WEBVTT - ANNIVERSARY SPECIAL: The Tilly Cult

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<v Speaker 1>One quick note before we start. I have a brand

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<v Speaker 1>new podcast from my Heart Radio called Popcorn Book Club.

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<v Speaker 1>I invited four of my smartest and funniest friends to

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<v Speaker 1>join me discussing books that have gotten the Hollywood treatment.

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<v Speaker 1>So search for it now on I Heart Radio app

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<v Speaker 1>or wherever you get your podcasts. That's Popcorn Book Club.

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<v Speaker 1>Take a listen. Welcome to Noble Blood, a production of

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<v Speaker 1>I Heart Radio and Grimm and Mild from Aaron Minky.

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<v Speaker 1>Listener discretion is advised for this episode of Noble Blood,

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<v Speaker 1>I'll be doing something a little bit different. Usually the

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<v Speaker 1>stories I tell are ones filtered through decades, if not

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<v Speaker 1>hundreds of years. But sometimes I come across the story

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<v Speaker 1>so bizarre, so fascinating, so well everything that I ever

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<v Speaker 1>want an episode of Noble Blood to be. That. Even

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<v Speaker 1>though we don't quite have the established consensus of history yet,

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<v Speaker 1>I can't us talking about it. And that's why today

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<v Speaker 1>we're talking about the strange and mysterious happenings that occurred

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<v Speaker 1>in southwest France when an aristocratic family fell under the

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<v Speaker 1>spell of a con man named Terry Tilly. But here's

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<v Speaker 1>the thing. This story is from two thousand one. This

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<v Speaker 1>is still technically with appeals an ongoing court case in France.

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<v Speaker 1>So take everything I say with the caveat that the

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<v Speaker 1>truth isn't yet available to us, or may never be

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<v Speaker 1>available to us. So rather than reading a normal episode

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<v Speaker 1>of Noble Blood, which I prefer to write from my

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<v Speaker 1>position of relative finality and comfortable hindsight, for this one,

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<v Speaker 1>I'll be talking with my wonderful research assistant, Hannah Johnston,

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<v Speaker 1>and together we will try our best to get to

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<v Speaker 1>the bottom of this strange, strange story. I'm Danish forts

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<v Speaker 1>and this is Noble Blood. So, Hannah, what did you

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<v Speaker 1>make of this story? From what what you read? Um?

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<v Speaker 1>What I made of the story, I think is just

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<v Speaker 1>that you know, I have been studying history for a

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<v Speaker 1>long time and have seen a lot of really absolutely bonkers,

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<v Speaker 1>you know, stories from history, and this really drove home

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<v Speaker 1>that people have always been and will always be, extremely strange. Um,

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<v Speaker 1>and some of them may be evil a little bit.

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<v Speaker 1>And of one thing that I found very compelling about

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<v Speaker 1>the story, which again we will get to in just

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<v Speaker 1>a moment, is I think there delusions of grandeur. Obviously,

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<v Speaker 1>being a Protestant noble in France doesn't mean much these days,

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<v Speaker 1>but I think a sense of self importance made them

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<v Speaker 1>incredibly susceptible to falling into a cult a plot that

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<v Speaker 1>I think to anyone else would have sounded ridiculous. Absolutely,

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<v Speaker 1>that was something that I was thinking a lot about.

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<v Speaker 1>I think I wrote in my notes that if someone

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<v Speaker 1>told me that there were forces in the world that

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<v Speaker 1>we're trying to destroy me and my family, I would

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<v Speaker 1>laugh in their face. There's nothing to make me believe

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<v Speaker 1>that I'm that important. But yeah, I think that like

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<v Speaker 1>the nostalgia of being a noble from a noble family

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<v Speaker 1>and having this big, long history, yeah, opens you up

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<v Speaker 1>to being believing that your actions have some like larger

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<v Speaker 1>global impact. So the two main sources that I came

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<v Speaker 1>to when I was trying to get to the bottom

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<v Speaker 1>of the story, we're first a Vanity Fair article by

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<v Speaker 1>Michael Joseph Gross called Aristocrats and Demons, that's very fascinating

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<v Speaker 1>and I think does a really good, in depth job

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<v Speaker 1>of getting to the bottom of the story. And a

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<v Speaker 1>memoir by one of the family members involved. But uh,

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<v Speaker 1>I just before we start, I just wanted to begin

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<v Speaker 1>with the caveat that we're not consulting a wide variety

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<v Speaker 1>of sources because I just I don't think they're available. No,

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<v Speaker 1>and whatever else beyond I think there are a couple

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<v Speaker 1>of Guardian articles too, is all in French, which I

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<v Speaker 1>do not read yet. Um, I have big dreams of

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<v Speaker 1>learning it. I started this quarantine with some Rosetta stone

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<v Speaker 1>that is still very much in early days. Yeah, my

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<v Speaker 1>dual lingo owl is very mad at me. Um. But yeah,

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<v Speaker 1>there is also another memoir I found. Um, I'm going

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<v Speaker 1>to really butcher her name. The Yeah, the aunt or

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<v Speaker 1>the sister Um wrote a memoir with her husband that

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<v Speaker 1>has yet to be translated. So there is more out

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<v Speaker 1>there that if if anyone reads French, I can't pronounce

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<v Speaker 1>the name, but it looks interesting. Well, I think that

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<v Speaker 1>is a great segue to who this family is. I

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<v Speaker 1>think we should give everyone a family trait of the oh,

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<v Speaker 1>my God and my French. I'm so sorry if my

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<v Speaker 1>pronunciation David family. I believe that I was saying vedrem

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<v Speaker 1>vejory that that seems if we say Davidori, is that

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<v Speaker 1>that sounds horrible. Apologies to anyone French. Yes, my deepest apology.

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<v Speaker 1>The Daviddori family, which uh is a as I mentioned,

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<v Speaker 1>Protestant nobles in the southwest France, which basically means they

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<v Speaker 1>have some established wealth, they live in a lovely chateau

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<v Speaker 1>or they lived in a lovely chateau with like a

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<v Speaker 1>turret and three stories. But the family are the major

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<v Speaker 1>players in this family again, Hannah, please correct my pronunciation.

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<v Speaker 1>The matriarch gi Met I believe that. Yeah, who's you know,

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<v Speaker 1>an eighty eight year old older woman, and Gimett has

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<v Speaker 1>three adult children. Three children. There's Philippe who is in

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<v Speaker 1>his sixties, who was a executive at Shell Oil. Her

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<v Speaker 1>daughter jes I ran it through a French textas speech,

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<v Speaker 1>and I think it's Guila Gila, thank you so much.

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<v Speaker 1>But that's just from like TTS dot com or something,

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<v Speaker 1>so maybe not accurate. So uh, Philippe gui La, who

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<v Speaker 1>was in her mid fifties and ran a secretarial school,

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<v Speaker 1>and then Charles Henry, who was fifty three early young,

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<v Speaker 1>you know, early fifties at the start of this story

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<v Speaker 1>and was an obstetrician. So these are all professional, wealthy,

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<v Speaker 1>established people in the world. Uh. And then the the

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<v Speaker 1>side characters will come in our the partners and children

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<v Speaker 1>of these three main siblings, and I think the dynamic

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<v Speaker 1>that we meet these siblings in is Charles Henry, who's

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<v Speaker 1>the youngest of the of the three, is the one

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<v Speaker 1>who lives at Chateau Martel, the family's estate, because he

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<v Speaker 1>has the income to supported and you know, as an obstetrician.

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<v Speaker 1>And Philippe the oldest, does feel like he's sort of

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<v Speaker 1>entitled to it or should be, but he's going through

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<v Speaker 1>a divorce at this moment. I don't really know how

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<v Speaker 1>successful he is at Shell Oil, but he he didn't

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<v Speaker 1>didn't have the income to sustain a massive estate, and

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<v Speaker 1>so it went to to his brother. I think Michael

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<v Speaker 1>Grows refers to him as a he exudes a stork

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<v Speaker 1>like bearing of wounded pride. Yeah, yeah, it seems I

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<v Speaker 1>don't know, as a in a noble family, being the

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<v Speaker 1>the oldest son and not getting the you know, the

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<v Speaker 1>big castle is probably a big blow, so I get it. Yeah.

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<v Speaker 1>And Geelong, the daughter, is married to a man named

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<v Speaker 1>Jean Marschauan and she runs, as we mentioned that a

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<v Speaker 1>secretarial school in Paris. And she also has a daughter

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<v Speaker 1>named gi Met also named after her grandmother, I assume,

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<v Speaker 1>who is twenty four and getting married to a concert pianist,

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<v Speaker 1>which I found was lovely until it all goes wrong. Yeah.

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<v Speaker 1>I was so excited for her, I feel like, and

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<v Speaker 1>they had this beautiful wedding with all these you know,

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<v Speaker 1>Parisian performers, and then the next page everything went to

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<v Speaker 1>the garbage. That was very sad to read. So I

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<v Speaker 1>think that is probably where we meet. I've been saying

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<v Speaker 1>Terry Tilly, but is it? Is it? I don't think

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<v Speaker 1>that I could make my mouth make the sound. I

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<v Speaker 1>think the last name is like t or something like that,

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<v Speaker 1>but it's just impossible for me. We'll just have to

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<v Speaker 1>do the the bastardized American americanized version. But it's this

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<v Speaker 1>bespeckled con man, or maybe not just this, this bespeckled

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<v Speaker 1>gentleman who begins working at Gee Laws secretary school. He is,

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<v Speaker 1>begins as a night tea man and sort of works

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<v Speaker 1>his way up until he's the second in command, getting

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<v Speaker 1>paid the most, and befriending Galan to such a degree

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<v Speaker 1>that her husband is worried that she's having an affair. Yeah,

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<v Speaker 1>I would be worried. I'd be worried too if I

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<v Speaker 1>saw my wife, you know, paying these massive amounts of

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<v Speaker 1>money to some strange man who's sort of a jack

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<v Speaker 1>of all trades. Um. I believe he got the school

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<v Speaker 1>a whole new set of computers and nobody's really sure

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<v Speaker 1>where they came from or you know, where that money

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<v Speaker 1>came from. And then he's taking all these secret meetings

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<v Speaker 1>with her, So I absolutely get believing that there's an

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<v Speaker 1>affair going on. And then his behavior sort of starts

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<v Speaker 1>getting even weirder. At the school, he has large, imposing

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<v Speaker 1>Polish security guards and rott Wiler's patrolling. He sort of

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<v Speaker 1>takes over the school in a way that reminded me

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<v Speaker 1>a little bit of like Project Mayhem in Fight Club,

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<v Speaker 1>where you're like, who's running the ship? This former I

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<v Speaker 1>tamn now has Polish security guards and Rottweiler's patrolling the school.

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<v Speaker 1>But I think even more threatening is this is where

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<v Speaker 1>he starts telling Gila that there's a Freemason conspiracy that's

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<v Speaker 1>out to get her family, that the Freemasons are trying

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<v Speaker 1>to get. First, he just says, are trying to get

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<v Speaker 1>property that the secretarial school is on that they you know,

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<v Speaker 1>will stop at nothing to get this property. But then

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<v Speaker 1>I think the the suspicions sort of widened too. There's

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<v Speaker 1>this massive worldwide conspiracy there are agents of evil everywhere,

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<v Speaker 1>and anyone can be a Freemason. So Gila starts seeing

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<v Speaker 1>Freemasons everywhere, and she starts getting incredibly paranoid. Yeah, and

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<v Speaker 1>in the I Think the Vanity Fair article, John is

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<v Speaker 1>mentioned noticing that you know, it's friends, it's family who

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<v Speaker 1>are suddenly agents of this freemasonic cult or conspiracy to

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<v Speaker 1>tear the family apart or destroy them somehow. And that's,

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<v Speaker 1>you know, in the con Man playbook, I suppose, is

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<v Speaker 1>just the the easiest, fastest way I can imagine to

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<v Speaker 1>isolate a family really quickly um an exert control paranoia,

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<v Speaker 1>and especially if someone is secretly believes all along that

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<v Speaker 1>they are special and that they are meant to hold

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<v Speaker 1>some significance in the world order, I can understand why

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<v Speaker 1>someone would be susceptible to that. But Terry Telly doesn't

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<v Speaker 1>end with his relationship with the law. I don't know

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<v Speaker 1>whether the wedding was where he met the rest of

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<v Speaker 1>the family, but I do like that sort of as

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<v Speaker 1>a set piece as the idea where this is sort

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<v Speaker 1>of where he infiltrate the rest of the family. So

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<v Speaker 1>at Gila daughter, he met wedding where she's as we mentioned,

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<v Speaker 1>before marrying a he seems lovely a pianist named Sebastian Uh.

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<v Speaker 1>Terry begins befriending and flattering the other members of the family,

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<v Speaker 1>and they mentioned that he is an excellent flatterer, Like

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<v Speaker 1>I'll go up to Philippe, who's that shell oil executive,

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<v Speaker 1>and say, like, you should be running shell oil. He

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<v Speaker 1>appeals to that sense of grandeur in a way that

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<v Speaker 1>he's interesting to me because looking at pictures of Terry Tilly,

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<v Speaker 1>he's not a striking, conventionally attractive or imposing man. He's

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<v Speaker 1>he looks, you know, he's on the smaller side. He

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<v Speaker 1>wears glasses. He looks like a regular like I t guy,

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<v Speaker 1>And I wonder if because he doesn't seem as imposing,

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<v Speaker 1>it's almost more seductive in a way, Like he doesn't

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<v Speaker 1>look like a con man, right, he doesn't look like

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<v Speaker 1>a handsome, slick, greasy guy. Yeah. I remember Christine and

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<v Speaker 1>her memo're talking about she met him once before meeting

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<v Speaker 1>him officially, Like she met this guy who wasn't introduced

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<v Speaker 1>by name, and he looked slimy and greasy and disgusting.

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<v Speaker 1>And she remarks that if if she had known at

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<v Speaker 1>the time that this was Tilly. She would have never

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<v Speaker 1>gone near him. And he's never described as particularly handsome

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<v Speaker 1>or dashing or even very charming. He kind of starts

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<v Speaker 1>out very um and he's shaking hands so hard that

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<v Speaker 1>he's hurting people, and I, I don't know. Normally these

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<v Speaker 1>kinds of guys are very charismatic and often attractive, but

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<v Speaker 1>he does not fit the part perfectly. No, which is

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<v Speaker 1>you know, makes it a little chilling. You know, cult

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<v Speaker 1>I know is a loaded word, but it does seem,

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<v Speaker 1>especially with Gilan, that she becomes brainwashed with with paranoia

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<v Speaker 1>and really falls under Tilly spell to the degree at

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<v Speaker 1>which there's this bizarre incident where her husband, Jean Jean Marschand,

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<v Speaker 1>who had been uh skeptical to say the least about

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<v Speaker 1>her paranoia about the Freemasons, she confronts him with a

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<v Speaker 1>wearing a cocktail dress with a fistful of dried flowers

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<v Speaker 1>and a gardening glove. She throws the flowers and gloves

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<v Speaker 1>in his face, tells him that he's an agent of evil.

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<v Speaker 1>I believe it was a part of an evil network. Rather,

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<v Speaker 1>it tells him that he has half an hour to pack,

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<v Speaker 1>and that she wanted divorce he's physically restrained by then

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<v Speaker 1>her two other brothers, Philippe and Charles Henry, and forced

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<v Speaker 1>to leave the the house. And then, in an incredibly

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<v Speaker 1>chilling moment, he sees an email from Tilly to his

0:14:52.320 --> 0:14:56.720
<v Speaker 1>now ex wife telling her to do exactly what she

0:14:56.800 --> 0:14:59.640
<v Speaker 1>said she was going to do, like telling her okay,

0:15:00.080 --> 0:15:02.720
<v Speaker 1>road dried flowers and a glove in his face and

0:15:02.760 --> 0:15:05.280
<v Speaker 1>tell him he's part of an evil network. So he

0:15:05.400 --> 0:15:09.840
<v Speaker 1>has infiltrated her to such a degree that he she's

0:15:09.880 --> 0:15:14.680
<v Speaker 1>obeying him in these bizarre instructions to throw her husband

0:15:14.680 --> 0:15:18.720
<v Speaker 1>out of the house, and it's really heartbreaking. John describes

0:15:18.760 --> 0:15:22.720
<v Speaker 1>it as as feeling like her brain had been replaced,

0:15:22.960 --> 0:15:26.360
<v Speaker 1>that Terry Tilly had stolen her brain. Yeah. I really

0:15:26.360 --> 0:15:31.080
<v Speaker 1>love the description of him as a brain burglar um,

0:15:31.240 --> 0:15:36.760
<v Speaker 1>which is a delightful, if upsetting phrase. Yeah, just wild.

0:15:37.320 --> 0:15:39.720
<v Speaker 1>It seems to me that the next few events that

0:15:39.800 --> 0:15:43.960
<v Speaker 1>happened with his family we have he's last stopped paying

0:15:44.040 --> 0:15:48.400
<v Speaker 1>teachers at her secretarial school, and they just kept teaching. Yeah,

0:15:48.560 --> 0:15:51.560
<v Speaker 1>they kept teaching. I guess they're you know, hoped that

0:15:51.600 --> 0:15:55.360
<v Speaker 1>it would stop eventually and she would start paying them again.

0:15:55.440 --> 0:15:58.720
<v Speaker 1>I imagine I guess so. But then she shut it down, right,

0:15:59.000 --> 0:16:01.880
<v Speaker 1>she just knows the whole thing shuts the school down,

0:16:01.960 --> 0:16:07.120
<v Speaker 1>stops paying electricity and power. Because then, for a brief

0:16:07.160 --> 0:16:10.400
<v Speaker 1>period after her divorce, which I could not make heads

0:16:10.560 --> 0:16:14.680
<v Speaker 1>or tales of, she her brother Philippe, the shell oil One,

0:16:15.000 --> 0:16:19.760
<v Speaker 1>and Philip's girlfriend Brigitte all live on the top floor

0:16:19.800 --> 0:16:24.280
<v Speaker 1>of this secretarial school with no power electricity. I mean,

0:16:24.360 --> 0:16:27.000
<v Speaker 1>the only explanation I could have is that, you know,

0:16:27.680 --> 0:16:31.240
<v Speaker 1>Terry Tilly told them like your house is being watched

0:16:31.280 --> 0:16:34.040
<v Speaker 1>and you know, you need to live off the grid

0:16:34.120 --> 0:16:36.800
<v Speaker 1>for a little bit or something like that, because we

0:16:36.840 --> 0:16:40.040
<v Speaker 1>don't really get an explanation of that brief period now.

0:16:40.080 --> 0:16:43.280
<v Speaker 1>And there are a couple of other episodes of various

0:16:43.320 --> 0:16:47.800
<v Speaker 1>members of the family being forced to or for some

0:16:47.840 --> 0:16:51.400
<v Speaker 1>reason choose who ever earn a cord live in abandoned buildings.

0:16:51.480 --> 0:16:55.520
<v Speaker 1>It seems like, um, the Christine and Charles and Rees's

0:16:55.600 --> 0:16:59.960
<v Speaker 1>son a Maori. Yeah, but the one of the younger

0:17:00.120 --> 0:17:04.760
<v Speaker 1>sons lived in an abandoned office building for several months

0:17:05.000 --> 0:17:09.080
<v Speaker 1>and that was that was played as some sort of punishment,

0:17:09.800 --> 0:17:12.920
<v Speaker 1>But glam was never really punished because she was so

0:17:13.000 --> 0:17:16.520
<v Speaker 1>close to Tilly um, she was sort of the central

0:17:16.600 --> 0:17:22.480
<v Speaker 1>point of contact between him and Gills. You know, family

0:17:22.560 --> 0:17:26.840
<v Speaker 1>and not friends, just family. Yeah, well, it's about this point.

0:17:26.880 --> 0:17:30.399
<v Speaker 1>I would imagine that basically the entire family now moves

0:17:30.480 --> 0:17:37.440
<v Speaker 1>in to the ancestral chateau and everyone becomes isolated from

0:17:37.760 --> 0:17:42.359
<v Speaker 1>their friends and the family that is not part of this.

0:17:42.880 --> 0:17:47.120
<v Speaker 1>The young bride he met leaves her new pianist husband

0:17:47.280 --> 0:17:50.760
<v Speaker 1>like like right away three months three months after the wedding,

0:17:50.880 --> 0:17:54.760
<v Speaker 1>leaves him, moves back in. Charles Henry, the obstetrician, just

0:17:54.880 --> 0:17:58.159
<v Speaker 1>leaves his practice without warning to his partners or patients.

0:17:59.080 --> 0:18:02.760
<v Speaker 1>Everyone just seems like leaves their jobs, leaves their significant others.

0:18:02.840 --> 0:18:07.119
<v Speaker 1>Charles Henry's wife, Christine, who becomes a major player in this, tells,

0:18:07.280 --> 0:18:10.080
<v Speaker 1>you know, cuts off contact with her friends and when

0:18:10.080 --> 0:18:11.879
<v Speaker 1>her friends try to reach out to where she's like that,

0:18:12.000 --> 0:18:14.800
<v Speaker 1>it's a family. It's a really important family thing that's

0:18:14.800 --> 0:18:19.040
<v Speaker 1>happening right now. So at this point, all of them

0:18:19.320 --> 0:18:23.320
<v Speaker 1>sell their external properties, the properties that aren't this house,

0:18:23.359 --> 0:18:25.760
<v Speaker 1>so all the places that they had been living and

0:18:25.800 --> 0:18:28.480
<v Speaker 1>all the savings and money they had, and they give

0:18:28.600 --> 0:18:32.520
<v Speaker 1>all of their money to Tilly. Yeah. So now it's

0:18:32.560 --> 0:18:37.600
<v Speaker 1>eleven people I think living at this of the castle.

0:18:37.760 --> 0:18:42.200
<v Speaker 1>I guess, yeah, I like this nice, medium sized state.

0:18:42.960 --> 0:18:47.199
<v Speaker 1>Three generations from he met the eight year old grandmother.

0:18:47.720 --> 0:18:51.200
<v Speaker 1>I think the youngest is Diane at sixteen, who is

0:18:51.280 --> 0:18:55.080
<v Speaker 1>Charles Henry and Christine's daughter. So the children in play.

0:18:55.200 --> 0:18:59.440
<v Speaker 1>We already talked about Gelon's daughter, the bride who leaves

0:18:59.440 --> 0:19:02.680
<v Speaker 1>her husband. She has a brother, Francois. But I think

0:19:02.720 --> 0:19:07.960
<v Speaker 1>that the main child who becomes a character in this

0:19:08.040 --> 0:19:12.119
<v Speaker 1>story for bizarre reasons is Um. And this is the

0:19:12.119 --> 0:19:15.520
<v Speaker 1>problem with aristocratic French families that they all name their

0:19:15.600 --> 0:19:19.560
<v Speaker 1>kids the exact same things. Right. Is that how you

0:19:19.560 --> 0:19:22.320
<v Speaker 1>would say it, I would suppose, so, I think so

0:19:22.359 --> 0:19:25.800
<v Speaker 1>that's how I've been pronouncing it in my head. So, Um,

0:19:25.840 --> 0:19:30.040
<v Speaker 1>who is Charles Henry the obstetrician, the oldest adult son

0:19:30.400 --> 0:19:33.800
<v Speaker 1>and Christine's oldest son. Yeah, he does a lot of

0:19:34.000 --> 0:19:36.840
<v Speaker 1>crazy stuff that I am very excited to get into.

0:19:37.400 --> 0:19:40.119
<v Speaker 1>So let's talk about this period where the family is

0:19:40.200 --> 0:19:45.400
<v Speaker 1>living at the estate together. Sure, yeah, I think I know. Yeah,

0:19:45.440 --> 0:19:47.760
<v Speaker 1>there are eleven of them living in the house. I

0:19:47.800 --> 0:19:51.840
<v Speaker 1>know at some point Diane was sent away. Um, she

0:19:51.880 --> 0:19:55.119
<v Speaker 1>went to boarding school, And I think this may have

0:19:55.160 --> 0:19:59.840
<v Speaker 1>been before Chasmrie was kind of back in the picture

0:20:00.000 --> 0:20:02.840
<v Speaker 1>for a while. He was in Bordeaux with I guess

0:20:03.280 --> 0:20:05.760
<v Speaker 1>still with his practice at the time, and then there

0:20:05.760 --> 0:20:10.280
<v Speaker 1>were eleven people at the estate at Martel. At some point,

0:20:10.320 --> 0:20:13.320
<v Speaker 1>I think in somewhere between two thousand two and two

0:20:13.359 --> 0:20:18.880
<v Speaker 1>thousand three, Tilly ordered everyone to banish clocks and calendars

0:20:18.880 --> 0:20:22.239
<v Speaker 1>from their chateau, which meant they had no reference of

0:20:22.760 --> 0:20:26.119
<v Speaker 1>time or what day it was, um, which is another

0:20:26.480 --> 0:20:31.080
<v Speaker 1>tried and true brainwashing tactic of just disorienting the people

0:20:31.119 --> 0:20:34.040
<v Speaker 1>that you're trying to manipulate. Um. So they're all living

0:20:34.800 --> 0:20:37.480
<v Speaker 1>sequestered in this house, no idea what day it is.

0:20:38.359 --> 0:20:40.960
<v Speaker 1>They're in the news for a while as like the

0:20:41.000 --> 0:20:46.880
<v Speaker 1>famous recluses of their town, which is I believe pronounced

0:20:47.080 --> 0:20:51.119
<v Speaker 1>mont Flancin. That seems right, but yeah, so basically the

0:20:51.160 --> 0:20:53.520
<v Speaker 1>only interest in them up until this point is sort

0:20:53.520 --> 0:20:57.000
<v Speaker 1>of tabloid interest where people are like, isn't it weird

0:20:57.080 --> 0:20:59.960
<v Speaker 1>that this you know, wealthy family is just also quest

0:21:00.000 --> 0:21:02.240
<v Speaker 1>stirred in their house and cut off contact with everyone.

0:21:02.440 --> 0:21:05.720
<v Speaker 1>It's sort of like a just a a weird bit

0:21:05.720 --> 0:21:09.200
<v Speaker 1>of news. But the true bizarre nature of the story

0:21:09.359 --> 0:21:12.399
<v Speaker 1>doesn't really unfold until later. I mean, they stopped, so

0:21:12.440 --> 0:21:20.439
<v Speaker 1>they stop paying taxes, and so the French government reclaims furniture,

0:21:20.640 --> 0:21:24.359
<v Speaker 1>just comes in and, you know, to start taking furniture repossessed.

0:21:24.359 --> 0:21:27.320
<v Speaker 1>That's the word, thank you, repossesses everything. And so then

0:21:27.359 --> 0:21:32.760
<v Speaker 1>you just imagine this, this family of eleven formerly wealthy

0:21:32.920 --> 0:21:41.040
<v Speaker 1>people living in creepy, abandoned squalor terrified that Freemasons are

0:21:41.040 --> 0:21:44.879
<v Speaker 1>going to kill them. And Terry Tilly sort of keeps

0:21:44.920 --> 0:21:48.439
<v Speaker 1>his leadership by saying that he's a member of this

0:21:48.600 --> 0:21:53.800
<v Speaker 1>organization and in touch with a character that I still

0:21:53.840 --> 0:21:56.720
<v Speaker 1>do not understand. And I think the main reason that

0:21:56.800 --> 0:21:59.480
<v Speaker 1>I'm very confused by this is he says that the

0:21:59.600 --> 0:22:04.159
<v Speaker 1>leader of this secretive organization is a man named Jacques Gonzalez. Oh,

0:22:04.200 --> 0:22:07.640
<v Speaker 1>I have no idea what to make of him. Christine

0:22:07.800 --> 0:22:10.679
<v Speaker 1>said talks about him like once in her book, and

0:22:10.760 --> 0:22:14.040
<v Speaker 1>the Vanity Fair article talks about him like once or twice.

0:22:14.920 --> 0:22:19.800
<v Speaker 1>He's an enigma, and Guillam will try to appear as

0:22:19.880 --> 0:22:23.320
<v Speaker 1>him later or try to pose as him, and I

0:22:23.359 --> 0:22:27.639
<v Speaker 1>think my favorite incident of the story. But so that's

0:22:28.320 --> 0:22:31.600
<v Speaker 1>I think part of the shadowy thing that Tilly does

0:22:31.680 --> 0:22:34.080
<v Speaker 1>is he just makes him feel like something much bigger

0:22:34.119 --> 0:22:36.720
<v Speaker 1>than them is going on, where he'll take calls from

0:22:36.760 --> 0:22:40.359
<v Speaker 1>like this mysterious leader Jacque Gonzalez, who he says is

0:22:40.440 --> 0:22:44.240
<v Speaker 1>connected to the Spanish king. So it doesn't seem like

0:22:44.280 --> 0:22:46.399
<v Speaker 1>Tilly is the head of this He's just the the

0:22:46.520 --> 0:22:53.120
<v Speaker 1>reliable go between between this family and some legitimate, terrifying organization.

0:22:53.920 --> 0:22:56.720
<v Speaker 1>But eventually, then this family moves to Oxford. Do you

0:22:56.760 --> 0:22:59.720
<v Speaker 1>want to take over and talk a bit about what, what,

0:22:59.800 --> 0:23:04.280
<v Speaker 1>how ths when this family moves to England. Sure? So

0:23:04.640 --> 0:23:08.800
<v Speaker 1>by my count, we're now in around two thousand five.

0:23:09.840 --> 0:23:15.719
<v Speaker 1>So at some point between two thousand three and two, um,

0:23:15.880 --> 0:23:20.800
<v Speaker 1>Till he moved his family, his his wife Jessica, and

0:23:20.880 --> 0:23:23.600
<v Speaker 1>you think he had a few children and someone had

0:23:23.600 --> 0:23:26.720
<v Speaker 1>a child from a previous manner marriage. Um, they moved

0:23:26.720 --> 0:23:31.800
<v Speaker 1>to Oxford mostly because till he was facing some legal

0:23:31.840 --> 0:23:36.479
<v Speaker 1>problems in France. I don't quite understand the French legal system,

0:23:36.520 --> 0:23:39.680
<v Speaker 1>but it looked sort of like embezzlement or something adjacent

0:23:39.720 --> 0:23:42.320
<v Speaker 1>to that. And it also seemed to me that Tilly

0:23:42.400 --> 0:23:47.240
<v Speaker 1>was getting a little nervous about the French tabloids interest

0:23:47.320 --> 0:23:50.400
<v Speaker 1>in this family. I think that as a as an

0:23:50.480 --> 0:23:54.640
<v Speaker 1>organization or as a con It thrived in secrecy, absolutely,

0:23:54.880 --> 0:23:57.520
<v Speaker 1>and I don't think he wanted the you know, as

0:23:57.560 --> 0:24:01.920
<v Speaker 1>a local rich family. They were. They were an object

0:24:01.960 --> 0:24:05.760
<v Speaker 1>of interest. And he moves them in various in drips

0:24:05.760 --> 0:24:10.000
<v Speaker 1>and drabs, both to his shabby apartment. And when I

0:24:10.040 --> 0:24:13.560
<v Speaker 1>say Oxford, we're not like, we're not at the university.

0:24:13.680 --> 0:24:17.960
<v Speaker 1>This is like the bleak suburbs of Oxford, the outskirts.

0:24:18.080 --> 0:24:21.520
<v Speaker 1>So he moves them in drips and drabs, and they've

0:24:21.560 --> 0:24:27.840
<v Speaker 1>always been civilians but become invisible working class people, deeply

0:24:27.880 --> 0:24:30.720
<v Speaker 1>embroiled in this cult. I mean, cult is so weird

0:24:30.760 --> 0:24:33.119
<v Speaker 1>because it's one family. But I'm just trying to communicate,

0:24:33.200 --> 0:24:37.679
<v Speaker 1>like the the it seems the brainwashing and commitment to

0:24:37.800 --> 0:24:40.960
<v Speaker 1>this these beliefs. Yeah, I mean, I think a cult

0:24:41.080 --> 0:24:44.639
<v Speaker 1>is a reasonable way of describing it, or maybe a

0:24:44.680 --> 0:24:49.200
<v Speaker 1>sect of some kind. They didn't have like a religious aspect,

0:24:49.520 --> 0:24:52.560
<v Speaker 1>which maybe makes it different from other kinds of cults.

0:24:52.560 --> 0:24:56.040
<v Speaker 1>But there are so few words to describe what was

0:24:56.119 --> 0:25:00.840
<v Speaker 1>happening to this family. It's an era national set of

0:25:00.880 --> 0:25:03.760
<v Speaker 1>beliefs that they are so committed to that they forego

0:25:03.920 --> 0:25:06.120
<v Speaker 1>the rest of their lives yeah, you know what I mean,

0:25:06.160 --> 0:25:08.439
<v Speaker 1>like the outside world that they cut off their friends

0:25:08.440 --> 0:25:13.280
<v Speaker 1>and their jobs and they become deeply devoted to Tilly.

0:25:13.400 --> 0:25:17.719
<v Speaker 1>So with them living, various family members come over at

0:25:17.880 --> 0:25:22.639
<v Speaker 1>at various points, and then they start working at menial jobs.

0:25:22.680 --> 0:25:27.000
<v Speaker 1>They had been you know, working class professionals, and they

0:25:27.000 --> 0:25:30.440
<v Speaker 1>all sort of get jobs like sweeping the floor at Nando's,

0:25:30.480 --> 0:25:34.280
<v Speaker 1>at fast food restaurants. Yeah, so by I think it's

0:25:34.320 --> 0:25:37.960
<v Speaker 1>two dozen six. They're Christine and CHELSONI and the rest

0:25:38.000 --> 0:25:40.840
<v Speaker 1>of their children other than Guillaume who had been there

0:25:40.880 --> 0:25:44.359
<v Speaker 1>for a while, come and take these jobs. And yeah, um,

0:25:44.480 --> 0:25:47.639
<v Speaker 1>Diane I believe, is the one working at Nando's. And

0:25:47.640 --> 0:25:51.959
<v Speaker 1>they're all working these these menial, manual labor type jobs.

0:25:52.320 --> 0:25:56.040
<v Speaker 1>They're working insane hours so that they're they're sleeping maybe

0:25:56.040 --> 0:25:58.600
<v Speaker 1>three or four hours a night, and they're giving I

0:25:58.640 --> 0:26:02.600
<v Speaker 1>think it's nine of their pay went directly to Tilly

0:26:02.680 --> 0:26:06.159
<v Speaker 1>without any you know, any negotiation of any kind. So

0:26:06.200 --> 0:26:09.040
<v Speaker 1>they're working, you know, some of them are working more

0:26:09.080 --> 0:26:13.760
<v Speaker 1>than two jobs. I think was he was the only

0:26:13.800 --> 0:26:16.360
<v Speaker 1>one with a college degree in that of the children,

0:26:16.440 --> 0:26:19.200
<v Speaker 1>so he's working I think a little bit more professionally.

0:26:19.280 --> 0:26:23.680
<v Speaker 1>He was working at an archaeological firm of some kind,

0:26:24.640 --> 0:26:27.560
<v Speaker 1>but he was also bartending at night, and he was

0:26:28.040 --> 0:26:32.199
<v Speaker 1>responsible for caring for Tilly's children. That's just an in

0:26:32.359 --> 0:26:36.560
<v Speaker 1>human work schedule, which obviously was by design, so that there,

0:26:37.200 --> 0:26:41.360
<v Speaker 1>you know, too exhausted to really consider their situation at all.

0:26:41.840 --> 0:26:45.240
<v Speaker 1>That is a real cult technique. The lack of the manipulation,

0:26:45.320 --> 0:26:47.640
<v Speaker 1>their lack of sleep. Yeah, and that comes into play

0:26:47.720 --> 0:26:51.280
<v Speaker 1>later when um, Christine and the rest are all sequestered

0:26:51.280 --> 0:26:56.119
<v Speaker 1>for two weeks in this creepy empty house in Oxford. Yeah.

0:26:56.200 --> 0:26:59.800
<v Speaker 1>So to to set the scene again, the the members

0:26:59.800 --> 0:27:04.520
<v Speaker 1>of the family that had formerly been white collar professionals,

0:27:04.760 --> 0:27:09.440
<v Speaker 1>wealthy members of the French aristocracy, are now in dingy

0:27:09.600 --> 0:27:15.480
<v Speaker 1>apartment working one to two menial jobs, constantly giving almost

0:27:15.520 --> 0:27:19.440
<v Speaker 1>all of their income to Tilly and listening to whatever

0:27:19.480 --> 0:27:22.679
<v Speaker 1>he says, which I think, as you teased very nicely,

0:27:22.840 --> 0:27:27.480
<v Speaker 1>would lead to them being sequestered. This is a dark period,

0:27:27.680 --> 0:27:31.480
<v Speaker 1>and I think Christine, her memoir was definitely the source

0:27:31.520 --> 0:27:33.800
<v Speaker 1>I went to for for this story, because she was

0:27:34.600 --> 0:27:36.840
<v Speaker 1>the victim of a lot of this. Do you want

0:27:36.840 --> 0:27:41.920
<v Speaker 1>to do you want to take over what happened here? Sure? So, Yes,

0:27:42.000 --> 0:27:46.720
<v Speaker 1>Oxford is kind of where, um, at least from my perspective,

0:27:46.920 --> 0:27:50.000
<v Speaker 1>everything comes to a head, and it really all focuses

0:27:50.320 --> 0:27:56.080
<v Speaker 1>on Christine, who, if you'll remember, is Chas's wife, UM

0:27:56.119 --> 0:27:59.680
<v Speaker 1>and the mother of several of these children. She and

0:28:00.640 --> 0:28:05.760
<v Speaker 1>Charles and Rie had moved to Oxford in two and

0:28:05.840 --> 0:28:12.160
<v Speaker 1>pretty much immediately Christine was punished for being a liar

0:28:12.720 --> 0:28:16.640
<v Speaker 1>or you know, being dishonest with her husband. UM, and

0:28:16.720 --> 0:28:22.240
<v Speaker 1>she was sequestered almost entirely alone in a room UM

0:28:22.240 --> 0:28:26.880
<v Speaker 1>a pretty you know, red bear furniture. She talks about this.

0:28:27.720 --> 0:28:30.720
<v Speaker 1>I suppose it's some sort of comforter um that she

0:28:30.800 --> 0:28:32.560
<v Speaker 1>really liked it till he took away. And she was

0:28:32.560 --> 0:28:37.480
<v Speaker 1>sequestered for I think from November two until Spring two seven.

0:28:37.560 --> 0:28:40.600
<v Speaker 1>She was alone most of the time, UM, and she

0:28:40.760 --> 0:28:45.480
<v Speaker 1>was forced to write every day. And I believe it's

0:28:45.480 --> 0:28:49.320
<v Speaker 1>around this time that the idea of the transmission and

0:28:49.400 --> 0:28:54.560
<v Speaker 1>the Lequili Dumont begins to come up. UM, and Christine

0:28:54.640 --> 0:28:59.120
<v Speaker 1>is really at the center of that. Yeah. Liquibly demand

0:28:59.240 --> 0:29:01.640
<v Speaker 1>again which I will try to pronounce to me just

0:29:01.720 --> 0:29:06.000
<v Speaker 1>read as the big evil organization that that Telly sets

0:29:06.040 --> 0:29:08.720
<v Speaker 1>them up, that he says is out to get them

0:29:08.720 --> 0:29:11.800
<v Speaker 1>in the world, sort of the Freemason version of the story,

0:29:11.960 --> 0:29:15.360
<v Speaker 1>and he has it in his mind and convinces the

0:29:15.400 --> 0:29:20.320
<v Speaker 1>rest of the family, including Christine, that Christine is secretly

0:29:20.440 --> 0:29:26.000
<v Speaker 1>the key and knows deep down the numbers to this

0:29:26.840 --> 0:29:30.720
<v Speaker 1>Belgian bank account that will have more golden riches than

0:29:30.800 --> 0:29:35.320
<v Speaker 1>anyone can ever imagine, and that for some reason Christine

0:29:35.320 --> 0:29:39.040
<v Speaker 1>either doesn't remember or won't tell them the numbers. And

0:29:39.080 --> 0:29:43.080
<v Speaker 1>what happens now is her family, including her children and

0:29:43.120 --> 0:29:47.480
<v Speaker 1>her husband. I mean they torture her. Yes, yeah, they

0:29:48.080 --> 0:29:51.880
<v Speaker 1>I think thankfully her children were not there, or at

0:29:51.960 --> 0:29:54.320
<v Speaker 1>least if they were there, it would have been just

0:29:54.440 --> 0:29:58.840
<v Speaker 1>killam I think I think m giam was there. But

0:29:59.000 --> 0:30:03.640
<v Speaker 1>they for about two weeks in January two UM. And

0:30:03.640 --> 0:30:07.280
<v Speaker 1>this is also after uh Tillie had made Christine go

0:30:07.400 --> 0:30:11.600
<v Speaker 1>with I believe Guillaume two Brussels UM and try to

0:30:11.800 --> 0:30:15.800
<v Speaker 1>access safe deposit box at nearly every bank in the city,

0:30:15.880 --> 0:30:17.560
<v Speaker 1>because I guess that would be a way of getting

0:30:17.560 --> 0:30:22.960
<v Speaker 1>around whatever number he believed or wanted her to believe

0:30:23.040 --> 0:30:25.560
<v Speaker 1>that she had in her you know, the recesses of

0:30:25.600 --> 0:30:29.479
<v Speaker 1>her mind. Um. But eventually that didn't work, and for

0:30:29.560 --> 0:30:34.200
<v Speaker 1>two weeks in this, you know, very empty. Christine describes

0:30:34.240 --> 0:30:39.760
<v Speaker 1>it as completely neutral, very very creepy house. Christine and

0:30:39.800 --> 0:30:43.360
<v Speaker 1>the family are. They're deprived of sleep, and Christine in

0:30:43.400 --> 0:30:47.320
<v Speaker 1>particular is not allowed to sleep. At certain points, she's

0:30:47.320 --> 0:30:51.400
<v Speaker 1>not allowed to use the restroom, um, she's forbidden from eating,

0:30:52.120 --> 0:30:54.880
<v Speaker 1>and at some point Tilly, in trying to get her

0:30:54.880 --> 0:30:58.000
<v Speaker 1>to reveal this number that she is either suppressing or

0:30:58.040 --> 0:31:02.080
<v Speaker 1>purposely hiding, he punches her several times in the back,

0:31:03.120 --> 0:31:06.880
<v Speaker 1>at which point everything sort of sort of falls apart,

0:31:07.040 --> 0:31:11.080
<v Speaker 1>and different family members are than accused of maybe they're

0:31:11.120 --> 0:31:15.080
<v Speaker 1>the one hiding this special number that you know. Apparently

0:31:15.120 --> 0:31:19.000
<v Speaker 1>this this transmission is passed down through you know, the

0:31:19.080 --> 0:31:23.400
<v Speaker 1>most important families in all of France or the world

0:31:23.640 --> 0:31:27.440
<v Speaker 1>that will access them this money that would supposedly get

0:31:27.480 --> 0:31:29.600
<v Speaker 1>them out of all the financial trouble they've been building

0:31:29.680 --> 0:31:33.160
<v Speaker 1>up since their relationship with Tilly began. I believe it

0:31:33.200 --> 0:31:36.440
<v Speaker 1>was Christine, but I might be incorrect. And who said

0:31:36.480 --> 0:31:39.160
<v Speaker 1>this made an interesting point that you think with a

0:31:39.240 --> 0:31:42.200
<v Speaker 1>large number of people that they wouldn't have been as

0:31:42.240 --> 0:31:47.560
<v Speaker 1>susceptible to till these like in the abstract ludicrous things.

0:31:47.560 --> 0:31:50.120
<v Speaker 1>But she points out like with a large number of

0:31:50.120 --> 0:31:52.959
<v Speaker 1>people that you all trust and its air support system

0:31:53.000 --> 0:31:56.400
<v Speaker 1>in the world that whenever anyone pointed out that a

0:31:56.520 --> 0:31:59.880
<v Speaker 1>thing was seemed ridiculous, then there were immediately, you know,

0:32:00.040 --> 0:32:03.320
<v Speaker 1>ten other people who could tell you, no, no, you know,

0:32:03.400 --> 0:32:05.640
<v Speaker 1>you're being silly, and justify it to yourself. It was

0:32:05.680 --> 0:32:09.920
<v Speaker 1>sort of the self reinforcing thing where the group itself

0:32:10.440 --> 0:32:15.040
<v Speaker 1>convinced itself that these things were less ludicrous than they

0:32:15.080 --> 0:32:18.760
<v Speaker 1>sound when you just hear about them in the abstract.

0:32:19.200 --> 0:32:23.640
<v Speaker 1>In isolation, yeah, absolutely, And I think by this time too, there,

0:32:23.680 --> 0:32:27.600
<v Speaker 1>you know, they've been isolated from the rest of the world,

0:32:27.600 --> 0:32:29.920
<v Speaker 1>from really anyone who could tell them, hey, this is

0:32:29.960 --> 0:32:36.240
<v Speaker 1>absolutely crazy for what almost you know, seven years, six

0:32:36.360 --> 0:32:40.400
<v Speaker 1>years um, and they've been you know, they'd already been

0:32:40.400 --> 0:32:44.800
<v Speaker 1>through the rigamarole of sleep deprivation, and you know, none

0:32:44.840 --> 0:32:48.000
<v Speaker 1>of them had seen clocks or calendars for years and

0:32:48.080 --> 0:32:51.280
<v Speaker 1>years at that point. So if I were in that position,

0:32:51.280 --> 0:32:54.360
<v Speaker 1>I believe anything anyone told me, because that's their only

0:32:54.360 --> 0:32:56.920
<v Speaker 1>point of reference for the world. And at this point

0:32:56.960 --> 0:33:00.480
<v Speaker 1>you have no friends, you have no job, you're heavily

0:33:00.640 --> 0:33:03.800
<v Speaker 1>in debt back in France, you know, and and in

0:33:03.920 --> 0:33:08.640
<v Speaker 1>trouble financially, and your entire family and your support network

0:33:09.080 --> 0:33:11.880
<v Speaker 1>is here. Believing all these things, it would be it's

0:33:11.920 --> 0:33:15.680
<v Speaker 1>incredibly hard to get out of that. Yeah. And if

0:33:15.760 --> 0:33:18.200
<v Speaker 1>if you believed even for a second that you had

0:33:18.400 --> 0:33:20.800
<v Speaker 1>something in your brain that could make it all go away,

0:33:20.920 --> 0:33:24.240
<v Speaker 1>and and the torture and you know, get your your

0:33:24.320 --> 0:33:28.440
<v Speaker 1>chateau back and all the comforts that you've lost, I

0:33:28.480 --> 0:33:30.960
<v Speaker 1>would I believe it too, I would. I don't know.

0:33:31.600 --> 0:33:35.800
<v Speaker 1>I try. Uh. That's the really heartbreaking thing is Christine,

0:33:36.280 --> 0:33:39.040
<v Speaker 1>even as she's being tortured and not allowed to eat

0:33:39.320 --> 0:33:43.080
<v Speaker 1>and not allowed to use the bathroom, she is angry

0:33:43.080 --> 0:33:45.920
<v Speaker 1>at herself because she also believes that she does have

0:33:46.000 --> 0:33:50.240
<v Speaker 1>that key, and she's just mad that she can't remember it. Yeah,

0:33:50.360 --> 0:33:53.920
<v Speaker 1>that was very hard to read. And I think Christine's

0:33:53.960 --> 0:33:58.040
<v Speaker 1>writing obviously has the hindsight of, you know, now knowing

0:33:58.080 --> 0:34:00.200
<v Speaker 1>that it was ridiculous, which I think soften it a

0:34:00.200 --> 0:34:02.960
<v Speaker 1>little bit. But realizing, I don't know, the feeling of

0:34:03.600 --> 0:34:06.920
<v Speaker 1>thinking about being in that position was very hard. And

0:34:06.960 --> 0:34:08.759
<v Speaker 1>there's one more thing that I wanted to point out

0:34:08.840 --> 0:34:12.560
<v Speaker 1>that happens at some point when they're in Oxford. But

0:34:12.680 --> 0:34:15.279
<v Speaker 1>I take it with a grain of salt, because I

0:34:15.360 --> 0:34:18.640
<v Speaker 1>know that from what I've read, they're trying to challenge

0:34:18.680 --> 0:34:20.919
<v Speaker 1>this legally to be able to get their chateau back.

0:34:21.120 --> 0:34:24.319
<v Speaker 1>I read actually that that was rejected in so the

0:34:24.360 --> 0:34:26.720
<v Speaker 1>story might be over. They might not get it at all.

0:34:27.000 --> 0:34:28.279
<v Speaker 1>I don't think so they're not going to get it.

0:34:28.280 --> 0:34:32.400
<v Speaker 1>But so basically what happened is Charles Henry, who Charles

0:34:32.400 --> 0:34:35.920
<v Speaker 1>Henry again my pronunciation, I'm so sorry is depending what

0:34:36.000 --> 0:34:40.760
<v Speaker 1>you believe, either tricked or voluntarily signs over the chateau

0:34:40.880 --> 0:34:45.560
<v Speaker 1>to Tilly's family estate that's been in the family for generations.

0:34:46.040 --> 0:34:49.160
<v Speaker 1>And I think, in hindsight, when the family gets out

0:34:49.160 --> 0:34:53.200
<v Speaker 1>of this is the most heartbreaking loss. And as I said,

0:34:53.640 --> 0:34:56.520
<v Speaker 1>I guess no longer ongoing court case. They tried to

0:34:56.640 --> 0:35:00.200
<v Speaker 1>challenge it to get the chateau back, but I guess,

0:35:00.360 --> 0:35:04.719
<v Speaker 1>uh it is it is gone. Yeah, I Google translated

0:35:04.760 --> 0:35:08.759
<v Speaker 1>a French article um that apparently they obviously they contested

0:35:08.760 --> 0:35:13.160
<v Speaker 1>the sale because it was under false pretenses. I believe

0:35:13.760 --> 0:35:16.160
<v Speaker 1>they claimed that they were told that they were filing

0:35:16.200 --> 0:35:20.840
<v Speaker 1>a mortgage or putting it in some sort of I

0:35:20.840 --> 0:35:24.319
<v Speaker 1>don't trust or I don't know any financial buzzwords. But

0:35:25.160 --> 0:35:27.719
<v Speaker 1>they believed that it was kind of waiting for them

0:35:27.719 --> 0:35:30.400
<v Speaker 1>when they had the money to get it back, but

0:35:30.480 --> 0:35:34.760
<v Speaker 1>then someone bought it and apparently it's a nice family

0:35:34.800 --> 0:35:38.960
<v Speaker 1>lives there now, or at least was at last at

0:35:39.000 --> 0:35:42.719
<v Speaker 1>press time, a mom with a kid. It sounded like yeah,

0:35:42.760 --> 0:35:45.880
<v Speaker 1>But this article says that they the Court of Appeals

0:35:45.880 --> 0:35:50.120
<v Speaker 1>rejected them in so I mean, maybe they could buy

0:35:50.160 --> 0:35:52.799
<v Speaker 1>it back someday. I don't think it precludes them ever

0:35:52.840 --> 0:35:56.080
<v Speaker 1>getting it back, but not in the way that they want,

0:35:56.239 --> 0:35:59.640
<v Speaker 1>I think. And while they're in Oxford. This is also

0:36:00.360 --> 0:36:04.120
<v Speaker 1>there's a lot of complicated family in fighting that happened

0:36:04.120 --> 0:36:07.319
<v Speaker 1>that I don't think it's worth getting quite into that,

0:36:07.400 --> 0:36:12.160
<v Speaker 1>just because it becomes challenging, you know, Various family members

0:36:12.160 --> 0:36:15.759
<v Speaker 1>at different points are leaving and coming and challenging each other.

0:36:16.200 --> 0:36:19.400
<v Speaker 1>A lot of lawsuits that I couldn't quite follow. But

0:36:19.600 --> 0:36:23.239
<v Speaker 1>one really strange thing that happened that I cannot wait

0:36:23.280 --> 0:36:28.440
<v Speaker 1>to talk about is Giam, the twentysomething son of Charles

0:36:28.480 --> 0:36:33.479
<v Speaker 1>Hunry and Christine, sort of becomes Tilly's right hand man

0:36:33.560 --> 0:36:38.520
<v Speaker 1>for a time period until he sort of cut himself

0:36:38.560 --> 0:36:41.879
<v Speaker 1>off from Tilly, seems to be doing his own thing

0:36:42.000 --> 0:36:45.399
<v Speaker 1>in a in a weird way. And then one day

0:36:45.440 --> 0:36:51.400
<v Speaker 1>he shows up at the DMV wearing a latex mask

0:36:51.680 --> 0:36:55.480
<v Speaker 1>that the Vanity Fair article Uh, Michael Gross, I think

0:36:55.600 --> 0:36:59.160
<v Speaker 1>very generously refers to it as a like Mission Impossible

0:36:59.160 --> 0:37:02.279
<v Speaker 1>style latex mask. But you look at the photos and

0:37:02.320 --> 0:37:05.200
<v Speaker 1>it is a it's very scary to look at. It's

0:37:05.200 --> 0:37:08.960
<v Speaker 1>a Mike Myers Halloween mask. Apparently it costs like six

0:37:09.640 --> 0:37:12.440
<v Speaker 1>dollars um or I suppose the equivalent, And I'm like,

0:37:12.480 --> 0:37:16.279
<v Speaker 1>I don't know who you know who sold him that mask,

0:37:16.360 --> 0:37:19.400
<v Speaker 1>but it did not look worth almost two thousand dollars

0:37:19.440 --> 0:37:22.160
<v Speaker 1>to me. And he said it was professionally like glued on,

0:37:22.760 --> 0:37:24.439
<v Speaker 1>and you you look at it and you're like, that

0:37:24.840 --> 0:37:27.879
<v Speaker 1>does not look professionally glued on. That con the fact

0:37:27.880 --> 0:37:29.279
<v Speaker 1>that he looked in the mirror and it's like, yep,

0:37:29.400 --> 0:37:33.000
<v Speaker 1>people fall for this is just shows how out of

0:37:33.040 --> 0:37:35.359
<v Speaker 1>touch he has been with the rest of the world. Yeah,

0:37:35.400 --> 0:37:38.640
<v Speaker 1>I guess so. Yeah. The the Vanity Fair uncle, I think,

0:37:38.640 --> 0:37:44.279
<v Speaker 1>also has a security still of GM. He went to

0:37:44.320 --> 0:37:48.719
<v Speaker 1>the DMV to try to take a driving test, and

0:37:48.800 --> 0:37:52.120
<v Speaker 1>this mask was supposed to disguise him as the ever

0:37:52.200 --> 0:37:58.120
<v Speaker 1>elusive shot gun salez Um. He looks ridiculous. He shows

0:37:58.200 --> 0:38:01.120
<v Speaker 1>up with this mask on to disguise himself, but they

0:38:01.120 --> 0:38:04.640
<v Speaker 1>call the police because they're like, this is were the

0:38:04.680 --> 0:38:06.920
<v Speaker 1>guy just showed up in a Halloween mask and is

0:38:06.960 --> 0:38:09.920
<v Speaker 1>insisting it's his face. But he says his name is

0:38:10.000 --> 0:38:14.960
<v Speaker 1>Jacques Gonzalez, which to me, this isn't really explored, but

0:38:15.520 --> 0:38:18.640
<v Speaker 1>I think, I my gut was like, I think he

0:38:18.719 --> 0:38:21.880
<v Speaker 1>was trying to pull like a Shawshank redemption, you know

0:38:21.880 --> 0:38:24.319
<v Speaker 1>how in Shawshank Redemption if you've seen it, at the end,

0:38:24.719 --> 0:38:28.200
<v Speaker 1>Andy Duffrayne uses the fake name and has all the

0:38:28.239 --> 0:38:31.320
<v Speaker 1>fake identification to claim all the money that he stowed away.

0:38:31.640 --> 0:38:33.719
<v Speaker 1>I feel like he was at gum, was at the

0:38:33.840 --> 0:38:37.440
<v Speaker 1>DMV to try to get like a fake driver's license

0:38:38.040 --> 0:38:42.680
<v Speaker 1>for Jacque Gonzales as himself that he could claim I

0:38:42.719 --> 0:38:46.799
<v Speaker 1>don't know, some money, whatever money had been funneled his way,

0:38:46.840 --> 0:38:49.800
<v Speaker 1>like a sort of backwards con I believe that. Yeah.

0:38:49.960 --> 0:38:53.320
<v Speaker 1>I found it very strange that Christine did not mention

0:38:53.400 --> 0:38:57.280
<v Speaker 1>this bizarre episode, I don't think at all in her memoir,

0:38:57.440 --> 0:39:00.239
<v Speaker 1>which makes me think maybe it's not as flattering of

0:39:00.239 --> 0:39:03.920
<v Speaker 1>a motive as we would like to believe, or at

0:39:04.000 --> 0:39:07.360
<v Speaker 1>least that was my first instinct, but I don't know absolutely.

0:39:07.440 --> 0:39:11.640
<v Speaker 1>I I did sort of sense that the the Vanity

0:39:11.640 --> 0:39:15.719
<v Speaker 1>Fair article interviews a bunch of other, you know, auxiliary

0:39:15.800 --> 0:39:19.160
<v Speaker 1>people to the story, people who were affected by like

0:39:19.360 --> 0:39:21.960
<v Speaker 1>you know, teachers at the secretarial school and friends who

0:39:22.120 --> 0:39:24.360
<v Speaker 1>the people who were still owed a lot of money

0:39:24.440 --> 0:39:27.960
<v Speaker 1>by this family that was con and they do say like, Okay,

0:39:27.960 --> 0:39:31.359
<v Speaker 1>well share this con that's convenient, but like they were

0:39:31.400 --> 0:39:34.080
<v Speaker 1>in on it to some degree and they owe us

0:39:34.120 --> 0:39:37.080
<v Speaker 1>a lot of money. Although you know, you do say, like,

0:39:37.560 --> 0:39:39.440
<v Speaker 1>if this family was in it for money, they do

0:39:39.600 --> 0:39:43.640
<v Speaker 1>not end up with money. They lose everything million euros,

0:39:43.920 --> 0:39:47.840
<v Speaker 1>five million euros, they lose their chateau. But you do

0:39:47.960 --> 0:39:51.480
<v Speaker 1>wonder what Giam is playing at with this whole charade,

0:39:52.080 --> 0:39:56.400
<v Speaker 1>because it's bizarre showing up in a Mission Impossible style mask,

0:39:56.840 --> 0:40:00.600
<v Speaker 1>trying to get a driver's license under a fake name,

0:40:01.280 --> 0:40:05.600
<v Speaker 1>and spending on it money that is, as you pointed

0:40:05.600 --> 0:40:08.160
<v Speaker 1>out in in some note, we don't know where he

0:40:08.280 --> 0:40:10.399
<v Speaker 1>got that money, because it seems like for the most

0:40:10.400 --> 0:40:13.319
<v Speaker 1>part the family was giving it directly to Tilly, so

0:40:13.520 --> 0:40:15.840
<v Speaker 1>it was maybe Tilly was also in on this, or

0:40:15.920 --> 0:40:19.200
<v Speaker 1>he sort of had maybe siphoned things away from it.

0:40:19.760 --> 0:40:22.400
<v Speaker 1>There's a lot of money that's, as far as I know,

0:40:22.520 --> 0:40:26.120
<v Speaker 1>still unaccounted for, and some of it actually seems to

0:40:26.200 --> 0:40:29.120
<v Speaker 1>tie back to Kim, which I find also a little

0:40:29.160 --> 0:40:36.000
<v Speaker 1>bit suspicious interesting because he was the intermediary. I believe

0:40:36.000 --> 0:40:38.759
<v Speaker 1>it's the right word in the sale of Martel that

0:40:39.160 --> 0:40:42.200
<v Speaker 1>you know, took the rug out from everybody else. I

0:40:42.239 --> 0:40:46.799
<v Speaker 1>don't wish to spin conspiracies conspiracies on conspiracies, but um,

0:40:46.840 --> 0:40:49.600
<v Speaker 1>I think Christine's memoir does. I read that before I

0:40:49.600 --> 0:40:51.839
<v Speaker 1>read the Fan of Divanity Fair article, and I don't

0:40:51.840 --> 0:40:57.120
<v Speaker 1>think that her memoir really dives into role as much

0:40:57.160 --> 0:41:00.120
<v Speaker 1>as I mean. I mean, I would don't fault her

0:41:00.120 --> 0:41:02.239
<v Speaker 1>at all. That's her son, but yeah, there's a lot

0:41:02.360 --> 0:41:05.560
<v Speaker 1>left unsaid. I think. I think that's that's the reason

0:41:05.719 --> 0:41:08.400
<v Speaker 1>why I felt like I couldn't make this a normal

0:41:09.080 --> 0:41:12.080
<v Speaker 1>noble blood episode. One because it's it's weirdly complicated, but

0:41:12.120 --> 0:41:15.960
<v Speaker 1>also because there is that sort of pat narrative that

0:41:15.960 --> 0:41:19.240
<v Speaker 1>that Christine tells that I think is fascinating and makes sense,

0:41:19.360 --> 0:41:23.120
<v Speaker 1>where it's this noble family they fall into this uh

0:41:23.280 --> 0:41:27.960
<v Speaker 1>conman's grasp and then they get out and and that

0:41:28.120 --> 0:41:32.280
<v Speaker 1>does paint them as the victims entirely. When you read

0:41:32.320 --> 0:41:37.240
<v Speaker 1>the Vanity Fair story, which is more nuanced and more complicated,

0:41:37.320 --> 0:41:40.840
<v Speaker 1>and you're like, okay, well, y'am was doing something. He

0:41:41.080 --> 0:41:45.280
<v Speaker 1>sort of became Tilly's right hand man. Something was happening

0:41:45.719 --> 0:41:49.839
<v Speaker 1>with him and with this shady jaque Gonzalez figure who

0:41:49.880 --> 0:41:54.160
<v Speaker 1>turns out to be a real person. Yeah, I was surprised,

0:41:54.400 --> 0:41:56.960
<v Speaker 1>me too. I thought he was just Tilly in a

0:41:57.280 --> 0:42:00.759
<v Speaker 1>in a mustache, a fake mustache and a hat. But no,

0:42:00.920 --> 0:42:04.239
<v Speaker 1>he's a real guy. I loved the story about them,

0:42:05.520 --> 0:42:08.880
<v Speaker 1>the journalist who wrote the Vanny vertical showing up and

0:42:08.920 --> 0:42:10.680
<v Speaker 1>the guy pretends to have no idea what's going on.

0:42:11.160 --> 0:42:12.879
<v Speaker 1>He's like, oh, maybe I went to the wrong shock,

0:42:12.920 --> 0:42:17.000
<v Speaker 1>gen Salas, and then six months later he's arrested. Maybe

0:42:17.080 --> 0:42:20.440
<v Speaker 1>he did go to the wrong shock Gnsalaz And that's

0:42:20.520 --> 0:42:23.319
<v Speaker 1>just a patsy. And that's just a patsy. Oh my god,

0:42:23.360 --> 0:42:26.440
<v Speaker 1>that that another Jack Gonzalez has been has been framed

0:42:26.440 --> 0:42:29.480
<v Speaker 1>in a double conspiracy. Yeah, but I think this is

0:42:29.520 --> 0:42:32.880
<v Speaker 1>a good segue to talk about the rescue an endgame,

0:42:32.960 --> 0:42:35.720
<v Speaker 1>and I think the m v P of the story baron,

0:42:37.440 --> 0:42:40.640
<v Speaker 1>Oh my god, I was like, I love you the

0:42:40.680 --> 0:42:45.439
<v Speaker 1>noble man, the noble that this story deserves. I also

0:42:45.480 --> 0:42:48.759
<v Speaker 1>feel like I've been to his um. I studied a

0:42:48.800 --> 0:42:50.879
<v Speaker 1>brought in Oxford one summer, and I think I've been

0:42:50.960 --> 0:42:54.879
<v Speaker 1>to his cheese cart, oh my god, in the cover Market.

0:42:54.920 --> 0:42:58.920
<v Speaker 1>I obviously never met him, but had the cheese. Okay,

0:42:59.000 --> 0:43:02.640
<v Speaker 1>so for contact. The entire family is working these menial

0:43:02.760 --> 0:43:07.760
<v Speaker 1>jobs and Christine, the the wife of of Charles Henri

0:43:07.880 --> 0:43:11.919
<v Speaker 1>again is working in the back kitchen of this cheese

0:43:11.960 --> 0:43:15.960
<v Speaker 1>shop in Oxford's Covered Market run by a man named

0:43:16.040 --> 0:43:18.759
<v Speaker 1>Baron Bobby. And that's just his nickname. His family had

0:43:18.760 --> 0:43:23.399
<v Speaker 1>been bestowed a baroncy by Napoleon, so it's not He's

0:43:23.440 --> 0:43:27.560
<v Speaker 1>not old aristocracy. And again the title doesn't mean much

0:43:27.600 --> 0:43:30.080
<v Speaker 1>to him. And I think it's it's very interesting and

0:43:30.160 --> 0:43:34.440
<v Speaker 1>charming to frame these two characters as ones who both

0:43:34.480 --> 0:43:38.359
<v Speaker 1>have French titles. And you know, Baron Bobby mentions that

0:43:38.360 --> 0:43:40.640
<v Speaker 1>that they love speaking French to each other. But I

0:43:40.680 --> 0:43:44.720
<v Speaker 1>feel like he sort of takes it with a good nature.

0:43:44.840 --> 0:43:49.359
<v Speaker 1>He doesn't take it very seriously, and the the Dividrine

0:43:49.440 --> 0:43:53.080
<v Speaker 1>family maybe took it too seriously in a way that

0:43:53.480 --> 0:43:58.680
<v Speaker 1>made them vulnerable. But basically Christine sort of slowly over

0:43:58.719 --> 0:44:03.040
<v Speaker 1>her friendship with Bob, working there, speaking French, hanging out,

0:44:03.640 --> 0:44:07.880
<v Speaker 1>starts revealing drips of her home life at this point

0:44:07.880 --> 0:44:11.040
<v Speaker 1>in the story, and the way that her family had

0:44:11.280 --> 0:44:14.400
<v Speaker 1>succumbed to Tilly and the way they had, you know,

0:44:14.480 --> 0:44:17.560
<v Speaker 1>tortured her for two weeks while she couldn't remember the

0:44:17.560 --> 0:44:21.160
<v Speaker 1>bank account info. And she was saying how apologetic she

0:44:21.280 --> 0:44:24.520
<v Speaker 1>was for not knowing the bank info, and Bobby is

0:44:24.520 --> 0:44:26.440
<v Speaker 1>the one who was like, what are you talking about?

0:44:26.600 --> 0:44:30.840
<v Speaker 1>That's insane, and she's like, no, Terry's incredibly powerful and connected,

0:44:31.160 --> 0:44:33.279
<v Speaker 1>and I think Bobby at this point is like, no,

0:44:33.400 --> 0:44:37.200
<v Speaker 1>he's just a little creep. Yeah, I love that. What

0:44:37.320 --> 0:44:39.680
<v Speaker 1>a good man, What a good man. And he's the

0:44:39.680 --> 0:44:44.400
<v Speaker 1>one who facilitates Christine getting in touch with some of

0:44:44.440 --> 0:44:50.840
<v Speaker 1>her old friends in France, eventually escaping, returning to France

0:44:51.560 --> 0:44:57.120
<v Speaker 1>and reporting to the French government everything that's been happening

0:44:57.120 --> 0:44:59.520
<v Speaker 1>with Tilly, and then a warrant is put out for

0:44:59.600 --> 0:45:03.000
<v Speaker 1>his Yes, but he does manage to avoid it for

0:45:03.000 --> 0:45:07.279
<v Speaker 1>a little while, um because he believe Oxford. Yeah, and

0:45:07.600 --> 0:45:12.080
<v Speaker 1>the English government is less than helpful, yes, which maybe

0:45:12.120 --> 0:45:15.800
<v Speaker 1>isn't surprising. I don't know, he makes the terrible decision

0:45:16.120 --> 0:45:19.920
<v Speaker 1>of taking a trip to Zurich. Yeah, that just seems

0:45:19.960 --> 0:45:23.040
<v Speaker 1>stupid to me. Yeah, if you're, if you're about to,

0:45:23.320 --> 0:45:26.799
<v Speaker 1>if you're engaging in a vast international conspiracy, you want

0:45:26.840 --> 0:45:31.400
<v Speaker 1>to restrict your travel from countries that have extradition treaties exactly.

0:45:31.680 --> 0:45:34.719
<v Speaker 1>I don't know. After all that was, I mean I

0:45:34.800 --> 0:45:39.160
<v Speaker 1>was glad he got arrested, obviously, but after almost nine

0:45:39.239 --> 0:45:43.280
<v Speaker 1>years now, almost a decade of you know, everything's planned

0:45:43.280 --> 0:45:45.640
<v Speaker 1>to at tie, everything so perfect, he has it all

0:45:45.680 --> 0:45:49.759
<v Speaker 1>figured out. He goes on a trip. Yeah, he just

0:45:49.800 --> 0:45:52.000
<v Speaker 1>goes on a little vacation because he wants to get

0:45:52.000 --> 0:45:54.520
<v Speaker 1>away from this family for a bit. I guess, I

0:45:54.840 --> 0:45:57.840
<v Speaker 1>don't know. It seems seems like a dumb move to me.

0:45:58.440 --> 0:46:01.960
<v Speaker 1>But it also seemed like his entire thing was by

0:46:01.960 --> 0:46:04.239
<v Speaker 1>the seat of his pants. I mean, this isn't that's

0:46:04.239 --> 0:46:07.759
<v Speaker 1>true because for a conspiracy, it's only focused on one

0:46:08.440 --> 0:46:11.920
<v Speaker 1>rich family. Yeah, and not even a big time like

0:46:12.000 --> 0:46:15.400
<v Speaker 1>it's not like they're the Bourbons or anything. No, I

0:46:15.480 --> 0:46:19.799
<v Speaker 1>believe that. I mean, look, five million dollars, five million

0:46:19.840 --> 0:46:22.719
<v Speaker 1>euros is nothing to shake your fifth dad I wish

0:46:22.719 --> 0:46:26.400
<v Speaker 1>I had five million euros, but it for ten years

0:46:26.600 --> 0:46:30.319
<v Speaker 1>and this massive conspiracy. You're like, what is his end

0:46:30.400 --> 0:46:33.920
<v Speaker 1>game here? I guess he just wanted to control control

0:46:33.960 --> 0:46:37.160
<v Speaker 1>over people. Yeah, because eventually he just milked them for

0:46:37.200 --> 0:46:41.120
<v Speaker 1>all they were worth and was just continuing to be

0:46:41.200 --> 0:46:44.959
<v Speaker 1>mean to them. And the whole matter with the transmission.

0:46:45.080 --> 0:46:47.960
<v Speaker 1>I was also very confused because he has to know

0:46:48.040 --> 0:46:50.560
<v Speaker 1>it's not real, Like did he think that he could

0:46:50.560 --> 0:46:53.600
<v Speaker 1>get her to guess a magic number that would unlock

0:46:53.960 --> 0:46:57.160
<v Speaker 1>someone else's bank account? And as you alluded to, there's

0:46:57.160 --> 0:46:59.920
<v Speaker 1>a period where she and her son actually go to

0:47:00.080 --> 0:47:04.520
<v Speaker 1>Brussels and go bank to bank on foot, just every

0:47:04.600 --> 0:47:09.000
<v Speaker 1>bank in Brussels. I wonder if he knows it's not

0:47:09.000 --> 0:47:12.040
<v Speaker 1>going to work, but wants that like anxiety and that

0:47:12.160 --> 0:47:16.600
<v Speaker 1>torture for the family. Maybe yeah, I mean after every bank,

0:47:16.680 --> 0:47:20.640
<v Speaker 1>when it was inevitably not the bank, he would call

0:47:21.600 --> 0:47:26.200
<v Speaker 1>Christine and just you know, verbally assault her. Um. So

0:47:26.280 --> 0:47:30.920
<v Speaker 1>maybe it was just for the sake of being terrible,

0:47:31.440 --> 0:47:33.920
<v Speaker 1>But he did so many things for his own gain,

0:47:34.040 --> 0:47:36.839
<v Speaker 1>and I'm just not sure what this would have done

0:47:36.880 --> 0:47:40.040
<v Speaker 1>for him other than a sense of power. I think

0:47:40.080 --> 0:47:42.799
<v Speaker 1>you're right because you're at a at a cent. As

0:47:42.800 --> 0:47:45.399
<v Speaker 1>soon as they sell the house, they really have no

0:47:45.719 --> 0:47:48.960
<v Speaker 1>material properties left. And at this point it's just like

0:47:49.040 --> 0:47:53.960
<v Speaker 1>a small collection of basically slaves working for him that

0:47:54.040 --> 0:47:57.719
<v Speaker 1>he has complete control over, and I imagine to some

0:47:57.800 --> 0:48:04.000
<v Speaker 1>sort of monstrous person that's intoxicating. I guess, So I

0:48:04.000 --> 0:48:06.200
<v Speaker 1>guess that's what he's the con man and we're not,

0:48:06.600 --> 0:48:09.560
<v Speaker 1>and we are absolutely not. So he gets arrested. But

0:48:09.560 --> 0:48:14.799
<v Speaker 1>what it basically happens next iss ex husband, the one

0:48:14.840 --> 0:48:17.759
<v Speaker 1>that she threw the dried flowers and gardening glove at

0:48:18.400 --> 0:48:22.360
<v Speaker 1>Sean marchand is still like sad and upset about how,

0:48:22.640 --> 0:48:25.399
<v Speaker 1>you know, nine years earlier his wife had to come

0:48:25.440 --> 0:48:28.200
<v Speaker 1>to what he believes to be a brainwashing by a

0:48:28.280 --> 0:48:31.960
<v Speaker 1>cal man. And he tells authorities that, like, he's worried

0:48:32.719 --> 0:48:38.040
<v Speaker 1>that the family, which even after Terry's arrest, remained in Oxford,

0:48:38.239 --> 0:48:40.640
<v Speaker 1>living at these places and just like going about their lives.

0:48:40.760 --> 0:48:43.480
<v Speaker 1>He was worried that it was going to be like Jonestown,

0:48:43.520 --> 0:48:47.120
<v Speaker 1>that they would might you know, kill themselves for Terry.

0:48:47.200 --> 0:48:52.160
<v Speaker 1>And so he or helps orchestrate with Christine, who's back

0:48:52.160 --> 0:48:55.600
<v Speaker 1>in France at this point, what Michael Gross and Vanity

0:48:55.640 --> 0:48:59.880
<v Speaker 1>Fair calls an Ocean's eleven style extraction. Yes, and it

0:49:00.080 --> 0:49:04.040
<v Speaker 1>really it feels accurate. Well, we have a team. They

0:49:04.080 --> 0:49:06.960
<v Speaker 1>had the like code name and everything. They have like

0:49:06.960 --> 0:49:10.279
<v Speaker 1>a cryptologist, they cult de breaker. You know how in

0:49:10.400 --> 0:49:13.600
<v Speaker 1>in Oceans eleven you need like one expert and everything.

0:49:13.760 --> 0:49:15.759
<v Speaker 1>That is what I felt like they had. They're like,

0:49:15.840 --> 0:49:18.920
<v Speaker 1>we have the cult expert and the deprogramming expert and

0:49:18.960 --> 0:49:22.560
<v Speaker 1>the transportation guy. Yeah, you gotta have someone to do everything.

0:49:23.360 --> 0:49:26.160
<v Speaker 1>John almost ruined it though, Yeah, do you want to

0:49:26.160 --> 0:49:29.360
<v Speaker 1>talk about that? Yes? I do because I have a

0:49:29.400 --> 0:49:32.520
<v Speaker 1>lot of love for Jean because I find it very

0:49:32.560 --> 0:49:36.960
<v Speaker 1>admirable that he was so instrumental in getting this this

0:49:37.200 --> 0:49:44.600
<v Speaker 1>big lawyer, Daniel Picot. Picotin maybe is the pronuntiation um

0:49:44.600 --> 0:49:48.279
<v Speaker 1>getting this man involved in in this case. Um. I

0:49:48.280 --> 0:49:50.319
<v Speaker 1>think in two thousand four was the first time they

0:49:50.320 --> 0:49:53.320
<v Speaker 1>made contact. Um, so I admired him. But the first

0:49:53.360 --> 0:49:57.560
<v Speaker 1>time that they tried to go to go back to

0:49:57.600 --> 0:50:01.160
<v Speaker 1>Oxford and we're at this point. I believe all of

0:50:01.200 --> 0:50:04.920
<v Speaker 1>the rest of the ved Dream were there, including Gilla

0:50:05.160 --> 0:50:11.640
<v Speaker 1>and the now nine be something elder Giamet, and they

0:50:11.640 --> 0:50:18.280
<v Speaker 1>were successful in exit counseling and exceltrating Guillaume, I believe,

0:50:18.880 --> 0:50:22.760
<v Speaker 1>but Jehan almost ruined it because he tried to confront

0:50:22.840 --> 0:50:27.359
<v Speaker 1>his wife alone, which basically tipped everyone off and they

0:50:27.400 --> 0:50:31.040
<v Speaker 1>closed ranks, which I feel for him, and I can

0:50:31.080 --> 0:50:34.640
<v Speaker 1>completely understand not seeing your wife for that long after this,

0:50:34.719 --> 0:50:40.160
<v Speaker 1>you know, really bonkers traumatic separation. But in her memoir,

0:50:40.239 --> 0:50:44.080
<v Speaker 1>Christine was like that Dingdong almost ruined the whole operation.

0:50:44.120 --> 0:50:46.880
<v Speaker 1>They had to go and go back to France and

0:50:46.920 --> 0:50:49.640
<v Speaker 1>wait a little while. And then because of course this

0:50:49.719 --> 0:50:56.040
<v Speaker 1>whole outburst with Quiller tipped off the tabloids and you know,

0:50:56.120 --> 0:50:59.920
<v Speaker 1>the English tabloids, they really jumped all over it, which

0:51:00.160 --> 0:51:02.839
<v Speaker 1>again just kind of closed everything off. So they had

0:51:02.880 --> 0:51:05.839
<v Speaker 1>to wait several more months, they believe, before they could

0:51:05.880 --> 0:51:08.360
<v Speaker 1>go and get the rest of the family out. What

0:51:08.520 --> 0:51:11.400
<v Speaker 1>does emerge for me is a very clear picture of

0:51:11.440 --> 0:51:16.320
<v Speaker 1>how challenging it is and how you do need experts

0:51:16.480 --> 0:51:20.799
<v Speaker 1>for a situation where people have been brainwashed. I mean, yeah,

0:51:21.280 --> 0:51:25.360
<v Speaker 1>confronting someone in person and then allowing them to close

0:51:25.440 --> 0:51:29.360
<v Speaker 1>ranks is sort of the the end result. You need experts.

0:51:29.480 --> 0:51:34.240
<v Speaker 1>You need this to be carefully orchestrated to bring people

0:51:34.280 --> 0:51:37.560
<v Speaker 1>back into the world. Yeah, and Christine talks about and

0:51:37.600 --> 0:51:41.520
<v Speaker 1>I didn't know this, the difference between deep programming and

0:51:41.600 --> 0:51:45.719
<v Speaker 1>exit counseling, and how they were trying to exfiltrate this

0:51:46.000 --> 0:51:49.240
<v Speaker 1>the rest of their family with as little trauma as possible,

0:51:49.640 --> 0:51:55.920
<v Speaker 1>because classic American deep programming apparently is very similar to

0:51:55.960 --> 0:52:01.319
<v Speaker 1>being kidnapped, um, which I could imagine is not helpful. Yeah,

0:52:01.360 --> 0:52:05.239
<v Speaker 1>it would be I guess, re traumatizing. Yeah, so apparently

0:52:05.600 --> 0:52:09.120
<v Speaker 1>this is even more of a careful process than that,

0:52:09.239 --> 0:52:12.359
<v Speaker 1>where it's yeah, you really need like I believe they

0:52:12.360 --> 0:52:15.399
<v Speaker 1>had a psychiatrist or psychologists who you know, you need

0:52:15.480 --> 0:52:20.200
<v Speaker 1>someone who can pick apart what has become this family's

0:52:20.239 --> 0:52:24.359
<v Speaker 1>reality for almost a decade without re traumatizing them and

0:52:25.120 --> 0:52:29.680
<v Speaker 1>in a likelihood, you know, pushing them further towards h tilly. Yeah,

0:52:29.680 --> 0:52:34.600
<v Speaker 1>this expiltration mission, which as you mentioned, they had two

0:52:34.640 --> 0:52:40.360
<v Speaker 1>of for reasons that were necessary, included a psychoanalyst, a criminologist,

0:52:40.640 --> 0:52:44.360
<v Speaker 1>and then a transportation guy. So like, they're professionals involved

0:52:44.400 --> 0:52:48.719
<v Speaker 1>in this, and it is a hefty organization and it

0:52:48.800 --> 0:52:51.880
<v Speaker 1>takes a process the same way you're like, Okay, I

0:52:51.960 --> 0:52:54.399
<v Speaker 1>don't know if this is you know, because people were

0:52:54.440 --> 0:52:57.080
<v Speaker 1>involved in the fais work to some degree or just

0:52:57.120 --> 0:53:02.080
<v Speaker 1>because it was their brainwashing. It takes a while for

0:53:02.239 --> 0:53:04.560
<v Speaker 1>the entire family to come around, but by the end

0:53:05.000 --> 0:53:08.759
<v Speaker 1>they all come out against Tilly and to testify against him.

0:53:08.800 --> 0:53:12.799
<v Speaker 1>They don't testify, but I mean come out publicly against him. Yeah,

0:53:12.840 --> 0:53:15.239
<v Speaker 1>I think they do. They join the case, but I'm

0:53:15.239 --> 0:53:18.040
<v Speaker 1>not sure how much they're supposed to testify. Yes, I don't.

0:53:18.080 --> 0:53:20.120
<v Speaker 1>I just didn't know. I didn't want to say they

0:53:20.160 --> 0:53:22.799
<v Speaker 1>all testified because I'm not. I don't think they all did.

0:53:23.280 --> 0:53:25.279
<v Speaker 1>Maybe they did, yeah, I think only I'm not sure.

0:53:25.440 --> 0:53:28.520
<v Speaker 1>But yeah, So eventually, at a certain point they all

0:53:28.640 --> 0:53:33.120
<v Speaker 1>come out against Tilly, who goes to jail for fraud,

0:53:33.719 --> 0:53:39.080
<v Speaker 1>imprisonment accompanied by acts of barbarism and torture, extortion of funds,

0:53:39.160 --> 0:53:43.720
<v Speaker 1>and abuse of weakness. Yeah, I'm intrigued by that part.

0:53:44.000 --> 0:53:47.919
<v Speaker 1>I would imagine it's a kind of clunky translation. Yeah,

0:53:48.000 --> 0:53:51.799
<v Speaker 1>but abusive weakness seems like a strange way of putting it.

0:53:51.920 --> 0:53:55.600
<v Speaker 1>I guess vulnerability sounds better to me, but yeah, vulnerability

0:53:55.760 --> 0:54:01.239
<v Speaker 1>makes it seem less um subjective. Yeah, there's some Yeah,

0:54:01.280 --> 0:54:05.319
<v Speaker 1>there's there's a weird bit of language there. But Tilly,

0:54:05.480 --> 0:54:09.560
<v Speaker 1>I think is still being held in Bordeaux, declined legal

0:54:09.600 --> 0:54:14.280
<v Speaker 1>counsel and has given no interviews and ferociously denies all charges.

0:54:14.920 --> 0:54:18.359
<v Speaker 1>I mean, I suppose that's what I would do, but

0:54:18.400 --> 0:54:21.279
<v Speaker 1>there's really nothing I think at that point that I'm

0:54:21.280 --> 0:54:23.560
<v Speaker 1>trying to think of the the idiom that the coup

0:54:23.600 --> 0:54:25.960
<v Speaker 1>has flown, that the chicken has been cooked. Yeah, the

0:54:26.000 --> 0:54:28.080
<v Speaker 1>cats out of the bag. Some the cats out of

0:54:28.120 --> 0:54:33.360
<v Speaker 1>the bag, but the with these two ex filtration missions.

0:54:33.400 --> 0:54:38.760
<v Speaker 1>After his arrest, the family was still in Oxford for

0:54:39.040 --> 0:54:42.440
<v Speaker 1>I believe seven months, I think, so it was a

0:54:42.520 --> 0:54:48.640
<v Speaker 1>long process. Yeah, which I can't imagine being uh, disillusioned

0:54:48.680 --> 0:54:51.280
<v Speaker 1>of this you know, awful reality that I've been forced

0:54:51.280 --> 0:54:54.160
<v Speaker 1>into and then just kind of hanging out for a while.

0:54:54.960 --> 0:54:59.600
<v Speaker 1>That seems very difficult. I think you imagine that, you I.

0:54:59.600 --> 0:55:03.080
<v Speaker 1>I don't think they were probably entirely convinced that it

0:55:03.200 --> 0:55:05.560
<v Speaker 1>was you know, a con at that point. I think

0:55:05.600 --> 0:55:09.360
<v Speaker 1>they want to believe that, you know, the last decade

0:55:09.400 --> 0:55:11.879
<v Speaker 1>of their life it had meaning. And I'm sure when

0:55:11.920 --> 0:55:15.880
<v Speaker 1>Tilly was first arrested that they were like, oh, that

0:55:16.040 --> 0:55:18.279
<v Speaker 1>the evil powers of the world have gotten to him.

0:55:18.320 --> 0:55:22.760
<v Speaker 1>You know, the Freemasons have called in their favors and

0:55:22.760 --> 0:55:25.840
<v Speaker 1>and had him arrested. You know, I I think that

0:55:25.960 --> 0:55:29.920
<v Speaker 1>the challenge here for me is realizing that it's not

0:55:29.960 --> 0:55:33.200
<v Speaker 1>like a Disney movie where when the villain is captured

0:55:33.760 --> 0:55:36.600
<v Speaker 1>are killed, that the kingdom just magically, you know, a

0:55:36.640 --> 0:55:39.640
<v Speaker 1>wave of color rushes over the kingdom and everything is

0:55:39.680 --> 0:55:42.440
<v Speaker 1>reverted back to normal. Yeah. I'm sure for those seven

0:55:42.440 --> 0:55:46.440
<v Speaker 1>months it was incredibly confusing and painful. You know that

0:55:46.480 --> 0:55:49.160
<v Speaker 1>old saying it's easier to to con someone than convinced

0:55:49.160 --> 0:55:51.239
<v Speaker 1>something they have been conned. I've never heard that, but

0:55:51.320 --> 0:55:54.439
<v Speaker 1>that seems to apply here. Yeah, where it's like I

0:55:54.440 --> 0:55:57.200
<v Speaker 1>I imagine that for a while, you want to believe

0:55:57.280 --> 0:56:00.880
<v Speaker 1>that the secret order of the world you had devoted

0:56:00.920 --> 0:56:05.879
<v Speaker 1>yourself to with such a fervent, painful commitment was real

0:56:06.120 --> 0:56:09.600
<v Speaker 1>for for a while longer. Yeah, I believe Gillan actually

0:56:09.640 --> 0:56:14.680
<v Speaker 1>believed when um Tillie was first arrested, that he he

0:56:14.800 --> 0:56:16.719
<v Speaker 1>told her or she believed of her own volition, that

0:56:16.800 --> 0:56:21.560
<v Speaker 1>he had gotten himself arrested on purpose for some reason,

0:56:22.000 --> 0:56:26.719
<v Speaker 1>to serve the ends of protecting the family from you know,

0:56:26.800 --> 0:56:30.839
<v Speaker 1>this existential threat which I can imagine them all, you know,

0:56:31.120 --> 0:56:33.799
<v Speaker 1>sort of waiting with bated breath even as they were

0:56:33.800 --> 0:56:37.879
<v Speaker 1>being exit counseled to try to discover what was real

0:56:37.920 --> 0:56:42.080
<v Speaker 1>and what wasn't and of course, very cynically him telling

0:56:42.120 --> 0:56:44.960
<v Speaker 1>them that this was all part of his plan would

0:56:45.080 --> 0:56:50.040
<v Speaker 1>keep them from, you know, testifying against him. Absolutely, So

0:56:50.200 --> 0:56:53.160
<v Speaker 1>that is sort of how the story ends, in the

0:56:53.200 --> 0:56:57.239
<v Speaker 1>sense that Tilly is found guilty, although there is a

0:56:57.400 --> 0:57:01.120
<v Speaker 1>very funny scene in Christine's memoir that I wanted to

0:57:01.160 --> 0:57:03.600
<v Speaker 1>thank you for highlighting with the judge. Do you want

0:57:03.640 --> 0:57:07.880
<v Speaker 1>to describe that. Yes, he tried to brainwash the judge,

0:57:08.040 --> 0:57:09.680
<v Speaker 1>I think is what he was trying to do. He

0:57:10.760 --> 0:57:14.439
<v Speaker 1>starts telling his life story, and you know, the story

0:57:14.520 --> 0:57:18.360
<v Speaker 1>is constantly changing, and he's using essentially the same tactics

0:57:18.360 --> 0:57:21.040
<v Speaker 1>that he had used with the family, where you know,

0:57:21.280 --> 0:57:24.800
<v Speaker 1>he says, he says that he can't talk about its work,

0:57:25.120 --> 0:57:28.120
<v Speaker 1>his work because it's top secret and you know, I

0:57:28.160 --> 0:57:31.120
<v Speaker 1>can't say anything more. And he's saying this to the

0:57:31.240 --> 0:57:34.840
<v Speaker 1>literal judge um, who at some point, I believe, in

0:57:35.240 --> 0:57:39.040
<v Speaker 1>perhaps nicer words, tells him to shut up. And again,

0:57:39.160 --> 0:57:42.360
<v Speaker 1>as we mentioned before, he declined all legal counsels, so

0:57:42.400 --> 0:57:44.880
<v Speaker 1>he's his own lawyer at this point. Yeah, and he

0:57:44.960 --> 0:57:49.720
<v Speaker 1>keeps interrupting and just generally causing trouble, telling all these

0:57:49.720 --> 0:57:52.240
<v Speaker 1>crazy lies he was in the navy, and then oh

0:57:52.360 --> 0:57:54.560
<v Speaker 1>I wasn't you know, quite in the navy, but I

0:57:54.600 --> 0:57:57.080
<v Speaker 1>was pretty much in the navy. And then I believe

0:57:57.120 --> 0:57:59.560
<v Speaker 1>his father takes the stand and is like, this is

0:57:59.600 --> 0:58:02.880
<v Speaker 1>a load of crap, this is all false. Yeah, which

0:58:03.000 --> 0:58:06.240
<v Speaker 1>I find a little bit of cosmic justice, just to

0:58:06.680 --> 0:58:08.840
<v Speaker 1>you know, have someone come up and be like, this

0:58:08.920 --> 0:58:13.120
<v Speaker 1>is absolutely false. In Gross's article, he mentioned that Tilly

0:58:13.240 --> 0:58:17.000
<v Speaker 1>was married to this beautiful blonde woman who I could

0:58:17.040 --> 0:58:20.360
<v Speaker 1>find no evidence of on the internet. Yeah, is this Jessica?

0:58:20.960 --> 0:58:23.920
<v Speaker 1>Or is this there's another woman I think in his past,

0:58:24.440 --> 0:58:26.920
<v Speaker 1>or maybe I have saw Jessica. Yeah, I know nothing

0:58:27.120 --> 0:58:31.760
<v Speaker 1>of her. Christine describes her as, you know, vaguely, very nice,

0:58:32.360 --> 0:58:35.560
<v Speaker 1>but there's no sense of how much she knew. Yeah,

0:58:35.680 --> 0:58:38.000
<v Speaker 1>she's almost not in this story at all at all,

0:58:38.000 --> 0:58:41.680
<v Speaker 1>which which is weird that it's like this is his

0:58:41.760 --> 0:58:46.200
<v Speaker 1>second family. Maybe maybe it was hard to just understand

0:58:46.280 --> 0:58:48.920
<v Speaker 1>how much, yeah, she knew about what was going on,

0:58:49.280 --> 0:58:53.720
<v Speaker 1>to what degree Tillie was involved with his normal family. Yeah,

0:58:53.880 --> 0:58:56.920
<v Speaker 1>I have no idea. I would love to know, because

0:58:56.960 --> 0:59:01.840
<v Speaker 1>she was sort of the appointed babysit her for um

0:59:02.120 --> 0:59:06.280
<v Speaker 1>Christine at one point and the kids. Yeah, so she

0:59:06.400 --> 0:59:09.240
<v Speaker 1>had to have known something, or maybe she just believed

0:59:09.240 --> 0:59:14.280
<v Speaker 1>that her husband was really a high up, you know,

0:59:14.680 --> 0:59:18.040
<v Speaker 1>person in the world of espionage, and that she just

0:59:18.080 --> 0:59:20.880
<v Speaker 1>had to trust that he was saving the world and

0:59:21.120 --> 0:59:23.560
<v Speaker 1>he couldn't tell her anything. I feel like that's a

0:59:23.640 --> 0:59:26.560
<v Speaker 1>very easy cop out, is like, sorry, I M a spy,

0:59:26.640 --> 0:59:29.200
<v Speaker 1>I can't tell you. Yeah, it seems like he is

0:59:29.280 --> 0:59:33.400
<v Speaker 1>a very convincing person if you're susceptible to him. And

0:59:33.440 --> 0:59:36.640
<v Speaker 1>I guess to me, it's plausible where he's like, you know,

0:59:36.720 --> 0:59:39.720
<v Speaker 1>these people are in like whatever the equivalent of witness

0:59:39.760 --> 0:59:43.720
<v Speaker 1>protection is, I guess. So. I mean, maybe Jessica didn't know,

0:59:43.800 --> 0:59:46.640
<v Speaker 1>but I would imagine that in England or France it

0:59:46.720 --> 0:59:50.120
<v Speaker 1>would function similarly to the way in the US where

0:59:50.160 --> 0:59:54.360
<v Speaker 1>they are the way on US television, uh is, which

0:59:54.400 --> 0:59:57.200
<v Speaker 1>is my frame of references that you know, you start

0:59:57.200 --> 1:00:00.439
<v Speaker 1>a new life but not really move in with your

1:00:01.240 --> 1:00:04.800
<v Speaker 1>uh secret agent secret agent guy. But again, she didn't

1:00:04.800 --> 1:00:08.240
<v Speaker 1>seem to get in trouble. I found no real evidence

1:00:08.280 --> 1:00:11.400
<v Speaker 1>of what happened to her, or it didn't seem like

1:00:11.440 --> 1:00:14.840
<v Speaker 1>she got in legal trouble. Yeah, I mean, maybe she

1:00:14.920 --> 1:00:18.000
<v Speaker 1>just didn't know anything, or maybe she's like an even

1:00:18.040 --> 1:00:22.040
<v Speaker 1>deeper agent than her husband was. Maybe she's Jack Man Salez.

1:00:23.320 --> 1:00:27.760
<v Speaker 1>She was Jack Gonzalez all along. But that basically is

1:00:27.840 --> 1:00:30.840
<v Speaker 1>the end of the story. Tilly is sentenced to eight years,

1:00:30.840 --> 1:00:34.040
<v Speaker 1>it's bumped up to ten, which means he is still

1:00:34.080 --> 1:00:37.680
<v Speaker 1>in prison and will probably get out, uh in I

1:00:37.760 --> 1:00:42.040
<v Speaker 1>think based on my matho. Okay, so we have two

1:00:42.080 --> 1:00:45.480
<v Speaker 1>years before he listens to this podcast and comes for

1:00:45.640 --> 1:00:51.040
<v Speaker 1>us and and the family. They live in basically council

1:00:51.160 --> 1:00:54.800
<v Speaker 1>estates in Bordeaux, like government housing in Bordeaux. They've tried

1:00:54.840 --> 1:00:57.120
<v Speaker 1>to go back to their jobs, so it does sound

1:00:57.120 --> 1:01:00.280
<v Speaker 1>like Charles Unry is back to being a doctor and

1:01:00.320 --> 1:01:02.960
<v Speaker 1>they're they're trying to to work again. But they lost

1:01:03.480 --> 1:01:07.480
<v Speaker 1>all of their money, all of their possessions, their family estate.

1:01:08.240 --> 1:01:11.480
<v Speaker 1>I was very sad to read that Christine had lost

1:01:11.640 --> 1:01:15.960
<v Speaker 1>like cards from her parents and letters to and from

1:01:15.960 --> 1:01:18.840
<v Speaker 1>her children that she has no idea where until he

1:01:18.920 --> 1:01:23.040
<v Speaker 1>took them, and that was very sad. Everything, all of

1:01:23.040 --> 1:01:27.080
<v Speaker 1>their possessions, all of their family heirlooms. But does sound

1:01:27.080 --> 1:01:30.320
<v Speaker 1>like Ghazag got back together with her ex husband, John Marshan,

1:01:30.440 --> 1:01:34.040
<v Speaker 1>which is a slightly happier ending. Yeah, I'm glad that

1:01:34.080 --> 1:01:37.480
<v Speaker 1>everyone like ended up okay, except for that poor pianist.

1:01:37.640 --> 1:01:41.000
<v Speaker 1>I think is maybe he just escaped and maybe that's

1:01:41.040 --> 1:01:43.320
<v Speaker 1>for the best, you know, he ended up better and

1:01:43.440 --> 1:01:46.160
<v Speaker 1>that he didn't have to be a part of this. Yeah,

1:01:46.200 --> 1:01:49.320
<v Speaker 1>but I think did get married to a nice young

1:01:49.400 --> 1:01:52.280
<v Speaker 1>Italian man, which, you know, what more can you hope for?

1:01:52.640 --> 1:01:55.240
<v Speaker 1>I feel like in the in the movie version of this,

1:01:55.760 --> 1:01:58.160
<v Speaker 1>it's the pianist who saved the day, because that's a

1:01:58.160 --> 1:02:02.120
<v Speaker 1>little sexture than the pianist turns out to be Baron Bobby. Yeah,

1:02:02.680 --> 1:02:04.360
<v Speaker 1>you know what I mean. Like, I feel like that

1:02:04.400 --> 1:02:09.040
<v Speaker 1>the Jean Marshand character, the sexy pianist who his bride

1:02:09.120 --> 1:02:12.120
<v Speaker 1>has been brainwashed three months after their wedding, is like

1:02:12.160 --> 1:02:17.000
<v Speaker 1>a sexy rescuer. Then Jean Marschan the sixty year old divorcee.

1:02:17.760 --> 1:02:21.800
<v Speaker 1>I yes, I mean, you know, Sean Marshan has his charms. Yes,

1:02:21.920 --> 1:02:25.280
<v Speaker 1>I had not to dispare Jean marchand yes, but I yes,

1:02:25.320 --> 1:02:27.800
<v Speaker 1>I would love to see this movie. So again, I

1:02:27.840 --> 1:02:29.880
<v Speaker 1>think it's probably something that's going to have to wait

1:02:30.000 --> 1:02:33.040
<v Speaker 1>until like a hundred years from now when all the

1:02:33.080 --> 1:02:37.040
<v Speaker 1>secrets can be unburied in archives and things like that. Yeah,

1:02:37.080 --> 1:02:39.600
<v Speaker 1>because that's the thing when I'm when I'm doing an

1:02:39.600 --> 1:02:42.240
<v Speaker 1>episode of Noble Blood and you're obviously so helpful with

1:02:42.280 --> 1:02:47.000
<v Speaker 1>the research, you have to read everything and digest it

1:02:47.320 --> 1:02:49.320
<v Speaker 1>and then wait for it to sort of make sense,

1:02:49.320 --> 1:02:52.240
<v Speaker 1>wait for a cohesive narrative to come together. And I

1:02:52.280 --> 1:02:55.480
<v Speaker 1>think there is a patent narrative where this family, you know,

1:02:55.520 --> 1:02:58.920
<v Speaker 1>fell into a cult. Tillie is the villain and he

1:02:59.000 --> 1:03:02.320
<v Speaker 1>was caught it. It does there are details that just

1:03:02.400 --> 1:03:06.360
<v Speaker 1>don't make sense, like the mask, like what did the

1:03:06.440 --> 1:03:10.560
<v Speaker 1>mask about? What is the mask about? What? Who knows what?

1:03:11.000 --> 1:03:15.920
<v Speaker 1>They're family meetings that they take elaborate notes for that

1:03:16.080 --> 1:03:19.120
<v Speaker 1>just very strange French noble to me, I feel like,

1:03:20.200 --> 1:03:21.680
<v Speaker 1>I don't know, there are a lot of things that

1:03:21.800 --> 1:03:29.040
<v Speaker 1>I I can't relate to in my normal, not aristocratic

1:03:29.040 --> 1:03:32.400
<v Speaker 1>person life. Like Christine talks a little about Charlesonri and

1:03:33.240 --> 1:03:38.560
<v Speaker 1>his his Protestant drive to you know, defend himself or

1:03:38.600 --> 1:03:42.800
<v Speaker 1>to like a like some sort of martyr complex, and

1:03:42.960 --> 1:03:46.439
<v Speaker 1>maybe that's a French thing, like calling back to all

1:03:46.480 --> 1:03:50.280
<v Speaker 1>of the religious conflict in you know what the sixteenth

1:03:50.280 --> 1:03:54.360
<v Speaker 1>century onward. Listen to my episode of Noble Blood. The

1:03:54.360 --> 1:03:58.400
<v Speaker 1>wedding ended in blood exactly. But that's not just not

1:03:58.480 --> 1:04:02.880
<v Speaker 1>something that I have ever experienced. I mean, I'm not Protestant,

1:04:02.960 --> 1:04:06.480
<v Speaker 1>I'm not Christian at all, so maybe maybe everyone feels

1:04:06.480 --> 1:04:08.720
<v Speaker 1>this way. But there, yeah, just a lot of like

1:04:09.680 --> 1:04:13.560
<v Speaker 1>strange habits and even one of the reasons I think

1:04:13.560 --> 1:04:17.200
<v Speaker 1>that Baron Bobby noticed something was off with Christine is

1:04:17.240 --> 1:04:21.280
<v Speaker 1>that she was acting noble somehow, she had like the

1:04:21.360 --> 1:04:25.040
<v Speaker 1>mannerisms of an aristocratic person, which I would love to

1:04:25.120 --> 1:04:28.560
<v Speaker 1>know what those are. Yeah, what a good detail, the

1:04:28.600 --> 1:04:32.120
<v Speaker 1>sense that what both what caused this family to be

1:04:32.240 --> 1:04:36.760
<v Speaker 1>imprisoned and what made them susceptible to tell his brainwashing

1:04:37.440 --> 1:04:40.840
<v Speaker 1>is the very thing that sort of allows Baron Bobby

1:04:40.920 --> 1:04:43.280
<v Speaker 1>to see that something is wrong. I think it's because

1:04:43.480 --> 1:04:48.360
<v Speaker 1>Christine mentioned, like, you know, she is well educated, and

1:04:48.400 --> 1:04:50.760
<v Speaker 1>I think her French is excellent and her English is

1:04:50.760 --> 1:04:55.240
<v Speaker 1>probably wonderful, and she is educated and has mannerisms in

1:04:55.280 --> 1:04:58.320
<v Speaker 1>the sense that he's like, well, why are you working

1:04:58.320 --> 1:05:01.080
<v Speaker 1>in the back of a cheese shop like you you

1:05:01.160 --> 1:05:03.600
<v Speaker 1>act as though you have money, And then that's how

1:05:03.640 --> 1:05:06.840
<v Speaker 1>the story sort of reveals itself to to him, where

1:05:06.880 --> 1:05:09.200
<v Speaker 1>she says like, Okay, yes we had money, but but

1:05:09.320 --> 1:05:13.240
<v Speaker 1>we lost it for these reasons. Yeah, but the I

1:05:13.240 --> 1:05:15.640
<v Speaker 1>don't know, I would love to Maybe it's the equivalent

1:05:15.680 --> 1:05:19.919
<v Speaker 1>of like a very posh English accent. That's a thing

1:05:19.960 --> 1:05:23.000
<v Speaker 1>where you can sort of tell, yeah, good posture. Maybe

1:05:24.240 --> 1:05:26.560
<v Speaker 1>I feel like I have a good posture. Well maybe

1:05:26.600 --> 1:05:30.280
<v Speaker 1>maybe you look rich. Yeah maybe. Uh. There was also

1:05:31.280 --> 1:05:33.960
<v Speaker 1>maybe an apocryphal story that I sort of half remember,

1:05:34.360 --> 1:05:36.440
<v Speaker 1>but I remember someone It could even be like a

1:05:36.480 --> 1:05:39.640
<v Speaker 1>dumb joke. So I feel like I'm couching this um.

1:05:39.760 --> 1:05:42.440
<v Speaker 1>Someone would ask, like a historian or an artist or

1:05:42.480 --> 1:05:45.920
<v Speaker 1>a novelist or someone like, oh, was the French Revolution

1:05:46.080 --> 1:05:48.440
<v Speaker 1>good or bad in the scheme of history? And the

1:05:48.800 --> 1:05:51.520
<v Speaker 1>person answers like, oh, well, it's far too soon to tell,

1:05:52.520 --> 1:05:56.720
<v Speaker 1>in the sense that you need so much historical perspective

1:05:57.000 --> 1:06:00.480
<v Speaker 1>before you can be able to look at a picture clearly.

1:06:00.880 --> 1:06:05.000
<v Speaker 1>And I think that the nature of this case me

1:06:05.000 --> 1:06:07.600
<v Speaker 1>meant to me that Christine and the rest of the

1:06:07.640 --> 1:06:13.400
<v Speaker 1>family did want to simplify it and paint Tilly as

1:06:13.560 --> 1:06:17.720
<v Speaker 1>the perpetrator and their family is the victims. And I

1:06:17.760 --> 1:06:21.280
<v Speaker 1>think that that effort to oversimplify for the sake of

1:06:21.720 --> 1:06:28.360
<v Speaker 1>legal expediency clouds some complexity that I couldn't quite figure out. Yeah,

1:06:28.480 --> 1:06:31.240
<v Speaker 1>I think one of the big questions that I was

1:06:31.800 --> 1:06:35.040
<v Speaker 1>left with with particularly the Vanity Fair article where it

1:06:35.080 --> 1:06:39.160
<v Speaker 1>was quoting, um, the teacher from the secretarial school and

1:06:39.760 --> 1:06:44.120
<v Speaker 1>I believe one of the landlords that Tilly uh and

1:06:44.240 --> 1:06:49.320
<v Speaker 1>the family kind of possibly duped at some point in Oxford.

1:06:49.440 --> 1:06:54.000
<v Speaker 1>Sorry quick aside, they I guess as punishment for some degree.

1:06:54.400 --> 1:06:59.320
<v Speaker 1>They basically trashed an apartment in Oxford and then sued

1:07:00.080 --> 1:07:03.800
<v Speaker 1>the landlord. Like they put their landlords through legal hell.

1:07:04.080 --> 1:07:08.520
<v Speaker 1>It was like nineteen lawsuits or something absolutely crazy. Um

1:07:08.640 --> 1:07:12.680
<v Speaker 1>and he you know this, this landlord and the one

1:07:12.720 --> 1:07:16.640
<v Speaker 1>of the teacher who was quoted are sort of like, Okay, well,

1:07:16.680 --> 1:07:20.280
<v Speaker 1>what a convenient excuse that they were brainwashed? Um. And

1:07:20.320 --> 1:07:22.720
<v Speaker 1>I think the question is, as time goes on, is

1:07:22.840 --> 1:07:26.200
<v Speaker 1>going to be Okay, to what extent should this family

1:07:26.240 --> 1:07:30.200
<v Speaker 1>be held accountable for the harm that they've caused to

1:07:30.200 --> 1:07:33.960
<v Speaker 1>other people. I mean there's you know, Charlesonry's partners in

1:07:34.080 --> 1:07:40.600
<v Speaker 1>his gynecological practice and friends and business partners left behind,

1:07:41.200 --> 1:07:45.200
<v Speaker 1>landlords duped people sued. Um. I think there are a

1:07:45.200 --> 1:07:49.600
<v Speaker 1>lot of things. All those teachers and paid Yeah, I

1:07:50.040 --> 1:07:53.600
<v Speaker 1>don't know. I mean, it's not that I don't believe

1:07:53.720 --> 1:07:56.280
<v Speaker 1>that this story is true, that these you know, this

1:07:56.400 --> 1:08:03.240
<v Speaker 1>family was brainwashed. It's obviously, you know, pretty verifiably true. Um.

1:08:03.320 --> 1:08:06.800
<v Speaker 1>But I think Christine, especially in her memoir, I think,

1:08:06.920 --> 1:08:10.800
<v Speaker 1>is very willing to I don't not forgive herself because

1:08:10.800 --> 1:08:13.960
<v Speaker 1>I think she has a decent sense of you know,

1:08:14.040 --> 1:08:17.120
<v Speaker 1>the harm that she caused other she and her family

1:08:17.160 --> 1:08:20.439
<v Speaker 1>may have caused other people. But I think everyone's very

1:08:20.479 --> 1:08:23.360
<v Speaker 1>quick to be like, well, we were brainwashed, we were

1:08:23.479 --> 1:08:26.599
<v Speaker 1>under this guy's thumb. Yeah, he's the he's the villain.

1:08:26.760 --> 1:08:30.679
<v Speaker 1>We were under this guy's spell. Which I mean again,

1:08:31.160 --> 1:08:34.240
<v Speaker 1>it's not as if the the Dren family gets off

1:08:34.520 --> 1:08:37.960
<v Speaker 1>scott free, because as we said, yeah, they lose absolutely

1:08:38.000 --> 1:08:40.760
<v Speaker 1>everything in the world, and I think they lose ten

1:08:40.840 --> 1:08:45.200
<v Speaker 1>years of their life. So maybe that's maybe punishment enough. Yeah,

1:08:45.479 --> 1:08:47.760
<v Speaker 1>you know, they lost their family, they lost all of

1:08:47.800 --> 1:08:51.240
<v Speaker 1>their money, and they've they lost a decade to this

1:08:51.360 --> 1:08:56.680
<v Speaker 1>crazy conspiracy. So whatever the damage. I mean that that

1:08:56.760 --> 1:08:59.920
<v Speaker 1>seems to be a pretty good sentence to me. Yeah,

1:09:00.120 --> 1:09:04.400
<v Speaker 1>I think so it's a it's an incredibly strange story.

1:09:04.880 --> 1:09:07.880
<v Speaker 1>Thank you for attempting to delve into it with me.

1:09:08.320 --> 1:09:10.559
<v Speaker 1>Thank you for having me. This was very fun, and

1:09:10.600 --> 1:09:13.920
<v Speaker 1>thank you for listening. I hope that this slightly different

1:09:13.960 --> 1:09:17.840
<v Speaker 1>episode of Nomah Blood gives you a glimpse into our process.

1:09:17.920 --> 1:09:22.200
<v Speaker 1>And uh, I guess just illuminates a story that to me,

1:09:22.560 --> 1:09:26.519
<v Speaker 1>I was very surprised that almost no Americans know or

1:09:26.560 --> 1:09:29.599
<v Speaker 1>care about. Because it's so bizarre and so weird, you'd

1:09:29.600 --> 1:09:32.200
<v Speaker 1>think more would be written about it. I was totally

1:09:32.200 --> 1:09:36.719
<v Speaker 1>expecting tons of stuff. Yeah, everything's in French. Maybe now

1:09:36.880 --> 1:09:41.600
<v Speaker 1>someone will, you know, hop on the scholarly work. We

1:09:41.680 --> 1:09:45.479
<v Speaker 1>are approaching a decade, I think since this story you know,

1:09:45.960 --> 1:09:50.960
<v Speaker 1>officially closed, so maybe some like modern French historians will

1:09:51.160 --> 1:09:55.000
<v Speaker 1>get to work. We can only hope. Well, Hannah, thank

1:09:55.000 --> 1:09:57.439
<v Speaker 1>you so much for joining us. Where can people find

1:09:57.479 --> 1:10:01.840
<v Speaker 1>you on on social media or the internet? Oh my goodness, Um,

1:10:01.880 --> 1:10:05.760
<v Speaker 1>I am on Twitter at nourrel hand n O R

1:10:05.840 --> 1:10:08.920
<v Speaker 1>E L L E hey h A n and on

1:10:09.000 --> 1:10:11.400
<v Speaker 1>Instagram at that but with N A H at the

1:10:11.520 --> 1:10:14.960
<v Speaker 1>end just spell Hannah. Fantastic. Well, thank you so much

1:10:15.080 --> 1:10:25.120
<v Speaker 1>for joining me, and thanks for listening. Noble Blood is

1:10:25.160 --> 1:10:27.679
<v Speaker 1>a production of I Heart Radio and Grimm and Mild

1:10:27.760 --> 1:10:30.640
<v Speaker 1>from Aaron Mankey. The show was written and hosted by

1:10:30.720 --> 1:10:35.400
<v Speaker 1>Dani Schwartz and produced by Aaron Mankey, Matt Frederick, Alex Williams,

1:10:35.479 --> 1:10:38.880
<v Speaker 1>and Trevor Young. Noble Blood is on social media at

1:10:38.920 --> 1:10:41.360
<v Speaker 1>Noble Blood Tales, and you can learn more about the

1:10:41.400 --> 1:10:44.360
<v Speaker 1>show over at Noble blood Tales dot com. For more

1:10:44.400 --> 1:10:47.599
<v Speaker 1>podcasts from I Heart Radio, visit the I heart Radio app,

1:10:47.760 --> 1:11:29.640
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.