that come up 975 00:58:16,360 --> 00:58:22,880 Speaker 2: with body doubles, especially with celebrities who were younger women 976 00:58:23,240 --> 00:58:26,200 Speaker 2: at the time when they became celebrities, like your Taylor 977 00:58:26,320 --> 00:58:30,520 Speaker 2: Swift's and your Avril Levine's and all this, a lot 978 00:58:30,640 --> 00:58:34,640 Speaker 2: of this feels like I don't want to say, I 979 00:58:34,720 --> 00:58:37,520 Speaker 2: don't know if it's body shaming, isn't the right term, 980 00:58:37,720 --> 00:58:44,000 Speaker 2: but the disbelief that a celebrity, especially a female celebrity, 981 00:58:44,080 --> 00:58:46,600 Speaker 2: looks differently than she did when she was, you know, 982 00:58:47,160 --> 00:58:52,080 Speaker 2: seventeen eighteen, whenever she became popular or younger, I think 983 00:58:52,240 --> 00:58:56,400 Speaker 2: has to do with our own perceptions of that and 984 00:58:56,480 --> 00:59:00,640 Speaker 2: how we've been manipulated by media to view women as 985 00:59:00,720 --> 00:59:04,040 Speaker 2: they age. Is that I feel like there's something there 986 00:59:05,280 --> 00:59:08,400 Speaker 2: because there's there's an interview with Avril Levine where she 987 00:59:08,680 --> 00:59:10,720 Speaker 2: was being asked, you know, have you heard the rumors 988 00:59:10,760 --> 00:59:13,280 Speaker 2: that you were replaced in everything that we were discussing. 989 00:59:13,600 --> 00:59:15,480 Speaker 2: In the images of her, she does not look like 990 00:59:15,560 --> 00:59:18,800 Speaker 2: she did at least in to whatever that whenever she 991 00:59:18,880 --> 00:59:21,640 Speaker 2: was interviewed twenty sixteen or something. She does not look 992 00:59:21,720 --> 00:59:24,240 Speaker 2: anything like the Avril Levine that we all grew up 993 00:59:24,280 --> 00:59:28,760 Speaker 2: watching on MTV. And it's just the nature of growing 994 00:59:28,880 --> 00:59:31,880 Speaker 2: up and changing. And I don't know, I feel like 995 00:59:31,920 --> 00:59:35,040 Speaker 2: there's something in there with the way we treat celebrities 996 00:59:35,080 --> 00:59:40,000 Speaker 2: and follow them over all of this time that maybe 997 00:59:40,080 --> 00:59:43,880 Speaker 2: we just lose sight of who the person is when 998 00:59:43,920 --> 00:59:44,720 Speaker 2: you're looking at them. 999 00:59:45,040 --> 00:59:48,000 Speaker 1: The fact that human beings age and change, Yeah, I 1000 00:59:48,080 --> 00:59:54,560 Speaker 1: don't see that, And that's our classic episode for this evening. 1001 00:59:54,720 --> 00:59:56,480 Speaker 1: We can't wait to hear your thoughts. It's right let 1002 00:59:56,600 --> 00:59:57,720 Speaker 1: us know what you think. 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