1 00:00:01,280 --> 00:00:10,840 Speaker 1: Uh, what's abusive? My friendship with Cody. I'm Robert Evans, 2 00:00:10,960 --> 00:00:14,120 Speaker 1: host of Behind the Bastards, podcast about terrible People, with 3 00:00:14,160 --> 00:00:17,360 Speaker 1: my good friend Tody Johnston. Cody, how are you doing? 4 00:00:17,640 --> 00:00:20,919 Speaker 1: Hello there. I'm spectacular. I couldn't be better and a 5 00:00:21,000 --> 00:00:24,880 Speaker 1: fantastic won't be judging from No, you're a little I 6 00:00:24,920 --> 00:00:26,599 Speaker 1: know about what we're gonna talk about. You're gonna have 7 00:00:26,640 --> 00:00:29,760 Speaker 1: a terrible day to day, Cody. Cody, you are the 8 00:00:29,800 --> 00:00:34,559 Speaker 1: host of some More News and the co host of 9 00:00:34,800 --> 00:00:38,080 Speaker 1: the podcast with a similar but not exactly the same name, 10 00:00:38,560 --> 00:00:42,040 Speaker 1: um YouTube Sensation, it would be fair to say, and 11 00:00:42,440 --> 00:00:47,200 Speaker 1: my absolutely and my friend of many years and Cody Deep. 12 00:00:47,240 --> 00:00:51,920 Speaker 1: Are you familiar with the concept of love languages? I am. Yeah. 13 00:00:51,920 --> 00:00:54,840 Speaker 1: It's it's this idea that that people there's different people 14 00:00:54,920 --> 00:00:57,680 Speaker 1: express love in different ways, and in a major part 15 00:00:57,800 --> 00:01:02,040 Speaker 1: of having a healthy relations it is understanding the way 16 00:01:02,040 --> 00:01:05,480 Speaker 1: that the people in your life express love and communicating 17 00:01:05,680 --> 00:01:07,240 Speaker 1: to them the way that you do so that you 18 00:01:07,280 --> 00:01:11,360 Speaker 1: don't misunderstand each other and you appreciate, you know, when 19 00:01:11,360 --> 00:01:13,679 Speaker 1: the other person tries to share with you the way 20 00:01:13,680 --> 00:01:15,760 Speaker 1: they feel. And I've I've come to recognize over the 21 00:01:15,840 --> 00:01:18,600 Speaker 1: years Cody, that you and I have a particular love language. 22 00:01:19,240 --> 00:01:21,280 Speaker 1: It started a couple of years ago when you began 23 00:01:21,360 --> 00:01:25,839 Speaker 1: telling me about Dr Jordan B. Peterson. Um. That all 24 00:01:25,959 --> 00:01:29,200 Speaker 1: culminated in me putting together like a three hour podcast 25 00:01:29,280 --> 00:01:32,160 Speaker 1: series about the life of Dr Jordan B. Peterson. And 26 00:01:32,200 --> 00:01:34,560 Speaker 1: then a couple of years later you put together a 27 00:01:34,600 --> 00:01:38,160 Speaker 1: three hour video about everything Jordan Peterson has ever said 28 00:01:38,160 --> 00:01:41,319 Speaker 1: and done and and and I just watched that, Cody, 29 00:01:41,360 --> 00:01:43,600 Speaker 1: and now I am about to sit down with you, 30 00:01:44,200 --> 00:01:46,120 Speaker 1: and I am about to share, as part of my 31 00:01:46,240 --> 00:01:51,720 Speaker 1: love language, some more about Jordan B. Peterson. This is 32 00:01:52,160 --> 00:01:57,640 Speaker 1: what we call romance and romance there's nothing pure. Um. 33 00:01:57,640 --> 00:02:03,560 Speaker 1: So thank you. I I received. I believe I started 34 00:02:03,600 --> 00:02:08,400 Speaker 1: this by saying, Cody, I love you. I'm sorry, instantly 35 00:02:08,400 --> 00:02:12,680 Speaker 1: apologetic as soon as I popped off. Cody. You know 36 00:02:12,840 --> 00:02:16,440 Speaker 1: Mr Peterson, doctor Mr Peterson, Um. And you know I'm 37 00:02:16,520 --> 00:02:19,640 Speaker 1: sure that he has recently started a new television show, 38 00:02:19,720 --> 00:02:23,280 Speaker 1: a hit new TV show. Everybody's talking about it on 39 00:02:23,320 --> 00:02:29,079 Speaker 1: the Daily Wire TV show. It's it's like a show. 40 00:02:29,480 --> 00:02:33,399 Speaker 1: It's like a show. It is it has the it's 41 00:02:34,040 --> 00:02:37,960 Speaker 1: a show is a great description the show for sure, 42 00:02:38,080 --> 00:02:44,480 Speaker 1: like like it contains the totemic sigils that associated as 43 00:02:44,560 --> 00:02:48,080 Speaker 1: being like a television show. So like if you were 44 00:02:48,400 --> 00:02:52,279 Speaker 1: like the things that, like the the the representative artifacts 45 00:02:52,360 --> 00:02:55,760 Speaker 1: that signify that something is a TV show are present 46 00:02:56,040 --> 00:02:58,320 Speaker 1: in this thing, which is not a TV show. It's 47 00:02:58,320 --> 00:03:01,960 Speaker 1: on the Daily Wire's website. Um, not even Daily Wire 48 00:03:01,960 --> 00:03:04,400 Speaker 1: Plus on their website now or so, Yeah, you have 49 00:03:04,440 --> 00:03:06,880 Speaker 1: to get whatever they're streaming account. I don't know, Cody. 50 00:03:06,960 --> 00:03:08,640 Speaker 1: I'm not going to tell you how I got this show. 51 00:03:10,240 --> 00:03:15,320 Speaker 1: You don't need to, Okay. I understand it's called Dragons, 52 00:03:15,440 --> 00:03:23,000 Speaker 1: Monsters and Men um boring. That's classic. I think there's 53 00:03:23,000 --> 00:03:25,160 Speaker 1: any chance at all that like the name was picked 54 00:03:25,160 --> 00:03:27,160 Speaker 1: in part because they're like, well, the new Game of Thrones, 55 00:03:27,200 --> 00:03:36,200 Speaker 1: And then I think so because the introna like, so 56 00:03:36,280 --> 00:03:37,960 Speaker 1: you watched the new Lord of the Ring show, Cody, 57 00:03:38,200 --> 00:03:40,640 Speaker 1: I haven't seen it yet. Um, it's pretty good. I 58 00:03:40,920 --> 00:03:43,360 Speaker 1: like it, But the intro of it is very clearly 59 00:03:43,360 --> 00:03:46,240 Speaker 1: doing a Game of Thrones like that that that kind 60 00:03:46,280 --> 00:03:51,520 Speaker 1: of like where it's sort of a kind of abstract representation, um, 61 00:03:51,600 --> 00:03:55,400 Speaker 1: using like symbols and stuff and whatever. Um, it's fine, 62 00:03:56,120 --> 00:03:58,680 Speaker 1: but they're doing the same thing in Dragons monsters and 63 00:03:58,720 --> 00:04:03,600 Speaker 1: men to open the series. Yeah, well so for listeners. Uh, 64 00:04:05,000 --> 00:04:07,440 Speaker 1: a screen is being shared with me, and the first 65 00:04:08,200 --> 00:04:12,160 Speaker 1: frame of this show is on screen, and I instantly 66 00:04:12,840 --> 00:04:14,880 Speaker 1: believe you and agree with you, and like, it's not 67 00:04:14,960 --> 00:04:17,360 Speaker 1: even it's not even a letter I'm looking at. I'm 68 00:04:17,360 --> 00:04:20,640 Speaker 1: looking at the shape of a part of a letter 69 00:04:21,000 --> 00:04:24,120 Speaker 1: from the intro, Like, yeah, they're doing thrones. Yeah, there's 70 00:04:24,120 --> 00:04:27,360 Speaker 1: all smoky and dusty, and like, yeah, let's just let's 71 00:04:27,400 --> 00:04:30,280 Speaker 1: play the start of this and you at home will 72 00:04:30,320 --> 00:04:32,000 Speaker 1: hear it, and then we'll kind of describe what we're 73 00:04:32,000 --> 00:04:35,680 Speaker 1: seeing after you've heard it. But I think both are valuable. Cody, 74 00:04:35,720 --> 00:04:54,640 Speaker 1: I'm sorry, I love you, and starting yet, Sophie, what hey, 75 00:04:55,320 --> 00:05:02,479 Speaker 1: they can't do this? Come on alright, alright, alright, let's 76 00:05:02,640 --> 00:05:05,240 Speaker 1: let's pause it and talking them. Is it just him 77 00:05:05,680 --> 00:05:09,839 Speaker 1: at a chair? It's just him in a chair. But so, so, 78 00:05:10,040 --> 00:05:12,279 Speaker 1: what we see that intro is like a bunch of 79 00:05:12,360 --> 00:05:14,680 Speaker 1: they kind of look like stone age glyphs, a mix 80 00:05:14,720 --> 00:05:16,839 Speaker 1: of like stuff that might be runic shapes. I'm not 81 00:05:16,880 --> 00:05:21,080 Speaker 1: a Runes expert. Maybe their actual runs um, but runs 82 00:05:21,080 --> 00:05:25,680 Speaker 1: in like a video games, you know, there's like animal glyphs, 83 00:05:25,720 --> 00:05:28,800 Speaker 1: there's like an arrow that's going up like progress and 84 00:05:28,839 --> 00:05:31,640 Speaker 1: then turns down, probably because the liberals started doing a 85 00:05:31,680 --> 00:05:40,320 Speaker 1: gender wokeness. Yeah, the woke run um. And then when 86 00:05:40,360 --> 00:05:43,520 Speaker 1: you heard that watching and then that a bunch of 87 00:05:43,520 --> 00:05:47,080 Speaker 1: fire blue on the screen, followed by the logo Dragons, 88 00:05:47,200 --> 00:05:51,960 Speaker 1: Monsters and men, Dragons earlier challenges, Monsters and the Demons. 89 00:05:51,960 --> 00:05:56,200 Speaker 1: You have to Slane, it's like you've spent dozens of 90 00:05:56,240 --> 00:06:00,240 Speaker 1: hours watching Dr Jordan Peterson talking about his ideas. It's 91 00:06:00,320 --> 00:06:04,640 Speaker 1: just like it was basic symbolism and ship. All right, 92 00:06:04,960 --> 00:06:08,040 Speaker 1: yeah it is, it is, Cody. It is kind of 93 00:06:08,920 --> 00:06:12,560 Speaker 1: I think Jordan Peterson would have been a really inspirational, 94 00:06:12,720 --> 00:06:18,799 Speaker 1: like sixth grade creative writing teacher. I've always thought, like, hey, man, 95 00:06:18,920 --> 00:06:23,680 Speaker 1: go out write a book, not your weird books, a 96 00:06:23,720 --> 00:06:26,400 Speaker 1: fiction book, and like use all your ideas and your 97 00:06:26,520 --> 00:06:31,160 Speaker 1: archetypes and your symbolism and and say a story that 98 00:06:31,200 --> 00:06:33,560 Speaker 1: you think should be told with all those ideas, and 99 00:06:33,600 --> 00:06:38,120 Speaker 1: then maybe people will finally see the uh what you believe? 100 00:06:39,520 --> 00:06:42,800 Speaker 1: I think something different is going to happen, Cody. So 101 00:06:43,200 --> 00:06:46,960 Speaker 1: the episode one is titled What Makes a Man? And 102 00:06:47,000 --> 00:06:50,680 Speaker 1: once the title crawl finishes, were presented with Jordan Peterson 103 00:06:50,760 --> 00:06:53,120 Speaker 1: wearing a nice fitted blue suit and sitting in a 104 00:06:53,160 --> 00:06:56,359 Speaker 1: leather armchair in a library. There's a large, like hour 105 00:06:56,440 --> 00:06:59,159 Speaker 1: glass style clock that's about four ft behind him. And 106 00:06:59,200 --> 00:07:01,359 Speaker 1: what's interesting to me is how all the production value 107 00:07:01,360 --> 00:07:03,440 Speaker 1: and intensity they've tried to build up at the start 108 00:07:03,440 --> 00:07:07,240 Speaker 1: of the s episode dissipates the instant Jordan starts talking 109 00:07:07,240 --> 00:07:11,080 Speaker 1: and I'm gonna have Sophie quickplay to display that I can't. 110 00:07:11,240 --> 00:07:20,640 Speaker 1: I'm sorry, I love you. There are multiple let's say, 111 00:07:20,640 --> 00:07:24,880 Speaker 1: competence and authority, multiple especially in a sophisticated society, and 112 00:07:24,920 --> 00:07:27,920 Speaker 1: so you're fortunate if you're good at one or two things. 113 00:07:28,920 --> 00:07:32,960 Speaker 1: Most of the ways you could be competent and generous, 114 00:07:33,000 --> 00:07:35,240 Speaker 1: you're just not that good at So first of all, 115 00:07:35,280 --> 00:07:37,640 Speaker 1: I would say, don't be too disheartened, especially if you're 116 00:07:40,920 --> 00:07:45,640 Speaker 1: so listeners. What's just happened on screen is that obviously 117 00:07:45,760 --> 00:07:47,840 Speaker 1: you can hear him talking, it's just him sitting in 118 00:07:47,840 --> 00:07:51,360 Speaker 1: the chair, and after like twenty seconds, the screen splits 119 00:07:51,840 --> 00:07:54,440 Speaker 1: and we watch a close up of his face next 120 00:07:54,440 --> 00:07:57,800 Speaker 1: to a slightly further outshot of his face, both at 121 00:07:57,800 --> 00:08:03,920 Speaker 1: the same time really off putting and disconcerting. It's because 122 00:08:03,960 --> 00:08:07,200 Speaker 1: they know, they know what they've done. It's really threw 123 00:08:07,480 --> 00:08:09,800 Speaker 1: They threw god knows how much money at this guy, 124 00:08:09,840 --> 00:08:12,520 Speaker 1: like millions of dollars. I probably millions of a lot 125 00:08:12,560 --> 00:08:14,800 Speaker 1: of Like they're just that's why he literally said this 126 00:08:14,840 --> 00:08:16,760 Speaker 1: out loud and one of his videos like, yeah, they 127 00:08:16,760 --> 00:08:19,240 Speaker 1: gave me a lot of money. Uh, and more power 128 00:08:19,280 --> 00:08:21,760 Speaker 1: to him go for it. But so they know they've done. 129 00:08:22,000 --> 00:08:25,080 Speaker 1: But ultimately and the Daily Wire Plus wants to be 130 00:08:25,280 --> 00:08:28,320 Speaker 1: the programming like they wanted anti woke, like the TV 131 00:08:28,520 --> 00:08:32,160 Speaker 1: that you don't get on HBO, which we secretly love 132 00:08:32,280 --> 00:08:35,559 Speaker 1: that kind of thing. Um, And so they've throw this 133 00:08:35,640 --> 00:08:39,160 Speaker 1: money at it. But ultimately what they bought was Jordan 134 00:08:39,280 --> 00:08:42,960 Speaker 1: Peterson doing his lectures, which is just a guy on stage. 135 00:08:43,120 --> 00:08:45,960 Speaker 1: That's it. So they have to make it seem somewhat 136 00:08:46,400 --> 00:08:50,400 Speaker 1: like cinematic or exciting or visually interesting at all. And 137 00:08:50,480 --> 00:08:53,520 Speaker 1: so they have two campus follow him and do a 138 00:08:53,559 --> 00:08:56,440 Speaker 1: splitz Cody, Cody, I'm gonna give you a spoiler. At 139 00:08:56,480 --> 00:09:00,280 Speaker 1: a certain point, there's going to be three. Yeah, It's 140 00:09:00,360 --> 00:09:02,959 Speaker 1: like I was like waiting at a certain point. They 141 00:09:03,000 --> 00:09:06,240 Speaker 1: do like re enactments are like they feel like third 142 00:09:06,720 --> 00:09:10,120 Speaker 1: It is never anything but Jordan Peterson on screen. Okay, 143 00:09:10,160 --> 00:09:13,760 Speaker 1: here's here's here's okay, here's my slight feedback here. So 144 00:09:13,880 --> 00:09:17,240 Speaker 1: he's worked very hard, Like the hair is perfectly slicked back, 145 00:09:17,679 --> 00:09:22,480 Speaker 1: he's chosen you know, the coat. Why is his tie crooked? 146 00:09:22,520 --> 00:09:25,640 Speaker 1: And why is his shirt wrinkled? Two notes those were 147 00:09:25,640 --> 00:09:29,920 Speaker 1: my clearly tried super hard to have this like put 148 00:09:29,960 --> 00:09:32,760 Speaker 1: together image. But yet your shirt is wrinkled and your 149 00:09:32,800 --> 00:09:35,640 Speaker 1: tie is crooked. What is happening? Also, what is that tie? 150 00:09:35,920 --> 00:09:40,760 Speaker 1: They didn't say, I don't want to shakes and possibly 151 00:09:40,800 --> 00:09:42,760 Speaker 1: the Benzo. I just gotta say it's the Benz s 152 00:09:47,280 --> 00:09:51,280 Speaker 1: I wear a very crumpled suit and tie on my show. 153 00:09:51,600 --> 00:09:54,400 Speaker 1: I do not own a suit or tie on purpose. 154 00:09:55,080 --> 00:10:00,560 Speaker 1: But fabulous. Well, like he seems seems like the kind 155 00:10:00,559 --> 00:10:03,000 Speaker 1: of guy who would be like, well, no, iron, my 156 00:10:03,040 --> 00:10:07,960 Speaker 1: shirt's before my my my big show. My nicest outfit 157 00:10:08,120 --> 00:10:11,160 Speaker 1: is an open hoodie with a Bart Simpson Gulf War 158 00:10:11,480 --> 00:10:15,840 Speaker 1: commemorative T shirt. I mean it's spells Saddam huss saying Huskin, 159 00:10:16,559 --> 00:10:18,600 Speaker 1: He's like put a lot of effort into it. Like 160 00:10:18,640 --> 00:10:21,559 Speaker 1: he's gone through the trouble of calling up Gavin Nusup 161 00:10:21,600 --> 00:10:24,360 Speaker 1: and being like what Harold jail do you use and 162 00:10:24,480 --> 00:10:28,959 Speaker 1: using all the hair gel and but yet crooked tie, 163 00:10:28,960 --> 00:10:32,319 Speaker 1: wrinkled shirt. Just very interesting to note. Shall we continue? 164 00:10:32,360 --> 00:10:34,720 Speaker 1: Roberts also, Sophie, real quick, get used to the hands. 165 00:10:34,920 --> 00:10:38,880 Speaker 1: He stop doing the little magic fingers. He loves the 166 00:10:38,920 --> 00:10:43,680 Speaker 1: little magic fingers. Money as I'm sure they're spending on this, 167 00:10:43,760 --> 00:10:45,840 Speaker 1: and for all the production value that existed in the 168 00:10:45,880 --> 00:10:48,920 Speaker 1: first twenty eight seconds, which is going to be the 169 00:10:48,960 --> 00:10:52,200 Speaker 1: most exciting thing we see today. Uh, it's I think 170 00:10:52,320 --> 00:10:55,480 Speaker 1: the episodes. I don't even think there's scripts to these, 171 00:10:55,520 --> 00:10:57,560 Speaker 1: Like you said, it's just like they filmed a lecture. 172 00:10:58,160 --> 00:11:01,079 Speaker 1: This isn't I've seen his lectures and they are normally 173 00:11:01,320 --> 00:11:04,000 Speaker 1: like he's wrong about things, but he knows how to 174 00:11:04,040 --> 00:11:06,720 Speaker 1: give a competent lecture right where he like builds to 175 00:11:06,840 --> 00:11:09,560 Speaker 1: a point and yeah, there's a journeys an impact on 176 00:11:09,640 --> 00:11:13,160 Speaker 1: the audience. That's why he's been successful. That's not what 177 00:11:13,240 --> 00:11:16,400 Speaker 1: we're having here. There's no nothing he's building to. He 178 00:11:16,520 --> 00:11:19,040 Speaker 1: is just sitting in a chair and kind of talking 179 00:11:19,600 --> 00:11:23,920 Speaker 1: almost aimlessly. Um yeah, I want just listen, listen to this. 180 00:11:25,559 --> 00:11:28,080 Speaker 1: I will so my prediction. So this seems like what 181 00:11:28,120 --> 00:11:32,559 Speaker 1: you're describing is uh, like you know, you've you've written 182 00:11:32,559 --> 00:11:34,960 Speaker 1: a lot about him. I recently released a three hour 183 00:11:35,040 --> 00:11:37,120 Speaker 1: video about him. Uh. In doing so, you have to 184 00:11:37,120 --> 00:11:39,320 Speaker 1: watch a lot of YouTube videos of him. Uh. And 185 00:11:39,360 --> 00:11:43,040 Speaker 1: in doing that, your algorithm gets completely fucked um. And 186 00:11:43,120 --> 00:11:45,640 Speaker 1: so if you're like scrolling like YouTube shorts or something, 187 00:11:45,880 --> 00:11:48,600 Speaker 1: here's like, oh, here's this fifty second clip of Jordan 188 00:11:48,640 --> 00:11:51,640 Speaker 1: Peterson on a podcast, rambling about whatever. And it seems 189 00:11:51,679 --> 00:11:54,480 Speaker 1: like that's what this experience will be, just like scrolling 190 00:11:54,520 --> 00:11:57,240 Speaker 1: through these like fifty second clips of him like random 191 00:11:57,240 --> 00:12:00,120 Speaker 1: thought about this, I can say this about monsters and 192 00:12:00,120 --> 00:12:03,400 Speaker 1: then just sort of like yeah, yeah, they just kind 193 00:12:03,440 --> 00:12:05,240 Speaker 1: of sat down and let him go. And you can 194 00:12:05,360 --> 00:12:08,800 Speaker 1: kind of see in the editing and then gradually how 195 00:12:08,920 --> 00:12:11,319 Speaker 1: the off screen questions are kind of directing him that 196 00:12:11,360 --> 00:12:14,000 Speaker 1: I think they recognized that made a mistake about ten 197 00:12:14,080 --> 00:12:15,920 Speaker 1: minutes into this. But I want to play you the 198 00:12:15,960 --> 00:12:21,199 Speaker 1: next set of clips here. Sorry. What should I do? 199 00:12:21,760 --> 00:12:24,640 Speaker 1: And part of the problem is the question what should 200 00:12:24,640 --> 00:12:26,200 Speaker 1: I do with my life is not a very good 201 00:12:26,320 --> 00:12:30,480 Speaker 1: question because it's sort of like tell me about everything. 202 00:12:30,960 --> 00:12:34,640 Speaker 1: It's just too much what do you do in your life? 203 00:12:34,679 --> 00:12:37,839 Speaker 1: Will you say you do many things. Okay, what are 204 00:12:37,840 --> 00:12:40,760 Speaker 1: those things? Because I don't know what to do? What 205 00:12:40,800 --> 00:12:44,720 Speaker 1: other people that appear to give their lives significance and meaning? 206 00:12:45,679 --> 00:12:49,240 Speaker 1: And this is bears on the issue of responsibility. Well, 207 00:12:50,400 --> 00:12:53,920 Speaker 1: most people want to have or do have an intimate partner. 208 00:12:53,960 --> 00:12:58,199 Speaker 1: So if you don't have split see his hands, we 209 00:12:58,240 --> 00:13:00,679 Speaker 1: don't work on that by going to find the person 210 00:13:00,760 --> 00:13:02,600 Speaker 1: that's right for you. It's like, who the hell are you? 211 00:13:02,640 --> 00:13:04,400 Speaker 1: And what makes you think that even if you found 212 00:13:04,400 --> 00:13:06,320 Speaker 1: the person that was right for you, they wouldn't take 213 00:13:06,360 --> 00:13:11,720 Speaker 1: one look at you and runaway screaming I'm gonna talk 214 00:13:11,840 --> 00:13:16,960 Speaker 1: like this. I can't he just because he's he's like 215 00:13:17,040 --> 00:13:21,080 Speaker 1: circling really banal advice, like he can't get in the 216 00:13:21,440 --> 00:13:24,280 Speaker 1: In the roughly a minute that we played fifty seconds, 217 00:13:24,640 --> 00:13:27,400 Speaker 1: the actual point he has made is that like, life 218 00:13:27,400 --> 00:13:32,040 Speaker 1: includes a lot of things, and it's you shouldn't try 219 00:13:32,080 --> 00:13:34,640 Speaker 1: to find someone to fall in love with, right, Like 220 00:13:34,760 --> 00:13:37,679 Speaker 1: life is complicated, you gotta narrow it down your goals 221 00:13:38,600 --> 00:13:42,640 Speaker 1: and like but like the point he's the broader point 222 00:13:42,640 --> 00:13:46,120 Speaker 1: he's making is that like young men shouldn't seek to 223 00:13:46,200 --> 00:13:48,680 Speaker 1: find someone to complete them, they should become the person 224 00:13:48,760 --> 00:13:51,319 Speaker 1: that like is you know, which is fine advice. That's 225 00:13:51,320 --> 00:13:54,240 Speaker 1: good advice on yourself, right of at the same time, 226 00:13:54,360 --> 00:13:58,120 Speaker 1: because also he talks like really contradictory too, because he's 227 00:13:58,160 --> 00:14:00,679 Speaker 1: saying it as if like, well, why do wanna like 228 00:14:01,400 --> 00:14:05,080 Speaker 1: get find so an intimate intimate partner? Uh, who's like 229 00:14:05,160 --> 00:14:07,040 Speaker 1: right for you? Well, what makes you think that they're 230 00:14:07,040 --> 00:14:09,160 Speaker 1: gonna like you? So, like he's talking about it in 231 00:14:09,160 --> 00:14:12,120 Speaker 1: this dismissive way where it's like, don't even try. And 232 00:14:12,160 --> 00:14:14,320 Speaker 1: then he's coming back to you need to work on 233 00:14:14,360 --> 00:14:18,680 Speaker 1: yourself before you do that in order to what Because 234 00:14:18,760 --> 00:14:21,320 Speaker 1: ultimately what he's saying is work on yourself in order 235 00:14:21,440 --> 00:14:25,240 Speaker 1: to be of value to a partner. So he's still 236 00:14:26,120 --> 00:14:29,960 Speaker 1: encouraging this end goal. He's just saying like, yeah, takes 237 00:14:30,000 --> 00:14:32,760 Speaker 1: some time, and do work on yourself. It's just such 238 00:14:32,760 --> 00:14:35,520 Speaker 1: a weird way to to say these things. It's it's 239 00:14:35,520 --> 00:14:39,120 Speaker 1: it's pointlessly long and and after meandering for a little 240 00:14:39,120 --> 00:14:42,760 Speaker 1: while longer, Peterson announces that the primary thing that young 241 00:14:42,800 --> 00:14:46,800 Speaker 1: men have going for them is youth and possibility, which 242 00:14:46,840 --> 00:14:49,120 Speaker 1: is what sets them apart from the olds who have 243 00:14:49,240 --> 00:14:51,880 Speaker 1: money and the ability to wear nice suits. While seated 244 00:14:51,880 --> 00:14:55,000 Speaker 1: in a library funded by oil and gas billionaire investments, 245 00:14:55,040 --> 00:14:57,920 Speaker 1: but don't have as much energy or as much time. 246 00:14:58,200 --> 00:15:00,440 Speaker 1: Peterson makes the claim that if you're young and poor, 247 00:15:00,800 --> 00:15:04,200 Speaker 1: you still have an unbelievable source of wealth because you're young, 248 00:15:04,480 --> 00:15:07,920 Speaker 1: and obviously no one would change being young for being 249 00:15:08,000 --> 00:15:10,680 Speaker 1: decrepit and rich. Now, this seems to ignore that an 250 00:15:10,680 --> 00:15:13,080 Speaker 1: awful lot of rich people are in excellent shape and 251 00:15:13,120 --> 00:15:15,640 Speaker 1: stay that way for a long time because it's very 252 00:15:15,720 --> 00:15:19,320 Speaker 1: easy to eat well and seek medical care. Money. I 253 00:15:19,800 --> 00:15:23,240 Speaker 1: see good, good stuff, Jordan. He's done this before about 254 00:15:23,360 --> 00:15:26,360 Speaker 1: like wealth and stuff, where it's like, oh, you know, 255 00:15:26,440 --> 00:15:29,520 Speaker 1: everybody has problems. You know, it's not richer, you're richer, 256 00:15:29,520 --> 00:15:32,880 Speaker 1: your poor. You know you're richer poor. You know everybody 257 00:15:32,880 --> 00:15:35,200 Speaker 1: gets sick. It's like, yeah, but but how do you 258 00:15:35,880 --> 00:15:37,360 Speaker 1: what do you do if you get sick? And what 259 00:15:37,440 --> 00:15:38,960 Speaker 1: you do if you get sick and you're and you're rich. 260 00:15:39,120 --> 00:15:42,080 Speaker 1: Like it's so it's like people looking at Kanu, who 261 00:15:42,160 --> 00:15:45,160 Speaker 1: is like pushing sixty and being like, wow, he looks incredible, 262 00:15:45,160 --> 00:15:47,160 Speaker 1: and I'm sure Kanu reeves. The first thing he would 263 00:15:47,160 --> 00:15:50,600 Speaker 1: say is yeah, because I have tens of millions of dollars. Yeah, exactly. 264 00:15:50,840 --> 00:15:56,760 Speaker 1: It's like a video of h Rob Mac describing his 265 00:15:57,160 --> 00:15:59,480 Speaker 1: how he got in shape. It's like, yeah, it's impossible. 266 00:16:00,480 --> 00:16:03,520 Speaker 1: If you have unlimited money, then it's very you don't 267 00:16:03,560 --> 00:16:07,520 Speaker 1: spend time with anybody and you have to do Yeah. Silly, um, 268 00:16:07,840 --> 00:16:10,960 Speaker 1: very silly. Now, most of what Peterson is trying to 269 00:16:10,960 --> 00:16:13,160 Speaker 1: get out here is like his normal twelve Rules for 270 00:16:13,200 --> 00:16:16,360 Speaker 1: life ship just not at all very well organized. Um. 271 00:16:16,400 --> 00:16:20,480 Speaker 1: And it's certainly not yet offensive advice, although he's ignoring 272 00:16:20,560 --> 00:16:22,600 Speaker 1: things in a way that is kind of offensive. But 273 00:16:22,640 --> 00:16:24,640 Speaker 1: it's true that if you're young and healthy, that is 274 00:16:24,680 --> 00:16:27,040 Speaker 1: worth a lot. Right, Youth and health are are very 275 00:16:27,120 --> 00:16:31,960 Speaker 1: valuable things. Time is valuable, of course. Like again, yeah, 276 00:16:32,000 --> 00:16:33,800 Speaker 1: it's like this thing he does where it's like what 277 00:16:33,920 --> 00:16:38,200 Speaker 1: you're saying, like if you shave everything away. Yeah, it's 278 00:16:38,200 --> 00:16:40,440 Speaker 1: a fine point that a lot of people make on 279 00:16:40,600 --> 00:16:45,680 Speaker 1: everywhere and art exactly. But he's houses it and it's 280 00:16:45,720 --> 00:16:48,440 Speaker 1: like monsters and dragons and men. It's like, well, you're 281 00:16:48,520 --> 00:16:51,280 Speaker 1: just sitting in it. He said nothing. Nothing that he 282 00:16:51,360 --> 00:16:53,880 Speaker 1: said that's right, is something you couldn't find on the 283 00:16:53,920 --> 00:16:58,600 Speaker 1: wall of an Airbnb in Glndale, California. Exactly. Um, yeah, exactly. 284 00:16:59,080 --> 00:17:00,840 Speaker 1: And it's it's funny. But as he starts at this 285 00:17:00,920 --> 00:17:04,080 Speaker 1: like very basic point that like yes, health, youth and 286 00:17:04,080 --> 00:17:07,160 Speaker 1: and health are are are valuable. But like a lot 287 00:17:07,160 --> 00:17:09,720 Speaker 1: of his platitudes in this episode, it starts to spin 288 00:17:09,760 --> 00:17:12,400 Speaker 1: out like tires losing traction and muney and it's very 289 00:17:12,440 --> 00:17:14,760 Speaker 1: funny to listen to. So I'm gonna have you play 290 00:17:14,840 --> 00:17:18,880 Speaker 1: this next clip. Are you good at anything? And if 291 00:17:18,880 --> 00:17:23,080 Speaker 1: fancier that is, no, Well how about you start practicing 292 00:17:23,119 --> 00:17:27,359 Speaker 1: being good at something? Pick one thing? Well? What well, 293 00:17:28,359 --> 00:17:33,440 Speaker 1: not nothing? Pick something? Maybe it's a video game? Surely 294 00:17:33,520 --> 00:17:38,320 Speaker 1: sage advice. Dr Peterson talk like a guy who's ever 295 00:17:38,440 --> 00:17:41,960 Speaker 1: talked to a person before. This is also and I 296 00:17:42,000 --> 00:17:45,320 Speaker 1: have to say this is and I'll probably have to 297 00:17:45,359 --> 00:17:49,800 Speaker 1: point this out every thirty seconds. This is something he 298 00:17:49,840 --> 00:17:52,600 Speaker 1: says all the time in every interview he's ever been 299 00:17:52,640 --> 00:17:56,639 Speaker 1: in being asked about advice for people. Uh this like 300 00:17:56,920 --> 00:18:00,000 Speaker 1: pick something and do it. I've heard it different times 301 00:18:00,320 --> 00:18:04,119 Speaker 1: in ninety different interviews in ninety different like Alpha Brain 302 00:18:04,200 --> 00:18:08,560 Speaker 1: Academy clip on YouTube. Why did they give this guy 303 00:18:08,640 --> 00:18:12,280 Speaker 1: so much money for this show? Yes, acquiring skills is 304 00:18:12,720 --> 00:18:18,600 Speaker 1: useful in life. It's just like yeah. So he goes 305 00:18:18,640 --> 00:18:20,679 Speaker 1: on to say that getting good at anything helps you 306 00:18:20,800 --> 00:18:23,160 Speaker 1: learn how to get good at other things, which is true, 307 00:18:23,200 --> 00:18:25,440 Speaker 1: but not in a way that really means anything, Like 308 00:18:25,600 --> 00:18:27,560 Speaker 1: if you get good at a video game, which he 309 00:18:27,600 --> 00:18:30,960 Speaker 1: actually suggests here, that probably won't actually help you get 310 00:18:30,960 --> 00:18:33,680 Speaker 1: good at endurance running, even though you could like boil 311 00:18:33,760 --> 00:18:35,359 Speaker 1: it down and be like, we'll both require you to 312 00:18:35,400 --> 00:18:37,560 Speaker 1: do something over and over again until you get better 313 00:18:37,560 --> 00:18:40,040 Speaker 1: at it. But like playing video games is pleasurable and 314 00:18:40,080 --> 00:18:44,320 Speaker 1: physically not difficult on your body, whereas distance running is 315 00:18:44,359 --> 00:18:47,040 Speaker 1: really difficult on your body and makes you uncomfortable for 316 00:18:47,080 --> 00:18:49,320 Speaker 1: extended periods of time. And so the fact that you 317 00:18:49,440 --> 00:18:51,840 Speaker 1: got good at a video game probably won't help you 318 00:18:51,880 --> 00:18:54,119 Speaker 1: with your endurance running. Not that there aren't people who 319 00:18:54,160 --> 00:18:56,800 Speaker 1: are good at both, but the fact that like skills 320 00:18:56,800 --> 00:19:00,399 Speaker 1: are not universally applicant, right one doesn't necessarily lead to 321 00:19:00,440 --> 00:19:03,120 Speaker 1: the other. And like running, you know, running might make 322 00:19:03,160 --> 00:19:06,360 Speaker 1: you better at a video game because like exercise, like 323 00:19:06,760 --> 00:19:09,159 Speaker 1: is good for your brain and like your focus and 324 00:19:09,200 --> 00:19:10,879 Speaker 1: attention and things, and that's what you need when you 325 00:19:10,880 --> 00:19:12,520 Speaker 1: play a video game. If you play a video game, 326 00:19:12,760 --> 00:19:15,840 Speaker 1: it might help you with like pattern recognition and certain 327 00:19:15,880 --> 00:19:21,000 Speaker 1: things like that. Um, But like you can't just like 328 00:19:21,280 --> 00:19:23,440 Speaker 1: pick two things and say do this and you'll get 329 00:19:23,480 --> 00:19:25,879 Speaker 1: better at the other. It's yeah, it's also like I 330 00:19:26,119 --> 00:19:28,960 Speaker 1: think there's actually a fundamental flaw in the logic that 331 00:19:29,040 --> 00:19:30,800 Speaker 1: like learning how to get good at one thing means 332 00:19:30,840 --> 00:19:32,679 Speaker 1: you'll get good at other things. Because it's a general 333 00:19:32,720 --> 00:19:34,920 Speaker 1: rule the things that people get best at first do 334 00:19:35,040 --> 00:19:38,680 Speaker 1: the things that they're like inclined towards because of basic interest, 335 00:19:38,960 --> 00:19:41,560 Speaker 1: and an awful lot of actual success is getting good 336 00:19:41,560 --> 00:19:43,639 Speaker 1: at things that you're not inclined to. But you need 337 00:19:43,680 --> 00:19:45,960 Speaker 1: to build up some level of competence and because like 338 00:19:46,040 --> 00:19:49,280 Speaker 1: a lot of life is just kind of unpleasant, um, 339 00:19:49,480 --> 00:19:51,880 Speaker 1: and got to do things you don't like and get 340 00:19:51,880 --> 00:19:53,639 Speaker 1: good at them so you can do them well and 341 00:19:53,640 --> 00:19:57,560 Speaker 1: get them over with Exactly, Like if if you love basketball, um, 342 00:19:57,920 --> 00:20:01,120 Speaker 1: and you hate numbers, the fact that the skills that 343 00:20:01,280 --> 00:20:03,400 Speaker 1: made you good at basketball might not make you good 344 00:20:03,400 --> 00:20:06,399 Speaker 1: at paying your taxes, which is why people who become 345 00:20:06,440 --> 00:20:12,280 Speaker 1: professional sports players generally higher professional accountants. Right yea, um, 346 00:20:12,320 --> 00:20:16,159 Speaker 1: but whatever, anyway, continue Jordan Peterson. So the next thing 347 00:20:16,200 --> 00:20:18,560 Speaker 1: he goes into is he talks about how he when 348 00:20:18,600 --> 00:20:20,399 Speaker 1: he was a young man, the thing that he became 349 00:20:20,440 --> 00:20:23,920 Speaker 1: good at first was washing dishes um, which I don't 350 00:20:23,920 --> 00:20:26,119 Speaker 1: know that he actually did this, but he's claiming this 351 00:20:26,640 --> 00:20:28,320 Speaker 1: because it makes him seem like a man of the 352 00:20:28,359 --> 00:20:32,280 Speaker 1: people he has. I am not certain he ever did 353 00:20:32,280 --> 00:20:33,920 Speaker 1: this job, but a lot of people do. So let's 354 00:20:33,960 --> 00:20:35,800 Speaker 1: just hear him out. And so what else do you 355 00:20:35,840 --> 00:20:38,800 Speaker 1: have to do to be a good dishwasher? Learn the techniques, 356 00:20:39,840 --> 00:20:43,440 Speaker 1: stay on stay on your toes, Volunteer to work when 357 00:20:43,440 --> 00:20:46,959 Speaker 1: other people don't show up, um, show an interest in 358 00:20:47,720 --> 00:20:51,240 Speaker 1: learning to cook, get along with the waitresses, maybe, get 359 00:20:51,280 --> 00:20:54,800 Speaker 1: along with the customers, act like an adult, and all 360 00:20:54,840 --> 00:20:57,680 Speaker 1: of that's excellent practice for all sorts of things you're 361 00:20:57,680 --> 00:21:03,639 Speaker 1: gonna do later. Now, this is Cody. Do you know why, however? 362 00:21:03,880 --> 00:21:06,200 Speaker 1: Why I have you known a lot of people who 363 00:21:06,240 --> 00:21:09,960 Speaker 1: did dishwashing specifically, not just like their job included dishwashing, 364 00:21:10,040 --> 00:21:12,520 Speaker 1: but like people who's who's like I've worked in restaurants 365 00:21:12,560 --> 00:21:17,440 Speaker 1: and like I've I've done dishwashing, and I've known many 366 00:21:17,480 --> 00:21:20,800 Speaker 1: dishwashers at the jobs going back, Is it not? Would 367 00:21:20,880 --> 00:21:24,080 Speaker 1: you say generally accepted as good advice that you keep 368 00:21:24,080 --> 00:21:27,960 Speaker 1: the dishwashers the funk away from the customers. Oh, yeah, 369 00:21:28,080 --> 00:21:30,840 Speaker 1: I mean we don't need that. But also you keep 370 00:21:30,880 --> 00:21:34,400 Speaker 1: the dishwashers happy and like you like, it's just it's 371 00:21:34,440 --> 00:21:36,360 Speaker 1: like chefs. You don't want the chef. You can talk 372 00:21:36,400 --> 00:21:38,439 Speaker 1: to the you go in the room, you get sweaty, 373 00:21:38,480 --> 00:21:40,320 Speaker 1: you turn on your music. Whatever. It is a lot 374 00:21:40,320 --> 00:21:44,040 Speaker 1: of cocaine in the bathroom, like it's fine. Um, I 375 00:21:44,040 --> 00:21:47,040 Speaker 1: don't know. It's also like it's like not like it 376 00:21:47,080 --> 00:21:50,040 Speaker 1: depends on the restaurant too, you know. Yeah, there there's 377 00:21:50,200 --> 00:21:55,000 Speaker 1: like like very friendly like customer relations between like workers 378 00:21:55,000 --> 00:21:59,320 Speaker 1: and customers. That's fine. Um, it's a weird thing to 379 00:21:59,359 --> 00:22:02,240 Speaker 1: PLoP in there. I think he's just trying to he's 380 00:22:02,280 --> 00:22:06,000 Speaker 1: trying to give He's trying to give general life advice 381 00:22:06,000 --> 00:22:09,000 Speaker 1: which he always does that everybody could give, and make 382 00:22:09,040 --> 00:22:11,520 Speaker 1: it specific to this one example, which is what he 383 00:22:11,560 --> 00:22:13,280 Speaker 1: does all the time. Right, He's like, yeah, it's good 384 00:22:13,320 --> 00:22:16,160 Speaker 1: to like get to know this person and this type 385 00:22:16,160 --> 00:22:18,280 Speaker 1: of person and go out in the world and do this. 386 00:22:18,560 --> 00:22:22,240 Speaker 1: And he's just using dish washing and as an example. Yeah, 387 00:22:22,359 --> 00:22:25,440 Speaker 1: he's generally using it as an example and I mean 388 00:22:26,440 --> 00:22:30,600 Speaker 1: as agit like yeah, whatever, I don't think want to 389 00:22:30,640 --> 00:22:33,439 Speaker 1: talk to the customers like part A big part of 390 00:22:33,480 --> 00:22:36,679 Speaker 1: managing any successful enterprise where there are customers is limiting 391 00:22:36,680 --> 00:22:38,640 Speaker 1: who has to deal with customers, because that's the thing 392 00:22:38,680 --> 00:22:41,160 Speaker 1: that sucks the most, right because they're the worst people 393 00:22:41,160 --> 00:22:44,800 Speaker 1: in the world. Um, like the the last person like you. 394 00:22:44,800 --> 00:22:47,439 Speaker 1: You you want as many people as possible to not 395 00:22:47,520 --> 00:22:50,879 Speaker 1: have to talk to the customers directly because those yeah, exactly, 396 00:22:51,240 --> 00:22:55,000 Speaker 1: um and I just well, so quick note, if we're 397 00:22:55,040 --> 00:22:58,080 Speaker 1: if listeners, If if we're listening to a clip and 398 00:22:58,160 --> 00:23:01,760 Speaker 1: suddenly you hear like a snicker or a laugh faw 399 00:23:01,880 --> 00:23:04,480 Speaker 1: a little shortle uh, it might be because of what 400 00:23:04,520 --> 00:23:06,359 Speaker 1: he's saying. If you think what he's saying is funny, 401 00:23:06,359 --> 00:23:09,480 Speaker 1: it's probably because they just did the split screen thing again, 402 00:23:09,760 --> 00:23:12,240 Speaker 1: and it's so jarring and off putting, and it surprises 403 00:23:12,280 --> 00:23:14,200 Speaker 1: me every time because why are they doing it. It's 404 00:23:14,240 --> 00:23:17,840 Speaker 1: so weird. It seems like they're doing it at random. 405 00:23:17,960 --> 00:23:20,080 Speaker 1: There's no rhyme or reason to it. It's just like, well, 406 00:23:20,119 --> 00:23:22,399 Speaker 1: we need to do the split screen thing again, and 407 00:23:22,440 --> 00:23:24,520 Speaker 1: I can't wait for it to be three Peterson's on 408 00:23:24,640 --> 00:23:29,320 Speaker 1: screen at once now, Cody. A lot of evidence shows 409 00:23:29,400 --> 00:23:31,960 Speaker 1: that of all of the jobs in the United States, 410 00:23:32,000 --> 00:23:35,479 Speaker 1: the highest level of substance abuse is pretty much working 411 00:23:35,480 --> 00:23:38,720 Speaker 1: in a restaurant, particularly like working in the back of 412 00:23:38,760 --> 00:23:43,320 Speaker 1: a restaurant, like those are as as uh, Anthony Bourdain 413 00:23:44,160 --> 00:23:48,360 Speaker 1: very very eloquently wrote about, Like that's just a pretty 414 00:23:48,480 --> 00:23:51,400 Speaker 1: durable fact. And yeah, I think front of the restaurant 415 00:23:51,400 --> 00:23:54,280 Speaker 1: is cocaine. Back of the restaurant is all drugs. Yeah. 416 00:23:54,640 --> 00:23:57,560 Speaker 1: And I'm gonna be honest with you. The only reason 417 00:23:57,640 --> 00:24:00,400 Speaker 1: I might believe that Jordan Peterson did what he said 418 00:24:00,440 --> 00:24:02,320 Speaker 1: and he claims he went from being a dishwasher to 419 00:24:02,359 --> 00:24:05,200 Speaker 1: a short order cook, is that I can't imagine him 420 00:24:05,200 --> 00:24:07,880 Speaker 1: sitting in the back of a restaurant doing lines of 421 00:24:07,920 --> 00:24:12,000 Speaker 1: a variety of benzos and stimulants and you know whatever, 422 00:24:12,080 --> 00:24:13,840 Speaker 1: whatever he could get his hands on. Look at the man, 423 00:24:14,200 --> 00:24:16,960 Speaker 1: Look at that Look at that shirt. Tell me tell 424 00:24:16,960 --> 00:24:19,480 Speaker 1: me that man hasn't tried to straighten the lines in 425 00:24:19,520 --> 00:24:24,360 Speaker 1: a rain naked painting. I can't tell you that. Uh, 426 00:24:24,720 --> 00:24:29,920 Speaker 1: good guy, Dr Jordan Peterson. Um. Anyway, he's on the 427 00:24:30,040 --> 00:24:32,359 Speaker 1: verge of sounding like a normal person here until we 428 00:24:32,400 --> 00:24:35,920 Speaker 1: get to this line. You know it's not intellectual work 429 00:24:35,960 --> 00:24:38,159 Speaker 1: and that you're not dealing with abstractions, although it can 430 00:24:38,200 --> 00:24:41,320 Speaker 1: still be complex. That's why we don't have dishwashing robots. 431 00:24:41,359 --> 00:24:49,439 Speaker 1: By the way, now, quick quiz good sir, Do we 432 00:24:49,560 --> 00:24:53,640 Speaker 1: in fact have dishwashing robots? Yeah? I feel like maybe 433 00:24:53,680 --> 00:24:57,240 Speaker 1: if you just cut off the word robot. Yeah, we stopped. 434 00:24:57,520 --> 00:24:59,240 Speaker 1: We didn't use the word robot for it. But we 435 00:24:59,280 --> 00:25:03,280 Speaker 1: have washing machines, and I feel like everyone listening has 436 00:25:03,280 --> 00:25:06,840 Speaker 1: a machine that washes dishes. Um, you know, not all 437 00:25:06,920 --> 00:25:11,879 Speaker 1: places have dishwashers, but everybody knows they exist. Yeah. Again, 438 00:25:12,080 --> 00:25:14,520 Speaker 1: obviously the point he's making is that like, yeah, if 439 00:25:14,560 --> 00:25:17,480 Speaker 1: you're even with all that machines can do, if you're 440 00:25:17,480 --> 00:25:19,359 Speaker 1: like running a professional restaurant, you're going to have someone 441 00:25:19,400 --> 00:25:21,640 Speaker 1: whose job is keeping the dishes clean because machines can't 442 00:25:21,640 --> 00:25:24,560 Speaker 1: do everything right. And like sometimes you run the dishwasher 443 00:25:24,880 --> 00:25:27,080 Speaker 1: and you're like, oh, the dishwasher didn't work. I got 444 00:25:27,080 --> 00:25:30,239 Speaker 1: to use my human hands that have certain ways they 445 00:25:30,240 --> 00:25:32,240 Speaker 1: can move and they can get in there and clean that. 446 00:25:32,800 --> 00:25:35,959 Speaker 1: It's so funny because like the most famous labor saving 447 00:25:35,960 --> 00:25:40,159 Speaker 1: device on the planet is dishwashers. Like it's it's it 448 00:25:40,600 --> 00:25:43,800 Speaker 1: says if if you know, if we didn't know that 449 00:25:44,160 --> 00:25:47,000 Speaker 1: clearly Game of Thrones fan, if it was like the 450 00:25:47,080 --> 00:25:49,560 Speaker 1: only TV show this man has seen as the Jetsons 451 00:25:49,720 --> 00:25:53,720 Speaker 1: and keeps facing everything off of Rosie the Robot. I 452 00:25:53,760 --> 00:25:56,760 Speaker 1: mean it's like there's there's flint Stones and then there's Jetsons, 453 00:25:56,760 --> 00:25:59,280 Speaker 1: and there's like nothing in between. Yeah, there's nothing in between. 454 00:26:00,080 --> 00:26:03,919 Speaker 1: But even like dishwashing, like what birds and stuff? Right, 455 00:26:05,480 --> 00:26:08,879 Speaker 1: they should have called this show flint Stone Jetson's and 456 00:26:09,840 --> 00:26:17,479 Speaker 1: Scooby Doo and Scooby Doos or I guess to dragon tails. 457 00:26:18,560 --> 00:26:22,120 Speaker 1: If we ever get that big x on sponsorship to 458 00:26:22,240 --> 00:26:24,920 Speaker 1: fund this podcast and I've become a millionaire, I'm going 459 00:26:24,960 --> 00:26:29,280 Speaker 1: to pay Jordan Peterson of Fortune to watch old episodes 460 00:26:29,440 --> 00:26:32,280 Speaker 1: of the of Scooby Doo where they have the Harlem 461 00:26:32,280 --> 00:26:36,120 Speaker 1: Globe Trotters on and like weep over the union profundity 462 00:26:36,520 --> 00:26:40,760 Speaker 1: of of Sweet Sweet Kyle sweet Lyle whatever his name was. Oh, 463 00:26:40,840 --> 00:26:42,600 Speaker 1: that's a waste of money. He'll do that for free. 464 00:26:42,720 --> 00:26:46,120 Speaker 1: He'll do that for free. Peterson, what do you think 465 00:26:46,160 --> 00:26:50,639 Speaker 1: about the time the Harlem Globe Trotters solved the mystery 466 00:26:50,680 --> 00:26:53,879 Speaker 1: of old Man McGregor's haunted air B and B. I 467 00:26:53,920 --> 00:26:57,239 Speaker 1: don't know, whatever does nothing right. He's this sort of 468 00:26:57,240 --> 00:26:59,919 Speaker 1: this dragon inside you, and you have to you unmask 469 00:27:00,040 --> 00:27:02,360 Speaker 1: getting it turns out it's yourself, because we are all 470 00:27:02,359 --> 00:27:05,640 Speaker 1: our own dragons. This font is diet much better on 471 00:27:06,080 --> 00:27:11,119 Speaker 1: do Le. What an awful fun they chose. It's a 472 00:27:11,280 --> 00:27:16,080 Speaker 1: step above um, it's a step above Paprius, but not much, 473 00:27:16,359 --> 00:27:19,399 Speaker 1: not really. I'm sorry, what did you just call that? 474 00:27:19,520 --> 00:27:26,520 Speaker 1: Thank you? Thank you? Sorry, it's sorry. What what did 475 00:27:26,560 --> 00:27:32,760 Speaker 1: you referring to the Papyrus fun? I don't even think 476 00:27:32,760 --> 00:27:36,040 Speaker 1: this is a step above that, though. It's we got 477 00:27:36,080 --> 00:27:39,080 Speaker 1: these weird like cuts in it. It's like it's trying 478 00:27:39,119 --> 00:27:42,280 Speaker 1: to seem like very like royal, but also has like 479 00:27:42,320 --> 00:27:46,159 Speaker 1: a weird slime thing going to it, right, and the 480 00:27:46,240 --> 00:27:54,280 Speaker 1: slime is for the curves of only season and it's 481 00:27:54,359 --> 00:27:57,439 Speaker 1: like a little slug. Yeah, I don't there's some slime 482 00:27:57,520 --> 00:27:59,920 Speaker 1: to it, but it's not like that exciting to listen 483 00:27:59,920 --> 00:28:03,680 Speaker 1: to people describe. But yeah, this is the one. The 484 00:28:03,840 --> 00:28:07,159 Speaker 1: e is too cleasy, easy to mistake for an f 485 00:28:07,400 --> 00:28:14,720 Speaker 1: at distance. Anyway, whatever, fuck this font is time for 486 00:28:14,760 --> 00:28:17,080 Speaker 1: you to do an ad break. You know who will 487 00:28:17,200 --> 00:28:19,960 Speaker 1: fuck a faont oh, for sure, they'll get their dick 488 00:28:20,080 --> 00:28:23,320 Speaker 1: right in there. In fact, every time you buy one 489 00:28:23,320 --> 00:28:27,040 Speaker 1: of the products sponsored on this show. Our sponsors purchase 490 00:28:27,200 --> 00:28:31,520 Speaker 1: irreplaceable ancient Egyptian papyrus and then have sex with it. 491 00:28:32,560 --> 00:28:35,000 Speaker 1: That's a guarantee. So glad you learned how to pronounce 492 00:28:35,040 --> 00:28:38,880 Speaker 1: that word. With every purchase you make, irreplaceable human knowledge 493 00:28:38,960 --> 00:28:43,040 Speaker 1: is lost forever. We promise that and nothing else. I 494 00:28:43,080 --> 00:28:53,240 Speaker 1: hope it's another gold ad me too. Ah, we're back boy. 495 00:28:53,560 --> 00:28:57,280 Speaker 1: I sure feel like the Library of Alexandria was just 496 00:28:57,360 --> 00:29:01,760 Speaker 1: burned for my my own sexual gratify occasion. How about you, Cody? 497 00:29:01,800 --> 00:29:04,920 Speaker 1: I was going to describe it exactly like that. Wow, Wow, 498 00:29:05,400 --> 00:29:11,560 Speaker 1: we're We're It's like we're united by epigenetic collective unconsciousness. 499 00:29:11,600 --> 00:29:15,080 Speaker 1: That's where this all ends anyway. Whatever. Um oh, yeah, 500 00:29:15,160 --> 00:29:19,720 Speaker 1: we believe everything Jordan believe. After Peterson goes on another 501 00:29:20,200 --> 00:29:22,680 Speaker 1: vamps for a little while, uh, he says very little 502 00:29:22,720 --> 00:29:26,200 Speaker 1: of substance and mostly just asks rhetorical questions about self improvement, 503 00:29:26,240 --> 00:29:28,680 Speaker 1: stuff like can you improve your relationship with your father? 504 00:29:29,040 --> 00:29:31,960 Speaker 1: Can you educate yourself? And then we get this very 505 00:29:32,080 --> 00:29:37,719 Speaker 1: odd moment. Yeah, the draw of temptation drug and alcohol use, 506 00:29:37,800 --> 00:29:42,400 Speaker 1: in particular sexual temptation as well. Do you do anything 507 00:29:42,440 --> 00:29:47,440 Speaker 1: that's remote Oh, Cody, how would you describe that little 508 00:29:47,560 --> 00:29:50,520 Speaker 1: play that again? So you describe that that that little 509 00:29:50,560 --> 00:29:53,400 Speaker 1: moment when he says, oh, he does this like it's 510 00:29:53,440 --> 00:29:57,320 Speaker 1: almost like a computer buffering like his his. The thing 511 00:29:57,360 --> 00:30:00,400 Speaker 1: that he said just sort of like caused a a 512 00:30:00,480 --> 00:30:03,479 Speaker 1: fucking hard drive skip in his little bread all right, 513 00:30:03,560 --> 00:30:07,200 Speaker 1: one more time. The draw of temptation, drug and alcohol use, 514 00:30:07,240 --> 00:30:11,840 Speaker 1: in particular sexual temptation as well. Do you do anything 515 00:30:11,880 --> 00:30:16,800 Speaker 1: that's like he liked? He says? He says sexual patient 516 00:30:17,120 --> 00:30:19,280 Speaker 1: and then casts his eyes down. There's almost a little 517 00:30:19,280 --> 00:30:23,200 Speaker 1: shiver across his body as he goes, Oh, it's very weird, 518 00:30:23,480 --> 00:30:28,880 Speaker 1: he says an odd speaker. I mean, I'm sure it's 519 00:30:28,920 --> 00:30:31,400 Speaker 1: made him millions of dollars because there is something that 520 00:30:31,480 --> 00:30:34,280 Speaker 1: like you just I spent too long watching this and 521 00:30:34,360 --> 00:30:36,480 Speaker 1: just go the fuck is what are you doing? What 522 00:30:36,520 --> 00:30:41,440 Speaker 1: are you trying to get across here? It's cryptic um anyway, 523 00:30:41,560 --> 00:30:43,400 Speaker 1: So how he does it? So what does he land on? 524 00:30:43,600 --> 00:30:47,680 Speaker 1: Can you resist temptation or not? He never really finishes. 525 00:30:47,720 --> 00:30:50,000 Speaker 1: He just glitches, and then from this point he starts 526 00:30:50,040 --> 00:30:53,160 Speaker 1: to get angrier and almost abusive. Yes, oh he's doing it. 527 00:30:53,360 --> 00:30:55,680 Speaker 1: Remember melitical party do you go to church. You know, 528 00:30:55,720 --> 00:30:58,960 Speaker 1: I don't go to church because you know, uh, there, 529 00:30:59,000 --> 00:31:01,600 Speaker 1: believes don't match. It's like, who the hell cares about 530 00:31:01,640 --> 00:31:06,200 Speaker 1: your beliefs. You're like sixty, you don't even have beliefs. 531 00:31:06,720 --> 00:31:09,200 Speaker 1: And if you think it's like, you're right in that 532 00:31:09,560 --> 00:31:14,920 Speaker 1: and the Catholic church is wrong, well good luck without attitude. 533 00:31:15,200 --> 00:31:20,240 Speaker 1: And church example, or political party doesn't need repair because 534 00:31:20,280 --> 00:31:24,520 Speaker 1: all institutions are always falling apart, in corrupt. That's that's 535 00:31:24,520 --> 00:31:26,960 Speaker 1: a story as old as time. That's the evil uncle. 536 00:31:27,640 --> 00:31:34,640 Speaker 1: But good time to fix it up. Wait a second, wait, 537 00:31:35,240 --> 00:31:37,640 Speaker 1: did you say fix it up? Go fix it up? 538 00:31:37,800 --> 00:31:39,920 Speaker 1: I thought you were not allowed to do that. Yeah, 539 00:31:39,960 --> 00:31:42,400 Speaker 1: well this is exactly. None of this makes any sense 540 00:31:42,440 --> 00:31:45,120 Speaker 1: because number one, are you saying that like people should 541 00:31:45,200 --> 00:31:49,640 Speaker 1: just like you, you have to join a church, which 542 00:31:49,640 --> 00:31:53,200 Speaker 1: he's clearly saying, but also you shouldn't criticize it. But 543 00:31:53,320 --> 00:31:55,520 Speaker 1: also instead of leaving it, if it doesn't match with 544 00:31:55,560 --> 00:31:58,640 Speaker 1: your beliefs, you should change it. But also you don't 545 00:31:58,720 --> 00:32:01,840 Speaker 1: have beliefs, so and it's like, okay, if you disagree, 546 00:32:01,880 --> 00:32:03,280 Speaker 1: don't what are you going to change it to because 547 00:32:03,280 --> 00:32:05,640 Speaker 1: you don't believe anything? And what are you saying people 548 00:32:05,680 --> 00:32:07,480 Speaker 1: should do. Are you saying that like they should all 549 00:32:07,520 --> 00:32:10,000 Speaker 1: become Catholics or or that you should just join whatever 550 00:32:10,080 --> 00:32:13,080 Speaker 1: church's closest and not question it, but fix it if 551 00:32:13,120 --> 00:32:15,320 Speaker 1: it doesn't align with your beliefs. But you can't have 552 00:32:15,440 --> 00:32:19,960 Speaker 1: beliefs yet because you're just a kid. It's um, it's nonsense. 553 00:32:20,240 --> 00:32:23,160 Speaker 1: It's not like it's it's it's just like, there's nothing 554 00:32:23,280 --> 00:32:27,240 Speaker 1: useful in that mess of what a contradicts of all 555 00:32:27,560 --> 00:32:30,320 Speaker 1: of all of the things to pick as an organization 556 00:32:30,320 --> 00:32:36,640 Speaker 1: that you shouldn't criticize the Catholic It's not incredible. Thanks 557 00:32:36,720 --> 00:32:41,640 Speaker 1: Jordan's um I I. I also love his It's one 558 00:32:41,680 --> 00:32:44,120 Speaker 1: of his ticks where he he like says a thing 559 00:32:44,320 --> 00:32:47,640 Speaker 1: and sometimes it's like some ridiculous statements. Sometimes it's a 560 00:32:47,720 --> 00:32:51,640 Speaker 1: completely reasonable thing, and he's like, well, you know, good 561 00:32:51,720 --> 00:32:54,440 Speaker 1: luck with that. He just sort of like dismisses it 562 00:32:54,520 --> 00:32:58,080 Speaker 1: as though like that's the argument. For example, it seems 563 00:32:58,120 --> 00:33:01,440 Speaker 1: like after the Catholic Church system eickily sexually trafficked and 564 00:33:01,480 --> 00:33:06,400 Speaker 1: abused children and pushed for theocratic laws in Ireland that 565 00:33:06,520 --> 00:33:08,920 Speaker 1: got huge numbers of women killed and maimed as a 566 00:33:08,960 --> 00:33:12,160 Speaker 1: result of things like a topic pregnancies. Irish people in 567 00:33:12,360 --> 00:33:18,360 Speaker 1: very large numbers left the church and things are better. Well, 568 00:33:18,400 --> 00:33:20,800 Speaker 1: you know that's the evil uncle, right right, The evil 569 00:33:20,840 --> 00:33:25,240 Speaker 1: uncle is the uncle the Catholic priest. Yeah, I mean 570 00:33:25,600 --> 00:33:29,520 Speaker 1: not far off, but like, so when do you because 571 00:33:29,640 --> 00:33:33,160 Speaker 1: his whole thing is like don't are you? So you're like, 572 00:33:33,520 --> 00:33:35,800 Speaker 1: you're sixteen, you have no beliefs, and so go to 573 00:33:35,840 --> 00:33:39,200 Speaker 1: any church and if it disagrees with you, then you 574 00:33:39,200 --> 00:33:42,400 Speaker 1: should change it. But also you're not allowed to want 575 00:33:42,400 --> 00:33:45,600 Speaker 1: to change anything unless you're like life is perfect and 576 00:33:45,640 --> 00:33:49,520 Speaker 1: like in perfect order, so you're it's not yet because 577 00:33:49,520 --> 00:33:55,080 Speaker 1: you're sixteen, So like, don't do if anything, don't leave 578 00:33:55,120 --> 00:33:58,600 Speaker 1: your house, I guess, but to go to church you 579 00:33:58,640 --> 00:34:02,320 Speaker 1: don't believe in consistently frustrating to me about Peterson is 580 00:34:02,360 --> 00:34:04,400 Speaker 1: he does it like dropped, like the evil uncle, and 581 00:34:04,440 --> 00:34:06,000 Speaker 1: he does it in such a way as he's like 582 00:34:06,320 --> 00:34:09,839 Speaker 1: he's trying to impress you with by naming these archetypes 583 00:34:09,960 --> 00:34:15,000 Speaker 1: and like referencing the exactly and it's there's for an 584 00:34:15,040 --> 00:34:17,200 Speaker 1: example of kind of like how to do this and 585 00:34:17,239 --> 00:34:19,359 Speaker 1: not be a complete I don't know, some people will 586 00:34:19,400 --> 00:34:21,759 Speaker 1: disagree with this, but like what he's doing is not 587 00:34:21,840 --> 00:34:23,879 Speaker 1: fundamentally all that different if you sit down and listen 588 00:34:23,920 --> 00:34:26,520 Speaker 1: to Dan Harmon talk about like the story circle, which 589 00:34:26,560 --> 00:34:30,120 Speaker 1: is basically him taking the fucking hero's journey and putting 590 00:34:30,120 --> 00:34:31,719 Speaker 1: it into a way that you can pretty easily turn 591 00:34:31,760 --> 00:34:34,200 Speaker 1: into scripts. Right, that's all it is. It's not distills 592 00:34:34,200 --> 00:34:39,560 Speaker 1: it down to six steps, eight steps. Dan Harmon plenty 593 00:34:39,600 --> 00:34:41,239 Speaker 1: of things to criticize about the man, but all he's 594 00:34:41,239 --> 00:34:43,080 Speaker 1: actually he's not trying to say there's any sort of 595 00:34:43,440 --> 00:34:46,840 Speaker 1: like psychic resonance with that. He's being like, this is 596 00:34:46,880 --> 00:34:49,600 Speaker 1: a very simple, replicable way to tell a story in 597 00:34:49,600 --> 00:34:51,920 Speaker 1: a way that that people can can grasp onto. Right, 598 00:34:51,920 --> 00:34:54,200 Speaker 1: there's a reason and people like stories that have this. 599 00:34:54,840 --> 00:34:57,160 Speaker 1: You know, you do the thing, you change and then yeah, 600 00:34:57,480 --> 00:34:59,680 Speaker 1: Peterson is that rather than the evil uncle just like 601 00:34:59,719 --> 00:35:02,360 Speaker 1: being a thing that's in some movies and TV shows 602 00:35:02,400 --> 00:35:05,600 Speaker 1: because it's easy, I don't know, it's something that people 603 00:35:05,640 --> 00:35:08,560 Speaker 1: tend to like grasp onto. Um, it's just kind of 604 00:35:08,600 --> 00:35:11,520 Speaker 1: an easy way to to to tell a story, right, 605 00:35:11,600 --> 00:35:14,920 Speaker 1: Like it's scar in the in the Lion King. It's 606 00:35:14,920 --> 00:35:17,879 Speaker 1: not a complex story. There's not a ton going on there, 607 00:35:17,880 --> 00:35:21,400 Speaker 1: but it works. And like, but Peterson is taking it 608 00:35:21,440 --> 00:35:24,680 Speaker 1: as if and because this is like a trope that 609 00:35:24,840 --> 00:35:27,920 Speaker 1: is broadly functional in storytelling, that is meant for a 610 00:35:27,960 --> 00:35:33,200 Speaker 1: popular audience, it is indicative of something fundamental to human nature, 611 00:35:33,920 --> 00:35:36,799 Speaker 1: right as opposed to like, you know, first of all, 612 00:35:37,640 --> 00:35:40,000 Speaker 1: if you see a pattern, were we humans love to 613 00:35:40,000 --> 00:35:44,200 Speaker 1: see patterns, and we put undo emphasis and importance on 614 00:35:44,320 --> 00:35:49,040 Speaker 1: patterns even if they're it's not like a significant pattern. 615 00:35:49,360 --> 00:35:52,040 Speaker 1: But like what he's talking about most of the time 616 00:35:52,200 --> 00:35:55,960 Speaker 1: in this respect is like just stereotypes. Like if you 617 00:35:56,080 --> 00:35:59,160 Speaker 1: take like you said, like the lion king or Hamlet 618 00:35:59,239 --> 00:36:02,520 Speaker 1: or whatever. So Scar the evil uncle, if Scar had 619 00:36:02,560 --> 00:36:07,760 Speaker 1: a kid, Mufasa the kind uncle archetype, Like it's literally 620 00:36:07,800 --> 00:36:12,560 Speaker 1: like it's just these interchangeable things the qualities described in 621 00:36:12,680 --> 00:36:16,640 Speaker 1: like he's like the crone making a man and you 622 00:36:16,719 --> 00:36:19,560 Speaker 1: change the name and it's like, I don't know, ye, 623 00:36:19,680 --> 00:36:22,680 Speaker 1: all all of this can work, and it's like helpful 624 00:36:22,719 --> 00:36:26,920 Speaker 1: for people in situation. Like certainly, like like all of 625 00:36:26,920 --> 00:36:29,600 Speaker 1: these archetypes that he treats as if they're like something 626 00:36:29,719 --> 00:36:32,359 Speaker 1: sacred written into the back of the human soul are 627 00:36:32,440 --> 00:36:36,200 Speaker 1: just shortcuts to like very easily putting together a fucking 628 00:36:36,239 --> 00:36:39,360 Speaker 1: script for like a popular like specifically for a popular 629 00:36:39,400 --> 00:36:42,480 Speaker 1: fucking movie that's like most of the modern adaptations of 630 00:36:42,480 --> 00:36:46,239 Speaker 1: this ship like it's not none of this is like, 631 00:36:47,120 --> 00:36:49,680 Speaker 1: none of this is particularly resonant. And you can tell 632 00:36:49,719 --> 00:36:51,360 Speaker 1: that for a fact that the stories that are like 633 00:36:51,480 --> 00:36:54,600 Speaker 1: most popular are often the ones that that break some 634 00:36:54,680 --> 00:36:58,640 Speaker 1: of these rules. Like they're not actually fundamental to good storytelling. 635 00:36:58,680 --> 00:37:03,520 Speaker 1: They're just simple. Yeah, yeah, it's not. It's not necessarily 636 00:37:03,520 --> 00:37:06,000 Speaker 1: going to be the most compelling or interesting story if 637 00:37:06,000 --> 00:37:08,880 Speaker 1: you use all these archetypes or this like pattern, because 638 00:37:09,120 --> 00:37:13,040 Speaker 1: it's most stories their training wheels, their training wheels. If 639 00:37:13,040 --> 00:37:15,880 Speaker 1: you're starting out reading writing stories, or if you're getting 640 00:37:15,920 --> 00:37:18,359 Speaker 1: lost in the weeds, it can be an easy way 641 00:37:18,360 --> 00:37:21,360 Speaker 1: to like get something put together and then you can 642 00:37:21,600 --> 00:37:24,359 Speaker 1: do a better thing next time. Um, but I don't 643 00:37:24,360 --> 00:37:27,280 Speaker 1: know whatever. I get frustrated when people talk about fucking 644 00:37:27,360 --> 00:37:29,759 Speaker 1: archetypes like this. Well, so when you're talking about like 645 00:37:29,800 --> 00:37:32,960 Speaker 1: this and like applying it to like like fundamental like 646 00:37:33,000 --> 00:37:37,200 Speaker 1: institutions and elements of society, where it's like, these are 647 00:37:37,239 --> 00:37:41,640 Speaker 1: different conversations because like fucking the evil uncle is a 648 00:37:41,719 --> 00:37:43,840 Speaker 1: bad guy in a script because the script needs a 649 00:37:43,880 --> 00:37:47,040 Speaker 1: bad guy, because conflict is fun. The Catholic Church is 650 00:37:47,080 --> 00:37:49,120 Speaker 1: bad because they raped a bunch of kids and covered 651 00:37:49,160 --> 00:37:51,520 Speaker 1: it up. And that's a reason why maybe you would 652 00:37:51,520 --> 00:37:54,160 Speaker 1: not believe anything else they have to say, right, Like, 653 00:37:54,239 --> 00:37:57,880 Speaker 1: maybe it stems from certain aspects of their like core beliefs. 654 00:37:57,880 --> 00:38:01,080 Speaker 1: I don't know exactly. Yeah, maybe there's fundamental things about 655 00:38:01,080 --> 00:38:03,440 Speaker 1: the structure of an organization like the Catholic Church that 656 00:38:03,480 --> 00:38:07,000 Speaker 1: are abusive. But Jordan Peterson fucking loves hierarchy, right and 657 00:38:07,080 --> 00:38:11,320 Speaker 1: just like in the inevitability of everything, right Like, Anyway, 658 00:38:11,320 --> 00:38:15,440 Speaker 1: if an institution is corrupt, it's because all institutions become corrupt. 659 00:38:15,560 --> 00:38:20,800 Speaker 1: Like ultimately, Um, it's not a problem with anything about 660 00:38:20,800 --> 00:38:23,480 Speaker 1: the institution. It is. Yes, it's corruption that that happens, 661 00:38:24,120 --> 00:38:28,000 Speaker 1: except for in my institutions that I like. So the 662 00:38:28,080 --> 00:38:31,120 Speaker 1: next session of the video asked Peterson to define what 663 00:38:31,280 --> 00:38:33,360 Speaker 1: makes a man? And this is the first point at 664 00:38:33,360 --> 00:38:37,760 Speaker 1: which I think someone like put together, Like maybe after 665 00:38:37,800 --> 00:38:40,120 Speaker 1: the first ten minutes of this were recorded, which probably 666 00:38:40,120 --> 00:38:43,520 Speaker 1: took three days, somebody like jotted down some fucking notes 667 00:38:43,560 --> 00:38:46,040 Speaker 1: into something resembling a script to try to put a 668 00:38:46,080 --> 00:38:52,000 Speaker 1: scaffolding on this motherfucker. Here we go. Yeah, definition, man, Ah, 669 00:38:52,040 --> 00:38:54,840 Speaker 1: why don't I a biologist, but as it happens, I 670 00:38:54,880 --> 00:38:58,120 Speaker 1: am a biologist. So no you're not. No, no you 671 00:38:58,200 --> 00:39:01,239 Speaker 1: no you're not. I felt like you reaction to that 672 00:39:01,600 --> 00:39:05,880 Speaker 1: he is absolutely not a fucking biologist. Oh my god, 673 00:39:06,320 --> 00:39:11,520 Speaker 1: you can say that you like I like, oh my god. 674 00:39:12,480 --> 00:39:16,759 Speaker 1: A scientists strong a physicist wouldn't say I'm a biologist 675 00:39:16,840 --> 00:39:20,279 Speaker 1: because you like know a lot about biology. Yeah, it's 676 00:39:20,320 --> 00:39:23,600 Speaker 1: it's very frustrating because like, yes, theoretically, like he has 677 00:39:23,600 --> 00:39:27,440 Speaker 1: a PhD in clinical psychology, there are clinical psychologists who 678 00:39:27,520 --> 00:39:31,120 Speaker 1: do biology right, because some of them are do neuroscience right, 679 00:39:31,280 --> 00:39:35,000 Speaker 1: elements of it exactly biology. But that's not what he does. 680 00:39:35,400 --> 00:39:37,520 Speaker 1: That's not what he does, and that's not that's just 681 00:39:37,600 --> 00:39:42,560 Speaker 1: not how people in the scientific community talk. Like he 682 00:39:42,960 --> 00:39:48,160 Speaker 1: says this about everything like it's if you it's funny 683 00:39:48,200 --> 00:39:51,120 Speaker 1: he would say, Like he would say, if he's describing, like, um, 684 00:39:51,480 --> 00:39:54,600 Speaker 1: what the Parado principle as, like it relates to black 685 00:39:54,600 --> 00:39:57,760 Speaker 1: holes or whatever, he would literally say, I'm an astrophysicist. 686 00:39:57,800 --> 00:40:00,800 Speaker 1: No no, no, no, no. You maybe you know about 687 00:40:00,880 --> 00:40:05,319 Speaker 1: astrophysics and you have like knowledge in that field, but no, 688 00:40:05,560 --> 00:40:11,440 Speaker 1: like actual like reasonable like respectable scientists would just make 689 00:40:11,480 --> 00:40:16,080 Speaker 1: a claim like that. There's you go on in in 690 00:40:16,200 --> 00:40:20,239 Speaker 1: your three hour video of about Dr Jordan Peterson about 691 00:40:20,280 --> 00:40:23,440 Speaker 1: how he's fundamentally wrong about lobsters and the ship he 692 00:40:23,520 --> 00:40:26,799 Speaker 1: says about like narrow transmitters and lobsters. He's wrong about 693 00:40:26,800 --> 00:40:29,080 Speaker 1: a lot of important things, including that time he went 694 00:40:29,120 --> 00:40:31,640 Speaker 1: cold turkey off of benzos by going to some weird 695 00:40:31,640 --> 00:40:35,560 Speaker 1: clinic in Russia and nearly got himself killed. Um, but 696 00:40:36,560 --> 00:40:38,360 Speaker 1: I want to stick to stuff that he claims that 697 00:40:38,360 --> 00:40:40,680 Speaker 1: he makes in the video to prove that he's If 698 00:40:40,719 --> 00:40:45,400 Speaker 1: he is a biologist, he's a realist. Let's see, let's life. 699 00:40:45,440 --> 00:40:47,520 Speaker 1: You are so yeah, I I want to sorry. I 700 00:40:47,719 --> 00:40:50,960 Speaker 1: just have to like give him a little like in 701 00:40:51,000 --> 00:40:54,640 Speaker 1: good faith, you know, reasonable doubt. Some people's talk in 702 00:40:54,640 --> 00:40:57,319 Speaker 1: this way, like what you're saying, you're not saying. I'm 703 00:40:57,320 --> 00:41:00,600 Speaker 1: a biologist, just like I believe in biology. I have 704 00:41:00,680 --> 00:41:04,560 Speaker 1: knowledge of it, and I approach things from a biologist perspective, 705 00:41:05,160 --> 00:41:08,359 Speaker 1: is what he's trying to say. But that, but he 706 00:41:08,440 --> 00:41:12,960 Speaker 1: wasn't precise. He's at all precise in his speech, and 707 00:41:12,960 --> 00:41:15,560 Speaker 1: he's also about to be really wrong because after this 708 00:41:15,680 --> 00:41:18,080 Speaker 1: he goes on a little rant about how some people 709 00:41:18,120 --> 00:41:21,040 Speaker 1: are charitable, but they're not hard working or practical, so 710 00:41:21,080 --> 00:41:23,480 Speaker 1: they just wind up giving away other people's money and 711 00:41:23,520 --> 00:41:27,320 Speaker 1: that's bad. Um. What he's he says that the ideal 712 00:41:27,360 --> 00:41:29,680 Speaker 1: thing to be the essence of masculinity. In fact, this 713 00:41:29,719 --> 00:41:32,279 Speaker 1: is what he because he's again the section is where 714 00:41:32,320 --> 00:41:34,160 Speaker 1: he's trying to define a man. He says that the 715 00:41:34,320 --> 00:41:40,040 Speaker 1: essence of masculinity is productive generosity, which seems to he 716 00:41:40,080 --> 00:41:43,000 Speaker 1: seems to define as actually being a dick um because 717 00:41:43,040 --> 00:41:47,360 Speaker 1: he doesn't think that like generosity means being good to people. 718 00:41:47,719 --> 00:41:50,600 Speaker 1: He thinks it's like it's this weirder concept about how 719 00:41:50,640 --> 00:41:53,920 Speaker 1: well sometimes generosity is like being mean and withholding resources 720 00:41:53,920 --> 00:41:57,279 Speaker 1: from people who are going to to squander them, right. Um. 721 00:41:57,360 --> 00:42:00,640 Speaker 1: And as he's doing this, he attacks the concept of agreeableness. 722 00:42:00,680 --> 00:42:02,160 Speaker 1: And I want to play you this this part of 723 00:42:02,200 --> 00:42:05,640 Speaker 1: the episode, Cody, because this is we can nail it 724 00:42:05,719 --> 00:42:08,200 Speaker 1: to some science here. Yeah, we get into it. Basically, 725 00:42:08,239 --> 00:42:12,400 Speaker 1: an empathy dimension has no correlation whatsoever with success in 726 00:42:12,960 --> 00:42:18,719 Speaker 1: enterprise business creative domains. In fact, among managers, agreeableness looks 727 00:42:18,719 --> 00:42:22,320 Speaker 1: like it's slightly negatively correlated with success because hyper agreeable 728 00:42:22,320 --> 00:42:26,040 Speaker 1: managers can't say no. They can't discipline their employees, they 729 00:42:26,040 --> 00:42:32,440 Speaker 1: can't send limits, and they're susceptible to manipulation. So well, Cody, 730 00:42:32,719 --> 00:42:36,160 Speaker 1: that sounds like something that's falsifiable, right, That is a 731 00:42:36,360 --> 00:42:38,520 Speaker 1: that is a true or or false statement that he 732 00:42:38,600 --> 00:42:41,080 Speaker 1: just made. We can actually dig into research, it seems 733 00:42:41,080 --> 00:42:44,680 Speaker 1: like yeah, and it turns out we're really lucky here. 734 00:42:44,840 --> 00:42:48,320 Speaker 1: There was a massive meta analysis of studies published on 735 00:42:48,520 --> 00:42:52,200 Speaker 1: quote agreeable nous on it and its consequences just this year. 736 00:42:52,480 --> 00:42:57,680 Speaker 1: Researchers Michael Wilmot and Dennis Ones analyzed studies in folving 737 00:42:57,800 --> 00:43:02,680 Speaker 1: one point nine million participants, So pretty big meta analysis, right. 738 00:43:03,760 --> 00:43:07,640 Speaker 1: They concluded quote overall, the the trait has effects in 739 00:43:07,680 --> 00:43:12,840 Speaker 1: a desirable direction for ninety to variables. Professor Wilmot seemed 740 00:43:12,840 --> 00:43:15,600 Speaker 1: adamant that not only is Peterson wrong about the value 741 00:43:15,640 --> 00:43:19,560 Speaker 1: of agreeableness, he's specifically wrong about its impact on leaders. 742 00:43:19,719 --> 00:43:23,320 Speaker 1: Quote Michael Wilmot, assistant professor of Management at the University 743 00:43:23,320 --> 00:43:26,719 Speaker 1: of Arkansas, in a university release said, quote agreeableness is 744 00:43:26,719 --> 00:43:29,840 Speaker 1: the personality trait primarily concerned with helping people and building 745 00:43:29,840 --> 00:43:34,480 Speaker 1: positive relationships, which is not lost on organizational leaders. Taken altogether, 746 00:43:34,560 --> 00:43:38,680 Speaker 1: the interaction among things became clear. Professor Wilmot concludes agreeableness 747 00:43:38,800 --> 00:43:41,120 Speaker 1: was marked by work investment, but this energy was best 748 00:43:41,360 --> 00:43:45,000 Speaker 1: acted at helping or cooperating with others, in other words, teamwork. 749 00:43:45,719 --> 00:43:52,279 Speaker 1: So just he's exactly wrong and it took thirty seconds. Yeah, 750 00:43:52,320 --> 00:43:55,600 Speaker 1: they looked at these, like thousands of studies involving nearly 751 00:43:55,640 --> 00:43:58,439 Speaker 1: two million people, and it turns out being agreeable really 752 00:43:58,480 --> 00:44:01,640 Speaker 1: works well into teams. And I don't know, Cody, you 753 00:44:01,640 --> 00:44:03,959 Speaker 1: and I have both worked on teams. You know what's 754 00:44:03,960 --> 00:44:07,240 Speaker 1: great is not working with assholes? Oh yeah, we don't 755 00:44:07,280 --> 00:44:10,360 Speaker 1: like that. It's not fun. Uh, it makes it unpleasant, 756 00:44:10,440 --> 00:44:13,840 Speaker 1: and you don't like the One of the most important 757 00:44:13,880 --> 00:44:19,400 Speaker 1: things in in particularly like uh comedy, like sketch comedy, 758 00:44:19,440 --> 00:44:23,120 Speaker 1: whatever is like yes, and which is fundamentally being agreeable. 759 00:44:23,160 --> 00:44:25,520 Speaker 1: It's not like trying to shut down a joke. It's 760 00:44:25,520 --> 00:44:30,960 Speaker 1: trying to expand it. You know. It's a plus, right, Yeah, 761 00:44:31,560 --> 00:44:35,200 Speaker 1: because that that works pretty well people people. It tends 762 00:44:35,239 --> 00:44:38,600 Speaker 1: to make for things that are funny. Well, it's fascinating 763 00:44:38,600 --> 00:44:41,719 Speaker 1: that people like working like people who aren't easy to 764 00:44:41,760 --> 00:44:45,279 Speaker 1: work with. Yeah, I love this and I really appreciate 765 00:44:45,360 --> 00:44:48,319 Speaker 1: that you instantly looked this up because he does this 766 00:44:48,480 --> 00:44:51,320 Speaker 1: all the time. He'll say like, I've read the literature 767 00:44:51,360 --> 00:44:53,120 Speaker 1: in this way, and then you look it up and 768 00:44:53,160 --> 00:44:55,880 Speaker 1: it's not that way. Or he'll make these broad claims 769 00:44:55,960 --> 00:44:58,560 Speaker 1: about these sort of things, and it's also stuff where 770 00:44:58,600 --> 00:45:02,040 Speaker 1: it's like, you are are a psychologist, that is your field, 771 00:45:02,360 --> 00:45:04,320 Speaker 1: and you're making these claims and I just looked it 772 00:45:04,400 --> 00:45:08,560 Speaker 1: up and you're wrong. Um, it's alarming that this man 773 00:45:08,760 --> 00:45:11,799 Speaker 1: is in this fine leather chair. It is, it is, 774 00:45:11,840 --> 00:45:15,600 Speaker 1: and it is a nice looking leather chair. Library. Whoever 775 00:45:15,600 --> 00:45:18,680 Speaker 1: they have directing putting the set decorations together, they made 776 00:45:18,719 --> 00:45:21,600 Speaker 1: a They made a very welcoming looking library boy one 777 00:45:21,680 --> 00:45:23,960 Speaker 1: million for the library for millions. I don't believe he's 778 00:45:24,000 --> 00:45:27,000 Speaker 1: read any of those books, but it's a nice looking library. 779 00:45:27,200 --> 00:45:28,959 Speaker 1: He skimmed them for a few words that he could 780 00:45:28,960 --> 00:45:34,000 Speaker 1: say to reinforce his point. Yeah. So Jordan's view of 781 00:45:34,080 --> 00:45:38,240 Speaker 1: masculinity doesn't leave much room for teamwork. It becomes quickly 782 00:45:38,280 --> 00:45:40,920 Speaker 1: clear that he doesn't see management as a thing people 783 00:45:41,000 --> 00:45:44,520 Speaker 1: do in specific instances to help groups accomplished tasks, and 784 00:45:44,560 --> 00:45:47,760 Speaker 1: instead he sees management as how a healthy man looks 785 00:45:47,840 --> 00:45:50,480 Speaker 1: at every relationship in his life. And I mean management 786 00:45:50,520 --> 00:45:53,240 Speaker 1: the way that like a leader in an organization manages, 787 00:45:53,680 --> 00:45:58,279 Speaker 1: and Sophie, let's play that next clip. And then you 788 00:45:58,280 --> 00:46:02,640 Speaker 1: should be responsible for and productive for as many people 789 00:46:02,680 --> 00:46:05,320 Speaker 1: as you can manage. And so that might be first 790 00:46:05,400 --> 00:46:11,760 Speaker 1: your intimate partner, your wife, second year, your parents, your siblings, 791 00:46:11,760 --> 00:46:15,680 Speaker 1: your your children, maybe your children primarily, although you know 792 00:46:15,680 --> 00:46:21,800 Speaker 1: there's a tradeoff there with your wife, So the split screen, 793 00:46:21,960 --> 00:46:28,479 Speaker 1: it's just every time. Next, he says that you should 794 00:46:28,520 --> 00:46:31,359 Speaker 1: seek to manage your community and local government if it's 795 00:46:31,400 --> 00:46:34,200 Speaker 1: possible at all, and it's become it's pretty clear. I 796 00:46:34,200 --> 00:46:36,719 Speaker 1: think at this point that his version of masculinity is 797 00:46:36,760 --> 00:46:39,720 Speaker 1: nothing but control, and it's a specific sort of control 798 00:46:39,840 --> 00:46:43,000 Speaker 1: that's motivated by self hatred. And you get glimpses. I 799 00:46:43,000 --> 00:46:45,080 Speaker 1: don't think Peterson is even really super aware of it, 800 00:46:45,080 --> 00:46:48,360 Speaker 1: but you get glimpses of the centrality of self hatred 801 00:46:48,400 --> 00:46:51,000 Speaker 1: to his concept of masculinity, and these little gaps and 802 00:46:51,080 --> 00:46:54,800 Speaker 1: cracks like this one here go on all that responsibility 803 00:46:54,840 --> 00:46:58,200 Speaker 1: if you can in a sense that's both productive and generous, 804 00:46:58,239 --> 00:47:00,839 Speaker 1: that gives you something to do justify your miserable life 805 00:47:00,920 --> 00:47:02,960 Speaker 1: to yourself and everyone else, and you need to do 806 00:47:03,000 --> 00:47:06,720 Speaker 1: that um it. It orients you solidly in the world 807 00:47:06,760 --> 00:47:08,920 Speaker 1: if you do that, and it gives you a dragon 808 00:47:08,960 --> 00:47:13,400 Speaker 1: to fight, a real wood. And that's where the gold is. 809 00:47:13,480 --> 00:47:18,239 Speaker 1: So as everyone has known forever. Oh my god, oh 810 00:47:18,239 --> 00:47:21,560 Speaker 1: my god, oh my god, Robert, can we do an 811 00:47:21,560 --> 00:47:24,000 Speaker 1: ad break right now, just so that there's a gold please? 812 00:47:25,680 --> 00:47:27,680 Speaker 1: If you want to know where else the gold is, 813 00:47:27,920 --> 00:47:31,040 Speaker 1: check out the sponsors to this podcast, which apparently include 814 00:47:31,080 --> 00:47:36,560 Speaker 1: these this random gold scam company. Buy the gold and 815 00:47:36,600 --> 00:47:38,520 Speaker 1: give it to a dragon so you can fight it, 816 00:47:38,920 --> 00:47:48,200 Speaker 1: and then take the gold back and then it's yours again. Yeah, ah, 817 00:47:48,360 --> 00:47:54,520 Speaker 1: we're back. So I think all of that's really fucking silly. Um. Yeah, 818 00:47:54,560 --> 00:47:59,960 Speaker 1: it is a vice about being a person, yeah, he all. 819 00:48:00,160 --> 00:48:02,200 Speaker 1: He always sort of comes back to like and like, 820 00:48:02,239 --> 00:48:04,239 Speaker 1: you know, there are ways to say this and discuss this, 821 00:48:04,360 --> 00:48:07,319 Speaker 1: Like life is suffering and life is miserable and you 822 00:48:07,320 --> 00:48:12,000 Speaker 1: you suck and everything's bad. Um, but you're you need 823 00:48:12,040 --> 00:48:14,319 Speaker 1: to find you need to create a purpose is what 824 00:48:14,360 --> 00:48:18,319 Speaker 1: he's talking about. Oftentimes we're talking about what masculinity is, 825 00:48:18,440 --> 00:48:22,280 Speaker 1: right right, man, And like manages productive generosity, which means 826 00:48:22,360 --> 00:48:27,080 Speaker 1: managing every single being a being, a a hierarchical centralized 827 00:48:27,160 --> 00:48:29,560 Speaker 1: leader of every aspect of your life and every relationship 828 00:48:29,600 --> 00:48:32,440 Speaker 1: that you're involved with. And then once you're in control, 829 00:48:32,760 --> 00:48:36,239 Speaker 1: you should go seek out dragons to fight, using presumably 830 00:48:36,280 --> 00:48:38,920 Speaker 1: other people to do a lot of the fighting. Oh yeah, 831 00:48:38,960 --> 00:48:40,440 Speaker 1: you send him off to get the dragon so you 832 00:48:40,440 --> 00:48:43,960 Speaker 1: can get the cold. Um. It's yeah, he's always it 833 00:48:44,120 --> 00:48:47,040 Speaker 1: always circles. It's weird because he also, like he dismisses 834 00:48:47,080 --> 00:48:50,640 Speaker 1: this idea that certain things in society are about like power, Like, oh, 835 00:48:50,680 --> 00:48:52,560 Speaker 1: they say it's about powers, Like, no, it's not. It's 836 00:48:52,600 --> 00:48:55,719 Speaker 1: about this, it's about biology or like how men have 837 00:48:55,920 --> 00:48:59,600 Speaker 1: these fucking like you know, genes or whatever. Um. But 838 00:49:00,239 --> 00:49:02,959 Speaker 1: ultimately he's just but then he comes back to this like, yeah, 839 00:49:02,960 --> 00:49:06,719 Speaker 1: you need like discontrol to do this. How do you 840 00:49:06,760 --> 00:49:08,759 Speaker 1: do that? Well, you need to have the power to 841 00:49:08,880 --> 00:49:12,520 Speaker 1: do that. Um. He he just always comes back to 842 00:49:12,680 --> 00:49:16,840 Speaker 1: just like, ultimately I be a strong man. We need 843 00:49:17,840 --> 00:49:22,080 Speaker 1: Being a man is being like a dictator in your life. Yeah. 844 00:49:22,120 --> 00:49:25,799 Speaker 1: And it's interesting because like, obviously Jordan's the kind of 845 00:49:25,800 --> 00:49:29,080 Speaker 1: guy who like worships these quote unquote traditional like kind 846 00:49:29,080 --> 00:49:33,480 Speaker 1: of militarist values um and and hierarchy in that sense. 847 00:49:33,480 --> 00:49:36,719 Speaker 1: But if you actually look at like what makes the 848 00:49:36,760 --> 00:49:41,160 Speaker 1: best the most functional military hierarchies on the planet. Um, 849 00:49:41,200 --> 00:49:43,520 Speaker 1: they all are based around the idea that you should 850 00:49:43,560 --> 00:49:46,480 Speaker 1: have a really strong non commissioned officer core. And this 851 00:49:46,520 --> 00:49:49,000 Speaker 1: is certainly a kind of strict hierarchy, but it's a 852 00:49:49,080 --> 00:49:52,000 Speaker 1: hierarchy that is in a lot of ways less centralized 853 00:49:52,400 --> 00:49:56,120 Speaker 1: than the kind of pyramidal hierarchy the peters. It's it's 854 00:49:56,120 --> 00:49:58,239 Speaker 1: based around the idea that you should actually have a 855 00:49:58,280 --> 00:50:00,400 Speaker 1: lot of little leaders that are invest did in a 856 00:50:00,440 --> 00:50:04,600 Speaker 1: great degree of autonomy and whose expertise is respected. And oftentimes, 857 00:50:04,600 --> 00:50:06,680 Speaker 1: like if you have a unit, like a platoon, you 858 00:50:06,760 --> 00:50:09,759 Speaker 1: have an officer who's technically in charge, and then you 859 00:50:09,800 --> 00:50:12,640 Speaker 1: have an inn c O who is technically under him, 860 00:50:12,640 --> 00:50:15,560 Speaker 1: but who was generally recognized as actually being more expert 861 00:50:15,600 --> 00:50:18,520 Speaker 1: in a lot of ways, and both of them like 862 00:50:19,000 --> 00:50:23,200 Speaker 1: take on different tasks. And that's necessary for actually effectively 863 00:50:23,320 --> 00:50:27,640 Speaker 1: leading a unit through combat because you're talking about working together. Yeah, 864 00:50:27,680 --> 00:50:32,839 Speaker 1: I'm talking about like working together. Um. Yeah, it's it's 865 00:50:32,840 --> 00:50:37,040 Speaker 1: all these these ideas, and it requires a great deal 866 00:50:37,120 --> 00:50:40,319 Speaker 1: an effective functioning effectively as a unit in any kind 867 00:50:40,360 --> 00:50:44,360 Speaker 1: of like strenuous or dangerous situation. Does at times require 868 00:50:44,400 --> 00:50:46,719 Speaker 1: there being a person who is saying, like, do this 869 00:50:46,800 --> 00:50:50,279 Speaker 1: and do that, because sometimes that's necessary when you're trying 870 00:50:50,320 --> 00:50:53,680 Speaker 1: to accomplish goals under stress. But the thing that requires 871 00:50:53,680 --> 00:50:57,120 Speaker 1: most of all is like mutual respect um, and an 872 00:50:57,200 --> 00:51:02,400 Speaker 1: understanding of people's talents and an ability to of subordinates autonomy, 873 00:51:02,440 --> 00:51:06,680 Speaker 1: because organizations that don't do those things can survive if 874 00:51:06,680 --> 00:51:09,279 Speaker 1: there's not a danger being put on them, if there's 875 00:51:09,320 --> 00:51:11,760 Speaker 1: not like a threat, But if you're actually being threatened, 876 00:51:12,239 --> 00:51:15,239 Speaker 1: you want as much intelligence to be available from the 877 00:51:15,360 --> 00:51:17,920 Speaker 1: organization as possible, and you only get that by giving 878 00:51:17,920 --> 00:51:20,800 Speaker 1: people the ability to act with a degree of autonomy. 879 00:51:21,280 --> 00:51:24,640 Speaker 1: That doesn't sound very productively generous of you, though. Yeah, 880 00:51:25,000 --> 00:51:27,400 Speaker 1: we can talk a lot about like the Ukrainian military 881 00:51:27,520 --> 00:51:32,279 Speaker 1: versus the Russian one, but let's move on. Um. So 882 00:51:32,880 --> 00:51:35,120 Speaker 1: his next question is, oh, actually this kind of ties 883 00:51:35,120 --> 00:51:38,000 Speaker 1: into that, how should you arm yourself? Um? And the 884 00:51:38,040 --> 00:51:42,799 Speaker 1: answer that Peterson gives is a humanities education, um, which 885 00:51:42,840 --> 00:51:46,120 Speaker 1: is interesting to me. That is interesting. Yeah, and he 886 00:51:46,160 --> 00:51:48,560 Speaker 1: thinks that he kind of defines a good education the 887 00:51:48,640 --> 00:51:51,120 Speaker 1: humanities is reading great men into his credit. He says, 888 00:51:51,160 --> 00:51:54,160 Speaker 1: great women too. Um. He's actually pretty careful about that 889 00:51:54,239 --> 00:51:55,880 Speaker 1: in that so I'll give you, I'll give you a 890 00:51:55,920 --> 00:52:00,479 Speaker 1: thumbs up. Dr only took eight years. Yeah, So after 891 00:52:00,520 --> 00:52:03,120 Speaker 1: this we get an extended rant about how if you 892 00:52:03,160 --> 00:52:05,600 Speaker 1: either lie or you just say things you don't fully 893 00:52:05,640 --> 00:52:08,040 Speaker 1: believe in, Like if you alter your own beliefs to 894 00:52:08,120 --> 00:52:09,880 Speaker 1: like write an essay to get a good grade for 895 00:52:09,920 --> 00:52:12,600 Speaker 1: a teacher, to impress someone, then you're letting someone else 896 00:52:12,640 --> 00:52:15,160 Speaker 1: control and speak for you, which is kind of like 897 00:52:15,360 --> 00:52:19,719 Speaker 1: basically letting a demonic spirit run your body. Um. This 898 00:52:19,800 --> 00:52:23,360 Speaker 1: is interesting for two reasons. Actually, one is that he 899 00:52:23,400 --> 00:52:26,120 Speaker 1: says this all the time. This is another one of 900 00:52:26,239 --> 00:52:29,000 Speaker 1: another one like thing, where's like why does this show exist? 901 00:52:29,120 --> 00:52:33,120 Speaker 1: This is just everything you've ever said in your like 902 00:52:33,200 --> 00:52:37,719 Speaker 1: your books and stuff. Um, but also, uh, Ben Shapiro 903 00:52:37,880 --> 00:52:41,160 Speaker 1: has literally said the opposite, Like he his advice to 904 00:52:41,320 --> 00:52:45,799 Speaker 1: his advice to people at school is to do what 905 00:52:45,840 --> 00:52:49,120 Speaker 1: he did, which is just regurgitate everything is law, professor said, 906 00:52:49,400 --> 00:52:51,480 Speaker 1: pretend that he believes it so that he can like 907 00:52:51,640 --> 00:52:55,320 Speaker 1: pass the grade. And I'm never gonna say this about 908 00:52:56,200 --> 00:52:59,880 Speaker 1: Ben Shapiro, but like that's a valuable life skill. Like 909 00:53:00,520 --> 00:53:03,200 Speaker 1: sometimes you're gonna get pulled over by a cop, and 910 00:53:03,360 --> 00:53:05,359 Speaker 1: you're gonna need the light of that police officer so 911 00:53:05,400 --> 00:53:08,960 Speaker 1: that you don't suffer consequences that will fuck your life up. Right. Sometimes, 912 00:53:09,160 --> 00:53:11,560 Speaker 1: perhaps you're trying to get on an airplane and you 913 00:53:11,600 --> 00:53:13,520 Speaker 1: have a bag that's over the limit, and being able 914 00:53:13,560 --> 00:53:16,799 Speaker 1: to like lie about it and convince someone not to 915 00:53:16,840 --> 00:53:18,880 Speaker 1: weigh it is a useful life skill because then you 916 00:53:18,880 --> 00:53:22,000 Speaker 1: don't you're not out fifty dollars. Sometimes you sit down 917 00:53:22,040 --> 00:53:24,799 Speaker 1: with someone who's maybe kind of a crazy asshole, and 918 00:53:25,239 --> 00:53:28,400 Speaker 1: it's just the easiest thing and the safest thing to 919 00:53:28,520 --> 00:53:30,640 Speaker 1: not engage with them over some of the things that 920 00:53:30,680 --> 00:53:32,600 Speaker 1: they're saying. If it's not you know, I'm not saying 921 00:53:33,280 --> 00:53:35,640 Speaker 1: don't engage with racists, but a lot of people are 922 00:53:35,680 --> 00:53:37,680 Speaker 1: just assholes in ways that it's like, I don't need 923 00:53:37,719 --> 00:53:41,279 Speaker 1: to you don't need to argue with you. Sometimes you 924 00:53:41,360 --> 00:53:43,600 Speaker 1: just be like, okay, okay, let's in the interaction and 925 00:53:43,640 --> 00:53:46,520 Speaker 1: smile at them. That's a useful life skill. People who 926 00:53:46,520 --> 00:53:48,360 Speaker 1: are able to do those things, who are able to 927 00:53:48,440 --> 00:53:50,720 Speaker 1: understand how to I don't need to be totally honest 928 00:53:50,840 --> 00:53:53,839 Speaker 1: right now. I also I can just in the interaction, 929 00:53:53,880 --> 00:53:55,319 Speaker 1: and I want to do that in a pleasant way. 930 00:53:55,360 --> 00:53:57,120 Speaker 1: So I'm just going to pretend like I don't think 931 00:53:57,120 --> 00:54:00,279 Speaker 1: this person is dumb as ship right, Like that's fine, Yeah, 932 00:54:00,560 --> 00:54:03,120 Speaker 1: but his his sort of assumption, I think, And maybe 933 00:54:03,120 --> 00:54:05,239 Speaker 1: he's changed his mind since is that like if you 934 00:54:05,520 --> 00:54:07,879 Speaker 1: if you do that, and you do it like more 935 00:54:07,920 --> 00:54:10,480 Speaker 1: than a few times, you'll start believing the things that 936 00:54:10,520 --> 00:54:14,560 Speaker 1: you're that you're allowing to be said. I've lied to 937 00:54:14,600 --> 00:54:16,600 Speaker 1: a lot of cops about having weed in the car, 938 00:54:16,640 --> 00:54:19,440 Speaker 1: and I've never thought that my car back in the 939 00:54:19,520 --> 00:54:21,920 Speaker 1: day didn't have weed in it and didn't deserve to 940 00:54:21,920 --> 00:54:27,400 Speaker 1: have weed in it, didn't deserve to have We met exactly. Um. Anyway, whatever, 941 00:54:27,760 --> 00:54:29,560 Speaker 1: the good thing about this rant is that it gives 942 00:54:29,600 --> 00:54:32,720 Speaker 1: us another little moment of accidental honesty from Dr Peterson. 943 00:54:34,480 --> 00:54:36,960 Speaker 1: I think, well, God, that was a miserable life. I 944 00:54:37,080 --> 00:54:40,240 Speaker 1: manipulated everybody. They were so damn stupid. They were sucked 945 00:54:40,239 --> 00:54:43,040 Speaker 1: in by it. They're all contemptible everyone doesn't you know, 946 00:54:43,280 --> 00:54:45,920 Speaker 1: which they don't by the way, And so that's a 947 00:54:45,920 --> 00:54:50,879 Speaker 1: pathway to bitterness. Pathway to bitterness, huh, pathway to bitterness. Um. 948 00:54:51,520 --> 00:54:54,600 Speaker 1: He kind of I feel like he's talking about himself there. 949 00:54:55,000 --> 00:54:58,440 Speaker 1: I'm just gonna say it. I feel like that Peterson 950 00:54:58,440 --> 00:55:00,600 Speaker 1: often comes off as a bitter old man. Yeah. I 951 00:55:00,640 --> 00:55:02,319 Speaker 1: think he's a bitter old man. And I think he's 952 00:55:02,360 --> 00:55:04,640 Speaker 1: bitter because the only thing he's done with his life 953 00:55:04,680 --> 00:55:09,919 Speaker 1: is manipulate people. Um. And it's he says again. He 954 00:55:10,080 --> 00:55:12,319 Speaker 1: talks a lot about how there's no difference between the 955 00:55:12,400 --> 00:55:15,640 Speaker 1: spirit of manipulation taking you over in demonic possession, and 956 00:55:15,640 --> 00:55:17,920 Speaker 1: he's the only thing that stopped him from being canceled 957 00:55:17,960 --> 00:55:20,640 Speaker 1: is that he's a fundamentally honest person. Which is fun 958 00:55:20,680 --> 00:55:23,120 Speaker 1: because Jordan got famous for claiming that Canadian Bill C 959 00:55:23,280 --> 00:55:25,520 Speaker 1: sixteen was going to force people to use ginger neutral 960 00:55:25,560 --> 00:55:29,240 Speaker 1: pronouns for non binary and transgender identities and legally punish 961 00:55:29,320 --> 00:55:30,600 Speaker 1: them if they didn't, that people were going to be 962 00:55:30,640 --> 00:55:33,440 Speaker 1: literally thrown into prison. Um. He gave a lot of 963 00:55:33,480 --> 00:55:35,320 Speaker 1: interviews saying like, I think some of the things that 964 00:55:35,360 --> 00:55:37,560 Speaker 1: I say in my lectures now might be illegal. I 965 00:55:37,600 --> 00:55:39,120 Speaker 1: think they might even be sufficient for me to be 966 00:55:39,160 --> 00:55:41,720 Speaker 1: brought before the Ontario Human Rights Commission under their amended 967 00:55:41,719 --> 00:55:44,480 Speaker 1: hate speech laws. This has never happened, Nothing like this 968 00:55:44,520 --> 00:55:47,080 Speaker 1: has ever happened in Canada to Dr Peterson or to 969 00:55:47,160 --> 00:55:52,879 Speaker 1: anyone else. He was completely full of shit. Um. You know, yeah, 970 00:55:52,920 --> 00:55:55,080 Speaker 1: the first video, I mean, the first video he shared 971 00:55:55,120 --> 00:55:59,239 Speaker 1: about that topic was like professor against political correctness. You 972 00:55:59,320 --> 00:56:02,160 Speaker 1: know exactly what is doing, and it's it's like if 973 00:56:02,160 --> 00:56:04,640 Speaker 1: you actually look at the and if you actually talk 974 00:56:04,719 --> 00:56:07,839 Speaker 1: to any of the Canadian legal experts about what this 975 00:56:07,920 --> 00:56:10,160 Speaker 1: law meant and what the actual because there is a 976 00:56:10,200 --> 00:56:13,239 Speaker 1: threshold at which hate speech is criminal in Canada, and 977 00:56:13,360 --> 00:56:15,200 Speaker 1: the threshold is pretty high. You would have to be 978 00:56:15,239 --> 00:56:18,279 Speaker 1: literally advocating for genocide. You would you would be having 979 00:56:18,320 --> 00:56:22,239 Speaker 1: to try to incite a genocide, which number one, None 980 00:56:22,280 --> 00:56:24,960 Speaker 1: of whatever you want to say. His comments back then 981 00:56:25,200 --> 00:56:27,719 Speaker 1: did not cross that line. And apparently no one's has 982 00:56:27,760 --> 00:56:29,840 Speaker 1: because no one has. No one's been prosecuted for this. 983 00:56:29,960 --> 00:56:33,640 Speaker 1: There's been no criminal cases as a result of this. Um. 984 00:56:33,680 --> 00:56:37,960 Speaker 1: I might argue that perhaps there should have been, but whatever. Um. 985 00:56:38,000 --> 00:56:41,799 Speaker 1: So Peterson veers from this into an unhinged dissection of 986 00:56:42,080 --> 00:56:45,320 Speaker 1: sleeping beauty. He really he's he's got an old school 987 00:56:45,360 --> 00:56:49,000 Speaker 1: Disney fixation and I'm just gonna have well because they're 988 00:56:48,840 --> 00:56:52,080 Speaker 1: the old stories, right, their fairy tales, the evil You're 989 00:56:52,080 --> 00:56:59,680 Speaker 1: not ones that are exactly anyway. Here's Jordan Peterson, So 990 00:57:00,760 --> 00:57:03,560 Speaker 1: what can you arm yourself with? You know? In Sleeping Beauty, 991 00:57:03,640 --> 00:57:08,120 Speaker 1: when the Prince he's entrapped in the in that castle 992 00:57:08,239 --> 00:57:14,600 Speaker 1: by uh Maleficent, who's the ultimate edible mother, she transforms 993 00:57:14,600 --> 00:57:17,600 Speaker 1: herself into a dragon, which everyone seems to just take 994 00:57:17,640 --> 00:57:19,680 Speaker 1: as a matter of course, because of course the evil 995 00:57:19,680 --> 00:57:23,040 Speaker 1: which transforms herself into a dragon, Like, why we think 996 00:57:23,120 --> 00:57:27,520 Speaker 1: that's logical is a deep question, an oar contemptic question. 997 00:57:27,840 --> 00:57:31,800 Speaker 1: But anyways, he's armed with the sword of truth, and 998 00:57:31,960 --> 00:57:34,400 Speaker 1: I believe it's the shield of virtue, but the sword 999 00:57:34,440 --> 00:57:39,160 Speaker 1: of truth. And that's it's a corny trope in some sense, 1000 00:57:39,480 --> 00:57:43,720 Speaker 1: but it's not corny at all, because how could falsehood 1001 00:57:43,720 --> 00:57:46,520 Speaker 1: prevail against truth? How could that possibly be the case? 1002 00:57:47,080 --> 00:57:51,000 Speaker 1: If if what is true reflects what is real, how 1003 00:57:51,040 --> 00:57:54,840 Speaker 1: can what is unreal prevail against what is real? And so, 1004 00:57:56,280 --> 00:58:00,440 Speaker 1: you know, I love when he does stuff like that. 1005 00:58:00,560 --> 00:58:02,280 Speaker 1: And then he's like and so and he's like, wait, 1006 00:58:02,280 --> 00:58:07,320 Speaker 1: what were they talking about? Yeah? At all, First off, 1007 00:58:07,400 --> 00:58:09,840 Speaker 1: Jordan's we accept it when the witch turns into a 1008 00:58:09,920 --> 00:58:14,000 Speaker 1: dragon because it is a fantasy cartoon and she's a witch. 1009 00:58:14,680 --> 00:58:17,680 Speaker 1: So even though witches don't always turn into dragons, and 1010 00:58:17,760 --> 00:58:20,520 Speaker 1: movies in fact, usually don't. In movies with witches, we're 1011 00:58:20,520 --> 00:58:23,360 Speaker 1: all like, yeah, whatever, Like she she just did a 1012 00:58:23,360 --> 00:58:26,640 Speaker 1: bunch of fucking gobbledegoot magic. It's fine, Like there's there's 1013 00:58:26,680 --> 00:58:30,360 Speaker 1: fucking like even just like okay, yeah, she's doing magic 1014 00:58:30,360 --> 00:58:33,640 Speaker 1: and stuff. She turned to a dragon. She's deceiving whether 1015 00:58:33,720 --> 00:58:35,960 Speaker 1: it's like her true form or she's turning to a 1016 00:58:36,040 --> 00:58:39,320 Speaker 1: dragon deceiving him. I've got the sort of truth like 1017 00:58:39,400 --> 00:58:41,960 Speaker 1: he was right the first time. It's a little corny trope, 1018 00:58:41,960 --> 00:58:44,200 Speaker 1: it's little on the nose. It's it's like he's just 1019 00:58:44,320 --> 00:58:47,480 Speaker 1: he's taking this like visual metaphor or like his imagery 1020 00:58:47,480 --> 00:58:53,640 Speaker 1: and being like, wow, yeah, truth is important, Like it's 1021 00:58:53,680 --> 00:58:59,200 Speaker 1: just like what Yeah, it's like if it's like if 1022 00:58:59,280 --> 00:59:02,360 Speaker 1: Jordan Peters And watched Happy Gilmore and was talking about 1023 00:59:02,360 --> 00:59:04,320 Speaker 1: the scene where he does a subway ad and he's like, 1024 00:59:04,360 --> 00:59:08,840 Speaker 1: we accept the subway ad because somehow fundamentally there's something 1025 00:59:08,840 --> 00:59:11,360 Speaker 1: about human beings that make them want to sell five 1026 00:59:11,400 --> 00:59:14,520 Speaker 1: dollar sandwiches. No, we accept the subway ad because there 1027 00:59:14,600 --> 00:59:16,720 Speaker 1: was a lot of advertising and movies at the time, 1028 00:59:16,760 --> 00:59:19,120 Speaker 1: and it was clearly a joke about that as well, 1029 00:59:19,320 --> 00:59:22,840 Speaker 1: Like it's anyway, whatever, Dr Peterson, I watched Happy Gilmore 1030 00:59:22,920 --> 00:59:27,920 Speaker 1: recently holds up, um find uh quite good film, you know. 1031 00:59:28,000 --> 00:59:31,240 Speaker 1: Weirdly enough, Shooter McGavin is the same as the fed 1032 00:59:31,560 --> 00:59:37,560 Speaker 1: from the Iron Giant. Oh oh I didn't know that. Yeah, yeah, yeah, anyway, 1033 00:59:38,440 --> 00:59:44,080 Speaker 1: so it's all, it's all good. Um, it's all. His 1034 00:59:44,280 --> 00:59:48,120 Speaker 1: entire argument here just rests on like this very ridiculous tautology. 1035 00:59:48,200 --> 00:59:50,320 Speaker 1: If what is true reflects what is real, how can 1036 00:59:50,360 --> 00:59:52,960 Speaker 1: what is unreal prevail over what is real? Well, I 1037 00:59:53,000 --> 00:59:54,760 Speaker 1: don't know. If you lie and you get a crowd 1038 00:59:54,760 --> 00:59:57,640 Speaker 1: of people to believe man committed a crime that he 1039 00:59:57,640 --> 00:59:59,320 Speaker 1: didn't commit, and then you get them to lynch that 1040 00:59:59,400 --> 01:00:01,560 Speaker 1: man so you can take his stuff, it seems like 1041 01:00:01,600 --> 01:00:04,200 Speaker 1: what is unreal can prevail over what is real, and 1042 01:00:04,320 --> 01:00:08,360 Speaker 1: does so regularly, like look at like his any like 1043 01:00:08,560 --> 01:00:11,880 Speaker 1: historical record, Like yeah, it happens all the time. It works, 1044 01:00:12,040 --> 01:00:15,880 Speaker 1: what he talstantly works, what of the most successful strategies 1045 01:00:16,080 --> 01:00:19,080 Speaker 1: in all of history? Because also because he'll and he'll 1046 01:00:19,280 --> 01:00:21,800 Speaker 1: because he talks about these things too. He talks about 1047 01:00:21,880 --> 01:00:27,000 Speaker 1: like oh like different regimes and their propaganda and how 1048 01:00:27,000 --> 01:00:29,680 Speaker 1: effective it is, and like it's talked about Nazi. Well, 1049 01:00:29,680 --> 01:00:32,280 Speaker 1: he talked about Nazi Germany being this weird collect example, 1050 01:00:32,840 --> 01:00:36,080 Speaker 1: but like there's whole families of people who exist because 1051 01:00:36,120 --> 01:00:38,520 Speaker 1: at some point someone was asked, are you hiding a 1052 01:00:38,600 --> 01:00:42,040 Speaker 1: Jewish family in your house? And they said no, Like 1053 01:00:43,440 --> 01:00:46,080 Speaker 1: it turns out but how But did they not have 1054 01:00:46,200 --> 01:00:49,520 Speaker 1: the sort of truth like no, they were good at 1055 01:00:49,600 --> 01:00:56,800 Speaker 1: lying and that's an important life skill. Um, anyway, one 1056 01:00:57,440 --> 01:01:00,960 Speaker 1: like not yeah, it's it's it's very on because a 1057 01:01:01,040 --> 01:01:04,720 Speaker 1: lot of like, not only is this stupid, this is 1058 01:01:04,760 --> 01:01:08,520 Speaker 1: advice that is almost tailor made to create failures of people. 1059 01:01:09,320 --> 01:01:11,560 Speaker 1: Listen to this portion where he complains that people who 1060 01:01:11,600 --> 01:01:13,840 Speaker 1: do the writing they're assigned by their teachers just to 1061 01:01:13,880 --> 01:01:17,480 Speaker 1: get a grade, are like inherently breaking some sort of 1062 01:01:17,520 --> 01:01:24,080 Speaker 1: moral law. Wait, okay, check this out. Why right, Well, 1063 01:01:24,080 --> 01:01:26,120 Speaker 1: maybe you're writing about something important and if you're not, 1064 01:01:26,200 --> 01:01:28,720 Speaker 1: then it's just a lie the whole enterprise. So write 1065 01:01:28,720 --> 01:01:32,439 Speaker 1: about something important. Why do you want to? Right, Well, 1066 01:01:32,520 --> 01:01:35,560 Speaker 1: so that you can think that's what you're doing when 1067 01:01:35,560 --> 01:01:38,160 Speaker 1: you're writing revelation. Here's some ideas I have. You do 1068 01:01:38,200 --> 01:01:40,560 Speaker 1: your research. Here's some ideas I have. I'll get them down, 1069 01:01:40,920 --> 01:01:45,320 Speaker 1: then i'll edit the idea, so only keep the best ideas. Well, 1070 01:01:45,360 --> 01:01:47,200 Speaker 1: now I know how to think about that. Now I 1071 01:01:47,240 --> 01:01:48,840 Speaker 1: know how to perceive that. Now I know how to 1072 01:01:48,840 --> 01:01:52,400 Speaker 1: act on that. Well, now you know how to perceive 1073 01:01:52,440 --> 01:01:55,880 Speaker 1: an act in relationship to something difficult. Well that's why 1074 01:01:55,880 --> 01:01:58,560 Speaker 1: you learn to write, so you can think. And you 1075 01:01:58,600 --> 01:02:02,479 Speaker 1: know everyone says to their children and think before you act. Well, 1076 01:02:02,480 --> 01:02:07,840 Speaker 1: why so you can not do stupid things? So why 1077 01:02:07,960 --> 01:02:11,040 Speaker 1: st so you don't do stupid things? Why not the 1078 01:02:11,160 --> 01:02:14,920 Speaker 1: stupid things? Stupid things perhaps like getting addicted to benzos 1079 01:02:14,920 --> 01:02:17,480 Speaker 1: while leading nothing but red meat for months, and then 1080 01:02:17,560 --> 01:02:19,920 Speaker 1: letting your daughter take you to a weird Russian clinic 1081 01:02:19,960 --> 01:02:22,920 Speaker 1: where you do a cold turkey detox so dangerous it 1082 01:02:23,040 --> 01:02:26,160 Speaker 1: nearly kills you, leaves you in a coma, and results 1083 01:02:26,160 --> 01:02:28,160 Speaker 1: in you becoming a broken shell of a man who 1084 01:02:28,160 --> 01:02:31,480 Speaker 1: cries at random during podcast interviews and can't sleep for 1085 01:02:31,480 --> 01:02:37,400 Speaker 1: thirty days after drinking a supersider. Like it's another like 1086 01:02:37,440 --> 01:02:39,480 Speaker 1: a lot of people just do essays because they need 1087 01:02:39,480 --> 01:02:42,080 Speaker 1: to get the grade, because they're paying like even dollars 1088 01:02:42,080 --> 01:02:45,520 Speaker 1: to take this fucking class. Also, like, there are a 1089 01:02:45,560 --> 01:02:47,959 Speaker 1: lot of ways that like to learn how to think 1090 01:02:48,160 --> 01:02:52,160 Speaker 1: and like different processes and again like pattern recognition and 1091 01:02:52,200 --> 01:02:57,080 Speaker 1: all these sort of like logic and reasoning and whatnot. Oftentimes, 1092 01:02:57,320 --> 01:03:01,000 Speaker 1: learning to write is to it's not to think, it's 1093 01:03:01,040 --> 01:03:05,760 Speaker 1: to communicate your thoughts. Um, it is what he's really 1094 01:03:05,840 --> 01:03:07,240 Speaker 1: trying to say. Oh so this is like a thing 1095 01:03:07,280 --> 01:03:09,400 Speaker 1: he said again is another one of those like heard 1096 01:03:09,440 --> 01:03:15,120 Speaker 1: this ninety times from this guy. Uh. But it's just 1097 01:03:15,200 --> 01:03:18,480 Speaker 1: like Jordan's. If being a good writer meant you were 1098 01:03:18,520 --> 01:03:21,400 Speaker 1: a good thinker, then writers would be famous for being 1099 01:03:21,440 --> 01:03:24,720 Speaker 1: well adjusted people with healthy habits rather than like the 1100 01:03:24,760 --> 01:03:29,880 Speaker 1: most comprehensively broken career field in in in the entirety 1101 01:03:30,000 --> 01:03:36,440 Speaker 1: of the arts and sciences. Like name a famous writer, uh, 1102 01:03:36,480 --> 01:03:39,120 Speaker 1: and and then name what they're famous for outside of 1103 01:03:39,160 --> 01:03:41,000 Speaker 1: their books, And it's probably the fact that their life 1104 01:03:41,040 --> 01:03:46,040 Speaker 1: is a disaster, right, And like it's not that, Which 1105 01:03:46,080 --> 01:03:47,360 Speaker 1: is not to say that you need to have a 1106 01:03:47,360 --> 01:03:49,160 Speaker 1: disaster of a life to be a writer. It's just 1107 01:03:49,200 --> 01:03:51,080 Speaker 1: to say that writing well does not mean you know 1108 01:03:51,160 --> 01:03:54,480 Speaker 1: how to think well. Right, You can communicate. Again, you 1109 01:03:54,520 --> 01:03:57,600 Speaker 1: can communicate your thoughts that you're having. You have these 1110 01:03:58,480 --> 01:04:04,680 Speaker 1: orson Scott Card be beautiful writer, dogshit opinions about the world. Also, 1111 01:04:04,680 --> 01:04:08,480 Speaker 1: I love this idea that like, if you watch the video, 1112 01:04:08,480 --> 01:04:10,880 Speaker 1: he's using his hands a lot and talking about you 1113 01:04:10,920 --> 01:04:12,600 Speaker 1: write it and then it's this big, long thing and 1114 01:04:12,640 --> 01:04:14,560 Speaker 1: then you edit it down to just the best ideas. 1115 01:04:14,720 --> 01:04:17,720 Speaker 1: I don't know if anyone listening has seen maps of meaning. 1116 01:04:19,120 --> 01:04:21,080 Speaker 1: I don't think it had an editor code. It's like 1117 01:04:21,200 --> 01:04:27,560 Speaker 1: thousand page uh diagram of a dragon. It's um So, 1118 01:04:27,640 --> 01:04:29,720 Speaker 1: I don't know. Maybe you should write more to learn 1119 01:04:29,800 --> 01:04:34,840 Speaker 1: how to think better. But it's like you're learning how 1120 01:04:34,840 --> 01:04:38,560 Speaker 1: to put forth an argument, not necessarily how to no. 1121 01:04:38,760 --> 01:04:43,120 Speaker 1: And that's that's the thing that he says, right, Like 1122 01:04:43,160 --> 01:04:45,920 Speaker 1: that he's actually saying here, which is that like the 1123 01:04:45,960 --> 01:04:48,640 Speaker 1: goal of writing is to like make an argument, to 1124 01:04:48,680 --> 01:04:51,480 Speaker 1: convince somebody about the way you think, rather than just 1125 01:04:51,520 --> 01:04:54,160 Speaker 1: trying to like explain a thing or describe a thing. 1126 01:04:54,640 --> 01:04:57,920 Speaker 1: It's about like everything else. For Jordan's it's about domination. 1127 01:04:58,160 --> 01:05:00,720 Speaker 1: So if he played that, played this next clip right? 1128 01:05:02,240 --> 01:05:04,680 Speaker 1: So why right? How about so you can take your 1129 01:05:04,680 --> 01:05:08,240 Speaker 1: place in the world, Not so you can please the 1130 01:05:08,280 --> 01:05:12,320 Speaker 1: teacher and be some obedient like lap dog. You need 1131 01:05:12,360 --> 01:05:14,440 Speaker 1: to know how to think and speak so you can 1132 01:05:14,520 --> 01:05:20,440 Speaker 1: lead and think and and conceptualize and and in trance. 1133 01:05:22,000 --> 01:05:24,600 Speaker 1: He does the thing again where you can see his 1134 01:05:24,800 --> 01:05:27,280 Speaker 1: like he just kind of goes away for a second 1135 01:05:27,320 --> 01:05:31,320 Speaker 1: name when he says hind in trance, and it's I 1136 01:05:31,360 --> 01:05:35,080 Speaker 1: would say, pretty unsettling. Yeah, well, like because again it's 1137 01:05:35,120 --> 01:05:43,320 Speaker 1: like in trance, entrancing implies deception. Yeah, um, which seems 1138 01:05:43,320 --> 01:05:48,600 Speaker 1: contradictory to what he's trying to say, but yeah, it's 1139 01:05:48,720 --> 01:05:51,160 Speaker 1: it's the he what he What he makes clear in 1140 01:05:51,200 --> 01:05:54,040 Speaker 1: this next clip is that, yeah, writing is just a 1141 01:05:54,040 --> 01:05:58,360 Speaker 1: tool for domination, because that's the actual only task worth achieving. 1142 01:05:58,400 --> 01:06:00,880 Speaker 1: To Jordan's pen is mightier than sword. It's there's no 1143 01:06:00,920 --> 01:06:05,280 Speaker 1: comparison the sword, you know, Yeah, fair enough, and you 1144 01:06:05,320 --> 01:06:07,280 Speaker 1: want to be careful of someone who wields the sword, 1145 01:06:07,360 --> 01:06:11,520 Speaker 1: but you wield the pen in a mighty manner. Nothing 1146 01:06:11,800 --> 01:06:16,040 Speaker 1: stops you. Ever. H that's assuming too, that you're oriented, 1147 01:06:16,040 --> 01:06:20,360 Speaker 1: you know, in some noble manner. He does use the 1148 01:06:20,400 --> 01:06:27,800 Speaker 1: word oriented like a lot. Yeah, it's it sounds smarter 1149 01:06:27,920 --> 01:06:34,920 Speaker 1: to him than like facing or directed or whatever, like, Yeah, 1150 01:06:35,000 --> 01:06:36,440 Speaker 1: I don't know, it's just like, why do we need 1151 01:06:36,480 --> 01:06:39,120 Speaker 1: so many words to say the phrase that he already said. 1152 01:06:39,760 --> 01:06:42,240 Speaker 1: He said, he said the common phrase the pen is 1153 01:06:42,320 --> 01:06:44,200 Speaker 1: mightier than the sword, and then he like started to 1154 01:06:44,200 --> 01:06:45,880 Speaker 1: talk about it for a long time. It's like I 1155 01:06:45,880 --> 01:06:49,600 Speaker 1: don't need that I have the phrase yeah, And it's 1156 01:06:49,600 --> 01:06:52,040 Speaker 1: also again it's it's one of I love. The pen 1157 01:06:52,160 --> 01:06:56,320 Speaker 1: is mightier than the sword is like a fucking because 1158 01:06:56,320 --> 01:06:59,320 Speaker 1: it's useless, right, It's a completely useless statement, because no, 1159 01:06:59,440 --> 01:07:02,160 Speaker 1: the pen is not mightier than the sword. Um, the 1160 01:07:02,520 --> 01:07:06,520 Speaker 1: argument is, like, the actual thing that is true is that, like, well, 1161 01:07:06,920 --> 01:07:12,400 Speaker 1: ideas can cause like Titanic shifts and can get lots 1162 01:07:12,400 --> 01:07:16,160 Speaker 1: of people killed and can be sort of the beginning 1163 01:07:16,240 --> 01:07:18,720 Speaker 1: point the well spring of a tremendous amount of power, right, 1164 01:07:18,760 --> 01:07:20,960 Speaker 1: and ideas can be written down and often are, And 1165 01:07:21,040 --> 01:07:24,640 Speaker 1: that's true. But like the fact that like the Nazis 1166 01:07:24,800 --> 01:07:27,440 Speaker 1: wrote a lot of books and propaganda that was instrumental 1167 01:07:27,440 --> 01:07:29,960 Speaker 1: in them gaining power, didn't mean that, like their ability 1168 01:07:29,960 --> 01:07:31,959 Speaker 1: to beat the ship out of and shoot people wasn't 1169 01:07:31,960 --> 01:07:35,160 Speaker 1: also instrumental in game. And a lot of people who 1170 01:07:35,200 --> 01:07:38,360 Speaker 1: did that weren't convinced because of like writing or propaganda, 1171 01:07:38,440 --> 01:07:40,480 Speaker 1: but because they wanted power and wealth and saw this 1172 01:07:40,560 --> 01:07:42,040 Speaker 1: is the best way to get it. And like we're 1173 01:07:42,080 --> 01:07:44,560 Speaker 1: acting out of grave and self interest and kind of 1174 01:07:44,600 --> 01:07:47,600 Speaker 1: an in tandem thing again, saying that just saying the 1175 01:07:47,600 --> 01:07:50,080 Speaker 1: pen is mightier than the sword is a meaningless statement. 1176 01:07:50,480 --> 01:07:52,360 Speaker 1: So he's not because he's not talking about that right 1177 01:07:52,360 --> 01:07:54,760 Speaker 1: because he's he had to he had to qualify with 1178 01:07:54,840 --> 01:07:57,200 Speaker 1: like well as long as it's oriented towards like moral 1179 01:07:57,280 --> 01:08:00,560 Speaker 1: good or wherever we phrased it. Uh. Oh, he's not 1180 01:08:00,600 --> 01:08:04,560 Speaker 1: even talking about like in his view like bad guys 1181 01:08:04,720 --> 01:08:09,760 Speaker 1: with a pen. No, So what's it? Saw? This qualification 1182 01:08:09,840 --> 01:08:13,680 Speaker 1: seems like this. It's fucking trash, Cody, and it's trash 1183 01:08:13,840 --> 01:08:17,400 Speaker 1: that we're gonna let's sit for today and finish this 1184 01:08:17,479 --> 01:08:21,240 Speaker 1: episode up when we come back in part two of this, 1185 01:08:21,680 --> 01:08:24,960 Speaker 1: he talks so much about things and nothing at all 1186 01:08:25,000 --> 01:08:30,920 Speaker 1: everything and he looks, I don't know, Kermit, the frog, 1187 01:08:32,040 --> 01:08:34,080 Speaker 1: I do like that where we've got it, where we've 1188 01:08:34,080 --> 01:08:36,439 Speaker 1: got it paused right now, there's like a little you 1189 01:08:36,439 --> 01:08:38,320 Speaker 1: can see a little wattle starting to form on the 1190 01:08:38,360 --> 01:08:42,200 Speaker 1: side of his neck like I'm seeing for Peterson's just 1191 01:08:42,200 --> 01:08:45,679 Speaker 1: just like a frog's pouch. So I don't know. Maybe 1192 01:08:45,880 --> 01:08:49,599 Speaker 1: Dr Jordan Peterson is a lizard man. Let's go see 1193 01:08:49,600 --> 01:08:53,400 Speaker 1: if David Ike has an opinion on that. Cody any 1194 01:08:53,640 --> 01:08:58,320 Speaker 1: thing to pluck all the time, every day. Um, you know, 1195 01:08:58,880 --> 01:09:01,800 Speaker 1: my name is Cody john Been. Uh like you said 1196 01:09:01,840 --> 01:09:05,400 Speaker 1: the top some more news, even more news, go google it. 1197 01:09:05,720 --> 01:09:09,719 Speaker 1: We got three hours on this guy we're talking about character. 1198 01:09:10,120 --> 01:09:14,840 Speaker 1: Your name is Cody Johnson. Has anyone n sorry, has 1199 01:09:14,880 --> 01:09:18,880 Speaker 1: it guy ever called you see Gisel? No? Well technically yes, 1200 01:09:18,920 --> 01:09:23,840 Speaker 1: because you just did. There. We got episodes over. Oh good. 1201 01:09:26,680 --> 01:09:29,439 Speaker 1: Behind the Bastards is a production of cool Zone Media. 1202 01:09:29,760 --> 01:09:32,360 Speaker 1: For more from cool Zone Media, visit our website cool 1203 01:09:32,439 --> 01:09:35,439 Speaker 1: zone media dot com, or check us out on the 1204 01:09:35,479 --> 01:09:38,200 Speaker 1: I Heart Radio app, Apple Podcasts, or wherever you get 1205 01:09:38,200 --> 01:09:38,960 Speaker 1: your podcasts.