WEBVTT - Buck Brief - Matthew Marsden

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<v Speaker 1>You're listening to The Buck Sexton Show podcast, make sure

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<v Speaker 1>wherever you get your podcasts.

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<v Speaker 2>Hey everyone, Welcome to the Buck Brief. This episode, our

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<v Speaker 2>special guest is Matthew Marsden, actor and filmmaker. You will

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<v Speaker 2>know him, no doubt, from Blackhawk Down, which I have

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<v Speaker 2>heard described by some of the most elite special operators

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<v Speaker 2>of all time as the most accurate war movie they've

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<v Speaker 2>ever seen, so at least modern war movie they've ever seen.

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<v Speaker 2>Also from Rambo, the most recent Rambo movie with Sebesi Sterlone,

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<v Speaker 2>as well as other films out there. Oh, the of

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<v Speaker 2>course Atlas Shrugged. Right, weren't you in the Atlas Shrugged

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<v Speaker 2>as well?

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<v Speaker 3>Yes?

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<v Speaker 1>I was.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah.

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<v Speaker 3>Man. How's it going, dude?

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<v Speaker 2>How's life in Texas with your with your like fifty kids?

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<v Speaker 3>Tell me what's going on?

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<v Speaker 1>No, it's great. I mean I love it here. You know,

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<v Speaker 1>the state is amazing. It feels it feels like freedom

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<v Speaker 1>every day. You know. That's the great thing. It feels

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<v Speaker 1>like freedom. And I don't have to like dodge homeless

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<v Speaker 1>people in the streets. Yeah, so that's that.

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<v Speaker 2>It's always I'm guessing you haven't missed La living all

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<v Speaker 2>that much.

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<v Speaker 1>No, you know, I miss I miss my friends out there.

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<v Speaker 1>Although you know, nine families from my community moved out here,

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<v Speaker 1>you know, from my close community moved out here, so

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<v Speaker 1>they all moved to this area. But apart from that,

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<v Speaker 1>now I don't miss it at all. I mean, it's

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<v Speaker 1>it's really it's it's quite something. You really you don't

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<v Speaker 1>realize how actually oppressive it is, you know, until you

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<v Speaker 1>until you get out of it.

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<v Speaker 2>You've never met you've never met my dog, Hey, ginger,

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<v Speaker 2>come here, let's see if on the podcast here for

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<v Speaker 2>a second.

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<v Speaker 3>I guess people can only see her.

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<v Speaker 2>They won't be able to hear her unless she starts barking,

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<v Speaker 2>which would be bad.

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<v Speaker 3>Do you have any dogs?

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<v Speaker 1>I don't, you know. I have kids. I always say that,

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<v Speaker 1>you know, a clean up enough poop every day from

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<v Speaker 1>that from them. But we did recently have an acquisition

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<v Speaker 1>of rabbits.

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<v Speaker 3>You have under that.

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<v Speaker 2>She's under my desk right now and now she's eating

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<v Speaker 2>my feet because she's a puppy.

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<v Speaker 1>Ow.

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<v Speaker 3>But you've got rabbits. What are rabbits like as a pet?

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<v Speaker 1>Well, you can always eat themless it goes wrong, right,

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<v Speaker 1>I mean that's the bonus. But they're actually really sweet.

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<v Speaker 1>They leave these lop eared rabbits and they just kind

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<v Speaker 1>of sit down. They look fluffy, and that's about it.

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<v Speaker 1>And that's what I wanted. I didn't want anyone like,

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<v Speaker 1>you know, like I said, my kids cause enough terror

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<v Speaker 1>and chaos in this house for me to have, you know,

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<v Speaker 1>throw an animal in the mix. That would just be

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<v Speaker 1>not very smart at all. So so yeah, I'm just

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<v Speaker 1>just kids.

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<v Speaker 2>So see, I have an Australia. I have an Australian Labradoodle,

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<v Speaker 2>so I would like to think that she has a

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<v Speaker 2>cool accent like you, even though technically she was born

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<v Speaker 2>in North Carolina.

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<v Speaker 1>So right, Yeah, a lot of people don't realize that

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<v Speaker 1>was Australian Shepherds are actual the American dogs. But you know,

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<v Speaker 1>my sister has like a double doodle I think it's called,

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<v Speaker 1>and it does look like a giant toy, like a

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<v Speaker 1>giant like kind of animated toy. It's amazing, good looking dog.

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<v Speaker 1>But yeah, I had a Rottweiler a few years ago

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<v Speaker 1>because that was in my family. While he was in

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<v Speaker 1>my family, but it's it's just not practical with all

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<v Speaker 1>these kids. You know, like I said, they cause enough.

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<v Speaker 1>You know, I always say that my kids should actually

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<v Speaker 1>be drafted into the army because it'd be great to

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<v Speaker 1>have like the Marsden Battalion and just drop them into

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<v Speaker 1>areas where they can just destroy stuff, you know, just

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<v Speaker 1>come in, just wreck the place. And my kids are

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<v Speaker 1>really good at doing that.

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<v Speaker 3>You know.

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<v Speaker 2>We have the have you seen the new Star Wars

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<v Speaker 2>lady who is going to be directing and what I'm

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<v Speaker 2>talking about, and she has got this thing about how

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<v Speaker 2>she wants to make men uncomfortable. Tell me what is

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<v Speaker 2>your what is your analysis of how Disney can risk

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<v Speaker 2>even one of the most valuable franchises they have.

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<v Speaker 1>Well, I think part of the issue is people don't

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<v Speaker 1>understand like how deep the indoctrination goes, right, how deep

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<v Speaker 1>it is. Part of the issue is they have absolute

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<v Speaker 1>contempt for the audience, which in any other area, any

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<v Speaker 1>of the sphere, you'd be in a situation where you

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<v Speaker 1>would never ever say anything like that. I mean, can

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<v Speaker 1>you imagine like Nike coming out I mean, I know

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<v Speaker 1>they did it kind of with a kaepenic thing, but

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<v Speaker 1>can you imagine someone coming out and saying, hey, listen,

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<v Speaker 1>I want you to feel uncomfortable. And the funny thing

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<v Speaker 1>is is the majority of people to watch those movies

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<v Speaker 1>as well a men or at least boys, right, And

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<v Speaker 1>so what you've got is identity politics just destroys everything.

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<v Speaker 1>I know, you know that, but I mean, look, when

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<v Speaker 1>I very first came into the entertainment industry, one of

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<v Speaker 1>the main things that I was told, and I knew

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<v Speaker 1>it anyway, because it's just common sense, is don't alienate

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<v Speaker 1>your audience, right, don't go out there and give them

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<v Speaker 1>any excuse not to like you and so and look,

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<v Speaker 1>you know if the left haad and come for me,

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<v Speaker 1>I would never have said anything as an aptit to

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<v Speaker 1>kept a down low, you know, kept on the download,

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<v Speaker 1>because you don't want to alienate people. What they're doing

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<v Speaker 1>all the time, they show contempt. It's so weird. And

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<v Speaker 1>this is what I've been saying to a lot of

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<v Speaker 1>conservative don is it's actually an opportunity because they're not

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<v Speaker 1>making good movies anymore. They're not making movies that have

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<v Speaker 1>really great storylines with anyone, with things that characters can overcome, right,

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<v Speaker 1>which is that the old you know, the tried and

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<v Speaker 1>tested a model for stories on the whole. You know,

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<v Speaker 1>you have a person there's to have become these obstacles

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<v Speaker 1>and then they become better for it. Well, what Disney

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<v Speaker 1>has done, Disney, Marvel and Star Wars underneath that banner

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<v Speaker 1>is all they have now is a bunch of girl

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<v Speaker 1>bosses that are just perfect in every way, shape or

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<v Speaker 1>form and way better than men. And they don't overcome anything,

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<v Speaker 1>they don't learn anything, they don't move forward. They're not

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<v Speaker 1>better for it. They're just massively overpowered. And part of

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<v Speaker 1>the reason buck is they're doing diversity hires, right, They're

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<v Speaker 1>not hiring people because they're good anymore. It shouldn't matter, right,

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<v Speaker 1>it shouldn't matter how good. And you know, people say,

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<v Speaker 1>well she won like that particular director one two short

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<v Speaker 1>documentary Oscars, Well, let me tell you I've made two documentaries.

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<v Speaker 1>I produced one and the other one that it didn't

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<v Speaker 1>end up going out is they're two very very different

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<v Speaker 1>animals to motion pictures. Right. So, but you have to

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<v Speaker 1>ask yourself, why are they hiring these people? And why

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<v Speaker 1>wouldn't you fire someone that will come out and say

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<v Speaker 1>I want men to feel uncomfortable as a human being.

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<v Speaker 1>Why would you want that anyway? But why would you

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<v Speaker 1>want to filmmaker to do that. I don't understand it.

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<v Speaker 1>I don't understand number one on a business level and

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<v Speaker 1>number two on an actual personal level. Why would you

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<v Speaker 1>so imagine you're an actor. They're going to be male

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<v Speaker 1>actors in this film. And that woman just turned around

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<v Speaker 1>and said, I want men to feel uncomfortable. So the

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<v Speaker 1>actors are they're going to feel like, oh no, no,

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<v Speaker 1>not then, because they're special. Okay, what about the cinematographer

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<v Speaker 1>as well? No, not then. Okay, So your statement's ridiculous

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<v Speaker 1>on the face of it, and he shows that you

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<v Speaker 1>don't have any kind of whatever. However, she's however, while

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<v Speaker 1>she's done in the past, there's clearly a bias in

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<v Speaker 1>there that's going to influence her filmmaking, and I don't

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<v Speaker 1>see how it's going to be good at all.

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<v Speaker 2>Right, Yeah, well, I want to talk to you about

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<v Speaker 2>the movie that you're making, by the way, which I'm

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<v Speaker 2>sure is going to be very good or you're going

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<v Speaker 2>to be a part of.

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<v Speaker 3>I should say, are you making it, are you in it?

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<v Speaker 2>Or both?

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<v Speaker 1>It's done, it's done, it's done. Done.

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<v Speaker 2>Ah, this is what we call tease in the business.

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<v Speaker 2>We're gonna get to this in a second. Yeah, but

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<v Speaker 2>check it out today. All right, tell us about this movie.

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<v Speaker 1>Well, I can't say too much about it because I'm

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<v Speaker 1>under an NDA, but it is let's put yes, sneaky,

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<v Speaker 1>but the audience of your your audience is going to

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<v Speaker 1>absolutely love it. It's basically based on a true story

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<v Speaker 1>of corporate corruption in an area that you we might

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<v Speaker 1>have had certainly for me, I might have had some

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<v Speaker 1>controversy over the past couple of years. But but let's

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<v Speaker 1>put this Andy Wakefield, doctor Andy Wakefield directed the film,

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<v Speaker 1>so that should give you some kind of an idea

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<v Speaker 1>if you know anything about his history, and he's he's

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<v Speaker 1>an amazing guy, absolutely amazing guy. So yeah, I'm hoping

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<v Speaker 1>that it's going to shed some light on some areas

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<v Speaker 1>that we seem to have just moved on from that

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<v Speaker 1>we haven't really explored, you know what I mean.

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<v Speaker 2>Amazing movie, vague, vague, not read in on this for

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<v Speaker 2>everyone yet, you know, Secret Squirrel, YadA ya, but going

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<v Speaker 2>to be amazing put Secret Squirrel.

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<v Speaker 1>I like this, it's gonna be amazing film.

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<v Speaker 3>But probably the best.

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<v Speaker 2>Where some people are saying the best movie that Matthew

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<v Speaker 2>Marsden's ever made. He's a great guy, Marsden, fantastic, you know,

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<v Speaker 2>like amazing guy, Like maybe gonna work for me one

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<v Speaker 2>day in the White House.

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<v Speaker 1>I don't know.

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<v Speaker 2>Even people that don't do impressions of Trump have a

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<v Speaker 2>Trump impression because he is so emblazoned.

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<v Speaker 3>Into the minds of the American people.

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<v Speaker 2>Now, like you just you start thinking like, probably the

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<v Speaker 2>best you know, he's he's he's amazing. Some people are

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<v Speaker 2>saying yes, yeah, like Chris Walkin, right, what's the last

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<v Speaker 2>you know? Christopher Walken is also a very unique character

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<v Speaker 2>and has uniquecharacteristics. So Matthew, let's talk to this general movies.

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<v Speaker 2>I I went to a movie recently and first Soul's

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<v Speaker 2>Ferrari and I hated it.

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<v Speaker 3>But I don't know if you've seen Ferrari. I thought

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<v Speaker 3>it was I thought it.

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<v Speaker 2>Was shockingly horrible movie given the subject matter, which should

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<v Speaker 2>be fascinating and really interesting, and it was just garbage.

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<v Speaker 2>And I'm not anti Adam Driver either, some people just

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<v Speaker 2>don't like him as an actor. I think he's good

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<v Speaker 2>in some things, not good in other things. But it

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<v Speaker 2>was it was a crappy movie. But this thing of

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<v Speaker 2>thirty minute long intros now of commercials and trailers. I

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<v Speaker 2>I tweeted this out of the day. I was like,

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<v Speaker 2>it's like the it's like the movie theater industry is

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<v Speaker 2>tired of dying slowly and so now it's just having

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<v Speaker 2>a pillow smothered over its face. And people are like, wow,

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<v Speaker 2>that really seems to be true, like I'm never going back.

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<v Speaker 1>Yeah, no, I mean it's it's uh. I just look

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<v Speaker 1>for mainly the people like us especially have families, professionals

0:12:03.097 --> 0:12:04.817
<v Speaker 1>like we don't have time to sit there and sit

0:12:04.857 --> 0:12:07.017
<v Speaker 1>through all those ads. And you know, I do understand

0:12:07.057 --> 0:12:10.937
<v Speaker 1>that the movie industry has really been hit hard in

0:12:11.017 --> 0:12:14.377
<v Speaker 1>the theaters, especially over the past few years, and they're

0:12:14.377 --> 0:12:16.817
<v Speaker 1>really struggling. It's a wonder any of them are still

0:12:17.457 --> 0:12:20.057
<v Speaker 1>still operating, to be honest, I mean, you know, but

0:12:20.257 --> 0:12:22.297
<v Speaker 1>that a lot of them now are saying I don't

0:12:22.297 --> 0:12:25.057
<v Speaker 1>want to go through distributors anymore. I want to go

0:12:25.137 --> 0:12:27.817
<v Speaker 1>directly to the filmmakers, which would be which would be

0:12:27.817 --> 0:12:32.497
<v Speaker 1>a really great development because those distributors are a lot

0:12:32.537 --> 0:12:34.497
<v Speaker 1>of the gatekeepers, which is why you don't see a

0:12:34.497 --> 0:12:37.817
<v Speaker 1>lot of movies that you want to see. But yeah,

0:12:37.857 --> 0:12:39.297
<v Speaker 1>I mean I want to go and watch a movie,

0:12:39.457 --> 0:12:42.857
<v Speaker 1>especially when you know we have Netflix and you can

0:12:42.937 --> 0:12:47.337
<v Speaker 1>just press a button. Or my airports are dying. Can

0:12:47.337 --> 0:12:48.017
<v Speaker 1>you still hear me?

0:12:48.217 --> 0:12:49.697
<v Speaker 3>Oh yeah, yeah, yeah, keep going.

0:12:50.217 --> 0:12:52.257
<v Speaker 2>We're almost We're almost at the you know what, me

0:12:52.337 --> 0:12:54.257
<v Speaker 2>let me just say, let me say a word. A

0:12:54.297 --> 0:12:56.737
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0:12:56.777 --> 0:12:59.537
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0:12:59.657 --> 0:13:02.897
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0:13:17.017 --> 0:13:18.897
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0:13:18.937 --> 0:13:20.257
<v Speaker 3>Speak up at a school board.

0:13:20.017 --> 0:13:23.217
<v Speaker 2>Meeting or about vaccine mandates and suffer the consequences of

0:13:23.257 --> 0:13:27.457
<v Speaker 2>the lib cancelation. Your legal defense is covered. Your right

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<v Speaker 2>I've partnered with these guys. I really believe in what

0:13:52.097 --> 0:14:00.137
<v Speaker 2>they're doing. All right now, Matthew, the best movie you've

0:14:00.177 --> 0:14:01.697
<v Speaker 2>seen in the last year. We'll let you close it

0:14:01.697 --> 0:14:02.097
<v Speaker 2>out with this.

0:14:03.497 --> 0:14:10.577
<v Speaker 1>Oh my gosh, you know what, they haven't been the many.

0:14:10.857 --> 0:14:12.977
<v Speaker 1>I don't think there have been that many movies that

0:14:13.057 --> 0:14:15.617
<v Speaker 1>have really like moved me in any way, shape or form.

0:14:15.857 --> 0:14:18.177
<v Speaker 1>You know, it's sad that I don't really get excited

0:14:18.977 --> 0:14:21.057
<v Speaker 1>about it. But I will tell you the one movie

0:14:21.097 --> 0:14:24.097
<v Speaker 1>that I watch a lot, and I just think it's

0:14:24.097 --> 0:14:28.617
<v Speaker 1>an absolute masterpiece. I mean, I did watch The Equalizer

0:14:28.657 --> 0:14:32.217
<v Speaker 1>three last night. I did watch that. I love Denzel

0:14:32.257 --> 0:14:34.657
<v Speaker 1>in everything that he does. I thought that was it.

0:14:34.737 --> 0:14:36.977
<v Speaker 1>I thought the screenplay was a little bit modeled, but

0:14:37.217 --> 0:14:42.697
<v Speaker 1>you know, you still like Denzel going kicking ass with

0:14:42.897 --> 0:14:47.497
<v Speaker 1>all the bad guys. I like that. But my go

0:14:47.577 --> 0:14:54.137
<v Speaker 1>to is nineteen seventeen. I just think it's Oh yeah,

0:14:54.377 --> 0:14:58.977
<v Speaker 1>I just think it's just an absolute masterpiece of a film.

0:14:59.657 --> 0:15:01.617
<v Speaker 1>On every level, it's just brilliant.

0:15:02.217 --> 0:15:05.337
<v Speaker 2>Matthew Mars did everybody continue to follow him, look for

0:15:05.377 --> 0:15:08.537
<v Speaker 2>his great work, and talk to you again on the

0:15:08.537 --> 0:15:10.017
<v Speaker 2>podcast next time.

0:15:10.337 --> 0:15:10.817
<v Speaker 3>She'll Die