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Speaker 1: Podcast starts. Now, what's up everyone in the world? WHOA

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Speaker 1: you are listening to Stradio Lab. That's right, Welcome George.

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Speaker 1: How are you doing. I'm coming out of the rubble.

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Speaker 1: I have dirt and mud all over my face and

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Speaker 1: naked body. I'm wearing a sort of rag skirt that

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Speaker 1: I fashioned out of the leftovers of human civilization. I

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Speaker 1: am in the last of us and I'm having this.

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Speaker 1: You know, there's a bottle episode and they're gay, and

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Speaker 1: I am walking around and I'm Lara Croft and I'm

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Speaker 1: shooting a zombie. Lots of IP because that's right, we're

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Speaker 1: coming out of We are coming out of a forty

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Speaker 1: minute technical difficulty bonanza, which, honestly, if technology was really

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Speaker 1: where it needs to be, we would have been able

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Speaker 1: to record and release as an episode if we if

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Speaker 1: we and I you know, I've actually thought about this

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Speaker 1: a lot, that we should not talk about our technical

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Speaker 1: difficulties because it's sort of like one of those things

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Speaker 1: that's like talking about your dreams, like no one actually

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Speaker 1: wants to hear it, but you think it's interesting. But

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Speaker 1: despite that, I think this one is so major that

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Speaker 1: to not address it would be a journalistic malpractice. Yeah,

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Speaker 1: I mean just the fact, like I actually think forty

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Speaker 1: minutes of technical difficulties is like up there with like

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Speaker 1: the longest running technical difficulties someone can have. I would

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Speaker 1: say it as the longest n event of any kind

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Speaker 1: can possibly be as forty minutes. I mean, honestly, if

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Speaker 1: I saw a play was titled forty minutes of Technical Difficulties,

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Speaker 1: I'd be like, I want to see that play. Like

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Speaker 1: it's such a significant amount of time that you're like,

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Speaker 1: there must be some human truth that is uncovered within

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Speaker 1: this forty minutes. It's like, yes, it's about typical difficulties,

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Speaker 1: but it's about humanity, of course, I mean one hundred percent.

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Speaker 1: I do wonder if it's one of those things where

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Speaker 1: you know, everyone thinks they can make a play about

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Speaker 1: a dinner party gone wrong, and they're like, oh my god,

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Speaker 1: genius idea dinner party gone wrong, and then most of

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Speaker 1: them are actually bad, And I wonder if you know

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Speaker 1: it's the sort of sort of narcissistic tendency when you're

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Speaker 1: in the midst of forty minutes of technical difficulties, you're like,

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Speaker 1: this is about humanity, this is about chosen family, this

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Speaker 1: is about queer life. This is about it's about trauma, trauma, neoliberalism,

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Speaker 1: the Obiden era. But yeah, but yeah, when you see

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Speaker 1: other people having technical difficulties forty minutes or sort of

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Speaker 1: like can you pick up the pace? Yeah? Yeah, what's

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Speaker 1: this about, mama? I think you're being up a really

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Speaker 1: interesting point, which is that, like, actually, plays about dinner

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Speaker 1: parties are so good when they are good, and obviously

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Speaker 1: they're bad so often. But it's so unfair that if

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Speaker 1: I tomorrow were to be like, I actually have this

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Speaker 1: amazing new idea. Yeah, it's about a dinner party, and

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Speaker 1: people would people would judge me. People would say, oh,

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Speaker 1: like all those other bad ones, and I'd say, no,

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Speaker 1: like one of the good ones. Actually, yeah, And it's

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Speaker 1: so unfair that people assume you're writing the bad version

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Speaker 1: of the thing and don't assume, oh, you're gonna do

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Speaker 1: like one of the good ones. Well, you know what

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Speaker 1: you have to say when you go into that meeting,

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Speaker 1: people are gonna you know, it's a dinner party, but

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Speaker 1: it's about class differences, and then people are gonna throw

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Speaker 1: up from being excited. It's about class differences. And oh,

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Speaker 1: of course we address race. Needless to say, we address race.

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Speaker 1: I thought it was my role to address race. It's

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Speaker 1: an all white cast, but it's about white guilt. So

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Speaker 1: in that sense, it is about race. Yeah, because I

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Speaker 1: want to address race, but I want to stay in

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Speaker 1: my lane. So it's about white guilt. Yeah, I mean

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Speaker 1: we're addressing race, We're not like, we're not like delving

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Speaker 1: deep into it where it is being addressed. Oh you

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Speaker 1: think white isn't race, Well, that's actually racist. Oh that's

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Speaker 1: actually racist. Oh so you think white's not a ray

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Speaker 1: use that's that's actually so racist to think white is

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Speaker 1: the default and is not raced and class When you

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Speaker 1: realize that white is raced and classed, that means that

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Speaker 1: an all white play is political. It is radical. It

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Speaker 1: is pure satire, raw uncut satire, could not be tamed satire.

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Speaker 1: And then is saying something very fucking true. Oh my god,

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Speaker 1: I am honestly like, I feel it's funny to be

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Speaker 1: like doing the opening thing right now, because we've literally

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Speaker 1: been doing quote unquote the opening thing for forty four minutes,

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Speaker 1: and so I have aged my hair. I actually got

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Speaker 1: a haircut right before this, but now I need another

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Speaker 1: haircut because of how long my hair has grown, Yeah,

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Speaker 1: you're looking very like Gandolfie at this point, like it's

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Speaker 1: all gotten. Yeah, it's actually, it's been so long since

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Speaker 1: I've eaten. It's been so long since I've eaten that

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Speaker 1: people are like, what's your secret? Yeah, you're gaunt, you're snatched.

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Speaker 1: People are like a Ciano's empic. No, actually, I just

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Speaker 1: have been having technical difficulties for forty minutes. Yeah, you know,

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Speaker 1: I hear a lot of celebrities are actually like having

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Speaker 1: technical difficulties for over forty minutes in order to ye

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Speaker 1: it's actually having technical difficulties. Is like the euphemism in

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Speaker 1: celebrity circles when someone like loses a mysterious amount of weight.

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Speaker 1: They're like, oh my god, what is wrong with her? Well,

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Speaker 1: she was recording a podcast and the mic would not work.

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Speaker 1: Apparently there's forty minutes, and it's like, oh, well, that

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Speaker 1: explains why she looks so good. Forty minutes and she

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Speaker 1: didn't have access the fridge was in the other room,

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Speaker 1: and she didn't want to unplug the headphone, so she

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Speaker 1: didn't eat for forty minutes. Oh wow, God, I sort

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Speaker 1: of think that we can get this dinner party started.

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Speaker 1: In my opinion, I agree too, because it's, um, what

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Speaker 1: do you think? Yeah, well, it's chosen family. It's uh,

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Speaker 1: it's family only it's all white. It's all white. So

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Speaker 1: in that sense, it's about racing class. So yeah, I

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Speaker 1: think we should definitely start this commentary off on the

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Speaker 1: right foot. Yeah, exactly. So give it up for Aaron Jackson. Hi, Aaron,

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Speaker 1: how did that make you feel? I feel good. You know,

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Speaker 1: the openings are always really hard because you want to

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Speaker 1: jump in with some three points from the from the

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Speaker 1: midpoint of court. Yeah, three pointers, but you can't. You

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Speaker 1: just have to let that wash over you. Yeah. But

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Speaker 1: I had a lot of I was a big part

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Speaker 1: of the technical difficulties was was me. I was a

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Speaker 1: lot of the journey of it. Well you know, in fact,

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Speaker 1: it wasn't one hundred. Well know George, it's starting with George.

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Speaker 1: So this is what happened, is I The first ten minutes,

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Speaker 1: the first ten minutes were me, and I felt so

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Speaker 1: guilty because I was like, oh my god, they are

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Speaker 1: in that zoom and my zoom kept crashing. They're in

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Speaker 1: the zoom, They're waiting for me, and I am being annoying.

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Speaker 1: Aaron has a hard out, like I came into it.

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Speaker 1: As we've learned, he came into our inner party and

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Speaker 1: I'm short. You know, It's like when you entered inner

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Speaker 1: party and the host is still sort of wearing slippers

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Speaker 1: in the kitchen, and you're like, right, right, I did

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Speaker 1: come twenty minutes late to avoid this. But and then

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Speaker 1: when I finally did enter the zoom, I realized, oh,

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Speaker 1: my little zoom thing was a side show for the

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Speaker 1: main event I wish was Aaron's mic, not work. George

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Speaker 1: was coming in, you know, whenever he'd you know, the

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Speaker 1: satellite would choose to let him in to talk to us,

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Speaker 1: and he'd be frantic and sweating, and the whole time

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Speaker 1: I was telling Sam like, don't worry, I will have

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Speaker 1: a huge problem. I always do. And it turned out

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Speaker 1: to be true. Well, and I was okay, that's okay,

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Speaker 1: and I was like, oh my god, Aaron is being

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Speaker 1: so humble, like, you know, one of the most prolific

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Speaker 1: artists of our generation. And I was like, he is

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Speaker 1: just like trying to make us comfortable, and he's like, yeah,

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Speaker 1: my tech always misses up. I thought it was like

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Speaker 1: wink wink, and then it was like, oh, no, you're

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Speaker 1: not kidding. Like your tech really does fuck and like

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Speaker 1: going to Google and looking for the answers and Google's like,

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Speaker 1: I don't know. A girl, well, well you also did

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Speaker 1: this thing. You did this thing which is very sort

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Speaker 1: of astrology adjacent, which as you were like, you know,

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Speaker 1: I'm one of those girls who always I take my

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Speaker 1: laptop to the Apple Store and they say, we've never

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Speaker 1: seen this before. I that's me. I'm always the one

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Speaker 1: where something doesn't work. I'm like like you're like, I

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Speaker 1: don't know, is that is that a personality trait? Like

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Speaker 1: can that be something that comes from within? I don't know,

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Speaker 1: And maybe it's self fulfilling, but like you know, we're

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Speaker 1: trying to go through it. It's like pulled on this thing.

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Speaker 1: It doesn't even say what it's supposed to say. It

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Speaker 1: doesn't be the thing. No, there were things that were

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Speaker 1: I would say, it's crazy. It's my lived experience. It's yeah,

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Speaker 1: I mean it is sort of a version of it's

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Speaker 1: a tech version of Munchausen. Yeah, you sort of will

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Speaker 1: it into existence. You think you think you're like I'm

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Speaker 1: sick and the doctor's like you're not, sweetheart, and you're like, okay,

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Speaker 1: well then why do I have like a third ear

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Speaker 1: growing up the Munchausen when they like keep you sick

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Speaker 1: to know that is Munchausen by proxy, got it? Yeah,

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Speaker 1: so Munchausen by proxy is like I have a daughter

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Speaker 1: and I lie to everyone about her being sick. Yeah. Yeah,

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Speaker 1: and you're like, gently, it's sixth sense where like she's

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Speaker 1: poisoning her. I mean that was that was murder, but like, yeah, wait,

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Speaker 1: sixth sense is not about that. Oh wait, there's one

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Speaker 1: long section where he's like learning to how to deal

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Speaker 1: with dead people and he goes and helps close their

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Speaker 1: the ghosts unfinished business of course, and it's what's her

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Speaker 1: name from from the oct that's who Haley Joel was helping. Yeah.

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Speaker 1: And then dinner parties. They just wanted to say. I

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Speaker 1: wanted to bring up the play of august O Sage County.

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Speaker 1: There's a really good dinner party scene in that. Yes, absolutely,

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Speaker 1: the whole thing is a dinner party scene, right, well, no,

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Speaker 1: not the whole thing. It's yeah, I would say it's

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Speaker 1: actually about family, not about a dinner party and a

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Speaker 1: dinner party. It's just like within the family there is

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Speaker 1: a dinner I think also every play is like about

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Speaker 1: family and that's the same thing. Like, I'm about to

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Speaker 1: write a play and guess what about family and the

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Speaker 1: dynamic is complicated. The dynamic is complicated. You better believe

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Speaker 1: one of them that escaped to an urban center is

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Speaker 1: going back to the finamal at home they got thoughts.

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Speaker 1: I guess those Age County is one of those plays that,

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Speaker 1: although it's of course a classic modern classic, contemporary classic,

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Speaker 1: all I can think of is Merrill in the trailer

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Speaker 1: YEA for the film adaptation and Julia Ray I didn't

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Speaker 1: even see the movie, but them in those wigs is

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Speaker 1: very like seared into my mind as well. I mean

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Speaker 1: it really is. It's like, um, it's Meryl being like

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Speaker 1: he I never want mother. It's sort of her her

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Speaker 1: big little live Season two acting where they're like, just

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Speaker 1: go for it, Meryl, just go They sort of I'm

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Speaker 1: sorry to I'm sorry to say. They sort of stopped

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Speaker 1: directing Meryl around two thousand and seven. Yeah. Yeah, it's

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Speaker 1: she's getting carte blanche. Yeah, Meryl unleashed. Um. Yeah, and

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Speaker 1: actually carte Blanche is also the name of my all

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Speaker 1: white dinner party play A La carte blanche, A la

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Speaker 1: carte blanche. Oh wow, wow, well, my technical difficulty was

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Speaker 1: that my upstairs neighbor kind of throwback started playing guitar

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Speaker 1: really loud, and while you guys were sort of riffing

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Speaker 1: it up to text him, you have your number at

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Speaker 1: this point, Sam, Yet that is the least of our worries. Yeah, honey, honey, honey.

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Speaker 1: At least that'll give us a soundtrack? What would I give?

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Speaker 1: What would I give? What would I give? Um? What

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Speaker 1: would I welcome to? What would I give? Then you

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Speaker 1: game show? I'm like, okay, snel is calling right now.

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Speaker 1: They're like, can we have that quaking? I'm putting it

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Speaker 1: in my packet. Hold on, write that down, write that down. Okay.

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Speaker 1: So I have a story, which is that my dad

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Speaker 1: made the craziest joke. Okay, okay, I'm listening. Do you

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Speaker 1: want to hear it? But yeah, we have to now okay, Okay.

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Speaker 1: I was sort of I was sort of planning on

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Speaker 1: leading with this, and then we got carried away. So

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Speaker 1: I was we were talking in the family chat and

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Speaker 1: I said, and a friend of mine from high school

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Speaker 1: she's marrying someone. She's engaged, she has a fiance. And

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Speaker 1: my dad was like, what does he do? And then

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Speaker 1: my mom was like, he works at the grocery store,

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Speaker 1: and my dad was like, what does he do at

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Speaker 1: the groceriestorem? My mom was like, I don't know, stock shelves.

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Speaker 1: So then my dad goes, so, would you say he's

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Speaker 1: shelf employed? Oh my, oh my god, that's genius. And

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Speaker 1: I was like, that's that is the funniest thing I've

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Speaker 1: literally ever heard. That's like from the joke, like one

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Speaker 1: that wasn't one jokes literally and also talk about commentary

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Speaker 1: on class like to sort of turn that on its head.

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Speaker 1: He works at the grocery store of stocking shelves. Oh

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Speaker 1: so he's shelf employed something that, you know, a sort

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Speaker 1: of a rich entrepreneurial. That's an amazing thing to say.

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Speaker 1: I'm like, okay, he retired. How do you have time

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Speaker 1: to think of these kind of clever quips? He is?

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Speaker 1: He's actually a really, he's actually, um, Adam Sandler, he's

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Speaker 1: a really. That's awesome. That's awesome. Yeah, I'm I'm one

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Speaker 1: of the classic NEPO babies. Well that must be like

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Speaker 1: really hard your dad making really incredible jokes. I bet

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Speaker 1: that's a lot of pressure on you. Oh my god,

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Speaker 1: can I actually tell you something? So I, as Sam knows,

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Speaker 1: I did a show recently where I it was a small,

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Speaker 1: sparsely attended show I did not do especially well. It

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Speaker 1: was one of those down to back to earth moments

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Speaker 1: where you're like, well, you know, day to day, day

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Speaker 1: to day. Of course, I think of myself as one

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Speaker 1: of the top celebrities globally, yes, but then often you know,

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Speaker 1: you'll do one of these small shows and you'll it'll

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Speaker 1: bring you right back to early days, as they say

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Speaker 1: on Love Island. And I was not getting a lot

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Speaker 1: of laughs, and I did something which truly, I mean

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Speaker 1: talk about a sign of desperation is I was just like,

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Speaker 1: I need to say anything, and I this was the

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Speaker 1: day that my dad texted the jokes. I was like,

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Speaker 1: I was like, you know what, here's an idea. I'm

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Speaker 1: gonna do a sort of joke where the bit is

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Speaker 1: that I am upset my dad is funnier than I am. Yeah,

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Speaker 1: and so I'm going to tell this story about the

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Speaker 1: joke my dad told. I tell that joke the way

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Speaker 1: it gets the only laugh of my set. Wowow he

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Speaker 1: was he really he ate. Cannot be overstated, he really

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Speaker 1: he ate And I did attribute it to him. So

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Speaker 1: I you know, you can't say that I stole jokes

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Speaker 1: like some people we know, yeah right, yeah. And then

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Speaker 1: after the show, some came up to me and was

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Speaker 1: like literally just talking to me about how good my

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Speaker 1: dad's joke was. She was just like, you know what,

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Speaker 1: I loved about your dad's joke, like x y Z,

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Speaker 1: and then she didn't say anything about the rest of

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Speaker 1: my sef Wow, wow bring being brought down to earth

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Speaker 1: like that is cruel. I actually think when you have

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Speaker 1: a successful podcast, and yeah, we have a successful podcast,

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Speaker 1: we heart I mean there's no way around it completely.

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Speaker 1: I think you should never be allowed to do a

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Speaker 1: bad show ever again. Actually, yeah, you know it's so

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Speaker 1: weird when it's a bomb, it's like what's going on?

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Speaker 1: It's like I speak with authority constantly, like I don't

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Speaker 1: think this fits in with my narrative. Yeah, Like a

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Speaker 1: lot of times, if it is like what are those

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Speaker 1: sparsely attended and you know you're in like a very

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Speaker 1: bad room, like the room is actually like a pinball

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Speaker 1: arcade or something, you're like nobody could kill like that.

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Speaker 1: This of course I'm bombing. But when it's just like

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Speaker 1: good old fashioned a theater and you're right on there

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Speaker 1: and you're like, okay, well this something's up. I don't

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Speaker 1: bomb anymore. But then the other thing, yes, no, no, no,

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Speaker 1: of course, And I have so much to say about this.

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Speaker 1: I wonder if talking about stand up is if our

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Speaker 1: listeners it's class it's class. It's classics, of course, because

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Speaker 1: not everyone is a comedian aka wealthy. So. But but

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Speaker 1: what I wanted to say is, um, the other thing

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Speaker 1: with you know, doing one of these shows that is

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Speaker 1: in one of those rooms, which, as you say, is

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Speaker 1: like impossible. You're like, there's no way anyone who's gonna

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Speaker 1: do well. I have just seen three people in a

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Speaker 1: row do poorly. And by the way, this is no

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Speaker 1: longer about the specifics of this show. If anyone's listening,

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Speaker 1: I love the two people that hosted, it is not

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Speaker 1: about them. It's just a general and what a beautiful

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Speaker 1: and what a beautiful room that was. And I'm actually

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Speaker 1: getting married there tomorrow and everyone's invited, and yeah, just

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Speaker 1: add to that the people that come that show. I

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Speaker 1: just want to say thank you. Yes, no one thinks hosts,

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Speaker 1: and I want to say, from the bottom of my heart,

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Speaker 1: thank you, thank you for having me. Um. I look

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Speaker 1: forward to potentially getting Venmode for the money that they

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Speaker 1: raised be a bucket. So basically my point is sometimes

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Speaker 1: you'll do one of these shows and it'll be like,

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Speaker 1: first after person bombing, you're like, all right, I just

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Speaker 1: have to basically put in my time. I know I'm

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Speaker 1: gonna go up there, I know I'm gonna bomb, but

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Speaker 1: I'm gonna do it like a champ. I'm not gonna

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Speaker 1: be annoying on stage and be like, wow, you guys

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Speaker 1: really hate me. I'm not gonna do that. I'm just

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Speaker 1: gonna do my set and leave. But then what happens

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Speaker 1: sometimes is suddenly someone goes up and actually does do well,

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Speaker 1: and then that's the and then you're like, oh, I

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Speaker 1: see that's a pro like this is and that's when

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Speaker 1: you brainwatch it. You gaslight yourself into thinking, actually, what

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Speaker 1: comedy is quote unquote all about is killing in bad rooms. No,

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Speaker 1: oh wow, that's so I'm about There was actually that's

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Speaker 1: a different scale. There was a period of my life

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Speaker 1: where I was the person that was good in those

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Speaker 1: rooms and it was like not a proud moment because

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Speaker 1: it was like I was like training myself only for

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Speaker 1: those rooms, and it was like you need to stop. Yes,

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Speaker 1: And can I tell you something Sam, Like you need

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Speaker 1: to think a little bit bigger. Imagine the room is

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Speaker 1: half full, Like let's let's try to imagine a better world.

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Speaker 1: Because then I would do like crowded shows and I

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Speaker 1: would bomb because I wouldn't know how to like speak

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Speaker 1: more general like to the audience. I would literally point

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Speaker 1: two people. You need like awkward turtle vibes. You needed cricket.

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Speaker 1: I needed literally awkward turtle vibes to succeed, and I

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Speaker 1: needed like for everyone else to be failing for me

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Speaker 1: to come up and crush. And then it was like yeah,

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Speaker 1: no no, no, no, no, no no no no no, I

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Speaker 1: must go forth. I have to go for it. I

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Speaker 1: need three people to fail. Um yeah, oh god, I

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Speaker 1: used to. I used to tour with improv of all things,

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Speaker 1: and you would and like on the same tour, like

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Speaker 1: one night you'd be in a theater that was like

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Speaker 1: eight hundred people sold out, they're all happy to be there.

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Speaker 1: You like absolutely murder destroy and the next day you're

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Speaker 1: truly in a burger restaurant like in front of a

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Speaker 1: hockey game, and everyone is like visibly angry that you're

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Speaker 1: even there. Huh. Yeah, something people don't realize, like the

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Speaker 1: concept of a ambush show. I think the average list

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Speaker 1: might not understand what that means. What that means is

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Speaker 1: that someone starts, quote unquote starts to show a show

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Speaker 1: that has a lineup every week like a stand up

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Speaker 1: commenta show that has a lineup every week that they

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Speaker 1: promote on Instagram or in the olden days, Facebook that

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Speaker 1: they you know, or the paper they send it around

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Speaker 1: to the lip in New York, time out in New York,

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Speaker 1: free and cheap in New York. What's the other one

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Speaker 1: that's like the list or you know what I mean.

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Speaker 1: And so you're you know, let's you're booked on the

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Speaker 1: show your community. You show up, You're like, okay, Like,

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Speaker 1: where's the back room where we're going to do this show, honey.

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Speaker 1: Come to find out there is no back room. It

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Speaker 1: is simply a bar where people are there on dates,

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Speaker 1: on work, drink events, to having a birthday party, to

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Speaker 1: have fun, having a drink by them show. And the

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Speaker 1: premise is simply that the show just starts. It's a nightmare. Yeah,

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Speaker 1: and it is a double sort of mental illness of

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Speaker 1: a everyone loses, everyone loses a thinking it's okay to

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Speaker 1: do that. I'm talking now as the persons starting a

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Speaker 1: thinking it's okay to do that and be actually treating

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Speaker 1: the patrons like they're heckling you and being like, can

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Speaker 1: you guys be quiet? There's a show going on, and

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Speaker 1: they're like, I'm just at a bar. I'm just at

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Speaker 1: a bar. I feel that way. You know. You know

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Speaker 1: what community has this illness in States is the drag community.

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Speaker 1: Oh at a gay bar, and then like suddenly you're

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Speaker 1: a drag show and the queen of course wants you

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Speaker 1: to watch the show, but you're like, I am so

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Speaker 1: not in the mood to watch a show. Yeah, I

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Speaker 1: love drag honey every night of the week, but there

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Speaker 1: are sometimes you're just wanting to have a drink and

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Speaker 1: talk with your friends and you're like, fuck, we're in

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Speaker 1: a drag show. And then they are they are mad

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Speaker 1: at you. You are like now forced, it's like let's leave. Yeah,

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Speaker 1: that that community has that illness. Yes, the queen, while

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Speaker 1: performing will be giving you a dirty look while also

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Speaker 1: just being like and I am telling me ask you.

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Speaker 1: They also have a thing where like even if you're

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Speaker 1: there to watch the show, if you get up to

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Speaker 1: piss that a queen must be like, oh hey going

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Speaker 1: oh to tuck a Cock's like I'm like, I'm coming back,

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Speaker 1: this is a ninety minute show. I'm drinking alcohol. I

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Speaker 1: have to be Yeah. Much like stand up, it's also

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Speaker 1: part of drag cultures, so it's almost like, yeah, you

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Speaker 1: have to be okay with it because of course a

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Speaker 1: queen is going to be a little bitchy and and

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Speaker 1: of course a comedian is going to be is going

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Speaker 1: to shut down a heckler. One time, I literally go

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Speaker 1: viral doing it, of course for the likes well. I

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Speaker 1: one time literally went into a famed gay bar, Metropolitan,

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Speaker 1: and it was like a Wednesday evening and there was

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Speaker 1: like an experimental drag show happening, and I see it's

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Speaker 1: like pretty well attended and people are paying attention, and

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Speaker 1: so I'm like meeting someone in the backyard and I

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Speaker 1: was like, okay, well, I'm just gonna rush through this

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Speaker 1: and like try not to make a scene and like

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Speaker 1: let the show go on. And of course I'm like

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Speaker 1: speed walking through trying to make as little waves as possible,

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Speaker 1: and the queen starts like chasing me and doing like

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Speaker 1: a like like thing with her hands on a cross nails.

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Speaker 1: Literally is like making fun, making fun of me walking quickly,

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Speaker 1: and it's like, oh my god, like I'm actively trying

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Speaker 1: to be respectful. I'm just meeting someone for a drink.

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Speaker 1: Like performer's part of your tribe, baby, I'm part of

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Speaker 1: your tribe, and I could fucking lift you up with

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Speaker 1: one retweet. I swear to God, I could change your

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Speaker 1: life with a single quote tweet and you are disrespecting me.

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Speaker 1: I'll never share your story. No that no, that mis

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Speaker 1: legend that I could change your life. Say. The tension

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Speaker 1: between an LGBT performer and an LGBT audience member can

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Speaker 1: be cut with a butter knife because basically every every

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Speaker 1: audience member is like it should be me up there,

422
00:23:36,880 --> 00:23:40,800
Speaker 1: and every performer is like fuck you to everyone watching.

423
00:23:41,040 --> 00:23:44,160
Speaker 1: Why does no one want to suck me there? Yes, exactly.

424
00:23:44,240 --> 00:23:49,720
Speaker 1: There is no solidarity between audience member and is literally

425
00:23:50,280 --> 00:23:52,960
Speaker 1: you know like gay Bachelor, where it's like they try

426
00:23:52,960 --> 00:23:54,359
Speaker 1: to do gay Bachelor and it's like, well, there's the

427
00:23:54,400 --> 00:23:55,840
Speaker 1: gay guy, and all the gay guys are competing for

428
00:23:55,880 --> 00:23:57,880
Speaker 1: the gay guy. It's like it doesn't work because there's

429
00:23:57,920 --> 00:24:01,080
Speaker 1: no difference, Like the gay guys can just become anyone

430
00:24:01,119 --> 00:24:03,959
Speaker 1: can become the Bachelor by just being horny in that moment.

431
00:24:04,119 --> 00:24:07,040
Speaker 1: They need to do more, like they need to rethink

432
00:24:07,080 --> 00:24:09,640
Speaker 1: that gay Bacher show and do it more like Bachelor

433
00:24:09,680 --> 00:24:11,679
Speaker 1: in Paradise, where it's like you can get voted off

434
00:24:12,040 --> 00:24:14,479
Speaker 1: at all times for like not being in a couple.

435
00:24:14,560 --> 00:24:16,280
Speaker 1: Like that is such a better idea for it, because

436
00:24:16,280 --> 00:24:18,440
Speaker 1: it's like that you cannot just have one guy and

437
00:24:18,560 --> 00:24:20,080
Speaker 1: have a bitch about the guys, be like I don't

438
00:24:20,119 --> 00:24:22,840
Speaker 1: like him, and the person voting anyone off should be

439
00:24:22,840 --> 00:24:25,400
Speaker 1: like Kylie Minogue, Like it has to be. It has

440
00:24:25,400 --> 00:24:31,280
Speaker 1: to be a completely different dn't No. I would love

441
00:24:31,280 --> 00:24:33,919
Speaker 1: it if, like the moment you became unhorny, you got

442
00:24:34,000 --> 00:24:37,640
Speaker 1: kicked off the show. Oh yeah, it was like it's

443
00:24:37,640 --> 00:24:41,480
Speaker 1: like no, no no, no, it's horny Island. You have you like,

444
00:24:41,520 --> 00:24:45,040
Speaker 1: I can't come always get kicked off? Oh my god.

445
00:24:45,080 --> 00:24:49,000
Speaker 1: It's literally called edging island, Oh my god. And it's

446
00:24:49,040 --> 00:24:52,920
Speaker 1: always the last okay, should it be the last person

447
00:24:52,960 --> 00:24:55,880
Speaker 1: who came or the person who hasn't come belongest gets

448
00:24:55,920 --> 00:25:02,240
Speaker 1: voted off? That's really hard. That's really hard because it's like,

449
00:25:02,240 --> 00:25:04,159
Speaker 1: how do you test if they're not horny. They have

450
00:25:04,200 --> 00:25:06,560
Speaker 1: to do challenges to prove their horny, Like they release

451
00:25:06,640 --> 00:25:11,879
Speaker 1: a bunch of wet men to wrestle them, prove that

452
00:25:11,920 --> 00:25:14,359
Speaker 1: you're a horny. Only a horny person would know what

453
00:25:14,440 --> 00:25:19,280
Speaker 1: to do with this. And it's like just an object. Yeah.

454
00:25:19,359 --> 00:25:21,360
Speaker 1: And then it's at the end when they're eliminating them,

455
00:25:21,359 --> 00:25:25,480
Speaker 1: it's like, Braden, you have been soft the whole time. Yeah,

456
00:25:26,480 --> 00:25:28,399
Speaker 1: and he's like, I'm more of a bata take that

457
00:25:28,480 --> 00:25:32,880
Speaker 1: flaccid cock. Back to Indiana, and Braden was a fan favorite.

458
00:25:32,920 --> 00:25:37,760
Speaker 1: That's of course it was because guess what, the audience

459
00:25:37,760 --> 00:25:41,359
Speaker 1: at home doesn't want to sexualize. Yeah, so they liked

460
00:25:41,440 --> 00:25:43,720
Speaker 1: the soft one. Yeah, they like the soft one. So

461
00:25:43,800 --> 00:25:46,760
Speaker 1: they need to be that this show is sex positive

462
00:25:46,800 --> 00:25:52,760
Speaker 1: and horny positive. Yeah, that's sex positive. Okay, well all right,

463
00:25:52,880 --> 00:25:55,399
Speaker 1: well I'm called Hulu. I guess I can't believe we

464
00:25:55,520 --> 00:26:01,080
Speaker 1: like talked Shop. I think it's it's obviously ghost and

465
00:26:01,160 --> 00:26:04,040
Speaker 1: tasteless and shameful and no, but I think it's so

466
00:26:04,080 --> 00:26:08,040
Speaker 1: powerful too. Sometimes actually acknowledge that we are comedians agree

467
00:26:08,240 --> 00:26:13,520
Speaker 1: um one time, Oh my god, even to ourselves. George,

468
00:26:13,600 --> 00:26:16,040
Speaker 1: I don't the coffee is hitting right today. I'm mile

469
00:26:16,080 --> 00:26:20,600
Speaker 1: a minute right now. Um, we were out to drinks

470
00:26:20,680 --> 00:26:24,280
Speaker 1: recently with two dear friends who will be on the

471
00:26:24,560 --> 00:26:26,600
Speaker 1: return to the podcast in like a week or two.

472
00:26:26,640 --> 00:26:30,000
Speaker 1: Oh my god, yes, wait, I know exactly what you're

473
00:26:30,200 --> 00:26:32,879
Speaker 1: And we were out and this girl came up to

474
00:26:33,000 --> 00:26:36,760
Speaker 1: us and she was like, pointed to the two guests

475
00:26:37,040 --> 00:26:39,760
Speaker 1: and was like, oh, you guys are comedians, right, and

476
00:26:39,800 --> 00:26:42,760
Speaker 1: they were like yeah. And then she pointed to us

477
00:26:42,760 --> 00:26:45,480
Speaker 1: and was like and you guys are our podcasters, right,

478
00:26:46,119 --> 00:26:50,359
Speaker 1: And my jaw I literally left and was sad. I

479
00:26:50,440 --> 00:26:53,920
Speaker 1: was like, sad, I just want to say, Sam is

480
00:26:53,960 --> 00:26:57,679
Speaker 1: not exaggerating or ratatorializing. That was worked forward what was

481
00:26:57,720 --> 00:27:01,080
Speaker 1: said and then but then Sam, you you missed the

482
00:27:01,160 --> 00:27:03,000
Speaker 1: final part of that, which is she's like, you guys

483
00:27:03,000 --> 00:27:04,840
Speaker 1: are comedians, right, They're like, yeah, you guys are podcasters.

484
00:27:05,000 --> 00:27:07,160
Speaker 1: Were like yeah, and then she goes, well keep doing

485
00:27:07,200 --> 00:27:10,440
Speaker 1: what you're doing. It was like not. It was at

486
00:27:10,440 --> 00:27:12,960
Speaker 1: no point she wasn't like I think you're funny. Did

487
00:27:13,000 --> 00:27:15,480
Speaker 1: she say like I'm a fan, I love your work,

488
00:27:15,600 --> 00:27:19,119
Speaker 1: or like I've listened to the comedians either did she

489
00:27:19,160 --> 00:27:22,719
Speaker 1: comment or yeah either, No, that's so weird. She just

490
00:27:22,760 --> 00:27:25,040
Speaker 1: wanted us to know that we were being watched. She

491
00:27:25,119 --> 00:27:27,200
Speaker 1: was literally like, just know that I know you. It's

492
00:27:27,320 --> 00:27:31,479
Speaker 1: very like it's sick. Well, it's also strange because then

493
00:27:31,480 --> 00:27:35,040
Speaker 1: you're like, so, then, how do you did you pass by?

494
00:27:35,119 --> 00:27:37,399
Speaker 1: Maybe she was at a bar where one of us

495
00:27:37,440 --> 00:27:39,680
Speaker 1: was at one of these shows and she left immediately

496
00:27:39,680 --> 00:27:42,440
Speaker 1: but did clockily we're on stage, well, be so weird.

497
00:27:42,520 --> 00:27:44,960
Speaker 1: The implication is then that she did see us and

498
00:27:45,040 --> 00:27:47,119
Speaker 1: has listened to us and just didn't really like it

499
00:27:47,160 --> 00:27:50,000
Speaker 1: that much. I think that's what the takeaway is. But

500
00:27:50,119 --> 00:27:54,800
Speaker 1: she told you to keep going right, So that's really nice.

501
00:27:54,960 --> 00:27:57,680
Speaker 1: She's like, work on it, babes. Yeah, keep the work.

502
00:27:58,000 --> 00:27:59,840
Speaker 1: Oh god, I want to talk shit right now so bad.

503
00:28:00,480 --> 00:28:02,399
Speaker 1: I can't please. Is there a way to do it?

504
00:28:02,440 --> 00:28:06,360
Speaker 1: We can sleep up names? No, it's just like just

505
00:28:06,520 --> 00:28:11,920
Speaker 1: like so many names. It would just be like, okay

506
00:28:11,920 --> 00:28:17,840
Speaker 1: from four replace the names with like celebrities. Oh my god. No,

507
00:28:17,960 --> 00:28:20,520
Speaker 1: it'd be really be It's just hard. It's hard to

508
00:28:20,800 --> 00:28:23,440
Speaker 1: get this. Okay. Wait. Another thing that happened to all

509
00:28:23,480 --> 00:28:25,480
Speaker 1: of us. The three of us, we were also with

510
00:28:25,760 --> 00:28:29,800
Speaker 1: um comedian and non podcaster Josh Sharpe in La and

511
00:28:29,920 --> 00:28:32,199
Speaker 1: we were all there for all four of us were

512
00:28:32,240 --> 00:28:36,359
Speaker 1: there having drinks after work, and then was it the

513
00:28:36,440 --> 00:28:39,280
Speaker 1: woman that came up to us? No? No, the guy guy,

514
00:28:39,440 --> 00:28:42,200
Speaker 1: the gay friends. The gay friend comes, Yes, that's it.

515
00:28:42,280 --> 00:28:44,200
Speaker 1: The gay friend comes up to us and he's like hey,

516
00:28:44,240 --> 00:28:46,160
Speaker 1: And we totally thought he was about to do something

517
00:28:46,200 --> 00:28:48,680
Speaker 1: like that, like are you guys comedians or something? And

518
00:28:48,760 --> 00:28:50,480
Speaker 1: then oh, I thought he was going to hit on us.

519
00:28:50,520 --> 00:28:53,080
Speaker 1: Not to be conceited. Oh, I truly thought he was

520
00:28:53,120 --> 00:28:56,240
Speaker 1: going to be like, you know, like a podcast, Yeah,

521
00:28:56,680 --> 00:29:01,960
Speaker 1: one of those, Um, yeah, I heard of them. But

522
00:29:02,080 --> 00:29:05,200
Speaker 1: what did he say to Josh? Well, he said to

523
00:29:05,280 --> 00:29:07,680
Speaker 1: Josh he was like, are you single? And Josh was

524
00:29:07,720 --> 00:29:11,720
Speaker 1: like right, right, no. But then it became clear the

525
00:29:11,800 --> 00:29:14,320
Speaker 1: twist was that he was coming on behalf of his

526
00:29:14,480 --> 00:29:19,160
Speaker 1: straight woman friend to ask Josh out heterosexually. He was

527
00:29:19,240 --> 00:29:23,840
Speaker 1: wing manning, he was sexual. He was a game man

528
00:29:24,080 --> 00:29:26,920
Speaker 1: wing manning a straight woman going to a group of

529
00:29:26,920 --> 00:29:30,000
Speaker 1: a group of gay guys. Sorry, the vibe was literally

530
00:29:30,120 --> 00:29:32,920
Speaker 1: the vibe was so gay. The vibe was so gay.

531
00:29:32,960 --> 00:29:35,600
Speaker 1: We all had her legs crossed around our our our

532
00:29:36,160 --> 00:29:39,040
Speaker 1: our other, like literally like five times each. We were

533
00:29:39,080 --> 00:29:42,240
Speaker 1: like miss elastic feather boas half in and half out

534
00:29:42,240 --> 00:29:47,640
Speaker 1: of our teather boa we looked like Harry's style, Harry's

535
00:29:47,640 --> 00:29:51,760
Speaker 1: styles in Paris's Burden. Yeah yeah, each of us had

536
00:29:51,800 --> 00:29:55,200
Speaker 1: a full look from the Gucci look book head to boe.

537
00:29:57,400 --> 00:29:59,120
Speaker 1: And we were just going around being like, well, was

538
00:29:59,160 --> 00:30:02,320
Speaker 1: the last time you saw cock? Yeah? This morning? You

539
00:30:02,640 --> 00:30:06,880
Speaker 1: just now in the bathroom, mama, mama girl. I just

540
00:30:06,880 --> 00:30:09,680
Speaker 1: couldn't believe it. And then that he and then it

541
00:30:09,760 --> 00:30:11,920
Speaker 1: was like, does he think we're all straight? Or is

542
00:30:12,360 --> 00:30:14,320
Speaker 1: like is it like Josh is clearly out with his

543
00:30:14,440 --> 00:30:17,280
Speaker 1: three gay brothers, three gay friends, and that's right, and

544
00:30:17,360 --> 00:30:20,680
Speaker 1: that's how we know he's like sensitive, three gay identical brothers.

545
00:30:23,040 --> 00:30:25,920
Speaker 1: Oh my god. But also the fact that it was like,

546
00:30:26,320 --> 00:30:29,520
Speaker 1: it's one thing for a woman, let's say, to let's

547
00:30:29,520 --> 00:30:30,800
Speaker 1: say a woman who doesn't have a lot of gay

548
00:30:30,840 --> 00:30:34,280
Speaker 1: friends to misinterpret, but for the gay guy. This is

549
00:30:34,280 --> 00:30:37,640
Speaker 1: a gay guy who is looking at us all night

550
00:30:37,680 --> 00:30:39,880
Speaker 1: and he's like eyeing us, and he's like, which one

551
00:30:40,040 --> 00:30:44,240
Speaker 1: is right for Marcy? And he's like that one. As

552
00:30:44,280 --> 00:30:48,040
Speaker 1: we are literally like artists are literally double jointed, the

553
00:30:48,080 --> 00:30:52,080
Speaker 1: way they are moving up and down, the strings dropped

554
00:30:52,880 --> 00:30:58,080
Speaker 1: so gay like Pinocchio, We're all public. I would love

555
00:30:58,160 --> 00:31:01,160
Speaker 1: if the reveal was that, like, act, actually he is straight,

556
00:31:01,320 --> 00:31:04,360
Speaker 1: and we all are just assuming that he is gay,

557
00:31:04,520 --> 00:31:06,840
Speaker 1: but actually he's like no, straight guys can be really

558
00:31:06,880 --> 00:31:09,479
Speaker 1: effeminate too, you know, like just like you guys like

559
00:31:09,520 --> 00:31:14,120
Speaker 1: that straight like you guys just maybe that was it.

560
00:31:15,440 --> 00:31:19,920
Speaker 1: Maybe that was it in straight you know. That's one

561
00:31:19,920 --> 00:31:22,520
Speaker 1: of the big differences between New York and LA. In

562
00:31:22,600 --> 00:31:26,680
Speaker 1: New York, gay guys exist in LA. They don't. Well

563
00:31:26,720 --> 00:31:30,440
Speaker 1: in LA. Yeah, in LA, weirdly, gay guys are straight, yeah,

564
00:31:30,440 --> 00:31:32,720
Speaker 1: and straight guys are gay. There's a weird thing going

565
00:31:32,760 --> 00:31:36,120
Speaker 1: on there. It's like Europe, you just can't tell. Yeah, yeah,

566
00:31:36,200 --> 00:31:40,120
Speaker 1: it's just so different. So yeah, Europe, Europe without the

567
00:31:40,120 --> 00:31:46,120
Speaker 1: burden of all the museums hello, hello, wow, the burden Yeah,

568
00:31:46,160 --> 00:31:52,560
Speaker 1: with the burden of intellectualism. Um no, no, they have

569
00:31:52,680 --> 00:31:56,720
Speaker 1: the bro yeah, which they have the Academy Museum. Yeah.

570
00:31:56,800 --> 00:32:01,880
Speaker 1: You can touch Judy Garland's Oscar juvenile Oscar her juvenile

571
00:32:01,960 --> 00:32:04,560
Speaker 1: What does that mean? Well, she was a child. She

572
00:32:04,640 --> 00:32:07,880
Speaker 1: won a smaller Oscar and it was like best juvenile

573
00:32:07,920 --> 00:32:11,160
Speaker 1: performance for the Wizard of Oz. Yeah. Oh, I didn't

574
00:32:11,160 --> 00:32:14,479
Speaker 1: know they had that. And then and then when they

575
00:32:14,560 --> 00:32:16,280
Speaker 1: force fed her pills, they would hit her up or

576
00:32:16,280 --> 00:32:23,040
Speaker 1: the head of it. Wow, well dark Sorry, okay, so

577
00:32:23,080 --> 00:32:26,160
Speaker 1: our first second is called straight shooter. We went there,

578
00:32:27,320 --> 00:32:31,840
Speaker 1: We went there. Sorry, Yeah, that was wild. I want

579
00:32:31,840 --> 00:32:33,720
Speaker 1: to I do want to apologize to our listeners. We

580
00:32:34,320 --> 00:32:38,040
Speaker 1: you come to this podcast to hear something specifically that

581
00:32:38,120 --> 00:32:40,440
Speaker 1: does not go there, and that has been one of

582
00:32:40,480 --> 00:32:42,600
Speaker 1: the central tenants of this podcast is that we do

583
00:32:42,640 --> 00:32:45,880
Speaker 1: not go there, and I think we have failed in

584
00:32:45,960 --> 00:32:48,800
Speaker 1: our mission. Yeah. Sorry, we let our guard down for

585
00:32:48,840 --> 00:32:51,360
Speaker 1: a single second. Yeah, it's not who we are probably

586
00:32:51,400 --> 00:32:55,440
Speaker 1: talking about Judy Garland's juvenile oscar. When that guy came

587
00:32:55,520 --> 00:32:57,920
Speaker 1: up and tried to ask if we were straight. Yeah,

588
00:32:57,920 --> 00:32:59,959
Speaker 1: he was like he was like eavesdropping and he was like,

589
00:33:00,320 --> 00:33:05,000
Speaker 1: Judy Garland juvenile, Okay, he's straight, He's straight, super straight.

590
00:33:05,160 --> 00:33:12,160
Speaker 1: That's a straight my girl out. Well. It was also

591
00:33:12,200 --> 00:33:14,160
Speaker 1: funny because he was like, are you single, and then

592
00:33:14,240 --> 00:33:16,200
Speaker 1: Josh was like no, and then we all at the

593
00:33:16,240 --> 00:33:19,120
Speaker 1: same time, We're like, we're all both partnered and gay,

594
00:33:19,200 --> 00:33:24,960
Speaker 1: and he was like got it, got it? Wow wow,

595
00:33:25,560 --> 00:33:26,960
Speaker 1: And it just goes to show you, you know, you

596
00:33:27,000 --> 00:33:29,520
Speaker 1: can be out and you can think that you're being gay,

597
00:33:29,600 --> 00:33:33,440
Speaker 1: but you can always gay it up more. That's the lesson.

598
00:33:33,880 --> 00:33:36,760
Speaker 1: That's the lesson. Yeah, we think we're living out loud,

599
00:33:36,800 --> 00:33:41,600
Speaker 1: but actually we're still in the closet in many ways, humiliated, ashamed.

600
00:33:42,760 --> 00:33:47,080
Speaker 1: It's whatever, it's insane, we should do our first segment. Whatever. Yeah,

601
00:33:47,120 --> 00:33:48,640
Speaker 1: by the way, we're all offended, and that was not

602
00:33:48,720 --> 00:33:51,360
Speaker 1: like a fun story. We are. We are deeply angry

603
00:33:51,360 --> 00:33:55,400
Speaker 1: about it, and we are in the process of a

604
00:33:55,480 --> 00:33:58,320
Speaker 1: major lawsuit with both the City of Los Angeles and

605
00:33:58,400 --> 00:34:01,840
Speaker 1: that one gay I'm actually surprised that and even the

606
00:34:02,800 --> 00:34:05,080
Speaker 1: no go for it, no go ahead? Oh okay, no,

607
00:34:05,240 --> 00:34:09,200
Speaker 1: it's too God, it's awesome, but it's klawan, no say it?

608
00:34:09,600 --> 00:34:12,480
Speaker 1: Were you gonna say? Even the bar? I was gonna say,

609
00:34:12,520 --> 00:34:16,880
Speaker 1: even the guy's girlfriend. Oh yeah, well she's she's suspect

610
00:34:16,960 --> 00:34:22,160
Speaker 1: number one in this case. I'm worried about her taste. Yeah, yeah,

611
00:34:22,280 --> 00:34:24,040
Speaker 1: so I have to litigate. Oh you're worried about her

612
00:34:24,040 --> 00:34:27,359
Speaker 1: taste because she was attracted to your comedy partners. Oh

613
00:34:27,400 --> 00:34:30,920
Speaker 1: my god, of course not. Um it was that she

614
00:34:30,960 --> 00:34:33,840
Speaker 1: would be into any of us. Yeah, oh yeah, I

615
00:34:33,880 --> 00:34:36,080
Speaker 1: mean it definitely is like she needs to do some

616
00:34:36,239 --> 00:34:39,080
Speaker 1: internal work. She needs to. Like it's like she's like,

617
00:34:39,120 --> 00:34:41,440
Speaker 1: no guy's ever into me, and it's like, no girl,

618
00:34:41,520 --> 00:34:44,360
Speaker 1: every guy you think it's straight, it's like literally the

619
00:34:44,360 --> 00:34:46,960
Speaker 1: gayest person on earth, Like, yeah, you're literally hitting on

620
00:34:47,040 --> 00:34:50,520
Speaker 1: Troy some like, let's go back to the drawing board.

621
00:34:51,000 --> 00:34:55,200
Speaker 1: Oh Troy. True? Then I don't know he'll be back though,

622
00:34:55,680 --> 00:34:57,680
Speaker 1: maybe he'll come back up a bear. Yeah, he'll be

623
00:34:57,719 --> 00:35:11,440
Speaker 1: back in an upcoming episode of Stradio that. Let's do

624
00:35:11,480 --> 00:35:15,200
Speaker 1: our first segment. Okay, Aaron, Our first segment is called

625
00:35:15,239 --> 00:35:18,319
Speaker 1: straight Shooter, isn't. In this segment, we test your familiarity

626
00:35:18,320 --> 00:35:21,000
Speaker 1: with and complicity in straight culture by asking you a

627
00:35:21,040 --> 00:35:23,640
Speaker 1: series of rapid fire questions where you have to choose

628
00:35:23,680 --> 00:35:27,239
Speaker 1: this thing or that thing and none of them make

629
00:35:27,280 --> 00:35:29,000
Speaker 1: any sense. And the one rule is you can't ask

630
00:35:29,040 --> 00:35:35,239
Speaker 1: any follow up questions. Okay, great, Okay, Aaron, Sam take

631
00:35:35,280 --> 00:35:40,040
Speaker 1: it away, Aaron Ron a half pipe a quarter pounder

632
00:35:40,320 --> 00:35:47,880
Speaker 1: or an eighth a halfpipe? Aaron, Happy birthday, mister president.

633
00:35:48,239 --> 00:35:52,080
Speaker 1: Or you're a mean one, mister grinch. I think you're

634
00:35:52,120 --> 00:35:56,319
Speaker 1: a mean one, mister granch Aaron, if you know you know?

635
00:35:57,160 --> 00:36:03,480
Speaker 1: Or how low can you go? How low can you go? Aaron,

636
00:36:04,560 --> 00:36:08,799
Speaker 1: the boy who cried wolf? Or this girl is on fire? Um,

637
00:36:08,960 --> 00:36:13,840
Speaker 1: this girl is on fire, Aaron, slip and slide, wet

638
00:36:13,840 --> 00:36:19,600
Speaker 1: and wild or hot and heavy? Um um, wet and wild.

639
00:36:19,880 --> 00:36:28,600
Speaker 1: Oh Aaron, I need you to pay attention to this one. Okay,

640
00:36:29,320 --> 00:36:32,600
Speaker 1: being the bassist for Nirvana or being a racist at

641
00:36:32,600 --> 00:36:43,800
Speaker 1: the sauna, being the basis for Nirvana? Okay, Aaron, doctor

642
00:36:43,840 --> 00:36:53,160
Speaker 1: who professor? What? Or officer? Huh's a officer? Huh? And

643
00:36:53,200 --> 00:36:56,960
Speaker 1: finally Aaron Angela Ba said, did the thing or Viola Davis?

644
00:36:57,040 --> 00:37:04,239
Speaker 1: My woman came Viola Davis woman? Okay, slay slay. Wait,

645
00:37:04,239 --> 00:37:08,200
Speaker 1: so can I ask the question now that it's done. No, No,

646
00:37:08,239 --> 00:37:10,880
Speaker 1: because we have not scored you yet and I think

647
00:37:10,920 --> 00:37:17,600
Speaker 1: that you get a score of nine hundred and thirty

648
00:37:18,040 --> 00:37:22,480
Speaker 1: two doves out of a thousands. Yeah, okay, now you

649
00:37:22,480 --> 00:37:24,719
Speaker 1: can ask a question. Well, I was just I guess

650
00:37:24,719 --> 00:37:28,120
Speaker 1: I was just wondering, so I was picking to me

651
00:37:28,200 --> 00:37:31,560
Speaker 1: what I thought the straightest answer was, Yeah, is that

652
00:37:31,560 --> 00:37:34,239
Speaker 1: what I was supposed to do? Well, So obviously you're

653
00:37:34,280 --> 00:37:38,840
Speaker 1: thinking about it wrong. This is a this is a test.

654
00:37:39,480 --> 00:37:46,040
Speaker 1: It's sort of like, um, it's about how someone approaches

655
00:37:46,080 --> 00:37:49,279
Speaker 1: it rather than any sort of rules. So we want

656
00:37:49,320 --> 00:37:52,120
Speaker 1: to see confidence, we want to see playfulness, we want

657
00:37:52,120 --> 00:37:56,920
Speaker 1: to see um evolution from the first to the last question.

658
00:37:57,840 --> 00:37:59,919
Speaker 1: We want to see a narrative, and we also want

659
00:37:59,920 --> 00:38:04,760
Speaker 1: to see someone make their own rules, develop them, adhere

660
00:38:04,800 --> 00:38:07,640
Speaker 1: to a certain consistency, and then break them. Yeah, you

661
00:38:07,680 --> 00:38:11,319
Speaker 1: gotta break the form. Yeah. Hello. And you know, a

662
00:38:11,360 --> 00:38:13,600
Speaker 1: lot of I'll say it, these comedy types they come

663
00:38:13,640 --> 00:38:15,319
Speaker 1: in here and they're like, oh, how can I win?

664
00:38:15,840 --> 00:38:18,040
Speaker 1: You know, Oh how can I be right? And it's

665
00:38:18,040 --> 00:38:21,400
Speaker 1: like it's competive, Yeah, can I get on a list? Yeah,

666
00:38:21,480 --> 00:38:26,200
Speaker 1: it's like vulture vulture here. Yeah, it's vulture here. And

667
00:38:26,280 --> 00:38:29,520
Speaker 1: it's like, no, that's you're completely missing the point if

668
00:38:29,520 --> 00:38:31,600
Speaker 1: that is the case. And honestly, it makes me sad.

669
00:38:31,640 --> 00:38:33,600
Speaker 1: It makes me questions sort of all the artistic choices

670
00:38:33,600 --> 00:38:35,879
Speaker 1: you've made leading up to this moment. Totally. Yeah, they've

671
00:38:35,920 --> 00:38:40,560
Speaker 1: been brainwashed by you know, just for laughs. You know,

672
00:38:40,560 --> 00:38:42,560
Speaker 1: they think they're going to get new faces, yea. And

673
00:38:42,600 --> 00:38:45,680
Speaker 1: what we're looking for is interesting places, yeah, or even

674
00:38:45,719 --> 00:38:49,960
Speaker 1: old ones or even old ones. And it's also the

675
00:38:50,000 --> 00:38:54,360
Speaker 1: difference between playing a game, you know, and and and

676
00:38:54,640 --> 00:38:59,719
Speaker 1: having a performance. You know, this is it's uh say,

677
00:39:00,000 --> 00:39:02,680
Speaker 1: it's a difference between playing a game and being played

678
00:39:02,800 --> 00:39:11,279
Speaker 1: by the game. Oh no, yeah, something about that seems wrong.

679
00:39:11,400 --> 00:39:14,320
Speaker 1: It's very calculated. I'm coming at this like a villainy

680
00:39:16,360 --> 00:39:21,160
Speaker 1: shoot shoot, dang it, dang Aaron, I sort of. I'm

681
00:39:21,200 --> 00:39:23,839
Speaker 1: I'm very interested in the topic of it you brought

682
00:39:23,880 --> 00:39:28,200
Speaker 1: in because I have resisted. I have resisted asking, uh,

683
00:39:28,239 --> 00:39:30,480
Speaker 1: you know, callback to the concept to follow up questions.

684
00:39:30,520 --> 00:39:33,080
Speaker 1: I resisted asking a follow up question when you mentioned

685
00:39:33,080 --> 00:39:35,200
Speaker 1: what it was, and I just sort of trusted you

686
00:39:35,239 --> 00:39:37,120
Speaker 1: that it's going to be a slay and a half. Well,

687
00:39:37,200 --> 00:39:40,000
Speaker 1: I'm sure it won't. Well before you induce it, I

688
00:39:40,000 --> 00:39:42,000
Speaker 1: want to say someone out with that attitude I thought

689
00:39:42,120 --> 00:39:45,000
Speaker 1: was funny. Something I thought was funny about this topic

690
00:39:45,120 --> 00:39:46,319
Speaker 1: is that before you said that, you were like, well,

691
00:39:46,320 --> 00:39:52,840
Speaker 1: people have probably already done this, and for you to

692
00:39:52,920 --> 00:39:55,120
Speaker 1: think this is obvious. So yeah, I was sort of like, oh,

693
00:39:55,239 --> 00:39:57,040
Speaker 1: is it going to be baseball or with it? I

694
00:39:57,120 --> 00:40:02,480
Speaker 1: was like, oh, is it gonna say like brads and like, okay, fraternities.

695
00:40:02,880 --> 00:40:05,840
Speaker 1: Fraternity is right? You have to now say what the

696
00:40:05,880 --> 00:40:11,680
Speaker 1: topic is, please, Okay, So my subject, my stubdic about

697
00:40:11,800 --> 00:40:19,439
Speaker 1: strict culture is um, straight couples weaponizing oral sex. That's

698
00:40:19,440 --> 00:40:22,800
Speaker 1: what I brought to the tape. So to me already,

699
00:40:22,880 --> 00:40:26,560
Speaker 1: I'm thinking, you know, a Valentine's Day gift that's like

700
00:40:26,640 --> 00:40:32,080
Speaker 1: one free blowjob. You're sort of like, well, on his birthday,

701
00:40:32,560 --> 00:40:36,600
Speaker 1: that's exactly it. It's um. Yes, it's very like. I'll

702
00:40:36,680 --> 00:40:40,319
Speaker 1: hang out with good straight friends that are in long

703
00:40:40,400 --> 00:40:44,239
Speaker 1: term relationships and people will be like, they'll say something like, oh,

704
00:40:44,360 --> 00:40:46,680
Speaker 1: it's his birthday is coming up, He's gonna want a blowjob.

705
00:40:46,719 --> 00:40:48,719
Speaker 1: I have to give him one. And I'm like, you

706
00:40:48,840 --> 00:40:54,440
Speaker 1: only give one blowjob a year? Yeah, that is very

707
00:40:54,800 --> 00:40:56,759
Speaker 1: shocking to me. And then that it is, and it

708
00:40:56,880 --> 00:41:01,520
Speaker 1: is a gift that you give, and it fully like

709
00:41:01,800 --> 00:41:05,120
Speaker 1: I hate this, Yeah, I don't want to do this

710
00:41:05,280 --> 00:41:07,560
Speaker 1: and for that to not be for that to not

711
00:41:07,640 --> 00:41:09,880
Speaker 1: be a turn off for the man I know. But

712
00:41:09,920 --> 00:41:17,120
Speaker 1: then God, but and then also I do believe women

713
00:41:17,160 --> 00:41:20,239
Speaker 1: and that they should like um. They I think they

714
00:41:20,400 --> 00:41:23,759
Speaker 1: get oral sex a lot like before sex, like a

715
00:41:23,800 --> 00:41:26,920
Speaker 1: warm up, because it's you know, like preparation. They receive

716
00:41:27,120 --> 00:41:31,240
Speaker 1: oral should they receive oral sex before um like penetrative badge?

717
00:41:32,520 --> 00:41:35,600
Speaker 1: And I do think that some men like to give

718
00:41:35,600 --> 00:41:37,560
Speaker 1: it to them. But I think sometimes it is like

719
00:41:37,719 --> 00:41:39,839
Speaker 1: I have to give her the oral sex so then

720
00:41:40,040 --> 00:41:42,960
Speaker 1: I can have the penetrative So even that is like

721
00:41:43,040 --> 00:41:45,320
Speaker 1: a it's alway, it's always a it's always a weapon.

722
00:41:45,760 --> 00:41:49,680
Speaker 1: It's all. It feels like nobody is wanting to do it.

723
00:41:49,760 --> 00:41:51,520
Speaker 1: I know that's not true. I know there are people

724
00:41:51,640 --> 00:41:53,920
Speaker 1: parties on both sides that love oral sex in the

725
00:41:53,960 --> 00:41:57,440
Speaker 1: straight world, but I'm surprised by how I find that

726
00:41:57,480 --> 00:42:00,239
Speaker 1: to be common and oral sex is like a thing

727
00:42:00,960 --> 00:42:06,399
Speaker 1: for them. I find I find so straight. I feel

728
00:42:06,400 --> 00:42:08,680
Speaker 1: like gay people don't have that. There argue people that

729
00:42:08,719 --> 00:42:10,919
Speaker 1: are like I don't care about oral sex, but it's

730
00:42:11,120 --> 00:42:15,319
Speaker 1: it's never like weaponized. I feel like, well, also, oral

731
00:42:15,400 --> 00:42:20,440
Speaker 1: sex is part of this very straight concept of four play,

732
00:42:21,200 --> 00:42:23,160
Speaker 1: which is like it would never occur to me to

733
00:42:23,760 --> 00:42:27,359
Speaker 1: delineate between four play and the main event. And it's

734
00:42:27,360 --> 00:42:31,160
Speaker 1: like sometimes, yeah, it's like sometimes you do one thing,

735
00:42:31,200 --> 00:42:32,520
Speaker 1: then you do the other, then you go back to

736
00:42:32,560 --> 00:42:34,319
Speaker 1: the first thing. Sometimes you only do the first thing,

737
00:42:34,400 --> 00:42:36,919
Speaker 1: sometimes you only do the second thing. It's not necessarily

738
00:42:36,960 --> 00:42:39,600
Speaker 1: always the best when you do the most things or

739
00:42:39,640 --> 00:42:42,799
Speaker 1: waiting or it's like I'm not skipping something because I

740
00:42:44,000 --> 00:42:45,680
Speaker 1: you know, it's just like sometimes I'm in the mood

741
00:42:45,680 --> 00:42:47,319
Speaker 1: for one thing, sometimes I'm in the mood for another thing.

742
00:42:47,600 --> 00:42:50,279
Speaker 1: But there's a sort of it's like, well, okay, is

743
00:42:50,280 --> 00:42:53,680
Speaker 1: everyone in their places action? Yeah, And it's like, so

744
00:42:53,800 --> 00:42:56,120
Speaker 1: is it always the same? I do feel like porn

745
00:42:57,320 --> 00:42:59,799
Speaker 1: like starts a lot as like making out, and then

746
00:42:59,800 --> 00:43:02,439
Speaker 1: it's like we trade blow jobs or just the top

747
00:43:02,440 --> 00:43:04,920
Speaker 1: gets a blowjob and then the top like eats the

748
00:43:04,960 --> 00:43:07,000
Speaker 1: bottom out and then there's anal and like that's how

749
00:43:07,040 --> 00:43:09,440
Speaker 1: it goes. But it's like, that's not how a sex always.

750
00:43:09,440 --> 00:43:12,680
Speaker 1: It's not always that narrative and oral sex to me

751
00:43:12,880 --> 00:43:16,280
Speaker 1: is sex, but not like I don't understand like third base,

752
00:43:16,680 --> 00:43:19,040
Speaker 1: like oral is third base and then the home run

753
00:43:19,239 --> 00:43:23,520
Speaker 1: is penetrated, like oh my god, the base is okay, wait,

754
00:43:23,960 --> 00:43:27,319
Speaker 1: so what are the bases? First base is feeling up,

755
00:43:27,360 --> 00:43:30,080
Speaker 1: making out. I think that second base. I think first

756
00:43:30,120 --> 00:43:34,040
Speaker 1: base is kissing. First base is kissing then then filling

757
00:43:34,120 --> 00:43:41,239
Speaker 1: up potentially moment hand moments. I like the idea of

758
00:43:41,320 --> 00:43:45,320
Speaker 1: Sam Sam being um, you know, or me, or someone

759
00:43:45,440 --> 00:43:47,680
Speaker 1: being a closet a teenager and trying to get a

760
00:43:47,680 --> 00:43:49,439
Speaker 1: hand drop from a girl and being like, how about

761
00:43:49,440 --> 00:43:51,839
Speaker 1: a handbot. Should we do a moment with the hand?

762
00:43:51,920 --> 00:43:54,239
Speaker 1: Should we do a hand moment? Maybe we could start

763
00:43:54,239 --> 00:43:58,440
Speaker 1: with a hand moment and move it up, move it down. Yeah,

764
00:43:58,480 --> 00:44:02,560
Speaker 1: I think at base being a hand moment is more advanced.

765
00:44:02,640 --> 00:44:05,400
Speaker 1: That's more like adults. But I think, like when you're

766
00:44:05,440 --> 00:44:07,480
Speaker 1: calling me a horror, no, I just think it's more

767
00:44:07,520 --> 00:44:10,759
Speaker 1: like adults. I think when in high school, I think

768
00:44:10,840 --> 00:44:15,280
Speaker 1: just boobs is like second base. Touching boobs Okay, okay, yeah,

769
00:44:15,280 --> 00:44:20,399
Speaker 1: touching boobs then or moral, then penetrated, and then home

770
00:44:20,480 --> 00:44:25,800
Speaker 1: run of course penetry. Oh my god is a grand

771
00:44:25,920 --> 00:44:33,160
Speaker 1: slam group groups. Now we're getting adult, were getting an adult.

772
00:44:33,400 --> 00:44:37,200
Speaker 1: So wait, I have a sort of small addition to

773
00:44:37,280 --> 00:44:40,040
Speaker 1: the straight role of sex conversation, which is there is

774
00:44:40,040 --> 00:44:43,279
Speaker 1: a famous, or to me famous storyline in the Sopranos

775
00:44:43,440 --> 00:44:48,319
Speaker 1: where there's this guy do you know what I'm gonna say, Sam,

776
00:44:48,520 --> 00:44:52,480
Speaker 1: This guy like likes going down on women. He is

777
00:44:52,520 --> 00:44:55,400
Speaker 1: a straight man who likes going down on women, And

778
00:44:56,320 --> 00:44:58,560
Speaker 1: like one of the women he was with like spills

779
00:44:58,560 --> 00:45:00,440
Speaker 1: the tea to someone, and so then there is this

780
00:45:00,480 --> 00:45:03,960
Speaker 1: like rumor that, oh he even likes going down on women,

781
00:45:04,080 --> 00:45:07,719
Speaker 1: and that's like a gay thing. So it's literally like

782
00:45:09,040 --> 00:45:11,520
Speaker 1: it's the idea that you would want to pleasure a

783
00:45:11,560 --> 00:45:13,839
Speaker 1: woman is like, what are you a fag? Yeah, And

784
00:45:13,840 --> 00:45:16,560
Speaker 1: that's like the entire and someone ends up being murdered

785
00:45:16,560 --> 00:45:19,879
Speaker 1: because of this because he is so humiliated. Well um

786
00:45:19,920 --> 00:45:25,080
Speaker 1: to your soprano's point, um uh notable Italian nick nanny.

787
00:45:25,360 --> 00:45:27,319
Speaker 1: He I was asking him about that plot line because

788
00:45:27,360 --> 00:45:30,040
Speaker 1: I was like, there's like that's not real, right, And

789
00:45:30,080 --> 00:45:33,560
Speaker 1: he was like no, like older guys, like people like

790
00:45:33,600 --> 00:45:36,560
Speaker 1: my uncle's would like be like it's gay to eat

791
00:45:36,560 --> 00:45:41,120
Speaker 1: pussy like and I was like, Oh, that's what I mean.

792
00:45:41,239 --> 00:45:43,799
Speaker 1: That's what I'm saying. It's like it's weaponized. It's it's

793
00:45:43,840 --> 00:45:46,319
Speaker 1: like the oral is so weird for them in a

794
00:45:46,360 --> 00:45:49,279
Speaker 1: way that like penetrative is that No, it's they're like, oh,

795
00:45:49,320 --> 00:45:50,680
Speaker 1: you're going down on a woman? What are you? What

796
00:45:50,880 --> 00:45:52,520
Speaker 1: are you friends with a woman? Are you willing grace

797
00:45:52,920 --> 00:45:54,239
Speaker 1: so you don't want to suck her? So you don't

798
00:45:54,239 --> 00:45:57,080
Speaker 1: want to suck her? Oh what are you? Standford Blatch

799
00:45:57,160 --> 00:45:59,880
Speaker 1: from Sex in the City, So you're literally buried in

800
00:46:00,120 --> 00:46:04,680
Speaker 1: her genitals and you're gay like like, oh, what is

801
00:46:04,680 --> 00:46:07,960
Speaker 1: she your diva. Oh is she your? Is she the

802
00:46:08,000 --> 00:46:11,360
Speaker 1: pop star you like the most that you stand the

803
00:46:11,440 --> 00:46:23,319
Speaker 1: juvenile oscar? Are you feeding her pills? Um? Yeah, okay, yeah,

804
00:46:23,520 --> 00:46:25,799
Speaker 1: a few one. I think it's it's like, you know,

805
00:46:25,920 --> 00:46:30,320
Speaker 1: gay people don't like put penetrative ads like the number

806
00:46:30,360 --> 00:46:33,840
Speaker 1: one thing always. You know, some do, but a lot don't.

807
00:46:33,880 --> 00:46:36,879
Speaker 1: So there's like so that is like we're a stream

808
00:46:36,920 --> 00:46:39,680
Speaker 1: people that is sex and for you know, some have

809
00:46:40,080 --> 00:46:42,680
Speaker 1: progressed to not think of that as the only kind

810
00:46:42,680 --> 00:46:46,160
Speaker 1: of sex, but a lot don't couple, and so we

811
00:46:46,239 --> 00:46:50,520
Speaker 1: have that. Um. I was gonna say, there's something about

812
00:46:50,760 --> 00:46:53,200
Speaker 1: you know how I like to appropriate street culture sometimes

813
00:46:53,280 --> 00:46:55,600
Speaker 1: and I can find it erotic and it can be

814
00:46:55,680 --> 00:46:58,440
Speaker 1: kind of fun. There's something a little bit hot about

815
00:46:58,480 --> 00:47:03,120
Speaker 1: the weaponizing of oral sex where it's like it's almost

816
00:47:03,160 --> 00:47:06,320
Speaker 1: like a role playing Like the idea of like giving

817
00:47:06,320 --> 00:47:09,279
Speaker 1: the gift of sex is like very kind of hot

818
00:47:09,320 --> 00:47:12,480
Speaker 1: to me. Well, I think there's like weirdly like gay kink,

819
00:47:12,680 --> 00:47:15,759
Speaker 1: like like, um, I'm thinking and I guess straight people

820
00:47:15,800 --> 00:47:17,400
Speaker 1: do this too, but I'm just not as much a

821
00:47:17,440 --> 00:47:20,319
Speaker 1: part of their culture. But like chastity cages on like

822
00:47:20,400 --> 00:47:22,359
Speaker 1: a dick where you're like you're not allowed to come,

823
00:47:22,800 --> 00:47:24,640
Speaker 1: like you're my lot, Like I'll tell you when you

824
00:47:24,680 --> 00:47:27,480
Speaker 1: can come. Fag it. You know that feels like that.

825
00:47:27,480 --> 00:47:31,279
Speaker 1: That feels like sex to me as well. But but

826
00:47:31,360 --> 00:47:34,279
Speaker 1: you're not like, um, I won't get I'll only give

827
00:47:34,320 --> 00:47:36,120
Speaker 1: you a blow job on your birthday. It's like I'll

828
00:47:36,160 --> 00:47:40,640
Speaker 1: never give you a blowjob that and that makes But

829
00:47:40,640 --> 00:47:42,719
Speaker 1: that's the thing is that that makes you horny. Yeah,

830
00:47:42,719 --> 00:47:45,160
Speaker 1: but with a straight example, it's not like that guy

831
00:47:45,239 --> 00:47:47,440
Speaker 1: is like thinking about it all year long, turned on

832
00:47:47,560 --> 00:47:52,839
Speaker 1: like oh yeah, not getting one tonight either, Right, Yeah,

833
00:47:52,880 --> 00:47:57,600
Speaker 1: if straight people were on horny Island, edging Island, they

834
00:47:57,640 --> 00:48:02,400
Speaker 1: would all get eliminated very quickly. Bad TV. Wait, Edging

835
00:48:02,440 --> 00:48:07,080
Speaker 1: Island really is genius because it is real. It's reformulating

836
00:48:07,200 --> 00:48:11,000
Speaker 1: like the priorities it is, right. The thing with all

837
00:48:11,040 --> 00:48:12,920
Speaker 1: these like gay versions of straight shows is that they

838
00:48:12,960 --> 00:48:17,160
Speaker 1: are inherently much like gay marriage, attempting to emulate something

839
00:48:17,200 --> 00:48:20,279
Speaker 1: that is matt first right approval. And the thing with

840
00:48:20,280 --> 00:48:23,320
Speaker 1: this is that you're like is that you're like, Okay,

841
00:48:23,440 --> 00:48:27,480
Speaker 1: what are gay let's what are gay value gay trashy

842
00:48:27,560 --> 00:48:30,120
Speaker 1: values like in the same way that straight trashy values

843
00:48:30,160 --> 00:48:34,480
Speaker 1: are like, you know, women falling over themselves drunk to uh,

844
00:48:34,920 --> 00:48:36,960
Speaker 1: you know, go on a date with someone who works

845
00:48:37,080 --> 00:48:40,880
Speaker 1: in advertising. Then what are like gay trashy values? And

846
00:48:40,920 --> 00:48:43,960
Speaker 1: it's like, well everyone being horny and taking their cocks out.

847
00:48:44,440 --> 00:48:46,799
Speaker 1: So if you just reform it as like, rather than

848
00:48:46,800 --> 00:48:48,960
Speaker 1: trying to get a date with someone, it's about whether

849
00:48:48,960 --> 00:48:52,440
Speaker 1: you're heart or soft. And I like that being like

850
00:48:52,520 --> 00:48:57,480
Speaker 1: the only the only way to tell us. No, it's

851
00:48:57,560 --> 00:49:01,520
Speaker 1: it's not hard. Get off the damn island. They're like,

852
00:49:01,520 --> 00:49:08,440
Speaker 1: I'm more of a bottom. Well sorry, sweets the hell

853
00:49:08,480 --> 00:49:11,440
Speaker 1: out of here. Yeah, that's what someone on horny would say.

854
00:49:11,480 --> 00:49:27,279
Speaker 1: You're eliminated, oh edging island. So, Aaron, you've never weaponized

855
00:49:27,520 --> 00:49:30,600
Speaker 1: m oral sex. I don't, I think. So I'm happy

856
00:49:30,640 --> 00:49:35,799
Speaker 1: to give or receive it almost anytime. Yeah, I guess same,

857
00:49:35,920 --> 00:49:46,040
Speaker 1: yeah yeah, yeah, yeah, okay, yeah, okay, okay, okay, okay.

858
00:49:47,200 --> 00:49:51,840
Speaker 1: So to recap, like in this world, it's like women

859
00:49:52,480 --> 00:49:55,600
Speaker 1: hate or hate giving oral sex and do it once

860
00:49:55,640 --> 00:49:58,839
Speaker 1: a year as a gift. Men see nothing wrong with

861
00:49:58,880 --> 00:50:01,600
Speaker 1: that and are like, yeah, do it. I know you

862
00:50:01,640 --> 00:50:03,920
Speaker 1: don't like it, right, Like, I know you hate this,

863
00:50:04,239 --> 00:50:08,600
Speaker 1: but it's my birthday. Yeah, And then men either give

864
00:50:08,719 --> 00:50:13,680
Speaker 1: oral sex because for self serving ends, because of what

865
00:50:13,719 --> 00:50:16,879
Speaker 1: it will lead to, or if they like doing it,

866
00:50:17,160 --> 00:50:21,960
Speaker 1: they're getting shame. Yeah yeah, gay gay panic. Yeah, it's

867
00:50:22,000 --> 00:50:25,359
Speaker 1: sort of like, well you sort of understand how um,

868
00:50:25,960 --> 00:50:31,480
Speaker 1: how we got drump when you run the numbers. This

869
00:50:31,640 --> 00:50:34,040
Speaker 1: is not this is not a healthy electorate by any means.

870
00:50:34,120 --> 00:50:36,640
Speaker 1: They're not getting blown or eaten out to the extent

871
00:50:36,680 --> 00:50:42,120
Speaker 1: that they biologically need to. Um. Yeah, and they're not

872
00:50:42,160 --> 00:50:45,680
Speaker 1: doing it with gusto. That's for damn sure no yea

873
00:50:46,000 --> 00:50:51,920
Speaker 1: perfunctory oral. That's really sad. Yeah, perfunctory oral is really sad.

874
00:50:52,120 --> 00:50:56,919
Speaker 1: You're like, let's just let's call it. Yeah, we don't

875
00:50:56,920 --> 00:50:58,840
Speaker 1: need to be here. Yeah, if you're not gonna have

876
00:50:58,880 --> 00:51:00,760
Speaker 1: fun with it, then like don't do it at all.

877
00:51:01,520 --> 00:51:03,680
Speaker 1: It's like skip skip it. Like it's like going to

878
00:51:03,719 --> 00:51:05,720
Speaker 1: a restaurant, Like you're gonna be cranky at the fucking

879
00:51:06,320 --> 00:51:08,759
Speaker 1: fanciest restaurant and like not order a drink or like

880
00:51:08,840 --> 00:51:16,480
Speaker 1: not get an appetizer, like don't go Like yeah, you're

881
00:51:15,239 --> 00:51:18,880
Speaker 1: literally the fancies restaurant. You're ordering a burger and you're like,

882
00:51:19,000 --> 00:51:22,440
Speaker 1: I don't know, I'll have the burger and like that's it, Like,

883
00:51:22,760 --> 00:51:25,719
Speaker 1: just don't go to the restaurant. Yeah, that's fine. Stay

884
00:51:25,760 --> 00:51:29,320
Speaker 1: at home, stay at home, dust the jerk off pig,

885
00:51:30,200 --> 00:51:38,919
Speaker 1: jerk off jerk off pig. I'll allow it tonight. Oh

886
00:51:39,000 --> 00:51:42,880
Speaker 1: my god, I guess it is funny. How to Sam's

887
00:51:42,920 --> 00:51:46,719
Speaker 1: point about like fetishizing almost like the depressing parts of

888
00:51:46,800 --> 00:51:50,680
Speaker 1: straight sex. Like all I can think of other things

889
00:51:50,719 --> 00:51:52,960
Speaker 1: where it's like a classic scene in a movie in

890
00:51:53,000 --> 00:51:55,759
Speaker 1: like an indie sun dance movie where you're supposed to

891
00:51:55,800 --> 00:51:58,399
Speaker 1: be like, oh, these people are fucked, is like a

892
00:51:58,440 --> 00:52:01,719
Speaker 1: wife sleeping and a guy silently jerking off like next her.

893
00:52:01,840 --> 00:52:08,239
Speaker 1: That's like, oh no, this is grit. The marriage is over. Yeah. Yeah.

894
00:52:08,280 --> 00:52:10,680
Speaker 1: And then if it's a gay couple, it's like oh hot, Yeah,

895
00:52:10,680 --> 00:52:13,000
Speaker 1: it's like, oh this is really sexy. What the hell

896
00:52:13,080 --> 00:52:15,280
Speaker 1: is going on? It's it's like the end of the movie.

897
00:52:15,320 --> 00:52:17,520
Speaker 1: It's like really yeah, it's like, oh my god, happily

898
00:52:17,520 --> 00:52:29,760
Speaker 1: ever after that bros should have ended. Yeah that's true. Wow, Wow, amazing, amazing, amazing, amazing,

899
00:52:30,320 --> 00:52:33,040
Speaker 1: I mean amazing. I'm trying to think if there's any

900
00:52:33,040 --> 00:52:37,680
Speaker 1: other angle to weaponized oral sex that we're missing. Let's see,

901
00:52:39,440 --> 00:52:42,280
Speaker 1: you mean, like using it like like actually is a weapon,

902
00:52:42,320 --> 00:52:47,360
Speaker 1: like a mass shooter. But it's right exactly, That's what

903
00:52:47,400 --> 00:52:52,000
Speaker 1: I mean. That's that's how Edging Island. It's like instead

904
00:52:52,040 --> 00:52:55,040
Speaker 1: of like like there's like a challenge or like somebody

905
00:52:56,320 --> 00:52:59,720
Speaker 1: it's like really good at oral sex. It's on the island.

906
00:53:00,360 --> 00:53:11,040
Speaker 1: It's completely insatiable, bottomless throat. Wait, finish that, finish that challenge.

907
00:53:11,360 --> 00:53:18,440
Speaker 1: So imagining like someone who's imagine like a swiper, no swiping. Yeah,

908
00:53:18,480 --> 00:53:21,319
Speaker 1: they're like you have to like shoo them away, you're

909
00:53:21,360 --> 00:53:23,319
Speaker 1: so horny, but you have to literally be like get

910
00:53:23,360 --> 00:53:25,960
Speaker 1: out of here, no, get out. Yeah. Well it's sort

911
00:53:25,960 --> 00:53:28,440
Speaker 1: of like a first person shooter, a first person shooter

912
00:53:28,520 --> 00:53:31,080
Speaker 1: video game, but it's like a cock and it's going

913
00:53:31,120 --> 00:53:34,800
Speaker 1: around and I forget as in as many mouths as bossible. Yeah,

914
00:53:34,800 --> 00:53:37,480
Speaker 1: maybe that's it. Maybe because I was gonna say, like,

915
00:53:37,719 --> 00:53:40,160
Speaker 1: if you're if you're the if you're the dick in

916
00:53:40,200 --> 00:53:43,239
Speaker 1: the situation, and and the throat is the challenge, you

917
00:53:43,320 --> 00:53:45,160
Speaker 1: just are not supposed to come. You're supposed to like

918
00:53:45,200 --> 00:53:48,600
Speaker 1: take as much oral as you can forever, and then

919
00:53:48,640 --> 00:53:51,799
Speaker 1: you're like I'm still horny. Or is it that there's

920
00:53:51,800 --> 00:53:54,480
Speaker 1: like an ever hard cock. You all have to the

921
00:53:54,520 --> 00:53:57,719
Speaker 1: cock sucker and you're like, I could, I could suck

922
00:53:57,760 --> 00:54:01,799
Speaker 1: this dick forever. It's really hard to know. Yeah, yeah,

923
00:54:01,800 --> 00:54:03,800
Speaker 1: and actually that's what the challenge. That's what the challenge

924
00:54:03,840 --> 00:54:11,400
Speaker 1: is called hard to know. Wow wow swiper no swiping,

925
00:54:12,360 --> 00:54:20,000
Speaker 1: oral no orally. I'm almost imagining it, like Alipa is

926
00:54:20,040 --> 00:54:21,520
Speaker 1: going to have a field day with that one when

927
00:54:21,560 --> 00:54:28,920
Speaker 1: she induces brow. She's British. Yeah, she like does it

928
00:54:28,920 --> 00:54:30,920
Speaker 1: out of it. She does it just because she loves

929
00:54:30,920 --> 00:54:32,920
Speaker 1: the gig. She's getting paid nothing. She doesn't have the

930
00:54:32,960 --> 00:54:35,480
Speaker 1: kindness of her heart is volunteer. Like I love my

931
00:54:35,560 --> 00:54:46,479
Speaker 1: gay fans. Today, like all days, you will be very horny. Wait,

932
00:54:46,520 --> 00:54:49,280
Speaker 1: they must have made a show like back in the Highlight,

933
00:54:49,600 --> 00:54:52,520
Speaker 1: or like a porn parody of like America's Next Top Bottom,

934
00:54:52,520 --> 00:54:55,839
Speaker 1: Like they must have done that. Oh, I'm sure, I'm

935
00:54:55,920 --> 00:54:59,239
Speaker 1: sure you have to believe it. You have to. I

936
00:54:59,320 --> 00:55:01,400
Speaker 1: mean too, was it too hot to handle? Is that

937
00:55:01,440 --> 00:55:03,200
Speaker 1: the one where like you actually did get kicked off

938
00:55:03,200 --> 00:55:05,719
Speaker 1: the island if you had sex, like they actually have

939
00:55:05,760 --> 00:55:08,359
Speaker 1: gotten pretty close to the show already, yeah, or like

940
00:55:08,440 --> 00:55:11,400
Speaker 1: the one that was really old like back in the

941
00:55:11,480 --> 00:55:14,160
Speaker 1: early Survivor days like well obviously be very new. I

942
00:55:14,200 --> 00:55:17,319
Speaker 1: think was there one called Temptation Island and it was

943
00:55:17,360 --> 00:55:20,080
Speaker 1: like you went with your spouse or your partner or whatever,

944
00:55:20,120 --> 00:55:22,759
Speaker 1: and then like a hot like girl or boy came

945
00:55:22,840 --> 00:55:24,920
Speaker 1: and like tried to fuck you, and you like, if

946
00:55:24,920 --> 00:55:29,000
Speaker 1: you fucked, you lost, You're They're like always in a

947
00:55:29,040 --> 00:55:32,000
Speaker 1: hot tub. This isn't turning that comes upon its head

948
00:55:32,000 --> 00:55:35,640
Speaker 1: because in our show, you'll be punished for not being horny. Yeah,

949
00:55:35,680 --> 00:55:37,920
Speaker 1: you have to maintain. I mean, it's like an endurance

950
00:55:37,960 --> 00:55:40,400
Speaker 1: game where you have to it doesn't matter. You're not

951
00:55:40,480 --> 00:55:44,040
Speaker 1: like punished for having sex or for releasing, but you

952
00:55:44,080 --> 00:55:46,239
Speaker 1: just have to maintain. You have to plan ahead and

953
00:55:46,280 --> 00:55:49,040
Speaker 1: maintain a consistent level of horningness, and if you go

954
00:55:49,120 --> 00:55:51,200
Speaker 1: under a certain threshold, you will be voted off. Do

955
00:55:51,200 --> 00:55:53,680
Speaker 1: you think somebody like um, you know, like deep in

956
00:55:53,719 --> 00:55:56,920
Speaker 1: the game, someone's doing really really well and then like

957
00:55:56,920 --> 00:55:59,279
Speaker 1: like in Survivor, like someone searches their bags and finds

958
00:55:59,280 --> 00:56:01,640
Speaker 1: a bunch of viac grah and they're like, we have

959
00:56:01,680 --> 00:56:05,960
Speaker 1: to get rid of him. He's cheating. He's not really

960
00:56:05,960 --> 00:56:10,640
Speaker 1: that horny, he's just presenting hard. But internally I know

961
00:56:10,719 --> 00:56:17,719
Speaker 1: he's not horny. Wow, for sure, that has certainly something

962
00:56:17,719 --> 00:56:21,880
Speaker 1: to think about. I think TV is such a beautiful medium. Um,

963
00:56:21,920 --> 00:56:24,359
Speaker 1: it's so nice that we can express ourselves. It's a

964
00:56:24,400 --> 00:56:28,279
Speaker 1: great way for storytelling. Um. I like how long every

965
00:56:28,320 --> 00:56:33,680
Speaker 1: story is on TV? Yeah, seasons, Yeah, some stories are short,

966
00:56:33,719 --> 00:56:36,840
Speaker 1: but on TV they're long, which I think is so cool.

967
00:56:36,960 --> 00:56:39,960
Speaker 1: It's so this is so boring, but it is so

968
00:56:40,000 --> 00:56:43,200
Speaker 1: funny that people are like a movie that's so long,

969
00:56:43,280 --> 00:56:47,080
Speaker 1: and it's like, no, the story is done in two hours. Literally,

970
00:56:48,400 --> 00:56:51,520
Speaker 1: Like that's you get the whole thing. It's like actually

971
00:56:51,600 --> 00:56:54,640
Speaker 1: quite short compared to how we like to consume now,

972
00:56:54,719 --> 00:56:58,120
Speaker 1: like eighteen hour stories that aren't even done after eighteen

973
00:56:58,120 --> 00:57:01,839
Speaker 1: hours two next year, where he continues, when I think

974
00:57:01,880 --> 00:57:04,000
Speaker 1: about the fact that they just like they did literally

975
00:57:04,000 --> 00:57:06,920
Speaker 1: just figure out TV, And like the seventies through the nineties,

976
00:57:06,960 --> 00:57:09,759
Speaker 1: it was like half hour episodes for comedy, like hour

977
00:57:09,800 --> 00:57:12,160
Speaker 1: long episodes for drama, and you tuned in every week

978
00:57:12,200 --> 00:57:14,560
Speaker 1: and you saw it and nothing was wrong with it.

979
00:57:14,719 --> 00:57:17,120
Speaker 1: Everyone liked it. And then suddenly people were like, we

980
00:57:17,200 --> 00:57:19,680
Speaker 1: have to reinvent this again and again and again, and

981
00:57:19,760 --> 00:57:21,640
Speaker 1: actually everything needs to be like an hour and a

982
00:57:21,680 --> 00:57:23,320
Speaker 1: half long, and each of them needs to be a

983
00:57:23,320 --> 00:57:28,120
Speaker 1: different tour and nothing gets resolved, and it is based

984
00:57:28,160 --> 00:57:34,120
Speaker 1: on an article. Yeah, TV's over. We've said it once,

985
00:57:34,120 --> 00:57:36,480
Speaker 1: We've said a million times. TV is literally could not

986
00:57:36,560 --> 00:57:40,840
Speaker 1: be more over. Yeah it had it had its time. Yeah, yeah,

987
00:57:40,880 --> 00:57:44,320
Speaker 1: it did it? Did it? God? I missed the nineties. Yeah,

988
00:57:44,360 --> 00:57:49,120
Speaker 1: it had its time the nineties. Mama sign fell. Look

989
00:57:49,160 --> 00:57:54,240
Speaker 1: it up, children, it's an in show from the nineties.

990
00:57:54,280 --> 00:58:09,320
Speaker 1: Oh my god. I think we've covered a lot in

991
00:58:09,320 --> 00:58:12,440
Speaker 1: this episode. We've shown that once again, straight culture and

992
00:58:12,520 --> 00:58:18,800
Speaker 1: gay culture are very different and never the two shall Yeah,

993
00:58:19,000 --> 00:58:22,480
Speaker 1: and we have shown that TV is dead but could

994
00:58:22,480 --> 00:58:28,280
Speaker 1: be saved by a little show called Edging Island. Land

995
00:58:28,280 --> 00:58:32,160
Speaker 1: of okay it should be you're okay, it's Edging Island,

996
00:58:32,280 --> 00:58:35,560
Speaker 1: but everyone on it isn't like based on a character

997
00:58:35,640 --> 00:58:42,200
Speaker 1: from sinnflf so, but only the four main But like

998
00:58:42,320 --> 00:58:45,720
Speaker 1: again and again and again, I think you could even yeah, exactly,

999
00:58:45,840 --> 00:58:48,400
Speaker 1: or you could even expand it to just like everyone

1000
00:58:48,440 --> 00:58:51,479
Speaker 1: has to come and stay in character as a pop

1001
00:58:51,520 --> 00:58:54,200
Speaker 1: culture figure. So it's just all gay guys, all gay

1002
00:58:54,280 --> 00:58:57,200
Speaker 1: BFA graduates, and they come and one of them is

1003
00:58:57,280 --> 00:59:01,200
Speaker 1: Valerie Cherish, like one of them is uh, you know,

1004
00:59:01,800 --> 00:59:06,560
Speaker 1: Karen Walker, a housewife, a housewife blue Anela SEPs. Yeah.

1005
00:59:06,560 --> 00:59:09,080
Speaker 1: This is great because I can see people being like, well,

1006
00:59:09,120 --> 00:59:10,760
Speaker 1: why would I ever apply to be on the show,

1007
00:59:10,840 --> 00:59:12,840
Speaker 1: And it's like, well, because when you get to be

1008
00:59:12,880 --> 00:59:16,600
Speaker 1: horny for eight weeks straight, yeah yeah. And second of all,

1009
00:59:16,760 --> 00:59:19,920
Speaker 1: one word exposure, exposure, sweetheart, you get to show up

1010
00:59:19,920 --> 00:59:23,520
Speaker 1: your acting chops while being horny. Yeah, it's like snatch

1011
00:59:23,640 --> 00:59:29,040
Speaker 1: Game for eight meets. It's yeah, it's snatch game meets

1012
00:59:31,240 --> 00:59:36,000
Speaker 1: pornography essentially. Quite quite frankly, I also love thinking that

1013
00:59:36,080 --> 00:59:39,760
Speaker 1: there's not enough to the show. Have you know a

1014
00:59:39,840 --> 00:59:43,800
Speaker 1: blowjob challenge and they're like, you need something else? A

1015
00:59:43,920 --> 00:59:47,040
Speaker 1: hook of course. Yeah, yeah, you're pitching it. You're pitching

1016
00:59:47,040 --> 00:59:48,600
Speaker 1: it to the bruster and you're like, okay. So it's

1017
00:59:48,600 --> 00:59:51,080
Speaker 1: like a school Shooter, but with the cocks and blow

1018
00:59:51,200 --> 00:59:54,240
Speaker 1: jobs completely at the censure. The cocks are out, everyone's

1019
00:59:54,280 --> 00:59:57,560
Speaker 1: counting everywhere, and the theme is school Shooter. And then

1020
00:59:57,840 --> 01:00:01,400
Speaker 1: a person's like, hold on, didn't they do that in cheers?

1021
01:00:01,640 --> 01:00:06,240
Speaker 1: We need one more thing? And someone's dressed this dressed

1022
01:00:06,240 --> 01:00:17,640
Speaker 1: this Reba back and tire. Yeah, yeah, wow it it's there.

1023
01:00:17,800 --> 01:00:21,240
Speaker 1: I think it's there. It's close. Yeah, No, I mean

1024
01:00:21,280 --> 01:00:24,000
Speaker 1: it really And I'd say, I know initially this this

1025
01:00:24,080 --> 01:00:26,280
Speaker 1: is sort of a joke to have them in character,

1026
01:00:26,320 --> 01:00:29,400
Speaker 1: but it will add so much when people I'm not

1027
01:00:29,520 --> 01:00:33,560
Speaker 1: joking and these people are doing challenges where they have

1028
01:00:33,600 --> 01:00:37,280
Speaker 1: to remain hard for as long as possible. They're dressed

1029
01:00:37,280 --> 01:00:42,520
Speaker 1: as my partner, I mean as Poladine. No, this is

1030
01:00:42,560 --> 01:00:45,040
Speaker 1: so layered. I think this good. I mean I think

1031
01:00:45,280 --> 01:00:47,840
Speaker 1: this will actually come back around and be like a

1032
01:00:47,960 --> 01:00:50,800
Speaker 1: show that like kind of changes the landscape, gets a

1033
01:00:50,800 --> 01:00:53,920
Speaker 1: lot of awards. And also, can I say one thing

1034
01:00:53,960 --> 01:00:56,120
Speaker 1: to circle back to something we said about gay performers

1035
01:00:56,240 --> 01:01:00,320
Speaker 1: versus gay audience members, like the tension inherently lie is

1036
01:01:00,320 --> 01:01:05,240
Speaker 1: in not being able to sexualize the level to which

1037
01:01:05,280 --> 01:01:07,520
Speaker 1: you are able to sexualize the person that is on stage.

1038
01:01:07,600 --> 01:01:09,480
Speaker 1: If you sexualize them too much, you can't take them

1039
01:01:09,480 --> 01:01:11,840
Speaker 1: seriously as a performer. If you don't sexualize them enough,

1040
01:01:12,080 --> 01:01:16,400
Speaker 1: then they're dehumanized. So this solves that by by being

1041
01:01:16,560 --> 01:01:21,280
Speaker 1: explicitly sexual there is full on penetration on screen while

1042
01:01:21,680 --> 01:01:26,440
Speaker 1: people are doing a character. Yeah. Yeah, exactly, exactly. Wow.

1043
01:01:26,600 --> 01:01:29,080
Speaker 1: That's why when I do, when I do stand up.

1044
01:01:29,200 --> 01:01:33,919
Speaker 1: We're a really short skirt. Yeah, like they can laugh

1045
01:01:33,960 --> 01:01:36,360
Speaker 1: at on my amazing jokes and then they can sexualize

1046
01:01:36,400 --> 01:01:39,560
Speaker 1: me because my cheeks are hanging out. Yeah. That horse

1047
01:01:39,680 --> 01:01:42,919
Speaker 1: cock is falling beneath the skirt. Yeah yeah. And it's

1048
01:01:42,960 --> 01:01:47,360
Speaker 1: so short, your cock is literally showing underneath correct by yeah,

1049
01:01:47,360 --> 01:01:50,400
Speaker 1: by a lot. Yeah, every time you perform. It doesn't

1050
01:01:50,400 --> 01:01:53,680
Speaker 1: even cover my pubic hair. It's like that short. It's

1051
01:01:53,720 --> 01:01:57,240
Speaker 1: more of a belt, really belt, you can say your bottomless.

1052
01:02:02,160 --> 01:02:05,280
Speaker 1: It's just a pretty belt. It's just a really really

1053
01:02:05,320 --> 01:02:07,840
Speaker 1: pretty belt. I mean, I don't know what else to say.

1054
01:02:08,120 --> 01:02:10,720
Speaker 1: Should we do our final segment? I guess I'm having

1055
01:02:10,720 --> 01:02:13,080
Speaker 1: so much fun. No, I wish we could have a cocktail.

1056
01:02:13,240 --> 01:02:16,160
Speaker 1: Being so nasty today we are being really there's always

1057
01:02:16,240 --> 01:02:19,800
Speaker 1: time for a cocktail. It's gonna do wait did you know?

1058
01:02:20,000 --> 01:02:22,440
Speaker 1: And this is totally fine, but I think it's I

1059
01:02:22,560 --> 01:02:26,840
Speaker 1: celebrate her life choices. But missus Cosha Davis is now sober,

1060
01:02:27,560 --> 01:02:31,280
Speaker 1: that's her catch. Oh so she can't Oh no, no,

1061
01:02:32,200 --> 01:02:36,400
Speaker 1: there's always time for a mocktail. Well, honestly, that could

1062
01:02:36,440 --> 01:02:41,000
Speaker 1: be a huge, you know, advertising campaign for her or something. Yeah,

1063
01:02:41,040 --> 01:02:43,480
Speaker 1: that'd be huge for her. I just think it's really funny.

1064
01:02:43,640 --> 01:02:45,600
Speaker 1: When we had Love the Drag Queen and she showed

1065
01:02:45,640 --> 01:02:48,480
Speaker 1: us this video that's like Cosha Davis has this song

1066
01:02:48,520 --> 01:02:51,240
Speaker 1: where the lyrics are like kill yourself with love and

1067
01:02:51,320 --> 01:02:54,400
Speaker 1: kindness or something, but she pauses after kill yourself. So

1068
01:02:54,440 --> 01:02:56,400
Speaker 1: if you take out that clip, it's just her saying

1069
01:02:56,600 --> 01:03:05,080
Speaker 1: kill y'allself. That's great. Yeah, yeah, wow, So what's the

1070
01:03:05,080 --> 01:03:07,040
Speaker 1: rest of your day? Like, just give the listeners a

1071
01:03:07,040 --> 01:03:10,720
Speaker 1: peek into a day of Aaron Jackson comedy star. What

1072
01:03:10,840 --> 01:03:16,040
Speaker 1: a minute. I have actually a really like easy breezy day,

1073
01:03:16,040 --> 01:03:18,000
Speaker 1: which is kind of fun. So I don't I don't

1074
01:03:18,000 --> 01:03:20,960
Speaker 1: really know what I'm gonna do. I've been very very

1075
01:03:21,080 --> 01:03:23,920
Speaker 1: social lately that we're recording this in the month of February,

1076
01:03:23,960 --> 01:03:28,600
Speaker 1: which is usually a time of hibernation. Yeah, but the

1077
01:03:28,720 --> 01:03:31,919
Speaker 1: weather in New York has been quite warm, unseasonably warm

1078
01:03:31,960 --> 01:03:34,520
Speaker 1: for February, so I would say, I don't know why,

1079
01:03:34,600 --> 01:03:36,680
Speaker 1: But the past couple of weeks I feel as almost

1080
01:03:36,720 --> 01:03:39,920
Speaker 1: as though I have like as busy as summer socializing,

1081
01:03:40,000 --> 01:03:41,920
Speaker 1: which I do think is too much socializing, but I

1082
01:03:42,000 --> 01:03:44,560
Speaker 1: like to do it in the summer totally. But I'm like,

1083
01:03:44,960 --> 01:03:48,640
Speaker 1: I can't keep this up through spring and summer because

1084
01:03:48,640 --> 01:03:52,360
Speaker 1: this is usually the time where you recharge. Yeah, hibernate, hibernate,

1085
01:03:52,400 --> 01:03:55,800
Speaker 1: It's really true. That is really true. And not to again,

1086
01:03:55,840 --> 01:03:57,400
Speaker 1: not to sort of talk about the weather, but it

1087
01:03:57,520 --> 01:04:02,000
Speaker 1: is like it really throws off the bands of things. Yeah,

1088
01:04:02,040 --> 01:04:04,080
Speaker 1: and I'll still go out, of course when it's cold

1089
01:04:04,120 --> 01:04:06,520
Speaker 1: for like whatever, somebody's birthday or something like that. But

1090
01:04:06,600 --> 01:04:09,640
Speaker 1: it does feel like every night I'm like, oh, well,

1091
01:04:09,680 --> 01:04:12,280
Speaker 1: I'm doing something. I have a plan, I'm going somewhere.

1092
01:04:12,280 --> 01:04:16,280
Speaker 1: I'm seeing friends, I'm meeting friends, I'm making connections. I'm

1093
01:04:16,320 --> 01:04:21,720
Speaker 1: thinking an amazing time. And that's why she has longevity,

1094
01:04:21,880 --> 01:04:26,200
Speaker 1: because she's out there networking, she's rubbing shoulders, she is

1095
01:04:26,440 --> 01:04:29,000
Speaker 1: getting in with people who are movers and shakers around

1096
01:04:29,000 --> 01:04:33,480
Speaker 1: New York City, acting the dots Burrow by Burrow. And

1097
01:04:33,480 --> 01:04:35,160
Speaker 1: then you know what, when they have a big movie out,

1098
01:04:35,280 --> 01:04:37,600
Speaker 1: they say, oh that Aaron Jackson was amazing at that

1099
01:04:37,600 --> 01:04:40,800
Speaker 1: cocktail hour. Well, oh my god, she has to start

1100
01:04:40,840 --> 01:04:44,600
Speaker 1: in my film. She's abody has to start in my film.

1101
01:04:45,200 --> 01:04:50,440
Speaker 1: The most scintillating conversation over martinis, who's that elusive girl?

1102
01:04:52,280 --> 01:04:57,120
Speaker 1: Who was it that was pitching Edging Island, elusive girl

1103
01:04:57,440 --> 01:05:01,400
Speaker 1: whose cock was swinging out of her little skirt, her

1104
01:05:01,480 --> 01:05:04,440
Speaker 1: skirt belt and stop talking to me about Edging Island.

1105
01:05:04,480 --> 01:05:08,480
Speaker 1: Who is a Canadian whose cock was swinging under her skirt?

1106
01:05:08,680 --> 01:05:12,200
Speaker 1: Who is pitching Edging Island in the middle of February,

1107
01:05:12,480 --> 01:05:15,960
Speaker 1: in the middle of February, from bar to bar, always

1108
01:05:15,960 --> 01:05:18,880
Speaker 1: holding a cocktail. I want them to start my august

1109
01:05:18,920 --> 01:05:22,240
Speaker 1: Osage County remate. I'm working on a play. It's about

1110
01:05:22,280 --> 01:05:26,640
Speaker 1: family at dinner, no less, and she must star, she

1111
01:05:26,760 --> 01:05:31,600
Speaker 1: must start. In fact, what are you doing? She's a character? Well,

1112
01:05:32,000 --> 01:05:35,200
Speaker 1: I'm having George has a plan. I'm gonna hit the gym,

1113
01:05:36,080 --> 01:05:39,560
Speaker 1: and then of course I'm gonna go to I think

1114
01:05:39,600 --> 01:05:43,919
Speaker 1: I might go bowling. Actually where I'm sorry, Sam Excu,

1115
01:05:46,120 --> 01:05:48,680
Speaker 1: I went bowling a couple of months ago. Sam, George,

1116
01:05:48,720 --> 01:05:52,520
Speaker 1: please tell the listeners and Aaron you hate bowling. Contextualize

1117
01:05:52,520 --> 01:05:57,400
Speaker 1: my reaction, Just Aaron, Sam, please contextualize my reaction. George

1118
01:05:57,440 --> 01:06:04,600
Speaker 1: texted me yesterday saying I want to go bowling, and

1119
01:06:04,640 --> 01:06:08,760
Speaker 1: then now you're like, good idea, that's manipulative and you're

1120
01:06:08,800 --> 01:06:12,560
Speaker 1: going without me. My brothers suggested that that's this is

1121
01:06:12,560 --> 01:06:14,600
Speaker 1: why you're gonna be so good on Edging Island if

1122
01:06:14,600 --> 01:06:18,280
Speaker 1: you're creating drops. I cannot believe, like the idea that

1123
01:06:18,400 --> 01:06:22,040
Speaker 1: I've never talked about bowling in my entire life. And

1124
01:06:22,160 --> 01:06:24,080
Speaker 1: yesterday I was I had an urge. I was like,

1125
01:06:24,120 --> 01:06:26,280
Speaker 1: you know, I was like, this sounds crazy, and I

1126
01:06:26,280 --> 01:06:28,480
Speaker 1: techna I was like, okay, this is gonna sound insane.

1127
01:06:28,520 --> 01:06:30,200
Speaker 1: But I sort of him in the mood to go

1128
01:06:30,320 --> 01:06:34,200
Speaker 1: bowling sometime soon. And Sam was like, ha ha oh no, yeah,

1129
01:06:34,280 --> 01:06:36,040
Speaker 1: I said, let's do it, and let's make a Patreon

1130
01:06:36,080 --> 01:06:40,320
Speaker 1: episode about it. That's a capitalist right there. Yeah, and

1131
01:06:40,320 --> 01:06:42,280
Speaker 1: then he said that way we can expense it. So

1132
01:06:42,320 --> 01:06:46,840
Speaker 1: that was actually and bowling is expensive in this town.

1133
01:06:46,920 --> 01:06:48,960
Speaker 1: I'll tell you that. In this town. I mean the

1134
01:06:49,120 --> 01:06:52,240
Speaker 1: real estate. Yeah yeah, because you can find a real

1135
01:06:52,280 --> 01:06:54,880
Speaker 1: bowling place. It's all like ironic performance art. It's like,

1136
01:06:55,440 --> 01:06:57,000
Speaker 1: you know, you go there and there's a photo booth

1137
01:06:57,040 --> 01:06:58,400
Speaker 1: and you have to hold a sign that's like I

1138
01:06:58,440 --> 01:07:03,720
Speaker 1: love bowling, question mark. You have to hold a sign

1139
01:07:03,800 --> 01:07:08,440
Speaker 1: that says this is a joke. Wow. I was at

1140
01:07:08,440 --> 01:07:12,080
Speaker 1: a bowling alley in Williamsburg. I think, and like I

1141
01:07:12,160 --> 01:07:13,919
Speaker 1: just wanted a picture. I feel like when you bowl,

1142
01:07:13,960 --> 01:07:16,760
Speaker 1: you get like a picture of shitty beer. Yeah, the gutter. Yeah,

1143
01:07:16,800 --> 01:07:19,200
Speaker 1: maybe the gutter. And they only had like nice beer,

1144
01:07:19,280 --> 01:07:21,000
Speaker 1: which is lovely when you just want a cup. But

1145
01:07:21,040 --> 01:07:24,240
Speaker 1: I'm like, I need like Madelo in this thing. Yeah,

1146
01:07:24,280 --> 01:07:27,600
Speaker 1: I don't like good old bowling beer. I don't need

1147
01:07:27,760 --> 01:07:32,080
Speaker 1: like a you know, a sour No god, no, no,

1148
01:07:32,120 --> 01:07:35,520
Speaker 1: I don't need I don't need a flight no, honey,

1149
01:07:35,880 --> 01:07:38,760
Speaker 1: big old picture of something bad. What are you doing tonight?

1150
01:07:39,160 --> 01:07:44,080
Speaker 1: Not bowling? Well, I am, in fact attending uh Natalie

1151
01:07:44,160 --> 01:07:48,080
Speaker 1: Rotter Lightman's solo show at Union Hall, supporting the arts

1152
01:07:48,200 --> 01:07:51,320
Speaker 1: as a friend and colleague. I'm supporting the arts, and

1153
01:07:51,520 --> 01:07:54,000
Speaker 1: yes I'm getting in for free, but my butt is

1154
01:07:54,040 --> 01:07:55,920
Speaker 1: going to be on one of those chairs, George, and

1155
01:07:55,960 --> 01:08:00,240
Speaker 1: you're loud, lass, and I got that loud, that loud,

1156
01:08:00,280 --> 01:08:03,120
Speaker 1: but that that sort of my butt cheeks clap, clap,

1157
01:08:03,160 --> 01:08:07,720
Speaker 1: clap on the chair. Yeah, that's awesome, that's really awesome. Well,

1158
01:08:08,000 --> 01:08:11,600
Speaker 1: I love so fun, Thank you, thank you. Yeah, I'm excited.

1159
01:08:11,680 --> 01:08:14,960
Speaker 1: And then I might be getting a drink with Alison Liby.

1160
01:08:15,560 --> 01:08:20,800
Speaker 1: So I'm supporting the arts and I'm supporting artists outside

1161
01:08:20,800 --> 01:08:23,880
Speaker 1: of the arts. In fact, that's Alison Liby is one

1162
01:08:23,920 --> 01:08:28,840
Speaker 1: of the most fun people in the world to Oh

1163
01:08:28,880 --> 01:08:32,160
Speaker 1: my god, she is an insane shit tucker. It is.

1164
01:08:32,360 --> 01:08:38,040
Speaker 1: It is Googenheim level shit talk. Wow. Yeah, wow, I can't. Yeah,

1165
01:08:38,080 --> 01:08:41,040
Speaker 1: you are going up that spiral Guggenheim staircase. You're going

1166
01:08:41,040 --> 01:08:44,840
Speaker 1: down that. She is, I would say, a sort of

1167
01:08:45,080 --> 01:08:47,680
Speaker 1: master of the craft. A master of the craft. And

1168
01:08:47,720 --> 01:08:50,080
Speaker 1: I would almost say, in her own way of fran

1169
01:08:50,240 --> 01:08:52,960
Speaker 1: Lebowitz type completely, you know, she's sort of She also,

1170
01:08:53,280 --> 01:08:56,759
Speaker 1: much like fran has A, has a sort of classic look.

1171
01:08:56,840 --> 01:09:00,840
Speaker 1: She always wears a sort of perfectly perfectly fitted high

1172
01:09:00,880 --> 01:09:05,920
Speaker 1: waisted jean and an expensive cardigan or sweater or something,

1173
01:09:06,000 --> 01:09:09,160
Speaker 1: and then the glasses. The hair is beautiful, and like

1174
01:09:09,240 --> 01:09:12,080
Speaker 1: fran Leewoods, it's like has A, it's like always has

1175
01:09:12,080 --> 01:09:14,720
Speaker 1: an incisive point. So even about something that you think

1176
01:09:14,800 --> 01:09:16,800
Speaker 1: is like, oh I really like flowers, She's like, well

1177
01:09:18,400 --> 01:09:23,960
Speaker 1: and I love it. Wow, well wow, I mean that

1178
01:09:24,080 --> 01:09:26,639
Speaker 1: was I love that. This is a new segment. Actually

1179
01:09:26,720 --> 01:09:28,800
Speaker 1: it's called what are You Doing Tonight? It's called what

1180
01:09:28,840 --> 01:09:33,160
Speaker 1: are you doing later? Are you doing later tonight? Oh?

1181
01:09:33,200 --> 01:09:34,680
Speaker 1: I actually sort of like that as a there was

1182
01:09:34,680 --> 01:09:37,280
Speaker 1: actually something to it because I think, you know, it

1183
01:09:37,320 --> 01:09:40,640
Speaker 1: lets people in, you know. Yeah, and it's nice to

1184
01:09:40,840 --> 01:09:44,000
Speaker 1: get bring us back down to earth after doing a

1185
01:09:44,000 --> 01:09:46,800
Speaker 1: full pitch deck for Edging Island. Yeah, that's what this

1186
01:09:46,840 --> 01:09:51,840
Speaker 1: whole hour and a half was. Yeah, um, well, Sam,

1187
01:09:51,880 --> 01:09:54,320
Speaker 1: would you like to introduce our final segment? I would, Aaron.

1188
01:09:54,360 --> 01:09:56,200
Speaker 1: Our final segment is called shout Outs, and in this

1189
01:09:57,160 --> 01:09:59,200
Speaker 1: we pay homage to the Grand Street tradition of the

1190
01:09:59,280 --> 01:10:01,280
Speaker 1: radio shout out, and we just shout out to anything

1191
01:10:01,320 --> 01:10:03,720
Speaker 1: that we are enjoying. Imagine it's two thousand and one,

1192
01:10:03,760 --> 01:10:05,840
Speaker 1: you're at TRL at Times Square shouting out to your

1193
01:10:05,840 --> 01:10:09,240
Speaker 1: squad back home, but about anything that you like. And

1194
01:10:09,600 --> 01:10:12,240
Speaker 1: I have one that's actually based on my shout out

1195
01:10:12,280 --> 01:10:17,160
Speaker 1: from last week. I have a sequel. Well, it's all

1196
01:10:17,200 --> 01:10:20,160
Speaker 1: about existing. I pay these days. Hello all, I'm not existing,

1197
01:10:20,160 --> 01:10:22,599
Speaker 1: I pe and it'll be so important so that people

1198
01:10:22,600 --> 01:10:23,920
Speaker 1: will now be like, well, I can't listen to this

1199
01:10:23,960 --> 01:10:26,240
Speaker 1: episode and till this in the previous episode, so obviously

1200
01:10:26,280 --> 01:10:29,080
Speaker 1: our smarmers are going up from that. Yeah. By the way,

1201
01:10:29,080 --> 01:10:31,360
Speaker 1: previous episode of Emmy Blochnick literally one of the best

1202
01:10:31,400 --> 01:10:33,479
Speaker 1: episodes we have ever recorded. And if you haven't listened

1203
01:10:33,479 --> 01:10:36,679
Speaker 1: to it. In the words of our peers, seek treatment,

1204
01:10:40,000 --> 01:10:42,479
Speaker 1: and the words of our peers last culture, ASA's Kid,

1205
01:10:44,479 --> 01:10:46,200
Speaker 1: And in the words of our peers why from New

1206
01:10:46,240 --> 01:10:50,960
Speaker 1: York and Saturday Night, whoa Wow? That was good. And

1207
01:10:51,000 --> 01:10:58,760
Speaker 1: in the words of Miss Casha Davis kill yourself. Um okay,

1208
01:10:59,400 --> 01:11:03,600
Speaker 1: here I go. What's up everybody, from the freaks to

1209
01:11:03,640 --> 01:11:05,720
Speaker 1: the pervs to the losers. I want to give a

1210
01:11:05,800 --> 01:11:11,120
Speaker 1: huge shout out too. The song I Believe by Caroline Policick.

1211
01:11:11,680 --> 01:11:13,760
Speaker 1: Oh baby, if you know me, you know I've been

1212
01:11:13,760 --> 01:11:16,360
Speaker 1: in a musical slump. And yes, we already talked about

1213
01:11:16,520 --> 01:11:18,760
Speaker 1: can I Politick last week, but the album is out

1214
01:11:18,960 --> 01:11:21,280
Speaker 1: and today I was walking from the train after a

1215
01:11:21,360 --> 01:11:25,000
Speaker 1: delightful little lunch with a dear friend and I Believe

1216
01:11:25,040 --> 01:11:27,559
Speaker 1: I Caroline politiic came on my damn phone and I

1217
01:11:27,600 --> 01:11:30,000
Speaker 1: was like, I'm in heaven. I listened to that song

1218
01:11:30,200 --> 01:11:33,639
Speaker 1: and it was as if I was hearing stupid love

1219
01:11:33,680 --> 01:11:36,479
Speaker 1: for the first time, way back when it was as

1220
01:11:36,520 --> 01:11:39,479
Speaker 1: if I was hearing those those Charlie XCX songs from

1221
01:11:39,520 --> 01:11:42,160
Speaker 1: Crash that were making me feel so excited. I heard

1222
01:11:42,240 --> 01:11:44,880
Speaker 1: I Believe, and I said, I feel spring, I feel summer.

1223
01:11:45,080 --> 01:11:47,280
Speaker 1: I feel the future. I feel brightness, I feel like

1224
01:11:47,360 --> 01:11:49,519
Speaker 1: I feel joy. And I said, I can't wait to

1225
01:11:49,560 --> 01:11:53,160
Speaker 1: fucking see people again and be fun and I can't

1226
01:11:53,160 --> 01:11:56,000
Speaker 1: wait for leaves to appear on the trees. Time is moving,

1227
01:11:56,080 --> 01:11:59,120
Speaker 1: we are growing, we are changing, and music is back.

1228
01:11:59,439 --> 01:12:01,360
Speaker 1: And yes, I listened to the Khalila album now and

1229
01:12:01,439 --> 01:12:05,120
Speaker 1: I like it. And I'm listening to other stuff I'm seeing.

1230
01:12:05,439 --> 01:12:08,879
Speaker 1: I'm feeling joy once again. We have found it, girls,

1231
01:12:09,400 --> 01:12:13,360
Speaker 1: we have found it. Drill baby, Drill, we have found oil.

1232
01:12:13,880 --> 01:12:22,120
Speaker 1: It is new music. Whoo wow, who wow, that's really good. Um,

1233
01:12:22,160 --> 01:12:24,160
Speaker 1: you know I actually did we actually introduce what the

1234
01:12:24,160 --> 01:12:28,960
Speaker 1: segment is? Yeah? Yeah, yeah, I said it's child Imagine

1235
01:12:28,960 --> 01:12:31,400
Speaker 1: it's two thousand and one is TRL and you are

1236
01:12:31,479 --> 01:12:34,320
Speaker 1: ye time Please don't mock me. Wow? Did I just so?

1237
01:12:34,479 --> 01:12:36,640
Speaker 1: I think I think I not to over use a

1238
01:12:36,640 --> 01:12:39,240
Speaker 1: cliche term. I think I dissociated. I think I'm in

1239
01:12:39,280 --> 01:12:42,960
Speaker 1: a khole. I think all the k I've been doing

1240
01:12:43,000 --> 01:12:45,160
Speaker 1: during the recording of this episode is finally hitting. You

1241
01:12:45,200 --> 01:12:53,120
Speaker 1: were like, I wish we had a cocktail. Um. Wow.

1242
01:12:53,160 --> 01:12:55,280
Speaker 1: I am sorry to accuse you Sam of not introducing

1243
01:12:55,320 --> 01:12:59,479
Speaker 1: the segment. I really it's okay. Sometimes the k hits yeah, yeah,

1244
01:12:59,560 --> 01:13:08,320
Speaker 1: that feeling. Um, you know, actually mine is also music related. Um, okay,

1245
01:13:09,920 --> 01:13:16,000
Speaker 1: what's up? Girls, guys, gays, lesbians, everybody under the LGBTQ

1246
01:13:16,120 --> 01:13:18,640
Speaker 1: plus umbrella and even outside of it. I want to

1247
01:13:18,640 --> 01:13:21,880
Speaker 1: give a shout out, to get a shout out to

1248
01:13:22,320 --> 01:13:26,160
Speaker 1: the album, the album Lived Through This, by whole this.

1249
01:13:27,200 --> 01:13:29,920
Speaker 1: This is an album I discovered probably when I was

1250
01:13:29,960 --> 01:13:33,519
Speaker 1: you know, twelve thirteen whatever. I would say, come back

1251
01:13:33,560 --> 01:13:38,120
Speaker 1: to it approximately once every three months, and but recently

1252
01:13:38,400 --> 01:13:40,519
Speaker 1: and each time, by the way, it is more powerful

1253
01:13:40,560 --> 01:13:43,519
Speaker 1: each time, I say, with more gusto. Kurtneilo is the

1254
01:13:43,520 --> 01:13:46,320
Speaker 1: most important musician of our time. She is more talented

1255
01:13:46,320 --> 01:13:48,280
Speaker 1: than Kurt Cobain. She is more in talented than anyone

1256
01:13:48,280 --> 01:13:49,880
Speaker 1: who has ever picked up a guitar, and she has

1257
01:13:49,880 --> 01:13:54,080
Speaker 1: a better songwriter than anyone working today. And Live Through

1258
01:13:54,120 --> 01:13:57,439
Speaker 1: This is a perfect album. From the first note to

1259
01:13:57,520 --> 01:13:59,840
Speaker 1: the last note. It is a series of perfect song

1260
01:14:00,240 --> 01:14:03,200
Speaker 1: It is a series of perfect lyrics, perfect sentences, and

1261
01:14:03,479 --> 01:14:09,400
Speaker 1: perfect perfect Every single person is doing exactly what they

1262
01:14:09,400 --> 01:14:12,360
Speaker 1: need to be doing. That has never happened before or after.

1263
01:14:12,720 --> 01:14:15,839
Speaker 1: And I recently sort of got back into the spirit

1264
01:14:15,880 --> 01:14:18,720
Speaker 1: of things because Courtney herself posted an episode of a

1265
01:14:18,720 --> 01:14:21,720
Speaker 1: podcast called sixty Songs that Explain the Nineties, and this

1266
01:14:21,760 --> 01:14:25,080
Speaker 1: specific episode was about the song Doll Parts. I lived

1267
01:14:25,080 --> 01:14:28,240
Speaker 1: through this and then I sort of got to listening

1268
01:14:28,240 --> 01:14:31,160
Speaker 1: to it again, listening to it again, and it is.

1269
01:14:31,320 --> 01:14:34,400
Speaker 1: It gives me life, It gives me joy. It makes

1270
01:14:34,400 --> 01:14:36,080
Speaker 1: me believe in art again, It makes me believe in

1271
01:14:36,160 --> 01:14:39,639
Speaker 1: music again, and it makes me believe and women who

1272
01:14:40,160 --> 01:14:47,120
Speaker 1: who wow, so nice, have faith restorted women? Yeah, I

1273
01:14:47,120 --> 01:14:49,920
Speaker 1: mean amazing, as people know, I haven't. I haven't sort

1274
01:14:49,920 --> 01:14:54,120
Speaker 1: of believed in or respected women in many years, many years.

1275
01:14:54,200 --> 01:14:57,679
Speaker 1: That's sort of your whole act. Yeah, yeah, it's deeply

1276
01:14:57,880 --> 01:15:00,679
Speaker 1: it's weird. It's weird that you bombed the other night, Like, yeah,

1277
01:15:00,720 --> 01:15:04,880
Speaker 1: people love that, people love that kind of stuff. It

1278
01:15:04,960 --> 01:15:07,639
Speaker 1: was weird. Yeah, it was strange because I was performing

1279
01:15:07,640 --> 01:15:10,000
Speaker 1: in the Vagina Monologues and my whole step how I

1280
01:15:10,000 --> 01:15:13,040
Speaker 1: hate women. Yeah, yeah, I was so jealous when you

1281
01:15:13,120 --> 01:15:16,360
Speaker 1: got to open for the Vagina monologue. Yeah. You know,

1282
01:15:16,400 --> 01:15:18,200
Speaker 1: they usually don't have an opener, it's just a series

1283
01:15:18,240 --> 01:15:20,360
Speaker 1: of monologues, but this time they thought they wanted to

1284
01:15:20,360 --> 01:15:25,759
Speaker 1: stand up. They wanted to stand up. Maybe like instead

1285
01:15:25,800 --> 01:15:28,960
Speaker 1: of opening stand up shows with like another stand up,

1286
01:15:29,040 --> 01:15:31,320
Speaker 1: we should invite people to put on like ten minute

1287
01:15:31,320 --> 01:15:36,920
Speaker 1: plays to warm the crowd up. Yeah eventually, um yeah,

1288
01:15:36,960 --> 01:15:39,960
Speaker 1: but just a one act play. Yeah yeah, Like you know,

1289
01:15:40,000 --> 01:15:43,639
Speaker 1: maybe about a dinner party. Hello, at least the appetizer course.

1290
01:15:44,080 --> 01:15:46,040
Speaker 1: Come on, yeah, you better come to that rest. You

1291
01:15:46,120 --> 01:15:47,680
Speaker 1: better come to a dinner party. Hope, did you get

1292
01:15:47,680 --> 01:15:51,120
Speaker 1: an app? Not? Like, don't be a grouch. Like, if

1293
01:15:51,160 --> 01:15:54,080
Speaker 1: you're not getting an app, you're not doing drag, You're

1294
01:15:54,080 --> 01:15:57,720
Speaker 1: not doing d Whenever you are ready, go ahead and

1295
01:15:57,800 --> 01:16:02,479
Speaker 1: hit us with it. Hi, Hi, Hi, yay, it's time square,

1296
01:16:02,520 --> 01:16:05,720
Speaker 1: and I'm doing everything for you, guys. I love the

1297
01:16:05,800 --> 01:16:11,400
Speaker 1: people of the earth. I'd like to shout out something

1298
01:16:11,439 --> 01:16:14,000
Speaker 1: that I didn't really know about, Like I say, knew about,

1299
01:16:14,080 --> 01:16:20,200
Speaker 1: but I had really enjoyed thoroughly of people making YouTube grandma.

1300
01:16:20,439 --> 01:16:26,799
Speaker 1: People editing whole seasons of reality television on YouTube into

1301
01:16:26,880 --> 01:16:30,559
Speaker 1: short ter chunks, like editing a whole season of a

1302
01:16:30,600 --> 01:16:33,600
Speaker 1: show into three hours instead of the however, been me.

1303
01:16:34,600 --> 01:16:39,479
Speaker 1: I just watched season one of Australian Survivor in three

1304
01:16:39,520 --> 01:16:42,759
Speaker 1: hours and it's twenty eight episodes, but they just edited

1305
01:16:42,800 --> 01:16:46,559
Speaker 1: it down into exactly everything you needed to know because

1306
01:16:46,600 --> 01:16:50,160
Speaker 1: someone told me was good. I really like The American Survivor.

1307
01:16:50,280 --> 01:16:51,680
Speaker 1: They're like, this is better, and I was like, I

1308
01:16:51,720 --> 01:16:54,519
Speaker 1: can't watch a whole fucking season of reality TV. That

1309
01:16:54,560 --> 01:16:58,000
Speaker 1: makes me sick. Someone just edited it down to the

1310
01:16:58,040 --> 01:17:01,720
Speaker 1: size of a long movie. And I really appreciated it

1311
01:17:01,720 --> 01:17:03,479
Speaker 1: and thought it was fun and a good way to

1312
01:17:03,520 --> 01:17:06,720
Speaker 1: consume reality TV, which shouldn't even be consuming anyway, so

1313
01:17:06,760 --> 01:17:10,680
Speaker 1: why not faster? I appreciated it. I liked it. I

1314
01:17:10,840 --> 01:17:13,760
Speaker 1: thought that was a lot of work. Somebody sipped it

1315
01:17:13,840 --> 01:17:16,880
Speaker 1: through this whole season of TV and made it sure,

1316
01:17:17,400 --> 01:17:20,800
Speaker 1: so anyway, good for that person. And I realized they've

1317
01:17:20,800 --> 01:17:23,240
Speaker 1: done it with things like Big Brother and many other

1318
01:17:23,280 --> 01:17:26,000
Speaker 1: shows which are too intimidating to me to start, and

1319
01:17:26,080 --> 01:17:28,599
Speaker 1: I think maybe now I will consume them in this

1320
01:17:28,680 --> 01:17:34,360
Speaker 1: really weird way. Oh wow, so it didn't lose any

1321
01:17:34,400 --> 01:17:37,920
Speaker 1: of it's like, I'm sure it did, but I didn't

1322
01:17:37,960 --> 01:17:43,479
Speaker 1: know they wouldn't know. Wow, Well, I love that. Like,

1323
01:17:43,520 --> 01:17:46,120
Speaker 1: sometimes it would truly just be like, um, you know,

1324
01:17:46,160 --> 01:17:47,720
Speaker 1: you'd be dealing with something that ended up being like

1325
01:17:47,800 --> 01:17:49,800
Speaker 1: kind of important to the story, and then it would

1326
01:17:49,800 --> 01:17:53,160
Speaker 1: just suddenly be like, oh, and then whatever Sam's voted

1327
01:17:53,200 --> 01:17:55,000
Speaker 1: out and you would like learn nothing about it. It It

1328
01:17:55,040 --> 01:17:56,600
Speaker 1: was like, oh, I guess Sam didn't really matter to

1329
01:17:56,640 --> 01:17:58,160
Speaker 1: the narrative. And then it would go on to the

1330
01:17:58,680 --> 01:18:02,280
Speaker 1: like the next episode and wow wow, but it was

1331
01:18:02,320 --> 01:18:04,200
Speaker 1: like it was kind of fun. Well, I love that.

1332
01:18:04,880 --> 01:18:07,240
Speaker 1: I didn't know people were doing that. That's great. I

1333
01:18:07,240 --> 01:18:09,040
Speaker 1: actually I didn't know people were doing that either. Thank

1334
01:18:09,040 --> 01:18:11,799
Speaker 1: you for raising awareness. Thank you, Aaron, Thank you Aaron.

1335
01:18:11,960 --> 01:18:14,759
Speaker 1: They should do that for Let me tell you something,

1336
01:18:14,920 --> 01:18:20,840
Speaker 1: most streaming shows, oh truly like that almost every TV show.

1337
01:18:21,400 --> 01:18:24,360
Speaker 1: At the end of it, ask yourself, would that have

1338
01:18:24,439 --> 01:18:27,040
Speaker 1: been better as a movie? And almost always the answer

1339
01:18:27,080 --> 01:18:29,600
Speaker 1: is yes. Yeah. Well first ask yourself, would that have

1340
01:18:29,600 --> 01:18:31,960
Speaker 1: been better if it didn't exist? Well? Yes, yes, yes,

1341
01:18:32,640 --> 01:18:37,879
Speaker 1: straight up that of course that of course. Wow yeah,

1342
01:18:37,880 --> 01:18:41,759
Speaker 1: all right, well slay. Thanks Aaron for doing our podcast again.

1343
01:18:42,000 --> 01:18:43,680
Speaker 1: It was such an honor and a thrill to have

1344
01:18:43,760 --> 01:18:46,040
Speaker 1: you back. Thanks for having me. Did I do the

1345
01:18:46,160 --> 01:18:49,240
Speaker 1: first one? Was that? Like right before COVID who did

1346
01:18:49,320 --> 01:18:51,960
Speaker 1: like one of the Yes, it was right before COVID

1347
01:18:52,200 --> 01:18:54,880
Speaker 1: one of the famous first six I want to say

1348
01:18:54,920 --> 01:18:59,000
Speaker 1: episodes that we recorded in bulk before COVID Yeah studio

1349
01:18:59,479 --> 01:19:01,960
Speaker 1: that we then started releasing in March or April of

1350
01:19:02,000 --> 01:19:04,519
Speaker 1: twenty twenty, because I do feel like it was pre COVID,

1351
01:19:04,560 --> 01:19:06,479
Speaker 1: but when we were there talking it was like this

1352
01:19:06,520 --> 01:19:08,519
Speaker 1: COVID thing is gonna be a big deal, right, Like

1353
01:19:08,560 --> 01:19:12,280
Speaker 1: it was like that close to that era. I feel all, yeah,

1354
01:19:12,280 --> 01:19:15,559
Speaker 1: those episodes, I'm afraid to listen to them. Oh I

1355
01:19:15,640 --> 01:19:18,680
Speaker 1: never I know, I said, like dumb shit. I also know.

1356
01:19:18,760 --> 01:19:20,719
Speaker 1: I literally was probably like, yeah, COVID is not gonna

1357
01:19:20,720 --> 01:19:26,880
Speaker 1: happen whatever. Yeah, yeah, that's fine. Anyway, Well, thanks for

1358
01:19:26,920 --> 01:19:29,599
Speaker 1: having me back, you too, our delight. It was a dream.

1359
01:19:29,920 --> 01:19:32,000
Speaker 1: We can't wait to heavy back a third time. Wow.

1360
01:19:32,080 --> 01:19:34,800
Speaker 1: Yeah hat trick Yeah yeah tomorrow. I hope you're free.

1361
01:19:34,800 --> 01:19:42,040
Speaker 1: It's giving a hat trick. It's giving hat trick fish stupid.

1362
01:19:42,840 --> 01:19:45,960
Speaker 1: All right, Well okay, bye, bye, bye forever