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Speaker 1: Hello the Internet, and welcome to Season one, thirty seven,

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Speaker 1: Episode five of JO Daily Side Guys, the production of

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Speaker 1: I Heart Radio. This is a podcast where we take

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Speaker 1: a deep dive into America's share consciousness and say, officially,

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Speaker 1: off the top, fuck the Koch Brothers, fuck Fox News,

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Speaker 1: fuck Rush Limbaugh, fuck fo Sexton. It's Friday, June twelve.

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Speaker 1: My name is Jack O'Brien. A k oh, here they come,

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Speaker 1: They'll deploy and screw you up. Oh no, here they come.

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Speaker 1: It's the Antifas courtesy Chris. I'm a Gucci mane and

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Speaker 1: I'm thrilled to be joined as always buy my co host,

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Speaker 1: Mr Miles Gray, Miles Gray, okay, and no a k

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Speaker 1: a today. But just please check in on yourselves, make

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Speaker 1: sure you're taking care of yourself. If you really want

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Speaker 1: to make change, you're gonna have to stay in this

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Speaker 1: thing for the rest of your life. So just please

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Speaker 1: take as many breaths as you want, because we would

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Speaker 1: like to see as many people on this journey as

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Speaker 1: possible that we are written by Hannasaults. Thank you for

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Speaker 1: Hana Oh just how to have it? You know, I

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Speaker 1: gotta call somebody out. I'll say I'm gonna out up

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Speaker 1: to that does feel like a hannasaults, but the last

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Speaker 1: the last word of the last sentence should have chanted

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Speaker 1: like somehow been a Miles Miles Gray punt of gray.

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Speaker 1: Um well, we are thrilled to be joined in our

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Speaker 1: third seat by one of our funniest guests, one of

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Speaker 1: the funniest dudes out here. Uh he is the hilarious,

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Speaker 1: the challenged Mr Brodie read. Hey guys, how are you?

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Speaker 1: I miss you so much? And um, I wish I

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Speaker 1: could reach out and touch you. Um Instead, I'm just

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Speaker 1: gonna reach out and touch my screens. But okay, just

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Speaker 1: smudge your camera lens. He did it right there. I know.

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Speaker 1: I also wanted we gotta we gotta hang out and

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Speaker 1: test out your Japanese skills because I've been watching you

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Speaker 1: on your new hung journey on and so yeah, as

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Speaker 1: you know, I've been learning Japanese for like to two

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Speaker 1: and a half year and I've yet to have an

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Speaker 1: extended conversation. Um at. Oh really, Oh I'm gonna I'm

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Speaker 1: you know what, We'll have to have you on one

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Speaker 1: of my Japanese family zoom calls. Oh yes please, yeah,

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Speaker 1: It'll be like you know, oh really, you can done

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Speaker 1: in might might, which is such a weird thing to say,

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Speaker 1: which is black person half. But that's just the terms

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Speaker 1: we're dealing with right now. We gotta I'm working on

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Speaker 1: one country at a time. Absolutely absolutely got to do

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Speaker 1: your part. M Luckily, the Japanese people I'm on my

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Speaker 1: side right now, they're pretty much on the same page. Yeah,

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Speaker 1: some other people back in Tokyo might have to holler

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Speaker 1: at though. That's good or else they didn't have to

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Speaker 1: go I don't know, disowning or something, or you need

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Speaker 1: have to disown them. So that's good. Oh yeah, I

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Speaker 1: mean I'm in the process of family drama anyway with

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Speaker 1: people like that. But you know, that's but those are

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Speaker 1: the you know, that's where're at. I'll be your family, dude.

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Speaker 1: You are my family and I'm your family. We're all

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Speaker 1: each other's family, don't We're never speak on it, speak

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Speaker 1: on it, never dropped in truth. Good to be with

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Speaker 1: you guys. How's it going? Yeah? Good man? How how

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Speaker 1: are you learning? Jevany are you doing like the tapes

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Speaker 1: or what? What are you doing? I'm doing so many things.

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Speaker 1: I I'm doing, you know, I'm doing do lingo a

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Speaker 1: little bit, just for um, just for fun, but like

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Speaker 1: I have textbooks. There are a wealth of websites these days. Um,

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Speaker 1: there's just one website that teaches you kanji over the

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Speaker 1: course of like two years called Wanni Kani. And I

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Speaker 1: was when I was working in the office job. I

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Speaker 1: was like, I was like a receptionist at Sundance and

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Speaker 1: I honestly I worked half the time and the other

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Speaker 1: half I hit kanji and you got away with it.

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Speaker 1: They didn't fire me, so um, they support my dreams.

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Speaker 1: That was the Sundance accidentally answered the phone in Japanese,

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Speaker 1: get your signals crossed? No, not accidentally. I've only ever

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Speaker 1: done it on purpose. Are you? I mean, because I

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Speaker 1: know you're a big anime head, Like, are you at

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Speaker 1: what point did you start switching over to like not

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Speaker 1: like non dubbed, like un subtitled stuff or are you

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Speaker 1: still are you have the subtitles there, but listen to it,

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Speaker 1: just subtitles. I'm a hundred percent in subtitles. Whenever I'm

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Speaker 1: on Netflix, if they have Japanese subtitles, i'd I'd rather

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Speaker 1: want something straight up fully in Japanese. Yeah. I got

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Speaker 1: to a point where I realized I was such a nerd,

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Speaker 1: and I already had um a podcast called the Dark

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Speaker 1: Web about anime where I was just like, yeah, it

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Speaker 1: was was zig um that I was just like, Okay,

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Speaker 1: so a bunch of the movies and the video games

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Speaker 1: and the TV shows and the comics that I read

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Speaker 1: are already in Japanese. I might as well just learn

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Speaker 1: it so that I never have to um read subtitles again.

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Speaker 1: And now it's gotten to a point where I'm just

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Speaker 1: like watching um, you know, like Tokyo stots to um

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Speaker 1: shows from like the eighties that no one asked me

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Speaker 1: to watch and are not relevant to anything. Okay, we

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Speaker 1: have to get you like watching some like Tomody, like

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Speaker 1: old just sit down panel shows too. Yeah. Oh yeah,

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Speaker 1: I've been getting into the comedy. It's great. Um. Honestly,

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Speaker 1: my plan is, um, if things really go upside down

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Speaker 1: in America, to just move to rural Japan and quit

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Speaker 1: social media and just like farm there was it was

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Speaker 1: so funny. I was looking on CNN today there was

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Speaker 1: a story about a couple that was like a Japanese

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Speaker 1: American woman and her husband who's white. They work as

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Speaker 1: teachers in Japan, and they bought like a farmhouse for

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Speaker 1: like fifteen grand because there's a lot of like like

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Speaker 1: rural areas that have houses that like are so so affordable, yeah,

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Speaker 1: and their populations are like dwindling. Yeah, that they want

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Speaker 1: to invite people in, but too many of the young

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Speaker 1: people want to live by the cities and all these

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Speaker 1: other things. So it's like, but the house they had

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Speaker 1: was it was beautiful and like they bought it for

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Speaker 1: like nothing. Yeah, well maybe come to Brody and Eyes

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Speaker 1: bed and Breakfast. We have like a yokan or something

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Speaker 1: you can stop by. It's a it's a weird thing

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Speaker 1: to mention, but um, So the quarantine has been really

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Speaker 1: weird for me because my grandmother and my mom both

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Speaker 1: passed away at the beginning of the quarts. Thank you.

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Speaker 1: I really appreciate it, um, And it's been like a

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Speaker 1: very like um isolation as time for me. But I'm

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Speaker 1: also like quarantined in my grandparents house that they bought

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Speaker 1: in the seventies and they were kind of eccentric people,

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Speaker 1: So I'm like literally quarantined in a house that has like, um,

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Speaker 1: some samurai swords and like your red paper like doors.

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Speaker 1: There's like there's like literally like twenties so you screens

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Speaker 1: in my house. Did you say was your grandmother travel agent?

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Speaker 1: She was a travel agent? Yeah, because I was following

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Speaker 1: your social media posts a lot because I lost my

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Speaker 1: grandmother last year too, and it's like, you know, it's

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Speaker 1: wild when you kind of especially when you have all

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Speaker 1: these like artifacts around too to kind of go through.

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Speaker 1: But yeah, so was that sort of adding to her

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Speaker 1: eccentric taste being a travel agent? Um? Absolutely. I think

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Speaker 1: she had been to like every continent, and um, you know,

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Speaker 1: I'm I'm thirty something and I realized that, like I

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Speaker 1: the only other country I've been to is Mexico. Um,

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Speaker 1: so I really need to get on travel. I'm going

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Speaker 1: to take whatever I in herat and just really travel

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Speaker 1: the world. Okay, So next time I'm on here, I'll

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Speaker 1: tell you all about Aruba, Jamaica. Who I want to

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Speaker 1: take take baby? Why don't we go to created maybe

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Speaker 1: the most authentically American the Latter day Beach Boys. Uh,

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Speaker 1: They're very authentic to the Reagan administration because like all

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Speaker 1: that ship was just like like boomer valuum for your brain,

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Speaker 1: so you just kind of tune out. Like although like

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Speaker 1: all these things were like going off the rails in

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Speaker 1: the eighties, like our perception of the eighties, like I

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Speaker 1: don't know, I think everyone was like partying and on coke.

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Speaker 1: But then you like, look, you're like, oh my god,

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Speaker 1: all these other really fun things you get. The media

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Speaker 1: just like learned how to sort of give us this

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Speaker 1: like I don't know, Petita, this uh, the veil of

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Speaker 1: like prosperity and stuff over it. I wonder how we're

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Speaker 1: going to remember right now, you know what I mean?

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Speaker 1: I wonder if people are just going to be like, oh, yeah,

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Speaker 1: Doja cat was a thing for a second, right was it?

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Speaker 1: Like wasn't doja ca had canceled out something? Anyway? So

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Speaker 1: hard to keep track. The Master would love to read

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Speaker 1: that in a history book, like thirty years from now,

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Speaker 1: Doja Cat canceled? Like yeah, like homophobic slurs. But then

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Speaker 1: it was like, okay, Brodie, what is something from your

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Speaker 1: search history that is revealing about who you are? Oh? Okay, um,

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Speaker 1: this is um really, this is a this is a

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Speaker 1: gold mine right here. Um. So I recently tweeted, um

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Speaker 1: something that I found a couple of years ago. I

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Speaker 1: used to be a researcher on a cable show And

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Speaker 1: this was back in two thousand fifteen, right when Rachel

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Speaker 1: Dolazon Um became like a you know, a controversy, like

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Speaker 1: a thing because she was a white woman pertaining to

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Speaker 1: be black, and she like was like a president of

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Speaker 1: like an an double a c P chapter or something.

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Speaker 1: So when I was a researcher on the show, I

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Speaker 1: did a deep dive and I found this video a

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Speaker 1: couple of videos that were made by Richel dolas als

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Speaker 1: ex fiance and posted in two thousand thirteen. One of

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Speaker 1: them is called for the Rest of My Life and

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Speaker 1: the other one is called dream Girl shod Slide Show.

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Speaker 1: And they're both like um fan cams or like predated

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Speaker 1: fan cams for Rachel Dolas all the serious and they

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Speaker 1: are Bob's Um. I posted them on my Twitter. Um,

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Speaker 1: you guys just have to edit them in like women

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Speaker 1: have to write out on that absolutely because when you

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Speaker 1: posted that, I was like, what the fuck is this?

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Speaker 1: And it really it's so sincere. That's what shakes me

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Speaker 1: to my core. Yeah, they don't have a lot of views.

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Speaker 1: They never blew up. I never got to put them

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Speaker 1: on TV because they just weren't good for video. But

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Speaker 1: like they are um cringe e um goodness, and they're

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Speaker 1: just a majoring. Um, it's it's the best use of

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Speaker 1: the word. But j J, I've ever heard do we

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Speaker 1: know who the ex fiance is? Like what was his story? Um? Yeah,

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Speaker 1: he is a music he's a like a musician. I

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Speaker 1: think um plays saxophone. Um. He has a name that

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Speaker 1: I forgot. I looked it up in an article, but

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Speaker 1: I didn't really want to like blasphem or anything. But

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Speaker 1: his YouTube is the Man with the Horns, which is

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Speaker 1: a great a great YouTube handle. For a long time

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Speaker 1: I thought it was Damon with the horns and then

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Speaker 1: Amic clicks the horn like spelled th e horn? Like

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Speaker 1: was he inconsistent with his he spelled a regular. This

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Speaker 1: is a thing, you know, especially like when like I

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Speaker 1: feel like food trucks started this too, or like they

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Speaker 1: would be like suddenly everything's with a Z, like wild

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Speaker 1: salads with a Z and like Caesar salad, and like

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Speaker 1: everything had like a Z forced into it, like you'd

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Speaker 1: hope I appreciate I remember appreciating like food trucks that

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Speaker 1: went so far into it their menu just became confusing

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Speaker 1: and ceased to function as a menu. And yeah, at

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Speaker 1: least consistent for the side between du in the you

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Speaker 1: got if you're gonna be dumb, if you're gonna be damon,

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Speaker 1: you better be with da horns too, exactly. Yeah, what

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Speaker 1: is something you think is underrated? Um? Something I think

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Speaker 1: is underrated? Um. One of the cool things about this

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Speaker 1: recent just like attention us black people have been getting.

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Speaker 1: It's just like discovering a lot of black art that

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Speaker 1: I would and otherwise. Um. And I found this one

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Speaker 1: website called um I Die, You Die, And it's this

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Speaker 1: website with just like a bunch of like dark industrial

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Speaker 1: music and stuff. Um. And they started sharing links to

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Speaker 1: a bunch of black industrial artists. And I'm a black goth.

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Speaker 1: I like industrial arts. I like people like Saul Williams, um.

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Speaker 1: Someone who's been inspiring me throughout this process. I like. Um.

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Speaker 1: One of my new favorite artists is this artists called vs.

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Speaker 1: Tumor Um he he. He wrote a really great song

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Speaker 1: about police brutality called Annoyed that I love a lot.

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Speaker 1: And through this website, I've just been discovering like a

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Speaker 1: lot of black industrial artists. And I think it's really

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Speaker 1: important for black people to take up space and not

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Speaker 1: only all all scenes, but that scene as well. Is

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Speaker 1: there like nuances? Like is there an aesthetic that that

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Speaker 1: makes black goth industrial music slightly different or well, when

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Speaker 1: black people do literally anything, it's slightly better. So I

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Speaker 1: will say that be it goes hard harder than even

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Speaker 1: the traditional instri yes, seeing like because like with industrial music,

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Speaker 1: like you'll watch a video like Firestarter or something like that,

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Speaker 1: and you'd be like, Oh, this guy is wearing like

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Speaker 1: a like an American sweater but it's black and white

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Speaker 1: and he's like in a pipe and it's just like

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Speaker 1: he's angry. It's just like I get where he's coming from.

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Speaker 1: But then when you see like someone do that and

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Speaker 1: there's also he's like running from the comps, You're just like, oh,

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Speaker 1: now I actually get what you're in. Okay, message, Yeah,

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Speaker 1: what is? What's something you think is overrated? Um? Something

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Speaker 1: that I think is overrated? And I'm kind of cheating

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Speaker 1: a little bit, but I want to make a point.

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Speaker 1: I think we have to. I think the term antifa

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Speaker 1: is overrated. Anti fla is overrated, UM. And the only

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Speaker 1: reason I think that is because I think it allows

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Speaker 1: um one degree of separation UM that I don't think

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Speaker 1: anyone expected that lets people who are opposed to it, conservatives,

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Speaker 1: UM wackos whatever. They so easily can demonize antifa and

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Speaker 1: never say the word fascists out loud. Um. I think,

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Speaker 1: I really think that we kind of collectively have to

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Speaker 1: make an effort to say anti fascist with like our

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Speaker 1: whole chest, with like our whole throat um, so that

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Speaker 1: when people are like, I hate anti fascist, you know

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Speaker 1: what I mean, like they have yeah, they have to

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Speaker 1: say the whole thing. They're like, wait, I hate anti

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Speaker 1: I love fascism anti yeah, profile actually yeah, no, it's

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Speaker 1: so true, and it's like one of the tools that

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Speaker 1: you know, any oppressive system has to use to be

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Speaker 1: able to divide and conquer. And it's like, first, like

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Speaker 1: most people are like, that's already just ridiculous, because to

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Speaker 1: be anti fascist is like a sentiment. It's not it's

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Speaker 1: not a fucking you're not, I'm not. I don't have

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Speaker 1: an email at antifo dot org. Except we're dealing with

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Speaker 1: the most ridiculous people, right, And people just immediately go great,

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Speaker 1: because before I used to be able to say, like,

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Speaker 1: you know, social justice warriors or black panthers or other

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Speaker 1: things and try and just immediately vilify something that's actually

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Speaker 1: standing for the complete opposite of what I'm being told

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Speaker 1: it is, yeah, and it's just yeah, there's a moment

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Speaker 1: to where more people are going to be in to see, Like, right,

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Speaker 1: what the funk is he saying? Because every even with

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Speaker 1: the D D o J like trying to dig up

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Speaker 1: and manufacture something, they still have been unable to come

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Speaker 1: up with their like doctored report that would be like, yeah, man,

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Speaker 1: look at all the this is the antiphoe org chart here.

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Speaker 1: They were all there, starting with Martin Gugino who set

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Speaker 1: off the whole thing with his police disruptor device also

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Speaker 1: known as an iPhone X. Are like, if we can

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Speaker 1: get ice Cube to tweet about this, we can start

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Speaker 1: a revolution. I mean, right now, we gotta what's what

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Speaker 1: was his weird black cube shit he was tweeting about. Yeah,

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Speaker 1: it's like some Hotep stuff. It's it's completely Hotep, like

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Speaker 1: a Nation of Islam stuff, and I guess we'll get

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Speaker 1: into it. But like he it's called like the Cube

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Speaker 1: of Saturn or something, and I'm really sure what it's about.

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Speaker 1: I tried to google it and it just kept telling

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Speaker 1: me it was like about magic, and I was just like, okay,

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Speaker 1: I'm not I'm not trying to do a deep dive

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Speaker 1: about this right now. Yeah, if if you google it

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Speaker 1: and what it's telling you isn't even close to what

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Speaker 1: someone else's I think that's your first sign of like, yeah,

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Speaker 1: it's gonna take a lot of energy for me to

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Speaker 1: connect these dots on my own. I think if you

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Speaker 1: saw the first Transformers movie and you know what the

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Speaker 1: hall spark is, you pretty much know what it is,

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Speaker 1: like conspiracy theories that are based around the wisdom buried

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Speaker 1: deep under the surface of Transformers. So, I mean, what

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Speaker 1: was Megan Fox really saying when she was bent over

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Speaker 1: the hood of that car? You know, I think that

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Speaker 1: was a call to arms. I think it was too

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Speaker 1: was a call to something Brodie. Finally, what is a myth?

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Speaker 1: What's something people think it is true, you know, to

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Speaker 1: be false or vice versa. Um, something that people think

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Speaker 1: it's true and I absolutely know to be false is

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Speaker 1: that you do not have to check up on black

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Speaker 1: people right now. Um. The past like week um has

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Speaker 1: been really busy for me personally, Like I've been like

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Speaker 1: I've been kind of sick, so i haven't been really

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Speaker 1: able to go out and protests, So I've been really

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Speaker 1: active online. I've been like sharing links and stuff like that,

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Speaker 1: and um, there's also like inner um and attention from

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Speaker 1: the entertainment industry. So I'm like, I gotta like get

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Speaker 1: my resume together. I gotta like finish some scripts so

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Speaker 1: I can send the people ironically during this time where

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Speaker 1: I should just be taking care of my own you know,

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Speaker 1: like mental health and stuff. And even though people have

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Speaker 1: good intentions when they like call to like check out

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Speaker 1: and like texts and stuff, I think I answered probably

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Speaker 1: like a hundred checkens last week, UM, and I don't

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Speaker 1: want to anymore. UM. One of the first things I

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Speaker 1: saw on Facebook for um white people to do during

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Speaker 1: this time was just like a list of things you

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Speaker 1: could do to like examine your own self. And one

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Speaker 1: of the very first ones was to check up on

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Speaker 1: your black friends. And I screamed at my computer. I

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Speaker 1: was like, no, we don't need it. I mean, I'm

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Speaker 1: only speaking for myself really, but UM, just if you're

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Speaker 1: gonna check in, don't make it like a like a

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Speaker 1: five thousand word essay. UM. I have gotten a couple

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Speaker 1: of those um recently. I have not answered them, and

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Speaker 1: I won't. I'm just gonna pretend that they got lost

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Speaker 1: in the mail or something or that it just has

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Speaker 1: to be okay that sure you sent it, but I'm

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Speaker 1: we're not obligated to respond to it, you know. I

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Speaker 1: think that's the other thing, and I I had to

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Speaker 1: I just stopped responding because it was so much labor

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Speaker 1: too then, like because half the time there are were

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Speaker 1: people who I think weren't even like looking for I'm

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Speaker 1: like a good you think I'm like one of the

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Speaker 1: good white people, right, because there are there are a few,

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Speaker 1: there are a few buckets these things fall into. Some

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Speaker 1: are like I just want to tell you, like I

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Speaker 1: like I get it now, and like and I have

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Speaker 1: like I have a lot of work to do. That's one.

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Speaker 1: I'm like, great, I'm not gonna respond to that because

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Speaker 1: that that actually sounds like a person who knows they

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Speaker 1: don't need to be responded to. They just wanted to

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Speaker 1: affirm like their solidarity. Yeah, even close friends are close.

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Speaker 1: Are are different than um people who I haven't talked

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Speaker 1: to you in like a year, or who I haven't

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Speaker 1: seen in like several years. It's like you can check

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Speaker 1: out on me a month from now when you know

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Speaker 1: that might like honestly, like, as a comedian, one of

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Speaker 1: the worst feelings is right when you're about to go

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Speaker 1: on stage and you're going through your set in your

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Speaker 1: head um and you're trying to concentrate and someone tries

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Speaker 1: to strike up a conversation direct my brain has felt

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Speaker 1: like that moment um like all week. Um, So like finally,

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Speaker 1: I feel like taken some time to decompress because there

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Speaker 1: was a minute where I really had to like look

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Speaker 1: at my like I had to check in with myself,

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Speaker 1: and I realized that I was just like I am

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Speaker 1: in a manic state because of things going on in

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Speaker 1: the world. And what I don't need right now is

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Speaker 1: the that added guilt of not texting a friend back,

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Speaker 1: which is which is something I answered all of those

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Speaker 1: texts except for the one really long one. In my mind,

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Speaker 1: I just I resolved in myself. I'm like, I pray

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Speaker 1: for somebody to be like, um, hello back to me,

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Speaker 1: because I already had the fucking I was. I would

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Speaker 1: have would have gotten third degree burns from their phone's

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Speaker 1: And that's how I lived with it, because I'm like,

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Speaker 1: I'm not in a situation at all or objectively I'm

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Speaker 1: being rude. I'm like people are dealing with generational trauma

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Speaker 1: in their own ways. I had to do the same thing, Brody.

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Speaker 1: I was so angry. I became useless, I became inert,

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Speaker 1: and I realized I had to begin to put these

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Speaker 1: things on a scale. I say, what do I what

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Speaker 1: do I want to do if I can stay angry

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Speaker 1: or do I actually want to have my head in

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Speaker 1: this game to give everything I have? Because if, if, if,

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Speaker 1: if I want to stay in the game, I really

382
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Speaker 1: have to take a second to make sure I know

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Speaker 1: how to step back onto the field again. Because I

384
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Speaker 1: was running around out like gas. Yeah. They if they

385
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Speaker 1: had texting back in the civil rights movement like in

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Speaker 1: the sixties, Um, we would have heard the same thing.

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Speaker 1: I'm sure, so so yeah, it's it's definitely, yeah, it's

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Speaker 1: it's tough. But yeah, don't don't again, I tell everybody else.

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Speaker 1: I will be more impressed when I see people like

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Speaker 1: if somehow I see a viral video of you, like

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Speaker 1: cursing out your race is dad, Yeah, like in doing

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Speaker 1: that and flipping your Thanksgiving table because someone decided to

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Speaker 1: say black all lives matter, Frankie or some ship you know,

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Speaker 1: that's I'm like, wow, don't talk about it, be about it,

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Speaker 1: And I don't and I think the other thing too,

396
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Speaker 1: is we'll probably get into this with that tone deaf

397
00:22:53,160 --> 00:22:58,480
Speaker 1: celebrity video heard we've heard enough words. We've heard enough words,

398
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Speaker 1: so like at this point they have no meaning. They

399
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Speaker 1: really don't. Yeah, and was it isn't my imagination because

400
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Speaker 1: I've only seen the video once. Was that video in

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Speaker 1: black and white or was it in color? No? You know,

402
00:23:10,200 --> 00:23:12,480
Speaker 1: we got we got into this man the black and white,

403
00:23:12,480 --> 00:23:16,640
Speaker 1: the monochroma, the nuances, man of the aesthetic helps set

404
00:23:16,720 --> 00:23:20,240
Speaker 1: up the black white binary. That's why it has depth,

405
00:23:20,280 --> 00:23:23,080
Speaker 1: not because people don't know how to color balance or

406
00:23:23,200 --> 00:23:28,480
Speaker 1: people's skin was looking weird. And yeah, let's take a

407
00:23:28,520 --> 00:23:30,359
Speaker 1: quick break and we'll come back and talk about that

408
00:23:30,480 --> 00:23:47,359
Speaker 1: video because wow, cool and we're back and yeah, the

409
00:23:47,400 --> 00:23:50,159
Speaker 1: celebs are back at it again. They gave us the

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Speaker 1: imagined video during the COVID nineteen pandemic um to to

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Speaker 1: get us through what was a difficult time, and they

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Speaker 1: learned their lesson, I guess, and decided not to sing

413
00:24:05,920 --> 00:24:09,160
Speaker 1: this time, to just uh, you know, do what they

414
00:24:09,200 --> 00:24:16,800
Speaker 1: do and deliver really passionate, um dramatic performances of true

415
00:24:16,840 --> 00:24:20,560
Speaker 1: statements like very things that people should should be thinking.

416
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Speaker 1: But for some reason they thought they needed to be

417
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Speaker 1: the ones to uh say it and say it in

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Speaker 1: in the most uh cringe e way possible and also

419
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Speaker 1: be clearly reading it and probably sixty percent of the

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Speaker 1: case Debora Messing, she needs to be canceled for her

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Speaker 1: ability to remember lines. It was I'm are you know

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Speaker 1: looking this? It was an all star cast, right, you

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Speaker 1: got Kristen Bell, Kesha, Aaron Paul Stanley Tucci, Bryce Dallas Howard,

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Speaker 1: Debora Messing, I mean Alana Glazer. There were so many

425
00:24:54,160 --> 00:24:56,240
Speaker 1: people think there's like a duplast brother in there at

426
00:24:56,240 --> 00:25:00,840
Speaker 1: some point that it's just though we or this thing,

427
00:25:01,000 --> 00:25:05,639
Speaker 1: like the sentiment credit to a great fantastic But to

428
00:25:05,760 --> 00:25:09,760
Speaker 1: have someone over act something that should actually feel sincere

429
00:25:10,480 --> 00:25:13,919
Speaker 1: it is like the most cringe e like get like

430
00:25:14,000 --> 00:25:17,680
Speaker 1: performative bullshit, like it's it instantly just rings hollow. I

431
00:25:17,720 --> 00:25:20,960
Speaker 1: think it's they really did themselves a disservice with this. Yeah,

432
00:25:21,040 --> 00:25:25,000
Speaker 1: nothing reminds you more that actors are really just that

433
00:25:25,040 --> 00:25:31,640
Speaker 1: they're not like writers, or like directors or like people. Um.

434
00:25:31,680 --> 00:25:34,680
Speaker 1: I think the funniest thing, the funniest thing about that

435
00:25:34,800 --> 00:25:39,000
Speaker 1: video is that you can imagine, um, someone's like assistant

436
00:25:39,480 --> 00:25:42,040
Speaker 1: like on the Zoom call, like having to direct like

437
00:25:42,080 --> 00:25:45,560
Speaker 1: Aaron Paul and being like okay, Aaron, so um that

438
00:25:45,680 --> 00:25:48,280
Speaker 1: was a little angry. Um. We needed to be like

439
00:25:48,320 --> 00:25:51,760
Speaker 1: a little like sad, like I don't know, like Sabot

440
00:25:52,560 --> 00:25:57,200
Speaker 1: and those killer cops got to be brought to justice, bitch,

441
00:25:58,560 --> 00:26:01,120
Speaker 1: like okay, hold on, what are you doing? Jesse Pinkman,

442
00:26:01,200 --> 00:26:04,280
Speaker 1: now are you doing? Aaron Paul? I would have preferred

443
00:26:04,600 --> 00:26:08,840
Speaker 1: them all to be in character. Yeah, suck it? What

444
00:26:08,920 --> 00:26:10,600
Speaker 1: was who was she? What was Debra Met? Well? She

445
00:26:10,680 --> 00:26:14,040
Speaker 1: was Grace, you know, get her doing her character. Get

446
00:26:14,119 --> 00:26:18,520
Speaker 1: Kristen Bell to be Veronica Mars, Julianne Moore to be

447
00:26:18,600 --> 00:26:22,439
Speaker 1: Homegirl from Boogie Knights. Um. I was really disappointed in

448
00:26:22,480 --> 00:26:25,400
Speaker 1: Julianne Moore too, because she's one of my favorite criers.

449
00:26:26,080 --> 00:26:30,320
Speaker 1: She should have just cried and she didn't give me

450
00:26:31,000 --> 00:26:33,920
Speaker 1: the tears. And I don't know why I suddenly got

451
00:26:34,040 --> 00:26:36,320
Speaker 1: went from like this is supposed to be a message

452
00:26:36,320 --> 00:26:38,199
Speaker 1: to suddenly be like why aren't these actors doing my

453
00:26:38,240 --> 00:26:42,000
Speaker 1: favorite thing I know him for? Because the equality message

454
00:26:42,040 --> 00:26:44,640
Speaker 1: got lost in the overacting. Yeah, this should have done

455
00:26:44,680 --> 00:26:48,520
Speaker 1: like some impressions or told some jokes or something like

456
00:26:48,560 --> 00:26:51,720
Speaker 1: why so serious? Yeah, I mean I don't feel like

457
00:26:51,760 --> 00:26:54,920
Speaker 1: Julianne Moore is just uh and this has nothing to

458
00:26:54,960 --> 00:26:56,600
Speaker 1: do with the video, but I feel like she's under

459
00:26:56,720 --> 00:27:00,480
Speaker 1: memed because she has some like wild performance is where

460
00:27:00,520 --> 00:27:04,879
Speaker 1: she's just like taking it to entire Next, let Laura

461
00:27:04,960 --> 00:27:07,919
Speaker 1: Dern kind of got in her lane of like like

462
00:27:08,119 --> 00:27:12,120
Speaker 1: emotional white woman memes screen grabs, because Julianne Moore has

463
00:27:12,160 --> 00:27:16,120
Speaker 1: been She's been screaming and crying with cocaine all over

464
00:27:16,160 --> 00:27:18,080
Speaker 1: her face, and so there's like so many things you

465
00:27:18,119 --> 00:27:20,159
Speaker 1: could cut out of a Julianne Moore movie. Is it

466
00:27:20,200 --> 00:27:23,119
Speaker 1: okay if I asked the z Gang to make some

467
00:27:23,200 --> 00:27:26,600
Speaker 1: Julianne Moore memes? Yeah, ZI Gang hit us up with

468
00:27:26,680 --> 00:27:30,680
Speaker 1: someone next. And I know Zeke Gang is actually up

469
00:27:30,680 --> 00:27:33,240
Speaker 1: on ship enough to know Julianne Moore is the queen

470
00:27:33,280 --> 00:27:37,200
Speaker 1: of contorted face crying even before what was Homegirl's name

471
00:27:37,280 --> 00:27:42,840
Speaker 1: from Homeland was doing it Claire Dance because her cry

472
00:27:42,880 --> 00:27:45,240
Speaker 1: face got a little shine also on the internet. But

473
00:27:45,320 --> 00:27:50,960
Speaker 1: Julianne Moore has been here. The pharmacy scene in Magnolia

474
00:27:51,280 --> 00:27:55,240
Speaker 1: is everybody needs to watch that. That is among the

475
00:27:55,280 --> 00:28:01,440
Speaker 1: most attempts moments of performance. I mean also just contrasts

476
00:28:01,480 --> 00:28:05,320
Speaker 1: with what she's given us in this in this video.

477
00:28:05,760 --> 00:28:08,800
Speaker 1: Do you think I don't? Okay? Like, what do you

478
00:28:08,840 --> 00:28:11,560
Speaker 1: think is going through the minds of these celebrities, Like

479
00:28:12,240 --> 00:28:14,800
Speaker 1: a there's there's clearly a bit of like white savior

480
00:28:14,840 --> 00:28:18,240
Speaker 1: ship going on here, But also like was this just

481
00:28:18,400 --> 00:28:23,560
Speaker 1: for them? Was this I'm I'm having Like yeah, it

482
00:28:23,720 --> 00:28:25,560
Speaker 1: was it? Did they just do the thing that they said? Well,

483
00:28:25,640 --> 00:28:28,320
Speaker 1: N double A C P asked me, So therefore whatever

484
00:28:28,320 --> 00:28:30,320
Speaker 1: they're gonna ask me, he's gonna be okay, or I'll

485
00:28:30,359 --> 00:28:33,639
Speaker 1: just I honestly, I do think it was that. I

486
00:28:33,720 --> 00:28:36,000
Speaker 1: do think that the M double C A CP reached

487
00:28:36,000 --> 00:28:38,120
Speaker 1: out and they were like, oh man, I can't say

488
00:28:38,120 --> 00:28:42,720
Speaker 1: no technically to this um And maybe it's easier than

489
00:28:42,760 --> 00:28:45,600
Speaker 1: actually donating any money. I'm sure all of them have

490
00:28:45,640 --> 00:28:50,280
Speaker 1: donated several hundred dollars, so I have no doubt. Um

491
00:28:50,720 --> 00:28:56,280
Speaker 1: it it's I'm not even really sure, like like personally,

492
00:28:56,360 --> 00:28:59,960
Speaker 1: like after after the dust settles on all this protesting,

493
00:29:00,080 --> 00:29:03,280
Speaker 1: which might take a very long time, like any time.

494
00:29:03,520 --> 00:29:08,120
Speaker 1: I even if if if I listen to like Elvis Costello,

495
00:29:08,320 --> 00:29:10,440
Speaker 1: like three years from now I'm going to have to

496
00:29:10,440 --> 00:29:13,840
Speaker 1: google did he say black lives matter? Like like I'm

497
00:29:13,840 --> 00:29:16,760
Speaker 1: gonna have to make a spreadsheet of literally every celebrity

498
00:29:16,800 --> 00:29:18,720
Speaker 1: and make sure that they said black lives matter, and

499
00:29:18,760 --> 00:29:22,959
Speaker 1: if they didn't, I'll just replace them with someone else. Um,

500
00:29:23,080 --> 00:29:25,760
Speaker 1: So in that way, they are covering their ass. But

501
00:29:25,920 --> 00:29:29,120
Speaker 1: like at this point, especially after the amount in a

502
00:29:29,200 --> 00:29:33,160
Speaker 1: post imagined video, world celebrities need to know that we're

503
00:29:33,280 --> 00:29:36,920
Speaker 1: just going to drag them. Um. The real fault is

504
00:29:36,960 --> 00:29:42,120
Speaker 1: whoever at duble a c p PR had this idea

505
00:29:42,160 --> 00:29:44,200
Speaker 1: for a video and reached out. But like, I do

506
00:29:44,280 --> 00:29:47,560
Speaker 1: hope that it does raise money and it is for

507
00:29:47,960 --> 00:29:50,200
Speaker 1: it's a video for white people. It's almost like they

508
00:29:50,200 --> 00:29:52,360
Speaker 1: could have just said at the beginning of the end

509
00:29:52,440 --> 00:29:57,440
Speaker 1: the video, this is for whites, well, and it does

510
00:29:57,480 --> 00:30:03,920
Speaker 1: this thing of like I take responsibility, Like you're all

511
00:30:03,960 --> 00:30:06,520
Speaker 1: already gonna make people defensive with how are you even

512
00:30:06,560 --> 00:30:11,440
Speaker 1: framing this like to start off with these like I

513
00:30:12,600 --> 00:30:15,160
Speaker 1: should have like I get that, and that would have

514
00:30:15,240 --> 00:30:16,959
Speaker 1: come off a lot better if you had just written

515
00:30:17,120 --> 00:30:20,040
Speaker 1: like a medium post that was probably more sincere to

516
00:30:20,080 --> 00:30:22,160
Speaker 1: who you are as a person than performing this like

517
00:30:22,920 --> 00:30:26,880
Speaker 1: like someone else's words, um, because like it also like

518
00:30:27,160 --> 00:30:30,280
Speaker 1: it gives people that ability to start looking at the

519
00:30:30,320 --> 00:30:33,480
Speaker 1: situation or like if your first if people are new

520
00:30:33,480 --> 00:30:37,040
Speaker 1: to these terms of like white privilege, fragility, white supremacy,

521
00:30:37,080 --> 00:30:38,640
Speaker 1: that you're gonna see a thing like this and go,

522
00:30:38,800 --> 00:30:42,080
Speaker 1: this is what they're They just want white people to say,

523
00:30:42,120 --> 00:30:45,520
Speaker 1: I'm sorry for and I didn't even do anything. You know,

524
00:30:45,760 --> 00:30:49,520
Speaker 1: I'm not racist the guys on my softball team. No,

525
00:30:49,960 --> 00:30:54,160
Speaker 1: Like it's just fucking like it's already Like I feel

526
00:30:54,160 --> 00:30:56,720
Speaker 1: like that the language could have been adjusted a little

527
00:30:56,720 --> 00:30:59,680
Speaker 1: bit more than to just like I take I get

528
00:30:59,720 --> 00:31:03,240
Speaker 1: that because yes, we all have a role in either

529
00:31:03,440 --> 00:31:07,960
Speaker 1: abiding or you know, allowing white supremacy to persist, but

530
00:31:08,520 --> 00:31:11,400
Speaker 1: to look to have the like to do it this way,

531
00:31:11,720 --> 00:31:14,719
Speaker 1: I think it just it sort of muddies the waters

532
00:31:14,720 --> 00:31:16,560
Speaker 1: in terms of like what the points that need to

533
00:31:16,560 --> 00:31:19,360
Speaker 1: be communicated are two people, you know what I think

534
00:31:19,520 --> 00:31:22,080
Speaker 1: they could have done to have been a little more effective.

535
00:31:22,160 --> 00:31:24,560
Speaker 1: And this is just an idea, but like I think

536
00:31:24,560 --> 00:31:27,800
Speaker 1: they should have gotten actors who have like played famous

537
00:31:27,840 --> 00:31:32,040
Speaker 1: cops specifically, Um, like that would be interesting of just

538
00:31:32,080 --> 00:31:36,520
Speaker 1: like the role that like police media does to like

539
00:31:37,000 --> 00:31:40,480
Speaker 1: honestly because it's I think we're all a little bit brainwashed.

540
00:31:40,760 --> 00:31:44,080
Speaker 1: Um before the last two weeks. Like I knew I

541
00:31:44,920 --> 00:31:47,160
Speaker 1: grew up in Inglewood, I grew up in the hood.

542
00:31:47,240 --> 00:31:49,880
Speaker 1: It's just like I always hated cops, but I didn't

543
00:31:49,880 --> 00:31:52,960
Speaker 1: know that they were quite this bad their job. Like

544
00:31:53,160 --> 00:31:57,200
Speaker 1: cops like are not legally required to help people. They

545
00:31:57,360 --> 00:32:02,080
Speaker 1: just um protect property and stuff off. And so much

546
00:32:02,160 --> 00:32:06,640
Speaker 1: of what I think about cops still comes from the media,

547
00:32:06,840 --> 00:32:09,720
Speaker 1: even though, like I was always like looking at it

548
00:32:09,760 --> 00:32:12,200
Speaker 1: with like rose colored glass, not even rose colored glasses,

549
00:32:12,200 --> 00:32:17,080
Speaker 1: but like with a skeptical lens. Um. So I don't know. Plus,

550
00:32:17,520 --> 00:32:20,320
Speaker 1: if you did Actress were cops, we probably could have

551
00:32:20,320 --> 00:32:22,720
Speaker 1: got like Will Smith in there. That would have been cool. Yeah,

552
00:32:23,120 --> 00:32:26,400
Speaker 1: I mean imagine like people's heads exploiting, like Michael Chicklists,

553
00:32:27,120 --> 00:32:29,960
Speaker 1: Like you know, although he played one of the dirtiest

554
00:32:29,960 --> 00:32:32,840
Speaker 1: fucking cops ever in The Shield, you would have never thought, like, man,

555
00:32:32,880 --> 00:32:35,239
Speaker 1: the cops are good after watching The Shield, But he

556
00:32:35,320 --> 00:32:37,600
Speaker 1: was the was he the commission before that? I mean,

557
00:32:37,600 --> 00:32:41,000
Speaker 1: like to see those faces, It's it would almost be

558
00:32:41,040 --> 00:32:43,920
Speaker 1: like that, like those moments on Catfish where Nive and

559
00:32:44,000 --> 00:32:46,840
Speaker 1: Max find like the model I g model that the

560
00:32:46,880 --> 00:32:49,920
Speaker 1: person is using their picks to catfish somebody and then

561
00:32:50,000 --> 00:32:53,080
Speaker 1: get them to video call the victim of the catfish like, Hi,

562
00:32:53,240 --> 00:32:55,360
Speaker 1: this is me, and you're seeing I'm not the person

563
00:32:55,480 --> 00:32:57,960
Speaker 1: that you think I am, just so you know. And

564
00:32:58,000 --> 00:32:59,560
Speaker 1: I think if you had a lot of people who

565
00:32:59,640 --> 00:33:02,600
Speaker 1: rein forced this message of like this bin area of

566
00:33:02,760 --> 00:33:06,000
Speaker 1: police good and anyone opposed to police equals criminal bad,

567
00:33:06,600 --> 00:33:09,240
Speaker 1: that yeah, that may have had an effect. Where why

568
00:33:09,240 --> 00:33:12,440
Speaker 1: are we do you feel like videos for them? I

569
00:33:12,480 --> 00:33:14,800
Speaker 1: do feel like that's sort of happening in other places

570
00:33:14,800 --> 00:33:21,400
Speaker 1: in culture with NASCAR banning um the Confederate flag, a

571
00:33:21,480 --> 00:33:28,520
Speaker 1: band called Lady Antebellum uh saying they're now Lady a uh.

572
00:33:28,600 --> 00:33:33,760
Speaker 1: And apparently they claimed it was about architecture, which it

573
00:33:33,840 --> 00:33:36,800
Speaker 1: was like a photo shoot that had been in front

574
00:33:36,800 --> 00:33:38,520
Speaker 1: of a house, like we were in the South taking

575
00:33:38,520 --> 00:33:40,680
Speaker 1: the photo. Whatever it was that the singer first said,

576
00:33:40,720 --> 00:33:42,280
Speaker 1: like when they got signed, they didn't think they were

577
00:33:42,280 --> 00:33:44,479
Speaker 1: gonna be able to keep the name, but they just

578
00:33:44,520 --> 00:33:46,800
Speaker 1: did it in the beginning, and then when they didn't like,

579
00:33:46,840 --> 00:33:49,120
Speaker 1: oh well, and then their fans just called them Lady

580
00:33:49,160 --> 00:33:51,880
Speaker 1: a But either way, like the way they're talking about it,

581
00:33:51,960 --> 00:33:54,640
Speaker 1: now it's like, y'all, but you already knew what Antebellum

582
00:33:54,680 --> 00:33:57,120
Speaker 1: meant before this, and you're just being you were able

583
00:33:57,120 --> 00:33:59,680
Speaker 1: to skate on it. So but fine, I guess we're

584
00:34:00,200 --> 00:34:02,920
Speaker 1: crossing that rubicon of like and I keep using this

585
00:34:02,960 --> 00:34:06,360
Speaker 1: fucking term where yeah, like of crossing the room at

586
00:34:06,440 --> 00:34:09,520
Speaker 1: least like sort of in media coverage of being like, oh, yeah,

587
00:34:09,600 --> 00:34:13,080
Speaker 1: we're all gonna agree. The Confederate flag bad. We used

588
00:34:13,080 --> 00:34:16,279
Speaker 1: to be like it is a symbol for motherfucker. That

589
00:34:16,280 --> 00:34:24,000
Speaker 1: ship didn't even four years Yeah, super super Plantation went

590
00:34:24,040 --> 00:34:27,520
Speaker 1: bankrupt way before this. Yeah they saw maybe they saw

591
00:34:27,520 --> 00:34:29,520
Speaker 1: it coming. I mean I was always like, I remember

592
00:34:29,560 --> 00:34:31,560
Speaker 1: a few years ago, it was like I love super Plantation.

593
00:34:31,600 --> 00:34:35,000
Speaker 1: I was like, I love those little ice creams though

594
00:34:35,160 --> 00:34:38,440
Speaker 1: hate the name, love the little softicer It's about a culture,

595
00:34:39,640 --> 00:34:45,799
Speaker 1: about history. Yeah, that's my history. It's about history when

596
00:34:46,280 --> 00:34:50,279
Speaker 1: when office workers were picking soup in the fields, what

597
00:34:50,360 --> 00:34:52,799
Speaker 1: the because that's what a sup plantation is. Now it's

598
00:34:52,800 --> 00:34:55,480
Speaker 1: all like office people like stress the funk out, who

599
00:34:55,480 --> 00:35:02,000
Speaker 1: have to like only have ten minutes to eat. Yeah yeah, um,

600
00:35:02,040 --> 00:35:05,160
Speaker 1: I mean we and then we saw it with Tomarello

601
00:35:05,320 --> 00:35:08,680
Speaker 1: and Rage against the Machine like people just now waking

602
00:35:08,760 --> 00:35:13,680
Speaker 1: up to the fact that the you know, cultural entities

603
00:35:13,719 --> 00:35:22,400
Speaker 1: that they thought were on board with their you know yeah, yeah,

604
00:35:22,480 --> 00:35:25,680
Speaker 1: well I think I think all that really underlines is

605
00:35:25,719 --> 00:35:29,319
Speaker 1: that many people are not aware of the media they consume. Yeah,

606
00:35:29,320 --> 00:35:31,440
Speaker 1: that's all that really shows to me. People are not

607
00:35:31,600 --> 00:35:33,960
Speaker 1: aware of the media they consume. How could you be

608
00:35:34,040 --> 00:35:37,520
Speaker 1: a rage against the machine fan and not here the

609
00:35:37,600 --> 00:35:43,200
Speaker 1: lyrics of Zack and be like that can't be about racism? Yeah,

610
00:35:43,880 --> 00:35:46,840
Speaker 1: like police, Like I don't und I don't know, but

611
00:35:46,880 --> 00:35:54,520
Speaker 1: I think yeah, like air Force ones, Nike, the machine

612
00:35:54,680 --> 00:35:58,560
Speaker 1: was just like their computer malfunctioning. That's like the rage

613
00:35:58,560 --> 00:36:01,160
Speaker 1: against the machine they were having, like the scene and

614
00:36:01,239 --> 00:36:04,960
Speaker 1: office Space where they get mad at the copier. Yeah, well,

615
00:36:05,000 --> 00:36:08,080
Speaker 1: I mean rather than the speech that it comes from,

616
00:36:08,280 --> 00:36:09,960
Speaker 1: you know what I mean. Like, that's the other thing.

617
00:36:09,960 --> 00:36:13,520
Speaker 1: It's like Mario Savio is the one who like I mean,

618
00:36:13,560 --> 00:36:17,400
Speaker 1: if you hear that speech, my god, you'll be like, whoa,

619
00:36:18,000 --> 00:36:23,000
Speaker 1: I'm fucking ready to fucking Headbut it like a colonial capitalism,

620
00:36:23,000 --> 00:36:27,440
Speaker 1: white supremacy with my skull right now. But honestly, search

621
00:36:27,520 --> 00:36:30,200
Speaker 1: Mario Savio rage against the machine. That's where that phrase

622
00:36:30,239 --> 00:36:32,640
Speaker 1: comes from but yeah, I think again, people just aren't.

623
00:36:32,800 --> 00:36:34,920
Speaker 1: They don't. They don't take apart the nuances of what

624
00:36:34,920 --> 00:36:38,320
Speaker 1: they're ingesting. And if you buy a CD, always read

625
00:36:38,480 --> 00:36:43,040
Speaker 1: the booklet. You gotta um, well, maybe they saw an

626
00:36:43,040 --> 00:36:44,560
Speaker 1: evil empire and they're like, well, I don't know. It's

627
00:36:44,560 --> 00:36:47,200
Speaker 1: a white kid and like like a Rugby hockey shirt.

628
00:36:48,239 --> 00:36:50,880
Speaker 1: Like did you see that other first album with the

629
00:36:50,920 --> 00:36:54,399
Speaker 1: self immolation on the cover. Um, okay, but yeah, that's

630
00:36:54,600 --> 00:37:00,439
Speaker 1: that's metal. It's funny because when that album came out.

631
00:37:00,480 --> 00:37:03,440
Speaker 1: I remember like there was the movie Higher Learning, that

632
00:37:03,520 --> 00:37:07,520
Speaker 1: John Singleton film. There were like early Rage tracks on there, um,

633
00:37:07,600 --> 00:37:09,279
Speaker 1: And I remember going to like the CD store my

634
00:37:09,360 --> 00:37:11,640
Speaker 1: dad and that first Rage album was there and I

635
00:37:11,719 --> 00:37:13,920
Speaker 1: was like whoa, And my dad was like, yo, this

636
00:37:13,960 --> 00:37:16,160
Speaker 1: is like what the funk is this? Like what band

637
00:37:16,239 --> 00:37:19,360
Speaker 1: is this? Like it's called Rage against the Machine, and

638
00:37:19,400 --> 00:37:21,719
Speaker 1: he bought it. I remember he bought it and I

639
00:37:21,800 --> 00:37:23,799
Speaker 1: was like, I didn't know what happened. And then we

640
00:37:23,800 --> 00:37:25,200
Speaker 1: were in the car. I was like, oh, to me,

641
00:37:25,280 --> 00:37:27,120
Speaker 1: I could just see this image of the monk who

642
00:37:27,120 --> 00:37:30,040
Speaker 1: had self was you know, engaging in self in relation

643
00:37:30,040 --> 00:37:34,120
Speaker 1: to protest the Vietnam War, and like I remember it

644
00:37:34,160 --> 00:37:36,040
Speaker 1: wasn't ntil like we got home. I was like, why

645
00:37:36,080 --> 00:37:37,919
Speaker 1: did you just buy that? She didn't even know the band.

646
00:37:37,960 --> 00:37:40,120
Speaker 1: He's like, he's like this. Then he broke down what

647
00:37:40,200 --> 00:37:41,920
Speaker 1: this image was about and what he was going through

648
00:37:41,960 --> 00:37:43,680
Speaker 1: in the seventies and how he felt about the war,

649
00:37:43,760 --> 00:37:48,160
Speaker 1: and like what kind of mental just focus it takes

650
00:37:48,160 --> 00:37:50,560
Speaker 1: to even maintain a position like that while your body

651
00:37:50,680 --> 00:37:53,520
Speaker 1: is engulfed in flames as a protest. And he was like,

652
00:37:53,760 --> 00:37:56,040
Speaker 1: he's like, whoever posted this, or if they're using this

653
00:37:56,080 --> 00:37:58,279
Speaker 1: as their album cover, I know they know what the

654
00:37:58,320 --> 00:38:00,960
Speaker 1: fund is up and and I was like, all right, whatever,

655
00:38:01,000 --> 00:38:03,000
Speaker 1: And then I didn't get into it until Evil Empire

656
00:38:03,400 --> 00:38:06,640
Speaker 1: and I was like, oh, okay, Yeah. Meanwhile, I'll be

657
00:38:06,719 --> 00:38:09,080
Speaker 1: like nine and I'll see the same cover and I'll

658
00:38:09,080 --> 00:38:15,120
Speaker 1: be like, this is how my parents make me feel, right,

659
00:38:16,080 --> 00:38:19,800
Speaker 1: I just want to stay up late and then sadly,

660
00:38:19,880 --> 00:38:22,439
Speaker 1: like in that other portion, I fell into Lincoln Park

661
00:38:22,480 --> 00:38:24,640
Speaker 1: at a time when I made me lasted more. But hey,

662
00:38:24,680 --> 00:38:26,600
Speaker 1: you know what it is in the end, nothing doesn't

663
00:38:26,600 --> 00:38:31,479
Speaker 1: even the machine is bedtime miles. These wounds will never heal.

664
00:38:31,719 --> 00:38:33,760
Speaker 1: And that's the promise that I make to all Lincoln

665
00:38:33,800 --> 00:38:40,040
Speaker 1: Bark family. Um, let's talk about Trump. Trump announced his

666
00:38:40,080 --> 00:38:49,080
Speaker 1: first post coronavirus rally h and a very specific date

667
00:38:49,560 --> 00:38:53,680
Speaker 1: and location. Yeah. I like even Hitler, I think is

668
00:38:53,719 --> 00:38:57,120
Speaker 1: cringing at how on the nose this ship is. It's

669
00:38:57,920 --> 00:39:03,080
Speaker 1: my god, you're you're going Juneteenth, which as an actual holiday.

670
00:39:03,080 --> 00:39:04,680
Speaker 1: And I think all the three states, they think the

671
00:39:04,760 --> 00:39:08,760
Speaker 1: Dakotas in Montana, Uh of the you know, we're officially

672
00:39:08,760 --> 00:39:11,360
Speaker 1: recognizing the end of slavery or when the slaves and

673
00:39:11,520 --> 00:39:13,919
Speaker 1: last slaves in Texas were told that slavery had ended

674
00:39:13,920 --> 00:39:18,080
Speaker 1: in eighteen Um, that's what that's a significance of Juneteenth.

675
00:39:18,080 --> 00:39:20,840
Speaker 1: So that's basically saying for if you want to reduce

676
00:39:20,880 --> 00:39:23,160
Speaker 1: it down to an easy thing that you know, uh,

677
00:39:23,520 --> 00:39:27,359
Speaker 1: end of slavery holiday celebration days Juneteenth, to then have

678
00:39:27,480 --> 00:39:31,920
Speaker 1: that your first rally since March, which extends. People are

679
00:39:31,920 --> 00:39:35,279
Speaker 1: going to look at this rally as being a response

680
00:39:35,360 --> 00:39:39,239
Speaker 1: to the Black Lives Matter movement because that's just that's

681
00:39:39,239 --> 00:39:43,759
Speaker 1: just where we are the judge. Yeah, um, to have

682
00:39:43,880 --> 00:39:46,239
Speaker 1: then have it in Tulsa, the site of one of

683
00:39:46,280 --> 00:39:52,120
Speaker 1: the worst racial terrorist acts UM ever ever transpired on

684
00:39:52,160 --> 00:39:55,520
Speaker 1: American soil. Aside from the genocide of indigenous people throughout

685
00:39:55,520 --> 00:39:57,960
Speaker 1: the history of this country. I would say is pretty

686
00:39:57,960 --> 00:40:01,000
Speaker 1: significant because that's the side of Black Walls Street. The

687
00:40:01,520 --> 00:40:08,919
Speaker 1: Tulsa massacre just was unbelievable, four total, four unbelievable, un

688
00:40:09,560 --> 00:40:12,640
Speaker 1: abated racial violence against black people who had figured out

689
00:40:12,640 --> 00:40:16,880
Speaker 1: a way to find prosperity without uh, just within their

690
00:40:16,920 --> 00:40:19,400
Speaker 1: own community and it was thriving. So then to have

691
00:40:19,480 --> 00:40:24,239
Speaker 1: your little you know, diet clan rally there, it's you.

692
00:40:24,680 --> 00:40:26,920
Speaker 1: We get what you're saying. You're just basically saying, like

693
00:40:27,000 --> 00:40:31,520
Speaker 1: all racists come through. Um, it's gonna be a party.

694
00:40:31,640 --> 00:40:33,960
Speaker 1: And I don't know. I mean, the thing is, I

695
00:40:34,440 --> 00:40:37,600
Speaker 1: don't actually I don't think Trump knows what what Juneteenth is.

696
00:40:37,600 --> 00:40:40,239
Speaker 1: I don't think he knows when Tulsa, Like maybe he

697
00:40:40,320 --> 00:40:44,560
Speaker 1: just found out. And I think teenage mutant Ninja Girbels

698
00:40:44,760 --> 00:40:47,759
Speaker 1: is the one who lined it up for him and

699
00:40:47,800 --> 00:40:52,000
Speaker 1: then he agreed. I think the funniest part about this

700
00:40:52,800 --> 00:40:56,360
Speaker 1: is we recently learned, Um, I think Trump, we we

701
00:40:56,480 --> 00:40:59,279
Speaker 1: like know for sure that he really only watches like

702
00:40:59,360 --> 00:41:04,240
Speaker 1: two things. He watches Fox News and he watches HBO.

703
00:41:04,440 --> 00:41:07,200
Speaker 1: And we know he watches HBO because he tweeted about insecure.

704
00:41:07,840 --> 00:41:11,360
Speaker 1: So and I think that he the only reason he

705
00:41:11,400 --> 00:41:14,960
Speaker 1: knows about Tulsa is because he probably watched The Watchman.

706
00:41:15,120 --> 00:41:17,719
Speaker 1: He watched at least one episode, because a bunch of

707
00:41:17,719 --> 00:41:20,279
Speaker 1: white people learned about Tulsa for the first time from

708
00:41:20,440 --> 00:41:25,520
Speaker 1: watching The Watchman. Because our American education system is a

709
00:41:25,560 --> 00:41:28,000
Speaker 1: complete failure and we don't teach people about this kind

710
00:41:28,040 --> 00:41:31,640
Speaker 1: of thing. Um, and he I think he knows that

711
00:41:32,400 --> 00:41:34,680
Speaker 1: the specifics of the day. I think it was just

712
00:41:34,719 --> 00:41:37,279
Speaker 1: like what's a day? We could piss off the most

713
00:41:37,280 --> 00:41:43,800
Speaker 1: black people in a coded way and make it look like, yeah,

714
00:41:43,840 --> 00:41:46,600
Speaker 1: what what day is that? Anyway? Is that like what

715
00:41:46,600 --> 00:41:49,960
Speaker 1: what what weekday is that? Let me let me see Friday,

716
00:41:49,960 --> 00:41:53,640
Speaker 1: It'll be next credit. Okay, cool, that's that's fine. He

717
00:41:53,680 --> 00:41:57,440
Speaker 1: can have his pizza Friday. I guess it's gonna The

718
00:41:57,480 --> 00:42:00,480
Speaker 1: other thing, too, is just like you know, I again,

719
00:42:00,520 --> 00:42:04,320
Speaker 1: a lot of the cruelty that's been really mind blowing,

720
00:42:04,320 --> 00:42:07,000
Speaker 1: as like Steven Miller has had a hand in all

721
00:42:07,000 --> 00:42:10,440
Speaker 1: the time. Um, and I know he definitely by working

722
00:42:10,480 --> 00:42:16,759
Speaker 1: with old Jefferson Sessions Beauregard that he picked up a

723
00:42:16,800 --> 00:42:19,719
Speaker 1: thing or two with his time interning, and that you know,

724
00:42:20,480 --> 00:42:24,520
Speaker 1: just racist office. But the other things, like when you

725
00:42:24,600 --> 00:42:27,480
Speaker 1: just look at what Trump is dealing with, he's losing

726
00:42:27,640 --> 00:42:30,920
Speaker 1: a three front war right now. He's has no answer

727
00:42:30,920 --> 00:42:33,839
Speaker 1: to the pandemic and the fallout, the economic fallout from that.

728
00:42:34,280 --> 00:42:39,440
Speaker 1: Joe Biden is doing nothing and gaining like gaining support

729
00:42:39,480 --> 00:42:44,120
Speaker 1: in polls, especially in like swing states by doing nothing. Um.

730
00:42:44,200 --> 00:42:47,239
Speaker 1: And then also you have a popular uprising in the

731
00:42:47,280 --> 00:42:50,160
Speaker 1: United States that's demanding or reckoning with white supremacy. Well

732
00:42:50,160 --> 00:42:52,799
Speaker 1: if something some people are but whatever whatever you want

733
00:42:52,840 --> 00:42:55,560
Speaker 1: to call this moment. It's a new civil rights movement

734
00:42:55,600 --> 00:43:00,600
Speaker 1: and a call for major, major restructuring and reform. And

735
00:43:01,440 --> 00:43:04,799
Speaker 1: so this man is he realizes digging ls on all three.

736
00:43:04,840 --> 00:43:06,880
Speaker 1: So he has to he's just doing his old playbooks

737
00:43:06,880 --> 00:43:09,400
Speaker 1: like I don't know, just fucking go pedal to the

738
00:43:09,440 --> 00:43:11,840
Speaker 1: metal on race war and maybe this will dig me

739
00:43:11,880 --> 00:43:15,200
Speaker 1: out of a hole or something. But it's just it's

740
00:43:15,200 --> 00:43:17,760
Speaker 1: like not even for the the math of an election

741
00:43:17,800 --> 00:43:20,640
Speaker 1: to like Oklahoma is not even a swing state, yes,

742
00:43:20,840 --> 00:43:24,000
Speaker 1: like what do you It's it's clearly just this is

743
00:43:24,040 --> 00:43:27,120
Speaker 1: just just a big it's a it's a it's a

744
00:43:27,239 --> 00:43:29,600
Speaker 1: it's a you know, it's a dog whistle, And it's

745
00:43:30,200 --> 00:43:34,000
Speaker 1: it's strange because it's like, you know, we're living in

746
00:43:34,080 --> 00:43:37,320
Speaker 1: the present, and um, the last couple of years have

747
00:43:37,440 --> 00:43:40,360
Speaker 1: just been so crazy. We never expected, um, this to

748
00:43:40,440 --> 00:43:42,440
Speaker 1: happen with Trump and like all this stuff to happen.

749
00:43:42,920 --> 00:43:45,600
Speaker 1: And I feel like we're gonna look back on this

750
00:43:45,719 --> 00:43:49,000
Speaker 1: moment like in a history book, and we're gonna be like,

751
00:43:49,160 --> 00:43:53,400
Speaker 1: of course, this is how this is exactly half fascism

752
00:43:53,400 --> 00:43:57,200
Speaker 1: and nationalism, um props up. It becomes like a prominent thing.

753
00:43:57,760 --> 00:44:02,360
Speaker 1: Is that people the whole time are just like no, no, no,

754
00:44:02,560 --> 00:44:06,040
Speaker 1: come on, and then it just happens. Yeah. Um, so

755
00:44:06,120 --> 00:44:08,960
Speaker 1: it's scary and we we just got to do our

756
00:44:09,000 --> 00:44:12,680
Speaker 1: best to confront it. And I don't know, hack hack

757
00:44:12,760 --> 00:44:19,600
Speaker 1: the convention or something. I mean I think this also

758
00:44:19,719 --> 00:44:26,200
Speaker 1: helps him. I mean all of these you know, uprisings

759
00:44:26,360 --> 00:44:30,640
Speaker 1: have just allowed him to completely avoid the conversation about COVID. Yeah,

760
00:44:30,960 --> 00:44:34,520
Speaker 1: and even when you look at Oklahoma like proportions like Oregon,

761
00:44:34,640 --> 00:44:37,759
Speaker 1: like they are outpacing them in terms of infections and

762
00:44:37,880 --> 00:44:40,440
Speaker 1: death rates because they were like one of those states,

763
00:44:40,440 --> 00:44:42,279
Speaker 1: like a ton of states that were like yeah, dude,

764
00:44:42,320 --> 00:44:46,279
Speaker 1: we're in like phase nine. All good mode completely reopened,

765
00:44:46,480 --> 00:44:48,239
Speaker 1: and then on top of that, you're going to have

766
00:44:48,760 --> 00:44:51,960
Speaker 1: a rat It's it's it's all like everything is just

767
00:44:52,880 --> 00:44:55,400
Speaker 1: it doesn't make sense. It's purely just a gesture to

768
00:44:55,520 --> 00:44:58,760
Speaker 1: like white America to try and sort of reassert itself

769
00:44:58,800 --> 00:45:02,279
Speaker 1: as they watch all their monuments and things just like

770
00:45:02,320 --> 00:45:03,920
Speaker 1: wither away in front of I mean, you hate to

771
00:45:03,960 --> 00:45:05,759
Speaker 1: see it. You hate to see I mean, you hate

772
00:45:05,760 --> 00:45:07,960
Speaker 1: to read the replies in that NASCAR tweet, you hate

773
00:45:08,000 --> 00:45:14,440
Speaker 1: to read them. The new I Heart podcast waiting on

774
00:45:14,560 --> 00:45:19,319
Speaker 1: reparations that are just like, so the racists are are

775
00:45:19,960 --> 00:45:23,239
Speaker 1: up in arms. What's over time? It's over time and

776
00:45:23,239 --> 00:45:25,800
Speaker 1: they're down by fifteen. Yeah, well it's over time and

777
00:45:25,840 --> 00:45:29,600
Speaker 1: they're getting paid for it. Yeah. And I think that

778
00:45:30,560 --> 00:45:34,600
Speaker 1: this whole it truly is they like if you really

779
00:45:34,640 --> 00:45:39,080
Speaker 1: held onto this really superficial identity of white supremacy, of

780
00:45:39,160 --> 00:45:41,319
Speaker 1: like merely like because I'm a white person, I am

781
00:45:41,360 --> 00:45:44,520
Speaker 1: better than everyone. You're probably pissing your pants right now

782
00:45:45,320 --> 00:45:48,879
Speaker 1: because suddenly like companies that used to like ignore your

783
00:45:48,960 --> 00:45:52,359
Speaker 1: racism or now like sorry, Confederate flags gone, this thing,

784
00:45:52,520 --> 00:45:55,040
Speaker 1: we're not doing it anymore, like you know, people who

785
00:45:55,040 --> 00:45:56,919
Speaker 1: work here, Sorry, fun out of here. This is where

786
00:45:56,920 --> 00:45:59,960
Speaker 1: it's at. All these monuments they're coming down your fourth

787
00:46:00,120 --> 00:46:03,480
Speaker 1: they're named after like slavers and Confederates gone, and that's

788
00:46:03,520 --> 00:46:08,680
Speaker 1: a but I have nothing, Yeah, because your ideology was

789
00:46:08,719 --> 00:46:10,840
Speaker 1: nothing to begin with. So watch, you know, either but

790
00:46:10,920 --> 00:46:15,200
Speaker 1: move on to something new, or you know, move to Whitefish, Montana. Yeah.

791
00:46:15,320 --> 00:46:18,080
Speaker 1: I can't help but laugh at like watching like a

792
00:46:18,120 --> 00:46:22,160
Speaker 1: Tucker Carlson video where like celebrities will scroll by of

793
00:46:22,200 --> 00:46:24,480
Speaker 1: all the ones that are like canceled, and it'll just

794
00:46:24,560 --> 00:46:26,960
Speaker 1: be like all the good ones. It's just like Steve

795
00:46:27,000 --> 00:46:32,480
Speaker 1: Correll over an Enemy of this State along with like

796
00:46:32,640 --> 00:46:36,640
Speaker 1: old ass rioting footage. Like also that man was playing

797
00:46:36,640 --> 00:46:40,879
Speaker 1: footage from Ferguson during his news broadcast because he's so

798
00:46:41,040 --> 00:46:43,680
Speaker 1: desperately needed to portray what was going on as some

799
00:46:43,760 --> 00:46:46,880
Speaker 1: kind of violent, like nonsensical thing that came out of

800
00:46:46,880 --> 00:46:49,920
Speaker 1: thin air rather than like a very large scale you know,

801
00:46:50,400 --> 00:46:57,440
Speaker 1: um moment of action. Sad sad man sad exclamation point. Um. Alright,

802
00:46:57,560 --> 00:47:00,439
Speaker 1: let's let's take a quick break and we'll be right back.

803
00:47:10,640 --> 00:47:15,680
Speaker 1: And we're back. And before we get back to the news,

804
00:47:15,719 --> 00:47:18,480
Speaker 1: miles do we want to do check in with the

805
00:47:18,520 --> 00:47:25,000
Speaker 1: Netflix top ten this week. So there's a couple of

806
00:47:25,040 --> 00:47:29,880
Speaker 1: things that might qualify. Um there's thirteen reasons why is

807
00:47:29,920 --> 00:47:31,960
Speaker 1: back at number one because I guess they just dropped

808
00:47:32,000 --> 00:47:34,960
Speaker 1: new episodes. I don't know that series. I just know

809
00:47:35,040 --> 00:47:39,040
Speaker 1: that it's controversial and like a team thing. I'm not

810
00:47:39,160 --> 00:47:42,880
Speaker 1: interesting that because I feel like I watched the you know,

811
00:47:43,200 --> 00:47:48,120
Speaker 1: late version of that with Riverdale recently. Um. So there's

812
00:47:48,160 --> 00:47:53,600
Speaker 1: something at number two. There's a Polish porno called three

813
00:47:54,200 --> 00:47:59,439
Speaker 1: six d n I uh, which I'm very curious about

814
00:47:59,600 --> 00:48:05,359
Speaker 1: because is I'm horny because it's a it's apparently like

815
00:48:05,400 --> 00:48:08,920
Speaker 1: a kidnapping thing. Uh. It's it's like tapping into the

816
00:48:08,920 --> 00:48:11,960
Speaker 1: same thing as uh, fifty Shades of Gray, which I

817
00:48:12,040 --> 00:48:15,279
Speaker 1: never really dug into, but I was like kind of

818
00:48:15,280 --> 00:48:19,160
Speaker 1: interested in, like what that is that like that itch

819
00:48:19,280 --> 00:48:23,440
Speaker 1: that this Uh, these movies are scratching. So I don't know.

820
00:48:26,200 --> 00:48:29,560
Speaker 1: Let's no, let's both as I look at what this

821
00:48:29,560 --> 00:48:32,200
Speaker 1: thing sounds like a fucking nightmare, Like people are like

822
00:48:32,560 --> 00:48:37,400
Speaker 1: it's it's romanticizing Stockholm syndrome, and like, yeah, oh well,

823
00:48:37,600 --> 00:48:40,239
Speaker 1: we'll see, let's check it out, all right, We'll watch.

824
00:48:40,360 --> 00:48:44,759
Speaker 1: There's also there's an article that just says three six

825
00:48:44,960 --> 00:48:48,480
Speaker 1: five d n I sex scenes leave Netflix viewers floored

826
00:48:48,560 --> 00:48:52,440
Speaker 1: by flight attendant sex act. Okay, so I don't know

827
00:48:52,560 --> 00:48:57,719
Speaker 1: what that means. Alright, guys, that's what so uh well,

828
00:48:57,760 --> 00:49:00,399
Speaker 1: we will be watching that on Monday if people want

829
00:49:00,440 --> 00:49:07,799
Speaker 1: to check that out. Selacious International Flavor. Yeah yeah, However,

830
00:49:08,160 --> 00:49:10,720
Speaker 1: the movie is just like a real hairy guy grabbing

831
00:49:10,760 --> 00:49:20,600
Speaker 1: a naked woman's boobs. Yeah. Oh, remember, all right, We've

832
00:49:20,600 --> 00:49:22,319
Speaker 1: got so much. There's so many things that stored out.

833
00:49:22,360 --> 00:49:24,200
Speaker 1: At the same time, I want to talk about this

834
00:49:24,520 --> 00:49:29,640
Speaker 1: John Amici study. The former NBA player and organizer. UM

835
00:49:30,640 --> 00:49:34,759
Speaker 1: was talking about the study where they basically sent a

836
00:49:34,840 --> 00:49:40,440
Speaker 1: questionnaire to ten thousand respondents from white collar environments to

837
00:49:40,800 --> 00:49:45,319
Speaker 1: ask the question of like, what are the traits that

838
00:49:45,400 --> 00:49:52,880
Speaker 1: they associate with black people? And the answers for themselves

839
00:49:53,080 --> 00:49:57,799
Speaker 1: like beautiful, strong, athletic, proud, music, sports. Uh So, as

840
00:49:57,840 --> 00:50:01,959
Speaker 1: he points out, not exactly a broad swath of ideas,

841
00:50:02,000 --> 00:50:06,120
Speaker 1: but at least it's not negative. But then he pointed

842
00:50:06,120 --> 00:50:09,280
Speaker 1: out that when you ask those same ten thousand people,

843
00:50:10,360 --> 00:50:14,840
Speaker 1: what do you think other people associate with black people?

844
00:50:15,520 --> 00:50:23,200
Speaker 1: The answers became criminal, athletic, poor, inferior, uneducated gangs dangerous uh.

845
00:50:23,280 --> 00:50:29,080
Speaker 1: And he was pointing out that they haven't found those

846
00:50:29,080 --> 00:50:33,400
Speaker 1: other people yet. It's just the people who are answering

847
00:50:33,440 --> 00:50:39,760
Speaker 1: the questions, all giving themselves credit for having the still

848
00:50:39,800 --> 00:50:46,520
Speaker 1: stereotypical but positive, h not racist view, but assuming that

849
00:50:47,680 --> 00:50:52,440
Speaker 1: out there in other people there exists these like very

850
00:50:52,640 --> 00:50:57,400
Speaker 1: you know, overtly racist ideas. And it just reminded me

851
00:50:57,480 --> 00:51:02,359
Speaker 1: of that um Sony email had leak that I bring

852
00:51:02,400 --> 00:51:04,880
Speaker 1: it up a lot, but it's always like stuck in

853
00:51:04,920 --> 00:51:10,439
Speaker 1: my head. This uh Sony executive who was arguing that

854
00:51:10,480 --> 00:51:17,480
Speaker 1: they shouldn't green light Denzel Washington's equalizer too, and he said, uh,

855
00:51:17,560 --> 00:51:20,480
Speaker 1: I'm not saying the equalizers should not have been made

856
00:51:20,800 --> 00:51:23,960
Speaker 1: or that African American actors should not have been used.

857
00:51:24,040 --> 00:51:26,799
Speaker 1: I personally think Denzel Washington is the best actor of

858
00:51:26,880 --> 00:51:30,640
Speaker 1: his generation, So whatever he says next will not be racist.

859
00:51:32,960 --> 00:51:37,280
Speaker 1: Casting arm is saying we're okay with a double uh

860
00:51:37,320 --> 00:51:40,280
Speaker 1: and not a home run, basically is what he said.

861
00:51:40,360 --> 00:51:44,920
Speaker 1: And then he blames it on international audiences being racist.

862
00:51:45,960 --> 00:51:50,000
Speaker 1: I just think that that is a more prevalent dynamic

863
00:51:50,160 --> 00:51:56,160
Speaker 1: than a lot of white people realize. The idea that well,

864
00:51:56,200 --> 00:51:59,880
Speaker 1: it's out there other people are racist, and that's just

865
00:52:00,080 --> 00:52:04,560
Speaker 1: the reality that I'm dealing with. But I'm one of

866
00:52:04,600 --> 00:52:09,920
Speaker 1: the good ones. And it's just that is upholding systemic

867
00:52:10,080 --> 00:52:14,520
Speaker 1: racism and systemic white supremacy just as much when you're

868
00:52:14,560 --> 00:52:19,200
Speaker 1: just assuming that in other people. Yeah, to be clear,

869
00:52:19,239 --> 00:52:25,040
Speaker 1: when you center whiteness, you are centering whiteness like you,

870
00:52:26,280 --> 00:52:29,759
Speaker 1: especially if you are in a position of power. You know,

871
00:52:30,320 --> 00:52:33,880
Speaker 1: I've been a stand up comic for a long time,

872
00:52:34,520 --> 00:52:39,239
Speaker 1: and I am acutely aware that, like when I tell

873
00:52:39,560 --> 00:52:44,959
Speaker 1: jokes in front of an audience, um, almost of the time,

874
00:52:45,040 --> 00:52:48,640
Speaker 1: I am telling jokes, even though they're they're black jokes,

875
00:52:49,320 --> 00:52:52,000
Speaker 1: I'm telling them to a white audience, to a white

876
00:52:52,360 --> 00:52:56,400
Speaker 1: um like palette. Um, even if they're from my perspective,

877
00:52:56,920 --> 00:53:02,040
Speaker 1: there too, that white perspective. And the people who are

878
00:53:02,080 --> 00:53:05,520
Speaker 1: in charge of like making decisions of like getting things

879
00:53:05,520 --> 00:53:08,400
Speaker 1: on TV and putting movies out and distributing them, like,

880
00:53:08,520 --> 00:53:14,600
Speaker 1: they are very acutely aware that globally it's accepted that

881
00:53:14,680 --> 00:53:17,880
Speaker 1: the Western world is white. Um. Like a lot of

882
00:53:17,920 --> 00:53:22,120
Speaker 1: foreign countries when they think of foreigners, they don't think

883
00:53:22,160 --> 00:53:25,160
Speaker 1: of um, they don't think of like a large multi

884
00:53:25,200 --> 00:53:28,000
Speaker 1: cultural like swap they think of white people like first,

885
00:53:28,719 --> 00:53:31,799
Speaker 1: and the only way that's going to change is if

886
00:53:31,880 --> 00:53:38,600
Speaker 1: people actually um make us stand against it um or else.

887
00:53:38,719 --> 00:53:41,600
Speaker 1: It's just like I just think it's a shame that

888
00:53:41,640 --> 00:53:45,879
Speaker 1: like in the entire course of like human history, Like

889
00:53:46,080 --> 00:53:51,040
Speaker 1: we've had the film industry for like a little over

890
00:53:51,080 --> 00:53:54,319
Speaker 1: a hundred years and it's been centered in whiteness that

891
00:53:54,360 --> 00:53:57,600
Speaker 1: whole time. You know, if an asteroid crashes into the

892
00:53:57,600 --> 00:53:59,759
Speaker 1: earth and we only ever got to center whiteness, I

893
00:53:59,760 --> 00:54:09,759
Speaker 1: think be pretty sad. So do better you listen to

894
00:54:09,800 --> 00:54:12,680
Speaker 1: this in black and white. Even the things that they

895
00:54:12,680 --> 00:54:16,480
Speaker 1: were associating right, like athletic music, sports, those are because

896
00:54:16,600 --> 00:54:19,000
Speaker 1: those are actually places black people have been able to

897
00:54:19,040 --> 00:54:22,719
Speaker 1: center themselves in just off of merit off because the

898
00:54:22,840 --> 00:54:25,040
Speaker 1: art was good enough, because the skill was good enough

899
00:54:25,080 --> 00:54:27,160
Speaker 1: to be the best. And it's not moving like to

900
00:54:27,200 --> 00:54:31,960
Speaker 1: your point even saying they're not saying movies or books

901
00:54:32,080 --> 00:54:34,839
Speaker 1: or other things, um. And I think it's interesting too,

902
00:54:34,920 --> 00:54:38,719
Speaker 1: just like what you're saying Jack, psychologically of like imagine

903
00:54:38,760 --> 00:54:40,760
Speaker 1: like even if you're at a party, right and people

904
00:54:40,760 --> 00:54:44,160
Speaker 1: were telling like embarrassing stories and you know you had

905
00:54:44,200 --> 00:54:47,840
Speaker 1: one that happened to you that was so embarrassing. But

906
00:54:47,840 --> 00:54:49,319
Speaker 1: but you know, it's like, well, they don't know me.

907
00:54:49,400 --> 00:54:52,239
Speaker 1: I can say this happened to somebody else, and I'll

908
00:54:52,280 --> 00:54:55,960
Speaker 1: do that to shield myself from fully owning the embarrassment

909
00:54:55,960 --> 00:54:58,080
Speaker 1: of this moment. And it still has the effect of

910
00:54:58,120 --> 00:55:00,839
Speaker 1: me telling somebody an actual moment happened that they can

911
00:55:00,880 --> 00:55:03,319
Speaker 1: recognize happen to somebody else. It's like the same way

912
00:55:03,360 --> 00:55:05,520
Speaker 1: you could do that was saying like, well, what do

913
00:55:05,600 --> 00:55:07,520
Speaker 1: you think and it's like, Okay, this is what I

914
00:55:07,560 --> 00:55:10,319
Speaker 1: think black people would be there, beautiful, strong, athletic. Now

915
00:55:10,360 --> 00:55:12,000
Speaker 1: what do you think other people? Well, I think other

916
00:55:12,000 --> 00:55:14,520
Speaker 1: people probably think that they're dangerous, will probably mug you

917
00:55:15,000 --> 00:55:16,879
Speaker 1: or like this one guy at the gym like maybe

918
00:55:16,920 --> 00:55:18,839
Speaker 1: might be looking at your butt all the time. Um,

919
00:55:19,120 --> 00:55:22,879
Speaker 1: and I'm sorry, what was that? Lasting Like it does

920
00:55:22,920 --> 00:55:26,719
Speaker 1: allow this sort of like psychological your defense mechanisms to

921
00:55:26,760 --> 00:55:28,680
Speaker 1: come down when you're starting to frame things in the

922
00:55:28,719 --> 00:55:32,319
Speaker 1: context of another person. But somehow, like a lot more

923
00:55:32,480 --> 00:55:36,120
Speaker 1: negative stuff comes out because you're offered this distance or

924
00:55:36,120 --> 00:55:39,600
Speaker 1: separation from those I'm gonna try that on people like date,

925
00:55:40,320 --> 00:55:43,319
Speaker 1: try that on people you date, Yeah, what do you

926
00:55:43,320 --> 00:55:49,960
Speaker 1: think other girls would think? Complain? About me. That's literally.

927
00:55:50,239 --> 00:55:55,040
Speaker 1: Uh So that interview with John Amici happened on like

928
00:55:55,080 --> 00:56:01,000
Speaker 1: a Life Coaches uh podcast, I think, and uh the

929
00:56:01,080 --> 00:56:04,439
Speaker 1: life coach was like, that's who I don't generally give

930
00:56:04,600 --> 00:56:07,239
Speaker 1: life coaches, That's not where I get most of my

931
00:56:07,280 --> 00:56:13,600
Speaker 1: psychological studies from. But the person was saying that they

932
00:56:13,640 --> 00:56:16,960
Speaker 1: actually ask people like to get a sense of what

933
00:56:17,040 --> 00:56:20,279
Speaker 1: they think. They ask people what they think other people think,

934
00:56:20,600 --> 00:56:27,440
Speaker 1: because that's like where you get the unguarded truth from people. Yeah,

935
00:56:27,640 --> 00:56:29,680
Speaker 1: I'm gonna trick some people in my life and to

936
00:56:29,840 --> 00:56:33,040
Speaker 1: saying something because it's also to like, you know what,

937
00:56:33,160 --> 00:56:34,879
Speaker 1: actually I think about that too. If like I've been

938
00:56:34,880 --> 00:56:39,640
Speaker 1: critical of like a personal friends work, I've used the defense,

939
00:56:39,640 --> 00:56:43,759
Speaker 1: but you know, like some people say, because I don't

940
00:56:43,760 --> 00:56:45,439
Speaker 1: want to be like yo, this is trash, I'm gonna

941
00:56:45,440 --> 00:56:48,239
Speaker 1: be really, this is trash. This trash. I just don't

942
00:56:48,280 --> 00:56:52,560
Speaker 1: think people will get it. Yeah, yeah, right right right,

943
00:56:52,600 --> 00:56:56,280
Speaker 1: And I do. I do. I think you're the greatest

944
00:56:56,360 --> 00:56:58,520
Speaker 1: yet artist of our generation. If I saw this and

945
00:56:58,560 --> 00:57:00,400
Speaker 1: I didn't know you, and if I weren't with you,

946
00:57:00,560 --> 00:57:02,640
Speaker 1: I would also still think that this is good. But

947
00:57:02,680 --> 00:57:08,319
Speaker 1: I'm saying that other people but not the same thing. Yeah,

948
00:57:08,320 --> 00:57:10,520
Speaker 1: we always have to preserve ourselves or we never want

949
00:57:10,560 --> 00:57:13,239
Speaker 1: to come off as the you know, the bad guy,

950
00:57:13,680 --> 00:57:16,200
Speaker 1: whatever that is, whether that's bad for being honest or

951
00:57:16,480 --> 00:57:20,440
Speaker 1: objectively bad because you have really you know, shitty racist

952
00:57:20,600 --> 00:57:26,320
Speaker 1: ideas in your head. Also, I do want to talk

953
00:57:26,320 --> 00:57:33,080
Speaker 1: about they did abolish Cops. Uh, the TV show UM oh,

954
00:57:33,200 --> 00:57:35,520
Speaker 1: and uh what is that other one Live p D

955
00:57:35,840 --> 00:57:39,919
Speaker 1: or whatever was a newer one that was like kind

956
00:57:39,920 --> 00:57:43,160
Speaker 1: of a big hit that they canceled. But I was

957
00:57:43,360 --> 00:57:46,360
Speaker 1: I didn't know Cops was still on the air me neither.

958
00:57:47,480 --> 00:57:51,360
Speaker 1: I thought it was like re reruns, like I don't know,

959
00:57:51,400 --> 00:57:55,880
Speaker 1: I associated it with like early nineties TV UM. But

960
00:57:56,040 --> 00:58:00,520
Speaker 1: they were set to premier their thirty third season this

961
00:58:00,600 --> 00:58:04,800
Speaker 1: week on the Paramount network, which used to be a

962
00:58:04,920 --> 00:58:11,520
Speaker 1: Spike TV. Until a TV station dedicated to toxic masculinity

963
00:58:11,680 --> 00:58:16,320
Speaker 1: was no longer like a viable a viable like strategy.

964
00:58:16,800 --> 00:58:21,120
Speaker 1: But when they announced that ship, people were like, yeah,

965
00:58:21,720 --> 00:58:28,360
Speaker 1: like video game awards, give me bar rescue. Apparently the

966
00:58:28,360 --> 00:58:31,080
Speaker 1: show stopped Daring on Fox in two thousand thirteen, and

967
00:58:31,120 --> 00:58:33,360
Speaker 1: then that's when Spike picked it up and then it

968
00:58:33,440 --> 00:58:38,640
Speaker 1: became Paramount. But so I I don't know. I think

969
00:58:38,640 --> 00:58:40,680
Speaker 1: a lot of people know that it began. It was

970
00:58:40,720 --> 00:58:43,120
Speaker 1: one of the first reality shows. It began because there

971
00:58:43,160 --> 00:58:48,680
Speaker 1: was a writer strike uh and the show's creators had

972
00:58:48,720 --> 00:58:52,760
Speaker 1: worked with Haraldo on a show about drug busts uh

973
00:58:52,800 --> 00:58:57,120
Speaker 1: and then pitched Cops to Fox, and they were just

974
00:58:57,200 --> 00:59:00,440
Speaker 1: desperate for unscripted shows because of the right or strike.

975
00:59:01,120 --> 00:59:04,280
Speaker 1: But like, people who have paid attention to the show

976
00:59:04,440 --> 00:59:07,160
Speaker 1: and the impact has had say that it was really

977
00:59:08,200 --> 00:59:15,120
Speaker 1: damaging for in a number of ways. So yeah, Like literally,

978
00:59:15,760 --> 00:59:20,120
Speaker 1: the police departments get final cut on the show like

979
00:59:20,200 --> 00:59:24,240
Speaker 1: they are because they have to sign off on giving

980
00:59:24,240 --> 00:59:29,760
Speaker 1: away the access. They review every episode before it goes out,

981
00:59:29,880 --> 00:59:34,640
Speaker 1: and it needs to present the police officers in a

982
00:59:35,160 --> 00:59:39,760
Speaker 1: you know, positive heroic light, which the police the police

983
00:59:39,800 --> 00:59:43,880
Speaker 1: are in charge of constructing their own narrative that is

984
00:59:43,920 --> 00:59:50,640
Speaker 1: then shown on screen. It sounds like it sounds like propaganda. Okay.

985
00:59:51,000 --> 00:59:56,840
Speaker 1: That reminds me of I've been kind of like thinking about, Um,

986
00:59:56,880 --> 00:59:59,320
Speaker 1: I've been trying to like decolonize like all these like

987
00:59:59,520 --> 01:00:01,600
Speaker 1: cop show that I've like internalized when I was a kid.

988
01:00:01,640 --> 01:00:03,480
Speaker 1: I remember when I was a kid on like TV

989
01:00:03,640 --> 01:00:10,160
Speaker 1: land um watching uh not Like yeah, Dragnet. It is Dragnet. Um.

990
01:00:10,240 --> 01:00:13,520
Speaker 1: The guy behind that, UM, I think his character's name

991
01:00:13,600 --> 01:00:15,960
Speaker 1: was like Jack Holiday. I'm not sure if that was

992
01:00:16,000 --> 01:00:20,960
Speaker 1: his real name, but like they presented that show as

993
01:00:21,600 --> 01:00:26,439
Speaker 1: this like very realistic, um police procedural of like how

994
01:00:26,800 --> 01:00:29,240
Speaker 1: it's like to be a police officer, and a lot

995
01:00:29,280 --> 01:00:31,320
Speaker 1: of it was like kind of boring. They would use

996
01:00:31,360 --> 01:00:34,720
Speaker 1: codes and they would like investigate things and you see

997
01:00:34,720 --> 01:00:37,720
Speaker 1: them like um using like actual like police cars and

998
01:00:37,720 --> 01:00:40,680
Speaker 1: stuff as props. And then I was reading about it

999
01:00:40,840 --> 01:00:45,800
Speaker 1: and you know, the whole thing was basically propaganda. The

1000
01:00:45,840 --> 01:00:52,800
Speaker 1: police department lent them equipment as long as they got

1001
01:00:52,840 --> 01:00:57,760
Speaker 1: the okay on every like story in the episodes and stuff,

1002
01:00:58,040 --> 01:01:03,240
Speaker 1: and it was like one of the most successful police

1003
01:01:03,360 --> 01:01:07,320
Speaker 1: pr imperatives. And it kind of just like started to

1004
01:01:07,400 --> 01:01:12,240
Speaker 1: in France, um the police department in Hollywood in Los Angeles,

1005
01:01:12,920 --> 01:01:17,360
Speaker 1: and it's it's just it's just gross and UM it's

1006
01:01:17,400 --> 01:01:21,280
Speaker 1: made me. Hey, Dragnet, which is used to be like

1007
01:01:21,520 --> 01:01:26,240
Speaker 1: like a show I used to love the that makes

1008
01:01:26,240 --> 01:01:29,120
Speaker 1: so much sense. I've only seen one episode of Dragnet,

1009
01:01:29,160 --> 01:01:34,040
Speaker 1: and it was the one where hippies like taking LSD

1010
01:01:34,480 --> 01:01:38,880
Speaker 1: and then lose their minds and start like one of

1011
01:01:38,920 --> 01:01:41,320
Speaker 1: them like jumps out a window, and another one I

1012
01:01:41,360 --> 01:01:45,439
Speaker 1: think just dies from LSD, like from just the drug

1013
01:01:45,600 --> 01:01:52,960
Speaker 1: l from talking about it. Yeah. Yeah. The only place

1014
01:01:53,000 --> 01:01:59,440
Speaker 1: that I know that is that routinely dishonest about drugs

1015
01:01:59,600 --> 01:02:04,000
Speaker 1: is DARE, which is a police program. So it's like

1016
01:02:04,600 --> 01:02:09,720
Speaker 1: that that was a unified strategy across the board. I

1017
01:02:09,760 --> 01:02:13,680
Speaker 1: mean DARE was a great ad for PCP because the

1018
01:02:13,720 --> 01:02:17,640
Speaker 1: stories they told me, I was like, wait, what what

1019
01:02:17,680 --> 01:02:21,479
Speaker 1: The guy threw a cop car, smoked something and get

1020
01:02:21,560 --> 01:02:26,440
Speaker 1: super he ripped the light out. Yeah, Like I remember

1021
01:02:26,440 --> 01:02:29,560
Speaker 1: and this guy I talked about this guy, Officer Charles

1022
01:02:29,560 --> 01:02:32,480
Speaker 1: all the time with his stupid vanity license plate pr

1023
01:02:32,640 --> 01:02:34,840
Speaker 1: n C H A S And it was supposed to

1024
01:02:34,840 --> 01:02:36,880
Speaker 1: say Prince Charles and I was like, no, it says

1025
01:02:37,040 --> 01:02:44,480
Speaker 1: purn Chase fucking loon. Yeah, but I just remember, I

1026
01:02:44,840 --> 01:02:48,360
Speaker 1: remember afterwards when he said that PCP story, Like me

1027
01:02:48,400 --> 01:02:51,200
Speaker 1: and my friends like, yo, dude, what the funk? What

1028
01:02:51,360 --> 01:02:55,120
Speaker 1: is this PCP thing? Uh? It did not, It was

1029
01:02:55,160 --> 01:02:57,400
Speaker 1: just really it. It just felt like a thing where

1030
01:02:57,400 --> 01:02:59,440
Speaker 1: I think officers were in trouble. They have to do

1031
01:02:59,520 --> 01:03:02,520
Speaker 1: DARE like that the deal because I like there's gotta

1032
01:03:02,520 --> 01:03:04,320
Speaker 1: be more important things or like he's like the one

1033
01:03:04,360 --> 01:03:07,040
Speaker 1: cop was like the patients to talk to ship headed

1034
01:03:07,040 --> 01:03:11,680
Speaker 1: eleven in twelve year olds. But yeah, so I mean

1035
01:03:11,840 --> 01:03:16,960
Speaker 1: by creating this feedback loop where it was police uh

1036
01:03:17,000 --> 01:03:21,280
Speaker 1: and TV producers and reality show producers the like who

1037
01:03:21,280 --> 01:03:24,360
Speaker 1: are not who are just looking for the you know,

1038
01:03:24,520 --> 01:03:28,440
Speaker 1: the violence, the exciting thing, the thing that's going to

1039
01:03:28,600 --> 01:03:33,520
Speaker 1: They're not looking to upend any stereotypes. They're more looking

1040
01:03:33,600 --> 01:03:39,360
Speaker 1: to just use them to to hook people in that

1041
01:03:39,800 --> 01:03:43,240
Speaker 1: show being on the air for so many years. Uh,

1042
01:03:43,360 --> 01:03:46,760
Speaker 1: they like police departments openly say that it was the

1043
01:03:46,800 --> 01:03:50,200
Speaker 1: best recruiting tool that they had. When you think about

1044
01:03:50,320 --> 01:03:54,920
Speaker 1: who it's recruiting. Uh, then like some of these videos

1045
01:03:54,960 --> 01:03:59,000
Speaker 1: that we've been seeing of how the police respond to

1046
01:04:00,040 --> 01:04:03,800
Speaker 1: useful protests start making more sense to me. I think

1047
01:04:04,600 --> 01:04:07,200
Speaker 1: imagine getting pulled over in two thousand twenty and then

1048
01:04:07,280 --> 01:04:10,840
Speaker 1: like seeing a camera and being like, am I on

1049
01:04:11,000 --> 01:04:15,400
Speaker 1: fucking Cops right now? And they're like yes, Like what

1050
01:04:16,240 --> 01:04:20,240
Speaker 1: like I'm not signing the release? You know. The The

1051
01:04:20,280 --> 01:04:21,760
Speaker 1: other thing, too, is like when you think of how

1052
01:04:21,760 --> 01:04:24,360
Speaker 1: it functions, I don't think I've seen a Cops episode

1053
01:04:24,360 --> 01:04:26,720
Speaker 1: where they got the wrong guy and we're like, oh,

1054
01:04:26,800 --> 01:04:30,160
Speaker 1: sorry about never let you know. They just had the

1055
01:04:30,240 --> 01:04:32,880
Speaker 1: caveat of Like Cops is filmed on the streets with

1056
01:04:33,000 --> 01:04:36,080
Speaker 1: the brave women and women of law enforcement. They're like

1057
01:04:36,400 --> 01:04:39,760
Speaker 1: all all people are innocent until proven guilty, despite what

1058
01:04:39,880 --> 01:04:43,400
Speaker 1: the demeanor of the police suggested and the editing right,

1059
01:04:43,920 --> 01:04:47,640
Speaker 1: they're always getting their man. They're always the show. Like

1060
01:04:47,680 --> 01:04:52,000
Speaker 1: people who did a statistical analysis found uh that they

1061
01:04:52,040 --> 01:04:56,520
Speaker 1: were more likely to show arrests of persons of color

1062
01:04:56,840 --> 01:05:01,480
Speaker 1: before like the first commercial break. Then like they just

1063
01:05:01,520 --> 01:05:05,400
Speaker 1: like frontloaded that to play on I guess the white

1064
01:05:05,400 --> 01:05:11,920
Speaker 1: audiences fears. And yeah, sometimes police forces invited the Cops

1065
01:05:12,000 --> 01:05:14,920
Speaker 1: crew to come film them as a pr move in

1066
01:05:15,040 --> 01:05:20,560
Speaker 1: order to quote mend a tarnished image. Um, and you

1067
01:05:20,560 --> 01:05:24,360
Speaker 1: you mentioned the releases, Like in order to get people

1068
01:05:24,560 --> 01:05:28,959
Speaker 1: to sign the release they would like sometimes just keep

1069
01:05:29,000 --> 01:05:34,439
Speaker 1: them locked, locked up, you know, next to the release form,

1070
01:05:34,480 --> 01:05:36,720
Speaker 1: being like you're not going anywhere, you're not getting any water,

1071
01:05:36,920 --> 01:05:39,480
Speaker 1: you can't go to the bathroom until you sign this

1072
01:05:39,600 --> 01:05:42,280
Speaker 1: release form if they signed it at all. Some of

1073
01:05:42,480 --> 01:05:46,480
Speaker 1: some of the people that this show running from Cops,

1074
01:05:46,520 --> 01:05:49,680
Speaker 1: which is a podcast that's focused on the victims of

1075
01:05:49,720 --> 01:05:53,520
Speaker 1: the show Cops. Uh. They said they talked to a

1076
01:05:53,520 --> 01:05:56,640
Speaker 1: lot of people who never signed a release and they

1077
01:05:56,640 --> 01:05:59,160
Speaker 1: were just like, Yeah, what are you gonna do about it? Wow,

1078
01:05:59,560 --> 01:06:04,920
Speaker 1: we're gonna you fund you. Yeah, he's man to your departments. Yeah, Brodie,

1079
01:06:04,960 --> 01:06:07,760
Speaker 1: it's been great having you back on the daily zyg

1080
01:06:07,800 --> 01:06:11,160
Speaker 1: Ice fam. Thanks for having me you guys, find you

1081
01:06:11,320 --> 01:06:14,440
Speaker 1: and follow you. UM. You can find me at Ago

1082
01:06:14,560 --> 01:06:20,400
Speaker 1: browberrow um on Twitter and Instagram. Mostly on Twitter. UM.

1083
01:06:20,560 --> 01:06:24,560
Speaker 1: You can listen to two of my podcasts. Have a

1084
01:06:24,560 --> 01:06:28,200
Speaker 1: podcast called The Male Gaze with a couple other comedians

1085
01:06:28,320 --> 01:06:31,720
Speaker 1: and we talk about We talked about current events during

1086
01:06:31,720 --> 01:06:35,800
Speaker 1: the week through a sensitive Male Gaze UM and The

1087
01:06:35,920 --> 01:06:39,440
Speaker 1: Dark Weeb where me and Cody Ziggler talk about a

1088
01:06:39,440 --> 01:06:42,920
Speaker 1: lot of nerdy things as people of color. UM. And

1089
01:06:42,960 --> 01:06:46,160
Speaker 1: you can also check out a short film UM that

1090
01:06:46,320 --> 01:06:49,480
Speaker 1: we made that is supposed to be coming out soon.

1091
01:06:49,480 --> 01:06:50,880
Speaker 1: It was supposed to play it a lot of festival

1092
01:06:50,920 --> 01:06:53,160
Speaker 1: since here a lot of them got UM push. But

1093
01:06:53,200 --> 01:06:57,840
Speaker 1: it's called sixteen thoud Dollars. It's a comedy about reparations, UM,

1094
01:06:57,920 --> 01:07:00,360
Speaker 1: and it's like winning some awards and stuff, and we're

1095
01:07:00,400 --> 01:07:03,400
Speaker 1: pretty proud of that. Oh, thanks for having me guys.

1096
01:07:03,800 --> 01:07:06,880
Speaker 1: Of course, who else is on that show? Steve Fernandez

1097
01:07:06,960 --> 01:07:10,760
Speaker 1: also does that podcast, right Stee Fernandez, um Stricken Williams

1098
01:07:10,760 --> 01:07:14,280
Speaker 1: and z Cut Singer. They're all really funny, really great good.

1099
01:07:14,400 --> 01:07:19,760
Speaker 1: I think everybody's upset on the show. Check it out. Miles,

1100
01:07:19,760 --> 01:07:21,920
Speaker 1: Where can people find you? And what's a tweet you've

1101
01:07:21,960 --> 01:07:29,680
Speaker 1: been enjoying? Uh? Twitter, Instagram, uh, PlayStation network, Miles of Gray.

1102
01:07:29,720 --> 01:07:33,160
Speaker 1: Also my other podcast for twenty Day Fiance, where we're

1103
01:07:33,160 --> 01:07:37,560
Speaker 1: talking about ninety day fiance. Pretty easy. Okay, let's see

1104
01:07:37,560 --> 01:07:40,720
Speaker 1: a tweet that I like. Okay, this tweet is from

1105
01:07:40,760 --> 01:07:43,520
Speaker 1: Stephanie d Keen at Rhythm Keen k E and he

1106
01:07:43,600 --> 01:07:46,120
Speaker 1: it says, I remember first hearing about abolition and thinking

1107
01:07:46,200 --> 01:07:49,120
Speaker 1: we can do that. I just hadn't had the imagination

1108
01:07:49,200 --> 01:07:51,000
Speaker 1: for it before a lot of people are having that

1109
01:07:51,080 --> 01:07:54,200
Speaker 1: moment or the one just before it right now. It's

1110
01:07:54,240 --> 01:07:56,480
Speaker 1: hard to imagine a thing you don't know, but we

1111
01:07:56,600 --> 01:07:59,520
Speaker 1: do it all the time, So you know, do some reading.

1112
01:07:59,760 --> 01:08:05,280
Speaker 1: It's get yourself, give yourself the ability to envision facing Uh.

1113
01:08:05,560 --> 01:08:09,000
Speaker 1: You can find me on Twitter at Jack Underscore O'Brien.

1114
01:08:09,720 --> 01:08:13,000
Speaker 1: Andy Richter tweeted according to the email I just got

1115
01:08:13,160 --> 01:08:15,600
Speaker 1: I didn't just order a pair of flip flops online.

1116
01:08:15,600 --> 01:08:18,080
Speaker 1: I became part of a family. They should tell you

1117
01:08:18,120 --> 01:08:20,559
Speaker 1: this stuff ahead of time. I've got enough on my

1118
01:08:20,640 --> 01:08:25,200
Speaker 1: plate right now. Uh. Rob Whisman tweeted, if I can

1119
01:08:25,240 --> 01:08:27,920
Speaker 1: stop listening to do Ignition Remix, you can give up

1120
01:08:27,920 --> 01:08:32,960
Speaker 1: your racism statues, and Sean Clements tweeted me and my

1121
01:08:33,040 --> 01:08:35,840
Speaker 1: slept buddies thought the issue with the first bid was

1122
01:08:35,920 --> 01:08:41,719
Speaker 1: the beloved John Lennon song imagine Um. You can find

1123
01:08:41,760 --> 01:08:44,080
Speaker 1: me on Twitter, Jack Underscore O'Brien, you can find us

1124
01:08:44,080 --> 01:08:46,400
Speaker 1: on Twitter at daily Ze guys. We're at the Daily

1125
01:08:46,479 --> 01:08:49,040
Speaker 1: Zu Guys on Instagram. We have a Facebook fan page

1126
01:08:49,080 --> 01:08:52,000
Speaker 1: and a website Daily's like guys dot com, where we

1127
01:08:52,080 --> 01:08:56,800
Speaker 1: post our episode and our footnotes the information that we

1128
01:08:56,840 --> 01:08:59,240
Speaker 1: talked about in today's episode, as well as the song

1129
01:08:59,360 --> 01:09:02,479
Speaker 1: we right out on miles What are we riding out

1130
01:09:02,520 --> 01:09:05,760
Speaker 1: onto that Brodie sing at one time? Tell us tell

1131
01:09:05,840 --> 01:09:08,719
Speaker 1: us what we're writing out on from Rachel Dolers ex fiance.

1132
01:09:09,160 --> 01:09:11,160
Speaker 1: It's called The Man with the Horn and the track

1133
01:09:11,240 --> 01:09:14,080
Speaker 1: is called for the Rest of My Life. Huh, miss

1134
01:09:14,160 --> 01:09:16,679
Speaker 1: rights for the rest of our lives? We're gonna commit

1135
01:09:16,720 --> 01:09:20,040
Speaker 1: to something too. All right, all right, well, the daily

1136
01:09:20,200 --> 01:09:22,679
Speaker 1: like guys, the production by Heart Radio. For more podcasts

1137
01:09:22,720 --> 01:09:24,960
Speaker 1: for my Heart Radio, visit the I Heart Radio app,

1138
01:09:25,000 --> 01:09:27,639
Speaker 1: Apple podcast, or wherever you listen to your favorite shows.

1139
01:09:28,240 --> 01:09:30,479
Speaker 1: That is going to do it for this morning. We'll

1140
01:09:30,520 --> 01:09:32,880
Speaker 1: be back this afternoon to tell you what's trending, and

1141
01:09:33,280 --> 01:09:39,240
Speaker 1: we'll talk to you then by by bording the magical fantasy,

1142
01:09:39,479 --> 01:09:42,040
Speaker 1: the Goddess of love falling head over heels for me

1143
01:09:42,640 --> 01:09:44,800
Speaker 1: coming here to set me for you day. It's no doctor,

1144
01:09:44,880 --> 01:09:47,320
Speaker 1: you and my destiny display is that at beginning, how

1145
01:09:47,479 --> 01:09:49,640
Speaker 1: so happy. It's a ridiculous shame. You brought me love,

1146
01:09:49,720 --> 01:09:51,439
Speaker 1: you brought me, She brought me to the next gift

1147
01:09:51,520 --> 01:09:54,000
Speaker 1: will be a baby girl or a baby boy. Whatever

1148
01:09:54,160 --> 01:09:55,920
Speaker 1: he or she will be, it will be a blessing

1149
01:09:56,000 --> 01:09:59,200
Speaker 1: to our wonderful family. Stars are alting, shining on us

1150
01:09:59,240 --> 01:10:01,960
Speaker 1: too anxiously. Hand are smiling in us, and my heart

1151
01:10:02,000 --> 01:10:04,760
Speaker 1: has felt such a bountiful, beautiful love. I'm lessing in

1152
01:10:04,760 --> 01:10:09,760
Speaker 1: an electrical force of my life. I want your father

1153
01:10:10,200 --> 01:10:12,559
Speaker 1: my life. I want to kiss you for the rest

1154
01:10:12,600 --> 01:10:13,639
Speaker 1: of my life. Richard