WEBVTT - Yolk with Doak 2: Golf Course Architecture 101 - Part 2

0:00:00.880 --> 0:00:04.240
<v Speaker 1>Welcome back to part two of Golf Course Architecture one

0:00:04.240 --> 0:00:08.080
<v Speaker 1>oh one on the Yoke with Doak. If you miss

0:00:08.200 --> 0:00:12.880
<v Speaker 1>part one, check it out on our feed, on iTunes, Stitcher,

0:00:13.160 --> 0:00:16.640
<v Speaker 1>or on our website. And if you join the podcast,

0:00:17.520 --> 0:00:19.319
<v Speaker 1>please give us a review and rate us in the

0:00:19.320 --> 0:00:20.160
<v Speaker 1>iTunes store.

0:00:27.840 --> 0:00:30.800
<v Speaker 2>Tom Dok is back and as usual, he's not holding back,

0:00:33.200 --> 0:00:37.440
<v Speaker 2>but don't toss the yolk and the famously candied Doak

0:00:37.560 --> 0:00:38.800
<v Speaker 2>doesn't pull any punches.

0:00:40.120 --> 0:00:43.960
<v Speaker 3>How do I make natural looking contour? Hire the biggest

0:00:44.000 --> 0:00:45.280
<v Speaker 3>pool in the village and told.

0:00:45.159 --> 0:00:47.160
<v Speaker 4>Him to get flat first?

0:00:47.159 --> 0:00:52.800
<v Speaker 3>Overrated, underrated, rough, terribly overrated over the years.

0:01:00.160 --> 0:01:04.880
<v Speaker 1>So you've mentioned front to back sloping greens a couple times,

0:01:04.920 --> 0:01:07.840
<v Speaker 1>and Tom w had a question. He says, I think

0:01:07.840 --> 0:01:10.880
<v Speaker 1>that front to back sloping greens are challenging and interesting.

0:01:11.400 --> 0:01:15.679
<v Speaker 1>Why don't we see more greens that slope this way?

0:01:15.959 --> 0:01:20.480
<v Speaker 4>There's two reasons you don't see those more. One is

0:01:20.520 --> 0:01:22.640
<v Speaker 4>that they're hard to see from the fairway.

0:01:23.280 --> 0:01:25.279
<v Speaker 3>You know, if you're playing a hole that's just running

0:01:25.280 --> 0:01:28.120
<v Speaker 3>straight down a hill and then the green keeps running

0:01:28.120 --> 0:01:30.400
<v Speaker 3>down the hill, that's okay. That's just the same as

0:01:30.440 --> 0:01:32.640
<v Speaker 3>having a flat hole with a flat green. You still

0:01:32.640 --> 0:01:36.039
<v Speaker 3>see the same stuff, but if the hole's not really

0:01:36.080 --> 0:01:39.520
<v Speaker 3>playing downhill, and then you've got you know, the green

0:01:39.640 --> 0:01:42.080
<v Speaker 3>is kind of above your eye level a little bit,

0:01:42.319 --> 0:01:44.240
<v Speaker 3>and it goes away from you. You don't see any

0:01:44.280 --> 0:01:46.839
<v Speaker 3>of the surface of the green, and most golfers don't

0:01:46.920 --> 0:01:49.360
<v Speaker 3>like that. They're very uncomfortable with it when they only

0:01:49.360 --> 0:01:51.960
<v Speaker 3>see the flags sticking up behind the bunker and they

0:01:52.000 --> 0:01:55.640
<v Speaker 3>can't really see if it's ten feet on the green

0:01:55.720 --> 0:01:59.480
<v Speaker 3>or fifty feet on the green or whatever. So you know,

0:02:00.120 --> 0:02:05.560
<v Speaker 3>and then the other reason is a green that goes

0:02:05.600 --> 0:02:08.400
<v Speaker 3>away from you doesn't hold as well, and you've got

0:02:08.440 --> 0:02:11.639
<v Speaker 3>a ton of players just immediately I hit a good

0:02:11.639 --> 0:02:13.079
<v Speaker 3>shot and it didn't hold the green.

0:02:13.120 --> 0:02:13.760
<v Speaker 4>That's unfair.

0:02:14.840 --> 0:02:19.600
<v Speaker 3>So really it goes back to those two reasons. Make

0:02:19.680 --> 0:02:23.880
<v Speaker 3>greens running away from you not popular. Doesn't mean it's

0:02:23.880 --> 0:02:27.440
<v Speaker 3>not good design, but it means you're not going to

0:02:27.480 --> 0:02:29.120
<v Speaker 3>get a lot of love for doing a lot of

0:02:29.120 --> 0:02:32.000
<v Speaker 3>greens that go away from you. And you kind of

0:02:32.040 --> 0:02:34.440
<v Speaker 3>have to balance that out when you're designing a golf course.

0:02:34.520 --> 0:02:35.960
<v Speaker 3>Is how much do I care about that?

0:02:37.120 --> 0:02:37.320
<v Speaker 4>You know?

0:02:37.880 --> 0:02:39.600
<v Speaker 3>I know the more of this, you know, I know

0:02:39.680 --> 0:02:41.960
<v Speaker 3>this is going to make the course more challenging and

0:02:42.000 --> 0:02:44.359
<v Speaker 3>more interesting. But I also know it's going to turn

0:02:44.440 --> 0:02:47.000
<v Speaker 3>some people off. So how far am I willing to

0:02:47.080 --> 0:02:50.840
<v Speaker 3>go on that? And you know, I've done it a

0:02:50.840 --> 0:02:53.480
<v Speaker 3>lot on some courses. Keep Kidnappers has a bunch of

0:02:53.520 --> 0:02:57.120
<v Speaker 3>them because they're you know, keep kidnappers. Everybody thinks of

0:02:57.160 --> 0:02:59.560
<v Speaker 3>it as a pretty flat side overlooking the ocean, but

0:02:59.600 --> 0:03:02.680
<v Speaker 3>the real the whole thing is on you know, a

0:03:02.800 --> 0:03:06.919
<v Speaker 3>decent tilt. It's like a tabletop, but it's a tilted tabletop,

0:03:07.720 --> 0:03:10.360
<v Speaker 3>so the visibility is not really a problem. Basically, every

0:03:10.400 --> 0:03:13.440
<v Speaker 3>hole that plays toward the ocean is playing downhill and

0:03:13.440 --> 0:03:14.560
<v Speaker 3>the greens going away from you.

0:03:15.480 --> 0:03:18.520
<v Speaker 1>It's kind of like the first hole at Oakmont, and

0:03:18.560 --> 0:03:21.320
<v Speaker 1>that's a perfect example of where the best players in

0:03:21.360 --> 0:03:23.680
<v Speaker 1>the world all of a sudden have to think about

0:03:23.760 --> 0:03:26.160
<v Speaker 1>where they're landing the shot and how much it's going

0:03:26.200 --> 0:03:26.760
<v Speaker 1>to roll out.

0:03:27.240 --> 0:03:30.080
<v Speaker 3>The first hole of Oakmont is you know, that's like

0:03:30.120 --> 0:03:34.520
<v Speaker 3>a perfect example of what's good about a hole with

0:03:34.560 --> 0:03:35.480
<v Speaker 3>a green running.

0:03:35.240 --> 0:03:37.320
<v Speaker 4>Away, because.

0:03:39.720 --> 0:03:42.320
<v Speaker 3>The part of the hole that people don't understand or

0:03:42.360 --> 0:03:45.840
<v Speaker 3>don't get through their thick skull is if you're going

0:03:45.920 --> 0:03:48.760
<v Speaker 3>to miss that green, miss it over the back. Yeah,

0:03:49.320 --> 0:03:54.640
<v Speaker 3>that's that's counterintuitive to most golfers. But you know, if

0:03:54.680 --> 0:03:57.720
<v Speaker 3>you go along, you're chipping back uphill and it's not

0:03:57.800 --> 0:04:00.600
<v Speaker 3>so severe. The worst thing you can do is try

0:04:00.640 --> 0:04:03.560
<v Speaker 3>to sneak it onto the front of the green and either.

0:04:03.320 --> 0:04:05.360
<v Speaker 4>Be short or miss it in the rough.

0:04:05.400 --> 0:04:09.280
<v Speaker 3>Short and now you've got a terrifying little chip to

0:04:09.320 --> 0:04:12.680
<v Speaker 3>a green that's still screaming away from you. Is you

0:04:12.720 --> 0:04:15.640
<v Speaker 3>know that costs you, Like a that's usually a full shot.

0:04:16.320 --> 0:04:18.080
<v Speaker 3>You know, you try to sneak it on the green

0:04:18.120 --> 0:04:20.440
<v Speaker 3>and miss, your next shot is going to be at

0:04:20.440 --> 0:04:22.160
<v Speaker 3>the back edge where you would have been in two

0:04:22.200 --> 0:04:26.479
<v Speaker 3>if you had just taken more club. That's why I

0:04:26.480 --> 0:04:31.440
<v Speaker 3>think those holes are worthwhile. And yet those are the

0:04:31.440 --> 0:04:34.960
<v Speaker 3>ones that people people, the average golfer would scream about.

0:04:34.960 --> 0:04:38.359
<v Speaker 3>The first hole at Oakmont, really long part four to

0:04:38.440 --> 0:04:41.480
<v Speaker 3>a green that's really falling away from you is about

0:04:41.520 --> 0:04:43.720
<v Speaker 3>as hard as it gets for most people. And they

0:04:43.760 --> 0:04:46.960
<v Speaker 3>don't think, just rip a shot through the green, it

0:04:46.960 --> 0:04:49.479
<v Speaker 3>doesn't matter going back and go from there.

0:04:50.240 --> 0:04:51.160
<v Speaker 5>The course.

0:04:51.200 --> 0:04:54.000
<v Speaker 1>I grew up playing this little Muni and it is

0:04:54.880 --> 0:04:59.680
<v Speaker 1>built in a floodplain in the sixties. This hole is

0:04:59.680 --> 0:05:04.520
<v Speaker 1>someone The longer part fours and notoriously, the contractor built

0:05:04.560 --> 0:05:07.760
<v Speaker 1>the green upside down, so it's built up in the

0:05:07.800 --> 0:05:10.119
<v Speaker 1>front where it would have been built up in the back.

0:05:10.560 --> 0:05:11.719
<v Speaker 4>Okay, and then it goes.

0:05:11.800 --> 0:05:13.719
<v Speaker 3>I was thinking gravel on top that would have been

0:05:13.800 --> 0:05:14.280
<v Speaker 3>really bad.

0:05:15.240 --> 0:05:19.240
<v Speaker 1>But it runs away and it gives everybody just fit.

0:05:19.600 --> 0:05:21.599
<v Speaker 1>I mean, I remember that was where my high school

0:05:21.600 --> 0:05:24.320
<v Speaker 1>team played, and that hole was always the toughest hole

0:05:24.360 --> 0:05:26.960
<v Speaker 1>because you're if they put the pin back, you're hitting

0:05:27.000 --> 0:05:28.960
<v Speaker 1>to this green that runs away and you always end

0:05:29.040 --> 0:05:31.520
<v Speaker 1>up over. But it was, you know, in terms of

0:05:31.560 --> 0:05:34.720
<v Speaker 1>the holes that I think of, despite the build up

0:05:34.720 --> 0:05:37.240
<v Speaker 1>in the front, the super unnatural. It's like one of

0:05:37.240 --> 0:05:39.479
<v Speaker 1>the holes I remember the most about that first and

0:05:39.520 --> 0:05:41.000
<v Speaker 1>I think is one of the best holes there and

0:05:41.040 --> 0:05:44.840
<v Speaker 1>it's dead straight your your first hole at Stonewall North

0:05:45.360 --> 0:05:47.279
<v Speaker 1>has got that pitch running away.

0:05:47.920 --> 0:05:50.160
<v Speaker 3>We were thinking about the first green at Oakmont when

0:05:50.160 --> 0:05:50.880
<v Speaker 3>we built that hole.

0:05:53.480 --> 0:06:01.159
<v Speaker 1>So uh, here's another question from Gordon Collins. I don't

0:06:01.240 --> 0:06:05.600
<v Speaker 1>understand how to know what makes for a great green complexes.

0:06:06.080 --> 0:06:09.839
<v Speaker 1>I'm starting to recognize whole strategies and why the architect

0:06:09.880 --> 0:06:13.919
<v Speaker 1>can put certain features in those locations plays in different

0:06:13.960 --> 0:06:16.839
<v Speaker 1>ways to play a whole but appreciating a good green

0:06:16.920 --> 0:06:20.640
<v Speaker 1>complex versus a bad one is not something I grasp.

0:06:25.920 --> 0:06:27.920
<v Speaker 4>Really good question, you know.

0:06:30.400 --> 0:06:34.800
<v Speaker 3>I think it's it's a microcosm of what makes a

0:06:34.839 --> 0:06:35.480
<v Speaker 3>good golf hole.

0:06:35.520 --> 0:06:37.240
<v Speaker 4>In the strategy of a good golf hole.

0:06:37.640 --> 0:06:40.560
<v Speaker 3>I mean, when I'm building courses, I spent the most

0:06:40.600 --> 0:06:45.960
<v Speaker 3>of my time, you know, when we design a green,

0:06:46.040 --> 0:06:48.120
<v Speaker 3>it's not so much for what the putts are going

0:06:48.200 --> 0:06:50.599
<v Speaker 3>to be like, it's what the recovery shots are like

0:06:50.640 --> 0:06:53.640
<v Speaker 3>around the green. I spent a lot of time, Like

0:06:54.600 --> 0:06:56.919
<v Speaker 3>I remember sev when he used to play golf. You know,

0:06:57.279 --> 0:06:59.599
<v Speaker 3>he'd be like he wouldn't have a club in his hand.

0:06:59.640 --> 0:07:02.039
<v Speaker 3>He'd just be visualizing the shot and kind of making

0:07:02.040 --> 0:07:04.120
<v Speaker 3>a little swing, trying to figure out, Okay, where am

0:07:04.120 --> 0:07:06.039
<v Speaker 3>I going to land this ball so it stops dead

0:07:06.080 --> 0:07:08.960
<v Speaker 3>to the hole, And I almost do the same thing.

0:07:09.040 --> 0:07:12.640
<v Speaker 3>It's like, okay, from over here, who you'd be really

0:07:12.680 --> 0:07:14.680
<v Speaker 3>dead to that pin placement and over here and not

0:07:14.800 --> 0:07:18.800
<v Speaker 3>so bad. So to me, a really good green complex

0:07:18.920 --> 0:07:22.600
<v Speaker 3>is just one that there's a variety of difficulty around

0:07:22.640 --> 0:07:25.960
<v Speaker 3>the green. There's a good side to beyond and there's

0:07:26.000 --> 0:07:28.320
<v Speaker 3>a bad side to be on, just like there's a

0:07:28.320 --> 0:07:29.960
<v Speaker 3>good side of the fairway to be on and there's

0:07:29.960 --> 0:07:32.720
<v Speaker 3>a bad side of the fairway to be on. So

0:07:32.880 --> 0:07:34.640
<v Speaker 3>you can do that with a lot of different things.

0:07:34.680 --> 0:07:36.320
<v Speaker 3>You know, you can have a water hazard on one

0:07:36.400 --> 0:07:38.720
<v Speaker 3>side and open ground to the other. You can have

0:07:38.920 --> 0:07:42.720
<v Speaker 3>just you know, one or two really nasty bunkers that

0:07:42.760 --> 0:07:46.400
<v Speaker 3>are a bad place to be. But you know, usually

0:07:46.760 --> 0:07:48.600
<v Speaker 3>what's going to make it hard is the tilt of

0:07:48.640 --> 0:07:49.000
<v Speaker 3>the green.

0:07:49.680 --> 0:07:50.400
<v Speaker 4>That no matter.

0:07:50.680 --> 0:07:54.480
<v Speaker 3>You know, if the green's tilted and there's a high

0:07:54.480 --> 0:07:57.000
<v Speaker 3>side and the low side, usually you don't want to

0:07:57.040 --> 0:07:59.440
<v Speaker 3>be on the high side. You want to be pitching

0:07:59.560 --> 0:08:03.920
<v Speaker 3>or chipping uphill. So you know, sometimes that could be

0:08:04.000 --> 0:08:06.120
<v Speaker 3>side to side in the greens. Sometimes it could be

0:08:06.240 --> 0:08:09.280
<v Speaker 3>front to back like we were talking about. Traditionally it's

0:08:09.280 --> 0:08:13.280
<v Speaker 3>back to front. You know, we try to mix it

0:08:13.400 --> 0:08:15.560
<v Speaker 3>up so it's not the same for eighteen holes and

0:08:15.600 --> 0:08:17.520
<v Speaker 3>you can't just say, okay, I always want to miss

0:08:17.520 --> 0:08:23.480
<v Speaker 3>short and that'll be the easiest chip. But a good

0:08:23.480 --> 0:08:26.800
<v Speaker 3>green complex is one where there are good places and

0:08:26.840 --> 0:08:27.680
<v Speaker 3>bad places to be.

0:08:28.960 --> 0:08:33.559
<v Speaker 1>That's so with that, you use a ton of short

0:08:33.559 --> 0:08:35.360
<v Speaker 1>grass around the greens, How does.

0:08:35.200 --> 0:08:38.720
<v Speaker 3>That not necessarily we like to use more short grass

0:08:38.720 --> 0:08:40.200
<v Speaker 3>around the greens, but it's the same. You know, if

0:08:40.920 --> 0:08:45.280
<v Speaker 3>there's rough surround in the green. You know, Wingfoot has

0:08:45.400 --> 0:08:49.680
<v Speaker 3>rougher bunkers surrounding every green, but there's still bunkers you

0:08:49.760 --> 0:08:51.960
<v Speaker 3>can be in and have a place to get up

0:08:51.960 --> 0:08:55.480
<v Speaker 3>and down, and bunkers you better not be in like

0:08:55.520 --> 0:08:57.120
<v Speaker 3>they you know, in the US Open, they used to

0:08:57.120 --> 0:09:00.800
<v Speaker 3>talk about short sighting yourself all the time, Like the

0:09:00.840 --> 0:09:03.960
<v Speaker 3>greens are pretty small and if you wind up, you know,

0:09:04.000 --> 0:09:06.680
<v Speaker 3>if the pins on the tuck right and you miss

0:09:06.720 --> 0:09:10.560
<v Speaker 3>the green right and the rough, you know, you're trying

0:09:10.600 --> 0:09:12.400
<v Speaker 3>to hit a little touchy shot out of rough and

0:09:12.440 --> 0:09:14.680
<v Speaker 3>you've only got ten feet of green to work with

0:09:14.720 --> 0:09:19.840
<v Speaker 3>before it gets away from the hole. That's another example.

0:09:19.880 --> 0:09:24.360
<v Speaker 3>I mean, even though there's no short grass around the green,

0:09:24.880 --> 0:09:26.800
<v Speaker 3>you know, good player looks at that and goes, no,

0:09:26.880 --> 0:09:31.000
<v Speaker 3>I need to miss to the wide side. And usually

0:09:31.000 --> 0:09:33.200
<v Speaker 3>that's true. The only exception is if you've got a

0:09:33.200 --> 0:09:35.760
<v Speaker 3>green this crowned. You know, we like to play with

0:09:35.800 --> 0:09:39.000
<v Speaker 3>that too, where where you're bailing out and you think

0:09:39.040 --> 0:09:41.000
<v Speaker 3>it's going to be an easy shot from there and

0:09:41.040 --> 0:09:41.320
<v Speaker 3>it's not.

0:09:42.640 --> 0:09:45.079
<v Speaker 5>Yeah, crown greens are are nasty.

0:09:45.240 --> 0:09:49.520
<v Speaker 3>They well, it's there it's that they're counterintuitive, you know,

0:09:49.960 --> 0:09:53.240
<v Speaker 3>the you know, good players tend to if in doubt,

0:09:53.240 --> 0:09:55.000
<v Speaker 3>they play toward the middle of the green, and then

0:09:55.000 --> 0:09:56.720
<v Speaker 3>all they have to do is miss it a little

0:09:56.840 --> 0:09:59.240
<v Speaker 3>to the one side, and they're putting over the crown

0:09:59.679 --> 0:10:07.359
<v Speaker 3>and they're they're so focused on avoiding short sighting themselves

0:10:07.720 --> 0:10:09.520
<v Speaker 3>that they don't realize there are holes where that's the

0:10:09.600 --> 0:10:10.600
<v Speaker 3>right place to miss.

0:10:12.000 --> 0:10:12.240
<v Speaker 4>Yeah.

0:10:12.360 --> 0:10:15.360
<v Speaker 1>I almost try and never short side myself.

0:10:15.200 --> 0:10:18.400
<v Speaker 3>Right, but on a crown green, that's the place you

0:10:18.400 --> 0:10:20.760
<v Speaker 3>want to miss usually as long as it's not real

0:10:20.840 --> 0:10:23.040
<v Speaker 3>severe what's over to the right of the green side.

0:10:23.080 --> 0:10:27.560
<v Speaker 1>The crown greens also get the ball rolling, which, yes,

0:10:27.800 --> 0:10:30.680
<v Speaker 1>like that's something I hate when I see the ball rolling.

0:10:31.200 --> 0:10:33.480
<v Speaker 4>It's like most people don't have a choice that roll.

0:10:33.760 --> 0:10:37.559
<v Speaker 1>Yeah, I think that's a it's a that's a difference

0:10:37.559 --> 0:10:41.840
<v Speaker 1>between the you know, the average Like the ball rolling

0:10:41.960 --> 0:10:45.400
<v Speaker 1>for a beginning player is like the best, most beautiful site,

0:10:46.559 --> 0:10:48.720
<v Speaker 1>and the ball rolling for a tour player that's like

0:10:48.760 --> 0:10:49.840
<v Speaker 1>when they've lost control.

0:10:50.520 --> 0:10:52.319
<v Speaker 4>Yep, you're right for the most part.

0:10:55.080 --> 0:11:00.400
<v Speaker 1>So Justin Anderson uh wants to know where does where

0:11:00.440 --> 0:11:03.800
<v Speaker 1>do you draw the line between an interesting green complex

0:11:04.040 --> 0:11:05.559
<v Speaker 1>and a silly green complex.

0:11:18.040 --> 0:11:24.920
<v Speaker 3>That line's different for everybody. You know, I'm a ten

0:11:25.000 --> 0:11:29.079
<v Speaker 3>handicap now or twelve. At best, I was about a five,

0:11:29.679 --> 0:11:31.959
<v Speaker 3>but the strength of my golf was having a pretty

0:11:31.960 --> 0:11:34.920
<v Speaker 3>good short game. So where I draw the line is

0:11:34.960 --> 0:11:38.640
<v Speaker 3>probably a little farther higher up on the scale than

0:11:38.679 --> 0:11:44.720
<v Speaker 3>where somebody else would draw the same line. But you know,

0:11:44.800 --> 0:11:48.000
<v Speaker 3>the only thing I think is really unfair on a green, well,

0:11:48.040 --> 0:11:50.240
<v Speaker 3>there's two things I've seen there that are unfair on

0:11:50.280 --> 0:11:52.520
<v Speaker 3>a green. If you've got to play, you know, if

0:11:52.520 --> 0:11:55.440
<v Speaker 3>there's enough tilt where they're put in the hole that

0:11:55.520 --> 0:11:57.320
<v Speaker 3>if you try to put it up to the hole

0:11:58.480 --> 0:11:59.880
<v Speaker 3>and it turns around and comes.

0:11:59.679 --> 0:12:05.680
<v Speaker 4>Back, that's unfair. That's you know, you know, that's silly.

0:12:06.080 --> 0:12:08.240
<v Speaker 3>You know, if you're above the hole and when you're putting,

0:12:09.880 --> 0:12:12.760
<v Speaker 3>you know it goes aways past. I don't think that's unfair,

0:12:13.360 --> 0:12:15.160
<v Speaker 3>you know, that's that's one of the few things you

0:12:15.160 --> 0:12:17.960
<v Speaker 3>can do to challenge a good player, and you're you're

0:12:17.960 --> 0:12:19.760
<v Speaker 3>telling him, don't get above the hole.

0:12:20.880 --> 0:12:21.080
<v Speaker 4>You know.

0:12:21.160 --> 0:12:23.520
<v Speaker 3>But as long as that pot from the other side

0:12:23.520 --> 0:12:27.800
<v Speaker 3>of the hole will stop where it stops so you

0:12:27.840 --> 0:12:29.679
<v Speaker 3>can go up and tap it in, then I think

0:12:29.720 --> 0:12:34.040
<v Speaker 3>that's okay. The other thing I don't I think you

0:12:36.280 --> 0:12:39.360
<v Speaker 3>have to be really careful of is having agreen with

0:12:39.480 --> 0:12:43.240
<v Speaker 3>a lot of contour next to a water hazard. You know,

0:12:43.920 --> 0:12:46.559
<v Speaker 3>every the thing I learned from Saint Andrew's more than

0:12:46.640 --> 0:12:51.640
<v Speaker 3>anything else, was that all the crazy contourors out there,

0:12:52.120 --> 0:12:53.360
<v Speaker 3>there's a good side and.

0:12:53.360 --> 0:12:55.840
<v Speaker 4>A bad side to every one of them.

0:12:56.679 --> 0:12:59.200
<v Speaker 3>And all the things that you complain about is being unfair.

0:13:00.280 --> 0:13:01.880
<v Speaker 3>That contra is in my way and I have to

0:13:01.920 --> 0:13:04.920
<v Speaker 3>put over the hole and it won't stop. If you'd

0:13:04.920 --> 0:13:07.479
<v Speaker 3>have missed to the other side. That was a backstop

0:13:07.600 --> 0:13:09.959
<v Speaker 3>for you, and it's your fault for being in the

0:13:10.000 --> 0:13:13.400
<v Speaker 3>wrong place and having to deal with it. But when

0:13:13.400 --> 0:13:18.160
<v Speaker 3>you add water to the mix, you know, if you

0:13:18.200 --> 0:13:21.160
<v Speaker 3>put the water in the place where the bailout should be,

0:13:22.040 --> 0:13:25.120
<v Speaker 3>then there's nothing you can do. A hole that I

0:13:25.280 --> 0:13:28.200
<v Speaker 3>like to criticize a lot, just because people are familiar

0:13:28.200 --> 0:13:32.520
<v Speaker 3>with it. Fifteen at Augusta. You're hitting You're hitting a

0:13:33.280 --> 0:13:36.360
<v Speaker 3>second or third shot off a downhill lie. There's a

0:13:36.360 --> 0:13:40.200
<v Speaker 3>pond right in front of the green, a shave bank

0:13:40.280 --> 0:13:42.640
<v Speaker 3>going up to a shave short grass bank going up

0:13:42.679 --> 0:13:44.920
<v Speaker 3>to the green. A green with a fair amount of

0:13:44.960 --> 0:13:47.560
<v Speaker 3>tilt that's not really deep, and then it goes over

0:13:47.600 --> 0:13:50.040
<v Speaker 3>the back, so you have to, like, if you miss long,

0:13:50.440 --> 0:13:52.400
<v Speaker 3>you have to chip up over a slope and down

0:13:52.440 --> 0:13:57.360
<v Speaker 3>toward the water. You know, that green really isn't it's

0:13:57.440 --> 0:14:00.000
<v Speaker 3>not the most difficult green at Augusta by any stretch,

0:14:00.120 --> 0:14:03.200
<v Speaker 3>but there's enough tilt to it that you really don't

0:14:03.240 --> 0:14:04.440
<v Speaker 3>want to be chipping to.

0:14:04.520 --> 0:14:06.120
<v Speaker 4>The downhill toward the water.

0:14:06.800 --> 0:14:10.079
<v Speaker 3>And yet you can't leave yourself on the low side

0:14:10.200 --> 0:14:10.880
<v Speaker 3>because there's.

0:14:10.720 --> 0:14:11.480
<v Speaker 4>A pond there.

0:14:11.760 --> 0:14:14.760
<v Speaker 3>Yeah, so there's you know, that's the kind of hole

0:14:14.800 --> 0:14:15.960
<v Speaker 3>I try to avoid.

0:14:15.640 --> 0:14:19.200
<v Speaker 1>Building m HM, where there's where there's no real safe

0:14:19.720 --> 0:14:20.760
<v Speaker 1>bailout right.

0:14:20.880 --> 0:14:22.160
<v Speaker 5>It's kind of what we talked about.

0:14:22.200 --> 0:14:24.920
<v Speaker 3>Every shot, every shot around the green is a hard shot.

0:14:25.480 --> 0:14:27.920
<v Speaker 3>There's no easy side. It's just all.

0:14:27.760 --> 0:14:30.960
<v Speaker 1>Hard that that makes a lot of sense that you

0:14:31.000 --> 0:14:33.160
<v Speaker 1>should have one spot you can go, but you're giving

0:14:33.240 --> 0:14:35.760
<v Speaker 1>up the especially on that whole a par five, you're

0:14:35.800 --> 0:14:38.520
<v Speaker 1>giving up if you bail over there. You're giving like

0:14:38.560 --> 0:14:41.160
<v Speaker 1>to say, there was a safe spot. You bail there,

0:14:41.600 --> 0:14:45.280
<v Speaker 1>you're giving up your like easy look at a birdie

0:14:45.400 --> 0:14:47.600
<v Speaker 1>or a chance at a birdie if it's your third shot,

0:14:47.960 --> 0:14:50.160
<v Speaker 1>or a chance at an eagle if you're long enough

0:14:50.200 --> 0:14:51.680
<v Speaker 1>to get there in two right.

0:14:51.840 --> 0:14:54.800
<v Speaker 3>And you know, I've never really thought about it much

0:14:54.800 --> 0:14:59.240
<v Speaker 3>in this discussion, but you know there there wasn't a

0:14:59.280 --> 0:15:01.920
<v Speaker 3>pond to start with. It was a little stream going

0:15:01.960 --> 0:15:04.520
<v Speaker 3>in front of the green and there was a little

0:15:04.520 --> 0:15:07.240
<v Speaker 3>more room to the right by the bunker. So the

0:15:07.240 --> 0:15:11.560
<v Speaker 3>original design of the hole it wasn't so bad. And

0:15:11.640 --> 0:15:14.440
<v Speaker 3>you know, turning the stream into a pond really took away.

0:15:15.080 --> 0:15:17.280
<v Speaker 3>You know, when the stream was there, Even if the

0:15:17.280 --> 0:15:19.200
<v Speaker 3>stream was right up against the green, you could kind

0:15:19.200 --> 0:15:20.520
<v Speaker 3>of chip over the stream.

0:15:21.080 --> 0:15:23.080
<v Speaker 4>But with the pond there, you.

0:15:23.040 --> 0:15:26.600
<v Speaker 3>Know, missing short means missing forty or fifty yards short

0:15:26.720 --> 0:15:29.080
<v Speaker 3>and then having that downhill lie to hit that little

0:15:29.120 --> 0:15:32.840
<v Speaker 3>shot over that's that's that's the hardest thing. I'd rather

0:15:32.880 --> 0:15:36.240
<v Speaker 3>be in the water if I could drop somewhere that

0:15:36.360 --> 0:15:39.200
<v Speaker 3>I didn't have to hit that little shot.

0:15:38.200 --> 0:15:41.560
<v Speaker 1>Yeah, that half ledge from a downhill lie to like

0:15:41.640 --> 0:15:45.040
<v Speaker 1>a shallow green is pretty tough for every type of flair.

0:15:45.200 --> 0:15:45.640
<v Speaker 4>That's right.

0:15:47.960 --> 0:15:52.280
<v Speaker 1>So here this kind of plays into our discussion. While

0:15:52.680 --> 0:15:56.920
<v Speaker 1>John Wills asked, why do green surrounds an aprons always

0:15:56.920 --> 0:16:00.440
<v Speaker 1>seem so scripted? Why can't the short grass and closely

0:16:00.480 --> 0:16:05.960
<v Speaker 1>moan turf be more like you're bunkering, don't you know,

0:16:06.560 --> 0:16:09.440
<v Speaker 1>like the I guess the short turf around, you know,

0:16:10.200 --> 0:16:12.880
<v Speaker 1>and like artistic bunkering shapes.

0:16:15.840 --> 0:16:18.440
<v Speaker 3>It could I mean, you know, I think that's one

0:16:18.480 --> 0:16:23.800
<v Speaker 3>of those things that there was probably a lot more

0:16:23.920 --> 0:16:27.600
<v Speaker 3>interest in the mowing patterns on approaches on old golf

0:16:27.640 --> 0:16:32.960
<v Speaker 3>courses has just been lost over time. You know, Tommy,

0:16:33.080 --> 0:16:35.200
<v Speaker 3>who is the superintendent for a high point, the first

0:16:35.200 --> 0:16:38.720
<v Speaker 3>course I did when you sat Crystal Downs, I asked

0:16:38.800 --> 0:16:41.920
<v Speaker 3>him one day, do they like teach you a class

0:16:41.920 --> 0:16:45.560
<v Speaker 3>in chure school about you know, narrowing up the approach

0:16:45.640 --> 0:16:48.280
<v Speaker 3>to the green, you know, like bringing the rough in

0:16:48.480 --> 0:16:50.280
<v Speaker 3>toward the green so it looks like a you know,

0:16:50.760 --> 0:16:53.000
<v Speaker 3>narrows down to like a neck and then widens out

0:16:53.040 --> 0:16:57.000
<v Speaker 3>to the green. Because it seemed like everything I saw

0:16:58.040 --> 0:17:00.440
<v Speaker 3>did that, and I was pretty sure that on original

0:17:00.520 --> 0:17:01.920
<v Speaker 3>golf course it wasn't like that.

0:17:02.600 --> 0:17:04.240
<v Speaker 4>And he said.

0:17:05.480 --> 0:17:08.879
<v Speaker 3>It was just a subconscious thing that that he'd seen

0:17:08.920 --> 0:17:12.000
<v Speaker 3>so many holes like that that he just naturally did

0:17:12.000 --> 0:17:16.080
<v Speaker 3>it without thinking twice about it. And you know, sure enough,

0:17:16.119 --> 0:17:19.959
<v Speaker 3>over time the golf course had changed because you know,

0:17:21.320 --> 0:17:25.520
<v Speaker 3>superintendents imitate what they've seen in other places, and unless

0:17:25.560 --> 0:17:29.800
<v Speaker 3>there's unless there's some pretty detailed map of how the

0:17:29.800 --> 0:17:33.280
<v Speaker 3>golf course was supposed to be, things tend to get

0:17:33.359 --> 0:17:38.600
<v Speaker 3>rounded off and more normal over time. Yeah, it's like

0:17:39.240 --> 0:17:42.560
<v Speaker 3>like Chicago's a great example. You know, there's a lot

0:17:42.560 --> 0:17:45.320
<v Speaker 3>of different architects that worked in Chicago, and they had

0:17:45.359 --> 0:17:48.920
<v Speaker 3>all different kinds of bunker styles. But when I first

0:17:48.920 --> 0:17:51.600
<v Speaker 3>saw courses in Chicago in the seventies and eighties, the

0:17:51.600 --> 0:17:54.000
<v Speaker 3>bunkers on every course looked the same. They all looked

0:17:54.080 --> 0:17:57.520
<v Speaker 3>like Madna because Madna was the great course in town

0:17:57.560 --> 0:18:00.919
<v Speaker 3>and that's where they played the big tournament. So everybody

0:18:01.040 --> 0:18:04.560
<v Speaker 3>just sort of subconsciously started imitating with Dinah. Even if,

0:18:05.160 --> 0:18:07.080
<v Speaker 3>you know, even if it was a Langford course with

0:18:07.119 --> 0:18:08.840
<v Speaker 3>a steep bank in front of the green that was

0:18:08.880 --> 0:18:11.919
<v Speaker 3>all grass, they would start flaring sand up the banks

0:18:11.960 --> 0:18:13.520
<v Speaker 3>because that's what it would take to make it look

0:18:13.560 --> 0:18:14.960
<v Speaker 3>like the great course down the road.

0:18:16.240 --> 0:18:20.440
<v Speaker 1>Yeah, I think about the short knacks that I mean,

0:18:20.960 --> 0:18:24.320
<v Speaker 1>I had never thought about that, but now that I think, it's, like, God,

0:18:24.359 --> 0:18:27.680
<v Speaker 1>how many golf courses have that, like that narrow neck

0:18:27.760 --> 0:18:28.639
<v Speaker 1>going into the green.

0:18:29.560 --> 0:18:31.760
<v Speaker 4>It's and it's one of the worst things you can do.

0:18:31.920 --> 0:18:35.680
<v Speaker 3>I mean for the average player, you know, they need

0:18:35.720 --> 0:18:37.600
<v Speaker 3>to run the ball into the green and you're always

0:18:37.640 --> 0:18:40.480
<v Speaker 3>catching them up at the edge before they get there. Yeah,

0:18:40.520 --> 0:18:43.560
<v Speaker 3>you know, and it's not you know, the good player

0:18:43.600 --> 0:18:45.600
<v Speaker 3>is not worried about that at all. You're you know,

0:18:45.600 --> 0:18:47.840
<v Speaker 3>you're flying over at ninety nine percent of the time,

0:18:47.880 --> 0:18:51.280
<v Speaker 3>so you don't care. But the average player, it sticks

0:18:51.320 --> 0:18:52.960
<v Speaker 3>them up a lot. And then the other thing is,

0:18:54.160 --> 0:18:57.840
<v Speaker 3>you know I talked about, you know how you're trying

0:18:57.880 --> 0:19:00.679
<v Speaker 3>to build bounces into the thing, and it's the bounce.

0:19:01.560 --> 0:19:03.520
<v Speaker 3>You know, whether the bounce would help you onto the

0:19:03.520 --> 0:19:06.199
<v Speaker 3>green or make it bounce away from the green. It

0:19:06.240 --> 0:19:08.200
<v Speaker 3>takes both of them away and the ball just stops

0:19:08.280 --> 0:19:09.600
<v Speaker 3>right in front of the green every time.

0:19:09.920 --> 0:19:11.320
<v Speaker 5>That's it's one of the thrills.

0:19:11.359 --> 0:19:14.880
<v Speaker 1>Like so many times, there's contours around the edges of bunkers,

0:19:14.920 --> 0:19:17.879
<v Speaker 1>and the thrill of golf is like having your ball

0:19:17.960 --> 0:19:20.080
<v Speaker 1>right on the edge of something and see if it

0:19:20.119 --> 0:19:20.880
<v Speaker 1>goes in or out.

0:19:21.080 --> 0:19:24.120
<v Speaker 3>Yes, And you know, I probably never would have realized

0:19:24.119 --> 0:19:26.480
<v Speaker 3>that if it wasn't firstpend in that year in the UK,

0:19:26.640 --> 0:19:31.440
<v Speaker 3>right out of college, because you didn't see mowing patterns

0:19:31.480 --> 0:19:32.160
<v Speaker 3>like that I.

0:19:32.119 --> 0:19:32.800
<v Speaker 4>Mean it was.

0:19:34.640 --> 0:19:37.000
<v Speaker 3>You know, the earliest golf courses were kind of grazed

0:19:37.480 --> 0:19:40.280
<v Speaker 3>and there wasn't you know, nobody was deciding exactly what

0:19:40.440 --> 0:19:41.399
<v Speaker 3>part of it to mow.

0:19:41.720 --> 0:19:43.960
<v Speaker 4>How but.

0:19:45.720 --> 0:19:49.520
<v Speaker 3>Over time, you know, they they just didn't. You know,

0:19:50.080 --> 0:19:53.200
<v Speaker 3>nothing about golf course design or maintenance was very.

0:19:53.119 --> 0:19:54.880
<v Speaker 4>Very formal back in the old.

0:19:54.760 --> 0:19:58.840
<v Speaker 3>Days, so you know, making kind of a symmetric approach

0:19:59.000 --> 0:20:01.159
<v Speaker 3>was just not something that they were ever thinking about.

0:20:01.560 --> 0:20:04.440
<v Speaker 4>Yeah, they just they just mowed the grass as much

0:20:04.440 --> 0:20:07.439
<v Speaker 4>as much grass as they needed to mow, or the

0:20:07.440 --> 0:20:09.000
<v Speaker 4>sheep ate it right, or the sheep.

0:20:11.160 --> 0:20:14.560
<v Speaker 1>Joshua Robi wants to know how do you feel about

0:20:14.600 --> 0:20:16.080
<v Speaker 1>trees as a safety feature.

0:20:17.720 --> 0:20:23.240
<v Speaker 3>Trees as a safety feature are usually a bad idea.

0:20:23.680 --> 0:20:24.240
<v Speaker 4>You know, if.

0:20:26.160 --> 0:20:29.159
<v Speaker 3>Two holes are close enough together that you've got a

0:20:29.200 --> 0:20:32.639
<v Speaker 3>safety problem. I, as a golfer, would rather see the

0:20:32.640 --> 0:20:35.440
<v Speaker 3>ball coming or at least know that there's somebody hidden

0:20:35.680 --> 0:20:40.240
<v Speaker 3>in my general direction. And if I'm the one hitting

0:20:40.320 --> 0:20:43.240
<v Speaker 3>the shot over there, it'd be nice to know I

0:20:43.320 --> 0:20:46.159
<v Speaker 3>need to yell for because there's somebody there, Because you know,

0:20:46.920 --> 0:20:50.440
<v Speaker 3>you will have situations on golf courses where you don't

0:20:50.440 --> 0:20:53.320
<v Speaker 3>realize there's anybody there at all, and they're in a

0:20:53.400 --> 0:20:58.199
<v Speaker 3>dangerous spot. So you know, the ironic part of that

0:20:58.320 --> 0:21:04.919
<v Speaker 3>is when you're consulting for club, if you take a

0:21:04.960 --> 0:21:08.320
<v Speaker 3>tree out and then somebody gets hit, there might be

0:21:08.320 --> 0:21:11.840
<v Speaker 3>a liability suit over that, and there's going to be

0:21:11.840 --> 0:21:14.359
<v Speaker 3>the assumption that the tree might have saved the player

0:21:14.400 --> 0:21:17.560
<v Speaker 3>from being hurt. But I find that's not the case.

0:21:17.600 --> 0:21:20.359
<v Speaker 3>You know, that's saying about trees being ninety percent air

0:21:20.480 --> 0:21:22.880
<v Speaker 3>applies to incoming as well as outgoing.

0:21:23.520 --> 0:21:26.639
<v Speaker 1>Well, yeah, a tree could ricochet, of all, and it

0:21:26.640 --> 0:21:28.960
<v Speaker 1>could hit somebody that wouldn't have ever even been in

0:21:29.000 --> 0:21:30.200
<v Speaker 1>the right in the area.

0:21:31.000 --> 0:21:32.080
<v Speaker 4>That is also true.

0:21:33.280 --> 0:21:36.760
<v Speaker 1>It makes me think about like six through eight Aposa

0:21:36.840 --> 0:21:39.199
<v Speaker 1>Tiempo and all those trees.

0:21:40.800 --> 0:21:41.960
<v Speaker 4>Yes, and.

0:21:44.640 --> 0:21:46.920
<v Speaker 3>I'm not sure if I should say on the record,

0:21:46.960 --> 0:21:49.520
<v Speaker 3>but the reason those trees are still there is because

0:21:49.600 --> 0:21:52.520
<v Speaker 3>years ago a golfer on the eighth green was killed

0:21:52.560 --> 0:21:56.600
<v Speaker 3>by a snap hook off the seventh t So that's

0:21:56.640 --> 0:21:59.600
<v Speaker 3>one of those instances that me telling them to take

0:21:59.640 --> 0:22:03.720
<v Speaker 3>out all the trees would open up a huge can

0:22:03.720 --> 0:22:05.840
<v Speaker 3>of worms if anybody ever did that again.

0:22:08.160 --> 0:22:10.000
<v Speaker 4>And that's why those trees are still there.

0:22:10.119 --> 0:22:13.840
<v Speaker 3>Even though that those golf holes were certainly designed to

0:22:13.960 --> 0:22:17.480
<v Speaker 3>all be one big space where you could just you know,

0:22:17.640 --> 0:22:20.399
<v Speaker 3>on seven, you could he had room to miss left

0:22:20.520 --> 0:22:24.120
<v Speaker 3>or right instead of hitting a tree on either side

0:22:24.119 --> 0:22:25.639
<v Speaker 3>of the fairways.

0:22:25.720 --> 0:22:29.280
<v Speaker 1>It's where it being a course that gets forty thousand

0:22:29.359 --> 0:22:31.720
<v Speaker 1>rounds a year instead of like a ten thousand round

0:22:31.880 --> 0:22:35.920
<v Speaker 1>exclusive club really kind of hurts sure as a golf course.

0:22:36.000 --> 0:22:36.480
<v Speaker 4>And that's what.

0:22:39.720 --> 0:22:43.919
<v Speaker 3>You know, if Alistair McKenzie had a weakness as a designer,

0:22:46.080 --> 0:22:49.080
<v Speaker 3>it was that he didn't visualize those courses ever. Being

0:22:49.080 --> 0:22:53.520
<v Speaker 3>that busy, you know, he would try so hard to

0:22:53.600 --> 0:22:57.080
<v Speaker 3>take a natural feature like a wash or something and

0:22:57.119 --> 0:23:02.240
<v Speaker 3>get it into play on two holes, just one, and.

0:23:02.119 --> 0:23:04.080
<v Speaker 4>That would put the holes pretty close together.

0:23:04.760 --> 0:23:08.160
<v Speaker 3>And then so a lot of times when you look

0:23:08.200 --> 0:23:10.720
<v Speaker 3>at some of his older courses that aren't so well known,

0:23:10.760 --> 0:23:13.600
<v Speaker 3>that's the problem because first there are these two holes

0:23:13.600 --> 0:23:15.639
<v Speaker 3>that were too close together. They were both cool holes

0:23:16.040 --> 0:23:19.720
<v Speaker 3>in isolation together, they were kind of too close, so

0:23:19.760 --> 0:23:22.120
<v Speaker 3>they planted trees in between them to keep people from

0:23:22.160 --> 0:23:22.800
<v Speaker 3>it in each other.

0:23:23.359 --> 0:23:25.439
<v Speaker 4>And then, you know, and that took.

0:23:25.320 --> 0:23:28.840
<v Speaker 3>Away the feature that the holes were routed around, so

0:23:28.920 --> 0:23:31.720
<v Speaker 3>you it went from two good holes to two bad

0:23:31.800 --> 0:23:34.240
<v Speaker 3>holes just because they were a little too close together

0:23:34.280 --> 0:23:35.800
<v Speaker 3>for somebody's comfort.

0:23:36.960 --> 0:23:39.399
<v Speaker 1>Yeah, I think everybody, every golfer should just have to

0:23:39.400 --> 0:23:42.320
<v Speaker 1>be a sign a liability for him if I get hit, like,

0:23:42.359 --> 0:23:44.840
<v Speaker 1>I'm not going to sue because like you know, you're going,

0:23:44.880 --> 0:23:46.280
<v Speaker 1>You're choosing to go play golf.

0:23:48.320 --> 0:23:49.440
<v Speaker 4>Put a lovely concept.

0:23:49.560 --> 0:23:52.239
<v Speaker 3>There's a lot of golf course architects that would support that,

0:23:53.200 --> 0:23:55.720
<v Speaker 3>but there's a lot of trial lawyers that wouldn't.

0:23:59.440 --> 0:24:03.480
<v Speaker 5>Sean wants to know your views on hidden bunkers.

0:24:08.200 --> 0:24:12.400
<v Speaker 3>There's very few people that think bunkers a hidden bunker

0:24:12.440 --> 0:24:16.919
<v Speaker 3>is a good idea, and I've used them very rarely

0:24:16.960 --> 0:24:21.159
<v Speaker 3>in my own work, even though you know, I'm a

0:24:21.240 --> 0:24:23.400
<v Speaker 3>huge fan of Saint Andrew's and a bunch of other

0:24:23.480 --> 0:24:26.080
<v Speaker 3>links courses where there are bunkers that are really hard

0:24:26.080 --> 0:24:26.800
<v Speaker 3>to see.

0:24:26.960 --> 0:24:28.760
<v Speaker 4>From the tea.

0:24:30.680 --> 0:24:35.400
<v Speaker 3>So you know, I would never dismiss them as being okay,

0:24:36.600 --> 0:24:38.960
<v Speaker 3>because that would mean I'd have to take out some

0:24:39.040 --> 0:24:41.760
<v Speaker 3>of the coolest bunkers at St. Andrews because they don't apply.

0:24:42.359 --> 0:24:44.720
<v Speaker 3>And of course, when you talk about hidden bunkers, it's

0:24:44.840 --> 0:24:50.800
<v Speaker 3>like from anywhere do you have to be able to

0:24:50.840 --> 0:24:53.959
<v Speaker 3>see the bunker from any place you've driven it, or

0:24:54.840 --> 0:24:58.000
<v Speaker 3>just you know, do you have to see every bunker

0:24:58.040 --> 0:25:03.000
<v Speaker 3>you could possibly hit into from the te one of

0:25:03.000 --> 0:25:06.000
<v Speaker 3>the few hidden bunkers that I could think of that

0:25:06.000 --> 0:25:10.080
<v Speaker 3>that I really loved. My first golf course, High Point,

0:25:10.480 --> 0:25:13.240
<v Speaker 3>had a little short part four on the front nine,

0:25:13.400 --> 0:25:15.840
<v Speaker 3>and it was a three hundred and twenty or thirty

0:25:15.920 --> 0:25:21.840
<v Speaker 3>yard hole and the green kind of sat on this

0:25:22.000 --> 0:25:25.040
<v Speaker 3>slight crown in the ground, so you know, it was

0:25:25.119 --> 0:25:28.919
<v Speaker 3>it was kind of built. It was a shallow green,

0:25:29.680 --> 0:25:33.440
<v Speaker 3>kind of long from left to right, and it sat

0:25:33.520 --> 0:25:34.879
<v Speaker 3>up a little bit and then it fell off in

0:25:34.920 --> 0:25:37.280
<v Speaker 3>the back and there was a there was a little

0:25:37.280 --> 0:25:38.960
<v Speaker 3>hollow in front that you could see and it was

0:25:39.000 --> 0:25:41.440
<v Speaker 3>all short grass. But behind it I put a pop

0:25:41.440 --> 0:25:45.440
<v Speaker 3>bunker maybe the I don't know if it was the

0:25:45.480 --> 0:25:48.280
<v Speaker 3>deepest pop bunker I built on any course, but it was.

0:25:48.480 --> 0:25:50.840
<v Speaker 4>It was very difficult and it was really small, kind

0:25:50.840 --> 0:25:53.159
<v Speaker 4>of like the Devil's asshole at Pine Valley.

0:25:53.240 --> 0:25:57.800
<v Speaker 3>Not that severe, but severe. The golf pro at high

0:25:57.840 --> 0:26:02.320
<v Speaker 3>Point when it opened said what is that thing? And abandoned. Well,

0:26:02.400 --> 0:26:06.199
<v Speaker 3>so that's what we called it. It's beat existence. But

0:26:06.880 --> 0:26:11.080
<v Speaker 3>to me, that was a great hazard on a short

0:26:11.119 --> 0:26:16.399
<v Speaker 3>part four like that, because the player that knew it

0:26:16.520 --> 0:26:19.040
<v Speaker 3>was there, was scared to death of it.

0:26:19.640 --> 0:26:19.880
<v Speaker 4>You know.

0:26:20.160 --> 0:26:21.879
<v Speaker 3>It was like if the pin was anywhere near the

0:26:21.920 --> 0:26:24.639
<v Speaker 3>back of the green, near where that bunker was, you

0:26:24.680 --> 0:26:27.679
<v Speaker 3>didn't remember exactly where the bunker was, so you had

0:26:27.720 --> 0:26:29.879
<v Speaker 3>to be extra careful. And of course I gave you

0:26:29.920 --> 0:26:31.880
<v Speaker 3>plenty of room to miss in front. You could miss

0:26:31.880 --> 0:26:35.840
<v Speaker 3>in front all day and then trying not to three

0:26:35.880 --> 0:26:39.159
<v Speaker 3>pot but hitting it back there was really nasty. And

0:26:39.200 --> 0:26:46.520
<v Speaker 3>by the same token, you know, ninety percent of golfers

0:26:46.560 --> 0:26:48.440
<v Speaker 3>never miss long with an approach shot.

0:26:49.400 --> 0:26:53.800
<v Speaker 4>Yeah, I mean they might skull one occasionally, but you.

0:26:53.720 --> 0:27:00.199
<v Speaker 3>Know, bad golfers, even reasonable golfers, they always picked the

0:27:00.200 --> 0:27:02.720
<v Speaker 3>club that if they hit it perfect, it'll just barely

0:27:02.760 --> 0:27:03.200
<v Speaker 3>get there.

0:27:04.160 --> 0:27:06.400
<v Speaker 4>So you know, the odds that.

0:27:06.320 --> 0:27:08.919
<v Speaker 3>They're gonna miss ten yards or fifteen yards past the

0:27:08.960 --> 0:27:11.840
<v Speaker 3>pin are pretty small, especially on a short on a

0:27:11.880 --> 0:27:14.720
<v Speaker 3>short shot, So I figured that bunker was really out

0:27:14.760 --> 0:27:18.080
<v Speaker 3>of play for everybody but the better players, and it was.

0:27:18.440 --> 0:27:21.280
<v Speaker 4>It really got in people's heads. So never say never.

0:27:21.760 --> 0:27:24.640
<v Speaker 3>In general, yes, you'd like to be able to see

0:27:24.640 --> 0:27:27.399
<v Speaker 3>where the bunkers are, but there's an exception to pretty

0:27:27.440 --> 0:27:28.080
<v Speaker 3>much every rule.

0:27:28.800 --> 0:27:30.280
<v Speaker 5>When I when I was when I grew.

0:27:30.320 --> 0:27:33.600
<v Speaker 1>I grew up caddying for like twelve years, and I

0:27:33.640 --> 0:27:36.879
<v Speaker 1>always just like I would just hand people like a

0:27:36.920 --> 0:27:39.760
<v Speaker 1>club or two extra. It's so funny how you say, like,

0:27:39.800 --> 0:27:41.840
<v Speaker 1>I would always bank on them not hitting them ball

0:27:41.920 --> 0:27:45.439
<v Speaker 1>solid and over clubbing them so that that that they

0:27:45.560 --> 0:27:46.240
<v Speaker 1>be on the green.

0:27:46.600 --> 0:27:49.159
<v Speaker 3>And actually, now that I think about it, one of

0:27:49.160 --> 0:27:51.960
<v Speaker 3>my best lessons about hidden bunkers was from a couple

0:27:52.000 --> 0:27:55.400
<v Speaker 3>months that I caddied in Saint Andrews. There's there's one

0:27:55.440 --> 0:27:58.160
<v Speaker 3>hole in particular Saint Andrews. The twelfth is the short

0:27:58.160 --> 0:28:00.600
<v Speaker 3>part four, and there was like three, three or four

0:28:00.640 --> 0:28:03.080
<v Speaker 3>bunkers in the fair way that you can't see from

0:28:03.119 --> 0:28:06.080
<v Speaker 3>the tea. They're really kind of all built for when

0:28:06.160 --> 0:28:08.159
<v Speaker 3>the when the hole used to play backwards in the

0:28:08.160 --> 0:28:13.920
<v Speaker 3>old days. And the first few times that I tried

0:28:13.960 --> 0:28:17.639
<v Speaker 3>to caddy there for better players, I would try to

0:28:17.680 --> 0:28:20.880
<v Speaker 3>describe where the bunkers were, but it's hopeless to try to.

0:28:20.920 --> 0:28:23.400
<v Speaker 3>You know, you're looking at it as at a sea

0:28:23.440 --> 0:28:25.959
<v Speaker 3>of fairwehead. It's like, well, there's a couple bunkers kind

0:28:26.000 --> 0:28:27.880
<v Speaker 3>of in the middle at one ninety, and then there's

0:28:27.880 --> 0:28:30.959
<v Speaker 3>a couple of bunkers out there at two forty and

0:28:31.119 --> 0:28:33.399
<v Speaker 3>you know, and then they just top it off the

0:28:33.440 --> 0:28:37.119
<v Speaker 3>tee because they were made them scared to death. So

0:28:38.240 --> 0:28:40.240
<v Speaker 3>you know what I learned from that. I learned from

0:28:40.240 --> 0:28:45.280
<v Speaker 3>that that you know, when you caddy for somebody, you

0:28:45.400 --> 0:28:47.920
<v Speaker 3>have to be positive. Yeah, and you just you know,

0:28:48.120 --> 0:28:50.520
<v Speaker 3>don't tell them about the things that they can't see.

0:28:50.920 --> 0:28:52.880
<v Speaker 3>Just try to point them at somewhere where they can

0:28:52.960 --> 0:28:56.360
<v Speaker 3>avoid it. And you know, if they if they happen

0:28:56.400 --> 0:28:58.760
<v Speaker 3>to hit one in the bunker, you can apologize after.

0:28:58.920 --> 0:29:02.440
<v Speaker 3>But but you know, the negative thought is the last

0:29:02.440 --> 0:29:04.200
<v Speaker 3>thing you want to put in their minds. And I

0:29:04.320 --> 0:29:07.560
<v Speaker 3>you know, and because of that lesson, it's like every

0:29:07.600 --> 0:29:10.160
<v Speaker 3>time I watch the every time I watch the tour

0:29:10.200 --> 0:29:12.960
<v Speaker 3>and they've got the mics close to the guys. Their

0:29:13.000 --> 0:29:19.719
<v Speaker 3>caddies are so good at positive reinforcement. It's like the

0:29:19.880 --> 0:29:22.760
<v Speaker 3>last thing they say to him is that's the perfect club.

0:29:23.680 --> 0:29:23.880
<v Speaker 4>You know.

0:29:23.960 --> 0:29:27.440
<v Speaker 3>It's not like it's not like swing extra hard at

0:29:27.480 --> 0:29:28.960
<v Speaker 3>this or there's gonna be trouble.

0:29:30.200 --> 0:29:34.000
<v Speaker 1>It's I've never thought about it, but caddying is actually

0:29:34.200 --> 0:29:37.959
<v Speaker 1>kind of a because when you caddy for beginners or

0:29:38.000 --> 0:29:41.240
<v Speaker 1>like the average golfer, like it was, I was always

0:29:41.280 --> 0:29:44.360
<v Speaker 1>about like getting people around the golf course and like

0:29:44.640 --> 0:29:48.680
<v Speaker 1>avoiding hazard, like avoiding bunkers at all costs. But then

0:29:48.720 --> 0:29:52.440
<v Speaker 1>for good players, you're like you learned, hey, take this

0:29:52.560 --> 0:29:55.000
<v Speaker 1>line like get you you want to you want to

0:29:55.040 --> 0:29:57.400
<v Speaker 1>take this aggressive line because like, you know, you you

0:29:57.400 --> 0:29:59.920
<v Speaker 1>get these good players that could actually take advantage of things.

0:30:00.200 --> 0:30:03.120
<v Speaker 1>But for like you know, everybody else, you're just navigating

0:30:03.200 --> 0:30:05.640
<v Speaker 1>him around the course of the easiest you know kind

0:30:05.640 --> 0:30:06.040
<v Speaker 1>of path.

0:30:06.280 --> 0:30:06.520
<v Speaker 4>Yep.

0:30:07.160 --> 0:30:12.080
<v Speaker 3>And you know, caddying is part psychology. Playing golf as

0:30:12.120 --> 0:30:16.000
<v Speaker 3>part psychology. Architecture is part psychology.

0:30:17.200 --> 0:30:21.120
<v Speaker 1>It's maybe we should, you know, instead of former PGA

0:30:21.240 --> 0:30:25.160
<v Speaker 1>tour players becoming caddies, they should be their caddies, or

0:30:25.360 --> 0:30:27.720
<v Speaker 1>becoming architects that should be their caddies.

0:30:28.360 --> 0:30:28.760
<v Speaker 4>I did.

0:30:29.280 --> 0:30:31.520
<v Speaker 3>I had to give a speech in Saint Andrews a

0:30:31.520 --> 0:30:36.000
<v Speaker 3>few years ago, and that's one of the things I said.

0:30:36.640 --> 0:30:40.160
<v Speaker 3>It was I got to play in the Dunhill Links

0:30:40.200 --> 0:30:43.880
<v Speaker 3>thing one time. I was really out of my comfort

0:30:43.960 --> 0:30:46.080
<v Speaker 3>zone playing a pro am with a bunch of pros.

0:30:46.120 --> 0:30:49.880
<v Speaker 3>But it was kind of a gift from the client

0:30:50.120 --> 0:30:53.960
<v Speaker 3>that Sabonic, who was good friends Johann Rupert, who runs Dunhill,

0:30:54.360 --> 0:30:57.880
<v Speaker 3>was also one of the founding members of Sabonic. So

0:30:57.880 --> 0:30:59.600
<v Speaker 3>so the two of them let me play in the

0:30:59.640 --> 0:31:02.080
<v Speaker 3>pro aram without paying, however much a cost to do it.

0:31:02.800 --> 0:31:05.960
<v Speaker 3>And you know, the caddies I had at Saint Andrew's

0:31:05.960 --> 0:31:08.719
<v Speaker 3>and Kingsbarns especially were so good that I when I

0:31:08.760 --> 0:31:10.960
<v Speaker 3>was given my talk at dinner, I was like, the

0:31:11.040 --> 0:31:13.400
<v Speaker 3>two caddies that I've had the last two days.

0:31:13.200 --> 0:31:15.840
<v Speaker 4>Would have been really good architects, you know, if.

0:31:15.680 --> 0:31:20.040
<v Speaker 3>They could figure out how to make the land conform

0:31:20.080 --> 0:31:22.760
<v Speaker 3>to what they do, because what they what they were

0:31:22.800 --> 0:31:26.320
<v Speaker 3>doing was you know, looking at my game and trying

0:31:26.360 --> 0:31:28.880
<v Speaker 3>to figure out how to navigate me around the golf course,

0:31:29.320 --> 0:31:31.720
<v Speaker 3>which is you know, that's the weakness of a lot

0:31:31.760 --> 0:31:35.880
<v Speaker 3>of players, is you know, and you know I've noticed

0:31:35.920 --> 0:31:38.680
<v Speaker 3>playing that when I play with people I've had, you know,

0:31:38.680 --> 0:31:41.320
<v Speaker 3>I have tons of people say, oh, that's one of

0:31:41.360 --> 0:31:43.040
<v Speaker 3>the best rounds I've ever played.

0:31:43.400 --> 0:31:44.040
<v Speaker 4>And it's.

0:31:45.560 --> 0:31:48.320
<v Speaker 3>You know, it's partly because I'm helping steer them around

0:31:48.400 --> 0:31:53.840
<v Speaker 3>a little bit, and some of it's not reinforcing the negative,

0:31:54.520 --> 0:31:57.280
<v Speaker 3>but some of it's just you know, trying to simplify

0:31:57.320 --> 0:31:59.080
<v Speaker 3>it for them because in their own heads it's way

0:31:59.240 --> 0:32:01.440
<v Speaker 3>you know, it's way more complicated and they don't need

0:32:01.480 --> 0:32:03.040
<v Speaker 3>to be thinking about all those things at once.

0:32:05.600 --> 0:32:08.440
<v Speaker 1>Mark Stevens wants to know why there aren't more courses

0:32:08.560 --> 0:32:11.680
<v Speaker 1>using micro contours in the fairway that lead to non

0:32:11.760 --> 0:32:12.440
<v Speaker 1>level lies.

0:32:16.120 --> 0:32:20.640
<v Speaker 3>Unfortunately, the reason for that is because a lot of

0:32:20.720 --> 0:32:26.640
<v Speaker 3>people think it's poor work. You know, the contractor would

0:32:26.680 --> 0:32:30.000
<v Speaker 3>look bad if he didn't make the fairway look perfectly groomed,

0:32:30.440 --> 0:32:35.320
<v Speaker 3>or the superintendent would look bad if if you couldn't

0:32:35.400 --> 0:32:37.560
<v Speaker 3>mow all those little bumps just perfectly.

0:32:39.200 --> 0:32:41.240
<v Speaker 4>It's funny. We did a you know, we've been working on.

0:32:41.280 --> 0:32:45.280
<v Speaker 3>Woodhall Spa in England and there's a hole there that

0:32:45.360 --> 0:32:47.280
<v Speaker 3>I had him clear out a bunch of trees to

0:32:47.320 --> 0:32:49.360
<v Speaker 3>the right of the hole and restore some fairway to

0:32:49.400 --> 0:32:52.640
<v Speaker 3>the right. And you know, we did all the work

0:32:52.680 --> 0:32:55.040
<v Speaker 3>in the dirt last winter and I hadn't seen it

0:32:55.080 --> 0:32:59.880
<v Speaker 3>with grass on it. And I went back it was

0:33:00.040 --> 0:33:02.800
<v Speaker 3>I just came from there. We've been doing the second

0:33:02.800 --> 0:33:06.840
<v Speaker 3>phase of our work this winter and I just once

0:33:07.000 --> 0:33:09.040
<v Speaker 3>walked around the six holes that we did last year

0:33:09.640 --> 0:33:12.440
<v Speaker 3>and I walked this fairway and I was like really

0:33:12.520 --> 0:33:15.440
<v Speaker 3>rugged and even, and I was like, oh man, they

0:33:15.440 --> 0:33:19.720
<v Speaker 3>didn't spend a lot of time finishing the fairway that

0:33:19.760 --> 0:33:21.680
<v Speaker 3>I added, and then I looked over at the rest

0:33:21.680 --> 0:33:24.360
<v Speaker 3>of the fairway and it was exactly like that. I

0:33:24.440 --> 0:33:28.800
<v Speaker 3>was like, good for that. It would have really looked

0:33:28.840 --> 0:33:34.480
<v Speaker 3>out a place if they'd done too much. But the

0:33:34.560 --> 0:33:38.520
<v Speaker 3>high point the fairways were very uneven like that, and

0:33:38.600 --> 0:33:40.959
<v Speaker 3>everybody thought that we just did a crappy job. They

0:33:40.960 --> 0:33:43.960
<v Speaker 3>couldn't imagine that we wanted to leave some of that

0:33:44.080 --> 0:33:47.560
<v Speaker 3>stuff in to be more random. It's really hard to

0:33:47.680 --> 0:33:49.640
<v Speaker 3>it's really hard to do. It's really hard to get

0:33:49.640 --> 0:33:55.320
<v Speaker 3>everybody to accept. And certainly the more you know, if

0:33:55.360 --> 0:33:59.080
<v Speaker 3>you're if you're working with a piece of ground that

0:33:59.440 --> 0:34:02.800
<v Speaker 3>it wasn't by trees and you didn't have to reshape

0:34:02.800 --> 0:34:05.480
<v Speaker 3>it very much, then there's a lot of that natural

0:34:05.520 --> 0:34:09.319
<v Speaker 3>wrinkle in it, and maybe it's saving you to not

0:34:09.440 --> 0:34:12.960
<v Speaker 3>take it out. But in most cases it seems like,

0:34:13.440 --> 0:34:15.880
<v Speaker 3>you know, if you're if you're having a clear trees

0:34:15.960 --> 0:34:20.520
<v Speaker 3>and clean up the fairway, or or you're having to

0:34:20.760 --> 0:34:26.359
<v Speaker 3>shape the fairway, then it's it's hard to make that

0:34:26.480 --> 0:34:29.160
<v Speaker 3>kind of little wrinkle in the fairway and have it

0:34:29.160 --> 0:34:30.160
<v Speaker 3>look natural at all.

0:34:31.320 --> 0:34:36.080
<v Speaker 1>Yeah, it's I think those little contours are another thing that,

0:34:36.360 --> 0:34:38.360
<v Speaker 1>like we've talked about with a couple of things, like

0:34:38.960 --> 0:34:42.400
<v Speaker 1>that's something that gets in good players' heads. And you know,

0:34:42.520 --> 0:34:46.400
<v Speaker 1>the fifteen twenty handicap doesn't really even recognize, you know,

0:34:46.440 --> 0:34:48.600
<v Speaker 1>if there's like a just a subtle side hill.

0:34:49.719 --> 0:34:54.000
<v Speaker 3>Yes, and you know, and and the more extreme versions too.

0:34:54.040 --> 0:34:56.320
<v Speaker 3>I mean, one of my favorite holes in the world

0:34:56.360 --> 0:34:58.800
<v Speaker 3>is that is a par five at Crystal Downs, the

0:34:58.840 --> 0:35:03.239
<v Speaker 3>eighth hole, and if you're playing it into the wind

0:35:03.280 --> 0:35:05.520
<v Speaker 3>where most people will drive the ball as down in

0:35:05.600 --> 0:35:09.040
<v Speaker 3>a bowl and there's all these bumpy conters and you

0:35:09.080 --> 0:35:11.880
<v Speaker 3>know you can get it's about fifty to fifty that

0:35:11.960 --> 0:35:16.560
<v Speaker 3>you'll draw like an awkward stance with the ball sitting

0:35:16.560 --> 0:35:19.560
<v Speaker 3>on a downhill and a bump pretty close in front

0:35:19.600 --> 0:35:22.400
<v Speaker 3>of it, and it's like, you know, you're on a

0:35:22.400 --> 0:35:24.360
<v Speaker 3>par five and you're a long way from the green

0:35:24.400 --> 0:35:28.239
<v Speaker 3>and you're thinking, I can't hit a forewood here. You know,

0:35:28.280 --> 0:35:30.200
<v Speaker 3>it's just gonna hit right into that bump. I mean,

0:35:30.200 --> 0:35:33.560
<v Speaker 3>I got to hit like six iron or seven iron

0:35:33.640 --> 0:35:36.200
<v Speaker 3>or something to make sure I get it over the bump.

0:35:36.600 --> 0:35:38.279
<v Speaker 3>And then if I do that, I probably won't even

0:35:38.320 --> 0:35:41.719
<v Speaker 3>be able to reach the green. In three and you know,

0:35:41.800 --> 0:35:44.120
<v Speaker 3>so that's the kind of thing that most guys would say, well,

0:35:44.120 --> 0:35:49.000
<v Speaker 3>that's completely unfair, but no, that's just random. And you

0:35:49.040 --> 0:35:51.799
<v Speaker 3>know that could have happened to your opponent instead of you,

0:35:51.880 --> 0:35:53.040
<v Speaker 3>and you wouldn't be complaining that.

0:35:53.880 --> 0:35:56.840
<v Speaker 1>Yeah, that whole On the next shot, there's all the

0:35:56.960 --> 0:35:59.719
<v Speaker 1>kinds of contours too on the up by the green,

0:35:59.760 --> 0:36:06.640
<v Speaker 1>which is really cool. So this is uh, I get

0:36:06.680 --> 0:36:09.840
<v Speaker 1>to use quotes and use a profanity like we were

0:36:09.880 --> 0:36:13.600
<v Speaker 1>talking about before we got on the podcast. So what

0:36:13.800 --> 0:36:16.680
<v Speaker 1>is one feature you implement in your design that gives

0:36:16.680 --> 0:36:20.320
<v Speaker 1>you the most personal joy when you look back upon completion?

0:36:20.840 --> 0:36:23.720
<v Speaker 1>And by joy I mean the inner chuckle that says, huh,

0:36:23.800 --> 0:36:30.120
<v Speaker 1>that's gonna fuck with them.

0:36:30.160 --> 0:36:34.839
<v Speaker 5>That's from Ryan Gilbert. Okay, he wants to know the pain.

0:36:41.600 --> 0:36:48.120
<v Speaker 3>It's funny how so many golfers assume that architects are

0:36:48.120 --> 0:36:53.120
<v Speaker 3>trying to screw them, and you know that that we're

0:36:53.160 --> 0:36:56.359
<v Speaker 3>all sadistic in some way, and you know, every every

0:36:56.400 --> 0:36:58.480
<v Speaker 3>little trick we put out there is to hurt you

0:36:58.560 --> 0:37:03.319
<v Speaker 3>instead of maybe help you. And you know it goes

0:37:03.360 --> 0:37:05.640
<v Speaker 3>back to what I said about the old course. Every

0:37:05.719 --> 0:37:07.279
<v Speaker 3>contra out there has a good side.

0:37:07.280 --> 0:37:08.080
<v Speaker 4>And a bad side.

0:37:08.080 --> 0:37:10.880
<v Speaker 3>So yeah, as much as that little bump that I

0:37:10.920 --> 0:37:14.120
<v Speaker 3>put at the back of that green messed with your shot,

0:37:14.160 --> 0:37:15.880
<v Speaker 3>and I get the only reason I get a chuckle

0:37:15.920 --> 0:37:19.799
<v Speaker 3>out of it is because I know that you could

0:37:19.800 --> 0:37:22.359
<v Speaker 3>have done something else. You know, if I really didn't

0:37:22.360 --> 0:37:24.879
<v Speaker 3>give you anything else to do, then the joke would

0:37:24.880 --> 0:37:31.480
<v Speaker 3>beyond me. But I think it's you know, for me,

0:37:32.560 --> 0:37:36.040
<v Speaker 3>the joy is the little subtle stuff like that more

0:37:36.080 --> 0:37:36.960
<v Speaker 3>than the big stuff.

0:37:38.760 --> 0:37:38.960
<v Speaker 4>You know.

0:37:39.000 --> 0:37:41.760
<v Speaker 3>By the same token, I've worked on some beautiful pieces

0:37:41.760 --> 0:37:44.320
<v Speaker 3>of land, and I think that all of the guys

0:37:44.360 --> 0:37:48.839
<v Speaker 3>that work for me, you know, what we're best at is.

0:37:50.800 --> 0:37:52.080
<v Speaker 4>The esthetic part of it, and.

0:37:52.080 --> 0:37:55.799
<v Speaker 3>The composition and making everything look like it fits and

0:37:55.880 --> 0:38:00.320
<v Speaker 3>like it's been there forever. And people get really emotional.

0:38:00.040 --> 0:38:02.080
<v Speaker 4>About it in a good way. You know.

0:38:02.840 --> 0:38:05.359
<v Speaker 3>Sometimes they get emotional in a bad way, they get

0:38:05.400 --> 0:38:06.680
<v Speaker 3>really angry that some.

0:38:06.640 --> 0:38:08.400
<v Speaker 4>Little contra affected them or whatever.

0:38:10.160 --> 0:38:12.719
<v Speaker 3>Sometimes they get really emotional in a good way, either

0:38:12.719 --> 0:38:15.000
<v Speaker 3>because they get a good bounce or just because.

0:38:14.719 --> 0:38:16.759
<v Speaker 4>They're they're.

0:38:19.120 --> 0:38:21.920
<v Speaker 3>Excited or thrilled to be out on a place like

0:38:22.000 --> 0:38:24.080
<v Speaker 3>Pacific Dunes and just take it all in.

0:38:25.200 --> 0:38:25.440
<v Speaker 4>You know.

0:38:25.640 --> 0:38:27.520
<v Speaker 3>I heard from a couple, well, I heard from one

0:38:27.560 --> 0:38:30.080
<v Speaker 3>of the players who played in the I think it

0:38:30.120 --> 0:38:33.840
<v Speaker 3>was the women's mid am that they had there or

0:38:33.880 --> 0:38:34.520
<v Speaker 3>the publics.

0:38:34.640 --> 0:38:35.640
<v Speaker 4>I think it was the publics.

0:38:36.440 --> 0:38:41.560
<v Speaker 3>One of the players said she she came off the

0:38:41.600 --> 0:38:43.719
<v Speaker 3>third green and went down to the fourth tee and

0:38:43.920 --> 0:38:46.040
<v Speaker 3>came around that corner for the first time and looked

0:38:46.040 --> 0:38:46.760
<v Speaker 3>down the fourth.

0:38:46.640 --> 0:38:49.759
<v Speaker 4>Hall, and she cried because it was that beautiful.

0:38:50.920 --> 0:38:57.160
<v Speaker 3>And you know, I don't think there's Architects don't talk

0:38:57.200 --> 0:39:00.920
<v Speaker 3>about it that much, but there's you know, one of

0:39:00.920 --> 0:39:04.080
<v Speaker 3>the reasons people like golf deep down is because it's

0:39:04.080 --> 0:39:05.279
<v Speaker 3>a place where.

0:39:06.440 --> 0:39:07.759
<v Speaker 4>It's safe to let.

0:39:07.719 --> 0:39:10.800
<v Speaker 3>Your emotions out a little bit, you know, yell and

0:39:10.880 --> 0:39:13.640
<v Speaker 3>screen for a good shot or curse at a bad shot.

0:39:14.600 --> 0:39:16.680
<v Speaker 3>And you know, there's a lot of places you can't

0:39:16.719 --> 0:39:19.520
<v Speaker 3>do that anymore. I mean, golf is one of the

0:39:19.520 --> 0:39:22.760
<v Speaker 3>few places left. And I think that the good courses,

0:39:23.360 --> 0:39:26.840
<v Speaker 3>you know, dial the knob up on that for both

0:39:26.880 --> 0:39:29.640
<v Speaker 3>sides of the question, both giving you places that you

0:39:29.760 --> 0:39:35.000
<v Speaker 3>curse and places that you get really excited. So I

0:39:35.000 --> 0:39:37.160
<v Speaker 3>can't say that we think about that every day when

0:39:37.200 --> 0:39:42.600
<v Speaker 3>we're building stuff directly, but I think our courses have

0:39:42.640 --> 0:39:45.000
<v Speaker 3>done a pretty good job of doing that. You know,

0:39:45.120 --> 0:39:48.760
<v Speaker 3>for every little trick we're playing on you, we're also

0:39:48.880 --> 0:39:50.880
<v Speaker 3>giving you something to be joyful about.

0:39:51.360 --> 0:39:54.920
<v Speaker 1>Yeah, there's always, yeah, there's always the opposite side of

0:39:55.080 --> 0:39:58.640
<v Speaker 1>every opposite side of every contour is such a it's

0:39:58.680 --> 0:40:02.000
<v Speaker 1>almost like something that should be on a sign for

0:40:02.080 --> 0:40:04.319
<v Speaker 1>every bad side of a contour, there's a good sign.

0:40:05.920 --> 0:40:08.120
<v Speaker 3>There's there's a few contras I've built where it would

0:40:08.160 --> 0:40:12.400
<v Speaker 3>be good if they were labeled for people. You know,

0:40:13.160 --> 0:40:16.560
<v Speaker 3>if you are reading this sign from this direction, you

0:40:16.640 --> 0:40:17.360
<v Speaker 3>made a mistake.

0:40:20.320 --> 0:40:23.960
<v Speaker 1>So let's get some general kind of course and architects

0:40:23.960 --> 0:40:27.279
<v Speaker 1>stuff to wrap up this GCA one oh one. We

0:40:27.440 --> 0:40:30.080
<v Speaker 1>got tons of questions I think could be in another segment.

0:40:30.120 --> 0:40:36.680
<v Speaker 1>We'll repurpose for different segments here. But so Panther Mike asks,

0:40:36.840 --> 0:40:41.160
<v Speaker 1>outside the old course, what course slash architect has had

0:40:41.160 --> 0:40:42.760
<v Speaker 1>the most significance on the game.

0:40:50.600 --> 0:40:52.920
<v Speaker 4>You know, anytime people ask me questions.

0:40:52.560 --> 0:40:57.480
<v Speaker 3>About the best or the most or anything, I'm always

0:40:57.920 --> 0:41:03.120
<v Speaker 3>afraid to answer because because once you because when you've

0:41:03.160 --> 0:41:06.560
<v Speaker 3>really seen you know, like I've been influenced by so

0:41:06.719 --> 0:41:08.799
<v Speaker 3>many things that just picking one or two and saying

0:41:08.880 --> 0:41:11.239
<v Speaker 3>that's the one, it's.

0:41:10.960 --> 0:41:15.480
<v Speaker 4>Really hard for me to do. Like in Australia.

0:41:15.480 --> 0:41:19.160
<v Speaker 3>There's no doubt that Alistair McKenzie going down there and

0:41:19.840 --> 0:41:22.879
<v Speaker 3>working on Royal Melbourne had a huge effect on all

0:41:22.920 --> 0:41:26.080
<v Speaker 3>of golf in Australia. You can point to that one

0:41:26.160 --> 0:41:30.360
<v Speaker 3>guy on that trip just completely raising the bar for

0:41:30.400 --> 0:41:33.759
<v Speaker 3>what architecture was. And he wasn't there long enough to

0:41:34.000 --> 0:41:36.279
<v Speaker 3>build all that stuff. I mean he you know, he

0:41:36.360 --> 0:41:38.759
<v Speaker 3>spent six weeks there and he spent a lot of

0:41:38.800 --> 0:41:43.920
<v Speaker 3>time with two guys, Alex Russell who was a club

0:41:43.960 --> 0:41:47.000
<v Speaker 3>champion at Royal Melbourne and kind of became his design

0:41:47.040 --> 0:41:50.840
<v Speaker 3>associate for all the Australian work, and the greenkeeper, mic Morcambe,

0:41:50.800 --> 0:41:53.400
<v Speaker 3>who was the guy who built most of that stuff.

0:41:54.200 --> 0:41:58.640
<v Speaker 3>And you know, everything they built reflected what they learned

0:41:58.680 --> 0:42:03.400
<v Speaker 3>from him, and everything that's come after in Australia is

0:42:03.440 --> 0:42:07.279
<v Speaker 3>based on the impact that they had. But can you

0:42:07.360 --> 0:42:12.120
<v Speaker 3>pick can you pick something like that for the entire

0:42:12.200 --> 0:42:12.880
<v Speaker 3>world of golf?

0:42:12.920 --> 0:42:17.120
<v Speaker 4>I don't know, you know. In Japan, irony of ironies.

0:42:16.760 --> 0:42:24.040
<v Speaker 3>The most influential single moment in architecture in Japan was

0:42:24.040 --> 0:42:27.080
<v Speaker 3>that after World War Two, when the Americans were over

0:42:27.120 --> 0:42:32.080
<v Speaker 3>there sort of making sure that the war was really

0:42:32.120 --> 0:42:39.000
<v Speaker 3>over the best clubs in Tokyo had real problems growing grass.

0:42:39.320 --> 0:42:42.720
<v Speaker 3>I mean, Tokyo's climate is like Atlanta. It gets cold

0:42:42.719 --> 0:42:45.360
<v Speaker 3>in the winter, it's really hot and humid in the summer.

0:42:45.800 --> 0:42:49.000
<v Speaker 3>Growing any kind of grass that will survive, that will

0:42:49.040 --> 0:42:53.279
<v Speaker 3>survive both extremes, well, it's hard to do. And this

0:42:53.480 --> 0:42:57.520
<v Speaker 3>general that was stationed over there said, well, in Georgia,

0:42:58.200 --> 0:43:00.920
<v Speaker 3>we have a few courses that have like all alternate greens.

0:43:01.040 --> 0:43:06.400
<v Speaker 3>One's bent grass and one's bermuda grass, and so in

0:43:06.400 --> 0:43:09.439
<v Speaker 3>the winter you can play on the bank grass green.

0:43:09.480 --> 0:43:12.600
<v Speaker 3>In the summer, when it gets too hot and humid,

0:43:12.640 --> 0:43:14.400
<v Speaker 3>you can take the traffic off that and go on

0:43:14.440 --> 0:43:16.960
<v Speaker 3>the other green. So some of the clubs around Tokyo

0:43:17.120 --> 0:43:20.080
<v Speaker 3>did that, and then when they had a golf boom,

0:43:20.480 --> 0:43:22.880
<v Speaker 3>everybody looked at the best courses around Tokyo and they

0:43:22.920 --> 0:43:24.960
<v Speaker 3>had two greens. So they start building two greens on

0:43:25.000 --> 0:43:28.920
<v Speaker 3>every golf hole, on every golf course for years and years,

0:43:29.000 --> 0:43:33.800
<v Speaker 3>just because that's what the best course had.

0:43:34.120 --> 0:43:36.160
<v Speaker 4>So I guess I've ducked that question.

0:43:36.760 --> 0:43:42.080
<v Speaker 3>Yeah, you know, you know, you know, besides the old course,

0:43:42.160 --> 0:43:44.080
<v Speaker 3>I guess the answer, the really answer to that question

0:43:44.160 --> 0:43:47.160
<v Speaker 3>is old Tom Morris had the most impact. You know,

0:43:48.560 --> 0:43:51.279
<v Speaker 3>some of what he designed was pretty simple and he

0:43:51.320 --> 0:43:53.279
<v Speaker 3>did it in a day, and some of it he

0:43:53.360 --> 0:43:55.759
<v Speaker 3>spent a lot more time and doesn't get enough credit for.

0:43:56.480 --> 0:44:00.440
<v Speaker 3>But he was really the first golf course archety TechEd

0:44:00.760 --> 0:44:03.799
<v Speaker 3>where it was somebody besides just the players deciding where

0:44:03.800 --> 0:44:07.799
<v Speaker 3>the holes should be. And he worked on a lot

0:44:07.800 --> 0:44:11.719
<v Speaker 3>of beautiful sites in Scotland that have influenced everything else.

0:44:13.160 --> 0:44:15.000
<v Speaker 5>Yeah, he had a lot of influence.

0:44:15.520 --> 0:44:17.680
<v Speaker 1>He's the he's kind of at the top of the

0:44:17.719 --> 0:44:21.360
<v Speaker 1>tree where everything goes down from, you know, Sean Martin,

0:44:21.480 --> 0:44:26.640
<v Speaker 1>he's uh, he asked another question of a similar nature,

0:44:26.960 --> 0:44:29.320
<v Speaker 1>and we're just going to take the number out of it. Okay,

0:44:30.040 --> 0:44:33.320
<v Speaker 1>what are the most influential designs in US history?

0:44:40.200 --> 0:44:47.040
<v Speaker 3>Pine Valley certainly, you know, it had a tremendous impact

0:44:47.080 --> 0:44:51.080
<v Speaker 3>on the architects of its day and sort of like

0:44:51.800 --> 0:44:56.040
<v Speaker 3>raising the bar and also raising the bar on difficulty

0:44:56.080 --> 0:44:59.000
<v Speaker 3>a little bit, and you know, everybody respected that course

0:44:59.040 --> 0:45:03.160
<v Speaker 3>so much. And then it's had its influence again in

0:45:03.200 --> 0:45:06.400
<v Speaker 3>the last thirty years, you know, being number one in

0:45:06.440 --> 0:45:09.800
<v Speaker 3>the rankings of golf courses for most of this last

0:45:09.840 --> 0:45:14.399
<v Speaker 3>twenty or thirty years has a tremendous impact on all

0:45:14.440 --> 0:45:17.719
<v Speaker 3>of us as designers and what we're trying to do.

0:45:17.960 --> 0:45:20.960
<v Speaker 3>Like one of the cliches about Pine Valley for years

0:45:21.120 --> 0:45:24.399
<v Speaker 3>was that it's so cool that you can't see any

0:45:24.440 --> 0:45:27.799
<v Speaker 3>other hole from the hole you're on, and that wasn't true.

0:45:27.800 --> 0:45:31.320
<v Speaker 3>When Pine Valley was built. You could see not entirely

0:45:31.360 --> 0:45:34.560
<v Speaker 3>across it. But you know, there's ups and downs, but

0:45:35.280 --> 0:45:38.080
<v Speaker 3>they had cleared most of the trees when they built it,

0:45:38.120 --> 0:45:40.320
<v Speaker 3>and the trees have grown back in between the holes

0:45:40.320 --> 0:45:44.120
<v Speaker 3>in the years since. So in the twenties it wasn't

0:45:44.160 --> 0:45:46.759
<v Speaker 3>a tree lined and you could never see another hole,

0:45:47.200 --> 0:45:49.759
<v Speaker 3>but by the seventies or eighties it had become that way.

0:45:49.880 --> 0:45:53.160
<v Speaker 3>So you know, there were a lot of courses built

0:45:53.320 --> 0:45:55.720
<v Speaker 3>on the premise that, oh, we want to isolate every

0:45:55.719 --> 0:45:59.240
<v Speaker 3>hole from every other hole. Not necessarily a good influence.

0:46:00.280 --> 0:46:04.120
<v Speaker 3>Like you know, it's not necessarily a good influence.

0:46:04.200 --> 0:46:08.560
<v Speaker 4>The idea that.

0:46:06.719 --> 0:46:09.799
<v Speaker 3>That every single hole on the golf course, you know,

0:46:09.920 --> 0:46:12.440
<v Speaker 3>needs to be spectacular. It needs to be something you

0:46:12.480 --> 0:46:18.879
<v Speaker 3>can make a postcard out of. You know, every hole

0:46:18.920 --> 0:46:21.800
<v Speaker 3>on the golf course should contribute something to the hole.

0:46:22.560 --> 0:46:25.400
<v Speaker 3>But there aren't many pieces of land like Pine Valley,

0:46:25.719 --> 0:46:30.839
<v Speaker 3>and there aren't many courses that you know, can make

0:46:30.920 --> 0:46:36.680
<v Speaker 3>their market be exclusively about single digit handicappers are the

0:46:36.719 --> 0:46:38.719
<v Speaker 3>only ones they have to worry about getting around this

0:46:38.800 --> 0:46:45.279
<v Speaker 3>golf course. We don't want other players. So you know,

0:46:45.400 --> 0:46:48.400
<v Speaker 3>Pine Valley is not the best model for everybody, and

0:46:48.520 --> 0:46:53.520
<v Speaker 3>yet it's been hugely impactful as a model for people today.

0:46:53.920 --> 0:46:58.759
<v Speaker 3>You know, if you want to answer the question of

0:46:58.880 --> 0:47:02.640
<v Speaker 3>why are so many monern courses too hard, Pine Valley

0:47:02.719 --> 0:47:06.080
<v Speaker 3>is the answer. It's number one. So everybody thinks that's

0:47:06.080 --> 0:47:06.799
<v Speaker 3>what they've got to do.

0:47:09.880 --> 0:47:16.080
<v Speaker 1>For people that aren't kind of that don't have access,

0:47:16.640 --> 0:47:20.279
<v Speaker 1>what are some courses that you would recommend them to

0:47:20.360 --> 0:47:23.320
<v Speaker 1>go play that are open to the public, that could,

0:47:23.480 --> 0:47:27.240
<v Speaker 1>you know, really be great architectural experiences.

0:47:27.680 --> 0:47:29.160
<v Speaker 5>This is from Justin Hulahan.

0:47:29.520 --> 0:47:32.120
<v Speaker 3>Are we talking about are we limiting those to the

0:47:32.280 --> 0:47:35.480
<v Speaker 3>United States for purposes of this discussion? Obviously in the

0:47:35.560 --> 0:47:39.920
<v Speaker 3>UK most of those courses, I mean, the best single

0:47:39.960 --> 0:47:42.040
<v Speaker 3>thing you can do is go to the UK for

0:47:42.040 --> 0:47:44.800
<v Speaker 3>a few days because you can get on those courses.

0:47:45.520 --> 0:47:47.680
<v Speaker 3>You know, all you have to do is go to

0:47:48.760 --> 0:47:54.879
<v Speaker 3>gullin North Barrack, Saint Andrew's Carnousti you're going to see

0:47:55.320 --> 0:47:58.839
<v Speaker 3>more good public golf in a short span than you

0:47:58.880 --> 0:48:02.280
<v Speaker 3>that I could get you driving back and forth across

0:48:02.320 --> 0:48:03.080
<v Speaker 3>the United States.

0:48:03.280 --> 0:48:05.280
<v Speaker 5>Kill Spendy too, spend.

0:48:06.560 --> 0:48:07.320
<v Speaker 4>You kill Spindy.

0:48:07.360 --> 0:48:14.000
<v Speaker 3>They wouldn't find you wouldn't turn down that little lane.

0:48:14.440 --> 0:48:15.480
<v Speaker 5>As far as you asked.

0:48:19.440 --> 0:48:21.760
<v Speaker 4>God, it's hard for me to think about the whole US.

0:48:21.800 --> 0:48:23.600
<v Speaker 4>And you know, I mean.

0:48:23.480 --> 0:48:28.440
<v Speaker 3>There's there are underrated good golf courses in every region.

0:48:29.080 --> 0:48:37.719
<v Speaker 3>I've written a book about that, partly about that. But

0:48:37.760 --> 0:48:39.920
<v Speaker 3>it's a hard question to answer because a lot of

0:48:41.719 --> 0:48:44.280
<v Speaker 3>you know, anything that gets a reputation for being great,

0:48:45.880 --> 0:48:49.359
<v Speaker 3>the price goes up accordingly, Like you can go play

0:48:49.400 --> 0:48:52.080
<v Speaker 3>all the courses at Bandon Dunes. There's a really good answer,

0:48:52.120 --> 0:48:56.080
<v Speaker 3>but they're not so inexpensive to play anymore, or Pasa Tiempo,

0:48:56.120 --> 0:48:57.320
<v Speaker 3>which we've talked about.

0:48:58.600 --> 0:48:59.160
<v Speaker 4>Tough ticket.

0:48:59.239 --> 0:49:02.560
<v Speaker 3>Now, any of the courses that make the top hundred

0:49:02.719 --> 0:49:08.480
<v Speaker 3>automatically price goes up. So you've got to look past that,

0:49:08.719 --> 0:49:12.640
<v Speaker 3>and you've got to you know, a good way is

0:49:12.800 --> 0:49:17.719
<v Speaker 3>just to look for like lesser known courses by any

0:49:17.840 --> 0:49:22.440
<v Speaker 3>architect that you raid highly. You know, some of them

0:49:22.440 --> 0:49:27.560
<v Speaker 3>are terribly maintained or don't have the money to do

0:49:27.600 --> 0:49:30.920
<v Speaker 3>anything with and some of them are really overgrown, but

0:49:32.200 --> 0:49:36.799
<v Speaker 3>underneath usually there's a good product there for people to

0:49:36.840 --> 0:49:39.400
<v Speaker 3>see and it won't cost a lot of money because

0:49:41.320 --> 0:49:42.719
<v Speaker 3>that's why they don't have a lot of money to

0:49:42.719 --> 0:49:43.200
<v Speaker 3>maintain it.

0:49:43.480 --> 0:49:44.600
<v Speaker 5>Yeah, that's it.

0:49:45.320 --> 0:49:47.080
<v Speaker 1>That's why I usually do when I go to a

0:49:47.120 --> 0:49:52.399
<v Speaker 1>new area, I either read Tom's book It's the Confidential

0:49:52.400 --> 0:49:55.719
<v Speaker 1>Guide wherever I'm going, or I or I look for

0:49:55.840 --> 0:49:59.160
<v Speaker 1>like little uni courses that were designed by you know

0:50:00.200 --> 0:50:03.720
<v Speaker 1>Ross's website, the Don Ross Society as a full listing

0:50:03.920 --> 0:50:05.799
<v Speaker 1>and you can almost always find one of those.

0:50:06.320 --> 0:50:07.919
<v Speaker 3>Or I don't know, you know, I don't know if

0:50:08.560 --> 0:50:13.799
<v Speaker 3>the old Cornish and Witten book the I think they

0:50:13.840 --> 0:50:19.000
<v Speaker 3>renamed it to the Architects of Golf, you know, that

0:50:19.160 --> 0:50:22.160
<v Speaker 3>had full biographies of architects and lists of everything that

0:50:22.200 --> 0:50:22.839
<v Speaker 3>they worked on.

0:50:23.080 --> 0:50:23.319
<v Speaker 4>You know.

0:50:23.520 --> 0:50:25.399
<v Speaker 3>That's how I found Crystal Downs for the first time.

0:50:25.440 --> 0:50:27.800
<v Speaker 3>It was just you know, reading a list of Alistair

0:50:27.880 --> 0:50:30.680
<v Speaker 3>McKenzie courses and it was on there with no other

0:50:30.719 --> 0:50:34.560
<v Speaker 3>information about him, Like where is that? And why have

0:50:34.640 --> 0:50:37.279
<v Speaker 3>I not heard of that at all? Because I had

0:50:37.800 --> 0:50:42.520
<v Speaker 3>the first time I ever saw the name. So yeah,

0:50:42.640 --> 0:50:46.640
<v Speaker 3>there's I don't know that there's any more hidden gems

0:50:46.680 --> 0:50:48.759
<v Speaker 3>out there that I would think are tens.

0:50:48.480 --> 0:50:49.240
<v Speaker 4>On my scale.

0:50:49.840 --> 0:50:55.200
<v Speaker 3>But there's still a lot of quality that gets overlooked

0:50:55.239 --> 0:50:58.160
<v Speaker 3>because somebody's not taking care of it or it's.

0:50:58.000 --> 0:50:59.360
<v Speaker 4>Just in a place that people don't go.

0:51:00.120 --> 0:51:02.000
<v Speaker 5>Yeah.

0:51:02.120 --> 0:51:06.359
<v Speaker 1>With that, it's a segue into I forgot to write

0:51:06.440 --> 0:51:07.399
<v Speaker 1>down the name of.

0:51:07.320 --> 0:51:08.760
<v Speaker 5>This who asked this question?

0:51:09.320 --> 0:51:10.919
<v Speaker 4>But anonymous?

0:51:11.000 --> 0:51:15.080
<v Speaker 1>Anonymous, Yes, anonymous. It's a great curve of your enthusiasm

0:51:15.360 --> 0:51:18.759
<v Speaker 1>when the guy, you know, he talks about anonymous donors.

0:51:19.160 --> 0:51:23.480
<v Speaker 1>But who are the architects that every golfer should see

0:51:23.480 --> 0:51:26.279
<v Speaker 1>in their lifetime? And we'll keep this us like if

0:51:26.520 --> 0:51:28.919
<v Speaker 1>you're gonna I think this might actually be a better

0:51:29.000 --> 0:51:32.440
<v Speaker 1>quest than your top one hundred quests is going to see.

0:51:32.520 --> 0:51:35.719
<v Speaker 1>I'm going to see the work of these architects.

0:51:37.600 --> 0:51:44.840
<v Speaker 3>So how do you are we saying like a group

0:51:44.920 --> 0:51:48.560
<v Speaker 3>of architects that will represent different points on the spectrum,

0:51:48.800 --> 0:51:53.640
<v Speaker 3>or you know these two or three particular architects tip

0:51:53.760 --> 0:51:55.160
<v Speaker 3>done a lot of good. You know, you can spend

0:51:55.200 --> 0:52:00.040
<v Speaker 3>your life going and seeing Donald Ross courses. Yea, And

0:52:00.360 --> 0:52:02.000
<v Speaker 3>I think I read something the other day there's some

0:52:02.000 --> 0:52:04.600
<v Speaker 3>guy that's played like three hundred and fifty Donald Ross

0:52:04.640 --> 0:52:08.520
<v Speaker 3>courses out of I think the list was that he

0:52:08.600 --> 0:52:11.240
<v Speaker 3>only did just over four hundred, and I'm not sure

0:52:11.440 --> 0:52:13.879
<v Speaker 3>if that's true. It's hard to imagine that three hundred

0:52:13.880 --> 0:52:15.600
<v Speaker 3>and fifty of them are still open. That's a pretty

0:52:15.640 --> 0:52:25.600
<v Speaker 3>good record, but for a variety of different things. You know,

0:52:25.640 --> 0:52:28.880
<v Speaker 3>it's so easy to name all the traditional great architects

0:52:29.000 --> 0:52:32.719
<v Speaker 3>Ross and tilling Hast and McKenzie and McDonald. I mean,

0:52:32.800 --> 0:52:34.799
<v Speaker 3>you have to see a McDonald course or a Seth

0:52:34.880 --> 0:52:39.600
<v Speaker 3>Rayner course to see the template holes they built and

0:52:40.000 --> 0:52:43.040
<v Speaker 3>how distinctive they are. If you've seen you have to

0:52:43.080 --> 0:52:46.080
<v Speaker 3>see two of their courses to understand that they did

0:52:46.160 --> 0:52:49.040
<v Speaker 3>use pretty much the same concepts from one piece of

0:52:49.120 --> 0:52:56.120
<v Speaker 3>land to the next. I'm a huge fan of McKenzie's work, obviously,

0:52:56.440 --> 0:53:00.759
<v Speaker 3>and there's not many McKenzie courses in America that you

0:53:00.800 --> 0:53:03.000
<v Speaker 3>can go wrong and have it not be a really

0:53:03.040 --> 0:53:05.080
<v Speaker 3>great course. So that's a pretty easy pick.

0:53:07.440 --> 0:53:11.480
<v Speaker 4>You know. George Thomas did not build very many golf courses.

0:53:11.160 --> 0:53:17.000
<v Speaker 3>But they're very distinctive. Those three courses in La La

0:53:17.080 --> 0:53:20.440
<v Speaker 3>country Club and Riviera and bell Air where we're working now,

0:53:21.800 --> 0:53:23.960
<v Speaker 3>there's so many holes on each of them, that are

0:53:24.080 --> 0:53:27.600
<v Speaker 3>really distinctive and you've never seen anything like it.

0:53:30.440 --> 0:53:33.800
<v Speaker 4>So he should definitely be on the list. Perry Maxwell

0:53:33.800 --> 0:53:35.120
<v Speaker 4>should definitely be on the list.

0:53:35.600 --> 0:53:41.440
<v Speaker 3>I mean, lots of architects get credit or blame for

0:53:41.520 --> 0:53:47.480
<v Speaker 3>building severe greens. Maxwell was the master at building greens

0:53:47.520 --> 0:53:50.960
<v Speaker 3>that were so distinct and made so much difference in

0:53:51.000 --> 0:53:53.200
<v Speaker 3>how you played the hole that he almost didn't need

0:53:53.239 --> 0:53:54.680
<v Speaker 3>to do a lot else. He didn't build a lot

0:53:54.719 --> 0:53:57.840
<v Speaker 3>of fairway bunkers because he knew that was just like

0:53:58.000 --> 0:54:00.919
<v Speaker 3>window dressing. You know, you still wanted to be over

0:54:01.000 --> 0:54:02.799
<v Speaker 3>on one side of the hole, whether there was a

0:54:02.800 --> 0:54:05.200
<v Speaker 3>bunker there or not, so you didn't really need something

0:54:05.239 --> 0:54:06.200
<v Speaker 3>to amplify that.

0:54:10.880 --> 0:54:11.120
<v Speaker 4>You know.

0:54:11.320 --> 0:54:20.120
<v Speaker 3>Among more recent architects, you have to see a pet

0:54:20.200 --> 0:54:21.239
<v Speaker 3>Die course and.

0:54:23.360 --> 0:54:23.680
<v Speaker 4>You know.

0:54:26.120 --> 0:54:29.680
<v Speaker 3>To appreciate the severity of it, and at the same time,

0:54:31.600 --> 0:54:38.400
<v Speaker 3>you know the they're very angular. Maybe the angler is

0:54:38.400 --> 0:54:40.600
<v Speaker 3>not the right word there. You know, there's very soft

0:54:40.719 --> 0:54:47.080
<v Speaker 3>curvy lines to those hazards that make them tough. You know,

0:54:48.160 --> 0:54:50.120
<v Speaker 3>I think you have to see a Mike Strants course.

0:54:50.440 --> 0:54:54.400
<v Speaker 3>I mean, Mike was Mike was really an artist. He

0:54:54.400 --> 0:54:58.240
<v Speaker 3>could draw, and some of the things that he built

0:54:58.480 --> 0:55:02.960
<v Speaker 3>almost look like caricatures of golf holes more than real

0:55:03.000 --> 0:55:07.759
<v Speaker 3>golf holes. I mean, they're really exaggerated versions. But you know,

0:55:07.920 --> 0:55:11.360
<v Speaker 3>he was also a real sculptor when it came to

0:55:11.400 --> 0:55:13.480
<v Speaker 3>building hazards. I don't know that many people have ever

0:55:13.520 --> 0:55:20.560
<v Speaker 3>built hazards they'll look better than his. I don't know

0:55:20.560 --> 0:55:22.319
<v Speaker 3>how many you want me to list. That's a good

0:55:22.400 --> 0:55:25.920
<v Speaker 3>short list of seeing some really different styles.

0:55:27.280 --> 0:55:33.799
<v Speaker 1>The uh yeah, they it's all great architects with very

0:55:33.840 --> 0:55:37.560
<v Speaker 1>distinctly and unique It's a good variety amongst that group.

0:55:40.200 --> 0:55:41.560
<v Speaker 5>I can't remember who I had on.

0:55:41.600 --> 0:55:43.920
<v Speaker 1>I think it might have been Mike Devreese said that

0:55:44.000 --> 0:55:47.880
<v Speaker 1>Perry Maxwell's career was hurt most of anybody because of

0:55:47.920 --> 0:55:51.400
<v Speaker 1>the Great Depression is when he had finally reached his peak.

0:55:51.320 --> 0:55:56.279
<v Speaker 3>Which yeah, for sure, you know, I mean, most of

0:55:56.320 --> 0:56:01.000
<v Speaker 3>the other famous Golden Golden Age architects, you know, made

0:56:01.040 --> 0:56:03.560
<v Speaker 3>hay and the boom in the twenties, but Maxwell was

0:56:05.719 --> 0:56:08.399
<v Speaker 3>just getting started really in the mid twenties. He only

0:56:08.400 --> 0:56:10.840
<v Speaker 3>built a handful of courses before the Depression hit. He

0:56:10.920 --> 0:56:13.240
<v Speaker 3>was lucky that, I mean, we wouldn't know anything about

0:56:13.239 --> 0:56:16.640
<v Speaker 3>his work except for in the depression. One of the

0:56:16.680 --> 0:56:21.279
<v Speaker 3>few areas that wasn't hit hard was like Oklahoma, Kansas,

0:56:22.120 --> 0:56:24.120
<v Speaker 3>Texas because there was still.

0:56:23.960 --> 0:56:24.800
<v Speaker 4>All money there.

0:56:25.320 --> 0:56:27.720
<v Speaker 3>So that's when he built southern hills and prairie dunes

0:56:27.760 --> 0:56:28.600
<v Speaker 3>and colonial.

0:56:29.040 --> 0:56:33.680
<v Speaker 4>He redid colonial. That's what funded his best work.

0:56:34.440 --> 0:56:40.360
<v Speaker 1>Yeah, well, you know we got Richard here, and this

0:56:40.480 --> 0:56:42.520
<v Speaker 1>is kind of maybe I should have asked this before,

0:56:42.600 --> 0:56:45.200
<v Speaker 1>but what would what is the summer reading that you

0:56:45.360 --> 0:56:48.880
<v Speaker 1>just signed before your golf course architecture one on one class,

0:56:51.680 --> 0:56:53.600
<v Speaker 1>if you were a professor.

0:56:54.760 --> 0:57:03.640
<v Speaker 3>Summer reading, you know, there's four or five old books

0:57:03.680 --> 0:57:07.600
<v Speaker 3>on golf course architecture. You know, lots of architects write

0:57:07.640 --> 0:57:12.960
<v Speaker 3>books because it's a good marketing tool and you want

0:57:13.000 --> 0:57:17.040
<v Speaker 3>to get your ideas out there, and they do lead

0:57:17.160 --> 0:57:21.480
<v Speaker 3>directly to jobs. The most the first example I can

0:57:21.560 --> 0:57:23.840
<v Speaker 3>think of, sitting on the table right in front of me,

0:57:23.920 --> 0:57:27.240
<v Speaker 3>is Robert Hunter's book The Links, which I think I

0:57:27.280 --> 0:57:31.000
<v Speaker 3>think Hunter's book and Tom Simpson's book The Architectural Side

0:57:31.000 --> 0:57:33.320
<v Speaker 3>of Golf are the two most fun.

0:57:33.080 --> 0:57:35.280
<v Speaker 4>Books to read about golf course architecture.

0:57:35.720 --> 0:57:38.560
<v Speaker 3>They don't try to explain the details and draw a

0:57:38.560 --> 0:57:42.200
<v Speaker 3>bunch of golf holes and and sell you on their

0:57:42.280 --> 0:57:45.720
<v Speaker 3>style as much as some of the other architects, did Hunter,

0:57:46.040 --> 0:57:47.560
<v Speaker 3>You know, he was only kind of a golf court.

0:57:47.600 --> 0:57:49.360
<v Speaker 3>He worked with Mackenzie a little bit, but he wasn't

0:57:49.400 --> 0:57:52.920
<v Speaker 3>really he was not trying to establish his career by

0:57:52.920 --> 0:57:55.320
<v Speaker 3>writing this book. He was writing it to try to

0:57:55.360 --> 0:58:01.840
<v Speaker 3>explain it to everybody else but Hunter's book. The guy

0:58:01.960 --> 0:58:05.360
<v Speaker 3>who the guy who developed Crystal Downs when he did

0:58:05.400 --> 0:58:08.280
<v Speaker 3>the when he laid out the housing plan, he built

0:58:08.280 --> 0:58:11.439
<v Speaker 3>a little nine hole course to go with it. That's

0:58:11.960 --> 0:58:14.400
<v Speaker 3>mostly where the front nine is now and the tenth

0:58:14.440 --> 0:58:19.840
<v Speaker 3>and eighteenth holes, and he just did it himself. And

0:58:21.320 --> 0:58:23.560
<v Speaker 3>then a friend of his. Hunter's book was published in

0:58:23.600 --> 0:58:26.680
<v Speaker 3>nineteen twenty six, so it's like the year after this

0:58:26.760 --> 0:58:29.120
<v Speaker 3>guy built the little course himself and a friend of

0:58:29.160 --> 0:58:32.680
<v Speaker 3>his gave him a Hunter's book and he read it

0:58:32.720 --> 0:58:36.600
<v Speaker 3>from cover to cover and he was like, I think

0:58:36.640 --> 0:58:40.280
<v Speaker 3>I screwed up. It sounds like there's more to this

0:58:41.040 --> 0:58:45.240
<v Speaker 3>than what I knew. So he wrote Hunter a letter

0:58:45.480 --> 0:58:49.880
<v Speaker 3>and said, I built myself a golf course on this

0:58:50.000 --> 0:58:52.240
<v Speaker 3>really nice piece of ground, and I don't really think

0:58:52.280 --> 0:58:54.760
<v Speaker 3>I did very well with it, you know, do you

0:58:54.800 --> 0:58:57.600
<v Speaker 3>have any advice for me? And Hunter wrote him back

0:58:57.600 --> 0:59:01.360
<v Speaker 3>and said, well, Alistair McKenzie is is out here in

0:59:01.400 --> 0:59:05.440
<v Speaker 3>California working on a couple of things, but he's going

0:59:05.520 --> 0:59:08.000
<v Speaker 3>to go back to England in the fall, so he's

0:59:08.040 --> 0:59:11.800
<v Speaker 3>going to take the train past Chicago. So if you want,

0:59:12.040 --> 0:59:14.200
<v Speaker 3>I'll get him to stop and come up and see

0:59:14.240 --> 0:59:16.840
<v Speaker 3>your land. And that's how Crystal Downs came to be,

0:59:18.000 --> 0:59:20.200
<v Speaker 3>or the Crystal Downs that we know. Otherwise it would

0:59:20.200 --> 0:59:21.960
<v Speaker 3>be a little nine hole course by the guy, by

0:59:21.960 --> 0:59:28.080
<v Speaker 3>the founder. So that was kind of a tangent. But

0:59:29.640 --> 0:59:33.480
<v Speaker 3>Hunter's book and Simpson's book, you know, they're more about

0:59:33.480 --> 0:59:39.440
<v Speaker 3>the fun of golf and how architecture interacts with that.

0:59:40.200 --> 0:59:43.360
<v Speaker 3>They're not the how to books like George Thomas wrote,

0:59:44.440 --> 0:59:48.520
<v Speaker 3>or like my book The Anatomy of a Golf Course.

0:59:51.120 --> 0:59:54.760
<v Speaker 3>McKenzie's is sort of in between. You know, he has

0:59:54.800 --> 0:59:59.560
<v Speaker 3>his bullet points of that he wants to make and

0:59:59.560 --> 1:00:02.439
<v Speaker 3>and how important it is to hire a good golf

1:00:02.440 --> 1:00:05.680
<v Speaker 3>course architect so you don't have to keep changing things

1:00:05.720 --> 1:00:09.720
<v Speaker 3>over the years. But there's a lot of fun little

1:00:10.400 --> 1:00:13.040
<v Speaker 3>anecdotes and stories in it too, so it's a fun read.

1:00:13.240 --> 1:00:15.280
<v Speaker 3>I wish I could write something that engaging.

1:00:16.560 --> 1:00:19.360
<v Speaker 1>It's the thing I find amazing is like how these

1:00:19.400 --> 1:00:24.520
<v Speaker 1>guys like the way they wrote like these like short

1:00:24.560 --> 1:00:26.960
<v Speaker 1>quipp ads that were so you know, simple as like

1:00:27.320 --> 1:00:29.840
<v Speaker 1>you know, like Hunters and it's still funny, like Hunters

1:00:29.920 --> 1:00:31.960
<v Speaker 1>is of one of his quotes. It is like, you know,

1:00:32.480 --> 1:00:35.640
<v Speaker 1>long par four after long par four is kind of

1:00:35.720 --> 1:00:37.960
<v Speaker 1>like a cup of watery soup.

1:00:38.680 --> 1:00:42.680
<v Speaker 4>You know, it's uh Mackenzie's.

1:00:42.840 --> 1:00:50.600
<v Speaker 3>Mackenzie's is like, you know, how do I get how

1:00:50.600 --> 1:00:54.640
<v Speaker 3>do I make natural looking contour? Hire the biggest fool

1:00:54.640 --> 1:00:56.320
<v Speaker 3>in the village and tell them to make it flat,

1:00:58.120 --> 1:01:03.240
<v Speaker 3>which apparently I learned later was about a specific person.

1:01:02.960 --> 1:01:08.439
<v Speaker 4>In England that he had dealt with a smart guy.

1:01:09.960 --> 1:01:13.840
<v Speaker 1>Let's we gotta do a couple overrated, underrated, and then

1:01:13.880 --> 1:01:16.480
<v Speaker 1>we're we're wrapping up g c A one on one.

1:01:17.840 --> 1:01:20.560
<v Speaker 1>We'll have to do one uh two to one in

1:01:20.640 --> 1:01:25.400
<v Speaker 1>another pod. All right, first, overrated, underrated.

1:01:25.120 --> 1:01:31.880
<v Speaker 3>Rough terribly overrated over the years. I'm not sure if

1:01:31.880 --> 1:01:34.440
<v Speaker 3>it still is, but overrated.

1:01:34.600 --> 1:01:40.280
<v Speaker 1>It's coming coming back to the to the pendulum.

1:01:40.360 --> 1:01:43.080
<v Speaker 5>All right, a music one the doors.

1:01:44.960 --> 1:01:47.440
<v Speaker 3>I'm not qualified to answer that one. I know a

1:01:47.480 --> 1:01:49.200
<v Speaker 3>little of their music, but not.

1:01:49.360 --> 1:01:50.160
<v Speaker 4>Enough to say.

1:01:50.360 --> 1:01:55.640
<v Speaker 3>All right, I'm gonna say underrated, okay, and then so

1:01:55.680 --> 1:01:57.600
<v Speaker 3>I'll listen to more of their music and get back

1:01:57.600 --> 1:01:58.000
<v Speaker 3>to you on.

1:01:57.880 --> 1:01:59.360
<v Speaker 4>That next one.

1:02:00.120 --> 1:02:09.000
<v Speaker 3>Golf in Ohio, I want to say overrated. There's a

1:02:09.000 --> 1:02:15.520
<v Speaker 3>lot of good courses in Ohio, and but you know, Columbus,

1:02:16.000 --> 1:02:19.880
<v Speaker 3>partly because Jack Nicholess comes from there, partly because Pete

1:02:19.920 --> 1:02:24.760
<v Speaker 3>Die some of his early career was around there. Columbus

1:02:24.800 --> 1:02:29.080
<v Speaker 3>is very well known for having five or six great

1:02:29.120 --> 1:02:33.040
<v Speaker 3>golf courses right around there. But hell, Philadelphia has twenty

1:02:33.040 --> 1:02:38.040
<v Speaker 3>five and New York has fifty. So Ohio has gotten

1:02:38.040 --> 1:02:40.040
<v Speaker 3>a lot of credit for those five or six really

1:02:40.040 --> 1:02:40.560
<v Speaker 3>good ones.

1:02:42.120 --> 1:02:46.560
<v Speaker 5>All right, that's a wrap. We'll be back podcast too.

1:02:46.880 --> 1:02:49.160
<v Speaker 1>We'll be coming out in a couple of weeks and

1:02:49.200 --> 1:02:54.440
<v Speaker 1>it'll be on seth Rayner, Wili and the Sony Open.

1:02:54.960 --> 1:02:57.480
<v Speaker 4>You've been listening to the Egg podcast.

1:02:57.920 --> 1:03:00.600
<v Speaker 5>We do the digging for you to later.

1:03:00.680 --> 1:03:01.880
<v Speaker 2>It was acted in Sat