1 00:00:03,440 --> 00:00:10,480 Speaker 1: With Jenny Garth and Tori Spelling. We're back from Vegas. 2 00:00:10,600 --> 00:00:15,600 Speaker 1: We survived. Vegas is not meant for old people. I 3 00:00:15,640 --> 00:00:19,640 Speaker 1: am still not okay. I'm not okay. Are you not okay? 4 00:00:19,960 --> 00:00:26,000 Speaker 1: I'm not no, I'm a little tired out. I'm not okay. 5 00:00:27,600 --> 00:00:31,080 Speaker 1: I don't believe Jenny. I can't believe you posted that picture. 6 00:00:31,680 --> 00:00:33,519 Speaker 1: Like I knew that that picture of it was in 7 00:00:33,520 --> 00:00:35,800 Speaker 1: our group text and I thought, oh, I'm not I 8 00:00:35,840 --> 00:00:38,120 Speaker 1: better not send this to anybody because there's no way 9 00:00:38,159 --> 00:00:44,280 Speaker 1: she'd ever post this. And then which one of you? Wait? 10 00:00:44,320 --> 00:00:48,600 Speaker 1: Which one? Jenny is just dead asleep, knocked out in hertha. 11 00:00:48,920 --> 00:00:51,559 Speaker 1: I love that one. But the best part about that 12 00:00:51,680 --> 00:00:56,320 Speaker 1: is I was acting, guys. I wasn't sleep and you 13 00:00:56,440 --> 00:00:58,680 Speaker 1: like the touch with the the nose like that. It 14 00:00:58,800 --> 00:01:05,480 Speaker 1: was so good, so good? Yeah, are you lying? I 15 00:01:05,520 --> 00:01:10,200 Speaker 1: felt for that. Look at us back for a fourth season. 16 00:01:10,240 --> 00:01:12,959 Speaker 1: Look what we have here? Oh it's a podcast. Sorry, 17 00:01:14,160 --> 00:01:19,040 Speaker 1: we have these special made little microphone m huggy things 18 00:01:19,160 --> 00:01:22,760 Speaker 1: because we're the real deal. Now, that's what I heard. 19 00:01:23,440 --> 00:01:26,000 Speaker 1: We've made it hard. Let us in. We got it. 20 00:01:26,040 --> 00:01:29,560 Speaker 1: We got it season four. Okay. Amy was saying that 21 00:01:29,600 --> 00:01:33,560 Speaker 1: everybody thinks this is the best best season, Like, is 22 00:01:33,560 --> 00:01:38,839 Speaker 1: that the case is? Does everybody the worldwide web? Season three? 23 00:01:38,880 --> 00:01:42,480 Speaker 1: They said that no, Season three was the second favorite. 24 00:01:42,840 --> 00:01:48,520 Speaker 1: Season four on many lists, is considered the best season. Good. Well, 25 00:01:48,760 --> 00:01:51,040 Speaker 1: you know, I've been asking for it for We've been 26 00:01:51,080 --> 00:01:52,960 Speaker 1: through three seasons now. I've been saying I can't wait 27 00:01:53,000 --> 00:01:56,080 Speaker 1: to season four the college years, and we got here. 28 00:01:56,120 --> 00:02:00,160 Speaker 1: In the first episode womp, wamp, I'm not excited. Yeah 29 00:02:00,520 --> 00:02:04,559 Speaker 1: you didn't, it was okay, I gotta be honest me either. 30 00:02:05,520 --> 00:02:09,840 Speaker 1: Brand I felt like, this is the big season opener. 31 00:02:09,919 --> 00:02:13,200 Speaker 1: I didn't really know. It felt like a season ender 32 00:02:13,280 --> 00:02:17,680 Speaker 1: instead of a season opener, but without the big fireworks 33 00:02:17,680 --> 00:02:22,280 Speaker 1: of the finale, Like it felt like mid season. Amy 34 00:02:22,639 --> 00:02:26,440 Speaker 1: doesn't agree with us, Amy, tell us why you loved it. 35 00:02:27,120 --> 00:02:30,320 Speaker 1: Everyone looks amazing, which I'll get into. Everyone looks amazing, 36 00:02:31,040 --> 00:02:37,000 Speaker 1: we have new people coming in, We've got like I 37 00:02:37,120 --> 00:02:39,800 Speaker 1: was like, this could be a show today. To me, 38 00:02:39,960 --> 00:02:44,480 Speaker 1: this was the best interesting beyond right now. Oh, I 39 00:02:44,520 --> 00:02:47,080 Speaker 1: was like, and I loved the nostalgia, so it was 40 00:02:47,160 --> 00:02:53,000 Speaker 1: almost like watching it now it's a current show taking 41 00:02:53,040 --> 00:02:57,919 Speaker 1: place in the nineties. Huh interesting. Oh, I loved every 42 00:02:57,919 --> 00:03:01,079 Speaker 1: secnd of it. Wow, do you? But do you think 43 00:03:01,120 --> 00:03:05,760 Speaker 1: you loved every second because you know what's coming? Who 44 00:03:05,800 --> 00:03:10,440 Speaker 1: almost there? Maybe I wanted to do this experiment. So 45 00:03:10,760 --> 00:03:16,120 Speaker 1: do we know anybody that's like, never watched the show? Yeah, 46 00:03:16,160 --> 00:03:19,400 Speaker 1: and I want to have them watch this episode and 47 00:03:19,440 --> 00:03:21,120 Speaker 1: see if they loved it. I literally thought of this 48 00:03:21,160 --> 00:03:24,200 Speaker 1: in the shower. If they love it as much as 49 00:03:24,280 --> 00:03:28,240 Speaker 1: I did, just as a show today, Okay, let's do it. 50 00:03:29,400 --> 00:03:32,440 Speaker 1: Find somebody if you were twenty out there listening to 51 00:03:32,440 --> 00:03:34,960 Speaker 1: our podcast, let us know, and you're watching the show 52 00:03:34,960 --> 00:03:38,000 Speaker 1: for the very first ever seen it. Yeah, you have 53 00:03:38,080 --> 00:03:40,640 Speaker 1: never seen it, and almost there's people, there's people there. 54 00:03:41,440 --> 00:03:43,880 Speaker 1: You didn't love it? Tell me everything. You didn't love it? 55 00:03:45,200 --> 00:03:48,800 Speaker 1: Just I just was. I didn't feel I felt underwhelmed. Yes, 56 00:03:49,160 --> 00:03:54,640 Speaker 1: thank it was like nothing special like Brenda's leaving, which 57 00:03:56,360 --> 00:03:58,440 Speaker 1: it does start with new opening credits. So wait, we 58 00:03:58,440 --> 00:04:01,520 Speaker 1: should intro this. It's Seas four, episode one, so long, 59 00:04:01,640 --> 00:04:08,720 Speaker 1: Farewell of the Same Goodbye, aired September eight. Synopsis. Brenda 60 00:04:08,760 --> 00:04:11,400 Speaker 1: heads off to college and is already regretting it. Kelly 61 00:04:11,400 --> 00:04:14,560 Speaker 1: comes back from Europe with some sad news. Brendan Brendan, 62 00:04:14,720 --> 00:04:20,040 Speaker 1: it says, Brendan here. It literally random in the synopsis 63 00:04:20,160 --> 00:04:21,800 Speaker 1: that you can find a line it is spelled. And 64 00:04:21,800 --> 00:04:24,359 Speaker 1: we have this ongoing thing that sometimes it sounds like 65 00:04:24,360 --> 00:04:31,120 Speaker 1: people are saying Brendan, It's spelled Brendan here without them. Okay. Anyway, Brandon, Brandon, 66 00:04:31,160 --> 00:04:33,520 Speaker 1: Steve are living the life at a beach house in Malibu, 67 00:04:33,520 --> 00:04:35,720 Speaker 1: while David is looking for somewhere to live. Celes is 68 00:04:35,760 --> 00:04:38,320 Speaker 1: getting jealous of Steve, and Andrea finds out Gil is 69 00:04:38,360 --> 00:04:43,200 Speaker 1: engaged out. Even the synopsis is boring, underwhelming talking about 70 00:04:43,400 --> 00:04:47,000 Speaker 1: first of all, the Gil Andrea I need to talk 71 00:04:47,000 --> 00:04:51,719 Speaker 1: about for days. It was so weirdly creepy. Yeah, he's creepy, 72 00:04:51,760 --> 00:04:54,320 Speaker 1: but I really like his freckles. And it makes sense 73 00:04:54,360 --> 00:04:56,360 Speaker 1: that he has those freckles because he lives on the beach, 74 00:04:56,400 --> 00:04:58,680 Speaker 1: which I still don't understand because he's a teacher, and 75 00:04:58,720 --> 00:05:01,280 Speaker 1: what teacher can afford to live on Malibu beach? I mean, 76 00:05:01,320 --> 00:05:04,400 Speaker 1: don't get me started. I wanted them to a family home, 77 00:05:04,839 --> 00:05:07,800 Speaker 1: did you guys? Yeah? I kind of did. I did too. Yeah. 78 00:05:08,440 --> 00:05:10,120 Speaker 1: I wanted something to happen. I was there for it. 79 00:05:10,480 --> 00:05:13,960 Speaker 1: I wanted something to happen, this something, and then he said, oh, 80 00:05:14,080 --> 00:05:18,919 Speaker 1: let me introduce you to my fiance. Yeah, okay, start 81 00:05:18,920 --> 00:05:20,440 Speaker 1: from the beginning. How do you guys feel about the 82 00:05:20,440 --> 00:05:22,800 Speaker 1: new credits? You like them? I don't know. They just 83 00:05:22,839 --> 00:05:28,200 Speaker 1: added in some some footage from the previous seasons. Right, Um, 84 00:05:28,240 --> 00:05:30,640 Speaker 1: my name is Jason Priestley, and I've never looked better. 85 00:05:30,760 --> 00:05:34,960 Speaker 1: Are you kidding me? Jason Priestley this episode season four? 86 00:05:35,000 --> 00:05:37,960 Speaker 1: He looks good. It looks good. But his hair looks 87 00:05:38,000 --> 00:05:41,600 Speaker 1: a little fuzzy right when we came. It's short. You know, 88 00:05:41,640 --> 00:05:43,599 Speaker 1: I don't like I don't like short, you know that. 89 00:05:44,480 --> 00:05:47,040 Speaker 1: But I did like his clothes. He looked super cute 90 00:05:47,040 --> 00:05:49,680 Speaker 1: in mouth he did. He was like, first of all, 91 00:05:50,520 --> 00:05:54,960 Speaker 1: the change the gold that change about that yellow shirt 92 00:05:55,080 --> 00:05:59,680 Speaker 1: on the beach, so cut, unbuttoned, and I'm like, we're 93 00:05:59,720 --> 00:06:06,400 Speaker 1: seeing more chest. I'm just like I was. Steve looked 94 00:06:06,400 --> 00:06:10,080 Speaker 1: great too, Steve, I am, Steve look great too. Cocon 95 00:06:10,120 --> 00:06:13,440 Speaker 1: out of his tank top. It was great aerials galore. 96 00:06:14,279 --> 00:06:17,200 Speaker 1: I know we all hold a special place for David 97 00:06:17,240 --> 00:06:19,560 Speaker 1: Silver in our hearts, but it looked like a pirate. 98 00:06:21,120 --> 00:06:24,520 Speaker 1: The ear ring was a tad too big. Remember that 99 00:06:24,600 --> 00:06:29,640 Speaker 1: was defensive, but remember that was very one ear ring. 100 00:06:29,680 --> 00:06:31,800 Speaker 1: Though it was it was there were there two ear rings? 101 00:06:31,839 --> 00:06:33,880 Speaker 1: Because wasn't there two for a while too? Bit there 102 00:06:33,960 --> 00:06:37,799 Speaker 1: was like I'm wearing I think I would have preferred 103 00:06:37,839 --> 00:06:45,360 Speaker 1: to I dottle bit, but I didn't. I did like 104 00:06:45,520 --> 00:06:48,479 Speaker 1: seeing like the Malibu of it all, Like that was 105 00:06:48,560 --> 00:06:50,480 Speaker 1: nice to get out of Beverly Hills for a minute. 106 00:06:51,480 --> 00:06:56,039 Speaker 1: Because they're just gonna skip over the beach Club. Okay, 107 00:06:56,040 --> 00:06:59,400 Speaker 1: why about that? Why so can you guys remember did 108 00:06:59,400 --> 00:07:01,800 Speaker 1: you not? When did this air? Again? Can you give 109 00:07:01,839 --> 00:07:04,520 Speaker 1: me that date one more time? In September eight? This 110 00:07:04,600 --> 00:07:06,800 Speaker 1: years to have been the first season you didn't air 111 00:07:06,839 --> 00:07:11,120 Speaker 1: in the summer. You went off in May, like and 112 00:07:11,200 --> 00:07:15,280 Speaker 1: you're back. So that's why we skipped over the beach Club. Well, 113 00:07:15,280 --> 00:07:18,680 Speaker 1: it's a big mother. It's so weird because Brenda's already 114 00:07:18,680 --> 00:07:21,200 Speaker 1: moved into her dorm room. I feel like we missed 115 00:07:21,240 --> 00:07:26,200 Speaker 1: the whole summer. Well, yeah, we we're coming in at 116 00:07:26,200 --> 00:07:30,360 Speaker 1: the end of summer, so we're seeing everybody and you're 117 00:07:30,400 --> 00:07:33,680 Speaker 1: getting back from Europe. Brenda's last night. I'm not mad 118 00:07:33,760 --> 00:07:35,840 Speaker 1: at it. I don't know what more I could have 119 00:07:35,880 --> 00:07:38,480 Speaker 1: done at the Beach Club because you're getting right into it. Yeah, 120 00:07:38,520 --> 00:07:40,200 Speaker 1: I guess you're right. I guess you're ready to go 121 00:07:40,320 --> 00:07:44,360 Speaker 1: back to the beach club. It was we upgraded to 122 00:07:44,440 --> 00:07:48,040 Speaker 1: Malibou Road, so it was okay, we get to know 123 00:07:48,160 --> 00:07:51,680 Speaker 1: that Andrea did her counseling there. If they even give 124 00:07:51,720 --> 00:07:56,000 Speaker 1: a shout out to uh the chief James Pickens Jr. 125 00:07:56,000 --> 00:07:57,600 Speaker 1: I think he was back. I think they gave a 126 00:07:57,680 --> 00:08:01,720 Speaker 1: name check to him, Penrith. We didn't. We didn't even 127 00:08:01,760 --> 00:08:04,480 Speaker 1: talk about the most important part, which of everything, what 128 00:08:04,520 --> 00:08:09,360 Speaker 1: Andrea's new hair do? Oh? I don't know, wait, I 129 00:08:10,240 --> 00:08:14,040 Speaker 1: when did that happen? I don't remember this. During summer break. 130 00:08:14,080 --> 00:08:17,080 Speaker 1: I think she got a haircut and a flat iron. 131 00:08:17,680 --> 00:08:22,720 Speaker 1: Apparently blowouts in the nineties they did. It was a 132 00:08:22,720 --> 00:08:24,560 Speaker 1: blowout because it was still a little round. But I 133 00:08:24,600 --> 00:08:30,240 Speaker 1: didn't recognize her when she walked in. I did. I 134 00:08:30,240 --> 00:08:35,040 Speaker 1: thought it ached her up a little bit, you did. Yeah, Yeah, 135 00:08:35,320 --> 00:08:38,040 Speaker 1: you're right, you're right. When she was walking on the 136 00:08:38,080 --> 00:08:40,360 Speaker 1: beach though, when she was tromping down the beach in 137 00:08:40,400 --> 00:08:43,320 Speaker 1: her little blue outfit going to meet up with Still 138 00:08:43,559 --> 00:08:46,760 Speaker 1: as I like to call him, uh she. I thought 139 00:08:46,760 --> 00:08:49,800 Speaker 1: that was a child. I did not know that was 140 00:08:49,840 --> 00:08:53,359 Speaker 1: Andrea from the back. I thought it was some kids, 141 00:08:54,440 --> 00:09:00,520 Speaker 1: very petite. Do you her back then? No, owing she 142 00:09:00,679 --> 00:09:05,599 Speaker 1: was older? I don't remember that. Did it did it 143 00:09:05,720 --> 00:09:08,040 Speaker 1: stand out as did it stand out as much as 144 00:09:08,080 --> 00:09:13,319 Speaker 1: it stands out now she looks significantly older. I feel 145 00:09:13,320 --> 00:09:16,480 Speaker 1: like I knew. I did we knew? But I mean 146 00:09:16,520 --> 00:09:19,199 Speaker 1: I think any means like in like when we were 147 00:09:19,240 --> 00:09:21,600 Speaker 1: doing scenes, was it like, Wow, she's just so much 148 00:09:21,600 --> 00:09:29,280 Speaker 1: older than us? It didn't feel that sometimes, okay, because 149 00:09:29,320 --> 00:09:34,800 Speaker 1: like imagine this, imagine this, take Donna and put her 150 00:09:34,840 --> 00:09:40,560 Speaker 1: in the Zuckerman scenes with gil Way creepier? Do you 151 00:09:40,559 --> 00:09:43,360 Speaker 1: know what I'm saying? They I'm imagining it right now, 152 00:09:43,400 --> 00:09:46,199 Speaker 1: and I'm into it. Did you know what when I'm 153 00:09:46,200 --> 00:09:49,280 Speaker 1: creepy anymore? Ever since I saw that he like supported Donna, 154 00:09:49,400 --> 00:09:53,440 Speaker 1: the Donna movement, I'm all about gil Myers now. So yeah, 155 00:09:53,520 --> 00:09:56,360 Speaker 1: I was very torn, like had they kissed, would it 156 00:09:56,400 --> 00:10:00,840 Speaker 1: have been okay? Because now she's graduating, not his student anymore, 157 00:10:01,640 --> 00:10:05,600 Speaker 1: and we're assuming she's eighteen, so it's okay. Yeah, Like 158 00:10:05,760 --> 00:10:10,080 Speaker 1: what were we supposed to feel confused? Because I didn't 159 00:10:10,120 --> 00:10:12,760 Speaker 1: see that fiance coming a mile away? I actually didn't 160 00:10:12,760 --> 00:10:16,080 Speaker 1: see that coming, and and she she doesn't come out 161 00:10:16,120 --> 00:10:20,080 Speaker 1: of the house. She's only allowed to stay inside, and 162 00:10:20,160 --> 00:10:24,040 Speaker 1: clearly Andrea was disappointed, like she clearly crushes on him. 163 00:10:24,400 --> 00:10:29,199 Speaker 1: You could see for a second she was like, Oh great, 164 00:10:28,600 --> 00:10:32,400 Speaker 1: wanted him. This is it. I guess, so I don't 165 00:10:32,400 --> 00:10:38,040 Speaker 1: think this is his last episode. Oh gosh. Brenda seemed 166 00:10:38,040 --> 00:10:40,680 Speaker 1: really mature though in this episode. I felt like she 167 00:10:42,600 --> 00:10:45,400 Speaker 1: from the very beginning, like when she was starting, you know, 168 00:10:45,480 --> 00:10:48,840 Speaker 1: talking about going and prepping on everything. I just felt 169 00:10:48,840 --> 00:10:52,920 Speaker 1: like she's had this maturity about her. I guess that's 170 00:10:52,960 --> 00:10:56,160 Speaker 1: what graduating from high school gets you. Is that our 171 00:10:56,240 --> 00:11:06,760 Speaker 1: first time meeting grandma? Yeah, and they just Grandma whatever name. Yeah, 172 00:11:06,800 --> 00:11:09,120 Speaker 1: but I'm just going to call her Grandma Walsh because 173 00:11:09,600 --> 00:11:15,560 Speaker 1: I don't know that name. Brenda cousin, Brenda Cousin. They 174 00:11:15,600 --> 00:11:18,600 Speaker 1: felt like out of like the and I felt like 175 00:11:18,640 --> 00:11:20,960 Speaker 1: they had to do that because were you guys for 176 00:11:21,000 --> 00:11:24,760 Speaker 1: a minute, like who's this check? Yeah, they had to 177 00:11:24,840 --> 00:11:28,320 Speaker 1: like say, but it's so weird because no nobody talks 178 00:11:28,360 --> 00:11:30,959 Speaker 1: like that unless they're on like Little House on the Prairiere, 179 00:11:31,080 --> 00:11:36,160 Speaker 1: yes exactly, or a vacation movie, one of those vacation 180 00:11:36,240 --> 00:11:39,920 Speaker 1: movies with the people exactly, Like I if I were 181 00:11:39,960 --> 00:11:43,080 Speaker 1: the writer. I would have had Cindy say we'll get 182 00:11:43,080 --> 00:11:46,079 Speaker 1: home early because you know, Nanna and your cousin are 183 00:11:46,080 --> 00:11:49,520 Speaker 1: picking us up, so then we wouldn't have needed like anything, 184 00:11:49,640 --> 00:11:52,560 Speaker 1: or maybe just have her say it. Once she kept 185 00:11:52,559 --> 00:11:57,120 Speaker 1: saying it, it was like, we got it. You're the cousin. 186 00:11:57,960 --> 00:11:59,599 Speaker 1: I don't want to be judging. I don't want to 187 00:11:59,600 --> 00:12:03,040 Speaker 1: be judge. But go ahead and try to Grandma's car. 188 00:12:06,200 --> 00:12:09,600 Speaker 1: What's wrong with it? That's a car for a grandma. 189 00:12:10,360 --> 00:12:15,240 Speaker 1: Would you want to drive a Corvette? It was so great? Okay, 190 00:12:15,280 --> 00:12:20,120 Speaker 1: so we're kind of going everywhere. Yeah, I'm sorry, okay. 191 00:12:21,520 --> 00:12:28,200 Speaker 1: Opening credits amazing, everyone looked so good. Next, did you 192 00:12:28,240 --> 00:12:35,760 Speaker 1: guys see the shot of Pierre do? Now? Do you 193 00:12:35,760 --> 00:12:37,319 Speaker 1: know what that is? Next thing? I'm gonna be all 194 00:12:37,360 --> 00:12:41,080 Speaker 1: over that. Yes, Pierre too. It's the famous like Prince 195 00:12:41,200 --> 00:12:46,160 Speaker 1: that like everyone had like like bags, like you would 196 00:12:46,160 --> 00:12:48,480 Speaker 1: have your makeup bag, your pencil bag in school? Pierre do? 197 00:12:48,720 --> 00:12:51,360 Speaker 1: Did you have your barney or like stuffed animal? Did 198 00:12:51,360 --> 00:12:54,200 Speaker 1: your mom get you the like Pierre do? Probably the 199 00:12:54,280 --> 00:12:58,480 Speaker 1: overnight bag? Like Jenny, do you have any idea what 200 00:12:58,480 --> 00:13:00,679 Speaker 1: we're talking about? If you saw you would know it. 201 00:13:01,920 --> 00:13:04,240 Speaker 1: So what's the modern version of it. Now it's it's 202 00:13:04,280 --> 00:13:10,120 Speaker 1: a female name. Um, it's a designer. Oh Lisa Frank. No, yes, 203 00:13:10,440 --> 00:13:17,200 Speaker 1: no pullets. Um there's one more. Yeah, Tory Birch. Nope, 204 00:13:19,160 --> 00:13:21,840 Speaker 1: I have no idea. Okay, So these people that don't 205 00:13:21,880 --> 00:13:24,640 Speaker 1: know they showed this shot, which I thought was so 206 00:13:24,720 --> 00:13:27,439 Speaker 1: interesting because they clearly showed it and like Pierre Do 207 00:13:27,600 --> 00:13:33,200 Speaker 1: paying them. Pierre Do was on Rodeo in that little 208 00:13:33,400 --> 00:13:36,480 Speaker 1: kind of in a sort quirky area of and they 209 00:13:36,520 --> 00:13:39,920 Speaker 1: had like Tori saying they had wallpaper, they had betting, 210 00:13:40,280 --> 00:13:43,760 Speaker 1: they had I think clothes, they had housewears and like 211 00:13:43,880 --> 00:13:49,120 Speaker 1: it was so popular then it was just it was 212 00:13:49,160 --> 00:13:52,600 Speaker 1: a print, not anything like I wish it was Lisa 213 00:13:52,640 --> 00:13:55,560 Speaker 1: Frank and be like fun and unicorns, and like it wasn't. 214 00:13:55,679 --> 00:13:59,240 Speaker 1: It was just very it was like not even floral. 215 00:13:59,400 --> 00:14:04,360 Speaker 1: It was like I would venture to say, Mrs Spelling 216 00:14:04,640 --> 00:14:10,880 Speaker 1: definitely shopped there. Uh, I'm gonna say, you're probably right. 217 00:14:13,320 --> 00:14:17,040 Speaker 1: So that started me off, I think with just I 218 00:14:17,120 --> 00:14:19,640 Speaker 1: loot so that I love that bh bu roll. I 219 00:14:19,680 --> 00:14:23,960 Speaker 1: love seeing the Beverly Hills all the things, and I'm 220 00:14:23,960 --> 00:14:27,520 Speaker 1: sure that everybody like across the globe that's what they 221 00:14:27,560 --> 00:14:30,040 Speaker 1: loved seeing the most was like, what does it look like? 222 00:14:30,160 --> 00:14:32,760 Speaker 1: What does Beverly Hills look like? Who goes there? What 223 00:14:32,840 --> 00:14:35,720 Speaker 1: do they wear? I think you're so hard because when 224 00:14:35,720 --> 00:14:38,880 Speaker 1: they were driving, when they were driving down PC, were 225 00:14:38,880 --> 00:14:40,720 Speaker 1: you guys not looking at everything? I was like that 226 00:14:40,840 --> 00:14:47,680 Speaker 1: Jack in the box. Yes, oh my gosh. Then then 227 00:14:47,720 --> 00:14:49,800 Speaker 1: they go to Malibu and you see some great Malibu 228 00:14:49,880 --> 00:14:53,440 Speaker 1: b roll too. I mean, for instance, the bureaull footage 229 00:14:53,440 --> 00:14:58,120 Speaker 1: of Luke of Dylan's in the ocean surfing, like they 230 00:14:58,120 --> 00:15:03,040 Speaker 1: have used that shot so many times again, that's one 231 00:15:03,040 --> 00:15:09,240 Speaker 1: of the main titles. Like that was I was a stunt. 232 00:15:09,280 --> 00:15:12,960 Speaker 1: Double watched not even him, watched it twice because I 233 00:15:13,000 --> 00:15:15,560 Speaker 1: was obsessed with them driving down PCG because for everyone 234 00:15:15,560 --> 00:15:18,760 Speaker 1: listening that was PC They really were driving. They drove 235 00:15:18,800 --> 00:15:21,320 Speaker 1: by the ducking box, they drove by the Malibu beach 236 00:15:21,360 --> 00:15:23,840 Speaker 1: in that has now been totally redone that was the 237 00:15:23,880 --> 00:15:27,240 Speaker 1: old one, the Malibu Pier. It really showed it all. 238 00:15:27,240 --> 00:15:28,920 Speaker 1: And then of course I got on the Google. Did 239 00:15:28,920 --> 00:15:31,680 Speaker 1: you guys googling the addresses that they were saying? No, 240 00:15:31,840 --> 00:15:36,120 Speaker 1: I didn't know. We do not do the things that 241 00:15:36,240 --> 00:15:40,720 Speaker 1: you do. Wow, Maybe that that's why I loved this 242 00:15:40,800 --> 00:15:43,600 Speaker 1: so much. I mean, I was just let me google this. 243 00:15:43,720 --> 00:15:45,680 Speaker 1: Oh there there's the ducking books. Oh my god, they're 244 00:15:45,680 --> 00:15:50,320 Speaker 1: going to like seeing it all. They were out of 245 00:15:50,320 --> 00:15:52,320 Speaker 1: the high school and they were they were just like 246 00:15:52,600 --> 00:16:08,120 Speaker 1: you got to seem way more. I almost guessed when 247 00:16:08,320 --> 00:16:12,320 Speaker 1: the apartment comes, I did too. Actually, I guess that 248 00:16:12,400 --> 00:16:14,600 Speaker 1: was the payoff. Like I was waiting, I was. I 249 00:16:14,640 --> 00:16:16,400 Speaker 1: was hoping that was going to happen in this episode 250 00:16:16,440 --> 00:16:19,240 Speaker 1: because of all the like where are we going to live? Talk? 251 00:16:19,960 --> 00:16:22,760 Speaker 1: And then it did, and I was so happy. That's 252 00:16:22,800 --> 00:16:26,320 Speaker 1: one of those scenes. I remember vividly filming that scene 253 00:16:26,360 --> 00:16:29,240 Speaker 1: with that guy everything. Oh, I have nothing to tell you. 254 00:16:29,280 --> 00:16:32,000 Speaker 1: I just remember vividly following that scene with that guy. 255 00:16:33,120 --> 00:16:37,960 Speaker 1: What's that guy's name? He's amazing. Oh man, don Kalfa. 256 00:16:38,160 --> 00:16:40,960 Speaker 1: There's a lot of parking in the rear. I think, 257 00:16:41,120 --> 00:16:46,920 Speaker 1: is that was it? Mr Pitts? Yes, don Kalfa. He 258 00:16:47,120 --> 00:16:49,440 Speaker 1: was funny and he's that face that you've seen everywhere. 259 00:16:50,120 --> 00:16:53,720 Speaker 1: There people freaking out because that obviously is a real 260 00:16:53,760 --> 00:16:57,360 Speaker 1: apartment on the strand right like in Manhattan Beach. Yes, 261 00:16:57,400 --> 00:17:00,480 Speaker 1: you guys, it's still there. It's still blew it looks 262 00:17:00,520 --> 00:17:05,080 Speaker 1: exactly the same from the outside, because the inside never 263 00:17:05,119 --> 00:17:09,560 Speaker 1: looked like that. Remember there was like food smells everywhere 264 00:17:09,640 --> 00:17:12,000 Speaker 1: and it was like really cluttered at the time someone 265 00:17:12,040 --> 00:17:15,320 Speaker 1: else owns it now I don't remember. We couldn't go inside. 266 00:17:15,359 --> 00:17:17,720 Speaker 1: Maybe I couldn't go because there were cats inside and allergic, 267 00:17:17,880 --> 00:17:21,359 Speaker 1: like there's a lot of cleaning in there. Yeah. Yeah, 268 00:17:21,520 --> 00:17:24,359 Speaker 1: it looked great from the outside, and then we shot 269 00:17:24,400 --> 00:17:27,560 Speaker 1: all the interior scenes of the beach apartment on our stages, 270 00:17:28,000 --> 00:17:30,040 Speaker 1: so we got to make it look however we wanted to, 271 00:17:30,119 --> 00:17:32,000 Speaker 1: just had to have the windows in the right places. 272 00:17:32,840 --> 00:17:36,800 Speaker 1: But it it definitely wasn't something you'd want to go into. 273 00:17:36,920 --> 00:17:40,320 Speaker 1: But I've heard they redid it and like the Airbnb 274 00:17:40,440 --> 00:17:44,359 Speaker 1: it now. Yes, I actually went on Airbnb and contacted 275 00:17:44,400 --> 00:17:50,560 Speaker 1: the owner what for because I was just intrigued, And 276 00:17:50,600 --> 00:17:53,320 Speaker 1: he answered me back because you can obviously contact about 277 00:17:53,400 --> 00:17:55,359 Speaker 1: dates and stuff, and I said who I was, and 278 00:17:55,400 --> 00:17:58,520 Speaker 1: I was like, I'm just like fascinated that this is 279 00:17:58,520 --> 00:18:00,920 Speaker 1: on Airbnb now, and he like, you guys should come 280 00:18:00,920 --> 00:18:06,360 Speaker 1: see it. Yeah coming, Oh my god, and he's redone everything, 281 00:18:06,440 --> 00:18:09,880 Speaker 1: and like, yeah, but wait, so when you were filming that, 282 00:18:10,760 --> 00:18:14,160 Speaker 1: did can you remember like a crowd must have gathered 283 00:18:14,240 --> 00:18:17,000 Speaker 1: on the beach because they can't close the beach down. 284 00:18:17,040 --> 00:18:19,720 Speaker 1: They can only block off a portion. I mean, I'm sorry, 285 00:18:19,760 --> 00:18:23,280 Speaker 1: Tori Spelling and Jenny Guard are filming right there. In 286 00:18:23,320 --> 00:18:27,760 Speaker 1: the hey day, it was I remember people. Yeah, look 287 00:18:27,800 --> 00:18:31,120 Speaker 1: you lose all them. I remember a lot of looks. 288 00:18:31,280 --> 00:18:33,840 Speaker 1: There was a lot of security we had at that time, 289 00:18:34,440 --> 00:18:37,240 Speaker 1: and like up around the corner all our trailers and 290 00:18:37,359 --> 00:18:40,200 Speaker 1: they would like walk us down and there were bodyguards 291 00:18:40,200 --> 00:18:44,240 Speaker 1: because there were so many people. I remember that. And 292 00:18:44,280 --> 00:18:46,680 Speaker 1: do you remember if you shot all the apartment stuff 293 00:18:46,720 --> 00:18:50,120 Speaker 1: like multiple days or did you try to, like did 294 00:18:50,160 --> 00:18:53,520 Speaker 1: they did you shoot everything like on this very day, 295 00:18:54,000 --> 00:18:56,960 Speaker 1: anything that was exterior of the beach apartment we would 296 00:18:57,040 --> 00:19:00,080 Speaker 1: we would shoot all in one day. Yeah, but it 297 00:19:00,160 --> 00:19:04,240 Speaker 1: was not other episodes now right, just for this one episode. Okay, 298 00:19:04,280 --> 00:19:07,240 Speaker 1: so just as well. Okay, so throughout the season you 299 00:19:07,240 --> 00:19:11,800 Speaker 1: went there many times. Yeah, Well, we did have a 300 00:19:11,880 --> 00:19:14,560 Speaker 1: deck since they put the apartment on the second floor, 301 00:19:14,600 --> 00:19:18,399 Speaker 1: which was smart. Uh, They had a deck built on 302 00:19:18,440 --> 00:19:21,360 Speaker 1: the sound stages and we had lawn furniture out there 303 00:19:21,400 --> 00:19:23,960 Speaker 1: and plants, and then they had like a big ocean 304 00:19:24,640 --> 00:19:28,640 Speaker 1: backdrop fan fans making it look like you were out 305 00:19:28,680 --> 00:19:33,360 Speaker 1: on the beach, but we weren't. Yeah, so we rarely 306 00:19:33,400 --> 00:19:37,720 Speaker 1: actually went back to it. That's true. That's true. I 307 00:19:37,800 --> 00:19:41,080 Speaker 1: mean when I just wrote in my notes to the apartment, 308 00:19:41,280 --> 00:19:43,480 Speaker 1: like I almost wanted to like do the emoji cry 309 00:19:43,640 --> 00:19:47,520 Speaker 1: like it was, I was just like this, Yeah, it 310 00:19:47,520 --> 00:19:50,359 Speaker 1: feels good to be back there. I'm I'm excited because 311 00:19:50,400 --> 00:19:53,440 Speaker 1: I have a lot of great memories from shooting all 312 00:19:53,480 --> 00:19:55,800 Speaker 1: that stuff where we were on our own, there was 313 00:19:55,840 --> 00:19:58,320 Speaker 1: no parents, you know, and um, we just had a 314 00:19:58,320 --> 00:20:05,480 Speaker 1: good time. On my next note, Aaron Spelling doesn't like sunglasses, 315 00:20:05,840 --> 00:20:08,960 Speaker 1: but he definitely was either very busy at Melrose Place 316 00:20:09,440 --> 00:20:12,160 Speaker 1: or looked the other way because there were a lot 317 00:20:12,240 --> 00:20:18,280 Speaker 1: of sunglasses in this episode, right, huh. So there were 318 00:20:18,520 --> 00:20:24,159 Speaker 1: Iron had bad sunglasses, Jason had amazing sunglasses, and Jenny 319 00:20:24,240 --> 00:20:31,399 Speaker 1: you had those like middle nineties like circles. So I 320 00:20:31,440 --> 00:20:34,879 Speaker 1: don't know, but we usually because when people wear sunglasses 321 00:20:35,000 --> 00:20:37,800 Speaker 1: sunglasses on camera, you can see the reflection of the 322 00:20:37,880 --> 00:20:41,040 Speaker 1: cameraman and the lights and the boom and the reflection 323 00:20:41,240 --> 00:20:44,159 Speaker 1: on the lenses. But I didn't see anything. It was 324 00:20:44,200 --> 00:20:46,199 Speaker 1: good and he just had a thing. If there are 325 00:20:46,240 --> 00:20:49,240 Speaker 1: any long scenes. He's like, you know, people want to 326 00:20:49,240 --> 00:20:52,720 Speaker 1: see these actors and see their eyes and we're not 327 00:20:52,760 --> 00:20:56,000 Speaker 1: paying you. I have sunglasses on. It's like talking to somebody. 328 00:20:56,040 --> 00:20:59,400 Speaker 1: Like when you're talking to someone in there wearing sunglasses 329 00:20:59,440 --> 00:21:01,919 Speaker 1: and you're having an actual conversation with them, but they 330 00:21:02,000 --> 00:21:04,159 Speaker 1: won't take their sunglasses off. Does not just bug you. 331 00:21:04,680 --> 00:21:07,760 Speaker 1: Not if you're Jason Priestley, he can wear those sunglasses. 332 00:21:07,800 --> 00:21:10,240 Speaker 1: I'm sorry. He was a twenty out of ten in 333 00:21:10,280 --> 00:21:14,840 Speaker 1: this episode. Wow, he this was this was his year 334 00:21:14,920 --> 00:21:17,800 Speaker 1: for you. Wow. I thought he looked great too, Like 335 00:21:17,960 --> 00:21:22,520 Speaker 1: dare I say, like beautiful and maybe because I only 336 00:21:22,520 --> 00:21:24,480 Speaker 1: got the one moment with Luke, but I was like, 337 00:21:25,200 --> 00:21:29,679 Speaker 1: Jason Priestley is well. He definitely also found his groove, 338 00:21:29,760 --> 00:21:31,800 Speaker 1: Like we saw it at the end of season three 339 00:21:31,920 --> 00:21:35,680 Speaker 1: that he was becoming a little more Jason than just Brandon, 340 00:21:36,400 --> 00:21:38,280 Speaker 1: and here you really saw it in full effect, like 341 00:21:38,280 --> 00:21:41,159 Speaker 1: he was comfortable being funny and letting loose and Brandon 342 00:21:41,160 --> 00:21:43,480 Speaker 1: would didn't have to be so square and he liked 343 00:21:43,520 --> 00:21:46,199 Speaker 1: his funny. So, so, what do you guys think of 344 00:21:46,280 --> 00:21:50,000 Speaker 1: Celeste and Steve? Why is Celeste Okay? It's just kind 345 00:21:50,040 --> 00:21:52,360 Speaker 1: of weird to me that she's now just they're like 346 00:21:52,840 --> 00:21:56,560 Speaker 1: absorbed into the group without paying the dudes somehow, like 347 00:21:56,600 --> 00:21:58,600 Speaker 1: she didn't put in the time. She's just part of 348 00:21:58,600 --> 00:22:03,000 Speaker 1: the group. Now he's all jealous. I was like, they're 349 00:22:03,040 --> 00:22:09,120 Speaker 1: so cute. Yeah, but where was she before? Barely? Now 350 00:22:09,240 --> 00:22:13,479 Speaker 1: she's like, yeah, yeah, I don't know. I don't not 351 00:22:13,640 --> 00:22:16,840 Speaker 1: like her. I like her or her character, but it 352 00:22:17,000 --> 00:22:21,200 Speaker 1: just felt weird. And why would she be jealous that girl? 353 00:22:21,200 --> 00:22:24,960 Speaker 1: I didn't get it. Well hello, because Steve was so 354 00:22:25,119 --> 00:22:28,080 Speaker 1: flirty mcflirty with her. Really See, I didn't get it either. 355 00:22:28,119 --> 00:22:31,639 Speaker 1: I thought it was a little memory of bread's buttered buddy. 356 00:22:32,280 --> 00:22:35,080 Speaker 1: Oh that's my favorite line from this So sorry, I 357 00:22:35,119 --> 00:22:37,199 Speaker 1: got I wrote it down. If you ever want to 358 00:22:37,200 --> 00:22:39,600 Speaker 1: be with if you ever want to be with me again, 359 00:22:39,680 --> 00:22:43,040 Speaker 1: you just better remember where your bagels buttered, buddy. That's right, 360 00:22:44,960 --> 00:22:50,120 Speaker 1: bagels sing. Yeah. I like I like her too. It's 361 00:22:50,119 --> 00:22:52,040 Speaker 1: not that it's just all of a sudden, it's like 362 00:22:52,080 --> 00:22:54,800 Speaker 1: they've never focused on their relationship. We asked for more. 363 00:22:54,880 --> 00:22:58,520 Speaker 1: We were like, wow, prom but we don't see anything really, 364 00:22:58,560 --> 00:23:01,359 Speaker 1: And now I was setting their boyfriend girlfriend conveniently so 365 00:23:01,600 --> 00:23:05,680 Speaker 1: she can be jealous of Jill I guess there there are. 366 00:23:05,720 --> 00:23:08,800 Speaker 1: They're great together though, like those too. I like, I 367 00:23:08,880 --> 00:23:13,760 Speaker 1: like the actors together. They seem comfortable with each other, 368 00:23:13,960 --> 00:23:17,440 Speaker 1: so I'm falling for it. What I also think it's interesting. 369 00:23:17,760 --> 00:23:20,600 Speaker 1: So okay, you know when Kelly returns from Europe and 370 00:23:20,640 --> 00:23:23,720 Speaker 1: then it's too loud, too loud inside, so they go outside, 371 00:23:24,080 --> 00:23:29,399 Speaker 1: and the couples are always like hugging, like David and 372 00:23:29,440 --> 00:23:33,760 Speaker 1: Donna are so posed and huggy, and then Stephen Celeste, Like, 373 00:23:35,240 --> 00:23:38,560 Speaker 1: I mean, it's a little love each other. Couples don't 374 00:23:38,560 --> 00:23:42,320 Speaker 1: do that. What do you mean? I just felt like, Okay, 375 00:23:42,400 --> 00:23:45,640 Speaker 1: if you're in a couple, couple up stand if it's 376 00:23:45,640 --> 00:23:50,639 Speaker 1: your partner. Okay, did you guys like Kelly? Did you? 377 00:23:50,760 --> 00:23:54,280 Speaker 1: I thought maybe you, especially to our would love Kelly's blazer? 378 00:23:56,480 --> 00:24:02,000 Speaker 1: I did? You did? I did? But it was a 379 00:24:02,000 --> 00:24:05,480 Speaker 1: little too buttery for me, you know, I like you 380 00:24:05,520 --> 00:24:09,359 Speaker 1: and yellow. It was like a very buttery color. And ps, 381 00:24:09,560 --> 00:24:12,800 Speaker 1: where are her bangs? Like I was just pass it 382 00:24:12,840 --> 00:24:16,160 Speaker 1: doesn't that she looks that good after a flight back 383 00:24:16,200 --> 00:24:18,879 Speaker 1: from Europe. I was like, damn, youth, look how great 384 00:24:18,920 --> 00:24:22,919 Speaker 1: she looks. She's not jet lag? Jenny? Did you know 385 00:24:24,320 --> 00:24:27,520 Speaker 1: that you that Kelly and Dylan had broken up, Like 386 00:24:27,560 --> 00:24:32,800 Speaker 1: did you remember? Nope, Nope. That was a surprise to me. 387 00:24:32,920 --> 00:24:35,880 Speaker 1: I was kind of getting like cluing into it because 388 00:24:36,680 --> 00:24:39,720 Speaker 1: she was being a little elusive about him and and 389 00:24:39,840 --> 00:24:42,520 Speaker 1: he wasn't there, and it felt weird. So I caught 390 00:24:42,560 --> 00:24:45,520 Speaker 1: on real quick. But it's weird that they broke up, 391 00:24:45,560 --> 00:24:47,640 Speaker 1: and now I don't know what's going to happen. I'm 392 00:24:47,720 --> 00:24:50,480 Speaker 1: so scared. My only like flag on the play is 393 00:24:50,600 --> 00:24:56,440 Speaker 1: she's oddly not heartbroken enough for me. Yeah, you're right, 394 00:24:57,000 --> 00:25:02,280 Speaker 1: Like she's telling it very calmly. Mm hmmm. Did it 395 00:25:02,400 --> 00:25:05,119 Speaker 1: feel well, that's what happens every time Dylan shocks up 396 00:25:05,119 --> 00:25:11,080 Speaker 1: with someone. They break up. Oh that is really and yes, 397 00:25:11,200 --> 00:25:16,320 Speaker 1: dute Tory, Oh my god, yes, finally that is really interesting. 398 00:25:17,680 --> 00:25:21,960 Speaker 1: And now he wants Brenda back. And also how did 399 00:25:22,000 --> 00:25:25,440 Speaker 1: he get the phone number to the dorm room? These 400 00:25:25,440 --> 00:25:29,040 Speaker 1: things bother me. Where'd you get that number? I thought 401 00:25:29,040 --> 00:25:32,480 Speaker 1: the same thing, like did he call the Walshes and 402 00:25:32,560 --> 00:25:37,800 Speaker 1: get the number? Maybe because he only sent a cable? 403 00:25:38,080 --> 00:25:43,119 Speaker 1: Did you get that reference from the cable from Dylan? 404 00:25:43,560 --> 00:25:49,080 Speaker 1: Like what year was? Like? What's a cable? Like a wire? 405 00:25:49,240 --> 00:25:57,359 Speaker 1: Like like telegram with like Morris code, like a typewriter existed. 406 00:25:59,640 --> 00:26:01,800 Speaker 1: Maybe as you think like back then, like you're a 407 00:26:01,840 --> 00:26:04,280 Speaker 1: b so like you can't call it so much money? 408 00:26:04,359 --> 00:26:07,360 Speaker 1: So someone sends a cable, but he has like ten 409 00:26:07,400 --> 00:26:12,800 Speaker 1: million dollars, right, he couldn't afford a mega call. You 410 00:26:12,840 --> 00:26:17,480 Speaker 1: can get if you found a paid on No problem. Okay, 411 00:26:17,640 --> 00:26:20,240 Speaker 1: so much? Did you? Okay? So do you think that 412 00:26:20,720 --> 00:26:23,240 Speaker 1: in this episode? Since I don't know what's coming next, 413 00:26:23,400 --> 00:26:26,760 Speaker 1: I feel like Brenda is moving to Minnesota to go 414 00:26:26,840 --> 00:26:29,040 Speaker 1: to school there and she's not gonna be on the 415 00:26:29,040 --> 00:26:32,280 Speaker 1: show anymore. Did she know? Was this the episode where 416 00:26:32,320 --> 00:26:36,680 Speaker 1: Brenda leaves and doesn't come back or no? No? A 417 00:26:36,760 --> 00:26:40,600 Speaker 1: lot of questions, not at all. You're a year off? Um, 418 00:26:40,600 --> 00:26:43,040 Speaker 1: a year off? Okay, good to know. I will stop 419 00:26:43,080 --> 00:26:45,000 Speaker 1: worrying about it because I was. I was, like I 420 00:26:45,040 --> 00:26:47,680 Speaker 1: had anxiety about it. What do you think of Brenda 421 00:26:47,840 --> 00:26:51,680 Speaker 1: in Minnesota? What do you guys think? The whole thing 422 00:26:51,680 --> 00:26:55,119 Speaker 1: feels weird? It does feel weird when she's telling them, 423 00:26:55,119 --> 00:26:58,040 Speaker 1: tells them that she's going to the theater program and 424 00:26:58,119 --> 00:27:00,520 Speaker 1: all of that, Like it is weird to go to Minnesota. 425 00:27:00,600 --> 00:27:01,919 Speaker 1: If that's what you want to do when you're in 426 00:27:02,080 --> 00:27:05,360 Speaker 1: l A and you want to be an actress. M hmm. 427 00:27:06,240 --> 00:27:09,280 Speaker 1: And it was weird to how they were all pushing 428 00:27:09,359 --> 00:27:13,720 Speaker 1: so hard and and if she I don't know, she 429 00:27:13,800 --> 00:27:16,760 Speaker 1: says that she's the Brenda from Beverly Hills, like she 430 00:27:17,000 --> 00:27:22,480 Speaker 1: just moved there, like what And also, right, let's think 431 00:27:22,520 --> 00:27:26,560 Speaker 1: about this, right, Okay, So they're all asking her a 432 00:27:26,600 --> 00:27:30,280 Speaker 1: million questions about herself. There's nothing people don't love more 433 00:27:30,600 --> 00:27:33,600 Speaker 1: than talking about themselves, even if it's about Beverly Hills, 434 00:27:33,680 --> 00:27:37,520 Speaker 1: especially Brenda. Right, So I was like, this doesn't really track, 435 00:27:37,800 --> 00:27:41,360 Speaker 1: Like why is she so snappish? Wouldn't she just be like, 436 00:27:41,560 --> 00:27:45,120 Speaker 1: here's all the stories and be like fun and social. 437 00:27:46,680 --> 00:27:49,240 Speaker 1: She was so bitter about she was kind of standoffish 438 00:27:49,280 --> 00:27:53,360 Speaker 1: with the with the Minnesota girls, right, like that's kind 439 00:27:53,400 --> 00:27:58,000 Speaker 1: of cousin, You're right same. She just felt out of place, 440 00:27:58,080 --> 00:28:01,600 Speaker 1: like she felt like she'd probably changed a lot going 441 00:28:01,680 --> 00:28:04,760 Speaker 1: to living in Beverly Hills and being in that environment, 442 00:28:04,880 --> 00:28:09,320 Speaker 1: and she's I mean not the same person because we 443 00:28:09,520 --> 00:28:13,520 Speaker 1: changed so much, especially in those young years. So she's 444 00:28:13,520 --> 00:28:15,680 Speaker 1: coming back to a place where she was as a kid. 445 00:28:15,880 --> 00:28:18,960 Speaker 1: On she says that classic line like the house looks 446 00:28:19,000 --> 00:28:23,959 Speaker 1: so much smaller than I remember it, and like, you know, 447 00:28:24,119 --> 00:28:27,320 Speaker 1: she's she's kind of coming to terms with like my 448 00:28:27,480 --> 00:28:32,640 Speaker 1: childhood is, that's in my past. It's just not the same, 449 00:28:32,720 --> 00:28:35,399 Speaker 1: even though I'm trying to make it the same. You 450 00:28:35,400 --> 00:28:37,639 Speaker 1: can never go home again, as they say, like she 451 00:28:37,760 --> 00:28:43,040 Speaker 1: wants to go home and escape all this Beverly Hills. 452 00:28:43,160 --> 00:28:45,800 Speaker 1: But I still was like, Okay, you guys are like 453 00:28:45,840 --> 00:28:48,280 Speaker 1: movie stars, right, your movie stars, and you like being 454 00:28:48,280 --> 00:28:50,480 Speaker 1: movie stars. So like when people come up to you 455 00:28:50,520 --> 00:28:54,000 Speaker 1: and they're like, hey Jenny, like hey Tory, like tell 456 00:28:54,040 --> 00:28:58,320 Speaker 1: me everything about yourselves, that's a compliment, right, But if 457 00:28:58,360 --> 00:29:00,240 Speaker 1: you're trying to fit back in with people that you 458 00:29:00,280 --> 00:29:02,760 Speaker 1: feel you don't fit in with anymore, because you've moved 459 00:29:02,800 --> 00:29:05,560 Speaker 1: on with your lives, like you don't want you just 460 00:29:05,600 --> 00:29:06,960 Speaker 1: want to fit back in and you don't want to 461 00:29:07,000 --> 00:29:12,880 Speaker 1: like be different stand out. Yeah, fair, fair point. And 462 00:29:13,080 --> 00:29:16,800 Speaker 1: she probably is really missing it and you know, second 463 00:29:16,840 --> 00:29:19,760 Speaker 1: guessing her decision to be there and feeling weird about 464 00:29:19,800 --> 00:29:22,240 Speaker 1: it herself, so she just doesn't even want to talk 465 00:29:22,280 --> 00:29:25,960 Speaker 1: about it. Oh that's a great point, because it's making 466 00:29:26,000 --> 00:29:30,520 Speaker 1: her more sad. Is it weird that both her parents 467 00:29:30,520 --> 00:29:35,120 Speaker 1: don't go that. When when Jim gives her that hug 468 00:29:35,160 --> 00:29:37,320 Speaker 1: in the bedroom and she says goodbye to her bedroom, 469 00:29:38,480 --> 00:29:41,880 Speaker 1: I almost lost it because that's the hardest thing ever 470 00:29:41,920 --> 00:29:43,960 Speaker 1: when a parent has to send their kid to college, 471 00:29:45,160 --> 00:29:47,479 Speaker 1: when their kid moves out, when they're all grown up 472 00:29:47,480 --> 00:29:50,920 Speaker 1: and they move out. But couldn't Jim have taken a 473 00:29:50,960 --> 00:29:55,520 Speaker 1: couple of days off to what was above her bed? 474 00:29:55,600 --> 00:29:59,120 Speaker 1: You guys, it looked like which is broomsticks? It was 475 00:29:59,160 --> 00:30:04,840 Speaker 1: like a paris probably like yeah, okay, you know, like 476 00:30:04,880 --> 00:30:07,800 Speaker 1: a dead flower thing. I love that y'all looked at 477 00:30:07,880 --> 00:30:14,280 Speaker 1: that scene from a mother's eyes, like yeah. I looked 478 00:30:14,320 --> 00:30:16,600 Speaker 1: at it like, wow, she's got a lot of stuffies 479 00:30:16,640 --> 00:30:19,400 Speaker 1: in that room. And you know how I saw it. 480 00:30:19,440 --> 00:30:21,160 Speaker 1: I was like, how did she pick that one to 481 00:30:21,200 --> 00:30:22,640 Speaker 1: go with her? And why would she leave the rest 482 00:30:22,640 --> 00:30:28,200 Speaker 1: of not pick them as well? Through it, we've gotten 483 00:30:28,200 --> 00:30:31,760 Speaker 1: to this part in the program yet No for any 484 00:30:31,800 --> 00:30:34,160 Speaker 1: of our listeners out there that have just sent their 485 00:30:34,240 --> 00:30:37,920 Speaker 1: kids off to college, it is excruciatingly painful. It's like 486 00:30:37,960 --> 00:30:41,640 Speaker 1: the worst thing they could ever do to you grow 487 00:30:41,760 --> 00:30:46,480 Speaker 1: up and leave. It's the worst. But I love that 488 00:30:46,520 --> 00:30:50,360 Speaker 1: you're seeing you're watching this show right, and you're not 489 00:30:50,440 --> 00:30:56,560 Speaker 1: seeing it from Brenda's perspective. You're like Carol. Why for 490 00:30:56,640 --> 00:30:59,640 Speaker 1: some reason that's her name? Right? What we're about to 491 00:30:59,680 --> 00:31:07,840 Speaker 1: say Cindy, Cindy engine your letters, do not email me 492 00:31:08,280 --> 00:31:10,440 Speaker 1: that I'm an idiot. I was like, why did I 493 00:31:10,440 --> 00:31:13,040 Speaker 1: just call her Carol? Cindy got a new haircut too, 494 00:31:13,080 --> 00:31:17,040 Speaker 1: but like you're looking at it as Cindy. Yeah, thanks 495 00:31:17,040 --> 00:31:20,200 Speaker 1: for pointing that out. But it's like I get because 496 00:31:20,200 --> 00:31:22,480 Speaker 1: I don't have kids, so that didn't occur to me. 497 00:31:22,800 --> 00:31:25,400 Speaker 1: Like I was more, I don't know. I I think 498 00:31:25,400 --> 00:31:28,640 Speaker 1: I'm watching it as a teenage Yeah. I find myself 499 00:31:28,680 --> 00:31:30,240 Speaker 1: doing that a lot when I watched a show back 500 00:31:30,240 --> 00:31:33,120 Speaker 1: now is looking at it from the parents perspective because 501 00:31:33,640 --> 00:31:36,800 Speaker 1: I'm old now and it's just different. Well, then, what 502 00:31:36,840 --> 00:31:38,560 Speaker 1: do you think about the fact that Donna is going 503 00:31:38,600 --> 00:31:43,400 Speaker 1: to live with her boyfriend? I would definitely encourage Donna 504 00:31:43,480 --> 00:31:49,000 Speaker 1: to not tell Celeste is that her name Felicity Felice? 505 00:31:50,120 --> 00:31:55,440 Speaker 1: What's your Felice Felice? Sorry, Celeste is aware and she 506 00:31:55,520 --> 00:32:00,080 Speaker 1: said no, she no, You said, yeah, you did that 507 00:32:00,440 --> 00:32:02,479 Speaker 1: David was going to be living there, said she didn't 508 00:32:02,520 --> 00:32:05,240 Speaker 1: want her to live with Davidka, she did. That's why 509 00:32:05,280 --> 00:32:09,440 Speaker 1: you didn't tell her? Got it? Got it? Okay? I 510 00:32:09,520 --> 00:32:12,680 Speaker 1: mean that is just a big step for her daughna 511 00:32:12,760 --> 00:32:15,280 Speaker 1: to be moving in with David. It's your fault, but 512 00:32:15,320 --> 00:32:18,200 Speaker 1: it's your fault that you did this because it's Kelly's brother. 513 00:32:18,480 --> 00:32:21,560 Speaker 1: I was shocked, Like I'm literally standing there and You're like, 514 00:32:21,640 --> 00:32:25,080 Speaker 1: we'll take it, and I was like, what the heck? 515 00:32:25,160 --> 00:32:27,800 Speaker 1: My best friend just did what? I was so mad 516 00:32:27,840 --> 00:32:31,760 Speaker 1: at you. Goody, sorry, but we have so much fun 517 00:32:33,760 --> 00:32:36,960 Speaker 1: and I'm assuming we'll get to side, like we'll hide 518 00:32:37,040 --> 00:32:39,120 Speaker 1: him and stuff from your mom. That's gonna be. It's 519 00:32:39,160 --> 00:32:42,280 Speaker 1: gonna be like bosom buddies, right or is it? I 520 00:32:42,320 --> 00:32:46,000 Speaker 1: don't know that apartment would be today? What do we 521 00:32:46,040 --> 00:32:51,840 Speaker 1: think a month for three bedrooms on three bedrooms on 522 00:32:51,840 --> 00:32:56,480 Speaker 1: on the beach? No way more really three? I don't 523 00:32:56,520 --> 00:33:00,600 Speaker 1: know you guys like a monthly rent, I'm going ten 524 00:33:00,600 --> 00:33:05,480 Speaker 1: thousand a month. I'd go more, yeah, right, fifteen grand 525 00:33:05,520 --> 00:33:09,440 Speaker 1: a month maybe? So Like here's my question, though, how 526 00:33:09,520 --> 00:33:14,400 Speaker 1: the heck far is this beach apartment from California University? Where? Right? 527 00:33:15,640 --> 00:33:17,680 Speaker 1: This is going to be a long as commute people, 528 00:33:17,960 --> 00:33:21,480 Speaker 1: It's in Westwood very far again your fault. You were 529 00:33:21,520 --> 00:33:29,040 Speaker 1: like Malibu Beach. When is the beach house not supposed 530 00:33:29,040 --> 00:33:31,680 Speaker 1: to be in Manhattan Beach. No, it's just be in Malibu. Oh, 531 00:33:31,720 --> 00:33:34,800 Speaker 1: it's supposed to be in Malibu. I didn't get that 532 00:33:35,760 --> 00:33:51,880 Speaker 1: good to know. So Cutlets, let's talk about Cutlets. He's 533 00:33:52,000 --> 00:33:55,280 Speaker 1: Michael Cutlets. Yeah, so he's what's I think he's Tony 534 00:33:55,400 --> 00:33:59,440 Speaker 1: Tony Tony going to Arizona's sad. He's sad because he 535 00:33:59,560 --> 00:34:01,880 Speaker 1: says I'm in love with the girl I'll never have 536 00:34:02,040 --> 00:34:05,400 Speaker 1: sex with Dud's Like, I know what you mean, man. 537 00:34:05,960 --> 00:34:08,480 Speaker 1: I love Tori be popping around at the party like 538 00:34:08,480 --> 00:34:11,360 Speaker 1: they flashed the Tory eating some cheese it's or whatever. 539 00:34:12,600 --> 00:34:15,279 Speaker 1: Hell yeah, and that in that dress. I was just 540 00:34:15,640 --> 00:34:18,759 Speaker 1: loving every second of seeing me eat. The phone call 541 00:34:18,800 --> 00:34:21,200 Speaker 1: with you, I thought that was a brilliant phone call. 542 00:34:22,239 --> 00:34:25,759 Speaker 1: I thought I was so natural on that call. I 543 00:34:25,800 --> 00:34:28,720 Speaker 1: was so proud of myself. Phone calls always made me nervous, 544 00:34:28,760 --> 00:34:30,680 Speaker 1: especially when I was younger, because there's really no one 545 00:34:30,680 --> 00:34:34,839 Speaker 1: on the other line. And great, I did great, and 546 00:34:34,840 --> 00:34:36,960 Speaker 1: I like eating and didn't care how I looked, and 547 00:34:37,040 --> 00:34:40,640 Speaker 1: like like, oh, I just want that picture of me 548 00:34:40,760 --> 00:34:44,600 Speaker 1: forever in my mind. So our phone call is fully fake. 549 00:34:44,680 --> 00:34:46,680 Speaker 1: There's not like even just like a producer or like 550 00:34:47,080 --> 00:34:52,200 Speaker 1: some person going well back then, no like nowadays, if 551 00:34:52,239 --> 00:34:54,080 Speaker 1: you're on set with an actor, like they can actually 552 00:34:54,080 --> 00:34:56,480 Speaker 1: have the actor like call on your cell phone and 553 00:34:57,120 --> 00:35:00,440 Speaker 1: read it off camera. I don't think I've ever had, really, 554 00:35:03,040 --> 00:35:05,839 Speaker 1: but it could. It could happen. It's usually just read 555 00:35:05,840 --> 00:35:09,440 Speaker 1: by somebody like script supervisor or somebody somebody behind the 556 00:35:09,440 --> 00:35:15,120 Speaker 1: scenes reads the off camera lines of the timing. Oh 557 00:35:15,200 --> 00:35:17,400 Speaker 1: my god, I'm learning so much. I have pages and pages. 558 00:35:17,440 --> 00:35:19,759 Speaker 1: We must keep going, Okay, we must, we must. Does 559 00:35:19,800 --> 00:35:26,080 Speaker 1: anyone find it surprising that Donna clearly isn't drinking and 560 00:35:26,200 --> 00:35:32,239 Speaker 1: somebody else said no Andrea. Andrea drinks starr with a 561 00:35:32,239 --> 00:35:36,279 Speaker 1: beer with a napkin around it. Huh, she seems, And 562 00:35:36,320 --> 00:35:39,239 Speaker 1: she drank on the prom see you know what good for? Well, 563 00:35:39,239 --> 00:35:42,799 Speaker 1: she's old enough, so she's actually the only legal one. 564 00:35:43,480 --> 00:35:46,799 Speaker 1: But yeah, I thought it was kind of well, as 565 00:35:46,800 --> 00:35:50,160 Speaker 1: soon as the parents left the beach house, they're like, 566 00:35:50,600 --> 00:35:55,160 Speaker 1: time to party. I like that moment, but I don't. 567 00:35:55,200 --> 00:35:58,000 Speaker 1: I thought it was maybe Kelly just had jet lags 568 00:35:58,000 --> 00:35:59,880 Speaker 1: so she didn't want to drink and Donna's certainly not 569 00:36:00,000 --> 00:36:01,759 Speaker 1: going to drink because she's just you know, And in 570 00:36:01,800 --> 00:36:03,920 Speaker 1: my mind, I was like, why is Donna not drinking? 571 00:36:04,040 --> 00:36:07,360 Speaker 1: I totally forgot what just have forgot about the prom 572 00:36:07,440 --> 00:36:12,320 Speaker 1: back way girl. Then once again I thought, Brandon slash 573 00:36:12,400 --> 00:36:15,480 Speaker 1: Jason Priestley, Oh my god, when he comes out of 574 00:36:15,480 --> 00:36:20,279 Speaker 1: the water, god, oh my god. You season four is 575 00:36:20,320 --> 00:36:22,799 Speaker 1: like me watching him season one. Back with you guys. 576 00:36:22,840 --> 00:36:25,120 Speaker 1: We're going to make a b roll of just him 577 00:36:25,840 --> 00:36:30,600 Speaker 1: in slow motion. He need to watch. I love the 578 00:36:30,600 --> 00:36:33,080 Speaker 1: eighties to core. I think I just loved the nostalgia. 579 00:36:33,960 --> 00:36:36,359 Speaker 1: I don't know, I just was obsessed with every single thing. 580 00:36:36,360 --> 00:36:41,920 Speaker 1: They're humongous sneakers. Did you guys notice that no like 581 00:36:42,000 --> 00:36:45,120 Speaker 1: Hi tops? What do you mean? Just not only Hi? 582 00:36:45,440 --> 00:36:51,080 Speaker 1: Just like clunky, clunky big? Brandon and Steve are wearing 583 00:36:51,280 --> 00:36:58,239 Speaker 1: shorts with the biggest clown shoes I've ever seen. I 584 00:36:58,280 --> 00:37:01,560 Speaker 1: don't know. But that they trashed that house Man first night. 585 00:37:01,840 --> 00:37:04,960 Speaker 1: That was it. Yeah, That's this is why I don't 586 00:37:05,000 --> 00:37:09,239 Speaker 1: have parties, because the best show probably I can't handle it. 587 00:37:10,400 --> 00:37:12,399 Speaker 1: Did that make you uncomfortable? And then then then they 588 00:37:12,600 --> 00:37:15,600 Speaker 1: like watching celest in the kitchen just kind of walking 589 00:37:15,640 --> 00:37:18,000 Speaker 1: around the mess, like she just steps right over some 590 00:37:18,040 --> 00:37:20,879 Speaker 1: crap on the floor, pick it up. She's like, it's 591 00:37:20,960 --> 00:37:25,400 Speaker 1: about to pick that up. I also thought, Okay, I 592 00:37:25,400 --> 00:37:28,560 Speaker 1: mean I remember being eighteen, and I don't remember the 593 00:37:28,640 --> 00:37:32,279 Speaker 1: day after the party anyone being like the hostess with 594 00:37:32,320 --> 00:37:34,719 Speaker 1: the mostest and being like, would you like some coffee 595 00:37:34,840 --> 00:37:37,320 Speaker 1: and then serving it in like a delicate little that 596 00:37:37,400 --> 00:37:41,799 Speaker 1: was way too adult be on and he's drinking out 597 00:37:41,800 --> 00:37:48,840 Speaker 1: of that like teacup china happening. I don't know. I 598 00:37:48,920 --> 00:37:52,239 Speaker 1: felt comfort in the fact that, um, even though they 599 00:37:52,239 --> 00:37:54,120 Speaker 1: went to Malibu in the beginning of the show and 600 00:37:54,160 --> 00:37:56,520 Speaker 1: we see see Malibu, we could also still see the 601 00:37:56,560 --> 00:38:01,400 Speaker 1: boom in just about every shot. Tell I felt really comforted. 602 00:38:01,600 --> 00:38:04,879 Speaker 1: Did you watch it on your phone or it's hard 603 00:38:04,880 --> 00:38:09,160 Speaker 1: to see? Yeah, it's outside, it's it's on the beach. 604 00:38:09,719 --> 00:38:11,960 Speaker 1: It's I don't know how they go, like you see 605 00:38:12,000 --> 00:38:14,480 Speaker 1: the furry boom come in black furry boom. We need 606 00:38:14,480 --> 00:38:16,600 Speaker 1: to give it like its own credit. So I know 607 00:38:16,680 --> 00:38:18,080 Speaker 1: we touched on it, But can you guys talk a 608 00:38:18,120 --> 00:38:20,600 Speaker 1: little bit more about your thoughts on Gil and Zuckerman, Like, 609 00:38:20,719 --> 00:38:23,239 Speaker 1: first of all, the fact that he calls Zuckerman. They 610 00:38:23,239 --> 00:38:28,320 Speaker 1: had gotten like a tiff. It's just it's so it 611 00:38:28,360 --> 00:38:31,520 Speaker 1: felt very written and forced because I don't get it, 612 00:38:31,760 --> 00:38:35,919 Speaker 1: like why why why that scene? Well, I gotta be honest, 613 00:38:35,960 --> 00:38:37,799 Speaker 1: you know, sometimes when I'm born in a scene, I 614 00:38:38,040 --> 00:38:40,279 Speaker 1: might fast forward. So I was like, did I miss 615 00:38:40,320 --> 00:38:45,319 Speaker 1: something last season? It didn't seem like to me this 616 00:38:45,520 --> 00:38:48,640 Speaker 1: it seemed like the show got letters or something. This 617 00:38:48,760 --> 00:38:50,680 Speaker 1: is totally made up. I'm making this up. That's how 618 00:38:50,719 --> 00:38:54,640 Speaker 1: I felt the show got letters, like hey, Gil's creepy 619 00:38:54,840 --> 00:38:57,200 Speaker 1: or something like that. And then so they have to 620 00:38:57,280 --> 00:38:59,759 Speaker 1: do this to give us the scene to know he 621 00:38:59,800 --> 00:39:02,399 Speaker 1: has a fiance and he's not creepy, Like, I don't 622 00:39:02,400 --> 00:39:11,440 Speaker 1: know why, Yeah, you guys just tell me. Was she 623 00:39:11,520 --> 00:39:16,080 Speaker 1: pining for him last season? No? Okay, she was pining 624 00:39:16,080 --> 00:39:19,359 Speaker 1: for Brandon, So why were like, Oh, I know who 625 00:39:19,440 --> 00:39:21,160 Speaker 1: lives down the beach, I know why you're going on 626 00:39:21,160 --> 00:39:23,080 Speaker 1: a walk by the lab. Why would they have given 627 00:39:23,120 --> 00:39:25,840 Speaker 1: her a bad time? So I immediately when I heard that, 628 00:39:25,880 --> 00:39:28,360 Speaker 1: I was like, oh, shoot, did I miss something last season? 629 00:39:28,440 --> 00:39:31,240 Speaker 1: Was she like the hots for him? Yeah? I always 630 00:39:31,239 --> 00:39:33,719 Speaker 1: felt like they had a strange relationship, but right, not 631 00:39:33,760 --> 00:39:36,640 Speaker 1: like everyone knew to be like I never got that 632 00:39:36,760 --> 00:39:41,840 Speaker 1: vibe weird Jordan's bond or two like the most And 633 00:39:41,920 --> 00:39:44,040 Speaker 1: she didn't go there once. She went there twice, like 634 00:39:44,080 --> 00:39:49,879 Speaker 1: she tralped down the beach twice? What does that even mean? 635 00:39:49,920 --> 00:39:53,600 Speaker 1: I don't know, but it's like not a gallop, not 636 00:39:53,719 --> 00:39:56,279 Speaker 1: a trap, it's a trollop. Wait, isn't a trollop me 637 00:39:56,280 --> 00:39:59,839 Speaker 1: in a horror? Oh well there's that. I think you're 638 00:40:00,120 --> 00:40:03,399 Speaker 1: trall up? Gotcha? Gotcha? She was trall up? And so 639 00:40:03,480 --> 00:40:08,600 Speaker 1: do we think she went there to kiss Gil what? 640 00:40:08,880 --> 00:40:13,000 Speaker 1: She definitely wanted to see him, but she came in 641 00:40:13,040 --> 00:40:16,000 Speaker 1: with a strut with to like she wanted to talk 642 00:40:16,040 --> 00:40:19,720 Speaker 1: to her mentor like you know, somebody that really knew 643 00:40:19,760 --> 00:40:25,239 Speaker 1: her academic abilities, to kind of feel like feel out 644 00:40:25,280 --> 00:40:27,080 Speaker 1: the waters, like have I made a huge mistake by 645 00:40:27,080 --> 00:40:29,800 Speaker 1: not going to yell? Or is this going to be okay? 646 00:40:30,520 --> 00:40:35,239 Speaker 1: And and also he was kind of disappointed in her. Yeah, 647 00:40:35,239 --> 00:40:37,920 Speaker 1: they got He got so feisty, which made her want 648 00:40:37,920 --> 00:40:40,640 Speaker 1: to come back for more, like I feel like he asked. 649 00:40:40,640 --> 00:40:42,280 Speaker 1: I feel like she didn't come in with that purpose 650 00:40:42,320 --> 00:40:45,240 Speaker 1: of being like I gotta tell you something. She was like, well, 651 00:40:45,800 --> 00:40:49,000 Speaker 1: I don't know if I'll know, like he had to 652 00:40:49,080 --> 00:40:51,759 Speaker 1: kind of like bring it out of her that she 653 00:40:51,840 --> 00:40:56,680 Speaker 1: wasn't going to yell. And then he's then we go 654 00:40:56,760 --> 00:40:58,000 Speaker 1: to the second round. He says, do you want to 655 00:40:58,000 --> 00:41:01,000 Speaker 1: stay for lunch? We're having tuna or something. And then 656 00:41:01,719 --> 00:41:05,759 Speaker 1: i was like, they get up off her tuna and 657 00:41:06,280 --> 00:41:08,080 Speaker 1: I'm like, are they gonna up? What is going on? 658 00:41:08,440 --> 00:41:11,879 Speaker 1: And then she says, is that your chef? Okay? First 659 00:41:11,880 --> 00:41:15,880 Speaker 1: of all, what this dude chef? Now he lives in Malboon, 660 00:41:15,960 --> 00:41:19,160 Speaker 1: has his own chef, right, so tell me what teacher 661 00:41:19,400 --> 00:41:23,120 Speaker 1: is affording a fifteen million dollar house on the beach 662 00:41:23,400 --> 00:41:26,520 Speaker 1: in Malibu. Also trying to figure it out, like he's 663 00:41:26,560 --> 00:41:30,520 Speaker 1: got to have some some family money or something. His 664 00:41:30,600 --> 00:41:36,720 Speaker 1: grandmother's house, Yeah, exactly sure, and then his fiance's house. 665 00:41:37,880 --> 00:41:41,040 Speaker 1: Now it's all making sense. At the bomb drop about 666 00:41:41,040 --> 00:41:47,239 Speaker 1: the fielance, I don't know. Some shout out, some shoutouts 667 00:41:47,800 --> 00:41:51,920 Speaker 1: Hard Rock Cafe gotta shout out respect, Tunetown, got a 668 00:41:52,000 --> 00:41:57,080 Speaker 1: shout out, Tom Cruise, gotta shout out Bruce Willis, Rob Reiner, 669 00:41:57,239 --> 00:42:05,040 Speaker 1: Diana Ross Plan at Hollywood, very very current cutting. Did 670 00:42:05,040 --> 00:42:08,800 Speaker 1: you guys think that um Kelly's hair looked red. Okay, 671 00:42:08,800 --> 00:42:10,440 Speaker 1: So this goes back to what I was telling you 672 00:42:10,520 --> 00:42:13,040 Speaker 1: towards the end of last season, where it started to 673 00:42:13,080 --> 00:42:16,920 Speaker 1: have some warm hues in it was this, Okay, did 674 00:42:16,960 --> 00:42:19,520 Speaker 1: we have a break? Like? Was there? We had a 675 00:42:19,520 --> 00:42:22,040 Speaker 1: break in filming, we had time off, so I probably 676 00:42:22,280 --> 00:42:25,319 Speaker 1: I did go once to do a movie and dyed 677 00:42:25,360 --> 00:42:27,360 Speaker 1: my hair red. So I'm wondering if that was it 678 00:42:27,960 --> 00:42:30,879 Speaker 1: and they couldn't get it back to black, that could 679 00:42:30,880 --> 00:42:34,560 Speaker 1: be interesting. I did not care for. It's almost like 680 00:42:34,560 --> 00:42:40,440 Speaker 1: strawberry blonde ish. There was a cute melrose Place shout 681 00:42:40,440 --> 00:42:46,000 Speaker 1: out too. What do you guys think of Jill? Jill, 682 00:42:47,160 --> 00:42:50,640 Speaker 1: Jill from New York with her New York bagels? Jill? 683 00:42:50,760 --> 00:42:53,080 Speaker 1: Is she going to be on again? Is she going 684 00:42:53,120 --> 00:42:56,759 Speaker 1: to be Brandon's new girlfriend? What do you mean she's 685 00:42:57,360 --> 00:43:01,879 Speaker 1: on again? She's definitely on again. I don't know, well, 686 00:43:02,120 --> 00:43:04,600 Speaker 1: I don't know, but she just she came out of nowhere, 687 00:43:05,080 --> 00:43:09,200 Speaker 1: literally like a cannon. Mas was a cannon Mas. And 688 00:43:09,239 --> 00:43:12,319 Speaker 1: that that was the weirdest, most awkward standoff for so 689 00:43:12,360 --> 00:43:19,480 Speaker 1: long with the mace. That was and then and then 690 00:43:19,520 --> 00:43:23,000 Speaker 1: I noticed when finally Steve comes in and he breaks 691 00:43:23,040 --> 00:43:25,680 Speaker 1: it up and Brandon walks by her and he goes 692 00:43:25,719 --> 00:43:29,200 Speaker 1: like this, like like he's gonna hit her, Like like 693 00:43:29,320 --> 00:43:33,560 Speaker 1: he's going to hit a girl. Wait, Jen, did Luke 694 00:43:33,640 --> 00:43:39,239 Speaker 1: maybe you pepper spray for Christmas one year? Probably? Why? 695 00:43:39,320 --> 00:43:42,200 Speaker 1: But I guess the cannon Mas just reminded me that 696 00:43:42,239 --> 00:43:45,120 Speaker 1: I was like that he gave I think he gave 697 00:43:45,160 --> 00:43:47,239 Speaker 1: all the girls pepper spray for Christmas one year, and 698 00:43:47,280 --> 00:43:48,959 Speaker 1: I was so scared it was going to go off 699 00:43:48,960 --> 00:43:50,640 Speaker 1: that I was like hiding it at home and I 700 00:43:50,680 --> 00:43:54,520 Speaker 1: was terrified of it. Yeah. Anyway, before we go a 701 00:43:54,520 --> 00:43:58,280 Speaker 1: couple of fast things. Did you remember that your parents 702 00:43:58,280 --> 00:44:05,719 Speaker 1: are moving to Dion? No? Sure didn't. That's it. No, 703 00:44:05,840 --> 00:44:09,960 Speaker 1: they come back. Oh well, I mean they are moving 704 00:44:10,120 --> 00:44:14,040 Speaker 1: right now. Okay, do you know what happens, Well, I 705 00:44:14,080 --> 00:44:16,239 Speaker 1: know what happens eventually, Well, they come back. I don't 706 00:44:16,280 --> 00:44:20,279 Speaker 1: know they live there eventually because they have to move 707 00:44:20,360 --> 00:44:22,000 Speaker 1: back in my house so I can. He has his 708 00:44:22,080 --> 00:44:26,200 Speaker 1: heart tack and I'm on the floor. We didn't even 709 00:44:26,239 --> 00:44:34,160 Speaker 1: talk about Darla. Oh you know, let's let's have a 710 00:44:34,160 --> 00:44:35,879 Speaker 1: one on one with Darla and we'll talk it out. 711 00:44:35,920 --> 00:44:39,360 Speaker 1: Oh that's a perfect idea, perfect I mean, she's Darla 712 00:44:39,440 --> 00:44:42,960 Speaker 1: Hanson like she's been talked about for so long, it's 713 00:44:43,000 --> 00:44:50,440 Speaker 1: so true. Really has she? Ye? Oh yeah, Brenda's Darla 714 00:44:50,680 --> 00:44:55,000 Speaker 1: from Minnesota's her best friend. Because when at first I 715 00:44:55,040 --> 00:44:57,600 Speaker 1: was like, wait, is that the girl that Brandon was 716 00:44:57,640 --> 00:45:01,440 Speaker 1: with the beginning? But it wasn't. The other thing I like, 717 00:45:01,560 --> 00:45:06,399 Speaker 1: is okay? So he's clearly been flirting with Jill. Then 718 00:45:06,520 --> 00:45:09,920 Speaker 1: Jill admits she likes Brandon. Steve's like down with it, 719 00:45:10,000 --> 00:45:12,240 Speaker 1: and then he goes up to Celeste and says, hey, beautiful, 720 00:45:12,320 --> 00:45:15,880 Speaker 1: let's take a make it up. Because you think for 721 00:45:15,920 --> 00:45:18,640 Speaker 1: a second he thought he was gonna look up with Jill. 722 00:45:19,160 --> 00:45:22,480 Speaker 1: He well, he won, he said, I've always read but 723 00:45:22,560 --> 00:45:26,720 Speaker 1: like he say, Celeste now. But but Brandon was like, dude, 724 00:45:26,800 --> 00:45:28,799 Speaker 1: you look at every hot girl that walks by, Like, 725 00:45:29,640 --> 00:45:33,800 Speaker 1: how about banker in a relationship? Brandon was like, don't 726 00:45:34,080 --> 00:45:40,080 Speaker 1: mess this up, calling him out. Finally we talked. We talked. 727 00:45:40,120 --> 00:45:41,800 Speaker 1: We were all over the place in this podcast. We 728 00:45:41,840 --> 00:45:44,440 Speaker 1: talked about all the storylines, and we talked about the 729 00:45:44,440 --> 00:45:46,719 Speaker 1: fashion already, and we talked about do you guys have 730 00:45:46,719 --> 00:45:50,759 Speaker 1: any other favorite lines from the episode This is the 731 00:45:50,800 --> 00:45:56,480 Speaker 1: Bouncy nine, Why anyone Brandon gets the dress wrong and 732 00:45:56,520 --> 00:45:59,319 Speaker 1: he's like, this is a good nine, and he this 733 00:45:59,440 --> 00:46:01,640 Speaker 1: is a nine. Looks like a fun it's a bouncing nime. 734 00:46:01,800 --> 00:46:07,239 Speaker 1: Like I just I was amused right up the gate. 735 00:46:07,360 --> 00:46:10,399 Speaker 1: The whole thing was just amusing. I love it when 736 00:46:10,520 --> 00:46:13,640 Speaker 1: Steve and Brandon are in scenes together. They're funny together. 737 00:46:13,800 --> 00:46:16,839 Speaker 1: It's so cute, like the shots like when they come 738 00:46:16,880 --> 00:46:24,400 Speaker 1: in yeah thereforeheads. Yeah really that was so close, and 739 00:46:24,600 --> 00:46:31,680 Speaker 1: like I love time out of time for me? Wow. 740 00:46:33,280 --> 00:46:37,040 Speaker 1: Not Amy's starting season four strong. Not a complaint that 741 00:46:37,080 --> 00:46:39,399 Speaker 1: I'm just like raring to go, like I can't wait 742 00:46:39,440 --> 00:46:42,600 Speaker 1: for the next thing, Like, like, I definitely am intrigued. 743 00:46:42,640 --> 00:46:44,400 Speaker 1: I want to see what happens. But I wasn't like, 744 00:46:44,840 --> 00:46:49,120 Speaker 1: oh my gosh, how weird would it be really fast? 745 00:46:49,480 --> 00:46:51,840 Speaker 1: If when you're Luke Perry and you're like one of 746 00:46:51,880 --> 00:46:53,120 Speaker 1: the stars of the show and they're like, you've got 747 00:46:53,120 --> 00:46:55,840 Speaker 1: one scene, bro, one scene? Because he was probably filming 748 00:46:55,840 --> 00:46:58,480 Speaker 1: a feature film, and is he making eight seconds? I think? 749 00:46:58,520 --> 00:47:02,120 Speaker 1: So his hair is long? Did you see that shot 750 00:47:02,320 --> 00:47:07,040 Speaker 1: on the phone already made eight seconds? Really? Because remember 751 00:47:07,120 --> 00:47:10,160 Speaker 1: that was some wasn't there some tie into eight seconds 752 00:47:10,160 --> 00:47:14,000 Speaker 1: when that random horsewoman came and no, Anne was like 753 00:47:15,120 --> 00:47:20,560 Speaker 1: someone else said it, Jenny, do it and thank you 754 00:47:20,680 --> 00:47:25,560 Speaker 1: very much. Welcome. We needed that. What do you guys 755 00:47:25,600 --> 00:47:33,680 Speaker 1: give it? Not? Wow, she's been kind. Okay, fine, I'll 756 00:47:33,719 --> 00:47:36,239 Speaker 1: do a six too. I like rating them. This is 757 00:47:36,280 --> 00:47:39,239 Speaker 1: fun reading the episode that for season four, you'll be 758 00:47:39,239 --> 00:47:43,360 Speaker 1: like dancing with the stars. Hold up, let's score cards, 759 00:47:43,840 --> 00:47:46,319 Speaker 1: let's do that. Let's see that's up. Oh yeah, let's 760 00:47:46,360 --> 00:47:48,759 Speaker 1: let's do it with a bounty nine. Everybody can just 761 00:47:48,800 --> 00:47:50,359 Speaker 1: send me a ten. I'm always a ten out of ten. 762 00:47:51,560 --> 00:47:55,440 Speaker 1: That's what we love about you. Just the nostalgia. I mean, 763 00:47:55,480 --> 00:47:59,600 Speaker 1: I could have watched the PC scene just with my 764 00:48:00,040 --> 00:48:02,560 Speaker 1: knoculars trying to say, what else can I see? Like 765 00:48:02,640 --> 00:48:04,480 Speaker 1: I was, I did want them to spend more time 766 00:48:04,520 --> 00:48:07,200 Speaker 1: at the Malibou Roadhouse, which is gonna happen next week. 767 00:48:07,239 --> 00:48:13,640 Speaker 1: There's going to be more. I don't remember that. I 768 00:48:13,680 --> 00:48:18,879 Speaker 1: definitely Jill. Alright, well here's your marching orders, Season four, 769 00:48:19,040 --> 00:48:23,680 Speaker 1: episode two. What is it called? Girl from New York City? 770 00:48:23,840 --> 00:48:30,680 Speaker 1: I think Jill Fleming? So she is back? Okay, girls back. 771 00:48:33,160 --> 00:48:37,640 Speaker 1: Can't wait to see it. Thanks guys, hope you have 772 00:48:37,680 --> 00:48:40,640 Speaker 1: a great week. I love you. Bye.