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Speaker 1: Boody who.

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Speaker 2: This is George with a very special announcement. First of all,

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Speaker 2: my debut stand up comedy special is coming out officially

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Speaker 2: on December second. It will be available to rent or

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Speaker 2: purchase on Amazon and Apple and various other websites. But

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Speaker 2: that is not what I'm here to announce, because it

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Speaker 2: is not available yet. I am merely saying that because

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Speaker 2: I wanted to tell everyone that I am having a

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Speaker 2: big special release show at the Bellhouse in Brooklyn, New

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Speaker 2: York on December third. That is the day after the

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Speaker 2: special comes out, So come to the Bellhouse, come celebrate.

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Speaker 2: It will be a big show. It'll be like a

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Speaker 2: George and Friends style show with some extra special guests

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Speaker 2: and surprises. And if you buy tickets now then you

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Speaker 2: won't have to buy them later when I announced the

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Speaker 2: lineup publicly, so.

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Speaker 1: You heard it here.

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Speaker 2: First, Bellhouse, December third, Special Release Georgian Friends show. And

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Speaker 2: then the second thing is that Sam and I are

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Speaker 2: doing a sort of last minute kind of industry adjacent show,

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Speaker 2: a special edition Stradio Lab Live at on Air Fest

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Speaker 2: in Los Angeles on November eleventh. It is a podcast

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Speaker 2: festival and there are a few tickets set aside for

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Speaker 2: sort of the ga general admission crowd. If you don't

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Speaker 2: professionally work in podcasting, you can still see us do

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Speaker 2: our thing. So in conclusion, come to my special release

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Speaker 2: show at the Bellhouse in Brooklyn on December third, and

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Speaker 2: if you're in LA, come see us at on AirFest

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Speaker 2: on November eleventh. The tickets for that are on the

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Speaker 2: Bellhouse website, on my link tree on the Stradia lablink tree. Honey,

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Speaker 2: if you look for them, y'all find them. Enjoy.

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Speaker 3: The showcast starts now.

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Speaker 4: Welcome to zoron Mamdani's New York City. We did it,

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Speaker 4: We did it. We are recording mirror twenty hours after

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Speaker 4: the were called. I don't I don't know how to

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Speaker 4: keep time, much like our guests, but I can already

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Speaker 4: feel the energy in the city changing. I'm already not

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Speaker 4: paying for the bus. I don't think it's officially free yet,

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Speaker 4: but I didn't pay today when I board it.

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Speaker 3: The energy is absolutely electric. I will say I flew

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Speaker 3: in yesterday. Last night. I got in, and I tell

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Speaker 3: you I was pretty fake. I was faking it. Everyone

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Speaker 3: around me was like WHOA, and I was sort of like, yeah,

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Speaker 3: I've been here. The whole time too, you know what

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Speaker 3: I mean. Like I was like, yeah, I felt like

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Speaker 3: a bit of a fake fan.

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Speaker 4: I know, it's crazy that you left New York during

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Speaker 4: the one exciting thing that happened.

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Speaker 3: I know, it so messed up.

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Speaker 4: Well, you know, as someone who's been here the whole time,

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Speaker 4: I can tell you the city's completely different. Like I said,

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Speaker 4: I'm not paying for the bus. I had a child yesterday.

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Speaker 4: Again the way I dropped it off just at city Hall.

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Speaker 4: I said, they'll figure it out. They said, free childcare.

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Speaker 4: I dropped it off in my car that was giving

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Speaker 4: to me by state.

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Speaker 3: Amaze.

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Speaker 4: I got a VW bug and I dropped the baby off.

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Speaker 4: I went to you know, you're allowed to do just

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Speaker 4: a twenty four hour clubbing under the Zone administration, so

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Speaker 4: you can have a baby. The state takes care of

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Speaker 4: it and then you just go clubbing.

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Speaker 3: Yeah. I actually went to get a sandwich today and

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Speaker 3: they were like, that'll be twenty three dollars and I

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Speaker 3: was like, no, not in mine. You haven't read the

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Speaker 3: New York Hoast yet, it seem bring it back down

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Speaker 3: to twelve.

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Speaker 4: Down to twelve and what else am I doing? I am, Oh,

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Speaker 4: I'm not paying rent yay, because did you know freezing

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Speaker 4: the right means you just don't.

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Speaker 3: Have to pay it anymore. That's amazing.

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Speaker 4: So anyway, I'm very excited. I felt very invigorating to

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Speaker 4: cast my ballot, and needless to say, I'm excited for

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Speaker 4: him to be completely worn down by the machine and

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Speaker 4: approximately three weeks.

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Speaker 3: I know that's the whole thing. Though, I'm kind of excited.

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Speaker 3: It's like fun. It's like watching The Joker. You're like,

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Speaker 3: let's see how someone goes from happy and good to

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Speaker 3: like Saturday. Do you feel like you're like the only

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Speaker 3: person on earth who hasn't met him?

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Speaker 4: You know?

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Speaker 3: On a yeah, it kind of felt like when like

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Speaker 3: someone famous dies and everyone has the picture with them.

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Speaker 4: I would even go so far as to say, so

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Speaker 4: his whole thing is that he did a really good

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Speaker 4: job of meeting so many people and walking up and

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Speaker 4: down Manhattan whatever. But at one point it sort of

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Speaker 4: cheapened it where I was like, okay, so he'll just

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Speaker 4: say yes to the opening of an envelope.

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Speaker 1: Like why has he met literally the jerem O Harris,

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Speaker 1: he's a.

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Speaker 4: Jerem O Harrison politics, why has he not? And shout

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Speaker 4: out to your friend Jeremy. But why has he not?

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Speaker 4: Why has he met comedians? And yes, comedians, we know

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Speaker 4: that I've been on TV, but even ones that haven't.

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Speaker 1: He was at Bellhouse with Mary Beth.

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Speaker 4: Yes, and Mary be thankfully has been on TV since then,

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Speaker 4: so that's okay, But at the time, actually she haven't

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Speaker 4: been on television. I'm seeking people who have been on television.

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Speaker 4: I just want to say we are. Literally I'm I'm

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Speaker 4: I'm so excited for this guest.

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Speaker 3: I can't wait.

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Speaker 4: I think to me, I'm like generational talent, Like I'm like,

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Speaker 4: this is our next Lisa Gutro. Thank you, so please

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Speaker 4: welcome Ivy woke. Okay, So, Ivy, how does it feel

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Speaker 4: to be a generationally gifted comedic actress?

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Speaker 1: It feels really great. I'm constantly employed because nobody'd be

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Speaker 1: doing it like me. So, uh, you know, that's money

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Speaker 1: in my pocket. I'm happy. I'm smiling. Bought these glasses

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Speaker 1: for thirty dollars. I reallys z any optical. My name is

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Speaker 1: scripted on the side.

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Speaker 3: I saw that and I said, that's did you pay

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Speaker 3: extra for that?

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Speaker 1: It was about two dollars extra.

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Speaker 2: Oh my god, it's real. Still well, Luckily your name

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Speaker 2: is very short, so you didn't.

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Speaker 4: Have to pay too much.

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Speaker 1: It was it was fifty cents per letter. Yeah, I

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Speaker 1: feel great. I feel great about my life. I feel

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Speaker 1: very good and I'm not addicted to zenx anymore. So

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Speaker 1: things are great.

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Speaker 4: And do you add live on set?

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Speaker 1: Yeah? Yeah, But I feel like when I'm working, I

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Speaker 1: actually get mad quiet because the thing is like, unfortunately

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Speaker 1: I am like supremely gifted, but uh, the entire filmmaking

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Speaker 1: process to me is just so tedious and at times

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Speaker 1: really annoying.

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Speaker 4: This is what people don't tell you. And I'm semi

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Speaker 4: intentionally they might not intentionally. Have not done a lot

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Speaker 4: of acting in my life, mostly because I'm not very

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Speaker 4: good at it.

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Speaker 3: I'm gonna say not intentionally.

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Speaker 2: You're gonna say not intentionally, Yeah, Okay, I'm.

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Speaker 3: Saying if somebody were like, hey, George, guess what you

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Speaker 3: get to be?

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Speaker 4: If someone offered me, sure, But I'm saying I'm not

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Speaker 4: hitting the pavement and auditioning. It's not a priority for me.

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Speaker 4: No whereas I am, for example, getting rejected from writers' rooms. Oh,

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Speaker 4: that is something that I would say is non intentional

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Speaker 4: that I'm.

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Speaker 1: Not It's an accident. Yeah, acting is like completely I

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Speaker 1: find it completely exhausting and irritating, and it's like you

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Speaker 1: have to, you know, stop everything that you're doing if

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Speaker 1: a plane is overhead, and it's like, well, I actually

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Speaker 1: want to get off work before the grocery store closes.

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Speaker 1: It's all I have is a single pork chop in

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Speaker 1: My Friends show, No, when people.

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Speaker 3: Would get mad that there was like a coffee cup

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Speaker 3: in a Game of Thrones, still, I'd be.

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Speaker 1: Like, you don't even know how hard it is. We

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Speaker 1: know there's not out something of that scope and caliber.

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Speaker 1: It's like, leave the cup in.

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Speaker 3: Leave the cup.

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Speaker 4: So we are recording while all the terrible reviews of

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Speaker 4: that Ryan Murphy Shore coming out.

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Speaker 1: I watched the last episode last night.

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Speaker 4: Okay, we need to talk about it. I haven't watched

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Speaker 4: it yet, but I'm kind of like, obviously, yes, I

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Speaker 4: believe that it's bad, but I'm a little bit like

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Speaker 4: you guys don't know how many people worked in order

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Speaker 4: for that to look even as good as it does.

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Speaker 4: The costume department.

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Speaker 1: Alone, niss Nash is like in a trench, which you know,

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Speaker 1: I like to see Nissie in a trench.

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Speaker 4: To me, NISI Nash.

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Speaker 2: I've always said is like I would say, top five comedic.

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Speaker 4: Actors of all times? Oh, I fully like I think

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Speaker 4: it's uh Julia, Louis dreyf Is, Lisa Kudron.

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Speaker 1: Wendy McClendon Covey and when they maximize their joints Lay

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Speaker 1: on the HBO show Getting on m I was shaking

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Speaker 1: King Krakowski, Jane Krakowski.

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Speaker 4: Ivy Ivy Wolk.

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Speaker 1: Yeah, yeah, Jo.

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Speaker 4: But I love Jin Grofflo obviously, but I'm talking like

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Speaker 4: precise surgical comedy of the type that like Jan Krokowski does. Yeah,

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Speaker 4: it's very difficult to find.

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Speaker 1: Yeah, who is your.

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Speaker 4: Biggest comedic actor inspiration?

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Speaker 1: Oh my god? I mean I feel like I look

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Speaker 1: for it everywhere. I just like in everything that I watch.

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Speaker 1: I'm really because they're the types of roles I play

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Speaker 1: are like character parts. I'm always looking for, Like who's

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Speaker 1: playing funny waitress number three? You know who, Like at

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Speaker 1: the end of the movie, like when the credits are

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Speaker 1: rolling really fast because it's like, let everybody get out

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Speaker 1: of the theater. We have seats to clean, I'm like, Okay,

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Speaker 1: who was silly bell Hop? You know? And that's always

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Speaker 1: who I'm tuning in for it's always just whoever makes

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Speaker 1: up the ensemble, like just a cog in the bigger machine,

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Speaker 1: because I feel like when I'm acting, it's like I know,

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Speaker 1: like what my utility is like, at least thus far

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Speaker 1: in my career, is like I am the character that

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Speaker 1: says the chaotic, annoying things that makes the other characters

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Speaker 1: look more like the hero, so that people can root

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Speaker 1: for them, root against me, and then that propels their narrative.

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Speaker 1: And so I'm always looking out for who else is

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Speaker 1: doing stuff like that. Yeah, and there's very few people

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Speaker 1: of my generation that fill the niche that I do.

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Speaker 4: You know, what I think you're doing is actually taking

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Speaker 4: jobs from gay men, because well you're playing kind of traditionally.

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Speaker 1: It would be like oh, honey, those shoes, Like that's

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Speaker 1: what I'm doing. I'm the new old honey those shoes. Yeah.

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Speaker 4: Yet also like an even more depraved like sort of

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Speaker 4: like a gay guy coming out of the club, foam

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Speaker 4: foaming out of his mouth, being like on drugs, just

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Speaker 4: being like, oh, that's going on over it, hair, what's that?

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Speaker 3: Yeah? I can see you playing like an assistant. It'd

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Speaker 3: be sort of gay assistant where they're like, oh, that

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Speaker 3: on my desk my Monday, and you're like, yeah, no,

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Speaker 3: And I have.

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Speaker 1: Played I've played an assistant, I've played a candy shop employee.

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Speaker 1: I've played a hotel clerk. I've played a high school student.

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Speaker 1: Mean high school student who's mean to gay guys.

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Speaker 4: Yes, that's nice, but also nice to other gay guys,

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Speaker 4: nice other gig guys, guys against each other.

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Speaker 1: Yes, So my utility in this industry is sort of

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Speaker 1: to pit gay men against each other and to just

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Speaker 1: sit back and watch with a little smirk on my

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Speaker 1: face and a bang just like kind of floating in

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Speaker 1: the wind. And that's kind of that's that's my specialty.

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Speaker 3: When did you commit to the bank?

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Speaker 1: I have had banks since I was I think four

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Speaker 1: years old.

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Speaker 3: Four years old. Wow, yeah, that's amazing. And did it

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Speaker 3: change your life immediately?

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Speaker 1: Yeah? Yeah, definitely. Yeah. I started getting you know a

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Speaker 1: lot of people questioning my mother as to what my chromosomes.

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Speaker 4: Were because of the bangs.

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Speaker 1: Yeah, definitely. I mean I once did a show where yeah,

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Speaker 1: or you know, when I when.

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Speaker 4: I see a little baby, when I see a little

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Speaker 4: baby with bangs, I say, sorry, is that baby genderqueer?

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Speaker 3: No?

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Speaker 1: Exactly, Those are the allegations that have been thrust upon

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Speaker 1: me since I was very young, especially because I did

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Speaker 1: grow up during roller Derby, so I was already you

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Speaker 1: grew doing I did roller Derby from the time I

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Speaker 1: would eight years old to thirteen.

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Speaker 4: Did the bangs come before or after the roller Derby honey?

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Speaker 1: During?

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Speaker 4: Oh got her?

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Speaker 3: Interesting?

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Speaker 1: Well it was before I had I had bangs before,

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Speaker 1: they only got shorter during and then post.

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Speaker 3: There was a roller derby league for children.

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Speaker 1: Oh yeah, I'm from Los Angeles, California. A bitch. Oh

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Speaker 1: it's different over there.

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Speaker 4: Casting bring me people who were on a roller derby

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Speaker 4: team when they were eight years old?

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Speaker 1: No, literally, need the film? No literally. And what's really

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Speaker 1: surprising about roller Derby is that most of the girls

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Speaker 1: that I grew up with doing ruler Derby are not

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Speaker 1: lesbians today.

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Speaker 4: Well, yeah, that's that's the LA, right. It's like, if

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Speaker 4: you're in LA, you don't have to be a lesbian.

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Speaker 1: No exactly, And that's very dark and sad to me. Yeah,

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Speaker 1: which not being a lesbian is very hard and sad

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Speaker 1: because here's the thing, It's like, I don't really have

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Speaker 1: that many like straight up lesbians in my life these days.

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Speaker 1: Really when I do link with the squad of lesbians,

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Speaker 1: I leave there like literally feeling like I'm ready to

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Speaker 1: grow my bush down to my ankles and like like

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Speaker 1: Lilith fair myself into like a field of wheeds. You know,

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Speaker 1: it's really empowering, like hearing like a butch, a butch

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Speaker 1: dyke be like, you know, I just love eating pussy

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Speaker 1: no matter what way it's thrown at me. That's just like,

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Speaker 1: that's so it feels so transformative.

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Speaker 4: When you are around a group of lesbians, you just

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Speaker 4: sort of remember that it is okay to be comfortable

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Speaker 4: with yourself. Yes, And then when you leave, you're like,

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Speaker 4: this could honestly, I actually need to unlearn that because

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Speaker 4: who knows.

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Speaker 1: What who what the I could do?

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Speaker 4: Yes, if I only let myself go, like we're talking,

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Speaker 4: I could suddenly start like raising ferrets in the woods.

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Speaker 3: Yeah, it's scary.

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Speaker 1: If you listen to a Judith Butler, ass ho, you're

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Speaker 1: gonna end up with like a cage of weasels in

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Speaker 1: the back of your van selling them on the side

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Speaker 1: of the highway, being like this this little Jimmy, take

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Speaker 1: him for a spin for me.

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Speaker 4: Yeah.

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Speaker 2: No, the mutual aid is going to be suffocating. Yeah,

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Speaker 2: it's gonna You're going.

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Speaker 4: To live in an environment of I'm paying everybody's complete abundance.

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Speaker 1: I'm paying everybody.

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Speaker 2: You're in debt. Yeah, Chase is calling you every day.

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Speaker 2: They're saying where is the money?

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Speaker 1: And I said, I had to pay Tiffany's water bill. Yeah,

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Speaker 1: we fucked one time ten years ago. I owe her

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Speaker 1: for the rest of my life. She made me come

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Speaker 1: with my legs up. That's what would happen if I

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Speaker 1: was a lesbian. I would get into deep shit of.

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Speaker 3: My landlord is, of course lesbian, as many know, And

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Speaker 3: sometimes when I pay her rent, I'm like, it's crazy

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Speaker 3: that you're like still accepting this.

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Speaker 4: Right, if your landlord is a lesbian and you pay rent,

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Speaker 4: that's mutual aid, right.

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Speaker 1: And also maybe the landlordism undos the lesbianism.

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Speaker 2: Oh yeah, she comes in, it renders her by maybe totally.

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Speaker 3: Yeah, So it.

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Speaker 1: Renders her by because she's a capitalist and a dike,

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Speaker 1: and so it just renders her.

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Speaker 3: I always to just be like, don't worry about it

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Speaker 3: this month, Like I just want I really expect that

306
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Speaker 3: half the time. Yeah, so far not the case. Not

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Speaker 3: the case.

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Speaker 1: Well, that's because I feel like, I don't know, gay

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Speaker 1: guys will always be a cut above a lesbian in

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Speaker 1: terms of like the society sure of power. You know.

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Speaker 4: Well, that's the other thing is that as a gay

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Speaker 4: guy working in entertainment, you're in fact redistributing wealth by paying. No,

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Speaker 4: that's a lesbian that owns an RV and I'm not.

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Speaker 4: That's not some joke I'm making. She literally yeah, and

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Speaker 4: it is regularly parked outside your home.

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Speaker 1: That's so awesome. Does it ever block like the door,

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Speaker 1: the passageway.

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Speaker 3: No, she's very respectful about not blocking them.

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Speaker 1: That's one the ways. Speaking of lesbian I'm taking off

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Speaker 1: my supreme flannel.

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Speaker 4: R Oh my god, that's supreme.

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Speaker 1: Yeah, it's very warm. You can feel the inside its

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00:14:41,640 --> 00:14:44,120
Speaker 1: fleece is actually quite Oh, I believe it must have

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Speaker 1: come from a real animal.

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Speaker 4: Well, let's hope, so I believe it.

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Speaker 2: I mean the science they would have to invent to

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Speaker 2: make that out of fake animal is.

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Speaker 3: Oh, they have the science.

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Speaker 1: You believe they have the science.

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Speaker 3: I believe they have the science. Scientists can do a

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Speaker 3: lot of crazy stuff these days.

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Speaker 1: That's actually very true.

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Speaker 4: In this house. We believe science is real.

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Speaker 1: In this house. What does what does the rest of

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00:15:02,400 --> 00:15:04,640
Speaker 1: the sign say, It's like in this house.

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Speaker 4: Kamala is boots, Cheney, Cheney is Bay. Bipartisanship never sinks

337
00:15:14,960 --> 00:15:17,840
Speaker 4: is tea? By partisanship is tea.

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Speaker 1: Parker glasses or cunts skinny scarves are mama and having

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00:15:27,200 --> 00:15:30,640
Speaker 1: having a sale. My mother will never come out from

340
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Speaker 1: underneath how much she wracked up in J Crew credit

341
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Speaker 1: cards for my childhood.

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Speaker 4: I had a Crew is literally like a predatory lender,

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Speaker 4: I would say for suburban white.

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Speaker 1: Mons, Oh my god, literally.

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Speaker 4: On trial, like boost mobile is a.

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Speaker 1: Cashmere sweater, like literally is a noose for a white woman.

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00:15:50,480 --> 00:15:53,400
Speaker 4: The Kashmere sales happening at JA Crew, I don't know how,

348
00:15:53,480 --> 00:15:55,840
Speaker 4: but somehow they trick you into thinking it's cheap, but

349
00:15:55,880 --> 00:15:58,960
Speaker 4: then you're like paying it on Klarna for well, it's.

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Speaker 1: They make it out of fur from missing people. So

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00:16:02,400 --> 00:16:04,880
Speaker 1: like that meme that's like Rby's steak nuggets, like a

352
00:16:04,880 --> 00:16:07,360
Speaker 1: whole like twenty five piece steak nugget for two ninety nine,

353
00:16:07,400 --> 00:16:10,360
Speaker 1: Like that's missing people. We're not talking about how the

354
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Speaker 1: fur that's the hair of missing people.

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Speaker 3: When I worked at the Upper east Side J Crew

356
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Speaker 3: and oh, moms would come in like.

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Speaker 1: That's head right there. Even that it was.

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Speaker 3: Tough, like they'd come in and buy a cashmere in

359
00:16:22,680 --> 00:16:25,240
Speaker 3: every size just in case. Yeah, and it was like

360
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Speaker 3: a cash stop.

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Speaker 4: You no for Upper East Side moms. Cashmere is kind

362
00:16:28,960 --> 00:16:30,960
Speaker 4: of like when you go to buy groceries and you're like,

363
00:16:31,000 --> 00:16:32,800
Speaker 4: I can't remember if we have red wine vinegar at home,

364
00:16:32,800 --> 00:16:34,600
Speaker 4: I'll just get one, yes, or like I can't remember

365
00:16:34,640 --> 00:16:36,120
Speaker 4: if we have whole grain mustard at home, I'll just

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Speaker 4: get one whenever it's like seven dollars that you chew

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00:16:38,560 --> 00:16:40,640
Speaker 4: the mustard that you chew of course, yum yum, yum,

368
00:16:40,840 --> 00:16:43,360
Speaker 4: tom tom chomp. And so they're every day they're going

369
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Speaker 4: to the G crew. They're saying, whatever, I'll buy two,

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Speaker 4: I'll buy a lavender.

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Speaker 3: Well, and you need one for the for the house

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Speaker 3: and the side one.

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Speaker 4: House.

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Speaker 1: When I was in the lobby over there, I was

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Speaker 1: overhearing a conversation between two women, one of whom said, yeah,

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Speaker 1: I love the Hamptons. My in laws have a house there,

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00:17:00,240 --> 00:17:02,920
Speaker 1: so we're there all the time, and you're there every weekend. Yes,

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00:17:03,000 --> 00:17:05,440
Speaker 1: And then the other woman went, yes, I am. And

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Speaker 1: I was just thinking, like in Zorn's America, sorry, y'all

380
00:17:08,400 --> 00:17:11,800
Speaker 1: gonna get shot point blank, like it's literally over for you.

381
00:17:12,000 --> 00:17:17,359
Speaker 4: Okay, there's gonna be strangling with the kashmir with Yeah, like.

382
00:17:17,320 --> 00:17:20,520
Speaker 1: I'm taking your Kashmir off of you, revealing your tits

383
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Speaker 1: in your nice bra, your nice department store bra, and

384
00:17:23,320 --> 00:17:25,240
Speaker 1: then I'm taking it and I'm choking you the fuck

385
00:17:25,280 --> 00:17:29,760
Speaker 1: out and you're gonna collapse. Mid television ABC seven.

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Speaker 4: Yeah, this is this is by the Way Network show.

387
00:17:31,880 --> 00:17:35,080
Speaker 4: They're going to hire you a character actress and Indie

388
00:17:35,119 --> 00:17:38,560
Speaker 4: Darling Ivy will to assassinate Wealthy Way.

389
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Speaker 1: Murphy's gonna ep and he's doing hair. Yeah, he's gonna

390
00:17:42,760 --> 00:17:43,760
Speaker 1: make sure that the hair.

391
00:17:43,560 --> 00:17:46,000
Speaker 3: Is look amazing, amazing.

392
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Speaker 1: But then they will be dead. Then they will be

393
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Speaker 1: dead because they talk about the Hampton's, you know, outwardly

394
00:17:51,400 --> 00:17:55,280
Speaker 1: in you know this in this new era of burk

395
00:17:55,480 --> 00:17:59,320
Speaker 1: no panties on. Sorry, what I've been hearing so many

396
00:17:59,400 --> 00:18:02,000
Speaker 1: people like I literally was just yesterday I was in

397
00:18:02,080 --> 00:18:04,560
Speaker 1: Washington Heights and I heard like an older man on

398
00:18:04,600 --> 00:18:07,480
Speaker 1: the phone saying over and over again, well, you know,

399
00:18:07,480 --> 00:18:09,560
Speaker 1: it's a Muslim state. If he wins, it's a Muslim state.

400
00:18:09,600 --> 00:18:11,800
Speaker 1: And it's like, oh, people actually believe like it's gonna

401
00:18:11,800 --> 00:18:14,480
Speaker 1: be girls in Bushwick full burk and no panties on

402
00:18:17,000 --> 00:18:18,960
Speaker 1: pushing the thong to the side at moon Ring, like

403
00:18:19,000 --> 00:18:21,040
Speaker 1: this is what people think is going to happen. It's like, no,

404
00:18:21,200 --> 00:18:23,120
Speaker 1: we're just gonna be able to have cheaper sandwiches.

405
00:18:23,119 --> 00:18:24,720
Speaker 4: Like you said, people are very confused.

406
00:18:24,840 --> 00:18:25,919
Speaker 1: Yes, they're very confused.

407
00:18:25,960 --> 00:18:28,200
Speaker 4: Yeah, they're like it's radical Islam, but it's also.

408
00:18:28,080 --> 00:18:31,399
Speaker 1: They them yes, and it's like, well, I mean people

409
00:18:31,440 --> 00:18:33,080
Speaker 1: have done it well.

410
00:18:32,960 --> 00:18:34,240
Speaker 4: Of course, people we know have.

411
00:18:34,200 --> 00:18:36,280
Speaker 2: People we hold near pop.

412
00:18:37,520 --> 00:18:40,080
Speaker 1: I don't think institutionally it's going to be implemented, No,

413
00:18:40,200 --> 00:18:40,800
Speaker 1: I don't think so.

414
00:18:40,880 --> 00:18:42,919
Speaker 4: I think people are going sort of Steffan mode and

415
00:18:42,920 --> 00:18:43,400
Speaker 4: they're like.

416
00:18:43,560 --> 00:18:46,680
Speaker 2: Burke is at the club. They them's on wheelchairs.

417
00:18:46,760 --> 00:18:50,119
Speaker 1: Yeah. New York's hottest club is the Mosque, Like actually

418
00:18:50,119 --> 00:18:52,760
Speaker 1: New York's hottest club is, well, is there a hot

419
00:18:52,800 --> 00:18:55,639
Speaker 1: club right now? What's hot right now? Because I've been

420
00:18:55,680 --> 00:18:58,600
Speaker 1: seeing my trans girlfriends like on Twitter being like knockdown

421
00:18:58,600 --> 00:18:59,800
Speaker 1: Center's corny by the way.

422
00:19:00,080 --> 00:19:03,560
Speaker 2: Completely okay, people I know that went to the Amra

423
00:19:03,680 --> 00:19:05,399
Speaker 2: show where like this is not it?

424
00:19:05,720 --> 00:19:07,240
Speaker 1: So what is fun to go to?

425
00:19:07,640 --> 00:19:10,240
Speaker 3: It's impossible. I mean I'm luckily I have out of

426
00:19:10,280 --> 00:19:11,040
Speaker 3: like I haven't been.

427
00:19:10,880 --> 00:19:13,879
Speaker 1: Here underground raves. But how do you find a fucking

428
00:19:13,960 --> 00:19:16,200
Speaker 1: underground race? Where do you? Where do you go to

429
00:19:16,240 --> 00:19:16,480
Speaker 1: find it?

430
00:19:16,800 --> 00:19:19,000
Speaker 4: I just you come on a gay podcast, then you

431
00:19:19,080 --> 00:19:22,000
Speaker 4: and you say into an iHeart podcast, Mike, you say,

432
00:19:22,080 --> 00:19:22,840
Speaker 4: where do I find it?

433
00:19:23,000 --> 00:19:23,520
Speaker 2: Underground?

434
00:19:23,560 --> 00:19:23,679
Speaker 3: Right?

435
00:19:23,960 --> 00:19:25,840
Speaker 2: Underground ray and then they'll find you.

436
00:19:26,000 --> 00:19:27,520
Speaker 4: Okay, comment below?

437
00:19:27,680 --> 00:19:28,840
Speaker 1: Will I get like a d M.

438
00:19:30,840 --> 00:19:32,120
Speaker 4: And they're going to be sexist?

439
00:19:32,440 --> 00:19:36,280
Speaker 1: Okay, that's fine, that's okay, that's okay.

440
00:19:37,240 --> 00:19:39,000
Speaker 3: So it's actually such a relief to know that, like

441
00:19:39,280 --> 00:19:42,120
Speaker 3: Knockdown Center is over, and like hopefully that means basement

442
00:19:42,200 --> 00:19:43,879
Speaker 3: also because like I've.

443
00:19:43,720 --> 00:19:50,200
Speaker 4: Actually never basement is not you think basement sucks.

444
00:19:48,480 --> 00:19:48,560
Speaker 3: But.

445
00:19:50,720 --> 00:19:52,639
Speaker 1: You're like swagging. You have a tooth gem, So I

446
00:19:52,640 --> 00:19:55,040
Speaker 1: feel like you would think that literally anything is quiet.

447
00:19:55,040 --> 00:19:57,800
Speaker 4: Our producer has a tooth gem and they think basement sucks.

448
00:19:59,600 --> 00:20:01,520
Speaker 1: How that ma you feel your bangs are being held

449
00:20:01,560 --> 00:20:03,840
Speaker 1: back by a bobby pin, like you're mad Swag, So

450
00:20:03,960 --> 00:20:07,119
Speaker 1: like I think that you would find anything corny and abhorrence.

451
00:20:07,320 --> 00:20:10,000
Speaker 4: Well, we are in a sort of awkward moment right now,

452
00:20:10,440 --> 00:20:11,840
Speaker 4: and I mean the three of us, and that like

453
00:20:12,240 --> 00:20:14,960
Speaker 4: we're on camera, but our producer off camera looks cooler

454
00:20:15,000 --> 00:20:16,680
Speaker 4: than us, and that can kind of throw off the

455
00:20:16,760 --> 00:20:17,680
Speaker 4: dynamics in a big way.

456
00:20:17,760 --> 00:20:19,359
Speaker 3: I can throw you off. Yeah, I can throw you

457
00:20:19,359 --> 00:20:24,040
Speaker 3: off for sure. But yeah, thank you.

458
00:20:24,640 --> 00:20:26,480
Speaker 1: I just want to say thank you for vape, like

459
00:20:26,560 --> 00:20:28,639
Speaker 1: I did mean to ask, can I do this in

460
00:20:28,680 --> 00:20:31,400
Speaker 1: this small room? Huh? And I just did it anyways

461
00:20:31,440 --> 00:20:32,119
Speaker 1: arounds America.

462
00:20:32,440 --> 00:20:33,400
Speaker 3: America, that's cool.

463
00:20:33,560 --> 00:20:36,840
Speaker 1: I vapor on the train, Government save the plane. I

464
00:20:36,920 --> 00:20:39,200
Speaker 1: vape on the bus. I vaped at my grandpa's funeral.

465
00:20:39,280 --> 00:20:42,639
Speaker 1: I vaped at my friend's funeral. I take it everywhere.

466
00:20:43,640 --> 00:20:46,040
Speaker 1: I'm real hardcore about this ship. You guys, if you

467
00:20:46,080 --> 00:20:48,679
Speaker 1: want to if if Zoran does anything for vape, you

468
00:20:48,720 --> 00:20:50,280
Speaker 1: know what he should do. Actually, at the city owned

469
00:20:50,280 --> 00:20:52,119
Speaker 1: grocery stores, with the grocerries are cheaper, there should be

470
00:20:52,200 --> 00:20:54,840
Speaker 1: vapes in the checkout line. This should be ten dollars.

471
00:20:54,920 --> 00:20:56,680
Speaker 3: How much is it thirty? WHOA?

472
00:20:56,920 --> 00:20:59,239
Speaker 1: I know, I know, I know crazy, No, I know

473
00:20:59,800 --> 00:21:01,000
Speaker 1: there ringing me out.

474
00:21:01,080 --> 00:21:02,359
Speaker 3: Don't they know you're an artist? No?

475
00:21:02,480 --> 00:21:03,639
Speaker 1: Literally, don't they know what I mean?

476
00:21:03,800 --> 00:21:05,800
Speaker 2: You're in an Academy Award winning film.

477
00:21:05,720 --> 00:21:07,919
Speaker 1: Right, and so I should just pay I should just

478
00:21:07,960 --> 00:21:09,040
Speaker 1: pay right.

479
00:21:09,840 --> 00:21:12,840
Speaker 4: I don't like how industrial this looks. The vape you're holding.

480
00:21:12,880 --> 00:21:16,600
Speaker 4: It's like so giant. It's black and silver, like what

481
00:21:16,720 --> 00:21:19,000
Speaker 4: happened to cute little vapes that had like a little

482
00:21:19,000 --> 00:21:20,760
Speaker 4: ombray that went some yellow to blue.

483
00:21:20,840 --> 00:21:23,080
Speaker 3: It's geek, bar bar, what the hell? That's tough.

484
00:21:23,160 --> 00:21:24,280
Speaker 1: It's for nerds. Bitch.

485
00:21:26,720 --> 00:21:29,560
Speaker 4: Oh my god, it lights up. Whoa, that's crazy.

486
00:21:29,640 --> 00:21:31,600
Speaker 1: The night sky show you the world.

487
00:21:31,880 --> 00:21:33,639
Speaker 4: You're dying in slow motion in front of us.

488
00:21:33,640 --> 00:21:34,879
Speaker 3: I think that should be fifty dollars.

489
00:21:35,280 --> 00:21:38,960
Speaker 1: You think there should be fifty dollars?

490
00:21:36,840 --> 00:21:40,000
Speaker 3: Should Oh I'm going to jail.

491
00:21:40,240 --> 00:21:42,560
Speaker 4: I think it should be fifty dollars. You pay, you

492
00:21:42,800 --> 00:21:44,760
Speaker 4: don't get to keep the money. You're immediately arrested.

493
00:21:44,880 --> 00:21:46,560
Speaker 1: Okay, well I'm an abolitionist, so.

494
00:21:47,000 --> 00:21:48,840
Speaker 2: That doesn't matter when they're coming to arrestue.

495
00:21:48,960 --> 00:21:50,639
Speaker 4: Do you think when a police officer comes and it's

496
00:21:50,680 --> 00:21:53,000
Speaker 4: like you're under arrest, you can just respond. I'm actually

497
00:21:53,000 --> 00:21:54,399
Speaker 4: an abolitionist.

498
00:21:54,240 --> 00:21:58,120
Speaker 1: Actually, like I have read excerpts of Angela Davis during

499
00:21:58,119 --> 00:22:01,399
Speaker 1: twenty twenty, So don't send me to jail. You're on

500
00:22:01,440 --> 00:22:01,840
Speaker 1: some function.

501
00:22:02,040 --> 00:22:04,200
Speaker 3: I don't believe in this. No, literally into a place

502
00:22:04,240 --> 00:22:04,919
Speaker 3: I don't believe him.

503
00:22:04,960 --> 00:22:05,479
Speaker 2: No, I wouldn't.

504
00:22:05,480 --> 00:22:07,480
Speaker 1: Exactly, you can't take me to heaven. I'm going in

505
00:22:07,480 --> 00:22:09,679
Speaker 1: the ground. If I don't believe in God, I'm not

506
00:22:09,720 --> 00:22:11,800
Speaker 1: going to heaven. If I don't believe in prisons, I'm

507
00:22:11,800 --> 00:22:12,640
Speaker 1: not going there either.

508
00:22:12,960 --> 00:22:15,080
Speaker 4: I would love the world in which you are punished

509
00:22:15,080 --> 00:22:17,359
Speaker 4: based on your own moral code. It's like they do

510
00:22:17,400 --> 00:22:19,119
Speaker 4: a little brain skin and they're like, oh, got it,

511
00:22:19,200 --> 00:22:22,280
Speaker 4: she is an abolitionist. I guess we'll do community oriented

512
00:22:22,800 --> 00:22:24,160
Speaker 4: uh work with.

513
00:22:24,400 --> 00:22:25,960
Speaker 3: I guess she'll have to volunteer.

514
00:22:25,680 --> 00:22:28,080
Speaker 1: And then much she's annoying, she's going to Bushwick for

515
00:22:28,119 --> 00:22:28,880
Speaker 1: the rest of her life.

516
00:22:28,920 --> 00:22:29,360
Speaker 4: Exactly.

517
00:22:29,520 --> 00:22:30,320
Speaker 3: Be careful what you wish for.

518
00:22:30,480 --> 00:22:32,399
Speaker 4: Yeah, be careful. Yeah, she's going to basement. And you

519
00:22:32,480 --> 00:22:34,760
Speaker 4: have to be at every show no earplugs.

520
00:22:34,400 --> 00:22:35,840
Speaker 1: Oh by the booth.

521
00:22:35,920 --> 00:22:37,160
Speaker 3: Oh, and you have to know who do you have.

522
00:22:37,119 --> 00:22:38,840
Speaker 2: To be in the dark room while all these gay

523
00:22:38,880 --> 00:22:39,880
Speaker 2: men are fornicating around.

524
00:22:40,000 --> 00:22:41,320
Speaker 1: I would actually be really happy.

525
00:22:41,160 --> 00:22:42,320
Speaker 4: Just handing out juice boxes.

526
00:22:42,680 --> 00:22:45,679
Speaker 1: I would be really happy. Actually, yeah, that's nice. I

527
00:22:45,680 --> 00:22:47,840
Speaker 1: think gay sex is interesting.

528
00:22:48,160 --> 00:22:51,560
Speaker 4: Well yes, compared to the alternative, for sure, But.

529
00:22:51,560 --> 00:22:54,080
Speaker 1: You know, the way it happens is just it's curious.

530
00:22:54,080 --> 00:22:54,280
Speaker 3: To me.

531
00:22:56,720 --> 00:22:58,840
Speaker 1: I had to I recently had to just reveal to

532
00:22:59,440 --> 00:23:01,960
Speaker 1: my straight male best friend who is thirty years of

533
00:23:02,000 --> 00:23:06,120
Speaker 1: age and had went his whole life not knowing that

534
00:23:06,160 --> 00:23:09,760
Speaker 1: gay guys can have sex like not from just behind.

535
00:23:11,160 --> 00:23:13,240
Speaker 1: He didn't know that gay guys can do missionary. I

536
00:23:13,320 --> 00:23:15,440
Speaker 1: was like, just hoist and this is a guy who's

537
00:23:15,480 --> 00:23:18,960
Speaker 1: been pegged by the way in missionary And he was like, no, no,

538
00:23:19,119 --> 00:23:21,200
Speaker 1: but for gay guys it's ergonomically different.

539
00:23:21,800 --> 00:23:24,800
Speaker 4: No, I'm sorry, this is crazy.

540
00:23:25,119 --> 00:23:25,359
Speaker 1: I know.

541
00:23:25,640 --> 00:23:27,040
Speaker 3: No, that's the crazy thing I ever heard.

542
00:23:27,119 --> 00:23:30,240
Speaker 1: It's madness. It's madness. But so Uran will educate the youth.

543
00:23:30,440 --> 00:23:31,360
Speaker 1: He's not young, he's there.

544
00:23:31,440 --> 00:23:35,760
Speaker 4: Do you think Zoron has been pegged? I think no.

545
00:23:35,880 --> 00:23:36,400
Speaker 3: I think no.

546
00:23:36,480 --> 00:23:40,720
Speaker 1: I think no. Actually I think no, because when he smiles,

547
00:23:40,760 --> 00:23:43,359
Speaker 1: I believe it. Yeah, And I think when a guy

548
00:23:43,400 --> 00:23:46,560
Speaker 1: who's pegged, most men I know that have been pegged

549
00:23:47,160 --> 00:23:49,560
Speaker 1: kind of carry the weight to the world on their shoulders,

550
00:23:49,760 --> 00:23:52,040
Speaker 1: like the strap really took something from them as it

551
00:23:52,080 --> 00:23:54,440
Speaker 1: went in, it took something out, you know, with every

552
00:23:54,520 --> 00:23:57,439
Speaker 1: thrust it removed a little emblem of the soul. And

553
00:23:57,520 --> 00:24:01,040
Speaker 1: so I don't think Soaron has been pegged. His wife

554
00:24:01,080 --> 00:24:03,439
Speaker 1: is beautiful. I mean, we have the first egirl first lady.

555
00:24:03,560 --> 00:24:04,639
Speaker 4: I know, it's kind of amazing.

556
00:24:04,640 --> 00:24:05,399
Speaker 1: It's huge for me.

557
00:24:05,720 --> 00:24:08,520
Speaker 4: It's amazing that our first ladies went from lesbian to

558
00:24:08,640 --> 00:24:10,280
Speaker 4: nobody to art school girl.

559
00:24:10,440 --> 00:24:10,680
Speaker 1: Yeah.

560
00:24:11,160 --> 00:24:13,159
Speaker 4: You kind of start to realize, like, Okay, this is

561
00:24:13,160 --> 00:24:16,000
Speaker 4: why the chidwife movement is growing, right, right, this is

562
00:24:16,000 --> 00:24:17,080
Speaker 4: what they're responding, right.

563
00:24:17,000 --> 00:24:19,720
Speaker 1: They're resisting against. Yeah, the establishment.

564
00:24:20,400 --> 00:24:23,400
Speaker 4: Everyone is just craving Laura Bush. They're like, bring back

565
00:24:23,480 --> 00:24:25,680
Speaker 4: Laura Bus. We need something we need.

566
00:24:25,760 --> 00:24:28,360
Speaker 3: Yeah, that's what it always is, right right.

567
00:24:28,520 --> 00:24:31,240
Speaker 1: Yeah, but I'm excited about the egirl first lady.

568
00:24:32,560 --> 00:24:34,520
Speaker 3: They're going to hit you up for a position of

569
00:24:34,560 --> 00:24:35,359
Speaker 3: some kind in.

570
00:24:35,400 --> 00:24:38,680
Speaker 4: The in the in the administration, in the administration, Yeah,

571
00:24:38,720 --> 00:24:41,720
Speaker 4: in the cabinet, even though the transition team potentially, which

572
00:24:41,760 --> 00:24:42,080
Speaker 4: is more.

573
00:24:42,560 --> 00:24:47,560
Speaker 1: I'd be the czar to good vibes in a fun

574
00:24:47,600 --> 00:24:51,240
Speaker 1: time with friends. Yeah, I'm actually the zo run Mom

575
00:24:51,280 --> 00:24:55,200
Speaker 1: Donnie tzar to good times and having fun and smiles

576
00:24:55,200 --> 00:24:57,440
Speaker 1: with friends. Okay, cool, And everybody is like.

577
00:24:57,400 --> 00:24:59,960
Speaker 3: Oh cool, Yeah, I'm the tzar of like letting for

578
00:25:00,080 --> 00:25:00,800
Speaker 3: know what they need to bring.

579
00:25:01,080 --> 00:25:03,719
Speaker 1: Yeah. When people on Twitter are like, what would your

580
00:25:03,720 --> 00:25:05,800
Speaker 1: position be in the communist revolution, Like I think I

581
00:25:05,840 --> 00:25:08,800
Speaker 1: would be like the basket weaver. It's like, uh, you're

582
00:25:08,880 --> 00:25:11,320
Speaker 1: gonna be in the rubble a million pieces of skin

583
00:25:11,359 --> 00:25:13,920
Speaker 1: because you're gonna get blown to bits. That's what's gonna

584
00:25:13,920 --> 00:25:16,880
Speaker 1: happen to you when the revolution comes. Some of y'all

585
00:25:16,960 --> 00:25:19,960
Speaker 1: are not gonna survive me personally. I know I'm not

586
00:25:20,040 --> 00:25:22,520
Speaker 1: built for it. I Celiac disease. You know, if the

587
00:25:22,560 --> 00:25:25,960
Speaker 1: revolution comes and I can't, you know, boil potatoes and

588
00:25:25,960 --> 00:25:28,080
Speaker 1: eat them raw, like it's just it's just not.

589
00:25:28,359 --> 00:25:30,720
Speaker 4: No, you're gonna be going around with a little sticker that says, GF.

590
00:25:30,880 --> 00:25:32,119
Speaker 4: Who's gonna accommodate that?

591
00:25:32,240 --> 00:25:35,600
Speaker 1: Exactly? I can't eat canned beans when the revolution comes,

592
00:25:35,880 --> 00:25:40,159
Speaker 1: I'm gonna be shitting. They leave you behind if you shitting' that's.

593
00:25:40,000 --> 00:25:40,800
Speaker 2: How war goes.

594
00:25:40,880 --> 00:25:42,720
Speaker 3: You get left behind if you ship.

595
00:25:42,880 --> 00:25:48,600
Speaker 1: If you have ship allegations on you during the revolution, sorry,

596
00:25:48,960 --> 00:25:51,480
Speaker 1: point blank in the forehead, you're under the ground.

597
00:25:51,600 --> 00:25:51,840
Speaker 3: Yeah.

598
00:25:51,920 --> 00:25:54,040
Speaker 4: No, the millennial Army is going to be like I'm

599
00:25:54,040 --> 00:25:57,320
Speaker 4: not beating the ship allegations. I hear they're gonna.

600
00:25:57,160 --> 00:26:01,560
Speaker 1: Kill yes, yes, Like so if evolution really does come,

601
00:26:01,720 --> 00:26:04,479
Speaker 1: like sorry, there will be no more front facing reels

602
00:26:04,480 --> 00:26:08,639
Speaker 1: from me. You know that's not a position in the militia.

603
00:26:09,080 --> 00:26:10,720
Speaker 4: Wow, that I'm.

604
00:26:10,600 --> 00:26:13,520
Speaker 1: Over and I'm accepting that. I'm saying it on camera here. Yeah,

605
00:26:14,000 --> 00:26:19,480
Speaker 1: I'm addressing this my camera. Yes, yeah, you can kill me,

606
00:26:19,520 --> 00:26:23,320
Speaker 1: it's okay. If the revolution comes, I won't stand. And

607
00:26:23,359 --> 00:26:25,280
Speaker 1: I know if a race war comes, it's over too.

608
00:26:26,720 --> 00:26:28,160
Speaker 4: Well, where would you fit in there?

609
00:26:28,480 --> 00:26:29,680
Speaker 1: Where would I fit in the race war?

610
00:26:29,800 --> 00:26:30,000
Speaker 4: Yeah?

611
00:26:30,040 --> 00:26:31,679
Speaker 1: Right, because I do like to keep it ambiguous.

612
00:26:31,800 --> 00:26:33,880
Speaker 4: Well, I'm sort of like if there was a race war,

613
00:26:34,040 --> 00:26:36,520
Speaker 4: I would hope you wouldn't just like mindlessly be on

614
00:26:36,520 --> 00:26:37,200
Speaker 4: the white side.

615
00:26:38,400 --> 00:26:40,520
Speaker 1: And I can't be on the juice side either, because

616
00:26:40,560 --> 00:26:43,560
Speaker 1: of you know how things are going there lately.

617
00:26:43,480 --> 00:26:46,600
Speaker 4: Right, you know, not for me, that's not our story

618
00:26:46,640 --> 00:26:46,880
Speaker 4: to tell.

619
00:26:47,040 --> 00:26:49,000
Speaker 3: It's no how many sides during this race war.

620
00:26:49,720 --> 00:26:52,639
Speaker 1: In the race war, honey, it's infinite, honey, it's a

621
00:26:52,720 --> 00:26:56,560
Speaker 1: very progression exists on a million axes. Honey. When the

622
00:26:56,640 --> 00:27:00,359
Speaker 1: race war comes, we're delegating, We're we're finding ours.

623
00:27:00,880 --> 00:27:03,639
Speaker 4: It's an intersectional race wark. You know, there's actually so

624
00:27:03,680 --> 00:27:05,919
Speaker 4: many factions that it's just one man, each man for.

625
00:27:05,960 --> 00:27:09,760
Speaker 1: Himself, No exactly, because everybody it's gonna be state mandated

626
00:27:09,800 --> 00:27:13,000
Speaker 1: twenty three and meters before you enlist, swab the cheek,

627
00:27:13,240 --> 00:27:15,960
Speaker 1: whatever your exact percentages are, that's who you're fighting for.

628
00:27:16,080 --> 00:27:19,040
Speaker 1: Of course, everybody's different, so it's just gonna be every

629
00:27:19,080 --> 00:27:20,760
Speaker 1: it's gonna be a bit just slap boxing each other

630
00:27:20,800 --> 00:27:23,560
Speaker 1: all up and down the street. I'm not gonna survive.

631
00:27:24,920 --> 00:27:25,879
Speaker 1: That's not okay for me.

632
00:27:26,440 --> 00:27:28,800
Speaker 3: Don't you think you could use some of that charm

633
00:27:28,880 --> 00:27:31,080
Speaker 3: and you know, talk your way into surviving.

634
00:27:30,760 --> 00:27:32,240
Speaker 1: Honey, to what end?

635
00:27:33,800 --> 00:27:35,880
Speaker 4: I know, Yeah, it's like you win and then congratulations,

636
00:27:35,880 --> 00:27:37,320
Speaker 4: it's just you and a bunch of Italians.

637
00:27:37,480 --> 00:27:41,240
Speaker 1: Right, No, right, right? And then what I'm getting raped

638
00:27:41,240 --> 00:27:45,080
Speaker 1: all the time? Oh my god, sorry, oh my god.

639
00:27:45,359 --> 00:27:50,240
Speaker 1: The Italian community, the Italian American community.

640
00:27:48,960 --> 00:27:50,000
Speaker 4: Everything that has been said.

641
00:27:49,880 --> 00:27:52,200
Speaker 1: In this episode, the Italian American community. I'm sorry.

642
00:27:53,560 --> 00:27:57,320
Speaker 4: You can watch ivy on English Teacher and Laura. If

643
00:27:57,359 --> 00:28:00,000
Speaker 4: I had like, they'd kick you.

644
00:28:00,080 --> 00:28:01,680
Speaker 1: It's really bad for me to be on the mic.

645
00:28:01,880 --> 00:28:02,480
Speaker 4: No, it's crazy.

646
00:28:02,520 --> 00:28:03,159
Speaker 3: It's interesting.

647
00:28:03,200 --> 00:28:03,760
Speaker 1: I'm seeing it.

648
00:28:03,800 --> 00:28:05,800
Speaker 4: I'm seeing it happen in real time. I'm like, you

649
00:28:05,840 --> 00:28:06,840
Speaker 4: can't control yourself.

650
00:28:07,320 --> 00:28:09,639
Speaker 3: So what's like can you tell me like sort of

651
00:28:09,720 --> 00:28:13,680
Speaker 3: what's the deal like with what so, like I want

652
00:28:13,680 --> 00:28:15,240
Speaker 3: to know about like internet backlash.

653
00:28:15,359 --> 00:28:16,960
Speaker 4: No, Sam, I want to know.

654
00:28:17,800 --> 00:28:19,239
Speaker 3: I want to know because you were like you were

655
00:28:19,240 --> 00:28:21,399
Speaker 3: like not beating the allegations when you were like talking

656
00:28:21,400 --> 00:28:23,520
Speaker 3: about like being canceled or whatever.

657
00:28:23,760 --> 00:28:25,720
Speaker 1: Yeah, I don't beat the allegations. So I just lean

658
00:28:25,760 --> 00:28:29,840
Speaker 1: into the I lean in. Okay, It's it's fine to

659
00:28:29,840 --> 00:28:34,080
Speaker 1: talk about Italians. Can we talk about light still, of course?

660
00:28:34,240 --> 00:28:36,199
Speaker 4: Can we talk about how we met?

661
00:28:36,680 --> 00:28:37,400
Speaker 1: How did we meet?

662
00:28:37,520 --> 00:28:44,080
Speaker 4: Was it versus that audition one of the craziest days

663
00:28:44,080 --> 00:28:44,600
Speaker 4: of my life?

664
00:28:44,680 --> 00:28:47,000
Speaker 1: Yeah? Wow, Yeah?

665
00:28:47,120 --> 00:28:47,840
Speaker 4: Have I told you this?

666
00:28:48,000 --> 00:28:48,080
Speaker 2: No?

667
00:28:48,200 --> 00:28:52,840
Speaker 1: Okay, So we were called into audition for an sketch

668
00:28:52,920 --> 00:28:55,520
Speaker 1: group sponsored sketch group. He was not directing it. No,

669
00:28:55,600 --> 00:28:57,640
Speaker 1: It was the only boy that he enlisted, and it

670
00:28:57,720 --> 00:28:59,800
Speaker 1: was a sketch comedy group that was supposed to be

671
00:29:00,320 --> 00:29:01,080
Speaker 1: political sketchu.

672
00:29:01,120 --> 00:29:03,720
Speaker 4: It was supposed to be leftist political sketch comedy. And

673
00:29:03,760 --> 00:29:06,080
Speaker 4: he was like, we're going to like fight the power

674
00:29:06,560 --> 00:29:09,760
Speaker 4: via sketch comedy, something that the tank, the tank, something

675
00:29:09,800 --> 00:29:13,440
Speaker 4: that has always worked in the past. Yes, And our

676
00:29:13,560 --> 00:29:16,640
Speaker 4: audition was that we had to do a rant, a

677
00:29:16,680 --> 00:29:20,560
Speaker 4: political rant, but make it kind of entertaining.

678
00:29:20,080 --> 00:29:22,240
Speaker 1: Whatever and some people shed tears.

679
00:29:22,560 --> 00:29:24,520
Speaker 4: No, there were people. It was actually one of.

680
00:29:24,440 --> 00:29:27,640
Speaker 1: Them incensed and I rate and they did cry. They cried.

681
00:29:27,680 --> 00:29:30,760
Speaker 1: Somebody talked about Governor Greg Abbott. The lady cried. You know.

682
00:29:30,880 --> 00:29:33,920
Speaker 1: One girl did like a rant about the governor of

683
00:29:33,960 --> 00:29:35,960
Speaker 1: Texas because I think maybe she was from Texas or

684
00:29:36,000 --> 00:29:38,920
Speaker 1: something or had some affiliation with Texas. And by the

685
00:29:39,000 --> 00:29:40,960
Speaker 1: end of it, the end of her five minutes, when

686
00:29:40,960 --> 00:29:43,840
Speaker 1: that timer went off, she's crying. She was one of

687
00:29:43,840 --> 00:29:44,440
Speaker 1: the most hot.

688
00:29:44,640 --> 00:29:46,880
Speaker 2: It was one of the darkest things I've ever witnessed.

689
00:29:46,480 --> 00:29:51,800
Speaker 4: Because basically the prompt was commodify your pain in ninety seconds, yes.

690
00:29:51,680 --> 00:29:54,720
Speaker 3: And specifically your It was supposed to be like a personal.

691
00:29:54,520 --> 00:29:58,320
Speaker 1: Yes, a political or like global gripe that you have

692
00:29:58,400 --> 00:30:01,160
Speaker 1: something that's like weighing heavy on your spear, talk about

693
00:30:01,200 --> 00:30:04,400
Speaker 1: it in like ninety seconds to five minutes, and address

694
00:30:04,440 --> 00:30:08,440
Speaker 1: it to camera in group a U shaped group of improvisers.

695
00:30:09,160 --> 00:30:13,840
Speaker 4: It can be Obviously, tying it to your lived, experienced

696
00:30:13,880 --> 00:30:16,360
Speaker 4: or identity makes it more powerful because it's more personal,

697
00:30:16,440 --> 00:30:21,000
Speaker 4: Like mine was not tied to my experience in any way.

698
00:30:21,680 --> 00:30:23,240
Speaker 3: But you were like Greek.

699
00:30:23,480 --> 00:30:26,360
Speaker 4: No mine was it used to be. I actually remember

700
00:30:26,400 --> 00:30:28,959
Speaker 4: what mine was. And by the way, spoiler alert, I

701
00:30:29,000 --> 00:30:31,920
Speaker 4: was cast and I was not.

702
00:30:32,240 --> 00:30:33,920
Speaker 3: Well, I really want to know what yours was.

703
00:30:34,120 --> 00:30:35,920
Speaker 2: Well, that's what we're building too, because it's iconic.

704
00:30:36,080 --> 00:30:39,120
Speaker 4: Okay, So mine was this felt fresh at the time

705
00:30:39,160 --> 00:30:41,120
Speaker 4: I promised, this was like three years ago. Mine was

706
00:30:41,160 --> 00:30:45,000
Speaker 4: about how I didn't like how everything in these times

707
00:30:45,080 --> 00:30:48,680
Speaker 4: is called content. Like I was like, by calling things content,

708
00:30:48,760 --> 00:30:51,520
Speaker 4: you're sort of like using the language of advertising in

709
00:30:51,520 --> 00:30:55,560
Speaker 4: a cheapen's art obviously, you know, literally giant jerk off motion.

710
00:30:55,680 --> 00:30:57,160
Speaker 4: But I knew it was going to hit, you know

711
00:30:57,240 --> 00:31:01,160
Speaker 4: what I mean. So that was my rant. Everyone everyone

712
00:31:01,200 --> 00:31:04,560
Speaker 4: is talking about, people are talking about, you know, serious issues,

713
00:31:04,800 --> 00:31:07,440
Speaker 4: gay violence, gay rights, sexual assout whatever.

714
00:31:07,520 --> 00:31:09,560
Speaker 1: The white guy with long hair and like half length

715
00:31:09,640 --> 00:31:10,680
Speaker 1: sock started crying.

716
00:31:10,800 --> 00:31:13,720
Speaker 4: But I want you to because this was an a

717
00:31:13,760 --> 00:31:16,360
Speaker 4: star is Born moment for you in my mind, Like

718
00:31:16,480 --> 00:31:20,080
Speaker 4: I was like, I cannot believe this bitch cut out

719
00:31:20,080 --> 00:31:22,360
Speaker 4: of her seat, went to the center stage in this

720
00:31:22,520 --> 00:31:25,760
Speaker 4: basement in you know, the East village. Yes, And I

721
00:31:25,800 --> 00:31:27,480
Speaker 4: want you to say what your rant was about.

722
00:31:27,800 --> 00:31:31,000
Speaker 1: My rant was about my roommate accusing me of using

723
00:31:31,000 --> 00:31:31,720
Speaker 1: her hair straight.

724
00:31:33,600 --> 00:31:36,200
Speaker 4: No one else had done like a bit like everyone else,

725
00:31:36,320 --> 00:31:38,640
Speaker 4: including me, was taking it seriously and sort of like

726
00:31:38,720 --> 00:31:39,520
Speaker 4: making it their own.

727
00:31:39,680 --> 00:31:41,200
Speaker 1: I got up there and I said, I know this

728
00:31:41,280 --> 00:31:43,400
Speaker 1: is gonna sound meritricious and vapid to some of you,

729
00:31:43,600 --> 00:31:46,480
Speaker 1: but my roommate recently accused me of using her hair

730
00:31:46,520 --> 00:31:50,400
Speaker 1: straightener when she wasn't home, and I need to talk

731
00:31:50,400 --> 00:31:52,240
Speaker 1: about it. And so for five minutes, I just talked

732
00:31:52,240 --> 00:31:56,040
Speaker 1: about how much I hated her, and everybody was kind

733
00:31:56,040 --> 00:31:57,880
Speaker 1: of like slack jawn, expecting me at one point to

734
00:31:57,880 --> 00:32:00,400
Speaker 1: start being like and the government's I had to go

735
00:32:00,400 --> 00:32:04,560
Speaker 1: away my mother's food stamps. And I didn't say any

736
00:32:04,600 --> 00:32:07,240
Speaker 1: such thing. I was just like, she's a bit she

737
00:32:07,280 --> 00:32:09,400
Speaker 1: wishes she was born British, but she's not, and every

738
00:32:09,480 --> 00:32:11,640
Speaker 1: day she like walks in the pain of that she.

739
00:32:11,720 --> 00:32:13,040
Speaker 3: Wish she was born British.

740
00:32:13,160 --> 00:32:16,040
Speaker 1: Yeah. No, it was like personal attacks against the against

741
00:32:16,120 --> 00:32:18,080
Speaker 1: my roommate from when I was I was eighteen years old.

742
00:32:18,120 --> 00:32:20,160
Speaker 1: At the time, I was eighteen years old in that

743
00:32:20,320 --> 00:32:23,720
Speaker 1: I had moved to New York the week before. Wow,

744
00:32:23,840 --> 00:32:24,880
Speaker 1: it was it was one weekend.

745
00:32:24,920 --> 00:32:27,560
Speaker 4: I was congrats on getting that audition she cut. I know,

746
00:32:27,720 --> 00:32:29,040
Speaker 4: not a lot of eighteen year olds were there.

747
00:32:29,200 --> 00:32:33,120
Speaker 1: No, it was it was you know, elders. It was

748
00:32:33,120 --> 00:32:34,960
Speaker 1: like it was a lot of queer elders in that room.

749
00:32:35,000 --> 00:32:37,560
Speaker 1: I would say yeah, And then I was like taking

750
00:32:37,600 --> 00:32:41,000
Speaker 1: this subway back to Brooklyn after the audition with a

751
00:32:41,000 --> 00:32:43,360
Speaker 1: bunch of people, and I was like asking everybody. I

752
00:32:43,400 --> 00:32:45,280
Speaker 1: was like, so, what's like your guys's deals And they

753
00:32:45,320 --> 00:32:47,480
Speaker 1: were like, well, I'm thirty six. I run a monthly

754
00:32:47,520 --> 00:32:49,400
Speaker 1: at bell House. And I was like, oh cool, Like

755
00:32:49,560 --> 00:32:52,600
Speaker 1: I'm eighteen, and like I was a child actor and

756
00:32:53,160 --> 00:32:55,040
Speaker 1: now I'm in New York and I'm thinking about getting

757
00:32:55,080 --> 00:32:58,560
Speaker 1: addicted to pills. So that was my story and then

758
00:32:58,560 --> 00:32:59,960
Speaker 1: I didn't get the job at all.

759
00:33:00,120 --> 00:33:01,640
Speaker 3: I'm glad you're saying all this because I had this

760
00:33:01,680 --> 00:33:03,760
Speaker 3: whole time. I have been sort of like, what's your backstory?

761
00:33:03,880 --> 00:33:05,000
Speaker 1: What's my backstory?

762
00:33:05,080 --> 00:33:07,920
Speaker 2: You've been an actres since you were what thirteen thirteen?

763
00:33:08,000 --> 00:33:09,240
Speaker 1: Thirteen years old? Yeah?

764
00:33:09,720 --> 00:33:10,719
Speaker 3: Like what kind of stuff?

765
00:33:10,800 --> 00:33:12,360
Speaker 1: What kind of stuff? I was on a sitcom run

766
00:33:12,400 --> 00:33:14,000
Speaker 1: by a gay guy, literally gay guys, A predicted toy

767
00:33:14,160 --> 00:33:15,240
Speaker 1: to putting me in a sitcom.

768
00:33:15,320 --> 00:33:15,600
Speaker 3: What was it?

769
00:33:15,640 --> 00:33:16,160
Speaker 2: Sitcom comet.

770
00:33:16,200 --> 00:33:17,720
Speaker 1: It was called Everything's Going to Be Okay. It was

771
00:33:17,720 --> 00:33:20,600
Speaker 1: on Free Form, which was like a Disney subsidiary and

772
00:33:21,000 --> 00:33:23,600
Speaker 1: doesn't really exist anymore. It was ABC Family where they

773
00:33:23,600 --> 00:33:25,320
Speaker 1: did the like Christmas movie marathons.

774
00:33:25,400 --> 00:33:27,320
Speaker 2: Yeah, yeah, yeah, and I remember a free Form Yeah,

775
00:33:27,360 --> 00:33:29,160
Speaker 2: I had not younger.

776
00:33:29,240 --> 00:33:30,800
Speaker 4: What was the other one? Did they have? The one

777
00:33:30,800 --> 00:33:33,040
Speaker 4: about the women's magazine on free Form?

778
00:33:33,120 --> 00:33:35,000
Speaker 1: Yes, the bold type, the bolt type, the bolts.

779
00:33:35,120 --> 00:33:36,960
Speaker 4: A lot of people I know loved the bull type.

780
00:33:37,000 --> 00:33:38,880
Speaker 1: Yeah, people were gagging for the bull type. Megan Fahie

781
00:33:38,880 --> 00:33:40,880
Speaker 1: from White Little Oh, you know, we.

782
00:33:40,920 --> 00:33:42,960
Speaker 4: Met her once, but yeah, it was really nice.

783
00:33:43,040 --> 00:33:46,600
Speaker 1: She's an amazing talent in a glimmering, beautiful star and

784
00:33:46,760 --> 00:33:50,040
Speaker 1: her face is she's so intelligent and gorgeous. But yeah,

785
00:33:50,040 --> 00:33:52,800
Speaker 1: so I was on that show when I was thirteen.

786
00:33:52,960 --> 00:33:54,520
Speaker 1: I made it one season. I got fired for what

787
00:33:54,560 --> 00:33:56,000
Speaker 1: I was posting on the Internet, and then I was

788
00:33:56,080 --> 00:33:58,080
Speaker 1: unemployed for the rest of high school until I was

789
00:33:58,080 --> 00:33:58,600
Speaker 1: turned eighteen.

790
00:33:58,640 --> 00:34:00,720
Speaker 4: The idea of being unemployed in highschool is obviously one

791
00:34:00,760 --> 00:34:03,120
Speaker 4: of the most iconic stents I've ever heard, because guess what.

792
00:34:03,240 --> 00:34:04,720
Speaker 4: I was also.

793
00:34:04,520 --> 00:34:07,640
Speaker 1: Struggling actor in high school, auditioning five times a week

794
00:34:07,680 --> 00:34:09,680
Speaker 1: and not hearing anything, and most of what I was

795
00:34:09,719 --> 00:34:12,640
Speaker 1: being sent were like Christian movies for most of high school,

796
00:34:12,640 --> 00:34:14,719
Speaker 1: and so I would get like in front of the camera,

797
00:34:14,760 --> 00:34:17,840
Speaker 1: I'd be like, hi, Ivy willk five to two Los Angeles,

798
00:34:19,560 --> 00:34:23,360
Speaker 1: But David, God's on your side. And it was like

799
00:34:24,239 --> 00:34:28,560
Speaker 1: that for years. The phones were not ringing. Nobody wanted me.

800
00:34:28,680 --> 00:34:31,799
Speaker 1: I literally was so like I was so unworkable that

801
00:34:31,840 --> 00:34:33,920
Speaker 1: I had been fired from a job that I did have.

802
00:34:34,080 --> 00:34:36,360
Speaker 1: Like that was how much people did not want to associate.

803
00:34:36,560 --> 00:34:39,160
Speaker 3: Was there a specific posts that got you fired?

804
00:34:39,360 --> 00:34:41,719
Speaker 1: One of the they well, Freeform was creating like a

805
00:34:41,800 --> 00:34:44,160
Speaker 1: dossier of basically everything that I had done on the

806
00:34:44,200 --> 00:34:46,799
Speaker 1: internet that they were then you know, presenting too higher

807
00:34:46,880 --> 00:34:48,239
Speaker 1: up to the network being like this is why we

808
00:34:48,280 --> 00:34:51,160
Speaker 1: need to get this heeffer out of here. One of

809
00:34:51,200 --> 00:34:53,879
Speaker 1: the main things that really got me in a lot

810
00:34:53,880 --> 00:34:56,080
Speaker 1: of trouble was I made a TikTok when I was

811
00:34:56,160 --> 00:34:59,840
Speaker 1: like fourteen or fifteen, where I was a green screened

812
00:34:59,840 --> 00:35:03,120
Speaker 1: by self, uh dancing and like stomping on top of

813
00:35:03,160 --> 00:35:06,440
Speaker 1: an image of a like graveyard of a boarded babies

814
00:35:06,440 --> 00:35:07,200
Speaker 1: outside of a church.

815
00:35:07,680 --> 00:35:09,400
Speaker 4: Well that's just satire, right.

816
00:35:09,400 --> 00:35:12,480
Speaker 1: But honey, when the mouse is involved, that's lost.

817
00:35:13,040 --> 00:35:13,239
Speaker 3: You know.

818
00:35:15,080 --> 00:35:19,000
Speaker 1: When when when McCard. M Mouse is, you know, tapping

819
00:35:19,080 --> 00:35:21,640
Speaker 1: his foot waiting for his morning coffee, and he's scrolling

820
00:35:21,719 --> 00:35:24,319
Speaker 1: through what the interns have brought him on his desk

821
00:35:24,400 --> 00:35:26,440
Speaker 1: that day. Satire don't exist, all right.

822
00:35:26,760 --> 00:35:29,400
Speaker 4: It's literally like the goofy character from Disneyland comes to

823
00:35:29,440 --> 00:35:31,960
Speaker 4: your house and knocks on the door. You're under arrest.

824
00:35:32,080 --> 00:35:35,160
Speaker 1: No, literally, you're under arrest. You're under arrest. We're taking

825
00:35:35,200 --> 00:35:36,600
Speaker 1: you to Bourbank and you're gonna die there.

826
00:35:36,680 --> 00:35:37,640
Speaker 2: Yeah, Like that's what happens.

827
00:35:37,640 --> 00:35:39,520
Speaker 4: We're space and then we're pressing on.

828
00:35:39,920 --> 00:35:41,200
Speaker 1: Yeah, and it's just gonna.

829
00:35:42,800 --> 00:35:44,400
Speaker 4: Space mountain seatbelt.

830
00:35:44,560 --> 00:35:47,200
Speaker 1: Yeah, forever and ever and ever, and once you once

831
00:35:47,200 --> 00:35:49,120
Speaker 1: it reaches the bottom of the mountain, honey, you're going

832
00:35:49,200 --> 00:35:52,200
Speaker 1: right right the other way. Yeah. So that's what happened

833
00:35:52,200 --> 00:35:55,799
Speaker 1: to me. And so I was like unemployed my you know,

834
00:35:55,920 --> 00:36:00,480
Speaker 1: from I shot that show when I was thirteen turning fourteen,

835
00:36:00,920 --> 00:36:05,280
Speaker 1: and then from fourteen years old until I was eighteen

836
00:36:05,280 --> 00:36:07,080
Speaker 1: almost nineteen, I did not work.

837
00:36:07,560 --> 00:36:09,839
Speaker 4: Yeah, and then of course this amazing opportunity came up

838
00:36:10,400 --> 00:36:12,239
Speaker 4: that we both auditioned for, and you were like, this

839
00:36:12,280 --> 00:36:13,359
Speaker 4: is my moment to get back.

840
00:36:13,600 --> 00:36:15,960
Speaker 1: Yeah. I was like, this is definitely what's gonna solidify

841
00:36:16,360 --> 00:36:18,799
Speaker 1: my star? Yeah, I take this seriously, my star, My

842
00:36:18,840 --> 00:36:22,000
Speaker 1: star is waning. I'm aging. You know, as a woman

843
00:36:22,040 --> 00:36:24,440
Speaker 1: in Hollywood, you aged, you age quicker, so it's like

844
00:36:24,520 --> 00:36:26,200
Speaker 1: you could still play sixteen on TV.

845
00:36:26,400 --> 00:36:26,880
Speaker 3: That's true.

846
00:36:26,960 --> 00:36:29,520
Speaker 1: I just got an audition last week for Old Crone

847
00:36:29,680 --> 00:36:32,040
Speaker 1: who dies of leukemia. So you know, it's like.

848
00:36:32,160 --> 00:36:36,640
Speaker 4: I'm I I thought in Oscar Oscar, I know, so okay,

849
00:36:37,040 --> 00:36:39,839
Speaker 4: we you know, we usually don't do traditional interviews about career,

850
00:36:39,880 --> 00:36:42,879
Speaker 4: but I'm like loving this because I want to know. Like, then,

851
00:36:43,040 --> 00:36:46,399
Speaker 4: obviously you became an indie darling, So how did that

852
00:36:46,400 --> 00:36:46,880
Speaker 4: come about?

853
00:36:47,840 --> 00:36:50,200
Speaker 1: Well, the first job, like the first like legit job

854
00:36:50,239 --> 00:36:53,719
Speaker 1: that I got, uh after like my years of rest

855
00:36:53,719 --> 00:36:55,120
Speaker 1: and relaxation.

856
00:36:54,920 --> 00:36:57,040
Speaker 3: Was you were in school? Correct?

857
00:36:58,239 --> 00:37:01,520
Speaker 1: How did I do in high school? I mean I

858
00:37:01,560 --> 00:37:04,239
Speaker 1: did like online high school, and all my friends were

859
00:37:04,239 --> 00:37:07,080
Speaker 1: adults in the La comedy scene. I was like I

860
00:37:07,120 --> 00:37:09,319
Speaker 1: was just like bouncing around comedy club. This was before

861
00:37:09,360 --> 00:37:11,239
Speaker 1: I even started stand up. I was just like I

862
00:37:11,280 --> 00:37:13,560
Speaker 1: was doing like you know, I would like be eighteen,

863
00:37:13,680 --> 00:37:16,160
Speaker 1: like on stage at the Allegian in lingerie, drinking tequila

864
00:37:16,200 --> 00:37:19,400
Speaker 1: and singing ladies who lunch like literally, that was what

865
00:37:19,480 --> 00:37:21,680
Speaker 1: I was doing when I was How old were you?

866
00:37:22,080 --> 00:37:24,040
Speaker 4: How old were you when the pandemic started.

867
00:37:24,200 --> 00:37:26,760
Speaker 2: I was fifteen, Okay, so that was high school.

868
00:37:26,760 --> 00:37:29,360
Speaker 4: So you were in high school during the pandemic. And

869
00:37:29,440 --> 00:37:30,960
Speaker 4: that's why it was zoom high school. It wasn't that

870
00:37:31,000 --> 00:37:31,399
Speaker 4: it was a zoom.

871
00:37:31,680 --> 00:37:33,239
Speaker 2: I was doing high school before that, because you were

872
00:37:33,239 --> 00:37:34,040
Speaker 2: a performer.

873
00:37:33,760 --> 00:37:35,360
Speaker 1: Because I was. I was on a TV show. I

874
00:37:35,400 --> 00:37:37,480
Speaker 1: was going to a performing our high school in Los Angeles,

875
00:37:37,600 --> 00:37:41,640
Speaker 1: and the like five foot lesbian who ran the school

876
00:37:41,760 --> 00:37:43,359
Speaker 1: hated my guts. Told me I had a really bad

877
00:37:43,400 --> 00:37:44,800
Speaker 1: work ethic and that's why I didn't get cast in

878
00:37:44,840 --> 00:37:46,759
Speaker 1: the tenth grade production of Spring Awakening. She said, you

879
00:37:46,760 --> 00:37:48,799
Speaker 1: have a terrible work ethic and you don't show up

880
00:37:48,840 --> 00:37:49,280
Speaker 1: for anything.

881
00:37:49,560 --> 00:37:51,040
Speaker 4: You're like, I'm literally at Disney.

882
00:37:51,200 --> 00:37:54,080
Speaker 1: No literally, I was like, I'm literally sorry, I can't talk.

883
00:37:54,120 --> 00:37:56,320
Speaker 1: I'm on the lot right now, you know whatever.

884
00:37:56,440 --> 00:37:58,200
Speaker 4: Yeah, She's like you're not. Yeah, You're like, I've been

885
00:37:58,239 --> 00:38:00,879
Speaker 4: up since three am. I don't care about my mutiplication table.

886
00:38:01,040 --> 00:38:03,560
Speaker 1: No, literally, So I get kicked out of the school essentially,

887
00:38:03,640 --> 00:38:06,160
Speaker 1: Like they were like, either you quit acting and you

888
00:38:06,280 --> 00:38:08,959
Speaker 1: stay at that high school, or we're gonna not sign

889
00:38:09,000 --> 00:38:10,840
Speaker 1: your work permits anymore, and it's going to be illegal

890
00:38:10,880 --> 00:38:12,880
Speaker 1: for you to have a job and go to school.

891
00:38:13,040 --> 00:38:14,520
Speaker 1: So I was kind of in like a rock and

892
00:38:14,520 --> 00:38:17,320
Speaker 1: a hard place, and I just resolved to do online

893
00:38:17,360 --> 00:38:21,240
Speaker 1: high school. Then covid hit was doing online high school,

894
00:38:21,440 --> 00:38:24,000
Speaker 1: and then like the world sort of opens back up.

895
00:38:24,040 --> 00:38:26,520
Speaker 1: I was like sixteen or seventeen, got a fake ID,

896
00:38:26,640 --> 00:38:29,040
Speaker 1: I got a fig idea it like fifteen or sixteen,

897
00:38:29,760 --> 00:38:32,359
Speaker 1: and then I was just using that to like go

898
00:38:32,520 --> 00:38:35,040
Speaker 1: to the Illegion and I was like going to like,

899
00:38:35,120 --> 00:38:37,560
Speaker 1: you know, Dynasty Typewriter, and I was just showing up

900
00:38:37,600 --> 00:38:40,320
Speaker 1: at these places and going to like backyard shows that

901
00:38:40,320 --> 00:38:42,480
Speaker 1: I would find on Instagram, and I was just like

902
00:38:42,600 --> 00:38:45,359
Speaker 1: making friends people who are still my really close friends

903
00:38:45,400 --> 00:38:48,319
Speaker 1: to this day. I was just like making friends with

904
00:38:48,480 --> 00:38:50,359
Speaker 1: people that I would meet at shows, and then they

905
00:38:50,400 --> 00:38:53,279
Speaker 1: started putting me on their shows before I did stand up,

906
00:38:53,280 --> 00:38:55,080
Speaker 1: and I was doing like sketching cabaret stuff.

907
00:38:55,120 --> 00:38:55,640
Speaker 4: And at what.

908
00:38:55,600 --> 00:38:57,239
Speaker 3: Point did you reveal to them, like, hey, by the way,

909
00:38:57,280 --> 00:39:01,440
Speaker 3: I'm actually sixteen. Like I know you're thirty and that's

910
00:39:01,480 --> 00:39:04,399
Speaker 3: a your deal, but I'm actually sixteen sixteen. The whole time.

911
00:39:04,600 --> 00:39:08,080
Speaker 1: It's hard to conceal that when, like everybody you.

912
00:39:08,000 --> 00:39:11,640
Speaker 4: Have a zoom calculusness tonight, Like I need to go

913
00:39:11,680 --> 00:39:12,439
Speaker 4: first on this show.

914
00:39:13,440 --> 00:39:14,680
Speaker 3: Yeah, first of all, I'm.

915
00:39:14,560 --> 00:39:18,000
Speaker 1: Sixteen, right, It's hard to sort of conceal those things

916
00:39:18,040 --> 00:39:21,040
Speaker 1: because like everybody has stories about like fucking and sucking

917
00:39:21,120 --> 00:39:23,799
Speaker 1: and like doing cocaine and whatever, and I'm like on

918
00:39:23,840 --> 00:39:26,000
Speaker 1: my free period, right no, And I'm like, so I

919
00:39:26,040 --> 00:39:28,439
Speaker 1: live at I actually live at home with my mother

920
00:39:28,520 --> 00:39:30,359
Speaker 1: right now. You know. It was like stuff like that.

921
00:39:30,440 --> 00:39:33,080
Speaker 1: But for some people, I like was I was eighteen,

922
00:39:33,440 --> 00:39:36,319
Speaker 1: you know, And then on my ID, I was twenty three.

923
00:39:36,520 --> 00:39:38,680
Speaker 1: I bought a fake ID that was like thick as

924
00:39:38,719 --> 00:39:42,399
Speaker 1: card stock from like a length that had pop ups

925
00:39:42,400 --> 00:39:45,000
Speaker 1: for porn sites that I found on Reddit, and uh,

926
00:39:45,280 --> 00:39:48,360
Speaker 1: the photo on my fake ID was a still image

927
00:39:48,400 --> 00:39:50,279
Speaker 1: of screenshot of me in a self tape, and I

928
00:39:50,320 --> 00:39:52,879
Speaker 1: put that on my selfie for a job. I guess

929
00:39:52,920 --> 00:39:55,320
Speaker 1: what did not get because again the phones weren't ringing,

930
00:39:55,640 --> 00:39:57,960
Speaker 1: and I had this fake ID, and I would just

931
00:39:58,040 --> 00:40:01,399
Speaker 1: show up to places and bar ha with like comics

932
00:40:01,440 --> 00:40:04,160
Speaker 1: and that was like the last two years of my

933
00:40:04,280 --> 00:40:07,000
Speaker 1: high school life. Then I went to Emerson in Boston

934
00:40:07,080 --> 00:40:09,920
Speaker 1: because I wasn't working, and I was like, Okay, so

935
00:40:10,040 --> 00:40:11,440
Speaker 1: now my life is just going to be I'm a

936
00:40:11,480 --> 00:40:13,520
Speaker 1: college student for the next four years. I was like,

937
00:40:13,560 --> 00:40:17,280
Speaker 1: I'll be a babysitter in college. And then two months

938
00:40:17,280 --> 00:40:19,799
Speaker 1: into being at school, I got like the lead in

939
00:40:19,840 --> 00:40:22,160
Speaker 1: a pilot that will never see the light of day

940
00:40:22,200 --> 00:40:25,840
Speaker 1: literally is under the floorboards at Amazon Prime videoot.

941
00:40:26,000 --> 00:40:30,240
Speaker 4: Yes, so that was where now and it's in theaters

942
00:40:30,280 --> 00:40:31,120
Speaker 4: now go check it out.

943
00:40:31,840 --> 00:40:35,239
Speaker 1: Yeah, so that was where I met Mary. But I

944
00:40:35,280 --> 00:40:37,960
Speaker 1: did that pilot and that was like my first like

945
00:40:38,080 --> 00:40:42,200
Speaker 1: real job back, like I had done jobs like like

946
00:40:42,280 --> 00:40:45,200
Speaker 1: tiny things as like favors. Like there's a Netflix movie

947
00:40:45,200 --> 00:40:47,839
Speaker 1: called The Bubble directed by Judd Apatow, and I played

948
00:40:47,880 --> 00:40:53,960
Speaker 1: a YouTube video on a phone in that there's no

949
00:40:54,080 --> 00:40:57,040
Speaker 1: I made one hundred dollars playing a YouTube video that

950
00:40:57,080 --> 00:40:57,880
Speaker 1: plays on a phone.

951
00:40:58,640 --> 00:41:02,520
Speaker 2: And then I like union rules and well, yeah, and

952
00:41:03,080 --> 00:41:04,000
Speaker 2: by the way, that's sketch group.

953
00:41:04,040 --> 00:41:04,880
Speaker 4: But that's a different story.

954
00:41:04,920 --> 00:41:07,960
Speaker 1: That's a different story. But and then I did like

955
00:41:08,600 --> 00:41:12,360
Speaker 1: when I first came to New York I or to

956
00:41:12,480 --> 00:41:16,359
Speaker 1: Boston for college, I uh was called to like do

957
00:41:16,440 --> 00:41:20,040
Speaker 1: a sketch on the Adam Friedland Show, like when that, Yes,

958
00:41:20,160 --> 00:41:22,680
Speaker 1: the Adam Friedland Show, when that was like first starting

959
00:41:22,680 --> 00:41:25,239
Speaker 1: when they were had just transitioned out of Cometown and

960
00:41:25,239 --> 00:41:27,640
Speaker 1: they were like trying to do video, and so I

961
00:41:27,760 --> 00:41:29,600
Speaker 1: did a sketch on that where I played like a

962
00:41:29,600 --> 00:41:32,480
Speaker 1: fourteen year old girl who's like sucking Adam's fingers and whatever.

963
00:41:33,080 --> 00:41:34,920
Speaker 2: And that was like, which was a real stretch for

964
00:41:34,920 --> 00:41:35,440
Speaker 2: you because you were.

965
00:41:35,360 --> 00:41:37,920
Speaker 1: Fifteen and a half right exactly, And that was like

966
00:41:38,400 --> 00:41:41,319
Speaker 1: amazing and awesome, and that sort of got people in

967
00:41:41,400 --> 00:41:44,400
Speaker 1: New York in comedy knowing who I was. People in

968
00:41:44,520 --> 00:41:46,839
Speaker 1: LA in comedy knew who I was. And then now

969
00:41:46,880 --> 00:41:48,840
Speaker 1: I was like, you know, I was in Boston, and

970
00:41:48,880 --> 00:41:51,600
Speaker 1: then that helped kind of set the groundwork for me

971
00:41:51,920 --> 00:41:54,359
Speaker 1: in New York because people recognize me from that. But

972
00:41:54,400 --> 00:41:56,680
Speaker 1: then I was in college and I did that pilot,

973
00:41:56,719 --> 00:42:00,000
Speaker 1: did the Adam Friedland Show whatever, Like again I was

974
00:42:00,160 --> 00:42:02,480
Speaker 1: just like, my life is gonna be I graduate with

975
00:42:02,520 --> 00:42:06,360
Speaker 1: a BA and I'm gonna figure out what happens next.

976
00:42:06,880 --> 00:42:10,960
Speaker 1: And then after that pilot happened, Anora happens. I auditioned

977
00:42:10,960 --> 00:42:13,640
Speaker 1: for an Aura a month after I shot that pilot,

978
00:42:13,800 --> 00:42:16,719
Speaker 1: and then a month later we were shooting it, and

979
00:42:16,760 --> 00:42:18,719
Speaker 1: then I dropped out of college and then I've just

980
00:42:18,719 --> 00:42:20,080
Speaker 1: been working ever since.

981
00:42:20,640 --> 00:42:23,720
Speaker 2: Wow wow Yeah, and that movie won an Oscar.

982
00:42:23,880 --> 00:42:25,960
Speaker 1: I know, and I knew what was gonna happen. That's

983
00:42:25,960 --> 00:42:27,720
Speaker 1: the thing is, I literally I knew we were gonna

984
00:42:27,719 --> 00:42:30,480
Speaker 1: go to can. I knew, I knew all of this stuff.

985
00:42:30,600 --> 00:42:33,720
Speaker 1: Everybody was acting mad humble, like Sean and Mikey Madison

986
00:42:33,760 --> 00:42:36,000
Speaker 1: are both like hella shy, like dorks, and they were

987
00:42:36,040 --> 00:42:38,600
Speaker 1: just like, like I remember telling Mike you one day

988
00:42:38,680 --> 00:42:41,719
Speaker 1: when we were we were in Vegas, like that was

989
00:42:41,719 --> 00:42:43,359
Speaker 1: the last like unit of the film that we shot,

990
00:42:43,480 --> 00:42:46,280
Speaker 1: was all of the Vegas sequences, and we were getting

991
00:42:46,280 --> 00:42:48,800
Speaker 1: our hair done at like eleven PM, like about to

992
00:42:48,840 --> 00:42:50,360
Speaker 1: go shoot like one of our last scenes. And I

993
00:42:50,400 --> 00:42:52,520
Speaker 1: like looked at her. The hair tinsel was like being

994
00:42:52,560 --> 00:42:54,239
Speaker 1: sewn under her hair, and I looked at her and

995
00:42:54,320 --> 00:42:56,800
Speaker 1: I was like, do you realize that, like your entire

996
00:42:56,840 --> 00:42:58,680
Speaker 1: life is going to change after this movie comes out?

997
00:42:58,680 --> 00:43:01,400
Speaker 1: And she was like, this has been a really wonderful experience,

998
00:43:01,440 --> 00:43:03,360
Speaker 1: and like I'm very happy to be here and I

999
00:43:03,400 --> 00:43:05,640
Speaker 1: love working on this movie, but I'm pretty sure that,

1000
00:43:05,719 --> 00:43:07,840
Speaker 1: like you know, my life is just gonna be like

1001
00:43:07,960 --> 00:43:10,400
Speaker 1: pretty normal after this, and I'm just gonna like be

1002
00:43:10,600 --> 00:43:13,120
Speaker 1: chill and just all I'll have to find another job eventually.

1003
00:43:13,640 --> 00:43:17,680
Speaker 1: And I was like yeah, And I was like no, Mikaela,

1004
00:43:17,800 --> 00:43:20,319
Speaker 1: like everything from here on out is gonna be so

1005
00:43:20,480 --> 00:43:24,320
Speaker 1: fucking different. I just knew these things because I think

1006
00:43:25,160 --> 00:43:29,480
Speaker 1: from all of my time being like technically in the

1007
00:43:29,600 --> 00:43:32,760
Speaker 1: entertainment industry but like not working. Most of my friends,

1008
00:43:32,800 --> 00:43:35,560
Speaker 1: like before they were adults trying to make it in entertainment,

1009
00:43:35,600 --> 00:43:37,200
Speaker 1: were like kids I grew up with in La who

1010
00:43:37,200 --> 00:43:39,839
Speaker 1: had been child actors who were much more successful than me, right,

1011
00:43:40,200 --> 00:43:44,720
Speaker 1: And so I just got finnwolf Hard, like the Apatow daughters.

1012
00:43:44,800 --> 00:43:47,800
Speaker 1: Like I just got like a sort of sense for

1013
00:43:48,680 --> 00:43:51,040
Speaker 1: how these things went because I was on the outside

1014
00:43:51,040 --> 00:43:52,120
Speaker 1: of it. And it was like I was at the

1015
00:43:52,160 --> 00:43:54,520
Speaker 1: same you know, parties and functions of these people, but

1016
00:43:54,600 --> 00:43:57,520
Speaker 1: like I had nothing to show for it, and they

1017
00:43:57,960 --> 00:44:00,480
Speaker 1: were like, you know, being flown out to France to

1018
00:44:00,560 --> 00:44:01,759
Speaker 1: like sit in the front row at the y A

1019
00:44:01,800 --> 00:44:03,719
Speaker 1: Self fashion show, you know, and it was like I

1020
00:44:03,880 --> 00:44:05,680
Speaker 1: just I was like, well, I work. I worked at

1021
00:44:05,680 --> 00:44:08,320
Speaker 1: pizza parlor at the Grove, you know, in high school,

1022
00:44:08,360 --> 00:44:09,920
Speaker 1: and so I was like, you.

1023
00:44:09,880 --> 00:44:11,319
Speaker 4: Were unemployed, were working.

1024
00:44:11,560 --> 00:44:14,000
Speaker 1: I was working, but not in the way that I

1025
00:44:14,040 --> 00:44:16,600
Speaker 1: wanted to work. I was Hollywood unemployed, which is really

1026
00:44:16,600 --> 00:44:17,640
Speaker 1: what I mean, because I.

1027
00:44:17,600 --> 00:44:19,520
Speaker 4: Don't when you're in high school and have a job.

1028
00:44:19,760 --> 00:44:21,560
Speaker 3: Yes, exactly, this is so interesting.

1029
00:44:21,640 --> 00:44:22,600
Speaker 4: I know, I'm obsessed.

1030
00:44:22,719 --> 00:44:24,760
Speaker 3: Well, it's like I never meet people who are.

1031
00:44:24,560 --> 00:44:27,040
Speaker 4: Like Jared Jared was a child star.

1032
00:44:27,360 --> 00:44:30,799
Speaker 3: Yeah, Like growing up in la is such a weird experience.

1033
00:44:30,280 --> 00:44:32,760
Speaker 1: And it's no way to have a family.

1034
00:44:32,840 --> 00:44:34,920
Speaker 3: It's crazy. It's like when I was grown. When I

1035
00:44:34,960 --> 00:44:37,640
Speaker 3: was fifteen, I didn't know actors were like real people.

1036
00:44:37,760 --> 00:44:39,640
Speaker 3: Like I was like they live in like the sky.

1037
00:44:40,120 --> 00:44:42,080
Speaker 3: Like I was like, you can't as a person be that.

1038
00:44:42,480 --> 00:44:45,520
Speaker 1: Yeah, I mean I was fifteen and I was like, okay,

1039
00:44:45,600 --> 00:44:47,760
Speaker 1: like let's break down beat for beat this like Wendy

1040
00:44:47,800 --> 00:44:50,279
Speaker 1: mcclennan covey performance, like that was the type of shit

1041
00:44:50,320 --> 00:44:52,600
Speaker 1: that I was doing, you know, And so I was

1042
00:44:52,680 --> 00:44:56,239
Speaker 1: just obsessed with it, and I had like a real

1043
00:44:56,280 --> 00:44:58,279
Speaker 1: I read Deadline every day. I mean, I had like

1044
00:44:58,320 --> 00:45:01,879
Speaker 1: a very crazy you need psychoanalysis. I know, I'm really sick.

1045
00:45:01,880 --> 00:45:03,480
Speaker 1: I'm a really really sick person. I have in a

1046
00:45:03,520 --> 00:45:06,200
Speaker 1: massive star tattooed on my back with you my shoulder blades,

1047
00:45:06,239 --> 00:45:09,160
Speaker 1: Hollywood forever incursive, like with a star encasing it Like

1048
00:45:09,200 --> 00:45:10,680
Speaker 1: I'm really I'm a very sick person.

1049
00:45:10,920 --> 00:45:14,400
Speaker 2: So yeah, and you're sort of fetishizing. I'm seeing you

1050
00:45:14,440 --> 00:45:16,560
Speaker 2: have a Courtney loved head, So you're sort of fetishizing

1051
00:45:16,640 --> 00:45:22,239
Speaker 2: the kind of like messy starlet. Yes, like dripping eyeliner

1052
00:45:22,360 --> 00:45:25,160
Speaker 2: on the red carpet. Yeah, because but then they yell

1053
00:45:25,239 --> 00:45:26,640
Speaker 2: action and she fucking.

1054
00:45:26,520 --> 00:45:28,360
Speaker 1: Kill yes, and I lock the fuck in. But the

1055
00:45:28,400 --> 00:45:32,200
Speaker 1: thing about me is like I was not only like

1056
00:45:32,239 --> 00:45:35,200
Speaker 1: you know, up against sort of corporate Hollywood powers who

1057
00:45:35,280 --> 00:45:37,880
Speaker 1: didn't like what I was saying, because like comedy has

1058
00:45:37,880 --> 00:45:39,680
Speaker 1: always like really come first for me, and like internet

1059
00:45:39,719 --> 00:45:41,880
Speaker 1: expression has always really come first for me. So I

1060
00:45:41,960 --> 00:45:43,840
Speaker 1: was up against that. But even before that, I was

1061
00:45:43,880 --> 00:45:45,160
Speaker 1: famous on the internet from the time I was like

1062
00:45:45,160 --> 00:45:47,560
Speaker 1: twelve or thirteen, and so I've been famous on the

1063
00:45:47,600 --> 00:45:52,080
Speaker 1: Internet for like a decade now, and I even then

1064
00:45:52,280 --> 00:45:54,120
Speaker 1: was like faced with like a lot of detractors and

1065
00:45:54,160 --> 00:45:56,279
Speaker 1: cancel campaigns and all these things, and so I just

1066
00:45:56,280 --> 00:46:02,200
Speaker 1: always had this understanding of it's like preternatural understanding of

1067
00:46:02,320 --> 00:46:06,759
Speaker 1: like reputation, private life, career and the confluence of the

1068
00:46:06,800 --> 00:46:09,200
Speaker 1: three things, and like that's really like my sort of

1069
00:46:09,200 --> 00:46:11,680
Speaker 1: autistic special interest, and like it's all I read about,

1070
00:46:11,760 --> 00:46:14,759
Speaker 1: and it's like I have posters and archival, you know,

1071
00:46:14,880 --> 00:46:17,080
Speaker 1: magazines and all these things all around my house of

1072
00:46:17,160 --> 00:46:19,560
Speaker 1: like these types of women who were like really maligned

1073
00:46:19,680 --> 00:46:22,680
Speaker 1: in Hollywood and in the public opinion because it was

1074
00:46:22,680 --> 00:46:26,080
Speaker 1: thrust upon me at such a young age, and I

1075
00:46:26,600 --> 00:46:29,640
Speaker 1: have been experiencing that for a really long time, and

1076
00:46:29,680 --> 00:46:31,440
Speaker 1: now I kind of just lean into it, Like I

1077
00:46:31,440 --> 00:46:35,480
Speaker 1: don't think any of the attempts to fire me or

1078
00:46:35,480 --> 00:46:39,920
Speaker 1: cancel me or anything made me paranoid or fearful at all,

1079
00:46:40,040 --> 00:46:44,319
Speaker 1: because the women that are in my personal canon of

1080
00:46:44,400 --> 00:46:49,600
Speaker 1: greatness are women who have faced those exact circumstances decades

1081
00:46:49,640 --> 00:46:51,640
Speaker 1: before it happened to me. And so if those are

1082
00:46:51,640 --> 00:46:52,440
Speaker 1: the people whose.

1083
00:46:52,320 --> 00:46:54,720
Speaker 2: Art I'm Megan McCain, right.

1084
00:46:55,040 --> 00:46:59,760
Speaker 1: Megan McCain, Meghan Trainer, Meghan Stalter, Meghan Malalai.

1085
00:47:00,400 --> 00:47:03,600
Speaker 2: Yeah, mostly just all the Meganssage.

1086
00:47:02,880 --> 00:47:04,520
Speaker 1: And I'm changing my name to Megan and.

1087
00:47:04,520 --> 00:47:07,120
Speaker 2: The next great for you.

1088
00:47:07,320 --> 00:47:09,600
Speaker 1: But those were all the women that were the most

1089
00:47:09,680 --> 00:47:11,640
Speaker 1: interesting to me from the time I was a child

1090
00:47:11,840 --> 00:47:16,160
Speaker 1: whose star images I was always so attracted to, and

1091
00:47:16,239 --> 00:47:21,040
Speaker 1: when it became me it was really painful and difficult

1092
00:47:21,080 --> 00:47:24,160
Speaker 1: at first, but now sort of it's a thing where

1093
00:47:24,160 --> 00:47:27,200
Speaker 1: it's like I, in a way have become the kind

1094
00:47:27,239 --> 00:47:29,960
Speaker 1: of people that I have studied and obsessed over in

1095
00:47:29,960 --> 00:47:32,880
Speaker 1: like diva worshiped for so many years, and that is

1096
00:47:32,920 --> 00:47:35,800
Speaker 1: a really strange position to be in. But I can

1097
00:47:35,920 --> 00:47:40,880
Speaker 1: sort of take my interiority and my feelings out of

1098
00:47:40,920 --> 00:47:43,840
Speaker 1: it and look at myself and my career and my

1099
00:47:43,920 --> 00:47:47,680
Speaker 1: public reception and my image from the same lens that

1100
00:47:47,719 --> 00:47:50,759
Speaker 1: I would view it for other women, and so I

1101
00:47:50,840 --> 00:47:54,320
Speaker 1: can kind of make myself the Diva that I worship

1102
00:47:54,440 --> 00:47:54,839
Speaker 1: in a way.

1103
00:47:54,880 --> 00:47:57,000
Speaker 2: Sure it's project, yes, exactly.

1104
00:47:57,680 --> 00:48:00,600
Speaker 3: It's so interesting you you've done something very thing where

1105
00:48:00,600 --> 00:48:03,239
Speaker 3: at the beginning of this was so like absurd, we're

1106
00:48:03,280 --> 00:48:06,160
Speaker 3: being crazy, we're being crazy. And then when we were

1107
00:48:06,200 --> 00:48:07,759
Speaker 3: like okay, now we're actually gonna ask you, like a

1108
00:48:07,760 --> 00:48:10,759
Speaker 3: real question on your background, you went so actress saying

1109
00:48:12,239 --> 00:48:15,360
Speaker 3: it was like really like I'm like, I feel like

1110
00:48:15,360 --> 00:48:18,000
Speaker 3: I'm Zane Low all of a sudden, like it's.

1111
00:48:17,960 --> 00:48:19,759
Speaker 1: Well, you're not sucking my cock under the table, so

1112
00:48:19,800 --> 00:48:24,719
Speaker 1: you're not saying Zane love Zaying Low would if you

1113
00:48:24,760 --> 00:48:26,719
Speaker 1: put the worst album of all time in front of

1114
00:48:26,719 --> 00:48:29,200
Speaker 1: Saying Low, He's gonna have tears cresting in his eyes.

1115
00:48:29,560 --> 00:48:34,600
Speaker 1: It's gorgeous. Yeah, oh my god, I know he likes

1116
00:48:34,640 --> 00:48:36,560
Speaker 1: Life of a show Girl. I know, I know he

1117
00:48:36,719 --> 00:48:38,000
Speaker 1: loved Life of a Showgirl.

1118
00:48:39,160 --> 00:48:41,720
Speaker 4: He's literally it's like you can see the devil horns

1119
00:48:41,719 --> 00:48:43,120
Speaker 4: peeking out of his skull.

1120
00:48:43,280 --> 00:48:43,680
Speaker 1: Crazy.

1121
00:48:43,719 --> 00:48:44,200
Speaker 2: It's well.

1122
00:48:44,239 --> 00:48:46,640
Speaker 1: I mean, celebrity journalism is like a really lost art

1123
00:48:46,640 --> 00:48:50,200
Speaker 1: nowadays because it's all fans in front of the celebrity.

1124
00:48:50,360 --> 00:48:53,440
Speaker 1: I mean, granted, it's like, would I want a Barbara

1125
00:48:53,440 --> 00:48:56,680
Speaker 1: Walters and Diane Sawyer making the girls cry? No, I just.

1126
00:48:59,040 --> 00:49:02,799
Speaker 2: Walters. Barbara Walters and Dane Sawyer are both hacks, and

1127
00:49:02,840 --> 00:49:04,200
Speaker 2: I want that on.

1128
00:49:05,840 --> 00:49:06,440
Speaker 1: It's a Nancy the.

1129
00:49:08,040 --> 00:49:10,000
Speaker 4: Celebrate Barbara Walters and Diane Sawyer.

1130
00:49:10,040 --> 00:49:11,200
Speaker 2: Are you fucking kidding me?

1131
00:49:11,360 --> 00:49:14,400
Speaker 1: They're Nancy Grace iterations. It's just the same thing, just blonde,

1132
00:49:14,480 --> 00:49:19,240
Speaker 1: cunted side part high bank spray to the high heavens

1133
00:49:19,320 --> 00:49:22,920
Speaker 1: and to what end? You know, literally no, to what end?

1134
00:49:23,200 --> 00:49:26,480
Speaker 1: But like you know, celebrity journalism used to be that.

1135
00:49:26,640 --> 00:49:28,640
Speaker 1: I mean, I feel like, you know, Sam's allegations. It's

1136
00:49:28,640 --> 00:49:31,319
Speaker 1: like Charlie Rose had a nice thing, you know, like

1137
00:49:31,400 --> 00:49:34,760
Speaker 1: the Black Boy. Charlie Rose was asking good questions. Yeah, yeah,

1138
00:49:34,840 --> 00:49:36,680
Speaker 1: Larry King was asking good questions.

1139
00:49:36,960 --> 00:49:41,120
Speaker 4: Occasionally, I'm trying to think like who is a legitimately

1140
00:49:41,160 --> 00:49:45,480
Speaker 4: good because it is one of those things that like,

1141
00:49:45,480 --> 00:49:48,000
Speaker 4: like who's a good broadcast interviewer? Because I do think

1142
00:49:48,000 --> 00:49:50,200
Speaker 4: there were actually good journalists, like if you read an

1143
00:49:50,239 --> 00:49:53,160
Speaker 4: old like New York profile credibly.

1144
00:49:53,080 --> 00:49:56,719
Speaker 1: But on camera journalism, I mean, it's a hard thing

1145
00:49:56,800 --> 00:49:59,360
Speaker 1: to it's a hard thing to capture. I've been interviewed

1146
00:49:59,600 --> 00:50:02,720
Speaker 1: many for many different publications by many different people. Usually

1147
00:50:02,760 --> 00:50:05,120
Speaker 1: the questions that they asked me are so. I saw

1148
00:50:05,120 --> 00:50:07,080
Speaker 1: a tweet this morning on my commute here saying that

1149
00:50:07,120 --> 00:50:11,759
Speaker 1: you're fat, nasty here to comment, and I'm like, like,

1150
00:50:11,880 --> 00:50:15,040
Speaker 1: I'm eighteen, like sorry, Like when I was like much younger,

1151
00:50:15,080 --> 00:50:18,520
Speaker 1: it was like people being like so, like, I actually

1152
00:50:18,560 --> 00:50:21,719
Speaker 1: saw a blog post today that said that you are

1153
00:50:22,440 --> 00:50:26,240
Speaker 1: racist and should be hunted with pitchforks. I kind of agree,

1154
00:50:26,320 --> 00:50:28,279
Speaker 1: but I want you to tell me why you should live.

1155
00:50:28,520 --> 00:50:30,600
Speaker 4: And after that the trap, yes.

1156
00:50:31,160 --> 00:50:34,520
Speaker 1: Exactly, And after that it's when I wake like literally

1157
00:50:35,640 --> 00:50:38,080
Speaker 1: literally it's like, where's the fucking middle ground? Because the

1158
00:50:38,080 --> 00:50:41,000
Speaker 1: people that are supposed to be on camera interviewing celebrities

1159
00:50:41,080 --> 00:50:46,320
Speaker 1: are like either it's like with a an air of irony,

1160
00:50:46,360 --> 00:50:48,680
Speaker 1: like I think of like you know, Adam with the

1161
00:50:48,680 --> 00:50:51,200
Speaker 1: Adam Friedland Show. It's like that's a satire of like

1162
00:50:51,520 --> 00:50:54,160
Speaker 1: Johnny Carson or Jack Parr, like all those old shows.

1163
00:50:54,280 --> 00:50:57,200
Speaker 1: But he's doing it from the lens of like it's ironic.

1164
00:50:57,239 --> 00:50:59,840
Speaker 1: It's a joke. You know, I'm gonna fuck with these people.

1165
00:51:00,200 --> 00:51:04,240
Speaker 1: So either it's trolling or it's like making Billie Eilish

1166
00:51:04,320 --> 00:51:07,360
Speaker 1: eat hot chips until she spits in a bucket.

1167
00:51:07,440 --> 00:51:08,359
Speaker 3: Well, this is the other thing.

1168
00:51:08,400 --> 00:51:11,200
Speaker 2: It's like, how many more celebrities are gonna lip sync

1169
00:51:11,360 --> 00:51:14,520
Speaker 2: Real Housewives scenes until we're satisfied it's great.

1170
00:51:14,640 --> 00:51:18,240
Speaker 1: Vertical video has done something nasty to It's our.

1171
00:51:18,120 --> 00:51:22,200
Speaker 3: Fault that we don't stop clicking every time.

1172
00:51:22,239 --> 00:51:24,120
Speaker 4: I'm sorry the way what are they in the in

1173
00:51:24,160 --> 00:51:26,759
Speaker 4: the Conde Nast basement where they do it's literally just

1174
00:51:26,840 --> 00:51:29,200
Speaker 4: a line of celebrities. Their hands are tied in front

1175
00:51:29,200 --> 00:51:31,919
Speaker 4: of them and they're saying, Glenn close, get in that chair.

1176
00:51:32,000 --> 00:51:33,040
Speaker 2: We're gonna pie you.

1177
00:51:33,239 --> 00:51:36,080
Speaker 1: Yes. No, literally, has the cherry, but also legacy media

1178
00:51:36,160 --> 00:51:38,000
Speaker 1: is dying, and all these things are being consolidated. I

1179
00:51:38,040 --> 00:51:40,000
Speaker 1: mean even just as of this week, teen Vogue is

1180
00:51:40,040 --> 00:51:42,200
Speaker 1: being like all those writers are laid off. Teen Vogue

1181
00:51:42,239 --> 00:51:45,239
Speaker 1: is being consolidated into just normal Vogue at Conde Nast.

1182
00:51:45,280 --> 00:51:47,520
Speaker 1: It's like, so all these outlets that maybe did things

1183
00:51:47,560 --> 00:51:50,560
Speaker 1: that were a little more interesting or culturally frictive or

1184
00:51:50,880 --> 00:51:53,120
Speaker 1: skewed younger but not in a way that talk down

1185
00:51:53,160 --> 00:51:56,319
Speaker 1: to young people are just getting sucked up into the

1186
00:51:56,360 --> 00:51:59,880
Speaker 1: ether and then soon everything will be like one channel

1187
00:52:00,160 --> 00:52:02,880
Speaker 1: that just does tiktoks. There's no more profiles, there's no

1188
00:52:02,920 --> 00:52:06,720
Speaker 1: more TV interviews. It's just gonna be one TikTok network

1189
00:52:06,880 --> 00:52:09,600
Speaker 1: that all of these like like five you know, millennial

1190
00:52:09,760 --> 00:52:14,480
Speaker 1: reporters outsourced too, and they're just gonna be asking Malala like, hey, Malala,

1191
00:52:14,640 --> 00:52:16,440
Speaker 1: like do you want to hit this j with me?

1192
00:52:16,680 --> 00:52:20,800
Speaker 1: And like flick up Diva? And that's what's that's journalism.

1193
00:52:20,360 --> 00:52:22,520
Speaker 4: That's flick up Diva challenge.

1194
00:52:22,560 --> 00:52:25,320
Speaker 1: No, literally, Malala, can you like pull your pennies to

1195
00:52:25,360 --> 00:52:28,040
Speaker 1: the side and twerk on camera for me to this trending.

1196
00:52:27,719 --> 00:52:33,279
Speaker 4: Audio entire and that entire multi channel, multi Channel conglomerate

1197
00:52:33,280 --> 00:52:34,200
Speaker 4: is run by Alex.

1198
00:52:34,040 --> 00:52:38,799
Speaker 3: Cooper of No exactly exactly love that you do. Pull

1199
00:52:38,800 --> 00:52:39,600
Speaker 3: your pants It's my.

1200
00:52:39,520 --> 00:52:41,200
Speaker 1: Favorite thing in the whole world. Pull your pennies, it

1201
00:52:41,280 --> 00:52:43,640
Speaker 1: sid is my favorite. It's the funniest thing. It's the

1202
00:52:43,640 --> 00:52:46,719
Speaker 1: funniest thing to ask somebody to do. Not take them off,

1203
00:52:48,680 --> 00:52:53,080
Speaker 1: not take them off well because it's half hearted. What's

1204
00:52:53,160 --> 00:52:54,960
Speaker 1: so funny to me is that it's like, we're not

1205
00:52:55,000 --> 00:52:56,640
Speaker 1: going to ask you to like, you know, get them

1206
00:52:56,640 --> 00:52:57,880
Speaker 1: around your shoes or angles.

1207
00:52:57,880 --> 00:53:00,279
Speaker 3: You can still wear your shoes.

1208
00:53:00,440 --> 00:53:01,960
Speaker 1: I don't have to fully come off.

1209
00:53:03,040 --> 00:53:06,960
Speaker 4: Literally, the entire Conde Nast video thing is leading to

1210
00:53:07,480 --> 00:53:09,920
Speaker 4: Academy Award winning actresses doing the pull your panics to

1211
00:53:09,960 --> 00:53:13,239
Speaker 4: the side challenge, like it's literally gonna be It's literally.

1212
00:53:12,880 --> 00:53:15,759
Speaker 1: Gonna be Jayla pulling her panties, be like, I hate

1213
00:53:15,800 --> 00:53:20,440
Speaker 1: my old persona. Here's my pussy just to the side.

1214
00:53:21,000 --> 00:53:23,600
Speaker 1: I'm eating pizza, but I used to eat too much pizza.

1215
00:53:23,880 --> 00:53:27,319
Speaker 1: I'm not tripping it Polly anymore. I'm not adorable. Adorable's over.

1216
00:53:27,440 --> 00:53:28,839
Speaker 1: But here's my pussy in the side.

1217
00:53:29,719 --> 00:53:31,319
Speaker 2: And by the way, I had to access a lot

1218
00:53:31,320 --> 00:53:32,279
Speaker 2: of trauma for this role.

1219
00:53:32,480 --> 00:53:35,319
Speaker 1: Yes, No, She's like, she's like on this press tour

1220
00:53:35,560 --> 00:53:37,360
Speaker 1: for this movie Die Jennifer Lawrence.

1221
00:53:37,640 --> 00:53:40,000
Speaker 4: I love Lynn Ramsey showing.

1222
00:53:40,280 --> 00:53:44,040
Speaker 1: Ramsey, the excellent Ramsey. Who's somebody that literally you would.

1223
00:53:43,800 --> 00:53:44,720
Speaker 4: Love Morburn Color?

1224
00:53:44,880 --> 00:53:46,719
Speaker 1: Is that like one of your My first daughter will

1225
00:53:46,760 --> 00:53:49,400
Speaker 1: be named Morvan. I'm I'm kidding. I will name my

1226
00:53:49,440 --> 00:53:51,719
Speaker 1: first daughter after a movie wherein a girl steals her

1227
00:53:51,760 --> 00:53:54,280
Speaker 1: suicide boyfriend's manuscript and then just sort of goes clubbing,

1228
00:53:54,440 --> 00:53:56,880
Speaker 1: goes around. It's one of those movies where somebody just

1229
00:53:56,880 --> 00:53:57,440
Speaker 1: goes around.

1230
00:53:58,200 --> 00:53:58,640
Speaker 4: Amazing.

1231
00:53:58,880 --> 00:54:01,520
Speaker 1: Love that love a movie that's like almost to pic arasque,

1232
00:54:01,520 --> 00:54:02,920
Speaker 1: but she's not really traveling.

1233
00:54:03,000 --> 00:54:04,680
Speaker 4: I would be more color for Halloween. That'd be a

1234
00:54:04,680 --> 00:54:05,640
Speaker 4: great costume for just.

1235
00:54:05,600 --> 00:54:09,080
Speaker 1: Me, a ponytail. Ponytail. Everybody's like, who are you. I'm like,

1236
00:54:09,120 --> 00:54:10,160
Speaker 1: I'm Morvering Calor.

1237
00:54:10,280 --> 00:54:12,279
Speaker 4: Yeah, I'm just kind of like sort of on.

1238
00:54:12,280 --> 00:54:13,520
Speaker 2: Drugs and Halloween.

1239
00:54:13,560 --> 00:54:15,840
Speaker 1: I went as Best from Breaking the Waves and everybody's like,

1240
00:54:15,880 --> 00:54:18,200
Speaker 1: who are you sure? I was like, I'm Best from

1241
00:54:18,320 --> 00:54:20,040
Speaker 1: Lars Bunchers Breaking the Waves and they're like, are you

1242
00:54:20,080 --> 00:54:24,000
Speaker 1: speaking Vietnamese right now? Like, no, it's all English. Actually,

1243
00:54:25,800 --> 00:54:31,879
Speaker 1: it's hard out here for a pimp, I'll say, do.

1244
00:54:31,880 --> 00:54:36,479
Speaker 4: We want to even like straight? Yeah, So you're catching

1245
00:54:36,520 --> 00:54:38,320
Speaker 4: us in a sort of a weird time because Samini,

1246
00:54:38,640 --> 00:54:41,600
Speaker 4: if you don't mind me saying that, we're sort of

1247
00:54:41,640 --> 00:54:44,959
Speaker 4: being like, how much do we want to keep doing

1248
00:54:44,960 --> 00:54:46,759
Speaker 4: all our segments and how much you want to keep

1249
00:54:47,760 --> 00:54:49,640
Speaker 4: just like one segment and then a straight topic. But

1250
00:54:49,719 --> 00:54:53,320
Speaker 4: like we've been enjoying so much like gabbing with people,

1251
00:54:53,400 --> 00:54:56,799
Speaker 4: and it feels like we're cutting the momentum when we're like,

1252
00:54:56,880 --> 00:54:58,960
Speaker 4: and now our first segment, right, and so we're kind

1253
00:54:58,960 --> 00:54:59,319
Speaker 4: of like.

1254
00:55:00,000 --> 00:55:01,760
Speaker 1: Well, you'll probably have to cut out so much.

1255
00:55:01,560 --> 00:55:02,919
Speaker 4: Of this do I have straight?

1256
00:55:02,920 --> 00:55:03,480
Speaker 3: Shoot me too?

1257
00:55:03,920 --> 00:55:06,239
Speaker 1: Episode will be thirty minutes either way, since you'll have

1258
00:55:06,239 --> 00:55:07,840
Speaker 1: to cut out my whole thing where I called Italians

1259
00:55:07,920 --> 00:55:09,640
Speaker 1: rapists and like just all of Oh.

1260
00:55:09,480 --> 00:55:12,760
Speaker 4: No, that's the that's the real, Okay, that's going viral

1261
00:55:12,760 --> 00:55:14,160
Speaker 4: on tiktoks.

1262
00:55:14,320 --> 00:55:16,279
Speaker 3: We're doing our first segment. It's called Street Shooters, and

1263
00:55:16,280 --> 00:55:17,640
Speaker 3: in this segment, we're going to ask you a series

1264
00:55:17,640 --> 00:55:19,600
Speaker 3: of rapid fire questions. Is basically this thing or this

1265
00:55:19,680 --> 00:55:21,319
Speaker 3: other thing. The only rule is you can't ask a

1266
00:55:21,320 --> 00:55:23,239
Speaker 3: single fle up question or we will scream at you.

1267
00:55:23,360 --> 00:55:24,120
Speaker 4: Okay, ready.

1268
00:55:24,440 --> 00:55:26,040
Speaker 3: We will make it so you're unemployed for the rest

1269
00:55:26,040 --> 00:55:26,560
Speaker 3: of your life.

1270
00:55:26,640 --> 00:55:30,600
Speaker 4: Being radicalized online or being authorized to commit a crime.

1271
00:55:31,640 --> 00:55:33,359
Speaker 1: Authorized to commit a crime, the.

1272
00:55:33,320 --> 00:55:36,239
Speaker 3: Secret life of Walter Mitty or the Secret lives of Mormon.

1273
00:55:35,960 --> 00:55:39,360
Speaker 4: Wives, sialized of Mormon Wives, sending a meme on Slack,

1274
00:55:39,600 --> 00:55:41,359
Speaker 4: or loving the team at Hacks.

1275
00:55:41,520 --> 00:55:42,720
Speaker 1: Loving the team at hacks.

1276
00:55:42,840 --> 00:55:45,239
Speaker 3: Cast me a New York state of mind or a

1277
00:55:45,280 --> 00:55:46,319
Speaker 3: true dorc on love is.

1278
00:55:46,280 --> 00:55:50,239
Speaker 4: Blind, a New York state of mind, living out or getting.

1279
00:55:49,920 --> 00:55:54,799
Speaker 1: Gout Living out, I got catt eye glasses, living out, rip.

1280
00:55:54,719 --> 00:55:58,120
Speaker 3: Dick Cheney or pee on me, Miss Janny. That's Alison Janney.

1281
00:55:58,160 --> 00:56:00,000
Speaker 1: Yeah, ye on me, Miss Janny. She's in the case

1282
00:56:00,160 --> 00:56:04,080
Speaker 1: the top five. Yeah, that's Allison's in the top five.

1283
00:56:05,440 --> 00:56:08,040
Speaker 4: We need to Yeah, okay, I want to swing from

1284
00:56:08,040 --> 00:56:12,840
Speaker 4: the chandelier. Sorry, yes, I want to swing from the chandelier.

1285
00:56:13,040 --> 00:56:15,000
Speaker 1: Or I have a thing for that engineer, swing from

1286
00:56:15,000 --> 00:56:16,120
Speaker 1: the chandelier.

1287
00:56:16,080 --> 00:56:20,320
Speaker 3: Meeting on Tinder or screaming you center you sir, Wow,

1288
00:56:20,600 --> 00:56:21,359
Speaker 3: beautiful word.

1289
00:56:21,400 --> 00:56:23,520
Speaker 4: We rank our guest performance on a scale of zero

1290
00:56:23,520 --> 00:56:25,440
Speaker 4: to one thousand doves. That is named after the Lady

1291
00:56:25,480 --> 00:56:28,360
Speaker 4: Gaga song one thousand Doves from the album Chromatica.

1292
00:56:28,560 --> 00:56:30,160
Speaker 2: And I am going to.

1293
00:56:30,200 --> 00:56:38,200
Speaker 4: Say that Ivy gets eight sixty nine.

1294
00:56:38,480 --> 00:56:39,400
Speaker 3: I think that's correct.

1295
00:56:39,600 --> 00:56:42,560
Speaker 1: That's high. That's like a bee, right, that's like a US.

1296
00:56:42,880 --> 00:56:45,800
Speaker 3: Oh well yeah, you answered with a lot of confidence and speed.

1297
00:56:45,840 --> 00:56:47,839
Speaker 3: You recognized it. It was a fast segment. You said, let's

1298
00:56:47,840 --> 00:56:48,040
Speaker 3: move on.

1299
00:56:48,080 --> 00:56:49,800
Speaker 1: Yeah, you're like, I did have a few asides and

1300
00:56:49,840 --> 00:56:50,920
Speaker 1: for that, I'm sorry.

1301
00:56:50,600 --> 00:56:53,360
Speaker 4: But no, no, no, you did a really good job. Okay, okay,

1302
00:56:53,360 --> 00:56:55,440
Speaker 4: well we have approximately thirty five seconds. So what is

1303
00:56:55,440 --> 00:56:56,880
Speaker 4: your straight topic and what's straight about it?

1304
00:56:57,000 --> 00:57:00,960
Speaker 1: My straight topic is being straight back acting hella d L.

1305
00:57:01,360 --> 00:57:08,080
Speaker 1: So that's my straight topic. It's when guys act mad

1306
00:57:08,160 --> 00:57:11,680
Speaker 1: coy when it comes to pussy dude, like we're not,

1307
00:57:11,920 --> 00:57:13,920
Speaker 1: you know, fucking each other in the button the Ramble

1308
00:57:14,000 --> 00:57:17,120
Speaker 1: in nineteen eighty, like, come on, let's let's get serious,

1309
00:57:17,280 --> 00:57:19,600
Speaker 1: like when straight when straight guys do a sneaky link

1310
00:57:19,640 --> 00:57:22,960
Speaker 1: type of thing, when straight guys like pocket pussy or

1311
00:57:23,000 --> 00:57:24,240
Speaker 1: like hide a bitch.

1312
00:57:24,760 --> 00:57:26,960
Speaker 4: It's so it's part of why people are mad at

1313
00:57:26,960 --> 00:57:28,400
Speaker 4: you because you speak like this sometimes.

1314
00:57:28,480 --> 00:57:33,840
Speaker 1: Yeah sure, okay, I guess so, yeah, sure, you know

1315
00:57:35,600 --> 00:57:38,600
Speaker 1: when straight guys do When straight guys act like DL

1316
00:57:38,640 --> 00:57:39,720
Speaker 1: gay guys sure.

1317
00:57:39,520 --> 00:57:42,320
Speaker 3: Like about high women hiding their relationships with women, yes,

1318
00:57:42,400 --> 00:57:43,520
Speaker 3: keeping them secretly.

1319
00:57:43,160 --> 00:57:47,280
Speaker 1: Because it's like you have what are Who's gonna who's

1320
00:57:47,320 --> 00:57:49,720
Speaker 1: gonna kill you, who's gonna hurt you, who's gonna penalize you,

1321
00:57:49,720 --> 00:57:52,520
Speaker 1: who will criminalize you for just popping out with a

1322
00:57:52,600 --> 00:57:55,280
Speaker 1: bit dare dare to pop out with the female. You know,

1323
00:57:55,480 --> 00:57:58,760
Speaker 1: it's like when guys act like I can't let my

1324
00:57:59,400 --> 00:58:01,760
Speaker 1: like when guys are like I can't let my wife

1325
00:58:01,760 --> 00:58:04,040
Speaker 1: know I'm gay, It's like, well, you're not gay and

1326
00:58:04,080 --> 00:58:08,600
Speaker 1: you don't have a wife. This is we met on hinge.

1327
00:58:09,280 --> 00:58:10,640
Speaker 2: You know you're saying that.

1328
00:58:10,720 --> 00:58:13,560
Speaker 4: I would say it's like the the famous habits of

1329
00:58:13,600 --> 00:58:16,840
Speaker 4: noncommittal men. Just like this lack of commitment actually has

1330
00:58:16,880 --> 00:58:20,040
Speaker 4: the same and as.

1331
00:58:19,840 --> 00:58:20,919
Speaker 2: Being DL gay.

1332
00:58:21,040 --> 00:58:24,800
Speaker 4: This is genius, Like it really is true. It's like

1333
00:58:25,640 --> 00:58:28,280
Speaker 4: guys that either don't want to commit or are sort

1334
00:58:28,280 --> 00:58:31,720
Speaker 4: of like soft half lying to three women, not fully lying.

1335
00:58:31,720 --> 00:58:34,680
Speaker 4: They're not cheating, but they're kind of like concealing, concealing

1336
00:58:35,240 --> 00:58:38,560
Speaker 4: and not being fully honest. That is the same behavior

1337
00:58:38,640 --> 00:58:41,080
Speaker 4: as someone who is like has a wife and is

1338
00:58:41,160 --> 00:58:43,560
Speaker 4: going and getting absolutely fucked.

1339
00:58:43,720 --> 00:58:47,480
Speaker 3: Yes, yes, is there anything sort of erotic and hot

1340
00:58:47,520 --> 00:58:50,200
Speaker 3: about being kept a secret, like not to me, not

1341
00:58:50,280 --> 00:58:50,560
Speaker 3: to me.

1342
00:58:50,560 --> 00:58:52,560
Speaker 1: And you know why because it's happened to me literally

1343
00:58:52,720 --> 00:58:56,040
Speaker 1: in almost every relationship I've ever been in, probably because

1344
00:58:56,080 --> 00:58:57,400
Speaker 1: I talk the way that I do and I'm also

1345
00:58:57,520 --> 00:59:00,280
Speaker 1: like Loki famous, and so it's like popping out with

1346
00:59:00,320 --> 00:59:02,800
Speaker 1: me at your friend's birthday party. It's like bringing chuck

1347
00:59:02,840 --> 00:59:06,520
Speaker 1: e Cheese to Kiev. It's crazy. So it's just like, well,

1348
00:59:06,600 --> 00:59:08,760
Speaker 1: like why is the cartoon in the scary place? You know?

1349
00:59:11,280 --> 00:59:13,320
Speaker 4: So you're saying, but do you not think that they

1350
00:59:13,440 --> 00:59:17,640
Speaker 4: also are like kind of gagged that they're bringing the

1351
00:59:17,680 --> 00:59:18,320
Speaker 4: cartoon to this.

1352
00:59:18,440 --> 00:59:20,680
Speaker 3: You need a straight guy who has only gay guy friends.

1353
00:59:20,760 --> 00:59:22,840
Speaker 4: You need a straight guy that's standing you in a

1354
00:59:22,880 --> 00:59:25,080
Speaker 4: sort of Lady Gaga way. And it's like this is

1355
00:59:25,120 --> 00:59:27,000
Speaker 4: the this is Ivy Woke from Anora.

1356
00:59:26,840 --> 00:59:30,160
Speaker 1: The Dynamics and all of my relationships with men and

1357
00:59:30,240 --> 00:59:32,360
Speaker 1: the one woman that I had a relationship with where

1358
00:59:32,400 --> 00:59:36,120
Speaker 1: basically they idolized me and it was like it was

1359
00:59:36,200 --> 00:59:38,200
Speaker 1: diva worship, but in a way that brought them great

1360
00:59:38,240 --> 00:59:40,000
Speaker 1: shame because then they realized they would never be able

1361
00:59:40,000 --> 00:59:41,280
Speaker 1: to match my starf Okay, here's.

1362
00:59:41,080 --> 00:59:43,080
Speaker 4: What it is. It's diva worship, but the diva is

1363
00:59:43,160 --> 00:59:44,520
Speaker 4: Nicki Minaj, so they're like.

1364
00:59:44,520 --> 00:59:45,800
Speaker 2: Yes, sort of embarrassing.

1365
00:59:46,040 --> 00:59:48,640
Speaker 4: It's sort of like obviously I'm a barb, like I

1366
00:59:48,680 --> 00:59:50,840
Speaker 4: love Nicki Minaj, but yes, I don't agree with like

1367
00:59:50,880 --> 00:59:52,480
Speaker 4: what you just said on Twitter about COVID.

1368
00:59:52,640 --> 00:59:53,040
Speaker 3: Yeah.

1369
00:59:53,280 --> 00:59:56,880
Speaker 4: No, and the baggage of that is actually like stopping

1370
00:59:56,920 --> 00:59:59,280
Speaker 4: me from just going to this house.

1371
00:59:59,600 --> 01:00:02,720
Speaker 1: Yes, no, exactly. It's it's diva worship that sort of

1372
01:00:02,720 --> 01:00:04,000
Speaker 1: brings shame upon your family.

1373
01:00:04,120 --> 01:00:04,400
Speaker 4: Problem.

1374
01:00:04,960 --> 01:00:05,800
Speaker 2: That's really it's.

1375
01:00:05,720 --> 01:00:08,760
Speaker 1: Problematic diva worship. It's like if Joy Behar is your queen,

1376
01:00:09,520 --> 01:00:12,160
Speaker 1: you know, and it's kind of like everybody's like, why

1377
01:00:12,280 --> 01:00:14,680
Speaker 1: is Joy Bayhart or your queen? Yeah, and you have

1378
01:00:14,720 --> 01:00:16,600
Speaker 1: to be like, I like fucking her, you know.

1379
01:00:16,760 --> 01:00:16,960
Speaker 2: Yeah.

1380
01:00:17,840 --> 01:00:19,960
Speaker 1: That's kind of the classic dynamic that I'm in. And

1381
01:00:20,000 --> 01:00:22,920
Speaker 1: it's just it's so it's so trite and born. Well,

1382
01:00:22,960 --> 01:00:25,040
Speaker 1: I have to ask it's still in Ga Ga Nacho's

1383
01:00:25,200 --> 01:00:28,200
Speaker 1: and Valor because it's like gig guys should be the

1384
01:00:28,200 --> 01:00:30,000
Speaker 1: only ones. I mean, I don't think GI guys should

1385
01:00:30,040 --> 01:00:32,560
Speaker 1: be DL because I think gig guy should be gay. Yeah,

1386
01:00:32,640 --> 01:00:34,640
Speaker 1: that's maybe really brave for me to say but I

1387
01:00:34,640 --> 01:00:36,000
Speaker 1: think gig I should be allowed to be gay.

1388
01:00:37,160 --> 01:00:38,920
Speaker 3: I think they can should be able to choose.

1389
01:00:39,880 --> 01:00:41,160
Speaker 4: Sam likes that when they're DL.

1390
01:00:41,360 --> 01:00:44,680
Speaker 2: Oh yeah, no.

1391
01:00:44,680 --> 01:00:47,200
Speaker 3: Let's close it. So you need to go to like Minnesota,

1392
01:00:47,320 --> 01:00:49,640
Speaker 3: and then you open an app and everyone is like

1393
01:00:49,760 --> 01:00:52,680
Speaker 3: hidden in secret. I'm like, now there's some mystery.

1394
01:00:52,840 --> 01:00:54,800
Speaker 1: Right, but I don't like mystery. I'm a straight shooter.

1395
01:00:54,880 --> 01:00:57,800
Speaker 1: Y'all hear me like this, like the segment, y'all hear

1396
01:00:57,840 --> 01:01:00,680
Speaker 1: me talking today, It's like I can't you know, I

1397
01:01:00,720 --> 01:01:03,640
Speaker 1: can't conceal, I can't be conceala frey or I can't

1398
01:01:03,640 --> 01:01:04,760
Speaker 1: feign a casualness.

1399
01:01:04,760 --> 01:01:08,480
Speaker 4: And I think the difference between being embarrassed as a

1400
01:01:08,520 --> 01:01:11,360
Speaker 4: straight guy about your girlfriend and being embarrassed about being

1401
01:01:11,360 --> 01:01:16,120
Speaker 4: gay is like a DL gay guy has self hatred, yes,

1402
01:01:16,480 --> 01:01:19,640
Speaker 4: whereas a sort of fuck boy that's embarrassed of you

1403
01:01:20,200 --> 01:01:25,040
Speaker 4: is a misogynist, like is specifically actually angry that you

1404
01:01:25,520 --> 01:01:29,120
Speaker 4: have personality? Yes, So that's different. So it is much

1405
01:01:29,160 --> 01:01:31,240
Speaker 4: harder for you to fetishize that and be like, damn,

1406
01:01:31,280 --> 01:01:34,000
Speaker 4: I love that this guy is embarrassed at whereas for Sam,

1407
01:01:34,040 --> 01:01:35,760
Speaker 4: it's like damn, I love that this guy is like

1408
01:01:36,440 --> 01:01:38,600
Speaker 4: being dirty, right, now he's bad.

1409
01:01:38,800 --> 01:01:41,760
Speaker 1: Yeah, there's nothing. Really, there's really no way to romanticize

1410
01:01:41,800 --> 01:01:45,520
Speaker 1: or fetishize or skew concealing a woman who has too

1411
01:01:45,600 --> 01:01:47,800
Speaker 1: much personality in a morney way but too okay.

1412
01:01:48,000 --> 01:01:50,480
Speaker 3: Is it more likely that like the fucked up bad

1413
01:01:50,520 --> 01:01:52,040
Speaker 3: boy wants to keep you a secret, or like the

1414
01:01:52,080 --> 01:01:54,120
Speaker 3: really Norman boy who's like sweet.

1415
01:01:54,840 --> 01:01:58,400
Speaker 1: It's usually like, uh, I feel like classically, I've been

1416
01:01:58,440 --> 01:02:01,080
Speaker 1: with people who think that they have a reputation to

1417
01:02:01,160 --> 01:02:03,800
Speaker 1: uphold more than they actually do. Like the guy that

1418
01:02:03,840 --> 01:02:05,880
Speaker 1: I lost my virginity. The guy that I lost my

1419
01:02:05,960 --> 01:02:08,520
Speaker 1: virginity to was literally straight up acting like he was

1420
01:02:08,560 --> 01:02:09,960
Speaker 1: only a few years older than me. Like it was

1421
01:02:10,160 --> 01:02:12,160
Speaker 1: hardly an age gap in the gay community. It would

1422
01:02:12,160 --> 01:02:13,920
Speaker 1: be like we were the same age, you know, but

1423
01:02:14,120 --> 01:02:17,440
Speaker 1: straight people sort of view things on different of course,

1424
01:02:17,600 --> 01:02:20,120
Speaker 1: you know, the great things on a different group brit Yes,

1425
01:02:20,320 --> 01:02:24,080
Speaker 1: but you know, he had nothing. He had he was

1426
01:02:24,120 --> 01:02:27,360
Speaker 1: an after school program tutor and he had like family money,

1427
01:02:27,640 --> 01:02:30,760
Speaker 1: and he was like he had not he had no

1428
01:02:31,080 --> 01:02:34,920
Speaker 1: you know, esteemed to uphold or maintain. And he was

1429
01:02:34,960 --> 01:02:37,160
Speaker 1: straight up looking at me being like if this gets out,

1430
01:02:37,240 --> 01:02:40,840
Speaker 1: I'm cooked, and it's like cooked. Where at Kuman where

1431
01:02:40,880 --> 01:02:46,439
Speaker 1: you volunteer three times a week. Like he didn't actually

1432
01:02:46,480 --> 01:02:48,320
Speaker 1: work at Kuma. It was a it was a Kumon analog.

1433
01:02:48,440 --> 01:02:51,520
Speaker 2: But you know it's like shit, didn't even a proper.

1434
01:02:51,320 --> 01:02:54,200
Speaker 1: No he taught or Kuman's for math. But you know,

1435
01:02:54,400 --> 01:02:57,080
Speaker 1: I'm cutting around it, but I guess now I'm not anyway.

1436
01:02:57,920 --> 01:03:00,840
Speaker 1: So it's like, you know, you have nothing, there's no

1437
01:03:00,920 --> 01:03:03,440
Speaker 1: pressure on you. Nobody's like breathing down your neck.

1438
01:03:03,280 --> 01:03:06,000
Speaker 3: To well, this is something that straight guys don't deal

1439
01:03:06,040 --> 01:03:07,240
Speaker 3: with often, Like, yeah.

1440
01:03:07,120 --> 01:03:09,240
Speaker 1: A gay guys, it's very novel for them. Yeah, so

1441
01:03:09,240 --> 01:03:10,760
Speaker 1: they're frightened immediately, and like.

1442
01:03:10,760 --> 01:03:14,040
Speaker 3: You've you know, dealt with reputation shatter and like understanding

1443
01:03:14,040 --> 01:03:15,880
Speaker 3: how people perceive you in a different way.

1444
01:03:16,000 --> 01:03:17,920
Speaker 1: Straight guys don't really, they don't ever deal with that

1445
01:03:18,000 --> 01:03:22,200
Speaker 1: because straight guys usually are perceived Like I've been thinking

1446
01:03:22,200 --> 01:03:25,160
Speaker 1: a lot about how straight men have so much more

1447
01:03:25,240 --> 01:03:27,960
Speaker 1: latitude in terms of what they can say and do,

1448
01:03:28,160 --> 01:03:30,800
Speaker 1: Like the fact that and God, love him, love this man.

1449
01:03:30,840 --> 01:03:33,640
Speaker 1: But the fact that Starvarsakias is now being heralded as

1450
01:03:33,720 --> 01:03:36,160
Speaker 1: like the face of the new left, and like who's

1451
01:03:36,200 --> 01:03:40,840
Speaker 1: gonna save culture and leftist politics? And I somebody who

1452
01:03:40,880 --> 01:03:43,480
Speaker 1: has said not even as bad as things that he

1453
01:03:43,600 --> 01:03:46,120
Speaker 1: said or chuckled at in his day, and have only

1454
01:03:46,120 --> 01:03:48,120
Speaker 1: been in this industry for a fraction of the amount

1455
01:03:48,120 --> 01:03:51,120
Speaker 1: of years that he has am still being called literally

1456
01:03:51,200 --> 01:03:54,880
Speaker 1: hitler every day on the Internet. Sorry, that's crazy, but

1457
01:03:54,920 --> 01:03:59,400
Speaker 1: that's because he is being consumed by other heterosexual men

1458
01:03:59,560 --> 01:04:02,160
Speaker 1: who are a lot more forgiving. Women and queer people

1459
01:04:02,200 --> 01:04:07,320
Speaker 1: hold each other to uh the most inflexible, restrictive standards.

1460
01:04:07,600 --> 01:04:10,440
Speaker 1: That makes it impossible for us to really be in

1461
01:04:10,480 --> 01:04:13,200
Speaker 1: community with each other or make art with and about

1462
01:04:13,240 --> 01:04:17,520
Speaker 1: each other because we are so confined to each other's

1463
01:04:17,560 --> 01:04:20,960
Speaker 1: expectations of like the world that we wish we could see.

1464
01:04:21,280 --> 01:04:25,560
Speaker 2: And oh we internalize the certainly we are.

1465
01:04:25,600 --> 01:04:30,840
Speaker 4: Basically we all have multiple personality disorder and each personality

1466
01:04:30,960 --> 01:04:34,240
Speaker 4: is a different person that's different. Credit comments, Yeah exactly,

1467
01:04:34,760 --> 01:04:37,880
Speaker 4: are the you have to kill the comment section within?

1468
01:04:38,080 --> 01:04:41,440
Speaker 1: Yes exactly, And I have. And it's like people act

1469
01:04:41,600 --> 01:04:44,200
Speaker 1: like I'm fucking Amelia Earhart getting on the plane, like girl,

1470
01:04:44,280 --> 01:04:46,479
Speaker 1: don't do it, and it's like I'm actually just living

1471
01:04:46,520 --> 01:04:49,200
Speaker 1: my truth. If I drown, that's fine. You know. I

1472
01:04:49,240 --> 01:04:51,560
Speaker 1: have had a lot of men like older than me

1473
01:04:51,640 --> 01:04:53,560
Speaker 1: in comedy, tell me, like, you know, when I was

1474
01:04:53,600 --> 01:04:55,400
Speaker 1: your age, I used to post stuff like that, and

1475
01:04:55,440 --> 01:04:56,960
Speaker 1: now I don't do it. And it's like, well, all

1476
01:04:56,960 --> 01:04:59,320
Speaker 1: those tweets of yours are still up and nobody's you know,

1477
01:04:59,360 --> 01:05:02,240
Speaker 1: baton and el, nobody's mad at you. So I don't know,

1478
01:05:02,320 --> 01:05:04,800
Speaker 1: like why you're telling me I shouldn't be doing it anymore.

1479
01:05:04,880 --> 01:05:08,560
Speaker 1: It's like, I, you know, I've reaped the consequences more

1480
01:05:08,600 --> 01:05:11,440
Speaker 1: than you have, and actually I've chosen to be fine.

1481
01:05:11,760 --> 01:05:15,720
Speaker 1: I've chosen to overcome the hurdle of public scrutiny and

1482
01:05:15,960 --> 01:05:18,240
Speaker 1: just lean into who I actually am and the right

1483
01:05:18,280 --> 01:05:21,320
Speaker 1: people will find it. But yeah, I mean I remember

1484
01:05:21,320 --> 01:05:23,320
Speaker 1: when I first started comedy. This is sort of an aside,

1485
01:05:23,360 --> 01:05:26,640
Speaker 1: but it's it's related. When I first started comedy, I

1486
01:05:26,720 --> 01:05:28,920
Speaker 1: had a lot of men older than me telling me

1487
01:05:29,040 --> 01:05:31,960
Speaker 1: things like, you know, like here's like a tip for

1488
01:05:32,000 --> 01:05:34,360
Speaker 1: something that you should do right try to make the

1489
01:05:34,400 --> 01:05:36,840
Speaker 1: audience like get on your side and be comfortable with

1490
01:05:36,880 --> 01:05:39,360
Speaker 1: you right away. So like don't go into like your

1491
01:05:39,400 --> 01:05:43,160
Speaker 1: more sort of edgy or like crass material right up

1492
01:05:43,400 --> 01:05:47,040
Speaker 1: up top, just like say something that will comfort the audience.

1493
01:05:47,080 --> 01:05:49,360
Speaker 1: Self deprecating whatever, so that they're on your side. And

1494
01:05:49,400 --> 01:05:52,480
Speaker 1: it's like, hey, for a man, that's a novel idea,

1495
01:05:52,520 --> 01:05:54,040
Speaker 1: the idea of having to walk into a room and

1496
01:05:54,080 --> 01:05:56,080
Speaker 1: being like, how do I make people comfortable so that

1497
01:05:56,120 --> 01:05:58,920
Speaker 1: they listen to me? That For a men, we're revealing

1498
01:05:58,920 --> 01:06:00,600
Speaker 1: this to me, like they just take in the fucking

1499
01:06:01,560 --> 01:06:04,120
Speaker 1: stored out of the stone, you know. They were like

1500
01:06:04,280 --> 01:06:07,280
Speaker 1: I found it, Like that's what being a woman is

1501
01:06:07,440 --> 01:06:11,040
Speaker 1: every single day, and they were telling coming up to me,

1502
01:06:11,160 --> 01:06:14,120
Speaker 1: telling me that, like that's what I should be adopting,

1503
01:06:14,160 --> 01:06:17,400
Speaker 1: as if it was some like novel new experience or

1504
01:06:17,560 --> 01:06:20,160
Speaker 1: way to frame things. And it's like that's what women

1505
01:06:20,240 --> 01:06:22,480
Speaker 1: are taught every single day because we have so much

1506
01:06:22,600 --> 01:06:25,360
Speaker 1: less latitude for what we can get away with. Men

1507
01:06:25,480 --> 01:06:28,280
Speaker 1: are so new to these ideas of like shame or

1508
01:06:28,320 --> 01:06:31,080
Speaker 1: like having to make people comfortable or whatever. That to

1509
01:06:31,120 --> 01:06:34,040
Speaker 1: them it just blows their mind. And it's like I

1510
01:06:34,040 --> 01:06:37,680
Speaker 1: have experienced, you know, scorn and fear and hatred and

1511
01:06:37,720 --> 01:06:39,920
Speaker 1: all these things, and it's like in my work and

1512
01:06:39,920 --> 01:06:42,640
Speaker 1: in my life, I am actually trying to like do

1513
01:06:42,720 --> 01:06:47,200
Speaker 1: the diametric opposite and like make people uncomfortable. It's not

1514
01:06:47,320 --> 01:06:50,280
Speaker 1: on I don't try to alienate people and make people uncomfortable.

1515
01:06:50,320 --> 01:06:53,680
Speaker 1: But it's like sometimes, sure, but also I think that's

1516
01:06:53,800 --> 01:06:58,000
Speaker 1: like interesting because I think women have never really been

1517
01:06:58,040 --> 01:06:59,960
Speaker 1: able to get away with that. In the most interesting

1518
01:07:00,080 --> 01:07:03,160
Speaker 1: women are people who are still here and still in

1519
01:07:03,240 --> 01:07:06,280
Speaker 1: the zeitgeist even if they behaved that way, And so

1520
01:07:06,440 --> 01:07:08,280
Speaker 1: why can't I also do that? But men, you know,

1521
01:07:08,760 --> 01:07:11,400
Speaker 1: our straight men are new to these ideas of like

1522
01:07:11,920 --> 01:07:14,800
Speaker 1: shame and scorn and feeling eyes on the backs of

1523
01:07:14,840 --> 01:07:17,160
Speaker 1: their heads, and it's like, that's what moving through the

1524
01:07:17,160 --> 01:07:19,920
Speaker 1: world as a woman is every single day, and so

1525
01:07:20,160 --> 01:07:22,160
Speaker 1: I don't want to adhere to any of that. And

1526
01:07:22,200 --> 01:07:25,360
Speaker 1: so when straight guys act like Hella d'l it's like,

1527
01:07:25,480 --> 01:07:28,200
Speaker 1: what do you have to fear? What do you have

1528
01:07:28,240 --> 01:07:29,960
Speaker 1: to fear? What do you have to fear that women

1529
01:07:30,000 --> 01:07:33,640
Speaker 1: have not been fearing for centuries since a pussy formed

1530
01:07:33,640 --> 01:07:37,160
Speaker 1: on fucking like you know, the Neanderthals, since a cutthole

1531
01:07:37,280 --> 01:07:40,280
Speaker 1: opened on a Neanderthal, women have had fear and eyes,

1532
01:07:40,640 --> 01:07:43,320
Speaker 1: you know, and you guys are just fucking new to this,

1533
01:07:43,680 --> 01:07:45,040
Speaker 1: And it's like, I'm true to this.

1534
01:07:45,240 --> 01:07:47,520
Speaker 3: I hope the reveal is that like, ten years from now,

1535
01:07:47,560 --> 01:07:49,280
Speaker 3: every guy you've ever dated comes out of the closet

1536
01:07:49,280 --> 01:07:49,880
Speaker 3: and they just worried.

1537
01:07:49,960 --> 01:07:53,400
Speaker 1: Yeah, they just want here's the thing, here's what's really upsetting, right, Okay.

1538
01:07:53,880 --> 01:07:55,640
Speaker 1: I went on a date that I thought was an

1539
01:07:55,640 --> 01:07:59,680
Speaker 1: amazing date earlier this year with a guy who revealed

1540
01:07:59,680 --> 01:08:01,160
Speaker 1: to me that he had had sex with more men

1541
01:08:01,160 --> 01:08:03,080
Speaker 1: than he had women. And then he rejected me, and

1542
01:08:03,120 --> 01:08:06,200
Speaker 1: so I sort of, you know, rationalize the babying, like, well,

1543
01:08:06,280 --> 01:08:08,400
Speaker 1: he's gay and he's finding his truth. Well, now he's

1544
01:08:08,400 --> 01:08:11,000
Speaker 1: got a girlfriend, so he wasn't gay. I just have

1545
01:08:11,080 --> 01:08:12,360
Speaker 1: a really bad personality.

1546
01:08:12,760 --> 01:08:14,280
Speaker 4: That's that's not true.

1547
01:08:14,560 --> 01:08:17,360
Speaker 1: I'm just I'm abrasive, you know, to a certain kind

1548
01:08:17,400 --> 01:08:21,280
Speaker 1: of subsect of men who present as straight, you know,

1549
01:08:21,360 --> 01:08:24,600
Speaker 1: to his credit, present as straight and move through the

1550
01:08:24,680 --> 01:08:30,320
Speaker 1: public life as straight. I have maybe an abrasive personality

1551
01:08:30,479 --> 01:08:33,560
Speaker 1: that they perceive as something that could like shatter the

1552
01:08:33,720 --> 01:08:35,240
Speaker 1: veneer or like take it all down.

1553
01:08:35,320 --> 01:08:37,240
Speaker 3: Maybe if he were just a little gayer, it would

1554
01:08:37,240 --> 01:08:41,680
Speaker 3: have worked, because Sandy right exactly, but he.

1555
01:08:41,840 --> 01:08:44,080
Speaker 1: Was just it was just right down the middle in

1556
01:08:44,200 --> 01:08:47,040
Speaker 1: a way where his bisexuality sort of air on the

1557
01:08:47,200 --> 01:08:50,040
Speaker 1: side of shameful of ivy wool, whereas it should the

1558
01:08:50,080 --> 01:08:53,200
Speaker 1: bisexuality should err on the side of davia worship, kissing

1559
01:08:53,200 --> 01:08:54,760
Speaker 1: my feet, bringing me a hot towel so I can

1560
01:08:54,840 --> 01:08:55,640
Speaker 1: do my jokes, you know.

1561
01:08:55,960 --> 01:08:56,160
Speaker 3: Yeah.

1562
01:08:56,280 --> 01:08:59,080
Speaker 1: Wow, And that's a tricky balance to balance. It's a

1563
01:08:59,080 --> 01:09:03,679
Speaker 1: tricky balance. Yeah, And so that's basically the TLDR of everything.

1564
01:09:03,880 --> 01:09:05,960
Speaker 1: Is that whole polemic that I just went on. That

1565
01:09:06,120 --> 01:09:08,519
Speaker 1: was the most verbose anybody's ever been on your show.

1566
01:09:08,520 --> 01:09:11,519
Speaker 1: I'm sure, but yeah, you give me a hot I

1567
01:09:11,600 --> 01:09:14,880
Speaker 1: gets really danging. No, this is I'm completely unclippable. The

1568
01:09:14,960 --> 01:09:17,519
Speaker 1: reason that I don't post, like the reason that I

1569
01:09:17,560 --> 01:09:19,280
Speaker 1: don't post stand up clips is because all of my

1570
01:09:19,400 --> 01:09:22,000
Speaker 1: jokes are three minutes long. There's no way to edit

1571
01:09:22,080 --> 01:09:23,800
Speaker 1: around it. To me, everything is I wish I.

1572
01:09:23,800 --> 01:09:26,160
Speaker 3: Had announce of that. Everything I say is like ten seconds,

1573
01:09:26,479 --> 01:09:29,680
Speaker 3: ten seconds, ten seconds. I'm like blown away by the

1574
01:09:30,320 --> 01:09:30,840
Speaker 3: soul of wit.

1575
01:09:30,920 --> 01:09:32,760
Speaker 1: I just don't have that. That's good, it's a good

1576
01:09:32,880 --> 01:09:35,559
Speaker 1: thing to have. I just don't possess it, like I've

1577
01:09:35,560 --> 01:09:36,400
Speaker 1: never spoken to my life.

1578
01:09:36,520 --> 01:09:36,560
Speaker 3: No.

1579
01:09:37,040 --> 01:09:38,920
Speaker 4: No, I think what you're doing is radical because you

1580
01:09:38,960 --> 01:09:41,960
Speaker 4: are going against the clipification of everything, like you're doing

1581
01:09:42,000 --> 01:09:44,439
Speaker 4: anti capitalist comedy, and that you're doing comedy that.

1582
01:09:44,400 --> 01:09:45,960
Speaker 1: Has and I should have been in that sketch group.

1583
01:09:46,200 --> 01:09:47,920
Speaker 2: I should have been in that sketch group so that

1584
01:09:48,120 --> 01:09:49,800
Speaker 2: so that we could have all I mean, you know

1585
01:09:49,840 --> 01:09:50,639
Speaker 2: what ended up happening.

1586
01:09:50,760 --> 01:09:51,879
Speaker 4: They tried to unionize.

1587
01:09:53,040 --> 01:09:59,120
Speaker 1: Yeah, oh, we're unionizing a sketch group. Great battle work, Not.

1588
01:10:03,880 --> 01:10:05,080
Speaker 3: Dude, that's awesome.

1589
01:10:06,320 --> 01:10:09,080
Speaker 4: No, I think we need to we need to create

1590
01:10:09,120 --> 01:10:11,679
Speaker 4: our own sketch group. And it's all forty five minute sketches,

1591
01:10:11,760 --> 01:10:14,160
Speaker 4: that is most that are mostly monologue free association.

1592
01:10:14,320 --> 01:10:16,360
Speaker 1: That's my dream. I like pitch to sket showed to

1593
01:10:16,400 --> 01:10:18,439
Speaker 1: Adult Swim and they like didn't take it. And that

1594
01:10:18,520 --> 01:10:20,320
Speaker 1: was probably because in the meeting, I was like so

1595
01:10:21,160 --> 01:10:22,680
Speaker 1: hour long episodes and they.

1596
01:10:22,640 --> 01:10:26,000
Speaker 2: Were like and they were like all long episodes, one sketch.

1597
01:10:25,840 --> 01:10:26,280
Speaker 4: One person.

1598
01:10:26,320 --> 01:10:28,720
Speaker 1: So literally I was like feature film every week and

1599
01:10:28,800 --> 01:10:31,240
Speaker 1: they were like, usually our stuff is like eleven minutes.

1600
01:10:31,400 --> 01:10:34,240
Speaker 1: And I was like, okay, what if you broadened that.

1601
01:10:35,479 --> 01:10:37,559
Speaker 1: I'm just challenging everybody to broaden their horizons.

1602
01:10:37,600 --> 01:10:39,679
Speaker 3: Really, at the end of the day, you want greatness, Yeah?

1603
01:10:39,720 --> 01:10:40,439
Speaker 3: Is that so much? Ask?

1604
01:10:40,680 --> 01:10:42,840
Speaker 1: Like Timothy Shallamy said on the sag Award stage, I

1605
01:10:42,880 --> 01:10:44,559
Speaker 1: want great Ivy.

1606
01:10:45,000 --> 01:10:46,560
Speaker 4: I just want to say, as your fathers were so

1607
01:10:46,640 --> 01:10:48,400
Speaker 4: proud of you. We're so proud of you, and we

1608
01:10:48,560 --> 01:10:51,639
Speaker 4: think that you are on the correct track and don't

1609
01:10:51,680 --> 01:10:54,719
Speaker 4: let anyone make you doubt yourself.

1610
01:10:55,040 --> 01:10:58,679
Speaker 1: Thanks ever ever, love you guys.

1611
01:10:58,640 --> 01:11:00,720
Speaker 4: And we can't wait to see if I had legs

1612
01:11:00,760 --> 01:11:01,160
Speaker 4: that kick you.

1613
01:11:01,360 --> 01:11:04,759
Speaker 1: It's really good. It's really everyone I know delicious. Roseburne

1614
01:11:04,800 --> 01:11:12,600
Speaker 1: is so incredible honestly, as if Roseburn did McCarthy.

1615
01:11:12,320 --> 01:11:15,640
Speaker 4: Also, but if roseburn didn't also have dramatic chops, she

1616
01:11:15,720 --> 01:11:18,360
Speaker 4: would just be known as like a Julia Louis Dreyfus level.

1617
01:11:18,439 --> 01:11:21,040
Speaker 1: To me, incredible and she's very funny in the movie.

1618
01:11:21,080 --> 01:11:24,040
Speaker 1: The movie is very dark and sad and like dour,

1619
01:11:24,280 --> 01:11:28,519
Speaker 1: but everything with no I didn't shoot anything with Conan.

1620
01:11:28,560 --> 01:11:30,880
Speaker 1: I shot with asap Rocky, who's such a mench and

1621
01:11:30,960 --> 01:11:35,639
Speaker 1: gorgeous and so kind and loves filming, loves independent cinema,

1622
01:11:37,240 --> 01:11:40,040
Speaker 1: loves watching everything happen in a really charming He's the

1623
01:11:40,120 --> 01:11:45,000
Speaker 1: real deal, like truly as charming and handsome and kind

1624
01:11:45,200 --> 01:11:47,840
Speaker 1: and generous in real life as he is like in

1625
01:11:47,920 --> 01:11:51,760
Speaker 1: his public life. He's great. He's so awesome. Rosebyurne a

1626
01:11:51,880 --> 01:11:55,000
Speaker 1: fucking doll, just like literally amazing, like Pooky for real,

1627
01:11:56,000 --> 01:11:59,360
Speaker 1: like deserves to like be heralded in the high heavens,

1628
01:11:59,439 --> 01:12:02,320
Speaker 1: like she is Olympus. To me, that's Queen. That's really Queen.

1629
01:12:02,680 --> 01:12:04,320
Speaker 1: The movie is really good. If I had like sidekick,

1630
01:12:04,560 --> 01:12:05,200
Speaker 1: movie is really good.

1631
01:12:05,320 --> 01:12:07,120
Speaker 2: English Teacher Teacher on Hulu.

1632
01:12:07,240 --> 01:12:09,040
Speaker 1: I'm in episodes one and seven. See you how they

1633
01:12:09,040 --> 01:12:09,880
Speaker 1: don't put me in all ten?

1634
01:12:10,040 --> 01:12:12,479
Speaker 3: Oh really, I will see. Your presence is so strong

1635
01:12:12,560 --> 01:12:13,320
Speaker 3: it feels like you're never.

1636
01:12:13,479 --> 01:12:14,080
Speaker 4: We're only in two.

1637
01:12:14,320 --> 01:12:18,639
Speaker 1: Yeah. To me, you're like, I know, well, because when

1638
01:12:18,680 --> 01:12:20,360
Speaker 1: it comes to a sitcom, you give me a script,

1639
01:12:20,400 --> 01:12:21,040
Speaker 1: I'm clippable.

1640
01:12:21,720 --> 01:12:22,639
Speaker 3: Yeah, No, you were.

1641
01:12:26,040 --> 01:12:28,639
Speaker 4: Is your that's like your panic in Central Park?

1642
01:12:29,040 --> 01:12:32,680
Speaker 1: Yeah, thinks that's really No.

1643
01:12:33,040 --> 01:12:34,000
Speaker 4: Seven, I said it stars.

1644
01:12:34,240 --> 01:12:35,920
Speaker 3: No, that was really amazing? Was that?

1645
01:12:36,960 --> 01:12:38,720
Speaker 2: Did you improv Yeah?

1646
01:12:38,840 --> 01:12:39,439
Speaker 4: Okay, yeah.

1647
01:12:39,479 --> 01:12:41,599
Speaker 1: They let me improvise a lot. I mean last season

1648
01:12:41,640 --> 01:12:43,040
Speaker 1: they would just roll the camera on me for like

1649
01:12:43,080 --> 01:12:44,680
Speaker 1: thirty minutes and be like, okay, now we're gonna do

1650
01:12:44,720 --> 01:12:47,880
Speaker 1: a take where Ivy just says anything. So a lot

1651
01:12:47,960 --> 01:12:52,840
Speaker 1: of my lines are improvised, like the you were in

1652
01:12:52,920 --> 01:12:55,920
Speaker 1: the gay club, no mask on ye the gay club,

1653
01:12:55,960 --> 01:12:58,880
Speaker 1: the masko on yeh, the line last season where I'm

1654
01:12:58,920 --> 01:13:00,920
Speaker 1: like sir I'm posting ads on back page because I'm

1655
01:13:00,920 --> 01:13:02,840
Speaker 1: gonna have to hit the corner. Stories are so bad

1656
01:13:03,880 --> 01:13:08,599
Speaker 1: that of course. Also his backpage does not exist anymore

1657
01:13:08,600 --> 01:13:09,840
Speaker 1: and hasn't for like ten years.

1658
01:13:09,880 --> 01:13:12,200
Speaker 4: And it's like I, of course, and it would exactly

1659
01:13:12,200 --> 01:13:13,839
Speaker 4: and it wouldn't be a reference a high school student.

1660
01:13:13,680 --> 01:13:16,479
Speaker 1: Would you, right, It's just an Ivy Woolf reference. I'm like, damn,

1661
01:13:16,479 --> 01:13:17,759
Speaker 1: I'm posting ads on back page.

1662
01:13:18,080 --> 01:13:19,080
Speaker 4: Yeah my god, damn.

1663
01:13:19,600 --> 01:13:21,280
Speaker 3: Okay, Well, are you in to our final set?

1664
01:13:21,360 --> 01:13:23,040
Speaker 4: Yeah, let's do fine, there's a final set.

1665
01:13:23,080 --> 01:13:25,639
Speaker 3: There's a final set. Our final segment is called shout outs.

1666
01:13:25,920 --> 01:13:28,720
Speaker 3: Watch the grand straight tradition of the radio shout out,

1667
01:13:28,760 --> 01:13:31,160
Speaker 3: shouting out anything we enjoy. People place those things ideas

1668
01:13:31,200 --> 01:13:32,280
Speaker 3: George and I will go first.

1669
01:13:32,360 --> 01:13:35,559
Speaker 1: Yeah, you guys go first. Anything example, I can go, yeah,

1670
01:13:35,640 --> 01:13:35,960
Speaker 1: go for it.

1671
01:13:36,640 --> 01:13:39,960
Speaker 4: What's up Centophile's letterbox users, anyone out there with a

1672
01:13:40,200 --> 01:13:42,560
Speaker 4: wild opinion about a film? I want to give a

1673
01:13:42,560 --> 01:13:46,200
Speaker 4: shout out to young Mark Ruffalo. This is a very

1674
01:13:46,320 --> 01:13:49,960
Speaker 4: kind of like DURP DRP. I'm a blogger, take like

1675
01:13:50,080 --> 01:13:51,920
Speaker 4: to be like Mark Ruffalo is actually kind of hot

1676
01:13:51,920 --> 01:13:54,000
Speaker 4: when he was young. But I recently rewatched you can

1677
01:13:54,080 --> 01:13:55,639
Speaker 4: count on me the kind of fun or good movie

1678
01:13:55,640 --> 01:13:57,000
Speaker 4: which I hadn't seen since I was a child.

1679
01:13:58,640 --> 01:14:06,080
Speaker 1: I've heard it. That was crazy you so.

1680
01:14:07,960 --> 01:14:09,040
Speaker 3: We have to leave that.

1681
01:14:09,439 --> 01:14:12,479
Speaker 4: No, we're leaving that we can, we can, we can

1682
01:14:12,520 --> 01:14:14,479
Speaker 4: cut the actual part, but we're leaving, and you saying

1683
01:14:14,560 --> 01:14:17,559
Speaker 4: I'm so sorry.

1684
01:14:18,200 --> 01:14:18,960
Speaker 3: No, Listen.

1685
01:14:19,080 --> 01:14:24,360
Speaker 4: All I wanted to say is like, I don't wow, wow, insane.

1686
01:14:24,760 --> 01:14:27,639
Speaker 1: Wow, that's never happened.

1687
01:14:27,640 --> 01:14:30,320
Speaker 4: That was improved, That was not scripted. Everything else you

1688
01:14:30,400 --> 01:14:31,160
Speaker 4: said so far was.

1689
01:14:31,160 --> 01:14:31,639
Speaker 3: In the script.

1690
01:14:31,800 --> 01:14:36,640
Speaker 1: That's like, I was like, that was really random for me,

1691
01:14:36,840 --> 01:14:39,320
Speaker 1: Like that was me genuinely being just random and out

1692
01:14:39,320 --> 01:14:41,240
Speaker 1: of care. I like that you're so comfortable with us

1693
01:14:41,280 --> 01:14:44,680
Speaker 1: though that I didn't even like it was truly like

1694
01:14:44,800 --> 01:14:45,320
Speaker 1: it just flew.

1695
01:14:45,400 --> 01:14:47,840
Speaker 4: I honestly think it was very like you can exhale now, Simon,

1696
01:14:48,000 --> 01:14:51,160
Speaker 4: Like you've been so focused on telling your story from

1697
01:14:51,200 --> 01:14:54,639
Speaker 4: love Simon, you can focus on telling you know, you've

1698
01:14:54,640 --> 01:14:56,799
Speaker 4: been so focused on telling your story during this whole episode,

1699
01:14:56,800 --> 01:14:58,559
Speaker 4: and then finally you're like, oh my god, I can relax.

1700
01:14:59,320 --> 01:15:00,280
Speaker 3: Finally it's all out there.

1701
01:15:00,320 --> 01:15:01,280
Speaker 1: It's so hot in here.

1702
01:15:04,439 --> 01:15:06,320
Speaker 4: Listen. All I wanted to say is that Mark Ruffalo

1703
01:15:06,439 --> 01:15:07,960
Speaker 4: is hot. There's really nothing. I mean, I can I

1704
01:15:08,000 --> 01:15:11,080
Speaker 4: can keep going, no you, but don't you think that

1705
01:15:11,160 --> 01:15:14,080
Speaker 4: there's I'm literally like, and this is just a question

1706
01:15:14,160 --> 01:15:14,880
Speaker 4: for everyone out there.

1707
01:15:15,400 --> 01:15:18,080
Speaker 2: What category of man is Mark Ruffalo? And who are

1708
01:15:18,439 --> 01:15:21,240
Speaker 2: who in Hollywood like looks and feels like him?

1709
01:15:21,320 --> 01:15:23,800
Speaker 1: I was just sort of unique an interview with him

1710
01:15:23,840 --> 01:15:25,880
Speaker 1: where he's talking about like all of the movies he's

1711
01:15:25,920 --> 01:15:28,840
Speaker 1: ever made. Yeah, in promotion of like the new show

1712
01:15:28,880 --> 01:15:30,639
Speaker 1: that he's on, and he talks about like a hundred

1713
01:15:30,680 --> 01:15:32,680
Speaker 1: movies on it. And I find him to be very

1714
01:15:32,800 --> 01:15:36,559
Speaker 1: cute and charming because he's like kind of thick and gruff,

1715
01:15:36,720 --> 01:15:38,680
Speaker 1: but he's also is really soft spoken and like kind

1716
01:15:38,720 --> 01:15:41,840
Speaker 1: of twitchy. Yeah, and yeah, there is really nobody with

1717
01:15:41,960 --> 01:15:43,240
Speaker 1: his like even when.

1718
01:15:43,080 --> 01:15:43,599
Speaker 2: He was young.

1719
01:15:43,720 --> 01:15:46,360
Speaker 4: Obviously he's very objectively hot, but he's hot in a

1720
01:15:46,400 --> 01:15:49,280
Speaker 4: way that not all. I guess the only comp I

1721
01:15:49,360 --> 01:15:52,200
Speaker 4: could draw is like, you know, when Dustin Hoffman was young,

1722
01:15:52,560 --> 01:15:55,160
Speaker 4: he wasn't like hunky, he was like there was something different.

1723
01:15:55,760 --> 01:15:57,639
Speaker 4: But I don't know, like, can you think of anyone

1724
01:15:57,680 --> 01:16:00,560
Speaker 4: who has the vibe of a Mark Ruffalo? Not a

1725
01:16:00,640 --> 01:16:03,760
Speaker 4: one is strange? I keep wanting to say, Eric Bana,

1726
01:16:03,800 --> 01:16:06,799
Speaker 4: but that's because they both played the Hulk, right. Anyway,

1727
01:16:06,840 --> 01:16:07,439
Speaker 4: that's mine.

1728
01:16:07,360 --> 01:16:11,519
Speaker 3: Okay, I'll go quickly, what's up press and perverts? I

1729
01:16:11,600 --> 01:16:13,960
Speaker 3: want to give a huge shout out and a very

1730
01:16:14,760 --> 01:16:18,719
Speaker 3: I'll say this practical shout out to TSA pre check.

1731
01:16:19,320 --> 01:16:20,920
Speaker 3: You know, I have been one of these people that's like,

1732
01:16:21,040 --> 01:16:22,920
Speaker 3: if I can't do it the plane way, I don't

1733
01:16:22,920 --> 01:16:25,880
Speaker 3: want to do it at all. I want the common experience.

1734
01:16:26,160 --> 01:16:29,080
Speaker 3: I don't want a specialty experience. And then my dear

1735
01:16:29,160 --> 01:16:30,960
Speaker 3: friend George was like, you should really do this if

1736
01:16:30,960 --> 01:16:35,080
Speaker 3: we're going to be traveling together. And it works so well,

1737
01:16:35,479 --> 01:16:37,800
Speaker 3: you think, do you think who cares what's waiting in

1738
01:16:37,880 --> 01:16:40,000
Speaker 3: a line? Then you get this pre check and your

1739
01:16:40,040 --> 01:16:42,400
Speaker 3: life is so easy. Every time I go to the airport,

1740
01:16:42,439 --> 01:16:46,200
Speaker 3: I feel like I'm you know, Julia Louis Dreyfus, Why

1741
01:16:46,200 --> 01:16:47,439
Speaker 3: I'm being treated like royal.

1742
01:16:47,240 --> 01:16:47,880
Speaker 4: To the greats?

1743
01:16:48,160 --> 01:16:48,400
Speaker 2: I am?

1744
01:16:49,120 --> 01:16:52,880
Speaker 3: I am like sliding right through. Everyone is kissing my

1745
01:16:53,000 --> 01:16:56,400
Speaker 3: feet and no one is the way, which have shoes on,

1746
01:16:56,479 --> 01:16:59,760
Speaker 3: and no one is stopping me and take laptop out

1747
01:17:00,080 --> 01:17:03,360
Speaker 3: lap out the line. Three people belong. You should get it.

1748
01:17:03,439 --> 01:17:06,639
Speaker 4: I did you know you're not the mom would interview.

1749
01:17:07,040 --> 01:17:08,519
Speaker 3: You have to give an interview, like I've not been

1750
01:17:08,840 --> 01:17:11,519
Speaker 3: by the way, oh yeah, And one of these is

1751
01:17:11,560 --> 01:17:12,760
Speaker 3: you and it's a picture of you and the mom

1752
01:17:12,800 --> 01:17:14,400
Speaker 3: and then you point at you. You go, I'm Sam

1753
01:17:15,840 --> 01:17:16,559
Speaker 3: and they're like you pass.

1754
01:17:16,720 --> 01:17:18,559
Speaker 4: Yeah, you give your fake ID. That's your photo from

1755
01:17:18,560 --> 01:17:20,719
Speaker 4: your self tape right, and the like are.

1756
01:17:20,600 --> 01:17:23,000
Speaker 1: You been long? And like, I'm actually Ivy. It's a

1757
01:17:23,040 --> 01:17:23,760
Speaker 1: different last name.

1758
01:17:24,840 --> 01:17:27,320
Speaker 3: So shout out to TSA pre check sometime's being practical

1759
01:17:27,400 --> 01:17:27,720
Speaker 3: as good.

1760
01:17:27,760 --> 01:17:32,720
Speaker 1: Whoop wow wow, Okay. I would like to give a

1761
01:17:32,840 --> 01:17:37,760
Speaker 1: shout out to the meal that I've been eating every

1762
01:17:37,840 --> 01:17:42,000
Speaker 1: single day, which is yawki with olive oil and salt

1763
01:17:42,040 --> 01:17:45,400
Speaker 1: and pepper. Eating that every single day for the past

1764
01:17:45,520 --> 01:17:49,040
Speaker 1: like three weeks. It's really good. I ordered the naki

1765
01:17:49,120 --> 01:17:51,280
Speaker 1: that I like in a big box online because I

1766
01:17:51,360 --> 01:17:55,120
Speaker 1: have crazy like food scarcity hustle grinds at mindset and

1767
01:17:55,200 --> 01:17:57,439
Speaker 1: so I'm always afraid that food is just going to disappear.

1768
01:17:57,560 --> 01:18:01,120
Speaker 1: So I buy things in bulk and massive boxes like

1769
01:18:01,160 --> 01:18:04,080
Speaker 1: I'm a Costco mom or a Doomstate prepper and so

1770
01:18:06,720 --> 01:18:10,720
Speaker 1: who wait, that's good. Write that down. That's a new

1771
01:18:10,800 --> 01:18:14,240
Speaker 1: character for me. So I bought all this yonk and

1772
01:18:14,320 --> 01:18:16,759
Speaker 1: now I have like twelve containers of it in my fridge.

1773
01:18:17,160 --> 01:18:19,240
Speaker 1: Last night I made the mistake of eating eight hundred

1774
01:18:19,280 --> 01:18:21,880
Speaker 1: calories of it in one sitting, and I couldn't move

1775
01:18:22,000 --> 01:18:24,920
Speaker 1: or walk, and I felt like I was gonna die.

1776
01:18:25,640 --> 01:18:30,240
Speaker 1: But it's really delicious and it's just clutch. Like I

1777
01:18:30,400 --> 01:18:35,000
Speaker 1: just I love dinner. I'm really I'm going I'm in

1778
01:18:35,080 --> 01:18:37,240
Speaker 1: a dinner phase in my life right now. I kind

1779
01:18:37,280 --> 01:18:39,560
Speaker 1: of like I only eat the same things over and

1780
01:18:39,680 --> 01:18:43,599
Speaker 1: over again. Like pretty much all I eat is potato

1781
01:18:43,760 --> 01:18:49,120
Speaker 1: based products and bee for pork, and that's all I eat.

1782
01:18:50,080 --> 01:18:53,200
Speaker 1: And then I eat like sweets and candy and that's it.

1783
01:18:53,400 --> 01:18:56,320
Speaker 4: It's a pretty varied yeah, pretty very vegetables.

1784
01:18:56,479 --> 01:19:00,000
Speaker 1: I've been doing apples, so actually shout out to Apple.

1785
01:19:01,040 --> 01:19:04,240
Speaker 1: Get into apples. I have like gastroparicis, so my stomach

1786
01:19:04,320 --> 01:19:06,639
Speaker 1: is paralyzed. And so I was not eating raw fruits

1787
01:19:06,680 --> 01:19:09,280
Speaker 1: and vegetables for like many years because I was like

1788
01:19:10,160 --> 01:19:12,120
Speaker 1: not digesting them well and I would just like throw

1789
01:19:12,200 --> 01:19:16,240
Speaker 1: up apple skins. And so I was not eating apples

1790
01:19:16,280 --> 01:19:18,120
Speaker 1: for many years of my life. And then the other

1791
01:19:18,240 --> 01:19:20,800
Speaker 1: day I was like, what it would happen if I

1792
01:19:20,960 --> 01:19:23,200
Speaker 1: just ate an apple, and now I've been eating multiple

1793
01:19:23,200 --> 01:19:25,760
Speaker 1: apples a day, and honestly I feel like, actually like

1794
01:19:25,880 --> 01:19:27,280
Speaker 1: I'm better. So shout out to that.

1795
01:19:27,400 --> 01:19:30,280
Speaker 3: Oh wow, well this has been a real treat. Thank

1796
01:19:30,280 --> 01:19:31,160
Speaker 3: you for doing the pod.

1797
01:19:31,320 --> 01:19:33,040
Speaker 1: I'm so sorry that I farted in your office.

1798
01:19:36,560 --> 01:19:38,920
Speaker 4: This is the most punk rock episode with that was wild.

1799
01:19:39,360 --> 01:19:40,799
Speaker 3: I'm actually surprised no one's parted.

1800
01:19:40,640 --> 01:19:42,439
Speaker 4: Before well that we know of.

1801
01:19:43,120 --> 01:19:43,960
Speaker 1: Adam's a farterer.

1802
01:19:44,720 --> 01:19:46,120
Speaker 3: Is he interesting?

1803
01:19:46,320 --> 01:19:47,960
Speaker 4: I can't. I don't think he farted when he was

1804
01:19:48,560 --> 01:19:53,240
Speaker 4: not audible, not audibly but you know, much like you, uh,

1805
01:19:53,479 --> 01:19:55,240
Speaker 4: not clippable in the sense that he does tell some

1806
01:19:55,360 --> 01:19:56,320
Speaker 4: seventeen minute stories.

1807
01:19:56,479 --> 01:20:00,439
Speaker 1: Yes, Adam, he's also he's Adam. But Adam tak like

1808
01:20:01,520 --> 01:20:04,160
Speaker 1: Adam talks like Bill Maher, where Bill Maher is always like,

1809
01:20:04,680 --> 01:20:08,320
Speaker 1: you know, one time I saw Teddy Kennedy at the

1810
01:20:08,400 --> 01:20:13,479
Speaker 1: Jet Blu terminal, sure part airport. It was a cold day,

1811
01:20:13,880 --> 01:20:16,280
Speaker 1: and like that's how Adam talks. Every Adam story is

1812
01:20:16,360 --> 01:20:18,840
Speaker 1: like once upon a time I saw the guy from

1813
01:20:18,920 --> 01:20:22,840
Speaker 1: Different Strokes at a Costco. Yeah, it was chilly, the

1814
01:20:22,960 --> 01:20:27,240
Speaker 1: breeze was blowing, and then two hours later you're like, well,

1815
01:20:27,520 --> 01:20:28,120
Speaker 1: my Crane's here.

1816
01:20:28,160 --> 01:20:32,240
Speaker 3: I got to yeah, well, not that we should talk

1817
01:20:32,240 --> 01:20:32,639
Speaker 3: to Adam.

1818
01:20:32,720 --> 01:20:33,240
Speaker 1: No, I love that.

1819
01:20:33,600 --> 01:20:36,720
Speaker 4: My desire for his approval is like humiliating. No, it

1820
01:20:36,840 --> 01:20:38,760
Speaker 4: reminds me of being gay in high school and like

1821
01:20:38,840 --> 01:20:39,599
Speaker 4: wanting the pool.

1822
01:20:39,920 --> 01:20:42,320
Speaker 3: Well, people did comment that there was a chemistry between

1823
01:20:42,320 --> 01:20:42,559
Speaker 3: you two.

1824
01:20:42,600 --> 01:20:45,080
Speaker 2: They actually said, I really felt it in that episode.

1825
01:20:45,080 --> 01:20:46,960
Speaker 2: I think there was a sexual tension between Adam and me,

1826
01:20:47,320 --> 01:20:51,240
Speaker 2: and I'm excited to explore it for re spectacled Kings.

1827
01:20:51,439 --> 01:20:51,639
Speaker 4: Yeah.

1828
01:20:51,680 --> 01:20:53,640
Speaker 3: Yeah, I was kind of ignored the whole time, but

1829
01:20:54,160 --> 01:20:58,200
Speaker 3: you were not ignored too, busy eye fucking each other

1830
01:20:58,280 --> 01:20:59,360
Speaker 3: and listen to my words.

1831
01:20:59,520 --> 01:21:03,320
Speaker 1: He likes he likes a Mediterranean vibe. I know Italian

1832
01:21:03,560 --> 01:21:04,080
Speaker 1: and you're Greek.

1833
01:21:04,200 --> 01:21:05,719
Speaker 4: We want to know more about his fiance.

1834
01:21:06,200 --> 01:21:10,800
Speaker 1: Nice girl here, beautiful beautiful woman, Yeah, beautiful one.

1835
01:21:10,880 --> 01:21:14,120
Speaker 3: Okay, we have to wrap up, all right, Okay, bye

1836
01:21:14,240 --> 01:21:17,479
Speaker 3: bye bye podcast and now want more?

1837
01:21:17,960 --> 01:21:21,000
Speaker 2: Subscribe to our Patreon for two extra episodes a month,

1838
01:21:21,280 --> 01:21:24,840
Speaker 2: discord access and more by heading to patreon dot com.

1839
01:21:25,080 --> 01:21:26,479
Speaker 2: Slash Stradio Lab.

1840
01:21:26,600 --> 01:21:29,200
Speaker 3: And for all our visual earners, free full length video

1841
01:21:29,240 --> 01:21:32,280
Speaker 3: episodes are available on our YouTube Now get back to work.

1842
01:21:32,560 --> 01:21:34,960
Speaker 3: Stradia Lab is a production by Will Ferrell's Big Money

1843
01:21:34,960 --> 01:21:37,280
Speaker 3: Players Network and iHeart Podcasts.

1844
01:21:36,840 --> 01:21:39,679
Speaker 2: Created and hosted by George Severis and Sam Taggart.

1845
01:21:39,800 --> 01:21:43,320
Speaker 3: Executive produced by Will Ferrell, Hans Sonni and Olivia Aguilar.

1846
01:21:43,479 --> 01:21:46,920
Speaker 3: Co produced by by Wang, edited and engineered by Adam Avolos.

1847
01:21:47,280 --> 01:21:50,200
Speaker 3: Artwork by Michael Failes and Matt Grugg. Theme music by

1848
01:21:50,240 --> 01:21:50,719
Speaker 3: Ben Kling