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Speaker 1: Are you leaving a you wanta way back home? Either way,

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Speaker 1: we want to be there, doesn't matter how much baggage

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Speaker 1: you claim.

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Speaker 2: Give us time and a GERMANO and gave me a

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Speaker 2: We want to send you off instide. We wanna welcome

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Speaker 2: you back home.

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Speaker 1: Tell us all about it. We scared her?

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Speaker 3: Was it fine? Now?

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Speaker 4: Porn?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 3: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do your need ride?

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Speaker 5: Dam with Karen and Chris?

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Speaker 3: Welcome? Do you need a ride? This is Chris Fairbanks,

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Speaker 3: this is kar we are Every time I say that,

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Speaker 3: there's there's laughter and it makes them feel good.

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Speaker 2: You hope it because it's like you're trying to be

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Speaker 2: a newscaster and your official voice is really like a muppet.

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Speaker 3: I know what you're gonna say, I sound like a muppet.

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Speaker 1: It was absolutely was not going to say that.

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Speaker 3: You kind of sound like a muppet right there.

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Speaker 1: See see how much that hurts me. Never hurt you

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Speaker 1: that way.

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Speaker 3: I'm sorry a minute, we were just okay, we were

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Speaker 3: just friends. Here we are going to West possibly on

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Speaker 3: Wilshire in Korea Town, going to pick up Jordan Morris

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Speaker 3: of Jordan Jesse Go. We're both very excited.

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Speaker 1: He's our first two Peter.

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Speaker 3: Is he our first two peter person? Yeah, Jordan Morris

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Speaker 3: has two penises. He's a two Peter. It's okay. At

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Speaker 3: the beginning of the podcast, I have dumb jokes, and

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Speaker 3: then by the end or sometimes after we're done recording,

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Speaker 3: my jokes are perfect.

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Speaker 2: Wait will you do a similar joke? But back into

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Speaker 2: your professional newscaster boys.

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Speaker 3: Jordan Morris, of course our first to Peter. That is

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Speaker 3: someone with two peters, that peters being Penis is he

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Speaker 3: is a two pianist man, our first guest with two

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Speaker 3: Jenna Daniel. It's not in the middle, it's on each

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Speaker 3: hip like six shooters. He's like a cowboy when he urinates.

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Speaker 3: Jordan Mortis, Mortis take two. Jordan Morris, one of our

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Speaker 3: first two peters that, of course, being a man with

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Speaker 3: two peters Peters being Penie, each one on each hip

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Speaker 3: like six shooters. He's a cowboy at the urinal Jordan Morris,

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Speaker 3: thank you, thank you great? Oh again, Well, you know

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Speaker 3: third times.

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Speaker 2: Medio, that's what they say in the ring time right

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Speaker 2: before the fourth and fifth time.

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Speaker 3: Oh, I mean, there's plenty to say about this uh

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Speaker 3: guy and hurting girls feelings? But did you see the

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Speaker 3: episode where he got or here? I'm sorry you don't

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Speaker 3: watch podcasts or radio you listen?

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Speaker 1: You do?

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Speaker 3: Uh? And I need to start listening to the navigation

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Speaker 3: which keeps telling us to go west on Welsh.

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Speaker 1: This is western Welsher.

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Speaker 3: We're doing great.

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Speaker 1: Oh, I see that wasn't corrective.

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Speaker 3: Yes, reinforced, reinforcative.

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Speaker 6: Uh. Uh.

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Speaker 3: Daniel Daniel Stern, you know him from Home Alone? Well

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Speaker 3: ignore that I said that name because I meant Howard Stern.

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Speaker 3: Daniel Stern of course famous for the cross your eyes

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Speaker 3: when you get hitting the nuts school of acting.

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Speaker 1: But before that, he was one of my favorite films,

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Speaker 1: Breaking Away.

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Speaker 3: Even hits. He practiced nuts during a bike race in

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Speaker 3: that and crossed his eyes. He goes home and then

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Speaker 3: he crosses his eyes and then he gets euphoric and

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Speaker 3: then he faints and uh and Dennis Quaid picked him

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Speaker 3: up and is that true? And uh? And Tom Tom

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Speaker 3: Dooley played a father and that was like, boy, he

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Speaker 3: takes it in the nuts a lot.

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Speaker 2: What about the part where Tom Dewley says the kid

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Speaker 2: is crying and he goes, what happened you lose your wallet?

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Speaker 1: That's the best dad comedy ever.

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Speaker 3: I love dad comedy anyway. Uh, Howard Stern was really

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Speaker 3: mad at Uhura for something. He said that radio was

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Speaker 3: dead basically, which you know, terrestrial radio is less popular

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Speaker 3: except for like a couple instances, one of them being

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Speaker 3: Howard Stern. So he was so him him talking shit

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Speaker 3: about podcasts and the amount of money you can't make

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Speaker 3: and the amount of people you can't reach. It was

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Speaker 3: so fun to listen to. I encourage you anyone to

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Speaker 3: just google that Howard Stern episode where he's talking badly

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Speaker 3: about podcasts.

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Speaker 1: That's funny.

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Speaker 3: He's like, podcast, here's how you get into broadcast journal

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Speaker 3: or broadcast entertainment. You find a local market radio. Like

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Speaker 3: he immediately goes back to the eighties and insists that

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Speaker 3: things are still the same way. And he's so angry

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Speaker 3: at Ari. And it had nothing to do with him.

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Speaker 3: Did Ari being mean to that girl?

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Speaker 1: Oh? Did he say it in his special or on

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Speaker 1: his own podcast? Like why would?

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Speaker 3: It was on a Joe Rogan episode his podcast?

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Speaker 1: Oh okay?

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Speaker 3: And uh, Howard Stern heard it, and Daniel Sharon crossed

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Speaker 3: his eyes and I looked at them all sternly.

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Speaker 1: And then.

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Speaker 3: I had a teacher in high school named mister Stern

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Speaker 3: who thought he was the coolest, and his friend was

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Speaker 3: the local sheriff, and they look the same. I realized,

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Speaker 3: this story is not going to go anywhere.

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Speaker 1: So strike to tell it. Now, tell it in the

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Speaker 1: professional broadcaster voice.

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Speaker 3: When I was in high school, I had a cheacher

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Speaker 3: Montana history, mister Stern, not Howard Or's Daniel. Damn it,

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Speaker 3: even in this voice. I'm stupid. Anyway, he hung out

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Speaker 3: with the sheriff. I went on a date with his daughter,

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Speaker 3: and he scared me because I don't like guns. Okay,

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Speaker 3: I'm excited to pick up Jordan Morris.

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Speaker 1: Yeah, this is gonna be good. Now we are. I

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Speaker 1: made us run late.

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Speaker 3: It's okay.

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Speaker 2: So this is gonna be weirdly fast. It's gonna be

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Speaker 2: a fast one kind of right.

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Speaker 3: It's like gonna be a mini podcast, not necessarily fast,

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Speaker 3: because we talked like like.

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Speaker 1: The guy from all those commercials in the eighties.

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Speaker 3: Yeah, yeah, remember remember fdic Oh yeah, micro Machine's only

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Speaker 3: from gloop.

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Speaker 1: Yeah that guy.

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Speaker 2: It was like that in Super Super Old Ladies eating Hamburgers.

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Speaker 2: That was the highest comedy in nineteen eighty two Golden era.

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Speaker 3: Oh, just them having dementia about beef.

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Speaker 2: Standing in a weird other other world, some blank strange

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Speaker 2: fast food world that only has a red rope.

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Speaker 1: Has that commercial bummed me out every.

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Speaker 3: Time I saw it too. Don't abuse the elderly to

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Speaker 3: cell your meat.

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Speaker 2: And don't yeah, and don't abuse dementia. Where's the be

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Speaker 2: Just that's a confused old lady that needs meds.

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Speaker 3: Yeah, who's fucking hungry?

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Speaker 1: Yeah?

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Speaker 3: She's and she is starving. Do you know how long

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Speaker 3: old people have to go not eating for them to

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Speaker 3: get hungry? A long time?

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Speaker 1: Is that true?

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Speaker 3: So when an old yeah, they eat like little birds.

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Speaker 1: Now, how about water? Do they take a lot of water?

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Speaker 3: You know, I've said this to all my elderly friends

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Speaker 3: I hang out. I'm a rotary group, and I hang

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Speaker 3: out with these women and they never high rate.

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Speaker 1: They do not.

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Speaker 3: They never are drinking enough water. Yeah, they're taking nips

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Speaker 3: off their vodka's flask.

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Speaker 1: Yeah that the gin's are flowing.

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Speaker 3: No, God, like a fucking wrap video minus the juice.

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Speaker 1: What if? Oh, I guess that.

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Speaker 2: I wonder if jin after that song actually got popular

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Speaker 2: because gin is horrifying to drink.

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Speaker 3: It is, and it makes you act unpredictable. Yeah, because

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Speaker 3: what gin does is it poisons your body with juniper venom. Yeah,

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Speaker 3: which seems fun at like eight pm, come four o'clock,

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Speaker 3: naked in the street, screaming at a parking meter, you

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Speaker 3: wish you had none of it.

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Speaker 1: And the next day, the next day like.

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Speaker 2: Those everyone's why I I am reminded of how much

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Speaker 2: time I used to spend hungover, which was constantly and

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Speaker 2: like a gin hangover where you're just like shaky and

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Speaker 2: you feel like you don't know if the world is real,

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Speaker 2: like that kind of hangover where you've been stripped of

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Speaker 2: your humanity.

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Speaker 1: Do you ever have those?

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Speaker 2: Just no, no, no, I would mix and worry and

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Speaker 2: you know what I mean, you know what it was.

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Speaker 3: And I'm not trying to get you back on the

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Speaker 3: bottle again. But it's the sugar, it's the juice that

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Speaker 3: you're mixing with the gin. I think, Yeah, that makes

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Speaker 3: you feel that way.

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Speaker 1: You're saying, if I go to straight spirits.

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Speaker 3: Raight, no, not in your mouth, to funnel it in

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Speaker 3: your less it's less social.

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Speaker 1: So I have to join a sorority. You're saying, to.

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Speaker 3: Party at our adult, high octane comedy parties. Oh thank you.

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Speaker 3: We stopped in the light and Karen extended her arm,

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Speaker 3: But I didn't.

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Speaker 1: Touch you because poison ivy or oak?

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Speaker 3: Why do you have poison oak ivy?

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Speaker 2: Because my g d dog, Frank ran up into the

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Speaker 2: hills at the dog park and then two days later

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Speaker 2: I had to pick him up.

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Speaker 1: Frank, I'm not going to tell dog stories.

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Speaker 2: That's the that's the step toward pathos and total pathetic

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Speaker 2: living that I can't take of me honestly wanting to

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Speaker 2: tell you the story about what my dog did.

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Speaker 3: Yeah, but if it turns into a story with human hijinks, no,

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Speaker 3: it says, keep going straight, okay, then we'll turn right.

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Speaker 1: Oh good, okay.

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Speaker 2: Uh, it's just a dog story of he ran up

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Speaker 2: into the hills, yes, and he gave me because the

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Speaker 2: oil from the leaves is what makes you react, right,

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Speaker 2: So he doesn't react because it all stays on his

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Speaker 2: little otter fur and only just goes on to me.

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Speaker 3: Right, did people react like I do? Visualizing you running

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Speaker 3: into the bushes to grab a dog and then going

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Speaker 3: oh no, poison ivy. It seems fun. I'm sorry that

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Speaker 3: it's funny, you're still.

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Speaker 1: No, it's okay.

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Speaker 3: Irritated.

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Speaker 2: Yeah, there's a general irritation around me. But uh I

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Speaker 2: didn't run into the bushes. He just got it on him.

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Speaker 2: I picked him up like to put him in the car,

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Speaker 2: and then I got it like two days later.

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Speaker 3: So if you do your human seat belt maneuver on

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Speaker 3: me and your arm rubbed on my arm, would I.

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Speaker 2: Get I don't think so, because if you see, it's

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Speaker 2: all like dried up lizard skin.

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Speaker 1: Right now, it.

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Speaker 3: Looks like it's painful and irritated.

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Speaker 2: It's just very itchy, but it used to be like

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Speaker 2: tons of tiny blisters on.

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Speaker 1: Both It's like two strips of blisters.

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Speaker 3: You have calam That's what it is.

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Speaker 2: Yeah, yes, And so it looks all crazy dry because

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Speaker 2: it just like draws out all that stuff.

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Speaker 3: Yeah. No, Calamine lotion is one of nature's secrets. I

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Speaker 3: don't think it's a secret. I think everyone knows about it.

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Speaker 2: It's I love it, but I was trying to tuck

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Speaker 2: it out. Nature doesn't know what science has wrought. But

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Speaker 2: uh I tried to tough it out the first couple

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Speaker 2: of days because I was in denial, because he just

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Speaker 2: gave me poison oak like six months ago or something,

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Speaker 2: and uh, who cares?

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Speaker 3: That's so I now, I'm entertained by the fact that

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Speaker 3: this has happened before.

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Speaker 2: And I'm sorry, you know what, there's I paint a

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Speaker 2: picture of my life that is just filth.

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Speaker 3: Yes, and I'm kind of clown like.

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Speaker 2: It's disgusting and it's totally I'm like at the mercy

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Speaker 2: of these filthy dogs that make me feelthy.

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Speaker 3: So, according to anyone you're just listening right now, you're

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Speaker 3: just always in the bush is covered in blisters, yep,

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Speaker 3: looking for a dog with like leaves in your hair.

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Speaker 2: Yeah, And like usually if I'm at the dog park,

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Speaker 2: I almost make a point to look disgusting at the

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Speaker 2: dog park because I hate those people so much, like

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Speaker 2: and I don't care. So I'll roll out wearing exactly

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Speaker 2: what I wore to bed, and hair exactly the way

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Speaker 2: it was when I will come and like mascara under

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Speaker 2: my eyes because I just it's like, I don't care.

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Speaker 2: I want to make sure you people understand that I

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Speaker 2: do not care about you.

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Speaker 3: Honestly, I would question and judge someone that was dressed

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Speaker 3: in the nines at the dog park.

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Speaker 1: I think, And there are plenty.

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Speaker 2: There are people there that are socializing, and oh they

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Speaker 2: meet as a group and talk, stand in a circle

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Speaker 2: in the center, and they all call their dogs and

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Speaker 2: it's really embarrassing and I don't want to. I just

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Speaker 2: I just am an outsider in this particular situation, and

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Speaker 2: that usually the way I handle an outsiders, just loathing

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Speaker 2: the strangers that around.

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Speaker 3: That's okay, it's.

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Speaker 1: Healthy, it's what. It's just my process is what I

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Speaker 1: like to do.

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Speaker 3: I appreciate it.

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Speaker 1: Thanks.

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Speaker 3: Uh yeah, I don't. I don't have a dog. I'm

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Speaker 3: allergic to dogs, as you know. I actually I would

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Speaker 3: get that without leaping into a bush. I assume you leaped.

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Speaker 1: I didn't go into the bushes.

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Speaker 3: You jumped in. You rolled around, where's my dog? And

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Speaker 3: the dog just watched you from a safe pathway.

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Speaker 2: He was up on a little, uh built out hill.

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Speaker 2: He was in his area. It was all cement. It

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Speaker 2: was like a scapeable.

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Speaker 3: Can he be holding binoculars?

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Speaker 1: Yeah, yay, here's the lifeguard of the dog.

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Speaker 3: Bark you guys, no smelling buttholes?

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Speaker 1: Yeah, say yaya give the ball back? Give that ball back? Uh,

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Speaker 1: no cutoffs.

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Speaker 3: I'm very excited for what will maybe be just twenty

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Speaker 3: minutes with Jordan Morris, but he knows how to pack

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Speaker 3: it in.

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Speaker 1: What street am I looking for?

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Speaker 3: Oh?

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Speaker 1: Can we not say?

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Speaker 3: We? Uh, it's gonna be a left coming up in

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Speaker 3: four blocks.

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Speaker 1: Okay, sorry, I doubt I just I'm afraid.

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Speaker 3: And uh it's I don't like to say street names

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Speaker 3: out loud, but this sounds like a pirate name. Okay,

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Speaker 3: you'll know it when you see it.

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Speaker 1: Pirate Jerry.

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Speaker 3: Yes, yes, that's more of a sailor. But that's right

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Speaker 3: right talking again, Rum damn it. Okay, we're gonna take

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Speaker 3: a left right here behind this, uh Mercedes.

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Speaker 2: If I did go off the off the wagon again,

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Speaker 2: which I think about and.

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Speaker 1: Passionately and constantly, really, I think, well.

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Speaker 2: Yeah, just because it's such a it's just so easy,

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Speaker 2: like one beer makes such a difference, because I'm so

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Speaker 2: I'm just such a I'm.

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Speaker 1: Just a lot to deal with for myself. So can

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Speaker 1: you if you can cut that back a little bit

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Speaker 1: with beer or what? It's nice? It works out good?

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Speaker 1: Is that Mark Bruffalo?

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Speaker 3: Of course it's Mark. It is God. He looks good.

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Speaker 1: Yeah, just jogging around.

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Speaker 3: Here taking the rough out of Ruffalo.

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Speaker 2: But I think if I did a second phase drunk,

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Speaker 2: I would do all Long Island iced teas.

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Speaker 1: We're not being insane.

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Speaker 3: We're gonna pick him up on the left. Okay, I'm sorry.

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Speaker 3: What did you say about what would be.

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Speaker 1: Insane to trying to talk to you about my alcoholic breakdown?

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Speaker 3: I'm sorry? And then I and I and then I

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Speaker 3: get to talking about traffic, you.

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Speaker 1: Get then you get to talk about picking up.

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Speaker 3: I sent the word gear instead of here, but I

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Speaker 3: think he'll know it's us that and not Richard Gear.

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Speaker 1: Richard Gear Club is here.

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Speaker 3: Oh, I am a fan. There was a lot of

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Speaker 3: controversy with him back in the eighties about sticking a

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Speaker 3: defenseless animal and it's sphincter.

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Speaker 1: And I think people were jealous.

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Speaker 3: I think that they're jealous because not a lot of

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Speaker 3: mostly men are jealous because they don't get to a

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Speaker 3: I think it's experiencing birth gerbiling. That's the reason for

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Speaker 3: doing it, right.

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Speaker 1: I couldn't say I don't think people actually do it.

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Speaker 2: I think that's like something to seventh grade boys made

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Speaker 2: up and it just lived.

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Speaker 3: I think I thought so too, even though I was

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Speaker 3: a seventh or sixth grade I don't remember I was

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Speaker 3: a boy. But I remember we went rafting. My sister's friend,

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Speaker 3: Joy had had some sort of a relative and she

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Speaker 3: was somehow a godson of Richard Gere. And she confirmed

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Speaker 3: she was a goddaughter. She whatever she said. Yes, he

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Speaker 3: did stick him. Whatever he's partying.

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Speaker 1: Maybe he's into the saying goddaughter turned him in, not to.

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Speaker 3: The authorities, but certainly to us on a rafting trip.

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Speaker 1: How do you know for a fact it was the goddaughter.

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Speaker 3: Maybe it's good.

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Speaker 1: Down, I'm sorry, it's okay.

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Speaker 3: That's that we did this. I did this in the

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00:16:45,040 --> 00:16:49,000
Speaker 3: you did this in the Uh oh, this person is

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00:16:49,080 --> 00:16:49,920
Speaker 3: going so slow?

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Speaker 1: There, how's your fiot? Full o?

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Speaker 2: God?

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00:16:53,920 --> 00:16:56,280
Speaker 3: Old lady with a bowl cut The beetles are over.

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Speaker 1: She was a bit old.

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Speaker 3: Yeah, well I do like that matched her car.

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Speaker 1: I didn't even see that. Oh there he is.

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Speaker 3: Oh, here we go. This is gonna work out great

349
00:17:07,000 --> 00:17:09,720
Speaker 3: coming out. Oh there we go. He did get my gear.

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Speaker 2: Man, we stopped. We'd stopped too soon. Back there, Jordan, Hi,

351
00:17:18,440 --> 00:17:20,960
Speaker 2: check it out. Oh wait, Chris, you might want a

352
00:17:21,000 --> 00:17:23,399
Speaker 2: will too. I've cut holes, so now you can have

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Speaker 2: the sheet and wear a seatbelt at.

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Speaker 1: The same time.

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Speaker 3: Yeah. Or have sex with a Mormon.

356
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Speaker 1: Whatever you want me to.

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Speaker 6: Jews that have sheet sex, Oh really.

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Speaker 3: See, I don't see race or color Jordans. Maybe you

359
00:17:35,760 --> 00:17:37,959
Speaker 3: memorize all their idiots and Chrissy's Oh I do.

360
00:17:38,040 --> 00:17:38,240
Speaker 4: Yeah.

361
00:17:38,680 --> 00:17:40,919
Speaker 6: When we have the meetings with the grand Dragon, he

362
00:17:40,960 --> 00:17:43,480
Speaker 6: wants to hear about who has sex in a sheet?

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00:17:43,720 --> 00:17:45,199
Speaker 3: Oh, he is the grandest.

364
00:17:45,440 --> 00:17:48,680
Speaker 2: I feel like we've had the conversation about this sheet sex.

365
00:17:48,720 --> 00:17:52,040
Speaker 2: Oh with Jake Johansson. We talked about that. We made

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00:17:52,040 --> 00:17:53,000
Speaker 2: the exact same mistake.

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00:17:53,160 --> 00:17:55,200
Speaker 1: Oh really, I made it that time. Yeah.

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00:17:55,280 --> 00:17:57,479
Speaker 3: Oh that's funny. And then I learned it from listening

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Speaker 3: to you.

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Speaker 1: You learned it from watching me, Dad, I'm doing good.

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00:18:03,119 --> 00:18:06,160
Speaker 6: I've I've been on on break all this week from

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Speaker 6: for your job, from my job.

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Speaker 1: How many bad movies have you seen?

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Speaker 6: It?

375
00:18:09,760 --> 00:18:10,199
Speaker 1: The Arc Light?

376
00:18:10,760 --> 00:18:13,320
Speaker 6: Oh, let's see. I saw Fast seven last night. Excuse me,

377
00:18:13,359 --> 00:18:14,080
Speaker 6: Furious seven?

378
00:18:14,240 --> 00:18:14,680
Speaker 3: Oh?

379
00:18:14,720 --> 00:18:15,600
Speaker 1: Is that what you have to call it?

380
00:18:16,000 --> 00:18:16,119
Speaker 3: Uh?

381
00:18:16,400 --> 00:18:17,760
Speaker 4: Yeah, I just I mean, I just want to get

382
00:18:17,800 --> 00:18:18,040
Speaker 4: it right.

383
00:18:18,080 --> 00:18:20,280
Speaker 6: I mean, the naming conventions of those movies is so

384
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Speaker 6: it's so complicated.

385
00:18:21,359 --> 00:18:22,800
Speaker 1: It's a long, unstoried process.

386
00:18:22,880 --> 00:18:23,080
Speaker 2: Yeah.

387
00:18:23,080 --> 00:18:25,200
Speaker 6: I wouldn't want you to think I saw a different

388
00:18:25,880 --> 00:18:29,040
Speaker 6: Vin Diesel muscle car movie. Right, I guess things would

389
00:18:29,040 --> 00:18:31,480
Speaker 6: just get confusing. I mean, you saw how bonkers things

390
00:18:31,520 --> 00:18:34,359
Speaker 6: got when Chris suggested that Mormons fucked their sheets.

391
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Speaker 1: Yes, no, no one even knew where they were for

392
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Speaker 1: a while.

393
00:18:38,040 --> 00:18:40,800
Speaker 3: Well, it was a haze. I tried not to think

394
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Speaker 3: of that time.

395
00:18:41,520 --> 00:18:42,240
Speaker 1: It was scary.

396
00:18:42,320 --> 00:18:45,000
Speaker 3: Two minutes ago, it was scary. Can you tell when

397
00:18:45,040 --> 00:18:47,600
Speaker 3: Paul Walker, I mean not to jump right, No.

398
00:18:47,640 --> 00:18:49,439
Speaker 4: No, please, let's let's let's get into it.

399
00:18:49,640 --> 00:18:51,479
Speaker 1: Boiler alert, spoiler.

400
00:18:50,960 --> 00:18:54,760
Speaker 4: Spoiler alert for life, the actor Paul Walker died.

401
00:18:54,600 --> 00:18:57,280
Speaker 6: And everybody, if you've been waiting to catch up on

402
00:18:57,680 --> 00:18:59,200
Speaker 6: April snews.

403
00:19:00,280 --> 00:19:01,919
Speaker 1: This is probably the leading news.

404
00:19:02,000 --> 00:19:03,680
Speaker 4: Yeah. I like to binge watch the news.

405
00:19:03,840 --> 00:19:06,120
Speaker 1: Yeah, for a whole year.

406
00:19:06,359 --> 00:19:11,000
Speaker 6: Yeah, yeah, no, you know yeah. The the the Paul

407
00:19:11,040 --> 00:19:14,040
Speaker 6: Walker listeness of some of the movie is pretty seamless.

408
00:19:14,600 --> 00:19:18,960
Speaker 6: There's a a very there's an appropriately sappy tribute at

409
00:19:18,960 --> 00:19:23,159
Speaker 6: the end, of course that clearly has some some c

410
00:19:23,280 --> 00:19:25,440
Speaker 6: g I ing involved. It looks a little bit creepy.

411
00:19:25,480 --> 00:19:29,240
Speaker 6: There's a little bit of video game cut scene to it,

412
00:19:29,480 --> 00:19:33,160
Speaker 6: but but in general, the whole thing is pretty tasteful. Wow,

413
00:19:33,320 --> 00:19:36,280
Speaker 6: which is not something people usually say about Vin Diesel movies.

414
00:19:37,080 --> 00:19:39,400
Speaker 6: Very tasteful and classy.

415
00:19:39,920 --> 00:19:40,760
Speaker 1: Remember when he was.

416
00:19:40,680 --> 00:19:45,159
Speaker 3: In watch that movie with one pinky.

417
00:19:43,880 --> 00:19:48,560
Speaker 1: He was he was in U that movie where he

418
00:19:48,680 --> 00:19:49,840
Speaker 1: played the famous lawyer.

419
00:19:51,320 --> 00:19:52,960
Speaker 4: Oh sure, find me guilty, Yes.

420
00:19:53,080 --> 00:19:55,080
Speaker 1: Find me guilty. And do you remember the director was

421
00:19:55,200 --> 00:19:55,679
Speaker 1: Alan J.

422
00:19:55,800 --> 00:19:56,000
Speaker 3: Pack.

423
00:19:56,280 --> 00:19:58,000
Speaker 4: I think it's Cindy Sidney Lament.

424
00:19:58,560 --> 00:20:00,640
Speaker 1: Yes, yeah, he I saw him.

425
00:20:00,680 --> 00:20:03,320
Speaker 2: I saw Vin die loill get interviewed about that movie

426
00:20:03,320 --> 00:20:06,359
Speaker 2: in that role, a leading role in a Sydney huma movie.

427
00:20:06,760 --> 00:20:07,520
Speaker 1: And he kept going.

428
00:20:08,440 --> 00:20:11,840
Speaker 2: He kept referring to the movie as the picture picture,

429
00:20:11,880 --> 00:20:13,840
Speaker 2: and Cindy told me if I was in this picture,

430
00:20:13,960 --> 00:20:16,520
Speaker 2: and I was just like, someone has taken you to

431
00:20:16,640 --> 00:20:20,320
Speaker 2: cinema school very quickly, and now you're doing things like this,

432
00:20:20,440 --> 00:20:22,400
Speaker 2: like you think this is making it look like you're

433
00:20:22,440 --> 00:20:23,359
Speaker 2: this amazing actor.

434
00:20:23,359 --> 00:20:27,280
Speaker 3: That's I don't know, he's the equivalent actor wise. If

435
00:20:27,280 --> 00:20:31,600
Speaker 3: there is like a dog that was for fighting, you know,

436
00:20:31,760 --> 00:20:34,080
Speaker 3: pitbull fights, and then all of a sudden he's in

437
00:20:34,200 --> 00:20:38,440
Speaker 3: fancy dog shows when there's dew clawlish.

438
00:20:37,240 --> 00:20:39,280
Speaker 6: She's like, you know this, this is the first picture

439
00:20:39,359 --> 00:20:40,960
Speaker 6: where my shirts have had sleeves on.

440
00:20:42,440 --> 00:20:44,480
Speaker 1: What a picture like? What?

441
00:20:44,600 --> 00:20:48,320
Speaker 3: When I first started studying vin Vin your you have

442
00:20:48,400 --> 00:20:49,120
Speaker 3: food in your mouth.

443
00:20:50,520 --> 00:20:52,320
Speaker 6: Oh sorry, carbo loading.

444
00:20:53,040 --> 00:20:54,920
Speaker 3: Oh yeah, it's important carbo.

445
00:20:54,600 --> 00:20:57,240
Speaker 6: Loading for the David Lynch movie. I'm doing gonna be

446
00:20:57,320 --> 00:20:58,960
Speaker 6: juiced for that.

447
00:20:59,320 --> 00:21:02,359
Speaker 1: I actually have seen all of the Fast and Furious movies.

448
00:21:02,600 --> 00:21:03,440
Speaker 4: Really, yeah, so have I.

449
00:21:04,560 --> 00:21:07,520
Speaker 3: You're you're a fan of them, right, They're good movies,

450
00:21:07,680 --> 00:21:08,160
Speaker 3: I've heard.

451
00:21:10,640 --> 00:21:12,639
Speaker 6: Let's see, let's see we can harmonize on that.

452
00:21:17,560 --> 00:21:19,040
Speaker 4: I have a certain charm.

453
00:21:20,920 --> 00:21:24,800
Speaker 6: I think I think they they started out as kind

454
00:21:24,800 --> 00:21:30,159
Speaker 6: of these you know, goofy racing movies, and then I

455
00:21:30,200 --> 00:21:32,880
Speaker 6: think they hit a point of self awareness where they're

456
00:21:33,119 --> 00:21:35,400
Speaker 6: they all got together. I don't know the I don't

457
00:21:35,440 --> 00:21:39,920
Speaker 6: know Vinn was involved in these talks. They went down

458
00:21:39,920 --> 00:21:44,000
Speaker 6: to Giovanni split a by uh, and they just said,

459
00:21:44,080 --> 00:21:47,360
Speaker 6: let's make these crazy. So then they went from these

460
00:21:47,440 --> 00:21:52,080
Speaker 6: kind of you know, goofy you know, tn T Afternoon

461
00:21:52,119 --> 00:21:56,600
Speaker 6: curiosities to these kind of not they're not like parodies,

462
00:21:56,600 --> 00:21:59,400
Speaker 6: but they're just balls to the wall, fucking nuts action

463
00:21:59,520 --> 00:22:02,600
Speaker 6: movies where the cars, you know, parachute out of planes

464
00:22:02,640 --> 00:22:06,479
Speaker 6: and drive from out of one building and into another building.

465
00:22:06,680 --> 00:22:12,280
Speaker 2: So things that are that are actually uh impossible. Yeah,

466
00:22:12,280 --> 00:22:14,320
Speaker 2: it's physically and I was thinking trying to think of

467
00:22:14,320 --> 00:22:17,760
Speaker 2: the word for like physics wise or whatever, aerodynamically maybe

468
00:22:18,320 --> 00:22:20,119
Speaker 2: like there's they drove through a moving train.

469
00:22:21,560 --> 00:22:24,200
Speaker 4: It's just there's one thing that Diesel hates more than sleeves.

470
00:22:24,240 --> 00:22:24,960
Speaker 6: It's physics.

471
00:22:27,080 --> 00:22:29,720
Speaker 2: Everything he does flies in the face of Isaac Newton

472
00:22:30,200 --> 00:22:31,640
Speaker 2: and all the great scientists.

473
00:22:31,680 --> 00:22:34,720
Speaker 3: Actually, physics is the reason he doesn't like slaves is

474
00:22:34,760 --> 00:22:36,680
Speaker 3: because every time he put on a shirt, they would

475
00:22:36,680 --> 00:22:39,440
Speaker 3: just tear because he puts it up. He puts his

476
00:22:39,480 --> 00:22:40,640
Speaker 3: shirt on what such.

477
00:22:40,600 --> 00:22:49,520
Speaker 4: He he leaps through through a flamey coop into shirts shirts.

478
00:22:50,119 --> 00:22:53,439
Speaker 2: Also, there's in like in the first one is there

479
00:22:53,560 --> 00:22:56,560
Speaker 2: was almost this sincere there was this real sincerity to

480
00:22:56,600 --> 00:22:57,120
Speaker 2: you or like.

481
00:22:57,640 --> 00:22:59,680
Speaker 1: Kids trying to come up this is just what we know.

482
00:23:00,200 --> 00:23:02,680
Speaker 2: But there was that, and then by like the third one,

483
00:23:02,800 --> 00:23:05,320
Speaker 2: literally it was like the start of a scene would

484
00:23:05,359 --> 00:23:08,639
Speaker 2: be up a girl's asshole and then come out like

485
00:23:08,840 --> 00:23:11,080
Speaker 2: fly out and then to the front of the car.

486
00:23:11,200 --> 00:23:13,040
Speaker 1: It was just like so clear what everyone was there.

487
00:23:13,440 --> 00:23:17,320
Speaker 1: Starts on the butt, it starts deep inside the.

488
00:23:17,560 --> 00:23:22,040
Speaker 6: Mason sin if you will, is the anus of a

489
00:23:22,080 --> 00:23:23,080
Speaker 6: hot rod model.

490
00:23:25,080 --> 00:23:27,479
Speaker 2: It was like the first shot. The first time it

491
00:23:27,520 --> 00:23:30,119
Speaker 2: was like that, I can't remember which which one. It

492
00:23:30,280 --> 00:23:34,520
Speaker 2: truly was like up a girl's short skirt. Yeah, and

493
00:23:34,520 --> 00:23:36,359
Speaker 2: then I was like, oh this, I'm this isn't for

494
00:23:36,520 --> 00:23:38,800
Speaker 2: me even supposed to be here.

495
00:23:38,840 --> 00:23:40,800
Speaker 6: But then you get but you still continue to watch.

496
00:23:41,080 --> 00:23:44,200
Speaker 6: Hell yeah, maybe just maybe it's as a kind of like, oh,

497
00:23:44,520 --> 00:23:46,800
Speaker 6: fuck you, this is for me. Well you can try

498
00:23:46,840 --> 00:23:48,960
Speaker 6: and repel me at every turn, but I'm going to

499
00:23:49,040 --> 00:23:51,800
Speaker 6: hang in there. Yeah it was fitspiration, you know, sure,

500
00:23:53,280 --> 00:23:56,560
Speaker 6: but yeah, no there I would say, you know, if

501
00:23:56,600 --> 00:24:00,000
Speaker 6: you want to get the complicated continuity down, I would

502
00:24:00,080 --> 00:24:00,880
Speaker 6: they watch all of them.

503
00:24:00,880 --> 00:24:03,560
Speaker 3: But if I but I think, should I do it all?

504
00:24:03,600 --> 00:24:05,760
Speaker 3: I'm un sitting like I did with Game of Thrones.

505
00:24:06,520 --> 00:24:08,200
Speaker 6: Yeah, I know you will go and say.

506
00:24:08,000 --> 00:24:09,880
Speaker 3: I'll wait until I'm sick with a fever and I'll

507
00:24:09,920 --> 00:24:11,800
Speaker 3: watch all the fast it will give you.

508
00:24:12,440 --> 00:24:13,320
Speaker 4: I think if you watch.

509
00:24:13,160 --> 00:24:15,480
Speaker 6: Them all at the end, you were your head would

510
00:24:15,520 --> 00:24:18,600
Speaker 6: be bald, you'd be wearing like a linen suit with

511
00:24:18,640 --> 00:24:19,200
Speaker 6: a tank top.

512
00:24:19,280 --> 00:24:20,400
Speaker 4: You just look like pitbull.

513
00:24:21,400 --> 00:24:23,800
Speaker 2: And because we live in the magic City of Los Angeles,

514
00:24:23,960 --> 00:24:25,879
Speaker 2: we are now directly under a fast.

515
00:24:25,600 --> 00:24:29,440
Speaker 1: And furious billboard. Oh there they all are. The brilliant

516
00:24:29,440 --> 00:24:30,360
Speaker 1: move to add the Rock.

517
00:24:30,560 --> 00:24:34,560
Speaker 2: Somehow The Rock, an ex professional wrestler, gives that movie credits.

518
00:24:34,640 --> 00:24:36,960
Speaker 3: Oh my god, I just realized The Rock and Vin

519
00:24:37,000 --> 00:24:41,720
Speaker 3: Diezel are two different people. You never see him together one.

520
00:24:41,880 --> 00:24:43,640
Speaker 6: I think, here's the here's a fun way to tell

521
00:24:43,680 --> 00:24:47,400
Speaker 6: them apart. The Rock is a triangle man, whereas Vin

522
00:24:47,400 --> 00:24:53,000
Speaker 6: Diesel is a pillow case filled with sausage. And that's

523
00:24:53,000 --> 00:24:53,919
Speaker 6: how you tell them apart.

524
00:24:54,200 --> 00:24:57,879
Speaker 3: I always when, I always when the wind sock filled

525
00:24:57,880 --> 00:24:58,359
Speaker 3: with pudding.

526
00:24:58,400 --> 00:25:01,480
Speaker 6: But no, no, it's a it's a slight difference.

527
00:25:03,640 --> 00:25:07,800
Speaker 3: Right, he goes to the gym. We know if you

528
00:25:07,880 --> 00:25:10,240
Speaker 3: heard me call him a pudding many twist my hand,

529
00:25:13,960 --> 00:25:15,800
Speaker 3: doesn't twist your head off like soft bread.

530
00:25:18,320 --> 00:25:23,040
Speaker 1: Is a triangle, it's.

531
00:25:22,200 --> 00:25:24,600
Speaker 6: Like a peer an upside down pyramid with a little

532
00:25:24,640 --> 00:25:28,159
Speaker 6: head on top. We had a great right and and

533
00:25:28,200 --> 00:25:30,240
Speaker 6: with a real self awareness of what his deal.

534
00:25:30,119 --> 00:25:34,520
Speaker 3: Is and a great sidekick for SpongeBob. Yes, have Jordan

535
00:25:34,560 --> 00:25:38,000
Speaker 3: and I worked in the action sports industry. Sure for

536
00:25:38,040 --> 00:25:41,919
Speaker 3: a while, trade shows, interviews, we did a lot of

537
00:25:42,119 --> 00:25:46,879
Speaker 3: press events. But have you then seen Jordan the ven

538
00:25:47,240 --> 00:25:50,360
Speaker 3: Triple X where he's snowboarding and skydiving And.

539
00:25:50,480 --> 00:25:52,640
Speaker 6: No, you know, yeah, that's that's a there's a there's

540
00:25:52,640 --> 00:25:55,720
Speaker 6: a gap in my Vin Diesel filmography, and it's the

541
00:25:55,760 --> 00:25:56,600
Speaker 6: Triple X movie.

542
00:25:57,800 --> 00:26:00,560
Speaker 3: Because he's like kind of the kind of make him

543
00:26:00,560 --> 00:26:04,760
Speaker 3: punk rock. He he quotes a Vandal's song, Oh cool. Yeah,

544
00:26:04,760 --> 00:26:07,640
Speaker 3: he's like he does sings the lyrics during a conversation

545
00:26:07,760 --> 00:26:10,840
Speaker 3: with this other guy that would have never listened to

546
00:26:10,880 --> 00:26:14,440
Speaker 3: anything but but maybe b sides of a bon Jovi

547
00:26:14,560 --> 00:26:17,720
Speaker 3: album when he is a kid and they start saying,

548
00:26:17,960 --> 00:26:21,680
Speaker 3: if you go into a deli and tell the cheese.

549
00:26:21,359 --> 00:26:25,080
Speaker 6: Guy tol anarchyer yeah, anarchy burger, Okay.

550
00:26:25,160 --> 00:26:28,439
Speaker 3: See yeah, Jordan is a dictionary for punk rock. So

551
00:26:28,560 --> 00:26:30,560
Speaker 3: that lyric a lyric well.

552
00:26:30,359 --> 00:26:32,560
Speaker 6: From nineteen ninety one to nineteen ninety seven.

553
00:26:32,600 --> 00:26:34,080
Speaker 3: Sure, the Golden Year, Yeah, sure.

554
00:26:34,040 --> 00:26:36,760
Speaker 6: I think we can all agree when punk rock was

555
00:26:36,800 --> 00:26:38,040
Speaker 6: at its most vital.

556
00:26:38,320 --> 00:26:41,600
Speaker 1: When it was at his hot, toppy topic. He yes,

557
00:26:42,400 --> 00:26:44,359
Speaker 1: I wish I had said directly it.

558
00:26:44,400 --> 00:26:46,359
Speaker 6: Was at its long, short, siest.

559
00:26:49,720 --> 00:26:49,960
Speaker 4: Cool.

560
00:26:50,000 --> 00:26:50,080
Speaker 3: No.

561
00:26:50,200 --> 00:26:52,320
Speaker 4: I I bet I would love Triple X myself, and

562
00:26:52,320 --> 00:26:53,360
Speaker 4: I've seen all the ritics.

563
00:26:53,600 --> 00:26:58,240
Speaker 3: It is rotten. That's where he has a computer case.

564
00:26:58,359 --> 00:27:00,760
Speaker 6: I will make a case for the most recent riddick

565
00:27:01,680 --> 00:27:05,919
Speaker 6: being kind of a resurgence allah. The fifth Fast and

566
00:27:05,920 --> 00:27:08,359
Speaker 6: Furious movie of a like, oh, we get it, here's

567
00:27:08,359 --> 00:27:09,840
Speaker 6: what we do anyway.

568
00:27:09,720 --> 00:27:11,920
Speaker 1: Was the fifth Fast and Furious Tokyo Drift.

569
00:27:12,240 --> 00:27:13,280
Speaker 4: No, that's the third one.

570
00:27:13,280 --> 00:27:16,800
Speaker 6: Oh yeah, I love I just love Lucas Black.

571
00:27:18,119 --> 00:27:19,800
Speaker 1: I actually really loved Lucas Black.

572
00:27:21,160 --> 00:27:22,760
Speaker 6: Where did you fall in love with Lucas Black?

573
00:27:22,840 --> 00:27:24,280
Speaker 1: Well, of course in slang blade.

574
00:27:24,440 --> 00:27:25,840
Speaker 6: Oh sure, But I don't know.

575
00:27:26,000 --> 00:27:27,359
Speaker 1: I don't know if he did anything before that.

576
00:27:27,480 --> 00:27:29,720
Speaker 2: But then I was so when he came on screen

577
00:27:29,800 --> 00:27:32,480
Speaker 2: and in Fast and Furious three Tokyo Drift.

578
00:27:32,560 --> 00:27:35,480
Speaker 1: Sure, I was so proud of him. Well I thought

579
00:27:35,520 --> 00:27:37,879
Speaker 1: he had gone away or like did that movie, and

580
00:27:37,920 --> 00:27:40,040
Speaker 1: then just was like I need to be a normal

581
00:27:40,119 --> 00:27:40,600
Speaker 1: child now.

582
00:27:41,119 --> 00:27:42,880
Speaker 2: So I just was so proud. I was like, look

583
00:27:42,920 --> 00:27:45,439
Speaker 2: at my beautiful boy. He was probably around and like

584
00:27:45,480 --> 00:27:47,160
Speaker 2: on some shitty show the whole Yeah.

585
00:27:47,119 --> 00:27:48,840
Speaker 4: Probably a Law and Order or something like that.

586
00:27:49,040 --> 00:27:49,639
Speaker 1: Yeah.

587
00:27:49,680 --> 00:27:52,000
Speaker 4: Can I ask you because I've I've had some some

588
00:27:52,800 --> 00:27:53,320
Speaker 4: some time off.

589
00:27:53,359 --> 00:27:54,719
Speaker 6: I've had a week off. That's the first week off

590
00:27:54,720 --> 00:27:57,280
Speaker 6: I've had in a while. And you know, it's been

591
00:27:57,320 --> 00:28:00,960
Speaker 6: alternately fun but like reminding me of a time when

592
00:28:00,960 --> 00:28:04,320
Speaker 6: I was like a jobless, depressed mess and and I

593
00:28:04,320 --> 00:28:06,919
Speaker 6: have having flashbacks to when I'm when I was like

594
00:28:06,960 --> 00:28:07,840
Speaker 6: my worst self.

595
00:28:08,920 --> 00:28:11,840
Speaker 3: Are you about to ask me, Jordan? What's that like

596
00:28:12,000 --> 00:28:16,000
Speaker 3: to be Chris Sherman like, no, no, no.

597
00:28:16,080 --> 00:28:18,359
Speaker 6: I wanted to ask you, guys, how you deal with

598
00:28:18,480 --> 00:28:21,879
Speaker 6: the downtime in this in this business of show of ours?

599
00:28:21,920 --> 00:28:25,600
Speaker 4: What what? What do you resort to? I?

600
00:28:25,600 --> 00:28:28,200
Speaker 3: I do a lot of pacing, and I honestly, there's

601
00:28:28,200 --> 00:28:31,879
Speaker 3: no way around me worrying. I I do appreciate that

602
00:28:31,960 --> 00:28:35,840
Speaker 3: I have free time and that I can you know, draw,

603
00:28:36,000 --> 00:28:37,639
Speaker 3: you know, I like to do art. Sure if I

604
00:28:37,680 --> 00:28:40,720
Speaker 3: do that a little bit, But for the most part,

605
00:28:40,800 --> 00:28:43,760
Speaker 3: I kind of don't like downtime. There's not I don't

606
00:28:43,800 --> 00:28:44,960
Speaker 3: know how to occupy it.

607
00:28:45,040 --> 00:28:47,080
Speaker 2: Well, especially on a show that like you're on, because

608
00:28:47,640 --> 00:28:50,240
Speaker 2: if people don't know, Jordan is a writer at midnight

609
00:28:50,720 --> 00:28:53,640
Speaker 2: and it's a daily show and so there's you're in

610
00:28:53,680 --> 00:28:55,760
Speaker 2: this weird schedule and pace.

611
00:28:55,920 --> 00:28:56,120
Speaker 4: Yeah.

612
00:28:56,160 --> 00:28:58,840
Speaker 2: Yeah, then when you have time off, it doesn't make sense.

613
00:28:58,880 --> 00:29:02,720
Speaker 2: It's almost like it's almost like when slow motion. It's

614
00:29:02,760 --> 00:29:05,920
Speaker 2: the reverse of this, but like when slow motion ends

615
00:29:05,920 --> 00:29:07,520
Speaker 2: in a movie and they go right back and it's

616
00:29:07,560 --> 00:29:08,920
Speaker 2: like that change where it's.

617
00:29:08,760 --> 00:29:11,120
Speaker 6: That right before you're about to hit someone in a

618
00:29:11,120 --> 00:29:12,040
Speaker 6: three hundred movie.

619
00:29:12,360 --> 00:29:14,640
Speaker 3: Yes, something we can.

620
00:29:16,640 --> 00:29:19,080
Speaker 1: Yeah. So it's just it's almost like the shock.

621
00:29:19,200 --> 00:29:20,920
Speaker 2: You need a couple of days just for the shock

622
00:29:21,400 --> 00:29:23,400
Speaker 2: to go away and then to feel slightly normal, and

623
00:29:23,400 --> 00:29:25,160
Speaker 2: then it's over and you have to be back up,

624
00:29:25,360 --> 00:29:26,240
Speaker 2: all paced up again.

625
00:29:26,880 --> 00:29:29,800
Speaker 1: So the answer, my short answer, is just tons of drugs.

626
00:29:29,840 --> 00:29:33,000
Speaker 4: Sure, yes, of course. For me, it's been lunchtime.

627
00:29:32,600 --> 00:29:36,600
Speaker 1: Masturbation, just at any place you're eating lunch.

628
00:29:36,640 --> 00:29:39,400
Speaker 6: Yeah, yeah, maybe half a sandwich, super.

629
00:29:39,040 --> 00:29:44,960
Speaker 2: Salad, soup, plantations like sir, please, I'm not gonna ask

630
00:29:45,000 --> 00:29:45,440
Speaker 2: here again.

631
00:29:45,560 --> 00:29:47,080
Speaker 6: Not what the soft serve bar is for?

632
00:29:50,880 --> 00:29:54,120
Speaker 3: I love, because that's in that joke. You don't have

633
00:29:54,160 --> 00:29:59,640
Speaker 3: a bonus, Oh yeah served, yeah serving up?

634
00:30:01,640 --> 00:30:03,560
Speaker 6: Is there a rock hard bar anywhere around here?

635
00:30:03,720 --> 00:30:06,280
Speaker 2: I do love going to If I can go to

636
00:30:06,360 --> 00:30:08,960
Speaker 2: the movies and go to literally like three movies in

637
00:30:09,000 --> 00:30:12,160
Speaker 2: one day. I find that to be like my favorite favorite,

638
00:30:12,400 --> 00:30:15,520
Speaker 2: Like it's just it feels crazy and time wasty and

639
00:30:15,560 --> 00:30:16,040
Speaker 2: really fun.

640
00:30:16,080 --> 00:30:18,840
Speaker 3: There was a comedy club in San Antonio that I

641
00:30:19,080 --> 00:30:22,800
Speaker 3: never had fun at. It was in a mall. I

642
00:30:22,920 --> 00:30:25,280
Speaker 3: had really rough times every time I was there, but

643
00:30:25,320 --> 00:30:27,920
Speaker 3: I went back as much as possible because across from

644
00:30:27,920 --> 00:30:32,800
Speaker 3: the comedy Club there was a Sinny six where we

645
00:30:32,840 --> 00:30:36,240
Speaker 3: could watch as many movies as we wanted. Because it

646
00:30:36,280 --> 00:30:39,080
Speaker 3: was almost every day I watched a movie and it

647
00:30:39,240 --> 00:30:41,480
Speaker 3: made that week terrific.

648
00:30:41,960 --> 00:30:43,680
Speaker 6: Do you remember what movies you saw?

649
00:30:43,720 --> 00:30:45,520
Speaker 3: It was long enough ago that I saw the very

650
00:30:45,520 --> 00:30:52,920
Speaker 3: first Jackass movie and Doubt. I wouldn't have watched Doubt otherwise.

651
00:30:52,960 --> 00:30:53,960
Speaker 1: But aren't you glad you did?

652
00:30:54,080 --> 00:30:54,800
Speaker 3: I watched out with that.

653
00:30:54,880 --> 00:30:57,720
Speaker 6: You know, just a funny fun fact that Jackass and

654
00:30:57,800 --> 00:30:59,400
Speaker 6: Doubt take place in the same universe.

655
00:30:59,520 --> 00:31:02,400
Speaker 3: Yes, it's a lot of people don't know subtle and

656
00:31:02,440 --> 00:31:05,680
Speaker 3: you see some of the character overlaps in those movies.

657
00:31:06,040 --> 00:31:09,440
Speaker 1: Like Steve O and the Molestee Priest were very similar.

658
00:31:09,360 --> 00:31:13,040
Speaker 3: From the wheels car in their hands and uh no,

659
00:31:13,120 --> 00:31:13,800
Speaker 3: it wasn't Steve.

660
00:31:16,640 --> 00:31:18,760
Speaker 4: It's hard to say who's who's ass the car was.

661
00:31:18,680 --> 00:31:21,400
Speaker 3: In I remember, you remember. We just don't want to

662
00:31:21,440 --> 00:31:23,959
Speaker 3: talk about it. Yeah, one time Jordan and I were

663
00:31:24,040 --> 00:31:28,080
Speaker 3: dressed like Hillbilly's interviewing Johnny Knoxville, and uh we were.

664
00:31:28,120 --> 00:31:31,520
Speaker 3: We were committing to these characters. He was not enjoying it,

665
00:31:31,880 --> 00:31:34,080
Speaker 3: but we're like, well, what'd you like for you to

666
00:31:34,480 --> 00:31:36,720
Speaker 3: you ever played the washboard and whatever?

667
00:31:36,880 --> 00:31:39,840
Speaker 6: Yeah, yeah, and all in the bathtub.

668
00:31:40,320 --> 00:31:43,360
Speaker 3: All of a sudden he brought up Ryan Dunn, who's

669
00:31:43,480 --> 00:31:45,800
Speaker 3: one of the jackass guys that sadly passed away and

670
00:31:45,840 --> 00:31:49,400
Speaker 3: it had just happened, and they said, no, yeah, actually

671
00:31:49,400 --> 00:31:52,320
Speaker 3: we're just doing this benefit concert for my friend that

672
00:31:52,320 --> 00:31:55,480
Speaker 3: that I lost. And Jordan and I were like, well.

673
00:31:55,720 --> 00:31:59,040
Speaker 4: Well hacked, we lost the brother to a gator.

674
00:31:59,440 --> 00:32:03,800
Speaker 3: Yeah, character, but oh that was one of the more

675
00:32:04,440 --> 00:32:05,040
Speaker 3: that very.

676
00:32:06,080 --> 00:32:09,400
Speaker 2: That's such bullshit because he did it purpose well yes,

677
00:32:09,440 --> 00:32:10,160
Speaker 2: but also.

678
00:32:10,040 --> 00:32:11,200
Speaker 4: He's like, I'm tired of this.

679
00:32:11,280 --> 00:32:14,800
Speaker 6: How do I How do I get out of this interview? Possible?

680
00:32:14,960 --> 00:32:15,800
Speaker 1: But also those.

681
00:32:15,680 --> 00:32:19,840
Speaker 2: Guys are like they their bread and butter is disrespectfulness,

682
00:32:20,240 --> 00:32:22,920
Speaker 2: so like suddenly, oh, your friend's dead, so suddenly everyone

683
00:32:22,920 --> 00:32:24,920
Speaker 2: has to be quiet. I hate ship like that. That's like,

684
00:32:25,120 --> 00:32:27,760
Speaker 2: to me, that's the essence of Twitter. Like everyone's on

685
00:32:27,840 --> 00:32:31,239
Speaker 2: there telling terrible like molestation puns. And then it's like

686
00:32:31,600 --> 00:32:35,480
Speaker 2: Paul Simon died and I liked him the best.

687
00:32:33,640 --> 00:32:35,800
Speaker 1: And it's like fuck off.

688
00:32:36,640 --> 00:32:42,640
Speaker 3: Everybody fuck up, and it's everyone's opportunity, uh, to tell

689
00:32:42,680 --> 00:32:46,600
Speaker 3: their story about them and Paul Simon Paul Simon passed away.

690
00:32:46,680 --> 00:32:49,360
Speaker 4: He loved my comedy. Al Simon loved my.

691
00:32:50,000 --> 00:32:50,960
Speaker 1: Taking pictures of me.

692
00:32:51,160 --> 00:32:55,240
Speaker 3: I never forget. I got off stage and I heard this, Uh.

693
00:32:55,680 --> 00:33:05,360
Speaker 6: Someone's playing away. I heard the strains of Lady Smith

694
00:33:05,440 --> 00:33:08,600
Speaker 6: Black Mambazo and it was Paul Simon.

695
00:33:08,600 --> 00:33:10,840
Speaker 1: And that's when I knew he loves my comedy. Yeah,

696
00:33:11,400 --> 00:33:13,000
Speaker 1: he was blown away.

697
00:33:13,680 --> 00:33:17,760
Speaker 6: Oh that's a capella African singing chant my name during

698
00:33:17,800 --> 00:33:18,960
Speaker 6: one of my shows and.

699
00:33:19,000 --> 00:33:20,160
Speaker 1: They all took a group.

700
00:33:21,120 --> 00:33:29,240
Speaker 3: Yeah, whoa. I'd like to join it, but all I'm

701
00:33:29,240 --> 00:33:32,440
Speaker 3: gonna do is a wimber. I can't not do it.

702
00:33:33,000 --> 00:33:34,840
Speaker 1: I feel like that's where wim Wave was from.

703
00:33:35,000 --> 00:33:35,960
Speaker 4: Yeah, I think so too.

704
00:33:36,320 --> 00:33:38,760
Speaker 2: I was truly just listening to that album a couple

705
00:33:38,800 --> 00:33:41,320
Speaker 2: of days ago and had that exact thought of like, oh,

706
00:33:41,400 --> 00:33:47,239
Speaker 2: this is the original like that, what's the right term?

707
00:33:48,400 --> 00:33:48,560
Speaker 4: No?

708
00:33:48,560 --> 00:33:50,760
Speaker 1: No, no, that group singing like that like.

709
00:33:50,760 --> 00:33:52,920
Speaker 3: Yeah, quartet Barbershops.

710
00:33:53,800 --> 00:33:58,160
Speaker 6: Sorry for overseas, yeah.

711
00:34:00,160 --> 00:34:02,000
Speaker 1: It sorry.

712
00:34:02,120 --> 00:34:03,760
Speaker 3: This is a part of the show we like to

713
00:34:03,800 --> 00:34:05,040
Speaker 3: call unwanted Caller.

714
00:34:06,680 --> 00:34:10,439
Speaker 6: We have Doug from Minnesota on the line, Doug, Doug, Doug,

715
00:34:10,480 --> 00:34:11,000
Speaker 6: how would you.

716
00:34:10,960 --> 00:34:12,640
Speaker 4: Burn Paul Simon were he to die?

717
00:34:12,719 --> 00:34:14,080
Speaker 6: Yeah, Doug's your poison.

718
00:34:15,239 --> 00:34:16,960
Speaker 4: I'm an am sports talk guy. Now.

719
00:34:18,160 --> 00:34:20,839
Speaker 3: Anyway, we lost Doug dare. What do you think about

720
00:34:20,840 --> 00:34:24,480
Speaker 3: the Wisconsin game today in Virginia? I'm actually right about that.

721
00:34:25,040 --> 00:34:29,960
Speaker 6: What's your favorite song on the Rhythm to the Saints?

722
00:34:30,000 --> 00:34:30,400
Speaker 1: You really think?

723
00:34:30,760 --> 00:34:31,040
Speaker 4: Diamond?

724
00:34:32,560 --> 00:34:35,480
Speaker 3: Back to this after this quick traffic report, we are

725
00:34:35,520 --> 00:34:36,840
Speaker 3: on Brendo Street.

726
00:34:37,040 --> 00:34:38,439
Speaker 6: Back to you, Karen.

727
00:34:41,320 --> 00:34:46,320
Speaker 3: Wimb again, guys.

728
00:34:46,800 --> 00:34:51,760
Speaker 2: Important footnote all Simon's life and well, yes, yes.

729
00:34:51,719 --> 00:34:53,399
Speaker 3: We don't want anyone to think that.

730
00:34:53,480 --> 00:34:55,279
Speaker 4: He making it.

731
00:34:55,520 --> 00:34:58,840
Speaker 6: You'll be making a goofy cameo on the next SNL special.

732
00:35:00,080 --> 00:35:00,920
Speaker 3: He certainly didn't.

733
00:35:01,520 --> 00:35:03,080
Speaker 4: That other one. I don't know.

734
00:35:03,120 --> 00:35:05,720
Speaker 6: I did not I did not make I I watched

735
00:35:05,760 --> 00:35:07,120
Speaker 6: a lot of that and liked it a lot, But

736
00:35:07,160 --> 00:35:08,959
Speaker 6: it was four hours.

737
00:35:08,800 --> 00:35:12,440
Speaker 3: It was chevy Chase invited to that thing. Yeah, okay,

738
00:35:12,600 --> 00:35:14,239
Speaker 3: And that would be the only reason I would think

739
00:35:14,280 --> 00:35:17,960
Speaker 3: Paul Simon was there, because they were they were bros

740
00:35:16,680 --> 00:35:21,799
Speaker 3: before they were bros, before they were hoes. I think so.

741
00:35:21,920 --> 00:35:24,080
Speaker 3: I think they were pels, didn't. I mean, there was

742
00:35:24,120 --> 00:35:27,840
Speaker 3: a window of time where Chevy Chase wasn't a despicable me.

743
00:35:28,400 --> 00:35:28,879
Speaker 1: That's right.

744
00:35:32,440 --> 00:35:35,239
Speaker 4: It's very cute, though, overalls on I.

745
00:35:38,800 --> 00:35:41,680
Speaker 3: Love I love baby talk. I loved it when my

746
00:35:41,760 --> 00:35:44,879
Speaker 3: dad's second wife did it for fifteen years. So when

747
00:35:44,920 --> 00:35:48,480
Speaker 3: we oh, god, what if she's a listener. Sorry, sorry,

748
00:35:48,840 --> 00:35:53,879
Speaker 3: sorry being her name is thank you for paying for

749
00:35:54,200 --> 00:35:59,960
Speaker 3: some of my college. Uh yeah, I see her.

750
00:36:00,120 --> 00:36:02,680
Speaker 1: You say that, She's like, finally snaps it off. That's

751
00:36:02,680 --> 00:36:05,160
Speaker 1: all I wanted to hear. Thank you.

752
00:36:05,280 --> 00:36:09,080
Speaker 6: Now I can go back to listening to Invisibilia.

753
00:36:09,239 --> 00:36:11,120
Speaker 4: It's a PR podcast.

754
00:36:13,880 --> 00:36:17,000
Speaker 6: About the unseen forces that shape our world.

755
00:36:17,200 --> 00:36:18,880
Speaker 1: Oh like angels.

756
00:36:19,400 --> 00:36:21,800
Speaker 6: Yeah, it's an NPR podcast about ghosts and angels.

757
00:36:22,560 --> 00:36:26,080
Speaker 3: They can't turn and then you got me. No, this

758
00:36:26,280 --> 00:36:28,359
Speaker 3: is a different park I'm always making.

759
00:36:28,400 --> 00:36:29,960
Speaker 6: Oh yeah, yeah, it'll be it'll be on your right.

760
00:36:30,000 --> 00:36:30,839
Speaker 6: Sorry you're doing.

761
00:36:30,920 --> 00:36:33,560
Speaker 3: That's a skate park, though, the turn. That's one skate

762
00:36:33,600 --> 00:36:36,000
Speaker 3: park where I feel like I might get mucked. Most

763
00:36:36,040 --> 00:36:37,919
Speaker 3: of them I throw my weight around and they're like, hey,

764
00:36:38,000 --> 00:36:40,799
Speaker 3: let's respect the forty year old. But at that one,

765
00:36:41,040 --> 00:36:42,200
Speaker 3: I mean thirty.

766
00:36:41,880 --> 00:36:43,440
Speaker 4: Five, you feel like kids don't respect them.

767
00:36:43,640 --> 00:36:45,600
Speaker 3: That one. I feel like they're going to feed me

768
00:36:45,640 --> 00:36:47,360
Speaker 3: the boots or maybe some knife sticking.

769
00:36:47,520 --> 00:36:50,680
Speaker 2: Sure there, when I was I got lost in turned

770
00:36:50,719 --> 00:36:52,600
Speaker 2: near there too, when I went to pick herse up

771
00:36:52,960 --> 00:36:58,600
Speaker 2: and there was four little kids literally two probably two, four, five.

772
00:36:58,400 --> 00:37:00,640
Speaker 3: And seven we say, stacked in a trench coat.

773
00:37:07,600 --> 00:37:11,280
Speaker 2: They were crossing the street by themselves, not holding hands.

774
00:37:11,320 --> 00:37:13,040
Speaker 2: And it was one of the most upsetting things I've

775
00:37:13,040 --> 00:37:15,480
Speaker 2: seen no lately, because when's the lasson you've seen a

776
00:37:15,520 --> 00:37:18,000
Speaker 2: little kid alone crossing a city street, just.

777
00:37:18,920 --> 00:37:21,880
Speaker 3: Re enacting that perfect silhouetted sign that you see at

778
00:37:21,880 --> 00:37:22,320
Speaker 3: the border.

779
00:37:22,520 --> 00:37:25,240
Speaker 1: Yes, but they weren't that, they weren't Mexican.

780
00:37:25,400 --> 00:37:28,040
Speaker 3: I'm sorry I mentioned the border, but you mentioned mex

781
00:37:30,640 --> 00:37:35,920
Speaker 3: border up here, all right, the right, Yeah, sorry.

782
00:37:36,960 --> 00:37:38,640
Speaker 2: I don't know why I feel like I don't know

783
00:37:38,640 --> 00:37:41,040
Speaker 2: where I am when I've been here many times.

784
00:37:41,880 --> 00:37:45,160
Speaker 3: And we are, well, we're right here at four fifteen,

785
00:37:45,200 --> 00:37:46,480
Speaker 3: I think everything will.

786
00:37:46,800 --> 00:37:49,200
Speaker 4: I think this is a great time to show up, Karen.

787
00:37:49,239 --> 00:37:52,960
Speaker 3: This is where Jordan and I both just leave. Great

788
00:37:53,160 --> 00:37:55,960
Speaker 3: you and I mean it's not great, it's terrible.

789
00:37:56,200 --> 00:37:57,880
Speaker 1: Well, I'm very independent.

790
00:37:57,960 --> 00:37:59,800
Speaker 3: We were just I mean, that was a short episode

791
00:37:59,840 --> 00:38:02,200
Speaker 3: I can tell. I just want to say right now,

792
00:38:02,239 --> 00:38:03,600
Speaker 3: I know it's not done yet. Now I want to

793
00:38:03,680 --> 00:38:06,319
Speaker 3: drink it. But one of our best I think, I.

794
00:38:06,320 --> 00:38:09,480
Speaker 4: Mean, yeah, we got in goofed.

795
00:38:09,239 --> 00:38:11,640
Speaker 3: On Fast and Furious, which is all we needed to do.

796
00:38:11,680 --> 00:38:13,240
Speaker 6: All Simon death hoaks and they were.

797
00:38:13,120 --> 00:38:18,360
Speaker 1: Out what a song. We did coversation, several songs. This

798
00:38:18,440 --> 00:38:19,800
Speaker 1: has been a giving and listening.

799
00:38:19,920 --> 00:38:20,200
Speaker 4: Sure.

800
00:38:21,000 --> 00:38:23,879
Speaker 3: Yeah, I heard that. I heard him and I had

801
00:38:23,880 --> 00:38:26,359
Speaker 3: a comment afterwards and I knew you guys did here.

802
00:38:26,880 --> 00:38:28,120
Speaker 4: I think this has been a lot of fun.

803
00:38:28,200 --> 00:38:28,839
Speaker 3: Thank you. Jordan.

804
00:38:29,880 --> 00:38:33,480
Speaker 6: Yeah, hey, we've got a podcast called Jordan jesse Go.

805
00:38:33,640 --> 00:38:36,440
Speaker 6: It's at Maximum Fun dot org and at midnight is

806
00:38:36,920 --> 00:38:39,040
Speaker 6: midnight's Monday through Thursday on Comedy Central.

807
00:38:39,080 --> 00:38:40,279
Speaker 4: I write for it and it's a hoot.

808
00:38:40,680 --> 00:38:41,879
Speaker 6: Yay, yay, yay.

809
00:38:42,320 --> 00:38:44,799
Speaker 3: Jordan and I are going to go upstairs now and

810
00:38:45,040 --> 00:38:47,480
Speaker 3: do an episode of Jordan jesse Go, which if you

811
00:38:47,640 --> 00:38:50,160
Speaker 3: listen to them back to back you will see probably

812
00:38:50,800 --> 00:38:51,200
Speaker 3: that they.

813
00:38:51,120 --> 00:38:53,480
Speaker 6: Take place in the same universe, some sort of continuity.

814
00:38:53,560 --> 00:38:55,600
Speaker 1: Yes, yes, who is Doubt and who is.

815
00:38:58,800 --> 00:38:58,920
Speaker 6: Now?

816
00:38:59,040 --> 00:38:59,960
Speaker 4: This is a podcast?

817
00:39:00,120 --> 00:39:05,520
Speaker 6: Is the Oscar nominated Doubt that our podcast is the

818
00:39:05,560 --> 00:39:06,360
Speaker 6: Born Identity.

819
00:39:06,800 --> 00:39:08,520
Speaker 4: We're going to do a third podcast where we just

820
00:39:08,600 --> 00:39:09,359
Speaker 4: kick each other in the.

821
00:39:09,360 --> 00:39:12,160
Speaker 1: Nuts altogether, the four of us.

822
00:39:12,239 --> 00:39:16,360
Speaker 2: Yeah, yes, yeah, yeah, perfect.

823
00:39:14,920 --> 00:39:17,359
Speaker 4: Yeah, yeah, just attached some nuts and then we'll kick them.

824
00:39:17,440 --> 00:39:18,520
Speaker 1: I just need like eight months.

825
00:39:18,600 --> 00:39:19,960
Speaker 4: Yeah, he'll be fine perfect.

826
00:39:21,120 --> 00:39:24,480
Speaker 3: Oh that was Uh why did I say that? You've

827
00:39:24,520 --> 00:39:26,960
Speaker 3: been listening to Do You Need a Ride? D y

828
00:39:27,040 --> 00:39:27,800
Speaker 3: n A r