WEBVTT - 9021 0n our way to Malibu!

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<v Speaker 1>With Jenny Garth and Tori Spelling. We're back from Vegas.

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<v Speaker 1>We survived. Vegas is not meant for old people. I

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<v Speaker 1>am still not okay. I'm not okay. Are you not okay?

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<v Speaker 1>I'm not no, I'm a little tired out. I'm not okay.

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<v Speaker 1>I don't believe Jenny. I can't believe you posted that picture.

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<v Speaker 1>Like I knew that that picture of it was in

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<v Speaker 1>our group text and I thought, oh, I'm not I

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<v Speaker 1>better not send this to anybody because there's no way

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<v Speaker 1>she'd ever post this. And then which one of you? Wait?

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<v Speaker 1>Which one? Jenny is just dead asleep, knocked out in hertha.

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<v Speaker 1>I love that one. But the best part about that

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<v Speaker 1>is I was acting, guys. I wasn't sleep and you

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<v Speaker 1>like the touch with the the nose like that. It

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<v Speaker 1>was so good, so good? Yeah, are you lying? I

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<v Speaker 1>felt for that. Look at us back for a fourth season.

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<v Speaker 1>Look what we have here? Oh it's a podcast. Sorry,

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<v Speaker 1>we have these special made little microphone m huggy things

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<v Speaker 1>because we're the real deal. Now, that's what I heard.

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<v Speaker 1>We've made it hard. Let us in. We got it.

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<v Speaker 1>We got it season four. Okay. Amy was saying that

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<v Speaker 1>everybody thinks this is the best best season, Like, is

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<v Speaker 1>that the case is? Does everybody the worldwide web? Season three?

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<v Speaker 1>They said that no, Season three was the second favorite.

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<v Speaker 1>Season four on many lists, is considered the best season. Good. Well,

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<v Speaker 1>you know, I've been asking for it for We've been

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<v Speaker 1>through three seasons now. I've been saying I can't wait

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<v Speaker 1>to season four the college years, and we got here.

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<v Speaker 1>In the first episode womp, wamp, I'm not excited. Yeah

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<v Speaker 1>you didn't, it was okay, I gotta be honest me either.

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<v Speaker 1>Brand I felt like, this is the big season opener.

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<v Speaker 1>I didn't really know. It felt like a season ender

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<v Speaker 1>instead of a season opener, but without the big fireworks

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<v Speaker 1>of the finale, Like it felt like mid season. Amy

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<v Speaker 1>doesn't agree with us, Amy, tell us why you loved it.

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<v Speaker 1>Everyone looks amazing, which I'll get into. Everyone looks amazing,

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<v Speaker 1>we have new people coming in, We've got like I

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<v Speaker 1>was like, this could be a show today. To me,

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<v Speaker 1>this was the best interesting beyond right now. Oh, I

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<v Speaker 1>was like, and I loved the nostalgia, so it was

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<v Speaker 1>almost like watching it now it's a current show taking

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<v Speaker 1>place in the nineties. Huh interesting. Oh, I loved every

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<v Speaker 1>secnd of it. Wow, do you? But do you think

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<v Speaker 1>you loved every second because you know what's coming? Who

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<v Speaker 1>almost there? Maybe I wanted to do this experiment. So

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<v Speaker 1>do we know anybody that's like, never watched the show? Yeah,

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<v Speaker 1>and I want to have them watch this episode and

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<v Speaker 1>see if they loved it. I literally thought of this

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<v Speaker 1>in the shower. If they love it as much as

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<v Speaker 1>I did, just as a show today, Okay, let's do it.

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<v Speaker 1>Find somebody if you were twenty out there listening to

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<v Speaker 1>our podcast, let us know, and you're watching the show

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<v Speaker 1>for the very first ever seen it. Yeah, you have

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<v Speaker 1>never seen it, and almost there's people, there's people there.

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<v Speaker 1>You didn't love it? Tell me everything. You didn't love it?

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<v Speaker 1>Just I just was. I didn't feel I felt underwhelmed. Yes,

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<v Speaker 1>thank it was like nothing special like Brenda's leaving, which

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<v Speaker 1>it does start with new opening credits. So wait, we

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<v Speaker 1>should intro this. It's Seas four, episode one, so long,

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<v Speaker 1>Farewell of the Same Goodbye, aired September eight. Synopsis. Brenda

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<v Speaker 1>heads off to college and is already regretting it. Kelly

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<v Speaker 1>comes back from Europe with some sad news. Brendan Brendan,

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<v Speaker 1>it says, Brendan here. It literally random in the synopsis

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<v Speaker 1>that you can find a line it is spelled. And

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<v Speaker 1>we have this ongoing thing that sometimes it sounds like

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<v Speaker 1>people are saying Brendan, It's spelled Brendan here without them. Okay. Anyway, Brandon, Brandon,

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<v Speaker 1>Steve are living the life at a beach house in Malibu,

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<v Speaker 1>while David is looking for somewhere to live. Celes is

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<v Speaker 1>getting jealous of Steve, and Andrea finds out Gil is

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<v Speaker 1>engaged out. Even the synopsis is boring, underwhelming talking about

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<v Speaker 1>first of all, the Gil Andrea I need to talk

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<v Speaker 1>about for days. It was so weirdly creepy. Yeah, he's creepy,

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<v Speaker 1>but I really like his freckles. And it makes sense

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<v Speaker 1>that he has those freckles because he lives on the beach,

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<v Speaker 1>which I still don't understand because he's a teacher, and

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<v Speaker 1>what teacher can afford to live on Malibu beach? I mean,

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<v Speaker 1>don't get me started. I wanted them to a family home,

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<v Speaker 1>did you guys? Yeah? I kind of did. I did too. Yeah.

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<v Speaker 1>I wanted something to happen. I was there for it.

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<v Speaker 1>I wanted something to happen, this something, and then he said, oh,

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<v Speaker 1>let me introduce you to my fiance. Yeah, okay, start

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<v Speaker 1>from the beginning. How do you guys feel about the

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<v Speaker 1>new credits? You like them? I don't know. They just

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<v Speaker 1>added in some some footage from the previous seasons. Right, Um,

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<v Speaker 1>my name is Jason Priestley, and I've never looked better.

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<v Speaker 1>Are you kidding me? Jason Priestley this episode season four?

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<v Speaker 1>He looks good. It looks good. But his hair looks

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<v Speaker 1>a little fuzzy right when we came. It's short. You know,

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<v Speaker 1>I don't like I don't like short, you know that.

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<v Speaker 1>But I did like his clothes. He looked super cute

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<v Speaker 1>in mouth he did. He was like, first of all,

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<v Speaker 1>the change the gold that change about that yellow shirt

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<v Speaker 1>on the beach, so cut, unbuttoned, and I'm like, we're

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<v Speaker 1>seeing more chest. I'm just like I was. Steve looked

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<v Speaker 1>great too, Steve, I am, Steve look great too. Cocon

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<v Speaker 1>out of his tank top. It was great aerials galore.

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<v Speaker 1>I know we all hold a special place for David

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<v Speaker 1>Silver in our hearts, but it looked like a pirate.

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<v Speaker 1>The ear ring was a tad too big. Remember that

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<v Speaker 1>was defensive, but remember that was very one ear ring.

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<v Speaker 1>Though it was it was there were there two ear rings?

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<v Speaker 1>Because wasn't there two for a while too? Bit there

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<v Speaker 1>was like I'm wearing I think I would have preferred

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<v Speaker 1>to I dottle bit, but I didn't. I did like

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<v Speaker 1>seeing like the Malibu of it all, Like that was

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<v Speaker 1>nice to get out of Beverly Hills for a minute.

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<v Speaker 1>Because they're just gonna skip over the beach Club. Okay,

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<v Speaker 1>why about that? Why so can you guys remember did

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<v Speaker 1>you not? When did this air? Again? Can you give

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<v Speaker 1>me that date one more time? In September eight? This

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<v Speaker 1>years to have been the first season you didn't air

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<v Speaker 1>in the summer. You went off in May, like and

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<v Speaker 1>you're back. So that's why we skipped over the beach Club. Well,

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<v Speaker 1>it's a big mother. It's so weird because Brenda's already

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<v Speaker 1>moved into her dorm room. I feel like we missed

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<v Speaker 1>the whole summer. Well, yeah, we we're coming in at

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<v Speaker 1>the end of summer, so we're seeing everybody and you're

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<v Speaker 1>getting back from Europe. Brenda's last night. I'm not mad

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<v Speaker 1>at it. I don't know what more I could have

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<v Speaker 1>done at the Beach Club because you're getting right into it. Yeah,

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<v Speaker 1>I guess you're right. I guess you're ready to go

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<v Speaker 1>back to the beach club. It was we upgraded to

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<v Speaker 1>Malibou Road, so it was okay, we get to know

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<v Speaker 1>that Andrea did her counseling there. If they even give

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<v Speaker 1>a shout out to uh the chief James Pickens Jr.

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<v Speaker 1>I think he was back. I think they gave a

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<v Speaker 1>name check to him, Penrith. We didn't. We didn't even

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<v Speaker 1>talk about the most important part, which of everything, what

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<v Speaker 1>Andrea's new hair do? Oh? I don't know, wait, I

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<v Speaker 1>when did that happen? I don't remember this. During summer break.

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<v Speaker 1>I think she got a haircut and a flat iron.

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<v Speaker 1>Apparently blowouts in the nineties they did. It was a

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<v Speaker 1>blowout because it was still a little round. But I

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<v Speaker 1>didn't recognize her when she walked in. I did. I

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<v Speaker 1>thought it ached her up a little bit, you did. Yeah, Yeah,

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<v Speaker 1>you're right, you're right. When she was walking on the

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<v Speaker 1>beach though, when she was tromping down the beach in

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<v Speaker 1>her little blue outfit going to meet up with Still

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<v Speaker 1>as I like to call him, uh she. I thought

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<v Speaker 1>that was a child. I did not know that was

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<v Speaker 1>Andrea from the back. I thought it was some kids,

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<v Speaker 1>very petite. Do you her back then? No, owing she

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<v Speaker 1>was older? I don't remember that. Did it did it

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<v Speaker 1>stand out as did it stand out as much as

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<v Speaker 1>it stands out now she looks significantly older. I feel

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<v Speaker 1>like I knew. I did we knew? But I mean

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<v Speaker 1>I think any means like in like when we were

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<v Speaker 1>doing scenes, was it like, Wow, she's just so much

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<v Speaker 1>older than us? It didn't feel that sometimes, okay, because

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<v Speaker 1>like imagine this, imagine this, take Donna and put her

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<v Speaker 1>in the Zuckerman scenes with gil Way creepier? Do you

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<v Speaker 1>know what I'm saying? They I'm imagining it right now,

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<v Speaker 1>and I'm into it. Did you know what when I'm

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<v Speaker 1>creepy anymore? Ever since I saw that he like supported Donna,

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<v Speaker 1>the Donna movement, I'm all about gil Myers now. So yeah,

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<v Speaker 1>I was very torn, like had they kissed, would it

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<v Speaker 1>have been okay? Because now she's graduating, not his student anymore,

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<v Speaker 1>and we're assuming she's eighteen, so it's okay. Yeah, Like

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<v Speaker 1>what were we supposed to feel confused? Because I didn't

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<v Speaker 1>see that fiance coming a mile away? I actually didn't

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<v Speaker 1>see that coming, and and she she doesn't come out

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<v Speaker 1>of the house. She's only allowed to stay inside, and

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<v Speaker 1>clearly Andrea was disappointed, like she clearly crushes on him.

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<v Speaker 1>You could see for a second she was like, Oh great,

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<v Speaker 1>wanted him. This is it. I guess, so I don't

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<v Speaker 1>think this is his last episode. Oh gosh. Brenda seemed

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<v Speaker 1>really mature though in this episode. I felt like she

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<v Speaker 1>from the very beginning, like when she was starting, you know,

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<v Speaker 1>talking about going and prepping on everything. I just felt

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<v Speaker 1>like she's had this maturity about her. I guess that's

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<v Speaker 1>what graduating from high school gets you. Is that our

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<v Speaker 1>first time meeting grandma? Yeah, and they just Grandma whatever name. Yeah,

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<v Speaker 1>but I'm just going to call her Grandma Walsh because

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<v Speaker 1>I don't know that name. Brenda cousin, Brenda Cousin. They

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<v Speaker 1>felt like out of like the and I felt like

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<v Speaker 1>they had to do that because were you guys for

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<v Speaker 1>a minute, like who's this check? Yeah, they had to

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<v Speaker 1>like say, but it's so weird because no nobody talks

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<v Speaker 1>like that unless they're on like Little House on the Prairiere,

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<v Speaker 1>yes exactly, or a vacation movie, one of those vacation

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<v Speaker 1>movies with the people exactly, Like I if I were

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<v Speaker 1>the writer. I would have had Cindy say we'll get

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<v Speaker 1>home early because you know, Nanna and your cousin are

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<v Speaker 1>picking us up, so then we wouldn't have needed like anything,

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<v Speaker 1>or maybe just have her say it. Once she kept

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<v Speaker 1>saying it, it was like, we got it. You're the cousin.

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<v Speaker 1>I don't want to be judging. I don't want to

0:11:59.600 --> 0:12:03.040
<v Speaker 1>be judge. But go ahead and try to Grandma's car.

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<v Speaker 1>What's wrong with it? That's a car for a grandma.

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<v Speaker 1>Would you want to drive a Corvette? It was so great? Okay,

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<v Speaker 1>so we're kind of going everywhere. Yeah, I'm sorry, okay.

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<v Speaker 1>Opening credits amazing, everyone looked so good. Next, did you

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<v Speaker 1>guys see the shot of Pierre do? Now? Do you

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<v Speaker 1>know what that is? Next thing? I'm gonna be all

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<v Speaker 1>over that. Yes, Pierre too. It's the famous like Prince

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<v Speaker 1>that like everyone had like like bags, like you would

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<v Speaker 1>have your makeup bag, your pencil bag in school? Pierre do?

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<v Speaker 1>Did you have your barney or like stuffed animal? Did

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<v Speaker 1>your mom get you the like Pierre do? Probably the

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<v Speaker 1>overnight bag? Like Jenny, do you have any idea what

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<v Speaker 1>we're talking about? If you saw you would know it.

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<v Speaker 1>So what's the modern version of it. Now it's it's

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<v Speaker 1>a female name. Um, it's a designer. Oh Lisa Frank. No, yes,

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<v Speaker 1>no pullets. Um there's one more. Yeah, Tory Birch. Nope,

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<v Speaker 1>I have no idea. Okay, So these people that don't

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<v Speaker 1>know they showed this shot, which I thought was so

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<v Speaker 1>interesting because they clearly showed it and like Pierre Do

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<v Speaker 1>paying them. Pierre Do was on Rodeo in that little

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<v Speaker 1>kind of in a sort quirky area of and they

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<v Speaker 1>had like Tori saying they had wallpaper, they had betting,

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<v Speaker 1>they had I think clothes, they had housewears and like

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<v Speaker 1>it was so popular then it was just it was

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<v Speaker 1>a print, not anything like I wish it was Lisa

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<v Speaker 1>Frank and be like fun and unicorns, and like it wasn't.

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<v Speaker 1>It was just very it was like not even floral.

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<v Speaker 1>It was like I would venture to say, Mrs Spelling

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<v Speaker 1>definitely shopped there. Uh, I'm gonna say, you're probably right.

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<v Speaker 1>So that started me off, I think with just I

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<v Speaker 1>loot so that I love that bh bu roll. I

0:14:19.680 --> 0:14:23.960
<v Speaker 1>love seeing the Beverly Hills all the things, and I'm

0:14:23.960 --> 0:14:27.520
<v Speaker 1>sure that everybody like across the globe that's what they

0:14:27.560 --> 0:14:30.040
<v Speaker 1>loved seeing the most was like, what does it look like?

0:14:30.160 --> 0:14:32.760
<v Speaker 1>What does Beverly Hills look like? Who goes there? What

0:14:32.840 --> 0:14:35.720
<v Speaker 1>do they wear? I think you're so hard because when

0:14:35.720 --> 0:14:38.880
<v Speaker 1>they were driving, when they were driving down PC, were

0:14:38.880 --> 0:14:40.720
<v Speaker 1>you guys not looking at everything? I was like that

0:14:40.840 --> 0:14:47.680
<v Speaker 1>Jack in the box. Yes, oh my gosh. Then then

0:14:47.720 --> 0:14:49.800
<v Speaker 1>they go to Malibu and you see some great Malibu

0:14:49.880 --> 0:14:53.440
<v Speaker 1>b roll too. I mean, for instance, the bureaull footage

0:14:53.440 --> 0:14:58.120
<v Speaker 1>of Luke of Dylan's in the ocean surfing, like they

0:14:58.120 --> 0:15:03.040
<v Speaker 1>have used that shot so many times again, that's one

0:15:03.040 --> 0:15:09.240
<v Speaker 1>of the main titles. Like that was I was a stunt.

0:15:09.280 --> 0:15:12.960
<v Speaker 1>Double watched not even him, watched it twice because I

0:15:13.000 --> 0:15:15.560
<v Speaker 1>was obsessed with them driving down PCG because for everyone

0:15:15.560 --> 0:15:18.760
<v Speaker 1>listening that was PC They really were driving. They drove

0:15:18.800 --> 0:15:21.320
<v Speaker 1>by the ducking box, they drove by the Malibu beach

0:15:21.360 --> 0:15:23.840
<v Speaker 1>in that has now been totally redone that was the

0:15:23.880 --> 0:15:27.240
<v Speaker 1>old one, the Malibu Pier. It really showed it all.

0:15:27.240 --> 0:15:28.920
<v Speaker 1>And then of course I got on the Google. Did

0:15:28.920 --> 0:15:31.680
<v Speaker 1>you guys googling the addresses that they were saying? No,

0:15:31.840 --> 0:15:36.120
<v Speaker 1>I didn't know. We do not do the things that

0:15:36.240 --> 0:15:40.720
<v Speaker 1>you do. Wow, Maybe that that's why I loved this

0:15:40.800 --> 0:15:43.600
<v Speaker 1>so much. I mean, I was just let me google this.

0:15:43.720 --> 0:15:45.680
<v Speaker 1>Oh there there's the ducking books. Oh my god, they're

0:15:45.680 --> 0:15:50.320
<v Speaker 1>going to like seeing it all. They were out of

0:15:50.320 --> 0:15:52.320
<v Speaker 1>the high school and they were they were just like

0:15:52.600 --> 0:16:08.120
<v Speaker 1>you got to seem way more. I almost guessed when

0:16:08.320 --> 0:16:12.320
<v Speaker 1>the apartment comes, I did too. Actually, I guess that

0:16:12.400 --> 0:16:14.600
<v Speaker 1>was the payoff. Like I was waiting, I was. I

0:16:14.640 --> 0:16:16.400
<v Speaker 1>was hoping that was going to happen in this episode

0:16:16.440 --> 0:16:19.240
<v Speaker 1>because of all the like where are we going to live? Talk?

0:16:19.960 --> 0:16:22.760
<v Speaker 1>And then it did, and I was so happy. That's

0:16:22.800 --> 0:16:26.320
<v Speaker 1>one of those scenes. I remember vividly filming that scene

0:16:26.360 --> 0:16:29.240
<v Speaker 1>with that guy everything. Oh, I have nothing to tell you.

0:16:29.280 --> 0:16:32.000
<v Speaker 1>I just remember vividly following that scene with that guy.

0:16:33.120 --> 0:16:37.960
<v Speaker 1>What's that guy's name? He's amazing. Oh man, don Kalfa.

0:16:38.160 --> 0:16:40.960
<v Speaker 1>There's a lot of parking in the rear. I think,

0:16:41.120 --> 0:16:46.920
<v Speaker 1>is that was it? Mr Pitts? Yes, don Kalfa. He

0:16:47.120 --> 0:16:49.440
<v Speaker 1>was funny and he's that face that you've seen everywhere.

0:16:50.120 --> 0:16:53.720
<v Speaker 1>There people freaking out because that obviously is a real

0:16:53.760 --> 0:16:57.360
<v Speaker 1>apartment on the strand right like in Manhattan Beach. Yes,

0:16:57.400 --> 0:17:00.480
<v Speaker 1>you guys, it's still there. It's still blew it looks

0:17:00.520 --> 0:17:05.080
<v Speaker 1>exactly the same from the outside, because the inside never

0:17:05.119 --> 0:17:09.560
<v Speaker 1>looked like that. Remember there was like food smells everywhere

0:17:09.640 --> 0:17:12.000
<v Speaker 1>and it was like really cluttered at the time someone

0:17:12.040 --> 0:17:15.320
<v Speaker 1>else owns it now I don't remember. We couldn't go inside.

0:17:15.359 --> 0:17:17.720
<v Speaker 1>Maybe I couldn't go because there were cats inside and allergic,

0:17:17.880 --> 0:17:21.359
<v Speaker 1>like there's a lot of cleaning in there. Yeah. Yeah,

0:17:21.520 --> 0:17:24.359
<v Speaker 1>it looked great from the outside, and then we shot

0:17:24.400 --> 0:17:27.560
<v Speaker 1>all the interior scenes of the beach apartment on our stages,

0:17:28.000 --> 0:17:30.040
<v Speaker 1>so we got to make it look however we wanted to,

0:17:30.119 --> 0:17:32.000
<v Speaker 1>just had to have the windows in the right places.

0:17:32.840 --> 0:17:36.800
<v Speaker 1>But it it definitely wasn't something you'd want to go into.

0:17:36.920 --> 0:17:40.320
<v Speaker 1>But I've heard they redid it and like the Airbnb

0:17:40.440 --> 0:17:44.359
<v Speaker 1>it now. Yes, I actually went on Airbnb and contacted

0:17:44.400 --> 0:17:50.560
<v Speaker 1>the owner what for because I was just intrigued, And

0:17:50.600 --> 0:17:53.320
<v Speaker 1>he answered me back because you can obviously contact about

0:17:53.400 --> 0:17:55.359
<v Speaker 1>dates and stuff, and I said who I was, and

0:17:55.400 --> 0:17:58.520
<v Speaker 1>I was like, I'm just like fascinated that this is

0:17:58.520 --> 0:18:00.920
<v Speaker 1>on Airbnb now, and he like, you guys should come

0:18:00.920 --> 0:18:06.360
<v Speaker 1>see it. Yeah coming, Oh my god, and he's redone everything,

0:18:06.440 --> 0:18:09.880
<v Speaker 1>and like, yeah, but wait, so when you were filming that,

0:18:10.760 --> 0:18:14.160
<v Speaker 1>did can you remember like a crowd must have gathered

0:18:14.240 --> 0:18:17.000
<v Speaker 1>on the beach because they can't close the beach down.

0:18:17.040 --> 0:18:19.720
<v Speaker 1>They can only block off a portion. I mean, I'm sorry,

0:18:19.760 --> 0:18:23.280
<v Speaker 1>Tori Spelling and Jenny Guard are filming right there. In

0:18:23.320 --> 0:18:27.760
<v Speaker 1>the hey day, it was I remember people. Yeah, look

0:18:27.800 --> 0:18:31.120
<v Speaker 1>you lose all them. I remember a lot of looks.

0:18:31.280 --> 0:18:33.840
<v Speaker 1>There was a lot of security we had at that time,

0:18:34.440 --> 0:18:37.240
<v Speaker 1>and like up around the corner all our trailers and

0:18:37.359 --> 0:18:40.200
<v Speaker 1>they would like walk us down and there were bodyguards

0:18:40.200 --> 0:18:44.240
<v Speaker 1>because there were so many people. I remember that. And

0:18:44.280 --> 0:18:46.680
<v Speaker 1>do you remember if you shot all the apartment stuff

0:18:46.720 --> 0:18:50.120
<v Speaker 1>like multiple days or did you try to, like did

0:18:50.160 --> 0:18:53.520
<v Speaker 1>they did you shoot everything like on this very day,

0:18:54.000 --> 0:18:56.960
<v Speaker 1>anything that was exterior of the beach apartment we would

0:18:57.040 --> 0:19:00.080
<v Speaker 1>we would shoot all in one day. Yeah, but it

0:19:00.160 --> 0:19:04.240
<v Speaker 1>was not other episodes now right, just for this one episode. Okay,

0:19:04.280 --> 0:19:07.240
<v Speaker 1>so just as well. Okay, so throughout the season you

0:19:07.240 --> 0:19:11.800
<v Speaker 1>went there many times. Yeah, Well, we did have a

0:19:11.880 --> 0:19:14.560
<v Speaker 1>deck since they put the apartment on the second floor,

0:19:14.600 --> 0:19:18.399
<v Speaker 1>which was smart. Uh, They had a deck built on

0:19:18.440 --> 0:19:21.360
<v Speaker 1>the sound stages and we had lawn furniture out there

0:19:21.400 --> 0:19:23.960
<v Speaker 1>and plants, and then they had like a big ocean

0:19:24.640 --> 0:19:28.640
<v Speaker 1>backdrop fan fans making it look like you were out

0:19:28.680 --> 0:19:33.360
<v Speaker 1>on the beach, but we weren't. Yeah, so we rarely

0:19:33.400 --> 0:19:37.720
<v Speaker 1>actually went back to it. That's true. That's true. I

0:19:37.800 --> 0:19:41.080
<v Speaker 1>mean when I just wrote in my notes to the apartment,

0:19:41.280 --> 0:19:43.480
<v Speaker 1>like I almost wanted to like do the emoji cry

0:19:43.640 --> 0:19:47.520
<v Speaker 1>like it was, I was just like this, Yeah, it

0:19:47.520 --> 0:19:50.359
<v Speaker 1>feels good to be back there. I'm I'm excited because

0:19:50.400 --> 0:19:53.440
<v Speaker 1>I have a lot of great memories from shooting all

0:19:53.480 --> 0:19:55.800
<v Speaker 1>that stuff where we were on our own, there was

0:19:55.840 --> 0:19:58.320
<v Speaker 1>no parents, you know, and um, we just had a

0:19:58.320 --> 0:20:05.480
<v Speaker 1>good time. On my next note, Aaron Spelling doesn't like sunglasses,

0:20:05.840 --> 0:20:08.960
<v Speaker 1>but he definitely was either very busy at Melrose Place

0:20:09.440 --> 0:20:12.160
<v Speaker 1>or looked the other way because there were a lot

0:20:12.240 --> 0:20:18.280
<v Speaker 1>of sunglasses in this episode, right, huh. So there were

0:20:18.520 --> 0:20:24.159
<v Speaker 1>Iron had bad sunglasses, Jason had amazing sunglasses, and Jenny

0:20:24.240 --> 0:20:31.399
<v Speaker 1>you had those like middle nineties like circles. So I

0:20:31.440 --> 0:20:34.879
<v Speaker 1>don't know, but we usually because when people wear sunglasses

0:20:35.000 --> 0:20:37.800
<v Speaker 1>sunglasses on camera, you can see the reflection of the

0:20:37.880 --> 0:20:41.040
<v Speaker 1>cameraman and the lights and the boom and the reflection

0:20:41.240 --> 0:20:44.159
<v Speaker 1>on the lenses. But I didn't see anything. It was

0:20:44.200 --> 0:20:46.199
<v Speaker 1>good and he just had a thing. If there are

0:20:46.240 --> 0:20:49.240
<v Speaker 1>any long scenes. He's like, you know, people want to

0:20:49.240 --> 0:20:52.720
<v Speaker 1>see these actors and see their eyes and we're not

0:20:52.760 --> 0:20:56.000
<v Speaker 1>paying you. I have sunglasses on. It's like talking to somebody.

0:20:56.040 --> 0:20:59.400
<v Speaker 1>Like when you're talking to someone in there wearing sunglasses

0:20:59.440 --> 0:21:01.919
<v Speaker 1>and you're having an actual conversation with them, but they

0:21:02.000 --> 0:21:04.159
<v Speaker 1>won't take their sunglasses off. Does not just bug you.

0:21:04.680 --> 0:21:07.760
<v Speaker 1>Not if you're Jason Priestley, he can wear those sunglasses.

0:21:07.800 --> 0:21:10.240
<v Speaker 1>I'm sorry. He was a twenty out of ten in

0:21:10.280 --> 0:21:14.840
<v Speaker 1>this episode. Wow, he this was this was his year

0:21:14.920 --> 0:21:17.800
<v Speaker 1>for you. Wow. I thought he looked great too, Like

0:21:17.960 --> 0:21:22.520
<v Speaker 1>dare I say, like beautiful and maybe because I only

0:21:22.520 --> 0:21:24.480
<v Speaker 1>got the one moment with Luke, but I was like,

0:21:25.200 --> 0:21:29.679
<v Speaker 1>Jason Priestley is well. He definitely also found his groove,

0:21:29.760 --> 0:21:31.800
<v Speaker 1>Like we saw it at the end of season three

0:21:31.920 --> 0:21:35.680
<v Speaker 1>that he was becoming a little more Jason than just Brandon,

0:21:36.400 --> 0:21:38.280
<v Speaker 1>and here you really saw it in full effect, like

0:21:38.280 --> 0:21:41.159
<v Speaker 1>he was comfortable being funny and letting loose and Brandon

0:21:41.160 --> 0:21:43.480
<v Speaker 1>would didn't have to be so square and he liked

0:21:43.520 --> 0:21:46.199
<v Speaker 1>his funny. So, so, what do you guys think of

0:21:46.280 --> 0:21:50.000
<v Speaker 1>Celeste and Steve? Why is Celeste Okay? It's just kind

0:21:50.040 --> 0:21:52.360
<v Speaker 1>of weird to me that she's now just they're like

0:21:52.840 --> 0:21:56.560
<v Speaker 1>absorbed into the group without paying the dudes somehow, like

0:21:56.600 --> 0:21:58.600
<v Speaker 1>she didn't put in the time. She's just part of

0:21:58.600 --> 0:22:03.000
<v Speaker 1>the group. Now he's all jealous. I was like, they're

0:22:03.040 --> 0:22:09.120
<v Speaker 1>so cute. Yeah, but where was she before? Barely? Now

0:22:09.240 --> 0:22:13.479
<v Speaker 1>she's like, yeah, yeah, I don't know. I don't not

0:22:13.640 --> 0:22:16.840
<v Speaker 1>like her. I like her or her character, but it

0:22:17.000 --> 0:22:21.200
<v Speaker 1>just felt weird. And why would she be jealous that girl?

0:22:21.200 --> 0:22:24.960
<v Speaker 1>I didn't get it. Well hello, because Steve was so

0:22:25.119 --> 0:22:28.080
<v Speaker 1>flirty mcflirty with her. Really See, I didn't get it either.

0:22:28.119 --> 0:22:31.639
<v Speaker 1>I thought it was a little memory of bread's buttered buddy.

0:22:32.280 --> 0:22:35.080
<v Speaker 1>Oh that's my favorite line from this So sorry, I

0:22:35.119 --> 0:22:37.199
<v Speaker 1>got I wrote it down. If you ever want to

0:22:37.200 --> 0:22:39.600
<v Speaker 1>be with if you ever want to be with me again,

0:22:39.680 --> 0:22:43.040
<v Speaker 1>you just better remember where your bagels buttered, buddy. That's right,

0:22:44.960 --> 0:22:50.120
<v Speaker 1>bagels sing. Yeah. I like I like her too. It's

0:22:50.119 --> 0:22:52.040
<v Speaker 1>not that it's just all of a sudden, it's like

0:22:52.080 --> 0:22:54.800
<v Speaker 1>they've never focused on their relationship. We asked for more.

0:22:54.880 --> 0:22:58.520
<v Speaker 1>We were like, wow, prom but we don't see anything really,

0:22:58.560 --> 0:23:01.359
<v Speaker 1>And now I was setting their boyfriend girlfriend conveniently so

0:23:01.600 --> 0:23:05.680
<v Speaker 1>she can be jealous of Jill I guess there there are.

0:23:05.720 --> 0:23:08.800
<v Speaker 1>They're great together though, like those too. I like, I

0:23:08.880 --> 0:23:13.760
<v Speaker 1>like the actors together. They seem comfortable with each other,

0:23:13.960 --> 0:23:17.440
<v Speaker 1>so I'm falling for it. What I also think it's interesting.

0:23:17.760 --> 0:23:20.600
<v Speaker 1>So okay, you know when Kelly returns from Europe and

0:23:20.640 --> 0:23:23.720
<v Speaker 1>then it's too loud, too loud inside, so they go outside,

0:23:24.080 --> 0:23:29.399
<v Speaker 1>and the couples are always like hugging, like David and

0:23:29.440 --> 0:23:33.760
<v Speaker 1>Donna are so posed and huggy, and then Stephen Celeste, Like,

0:23:35.240 --> 0:23:38.560
<v Speaker 1>I mean, it's a little love each other. Couples don't

0:23:38.560 --> 0:23:42.320
<v Speaker 1>do that. What do you mean? I just felt like, Okay,

0:23:42.400 --> 0:23:45.640
<v Speaker 1>if you're in a couple, couple up stand if it's

0:23:45.640 --> 0:23:50.639
<v Speaker 1>your partner. Okay, did you guys like Kelly? Did you?

0:23:50.760 --> 0:23:54.280
<v Speaker 1>I thought maybe you, especially to our would love Kelly's blazer?

0:23:56.480 --> 0:24:02.000
<v Speaker 1>I did? You did? I did? But it was a

0:24:02.000 --> 0:24:05.480
<v Speaker 1>little too buttery for me, you know, I like you

0:24:05.520 --> 0:24:09.359
<v Speaker 1>and yellow. It was like a very buttery color. And ps,

0:24:09.560 --> 0:24:12.800
<v Speaker 1>where are her bangs? Like I was just pass it

0:24:12.840 --> 0:24:16.160
<v Speaker 1>doesn't that she looks that good after a flight back

0:24:16.200 --> 0:24:18.879
<v Speaker 1>from Europe. I was like, damn, youth, look how great

0:24:18.920 --> 0:24:22.919
<v Speaker 1>she looks. She's not jet lag? Jenny? Did you know

0:24:24.320 --> 0:24:27.520
<v Speaker 1>that you that Kelly and Dylan had broken up, Like

0:24:27.560 --> 0:24:32.800
<v Speaker 1>did you remember? Nope, Nope. That was a surprise to me.

0:24:32.920 --> 0:24:35.880
<v Speaker 1>I was kind of getting like cluing into it because

0:24:36.680 --> 0:24:39.720
<v Speaker 1>she was being a little elusive about him and and

0:24:39.840 --> 0:24:42.520
<v Speaker 1>he wasn't there, and it felt weird. So I caught

0:24:42.560 --> 0:24:45.520
<v Speaker 1>on real quick. But it's weird that they broke up,

0:24:45.560 --> 0:24:47.640
<v Speaker 1>and now I don't know what's going to happen. I'm

0:24:47.720 --> 0:24:50.480
<v Speaker 1>so scared. My only like flag on the play is

0:24:50.600 --> 0:24:56.440
<v Speaker 1>she's oddly not heartbroken enough for me. Yeah, you're right,

0:24:57.000 --> 0:25:02.280
<v Speaker 1>Like she's telling it very calmly. Mm hmmm. Did it

0:25:02.400 --> 0:25:05.119
<v Speaker 1>feel well, that's what happens every time Dylan shocks up

0:25:05.119 --> 0:25:11.080
<v Speaker 1>with someone. They break up. Oh that is really and yes,

0:25:11.200 --> 0:25:16.320
<v Speaker 1>dute Tory, Oh my god, yes, finally that is really interesting.

0:25:17.680 --> 0:25:21.960
<v Speaker 1>And now he wants Brenda back. And also how did

0:25:22.000 --> 0:25:25.440
<v Speaker 1>he get the phone number to the dorm room? These

0:25:25.440 --> 0:25:29.040
<v Speaker 1>things bother me. Where'd you get that number? I thought

0:25:29.040 --> 0:25:32.480
<v Speaker 1>the same thing, like did he call the Walshes and

0:25:32.560 --> 0:25:37.800
<v Speaker 1>get the number? Maybe because he only sent a cable?

0:25:38.080 --> 0:25:43.119
<v Speaker 1>Did you get that reference from the cable from Dylan?

0:25:43.560 --> 0:25:49.080
<v Speaker 1>Like what year was? Like? What's a cable? Like a wire?

0:25:49.240 --> 0:25:57.359
<v Speaker 1>Like like telegram with like Morris code, like a typewriter existed.

0:25:59.640 --> 0:26:01.800
<v Speaker 1>Maybe as you think like back then, like you're a

0:26:01.840 --> 0:26:04.280
<v Speaker 1>b so like you can't call it so much money?

0:26:04.359 --> 0:26:07.360
<v Speaker 1>So someone sends a cable, but he has like ten

0:26:07.400 --> 0:26:12.800
<v Speaker 1>million dollars, right, he couldn't afford a mega call. You

0:26:12.840 --> 0:26:17.480
<v Speaker 1>can get if you found a paid on No problem. Okay,

0:26:17.640 --> 0:26:20.240
<v Speaker 1>so much? Did you? Okay? So do you think that

0:26:20.720 --> 0:26:23.240
<v Speaker 1>in this episode? Since I don't know what's coming next,

0:26:23.400 --> 0:26:26.760
<v Speaker 1>I feel like Brenda is moving to Minnesota to go

0:26:26.840 --> 0:26:29.040
<v Speaker 1>to school there and she's not gonna be on the

0:26:29.040 --> 0:26:32.280
<v Speaker 1>show anymore. Did she know? Was this the episode where

0:26:32.320 --> 0:26:36.680
<v Speaker 1>Brenda leaves and doesn't come back or no? No? A

0:26:36.760 --> 0:26:40.600
<v Speaker 1>lot of questions, not at all. You're a year off? Um,

0:26:40.600 --> 0:26:43.040
<v Speaker 1>a year off? Okay, good to know. I will stop

0:26:43.080 --> 0:26:45.000
<v Speaker 1>worrying about it because I was. I was, like I

0:26:45.040 --> 0:26:47.680
<v Speaker 1>had anxiety about it. What do you think of Brenda

0:26:47.840 --> 0:26:51.680
<v Speaker 1>in Minnesota? What do you guys think? The whole thing

0:26:51.680 --> 0:26:55.119
<v Speaker 1>feels weird? It does feel weird when she's telling them,

0:26:55.119 --> 0:26:58.040
<v Speaker 1>tells them that she's going to the theater program and

0:26:58.119 --> 0:27:00.520
<v Speaker 1>all of that, Like it is weird to go to Minnesota.

0:27:00.600 --> 0:27:01.919
<v Speaker 1>If that's what you want to do when you're in

0:27:02.080 --> 0:27:05.360
<v Speaker 1>l A and you want to be an actress. M hmm.

0:27:06.240 --> 0:27:09.280
<v Speaker 1>And it was weird to how they were all pushing

0:27:09.359 --> 0:27:13.720
<v Speaker 1>so hard and and if she I don't know, she

0:27:13.800 --> 0:27:16.760
<v Speaker 1>says that she's the Brenda from Beverly Hills, like she

0:27:17.000 --> 0:27:22.480
<v Speaker 1>just moved there, like what And also, right, let's think

0:27:22.520 --> 0:27:26.560
<v Speaker 1>about this, right, Okay, So they're all asking her a

0:27:26.600 --> 0:27:30.280
<v Speaker 1>million questions about herself. There's nothing people don't love more

0:27:30.600 --> 0:27:33.600
<v Speaker 1>than talking about themselves, even if it's about Beverly Hills,

0:27:33.680 --> 0:27:37.520
<v Speaker 1>especially Brenda. Right, So I was like, this doesn't really track,

0:27:37.800 --> 0:27:41.360
<v Speaker 1>Like why is she so snappish? Wouldn't she just be like,

0:27:41.560 --> 0:27:45.120
<v Speaker 1>here's all the stories and be like fun and social.

0:27:46.680 --> 0:27:49.240
<v Speaker 1>She was so bitter about she was kind of standoffish

0:27:49.280 --> 0:27:53.360
<v Speaker 1>with the with the Minnesota girls, right, like that's kind

0:27:53.400 --> 0:27:58.000
<v Speaker 1>of cousin, You're right same. She just felt out of place,

0:27:58.080 --> 0:28:01.600
<v Speaker 1>like she felt like she'd probably changed a lot going

0:28:01.680 --> 0:28:04.760
<v Speaker 1>to living in Beverly Hills and being in that environment,

0:28:04.880 --> 0:28:09.320
<v Speaker 1>and she's I mean not the same person because we

0:28:09.520 --> 0:28:13.520
<v Speaker 1>changed so much, especially in those young years. So she's

0:28:13.520 --> 0:28:15.680
<v Speaker 1>coming back to a place where she was as a kid.

0:28:15.880 --> 0:28:18.960
<v Speaker 1>On she says that classic line like the house looks

0:28:19.000 --> 0:28:23.959
<v Speaker 1>so much smaller than I remember it, and like, you know,

0:28:24.119 --> 0:28:27.320
<v Speaker 1>she's she's kind of coming to terms with like my

0:28:27.480 --> 0:28:32.640
<v Speaker 1>childhood is, that's in my past. It's just not the same,

0:28:32.720 --> 0:28:35.399
<v Speaker 1>even though I'm trying to make it the same. You

0:28:35.400 --> 0:28:37.639
<v Speaker 1>can never go home again, as they say, like she

0:28:37.760 --> 0:28:43.040
<v Speaker 1>wants to go home and escape all this Beverly Hills.

0:28:43.160 --> 0:28:45.800
<v Speaker 1>But I still was like, Okay, you guys are like

0:28:45.840 --> 0:28:48.280
<v Speaker 1>movie stars, right, your movie stars, and you like being

0:28:48.280 --> 0:28:50.480
<v Speaker 1>movie stars. So like when people come up to you

0:28:50.520 --> 0:28:54.000
<v Speaker 1>and they're like, hey Jenny, like hey Tory, like tell

0:28:54.040 --> 0:28:58.320
<v Speaker 1>me everything about yourselves, that's a compliment, right, But if

0:28:58.360 --> 0:29:00.240
<v Speaker 1>you're trying to fit back in with people that you

0:29:00.280 --> 0:29:02.760
<v Speaker 1>feel you don't fit in with anymore, because you've moved

0:29:02.800 --> 0:29:05.560
<v Speaker 1>on with your lives, like you don't want you just

0:29:05.600 --> 0:29:06.960
<v Speaker 1>want to fit back in and you don't want to

0:29:07.000 --> 0:29:12.880
<v Speaker 1>like be different stand out. Yeah, fair, fair point. And

0:29:13.080 --> 0:29:16.800
<v Speaker 1>she probably is really missing it and you know, second

0:29:16.840 --> 0:29:19.760
<v Speaker 1>guessing her decision to be there and feeling weird about

0:29:19.800 --> 0:29:22.240
<v Speaker 1>it herself, so she just doesn't even want to talk

0:29:22.280 --> 0:29:25.960
<v Speaker 1>about it. Oh that's a great point, because it's making

0:29:26.000 --> 0:29:30.520
<v Speaker 1>her more sad. Is it weird that both her parents

0:29:30.520 --> 0:29:35.120
<v Speaker 1>don't go that. When when Jim gives her that hug

0:29:35.160 --> 0:29:37.320
<v Speaker 1>in the bedroom and she says goodbye to her bedroom,

0:29:38.480 --> 0:29:41.880
<v Speaker 1>I almost lost it because that's the hardest thing ever

0:29:41.920 --> 0:29:43.960
<v Speaker 1>when a parent has to send their kid to college,

0:29:45.160 --> 0:29:47.479
<v Speaker 1>when their kid moves out, when they're all grown up

0:29:47.480 --> 0:29:50.920
<v Speaker 1>and they move out. But couldn't Jim have taken a

0:29:50.960 --> 0:29:55.520
<v Speaker 1>couple of days off to what was above her bed?

0:29:55.600 --> 0:29:59.120
<v Speaker 1>You guys, it looked like which is broomsticks? It was

0:29:59.160 --> 0:30:04.840
<v Speaker 1>like a paris probably like yeah, okay, you know, like

0:30:04.880 --> 0:30:07.800
<v Speaker 1>a dead flower thing. I love that y'all looked at

0:30:07.880 --> 0:30:14.280
<v Speaker 1>that scene from a mother's eyes, like yeah. I looked

0:30:14.320 --> 0:30:16.600
<v Speaker 1>at it like, wow, she's got a lot of stuffies

0:30:16.640 --> 0:30:19.400
<v Speaker 1>in that room. And you know how I saw it.

0:30:19.440 --> 0:30:21.160
<v Speaker 1>I was like, how did she pick that one to

0:30:21.200 --> 0:30:22.640
<v Speaker 1>go with her? And why would she leave the rest

0:30:22.640 --> 0:30:28.200
<v Speaker 1>of not pick them as well? Through it, we've gotten

0:30:28.200 --> 0:30:31.760
<v Speaker 1>to this part in the program yet No for any

0:30:31.800 --> 0:30:34.160
<v Speaker 1>of our listeners out there that have just sent their

0:30:34.240 --> 0:30:37.920
<v Speaker 1>kids off to college, it is excruciatingly painful. It's like

0:30:37.960 --> 0:30:41.640
<v Speaker 1>the worst thing they could ever do to you grow

0:30:41.760 --> 0:30:46.480
<v Speaker 1>up and leave. It's the worst. But I love that

0:30:46.520 --> 0:30:50.360
<v Speaker 1>you're seeing you're watching this show right, and you're not

0:30:50.440 --> 0:30:56.560
<v Speaker 1>seeing it from Brenda's perspective. You're like Carol. Why for

0:30:56.640 --> 0:30:59.640
<v Speaker 1>some reason that's her name? Right? What we're about to

0:30:59.680 --> 0:31:07.840
<v Speaker 1>say Cindy, Cindy engine your letters, do not email me

0:31:08.280 --> 0:31:10.440
<v Speaker 1>that I'm an idiot. I was like, why did I

0:31:10.440 --> 0:31:13.040
<v Speaker 1>just call her Carol? Cindy got a new haircut too,

0:31:13.080 --> 0:31:17.040
<v Speaker 1>but like you're looking at it as Cindy. Yeah, thanks

0:31:17.040 --> 0:31:20.200
<v Speaker 1>for pointing that out. But it's like I get because

0:31:20.200 --> 0:31:22.480
<v Speaker 1>I don't have kids, so that didn't occur to me.

0:31:22.800 --> 0:31:25.400
<v Speaker 1>Like I was more, I don't know. I I think

0:31:25.400 --> 0:31:28.640
<v Speaker 1>I'm watching it as a teenage Yeah. I find myself

0:31:28.680 --> 0:31:30.240
<v Speaker 1>doing that a lot when I watched a show back

0:31:30.240 --> 0:31:33.120
<v Speaker 1>now is looking at it from the parents perspective because

0:31:33.640 --> 0:31:36.800
<v Speaker 1>I'm old now and it's just different. Well, then, what

0:31:36.840 --> 0:31:38.560
<v Speaker 1>do you think about the fact that Donna is going

0:31:38.600 --> 0:31:43.400
<v Speaker 1>to live with her boyfriend? I would definitely encourage Donna

0:31:43.480 --> 0:31:49.000
<v Speaker 1>to not tell Celeste is that her name Felicity Felice?

0:31:50.120 --> 0:31:55.440
<v Speaker 1>What's your Felice Felice? Sorry, Celeste is aware and she

0:31:55.520 --> 0:32:00.080
<v Speaker 1>said no, she no, You said, yeah, you did that

0:32:00.440 --> 0:32:02.479
<v Speaker 1>David was going to be living there, said she didn't

0:32:02.520 --> 0:32:05.240
<v Speaker 1>want her to live with Davidka, she did. That's why

0:32:05.280 --> 0:32:09.440
<v Speaker 1>you didn't tell her? Got it? Got it? Okay? I

0:32:09.520 --> 0:32:12.680
<v Speaker 1>mean that is just a big step for her daughna

0:32:12.760 --> 0:32:15.280
<v Speaker 1>to be moving in with David. It's your fault, but

0:32:15.320 --> 0:32:18.200
<v Speaker 1>it's your fault that you did this because it's Kelly's brother.

0:32:18.480 --> 0:32:21.560
<v Speaker 1>I was shocked, Like I'm literally standing there and You're like,

0:32:21.640 --> 0:32:25.080
<v Speaker 1>we'll take it, and I was like, what the heck?

0:32:25.160 --> 0:32:27.800
<v Speaker 1>My best friend just did what? I was so mad

0:32:27.840 --> 0:32:31.760
<v Speaker 1>at you. Goody, sorry, but we have so much fun

0:32:33.760 --> 0:32:36.960
<v Speaker 1>and I'm assuming we'll get to side, like we'll hide

0:32:37.040 --> 0:32:39.120
<v Speaker 1>him and stuff from your mom. That's gonna be. It's

0:32:39.160 --> 0:32:42.280
<v Speaker 1>gonna be like bosom buddies, right or is it? I

0:32:42.320 --> 0:32:46.000
<v Speaker 1>don't know that apartment would be today? What do we

0:32:46.040 --> 0:32:51.840
<v Speaker 1>think a month for three bedrooms on three bedrooms on

0:32:51.840 --> 0:32:56.480
<v Speaker 1>on the beach? No way more really three? I don't

0:32:56.520 --> 0:33:00.600
<v Speaker 1>know you guys like a monthly rent, I'm going ten

0:33:00.600 --> 0:33:05.480
<v Speaker 1>thousand a month. I'd go more, yeah, right, fifteen grand

0:33:05.520 --> 0:33:09.440
<v Speaker 1>a month maybe? So Like here's my question, though, how

0:33:09.520 --> 0:33:14.400
<v Speaker 1>the heck far is this beach apartment from California University? Where? Right?

0:33:15.640 --> 0:33:17.680
<v Speaker 1>This is going to be a long as commute people,

0:33:17.960 --> 0:33:21.480
<v Speaker 1>It's in Westwood very far again your fault. You were

0:33:21.520 --> 0:33:29.040
<v Speaker 1>like Malibu Beach. When is the beach house not supposed

0:33:29.040 --> 0:33:31.680
<v Speaker 1>to be in Manhattan Beach. No, it's just be in Malibu. Oh,

0:33:31.720 --> 0:33:34.800
<v Speaker 1>it's supposed to be in Malibu. I didn't get that

0:33:35.760 --> 0:33:51.880
<v Speaker 1>good to know. So Cutlets, let's talk about Cutlets. He's

0:33:52.000 --> 0:33:55.280
<v Speaker 1>Michael Cutlets. Yeah, so he's what's I think he's Tony

0:33:55.400 --> 0:33:59.440
<v Speaker 1>Tony Tony going to Arizona's sad. He's sad because he

0:33:59.560 --> 0:34:01.880
<v Speaker 1>says I'm in love with the girl I'll never have

0:34:02.040 --> 0:34:05.400
<v Speaker 1>sex with Dud's Like, I know what you mean, man.

0:34:05.960 --> 0:34:08.480
<v Speaker 1>I love Tori be popping around at the party like

0:34:08.480 --> 0:34:11.360
<v Speaker 1>they flashed the Tory eating some cheese it's or whatever.

0:34:12.600 --> 0:34:15.279
<v Speaker 1>Hell yeah, and that in that dress. I was just

0:34:15.640 --> 0:34:18.759
<v Speaker 1>loving every second of seeing me eat. The phone call

0:34:18.800 --> 0:34:21.200
<v Speaker 1>with you, I thought that was a brilliant phone call.

0:34:22.239 --> 0:34:25.759
<v Speaker 1>I thought I was so natural on that call. I

0:34:25.800 --> 0:34:28.720
<v Speaker 1>was so proud of myself. Phone calls always made me nervous,

0:34:28.760 --> 0:34:30.680
<v Speaker 1>especially when I was younger, because there's really no one

0:34:30.680 --> 0:34:34.839
<v Speaker 1>on the other line. And great, I did great, and

0:34:34.840 --> 0:34:36.960
<v Speaker 1>I like eating and didn't care how I looked, and

0:34:37.040 --> 0:34:40.640
<v Speaker 1>like like, oh, I just want that picture of me

0:34:40.760 --> 0:34:44.600
<v Speaker 1>forever in my mind. So our phone call is fully fake.

0:34:44.680 --> 0:34:46.680
<v Speaker 1>There's not like even just like a producer or like

0:34:47.080 --> 0:34:52.200
<v Speaker 1>some person going well back then, no like nowadays, if

0:34:52.239 --> 0:34:54.080
<v Speaker 1>you're on set with an actor, like they can actually

0:34:54.080 --> 0:34:56.480
<v Speaker 1>have the actor like call on your cell phone and

0:34:57.120 --> 0:35:00.440
<v Speaker 1>read it off camera. I don't think I've ever had, really,

0:35:03.040 --> 0:35:05.839
<v Speaker 1>but it could. It could happen. It's usually just read

0:35:05.840 --> 0:35:09.440
<v Speaker 1>by somebody like script supervisor or somebody somebody behind the

0:35:09.440 --> 0:35:15.120
<v Speaker 1>scenes reads the off camera lines of the timing. Oh

0:35:15.200 --> 0:35:17.400
<v Speaker 1>my god, I'm learning so much. I have pages and pages.

0:35:17.440 --> 0:35:19.759
<v Speaker 1>We must keep going, Okay, we must, we must. Does

0:35:19.800 --> 0:35:26.080
<v Speaker 1>anyone find it surprising that Donna clearly isn't drinking and

0:35:26.200 --> 0:35:32.239
<v Speaker 1>somebody else said no Andrea. Andrea drinks starr with a

0:35:32.239 --> 0:35:36.279
<v Speaker 1>beer with a napkin around it. Huh, she seems, And

0:35:36.320 --> 0:35:39.239
<v Speaker 1>she drank on the prom see you know what good for? Well,

0:35:39.239 --> 0:35:42.799
<v Speaker 1>she's old enough, so she's actually the only legal one.

0:35:43.480 --> 0:35:46.799
<v Speaker 1>But yeah, I thought it was kind of well, as

0:35:46.800 --> 0:35:50.160
<v Speaker 1>soon as the parents left the beach house, they're like,

0:35:50.600 --> 0:35:55.160
<v Speaker 1>time to party. I like that moment, but I don't.

0:35:55.200 --> 0:35:58.000
<v Speaker 1>I thought it was maybe Kelly just had jet lags

0:35:58.000 --> 0:35:59.880
<v Speaker 1>so she didn't want to drink and Donna's certainly not

0:36:00.000 --> 0:36:01.759
<v Speaker 1>going to drink because she's just you know, And in

0:36:01.800 --> 0:36:03.920
<v Speaker 1>my mind, I was like, why is Donna not drinking?

0:36:04.040 --> 0:36:07.360
<v Speaker 1>I totally forgot what just have forgot about the prom

0:36:07.440 --> 0:36:12.320
<v Speaker 1>back way girl. Then once again I thought, Brandon slash

0:36:12.400 --> 0:36:15.480
<v Speaker 1>Jason Priestley, Oh my god, when he comes out of

0:36:15.480 --> 0:36:20.279
<v Speaker 1>the water, god, oh my god. You season four is

0:36:20.320 --> 0:36:22.799
<v Speaker 1>like me watching him season one. Back with you guys.

0:36:22.840 --> 0:36:25.120
<v Speaker 1>We're going to make a b roll of just him

0:36:25.840 --> 0:36:30.600
<v Speaker 1>in slow motion. He need to watch. I love the

0:36:30.600 --> 0:36:33.080
<v Speaker 1>eighties to core. I think I just loved the nostalgia.

0:36:33.960 --> 0:36:36.359
<v Speaker 1>I don't know, I just was obsessed with every single thing.

0:36:36.360 --> 0:36:41.920
<v Speaker 1>They're humongous sneakers. Did you guys notice that no like

0:36:42.000 --> 0:36:45.120
<v Speaker 1>Hi tops? What do you mean? Just not only Hi?

0:36:45.440 --> 0:36:51.080
<v Speaker 1>Just like clunky, clunky big? Brandon and Steve are wearing

0:36:51.280 --> 0:36:58.239
<v Speaker 1>shorts with the biggest clown shoes I've ever seen. I

0:36:58.280 --> 0:37:01.560
<v Speaker 1>don't know. But that they trashed that house Man first night.

0:37:01.840 --> 0:37:04.960
<v Speaker 1>That was it. Yeah, That's this is why I don't

0:37:05.000 --> 0:37:09.239
<v Speaker 1>have parties, because the best show probably I can't handle it.

0:37:10.400 --> 0:37:12.399
<v Speaker 1>Did that make you uncomfortable? And then then then they

0:37:12.600 --> 0:37:15.600
<v Speaker 1>like watching celest in the kitchen just kind of walking

0:37:15.640 --> 0:37:18.000
<v Speaker 1>around the mess, like she just steps right over some

0:37:18.040 --> 0:37:20.879
<v Speaker 1>crap on the floor, pick it up. She's like, it's

0:37:20.960 --> 0:37:25.400
<v Speaker 1>about to pick that up. I also thought, Okay, I

0:37:25.400 --> 0:37:28.560
<v Speaker 1>mean I remember being eighteen, and I don't remember the

0:37:28.640 --> 0:37:32.279
<v Speaker 1>day after the party anyone being like the hostess with

0:37:32.320 --> 0:37:34.719
<v Speaker 1>the mostest and being like, would you like some coffee

0:37:34.840 --> 0:37:37.320
<v Speaker 1>and then serving it in like a delicate little that

0:37:37.400 --> 0:37:41.799
<v Speaker 1>was way too adult be on and he's drinking out

0:37:41.800 --> 0:37:48.840
<v Speaker 1>of that like teacup china happening. I don't know. I

0:37:48.920 --> 0:37:52.239
<v Speaker 1>felt comfort in the fact that, um, even though they

0:37:52.239 --> 0:37:54.120
<v Speaker 1>went to Malibu in the beginning of the show and

0:37:54.160 --> 0:37:56.520
<v Speaker 1>we see see Malibu, we could also still see the

0:37:56.560 --> 0:38:01.400
<v Speaker 1>boom in just about every shot. Tell I felt really comforted.

0:38:01.600 --> 0:38:04.879
<v Speaker 1>Did you watch it on your phone or it's hard

0:38:04.880 --> 0:38:09.160
<v Speaker 1>to see? Yeah, it's outside, it's it's on the beach.

0:38:09.719 --> 0:38:11.960
<v Speaker 1>It's I don't know how they go, like you see

0:38:12.000 --> 0:38:14.480
<v Speaker 1>the furry boom come in black furry boom. We need

0:38:14.480 --> 0:38:16.600
<v Speaker 1>to give it like its own credit. So I know

0:38:16.680 --> 0:38:18.080
<v Speaker 1>we touched on it, But can you guys talk a

0:38:18.120 --> 0:38:20.600
<v Speaker 1>little bit more about your thoughts on Gil and Zuckerman, Like,

0:38:20.719 --> 0:38:23.239
<v Speaker 1>first of all, the fact that he calls Zuckerman. They

0:38:23.239 --> 0:38:28.320
<v Speaker 1>had gotten like a tiff. It's just it's so it

0:38:28.360 --> 0:38:31.520
<v Speaker 1>felt very written and forced because I don't get it,

0:38:31.760 --> 0:38:35.919
<v Speaker 1>like why why why that scene? Well, I gotta be honest,

0:38:35.960 --> 0:38:37.799
<v Speaker 1>you know, sometimes when I'm born in a scene, I

0:38:38.040 --> 0:38:40.279
<v Speaker 1>might fast forward. So I was like, did I miss

0:38:40.320 --> 0:38:45.319
<v Speaker 1>something last season? It didn't seem like to me this

0:38:45.520 --> 0:38:48.640
<v Speaker 1>it seemed like the show got letters or something. This

0:38:48.760 --> 0:38:50.680
<v Speaker 1>is totally made up. I'm making this up. That's how

0:38:50.719 --> 0:38:54.640
<v Speaker 1>I felt the show got letters, like hey, Gil's creepy

0:38:54.840 --> 0:38:57.200
<v Speaker 1>or something like that. And then so they have to

0:38:57.280 --> 0:38:59.759
<v Speaker 1>do this to give us the scene to know he

0:38:59.800 --> 0:39:02.399
<v Speaker 1>has a fiance and he's not creepy, Like, I don't

0:39:02.400 --> 0:39:11.440
<v Speaker 1>know why, Yeah, you guys just tell me. Was she

0:39:11.520 --> 0:39:16.080
<v Speaker 1>pining for him last season? No? Okay, she was pining

0:39:16.080 --> 0:39:19.359
<v Speaker 1>for Brandon, So why were like, Oh, I know who

0:39:19.440 --> 0:39:21.160
<v Speaker 1>lives down the beach, I know why you're going on

0:39:21.160 --> 0:39:23.080
<v Speaker 1>a walk by the lab. Why would they have given

0:39:23.120 --> 0:39:25.840
<v Speaker 1>her a bad time? So I immediately when I heard that,

0:39:25.880 --> 0:39:28.360
<v Speaker 1>I was like, oh, shoot, did I miss something last season?

0:39:28.440 --> 0:39:31.240
<v Speaker 1>Was she like the hots for him? Yeah? I always

0:39:31.239 --> 0:39:33.719
<v Speaker 1>felt like they had a strange relationship, but right, not

0:39:33.760 --> 0:39:36.640
<v Speaker 1>like everyone knew to be like I never got that

0:39:36.760 --> 0:39:41.840
<v Speaker 1>vibe weird Jordan's bond or two like the most And

0:39:41.920 --> 0:39:44.040
<v Speaker 1>she didn't go there once. She went there twice, like

0:39:44.080 --> 0:39:49.879
<v Speaker 1>she tralped down the beach twice? What does that even mean?

0:39:49.920 --> 0:39:53.600
<v Speaker 1>I don't know, but it's like not a gallop, not

0:39:53.719 --> 0:39:56.279
<v Speaker 1>a trap, it's a trollop. Wait, isn't a trollop me

0:39:56.280 --> 0:39:59.839
<v Speaker 1>in a horror? Oh well there's that. I think you're

0:40:00.120 --> 0:40:03.399
<v Speaker 1>trall up? Gotcha? Gotcha? She was trall up? And so

0:40:03.480 --> 0:40:08.600
<v Speaker 1>do we think she went there to kiss Gil what?

0:40:08.880 --> 0:40:13.000
<v Speaker 1>She definitely wanted to see him, but she came in

0:40:13.040 --> 0:40:16.000
<v Speaker 1>with a strut with to like she wanted to talk

0:40:16.040 --> 0:40:19.720
<v Speaker 1>to her mentor like you know, somebody that really knew

0:40:19.760 --> 0:40:25.239
<v Speaker 1>her academic abilities, to kind of feel like feel out

0:40:25.280 --> 0:40:27.080
<v Speaker 1>the waters, like have I made a huge mistake by

0:40:27.080 --> 0:40:29.800
<v Speaker 1>not going to yell? Or is this going to be okay?

0:40:30.520 --> 0:40:35.239
<v Speaker 1>And and also he was kind of disappointed in her. Yeah,

0:40:35.239 --> 0:40:37.920
<v Speaker 1>they got He got so feisty, which made her want

0:40:37.920 --> 0:40:40.640
<v Speaker 1>to come back for more, like I feel like he asked.

0:40:40.640 --> 0:40:42.280
<v Speaker 1>I feel like she didn't come in with that purpose

0:40:42.320 --> 0:40:45.240
<v Speaker 1>of being like I gotta tell you something. She was like, well,

0:40:45.800 --> 0:40:49.000
<v Speaker 1>I don't know if I'll know, like he had to

0:40:49.080 --> 0:40:51.759
<v Speaker 1>kind of like bring it out of her that she

0:40:51.840 --> 0:40:56.680
<v Speaker 1>wasn't going to yell. And then he's then we go

0:40:56.760 --> 0:40:58.000
<v Speaker 1>to the second round. He says, do you want to

0:40:58.000 --> 0:41:01.000
<v Speaker 1>stay for lunch? We're having tuna or something. And then

0:41:01.719 --> 0:41:05.759
<v Speaker 1>i was like, they get up off her tuna and

0:41:06.280 --> 0:41:08.080
<v Speaker 1>I'm like, are they gonna up? What is going on?

0:41:08.440 --> 0:41:11.879
<v Speaker 1>And then she says, is that your chef? Okay? First

0:41:11.880 --> 0:41:15.880
<v Speaker 1>of all, what this dude chef? Now he lives in Malboon,

0:41:15.960 --> 0:41:19.160
<v Speaker 1>has his own chef, right, so tell me what teacher

0:41:19.400 --> 0:41:23.120
<v Speaker 1>is affording a fifteen million dollar house on the beach

0:41:23.400 --> 0:41:26.520
<v Speaker 1>in Malibu. Also trying to figure it out, like he's

0:41:26.560 --> 0:41:30.520
<v Speaker 1>got to have some some family money or something. His

0:41:30.600 --> 0:41:36.720
<v Speaker 1>grandmother's house, Yeah, exactly sure, and then his fiance's house.

0:41:37.880 --> 0:41:41.040
<v Speaker 1>Now it's all making sense. At the bomb drop about

0:41:41.040 --> 0:41:47.239
<v Speaker 1>the fielance, I don't know. Some shout out, some shoutouts

0:41:47.800 --> 0:41:51.920
<v Speaker 1>Hard Rock Cafe gotta shout out respect, Tunetown, got a

0:41:52.000 --> 0:41:57.080
<v Speaker 1>shout out, Tom Cruise, gotta shout out Bruce Willis, Rob Reiner,

0:41:57.239 --> 0:42:05.040
<v Speaker 1>Diana Ross Plan at Hollywood, very very current cutting. Did

0:42:05.040 --> 0:42:08.800
<v Speaker 1>you guys think that um Kelly's hair looked red. Okay,

0:42:08.800 --> 0:42:10.440
<v Speaker 1>So this goes back to what I was telling you

0:42:10.520 --> 0:42:13.040
<v Speaker 1>towards the end of last season, where it started to

0:42:13.080 --> 0:42:16.920
<v Speaker 1>have some warm hues in it was this, Okay, did

0:42:16.960 --> 0:42:19.520
<v Speaker 1>we have a break? Like? Was there? We had a

0:42:19.520 --> 0:42:22.040
<v Speaker 1>break in filming, we had time off, so I probably

0:42:22.280 --> 0:42:25.319
<v Speaker 1>I did go once to do a movie and dyed

0:42:25.360 --> 0:42:27.360
<v Speaker 1>my hair red. So I'm wondering if that was it

0:42:27.960 --> 0:42:30.879
<v Speaker 1>and they couldn't get it back to black, that could

0:42:30.880 --> 0:42:34.560
<v Speaker 1>be interesting. I did not care for. It's almost like

0:42:34.560 --> 0:42:40.440
<v Speaker 1>strawberry blonde ish. There was a cute melrose Place shout

0:42:40.440 --> 0:42:46.000
<v Speaker 1>out too. What do you guys think of Jill? Jill,

0:42:47.160 --> 0:42:50.640
<v Speaker 1>Jill from New York with her New York bagels? Jill?

0:42:50.760 --> 0:42:53.080
<v Speaker 1>Is she going to be on again? Is she going

0:42:53.120 --> 0:42:56.759
<v Speaker 1>to be Brandon's new girlfriend? What do you mean she's

0:42:57.360 --> 0:43:01.879
<v Speaker 1>on again? She's definitely on again. I don't know, well,

0:43:02.120 --> 0:43:04.600
<v Speaker 1>I don't know, but she just she came out of nowhere,

0:43:05.080 --> 0:43:09.200
<v Speaker 1>literally like a cannon. Mas was a cannon Mas. And

0:43:09.239 --> 0:43:12.319
<v Speaker 1>that that was the weirdest, most awkward standoff for so

0:43:12.360 --> 0:43:19.480
<v Speaker 1>long with the mace. That was and then and then

0:43:19.520 --> 0:43:23.000
<v Speaker 1>I noticed when finally Steve comes in and he breaks

0:43:23.040 --> 0:43:25.680
<v Speaker 1>it up and Brandon walks by her and he goes

0:43:25.719 --> 0:43:29.200
<v Speaker 1>like this, like like he's gonna hit her, Like like

0:43:29.320 --> 0:43:33.560
<v Speaker 1>he's going to hit a girl. Wait, Jen, did Luke

0:43:33.640 --> 0:43:39.239
<v Speaker 1>maybe you pepper spray for Christmas one year? Probably? Why?

0:43:39.320 --> 0:43:42.200
<v Speaker 1>But I guess the cannon Mas just reminded me that

0:43:42.239 --> 0:43:45.120
<v Speaker 1>I was like that he gave I think he gave

0:43:45.160 --> 0:43:47.239
<v Speaker 1>all the girls pepper spray for Christmas one year, and

0:43:47.280 --> 0:43:48.959
<v Speaker 1>I was so scared it was going to go off

0:43:48.960 --> 0:43:50.640
<v Speaker 1>that I was like hiding it at home and I

0:43:50.680 --> 0:43:54.520
<v Speaker 1>was terrified of it. Yeah. Anyway, before we go a

0:43:54.520 --> 0:43:58.280
<v Speaker 1>couple of fast things. Did you remember that your parents

0:43:58.280 --> 0:44:05.719
<v Speaker 1>are moving to Dion? No? Sure didn't. That's it. No,

0:44:05.840 --> 0:44:09.960
<v Speaker 1>they come back. Oh well, I mean they are moving

0:44:10.120 --> 0:44:14.040
<v Speaker 1>right now. Okay, do you know what happens, Well, I

0:44:14.080 --> 0:44:16.239
<v Speaker 1>know what happens eventually, Well, they come back. I don't

0:44:16.280 --> 0:44:20.279
<v Speaker 1>know they live there eventually because they have to move

0:44:20.360 --> 0:44:22.000
<v Speaker 1>back in my house so I can. He has his

0:44:22.080 --> 0:44:26.200
<v Speaker 1>heart tack and I'm on the floor. We didn't even

0:44:26.239 --> 0:44:34.160
<v Speaker 1>talk about Darla. Oh you know, let's let's have a

0:44:34.160 --> 0:44:35.879
<v Speaker 1>one on one with Darla and we'll talk it out.

0:44:35.920 --> 0:44:39.360
<v Speaker 1>Oh that's a perfect idea, perfect I mean, she's Darla

0:44:39.440 --> 0:44:42.960
<v Speaker 1>Hanson like she's been talked about for so long, it's

0:44:43.000 --> 0:44:50.440
<v Speaker 1>so true. Really has she? Ye? Oh yeah, Brenda's Darla

0:44:50.680 --> 0:44:55.000
<v Speaker 1>from Minnesota's her best friend. Because when at first I

0:44:55.040 --> 0:44:57.600
<v Speaker 1>was like, wait, is that the girl that Brandon was

0:44:57.640 --> 0:45:01.440
<v Speaker 1>with the beginning? But it wasn't. The other thing I like,

0:45:01.560 --> 0:45:06.399
<v Speaker 1>is okay? So he's clearly been flirting with Jill. Then

0:45:06.520 --> 0:45:09.920
<v Speaker 1>Jill admits she likes Brandon. Steve's like down with it,

0:45:10.000 --> 0:45:12.240
<v Speaker 1>and then he goes up to Celeste and says, hey, beautiful,

0:45:12.320 --> 0:45:15.880
<v Speaker 1>let's take a make it up. Because you think for

0:45:15.920 --> 0:45:18.640
<v Speaker 1>a second he thought he was gonna look up with Jill.

0:45:19.160 --> 0:45:22.480
<v Speaker 1>He well, he won, he said, I've always read but

0:45:22.560 --> 0:45:26.720
<v Speaker 1>like he say, Celeste now. But but Brandon was like, dude,

0:45:26.800 --> 0:45:28.799
<v Speaker 1>you look at every hot girl that walks by, Like,

0:45:29.640 --> 0:45:33.800
<v Speaker 1>how about banker in a relationship? Brandon was like, don't

0:45:34.080 --> 0:45:40.080
<v Speaker 1>mess this up, calling him out. Finally we talked. We talked.

0:45:40.120 --> 0:45:41.800
<v Speaker 1>We were all over the place in this podcast. We

0:45:41.840 --> 0:45:44.440
<v Speaker 1>talked about all the storylines, and we talked about the

0:45:44.440 --> 0:45:46.719
<v Speaker 1>fashion already, and we talked about do you guys have

0:45:46.719 --> 0:45:50.759
<v Speaker 1>any other favorite lines from the episode This is the

0:45:50.800 --> 0:45:56.480
<v Speaker 1>Bouncy nine, Why anyone Brandon gets the dress wrong and

0:45:56.520 --> 0:45:59.319
<v Speaker 1>he's like, this is a good nine, and he this

0:45:59.440 --> 0:46:01.640
<v Speaker 1>is a nine. Looks like a fun it's a bouncing nime.

0:46:01.800 --> 0:46:07.239
<v Speaker 1>Like I just I was amused right up the gate.

0:46:07.360 --> 0:46:10.399
<v Speaker 1>The whole thing was just amusing. I love it when

0:46:10.520 --> 0:46:13.640
<v Speaker 1>Steve and Brandon are in scenes together. They're funny together.

0:46:13.800 --> 0:46:16.839
<v Speaker 1>It's so cute, like the shots like when they come

0:46:16.880 --> 0:46:24.400
<v Speaker 1>in yeah thereforeheads. Yeah really that was so close, and

0:46:24.600 --> 0:46:31.680
<v Speaker 1>like I love time out of time for me? Wow.

0:46:33.280 --> 0:46:37.040
<v Speaker 1>Not Amy's starting season four strong. Not a complaint that

0:46:37.080 --> 0:46:39.399
<v Speaker 1>I'm just like raring to go, like I can't wait

0:46:39.440 --> 0:46:42.600
<v Speaker 1>for the next thing, Like, like, I definitely am intrigued.

0:46:42.640 --> 0:46:44.400
<v Speaker 1>I want to see what happens. But I wasn't like,

0:46:44.840 --> 0:46:49.120
<v Speaker 1>oh my gosh, how weird would it be really fast?

0:46:49.480 --> 0:46:51.840
<v Speaker 1>If when you're Luke Perry and you're like one of

0:46:51.880 --> 0:46:53.120
<v Speaker 1>the stars of the show and they're like, you've got

0:46:53.120 --> 0:46:55.840
<v Speaker 1>one scene, bro, one scene? Because he was probably filming

0:46:55.840 --> 0:46:58.480
<v Speaker 1>a feature film, and is he making eight seconds? I think?

0:46:58.520 --> 0:47:02.120
<v Speaker 1>So his hair is long? Did you see that shot

0:47:02.320 --> 0:47:07.040
<v Speaker 1>on the phone already made eight seconds? Really? Because remember

0:47:07.120 --> 0:47:10.160
<v Speaker 1>that was some wasn't there some tie into eight seconds

0:47:10.160 --> 0:47:14.000
<v Speaker 1>when that random horsewoman came and no, Anne was like

0:47:15.120 --> 0:47:20.560
<v Speaker 1>someone else said it, Jenny, do it and thank you

0:47:20.680 --> 0:47:25.560
<v Speaker 1>very much. Welcome. We needed that. What do you guys

0:47:25.600 --> 0:47:33.680
<v Speaker 1>give it? Not? Wow, she's been kind. Okay, fine, I'll

0:47:33.719 --> 0:47:36.239
<v Speaker 1>do a six too. I like rating them. This is

0:47:36.280 --> 0:47:39.239
<v Speaker 1>fun reading the episode that for season four, you'll be

0:47:39.239 --> 0:47:43.360
<v Speaker 1>like dancing with the stars. Hold up, let's score cards,

0:47:43.840 --> 0:47:46.319
<v Speaker 1>let's do that. Let's see that's up. Oh yeah, let's

0:47:46.360 --> 0:47:48.759
<v Speaker 1>let's do it with a bounty nine. Everybody can just

0:47:48.800 --> 0:47:50.359
<v Speaker 1>send me a ten. I'm always a ten out of ten.

0:47:51.560 --> 0:47:55.440
<v Speaker 1>That's what we love about you. Just the nostalgia. I mean,

0:47:55.480 --> 0:47:59.600
<v Speaker 1>I could have watched the PC scene just with my

0:48:00.040 --> 0:48:02.560
<v Speaker 1>knoculars trying to say, what else can I see? Like

0:48:02.640 --> 0:48:04.480
<v Speaker 1>I was, I did want them to spend more time

0:48:04.520 --> 0:48:07.200
<v Speaker 1>at the Malibou Roadhouse, which is gonna happen next week.

0:48:07.239 --> 0:48:13.640
<v Speaker 1>There's going to be more. I don't remember that. I

0:48:13.680 --> 0:48:18.879
<v Speaker 1>definitely Jill. Alright, well here's your marching orders, Season four,

0:48:19.040 --> 0:48:23.680
<v Speaker 1>episode two. What is it called? Girl from New York City?

0:48:23.840 --> 0:48:30.680
<v Speaker 1>I think Jill Fleming? So she is back? Okay, girls back.

0:48:33.160 --> 0:48:37.640
<v Speaker 1>Can't wait to see it. Thanks guys, hope you have

0:48:37.680 --> 0:48:40.640
<v Speaker 1>a great week. I love you. Bye.