1 00:00:01,280 --> 00:00:04,320 Speaker 1: Welcome to Stuff you missed in History Class A production 2 00:00:04,360 --> 00:00:14,480 Speaker 1: of I Heart Radio, Hello and Happy Friday. I'm Holly Fry. 3 00:00:14,840 --> 00:00:17,919 Speaker 1: I'm Tracy v Wilson. Tracy. We got to talk about 4 00:00:18,000 --> 00:00:21,320 Speaker 1: Todd Browning all week. We did, and for some reason, 5 00:00:22,040 --> 00:00:26,080 Speaker 1: there's no commonality except for the name Todd. You're writing 6 00:00:26,120 --> 00:00:28,280 Speaker 1: a thing about Todd Browning just made me think about 7 00:00:28,360 --> 00:00:34,920 Speaker 1: Lord Todd Wadley from the Joe car Stairs episode. It 8 00:00:34,960 --> 00:00:39,400 Speaker 1: has nothing to do with this, no, nothing, Although I 9 00:00:39,440 --> 00:00:43,040 Speaker 1: could see Todd Browning making a movie about Lord Todd Wadley, 10 00:00:43,080 --> 00:00:47,040 Speaker 1: if if that timing had worked out right, and especially 11 00:00:47,080 --> 00:00:50,720 Speaker 1: if Lord Todd Wadley was murdering people right. For those 12 00:00:50,760 --> 00:00:54,920 Speaker 1: of you who don't recalled our Joe Carstairs episodes, Joe 13 00:00:55,160 --> 00:01:02,680 Speaker 1: had like a ventriloquis doll who was essentially a best friend, 14 00:01:02,840 --> 00:01:06,520 Speaker 1: sort of a mascot kind of character, which is inherently 15 00:01:06,640 --> 00:01:10,000 Speaker 1: some people are afraid of ventriloquist dolls. I have my 16 00:01:10,040 --> 00:01:13,000 Speaker 1: own issues there. I have wanted to do Todd Browning 17 00:01:13,000 --> 00:01:17,240 Speaker 1: for a long time, and he is difficult because there's 18 00:01:17,240 --> 00:01:20,520 Speaker 1: some really yucky stuff in his life. There's a lot 19 00:01:20,760 --> 00:01:24,440 Speaker 1: I love his films. I mean Dracula obviously, Like, how 20 00:01:24,480 --> 00:01:26,480 Speaker 1: many ways have I found to talk about Dracula on 21 00:01:26,480 --> 00:01:29,480 Speaker 1: the show, right, We have talked about Meila Legosi, we 22 00:01:29,520 --> 00:01:32,399 Speaker 1: have talked about Bram Stoker, we have talked about bit 23 00:01:32,440 --> 00:01:37,280 Speaker 1: players on it. It's just, for me, extraordinarily beautiful and cool. 24 00:01:37,360 --> 00:01:41,360 Speaker 1: And I love how complex the making of that film 25 00:01:41,480 --> 00:01:45,920 Speaker 1: was in terms of the um Stoker estate, etcetera. And 26 00:01:45,959 --> 00:01:47,800 Speaker 1: I love how beautiful it is. I think it's such 27 00:01:47,840 --> 00:01:51,960 Speaker 1: an extraordinarily beautiful film um and I also have long 28 00:01:52,080 --> 00:01:56,560 Speaker 1: loved Freaks, and I have been really pleased in recent 29 00:01:56,640 --> 00:01:59,160 Speaker 1: years with how much discussion has gone on around it, 30 00:01:59,760 --> 00:02:02,560 Speaker 1: including finally, you know, for a long time, there really 31 00:02:02,640 --> 00:02:06,000 Speaker 1: was not much commentary on the film in film school 32 00:02:06,120 --> 00:02:09,120 Speaker 1: kind of scenarios from the disability community that was easily 33 00:02:09,160 --> 00:02:12,720 Speaker 1: accessible for people. I'm sure there were always people having 34 00:02:12,720 --> 00:02:15,799 Speaker 1: those discussions, but in terms of like what people could 35 00:02:15,840 --> 00:02:18,160 Speaker 1: look up and really like read articles about it that 36 00:02:18,240 --> 00:02:22,200 Speaker 1: were written by people who had that unique point of 37 00:02:22,280 --> 00:02:25,200 Speaker 1: view for it much harder to come by. So that's 38 00:02:25,200 --> 00:02:27,880 Speaker 1: been really interesting, and I think that's the beauty of 39 00:02:27,919 --> 00:02:31,680 Speaker 1: it is that there's no simple answer, there's no simple takeaway, right, 40 00:02:32,480 --> 00:02:34,760 Speaker 1: there are cases to be made both that it was 41 00:02:34,800 --> 00:02:38,200 Speaker 1: exploitive and that it was you know, pretty groundbreaking in 42 00:02:38,280 --> 00:02:41,720 Speaker 1: terms of representation. Kind of can sometimes fall into that 43 00:02:41,760 --> 00:02:47,360 Speaker 1: bucket of meant well but had some problems. Although you know, 44 00:02:47,400 --> 00:02:50,120 Speaker 1: there were certainly performers that were in that movie that 45 00:02:50,240 --> 00:02:52,880 Speaker 1: wanted to work with Browning again, and it had discussions 46 00:02:52,919 --> 00:02:56,079 Speaker 1: about future films they could collaborate on, even though this 47 00:02:56,240 --> 00:02:59,320 Speaker 1: didn't come to fruition. Probably if it had been more 48 00:02:59,320 --> 00:03:02,919 Speaker 1: successful or would have been more Yeah, but as we mentioned, 49 00:03:03,400 --> 00:03:07,320 Speaker 1: the world was not ready for Freaks. Well, and it's 50 00:03:07,360 --> 00:03:11,600 Speaker 1: it's uh, it's a trajectory that exists for a lot 51 00:03:11,639 --> 00:03:17,120 Speaker 1: of different films that are showing a group that has 52 00:03:17,160 --> 00:03:21,800 Speaker 1: not historically been represented a lot in film, Right, this 53 00:03:22,120 --> 00:03:25,320 Speaker 1: sort of arc going from like, this is the first 54 00:03:25,560 --> 00:03:28,600 Speaker 1: time this community was really depicted in this way in films, 55 00:03:29,000 --> 00:03:32,720 Speaker 1: and then years or in generation later, people within that 56 00:03:32,800 --> 00:03:36,120 Speaker 1: same communities that like sort of revisiting and saying, here's 57 00:03:36,160 --> 00:03:40,240 Speaker 1: how this reflects today, and like here's how representation has 58 00:03:40,280 --> 00:03:44,200 Speaker 1: evolved in films since then, and and that kind of thing. Yeah, 59 00:03:44,240 --> 00:03:46,880 Speaker 1: it is really interesting to read sort of the snippets 60 00:03:46,880 --> 00:03:50,080 Speaker 1: of interviews of people that worked on that movie and 61 00:03:50,200 --> 00:03:54,560 Speaker 1: their perception of Browning's relationship with the cast, And like 62 00:03:54,600 --> 00:03:56,800 Speaker 1: I mentioned that most of the crew members were like, 63 00:03:56,880 --> 00:03:59,320 Speaker 1: he did not treat us well during that but he 64 00:03:59,400 --> 00:04:02,720 Speaker 1: sure was kind to them, and he did seem I mean, 65 00:04:02,760 --> 00:04:05,800 Speaker 1: based on on sort of pattern recognition of looking at 66 00:04:05,840 --> 00:04:10,120 Speaker 1: a lot of those blurbs and interview quotes, he did 67 00:04:10,160 --> 00:04:12,480 Speaker 1: seem like he wanted to spend more time with that 68 00:04:12,560 --> 00:04:15,200 Speaker 1: cast and felt a little more comfortable around them than 69 00:04:15,240 --> 00:04:18,080 Speaker 1: he did with the crew for whatever reason, whether that 70 00:04:18,200 --> 00:04:20,880 Speaker 1: was a reminiscence about his younger years in the circus 71 00:04:21,040 --> 00:04:23,880 Speaker 1: or something else. I mean, there are pictures of him 72 00:04:23,880 --> 00:04:27,000 Speaker 1: on set hugging them and holding them and his wife 73 00:04:27,040 --> 00:04:31,800 Speaker 1: being there, um, and you know it looks very family ish. 74 00:04:32,080 --> 00:04:34,159 Speaker 1: I don't have a clear sense of how much of 75 00:04:34,200 --> 00:04:40,760 Speaker 1: that was staged versus like just a genuine, more you know, 76 00:04:40,880 --> 00:04:45,400 Speaker 1: casual capture of a moment. But it's one of those 77 00:04:45,400 --> 00:04:49,159 Speaker 1: things that also because he frankly lied so much about 78 00:04:49,240 --> 00:04:53,159 Speaker 1: his own feelings, life and motivations that like, we don't 79 00:04:53,240 --> 00:04:57,920 Speaker 1: even have a clear data set to start. Yeah, Well, 80 00:04:57,920 --> 00:05:00,800 Speaker 1: and then it also it raises some questions for me. 81 00:05:02,000 --> 00:05:04,279 Speaker 1: It's it's really hard to tell from a photo a 82 00:05:04,279 --> 00:05:06,960 Speaker 1: lot of times if you were not there to see 83 00:05:07,000 --> 00:05:09,120 Speaker 1: the context in which the photo was taken. But like 84 00:05:09,240 --> 00:05:13,920 Speaker 1: whether his treatment of the cast had like a degree 85 00:05:14,279 --> 00:05:20,120 Speaker 1: of infantilizing them or or being paternalistic or anything like that. Like, 86 00:05:20,160 --> 00:05:23,960 Speaker 1: it's hard to gauge. And the trick there is that 87 00:05:24,000 --> 00:05:26,640 Speaker 1: it seems like it was a very mixed bag, right, 88 00:05:26,760 --> 00:05:28,680 Speaker 1: there are some of those things that I mentioned of 89 00:05:28,760 --> 00:05:32,280 Speaker 1: him talking about in the press that it was very 90 00:05:32,320 --> 00:05:36,960 Speaker 1: anxiety producing for him. Was was because he sometimes did 91 00:05:36,960 --> 00:05:39,240 Speaker 1: talk about them in ways that we're in fantalizing. But 92 00:05:39,440 --> 00:05:42,680 Speaker 1: some members of the cast were his others. He clearly 93 00:05:42,720 --> 00:05:45,400 Speaker 1: had much more of a you know, a report that 94 00:05:45,440 --> 00:05:48,440 Speaker 1: you would associate more with people who considered each other 95 00:05:48,560 --> 00:05:53,320 Speaker 1: equals and everything in between. I think that was probably 96 00:05:53,480 --> 00:05:57,800 Speaker 1: only augmented by members of the cast also kind of 97 00:05:57,839 --> 00:06:03,919 Speaker 1: talking crap about each other sometimes. You know, there were 98 00:06:03,960 --> 00:06:07,400 Speaker 1: certainly some instances where some members of the cast would 99 00:06:07,440 --> 00:06:10,800 Speaker 1: give interviews and talk about how other people on the 100 00:06:10,839 --> 00:06:13,560 Speaker 1: film thought they were going Hollywood and that they were 101 00:06:13,560 --> 00:06:16,400 Speaker 1: going to be famous stars now, and they say that 102 00:06:16,440 --> 00:06:20,520 Speaker 1: in kind of a really dismissive they're very foolish kind 103 00:06:20,520 --> 00:06:24,039 Speaker 1: of way. You see some of those tensions that are referenced, 104 00:06:25,200 --> 00:06:28,880 Speaker 1: they're among them. But uh yeah, in terms of how 105 00:06:28,920 --> 00:06:32,000 Speaker 1: the film actually went, like I said, it seemed to 106 00:06:32,080 --> 00:06:36,000 Speaker 1: be a pretty smooth operation overall. I think because they 107 00:06:36,000 --> 00:06:40,560 Speaker 1: were accounting for the possibilities of unpredictability, which is very 108 00:06:40,680 --> 00:06:45,279 Speaker 1: very Uh it's it's interesting to me that you know 109 00:06:45,360 --> 00:06:51,640 Speaker 1: you can budget accidents. So, um, I had not known 110 00:06:51,720 --> 00:06:56,640 Speaker 1: prior to researching this about his drunk driving accident. That 111 00:06:56,760 --> 00:06:59,600 Speaker 1: was not delightful to read about because some of those descriptions, 112 00:06:59,640 --> 00:07:01,200 Speaker 1: I was like, I don't need to read this. It 113 00:07:01,320 --> 00:07:04,560 Speaker 1: is very gruesome, it's very graphic. It is enough to 114 00:07:04,640 --> 00:07:07,920 Speaker 1: know that, um, you know, elmur Booth lost his life 115 00:07:08,000 --> 00:07:11,840 Speaker 1: very violently and suddenly. Uh. And it is you know, like, 116 00:07:12,200 --> 00:07:14,480 Speaker 1: as we said, Browning never ever talked about it ever, 117 00:07:14,920 --> 00:07:17,160 Speaker 1: so we don't really have any sense of whether he 118 00:07:17,200 --> 00:07:22,120 Speaker 1: did feel personal responsibility over it or not, whether histories 119 00:07:22,440 --> 00:07:26,640 Speaker 1: took any accountability for his actions there. I mean, I 120 00:07:26,680 --> 00:07:30,440 Speaker 1: certainly have my suspicions that and I'm literally basing this 121 00:07:30,480 --> 00:07:33,800 Speaker 1: on no evidence other than my own suspicion. That is 122 00:07:33,920 --> 00:07:38,280 Speaker 1: very possible that someone at the studio worked to make 123 00:07:38,360 --> 00:07:42,760 Speaker 1: that story go away as quickly as possible. Um, it 124 00:07:42,800 --> 00:07:47,240 Speaker 1: would certainly have been in their best interest. Yeah, Todd Browning, 125 00:07:49,840 --> 00:07:52,240 Speaker 1: he was kind of a snazzy dresser at times, though, 126 00:07:52,280 --> 00:07:55,160 Speaker 1: which I enjoyed quite a bit. The least problematic thing 127 00:07:55,200 --> 00:07:59,960 Speaker 1: about him, yay. Yeah. I just I feel like there 128 00:08:00,160 --> 00:08:04,640 Speaker 1: is some event or thing, whether it actually happened or 129 00:08:04,680 --> 00:08:07,000 Speaker 1: he got it in his head that had happened when 130 00:08:07,000 --> 00:08:09,600 Speaker 1: he was quite young, that drove a lot of this behavior. 131 00:08:11,040 --> 00:08:13,600 Speaker 1: It seems like it, right, It's like you're putting together 132 00:08:13,680 --> 00:08:17,800 Speaker 1: a puzzle that has no picture, but based on how 133 00:08:17,880 --> 00:08:23,120 Speaker 1: much he kind of uh seemed to want to distance 134 00:08:23,200 --> 00:08:26,520 Speaker 1: himself from his family and his upbringing in his hometown 135 00:08:27,400 --> 00:08:33,839 Speaker 1: and create an entire other early biography story for himself 136 00:08:33,880 --> 00:08:38,559 Speaker 1: that left out any of the uncomfortable parts. And eventually, 137 00:08:38,800 --> 00:08:42,920 Speaker 1: you know, because he did have an alcohol abuse issue. 138 00:08:43,760 --> 00:08:45,520 Speaker 1: I just feel like there had to have been something 139 00:08:45,520 --> 00:08:48,800 Speaker 1: going on that we probably will never ever know, or 140 00:08:48,880 --> 00:08:54,760 Speaker 1: maybe not. Sometimes people just do things that aren't great. Um, 141 00:08:54,920 --> 00:08:58,280 Speaker 1: So it's hard to Yeah, but I sure will watch 142 00:08:58,360 --> 00:09:01,720 Speaker 1: Dracula a whole bunch of times this season because it's 143 00:09:01,800 --> 00:09:05,440 Speaker 1: beautiful and I love it. I love it, And I 144 00:09:05,480 --> 00:09:09,760 Speaker 1: will probably watch Freaks as well Universal Horror all started 145 00:09:09,760 --> 00:09:13,720 Speaker 1: with Dracula. Hopefully you, if you are listening, are about 146 00:09:13,760 --> 00:09:16,520 Speaker 1: to embark on a fabulous weekend. UH, and I hope 147 00:09:16,559 --> 00:09:18,959 Speaker 1: that means time off where you can watch your favorite films, 148 00:09:18,960 --> 00:09:22,280 Speaker 1: whether those are films made by Todd Browning or someone else. UH. 149 00:09:22,320 --> 00:09:24,560 Speaker 1: If you don't have time off, we hope that everything 150 00:09:24,559 --> 00:09:27,760 Speaker 1: you're having to do goes as smoothly as possible, everyone 151 00:09:27,880 --> 00:09:30,360 Speaker 1: is good to you, and that you stay safe and healthy. 152 00:09:31,040 --> 00:09:32,840 Speaker 1: We will be right back here tomorrow with a classic, 153 00:09:32,920 --> 00:09:35,199 Speaker 1: and then we will see you again on Monday with 154 00:09:35,320 --> 00:09:43,199 Speaker 1: all new content. Stuph you missed in History Class is 155 00:09:43,240 --> 00:09:46,400 Speaker 1: a production of I heart Radio. For more podcasts from 156 00:09:46,440 --> 00:09:49,800 Speaker 1: I heart Radio, visit the I heart Radio app, Apple Podcasts, 157 00:09:49,920 --> 00:09:51,920 Speaker 1: or wherever you listen to your favorite shows