WEBVTT - Up and Down Under (S.1 E.3 “Acafellas”)

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<v Speaker 1>Hey everyone, Before we get to our new episode, we

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<v Speaker 1>have an exciting announcement. Snakes Miss is back, so please

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<v Speaker 1>join us for a live taping of and That's What

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<v Speaker 1>You Really Missed live from the I Heart Radio Theater

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<v Speaker 1>in Los Angeles. We are raising funds and awareness in

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<v Speaker 1>loving memory of our friend Naya Rivera to benefit Alexandria House.

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<v Speaker 1>Celebrate the holidays with us and keep the snakes Miss

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<v Speaker 1>the details. In person event December six at seven pm

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<v Speaker 1>for those of you that can't join us in person,

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<v Speaker 1>pm Pacific time, and don't worry, we'll be watching right

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<v Speaker 1>along with you and chatting with you live. We will

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<v Speaker 1>even have a virtual meet and greet option. Tickets are

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<v Speaker 1>available on box office dot Mandolin dot com. We're placing

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<v Speaker 1>the direct link to the tickets on our Instagram and

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<v Speaker 1>bio and the notes of this podcast episode, so go

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<v Speaker 1>check it out and we'll see you there. Mary Snicks

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<v Speaker 1>miss and that's what you really missed with Jenna and

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<v Speaker 1>Kevin and I Heart Radio Podcast. Welcome to you, and

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<v Speaker 1>that's what you really missed. I am Jenna, I am Kevin.

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<v Speaker 1>Welcome back for another week. Here we are getting into

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<v Speaker 1>one of our most talked about episodes amongst each other.

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<v Speaker 1>Do you care to elaborate on that? Kevin um, this

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<v Speaker 1>wasn't necessarily our favorite episode, but you brought up a

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<v Speaker 1>good point, which was watching it again, how did you feel? Yeah,

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<v Speaker 1>this week is Acafellas, right, and you're coming off of

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<v Speaker 1>the high of the Pilot and Showman's, which are two

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<v Speaker 1>excellent episodes. As Chris said, he likes Showman's more than

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<v Speaker 1>the pilot, so it was up there. So then you

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<v Speaker 1>come you get to Acafellas and you're like wow. And

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<v Speaker 1>that's the way I had it in my mind, But

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<v Speaker 1>watching it this morning, I had a very different feeling. Well,

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<v Speaker 1>I don't love the actual storyline of of the Aqua Fellas.

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<v Speaker 1>The other parts of this are um so great and

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<v Speaker 1>it's like the beginning of Kirk coming out and it's

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<v Speaker 1>the beginning of you know, Sue and the Cheerio is

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<v Speaker 1>kind of like infiltrating the Gale Club, And so I

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<v Speaker 1>felt very differently than I thought I would after watching

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<v Speaker 1>this whole episode. Do you think it's because we're older

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<v Speaker 1>now and I remember back then like this episode is

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<v Speaker 1>all about the adults. I do remember that as well,

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<v Speaker 1>Like we would watch some of the episodes and we'd

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<v Speaker 1>be like, yeah, get to our part. Yeah, maybe that's

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<v Speaker 1>what it is. We appreciate a more well rounded story. Yeah,

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<v Speaker 1>before we get into it, let's talk about the state

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<v Speaker 1>of the world when this episode aired. So this episode

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<v Speaker 1>aired on September six nine. I think we were all

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<v Speaker 1>in Australia for the first time. We flew to Australia.

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<v Speaker 1>We had two big um press events. Um it was

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<v Speaker 1>in Sney when Sydney went in Melbourne and it was

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<v Speaker 1>the first time I ever went to a strip club.

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<v Speaker 1>Remember that we pay We sang karaoke. I don't remember that,

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<v Speaker 1>but I do remember karaoke. Oh yeah, we went. We

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<v Speaker 1>we landed in Melbourne, Australia and went straight to a

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<v Speaker 1>strip club. Did I go with you? I think so.

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<v Speaker 1>It was very early, the sun was still up, that's right.

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<v Speaker 1>We went out. It was raining. We got on the

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<v Speaker 1>train um to get down somewhere and there was a

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<v Speaker 1>big newspaper with Glee on the coffins. We were like

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<v Speaker 1>that it was very weird, but really really cool. It

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<v Speaker 1>was our first trip out of the country for the show,

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<v Speaker 1>and the reception was very very warm, I mean why

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<v Speaker 1>pretty unbelievable. So in both cities, Sydney and Melbourn, and

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<v Speaker 1>we went to these events and again it's like two

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<v Speaker 1>episodes in and we're like, oh, you know, we would

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<v Speaker 1>be some signing, some autographs, meeting some fans. Thousands of

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<v Speaker 1>kids showed up, thousands dressed like us, dressed in school uniforms.

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<v Speaker 1>It was um and it wasn't It was like jarring

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<v Speaker 1>and shocking. I think to us it was also because

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<v Speaker 1>you were like, why you know it was it was

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<v Speaker 1>like the first taste I think, and it wasn't in

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<v Speaker 1>our on our terps. So it was really um. It

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<v Speaker 1>felt different and it was sort of the first time,

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<v Speaker 1>for lack of a better word, that we were treated

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<v Speaker 1>or experience things. I guess for me that felt like

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<v Speaker 1>we were sort of becoming known where we I don't

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<v Speaker 1>know when we got to do things they when we

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<v Speaker 1>got to do the Sydney Harbor Bridge climb, Like we

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<v Speaker 1>autographed things and they put on a wall with all

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<v Speaker 1>these other famous people were still up on that wall,

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<v Speaker 1>by the way. So if you to Sydney and you

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<v Speaker 1>go do the bridge climb, um our photo is there?

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<v Speaker 1>Fun fact? Are you going to say it? We were

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<v Speaker 1>out the night before till god knows when the morning,

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<v Speaker 1>and um, I we all were partying like crazy and

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<v Speaker 1>the next morning we get to the bridge climb or

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<v Speaker 1>we're in the I'm in the hotel room getting ready

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<v Speaker 1>and we get a call from the pr from Fox.

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<v Speaker 1>They're like, hey, you guys, just you know, like excited

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<v Speaker 1>for the bridge climb. Just want to let you know.

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<v Speaker 1>You get there, you sign your release forms and then

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<v Speaker 1>you take breathalyzer test and you go up and I'm like,

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<v Speaker 1>breathalyzer test. We um. I text Kevin. I'm like, what

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<v Speaker 1>the hell we do? I think I'm still drunk. Yeah,

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<v Speaker 1>we were all definitely still drunk wasted. And then we

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<v Speaker 1>were looking at tips on how to shoved peanut butter

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<v Speaker 1>hash browns what I read, but I know I didn't either.

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<v Speaker 1>We tried to find peanut butter but we couldn't and

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<v Speaker 1>then we ordered I remember we ordered like room services

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<v Speaker 1>browns and shoved hash browns down our throats hoping that

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<v Speaker 1>like it would soak up the rest of the alcohol.

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<v Speaker 1>So these photos of us were actually like I had

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<v Speaker 1>my sunglasses on, it was the sun, and it was

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<v Speaker 1>also because I was wildly hungover. We had we had

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<v Speaker 1>had a great night that we were really you know,

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<v Speaker 1>kids living it up like. It was definitely that sort

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<v Speaker 1>of trip. Yeah, yeah, yeah, and taking care of pretty well.

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<v Speaker 1>We also shout out to the Fox International people like

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<v Speaker 1>Pam Jackson, what incredible correct, We'll we'll have to talk

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<v Speaker 1>to Pam at some point, but she um would take

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<v Speaker 1>us on these trips. I don't know how she did it,

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<v Speaker 1>because we were all over the place and crazy and

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<v Speaker 1>going out and she had to make sure that we

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<v Speaker 1>were on time and doing you know, the professional things

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<v Speaker 1>we were obligated to do, but while also enjoying our downtime.

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<v Speaker 1>It's noble and Pam Jackson is just a ray of sunshine,

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<v Speaker 1>and she would. She took Jen and I many places

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<v Speaker 1>around the world after that, and so I feel very

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<v Speaker 1>very thankful. Stories we'll share those threads, Okay, so um,

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<v Speaker 1>we we digressed quite a bit back to what's happen

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<v Speaker 1>because that trip was monumental for us. It was it

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<v Speaker 1>was it was the number one song in the country.

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<v Speaker 1>Was I got a feeling by the Black Eyed Peas

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<v Speaker 1>hands down sends memory. I can hear that song in

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<v Speaker 1>my bones. I mean, like we've said it before and

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<v Speaker 1>we'll say it again, I'm sure. But Black Eyed Peas,

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<v Speaker 1>because this album was out and these songs are out

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<v Speaker 1>at that time, and we were coming up at the

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<v Speaker 1>same time, we were doing everything together basically, every award show,

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<v Speaker 1>every appearance, even trips we took. They were always there

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<v Speaker 1>for it. Yep, yeah, yeah, we're on the same plane

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<v Speaker 1>with them, you guys again. Um. It was also when

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<v Speaker 1>this aired. Um, it was the week of the Emmys,

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<v Speaker 1>but it was too early for us to be nominated

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<v Speaker 1>for anything. We were only airing our third episode. Let's

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<v Speaker 1>get into the episode yet, Yeah, let's do it. Okay,

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<v Speaker 1>So Kevin, I think Kevin and I were chatting and

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<v Speaker 1>I like to try we'd like to try something with

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<v Speaker 1>you guys. We'd like to try a recap format and

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<v Speaker 1>and you can tell us if you hate it, but

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<v Speaker 1>I think we should try this. I mean, when you

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<v Speaker 1>have these hour long shows are structured into three acts,

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<v Speaker 1>but also three main storylines. Do you have your A

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<v Speaker 1>storyline your B storyline and you see storyline and sort

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<v Speaker 1>of order of importance or screen time is A, B

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<v Speaker 1>and C um they're tiered in that way. So we

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<v Speaker 1>thought we maybe we talked about it in that way

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<v Speaker 1>because there are so many of us in every single

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<v Speaker 1>episode that to talk about the main plot points of

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<v Speaker 1>some of these A, B and C storylines and go

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<v Speaker 1>at it like that and then give you some of

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<v Speaker 1>our bts and memories because I think that's more fun

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<v Speaker 1>to talk about anyway. All right, so let's try it,

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<v Speaker 1>um all right? So in Aca fellas um in the

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<v Speaker 1>A storyline, Will is inspired, if you will, by his

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<v Speaker 1>failure to um go after his dreams as a performer.

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<v Speaker 1>As Quinn said, like did you ever audition after like

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<v Speaker 1>after school or like perform or did you even try?

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<v Speaker 1>Which like that Delirie was great. Um. So Will's parents

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<v Speaker 1>are also in town, which Victor Garber and Deborah Monk

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<v Speaker 1>like this is the beginning of like the big names,

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<v Speaker 1>you know, movie stars, TV stars where you're like, oh wow,

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<v Speaker 1>that's cool. Also someone so didn't see them, you didn't

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<v Speaker 1>get to work exactly. And also someone that like on

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<v Speaker 1>the show. We weren't privy to this knowledge or these

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<v Speaker 1>conversations that these people were going to be coming on

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<v Speaker 1>the show, So it was shocking to us to get

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<v Speaker 1>to work and you see their name on a call sheet,

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<v Speaker 1>like Victor Garber, what is he doing here? Mr Andrews.

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<v Speaker 1>Mr Andrews. And then Debora Monk, who also like another

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<v Speaker 1>like queen of comedy, who also is forever embedded in

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<v Speaker 1>my mind as um uh the mother in Center Stage.

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<v Speaker 1>That's right, I don't ever forget it. Obviously an iconic movie. Well,

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<v Speaker 1>they are encouraging MAT's We're sorry Mr Show's behavior, um

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<v Speaker 1>because like by saying how proud they are and he

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<v Speaker 1>should go after what he wants and um so Mr

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<v Speaker 1>Shoe ends up starting a boy band. Yes, And I

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<v Speaker 1>feel like this might have been inspired by the fact

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<v Speaker 1>that all that was talked about in the press for

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<v Speaker 1>a minute was that Matt was previously in a boy band.

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<v Speaker 1>That's right, you think that's right? I think so. And

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<v Speaker 1>I also think it was a really good way for

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<v Speaker 1>us to get some, like I said, like adult screen time,

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<v Speaker 1>to see some of these adult characters that we haven't

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<v Speaker 1>seen that much of in the first two episodes and

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<v Speaker 1>see their talents and ability to power a bamboo and

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<v Speaker 1>tanaka Will Schuster And also who John play was a

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<v Speaker 1>guest star, John Lloyd Young, who was dating Lea at

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<v Speaker 1>the time. It's not the reason he got on the show.

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<v Speaker 1>I mean he was a Tony Award winning um actor

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<v Speaker 1>in a hit Broadway musical. He just happened to also

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<v Speaker 1>be Leah's boyfriend at the time. So and around us Yeah,

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<v Speaker 1>um so John John Lloyd Young in there as well.

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<v Speaker 1>Um so the Acapollas do so well. Mr Print Principal

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<v Speaker 1>Figgins sees their performance at that like dive bar where

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<v Speaker 1>Emma Pillsbury is just swaring living and they perform at

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<v Speaker 1>the PTA event where the one and only Josh Groban

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<v Speaker 1>is going to come and um that's thanks to Sandy Ryerson.

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<v Speaker 1>I mean also, I also love that in the middle

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<v Speaker 1>of this storyline that the boy band sort of starts

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<v Speaker 1>to break apart, where you have the Howard bambooze that

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<v Speaker 1>was never my dream. Cantonaka is the pressure is on,

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<v Speaker 1>yeah and saying you know, like this really gets my

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<v Speaker 1>girlfriend going in the in the bedroom. And that's that's

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<v Speaker 1>kind of like the why I think his motivation for

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<v Speaker 1>hanging on to this this boy band if you will, yeah,

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<v Speaker 1>I mean, and to keep it together. They recruit Finton

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<v Speaker 1>and Puck to be in this thing, and so then

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<v Speaker 1>also it's like how did they get away with They

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<v Speaker 1>performed at the PTA meeting, which is like in a

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<v Speaker 1>full auditorium with full lighting and stage design. Um, and

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<v Speaker 1>students and teachers are performing. I want to sex you up. Yeah,

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<v Speaker 1>I don't know, you know, it's a different time. I

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<v Speaker 1>don't know. I remember them um filming this and um,

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<v Speaker 1>were you there, Kevin, I don't have any memory of

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<v Speaker 1>this note I don't see. I don't think you were then.

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<v Speaker 1>I think it was mainly the girls and um, I

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<v Speaker 1>do remember Cris being there, but I don't remember they

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<v Speaker 1>kept the straight straight boys away. Um no, because because

0:13:18.520 --> 0:13:20.840
<v Speaker 1>Puck and Finn were in the performance. That's right, I

0:13:20.920 --> 0:13:24.199
<v Speaker 1>was the only one not there, which we have to

0:13:24.200 --> 0:13:26.400
<v Speaker 1>talk about. Why you also didn't visit with local adrenal

0:13:26.480 --> 0:13:30.680
<v Speaker 1>and artist just like missing from this episode. But um,

0:13:30.920 --> 0:13:34.760
<v Speaker 1>we were there in law Manhattan Beach. We shot this

0:13:34.960 --> 0:13:38.800
<v Speaker 1>where the p t A performance was and I remember

0:13:38.840 --> 0:13:41.280
<v Speaker 1>hearing the music and them and we didn't get to

0:13:41.280 --> 0:13:43.240
<v Speaker 1>see them. Re her sisters all at all, so we

0:13:43.240 --> 0:13:45.480
<v Speaker 1>didn't really get to see them performed. But I remember

0:13:45.520 --> 0:13:49.480
<v Speaker 1>meeting Josh Groban, um, being very star struck. I was

0:13:49.559 --> 0:13:52.240
<v Speaker 1>very jealous about that. I listened to his music all

0:13:52.240 --> 0:13:57.040
<v Speaker 1>throughout high school. I mean just we sang you raised

0:13:57.040 --> 0:14:00.400
<v Speaker 1>me up at my high school graduation. Know he was

0:14:00.440 --> 0:14:03.760
<v Speaker 1>doing the song for the Polar Express. Josh Grobn was gigantic.

0:14:04.040 --> 0:14:08.000
<v Speaker 1>He was easily selling four or five million albums per album,

0:14:08.040 --> 0:14:13.760
<v Speaker 1>just rolling them out, like come on, jeez. And then

0:14:14.040 --> 0:14:17.280
<v Speaker 1>you know we have finite high school boys performing with

0:14:17.840 --> 0:14:23.960
<v Speaker 1>teachers in a very inappropriate PTA performance. Um. And also

0:14:24.000 --> 0:14:31.120
<v Speaker 1>then Josh Grobin comes in with a wonderful, wonderful subplot

0:14:31.400 --> 0:14:34.360
<v Speaker 1>of Sandy Ryerson's promise. You know, Josh Groban to be

0:14:34.360 --> 0:14:37.600
<v Speaker 1>there because their pen pals, but Josh Grobin actually is

0:14:38.480 --> 0:14:42.480
<v Speaker 1>serving him some papers and also asking him to stop

0:14:42.480 --> 0:14:45.480
<v Speaker 1>stalking a restraining order, and it's I do love how

0:14:45.520 --> 0:14:50.239
<v Speaker 1>everyone is there and everyone is so awkward and uncomfortable,

0:14:50.520 --> 0:14:52.480
<v Speaker 1>and even Victor Garber, you know, at the end, which

0:14:52.520 --> 0:14:58.200
<v Speaker 1>is really sweet scene with Matt about he inspired me

0:14:58.240 --> 0:15:00.400
<v Speaker 1>to go back to school and like, I'm sorry about

0:15:00.440 --> 0:15:04.240
<v Speaker 1>Josh Cobn. I do just how weird Josh Groban playing

0:15:04.320 --> 0:15:06.600
<v Speaker 1>himself on it. Fun fact, he said he was in

0:15:06.640 --> 0:15:08.960
<v Speaker 1>Ohio because he was inducting Run Teams into the Rock

0:15:09.000 --> 0:15:12.280
<v Speaker 1>and Roll Hall of Fame. He actually didn't in real life,

0:15:12.320 --> 0:15:14.360
<v Speaker 1>but Run Teams he did get inducted into the Hall

0:15:14.360 --> 0:15:17.520
<v Speaker 1>of Fame that year, so there's a little credibility to that.

0:15:18.640 --> 0:15:20.560
<v Speaker 1>It was Eminem not you know, when you think of

0:15:20.560 --> 0:15:23.760
<v Speaker 1>Eminem you also think of Josh Grobin, so it does

0:15:23.840 --> 0:15:28.920
<v Speaker 1>make sense. Sure. I also this is um Also the

0:15:28.960 --> 0:15:34.640
<v Speaker 1>episode we're will point out that Emma mentions John Stamos

0:15:34.640 --> 0:15:38.760
<v Speaker 1>for the first time, right, which I'm sure it was

0:15:38.800 --> 0:15:43.040
<v Speaker 1>influenced whether they knew or not that they wanted John Stamos,

0:15:43.080 --> 0:15:45.360
<v Speaker 1>I'm sure to play to be a part of the

0:15:45.360 --> 0:15:47.320
<v Speaker 1>show at some point. I'm sure that was a Ryan

0:15:47.520 --> 0:15:51.920
<v Speaker 1>thing that was like, let's or it was inspired by

0:15:52.160 --> 0:15:54.800
<v Speaker 1>and they're like later in life, they're like, Okay, let's

0:15:54.840 --> 0:15:57.280
<v Speaker 1>get let's get John. Maybe it's that's sort of like, oh,

0:15:57.360 --> 0:15:59.640
<v Speaker 1>let's make a character like Jane Lynch. Oh, let's just

0:16:00.600 --> 0:16:04.120
<v Speaker 1>Jane Lynch, fair enough. Maybe it's that trying to articulate

0:16:04.160 --> 0:16:07.760
<v Speaker 1>thank you, you know for that. Yeah, and um Stamy

0:16:07.840 --> 0:16:11.080
<v Speaker 1>does join later. I mean I did love I I

0:16:11.200 --> 0:16:15.840
<v Speaker 1>like seeing the boys do some questionable dancing and singing,

0:16:17.920 --> 0:16:23.240
<v Speaker 1>and it was pretty it was uncomfortably straight. Yes, is right.

0:16:23.360 --> 0:16:27.000
<v Speaker 1>Maybe that's why we don't like it. Maybe that's it's

0:16:27.040 --> 0:16:30.280
<v Speaker 1>like always in every Broadway show there's like one dad song,

0:16:31.280 --> 0:16:34.240
<v Speaker 1>you know, a thousand per set, and the Aka Fella

0:16:34.320 --> 0:16:38.480
<v Speaker 1>storyline is the Dad Dad song. VI, it's the glove song.

0:16:38.560 --> 0:16:44.080
<v Speaker 1>And I'm nailing hammer on head. There you go. Alright,

0:16:44.160 --> 0:16:46.520
<v Speaker 1>so let's talk. Let's talk about the let's get to

0:16:46.520 --> 0:16:51.520
<v Speaker 1>the good. What are we doing this episode? So Glee

0:16:51.560 --> 0:16:55.160
<v Speaker 1>clubs upset because Shoe is not a good choreographer and

0:16:55.880 --> 0:16:58.480
<v Speaker 1>we hated his song in the last episode, the song Choys.

0:16:58.520 --> 0:17:01.400
<v Speaker 1>We hate his choreography. We just hate Mr Sho. He's outdated,

0:17:02.600 --> 0:17:05.600
<v Speaker 1>you know, And we're well, Rachel's got some motives. She's

0:17:05.600 --> 0:17:08.680
<v Speaker 1>trying to win, and she's upset about she knows that

0:17:08.760 --> 0:17:12.240
<v Speaker 1>what he's giving us is not going to happen. So

0:17:12.520 --> 0:17:15.680
<v Speaker 1>people want scheming. We get some scheming from the Cheerios,

0:17:15.680 --> 0:17:19.480
<v Speaker 1>Sue and Quinn and Santana, which we get to see

0:17:19.520 --> 0:17:22.040
<v Speaker 1>so much more of Nia in this episode, and some

0:17:22.280 --> 0:17:28.280
<v Speaker 1>very good nuggets of comedic brilliance from her excellence excellence. Um. Also,

0:17:28.520 --> 0:17:30.440
<v Speaker 1>I do love I feel like you know, as the

0:17:30.480 --> 0:17:36.159
<v Speaker 1>show progresses, you get less of the Diana and Nia

0:17:36.560 --> 0:17:40.560
<v Speaker 1>dynamic in this form, and they are so good together.

0:17:41.520 --> 0:17:46.000
<v Speaker 1>They're very, very funny, and like I just love Early Quinn,

0:17:46.320 --> 0:17:50.320
<v Speaker 1>Early see Antana, who are like millions of Sue like

0:17:50.400 --> 0:17:54.880
<v Speaker 1>it's shows. It's so quintessential to this, like villain versus

0:17:55.119 --> 0:17:58.600
<v Speaker 1>the nerd in school and I love that cliche and

0:17:58.640 --> 0:18:00.280
<v Speaker 1>I love that, you know, like Sue get was these

0:18:00.320 --> 0:18:04.240
<v Speaker 1>high school kids things to do, some mischievous plots to

0:18:04.280 --> 0:18:06.879
<v Speaker 1>pull off, but then like high school things happen and

0:18:06.880 --> 0:18:08.879
<v Speaker 1>they get distracted, like, well, we tried to do that,

0:18:08.960 --> 0:18:11.440
<v Speaker 1>but you know, so and so is mad at this person,

0:18:11.480 --> 0:18:13.959
<v Speaker 1>so we couldn't do it. Um, So they set up

0:18:13.960 --> 0:18:24.480
<v Speaker 1>to hire Um, Dakota Stanley to Stanley, you're Stanley up. Sorry,

0:18:23.920 --> 0:18:27.520
<v Speaker 1>I got hired Dakoda Stanley to choreograph because he choreographs

0:18:27.520 --> 0:18:30.639
<v Speaker 1>are vocal adrenaline and the whole thing here is that

0:18:30.720 --> 0:18:33.560
<v Speaker 1>he is so intense and so good that the new

0:18:33.600 --> 0:18:37.280
<v Speaker 1>directions will never be able to cut it and will falter.

0:18:38.040 --> 0:18:41.880
<v Speaker 1>So I remember shooting these scenes with whit Herford, who

0:18:41.920 --> 0:18:49.359
<v Speaker 1>played Dakota Stanley hilarious. Um, we were cracking. Yeah, the

0:18:49.400 --> 0:18:51.639
<v Speaker 1>one with all of us where he's like criticizing us.

0:18:51.680 --> 0:18:55.159
<v Speaker 1>But earlier on we go to UM we go on

0:18:55.200 --> 0:18:59.720
<v Speaker 1>location and I remember shooting this with Um Kurd and

0:18:59.760 --> 0:19:01.399
<v Speaker 1>we're say, this is where you kind of set up

0:19:01.480 --> 0:19:05.239
<v Speaker 1>the Kurt's car with the Lincoln and you know him

0:19:05.320 --> 0:19:09.280
<v Speaker 1>driving that car and UM, there was a last scene

0:19:09.280 --> 0:19:12.600
<v Speaker 1>of the night that we shot with him in the convertible,

0:19:13.240 --> 0:19:15.920
<v Speaker 1>UM getting in the car and we had like run

0:19:15.920 --> 0:19:17.359
<v Speaker 1>out of time, and it was like one of the

0:19:17.400 --> 0:19:20.480
<v Speaker 1>first times I think I realized like, oh, you can't

0:19:20.520 --> 0:19:23.119
<v Speaker 1>like really go over without like costing a lot of

0:19:23.200 --> 0:19:26.440
<v Speaker 1>money to the production. UM. And I think we did

0:19:26.440 --> 0:19:28.280
<v Speaker 1>that in like one take. I think that was like

0:19:28.320 --> 0:19:31.280
<v Speaker 1>a very very rushed thing. And I remember having a

0:19:31.320 --> 0:19:33.919
<v Speaker 1>line and being so excited that I finally had a

0:19:33.960 --> 0:19:35.760
<v Speaker 1>line and I got I think I got to do

0:19:35.800 --> 0:19:41.760
<v Speaker 1>it once and I was like that's it, that's it. Um.

0:19:41.840 --> 0:19:48.600
<v Speaker 1>But yeah, another incredible vocal a journal performance. I mean

0:19:49.320 --> 0:19:51.199
<v Speaker 1>I never I just love when they put them in

0:19:51.200 --> 0:19:53.480
<v Speaker 1>the air and then they get on the floor and

0:19:53.520 --> 0:19:58.159
<v Speaker 1>it was just like, God, they're so good. Um. Fun fact,

0:19:59.000 --> 0:20:02.639
<v Speaker 1>the girl in vocal Adrenaline outside by the garbage cans

0:20:02.640 --> 0:20:06.720
<v Speaker 1>who is holding um the other dancers hair back is

0:20:06.760 --> 0:20:12.520
<v Speaker 1>Shelby Shum, who is or was at the time Harry's girlfriend,

0:20:12.680 --> 0:20:15.479
<v Speaker 1>but now they are married with a child, and you know,

0:20:15.600 --> 0:20:18.120
<v Speaker 1>and she's a friend of ours. But that is Shelby

0:20:18.119 --> 0:20:20.240
<v Speaker 1>Shum that we get to see, one of the best

0:20:20.240 --> 0:20:23.280
<v Speaker 1>people on the planet. And then also, Kevin, did you

0:20:23.400 --> 0:20:29.959
<v Speaker 1>know that Dakota Stanley was actually Cheyenne Jackson was supposed

0:20:29.960 --> 0:20:33.800
<v Speaker 1>to play Dakota Stanley? What so he was supposed to

0:20:33.800 --> 0:20:37.760
<v Speaker 1>play to go to Stanley? And I texted him this

0:20:37.800 --> 0:20:43.640
<v Speaker 1>morning because I was like, I feel like I know this,

0:20:43.800 --> 0:20:48.400
<v Speaker 1>like he was supposed to play this role. Um, he responded,

0:20:48.840 --> 0:20:52.280
<v Speaker 1>and I started to read you the text, let me

0:20:52.320 --> 0:20:55.920
<v Speaker 1>get it. So I wrote him a voice I said,

0:20:56.000 --> 0:20:58.680
<v Speaker 1>I sent him a voice message and he said, I said,

0:20:58.720 --> 0:21:00.520
<v Speaker 1>did you was it true that you were supposed to

0:21:00.520 --> 0:21:04.040
<v Speaker 1>play Dakota Stanley? He said, hey, hey, yes, that is true. Um,

0:21:04.040 --> 0:21:06.639
<v Speaker 1>I was supposed to play that part. Um. Actually I

0:21:06.680 --> 0:21:09.359
<v Speaker 1>traveled to l A. I had my fitting and I

0:21:09.400 --> 0:21:12.480
<v Speaker 1>got the flu and I was so sick. He was

0:21:12.520 --> 0:21:14.479
<v Speaker 1>like insanity at the time. He was doing Broadway at

0:21:14.480 --> 0:21:16.879
<v Speaker 1>the time, so a poor guy. I was lying on

0:21:16.920 --> 0:21:18.760
<v Speaker 1>the floor in the costume shop and it was lu

0:21:18.840 --> 0:21:21.400
<v Speaker 1>Irick that came in and she was taking care of

0:21:21.480 --> 0:21:24.520
<v Speaker 1>me and it was such a bummer. So yeah, that

0:21:24.640 --> 0:21:26.720
<v Speaker 1>was my I thought my Glee moment was over until

0:21:26.800 --> 0:21:29.720
<v Speaker 1>Ryan said, oh I have something else for you. Um,

0:21:29.800 --> 0:21:34.280
<v Speaker 1>and so yeah, it is very very true. Oh my god,

0:21:34.480 --> 0:21:37.240
<v Speaker 1>thank I he got to come back, I know, because

0:21:37.880 --> 0:21:41.760
<v Speaker 1>you know, what a what a looker. It's a shame.

0:21:41.800 --> 0:21:45.640
<v Speaker 1>He's not talented either. No, yeah, exactly, it's terribly terribly

0:21:45.800 --> 0:21:50.040
<v Speaker 1>untalented and really ugly. So we'll have Hyanne on the podcast.

0:21:50.040 --> 0:21:51.800
<v Speaker 1>He was also one of those people Broadway people. I

0:21:51.800 --> 0:21:53.920
<v Speaker 1>didn't know who he was, and then I remember hearing

0:21:53.960 --> 0:21:56.360
<v Speaker 1>him saying for the first time and just like, well,

0:21:56.400 --> 0:22:00.720
<v Speaker 1>that's not humanly possible or fair, but exactly like what.

0:22:01.800 --> 0:22:10.640
<v Speaker 1>So Sue also tries to get to pretty terrible success

0:22:10.960 --> 0:22:14.000
<v Speaker 1>um Quinn and Santana to pick off the Glee club

0:22:14.240 --> 0:22:18.240
<v Speaker 1>one by one to mess up their relationships, their morale,

0:22:18.480 --> 0:22:21.640
<v Speaker 1>all that sort of thing, which brings us to sort

0:22:21.680 --> 0:22:26.480
<v Speaker 1>of the sea plot of this episode, which is the

0:22:26.520 --> 0:22:32.119
<v Speaker 1>best plot, the best plot where Mercedes is noticing that

0:22:32.160 --> 0:22:38.600
<v Speaker 1>everybody's coupled up, and she in her bff kurt Um

0:22:38.720 --> 0:22:43.919
<v Speaker 1>are seemingly close and friendly with one another. So Quentin

0:22:44.240 --> 0:22:49.040
<v Speaker 1>and Santana swoop into encourage that love interaction, and it

0:22:49.160 --> 0:22:53.879
<v Speaker 1>keeps happening, um until some of the new directions step

0:22:53.920 --> 0:22:57.280
<v Speaker 1>in and be like, we're having a game engine. So

0:22:57.440 --> 0:23:00.240
<v Speaker 1>the game engine was really fun to shoot, and I

0:23:00.280 --> 0:23:03.359
<v Speaker 1>remember being so excited I got to say Lady Fabulous,

0:23:03.600 --> 0:23:10.640
<v Speaker 1>hurts Lady Fabulous. Um. That was really Uh. We didn't

0:23:10.640 --> 0:23:12.159
<v Speaker 1>have like attend to do in this episode, so it

0:23:12.240 --> 0:23:14.040
<v Speaker 1>was really fun to shoot these little like one offs.

0:23:14.040 --> 0:23:19.720
<v Speaker 1>But um, we were very involved in this Bust Your Windows.

0:23:19.800 --> 0:23:22.920
<v Speaker 1>I feel I feel like I was invested in this number.

0:23:22.960 --> 0:23:25.000
<v Speaker 1>I mean basically, yeah, I think our memory of this

0:23:25.080 --> 0:23:30.040
<v Speaker 1>is Bust Your Windows because coming into this show or

0:23:30.520 --> 0:23:34.360
<v Speaker 1>the season, during the pilot, Amber and I had been

0:23:34.400 --> 0:23:36.600
<v Speaker 1>talking about and I think it was Amber and Ryan

0:23:36.640 --> 0:23:40.439
<v Speaker 1>they had been talking about Jasmine Sullivan. Somehow came up.

0:23:40.480 --> 0:23:44.360
<v Speaker 1>Amber and I were gigantic fans of Jasmine Sullivan. Um,

0:23:44.359 --> 0:23:47.200
<v Speaker 1>it was her first album had just come out and

0:23:47.359 --> 0:23:50.000
<v Speaker 1>Buster Windows was the single, and it was the first

0:23:50.040 --> 0:23:53.680
<v Speaker 1>time he sort of listened to what we were saying

0:23:53.680 --> 0:23:57.119
<v Speaker 1>about the music and put it into the show and

0:23:57.160 --> 0:24:02.280
<v Speaker 1>then gave her this gigantic and in sane performance that

0:24:02.359 --> 0:24:05.800
<v Speaker 1>I love that It ends with you broke my car,

0:24:05.880 --> 0:24:12.040
<v Speaker 1>You broke my heart, You broke my heart. It's so

0:24:12.280 --> 0:24:15.280
<v Speaker 1>and I do you like we all went and watched

0:24:15.480 --> 0:24:19.200
<v Speaker 1>we I mean I feel like we we watched every rehearsal,

0:24:19.440 --> 0:24:23.399
<v Speaker 1>We watched this being filmed, like this was this was

0:24:23.480 --> 0:24:26.440
<v Speaker 1>it for us. This was like our first music video moment.

0:24:26.480 --> 0:24:29.880
<v Speaker 1>Also story wise, leading up to this, you know, after

0:24:29.880 --> 0:24:33.959
<v Speaker 1>the gay invention and the plotting by the Cheerios, Mercedes finally,

0:24:34.840 --> 0:24:37.639
<v Speaker 1>you know, addresses it with Kurt, and Kurt says that

0:24:37.680 --> 0:24:40.480
<v Speaker 1>he's in love with somebody else and on camera we

0:24:40.480 --> 0:24:43.399
<v Speaker 1>see he's looking at Finn, but then Rachel comes into

0:24:44.000 --> 0:24:48.960
<v Speaker 1>frame and he just says, it's Rachel. And at this

0:24:49.000 --> 0:24:52.440
<v Speaker 1>car wash. Were you at this car wash? I think

0:24:52.440 --> 0:24:55.280
<v Speaker 1>we were. Yes, we were. We were at the car wash,

0:24:55.400 --> 0:24:58.320
<v Speaker 1>but like we were, I was watching something, but I

0:24:58.359 --> 0:25:00.960
<v Speaker 1>was definitely more concerned, more hidden behind the car. Yeah,

0:25:01.000 --> 0:25:04.280
<v Speaker 1>and I was just really focused on learning the choreography. Yes,

0:25:04.560 --> 0:25:07.560
<v Speaker 1>very professional of me, yes, yes, yes. And so Mercedes

0:25:07.640 --> 0:25:11.280
<v Speaker 1>launches into this whole number because she throws something through

0:25:11.359 --> 0:25:18.280
<v Speaker 1>Kurt's windshield, his paper thin windshield. Yes. Absolutely, And some

0:25:18.400 --> 0:25:22.280
<v Speaker 1>of our like BFF dancers were in this number. Hemo

0:25:22.440 --> 0:25:27.840
<v Speaker 1>is in this number, Hanna Hannah who was Beyonce dancer. Um,

0:25:27.880 --> 0:25:31.359
<v Speaker 1>it's truly like gangs all here between Vocal Journaline and

0:25:31.400 --> 0:25:34.960
<v Speaker 1>buster Windows. It was every dancer ever And I was

0:25:34.960 --> 0:25:36.960
<v Speaker 1>like yelling at the TV of this morning again. I

0:25:37.040 --> 0:25:41.560
<v Speaker 1>was so excited to hear, and we did that on tour.

0:25:42.080 --> 0:25:45.199
<v Speaker 1>She came out and an escalate on tour. I was

0:25:45.240 --> 0:25:48.360
<v Speaker 1>getting ready during this number, so I never really got

0:25:48.400 --> 0:25:54.120
<v Speaker 1>to see as much as I probably would have liked UM,

0:25:54.200 --> 0:26:00.359
<v Speaker 1>but this was, Yeah, it's a highlight for me. And

0:26:00.400 --> 0:26:03.800
<v Speaker 1>then and then it leads us to the really nice

0:26:03.840 --> 0:26:07.199
<v Speaker 1>scene where Mercedes apologizes for throwing you know, busting his

0:26:07.240 --> 0:26:11.359
<v Speaker 1>windows and um throwing something in his Lincoln and that's

0:26:11.800 --> 0:26:15.200
<v Speaker 1>I cheered up and Kurt comes out. Cheered up when

0:26:15.240 --> 0:26:17.879
<v Speaker 1>Kurt came out, And that was a really big deal

0:26:18.560 --> 0:26:22.920
<v Speaker 1>because that wasn't seen on TV on network TV especially

0:26:22.960 --> 0:26:27.240
<v Speaker 1>hardly ever, and I think for a teen to do it,

0:26:28.080 --> 0:26:32.639
<v Speaker 1>UM was also a huge deal and to have that

0:26:32.760 --> 0:26:34.600
<v Speaker 1>supported in such a big way like if you're on

0:26:34.640 --> 0:26:36.479
<v Speaker 1>network TV. Back then it was like that was your

0:26:36.520 --> 0:26:40.640
<v Speaker 1>way of being exposed to as many viewers as possible,

0:26:41.960 --> 0:26:44.400
<v Speaker 1>or like TV has changed, you know, the landscape has changed.

0:26:44.440 --> 0:26:50.760
<v Speaker 1>But back then that was a very very big deal. Um.

0:26:51.040 --> 0:26:54.200
<v Speaker 1>I also wanted to, um, make sure we didn't miss

0:26:54.440 --> 0:26:58.880
<v Speaker 1>Kevin that there is shirtless shoe in this episode. Yeah,

0:26:58.880 --> 0:27:00.320
<v Speaker 1>do you have a time stamp on that? I do

0:27:00.440 --> 0:27:04.320
<v Speaker 1>what I do? It is seven minutes and fifty three seconds.

0:27:05.040 --> 0:27:08.520
<v Speaker 1>Are we like three for three? Shirt? Listen every episode

0:27:08.560 --> 0:27:13.879
<v Speaker 1>so far thousand per cent. He's um making out Terry

0:27:14.080 --> 0:27:16.119
<v Speaker 1>talking about like how being in a boy man was

0:27:16.119 --> 0:27:18.560
<v Speaker 1>doing wonders while we know that Terry is actually just

0:27:18.600 --> 0:27:22.399
<v Speaker 1>trying to actually get pregnant, you know, as you do

0:27:22.480 --> 0:27:26.040
<v Speaker 1>take your shirt off in addition to bust your windows.

0:27:26.119 --> 0:27:29.560
<v Speaker 1>I I skipped over this before. But going back to

0:27:29.600 --> 0:27:32.840
<v Speaker 1>probably my second favorite scene to shoot was the choir

0:27:32.920 --> 0:27:37.600
<v Speaker 1>room seeing where we are getting berated and insulted in

0:27:37.640 --> 0:27:42.160
<v Speaker 1>every horrible way by Dakota Stanley. Um, but I remember

0:27:42.160 --> 0:27:46.720
<v Speaker 1>when we shot that, Um, we were having such a

0:27:46.720 --> 0:27:50.840
<v Speaker 1>hard time not breaking the hardest. This was also a

0:27:50.920 --> 0:27:52.920
<v Speaker 1>night shoot, like or late at night. I remember it

0:27:52.960 --> 0:27:55.880
<v Speaker 1>was like one of our last things up and it

0:27:56.000 --> 0:27:58.440
<v Speaker 1>was really hard and he was actually like, wait, was

0:27:58.600 --> 0:28:06.200
<v Speaker 1>holding it together so simple, like not a wink, didn't blink. Yeah,

0:28:06.200 --> 0:28:13.160
<v Speaker 1>I don't know what you're trying to but it's fine.

0:28:13.560 --> 0:28:17.639
<v Speaker 1>I don't know what he was professional, we were not.

0:28:17.720 --> 0:28:21.720
<v Speaker 1>We could and he was just spitting out these insults

0:28:21.760 --> 0:28:26.800
<v Speaker 1>and these things. I also feel like, um, when Leah

0:28:26.840 --> 0:28:29.720
<v Speaker 1>walks up to him at the end, when they sort

0:28:29.720 --> 0:28:32.280
<v Speaker 1>of realized that the glee club realized that they don't

0:28:32.280 --> 0:28:34.440
<v Speaker 1>need him, that what's special about them is that they're

0:28:34.440 --> 0:28:37.240
<v Speaker 1>different and they're not never going to be and this

0:28:37.280 --> 0:28:40.800
<v Speaker 1>is important to remember going forward. One thing is that

0:28:41.560 --> 0:28:44.920
<v Speaker 1>New Directions is aware that they will never be as

0:28:44.920 --> 0:28:48.440
<v Speaker 1>good dancers as Vocal Adrenaline, So when we start competing

0:28:48.480 --> 0:28:53.680
<v Speaker 1>against one another, that makes more sense. And also when

0:28:54.240 --> 0:28:57.160
<v Speaker 1>before she storms out says like and I'm taller than you,

0:28:57.600 --> 0:29:00.120
<v Speaker 1>I feel like that must have been and I have it.

0:29:00.640 --> 0:29:02.840
<v Speaker 1>I think it probably was because she She would do

0:29:02.880 --> 0:29:05.080
<v Speaker 1>that a lot at the end of scenes, and they

0:29:05.120 --> 0:29:09.560
<v Speaker 1>were usually pretty funny, very funny. Um. Also, that was

0:29:09.600 --> 0:29:12.920
<v Speaker 1>the first time we heard Franquantine. You remember that dragging

0:29:12.920 --> 0:29:17.760
<v Speaker 1>your knuckles on the cropt and Frankintine was Corey's Twitter

0:29:18.360 --> 0:29:22.520
<v Speaker 1>handle in the beginning, um, before all of us like

0:29:23.400 --> 0:29:25.800
<v Speaker 1>decided to go back to our regular names, which Kevin

0:29:26.120 --> 0:29:34.200
<v Speaker 1>can't because somebody has his handle anyway. Um um. And

0:29:34.200 --> 0:29:37.840
<v Speaker 1>and then we get to my favorite scene of the

0:29:37.840 --> 0:29:44.160
<v Speaker 1>whole show episode what's favorite Sue was office Kevin, Oh

0:29:44.240 --> 0:29:49.920
<v Speaker 1>my god. Um No, Sue is angry at the Cheerios

0:29:50.360 --> 0:29:55.640
<v Speaker 1>Quinn and Santana for um not succeeding in bringing down

0:29:55.880 --> 0:29:58.160
<v Speaker 1>the Glee Club so that she can get her budget

0:29:58.160 --> 0:30:03.680
<v Speaker 1>back up and um right, and and this is the

0:30:03.680 --> 0:30:06.719
<v Speaker 1>suit quote which will make it into tarty takes because

0:30:07.200 --> 0:30:09.480
<v Speaker 1>this is this is the quote of the episode. I'm

0:30:09.520 --> 0:30:12.120
<v Speaker 1>going to ask you to smell your armpits. That's the

0:30:12.160 --> 0:30:16.000
<v Speaker 1>smell of failure and it's stinking up my office. And

0:30:16.040 --> 0:30:21.120
<v Speaker 1>then Naya brilliantly, brilliantly crying and running out because she

0:30:21.160 --> 0:30:27.440
<v Speaker 1>gets her tanning boot. Um tanning privilege, tanning privileges so good.

0:30:27.480 --> 0:30:31.360
<v Speaker 1>I also love and that scene to where sus watching

0:30:31.520 --> 0:30:36.160
<v Speaker 1>videos of her Cheerios on the TV doing performances, just

0:30:36.320 --> 0:30:39.360
<v Speaker 1>replaying factor. There are also some really speaking of great

0:30:39.400 --> 0:30:46.800
<v Speaker 1>quotes anytime um Will Schuster's mother opened her mouth. Um, oh,

0:30:46.920 --> 0:30:49.720
<v Speaker 1>Debor Monk with the Debor Monk and Josh grow up

0:30:49.840 --> 0:30:53.040
<v Speaker 1>at the end and she's I've maybe never seen a

0:30:53.080 --> 0:30:57.400
<v Speaker 1>better drunk performance. You know, it is hard to play

0:30:57.480 --> 0:31:03.400
<v Speaker 1>drunk successfully. And she was very good, excellent. I mean,

0:31:03.480 --> 0:31:07.959
<v Speaker 1>that is a masterclass. I didn't have to show my bosoms.

0:31:08.280 --> 0:31:09.480
<v Speaker 1>Why didn't I just get up to the mic and

0:31:09.480 --> 0:31:18.280
<v Speaker 1>grab mite? Did where are your boobies? They're they're melting away. Um. Anyway,

0:31:18.440 --> 0:31:23.520
<v Speaker 1>I asked that because Kevin has boobs from RuPaul's drag Race.

0:31:23.560 --> 0:31:25.280
<v Speaker 1>That's where I asked where your boobies were? Well, you know,

0:31:25.360 --> 0:31:26.880
<v Speaker 1>we should do speaking of it, we should do a

0:31:26.880 --> 0:31:29.080
<v Speaker 1>little Should we do a mini episode about our experience

0:31:29.120 --> 0:31:31.840
<v Speaker 1>on drag Race? Yeah, we let us know, people, let

0:31:31.880 --> 0:31:32.959
<v Speaker 1>us know, let us know if you want to hear

0:31:33.000 --> 0:31:34.920
<v Speaker 1>about that. Yeah, and then go bug Brooklyn Heights and

0:31:34.960 --> 0:31:40.560
<v Speaker 1>money exchange and to come on it. Yeah all right, um,

0:31:40.600 --> 0:31:43.920
<v Speaker 1>And that's the episode that is no, not so bad.

0:31:43.960 --> 0:31:46.440
<v Speaker 1>And I it was fun that they played with the dynamics.

0:31:46.720 --> 0:31:49.400
<v Speaker 1>There is less Sue in this episode. There's less of

0:31:49.440 --> 0:31:52.560
<v Speaker 1>the kids, but it is nice. Just every once in

0:31:52.600 --> 0:31:54.800
<v Speaker 1>a while, you gotta break it up, you know. Yeah,

0:31:55.360 --> 0:31:57.640
<v Speaker 1>I really I did enjoy seeing like Howard bambooing in

0:31:57.840 --> 0:32:02.080
<v Speaker 1>and like Kender Knoka and everybody. I think, just like

0:32:02.240 --> 0:32:05.920
<v Speaker 1>Jennifer Aspen's character at Kendra. Howard Bamboo was also a

0:32:05.920 --> 0:32:10.200
<v Speaker 1>fan favorite for us. We loved Howard Bam and also

0:32:10.320 --> 0:32:13.800
<v Speaker 1>a singer like it sounded great in this episode. Right,

0:32:13.960 --> 0:32:34.440
<v Speaker 1>that's right, he's really crushing it. Okay, tardy takes, Tarty takes.

0:32:35.160 --> 0:32:39.280
<v Speaker 1>Um just a reminder for people, Uh, this is our

0:32:39.400 --> 0:32:42.480
<v Speaker 1>version of superlatives. So we want to give you our

0:32:42.560 --> 0:32:45.640
<v Speaker 1>takes each week on some of the following categories. Okay,

0:32:45.720 --> 0:32:51.040
<v Speaker 1>so let's start with the cringe moment. Honestly dancing, just

0:32:51.280 --> 0:32:55.440
<v Speaker 1>the dancing, the straightness of the boy band. The Akafellas

0:32:55.520 --> 0:32:58.120
<v Speaker 1>were the second hand embarrassment, but I think that was

0:32:58.160 --> 0:33:01.280
<v Speaker 1>by design and it was beautifully done. Yes, yes, yes,

0:33:01.400 --> 0:33:04.240
<v Speaker 1>yes it is intentional. Yeah, it also works for the

0:33:04.280 --> 0:33:09.680
<v Speaker 1>worst dance move again, I mean anything anything they were doing.

0:33:09.920 --> 0:33:13.520
<v Speaker 1>But I do have to point out, um, I remember

0:33:13.560 --> 0:33:16.080
<v Speaker 1>when we watched this performance of I Want to Sex

0:33:16.120 --> 0:33:18.720
<v Speaker 1>You Up. When Corey starts singing and he gets that

0:33:18.800 --> 0:33:23.000
<v Speaker 1>little sly like I'm trying to be sexy face. We

0:33:23.000 --> 0:33:26.200
<v Speaker 1>were such suckers for that because it was so good

0:33:26.400 --> 0:33:29.880
<v Speaker 1>and it was so adorable and so funny. So that

0:33:29.960 --> 0:33:32.720
<v Speaker 1>was one of my best like little moments of the

0:33:32.760 --> 0:33:36.880
<v Speaker 1>episode because he sort of did that should intentionally, you know, yeah,

0:33:37.200 --> 0:33:39.040
<v Speaker 1>he was messing with us. What was your favorite song

0:33:39.080 --> 0:33:45.640
<v Speaker 1>in this episode? Bust your windows out the gas viously obviously?

0:33:46.240 --> 0:33:48.200
<v Speaker 1>Um what about the best line we we had that

0:33:48.240 --> 0:33:53.560
<v Speaker 1>one to Yeah, smelling your armpits um and the best

0:33:53.560 --> 0:33:56.760
<v Speaker 1>performance by a prop. I would say the vomit into

0:33:56.800 --> 0:33:59.239
<v Speaker 1>the trash can? Does that count as a prop? Oh?

0:33:59.280 --> 0:34:01.000
<v Speaker 1>I was going to say the rock that was hit

0:34:01.120 --> 0:34:05.920
<v Speaker 1>into the windshield our powers combined. Okay, that's a solid episode.

0:34:05.960 --> 0:34:12.399
<v Speaker 1>It's lum ship. That didn't age. Well. Well, here's the thing.

0:34:12.640 --> 0:34:15.040
<v Speaker 1>But I think the whole Sandy Ryerson thing of like

0:34:16.239 --> 0:34:19.399
<v Speaker 1>not being like is he allowed in the faculty faculty room?

0:34:19.400 --> 0:34:23.160
<v Speaker 1>He's like, I'm just allowed fifty feet near children. It's

0:34:23.600 --> 0:34:27.360
<v Speaker 1>it's like it doesn't work. It wouldn't work, but it's funny.

0:34:27.480 --> 0:34:30.080
<v Speaker 1>It just wouldn't work in this day and age, and

0:34:30.120 --> 0:34:32.560
<v Speaker 1>it's like, is it funny? I don't know. Am I

0:34:32.560 --> 0:34:35.759
<v Speaker 1>going to get in trouble for that? I don't know. Also,

0:34:35.960 --> 0:34:40.560
<v Speaker 1>it was it was funny because of how like uncomfortable

0:34:40.960 --> 0:34:45.799
<v Speaker 1>and um improper. It was like we're like, oh, are

0:34:45.840 --> 0:34:49.719
<v Speaker 1>we allowed to laugh at this? I don't know, right right, right,

0:34:49.800 --> 0:34:52.719
<v Speaker 1>right right. I do have to say also, the like

0:34:52.800 --> 0:34:57.839
<v Speaker 1>insults we got by um Dakota Stanley, those probably were

0:34:57.880 --> 0:35:02.239
<v Speaker 1>not that that it's probably not gonna fly um. And

0:35:03.120 --> 0:35:04.799
<v Speaker 1>you know, honestly, the thing that h well for me

0:35:04.920 --> 0:35:08.080
<v Speaker 1>was like, it's still still works is like Kurt coming

0:35:08.160 --> 0:35:11.319
<v Speaker 1>like the Kurt storyline of like coming out, and you know,

0:35:11.400 --> 0:35:13.840
<v Speaker 1>it's just that that sweet moment at the end. And

0:35:13.960 --> 0:35:18.000
<v Speaker 1>something I really appreciated this time was, um, what Mercedes

0:35:18.360 --> 0:35:22.399
<v Speaker 1>immediately said to him. Immediately, it was like, we are

0:35:22.400 --> 0:35:25.000
<v Speaker 1>your people. You can trust the Glee Club to support

0:35:25.080 --> 0:35:27.799
<v Speaker 1>you exactly who you are. You don't need to feel

0:35:27.800 --> 0:35:31.919
<v Speaker 1>ashamed of that where everybody wants a friend like that

0:35:32.320 --> 0:35:36.560
<v Speaker 1>and like what a great friend Mercedes was immediately to Kurt.

0:35:36.640 --> 0:35:40.320
<v Speaker 1>And I thought that was also very very important to

0:35:40.320 --> 0:35:44.240
<v Speaker 1>to show kids and adults of how to um treat

0:35:44.280 --> 0:35:46.640
<v Speaker 1>the situation and also sets us up for you know,

0:35:46.680 --> 0:35:49.680
<v Speaker 1>the Burton Kurt thing coming next episode. Oh my goodness,

0:35:49.719 --> 0:35:52.239
<v Speaker 1>I can't wait. I had to actually like pause the

0:35:52.560 --> 0:35:54.840
<v Speaker 1>play it automatically went into pragers and I had to

0:35:55.000 --> 0:35:58.400
<v Speaker 1>pause it, but I didn't want to because it's so good.

0:35:58.719 --> 0:36:02.080
<v Speaker 1>I was saying honorable mention. Best quote was Josh Groban

0:36:02.120 --> 0:36:08.440
<v Speaker 1>loves a blousie alcoholic. I love an honorable mention. They

0:36:08.480 --> 0:36:13.880
<v Speaker 1>were just firing firing jokes off in these episodes, truly. Um, Jenna,

0:36:13.960 --> 0:36:17.600
<v Speaker 1>I have a surprise for you. It's your favorite segment. Yeah,

0:36:18.080 --> 0:36:23.080
<v Speaker 1>it's ship we found on TikTok. Yes, give it to me. So, UM,

0:36:23.120 --> 0:36:28.200
<v Speaker 1>there was this TikToker who pointed out that she wasn't

0:36:28.200 --> 0:36:32.759
<v Speaker 1>necessarily sure um if this was intentional or not, Like

0:36:32.960 --> 0:36:38.319
<v Speaker 1>these were backhanded like credits that UM Ryan Murphy does

0:36:38.360 --> 0:36:42.920
<v Speaker 1>on his show. So for example, in UM in the

0:36:42.920 --> 0:36:46.000
<v Speaker 1>American Horror Story, he one of the credits some of

0:36:46.040 --> 0:36:48.319
<v Speaker 1>people were like pale person number one, Pale Person number two.

0:36:49.320 --> 0:36:54.840
<v Speaker 1>And then in Glee, she noticed that, Um, some of

0:36:54.880 --> 0:37:01.240
<v Speaker 1>the Warblers were credited as UM super gay Warbler, Super

0:37:01.239 --> 0:37:05.000
<v Speaker 1>gay Warblers, Super gay war There's a whole section of

0:37:05.719 --> 0:37:09.200
<v Speaker 1>like Mason trub blood is he was in several episodes

0:37:09.239 --> 0:37:11.680
<v Speaker 1>as super gay Warbler. And then there's someone else that

0:37:11.840 --> 0:37:17.800
<v Speaker 1>was labeled as other really gay Warbler. So it turns

0:37:17.800 --> 0:37:21.640
<v Speaker 1>out it's true and he does do that for that,

0:37:22.000 --> 0:37:24.480
<v Speaker 1>which makes a lot of sense to me because so

0:37:24.600 --> 0:37:26.600
<v Speaker 1>you don't see this on the show obviously, but in

0:37:26.680 --> 0:37:29.400
<v Speaker 1>the scripts, um, I feel like Ian would do this

0:37:29.400 --> 0:37:31.960
<v Speaker 1>a lot, and the stage directions he would write in

0:37:32.080 --> 0:37:36.279
<v Speaker 1>all these jokes and descriptions of people that would never

0:37:36.320 --> 0:37:39.759
<v Speaker 1>be seen on camera. But we're just so funny it

0:37:39.800 --> 0:37:42.759
<v Speaker 1>will make us crack up. So having characters named this

0:37:43.080 --> 0:37:49.040
<v Speaker 1>for the resume funny. You know. I'm just still very

0:37:49.040 --> 0:37:52.520
<v Speaker 1>impressed with people and how deep of a dive it go.

0:37:52.680 --> 0:37:55.520
<v Speaker 1>Me too. That's why if you're on TikTok and you

0:37:55.600 --> 0:37:58.279
<v Speaker 1>come across these things and you have questions, d m

0:37:58.360 --> 0:38:01.879
<v Speaker 1>it to our account on TikTok, which is at that's

0:38:01.880 --> 0:38:05.560
<v Speaker 1>what you really missed, and maybe we're gonna talk about it.

0:38:05.560 --> 0:38:08.400
<v Speaker 1>We probably will, because we definitely will. This is fun

0:38:08.480 --> 0:38:10.799
<v Speaker 1>and this is fun for me to surprise Jannat with this.

0:38:10.800 --> 0:38:13.680
<v Speaker 1>This is a good I'm enjoying this. I'm enjoying not

0:38:13.800 --> 0:38:18.440
<v Speaker 1>having to do it and and being told you're welcome,

0:38:19.080 --> 0:38:25.240
<v Speaker 1>thank you, thank you. Our incredible producers are coming through TikTok,

0:38:26.000 --> 0:38:28.920
<v Speaker 1>so shout out to them for messing up their algorithms

0:38:28.960 --> 0:38:40.520
<v Speaker 1>to discover these things. Um, well that is Acafella's for y'all. Um,

0:38:39.000 --> 0:38:44.719
<v Speaker 1>how do I'm pleasantly surprised and taking accountability for the

0:38:44.760 --> 0:38:48.960
<v Speaker 1>fact that, like I probably had lower expectations than I

0:38:48.960 --> 0:38:54.399
<v Speaker 1>should have. And also that's super excited about Preggers next week.

0:38:54.600 --> 0:38:57.719
<v Speaker 1>So come back next week and recap Preggers with us,

0:38:58.239 --> 0:39:03.319
<v Speaker 1>and we have some really great Yes, yes, you might

0:39:03.360 --> 0:39:05.759
<v Speaker 1>be able to guess it, you might not, um and

0:39:08.200 --> 0:39:11.960
<v Speaker 1>what a what a treat Jenna? What a spoiler? Anytime? Anytime?

0:39:12.360 --> 0:39:15.400
<v Speaker 1>All Right, Well, see you next week and that's what

0:39:15.520 --> 0:39:20.719
<v Speaker 1>you really missed. Bye, Thanks for listening, and follow us

0:39:20.719 --> 0:39:23.440
<v Speaker 1>on Instagram at and that's what you really miss pod.

0:39:23.719 --> 0:39:25.560
<v Speaker 1>Make sure to write us a review and leave us

0:39:25.600 --> 0:39:27.080
<v Speaker 1>five stars. See you next time.