WEBVTT - OMG: The Comment Section is About To Go Crazy

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<v Speaker 1>It's nine O gene onegine with Jenny Garth and Tory spelling.

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<v Speaker 2>Okay, so when I saw that this episode was called rebound,

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<v Speaker 2>I was hoping the show would make a rebound for

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<v Speaker 2>you because last week was a little better.

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<v Speaker 1>It's oh, people, it's so funny because I read the

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<v Speaker 1>comments and people are mad that we don't love it,

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<v Speaker 1>but then the other half are like, yeah, it's not great,

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<v Speaker 1>they don't love it. Yeah, it's so it's a little

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<v Speaker 1>bit tough to know. And are we judging it against itself?

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<v Speaker 1>Are we judging against earlier seasons. It's just like, I

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<v Speaker 1>don't know.

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<v Speaker 2>Oh, good question. I feel like a lot of it

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<v Speaker 2>comes from earlier seasons.

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<v Speaker 1>Oh yeah, I mean it's not bad.

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<v Speaker 2>No, it's just not our show. Yeah, maybe that's what

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<v Speaker 2>I It's just different. And they have to understand a

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<v Speaker 2>new showrunner was in new writers. It's yeah, all that happens.

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<v Speaker 1>And things changed between nineteen ninety one. You know when

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<v Speaker 1>you start and now nineteen ninety eight. Was it nineteen

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<v Speaker 1>ninety or nineteen ninety one that you started?

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<v Speaker 2>Ninety ninety right, nineteen ninety I mean it's almost a decade, right,

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<v Speaker 2>And I know they want us to grow up. But

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<v Speaker 2>it's just here's my thing. I think the storylines could

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<v Speaker 2>be more interesting.

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<v Speaker 1>It is really repetitive.

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<v Speaker 2>Then they could.

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<v Speaker 1>Write the David storyline. I feel like I can't.

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<v Speaker 2>It's just, you know, I feel like.

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<v Speaker 1>We've done this, We've done this, we've done this. Look,

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<v Speaker 1>I'm glad David and Noah are friends. Will let's do this? Synopsis?

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<v Speaker 2>Okakay, so this is season eight? No? Yeah, so this

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<v Speaker 2>is season eight, Episode eighteen, Rebound air January twenty eighth,

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<v Speaker 2>nineteen ninety eight. Are you going to read this?

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<v Speaker 1>Yopsie if you want me to? Y Synopsis Jenny's off today,

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<v Speaker 1>Just so everybody knows, David's band member crashes his car

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<v Speaker 1>and blames Noah. At the bar, Donna suffers a professional

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<v Speaker 1>setback thanks to a child brat. Doctor Jeff finally shoots

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<v Speaker 1>his shot. Valerie makes sure Kelly gets caught. Steve meets

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<v Speaker 1>a bride who gets cold feet. Brandon tells Kelly what

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<v Speaker 1>made him cheat.

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<v Speaker 2>Bomb boom oh sorry uh. Director Charles Pratt, junior writer

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<v Speaker 2>Michael Cassutt.

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<v Speaker 1>For me, the bride storyline was probably the worst.

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<v Speaker 2>Yeah, hands down.

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<v Speaker 1>Steve's speech was good, but then it's just like it

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<v Speaker 1>was just so bad, followed by the child.

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<v Speaker 2>Yeah if I lost both of those. Okay, the David

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<v Speaker 2>Noah the music. The only thing that kept me interested

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<v Speaker 2>in that storyline is I thought the keyboardist was hot.

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<v Speaker 1>That one was a little bit more nine O two one. Oho.

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<v Speaker 1>We at least like it felt like, Okay, we've got David,

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<v Speaker 1>we've got the music, we've got some drama. The guy's

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<v Speaker 1>threatening to Sue. Is David going to do the right thing?

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<v Speaker 1>Is he going to do the wrong thing? Donna tells

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<v Speaker 1>him what to do. She's always right. They finally make

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<v Speaker 1>peace David and Noah, so sort of like nine O

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<v Speaker 1>two one, OHI at least okay, Yeah, you're right. The

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<v Speaker 1>child Star one was ridiculous.

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<v Speaker 2>Oh mm hmm. It makes me think like they're all

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<v Speaker 2>Donna just started this fashion career and they're already finding

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<v Speaker 2>it hard to do storylines. They have nothing.

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<v Speaker 1>They have nothing because it's like, first of all, no

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<v Speaker 1>kid's gonna act like that. Really, yes, maybe the kid

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<v Speaker 1>would like I want to go have fun. That part

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<v Speaker 1>was sort of okay, but it's just the over the

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<v Speaker 1>topness and then coming in as the clown and just ugh.

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<v Speaker 2>The whole thing. I wish we did some like Devilwar's

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<v Speaker 2>product stuff.

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<v Speaker 1>Right, that would be so cool exactly. So when you

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<v Speaker 1>watch it, are you like cringing or.

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<v Speaker 2>Yeah, I did like those silver bracelets.

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<v Speaker 1>Other than that, and that the director's gonna or not

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<v Speaker 1>the director, the head of the fashion brand's gonna fire

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<v Speaker 1>you because the kid's terrible.

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<v Speaker 2>It's just like it's a ridiculous.

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<v Speaker 1>Yeah, it's sort of nonsensical.

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<v Speaker 2>I want them to all go back to college.

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<v Speaker 1>Yeah, I'm thinking about that. It's like, I'm not mad

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<v Speaker 1>about them going into the work world, but it's just

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<v Speaker 1>like ridiculous.

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<v Speaker 2>Well, what we're also feeling, I think is their storylines

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<v Speaker 2>are separated now because of the work world, right right,

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<v Speaker 2>we had high school, we had college. They were always

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<v Speaker 2>kept together, and now that they're all over the place,

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<v Speaker 2>I think the writers are having a hard time piecing

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<v Speaker 2>it together.

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<v Speaker 1>And they're trying because they've got Stephen Brandon together, they're

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<v Speaker 1>trying to bring David into that.

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<v Speaker 2>Yes, who is the bride?

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<v Speaker 1>She looks familiar, I don't know, but that storyline was

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<v Speaker 1>just like painful. The guy knocking on the door and

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<v Speaker 1>them running out the back. It's just like, oh, my goodness.

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<v Speaker 2>Oh in Kelly's storyline.

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<v Speaker 1>That one was sort of better for me because I

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<v Speaker 1>like that doctor.

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<v Speaker 2>You like him.

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<v Speaker 1>I don't dislike him. I don't care. But it's not

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<v Speaker 1>like he's terrible, you know, Valerie being up to her

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<v Speaker 1>no good I like that, you know, antics with the

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<v Speaker 1>we'll go to this restaurant.

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<v Speaker 2>At least it's kind of back. I was happier with that.

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<v Speaker 1>It's a little less silly, I guess is the word. Yeah, No,

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<v Speaker 1>it's silly. It's like for me, Brandon, who did something wrong,

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<v Speaker 1>is behaving like he didn't do anything wrong. I think

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<v Speaker 1>that's my hard part.

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<v Speaker 2>With him, Like he thinks it's okay, not that he

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<v Speaker 2>thinks it's okay, but that she should forgive.

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<v Speaker 1>Him yes, And it's like, wait, it's been like two minutes.

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<v Speaker 1>You slept with someone you work with. Why would she

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<v Speaker 1>just come right back.

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<v Speaker 2>Because it's a nighttime drama.

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<v Speaker 1>Can you remember this time at all?

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<v Speaker 2>Like not as much?

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<v Speaker 1>Were you guys like I guess we're just going through

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<v Speaker 1>the motions, or were you like this is a little

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<v Speaker 1>bit dumb.

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<v Speaker 2>I don't remember thinking it was dumb, But I also

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<v Speaker 2>don't remember ever just going through the motions. I remember

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<v Speaker 2>season ten still thinking like because a lot of people

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<v Speaker 2>would say like, oh, when's that show going to end?

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<v Speaker 2>How long are you guys going to do that? And

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<v Speaker 2>I just remember I wonder Jenna and I having a

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<v Speaker 2>conversation saying we still feel so lucky to love our

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<v Speaker 2>job and have a job, Like there was not one

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<v Speaker 2>day that I was like, oh I have to get up,

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<v Speaker 2>stay and go to set. Like we still loved it.

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<v Speaker 1>I get that hot.

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<v Speaker 2>Yeah, it was a good run.

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<v Speaker 1>It's just literally we've been talking for how long? Five minutes,

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<v Speaker 1>and it's like we're kind of done, We're kind of

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<v Speaker 1>tapped out. Like do you know what I'm saying. It's like,

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<v Speaker 1>there's not I think that's the problem. There's not a

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<v Speaker 1>lot to analyze here. It's like the child actor storyline

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<v Speaker 1>is so stupid. There's nothing to talk about other than

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<v Speaker 1>it's ridiculous and why would they let the mother behave

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<v Speaker 1>that way? Why would they let the kid behave that?

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<v Speaker 1>Do you know what I'm saying? It's like, what are

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<v Speaker 1>we going to talk about?

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<v Speaker 2>So how many there's one, two, three, four, So there's

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<v Speaker 2>four storylines, which is ridiculous.

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<v Speaker 1>Distinct storylines.

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<v Speaker 2>Yeah, I usually have your ab and then a c

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<v Speaker 2>fun one would be like the child star the Steve one.

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<v Speaker 1>Right or right, and you could say that A is

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<v Speaker 1>maybe Noah and David, and then there's the guy, the

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<v Speaker 1>villain who's gonna sue you know, it's all it's just

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<v Speaker 1>sort of like, wait.

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<v Speaker 2>You didn't think he was cute.

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<v Speaker 1>I think he was fine. I think it's it's just

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<v Speaker 1>I don't even know what to say. That's my problem

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<v Speaker 1>with this episode. And people are gonna ge annoyed listening,

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<v Speaker 1>but it's just like, eh, okay, like I watched it,

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<v Speaker 1>I wasn't mad. I wasn't I wasn't necessarily bored watching it.

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<v Speaker 2>You'll never remember this episode?

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<v Speaker 1>Are you having that a lot with these episodes where

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<v Speaker 1>you're like, when did we even do this?

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<v Speaker 2>Yeah? And you know me, my memory's really good, and

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<v Speaker 2>this season I'm like, what, I don't remember this at all.

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<v Speaker 2>I don't remember this at all. That's a problem.

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<v Speaker 1>It's funny, I sort of they all blend together a

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<v Speaker 1>bit more after Rebecca Gayheart, do you know what I'm saying?

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<v Speaker 1>Like that's where you're sort of like, whoa that was

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<v Speaker 1>at the height and Dylan leaving and then it becomes

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<v Speaker 1>a little bit more blendye after that for me.

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<v Speaker 2>Yeah, you're right, did we like seven? Season seven? I

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<v Speaker 2>can't even remember.

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<v Speaker 1>It's fine. This is I'm gonna have to say, this

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<v Speaker 1>probably is worse, do you know what I mean?

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<v Speaker 2>Yeah, I lost my virginity season seven, so that was

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<v Speaker 2>a big deal.

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<v Speaker 1>Yeah, I feel like it was good. It was fine.

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<v Speaker 1>This is a little bit more.

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<v Speaker 2>I know we come back though at some point.

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<v Speaker 1>Yeah, I'm sure when Dylans came back to it was huge.

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<v Speaker 1>I don't know what to say. It's like, I'm so sorry.

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<v Speaker 1>I don't know what to say. It's sort of blah.

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<v Speaker 1>I like Noah, I don't not like Noah, and I

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<v Speaker 1>like you with Noah, you know what I'm saying, Like,

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<v Speaker 1>I'm okay with you not being with David right now,

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<v Speaker 1>and Noah, it's a little bit okay. Like I literally

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<v Speaker 1>feel like, what else should we talk about?

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<v Speaker 2>I don't know. The fashion wasn't even good. I don't

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<v Speaker 2>even can talk about that.

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<v Speaker 1>It's funny you bring that up, because the fashion is

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<v Speaker 1>very not noticeable. Yeah, you just don't really notice it, which.

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<v Speaker 2>I mean in some way, this is the part of

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<v Speaker 2>the nineties where looking back, I'm not excited for it

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<v Speaker 2>to come back. It was kind of all like darker colors,

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<v Speaker 2>which is cool, but like muted and just no special cuts.

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<v Speaker 1>Like it was just the Yeah, it's not really even aggressive,

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<v Speaker 1>because sometimes in the previous years there were outfits where

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<v Speaker 1>you're like, whoa. Even if you were like that's like

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<v Speaker 1>it or not, didn't really matter. It was so like

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<v Speaker 1>bold and like taking a chance. This is all just

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<v Speaker 1>sort of yeah. It's like the makeup and hear his

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<v Speaker 1>blah the closer bla wild Mike Piazza. It's like it

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<v Speaker 1>was a little around the river and through the woods

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<v Speaker 1>that Steve is going to get an interview with Mike

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<v Speaker 1>Piazza because he's going to do an interview about this.

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<v Speaker 1>What It's just like there's just nothing to say, Yeah,

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<v Speaker 1>why should we talk about? What else? Has gone?

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<v Speaker 2>Had a good one?

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<v Speaker 1>I don't know, Like I don't it's like, literally, we're done.

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<v Speaker 2>We have some trivia. Give it, uh interesting, here's the trivia.

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<v Speaker 2>Executive producer John Eisendraft becomes the showrunner starting this episode

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<v Speaker 2>through the series finale in two thousand.

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<v Speaker 1>Do you remember him obviously, yes.

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<v Speaker 2>He is also the one that I said, oh, we

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<v Speaker 2>have a new showrunner. But I thought he had already

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<v Speaker 2>taken over. Okay, it's this episode. Okay, very nice guy,

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<v Speaker 2>grateful for his existence obviously, but he is the one

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<v Speaker 2>that most of us ogs were like, he doesn't feel

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<v Speaker 2>a fit, doesn't feel the same energy, doesn't feel like

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<v Speaker 2>he knew the show.

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<v Speaker 1>Interesting.

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<v Speaker 2>I think we all felt that way across the board.

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<v Speaker 2>I'm not sure if it's when he came on, So

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<v Speaker 2>I don't know if we started it this season or

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<v Speaker 2>next season. But at some point soon the cast gets

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<v Speaker 2>together and says, this isn't feeling right really, yeah, and

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<v Speaker 2>we start to request weekly read throughs of the script,

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<v Speaker 2>of the script at our lunchtime. We give up our lunchtime.

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<v Speaker 2>We asked the writers to come over the hill meet

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<v Speaker 2>with us. We do a read through out loud for

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<v Speaker 2>the next episode, and then we all have conversations with them.

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<v Speaker 2>We give notes. Wow, so something shifted in a way

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<v Speaker 2>that we were like, we got to save the show.

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<v Speaker 1>Interesting, it felt a little whatever, same thing we're feeling.

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<v Speaker 2>Yeah, so that's right when he took over.

0:12:13.640 --> 0:12:15.960
<v Speaker 1>Okay, I think that we're just not invested, right, Like,

0:12:16.040 --> 0:12:18.000
<v Speaker 1>I don't really care if Kelly stays with the doctor

0:12:18.080 --> 0:12:20.079
<v Speaker 1>or not right now, I don't really care if she

0:12:20.120 --> 0:12:22.360
<v Speaker 1>gets back together with Brandon. I don't really care if

0:12:22.360 --> 0:12:23.600
<v Speaker 1>you get back together with David.

0:12:23.800 --> 0:12:24.440
<v Speaker 2>Yeah, you're right.

0:12:24.840 --> 0:12:27.160
<v Speaker 1>I mean I guess I don't really care that Carly left.

0:12:28.080 --> 0:12:29.720
<v Speaker 1>I don't care about what Steve's doing.

0:12:30.080 --> 0:12:36.000
<v Speaker 2>No, yeah, okay, what would make you care this episode?

0:12:36.240 --> 0:12:38.000
<v Speaker 2>What would you have wanted to see?

0:12:38.440 --> 0:12:41.199
<v Speaker 1>Oh that's interesting. I maybe would have gotten rid of

0:12:41.280 --> 0:12:43.640
<v Speaker 1>the child I really like your idea of sort of

0:12:43.640 --> 0:12:46.520
<v Speaker 1>making it Devil wears pradat e Moore, Like where get

0:12:46.640 --> 0:12:49.680
<v Speaker 1>rid of the dumb dumb antics with the child star

0:12:50.120 --> 0:12:53.840
<v Speaker 1>and maybe really dig into like a relationship between you

0:12:54.240 --> 0:12:58.560
<v Speaker 1>and I don't know, a female boss or you know,

0:13:00.320 --> 0:13:05.040
<v Speaker 1>like again she's flirting with the female ball like not

0:13:05.240 --> 0:13:10.719
<v Speaker 1>just generic, like something sort of interesting. Again, I don't know, because.

0:13:11.160 --> 0:13:14.360
<v Speaker 2>I hate to say this, I feel like the fashion

0:13:14.520 --> 0:13:16.839
<v Speaker 2>storylines are all going to be antics.

0:13:18.640 --> 0:13:20.200
<v Speaker 1>I mean they have been so far. I mean, I

0:13:20.240 --> 0:13:21.840
<v Speaker 1>just think back to even when you were doing that

0:13:21.880 --> 0:13:25.400
<v Speaker 1>thing in Hawaii. It was just so trying to make

0:13:25.440 --> 0:13:28.760
<v Speaker 1>you kind of like prep falls and you know, Lucille

0:13:28.840 --> 0:13:29.640
<v Speaker 1>ball all.

0:13:29.480 --> 0:13:33.240
<v Speaker 2>That stuff, which doesn't feel right, like she's embarking on

0:13:33.280 --> 0:13:35.400
<v Speaker 2>a fashion career, which is really cool.

0:13:35.520 --> 0:13:38.280
<v Speaker 1>And I think they started to realize that you as

0:13:38.320 --> 0:13:41.400
<v Speaker 1>a person can do comedy, but they're trying to put

0:13:41.400 --> 0:13:42.679
<v Speaker 1>it into a show where it's like.

0:13:43.120 --> 0:13:47.080
<v Speaker 2>Uh right, Well that happened seasons ago because I was like, hey,

0:13:47.920 --> 0:13:50.760
<v Speaker 2>who am I. There's all these kind of traumatic actresses.

0:13:50.840 --> 0:13:52.920
<v Speaker 2>What can I do? And I was like, Oh, I

0:13:53.000 --> 0:13:55.880
<v Speaker 2>can be funny. I'm really funny. So they saw that

0:13:55.960 --> 0:13:57.920
<v Speaker 2>early on and they asked me and I said, I

0:13:58.000 --> 0:14:01.640
<v Speaker 2>enjoyed doing comedy. So that was kind of strewn throughout

0:14:01.679 --> 0:14:06.000
<v Speaker 2>the ten seasons. But it's not working with the fashion line.

0:14:07.559 --> 0:14:08.680
<v Speaker 2>How would it work though?

0:14:08.720 --> 0:14:10.520
<v Speaker 1>You know, it's like, well it's sort of like not

0:14:10.600 --> 0:14:12.240
<v Speaker 1>funny when you come in as the clown. I mean,

0:14:12.280 --> 0:14:13.800
<v Speaker 1>I know we're being redundant, but it's like not funny

0:14:13.800 --> 0:14:15.320
<v Speaker 1>when you come in with the clown. It's already so

0:14:15.400 --> 0:14:18.360
<v Speaker 1>crazy that they were going to fire you over this

0:14:18.559 --> 0:14:22.960
<v Speaker 1>child star on a and remember the whole clothing lines

0:14:23.000 --> 0:14:26.320
<v Speaker 1>based on the kid coloring on your designs. I mean,

0:14:26.320 --> 0:14:28.400
<v Speaker 1>it's all just like, I don't.

0:14:28.360 --> 0:14:33.800
<v Speaker 2>Know, I'm sorry. We have another triphy. Intro music hard

0:14:33.840 --> 0:14:36.040
<v Speaker 2>to say, I'm sorry by the Backstreet Boys.

0:14:36.240 --> 0:14:38.640
<v Speaker 1>You know, the music has definitely leveled up, and I

0:14:38.720 --> 0:14:40.320
<v Speaker 1>knew there was some sort of a jam. I didn't

0:14:40.360 --> 0:14:42.520
<v Speaker 1>realize it was the Backstreet Boys. But it's like they

0:14:42.640 --> 0:14:46.880
<v Speaker 1>definitely leaned into like the opening music after the not

0:14:47.000 --> 0:14:49.600
<v Speaker 1>the opening credits, but like when they start the show,

0:14:50.040 --> 0:14:51.600
<v Speaker 1>nothing just feels longer and longer.

0:14:52.880 --> 0:14:55.520
<v Speaker 2>They're like, yeah, we paid show any parts.

0:14:55.280 --> 0:14:58.720
<v Speaker 1>Of la which I enjoy sort of trying to watch

0:14:58.880 --> 0:15:01.480
<v Speaker 1>that to see like, oh, what mall is that? Where's that?

0:15:01.800 --> 0:15:04.400
<v Speaker 1>What does it still look like that? I don't know.

0:15:04.480 --> 0:15:06.960
<v Speaker 1>I mean I think, sorry, this is a short episode.

0:15:07.000 --> 0:15:09.359
<v Speaker 2>It's like, what are we going to talk about? Yeah?

0:15:10.040 --> 0:15:11.160
<v Speaker 2>What do we have next week?

0:15:12.200 --> 0:15:13.880
<v Speaker 1>What's next week? God?

0:15:14.080 --> 0:15:14.920
<v Speaker 2>I hope it's better.

0:15:16.240 --> 0:15:19.040
<v Speaker 1>Were you worried at this point, like we're getting canceled?

0:15:19.120 --> 0:15:20.680
<v Speaker 1>I don't know. Does that ever cross your mind?

0:15:21.920 --> 0:15:26.640
<v Speaker 2>No? I don't think you canceled ever. We didn't. I mean,

0:15:26.840 --> 0:15:29.360
<v Speaker 2>this is all like kind of our first show, so

0:15:29.640 --> 0:15:32.400
<v Speaker 2>we didn't know what that would even seem like. It's

0:15:32.400 --> 0:15:34.800
<v Speaker 2>like we didn't have a hit show. Ooh, that's scary.

0:15:34.840 --> 0:15:37.200
<v Speaker 2>We had a hit show second season, okay, and then

0:15:37.200 --> 0:15:38.560
<v Speaker 2>we were just on the ride.

0:15:38.880 --> 0:15:41.440
<v Speaker 1>And did you know this is like another weird question,

0:15:41.480 --> 0:15:44.160
<v Speaker 1>but did you know, the ratings were going down. Like,

0:15:44.200 --> 0:15:45.440
<v Speaker 1>were you guys aware.

0:15:45.160 --> 0:15:47.520
<v Speaker 2>Of all that? I don't remember, but like I said,

0:15:47.640 --> 0:15:52.920
<v Speaker 2>we definitely were all super invested in maintaining the integrity

0:15:52.920 --> 0:15:55.720
<v Speaker 2>of the show that we had built and created together.

0:15:56.440 --> 0:16:00.280
<v Speaker 2>So that's why we started saying we want these through

0:16:00.400 --> 0:16:03.600
<v Speaker 2>is we want to be voices. We know the characters

0:16:03.880 --> 0:16:06.360
<v Speaker 2>probably better than you do, because a new show runner,

0:16:06.480 --> 0:16:10.480
<v Speaker 2>new writer like let us help all work together. And

0:16:10.480 --> 0:16:13.280
<v Speaker 2>that was really important in every sorry, and that was

0:16:13.320 --> 0:16:16.280
<v Speaker 2>really important, and everybody stepped up the entire cast. It

0:16:16.320 --> 0:16:18.920
<v Speaker 2>would be so great after that read through.

0:16:18.960 --> 0:16:21.280
<v Speaker 1>That's interesting. Was it just the core of you though,

0:16:21.360 --> 0:16:28.320
<v Speaker 1>like you, Jason, Jenny, maybe Tiffany, Ian, Brian, Brian, like,

0:16:28.320 --> 0:16:30.360
<v Speaker 1>you're not letting these newcomers, We're not a part of that.

0:16:31.000 --> 0:16:32.600
<v Speaker 2>Noah, No, he was there.

0:16:32.960 --> 0:16:35.280
<v Speaker 1>Oh wow, So really the core the cast that was

0:16:35.360 --> 0:16:35.840
<v Speaker 1>like in the.

0:16:35.800 --> 0:16:38.960
<v Speaker 2>Credits, was there, Yeah, the series regulars. Yeah. And then

0:16:39.000 --> 0:16:41.680
<v Speaker 2>it'd be nice we do the read through. Everyone make

0:16:41.800 --> 0:16:44.720
<v Speaker 2>notes as you're going through, and then you'd see people

0:16:44.800 --> 0:16:49.080
<v Speaker 2>break off into little groupings and speak about their storyline.

0:16:49.160 --> 0:16:53.080
<v Speaker 2>And so that was nice to see. Everyone really wanted

0:16:53.120 --> 0:16:58.240
<v Speaker 2>it to work it. I know, but I'm wondering when we.

0:16:58.400 --> 0:17:00.400
<v Speaker 1>Yeah to maybe this is when you started and maybe

0:17:00.400 --> 0:17:01.320
<v Speaker 1>we'll see a difference.

0:17:02.040 --> 0:17:05.280
<v Speaker 2>No, no, because it's going to take him coming in

0:17:06.080 --> 0:17:08.320
<v Speaker 2>being the new showrunner is going to take a while

0:17:08.359 --> 0:17:10.520
<v Speaker 2>for us to be like wait, wait, wait, this isn't

0:17:10.520 --> 0:17:13.680
<v Speaker 2>going the right direction. We need to do something.

0:17:13.960 --> 0:17:17.000
<v Speaker 1>So maybe towards the end of season eighty. Sorry we

0:17:17.000 --> 0:17:18.160
<v Speaker 1>couldn't even turn this to be fun.

0:17:18.280 --> 0:17:20.320
<v Speaker 2>Yeah, it was definitely season eight though, we did because

0:17:20.400 --> 0:17:23.159
<v Speaker 2>Jason was there, so yeah, yeah, yeah, yeah, on to

0:17:23.320 --> 0:17:28.320
<v Speaker 2>next week speaking him next week. Next week is season eight,

0:17:28.640 --> 0:17:31.960
<v Speaker 2>episode nineteen Crimes and Misdemeanors.

0:17:32.240 --> 0:17:34.960
<v Speaker 1>Maybe something exciting will happen to your Law and Order

0:17:35.119 --> 0:17:38.320
<v Speaker 1>was canceled. Only Organized Crime was the Law and Order

0:17:38.359 --> 0:17:40.879
<v Speaker 1>also canceled. It was on the bubble. I heard the

0:17:40.960 --> 0:17:42.959
<v Speaker 1>Chris Maloney one. But I sort of have a secret

0:17:42.960 --> 0:17:44.400
<v Speaker 1>hope that he'll go back to SVU.

0:17:45.080 --> 0:17:48.080
<v Speaker 2>Oh good, So it'd be sad never to see him again.

0:17:48.400 --> 0:17:51.800
<v Speaker 1>Yeah, but he pops up, okay, because of organized crime,

0:17:51.800 --> 0:17:55.080
<v Speaker 1>he sort of pops up and she pops over, So

0:17:55.160 --> 0:17:58.200
<v Speaker 1>I'm hoping he'll pop up. They're kind of like, well,

0:17:58.240 --> 0:18:00.800
<v Speaker 1>there won't. They was trying to remember at this time,

0:18:00.840 --> 0:18:02.640
<v Speaker 1>like was Friends kind of blowing up.

0:18:03.200 --> 0:18:09.200
<v Speaker 2>H yeah, because we were at the Emmy's and yeah.

0:18:08.440 --> 0:18:09.960
<v Speaker 1>I think people were. Yeah, they were just sort of

0:18:10.000 --> 0:18:15.800
<v Speaker 1>like it was sort of that Seinfeld Friends.

0:18:14.240 --> 0:18:15.879
<v Speaker 2>Era and er.

0:18:16.960 --> 0:18:19.640
<v Speaker 1>Yeah, r was Thursday Night.

0:18:19.800 --> 0:18:25.000
<v Speaker 2>I remember being backstage with like Matthew Perry and George Cloudy.

0:18:25.800 --> 0:18:29.879
<v Speaker 1>Yeah. Er it was like Friends, Seinfeld Cheers. Maybe I

0:18:29.880 --> 0:18:32.640
<v Speaker 1>don't remember if Cheers was still on probably not. I'm

0:18:32.640 --> 0:18:34.679
<v Speaker 1>probably wrong on that, but like Mad About You, I

0:18:34.680 --> 0:18:37.760
<v Speaker 1>feel like it was the era of all those shows. Yeah, yeah,

0:18:37.800 --> 0:18:40.840
<v Speaker 1>so it was kind of on its Both were struggling

0:18:40.960 --> 0:18:45.480
<v Speaker 1>at this point. A Melrose so well, sorry, we weren't

0:18:45.520 --> 0:18:47.720
<v Speaker 1>more fun today. Guys, Oh what do we give it?

0:18:47.920 --> 0:18:50.120
<v Speaker 1>I mean it's like not bad, that's the problem. It's

0:18:50.119 --> 0:18:51.760
<v Speaker 1>like I'll still give it like a six or seven.

0:18:52.280 --> 0:18:56.560
<v Speaker 2>Yeah, two six, it's so great. Next week. Wait, it

0:18:56.600 --> 0:18:58.879
<v Speaker 2>was Party five after us at this point, or it

0:18:58.920 --> 0:19:03.080
<v Speaker 2>was still Melrose. Oh no, Melrose mondays.

0:19:02.840 --> 0:19:04.200
<v Speaker 1>Yeah, I think Party of five.

0:19:04.560 --> 0:19:06.000
<v Speaker 2>Yeah that was huge.

0:19:06.640 --> 0:19:10.760
<v Speaker 1>Yeah, it's just TV was changing, feel Yeah, it was changing.

0:19:11.160 --> 0:19:15.520
<v Speaker 2>Oh not yet. So Courtney Thorne Smith went from Melrose

0:19:15.680 --> 0:19:16.800
<v Speaker 2>right to Allan McField.

0:19:17.200 --> 0:19:22.480
<v Speaker 1>No, she left Melrose before lind did. All Right well,

0:19:22.520 --> 0:19:23.160
<v Speaker 1>talk to you later.

0:19:24.400 --> 0:19:30.600
<v Speaker 2>No, well, there's some fun shenanigans next week.

0:19:31.920 --> 0:19:34.440
<v Speaker 1>We'll see, we will see.