1 00:00:00,160 --> 00:00:03,480 Speaker 1: Hello the Internet, and welcome to this episode of The 2 00:00:03,560 --> 00:00:07,880 Speaker 1: Weekly Zeitgeist. Uh These are some of our favorite segments 3 00:00:08,119 --> 00:00:14,880 Speaker 1: from this week, all edited together into one NonStop infotainment 4 00:00:16,079 --> 00:00:22,440 Speaker 1: laugh stravaganza. Uh yeah, So, without further ado, here is 5 00:00:22,680 --> 00:00:27,200 Speaker 1: the Weekly Zeitgeist. We're thrilled to be joined in our 6 00:00:27,240 --> 00:00:33,360 Speaker 1: third seat by the hilarious, the talented, the brilliant Bridget Time. Hello. 7 00:00:33,440 --> 00:00:35,800 Speaker 1: I'm so excited to be back again, so excited to 8 00:00:36,280 --> 00:00:39,680 Speaker 1: have you always, Bridget. I saw the dogs again. I 9 00:00:39,720 --> 00:00:45,360 Speaker 1: was like, wait, Bridget, Yes, we're welcome. We always have 10 00:00:45,400 --> 00:00:48,080 Speaker 1: a good time, you know. I feel like the last 11 00:00:48,080 --> 00:00:51,280 Speaker 1: time when we were together, we were just the country 12 00:00:51,360 --> 00:00:53,640 Speaker 1: was about to be in the grips of the pandemic. 13 00:00:54,200 --> 00:00:57,520 Speaker 1: And it's kind of like it. Things are wild out here. Man. 14 00:00:57,560 --> 00:01:03,200 Speaker 1: It's already March. It is already March. Birthday months okay, 15 00:01:04,080 --> 00:01:08,000 Speaker 1: March fourteen. Okay, alright, Pie, okay, Pie, that's right, Pie Day, 16 00:01:09,240 --> 00:01:14,240 Speaker 1: Albert Einstein's birthday. Pie Day. Um yeah, did he do 17 00:01:14,319 --> 00:01:19,440 Speaker 1: that on purpose? Yes, make his birthday. He's just that smart. 18 00:01:19,800 --> 00:01:24,520 Speaker 1: Some next level galaxy brand shit. Um Simone Biles also, 19 00:01:24,760 --> 00:01:32,000 Speaker 1: Steph Curry, that's a big day. Damn company. Rianna Brianna, 20 00:01:32,040 --> 00:01:34,560 Speaker 1: it's a place. She wasn't born on my same birthday, 21 00:01:34,600 --> 00:01:39,679 Speaker 1: but she's also a piece I mean TikTok star Oscar Rosenstrom. Wait, 22 00:01:39,720 --> 00:01:44,360 Speaker 1: really your favorite TikTok? Yeah, and your favorite Instagram star 23 00:01:44,480 --> 00:01:52,640 Speaker 1: Bryce Rivera, also Bryce Jones, do good God, hold on 24 00:01:53,120 --> 00:02:00,840 Speaker 1: no royalty, Quincy Jones, Mike Cocaine, Oh so God man, 25 00:02:00,880 --> 00:02:06,400 Speaker 1: Billy Crystal. Has anybody ever ranked the best days, like 26 00:02:06,480 --> 00:02:09,799 Speaker 1: the best birthdays? I mean, obviously Christmas being number one 27 00:02:09,919 --> 00:02:13,639 Speaker 1: for a Lord and Saint Jesus Christ, But otherwise, like 28 00:02:13,720 --> 00:02:16,360 Speaker 1: what what would the top birthdays be? This would have 29 00:02:16,400 --> 00:02:21,080 Speaker 1: to be like top five? Yeah, Einstein, Steph Curry, Simanbile's, 30 00:02:21,160 --> 00:02:27,200 Speaker 1: Quincy Jones, Bridget Todd, I mean, fucking Michael Caine, It's 31 00:02:27,240 --> 00:02:32,919 Speaker 1: got what the until just now that you're saying Michael Caine, 32 00:02:33,200 --> 00:02:35,520 Speaker 1: I thought you were saying Mike Cocaine, which is the 33 00:02:35,600 --> 00:02:41,200 Speaker 1: joke of like, yeah, exactly, got it very late as 34 00:02:41,240 --> 00:02:44,280 Speaker 1: as I want to do I have your do today? 35 00:02:44,320 --> 00:02:48,320 Speaker 1: That's yeah. Yeah, it does feel like I really liked 36 00:02:48,400 --> 00:02:50,320 Speaker 1: that joke from Rachel though, because I feel like that 37 00:02:50,440 --> 00:02:54,600 Speaker 1: is the perfect encapsulation of the pandemic. Boring as ship 38 00:02:54,680 --> 00:02:58,839 Speaker 1: and passing by incredibly rapidly. Uh I can't believe it's 39 00:02:58,840 --> 00:03:03,120 Speaker 1: March already, and yet nothing has happened. And yet everything 40 00:03:03,160 --> 00:03:07,000 Speaker 1: has happened. What is something from your search history that's 41 00:03:07,040 --> 00:03:10,799 Speaker 1: revealing about who you are? Well, real quick, before I forget, 42 00:03:10,800 --> 00:03:13,400 Speaker 1: I just want to say happy birthday to my mom. 43 00:03:13,400 --> 00:03:17,520 Speaker 1: It's it's my mom's birthday. Her name is Penny. Happy birthday, 44 00:03:17,520 --> 00:03:26,000 Speaker 1: Penny Birthday. She's she's thirty nine. Uh So, happy birthday Mom. Okay, 45 00:03:26,040 --> 00:03:30,680 Speaker 1: So my internet searched lately. I mean I've been watching YouTube, um, 46 00:03:30,720 --> 00:03:33,560 Speaker 1: you know, mostly to get through I mean just I mean, well, 47 00:03:33,600 --> 00:03:35,120 Speaker 1: that's not really true, because I watched a ton of 48 00:03:35,160 --> 00:03:38,120 Speaker 1: YouTube before the pandemic, So I guess I just watched 49 00:03:38,400 --> 00:03:42,760 Speaker 1: YouTube to get through life. But um, I've been watching 50 00:03:42,760 --> 00:03:45,440 Speaker 1: a lot of I mean I kind of ran. I 51 00:03:45,480 --> 00:03:48,320 Speaker 1: watched tons of vintage nineteen eighties wrestling, so I searched, 52 00:03:49,000 --> 00:03:51,360 Speaker 1: you know, all the nineteen eighties wrestling, but I've seen 53 00:03:51,480 --> 00:03:54,280 Speaker 1: like quite a bit of it. Um And uh So, 54 00:03:54,320 --> 00:03:56,560 Speaker 1: now I've been back on one of my old favorites, 55 00:03:56,600 --> 00:04:02,240 Speaker 1: which is the jfk assassination. Uh And since it's never 56 00:04:02,240 --> 00:04:04,000 Speaker 1: going to be resolved. It's one of those things you 57 00:04:04,000 --> 00:04:08,880 Speaker 1: can just keep going back to, and it's got great characters, 58 00:04:09,000 --> 00:04:13,800 Speaker 1: and it's got great grainy interviews with people, and you 59 00:04:13,840 --> 00:04:18,160 Speaker 1: can hear all about phone booths and and phone books 60 00:04:18,200 --> 00:04:20,400 Speaker 1: and all kinds of old things that don't exist anymore. 61 00:04:20,560 --> 00:04:23,720 Speaker 1: You can, and you can hear mostly about my favorite guy, 62 00:04:23,960 --> 00:04:29,520 Speaker 1: badge Man. Oh ship, and you okay, because I was 63 00:04:29,560 --> 00:04:31,520 Speaker 1: told that going into this that Jack was some kind 64 00:04:31,520 --> 00:04:34,720 Speaker 1: of okay. When you started saying JFK, Jack started cracking 65 00:04:34,760 --> 00:04:36,680 Speaker 1: his knuckles and rolling his neck. He was about to 66 00:04:36,680 --> 00:04:40,479 Speaker 1: step in the octagon. But what's Badgeman? Okay? Well, technically 67 00:04:40,520 --> 00:04:43,599 Speaker 1: badge Man is not. Really he's not a real thing, 68 00:04:43,800 --> 00:04:47,400 Speaker 1: but that doesn't stop me from watching. Well, no, I'm 69 00:04:47,440 --> 00:04:50,120 Speaker 1: actually given that because that's a deal. I didn't mean 70 00:04:50,120 --> 00:04:52,960 Speaker 1: to attack to attack. Oh you never heard of this 71 00:04:53,000 --> 00:04:55,080 Speaker 1: made up thing? I just said, No, it's like a 72 00:04:55,480 --> 00:04:57,960 Speaker 1: it's a real thing that people talk about. But I 73 00:04:58,000 --> 00:05:00,240 Speaker 1: do not believe that that is a man with a 74 00:05:00,279 --> 00:05:04,279 Speaker 1: badge on the grassy knoll. But there was this guy 75 00:05:04,400 --> 00:05:08,000 Speaker 1: who shot film from the other side, not the Zippruter side, 76 00:05:08,640 --> 00:05:10,960 Speaker 1: and I can't remember his name right now. Should have 77 00:05:10,960 --> 00:05:13,159 Speaker 1: had written down. But anyway, his name is like I 78 00:05:13,200 --> 00:05:15,800 Speaker 1: don't know, so he he but he shot film from 79 00:05:15,880 --> 00:05:20,160 Speaker 1: the other side when JFK was being shot, so he 80 00:05:20,279 --> 00:05:23,120 Speaker 1: got the grassy knoll in it, but he was pretty 81 00:05:23,120 --> 00:05:28,040 Speaker 1: far away. So a bunch of like nineties seventies photo 82 00:05:28,120 --> 00:05:32,839 Speaker 1: and largers, you know, like these dudes with like yeah, 83 00:05:32,920 --> 00:05:36,640 Speaker 1: a bunch of guys, guys, a bunch of guys with 84 00:05:36,720 --> 00:05:40,280 Speaker 1: magnifying glasses who were smoking, looked really closely at these 85 00:05:40,320 --> 00:05:43,760 Speaker 1: pictures and found what they think is a man wearing 86 00:05:43,760 --> 00:05:46,800 Speaker 1: a badge finery a gun. Now. The only problem with 87 00:05:46,839 --> 00:05:49,640 Speaker 1: that and I can see, but they have to really 88 00:05:49,720 --> 00:05:52,560 Speaker 1: point it out, and they don't. They're so convinced there's 89 00:05:52,600 --> 00:05:54,360 Speaker 1: a man with a badge shooting a gun that they 90 00:05:54,400 --> 00:05:56,520 Speaker 1: don't even point it out. There's like there he is, 91 00:05:57,200 --> 00:06:01,200 Speaker 1: and you're looking at nothing. And then then fine, they'll superimpose, 92 00:06:01,320 --> 00:06:04,360 Speaker 1: like they're like, all right, if you want proof, here's 93 00:06:04,400 --> 00:06:07,640 Speaker 1: a little superimposed outline of them. Since you're a beginner 94 00:06:08,000 --> 00:06:11,480 Speaker 1: at looking at men firing guns, I guess because right there, 95 00:06:12,600 --> 00:06:14,920 Speaker 1: you know what I mean, Oh, you think it looks 96 00:06:14,960 --> 00:06:17,200 Speaker 1: like a bush? What must be because you think everybody 97 00:06:17,240 --> 00:06:20,800 Speaker 1: firing a gun looks like a bush. Um, that's a 98 00:06:20,880 --> 00:06:23,200 Speaker 1: disorder you have. But I guess if I have to, 99 00:06:23,279 --> 00:06:25,240 Speaker 1: I'll show you the outline of the man there. I 100 00:06:25,240 --> 00:06:27,960 Speaker 1: think it looks like a bush, as in George H. W. Bush, 101 00:06:28,040 --> 00:06:31,680 Speaker 1: who was in Dallas that day. I have a three 102 00:06:31,680 --> 00:06:37,599 Speaker 1: tramps tattoo, and are the three tramps Nixon, George W. 103 00:06:37,839 --> 00:06:41,920 Speaker 1: George H. W. Bush, and uh lb J. I'm I 104 00:06:41,960 --> 00:06:46,200 Speaker 1: believe that. I mean, I believe, I really recreationally believe 105 00:06:46,400 --> 00:06:51,840 Speaker 1: a lot of things, you know, recreational recreational belief that 106 00:06:52,160 --> 00:06:55,000 Speaker 1: I actually think the third tramp is a young Bill Paxton. 107 00:06:55,240 --> 00:06:57,120 Speaker 1: A lot of people talk about how strange it was 108 00:06:57,160 --> 00:06:59,880 Speaker 1: that George H. W. Bush was there. Uh Not many 109 00:07:00,000 --> 00:07:04,320 Speaker 1: people realize a like eight year old Bill Paxton was 110 00:07:04,400 --> 00:07:07,279 Speaker 1: just down the street and has been photographed on his 111 00:07:07,360 --> 00:07:12,080 Speaker 1: dad's shoulders. Is that true? Yeah, that's true. George H. 112 00:07:12,240 --> 00:07:16,120 Speaker 1: Will was thrown up, oh Bill Paxton? Oh yeah, yeah, No, 113 00:07:16,200 --> 00:07:19,440 Speaker 1: George H. W. Was there behind the scenes coordinating the 114 00:07:19,480 --> 00:07:22,800 Speaker 1: whole thing. Okay, So Bill Paxton was on George H. W. 115 00:07:22,880 --> 00:07:26,360 Speaker 1: Bush's shoulder, That's interesting. So uh and he was full grown. 116 00:07:26,400 --> 00:07:29,000 Speaker 1: That's weird because Bill paxts Okay, full grown Bill Paxton 117 00:07:29,320 --> 00:07:32,440 Speaker 1: was on George H. W. Bush's shoulders inside and overcoat 118 00:07:32,480 --> 00:07:34,440 Speaker 1: and he was one of the tramps. That is interesting. 119 00:07:35,080 --> 00:07:37,520 Speaker 1: So the Three Tramps for people listening to Daily Side Guys, 120 00:07:37,600 --> 00:07:41,600 Speaker 1: they're these three guys that they think we're undercover CIA 121 00:07:41,720 --> 00:07:44,920 Speaker 1: guys or else assassins that were dressed as hoboes like 122 00:07:45,000 --> 00:07:49,559 Speaker 1: train train hoppers and and they you know, so people 123 00:07:49,600 --> 00:07:52,680 Speaker 1: like compare their silhouettes. There's pictures of them. But you know, 124 00:07:52,720 --> 00:07:56,920 Speaker 1: so people think, like Woody Harrelson's father, they think Harrelson's 125 00:07:56,960 --> 00:07:59,040 Speaker 1: father might be one of them because Woody Harrelson's father 126 00:07:59,040 --> 00:08:01,240 Speaker 1: claimed he shot j F. A and he was a 127 00:08:01,280 --> 00:08:05,520 Speaker 1: guy who Yeah, so anyway, it's just good stuff and 128 00:08:05,640 --> 00:08:07,960 Speaker 1: uh and uh, the three Tramps for these guys that 129 00:08:08,680 --> 00:08:11,320 Speaker 1: if you get into it, it's it's pretty fun. And uh, 130 00:08:11,360 --> 00:08:15,880 Speaker 1: I mean if if if if let's say, if JFK 131 00:08:15,920 --> 00:08:19,320 Speaker 1: assassination was Woodstock nine, like the three Tramps would be 132 00:08:19,400 --> 00:08:24,000 Speaker 1: like corn. Uh. Yeah, So I'm gonna get a three 133 00:08:24,040 --> 00:08:27,800 Speaker 1: Tramps tattoo. I'm also getting a triple underpass tattoo. And 134 00:08:30,000 --> 00:08:34,160 Speaker 1: the other thing was badge oh badge man. Yeah, And 135 00:08:34,160 --> 00:08:37,120 Speaker 1: I kind of think that the funniest thing about Badge 136 00:08:37,160 --> 00:08:42,240 Speaker 1: Man is that his head like he's not proportional. So 137 00:08:42,280 --> 00:08:43,880 Speaker 1: even if he does look like a man with a 138 00:08:43,920 --> 00:08:48,080 Speaker 1: badge on his head would be like yeah, two or 139 00:08:48,120 --> 00:08:50,760 Speaker 1: three ft like three ft tall and his badge and 140 00:08:50,800 --> 00:08:56,360 Speaker 1: maybe like his badge is maybe like like a millimeter big, 141 00:08:56,440 --> 00:08:59,520 Speaker 1: and then shops are like fifteen ft tall. So I mean, 142 00:09:00,400 --> 00:09:03,600 Speaker 1: I'm just saying, when you're looking at crimes, never underestimate 143 00:09:03,880 --> 00:09:11,920 Speaker 1: the fuck I'm forgetting the word now, cold gas study. 144 00:09:12,200 --> 00:09:17,800 Speaker 1: Never underestimate the cold gass uh, never underestimate the mascot community, 145 00:09:17,880 --> 00:09:20,200 Speaker 1: is what I was going to say. Yeah, so Badge 146 00:09:20,200 --> 00:09:22,160 Speaker 1: Man is this guy anyways, you can look him up. 147 00:09:22,160 --> 00:09:25,840 Speaker 1: He's called badge Man and he's not real and um, 148 00:09:25,880 --> 00:09:27,720 Speaker 1: but there's a lot of people who talk about him 149 00:09:27,800 --> 00:09:31,160 Speaker 1: endlessly and I like watching it. What is something from 150 00:09:31,160 --> 00:09:34,080 Speaker 1: your search history? So this is a little bit of 151 00:09:34,080 --> 00:09:36,600 Speaker 1: a weird one. But Jack, I think you might feel 152 00:09:36,640 --> 00:09:39,160 Speaker 1: me on this because you are a fellow Whologan. You 153 00:09:39,200 --> 00:09:41,960 Speaker 1: listen to the podcast who Weekly, Yeah, yeah, I do. 154 00:09:42,559 --> 00:09:44,600 Speaker 1: So they had an episode I think just the other 155 00:09:44,679 --> 00:09:49,959 Speaker 1: day about Lance Bass in space. So if you haven't 156 00:09:49,960 --> 00:09:52,840 Speaker 1: listened yet, I haven't listened for a couple of weeks. Okay, 157 00:09:52,880 --> 00:09:55,080 Speaker 1: the last thing I googled was a picture of Lance 158 00:09:55,120 --> 00:09:57,599 Speaker 1: Bass in space, because do you remember how there was 159 00:09:57,640 --> 00:09:59,920 Speaker 1: a whole thing about how Lance Bass was going to space? 160 00:10:00,080 --> 00:10:04,920 Speaker 1: Lance Bass from uh And the reason why he didn't 161 00:10:04,960 --> 00:10:07,920 Speaker 1: go is because when he was undergoing you know, all 162 00:10:07,960 --> 00:10:10,120 Speaker 1: the tests or procedures or whatever to get him up there, 163 00:10:10,160 --> 00:10:13,040 Speaker 1: he realized he had a medical condition that was fairly 164 00:10:13,080 --> 00:10:15,680 Speaker 1: serious for which he needed surgery. And so in a 165 00:10:15,760 --> 00:10:18,160 Speaker 1: kind of way, that like saved his life. But because 166 00:10:18,200 --> 00:10:20,920 Speaker 1: they had already done the funding and whatnot and the 167 00:10:20,960 --> 00:10:23,920 Speaker 1: calibrations for the weight of going into space, they had 168 00:10:23,960 --> 00:10:26,440 Speaker 1: to they couldn't just not have him go, because I 169 00:10:26,440 --> 00:10:29,000 Speaker 1: guess the weight needs to be very precise. So they 170 00:10:29,080 --> 00:10:35,040 Speaker 1: replaced Lance Bass with a Lance Bass shaped barrel. They 171 00:10:35,120 --> 00:10:39,280 Speaker 1: took up the same amount of weight as actual Lance Bass. Okay, 172 00:10:39,920 --> 00:10:41,720 Speaker 1: so I had to go down a deep after I 173 00:10:41,760 --> 00:10:44,440 Speaker 1: had to pause who weekly and go down a deep 174 00:10:44,480 --> 00:10:48,319 Speaker 1: Google dive finding out more about this Lance Bass shaped barrel. 175 00:10:49,280 --> 00:10:52,800 Speaker 1: Lance Bass is apparently, uh, he's he's a friend of 176 00:10:52,840 --> 00:10:57,720 Speaker 1: the network. A lovely guy has appeared on Will You 177 00:10:57,760 --> 00:11:01,599 Speaker 1: Accept This Rose? And Oh my God, a great come on, 178 00:11:02,760 --> 00:11:06,800 Speaker 1: come on, come on, and yeah, tell us more about 179 00:11:06,840 --> 00:11:10,560 Speaker 1: your like your your journey. There wouldn't be a journey 180 00:11:10,559 --> 00:11:12,960 Speaker 1: to space like the closest thing to that one, like 181 00:11:12,960 --> 00:11:15,480 Speaker 1: where Homer goes to space. You know. It was like 182 00:11:15,559 --> 00:11:18,120 Speaker 1: Lance Bass and they're like, wow cool. The one last 183 00:11:18,120 --> 00:11:20,760 Speaker 1: thing I remember was in local in the local l 184 00:11:20,800 --> 00:11:23,000 Speaker 1: A Valley area. He was causing ways because he was 185 00:11:23,040 --> 00:11:24,520 Speaker 1: in a full he was trying to buy the Brady 186 00:11:24,520 --> 00:11:27,360 Speaker 1: Bunch house. Uh, and then like lost to like h 187 00:11:27,400 --> 00:11:29,480 Speaker 1: G TV or something, and it was a big thing. 188 00:11:30,400 --> 00:11:34,120 Speaker 1: Um and apparently and this is not official, I may 189 00:11:34,120 --> 00:11:39,480 Speaker 1: be telling tales out of school, but uh, Lance Bass 190 00:11:39,600 --> 00:11:44,280 Speaker 1: and our iHeart podcast host Maven one of the Great 191 00:11:44,400 --> 00:11:48,679 Speaker 1: Arden Marine We're supposed to Amazing Race together as a 192 00:11:48,800 --> 00:11:52,760 Speaker 1: duo this past year, but the pandemic push it back. 193 00:11:52,960 --> 00:11:57,440 Speaker 1: Oh my, but hopefully the future like two of the 194 00:11:57,559 --> 00:12:02,120 Speaker 1: Great Arden, Like I want her do literally anything. Yeah, 195 00:12:02,160 --> 00:12:05,160 Speaker 1: it just as long as it involves her interacting with people, 196 00:12:05,520 --> 00:12:07,720 Speaker 1: right right right. And also like she's just gonna tort 197 00:12:07,760 --> 00:12:11,800 Speaker 1: your Lance. I'm interested like when it gets you know, 198 00:12:11,800 --> 00:12:14,440 Speaker 1: because it gets tense sometimes on the Amazing Race, Like 199 00:12:14,480 --> 00:12:16,600 Speaker 1: what happens you know what happens then, because that's what 200 00:12:16,800 --> 00:12:19,319 Speaker 1: that's I feel like I'm the Amazing Race. When it 201 00:12:19,440 --> 00:12:22,920 Speaker 1: was Couples that you were watching a couple, a couple 202 00:12:23,120 --> 00:12:26,200 Speaker 1: spiral into a divorce in real time, it was like, wow, 203 00:12:26,240 --> 00:12:29,680 Speaker 1: they are really on the edge. Yeah, it's like, oh wow, great, 204 00:12:29,679 --> 00:12:32,200 Speaker 1: they're using this across the world game show to reveal 205 00:12:32,280 --> 00:12:37,800 Speaker 1: that they have no communications skills. I was soft approached, Well, 206 00:12:37,840 --> 00:12:40,520 Speaker 1: my wife was soft approached about doing amazing rate the 207 00:12:40,520 --> 00:12:43,520 Speaker 1: Amazing Race because her sister was on Survivor and they 208 00:12:43,559 --> 00:12:47,480 Speaker 1: share a bunch of the same producers. And my wife 209 00:12:48,360 --> 00:12:51,920 Speaker 1: was on Survivor for like the Family Challenge, and the 210 00:12:51,960 --> 00:12:54,480 Speaker 1: producers liked her enough that they were like, hey, what 211 00:12:54,600 --> 00:12:58,160 Speaker 1: about what about this? Uh? And then you showed up. 212 00:12:58,520 --> 00:13:01,120 Speaker 1: Yeah there she was like, I don't I don't think 213 00:13:01,160 --> 00:13:05,080 Speaker 1: we'd make it. Uh. Now she was on medical school. Also, 214 00:13:05,200 --> 00:13:08,160 Speaker 1: I'm not a better reason. I am the least built 215 00:13:08,200 --> 00:13:11,120 Speaker 1: for reality television human being that I can that I 216 00:13:11,160 --> 00:13:16,360 Speaker 1: can imagine. Uh, the internal uh, introverts don't do great 217 00:13:16,480 --> 00:13:19,680 Speaker 1: on reality TV. I'm sure they would have tested me 218 00:13:19,800 --> 00:13:21,560 Speaker 1: right out of there. Yeah. The producers probably would have 219 00:13:21,559 --> 00:13:22,880 Speaker 1: sucked with you to the point that it would have 220 00:13:22,920 --> 00:13:25,720 Speaker 1: been like abuse, yeah, because that's like that's their job. 221 00:13:25,760 --> 00:13:27,240 Speaker 1: It's like if someone's born, it's like all right, we'll 222 00:13:27,240 --> 00:13:30,960 Speaker 1: start fucking with them, so they'll react on camera where 223 00:13:31,000 --> 00:13:32,880 Speaker 1: they would have just like tried to set my wife 224 00:13:32,920 --> 00:13:36,040 Speaker 1: up with somebody else who's just a cool Like what 225 00:13:36,080 --> 00:13:40,280 Speaker 1: do you think Jack Magnus and your wife are hitting 226 00:13:40,280 --> 00:13:44,160 Speaker 1: it off pretty well? There Jack crying in the confessional 227 00:13:44,720 --> 00:13:55,080 Speaker 1: yand Magness Magnus. Uh, I would have to just take 228 00:13:55,120 --> 00:13:59,440 Speaker 1: my hat off to something Magnet Magnus. Yeah, what is 229 00:13:59,440 --> 00:14:02,040 Speaker 1: something for me search history that is revealing about who 230 00:14:02,040 --> 00:14:05,600 Speaker 1: you are, what you're up to? Well, um, I hope 231 00:14:05,640 --> 00:14:07,280 Speaker 1: you guys can relate to this because it will be 232 00:14:07,280 --> 00:14:10,800 Speaker 1: more fun. But my most recent interesting one is c 233 00:14:11,000 --> 00:14:15,800 Speaker 1: k Y Videos. Do you guys remember c k Y 234 00:14:15,880 --> 00:14:19,120 Speaker 1: the DVD somewhere mag Garage right now? Less you Yeah, 235 00:14:19,160 --> 00:14:22,440 Speaker 1: so we're working on an episode. Um And in case 236 00:14:22,480 --> 00:14:25,520 Speaker 1: people don't know, I host a podcast called American Hysteria 237 00:14:25,640 --> 00:14:30,240 Speaker 1: covers moral panics, conspiracy theories, urban legends, fantastical thinking, but 238 00:14:30,520 --> 00:14:34,760 Speaker 1: through um a lens of sort of cultural criticism and 239 00:14:34,960 --> 00:14:38,040 Speaker 1: uh sociology and stuff. So not do these things exist, 240 00:14:38,160 --> 00:14:40,400 Speaker 1: but sort of how does our culture produce these and 241 00:14:40,440 --> 00:14:43,360 Speaker 1: then how do they affect the culture? So anyway, the 242 00:14:44,000 --> 00:14:47,600 Speaker 1: way that c K y UM, which were a series 243 00:14:47,720 --> 00:14:52,280 Speaker 1: of skate videos um by the now famous Jackass Crew. 244 00:14:52,880 --> 00:14:54,720 Speaker 1: Um that's the most simple way to put it. But 245 00:14:54,760 --> 00:14:58,280 Speaker 1: we're doing a episode about influencers right now and the 246 00:14:58,400 --> 00:15:04,040 Speaker 1: culture of like branding people essentially um. And immediately I 247 00:15:04,080 --> 00:15:07,280 Speaker 1: was like, what isn't like, what's an earlier influencer, like 248 00:15:07,400 --> 00:15:11,440 Speaker 1: pre Internet, And I was like, Oh, it's sponsored skating. 249 00:15:11,800 --> 00:15:15,880 Speaker 1: And you guys probably remember like how cool it was 250 00:15:15,960 --> 00:15:18,440 Speaker 1: to be a sponsored skater and like the late nineties, 251 00:15:19,680 --> 00:15:23,360 Speaker 1: that was like that was the Twitter verified check mark, 252 00:15:23,640 --> 00:15:27,640 Speaker 1: it was open way more doors, it was the top. Yeah, 253 00:15:27,760 --> 00:15:30,120 Speaker 1: it was like and you know, there weren't that many 254 00:15:30,160 --> 00:15:32,480 Speaker 1: for a while, and then um, the kind of like 255 00:15:32,560 --> 00:15:36,280 Speaker 1: influencer micro influencer thing happened. And so I've just been 256 00:15:36,320 --> 00:15:41,240 Speaker 1: really diving into the history of marketing skateboarding and the 257 00:15:41,320 --> 00:15:46,280 Speaker 1: idea of like authenticity being so important in branding and 258 00:15:46,880 --> 00:15:48,920 Speaker 1: how there was kind of like back then there was 259 00:15:48,960 --> 00:15:52,960 Speaker 1: nothing as authentic as being just like a fucking skateboarder, 260 00:15:53,000 --> 00:15:55,960 Speaker 1: you know, because it was just middle fingers and weed 261 00:15:56,200 --> 00:15:59,280 Speaker 1: and uh, it was shoes that would hide your weed. 262 00:16:00,360 --> 00:16:04,560 Speaker 1: Just the biggest shoes. It's basically like the platform shoe 263 00:16:04,840 --> 00:16:09,400 Speaker 1: of the masculine world. Platform, Yeah, the pro platform. But 264 00:16:09,480 --> 00:16:11,560 Speaker 1: so that that's kind of revealing about at least what 265 00:16:11,600 --> 00:16:13,120 Speaker 1: I've been doing. And so I've just gotten to go 266 00:16:13,160 --> 00:16:16,800 Speaker 1: back and I was a I was a skater um 267 00:16:16,800 --> 00:16:19,200 Speaker 1: in my day, and just to kind of go back 268 00:16:19,240 --> 00:16:22,960 Speaker 1: and and remember just like pushing, like having someone push 269 00:16:23,080 --> 00:16:26,200 Speaker 1: someone in a shopping cart and launching them into a bush, 270 00:16:26,280 --> 00:16:29,600 Speaker 1: and just like pranks at the mall. And uh, how 271 00:16:30,000 --> 00:16:33,040 Speaker 1: skate culture and prank culture kind of has led us 272 00:16:33,080 --> 00:16:36,080 Speaker 1: to a really different thing. But if you think about 273 00:16:36,080 --> 00:16:39,720 Speaker 1: like the YouTube TikTok houses, like these sponsored skaters were 274 00:16:39,760 --> 00:16:42,200 Speaker 1: just getting like hauled around the country and just being 275 00:16:42,440 --> 00:16:46,520 Speaker 1: showered with cash like ten grand a month and just 276 00:16:47,240 --> 00:16:49,920 Speaker 1: I don't know, it's it's so similar to these weird 277 00:16:50,200 --> 00:16:53,000 Speaker 1: MC mansions full of tick talkers, you know, it's just 278 00:16:53,040 --> 00:16:56,760 Speaker 1: like their wranglers. Yeah, and that's kind of what it was. 279 00:16:56,800 --> 00:17:00,840 Speaker 1: It was like crankout videos. Crank out like the most incendiary. 280 00:17:00,920 --> 00:17:03,720 Speaker 1: I mean, I was like, oh my god, the nineties 281 00:17:03,760 --> 00:17:09,200 Speaker 1: were so bad. People cannot imagine. And you know, it's 282 00:17:09,200 --> 00:17:13,240 Speaker 1: not like I was perfect in so it's just sort 283 00:17:13,280 --> 00:17:17,560 Speaker 1: of like really, it's been just a really fun and 284 00:17:18,040 --> 00:17:23,760 Speaker 1: fascinating dive back into this really um offensive masculine culture 285 00:17:23,800 --> 00:17:25,919 Speaker 1: that kind of is mirrored and like what like Logan 286 00:17:25,960 --> 00:17:27,720 Speaker 1: paul I would say, it's like some kind of a 287 00:17:27,760 --> 00:17:32,199 Speaker 1: continuation of of jackassid and skate pranks. But that's been, uh, 288 00:17:32,359 --> 00:17:36,240 Speaker 1: that's my big fun time lately. It's just watching old 289 00:17:36,280 --> 00:17:39,320 Speaker 1: scate videos. The c k Y video has definitely had 290 00:17:39,400 --> 00:17:42,760 Speaker 1: like a panic in like a Christian Catholic mother set, 291 00:17:42,960 --> 00:17:46,440 Speaker 1: you know, because there was like there's like pentagram iconography 292 00:17:46,480 --> 00:17:48,440 Speaker 1: and some of this stuff and it stood for camp 293 00:17:48,520 --> 00:17:52,239 Speaker 1: kill yourself. Yeah, and like on top of it, it 294 00:17:52,320 --> 00:17:55,960 Speaker 1: was giving every idiot teenager like the idea to break 295 00:17:56,000 --> 00:17:59,320 Speaker 1: their wrists at a local parking lot chopping cart that 296 00:17:59,359 --> 00:18:01,840 Speaker 1: you pushed off a loading dock with no sense of 297 00:18:01,880 --> 00:18:05,520 Speaker 1: what gravity is. Um. So like yeah, I remember people 298 00:18:05,680 --> 00:18:08,399 Speaker 1: be like, oh, like like a c k Ye was 299 00:18:08,440 --> 00:18:10,520 Speaker 1: like oh you have that, like oh that's sick blah 300 00:18:10,520 --> 00:18:12,680 Speaker 1: blah blah. But yeah c k Y two K I 301 00:18:13,080 --> 00:18:17,040 Speaker 1: still I still have that ship somewhere, yeah, because I 302 00:18:17,080 --> 00:18:19,840 Speaker 1: was like, yo, Mike Ballelli beats up three dudes in it. 303 00:18:19,880 --> 00:18:22,359 Speaker 1: Outside of seven eleven. In this one, people were like 304 00:18:22,440 --> 00:18:25,119 Speaker 1: what because it almost it was like a you. It 305 00:18:25,160 --> 00:18:29,600 Speaker 1: was like YouTube on a mixtape. You got skated, you 306 00:18:29,680 --> 00:18:34,600 Speaker 1: got skating, you got pranks, maybe some weird toxic masculinity 307 00:18:34,600 --> 00:18:38,080 Speaker 1: in the form of like misogynistic tropes or whatever, like 308 00:18:38,240 --> 00:18:45,080 Speaker 1: dick jokes and fighting engage jokes, jokes, lots of racism 309 00:18:45,400 --> 00:18:48,280 Speaker 1: like stuff that you're like, oh my god, like the 310 00:18:48,280 --> 00:18:50,800 Speaker 1: stuff needs to put on the boards, even like print 311 00:18:50,880 --> 00:18:53,320 Speaker 1: on boards. Was just like, oh yeah, I remember there 312 00:18:53,400 --> 00:18:55,879 Speaker 1: was like a Chico benez deck that was like of 313 00:18:55,960 --> 00:18:59,199 Speaker 1: a like a dude selling like oranges like out an 314 00:18:59,240 --> 00:19:01,280 Speaker 1: off ramp or something out of a shopping cart. And 315 00:19:01,600 --> 00:19:04,200 Speaker 1: I got the sick As deck right now. Yeah, it's 316 00:19:04,240 --> 00:19:06,080 Speaker 1: just a really different It was a shock. It was 317 00:19:06,080 --> 00:19:09,800 Speaker 1: a really big shock culture time. For sure. Well we 318 00:19:09,880 --> 00:19:13,159 Speaker 1: have that, but it's just transformed a lot. So it 319 00:19:13,240 --> 00:19:16,679 Speaker 1: was named after a band, I guess, and one of 320 00:19:16,720 --> 00:19:20,560 Speaker 1: the drummer for the band was Jesse mar Jarra, who 321 00:19:20,640 --> 00:19:23,840 Speaker 1: is I guess Bam mar Jarre's older brother. So it's 322 00:19:24,040 --> 00:19:27,639 Speaker 1: it also has that like sort of how a scene 323 00:19:27,760 --> 00:19:32,440 Speaker 1: develops in like a small town sort of vibe to it. 324 00:19:32,480 --> 00:19:35,719 Speaker 1: And then suddenly, like Johnny Knoxville's shooting himself in the 325 00:19:35,800 --> 00:19:38,960 Speaker 1: chest point blank range. Like I just watched a video 326 00:19:38,960 --> 00:19:42,360 Speaker 1: of Johnny Knoxville just just shooting himself in the chest 327 00:19:42,400 --> 00:19:44,240 Speaker 1: and he's like, yeah, I didn't know, like this is 328 00:19:44,320 --> 00:19:48,520 Speaker 1: the cheapest bulletproof vest I could find, and she's just like, 329 00:19:48,680 --> 00:19:53,119 Speaker 1: what the fuck? What were we watching? And those guys 330 00:19:53,359 --> 00:19:56,840 Speaker 1: like Johnny Knoxville was already part of that scene like 331 00:19:56,880 --> 00:19:58,959 Speaker 1: from the start, or did he kind of jump on 332 00:19:59,000 --> 00:20:02,520 Speaker 1: it once it I wasn't part of the why he came, 333 00:20:02,640 --> 00:20:04,840 Speaker 1: Like c K was its own thing, and then it 334 00:20:04,960 --> 00:20:08,640 Speaker 1: started got it blended I don't know through, but yeah, 335 00:20:08,680 --> 00:20:10,560 Speaker 1: that's when I'm I don't know if that's when Spike 336 00:20:10,640 --> 00:20:14,800 Speaker 1: Jones just to marry the two groups together to make Jackass, 337 00:20:14,880 --> 00:20:17,000 Speaker 1: but I know Spike Jones was the next he was 338 00:20:17,080 --> 00:20:20,560 Speaker 1: involved in it. Yeah, And he was like really responsible 339 00:20:20,600 --> 00:20:23,280 Speaker 1: for like weaving in skate culture into like music videos 340 00:20:23,280 --> 00:20:26,800 Speaker 1: like Best Boys and all kinds of like you know, everything. 341 00:20:26,840 --> 00:20:29,040 Speaker 1: He was doing commercials and stuff, just like weaving in 342 00:20:29,400 --> 00:20:33,560 Speaker 1: skateboarding until it became this like really common trend and 343 00:20:33,640 --> 00:20:41,040 Speaker 1: enriched zooms essentially, yea, authenticity is so important and yet 344 00:20:41,240 --> 00:20:45,280 Speaker 1: like they just pulled that in and made it inauthentic 345 00:20:45,560 --> 00:20:51,359 Speaker 1: and yeah, yeah, I uh Robert Evans on a recent 346 00:20:51,400 --> 00:20:55,920 Speaker 1: episode of Bastards with Jamie Loftus about the Man No 347 00:20:56,080 --> 00:21:01,560 Speaker 1: Sphere and that sort of toxic masculinity sort of like 348 00:21:01,640 --> 00:21:04,879 Speaker 1: the Alpha and now there's a Sigma Mail and all 349 00:21:04,920 --> 00:21:08,080 Speaker 1: that ship. It's a really good episode. But they there's 350 00:21:08,119 --> 00:21:12,240 Speaker 1: a theory they talked about that capitalism is basically a 351 00:21:12,320 --> 00:21:17,080 Speaker 1: really smart um ai that has like basically reached the 352 00:21:17,080 --> 00:21:22,760 Speaker 1: singularity because it just immediately incorporates and like always makes 353 00:21:22,840 --> 00:21:26,960 Speaker 1: the right like move to counter whatever attacks it and 354 00:21:27,080 --> 00:21:32,959 Speaker 1: like incorporates it into into its great or you know 355 00:21:33,240 --> 00:21:37,439 Speaker 1: logic basically, which makes a lot of sense. Well, and 356 00:21:37,480 --> 00:21:39,520 Speaker 1: you know it was, I mean, we'll we have we're 357 00:21:39,560 --> 00:21:42,800 Speaker 1: covering this in our episode coming up. But it's uh 358 00:21:42,920 --> 00:21:45,359 Speaker 1: a lot of influencer marketing. As we know, it was 359 00:21:45,400 --> 00:21:50,400 Speaker 1: actually designed by Freud's nephew, and uh it's very Yeah, 360 00:21:50,600 --> 00:21:53,160 Speaker 1: I don't know if you guys know about him, Edward Burnet's, 361 00:21:53,240 --> 00:21:55,320 Speaker 1: but it's we're going to get into that and it's 362 00:21:55,440 --> 00:21:59,679 Speaker 1: just really Freudian like the way that advertising involved is 363 00:22:00,320 --> 00:22:05,080 Speaker 1: super entwined with psychotherapy, which is just so creepy because 364 00:22:05,160 --> 00:22:09,520 Speaker 1: consumer culture it insists on having unhappy people for it 365 00:22:09,560 --> 00:22:13,000 Speaker 1: to thrive. Like, if you're fully realized and self actualized, 366 00:22:13,200 --> 00:22:15,760 Speaker 1: you might not need to reach for these products to 367 00:22:16,000 --> 00:22:19,800 Speaker 1: be like this constant spend cycle of the advertiser dangling 368 00:22:19,840 --> 00:22:22,680 Speaker 1: the thing and the lifestyle they think you want and say, 369 00:22:22,720 --> 00:22:25,719 Speaker 1: if you buy this, then you could be this. And 370 00:22:25,760 --> 00:22:28,280 Speaker 1: I think that's the other part is like it also benefits, 371 00:22:28,560 --> 00:22:32,000 Speaker 1: you know, this consumer culture capitalism to have as many 372 00:22:32,080 --> 00:22:35,320 Speaker 1: unhappy people as well, because you know, happy people don't 373 00:22:35,320 --> 00:22:38,440 Speaker 1: buy as much crap. Yeah, and then the unhappy people 374 00:22:38,560 --> 00:22:42,360 Speaker 1: create great art that they can then uh incorporate into 375 00:22:42,800 --> 00:22:47,960 Speaker 1: the capitalists uh slipstream. Right. Yeah, it's a it's a 376 00:22:48,000 --> 00:22:52,840 Speaker 1: great system they've designed, uh or that's designed it. Yeah, 377 00:22:52,880 --> 00:22:55,879 Speaker 1: it certainly works. The loud thing just some people to 378 00:22:55,960 --> 00:22:57,520 Speaker 1: those about Spike Jones, you know that. I don't know 379 00:22:57,520 --> 00:23:00,960 Speaker 1: if you've heard the Spiegel catalog. He's he isn't he 380 00:23:01,160 --> 00:23:04,600 Speaker 1: comes from this. His name is Sam Spiegel or whatever 381 00:23:04,680 --> 00:23:07,560 Speaker 1: Spiegel um and he changed it to Jones because it 382 00:23:07,640 --> 00:23:11,240 Speaker 1: was like a very very famous mail order catalog that 383 00:23:11,359 --> 00:23:14,080 Speaker 1: was like, you know, huge and like the early twentieth century, 384 00:23:14,440 --> 00:23:16,399 Speaker 1: so you know, gotta gotta change the name around so 385 00:23:16,440 --> 00:23:19,800 Speaker 1: they don't know you. You know, you're a rich boy Spike. Wow, 386 00:23:20,080 --> 00:23:21,800 Speaker 1: that's cool. I didn't know that. And isn't he with 387 00:23:21,880 --> 00:23:25,080 Speaker 1: Sofia Coppola. It's like, Oh, it's all wonderful. I love it. 388 00:23:24,720 --> 00:23:29,920 Speaker 1: I love he was his character Giovanni Ribisi in Lost 389 00:23:29,920 --> 00:23:35,719 Speaker 1: in Translation is his character. Yeah, but that's interesting that, 390 00:23:35,800 --> 00:23:38,520 Speaker 1: like he's been part of a marketing dynasty because I 391 00:23:38,600 --> 00:23:43,120 Speaker 1: didn't know that. I'm gonna have to weave that in. Thanks. Yeah, 392 00:23:42,560 --> 00:23:49,160 Speaker 1: a nepotism and marketing the two defining forces of America. Alright, guys, 393 00:23:49,240 --> 00:23:52,480 Speaker 1: let's take a quick break and we will be right back. 394 00:24:02,800 --> 00:24:06,080 Speaker 1: And we're back. Uh And what is something you think 395 00:24:06,160 --> 00:24:09,359 Speaker 1: is overrated? Well? This is this goes back to what 396 00:24:09,359 --> 00:24:14,280 Speaker 1: we were talking about before. But um, brand activism. Um 397 00:24:14,440 --> 00:24:16,840 Speaker 1: is something I've been thinking about a lot. And you know, 398 00:24:17,040 --> 00:24:20,800 Speaker 1: part of our episode focuses on the Kendall Jenner pepsi 399 00:24:21,040 --> 00:24:25,320 Speaker 1: scandal um that we all remember. I'm sure, um, but 400 00:24:26,400 --> 00:24:29,280 Speaker 1: got me thinking as I'm watching all of this stuff 401 00:24:29,359 --> 00:24:32,399 Speaker 1: unfold on Twitter and for people who don't know. I 402 00:24:32,440 --> 00:24:35,600 Speaker 1: am non binary. UM, I use the then pronouns. And 403 00:24:35,960 --> 00:24:39,119 Speaker 1: so this week has been real fun for me. So 404 00:24:39,640 --> 00:24:44,600 Speaker 1: but you know, it's it's like watching, um, watching things 405 00:24:44,680 --> 00:24:50,800 Speaker 1: happen like the potato folks now who are not gendered. Um, 406 00:24:50,880 --> 00:24:54,600 Speaker 1: and you know that that whole thing of like oh well, 407 00:24:54,640 --> 00:24:57,360 Speaker 1: like I mean a lot of people were pissed off 408 00:24:57,400 --> 00:25:00,080 Speaker 1: and thought it was you know, super stupid and everything. 409 00:25:00,280 --> 00:25:03,639 Speaker 1: But I think, you know, it's nice, it's nice, you know, 410 00:25:03,760 --> 00:25:08,639 Speaker 1: but for me, it doesn't feel authentic necessarily. And I 411 00:25:08,720 --> 00:25:11,639 Speaker 1: know that uh sixty four this is really important. I 412 00:25:11,640 --> 00:25:15,000 Speaker 1: think six of millennials and this is you know, polls 413 00:25:15,040 --> 00:25:17,760 Speaker 1: are weird, but this is sort of what companies are 414 00:25:17,960 --> 00:25:21,359 Speaker 1: banking on. Is this particular study that says six of 415 00:25:21,359 --> 00:25:25,520 Speaker 1: millennials will buy from brands that their values align right. 416 00:25:25,600 --> 00:25:30,360 Speaker 1: So it's like there's a huge amount of money in 417 00:25:30,359 --> 00:25:35,080 Speaker 1: in being part of movements the way PEPSI tried to 418 00:25:35,160 --> 00:25:38,800 Speaker 1: sort of exploit the Black Lives Matter protests and everything. Um. 419 00:25:38,880 --> 00:25:42,000 Speaker 1: And I think what's so interesting is like I didn't 420 00:25:42,000 --> 00:25:45,880 Speaker 1: ask for the potato heads to not have genders. I mean, 421 00:25:46,080 --> 00:25:49,400 Speaker 1: what they're they're one potatoes too. You can switch their 422 00:25:49,440 --> 00:25:52,280 Speaker 1: parts already, so like you can put you can put 423 00:25:52,280 --> 00:25:54,560 Speaker 1: the high heels on with the little bowl or hat, 424 00:25:54,640 --> 00:25:58,320 Speaker 1: it doesn't matter. But like I don't I don't think 425 00:25:58,359 --> 00:26:02,040 Speaker 1: there was like an outcry from trans and non binary 426 00:26:02,080 --> 00:26:06,119 Speaker 1: people to do away with the genders of the potatoes. Um, 427 00:26:06,400 --> 00:26:09,720 Speaker 1: And yet now all of the hate is like falling 428 00:26:09,720 --> 00:26:12,960 Speaker 1: back on, like as if we demanded this and we're 429 00:26:12,960 --> 00:26:16,200 Speaker 1: being totally unreasonable. So it's this like like they get 430 00:26:16,240 --> 00:26:18,879 Speaker 1: to look good and then we get to like carry 431 00:26:18,880 --> 00:26:23,280 Speaker 1: the brunt as ridiculous as that, maybe from whomever decides 432 00:26:23,320 --> 00:26:26,760 Speaker 1: to think that that's a horrible or ridiculous or you know, 433 00:26:26,800 --> 00:26:28,880 Speaker 1: the left is going too far again thing, But it's 434 00:26:28,920 --> 00:26:32,919 Speaker 1: like the left did did did we demand that? Or 435 00:26:32,960 --> 00:26:35,920 Speaker 1: was that just an opportunity that they saw to market too. 436 00:26:36,200 --> 00:26:39,280 Speaker 1: I think it's just it's open for attacks from the 437 00:26:39,440 --> 00:26:42,040 Speaker 1: right and the you know, the culture war context, because 438 00:26:42,200 --> 00:26:45,480 Speaker 1: if you're progressive and you are actually caring about these things, 439 00:26:45,480 --> 00:26:47,879 Speaker 1: you will say like, oh, that's a little that's regressive 440 00:26:48,000 --> 00:26:50,240 Speaker 1: or that's aggressive to have this thing just sort of 441 00:26:50,280 --> 00:26:54,520 Speaker 1: delineated as a binary or whatever. Considering that progressive people 442 00:26:54,520 --> 00:26:58,680 Speaker 1: say and generally like genders are construct is everybody still 443 00:26:58,720 --> 00:27:01,480 Speaker 1: with me, Okay, so then therefore let's look at these things. 444 00:27:01,520 --> 00:27:03,400 Speaker 1: But I think because they know that to be part 445 00:27:03,440 --> 00:27:06,760 Speaker 1: of like progressive culture, that it's like, of course they 446 00:27:06,760 --> 00:27:10,680 Speaker 1: wanted this because everything is gonna It's like, look, there's 447 00:27:11,240 --> 00:27:13,840 Speaker 1: between like yeah, like talking about things on how to 448 00:27:13,920 --> 00:27:16,439 Speaker 1: move forward and trying to paint someone as like a 449 00:27:17,200 --> 00:27:20,080 Speaker 1: you know, maybe there was someone who had a campaign 450 00:27:20,200 --> 00:27:23,720 Speaker 1: against the potato heads, but I there's certainly larger battles 451 00:27:23,760 --> 00:27:28,280 Speaker 1: for me to pick the pro And also a lot 452 00:27:28,320 --> 00:27:31,920 Speaker 1: of trance people use mr or missus like it's not 453 00:27:32,280 --> 00:27:35,320 Speaker 1: it's such a strange. It's just really and I mean, 454 00:27:35,480 --> 00:27:39,560 Speaker 1: obviously potatoes also don't inherently have genders. I think that 455 00:27:39,600 --> 00:27:44,560 Speaker 1: they're like self whatever, I don't know. Science isn't my thing. Yeah, 456 00:27:44,600 --> 00:27:47,320 Speaker 1: there you go. But you know, and of course, like 457 00:27:47,600 --> 00:27:50,240 Speaker 1: another important thing is, like I'm speaking for myself, I'm 458 00:27:50,240 --> 00:27:53,560 Speaker 1: sure that there's lots of queer, you know, gender nonconforming 459 00:27:53,560 --> 00:27:55,680 Speaker 1: people that think that that's wonderful. And it is. I mean, 460 00:27:55,720 --> 00:27:58,640 Speaker 1: it's great. But what's great about it is not Hasbro 461 00:27:58,840 --> 00:28:01,280 Speaker 1: or whatever the company is. It's it's the fact that 462 00:28:01,320 --> 00:28:05,879 Speaker 1: they're reflecting back to us, our own culture through an 463 00:28:05,960 --> 00:28:09,920 Speaker 1: unfortunate medium. But nonetheless we can say, okay, like this 464 00:28:10,040 --> 00:28:12,639 Speaker 1: is the direction culture is going, even if it's messy 465 00:28:12,680 --> 00:28:17,760 Speaker 1: and stupid and shitty and embarrassing and launches us into 466 00:28:17,840 --> 00:28:19,920 Speaker 1: like the spotlight. I mean, we're gonna talk about the 467 00:28:19,960 --> 00:28:21,639 Speaker 1: mumpets and it's kind of you know, it's it's like 468 00:28:21,680 --> 00:28:24,320 Speaker 1: a similar type of thing. But yeah, I think brand 469 00:28:24,359 --> 00:28:29,520 Speaker 1: activism is uh, you know, I mean it's overrated because 470 00:28:29,600 --> 00:28:33,560 Speaker 1: a lot of I think more progressive sort of centrist 471 00:28:33,800 --> 00:28:36,560 Speaker 1: might might see that and think that that's just it's 472 00:28:36,720 --> 00:28:39,920 Speaker 1: just so wonderful, you know, where whereas I'm seeing tweets 473 00:28:39,920 --> 00:28:43,520 Speaker 1: that are just horrible about you know, and then Oreos 474 00:28:43,560 --> 00:28:47,440 Speaker 1: tweets you know, trans people exist, and it's like, oh, okay, 475 00:28:47,520 --> 00:28:52,440 Speaker 1: thank you. You know, it's like, Nibisco, what's your policy 476 00:28:52,600 --> 00:28:55,240 Speaker 1: in terms of your employees if they needed life affirming 477 00:28:55,280 --> 00:28:58,520 Speaker 1: gender resignments or do you do you kick in on that? 478 00:28:58,520 --> 00:29:00,800 Speaker 1: That's that's it, you know, and there's no there's no 479 00:29:00,800 --> 00:29:03,240 Speaker 1: paid leave or anything like that. But the oreoke, well here, 480 00:29:03,280 --> 00:29:05,280 Speaker 1: that's the difference that was in Nobiscos saying that that 481 00:29:05,320 --> 00:29:07,680 Speaker 1: was the cookie talking. They're gonna take that up with 482 00:29:07,720 --> 00:29:09,680 Speaker 1: the cookie, and I don't think the cookie has benefits 483 00:29:09,800 --> 00:29:12,400 Speaker 1: or hr so I don't know. I I feel like 484 00:29:13,520 --> 00:29:17,200 Speaker 1: the it's interesting to you the potato head thing on 485 00:29:17,360 --> 00:29:23,120 Speaker 1: a continuing with the pepsi ad, because I feel like 486 00:29:24,080 --> 00:29:28,400 Speaker 1: the pepsi ad was an example of the brand trying 487 00:29:28,400 --> 00:29:34,400 Speaker 1: to appeal to people who have progressive politics and it's 488 00:29:34,400 --> 00:29:39,320 Speaker 1: just like failed miserably because they first of all, it 489 00:29:39,440 --> 00:29:43,480 Speaker 1: was just poor, like horribly handled, but also, uh, it's 490 00:29:43,560 --> 00:29:47,080 Speaker 1: just a more subtle thing to do that, whereas the 491 00:29:47,560 --> 00:29:50,479 Speaker 1: I do wonder like I would love to see a 492 00:29:50,560 --> 00:29:54,680 Speaker 1: marketing material leak like they had with the logo design 493 00:29:54,760 --> 00:29:57,760 Speaker 1: for pepsi where they were just like posed for twenty 494 00:29:57,760 --> 00:30:00,080 Speaker 1: million dollars by people who were just like throwing going 495 00:30:00,120 --> 00:30:03,480 Speaker 1: out how to use photoshop? Yeah, who knew how to 496 00:30:03,520 --> 00:30:06,400 Speaker 1: use photoshop. But I wonder if this is part of 497 00:30:06,400 --> 00:30:09,200 Speaker 1: the calculus at this point, that because the right is 498 00:30:09,280 --> 00:30:13,600 Speaker 1: just so reliable in its outrage and you know exactly 499 00:30:14,200 --> 00:30:17,920 Speaker 1: what is going to happen when you do something that 500 00:30:18,200 --> 00:30:24,040 Speaker 1: is even remotely progressive in any way that the right 501 00:30:24,160 --> 00:30:27,120 Speaker 1: is going there's going to be an outrage that is 502 00:30:27,200 --> 00:30:31,520 Speaker 1: incredibly reliable and that automatically pits you against, so it 503 00:30:31,520 --> 00:30:34,440 Speaker 1: it's like a safer bet to do something that's designed 504 00:30:34,880 --> 00:30:39,400 Speaker 1: to outrage the right and be safe as opposed to 505 00:30:39,400 --> 00:30:42,440 Speaker 1: like trying to do whatever the funk the pepsi ad 506 00:30:42,560 --> 00:30:44,960 Speaker 1: was trying to do. Yeah, I think there's or it's 507 00:30:45,000 --> 00:30:48,400 Speaker 1: like it's just genius troll marketing. It's like watch but 508 00:30:48,600 --> 00:30:50,880 Speaker 1: nobody give a funk about potato Head. We're gonna do 509 00:30:50,960 --> 00:30:53,800 Speaker 1: this thing. It's going to outrage the right. Every news 510 00:30:53,800 --> 00:30:56,680 Speaker 1: outlet's going to cover it and without paying. Now even 511 00:30:56,720 --> 00:30:59,480 Speaker 1: people have heard, well, has Bro's on the right side 512 00:30:59,480 --> 00:31:02,000 Speaker 1: of the woke wars and that's all they had to 513 00:31:02,040 --> 00:31:05,120 Speaker 1: do was just piss off the right. Um, and that's 514 00:31:05,160 --> 00:31:08,320 Speaker 1: that seems That also seems very like a very feasible 515 00:31:08,400 --> 00:31:11,120 Speaker 1: marketing plan to save money on on your ad Bucks 516 00:31:11,920 --> 00:31:14,040 Speaker 1: because you see it done with other stuff too, Like 517 00:31:14,080 --> 00:31:17,600 Speaker 1: I mean, it's normally just like some sensational product they 518 00:31:17,680 --> 00:31:19,440 Speaker 1: used to get blocks to be like, oh my god, 519 00:31:19,480 --> 00:31:23,240 Speaker 1: a log that smells like beef, but like this ship 520 00:31:23,560 --> 00:31:26,680 Speaker 1: they can get everywhere, like just past of toy blogs 521 00:31:26,720 --> 00:31:29,760 Speaker 1: or food blogs by making by entering the culture wars 522 00:31:29,800 --> 00:31:32,240 Speaker 1: and be like and we're right and honestly the people 523 00:31:32,240 --> 00:31:34,320 Speaker 1: on the right, they just talk shit. What would I 524 00:31:34,360 --> 00:31:40,400 Speaker 1: still see them drinking Kruig and wearing Nike? So yeah, 525 00:31:40,440 --> 00:31:43,840 Speaker 1: I want I want somebody from the marketing world. Uh, 526 00:31:44,200 --> 00:31:47,080 Speaker 1: if anybody, if any it is like GNG works in 527 00:31:47,160 --> 00:31:50,600 Speaker 1: marketing and knows, like I bet there's a term for this. 528 00:31:50,760 --> 00:31:53,760 Speaker 1: Whatever is like basically right wing troll baking. It's and 529 00:31:53,800 --> 00:31:59,000 Speaker 1: it's gonna be so euphemistic. You'll be like organic societal 530 00:31:59,160 --> 00:32:07,680 Speaker 1: reckon silly Asian strategy. So oh, all right, let's talk 531 00:32:07,720 --> 00:32:21,320 Speaker 1: about Q Shaman. He comes and goes, doesn't he do 532 00:32:21,920 --> 00:32:25,000 Speaker 1: as he as he pleases? I mean his mom's like 533 00:32:25,360 --> 00:32:30,400 Speaker 1: main argument was the door was open. Yes, that's it. 534 00:32:30,600 --> 00:32:35,640 Speaker 1: So it got knocked in, right, I mean they how 535 00:32:35,680 --> 00:32:37,880 Speaker 1: is he supposed to know the doors open? They're just 536 00:32:37,960 --> 00:32:40,960 Speaker 1: waiting for him to come. Uh. So he just makes 537 00:32:41,000 --> 00:32:44,120 Speaker 1: these criminals so fucking lazy and pisses me off. The 538 00:32:44,160 --> 00:32:48,640 Speaker 1: door was open, the fuck? That's just because you think 539 00:32:48,680 --> 00:32:52,040 Speaker 1: you can see that ship. Fine, but you've been gassed 540 00:32:52,120 --> 00:32:54,720 Speaker 1: up by society to lead you believe that that is 541 00:32:54,760 --> 00:32:58,520 Speaker 1: a valid defense. So I'll go off. Yeah, it's like 542 00:32:58,640 --> 00:33:06,440 Speaker 1: the affluenza defense, but like just expanded to everyone. It's 543 00:33:06,480 --> 00:33:09,000 Speaker 1: like a Norman Rockwell painting where it's like, oh, my 544 00:33:09,080 --> 00:33:11,959 Speaker 1: child accidentally went into the doctor's office, but it's like 545 00:33:12,040 --> 00:33:16,360 Speaker 1: my baby actually stormed the capital. Sorry about this, it's 546 00:33:16,400 --> 00:33:19,200 Speaker 1: just it's just a bit of Americana for you. So 547 00:33:19,280 --> 00:33:22,840 Speaker 1: he is facing twenty years for his Senate prayer service, 548 00:33:22,920 --> 00:33:25,880 Speaker 1: I think, is how he would describe it. Um and 549 00:33:26,000 --> 00:33:30,800 Speaker 1: CBS is giving him an interview to explain himself. This 550 00:33:30,880 --> 00:33:33,520 Speaker 1: is why Trump's gonna win next time if Trump lives 551 00:33:33,520 --> 00:33:35,320 Speaker 1: for four years. This kind of ship because the media 552 00:33:35,400 --> 00:33:38,600 Speaker 1: is already like, oh well, we can't lose the ratings 553 00:33:38,600 --> 00:33:41,520 Speaker 1: of all the trumpy stuff. Let's take a second to 554 00:33:41,680 --> 00:33:45,040 Speaker 1: humanized face paint screamer really quick. It's so great too 555 00:33:45,080 --> 00:33:47,000 Speaker 1: because of all the Black Lives Matters activists that they 556 00:33:47,040 --> 00:33:50,880 Speaker 1: gave full interviews too over the summer. It's really great. 557 00:33:51,320 --> 00:33:53,640 Speaker 1: I remember when in the midst of it all the 558 00:33:53,680 --> 00:33:56,960 Speaker 1: amount of journalists that were in and amongst the activists 559 00:33:56,960 --> 00:33:59,840 Speaker 1: and protesters asking what it was they were here fighting 560 00:33:59,840 --> 00:34:03,240 Speaker 1: for versus going seven thousand yards away and going I 561 00:34:03,280 --> 00:34:08,560 Speaker 1: think they're throwing fire bombs. Now fuck off anyway, are 562 00:34:08,760 --> 00:34:10,920 Speaker 1: given the same. But see, but I'm saying but these 563 00:34:10,960 --> 00:34:12,680 Speaker 1: are the things too. Back to the other thing that 564 00:34:12,760 --> 00:34:15,320 Speaker 1: a lot of people are seeing, just how fucking lame 565 00:34:15,440 --> 00:34:18,040 Speaker 1: even the media is with ship like that. You like, 566 00:34:18,040 --> 00:34:20,360 Speaker 1: like who the who the funk are y'all anymore? Like 567 00:34:20,400 --> 00:34:22,680 Speaker 1: I don't even like fun all this anyway. So CBS 568 00:34:22,800 --> 00:34:26,400 Speaker 1: this morning running the sick ass interview with Ku Shaman, 569 00:34:27,080 --> 00:34:31,479 Speaker 1: and the clip, you know, starts off being like, you know, fam, 570 00:34:31,600 --> 00:34:34,120 Speaker 1: we think you attacked the nation. And he's just gonna 571 00:34:34,160 --> 00:34:36,520 Speaker 1: go and let you know why this has all just 572 00:34:36,560 --> 00:34:40,280 Speaker 1: been blown out of proportion. Your actions on January six 573 00:34:40,320 --> 00:34:43,840 Speaker 1: were an attack on this country? Do you understand that 574 00:34:44,280 --> 00:34:46,600 Speaker 1: my actions were not an attack on this country? That 575 00:34:46,680 --> 00:34:51,440 Speaker 1: is incorrect, that is inaccurate entirely. How would you describe them? 576 00:34:51,640 --> 00:34:56,719 Speaker 1: My actions personally on January six, my actions on January things, 577 00:34:56,760 --> 00:35:00,359 Speaker 1: How would I describe them? I say a song, and 578 00:35:00,440 --> 00:35:05,040 Speaker 1: that's a part of shamanism. It's about creating positive vibrations 579 00:35:05,120 --> 00:35:08,320 Speaker 1: in a sacred chamber. I also stop people from stealing 580 00:35:08,360 --> 00:35:12,200 Speaker 1: and vandalizing that sacred space the Senate. Okay, I actually 581 00:35:12,200 --> 00:35:15,439 Speaker 1: stop somebody from stealing muffins out of the the brain room. 582 00:35:15,960 --> 00:35:19,680 Speaker 1: I also stop stop the count. If I was a lawyer, 583 00:35:19,760 --> 00:35:22,640 Speaker 1: I would say, we've got thank you. See my client 584 00:35:22,640 --> 00:35:25,520 Speaker 1: as an upstanding gentleman. He's all he does is deal 585 00:35:25,560 --> 00:35:31,120 Speaker 1: in vibrations and is a protector of loose muffins. He 586 00:35:31,160 --> 00:35:34,720 Speaker 1: comes in with with big sovereign citizen energy at first, 587 00:35:34,880 --> 00:35:37,120 Speaker 1: where like he sounds like one of those dudes who's 588 00:35:37,160 --> 00:35:40,719 Speaker 1: like at the court being like, you cannot taste me, sir, 589 00:35:41,120 --> 00:35:44,200 Speaker 1: you cannot be detained against my will. This is against 590 00:35:44,239 --> 00:35:49,239 Speaker 1: the constitution, And then like it's taste and uh pisy himself. Um, 591 00:35:49,280 --> 00:35:53,239 Speaker 1: but then I love the just straight up asking the 592 00:35:53,320 --> 00:35:55,960 Speaker 1: question back to the question or while you kind of 593 00:35:56,280 --> 00:35:59,440 Speaker 1: uh scalford time. Even though you've been in jail, you 594 00:35:59,440 --> 00:36:02,600 Speaker 1: should have been able to prepare for a question of 595 00:36:02,719 --> 00:36:05,239 Speaker 1: how would you describe what you were doing that day? 596 00:36:05,360 --> 00:36:08,560 Speaker 1: I should be like, how would how would I describe? 597 00:36:10,040 --> 00:36:16,920 Speaker 1: Are you talking? I say, let me describe a description. Well, 598 00:36:17,000 --> 00:36:18,960 Speaker 1: we'll put around like eight thirty in the morning. I 599 00:36:19,000 --> 00:36:21,080 Speaker 1: did brush my teeth in the morning. Um, I flosted 600 00:36:21,120 --> 00:36:24,200 Speaker 1: as well, and my breakfast included like a banana, and 601 00:36:24,239 --> 00:36:27,040 Speaker 1: then um I took the I looked at the metro schedule. 602 00:36:27,360 --> 00:36:29,760 Speaker 1: Hold no, I feel like you're how would you describe 603 00:36:29,920 --> 00:36:34,440 Speaker 1: entering the capital violently screaming with a group of other insurrectionists, 604 00:36:34,520 --> 00:36:39,440 Speaker 1: how would I describe? How would I screaming? But you 605 00:36:39,480 --> 00:36:41,839 Speaker 1: know what's funny? Then then CBS lets him get away 606 00:36:41,840 --> 00:36:44,839 Speaker 1: with that ship. Like you like, how would you describe it? 607 00:36:44,920 --> 00:36:48,239 Speaker 1: You act like you're talking to some like political dissident 608 00:36:48,440 --> 00:36:52,800 Speaker 1: somewhere and let's shot your side down, show the footage, 609 00:36:52,880 --> 00:36:55,600 Speaker 1: be like this is what you did. Also, it's that day. 610 00:36:55,640 --> 00:36:58,200 Speaker 1: I remember watching Um, I was watching somebody that was 611 00:36:58,239 --> 00:37:00,759 Speaker 1: streaming on Twitch. They were going to all a bunch 612 00:37:00,760 --> 00:37:03,799 Speaker 1: of the twitch streams from the insurrectionists that were there 613 00:37:04,080 --> 00:37:06,319 Speaker 1: and that, and like after he would came he came 614 00:37:06,320 --> 00:37:08,480 Speaker 1: outside and he was just like high fiving people and 615 00:37:08,520 --> 00:37:11,080 Speaker 1: just having a fun time. And I'm like, this footage exists. 616 00:37:11,520 --> 00:37:14,080 Speaker 1: Like if CBS, like if these like journalists like weren't 617 00:37:14,120 --> 00:37:16,239 Speaker 1: as lazy as they were, they would go and like 618 00:37:16,320 --> 00:37:18,359 Speaker 1: find the real footage of like what these people were 619 00:37:18,400 --> 00:37:20,880 Speaker 1: doing and be like, hey, here's actually a clip of 620 00:37:20,920 --> 00:37:23,759 Speaker 1: you doing that. Here's all of this stuff, like put 621 00:37:23,800 --> 00:37:25,959 Speaker 1: it in his face. These people should have a book 622 00:37:26,080 --> 00:37:28,560 Speaker 1: literally slammed in their fucking face. It's insane that this 623 00:37:28,640 --> 00:37:32,000 Speaker 1: is they're letting this happen. The new new term book stomped, 624 00:37:32,120 --> 00:37:35,400 Speaker 1: where the weight of the legal books just stomp your 625 00:37:35,400 --> 00:37:38,720 Speaker 1: ass out for justice. But you know, this is America, 626 00:37:38,800 --> 00:37:41,440 Speaker 1: so who knows what will happen. But the thing is, 627 00:37:41,640 --> 00:37:44,440 Speaker 1: you know, everyone's like, why would his lawyer let him 628 00:37:44,480 --> 00:37:47,000 Speaker 1: do this before his trial? This ship is so weird, 629 00:37:47,080 --> 00:37:49,879 Speaker 1: and the the lawyers like, we gotta let people see 630 00:37:49,920 --> 00:37:52,160 Speaker 1: this guy, you know what I mean. And you know 631 00:37:52,200 --> 00:37:54,879 Speaker 1: what they did exactly that, you know what I mean, 632 00:37:55,040 --> 00:37:58,520 Speaker 1: by not pressing him, by not just like rhetorically cornering 633 00:37:58,600 --> 00:38:01,840 Speaker 1: him constantly being like so that's what you thought, Oh, interesting, 634 00:38:01,960 --> 00:38:06,000 Speaker 1: don't just let that ship rock like that. Yeah, you're 635 00:38:06,000 --> 00:38:08,799 Speaker 1: a journalist pushed back on the truth, you know, you know, 636 00:38:08,960 --> 00:38:12,480 Speaker 1: find find it right. The muffins steeling is good though, 637 00:38:12,520 --> 00:38:14,399 Speaker 1: because I mean that that is one of the most 638 00:38:14,440 --> 00:38:18,200 Speaker 1: important things to Americans is the prevention of muffin theft, 639 00:38:18,320 --> 00:38:21,200 Speaker 1: So he's aligning himself with that. But yeah, myles, to 640 00:38:21,200 --> 00:38:24,439 Speaker 1: your point, the like, that's just saying, well, America's white 641 00:38:24,440 --> 00:38:27,319 Speaker 1: supremacist country and he is a white person, so we 642 00:38:27,360 --> 00:38:31,120 Speaker 1: will let them see him and that will make them 643 00:38:31,160 --> 00:38:33,400 Speaker 1: like him better. And that's what he's At the very 644 00:38:33,440 --> 00:38:35,799 Speaker 1: end of end of his interview, he said, see me, 645 00:38:36,200 --> 00:38:39,760 Speaker 1: see me. I mean, he's like, I'm not a violent man, 646 00:38:43,360 --> 00:38:46,360 Speaker 1: you know, but this is how this is. This is it, y'all? 647 00:38:46,760 --> 00:38:48,560 Speaker 1: This is it like the we're we have a we 648 00:38:49,000 --> 00:38:52,680 Speaker 1: were held houstage by an improviser from Arizona. Um that's 649 00:38:52,920 --> 00:38:56,880 Speaker 1: right going on, and his mom uh is in there 650 00:38:56,960 --> 00:39:00,960 Speaker 1: saying that he you know, should open he deserves yeah, 651 00:39:00,960 --> 00:39:04,280 Speaker 1: the open door thing, and just that he deserves another chance. 652 00:39:04,480 --> 00:39:08,759 Speaker 1: And I mean it's basically given. Yeah, it's a like 653 00:39:08,840 --> 00:39:13,120 Speaker 1: the his defense could have organized this interview, and all 654 00:39:13,200 --> 00:39:17,120 Speaker 1: that does is arms stupid ass supporters of this guy 655 00:39:17,520 --> 00:39:22,000 Speaker 1: really dumb talking points to then infect their groups with 656 00:39:22,160 --> 00:39:25,200 Speaker 1: being like, well, you know, the door was open and 657 00:39:25,640 --> 00:39:27,520 Speaker 1: it sounded like he was just there and he was 658 00:39:27,600 --> 00:39:29,560 Speaker 1: praying like he wasn't one of the people like beat 659 00:39:29,600 --> 00:39:31,200 Speaker 1: a coppyr and you know what I mean. And this 660 00:39:31,280 --> 00:39:33,560 Speaker 1: is how this ship goes because you just let that 661 00:39:33,640 --> 00:39:38,239 Speaker 1: go uncontested And now for sure have they already even 662 00:39:38,280 --> 00:39:40,440 Speaker 1: like false flagships so much to go just like no, 663 00:39:40,520 --> 00:39:42,319 Speaker 1: they left the door open. They tried to trap us 664 00:39:42,320 --> 00:39:43,919 Speaker 1: with this and this is like part of the great 665 00:39:43,960 --> 00:39:46,640 Speaker 1: awakening and but then like, but then you show him 666 00:39:46,640 --> 00:39:48,560 Speaker 1: clips where the people are like, but it was me, 667 00:39:48,800 --> 00:39:51,480 Speaker 1: I am not anti, I am the one, and like 668 00:39:51,560 --> 00:39:53,440 Speaker 1: you had other people too, like is this whole that 669 00:39:53,600 --> 00:39:57,000 Speaker 1: whole you know, paid at crisis actorship was going on. 670 00:39:57,080 --> 00:39:59,319 Speaker 1: But then they juxtaposed that was so many people like 671 00:39:59,520 --> 00:40:01,080 Speaker 1: I hate the people were trying to say what we 672 00:40:01,200 --> 00:40:07,439 Speaker 1: did that day was but it was the vibes your 673 00:40:07,480 --> 00:40:11,560 Speaker 1: honor defense been used in a federal court before because 674 00:40:11,600 --> 00:40:15,880 Speaker 1: the specific mention of like the vibrations and energy was 675 00:40:15,920 --> 00:40:19,480 Speaker 1: pretty I mean, that's that's that's key to his shamanism, 676 00:40:19,600 --> 00:40:22,520 Speaker 1: right right, right, Yeah, So I'm excited to see what 677 00:40:22,560 --> 00:40:25,400 Speaker 1: crystals he brings into court with him. Um, it's going 678 00:40:25,480 --> 00:40:28,480 Speaker 1: to be interesting to his lawyer. Is a crystal. I 679 00:40:28,520 --> 00:40:31,040 Speaker 1: hope that he wears his suit but also his buffalo 680 00:40:31,320 --> 00:40:36,960 Speaker 1: helmet to the courtroom. He probably will. He's an asshole. Unfortunately, 681 00:40:36,960 --> 00:40:39,520 Speaker 1: it's evidence, I think, oh yeah, yeah, I mean he 682 00:40:39,560 --> 00:40:41,680 Speaker 1: could construct construct one. What if he builds up one 683 00:40:41,680 --> 00:40:50,279 Speaker 1: out of his prison toilet? Right? All right? This is 684 00:40:50,640 --> 00:40:55,040 Speaker 1: an article from Wired that I really liked. It's written 685 00:40:55,040 --> 00:40:58,799 Speaker 1: by a guy named cal Newport who just released a 686 00:40:58,800 --> 00:41:03,680 Speaker 1: book called a world with email, and he basically raises 687 00:41:03,880 --> 00:41:09,279 Speaker 1: this overarching point that tech might not be might just 688 00:41:09,320 --> 00:41:15,160 Speaker 1: be making us busier and not actually making us more productive. Right, No, 689 00:41:15,239 --> 00:41:18,000 Speaker 1: I mean it's yeah, it's who the thought for all 690 00:41:18,040 --> 00:41:20,560 Speaker 1: the times we're like yeah, man, because look we all 691 00:41:20,840 --> 00:41:23,640 Speaker 1: see ship and we see a technological advancement, go oh wow, 692 00:41:23,680 --> 00:41:28,320 Speaker 1: that makes that thing so much easier. Actually, thank you technology, um. 693 00:41:28,360 --> 00:41:29,960 Speaker 1: And he just kind of raising this point. It's like 694 00:41:30,040 --> 00:41:32,120 Speaker 1: we have to kind of stop defaulting to being like, 695 00:41:32,160 --> 00:41:35,480 Speaker 1: all tech makes working so much easier and collaborating easier 696 00:41:35,520 --> 00:41:38,399 Speaker 1: and therefore will be more productive when the data does 697 00:41:38,480 --> 00:41:41,560 Speaker 1: not support that at all. He's talking about when the 698 00:41:41,560 --> 00:41:45,200 Speaker 1: PC came out and began being worked or introduced into workplaces, 699 00:41:45,520 --> 00:41:47,719 Speaker 1: people were like, Wow, this thing is great and it's 700 00:41:47,760 --> 00:41:50,040 Speaker 1: making everything easier. But a lot of when they really 701 00:41:50,280 --> 00:41:54,800 Speaker 1: started crunching the numbers as to what was happening, um, 702 00:41:54,840 --> 00:41:58,160 Speaker 1: like in these like major corporations with the introduction of computers, 703 00:41:58,520 --> 00:42:00,719 Speaker 1: they were like, nah, there's there's this kind of a 704 00:42:00,800 --> 00:42:04,000 Speaker 1: disconnect between like what's easy and like what's effective. It 705 00:42:04,040 --> 00:42:07,839 Speaker 1: seems to actually like it sort of rearranges people's time 706 00:42:07,880 --> 00:42:10,840 Speaker 1: in a way that causes more issues like so, for example, 707 00:42:11,160 --> 00:42:13,080 Speaker 1: they did a study like back in the late eighties 708 00:42:13,080 --> 00:42:16,480 Speaker 1: and nineties about these five major corporations that were replacing 709 00:42:16,480 --> 00:42:18,560 Speaker 1: their typing pools, like where people were the type is 710 00:42:18,760 --> 00:42:21,839 Speaker 1: to get you your documents and ship with word processors, 711 00:42:21,840 --> 00:42:24,480 Speaker 1: where people could like type on computers and get that 712 00:42:24,480 --> 00:42:27,600 Speaker 1: ship quote unquote a lot easier or quicker. But they 713 00:42:27,600 --> 00:42:30,680 Speaker 1: found that the typing pool, all their work fell to 714 00:42:30,760 --> 00:42:33,600 Speaker 1: the people whose work they were supporting as a typing pool, 715 00:42:33,960 --> 00:42:37,080 Speaker 1: and then created a need for now more expensive, higher 716 00:42:37,120 --> 00:42:41,440 Speaker 1: paid managers to keep the newly minted typists to keep 717 00:42:41,480 --> 00:42:44,200 Speaker 1: churning out the work. So it really increased staffing costs 718 00:42:44,239 --> 00:42:48,040 Speaker 1: by with not even this not a proportionate increase in 719 00:42:48,080 --> 00:42:51,919 Speaker 1: output or productivity. So now the focus is being put 720 00:42:51,960 --> 00:42:54,600 Speaker 1: on for so for this writer talking about you know, 721 00:42:54,680 --> 00:42:57,120 Speaker 1: slacking email is kind of like this whole new thing 722 00:42:57,719 --> 00:43:00,200 Speaker 1: where you know, this is a quote from him says 723 00:43:00,200 --> 00:43:03,439 Speaker 1: in two thousand five, just based on numerous studies found 724 00:43:03,480 --> 00:43:05,920 Speaker 1: in two thousand five, we were sending and receiving fifty 725 00:43:05,960 --> 00:43:08,720 Speaker 1: emails a day. In two thousand and six, it jumps 726 00:43:08,760 --> 00:43:13,280 Speaker 1: to sixty nine. By two thousand eleven it was ninety Today, 727 00:43:13,320 --> 00:43:17,040 Speaker 1: we send and receive an estimated one hundred twenty six messages, 728 00:43:17,320 --> 00:43:21,400 Speaker 1: checking our inboxes once every six minutes on average. So 729 00:43:21,440 --> 00:43:25,719 Speaker 1: we're basically spending more time just talking about work and 730 00:43:25,800 --> 00:43:29,920 Speaker 1: not having like the uninterrupted hours to do the work. Um, 731 00:43:29,960 --> 00:43:32,080 Speaker 1: so that's why they're like, what we actually need to 732 00:43:32,120 --> 00:43:34,840 Speaker 1: have a reckoning here, because like gmails now even finishing 733 00:43:34,840 --> 00:43:38,920 Speaker 1: our sentences, which seems convenient, but like, is that actually 734 00:43:38,960 --> 00:43:42,000 Speaker 1: gonna make me more efficient? And we'll just give you 735 00:43:42,120 --> 00:43:45,160 Speaker 1: allow you to get to the next email quicker. Right, 736 00:43:45,200 --> 00:43:48,360 Speaker 1: You're you know, constantly distracted. And I think the answer 737 00:43:48,360 --> 00:43:51,319 Speaker 1: to this problem isn't easy. Even as the author of 738 00:43:51,320 --> 00:43:53,799 Speaker 1: the opinion pieces, it's not going to be easy. But 739 00:43:54,160 --> 00:43:56,600 Speaker 1: we have to actually begin to slow down and begin 740 00:43:56,680 --> 00:43:59,760 Speaker 1: to solve this issue because it's it's like this weird. 741 00:43:59,800 --> 00:44:03,120 Speaker 1: This that's the productivity paradoxes. It's called like we don't 742 00:44:03,200 --> 00:44:05,839 Speaker 1: know how much it's actually helping, and points to like 743 00:44:05,880 --> 00:44:07,960 Speaker 1: other industries where they have more of like a project 744 00:44:08,040 --> 00:44:11,520 Speaker 1: like project management protocols where teams spend less time talking 745 00:44:11,560 --> 00:44:13,640 Speaker 1: what they're doing, and it's like check boxes and being 746 00:44:13,680 --> 00:44:15,239 Speaker 1: like these are my tasks I have to get done, 747 00:44:15,239 --> 00:44:17,200 Speaker 1: tic tic tic tic tic, I'm done. I can check 748 00:44:17,239 --> 00:44:19,920 Speaker 1: in when I'm done with my tasks, versus like, hey, 749 00:44:19,920 --> 00:44:21,719 Speaker 1: where's that test? You know, it's just checking in on 750 00:44:21,719 --> 00:44:24,560 Speaker 1: this task and leave people to their own devices to 751 00:44:24,600 --> 00:44:28,840 Speaker 1: just start work uninterrupted. But that only works for specific industries. 752 00:44:28,880 --> 00:44:31,240 Speaker 1: And I think it's this I think opinion piece raises 753 00:44:31,280 --> 00:44:33,360 Speaker 1: like the larger question of how are we going to 754 00:44:34,480 --> 00:44:37,120 Speaker 1: uh ourselves try and solve this problem by taking a 755 00:44:37,160 --> 00:44:41,280 Speaker 1: moment to look at these inefficiencies. Yeah, giving us busy 756 00:44:41,360 --> 00:44:46,160 Speaker 1: work that we can do efficiently while not making our 757 00:44:46,280 --> 00:44:50,600 Speaker 1: overall productivity any higher, and also not giving us like 758 00:44:50,719 --> 00:44:55,200 Speaker 1: any way of any time to think about whether, like 759 00:44:55,239 --> 00:44:58,799 Speaker 1: the overall like philosophical and ethical implications of the work 760 00:44:58,840 --> 00:45:04,440 Speaker 1: we're doing. Like that's that feels like a huge chunk 761 00:45:04,520 --> 00:45:07,640 Speaker 1: of what we're dealing with. Like in a world where 762 00:45:07,680 --> 00:45:11,800 Speaker 1: the problem is that we keep observing the same social 763 00:45:11,800 --> 00:45:15,360 Speaker 1: injustices over and over and over and nobody's ever doing 764 00:45:15,400 --> 00:45:21,280 Speaker 1: anything about them, like that, that feels uh super relevant, 765 00:45:21,400 --> 00:45:25,160 Speaker 1: that we're that weird and like just that I feel 766 00:45:25,160 --> 00:45:28,239 Speaker 1: like this expands to social media too, right, Well, I 767 00:45:28,239 --> 00:45:30,799 Speaker 1: mean the way you talk about too, it's just sort 768 00:45:30,800 --> 00:45:34,960 Speaker 1: of like what the pandemic offered people societally, societally for 769 00:45:35,000 --> 00:45:39,480 Speaker 1: a moment where ships slowed down very quickly, and now 770 00:45:40,200 --> 00:45:45,320 Speaker 1: we had in one year increased class consciousness, increased consciousness 771 00:45:45,360 --> 00:45:48,600 Speaker 1: around white supremacy and things like that that I'm sure. 772 00:45:48,760 --> 00:45:51,520 Speaker 1: I mean, like, I don't think those things are unrelated, 773 00:45:51,719 --> 00:45:55,320 Speaker 1: like because we had the time to think, to see, 774 00:45:55,400 --> 00:45:59,839 Speaker 1: to process versus like I gotta I know that should happen, 775 00:46:00,000 --> 00:46:02,120 Speaker 1: another unarmed person got killed, but I gotta send these emails. 776 00:46:02,120 --> 00:46:03,839 Speaker 1: Oh my boss hitting me up on slack. I gotta 777 00:46:03,880 --> 00:46:08,160 Speaker 1: get like, yeah, where do you find the time to say, Wow, 778 00:46:08,360 --> 00:46:10,480 Speaker 1: how do I solve? Like I'm seeing people who are 779 00:46:10,560 --> 00:46:13,239 Speaker 1: hungry in my neighborhood, Like what am I how? What 780 00:46:13,560 --> 00:46:15,359 Speaker 1: what's going on? How do how do we are there 781 00:46:15,360 --> 00:46:17,280 Speaker 1: things I can put my energy towards. On the flip 782 00:46:17,320 --> 00:46:19,160 Speaker 1: side of that, though, that's probably how Q and NON 783 00:46:19,360 --> 00:46:22,719 Speaker 1: started too. You know, people have this like gap they 784 00:46:22,719 --> 00:46:24,920 Speaker 1: needed to fill, you know, and like like you know, 785 00:46:25,000 --> 00:46:27,200 Speaker 1: soccer moms at home clicking around on the Internet looking 786 00:46:27,239 --> 00:46:30,600 Speaker 1: for something to kind of validate their feelings, you know, 787 00:46:30,719 --> 00:46:32,640 Speaker 1: and then that's when they got startling down these like 788 00:46:32,680 --> 00:46:35,920 Speaker 1: internet rabbit holes and I think that's how that picked 789 00:46:35,960 --> 00:46:38,239 Speaker 1: up so much steam and got mainstream so quickly. So 790 00:46:38,320 --> 00:46:40,279 Speaker 1: I do think there's like a dark side to it 791 00:46:40,320 --> 00:46:42,759 Speaker 1: as well. Yeah, I don't think anything is absolutely good 792 00:46:42,840 --> 00:46:46,239 Speaker 1: or bad, but yeah, I think but overall, uh, I 793 00:46:46,280 --> 00:46:48,800 Speaker 1: think we're we would greatly benefit, at least in the 794 00:46:48,960 --> 00:46:52,680 Speaker 1: context of I mean ship. You know, I'm glad people 795 00:46:52,680 --> 00:46:55,520 Speaker 1: woke the funk up even slightly, but at what cost. 796 00:46:56,040 --> 00:46:59,719 Speaker 1: The other thing, though, with our workplaces now, is how 797 00:46:59,760 --> 00:47:02,080 Speaker 1: are we like we have to like kind of think 798 00:47:02,120 --> 00:47:05,200 Speaker 1: about what this whole way of work, like, what our 799 00:47:05,200 --> 00:47:08,399 Speaker 1: whole mode of working is and is. It doesn't make 800 00:47:08,440 --> 00:47:10,880 Speaker 1: sense to do this thing of like everyone is interconnected 801 00:47:10,920 --> 00:47:13,720 Speaker 1: at the exact same time, and we can start firing 802 00:47:13,760 --> 00:47:16,760 Speaker 1: off messages to each other without overloading our own circuits 803 00:47:16,800 --> 00:47:20,400 Speaker 1: and capacity to just do like focused you know work 804 00:47:20,520 --> 00:47:23,600 Speaker 1: whatever jobs are, or even like all these like unnecessary 805 00:47:23,680 --> 00:47:26,200 Speaker 1: zoom meetings about other meetings and like you said, it's 806 00:47:26,200 --> 00:47:29,360 Speaker 1: all just meta think kind of about talking about working 807 00:47:29,400 --> 00:47:32,000 Speaker 1: instead of actually doing something. You have to like talk 808 00:47:32,040 --> 00:47:33,800 Speaker 1: about it first and then kind of agree, and you 809 00:47:33,840 --> 00:47:35,440 Speaker 1: could have just done all that in the first place, 810 00:47:35,560 --> 00:47:37,440 Speaker 1: or had to be like one email instead of a 811 00:47:37,680 --> 00:47:41,240 Speaker 1: our you know, waste of time zoom call. Yeah, because 812 00:47:41,280 --> 00:47:43,800 Speaker 1: they talk about even just like how certain activities in 813 00:47:44,200 --> 00:47:46,719 Speaker 1: the beginning with like a computer were more efficient. Book 814 00:47:46,719 --> 00:47:48,880 Speaker 1: just it creates more work, right, So like if you 815 00:47:49,000 --> 00:47:51,400 Speaker 1: if you're like there was a you're running a business. 816 00:47:51,600 --> 00:47:54,359 Speaker 1: Instead of having an accountant update your ledgers that were 817 00:47:54,400 --> 00:47:56,960 Speaker 1: on paper, a business owners like, well, I got quick books, 818 00:47:57,000 --> 00:47:59,160 Speaker 1: Now I got a spreadsheet. Now I can do this 819 00:47:59,560 --> 00:48:01,840 Speaker 1: and do it just a little bit worse than my 820 00:48:01,840 --> 00:48:05,799 Speaker 1: account exactly, which is fine, I get it. It might 821 00:48:05,840 --> 00:48:08,279 Speaker 1: be easier than this paper book that you have to 822 00:48:08,360 --> 00:48:11,400 Speaker 1: like work through. But over like the saying, but practically, 823 00:48:11,480 --> 00:48:13,640 Speaker 1: business owners now just have less time to do the 824 00:48:13,680 --> 00:48:16,040 Speaker 1: other things that might be more important because they're like, well, 825 00:48:16,040 --> 00:48:17,880 Speaker 1: since it's easier, I can take this on. And what 826 00:48:17,920 --> 00:48:19,759 Speaker 1: we're doing is we'll be like, well that's easier, I 827 00:48:19,760 --> 00:48:21,040 Speaker 1: can take that on. I can take it on, and 828 00:48:21,080 --> 00:48:24,360 Speaker 1: then we're really we're becoming more and more unbalanced. Yeah, 829 00:48:24,440 --> 00:48:27,600 Speaker 1: I think that's part of the overall issue that like 830 00:48:27,680 --> 00:48:32,520 Speaker 1: will be continuously documenting of just overall like kind of 831 00:48:32,600 --> 00:48:37,759 Speaker 1: broad but invisible social issues that are giving us a 832 00:48:37,800 --> 00:48:40,439 Speaker 1: lot of the issues that we're having right now let's 833 00:48:40,480 --> 00:48:53,320 Speaker 1: take a quick break. We'll be right back, and we're back. 834 00:48:54,040 --> 00:48:59,360 Speaker 1: All right, Let's talk about this McDonald's minimum wage talking point, 835 00:48:59,640 --> 00:49:02,600 Speaker 1: because is there. It's actually kind of an interesting story 836 00:49:02,640 --> 00:49:05,760 Speaker 1: that I think dives into one of the big problems 837 00:49:05,760 --> 00:49:07,880 Speaker 1: of the United States. So AOC brought it up in 838 00:49:07,920 --> 00:49:10,840 Speaker 1: a recent tweet, pointing out that McDonald's workers in Denmark 839 00:49:10,960 --> 00:49:13,680 Speaker 1: make twenty two dollars an hour plus six weeks of 840 00:49:13,719 --> 00:49:17,439 Speaker 1: paid vacation. Uh, but how much is a big mac? 841 00:49:17,640 --> 00:49:21,640 Speaker 1: Six grand? Yeah, so this is a big talking point. 842 00:49:21,680 --> 00:49:25,719 Speaker 1: The for one of the conservative rebuttals is, well, that's 843 00:49:25,760 --> 00:49:30,719 Speaker 1: great because the big mac actually cost five fifteen over there, 844 00:49:30,719 --> 00:49:33,480 Speaker 1: and it's four eight in the U. S um. This 845 00:49:33,600 --> 00:49:37,000 Speaker 1: is based on something the economist does that's like just 846 00:49:37,040 --> 00:49:39,759 Speaker 1: like a silly in phographic. They don't like really take 847 00:49:39,760 --> 00:49:43,239 Speaker 1: it that seriously from two thousand fourteen, and if you 848 00:49:43,280 --> 00:49:47,560 Speaker 1: actually looked at look at the updated data, the big 849 00:49:47,600 --> 00:49:51,160 Speaker 1: mac costs like a dollar more in the US UM. 850 00:49:51,239 --> 00:49:58,319 Speaker 1: So they're big mic drop thing actually is the opposite, Right, 851 00:49:58,719 --> 00:50:03,880 Speaker 1: there's also um they they're pointing out that Denmark doesn't 852 00:50:04,000 --> 00:50:07,439 Speaker 1: have a minimum wage, and so I mean, they're they're 853 00:50:07,440 --> 00:50:11,120 Speaker 1: the ones who are you know making it like making 854 00:50:11,120 --> 00:50:13,720 Speaker 1: that argument that's not AOC wasn't like their minimum wages 855 00:50:13,760 --> 00:50:17,760 Speaker 1: twenty two dollars. She said that that's what they make UM. 856 00:50:17,840 --> 00:50:21,480 Speaker 1: And the reason they're able to do that without a 857 00:50:21,520 --> 00:50:25,719 Speaker 1: federally mandated minimum wage is that they have unions, and 858 00:50:25,920 --> 00:50:30,280 Speaker 1: unions actually work on behalf of the workers. Typically trade 859 00:50:30,360 --> 00:50:33,719 Speaker 1: unions work to keep wages above twenty dollars UM, but 860 00:50:33,800 --> 00:50:38,479 Speaker 1: there's no federal wage. UM. So USA today was like, so, 861 00:50:39,160 --> 00:50:47,839 Speaker 1: uh three pinocchios for AOC um, but uh so American society. Uh, 862 00:50:47,960 --> 00:50:50,719 Speaker 1: fast food employees make an average of eight ninety an hour. 863 00:50:51,600 --> 00:50:54,279 Speaker 1: Half of them rely on some form of public assistance, 864 00:50:54,800 --> 00:51:00,319 Speaker 1: UM and over. And the reason that we don't have 865 00:51:00,360 --> 00:51:03,000 Speaker 1: that as we we just don't have union support um. 866 00:51:03,160 --> 00:51:06,000 Speaker 1: And So the way that this actually came about the 867 00:51:06,040 --> 00:51:12,840 Speaker 1: twenty two dollars McDonald's showed up in Denmark and was like, Uh, 868 00:51:13,000 --> 00:51:17,439 Speaker 1: we're not gonna like deal with these unions fucking union um. 869 00:51:17,680 --> 00:51:22,239 Speaker 1: And so the unions went to work. Uh yeah, they 870 00:51:22,320 --> 00:51:25,839 Speaker 1: find out phase they did the funk around part Uh, 871 00:51:25,960 --> 00:51:30,640 Speaker 1: there were strikes, boycott's leaflet campaigns, newspaper coverage, and daily 872 00:51:30,680 --> 00:51:37,160 Speaker 1: demonstrations outside of McDonald's restaurants. UM. Construction workers refused to 873 00:51:37,200 --> 00:51:42,719 Speaker 1: build any new McDonald's brewery workers wouldn't deliver beer because yep, 874 00:51:42,840 --> 00:51:46,080 Speaker 1: beer in McDonald's over there, which is awesome. Uh. And 875 00:51:46,160 --> 00:51:49,880 Speaker 1: Danish graphic artists refused to work on McDonald's advertisements and 876 00:51:49,920 --> 00:51:55,440 Speaker 1: instead made counter advertisements, including one that became iconic of 877 00:51:55,440 --> 00:51:58,759 Speaker 1: a dog taking a piss on the Golden arches. Um. 878 00:51:58,840 --> 00:52:03,040 Speaker 1: And so they eventually like, all right, I guess like 879 00:52:03,080 --> 00:52:06,200 Speaker 1: we'll we'll, we'll do we'll be part of the we'll 880 00:52:06,239 --> 00:52:09,160 Speaker 1: let our employees be part of the union. Um. And 881 00:52:09,239 --> 00:52:14,520 Speaker 1: that's how like that's that's the only way that corporations 882 00:52:14,640 --> 00:52:22,320 Speaker 1: are brought in line with like collectivism their workers. Uh fairly. Yeah, 883 00:52:22,360 --> 00:52:25,920 Speaker 1: they're just I mean, yeah, it's that simple, you know 884 00:52:25,920 --> 00:52:27,520 Speaker 1: what I mean. Like this country has just been on 885 00:52:27,560 --> 00:52:32,439 Speaker 1: a steady path of just taking apart, dismantling unions and 886 00:52:33,160 --> 00:52:36,440 Speaker 1: the ability for you know, collective bargaining and trying to 887 00:52:36,480 --> 00:52:41,279 Speaker 1: advocate advocate for the workers to advocate for themselves collectively 888 00:52:41,440 --> 00:52:44,759 Speaker 1: to get the outcomes that they want, like wages that 889 00:52:45,080 --> 00:52:49,200 Speaker 1: be like I have one job and it's fucking tight. Uh. 890 00:52:49,200 --> 00:52:51,279 Speaker 1: And I have vacation and I can be a parent 891 00:52:51,960 --> 00:52:54,520 Speaker 1: versus you know what we have now, which is saying like, 892 00:52:54,760 --> 00:52:56,799 Speaker 1: hey guys, I get it. You're a franchise e. You 893 00:52:56,800 --> 00:52:59,120 Speaker 1: want to make money like this is the like you can. 894 00:52:59,400 --> 00:53:01,160 Speaker 1: You gotta pay him at least this much and that 895 00:53:01,320 --> 00:53:03,799 Speaker 1: is up to you. Oh yeah, I mean we've got 896 00:53:03,880 --> 00:53:07,560 Speaker 1: Dolly Parton doing, you know, five to nine. So as 897 00:53:07,600 --> 00:53:09,439 Speaker 1: a follow up to her nine to five, just worked 898 00:53:09,440 --> 00:53:11,080 Speaker 1: felve hours a day because that's what you need to 899 00:53:11,120 --> 00:53:12,840 Speaker 1: do to be able to actually live in this country. 900 00:53:13,600 --> 00:53:18,319 Speaker 1: Yac um. It started with the forties right to work 901 00:53:18,440 --> 00:53:21,640 Speaker 1: laws that gave states the power to determine whether workers 902 00:53:21,680 --> 00:53:24,719 Speaker 1: can be required to join a labor union. UH. Then 903 00:53:24,840 --> 00:53:30,440 Speaker 1: McDonald's UH has a has aggressively attempted or has aggressively 904 00:53:30,480 --> 00:53:33,720 Speaker 1: prevented attempts to unionize in the US. In twenty nineteen, 905 00:53:34,280 --> 00:53:37,839 Speaker 1: several workers were fired for trying to unionize. UH. They 906 00:53:37,840 --> 00:53:42,840 Speaker 1: appealed to the National Labor Relations Board, and the National 907 00:53:43,000 --> 00:53:48,120 Speaker 1: Labor Relations Board sided with McDonald's. So the things they 908 00:53:48,160 --> 00:53:54,480 Speaker 1: did to crushing ugonization was using employees as moles and meetings, 909 00:53:55,080 --> 00:53:59,480 Speaker 1: circulating names of possible pro union employees and coaching franchisees 910 00:53:59,480 --> 00:54:03,520 Speaker 1: on how to avoid hiring people who might organize a workplace. Um, 911 00:54:03,560 --> 00:54:07,040 Speaker 1: which is illegal, but it doesn't didn't stop them from 912 00:54:07,040 --> 00:54:14,640 Speaker 1: doing it. Um start start shedding dollars like that paying people. Yeah, 913 00:54:14,680 --> 00:54:18,040 Speaker 1: but I mean corporate espionage, like all that ship is real, 914 00:54:18,280 --> 00:54:23,720 Speaker 1: Like that's corporations. The devil works hard. Corporations work harder, 915 00:54:23,800 --> 00:54:26,640 Speaker 1: Like they will find a way to you know, a 916 00:54:26,760 --> 00:54:31,800 Speaker 1: spy to you know, make it so that people don't 917 00:54:32,000 --> 00:54:36,920 Speaker 1: feel comfortable taking collective action, yeah, which I think, and 918 00:54:36,920 --> 00:54:40,280 Speaker 1: then so people don't feel comfortable like just in America 919 00:54:40,320 --> 00:54:42,640 Speaker 1: in general, the tone is, we don't want people to 920 00:54:42,680 --> 00:54:45,480 Speaker 1: feel comfortable getting in touch with their power as a collective. 921 00:54:45,880 --> 00:54:48,839 Speaker 1: Now we're so the lack of education around unions and 922 00:54:48,880 --> 00:54:51,840 Speaker 1: like the history of the labor movement in general is 923 00:54:51,880 --> 00:54:54,640 Speaker 1: just I mean, it's it's pathetic how little we're taught 924 00:54:55,000 --> 00:54:57,640 Speaker 1: in school or in any formal formal way about it. 925 00:54:57,760 --> 00:55:00,480 Speaker 1: I think the closest they'll maybe talk about like activision, 926 00:55:00,560 --> 00:55:03,560 Speaker 1: like in other books, will be like the fucking Reddit game, 927 00:55:03,680 --> 00:55:08,480 Speaker 1: stop robin hood fucking crunch, right, and just keep it 928 00:55:08,480 --> 00:55:10,640 Speaker 1: limited to that, like see what happened there? But I 929 00:55:10,680 --> 00:55:12,520 Speaker 1: don't think it's happened any other ways. I mean I 930 00:55:12,640 --> 00:55:15,160 Speaker 1: literally remember being in school and then being like, Eugene 931 00:55:15,239 --> 00:55:17,560 Speaker 1: Debs also ran for president and then he was put 932 00:55:17,600 --> 00:55:20,439 Speaker 1: in jail. But what did you do there? Keep going? 933 00:55:22,040 --> 00:55:23,920 Speaker 1: But but then this other guy one instead, that's fine, 934 00:55:23,920 --> 00:55:25,399 Speaker 1: and that guy just stayed in jail for a long 935 00:55:25,440 --> 00:55:30,240 Speaker 1: time and he was powerful, so he's more interesting. Yeah, exactly. 936 00:55:30,280 --> 00:55:32,400 Speaker 1: And I was just like remember being like, wait, who 937 00:55:32,480 --> 00:55:36,520 Speaker 1: what happened to that guy? Right? Wait? Is labor day 938 00:55:36,560 --> 00:55:40,680 Speaker 1: like about giving birth or something? I don't get that? Yeah, okay, cool. 939 00:55:41,160 --> 00:55:43,000 Speaker 1: Back in back in l A, we call a flavor 940 00:55:43,080 --> 00:55:45,319 Speaker 1: day where you go to thirty one Flavors and get 941 00:55:45,480 --> 00:55:53,319 Speaker 1: any ice cream? Can we rebrand labor Day? Not? I 942 00:55:53,320 --> 00:56:02,880 Speaker 1: feel uncomfortable flavor flavor day? Labor Labe? Where's labor labor? 943 00:56:03,120 --> 00:56:08,000 Speaker 1: The fucking mascot for liver? Fucking unions? Socialist flavor flavor? 944 00:56:08,080 --> 00:56:12,520 Speaker 1: I love this. Maybe this is how we reached the kids. 945 00:56:12,560 --> 00:56:17,120 Speaker 1: Did we just create a TikTok carecter? Remember remember Public Enemy? 946 00:56:17,880 --> 00:56:22,080 Speaker 1: That's the world. Remember the two thousand five show Flavor 947 00:56:22,160 --> 00:56:27,000 Speaker 1: of Love? You guys remember Flavor of Love? Right? Who's 948 00:56:27,040 --> 00:56:30,160 Speaker 1: with me? All right? Chris? What is something you think 949 00:56:30,280 --> 00:56:34,920 Speaker 1: is overrated true crime? Which is so funny considering what 950 00:56:34,960 --> 00:56:38,160 Speaker 1: I was just talking about. I listened to so much 951 00:56:38,239 --> 00:56:42,960 Speaker 1: fucking true crime and this is somewhat somewhat serious. Point 952 00:56:43,600 --> 00:56:50,120 Speaker 1: five thousand people have died from this pandemic and nobody cares, 953 00:56:50,800 --> 00:56:53,280 Speaker 1: and a lot of people don't even think anybody died 954 00:56:53,360 --> 00:56:55,759 Speaker 1: because they didn't see every single dead body in the 955 00:56:55,800 --> 00:56:58,560 Speaker 1: morgue or whatever do they need now to believe people died? 956 00:56:59,320 --> 00:57:02,160 Speaker 1: And I think true crime has to have something to 957 00:57:02,239 --> 00:57:05,240 Speaker 1: do with it. I mean, I hike and listen to 958 00:57:05,680 --> 00:57:11,120 Speaker 1: the most horrendous stories possible, and they don't bother me 959 00:57:11,160 --> 00:57:13,960 Speaker 1: at all because they've replaced Like I listened to them 960 00:57:14,000 --> 00:57:16,560 Speaker 1: the same way I listened to like top forty am 961 00:57:16,720 --> 00:57:19,760 Speaker 1: music when I was growing up. It's just like one 962 00:57:20,360 --> 00:57:23,479 Speaker 1: horrible story after another, and you know, sometimes just skip 963 00:57:23,480 --> 00:57:27,040 Speaker 1: ahead because it's not gruesome enough or whatever whatever. They 964 00:57:27,080 --> 00:57:32,040 Speaker 1: just killed them normal. No oh no, no, I want 965 00:57:32,040 --> 00:57:36,280 Speaker 1: to hear something exotics. I'm trying to have some fun 966 00:57:39,920 --> 00:57:43,240 Speaker 1: for me. I love the juxtaposition of you, Chris going 967 00:57:43,280 --> 00:57:47,240 Speaker 1: on it like a restorative walk through nature and if 968 00:57:47,320 --> 00:57:51,000 Speaker 1: blaring through your skull are just the descriptions of heinous 969 00:57:51,120 --> 00:57:55,280 Speaker 1: crimes and right, But I don't think I'm like because 970 00:57:56,280 --> 00:58:00,240 Speaker 1: it's just it's no. I mean, look, we we we 971 00:58:00,320 --> 00:58:04,280 Speaker 1: work in podcasting. We know firsthand how the genre like 972 00:58:04,360 --> 00:58:08,320 Speaker 1: it performs. People love fucking true crime. And yes, there's 973 00:58:08,320 --> 00:58:10,240 Speaker 1: a lot of things that's very double ed sword because 974 00:58:10,240 --> 00:58:12,560 Speaker 1: a lot of times you're like, these are real people too, 975 00:58:12,600 --> 00:58:14,600 Speaker 1: and like you know, for some people, like a whole 976 00:58:14,720 --> 00:58:18,080 Speaker 1: show made up, like just focused on like this terrible 977 00:58:18,160 --> 00:58:20,240 Speaker 1: thing that happened in their families kind of fucked up. 978 00:58:20,240 --> 00:58:22,400 Speaker 1: But it's only one person and most people don't know them, 979 00:58:22,400 --> 00:58:24,600 Speaker 1: so let's get down. And then we also see it too, 980 00:58:24,600 --> 00:58:27,040 Speaker 1: and like the shows that we like, like we are, 981 00:58:27,640 --> 00:58:29,160 Speaker 1: I don't know, Like, I mean, do you do you 982 00:58:29,200 --> 00:58:32,040 Speaker 1: think personally you're desensitized from the amount of true crime 983 00:58:32,040 --> 00:58:34,760 Speaker 1: that you listen to. Well, that's what I'm starting to think. 984 00:58:35,080 --> 00:58:38,520 Speaker 1: I mean, I think, like, I feel like there's a 985 00:58:38,520 --> 00:58:41,200 Speaker 1: certain segment of the population that thinks like they're not 986 00:58:41,240 --> 00:58:43,800 Speaker 1: gonna die or something like somehow there's some percentage of 987 00:58:43,880 --> 00:58:45,919 Speaker 1: us that aren't going to die, and we're just like, oh, yeah, 988 00:58:45,960 --> 00:58:50,000 Speaker 1: that loser who died, you know what I mean, Like 989 00:58:50,600 --> 00:58:53,760 Speaker 1: a loser. Oh what a loser. They ruined the economy 990 00:58:53,800 --> 00:58:58,520 Speaker 1: by dying, or this motherfucker died. Yeah, like like loser 991 00:59:00,760 --> 00:59:06,400 Speaker 1: party foul a sketch on SNL or like a song 992 00:59:06,480 --> 00:59:10,880 Speaker 1: parody that was murder show that was about like, uh. 993 00:59:11,000 --> 00:59:13,080 Speaker 1: It starts off with the girls like husband being like, 994 00:59:13,120 --> 00:59:15,360 Speaker 1: all right, I gotta go out and like do something. 995 00:59:15,400 --> 00:59:17,200 Speaker 1: She's like, all right, I'm just gonna like stay home 996 00:59:17,240 --> 00:59:19,640 Speaker 1: and hang out, and then just like the whole song 997 00:59:19,720 --> 00:59:24,120 Speaker 1: is about her watching just gruesome ass murders. But I 998 00:59:24,160 --> 00:59:27,840 Speaker 1: think I think people, I mean, that's the most of 999 00:59:28,240 --> 00:59:30,200 Speaker 1: entertainment is is now. I mean, I don't know if 1000 00:59:30,200 --> 00:59:33,360 Speaker 1: you guys watched that night Stalker documentary, it was really bad. 1001 00:59:33,600 --> 00:59:36,480 Speaker 1: Like I'm down for whatever true crime usually and that's 1002 00:59:36,640 --> 00:59:39,560 Speaker 1: that was just a terrible documentary. It's basically the interview 1003 00:59:39,560 --> 00:59:42,320 Speaker 1: with like did you see it? Just an interview with 1004 00:59:42,360 --> 00:59:45,000 Speaker 1: like one policeman like the whole time, and that he's 1005 00:59:45,040 --> 00:59:47,400 Speaker 1: not a nice guy and he keeps trying to make 1006 00:59:47,480 --> 00:59:50,680 Speaker 1: himself the hero of the story and anyway, it's it's 1007 00:59:50,720 --> 00:59:54,240 Speaker 1: just disheartening, weird. It's just narciss He's a narcissist. Just 1008 00:59:54,400 --> 01:00:00,560 Speaker 1: narcissists um interviewing other narcissists. But anyway, the point is 1009 01:00:00,600 --> 01:00:03,440 Speaker 1: for me is like I think that death is I mean, 1010 01:00:04,000 --> 01:00:05,720 Speaker 1: I don't want to talk about death. I didn't come 1011 01:00:05,720 --> 01:00:07,400 Speaker 1: on the show to talk about death, but I do 1012 01:00:07,520 --> 01:00:12,680 Speaker 1: think that there's something really weird going on, like not 1013 01:00:12,760 --> 01:00:15,080 Speaker 1: just a little weird, not just like, oh man, people 1014 01:00:15,120 --> 01:00:18,320 Speaker 1: don't care about five thousand people dead, like it's it's 1015 01:00:18,400 --> 01:00:23,040 Speaker 1: truly mind boggling and really really worth investigating because it 1016 01:00:23,080 --> 01:00:26,240 Speaker 1: is not normal. It is not normal. A culture that 1017 01:00:26,320 --> 01:00:30,240 Speaker 1: lets five people die and just keeps talking about businesses 1018 01:00:30,280 --> 01:00:37,680 Speaker 1: opening is a culture that has been completely um brainwashed 1019 01:00:37,720 --> 01:00:40,360 Speaker 1: by this this this American idea that like you just 1020 01:00:40,440 --> 01:00:45,280 Speaker 1: do business and and then everything else falls into place somehow, 1021 01:00:45,480 --> 01:00:48,680 Speaker 1: and and and and and and including like not dying, 1022 01:00:48,760 --> 01:00:52,080 Speaker 1: because dying is never discussed. People don't like to talk 1023 01:00:52,120 --> 01:00:54,680 Speaker 1: about it at all, even though everyone does it and 1024 01:00:54,720 --> 01:00:57,280 Speaker 1: it's one of the best I mean, it's one of 1025 01:00:57,320 --> 01:00:59,480 Speaker 1: the two main things that happens to you in the world. 1026 01:00:59,600 --> 01:01:01,600 Speaker 1: You get born and then you die, and to not 1027 01:01:01,720 --> 01:01:04,760 Speaker 1: ever address it is so lame. And I don't mean 1028 01:01:05,000 --> 01:01:09,640 Speaker 1: it's just playing late. Our culture is so late. It's 1029 01:01:09,680 --> 01:01:12,480 Speaker 1: just like what we're gonna do TikTok videos and then 1030 01:01:12,600 --> 01:01:14,320 Speaker 1: just like one day, you turn off and all your 1031 01:01:14,320 --> 01:01:18,360 Speaker 1: relatives are like, well, I guess she's a loser. Like, oh, well, 1032 01:01:18,720 --> 01:01:20,520 Speaker 1: I guess we thought she was cool. I used to 1033 01:01:20,600 --> 01:01:22,560 Speaker 1: like those videos she made, but then she died, so 1034 01:01:22,600 --> 01:01:25,640 Speaker 1: I guess she was weak or not a good capitalist 1035 01:01:25,760 --> 01:01:27,560 Speaker 1: or something. I've never thought about it like that, but 1036 01:01:27,800 --> 01:01:30,760 Speaker 1: being born and dying are definitely top two things that 1037 01:01:30,880 --> 01:01:34,040 Speaker 1: happened to you. And like it says I was going 1038 01:01:34,080 --> 01:01:38,440 Speaker 1: to say the gravestones of like modern anyway, I can't 1039 01:01:38,440 --> 01:01:43,760 Speaker 1: do TikTok's anymore. TikTok's went downhill, That's what it says 1040 01:01:43,760 --> 01:01:47,520 Speaker 1: on the grave. The Uh yeah, I mean I've mentioned 1041 01:01:47,520 --> 01:01:51,800 Speaker 1: this before, but the Weimar Republic, like right before the 1042 01:01:51,880 --> 01:01:55,840 Speaker 1: rise of Nazism, was massively into true crime and like 1043 01:01:55,960 --> 01:01:59,600 Speaker 1: kind of invented the idea of a true crime obsession. 1044 01:01:59,640 --> 01:02:01,400 Speaker 1: So I don't I don't think you're totally off that 1045 01:02:01,440 --> 01:02:07,200 Speaker 1: there's like some connection between the sickness of a culture 1046 01:02:07,360 --> 01:02:10,680 Speaker 1: and its obsession with true crime. Like death. Yeah, death 1047 01:02:10,760 --> 01:02:13,840 Speaker 1: is not like you know, death isn't ideally death would 1048 01:02:13,840 --> 01:02:16,920 Speaker 1: not be violent. It's not supposed to be entertainment. I mean, 1049 01:02:16,920 --> 01:02:19,240 Speaker 1: I understand I love true crime, So I'm not saying that. 1050 01:02:19,320 --> 01:02:23,880 Speaker 1: I'm just I'm just noticing in myself that if you 1051 01:02:23,960 --> 01:02:28,080 Speaker 1: listen to enough Gore, it just starts to feel like, 1052 01:02:28,640 --> 01:02:31,600 Speaker 1: I don't know, death just somehow becomes more abstract and 1053 01:02:31,680 --> 01:02:36,040 Speaker 1: more like a piece of entertainment or something that's other. 1054 01:02:36,240 --> 01:02:37,800 Speaker 1: I can't quite put my finger on it, but all 1055 01:02:37,840 --> 01:02:40,000 Speaker 1: I know is death should be this awesome thing where 1056 01:02:40,040 --> 01:02:44,480 Speaker 1: you possibly turn into who knows, like a fucking star 1057 01:02:44,760 --> 01:02:49,840 Speaker 1: or something. I mean Caspers. Yeah, and you're out the 1058 01:02:50,320 --> 01:02:54,480 Speaker 1: universe just going like that's all you do. Like you're 1059 01:02:54,520 --> 01:02:58,280 Speaker 1: just a star with like a big spe and they 1060 01:02:58,280 --> 01:03:00,040 Speaker 1: don't know because they can't hear way out there of 1061 01:03:00,120 --> 01:03:03,520 Speaker 1: the hell. Yeah, and you're like I used to be crime. 1062 01:03:03,640 --> 01:03:08,160 Speaker 1: Now I'm a star. Yeah, and now I'm like and 1063 01:03:08,160 --> 01:03:11,800 Speaker 1: I'm nude this but I mean yeah, Like you know, 1064 01:03:11,880 --> 01:03:14,040 Speaker 1: a lot of the research around true crime, and like 1065 01:03:14,160 --> 01:03:16,360 Speaker 1: especially I remember, like SVU, a lot of people like 1066 01:03:16,400 --> 01:03:18,800 Speaker 1: why are women so into s VU more than men? 1067 01:03:18,920 --> 01:03:21,600 Speaker 1: And like these really dark tales of crime, and like 1068 01:03:21,680 --> 01:03:24,280 Speaker 1: some level is like that people like to It's like 1069 01:03:24,320 --> 01:03:27,000 Speaker 1: about survival is what they found. Like some people want 1070 01:03:27,040 --> 01:03:28,960 Speaker 1: to hear about it because in some way they feel 1071 01:03:28,960 --> 01:03:32,600 Speaker 1: like it can arm them against something befalling them in 1072 01:03:32,640 --> 01:03:35,000 Speaker 1: some way, like on some level, but also like to 1073 01:03:35,040 --> 01:03:38,120 Speaker 1: your point about our mortality, like I think if you're 1074 01:03:38,160 --> 01:03:41,840 Speaker 1: also in denial about it, you may be more interested 1075 01:03:41,880 --> 01:03:45,200 Speaker 1: in preventing it visa v. Listening to true crime and 1076 01:03:45,200 --> 01:03:47,640 Speaker 1: it like sort of really begins to like obscure this 1077 01:03:47,720 --> 01:03:50,280 Speaker 1: relationship to death because I think, especially in the West, 1078 01:03:50,800 --> 01:03:53,440 Speaker 1: it's like a very it's a we we we look 1079 01:03:53,480 --> 01:03:56,320 Speaker 1: at it very strangely, like it's like, oh, this person 1080 01:03:56,400 --> 01:03:59,640 Speaker 1: died and now all of us too are hurting or whatever. 1081 01:03:59,680 --> 01:04:02,960 Speaker 1: But we seldom is it like you know in Eastern cultures, 1082 01:04:02,960 --> 01:04:04,720 Speaker 1: where it's like more like oh, yeah, like it's just 1083 01:04:04,800 --> 01:04:07,880 Speaker 1: our physical we're just transitioning from physical to non physical. 1084 01:04:08,480 --> 01:04:11,360 Speaker 1: But like fear of it, I think, yeah, drive so 1085 01:04:11,440 --> 01:04:14,320 Speaker 1: much other exciting. Yeah, death doesn't have to mean it's 1086 01:04:14,360 --> 01:04:17,240 Speaker 1: not just like the end of being able to buy shoes. 1087 01:04:18,520 --> 01:04:22,040 Speaker 1: That's why is a big part of it. But Americans 1088 01:04:22,080 --> 01:04:24,440 Speaker 1: look at like, wow, when I'm dead, I'm not going 1089 01:04:24,480 --> 01:04:28,720 Speaker 1: to ever be able to shop online? Right, almost such 1090 01:04:28,720 --> 01:04:31,439 Speaker 1: a lame way to look at it. And then they're 1091 01:04:31,480 --> 01:04:33,880 Speaker 1: gonna end up being stars. And because they weren't thinking 1092 01:04:33,880 --> 01:04:36,480 Speaker 1: about death correctly, they're not gonna get to yell anything. 1093 01:04:37,080 --> 01:04:40,280 Speaker 1: They're just gonna be a star nude hanging there and 1094 01:04:40,760 --> 01:04:46,920 Speaker 1: right next to them. Should have embraced death. I had 1095 01:04:46,960 --> 01:04:51,360 Speaker 1: a healthy attitude about death and you have to listen 1096 01:04:51,400 --> 01:04:57,160 Speaker 1: to it. But um, that's ridiculous. So the I like that. 1097 01:04:57,920 --> 01:05:01,160 Speaker 1: I think you just invented a new concept of the 1098 01:05:01,160 --> 01:05:03,440 Speaker 1: afterlife that I think a lot of people could get behind. 1099 01:05:03,680 --> 01:05:05,840 Speaker 1: I would like to be able to say or, I 1100 01:05:05,920 --> 01:05:13,200 Speaker 1: know that's right. I know that you kind of need 1101 01:05:13,240 --> 01:05:15,440 Speaker 1: a cool star near you so you can say that 1102 01:05:15,520 --> 01:05:18,640 Speaker 1: after they say something cool. I know that's right, after 1103 01:05:18,680 --> 01:05:21,520 Speaker 1: they say anything. I know that's right works after anything. 1104 01:05:21,920 --> 01:05:25,520 Speaker 1: Best thing about it? Hot enough for you? That's right? 1105 01:05:27,200 --> 01:05:30,120 Speaker 1: You say that again? Oh did you not hear me? 1106 01:05:30,280 --> 01:05:35,400 Speaker 1: Is it too hot? All right? That's gonna do it. 1107 01:05:35,560 --> 01:05:40,040 Speaker 1: For this week's weekly Zeitgeist, Please like and review the show. 1108 01:05:40,640 --> 01:05:44,480 Speaker 1: If you like the show, Uh means the world to Miles. 1109 01:05:44,560 --> 01:05:49,000 Speaker 1: He needs your validation, folks. I hope you're having a 1110 01:05:49,040 --> 01:06:05,000 Speaker 1: great weekend and I will talk to him Monday. By Hi,