1 00:00:03,080 --> 00:00:14,160 Speaker 1: What would you talk about on your on your podcast 2 00:00:14,240 --> 00:00:18,520 Speaker 1: morning show? I'll talk about on our podcast this bit. 3 00:00:20,040 --> 00:00:22,960 Speaker 1: Don't do what they normally does, though, be like, that's 4 00:00:23,000 --> 00:00:27,000 Speaker 1: our podcast. You have to alright. Fine, I didn't see 5 00:00:27,040 --> 00:00:29,479 Speaker 1: any of y'all complaining before when I would do the 6 00:00:29,520 --> 00:00:32,199 Speaker 1: five minute morning show. We have to do it, alright. Well, 7 00:00:32,280 --> 00:00:33,880 Speaker 1: let me start off. I have a gift for someone. 8 00:00:34,080 --> 00:00:37,560 Speaker 1: What do you have? I have a gift for Brody. 9 00:00:37,760 --> 00:00:42,199 Speaker 1: I do years, but I'll take it. What is Hanakah 10 00:00:42,200 --> 00:00:45,120 Speaker 1: for next year? Excellent? So I know you're a huge 11 00:00:45,159 --> 00:00:49,400 Speaker 1: fan of hair bands. Yeah, sure, Eighties metal absolutely, And 12 00:00:49,479 --> 00:00:53,280 Speaker 1: I don't know if this one exactly qualifies, but I've 13 00:00:53,320 --> 00:00:56,040 Speaker 1: had it for almost twenty years because the first radio 14 00:00:56,080 --> 00:00:58,960 Speaker 1: station ever worked at when we were moving, the radio 15 00:00:59,000 --> 00:01:00,960 Speaker 1: station was so small and there were so few people 16 00:01:00,960 --> 00:01:03,040 Speaker 1: that I actually had to go pack up boxes of 17 00:01:03,120 --> 00:01:07,400 Speaker 1: CDs and ship and do it all myself. So I 18 00:01:07,480 --> 00:01:12,000 Speaker 1: liberated one. I stole it nice and I have Nelson 19 00:01:12,440 --> 00:01:19,640 Speaker 1: after the Rain, autographed by Nelson by both by Gunner, 20 00:01:19,720 --> 00:01:23,039 Speaker 1: and I think Matthew, Matthew and Gunner pass you should 21 00:01:23,080 --> 00:01:25,480 Speaker 1: pass it. I've had this. This has been one of 22 00:01:25,520 --> 00:01:29,080 Speaker 1: my prime pieces in my collection, but I realized I 23 00:01:29,120 --> 00:01:32,119 Speaker 1: think you would appreciate it more so you should give 24 00:01:32,160 --> 00:01:33,800 Speaker 1: him a kids. Wrong, I'm not going to do that. 25 00:01:34,520 --> 00:01:36,160 Speaker 1: And if I see that ship on eBay, I'm gonna 26 00:01:36,200 --> 00:01:40,920 Speaker 1: be very pissed. You won't see it park By the way, 27 00:01:40,959 --> 00:01:50,360 Speaker 1: I'll talk about posh market. By the ways, I just 28 00:01:50,440 --> 00:01:55,440 Speaker 1: playing Nelson for the rest of the fifth What I 29 00:01:55,440 --> 00:01:58,320 Speaker 1: think they're scanning a Yeah, but their father, Ricky Nelson, 30 00:01:58,360 --> 00:02:03,080 Speaker 1: was a huge pop star in the fifties sixty. I 31 00:02:03,080 --> 00:02:05,120 Speaker 1: mean that's a great They had some huge hits. Actually 32 00:02:05,120 --> 00:02:07,600 Speaker 1: that's their biggest album. This is the biggest after this 33 00:02:07,640 --> 00:02:11,280 Speaker 1: was eight, I believe nine. They think this song can't 34 00:02:11,320 --> 00:02:12,880 Speaker 1: live it up? You love? What affection is on that one? 35 00:02:12,960 --> 00:02:14,920 Speaker 1: Yes it is. This is the big thank you. What 36 00:02:15,000 --> 00:02:17,520 Speaker 1: they look like now, uh they don't have really long, 37 00:02:17,560 --> 00:02:20,160 Speaker 1: flowing blonde hair. They sort of look like Bethany, I 38 00:02:20,160 --> 00:02:22,359 Speaker 1: mean not as attractive. Oh my god, if you help, 39 00:02:22,440 --> 00:02:33,400 Speaker 1: there would be three maybe the Nelson Google Nelson. Can't 40 00:02:33,440 --> 00:02:38,840 Speaker 1: live with that love that affection. I can't night on 41 00:02:39,120 --> 00:02:46,760 Speaker 1: my own. Santa Monica. Yeah, yeah, I said they're not 42 00:02:46,960 --> 00:02:50,080 Speaker 1: a ascent, but maybe, but their name is Nelson, you know, 43 00:02:50,919 --> 00:02:53,000 Speaker 1: with a name like Gunner. I would assume he's from 44 00:02:53,040 --> 00:02:56,200 Speaker 1: some sort of country that doesn't speaking. That's that one 45 00:02:56,320 --> 00:02:59,560 Speaker 1: song in your shuffle playlist? I guess that you're you're 46 00:02:59,639 --> 00:03:03,960 Speaker 1: kind of embarrassed. I'm not. Just look at this picture 47 00:03:04,000 --> 00:03:07,240 Speaker 1: of them, the face they there is there a song 48 00:03:07,360 --> 00:03:10,680 Speaker 1: or two that would would raise an eyebrow. Let's do that. 49 00:03:10,840 --> 00:03:13,840 Speaker 1: We've got eleven and a half minutes left. What's that 50 00:03:13,919 --> 00:03:16,160 Speaker 1: one song? It's in your playlist right now? That's like, 51 00:03:16,919 --> 00:03:20,080 Speaker 1: he'll pull it up. Selene Dione to Love You More? 52 00:03:20,880 --> 00:03:22,880 Speaker 1: Shuckle that we might not even have it in the system. 53 00:03:23,160 --> 00:03:25,280 Speaker 1: Have to love you More? Oh my god, we have 54 00:03:25,280 --> 00:03:27,200 Speaker 1: a lightstation down the hallway. I know, but that's not 55 00:03:27,240 --> 00:03:30,960 Speaker 1: I don't know if that was a huge single, are dy? 56 00:03:34,360 --> 00:03:36,400 Speaker 1: I know that people say Beiance is the queen, but 57 00:03:36,520 --> 00:03:38,400 Speaker 1: Selene is my queen. So what do you do when 58 00:03:38,400 --> 00:03:41,520 Speaker 1: this song comes on? Is this get energized, get up 59 00:03:41,560 --> 00:03:45,040 Speaker 1: and go, or sit and reflect reflects but in a 60 00:03:45,040 --> 00:03:48,040 Speaker 1: positive way. And usually I'm choreographic dances in my head. 61 00:03:49,320 --> 00:03:53,600 Speaker 1: That's what I do when I hear music as a choreograph, 62 00:03:53,640 --> 00:03:56,040 Speaker 1: and then I he really does have a wonderful voice. 63 00:03:57,280 --> 00:04:02,520 Speaker 1: Garrett Garrett is very quiet. Well microphones on now, Uh, 64 00:04:02,760 --> 00:04:05,200 Speaker 1: this is a weird one. H It's colmost stopped me 65 00:04:05,400 --> 00:04:11,240 Speaker 1: out by Tito point Day. That is definitely yeah that 66 00:04:11,560 --> 00:04:15,600 Speaker 1: we don't do not have a Spain, don't have any 67 00:04:15,800 --> 00:04:23,400 Speaker 1: I don't think we have any check l system. Un. 68 00:04:24,560 --> 00:04:32,360 Speaker 1: I don't know. I just it's an embarrassing song. It's 69 00:04:32,400 --> 00:04:36,279 Speaker 1: just it's different. So this comes on in between Justin 70 00:04:36,320 --> 00:04:38,680 Speaker 1: Timberlake tracks. Yeah, no, it's it's that. It's that one. 71 00:04:38,800 --> 00:04:40,720 Speaker 1: It's that one, weird one where I'll be listening to 72 00:04:40,720 --> 00:04:42,480 Speaker 1: Justin or emin M or jay Z and then Tito 73 00:04:42,520 --> 00:04:46,200 Speaker 1: point Day comes on. I do like Tito point what 74 00:04:46,240 --> 00:04:49,719 Speaker 1: about you wrote in all of them? I think I 75 00:04:49,760 --> 00:04:52,920 Speaker 1: think what I listened to people would raise an eyebrow. 76 00:04:52,920 --> 00:04:55,760 Speaker 1: And well, I mean I listened everything from heavy metal 77 00:04:55,800 --> 00:04:59,120 Speaker 1: to Yanni. So if you know, uh, I can't think 78 00:04:59,120 --> 00:05:01,040 Speaker 1: of anything I listened to that to raise an eyebrows. 79 00:05:01,080 --> 00:05:03,600 Speaker 1: So just go on everything. I have one because I 80 00:05:03,920 --> 00:05:06,880 Speaker 1: love this song. This is My guilty Pleasure Into the 81 00:05:06,960 --> 00:05:14,000 Speaker 1: Night by Benny mordonas a good one. All I see 82 00:05:14,000 --> 00:05:17,200 Speaker 1: is scary having sex right now? You don't because this 83 00:05:17,279 --> 00:05:28,839 Speaker 1: is a song about a woman who's under age. By now. 84 00:05:29,760 --> 00:05:32,400 Speaker 1: Listen to how this song starts. The lyrics, she's just 85 00:05:32,480 --> 00:05:35,880 Speaker 1: sixteen years old. Leave her alone. Listen, listen here it 86 00:05:36,000 --> 00:05:50,720 Speaker 1: is she, they say, not you, It's a guy. And 87 00:05:50,800 --> 00:05:54,359 Speaker 1: hold on a second. If you listen to the lyrics, 88 00:05:55,320 --> 00:05:58,680 Speaker 1: she doesn't love. Okay, wait, you might wait. Wait, you 89 00:05:58,760 --> 00:06:02,240 Speaker 1: might think you're not making you might think you're not 90 00:06:02,320 --> 00:06:04,400 Speaker 1: making a case for what we already say about you. 91 00:06:04,440 --> 00:06:07,920 Speaker 1: But you can just dig in your whole deeper. I'll 92 00:06:07,960 --> 00:06:14,200 Speaker 1: take you into and show you rowing a sixteen year 93 00:06:14,240 --> 00:06:18,200 Speaker 1: old girl. And what do we make fun of you for? Okay, stop, stop, 94 00:06:18,240 --> 00:06:20,760 Speaker 1: stop something you have to think. There's a rhythm behind 95 00:06:20,839 --> 00:06:23,360 Speaker 1: this is a song from the late eighties. Okay, this 96 00:06:23,440 --> 00:06:27,240 Speaker 1: is the women. Yeah, this is the same song to 97 00:06:27,279 --> 00:06:31,200 Speaker 1: catch a Predator? Right myself going to start talking with 98 00:06:31,279 --> 00:06:34,960 Speaker 1: lemonade and chocolate chip cookies in my pocket. Ladies, gentlemen, 99 00:06:35,000 --> 00:06:39,839 Speaker 1: hold on. When when this song came out, I didn't 100 00:06:39,839 --> 00:06:42,239 Speaker 1: know what it was about. I just loved the song, 101 00:06:42,800 --> 00:06:45,200 Speaker 1: and then it wasn't until later in life. Then, me 102 00:06:45,279 --> 00:06:47,599 Speaker 1: and my friends from home we were hanging out one 103 00:06:47,680 --> 00:06:49,200 Speaker 1: night now, I swear to God, and we were just 104 00:06:49,240 --> 00:06:51,000 Speaker 1: talking about old school songs that we loved. I'm like, 105 00:06:51,040 --> 00:06:53,000 Speaker 1: oh my god, Benny more Daunts to Night. And then 106 00:06:53,000 --> 00:06:55,680 Speaker 1: we started analyzing the lyrics and then next thing you know, 107 00:06:56,080 --> 00:07:00,000 Speaker 1: we had an epiphany. That was her name. Fifteen years later, 108 00:07:00,040 --> 00:07:04,159 Speaker 1: that's Tiffany. An epiphany fifteen years later that that song 109 00:07:04,640 --> 00:07:07,640 Speaker 1: was talking about a guy fantasizing about an underage girl, 110 00:07:08,000 --> 00:07:10,960 Speaker 1: and I felt creepy, no question, but it was. That 111 00:07:11,080 --> 00:07:15,040 Speaker 1: was several years later. I understand it was not Benny. 112 00:07:15,480 --> 00:07:18,240 Speaker 1: Benny Mardonais is at least thirty singing this song, right, 113 00:07:18,600 --> 00:07:21,280 Speaker 1: and he says she's only sixteen in the lyrics leave 114 00:07:21,280 --> 00:07:23,440 Speaker 1: her alone, he alone. That took you fifteen years to 115 00:07:23,440 --> 00:07:27,640 Speaker 1: figure out because guys listened to rhythms and we don't 116 00:07:27,680 --> 00:07:31,840 Speaker 1: listen to lits bullshit. That's bullshit. She is just sixteen 117 00:07:31,920 --> 00:07:34,720 Speaker 1: years all right. You know what My song that I 118 00:07:34,760 --> 00:07:38,840 Speaker 1: listened to a lot, Samantha Fox. I want to have 119 00:07:38,880 --> 00:07:41,600 Speaker 1: some fun. Remember that song that's on my playlist. I 120 00:07:41,600 --> 00:07:48,160 Speaker 1: had her poster I did. Do you don't know that 121 00:07:49,000 --> 00:07:53,040 Speaker 1: I wasn't born. Never listen from six or eighty seven six. 122 00:07:53,760 --> 00:08:01,400 Speaker 1: I had my submanth the Fox poster online man and 123 00:08:01,480 --> 00:08:04,440 Speaker 1: then the Fox was a British pig six girl beautiful 124 00:08:04,760 --> 00:08:06,960 Speaker 1: and then she did have a pop stone but from 125 00:08:06,960 --> 00:08:10,400 Speaker 1: what country? Australia. I think she's more Australia. Well she was, 126 00:08:10,600 --> 00:08:12,720 Speaker 1: I don't know British Pig six. I don't remember her 127 00:08:12,720 --> 00:08:19,320 Speaker 1: being a model, like I said British popist. British she 128 00:08:19,480 --> 00:08:21,560 Speaker 1: was like a spice girl before the Spice Girls. She 129 00:08:21,720 --> 00:08:28,240 Speaker 1: was Kesha. Yeah, I had her post her up in 130 00:08:28,280 --> 00:08:38,240 Speaker 1: a swimsuits for me. Pull it up. I got so scary. 131 00:08:38,280 --> 00:08:40,160 Speaker 1: Reminded me of a song that I still listen to, 132 00:08:40,200 --> 00:08:43,040 Speaker 1: which again sounds inappropriate. But there's a reason I still 133 00:08:43,080 --> 00:08:45,720 Speaker 1: like the song even though you'll hear the lyrics I 134 00:08:45,720 --> 00:08:53,120 Speaker 1: pull it up. It's Winger seventeen. Yeah, so the song 135 00:08:53,200 --> 00:08:55,160 Speaker 1: is she's only seventeen, but she's old enough for me. 136 00:08:55,600 --> 00:08:58,760 Speaker 1: Now that's now, and you're complaining about it. Held on 137 00:08:58,760 --> 00:09:01,400 Speaker 1: a second, Hold on. When I met my wife, she 138 00:09:01,520 --> 00:09:03,920 Speaker 1: was seventeen and I was only a little bit older 139 00:09:03,920 --> 00:09:06,400 Speaker 1: than that, and and so it reminded me of her 140 00:09:06,440 --> 00:09:09,439 Speaker 1: at the time. She's seventeen, I was right. And so now, 141 00:09:09,600 --> 00:09:12,120 Speaker 1: even though I'm not seventeen anymore, I still think of 142 00:09:12,160 --> 00:09:14,719 Speaker 1: it when we were that young, but not that I'm 143 00:09:14,760 --> 00:09:17,160 Speaker 1: in love with a seventeen year old girl. That's my 144 00:09:17,240 --> 00:09:20,800 Speaker 1: daughters seventeen. Look at the boys. Well, I'm gonna justifying 145 00:09:20,920 --> 00:09:23,760 Speaker 1: our position on this. I don't fantishize about sixteen year 146 00:09:23,760 --> 00:09:25,800 Speaker 1: old girls. And that's not why I like that song. 147 00:09:25,840 --> 00:09:40,719 Speaker 1: Earlier he comes to the chorus periods the cars. Yea, 148 00:09:42,320 --> 00:09:43,920 Speaker 1: I do like that song. Yeah, it's a great song. 149 00:09:44,559 --> 00:09:46,240 Speaker 1: But if I'm in the car and the windows it 150 00:09:46,320 --> 00:09:49,359 Speaker 1: down in the roof sop and I'm like, jeez, only seven, 151 00:09:51,400 --> 00:09:57,680 Speaker 1: you really can't. You can't got to close the windows, 152 00:09:57,880 --> 00:10:00,680 Speaker 1: do you? Thank God all of mine? Chris Stiffer Cross, 153 00:10:00,720 --> 00:10:03,520 Speaker 1: Annie Christopher Cross know that makes you cry. Now, don't 154 00:10:03,520 --> 00:10:08,080 Speaker 1: play sailing. I can't do sailing right now. Michael Bolton, Oh, 155 00:10:08,160 --> 00:10:11,320 Speaker 1: I love Michael Bolton. I really do love Michael Bolton. 156 00:10:12,000 --> 00:10:17,200 Speaker 1: Us not so much into Richard Marks right right here 157 00:10:17,240 --> 00:10:18,880 Speaker 1: away and gets me. You know my Kenny G story. 158 00:10:18,920 --> 00:10:21,080 Speaker 1: I was coming back from vacation in Miami and we 159 00:10:21,200 --> 00:10:25,400 Speaker 1: got all and you get on one of those busses 160 00:10:25,440 --> 00:10:28,199 Speaker 1: to go from the plane to the airport. Kenny G 161 00:10:28,520 --> 00:10:30,200 Speaker 1: is on that bus and what does he do. He 162 00:10:30,200 --> 00:10:33,000 Speaker 1: whips out of his wood is in a clarinet soprano sax, 163 00:10:33,240 --> 00:10:35,960 Speaker 1: soprano sax, and he starts playing on the bus just 164 00:10:36,040 --> 00:10:37,959 Speaker 1: like a commercial. I was like, is this Kenny G 165 00:10:38,120 --> 00:10:40,720 Speaker 1: playing on the bus from the airport to to the terminal. 166 00:10:41,000 --> 00:10:43,480 Speaker 1: When I went to see Tony Braxton back in the day, 167 00:10:43,840 --> 00:10:46,240 Speaker 1: Kenny G opened for her and I was with chat 168 00:10:46,400 --> 00:10:48,000 Speaker 1: with our friend Sharon and we were like, we're not 169 00:10:48,040 --> 00:10:56,760 Speaker 1: gonna see Kenny G. It was amazing in concert, that hair, 170 00:10:56,840 --> 00:10:58,520 Speaker 1: and he comes out into the crowd. He stands on 171 00:10:58,520 --> 00:11:00,800 Speaker 1: a box and he does a solo like Lockstall. Yeah, 172 00:11:00,920 --> 00:11:03,160 Speaker 1: he went up in the balcony. He was doing everybody. 173 00:11:03,240 --> 00:11:06,880 Speaker 1: We'll not doing everybody sacks veryone. This is a soul provider, 174 00:11:07,440 --> 00:11:14,319 Speaker 1: Michael Bold, that's sexy sex card ban. No, it's just 175 00:11:14,559 --> 00:11:26,160 Speaker 1: between Christopher Cross and Richard Mark. Really, Oh, you don't 176 00:11:26,160 --> 00:11:28,800 Speaker 1: know soup, but it's such a it's a double meaning 177 00:11:28,840 --> 00:11:32,400 Speaker 1: because it's s O U L provider. We didn't think 178 00:11:32,400 --> 00:11:36,199 Speaker 1: he was putting shoes on. Oh I thought see, I 179 00:11:36,280 --> 00:11:37,839 Speaker 1: was only the impression. It was s O L e 180 00:11:37,960 --> 00:11:44,080 Speaker 1: as an I'm your only provider double meaning the double 181 00:11:44,960 --> 00:11:50,199 Speaker 1: he's head. He's never pairing shoes at what about here's 182 00:11:50,240 --> 00:11:57,719 Speaker 1: your fish. It's all soul and I'm providing. Yeah, what 183 00:11:57,800 --> 00:12:00,319 Speaker 1: kind of sauce you put on flat fish like tadd 184 00:12:00,400 --> 00:12:06,520 Speaker 1: Us one of my favorite songs of all time. Do 185 00:12:06,600 --> 00:12:11,560 Speaker 1: we have Ali and a J potential breakup song? And 186 00:12:11,640 --> 00:12:15,000 Speaker 1: if we did, we would deleted. We do not have 187 00:12:15,080 --> 00:12:29,920 Speaker 1: it in the system. Bethany King prepared six It's back. 188 00:12:30,840 --> 00:12:34,440 Speaker 1: Normally I would just forget that. Why except for the 189 00:12:34,480 --> 00:12:37,920 Speaker 1: fact it was my first day, my stupid first day. 190 00:12:38,080 --> 00:12:39,640 Speaker 1: I like the fact that the track is the demo 191 00:12:39,720 --> 00:12:44,680 Speaker 1: button on any cassio keyboard. It really is. We have 192 00:12:44,800 --> 00:12:48,040 Speaker 1: the larrics, we just don't have the music. Just hit 193 00:12:48,120 --> 00:12:54,280 Speaker 1: the demo button. Perfect. They're pretending to to like to 194 00:12:54,480 --> 00:12:58,599 Speaker 1: move favorite stuff in the music and they was just 195 00:12:58,600 --> 00:13:00,320 Speaker 1: talking about his song. It reminded me you have the 196 00:13:00,360 --> 00:13:04,720 Speaker 1: song Faded by Soul Decisions, that song, especially the breakdown 197 00:13:05,040 --> 00:13:08,240 Speaker 1: the rap. Oh my god, it's such a good song. 198 00:13:08,480 --> 00:13:12,640 Speaker 1: I remember when they opened for in stinc Yeah, okay, 199 00:13:13,040 --> 00:13:15,600 Speaker 1: we used to play this all the time. Makes me 200 00:13:18,440 --> 00:13:21,000 Speaker 1: do overnight at the radio station. Can see what Hunter 201 00:13:22,160 --> 00:13:28,800 Speaker 1: talk it up? Scary up next Soul? This issue will 202 00:13:28,880 --> 00:13:40,040 Speaker 1: that gets your crows? Ain't no bad game? Start to 203 00:13:40,080 --> 00:13:43,560 Speaker 1: pick show with this one back you know the first 204 00:13:43,559 --> 00:13:45,640 Speaker 1: song where we came back because this is the last 205 00:13:45,679 --> 00:13:49,680 Speaker 1: show it You guys, remember the Hillary Duff song that 206 00:13:49,840 --> 00:13:56,760 Speaker 1: sampled personally Jesus. Yes, it was called I tried to 207 00:13:56,920 --> 00:13:58,480 Speaker 1: use it to start to show the other by the way, 208 00:13:58,640 --> 00:14:00,520 Speaker 1: think of the name Dish do Hill a re Duff 209 00:14:00,520 --> 00:14:02,679 Speaker 1: song in the computer. Think of the name and all 210 00:14:02,679 --> 00:14:05,280 Speaker 1: one up you Jennifer love hewittt song. Do you guys 211 00:14:05,320 --> 00:14:08,240 Speaker 1: reach out? Reach out? Do we have that the system? 212 00:14:08,440 --> 00:14:11,320 Speaker 1: What about the Jennifer lovey love was my wedding song? 213 00:14:11,960 --> 00:14:14,720 Speaker 1: Jennifer love you it? Yes, there was another Jenner. Definitely 214 00:14:15,040 --> 00:14:16,560 Speaker 1: that was a hit. You definitely could have got her 215 00:14:16,559 --> 00:14:20,480 Speaker 1: for the wedding. No Jennifer love at this place? How 216 00:14:20,480 --> 00:14:24,880 Speaker 1: about calling me bad sex? It's funny. Scary went through 217 00:14:24,880 --> 00:14:27,320 Speaker 1: our system because we're looking for a certain songs and 218 00:14:27,360 --> 00:14:29,320 Speaker 1: they kind of do a douching every couple of months 219 00:14:29,320 --> 00:14:32,040 Speaker 1: of songs that are like, we don't need this anymore. 220 00:14:32,160 --> 00:14:34,360 Speaker 1: And he got all the songs that make you a douche. 221 00:14:34,040 --> 00:14:37,400 Speaker 1: There's no color bad, there's no Colory bad. I have 222 00:14:37,520 --> 00:14:40,360 Speaker 1: Hillary Duff. Don't worry, guys, you got twenty two seconds 223 00:14:41,120 --> 00:14:44,080 Speaker 1: best twenty two seconds of our lives. We're just gonna 224 00:14:44,120 --> 00:14:59,440 Speaker 1: take you out on the song Let's go you say, 225 00:14:59,680 --> 00:15:13,160 Speaker 1: what's yeah? Alright, this has been a fifteen minute and 226 00:15:13,160 --> 00:15:15,080 Speaker 1: thirty second morning show we have. We went past the 227 00:15:15,120 --> 00:15:18,240 Speaker 1: outroars like Brittany sounds like a peche mode. It is 228 00:15:18,400 --> 00:15:23,760 Speaker 1: pech mode. That's awesome. Remember that, you guys noticed how 229 00:15:23,960 --> 00:15:28,960 Speaker 1: the comic Cablo song BeO song sounds like Santana. We're 230 00:15:29,000 --> 00:15:31,280 Speaker 1: in overtime and we're on vacation. Somebody wants to get 231 00:15:31,280 --> 00:15:33,040 Speaker 1: out of here. Let's go for another fifteen Yeah, yeah, 232 00:15:34,000 --> 00:15:36,880 Speaker 1: let's go for the longest podcast ever. Well, the part 233 00:15:36,920 --> 00:15:40,480 Speaker 1: where they close us out automatically ended already, so oh 234 00:15:40,560 --> 00:15:44,840 Speaker 1: so now we're just hanging out. I've enjoyed, did you. Yeah? 235 00:15:45,760 --> 00:15:48,320 Speaker 1: It was the worst year I've ever had, really joined 236 00:15:48,320 --> 00:15:51,320 Speaker 1: Bridie and Scary. It was the worst year personally I 237 00:15:51,400 --> 00:15:54,200 Speaker 1: have ever had. I'm so happy to see it go. However, 238 00:15:54,240 --> 00:15:59,360 Speaker 1: many years, the worst one easily ever in my entire life. 239 00:15:59,440 --> 00:16:02,240 Speaker 1: In the morning show, we talked about because Kathleen wanted 240 00:16:02,360 --> 00:16:04,760 Speaker 1: like a year end video, so she ran up to 241 00:16:04,760 --> 00:16:08,080 Speaker 1: everybody's like, what was your favorite moment I'm filming? And 242 00:16:08,120 --> 00:16:11,080 Speaker 1: everyone said it sucked? Go away with the worst. So 243 00:16:11,120 --> 00:16:14,680 Speaker 1: she came on the podcast to she's still listening stuff 244 00:16:14,680 --> 00:16:17,440 Speaker 1: that went right for her. Yeah, I did this and 245 00:16:17,440 --> 00:16:19,160 Speaker 1: did that, and I gotta do this, and Neil and 246 00:16:19,160 --> 00:16:21,120 Speaker 1: I did that, and I'm like, it's great. And so 247 00:16:21,240 --> 00:16:23,480 Speaker 1: the Essays podcast was all of us listening what awful 248 00:16:23,520 --> 00:16:31,000 Speaker 1: things happened to us. Brian Scary mostly I would punch it. 249 00:16:31,120 --> 00:16:33,200 Speaker 1: Actually in my world it does. And I'll show you 250 00:16:33,240 --> 00:16:37,200 Speaker 1: a picture of them later. Alright, let's go bang the 251 00:16:37,240 --> 00:16:40,920 Speaker 1: name of his home from Jennifer Love You Bear Naked 252 00:16:41,720 --> 00:16:45,080 Speaker 1: talking Jennifer, what was the Hillary dup song that went, 253 00:16:45,360 --> 00:16:49,680 Speaker 1: when the rain fall down and washed your It was 254 00:16:49,720 --> 00:16:54,720 Speaker 1: the beginning of the hills Hillary. I think it's called 255 00:16:54,760 --> 00:16:59,200 Speaker 1: when the rain falls down, Let the rain come down, Candy. 256 00:17:00,880 --> 00:17:07,760 Speaker 1: Remember when Hillary Duff was sixteen scary? Does remember when 257 00:17:07,760 --> 00:17:09,480 Speaker 1: this was the fifteen minute morning show. We're already in 258 00:17:09,520 --> 00:17:14,040 Speaker 1: our seventeenth minute. Let go bye. We love it, Nelson. 259 00:17:14,520 --> 00:17:21,320 Speaker 1: Happy holidays and happy New Year. Happy on the eighth. Goodbye.