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Speaker 1: Welcome to alchemy this. I'm your host, Kevin Pollock. Yes

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Speaker 1: that Kevin Pollock. What's that You have a script for

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Speaker 1: me to read? I'd love to, but first this. Over

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Speaker 1: the years, I've been damn hell lucky to see my

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Speaker 1: fair share of true alchemy. By definition, alchemy is when

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Speaker 1: a person creates something through a seemingly magical process. And

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Speaker 1: my dear ding dong's and ho hoes, Like I said,

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Speaker 1: I've been witnessed to the stuff on several occasions. An example,

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Speaker 1: you ask sure if you're gonna be a horse's ass.

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Speaker 1: Let's see. Uh oh, here's one. The names Mathou and

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Speaker 1: Lemon may sound like the fresh fish of the day

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Speaker 1: to you, but every day on the set with those

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Speaker 1: two meant studying at the feet of great alchemists. But

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Speaker 1: I digress, folks. Not too long ago the idea hit me.

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Speaker 1: What if I brought together the right creative people and

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Speaker 1: ask them to make shut up based on my own twisted,

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Speaker 1: demented ideas that offered it as a podcast of this

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Speaker 1: seemingly magical process, And what if I call that alchemy?

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Speaker 1: My boy, you don't look a thing like me. Well,

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Speaker 1: after months of tinkering, I'm so very proud to welcome you,

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Speaker 1: dear friends. New episode seven of Alchemy. This let's meet

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Speaker 1: a group of alchemists, shall we, in no particular order,

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Speaker 1: say hello to Chris Alvarado? Chris, why does John wu

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Speaker 1: need white doves to to take flight in his film?

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Speaker 1: It's symbolism? Yes? And uh? Turning up the next is

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Speaker 1: Vanessa Raglan Venete. What do you get the nerve? Oh?

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Speaker 1: I got it from my mom. Look everyone, it's Joey Greer.

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Speaker 1: Hey Greer co When is enough too much? When it?

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Speaker 1: When it is? That's exactly right? Uh? Somebody help him down?

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Speaker 1: And what would a super team like this to be without?

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Speaker 1: Mr Craig Katkowski Craig Massion when you're coming home? Uh?

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Speaker 1: Them coming home in the fall one of the last

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Speaker 1: but foodie on you if you're thinking ladies, Mr James

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Speaker 1: c James, can I call you in Nigo Montoya? That

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Speaker 1: was my father? So good number one? Yes, everyone loves

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Speaker 1: to go to the doctor and or dentists. First up

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Speaker 1: a doctor played by Vanessa with an next ray for

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Speaker 1: a patient played by James. Oh, sorry about that. Mr MacArthur.

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Speaker 1: That's fine, that's my text tone. Okay, it's fine I'm

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Speaker 1: just you said it was really important what your friend

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Speaker 1: is sending me the silliest little what are they called

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Speaker 1: when it's a picture but it shutters, it's an emoji. No, no,

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Speaker 1: it's a real picture and it shut it's a gift. Yes,

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Speaker 1: we're still in that phase where that is. Texting is fun.

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Speaker 1: I had to take an early lunch break for work

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Speaker 1: to come down to see you. I don't know what

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Speaker 1: this has gotten me kind of nervous. Well you should be. Um.

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Speaker 1: Let me just pull your file which I put put

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Speaker 1: it over. Um Andy, Andy, Um, where where are the files?

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Speaker 1: I had all the files and a stack and there

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Speaker 1: were X rays on. I took them home, but just

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Speaker 1: now to organize them after breakfast. Yeah, I went home

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Speaker 1: real quick to organize them. Well, Andy, I needed those. Okay,

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Speaker 1: I will be right back. Okay, thank you. Um so

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Speaker 1: you and I Dr Shrine Just you must remember what

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Speaker 1: it was. Can you just tell me here? I am Oh, wow,

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Speaker 1: that's right upstairs. I forgot Okay, thank you very much.

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Speaker 1: And that's not a violation of any codes. So may

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Speaker 1: I call you Arthur? I would prefer it, yes, because

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Speaker 1: we're about to get pretty personal. Um. Let me turn

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Speaker 1: not there we go. Now, um, if I just you

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Speaker 1: see what I see? I mean, it's to me, I'm

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Speaker 1: just a layman. I guess I don't know what I'm

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Speaker 1: looking at. Next right, it's next y, very good one

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Speaker 1: for you, Andy, mark one up for Arthur. Um But

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Speaker 1: do you see all the tumors? I don't wish what

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Speaker 1: parts the tumors? O? God, how many are on there? No,

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Speaker 1: it's mostly two where well, you're just the bubbling of

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Speaker 1: your skin. And what we found out is it's caused

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Speaker 1: by just all the tumors. Are you sure? Yeah? Pretty sure?

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Speaker 1: Can you just point one of the tumors out of

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Speaker 1: the ones right there? But they're popping out from underneath.

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Speaker 1: We got good news and bad news. Arthur, Arthur. I'm

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Speaker 1: gonna need get to calm down, Arthur, Arthur. You're in

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Speaker 1: my office just staring the people in the waiting room. Arthur.

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Speaker 1: I'm so sorry. I'm so sorry. I don't oh, can't

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Speaker 1: quite cross this day. He's not a family, so do we.

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Speaker 1: You can't be born without having a family. It's not special. Listen,

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Speaker 1: what I can tell from the X ray is we've

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Speaker 1: got to do a little poking around in there, a

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Speaker 1: little prodding because we've got tons of tumors. It sure is,

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Speaker 1: and it's got just grapes worth. But if we get

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Speaker 1: in there, you know what, we could find out. It's

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Speaker 1: not as bad as it looks. We can You're still functioning,

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Speaker 1: you're still crying, speaking, driving. You just have some headaches, right,

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Speaker 1: that was your main symptom. Was there anything else that

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Speaker 1: was well? Yeah, the headaches, but they are bad headaches.

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Speaker 1: Well obviously because your skull is bursting with tumors we've

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Speaker 1: made No, it could be much worse. Really, yeah, I

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Speaker 1: could know what the tumors are. We don't know that yet.

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Speaker 1: So I just wanted to schedule a surgery for a

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Speaker 1: s A possible, but were it in here the day?

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Speaker 1: Let's do this, Okay, Well, like today is not great

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Speaker 1: for me, but uh oh, and then me and Dan

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Speaker 1: are going to Cancoon tomorrow. But I get back on

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Speaker 1: the following Wednesday. Okay? Is that too long? Well, I

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Speaker 1: don't know, because I honestly don't know what's in there.

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Speaker 1: So Arthur, you're getting a kind of bedside relationship most

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Speaker 1: doctors don't provide anymore. So I would change your attitude,

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Speaker 1: thank you so much. So I get back Wednesday going

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Speaker 1: to be a little jet lagged. I can get in

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Speaker 1: there Thursday. And by get in there, I'm gonna need

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Speaker 1: a sucky thing. Andy, are you getting this, Yes, we're

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Speaker 1: gonna need a sucky thing. We're gonna need more pokey

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Speaker 1: things than the usual. We're gonna need a few buckets.

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Speaker 1: And um, bring the family. Bring the family. I think

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Speaker 1: you should definitely bring the family, and they can meet

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Speaker 1: my family. They're all upstairs. Yeah, Andy's family. They're very

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Speaker 1: warm people, too small, but warm small. They're shorter than normal.

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Speaker 1: So I will see you Thursday. It's all good. Um,

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Speaker 1: and we'll just get in there, poke around see what

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Speaker 1: oh do you want to see? Or no? I respect

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Speaker 1: that I don't want to see it and up until

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Speaker 1: next Thursday. Some advice would be, um, you know, if

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Speaker 1: you're not like doing what you love, maybe change that.

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Speaker 1: Just do all the things you love. You've got to

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Speaker 1: weaken some change to really live your life. Just in case.

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Speaker 1: We don't know. We don't know. Okay, do you mind

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Speaker 1: if I sit? Uh? No, we we do mind. You're

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Speaker 1: a little shaken up just to drive and take him

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Speaker 1: out the back door. Yeah, we do not validate. I

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Speaker 1: hate to say that, but we don't validate you. You're

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Speaker 1: out of the office to say that poorly on me?

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Speaker 1: What have a cast role going? Oh, thank you your potato.

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Speaker 1: Come on, Arthur, O. Best of luck this next I

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Speaker 1: hope I see Thursday. And now we switch over to dentistry.

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Speaker 1: It's a buffet line of a dentist conference any two. No,

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Speaker 1: I mean, that's what I've been telling him. It's it's

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Speaker 1: it's not about the gums per se, right right, you

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Speaker 1: gonna gonna dig a little deeper. You gotta get down

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Speaker 1: to the roote. God, I haven't seen you since was it?

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Speaker 1: When was it? When it was two years ago? Wyoming

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Speaker 1: Dental conference? Was blarmi, larmie. That's where it was. You

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Speaker 1: gave that fantastic talk on man with head gear versus

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Speaker 1: face geary And the conversation continues, Well, well, I know

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Speaker 1: where you are. I know where you are on that

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Speaker 1: on that side of the line. Let's right out to

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Speaker 1: come to blows this one. Okay, Okay, I'll keep my

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Speaker 1: head gear away from your face. I'll get my face

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Speaker 1: gear wait from your head gear. I'm trying to get

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Speaker 1: to the potatoes. Okay, Well all right, you just just

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Speaker 1: standing in front of the poto so you can walk around.

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Speaker 1: But then if I go around, I won't get making

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Speaker 1: to the potatoes. You know. One of the fantastic things

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Speaker 1: about it is that it's it's not only yeah, we

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Speaker 1: we're trying to solve a problem in two different ways. Yes, right,

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Speaker 1: And what do they always say? Competition breeds insanity, nipple

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Speaker 1: nips every time. Oh yeah, I'm here with potatoes and

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Speaker 1: we'll clear for you to get some taters. Hey, hey,

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Speaker 1: pal let, thank you? Hi, chivelry please? Oh my good

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Speaker 1: you Okay, I'm fine, I hope I'm fine. Is there

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Speaker 1: an issue? Is there? I'm pretty sure this is a

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Speaker 1: conference for dentists. I'm a dentist. Oh I don't. I

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Speaker 1: don't know your face, California. That's rude dreams a snarl

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Speaker 1: Master gavities are insano? Oh great, that was good. It

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Speaker 1: sounded similar to incano like that. That's what I was

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Speaker 1: working on, Nile. Excuse me, you're bleeding from your shirt. Jesus, hey, Steve, Yeah,

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Speaker 1: I'm getting real sick at this conference every year turns

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Speaker 1: into a goddamn front party. That's dentistry. No, if you

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Speaker 1: didn't want this, why didn't you get to be a doctor.

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Speaker 1: I'm going to change it today. Okay, you in. I mean,

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Speaker 1: I've been kind of an outcast. You're the only one

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Speaker 1: that accepts me. That's what I'm saying. What do we

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Speaker 1: change stuff? Why don't we become the poppetar? Yeah? Yeah,

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Speaker 1: I've always wanted to be popular. But your frides her

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Speaker 1: own backwards. Okay, that looks good. People are looking at

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Speaker 1: me now late I'm gonna well, okay, that's part of it.

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Speaker 1: I'm gonna turn my jacket inside out. That looks weird.

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Speaker 1: We can't put it back. It looks weird. Put it back. No,

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Speaker 1: it's it's cool. Actually, you know what if we both

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Speaker 1: do it inside how, it'll be like criss Cross used

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Speaker 1: to do. All right, let's go okay, all right, now

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Speaker 1: it's march over to the potatoes and take those motherfucking potatoes.

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Speaker 1: You got it all right, And so I said, rooke

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Speaker 1: it out. You're gonna eat potatoes. Unbelievable. Who who are

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Speaker 1: these new guys? And seeing no dreams? Smile? Same guy? Yeah, represent,

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Speaker 1: you guys got a problem. Nipple is bleeding through your jacket.

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Speaker 1: Oh I like to taste the blood, but my patients

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Speaker 1: never tasted good. Yes, you don't do much surgery. That's

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Speaker 1: my slogan. Okay, now, if you don't mind, my buddy,

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Speaker 1: and I'm not a dweet, I want some god damn potatoes.

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Speaker 1: All right, there's some over there. Those are the same ones.

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Speaker 1: M all right, see you guys, pleasure man, that's fun.

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Speaker 1: Your hands full of blood. I'm not going to touch

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Speaker 1: your hands. Yeah, come on, what did you just say

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Speaker 1: to me? Hey, come back? Just something sticking out of

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Speaker 1: the back of his pants? Can you get that? Friend? Yeah,

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Speaker 1: don't touch me. That's called a super wedging, calling us losers.

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Speaker 1: We're fucking dentists. I've only got so many pairs of

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Speaker 1: underwear here, guys, this is a convention. Yeah, where do

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Speaker 1: you practice, loser? I'm an Encino. Well, you guys have

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Speaker 1: never been to in Sino? Does somebody say a town? Yeah? Why,

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Speaker 1: I need some backup. This guy and this woman touched

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Speaker 1: my underwear and now I've probably got streaks all over him.

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Speaker 1: That's disgusting. Where are you guys from anyway? Beverly Hills?

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Speaker 1: Have you ever heard of it? Oh my god, it's

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Speaker 1: very close to Yes allahabra alah, that's right. What state

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Speaker 1: is that? In. It's close by. Don't worry about it.

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Speaker 1: It is very Californian. And where are you from? Sherman Oaks? Okay, yeah,

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Speaker 1: that's like the that's like the poor man since here, Sherman. Nope,

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Speaker 1: push Wait did you push me after you said Sherman Nope,

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Speaker 1: After I said push, I push. You don't push on? Nope,

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Speaker 1: you push on? Push, you idiot. Used to be a

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Speaker 1: conference about learning from each other and and and and camaraderie. No,

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Speaker 1: it's a conference about straightening things up. Where'd you get

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Speaker 1: a scalp? But you're a dentist. I got one from

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Speaker 1: the street. Do it. I'm going to do it. Don't

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Speaker 1: let him throat, do it, get away from the potatoes,

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Speaker 1: do it? Do it? Do it? Give me that back

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Speaker 1: before more blood with shed. We take you two. In fact,

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Speaker 1: Sherman notes at a Barnes and Noble, we're best selling

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Speaker 1: doctor slash author? Is that a book signing? As people

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Speaker 1: line up to Edna, Please to Edna, thank you, she's

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Speaker 1: a huge fan. This is a thank you, Thank you

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Speaker 1: so much. You're welcome, darmin hand Gret, How are you?

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Speaker 1: Who am I making this out to? Um? You canna

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Speaker 1: make it out too like, what's your favorite name? I

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Speaker 1: guess blank, thank you, thank you great. I gave you

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Speaker 1: your book back. I didn't notice. Hi hi, oh, I'm sorry.

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Speaker 1: Did I elbow in the face. I just want to

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Speaker 1: say that your book changed my life. UM. I'm never

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Speaker 1: going to go to the doctor again because I was

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Speaker 1: able to diagnose myself of via your book. Good and

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Speaker 1: now I'm not wasting time, you know, googling ailments of

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Speaker 1: like everything's right there in the book. I'm pretty sure

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Speaker 1: I have I have low grade inflammation. UM. I don't know,

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Speaker 1: but I don't know if I if you want me

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Speaker 1: to go through my symptoms or anything or UM. I

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Speaker 1: get constant headaches, I have, I have hives all over

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Speaker 1: my body, depression. UM, I'm I'm an addict. UM addicted

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Speaker 1: to a lot of things, you know, screen time, UM, cocaine,

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Speaker 1: and UM. I also there there's a slight. There's a

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Speaker 1: weird thing going on with my ankle. So I don't

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Speaker 1: know what it is exactly, but it's a little sore,

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Speaker 1: like mostly in the mornings. Once they start moving around,

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Speaker 1: it starts to feel better, but it's always really sore

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Speaker 1: in the morning. What do you think that who should

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Speaker 1: I make this out to Edna. This man is having

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Speaker 1: a heart attack. Is there a doctor here? Doctor? Dr?

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Speaker 1: Can you help us out on? Let the heart attack?

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Speaker 1: Patient diet us themselves first? Wait, what do you think

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Speaker 1: you're having a heart attack? I can't tell. I just

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Speaker 1: can't feel my arm. Then everything wants we should all

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Speaker 1: settle down until we know for sure that they know

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Speaker 1: they're having Okay, we I'm gonna look through your book here. Okay.

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Speaker 1: Chapter two, My chest ums closing. Are you in pain? Check? Okay?

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Speaker 1: Go to chapter four? Okay four. Chapter five says, trust

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Speaker 1: your gut. What does your gut say? Okay, gut says

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Speaker 1: heart attack? Okay. Chapter four says, uh, look inside and

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Speaker 1: are you making this? Get inside? Somebody get inside him.

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Speaker 1: Somebody get inside him right now to make sure he's

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Speaker 1: I'm making it out. Open your mouth. Do you feel anything?

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Speaker 1: I feel back at the throat? Okay, So wet? Is

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Speaker 1: it dry? It's okay? Does that mean it's hard or soft? Soft? Okay?

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Speaker 1: Do you find ripple edges or do you find course edges? Course? Okay?

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Speaker 1: That gentleman right there is having a heart attack. I'm

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Speaker 1: gonna buy another copy. All right? It did? Uh well, yeah,

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Speaker 1: he just had a heart attack, The doctor said, so.

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Speaker 1: I just said, so, I guess they don't need to

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Speaker 1: do an autopsy, which is great. Yes, that says something straightforward.

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Speaker 1: I don't usually do this, but um, you canna do

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Speaker 1: a reading. I'll do a reading everybody, just in an

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Speaker 1: Indian style, or however you feel more. I realized then

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Speaker 1: that it was up to me, and only me, to

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Speaker 1: make a change in the medical field. Why is it

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Speaker 1: that a doctor takes an oath but then forgets that oath,

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Speaker 1: as if the oath wasn't even an oath, more of

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Speaker 1: something said at the very end of graduation. In order

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Speaker 1: to get to a degree and then to leave to

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Speaker 1: become a doctor, I decided to make my own oath,

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Speaker 1: an oath that started with a word and ended with

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Speaker 1: a punctuation, an oath that would summon a new era,

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Speaker 1: a time in which all of us could say these

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Speaker 1: words with that punctuation. But to come up with the

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Speaker 1: words and the proper punctuation would take time. It would

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Speaker 1: take effort, it would take focus. I realized at that

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Speaker 1: moment that I had to go back home to where

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Speaker 1: everything began and see, no, California, Let's travel all the

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Speaker 1: way to Albuquerque, New Mexico, where a low budget horror

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Speaker 1: film is being shot. We first joined our wardrobe supervisor Joey,

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Speaker 1: who's with the female lead, Vanessa in her trailer. Well,

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Speaker 1: why isn't it fitting? Right? Everything I've given you so

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Speaker 1: far is in the dimensions you've given us. I've dyslis that. Okay,

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Speaker 1: so I'll just flip the numbers then, okay, you seem

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Speaker 1: so uncomfortable and well the dress hurts. Okay, Well that's

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Speaker 1: just the film. You're gonna have to be wearing uncomfortable things.

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Speaker 1: You know, you're you're you're, Oh, what's going on? Nothing, Jessica?

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Speaker 1: What is it? What is it? Friends and movie start

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Speaker 1: just a close guy? Positively you couldn't understand with I

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Speaker 1: don't know your startup. I don't you know that. I

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Speaker 1: don't know, but I know emotion and I know feeling hurt.

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Speaker 1: H Yeah? What is it? Is it? Is it directors

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Speaker 1: as the other actors m M closer closer? You family? Okay?

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Speaker 1: Is that? Yes? No? No, it's craft services, someone on set,

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Speaker 1: someone production, production, production production okay, production production team, okay,

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Speaker 1: this is the writers, this is this is okay? Even

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Speaker 1: more on set people lighting? Uh? Set design, wardrobe, wardrobe, wardrobe,

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Speaker 1: do you mas, I'll be right there. Wow the way

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Speaker 1: you can just switch over there. I'm an actor. I

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Speaker 1: can do that in death. I want stop acting in

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Speaker 1: real life. Jessica Vanessa, please, and Jessica inside of Vanessa

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Speaker 1: out there, and you know it. I know that feel

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Speaker 1: with me here. I'm just a wardrobe guy. I feel cloth.

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Speaker 1: I don't feel emotion. That all tell me a good

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Speaker 1: feeling emotion. Just moments ago, I could feel it. Why

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Speaker 1: it's dresses, these pants, these blouses, They're all making me

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Speaker 1: hate my physical phone and to do my best out there.

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Speaker 1: And I have to know, I have to believe i'd

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Speaker 1: you are you are? You're making me feel puffy? No, no, no,

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Speaker 1: it's the it's literally the costumes that are puffy. It's

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Speaker 1: not you. Why puff your your your smoke creature. You

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Speaker 1: you puff out what you do, smoke creature. Let's take

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Speaker 1: a salt. On the opposite side of the set, as

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Speaker 1: the director and played by Chris is sending a video

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Speaker 1: village watching take after take and cuts good guys back

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Speaker 1: to one. Please that was really good, fucking garbage. Wait,

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Speaker 1: let's get away from the sturdy. No, no, no, no, no, no,

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Speaker 1: this is my fucking set. Everyone can know what I think,

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Speaker 1: and I think it's garbage. Okay, it's just the moral

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Speaker 1: I went to the University of Southern California. Yeah, but

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Speaker 1: I made three short films. I think I know what

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Speaker 1: the funk I'm doing here. They were great, they were fantastic. Listen,

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Speaker 1: when I want your opinion, I'll give it to you.

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Speaker 1: Oh I see, I see. Yeah yeah. So why don't

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Speaker 1: you just hold that script and make sure they get

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Speaker 1: word for word. Well, some of this is grammatically incorrect.

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Speaker 1: It's hard for them to say these things because it's

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Speaker 1: just not the way people talk. Well, here we go again.

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Speaker 1: All right, guys, we all set and word for word.

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Speaker 1: If they anybody messes up one word, let me know.

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Speaker 1: Mm hmmm. Action. This town has over run with zombies.

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Speaker 1: What are we gonna do? Shaff Where are we going

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Speaker 1: to kill them? We're going to kill them one goddamn fucking,

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Speaker 1: mother fucking cunting zombie at a time. Jesus. Some of

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Speaker 1: those people are family cut cut cut cut, cut cut cut.

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Speaker 1: Profanity seems excessive. It's oh, you're a writer, Bob came

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Speaker 1: here here, Bob, don't do it. I didn't know. I

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Speaker 1: didn't know everybody. Bob is also a writer. Here script, script,

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Speaker 1: don't script? Actually I have done some writing. Well, great,

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Speaker 1: here's a pen, and why don't you go ahead and

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Speaker 1: rewrite this scene. We'll wait. I'm just wondering if we

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Speaker 1: can cut hunting. It's particularly who it is. Hey, you're

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Speaker 1: the writer. Now, all right, I'm going to and I'm wondering.

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Speaker 1: My part is mostly just hissing. And what are you wondering?

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Speaker 1: While I know in the Smoke Monster, but I was

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Speaker 1: also told I was the lead, and yet here I

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Speaker 1: am in a puffy, puffy outfit hissing. Well, maybe Bob

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Speaker 1: will write you some more dialogue. Um, well, I I

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Speaker 1: don't know that that we need to get into that.

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Speaker 1: I don't want to give notes to a fellow act

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Speaker 1: It's not giving notes, it's giving me lines. Bob. I'd

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Speaker 1: like lines. I'd like human words to say, when's the

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Speaker 1: last time either of you felt something five minutes ago?

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Speaker 1: Right now? I mean, really really felt something right now.

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Speaker 1: I feel very frustrated, very confused. And yet I see

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Speaker 1: none of that on camera. I see you doing your

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Speaker 1: impression of what you think in actors should be doing,

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Speaker 1: rather than having organic moments coming alive on screen. He's masturbating.

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Speaker 1: That's not cool. I have my process, you have your process.

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Speaker 1: Maybe we go back to wanting to another take. All right,

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Speaker 1: all right, this is the man. This is the man

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Speaker 1: I listened to. This is the man that I gotta

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Speaker 1: keep things moving. This is the man I listened to.

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Speaker 1: This Back up, Oh my god, okay, back to one.

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Speaker 1: Here we go, roll soup action. There's zombies all over town.

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Speaker 1: What are we gonna do. Suff We're going to kill

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Speaker 1: him one zombie at a time, one god damn fucking

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Speaker 1: motherfucking zombie at the time. But some of them might

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Speaker 1: be our family. Look out, there's a smoke monster. What's

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Speaker 1: your name? What's your name? Chim Chim? All right, chim Chim,

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Speaker 1: let me ask you a question. So you think take

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Speaker 1: for take, you can just switch up your axe and

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Speaker 1: you can come willy nilly. You've got to write in

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Speaker 1: fairness to Chim Bob just got to write what's your

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Speaker 1: name again? Just Vanessa and Jessica. Yeah, that's confusing to

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Speaker 1: all of us. While I have one name in my

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Speaker 1: trailer and one name on the set. So Vanessa right now,

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Speaker 1: it's great, Thank you. I feel amazing about my performance.

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Speaker 1: I love the role. And your ward is really tight.

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Speaker 1: It's really tight. Thank you Troy for that's a good oufic.

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Speaker 1: Now you Chim. Jim's doing great. Oh I'll ask him

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Speaker 1: if he is. How do you? How are you feeling, Bud?

383
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Speaker 1: All right? Where'd you train? By the way, Um, Jim's

384
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Speaker 1: a local high Yeah, I kind of just trying to

385
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Speaker 1: open my buddies and by the park. We do we

386
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Speaker 1: do put on play for each other. Oh God, put

387
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Speaker 1: that away. This is real. This is outsider actor. This

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Speaker 1: is what happens. This is chief. What are you tack

389
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Speaker 1: to the ones? Okay? Okay, I will finish eventually. Hey,

390
00:25:40,160 --> 00:25:42,359
Speaker 1: here we go. I'm thinking this is the one. Guys,

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Speaker 1: I'm watching the script. Okay, action as zombies all over

392
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Speaker 1: this town? What are we gonna do? Shut up? Uh well, Jim,

393
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Speaker 1: we're going to wait. God, God, did you use his

394
00:26:01,440 --> 00:26:04,159
Speaker 1: real name? Is that cat be? His real name? Is

395
00:26:04,200 --> 00:26:06,960
Speaker 1: that part of your real his real name? It's my

396
00:26:07,080 --> 00:26:13,399
Speaker 1: real name, Jim Macary. My my father named me after him. Okay,

397
00:26:13,880 --> 00:26:18,800
Speaker 1: what was his name? Jim? One last idea? One last idea?

398
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Speaker 1: You're all inspiring me, Okay, get rid of the script,

399
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Speaker 1: Jessica Vanessa, you want to use words, you use words.

400
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Speaker 1: I felt it's been weird holding it in every scene

401
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Speaker 1: as well, so well that's on you, Chimp. I didn't

402
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Speaker 1: have a script because I just had to hiss, so

403
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Speaker 1: this will be fun for me. Thank you? Great? Then

404
00:26:38,760 --> 00:26:40,720
Speaker 1: what the hell am I supposed to do? I'll tell

405
00:26:40,720 --> 00:26:42,479
Speaker 1: you what we're supposed to do. You're supposed to go

406
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Speaker 1: pull the out my zipper and get me the funk

407
00:26:45,720 --> 00:26:50,119
Speaker 1: off before this next take ends. First day, here we go.

408
00:26:52,720 --> 00:27:02,040
Speaker 1: I'm loving this Action's bees and smoke, monsters all over

409
00:27:02,080 --> 00:27:07,240
Speaker 1: this goddamn town. What are we gonna Doh well, Chim macary,

410
00:27:07,760 --> 00:27:10,560
Speaker 1: just like your father before you, you're going to kill

411
00:27:10,600 --> 00:27:20,159
Speaker 1: these zombies, these cutting zombies. Yes, yes, cut we got everybody.

412
00:27:20,520 --> 00:27:25,240
Speaker 1: We got just in time, and I mean just in time.

413
00:27:28,280 --> 00:27:31,400
Speaker 1: Did you get somen you? I was fucked up. Anybody

414
00:27:31,840 --> 00:27:35,840
Speaker 1: that's real life guys to take you? Now? Did you

415
00:27:35,840 --> 00:27:41,200
Speaker 1: really have to jerk off to the that's called professionalism, Joseph,

416
00:27:41,359 --> 00:27:46,680
Speaker 1: thank you by avowal. This is a cult recruitment Kiosk

417
00:27:46,920 --> 00:27:54,080
Speaker 1: down at Venice Beach, California. I feel fresh, I feel refreshed.

418
00:27:54,520 --> 00:28:00,440
Speaker 1: Which level you want I'm still basically just yesterday. Yeah,

419
00:28:01,080 --> 00:28:03,440
Speaker 1: I did hear. You can like level up pretty quickly

420
00:28:04,160 --> 00:28:08,040
Speaker 1: if you if you accelerate the stars. Oh, you know

421
00:28:08,280 --> 00:28:10,439
Speaker 1: the thing that they're talking about about accelerating the stars.

422
00:28:10,880 --> 00:28:15,440
Speaker 1: It's not as easy as it sounds. Your nose is Oh,

423
00:28:15,440 --> 00:28:20,000
Speaker 1: that's okay. Isn't the beach beautiful? Let me see? What

424
00:28:20,080 --> 00:28:24,000
Speaker 1: do you? Let me see? I want to take a

425
00:28:24,000 --> 00:28:26,240
Speaker 1: moment to look at the beach. I'm sorry to interrupted.

426
00:28:26,480 --> 00:28:30,000
Speaker 1: I'm looking for the famous weight lifting place. I just

427
00:28:30,040 --> 00:28:32,800
Speaker 1: want to get some You have some weights in um,

428
00:28:32,840 --> 00:28:35,920
Speaker 1: maybe you want to lift some spiritual weights with us

429
00:28:36,160 --> 00:28:41,080
Speaker 1: right now? Well, yeah, i'd love to. Yeah. Have you

430
00:28:41,120 --> 00:28:45,840
Speaker 1: felt loved before? Yeah? Yeah? Have you been safe? Yes?

431
00:28:46,080 --> 00:28:49,040
Speaker 1: Has anyone ever touched your hair really really slowly so

432
00:28:49,080 --> 00:28:52,040
Speaker 1: you could feel like there's life in every strand? I

433
00:28:52,040 --> 00:28:54,080
Speaker 1: don't know. Have you thought that the beach looks beautiful?

434
00:28:54,720 --> 00:28:59,920
Speaker 1: I don't know. Take a look. Let me look good?

435
00:29:00,080 --> 00:29:04,280
Speaker 1: M hmm? What do you think it's beautiful? The ocean

436
00:29:04,560 --> 00:29:10,800
Speaker 1: is beautiful. I'm basically we're both. Um. Hey, do you

437
00:29:10,840 --> 00:29:17,720
Speaker 1: like clubs? Yeah? Me too. Do you like friends? Cool?

438
00:29:18,200 --> 00:29:20,520
Speaker 1: Which way to the yeah? Which way to the are

439
00:29:20,560 --> 00:29:26,120
Speaker 1: you afraid of dragons. Yeah, do you respect things you're

440
00:29:26,160 --> 00:29:31,280
Speaker 1: afraid of? Yeah? Will you put your hand in front

441
00:29:31,280 --> 00:29:34,520
Speaker 1: of your face? If your hand is smaller than your

442
00:29:35,640 --> 00:29:38,440
Speaker 1: don't have cancer. Put your hand from your face. Place.

443
00:29:39,440 --> 00:29:45,040
Speaker 1: Oh this is bad news. Why you're sick. I mean,

444
00:29:45,160 --> 00:29:48,720
Speaker 1: don't worry. We're all sick. You're going off scraped. I'm

445
00:29:48,720 --> 00:29:52,000
Speaker 1: feeling it right now. Do you joined the day? We

446
00:29:52,040 --> 00:29:56,360
Speaker 1: don't do that? Oh? Hello, my children, looks like we

447
00:29:56,440 --> 00:30:00,520
Speaker 1: have a new friend. Who's our new friend? Here? Oh?

448
00:30:02,920 --> 00:30:08,080
Speaker 1: I should get out of here. No, you come here table.

449
00:30:08,200 --> 00:30:11,320
Speaker 1: I would love to introduce you to Mortal number five.

450
00:30:12,560 --> 00:30:16,160
Speaker 1: Mortal number five thirty two. Come here, hug me. My

451
00:30:16,240 --> 00:30:20,240
Speaker 1: name is Dennis. Alright, come in for a good hug.

452
00:30:21,480 --> 00:30:28,360
Speaker 1: You feel that m Yeah, Trudger's hair wall I hug him? Dable,

453
00:30:28,480 --> 00:30:30,720
Speaker 1: I haven't. I still haven't gotten my name yet. Okay,

454
00:30:30,760 --> 00:30:32,920
Speaker 1: you'll get it soon. Let' let me finish this hug out.

455
00:30:36,760 --> 00:30:41,320
Speaker 1: Your hair smells good. Five thirty two. Dennis doesn't say

456
00:30:41,320 --> 00:30:45,960
Speaker 1: that to everyone. Oh, Dable, he's afraid of Oh here,

457
00:30:46,080 --> 00:30:49,080
Speaker 1: you can let me here, but you put your hand

458
00:30:49,120 --> 00:30:52,000
Speaker 1: in front of your face. Okay, I already found out

459
00:30:52,000 --> 00:30:55,920
Speaker 1: I have good who showed you what I was supposed to.

460
00:30:56,360 --> 00:30:59,000
Speaker 1: I didn't mean to overset my bounds. That's usually what

461
00:30:59,080 --> 00:31:02,400
Speaker 1: I do. Well he did it, so I really appreciate

462
00:31:02,480 --> 00:31:04,360
Speaker 1: him helping me out. And I didn't get your name,

463
00:31:04,400 --> 00:31:10,240
Speaker 1: but thank you. Well, my name is Dayweight, Day and

464
00:31:10,320 --> 00:31:13,720
Speaker 1: think actually, if you like my teachings, perhaps we could

465
00:31:13,720 --> 00:31:18,080
Speaker 1: take a little two minute walk. Excuse me, excuse me, Dayweight,

466
00:31:18,600 --> 00:31:25,160
Speaker 1: your number number four six or four thirty six, you

467
00:31:25,240 --> 00:31:27,680
Speaker 1: were out of line. Thank you. I'm gonna get out

468
00:31:27,680 --> 00:31:33,520
Speaker 1: of here. No, no, no, thirty two, stay four thirty six.

469
00:31:33,880 --> 00:31:39,200
Speaker 1: I want you silent, silent, and I can still talk.

470
00:31:39,240 --> 00:31:45,480
Speaker 1: Of course, day Woe. The helicopter is prepared. Okay, well

471
00:31:45,520 --> 00:31:49,520
Speaker 1: we better go number number one eleven escort us. Now

472
00:31:50,480 --> 00:31:52,760
Speaker 1: I'm just gonna go to the gym. Two. You gotta

473
00:31:52,760 --> 00:31:55,800
Speaker 1: come with us, Come with me, Come with me if

474
00:31:55,800 --> 00:31:58,560
Speaker 1: you want to live the same place I want to

475
00:31:58,560 --> 00:32:02,000
Speaker 1: get on the helican. It's so beautiful. You'll love it there.

476
00:32:02,120 --> 00:32:06,760
Speaker 1: Do you like the ocean? Do you hate dragons? We

477
00:32:06,840 --> 00:32:10,160
Speaker 1: all hate dragons. We all hate dragons. And we've got

478
00:32:10,200 --> 00:32:18,040
Speaker 1: a helicopter to Catalana, Catalana, CATALANAA everyone beat on your

479
00:32:18,120 --> 00:32:22,120
Speaker 1: chest to simulate the sounding about helicopter. That's what it's

480
00:32:22,120 --> 00:32:25,680
Speaker 1: gonna sound like when we're there. Okay, there's the helicopter. Day. Well,

481
00:32:25,680 --> 00:32:29,040
Speaker 1: I'm not going you have to come. I'm not deal.

482
00:32:29,080 --> 00:32:31,840
Speaker 1: He just joined yesterday. He doesn't need to come. That's right,

483
00:32:31,880 --> 00:32:34,400
Speaker 1: it's no big deal. So just let me go. Let

484
00:32:34,480 --> 00:32:40,080
Speaker 1: him go back at the Venice Police Department day one, ever,

485
00:32:40,120 --> 00:32:44,000
Speaker 1: the new recruits name was the way speaks to an officer.

486
00:32:44,200 --> 00:32:46,600
Speaker 1: I mean, I don't know. Is it kidnapping? I mean

487
00:32:46,640 --> 00:32:49,560
Speaker 1: I was there voluntarily, but like you were there voluntarily

488
00:32:49,560 --> 00:32:53,600
Speaker 1: and then you left voluntarily. Yep, I'm gonna say it's

489
00:32:53,600 --> 00:32:56,800
Speaker 1: not kidnapped. Well, hold on, hold on, sir, sir, sirs,

490
00:32:56,880 --> 00:33:01,200
Speaker 1: one more second. Yea. Um. But but while I was there,

491
00:33:01,920 --> 00:33:05,560
Speaker 1: I felt uncomfortable in They told me I should stay

492
00:33:06,040 --> 00:33:09,040
Speaker 1: m hm. So I'd like to press some kind of charges.

493
00:33:09,040 --> 00:33:11,840
Speaker 1: Is something illegal happened? For sure? Okay, did you witness

494
00:33:11,880 --> 00:33:16,520
Speaker 1: anything legal? Um? Didn't give me an example of something

495
00:33:16,600 --> 00:33:20,040
Speaker 1: you saw that I might have been. I think one

496
00:33:20,080 --> 00:33:22,840
Speaker 1: of the members has a weed card from the weed doctor,

497
00:33:23,520 --> 00:33:26,640
Speaker 1: and that's like, that's not a real doctor. No, it's

498
00:33:26,680 --> 00:33:29,320
Speaker 1: not a real doctor. But you know, it's totally illegal

499
00:33:29,360 --> 00:33:32,280
Speaker 1: in Los Angeles, San in Venice. Now, I mean I

500
00:33:32,320 --> 00:33:36,560
Speaker 1: have a weed card. Look it sounds like this is

501
00:33:36,560 --> 00:33:39,320
Speaker 1: something you want to talk about with a therapist. No, no,

502
00:33:39,360 --> 00:33:41,400
Speaker 1: I think somebody should be arrested. Maybe I should arrested.

503
00:33:41,560 --> 00:33:43,760
Speaker 1: I'm not going to arrest you. Please. Somebody asked me

504
00:33:43,840 --> 00:33:48,640
Speaker 1: to be arrested. Hey, I'll take him, alright, may I? Alright?

505
00:33:48,960 --> 00:33:51,840
Speaker 1: Thank you? Good luck, good luck? Pound turn you over

506
00:33:51,840 --> 00:33:56,600
Speaker 1: to Carl. Oh you're cute, aren't you? What you do? Huh?

507
00:33:57,160 --> 00:34:01,960
Speaker 1: I was abducted, but now you are. I may start

508
00:34:02,000 --> 00:34:05,520
Speaker 1: doing some abducting and I don't feel safe. You gotta

509
00:34:05,520 --> 00:34:10,000
Speaker 1: start doing it? What I might start abducting people? Carl,

510
00:34:10,120 --> 00:34:12,800
Speaker 1: look at me. I am looking at you, but closer.

511
00:34:12,960 --> 00:34:21,359
Speaker 1: No please? No, oh, all right, come on, wow, wow, whoa. Look,

512
00:34:21,400 --> 00:34:23,840
Speaker 1: I'm a little out of sorts right now. Okay, I

513
00:34:23,880 --> 00:34:30,320
Speaker 1: spent a lot of time. Was g g one quick question?

514
00:34:31,000 --> 00:34:38,120
Speaker 1: Are either of you afraid of dragons? I don't like

515
00:34:38,640 --> 00:34:40,239
Speaker 1: That's what I'm thinking. I don't like him in the show.

516
00:34:40,239 --> 00:34:43,239
Speaker 1: But I like that girl. Yeah, I like you know

517
00:34:43,360 --> 00:34:47,360
Speaker 1: when she's there, I don't I don't feel as scared

518
00:34:45,280 --> 00:34:51,880
Speaker 1: of specter. So yeah. No, so you're not afraid of dragons? No,

519
00:34:52,080 --> 00:34:54,920
Speaker 1: because if Colicy can control them, then what have we

520
00:34:55,000 --> 00:34:59,439
Speaker 1: to fear? Okay, well, this has been a weird little moment.

521
00:34:59,760 --> 00:35:02,840
Speaker 1: You're reston. Oh I'm still arrested for sure. Yeah, you

522
00:35:02,840 --> 00:35:05,200
Speaker 1: went through intake with him. I've got cuffs on you.

523
00:35:05,360 --> 00:35:08,040
Speaker 1: This is you're a prisoner now. That turned you over

524
00:35:08,080 --> 00:35:10,360
Speaker 1: to Carl And once you're with me, I get to

525
00:35:10,400 --> 00:35:14,279
Speaker 1: do whatever I want. No more smooth ching, no more,

526
00:35:14,680 --> 00:35:19,400
Speaker 1: one more shut up. Let me ask you something. Is

527
00:35:19,440 --> 00:35:25,359
Speaker 1: this better or worse than being in a cult? It's worse? Okay, alright, good,

528
00:35:25,400 --> 00:35:27,520
Speaker 1: because that's what we're aiming for. The you go, yeah,

529
00:35:27,520 --> 00:35:29,360
Speaker 1: because if it's isn't this kind of like a cult?

530
00:35:30,520 --> 00:35:36,720
Speaker 1: Don't you follow rules the Venice Police Department? Right, So,

531
00:35:37,719 --> 00:35:40,000
Speaker 1: I mean we follow, you know, the laws of the state,

532
00:35:41,560 --> 00:35:43,680
Speaker 1: the regulations within the force, and then we have our

533
00:35:43,760 --> 00:35:46,120
Speaker 1: own sort of vibeing out sort of thing we do

534
00:35:46,160 --> 00:35:48,480
Speaker 1: when we don't know exactly where something falls, we just

535
00:35:48,600 --> 00:35:51,120
Speaker 1: vibe it out. Okay, So that sounds like a brotherhood

536
00:35:51,160 --> 00:35:53,439
Speaker 1: of sorts. Yeah, kind of like a bro code. Yeah,

537
00:35:53,480 --> 00:35:57,320
Speaker 1: but we also have women that we include. Sure, because

538
00:35:57,320 --> 00:36:01,560
Speaker 1: we got it now, and are those women and dogs? Yeah?

539
00:36:01,760 --> 00:36:04,279
Speaker 1: The dogs are like people. They're so amazing. So do

540
00:36:04,360 --> 00:36:07,320
Speaker 1: you not do you eat the dogs? Do you sleep

541
00:36:07,320 --> 00:36:10,319
Speaker 1: with all the women here? Okay, you're right, it's not cold.

542
00:36:10,400 --> 00:36:12,319
Speaker 1: I thought I thought I was trying to. I'm just

543
00:36:12,320 --> 00:36:14,760
Speaker 1: gonna lock you up now. If that's okay under what charges?

544
00:36:15,560 --> 00:36:21,600
Speaker 1: You said you wanted to be a prisoner in here?

545
00:36:22,800 --> 00:36:25,400
Speaker 1: There's just no fishing. Brought it for me. Oh he

546
00:36:25,480 --> 00:36:28,560
Speaker 1: turned himself and have fun. Tinko. You know what they

547
00:36:28,600 --> 00:36:33,080
Speaker 1: call me, Tinko? Let me guess all right, um, you

548
00:36:33,120 --> 00:36:38,760
Speaker 1: would like to tinker with trains? They call me Tinko.

549
00:36:39,040 --> 00:36:41,640
Speaker 1: You know why they call me? Dayway? I don't know,

550
00:36:41,920 --> 00:36:45,120
Speaker 1: because I'm the next tell me of the colt leader

551
00:36:45,160 --> 00:36:51,040
Speaker 1: or something that. Oh my good? Oh whoa, what the

552
00:36:51,480 --> 00:36:55,480
Speaker 1: what the fun? That's a greeting. No, it's a greeting.

553
00:36:55,480 --> 00:36:57,880
Speaker 1: It's a greeting. It's okay there. Yeah, this guy's just

554
00:36:57,880 --> 00:37:00,080
Speaker 1: trying to get him in my mouth. You can for

555
00:37:00,200 --> 00:37:03,319
Speaker 1: me too. The fuck. Hey, it's not messing where your

556
00:37:03,320 --> 00:37:06,920
Speaker 1: train set, tink Nobody messes when my training is sick.

557
00:37:08,840 --> 00:37:12,839
Speaker 1: Come here, yeah, come here. You know what model train

558
00:37:12,920 --> 00:37:17,000
Speaker 1: that is? It looks like I mean, I'm guessing here

559
00:37:17,000 --> 00:37:22,360
Speaker 1: in that's exactly right. That's exactly what a lot of

560
00:37:22,360 --> 00:37:24,280
Speaker 1: people don't get that. They think it's in eight hundred.

561
00:37:24,920 --> 00:37:27,120
Speaker 1: Well I could see because that's the two lines on

562
00:37:27,160 --> 00:37:30,680
Speaker 1: the lights. Yeah yeah, I mean it seems like you

563
00:37:30,719 --> 00:37:32,120
Speaker 1: want a problem here, but I feel like this is

564
00:37:32,160 --> 00:37:35,680
Speaker 1: all good. Don't kiss me. Come on, anybody wants some

565
00:37:35,760 --> 00:37:39,120
Speaker 1: cat food? Oh yeah, snake it through the bars. There

566
00:37:39,160 --> 00:37:42,319
Speaker 1: you go. Oh, this one's wet. Get it what you

567
00:37:42,400 --> 00:37:46,399
Speaker 1: can get away? You can't's wet. I'm not eating. I'm

568
00:37:46,440 --> 00:37:50,520
Speaker 1: fasting for weight loss. Oh give him two days. It's

569
00:37:50,520 --> 00:37:53,840
Speaker 1: gonna make craving that cat food. You know that money?

570
00:37:55,760 --> 00:37:59,040
Speaker 1: He tink your one thousand? Just got it? Oh, just

571
00:38:00,680 --> 00:38:02,640
Speaker 1: when you wants to put it, I'll leave it outside.

572
00:38:02,640 --> 00:38:04,959
Speaker 1: I'll play with the stick in here. First enough, think

573
00:38:04,960 --> 00:38:06,480
Speaker 1: of what you What did you do to get in here?

574
00:38:06,560 --> 00:38:09,040
Speaker 1: I'm murdered a whole bunch of people. But people, they

575
00:38:09,080 --> 00:38:12,560
Speaker 1: seem to love you here. Well, it's it's charisma, personality.

576
00:38:12,640 --> 00:38:15,839
Speaker 1: You know you got that that X factory? Now you do. Come.

577
00:38:16,160 --> 00:38:19,400
Speaker 1: I'm serious. That's a thing about a vibe makes you

578
00:38:19,440 --> 00:38:22,560
Speaker 1: a question. Sure you ever thought about running your own Colt,

579
00:38:23,280 --> 00:38:27,160
Speaker 1: You've got that thing, man, I don't know. When I

580
00:38:27,200 --> 00:38:30,000
Speaker 1: was a kid, and then when I became a teenager,

581
00:38:30,040 --> 00:38:32,600
Speaker 1: and then when I became a young adult to hear you,

582
00:38:32,640 --> 00:38:35,600
Speaker 1: and then when I became an adult, I thought about

583
00:38:35,600 --> 00:38:40,439
Speaker 1: a lot of things, and sometimes I would wonder, why

584
00:38:40,440 --> 00:38:42,799
Speaker 1: not be a part of some kind of institution where

585
00:38:43,040 --> 00:38:45,600
Speaker 1: my voice was king? Right? You know what? I'm gonna

586
00:38:45,600 --> 00:38:48,040
Speaker 1: sit in front of you a cross apple sauce. Why

587
00:38:48,080 --> 00:38:50,560
Speaker 1: can't I Why can't I be the conductor not only

588
00:38:50,600 --> 00:38:53,560
Speaker 1: my lives but everybody else's lives? Hey, do you guys

589
00:38:53,600 --> 00:38:56,480
Speaker 1: mind if I listen into your conversation from next door? Yeah,

590
00:38:56,560 --> 00:38:58,640
Speaker 1: come on in. I can't come through the bars, but

591
00:38:58,680 --> 00:39:00,520
Speaker 1: I'd like to just listen. I like what you're saying.

592
00:39:00,520 --> 00:39:03,719
Speaker 1: I'm gonna sit Chris cross hips us. Please keep coming

593
00:39:06,239 --> 00:39:09,719
Speaker 1: your instructions for us. Anybody want to drink out of

594
00:39:09,719 --> 00:39:15,239
Speaker 1: a Gerbil water bottle? Oh yeah, oh yeah yeah? A

595
00:39:15,320 --> 00:39:19,440
Speaker 1: little steel ball tickles? Don't who's next? I'm fine, I'm

596
00:39:19,440 --> 00:39:24,240
Speaker 1: finally Carl, Carl. Have you heard Tinko actually speak? Tinko?

597
00:39:24,320 --> 00:39:27,319
Speaker 1: He just tink us with trains. He can't speak to

598
00:39:27,320 --> 00:39:30,880
Speaker 1: say he likes the cap Tinko, Come on for yourself,

599
00:39:31,000 --> 00:39:36,480
Speaker 1: tell your story. How did you get in? Yeah? No,

600
00:39:36,560 --> 00:39:39,120
Speaker 1: but why are you in jail? He looks a little cute. Oh,

601
00:39:39,200 --> 00:39:42,560
Speaker 1: I just shoplifting on Fanta speech. That feels right. I

602
00:39:42,560 --> 00:39:50,760
Speaker 1: thought it was done. No, thank you, Tinko. Where was I?

603
00:39:50,880 --> 00:39:53,239
Speaker 1: You were a kid, and then you were it was

604
00:39:53,280 --> 00:39:56,479
Speaker 1: a teenager, and then it wasn't a dolt. I gotta

605
00:39:56,520 --> 00:40:02,640
Speaker 1: go by talk about out of things I did. This

606
00:40:02,760 --> 00:40:06,839
Speaker 1: is stupid, stupid. It's actually the most important thing I've

607
00:40:06,880 --> 00:40:10,640
Speaker 1: ever heard. Hey, day where you posted bail? A bunch

608
00:40:10,640 --> 00:40:14,200
Speaker 1: of people are here to bail you out. Hey, take

609
00:40:14,239 --> 00:40:18,160
Speaker 1: this uppportunity. Take this up for someone leaving you. Hey,

610
00:40:18,200 --> 00:40:21,839
Speaker 1: you are my safe here now. I got consecutive life

611
00:40:21,880 --> 00:40:23,880
Speaker 1: sentences and I'm stuck in this venice. Who do I

612
00:40:23,880 --> 00:40:27,879
Speaker 1: gotta kill? Come on, I'll kill this kid. I want

613
00:40:27,920 --> 00:40:35,560
Speaker 1: to stay here. No, stop, you can't do that. She's right.

614
00:40:37,239 --> 00:40:38,640
Speaker 1: You can tell me what I gotta do on my

615
00:40:38,680 --> 00:40:42,720
Speaker 1: way out. Follow your dreams, believe in yourself. I always

616
00:40:42,719 --> 00:40:44,839
Speaker 1: know that there's another train around the bend, but you've

617
00:40:44,840 --> 00:40:46,560
Speaker 1: got to lay down the tracks first before it gets

618
00:40:46,600 --> 00:40:49,960
Speaker 1: to you. And so what if it doesn't got cold?

619
00:40:50,000 --> 00:40:53,239
Speaker 1: Doesn't got steamer, doesn't get gasolene. I think that would

620
00:40:53,280 --> 00:40:58,200
Speaker 1: make it a twelve exactly. You know what your trains man,

621
00:40:58,840 --> 00:41:01,320
Speaker 1: the guy with a shaved head, robe, bunch of people

622
00:41:01,320 --> 00:41:06,399
Speaker 1: in robes. They're all very insistent. You come out. Okay, okay, okay, Tinko. Yeah,

623
00:41:06,480 --> 00:41:11,440
Speaker 1: I'll be back. I hope not park that helicopter on

624
00:41:11,480 --> 00:41:17,760
Speaker 1: the roof. Yeah it sounds just like that. Okay, bye Tinko,

625
00:41:18,120 --> 00:41:36,520
Speaker 1: Bye bye, Honey, Tinko at his seventeen parole hearing a hello, y'all. Hello,

626
00:41:37,280 --> 00:41:40,759
Speaker 1: I've made model trains for everybody. Oh, it's very nice

627
00:41:40,760 --> 00:41:43,759
Speaker 1: for your tank and Thomas the tank engine will put

628
00:41:43,840 --> 00:41:47,400
Speaker 1: everyone's face on the front, so that's very cute. Not

629
00:41:47,560 --> 00:41:52,759
Speaker 1: like Thomas the tanking Socialist is topian nightmare. It's just

630
00:41:52,840 --> 00:41:56,759
Speaker 1: a cartoon. Well that's you, man, that is me. But

631
00:41:56,800 --> 00:41:59,640
Speaker 1: I'm allowed to have an opinion. You are allowed to

632
00:41:59,640 --> 00:42:01,960
Speaker 1: having to pay. I can have things about anything I want. Yes,

633
00:42:02,040 --> 00:42:04,240
Speaker 1: that's true, Thank you very much. I think some people

634
00:42:04,239 --> 00:42:06,200
Speaker 1: could argue you couldn't help but have an opinion. I

635
00:42:06,200 --> 00:42:12,400
Speaker 1: think some people could argue you're being um argumentative. Okay,

636
00:42:12,600 --> 00:42:15,880
Speaker 1: well let's let's let's get into Tinko's case. Uh, Tinko,

637
00:42:16,400 --> 00:42:18,200
Speaker 1: it's good to see you again. Thank you again for

638
00:42:18,239 --> 00:42:20,799
Speaker 1: the trains. Now, you murdered a bunch of people, lots

639
00:42:20,840 --> 00:42:25,839
Speaker 1: of so I just have telling marks here. I can't

640
00:42:25,920 --> 00:42:27,680
Speaker 1: quite count them up, but it looks like a lot

641
00:42:27,719 --> 00:42:32,320
Speaker 1: of lines. Yeah, so that's one to three four slash

642
00:42:34,280 --> 00:42:39,439
Speaker 1: slash three. Yeah, I don't know, it's hard. It's hard.

643
00:42:40,000 --> 00:42:44,120
Speaker 1: Somewhere upwards would be more than that. Oh really, yeah,

644
00:42:44,239 --> 00:42:45,520
Speaker 1: there's a few of that. We don't know about it.

645
00:42:46,040 --> 00:42:48,840
Speaker 1: There's a poster on the back starry to interrupt everybody, Tinko,

646
00:42:48,960 --> 00:42:55,160
Speaker 1: your train gets just like, oh, just just just hold

647
00:42:55,200 --> 00:43:01,640
Speaker 1: onto it, yeah, keep it warm it. I'm Malcolm, Malcolm.

648
00:43:01,680 --> 00:43:03,920
Speaker 1: So it sounds like you aren't even expecting to get

649
00:43:03,920 --> 00:43:08,200
Speaker 1: out if you've got deliveries coming. Well, you know what,

650
00:43:08,239 --> 00:43:11,960
Speaker 1: if you're renting, it's still home, right. So that's the

651
00:43:11,960 --> 00:43:14,800
Speaker 1: way I kind of look at this where it's temporary.

652
00:43:14,920 --> 00:43:16,279
Speaker 1: I don't want to speak for the group, but I

653
00:43:16,280 --> 00:43:18,560
Speaker 1: want to say, this is too many dead people for

654
00:43:18,600 --> 00:43:20,560
Speaker 1: him to get out on parole. I don't know. We

655
00:43:20,560 --> 00:43:25,680
Speaker 1: probably should also transfer him to a maximum security prison. Yeah,

656
00:43:25,760 --> 00:43:28,919
Speaker 1: we were talking about that, but what happened with that.

657
00:43:28,960 --> 00:43:31,920
Speaker 1: I don't know. I think it's a paperwork thing, or

658
00:43:32,560 --> 00:43:34,479
Speaker 1: you know what I bet it was when we did

659
00:43:34,719 --> 00:43:37,480
Speaker 1: um when there was that little executive shake up and

660
00:43:37,520 --> 00:43:39,680
Speaker 1: all those things, and then also there was that file

661
00:43:39,760 --> 00:43:41,840
Speaker 1: cavinet that got wet. A lot of things got dropped

662
00:43:41,880 --> 00:43:47,400
Speaker 1: that week. Yeah, so I don't see him having any problems.

663
00:43:47,400 --> 00:43:49,680
Speaker 1: They seem to like him at the Venice Police Department

664
00:43:50,239 --> 00:43:53,000
Speaker 1: like him. There's no complaints. I don't know why he

665
00:43:53,040 --> 00:43:58,000
Speaker 1: needs maximum security. He's been focused on his trains, very

666
00:43:58,040 --> 00:44:01,279
Speaker 1: focused on his trains. Tink o, mm hmm. What do

667
00:44:01,320 --> 00:44:04,640
Speaker 1: you think? You know? When I was a kid, h

668
00:44:05,120 --> 00:44:09,200
Speaker 1: and then when I became a teen and then a

669
00:44:09,239 --> 00:44:13,920
Speaker 1: young adult at M I thought, do you mind if

670
00:44:13,920 --> 00:44:19,040
Speaker 1: I sit down? I thought to myself, you're making all

671
00:44:19,080 --> 00:44:22,440
Speaker 1: these choices that are affecting not only your life, but

672
00:44:22,480 --> 00:44:25,080
Speaker 1: other people's lives. Sorry, I just feel I'm gonna cross

673
00:44:25,120 --> 00:44:27,520
Speaker 1: my legs. Why can't these choices that are affecting other

674
00:44:27,520 --> 00:44:30,040
Speaker 1: people not only affect you, but the other people that

675
00:44:30,080 --> 00:44:33,960
Speaker 1: you said that they were affecting, Right, So go with

676
00:44:34,000 --> 00:44:35,960
Speaker 1: me here for a second, yere, I'm there with you.

677
00:44:36,120 --> 00:44:38,839
Speaker 1: I'm with you. If we believe that's my hand. That's

678
00:44:38,880 --> 00:44:42,400
Speaker 1: my hand. I'm the only one that doesn't get it

679
00:44:42,800 --> 00:44:45,600
Speaker 1: my hand. That's think it's fun if we all know

680
00:44:46,160 --> 00:44:48,840
Speaker 1: that the feeling that we feel right now is real,

681
00:44:49,840 --> 00:44:51,760
Speaker 1: and why can't we all just be like that. Words

682
00:44:51,760 --> 00:44:54,960
Speaker 1: don't add up to sentences. It feels real. Trail me,

683
00:44:55,080 --> 00:45:06,120
Speaker 1: take go, kill me. Choke Tako with his new attorneys.

684
00:45:06,880 --> 00:45:12,719
Speaker 1: I love the office, Thank you, thank you. I took

685
00:45:12,719 --> 00:45:17,040
Speaker 1: those pictures myself. Actually, oh wow, yeah yeah, and I okay,

686
00:45:17,080 --> 00:45:19,880
Speaker 1: buddy boys, So I'm looking at your files here. Uh

687
00:45:20,040 --> 00:45:23,040
Speaker 1: seems like you killed some more people. Can I say

688
00:45:23,040 --> 00:45:27,640
Speaker 1: guilty without being charged? No, I mean you can, but

689
00:45:27,680 --> 00:45:30,960
Speaker 1: you will be Uh okay, I mean he's the one

690
00:45:30,960 --> 00:45:33,640
Speaker 1: one in cute gumber Water. Oh. Actually, come in here

691
00:45:33,640 --> 00:45:37,120
Speaker 1: for a second. Okay, Hi, this is Tinko, Tinko, this

692
00:45:37,200 --> 00:45:41,240
Speaker 1: is Lisa. It's a pleasure. I'm sure. Wow, nice hands.

693
00:45:43,080 --> 00:45:50,880
Speaker 1: I purchased Lisa on one guy, All guys semantic. I

694
00:45:50,960 --> 00:45:58,160
Speaker 1: joined us an online situation and it's a hiring Site's

695
00:45:58,520 --> 00:46:03,360
Speaker 1: a bad crazy fan come on link in and he

696
00:46:03,560 --> 00:46:08,439
Speaker 1: linked up with me. You make a sound like that.

697
00:46:08,600 --> 00:46:10,560
Speaker 1: You don't pay someone to hire him. That's so that's

698
00:46:10,600 --> 00:46:13,319
Speaker 1: what he pays me for three months of working. Wow nine,

699
00:46:14,320 --> 00:46:17,320
Speaker 1: it's a little more than three hundred three thousand dollars

700
00:46:17,360 --> 00:46:25,960
Speaker 1: a month. I didn't not buy me a brag. Look, Lisa, Lisa, Lisa, Lisa,

701
00:46:26,120 --> 00:46:28,799
Speaker 1: before you met me and before you came here too,

702
00:46:29,000 --> 00:46:33,160
Speaker 1: and you know you, I mean Venice, you uh, you

703
00:46:33,200 --> 00:46:35,359
Speaker 1: lived in a village far far away. And then yeah,

704
00:46:35,400 --> 00:46:38,279
Speaker 1: but that was a tamp there. Okay. So I was

705
00:46:38,320 --> 00:46:40,399
Speaker 1: getting some work and then I get them link in

706
00:46:40,560 --> 00:46:43,360
Speaker 1: and we link up and now I'm hired. You didn't

707
00:46:43,480 --> 00:46:48,879
Speaker 1: buy any think bragging, David. If you bought somebody, that's

708
00:46:48,880 --> 00:46:50,400
Speaker 1: just gonna suck me up in court. What I mean,

709
00:46:50,440 --> 00:46:52,320
Speaker 1: how's that can affect you? You're gonna get in trouble

710
00:46:52,360 --> 00:46:55,319
Speaker 1: with the law. But you just bought somebody. Okay, fine,

711
00:46:55,360 --> 00:46:59,400
Speaker 1: then I you're not hearing me saying I'm not being bought, Lisa,

712
00:46:59,680 --> 00:47:03,919
Speaker 1: I don't understand your accent. All right, I'm not being bought.

713
00:47:03,960 --> 00:47:09,200
Speaker 1: I'm a human person. I live in the two bedroom Okay,

714
00:47:09,440 --> 00:47:11,800
Speaker 1: you live in two bedrooms. Doesn't make any sense, Lisa.

715
00:47:12,400 --> 00:47:16,719
Speaker 1: I'm telling you, man, Dave, Look all right, water or not?

716
00:47:17,800 --> 00:47:21,760
Speaker 1: You want water? Slave? Water? No? I don't want that. Okay, yikes,

717
00:47:22,680 --> 00:47:24,160
Speaker 1: that's what it is. You bought her? Man, It is

718
00:47:24,239 --> 00:47:27,480
Speaker 1: creeping me out. Man. Hey, hey, we're here to serve you. Okay.

719
00:47:27,520 --> 00:47:31,200
Speaker 1: All the people I buy, they're here to work for you. Okay, okay, okay.

720
00:47:31,239 --> 00:47:35,200
Speaker 1: Everyone at this office is bought. Yeah, I bought them all. Jesus, Lisa,

721
00:47:35,239 --> 00:47:36,800
Speaker 1: how many people do you know from your old village

722
00:47:36,960 --> 00:47:43,080
Speaker 1: at this office? Mr Dave, your car is ready? Okay.

723
00:47:43,080 --> 00:47:45,879
Speaker 1: Oh my god, I need you to meet this guy.

724
00:47:45,880 --> 00:47:48,560
Speaker 1: I bought him eleven years ago and it's been the

725
00:47:48,560 --> 00:47:51,440
Speaker 1: best purchase of ever. Hello, I am Dad. What is

726
00:47:51,480 --> 00:47:55,440
Speaker 1: your name? His name is dead? Oh so not like father, right,

727
00:47:55,719 --> 00:47:59,279
Speaker 1: he's my bad. But Jesus, where you're from, the name

728
00:47:59,440 --> 00:48:03,279
Speaker 1: dead mean bad. Then that word is different words. So

729
00:48:03,480 --> 00:48:06,400
Speaker 1: his night is dad, and you can't understand the word insane.

730
00:48:06,880 --> 00:48:10,960
Speaker 1: It conveys respect in an ironic way. Oh my god, Dave,

731
00:48:11,200 --> 00:48:14,279
Speaker 1: I'm gonna be honest. This is this ain't making my

732
00:48:14,360 --> 00:48:17,480
Speaker 1: choo choo run. Come on, I want to choo you run.

733
00:48:17,719 --> 00:48:19,560
Speaker 1: They say, I ain't vibe me with this, Dave want

734
00:48:19,560 --> 00:48:22,800
Speaker 1: to make a tink. I want to choo run? So okay,

735
00:48:23,560 --> 00:48:26,040
Speaker 1: because because of you and because the people you work with.

736
00:48:26,080 --> 00:48:28,040
Speaker 1: I can say this here, okay, not get in trouble

737
00:48:28,040 --> 00:48:32,640
Speaker 1: with it killed a couple of people. They all knew that,

738
00:48:32,680 --> 00:48:36,160
Speaker 1: all right, we knew that. So when I was a kid,

739
00:48:38,080 --> 00:48:40,400
Speaker 1: and then I was a teen, and you are probably

740
00:48:40,400 --> 00:48:43,360
Speaker 1: a young adult. M then we're next to you a

741
00:48:43,440 --> 00:48:47,600
Speaker 1: young adult a kid, never mind. And then I was

742
00:48:47,640 --> 00:48:51,279
Speaker 1: a young adult. Yeah that's what she said, Thank you, dad.

743
00:48:51,880 --> 00:48:56,360
Speaker 1: I heard you. I heard you. And then I became

744
00:48:56,400 --> 00:49:01,440
Speaker 1: an adult. And when you becoming a you make choices,

745
00:49:02,040 --> 00:49:07,120
Speaker 1: and these choices affect other people talking than me. Yeah. No,

746
00:49:07,200 --> 00:49:09,480
Speaker 1: it's true, it's true. It's true. Those aren't sentences, tinko.

747
00:49:10,400 --> 00:49:15,000
Speaker 1: But speaking of sentences, you're looking at consecutive license a

748
00:49:15,040 --> 00:49:20,279
Speaker 1: good thing. That sounds pretty fun. Yeah, yeah, the whole train,

749
00:49:20,400 --> 00:49:23,359
Speaker 1: consecutive cabs. That's right, except there's one thing we can

750
00:49:23,400 --> 00:49:25,680
Speaker 1: do to get you out tomorrow. Oh what is this?

751
00:49:26,600 --> 00:49:29,399
Speaker 1: Should we be in here for this? This feels sort

752
00:49:29,440 --> 00:49:32,879
Speaker 1: of um? I mean I own you. You run around

753
00:49:32,880 --> 00:49:34,480
Speaker 1: the office to whatever you mean when you say I

754
00:49:34,520 --> 00:49:39,480
Speaker 1: own you. That's where above my pay grade, which is zero?

755
00:49:41,239 --> 00:49:47,880
Speaker 1: Are you? Are you a friend of dragons? Yeah? Is

756
00:49:47,960 --> 00:49:51,400
Speaker 1: my hair soft? Can I touch it? No, okay, I

757
00:49:51,440 --> 00:49:55,799
Speaker 1: don't know. Do you think the peach is beautiful? Let

758
00:49:55,800 --> 00:50:02,280
Speaker 1: me look. Yeah, think I have a helicopter waiting outside

759
00:50:02,280 --> 00:50:03,960
Speaker 1: for you right now? Is that what it sounds like? Yeah,

760
00:50:04,200 --> 00:50:09,080
Speaker 1: it sounds like this. Okay, okay, Dad, you can stop. Okay,

761
00:50:09,480 --> 00:50:12,040
Speaker 1: my breast hurt real bad. There's a helicopter up on

762
00:50:12,040 --> 00:50:14,319
Speaker 1: the top of this building. You can get in the

763
00:50:14,360 --> 00:50:16,840
Speaker 1: helicopter and leave. Nobody'll ever find you again. Or we

764
00:50:16,920 --> 00:50:18,960
Speaker 1: go to court tomorrow and boom back in the slammer.

765
00:50:19,040 --> 00:50:21,360
Speaker 1: I'm not getting in a flying vehicle, and I also

766
00:50:21,400 --> 00:50:24,360
Speaker 1: get in the helicopter. Um, I own you till two,

767
00:50:25,320 --> 00:50:28,680
Speaker 1: So I want to go as far away as possible.

768
00:50:28,760 --> 00:50:33,760
Speaker 1: You're gonna die with me, I mean together. It's so tinko.

769
00:50:33,800 --> 00:50:35,360
Speaker 1: What do you think? I think I only take trains.

770
00:50:36,120 --> 00:50:38,120
Speaker 1: I think I only take trains. But this is a

771
00:50:38,160 --> 00:50:43,520
Speaker 1: train in the sky. Okay, all right, all right, here

772
00:50:43,520 --> 00:50:49,719
Speaker 1: we go. Am I coming or mouth? Okay? I think

773
00:50:49,760 --> 00:50:54,000
Speaker 1: I might have a tumor in my breast. Read the

774
00:50:54,000 --> 00:50:58,280
Speaker 1: book okay, I'm beound chapter two right now? Yeah, okay, okay.

775
00:50:58,320 --> 00:51:01,080
Speaker 1: It says how do you feel? Yeah, how do you feel?

776
00:51:01,160 --> 00:51:03,200
Speaker 1: I don't feel good? Great, Okay, So what did that

777
00:51:03,239 --> 00:51:08,800
Speaker 1: say that says go to go to chapter four? Okay, okay, okay,

778
00:51:10,480 --> 00:51:14,239
Speaker 1: um do you feel it in your heart? And well,

779
00:51:14,320 --> 00:51:16,680
Speaker 1: it's near my heart because it's my breast, so that's no.

780
00:51:17,080 --> 00:51:18,480
Speaker 1: So then so what does it say where do you

781
00:51:18,480 --> 00:51:21,760
Speaker 1: go for when it says no? Go to chapter eleven? Eleven? Okay,

782
00:51:22,120 --> 00:51:27,160
Speaker 1: your bankrupt? You're not taking to a nearby chea cheese

783
00:51:27,160 --> 00:51:32,920
Speaker 1: where Lisa has decided to try speed dating. Hello, Lisa,

784
00:51:32,920 --> 00:51:34,480
Speaker 1: I'd like to have a lot of fun body in

785
00:51:34,480 --> 00:51:38,520
Speaker 1: a really normal sort of way. Nothing weird, only fun.

786
00:51:38,760 --> 00:51:41,160
Speaker 1: Love to eat food, do not love to go for

787
00:51:41,280 --> 00:51:45,040
Speaker 1: not eating food. Also love to go sleeping and hiking.

788
00:51:45,120 --> 00:51:47,000
Speaker 1: All right, let's see them for the dates. Okay, so

789
00:51:47,080 --> 00:51:50,359
Speaker 1: let's just all everyone here, let's just before let's just

790
00:51:50,440 --> 00:51:52,560
Speaker 1: let's not everyone just shout out what we do. So

791
00:51:52,600 --> 00:51:54,520
Speaker 1: let's just all have everyone to find your name on

792
00:51:54,560 --> 00:51:57,279
Speaker 1: the chair and uh, we'll begin in what are the

793
00:51:57,360 --> 00:52:01,000
Speaker 1: letters for Lisa? Look like the open seat right there

794
00:52:01,800 --> 00:52:04,759
Speaker 1: that is yours. That's a great one. Wow, part of me.

795
00:52:04,840 --> 00:52:07,759
Speaker 1: What's the time? The time is I mean limit? I mean, oh,

796
00:52:07,920 --> 00:52:11,200
Speaker 1: you're you're gonna have thirty seconds? Thirty seconds so get

797
00:52:11,239 --> 00:52:16,640
Speaker 1: it out. Okay, ready and action. Okay, Hello, I'm earl

798
00:52:17,080 --> 00:52:19,840
Speaker 1: I'm Lisa. Wow, this is going to be good. Do

799
00:52:19,960 --> 00:52:23,920
Speaker 1: you have a dog? Why do you do? I'm retired. Great,

800
00:52:24,040 --> 00:52:27,120
Speaker 1: So that sounds like a really relaxing time for you.

801
00:52:27,600 --> 00:52:30,640
Speaker 1: Are you gonna eat those nachos? Yes? Okay? Are you

802
00:52:30,760 --> 00:52:33,560
Speaker 1: gonna eat your nachos? Well? No, I was going to

803
00:52:33,600 --> 00:52:40,359
Speaker 1: give them to you. Okay, done, I'm done. I found

804
00:52:40,400 --> 00:52:42,640
Speaker 1: a really good one. Sit down, sit down, we still

805
00:52:42,640 --> 00:52:44,239
Speaker 1: have more to go. Sit down. I don't want to

806
00:52:44,239 --> 00:52:47,120
Speaker 1: swap pig good money for this. I don't just talk

807
00:52:47,200 --> 00:52:51,440
Speaker 1: to I want to keep my I was just happy

808
00:52:51,480 --> 00:52:54,200
Speaker 1: to hear the Chee Cheese is still in business. By

809
00:52:54,400 --> 00:52:57,560
Speaker 1: all right, So you're with me now? I love them.

810
00:52:58,880 --> 00:53:03,520
Speaker 1: Given the nachos. Gotta give me a chance. I don't know,

811
00:53:05,160 --> 00:53:08,680
Speaker 1: I've already found like, Oh no, thank you, you're lucky body.

812
00:53:09,040 --> 00:53:13,960
Speaker 1: Come on, I can shave this if you're not into Harry. Okay,

813
00:53:14,280 --> 00:53:22,960
Speaker 1: now we're bargaining. Oh, I have those paupers your papers? Okay, switch,

814
00:53:30,560 --> 00:53:36,640
Speaker 1: I'm done, sir, Yes, just we have some more seconds.

815
00:53:36,840 --> 00:53:39,239
Speaker 1: I'm done. I can tell by the first second I'm

816
00:53:39,320 --> 00:53:41,360
Speaker 1: still in it. So let's keep going. You like to

817
00:53:41,360 --> 00:53:45,240
Speaker 1: play cards, You like to build stuff with your hands

818
00:53:45,239 --> 00:53:49,359
Speaker 1: out of weird things. Have you ever made food look

819
00:53:49,400 --> 00:53:53,080
Speaker 1: like something that's not food? Hey? Do these nachos remind

820
00:53:53,120 --> 00:53:56,080
Speaker 1: you of like a famous person? And if so, who

821
00:53:58,200 --> 00:54:02,560
Speaker 1: if we have this same person? Wait? What? Why? Please not?

822
00:54:02,640 --> 00:54:04,719
Speaker 1: Just good talk? Well? Would their voice sound like I

823
00:54:04,800 --> 00:54:09,040
Speaker 1: have an idea? What's yours? I know? Just the finny

824
00:54:09,080 --> 00:54:11,040
Speaker 1: thing about tables is all the legs. What do they

825
00:54:11,040 --> 00:54:18,120
Speaker 1: think they are? A cat? What do you like about cats? Hey? Hey, hey,

826
00:54:18,800 --> 00:54:22,000
Speaker 1: come over here, I'm up here. Look at my eyes? Wow?

827
00:54:22,200 --> 00:54:25,239
Speaker 1: Two of them? Oh? You like to collect jewels? You

828
00:54:25,360 --> 00:54:28,359
Speaker 1: just got lucky, priceless, priceless. I don't want to do

829
00:54:28,400 --> 00:54:30,720
Speaker 1: this anymore. Okay, thank you so much for the speeding.

830
00:54:30,800 --> 00:54:32,759
Speaker 1: Last person you were with you will be forced on

831
00:54:32,800 --> 00:54:35,480
Speaker 1: a date with Okay, so just know that that was

832
00:54:35,520 --> 00:54:40,879
Speaker 1: part of the agreement to that date. Now, and look

833
00:54:41,040 --> 00:54:43,200
Speaker 1: look at what this body shape I can make does?

834
00:54:44,520 --> 00:54:46,040
Speaker 1: What do you think about that? Is there more like

835
00:54:46,040 --> 00:54:50,000
Speaker 1: a cactus or something? Yeah? It looks like a cat. Okay,

836
00:54:50,239 --> 00:54:55,120
Speaker 1: now we're having fun. Here's the thing. I'm very wealthy, okay,

837
00:54:55,320 --> 00:54:58,400
Speaker 1: so very very ill. Okay, and I was looking to

838
00:54:58,480 --> 00:55:02,080
Speaker 1: spend my last I could take care of you. You

839
00:55:02,120 --> 00:55:06,240
Speaker 1: don't look so heavy. You around? How much you cost?

840
00:55:07,400 --> 00:55:09,920
Speaker 1: I want to buy you? I'm not Lisa. It's not

841
00:55:10,040 --> 00:55:13,080
Speaker 1: for sale and it's never been for sale. Okay. One

842
00:55:13,200 --> 00:55:18,319
Speaker 1: order of rock and sock and lapo bourbon, Nacho her

843
00:55:18,560 --> 00:55:22,200
Speaker 1: I like you, And one order of hip popper Papper,

844
00:55:24,840 --> 00:55:26,400
Speaker 1: anything else I can get you, guys right now, some

845
00:55:26,480 --> 00:55:28,240
Speaker 1: other papper. I think she was looking at some more pope.

846
00:55:28,320 --> 00:55:33,319
Speaker 1: I would like the what are the can't you say?

847
00:55:33,320 --> 00:55:37,640
Speaker 1: Grape papers? Grape papers? We take grapes, we bred them,

848
00:55:37,680 --> 00:55:45,799
Speaker 1: we deep fry them. Okay, Bourbon, Okay, I like them. Hey,

849
00:55:46,080 --> 00:55:48,319
Speaker 1: who do you ever? People tell you you look like

850
00:55:48,400 --> 00:55:50,440
Speaker 1: I wonder A lot of people tell me that I

851
00:55:50,480 --> 00:55:55,680
Speaker 1: look like Paul Riser. Okay, I was not thinking of

852
00:55:55,719 --> 00:56:01,480
Speaker 1: that guy. But you know that the cartoon dog underdog. No,

853
00:56:01,880 --> 00:56:06,799
Speaker 1: he's more happier than that dog, Oh Aggie dogg and

854
00:56:06,840 --> 00:56:13,520
Speaker 1: Doggie Daddy. No, No, he's not as silly as that one. Daddy,

855
00:56:13,640 --> 00:56:18,960
Speaker 1: but dog right? You see it? Manuel, you know who

856
00:56:19,040 --> 00:56:22,560
Speaker 1: I'm talking about. Yeah, I think you're referring to um,

857
00:56:23,080 --> 00:56:28,520
Speaker 1: is it? Mama duke? Excuse me? It is Mama, Mama?

858
00:56:28,560 --> 00:56:32,960
Speaker 1: Do it is Marmaduke? Marmaduke dog, I've never gotten that before.

859
00:56:33,120 --> 00:56:36,520
Speaker 1: I guess I do look like Marmaduke. Excuse me? Way

860
00:56:36,560 --> 00:56:38,359
Speaker 1: do we just want to refills on the waters? Also?

861
00:56:38,400 --> 00:56:41,680
Speaker 1: Why is this guy wearing the cape? Was it Mama Duke?

862
00:56:44,080 --> 00:56:47,359
Speaker 1: It was Marmaduke. It was water. That's what we wanted.

863
00:56:47,960 --> 00:56:49,680
Speaker 1: I'll get right to you, so don't worry about it.

864
00:56:50,120 --> 00:56:52,200
Speaker 1: And this guy needs to play a game together on

865
00:56:52,280 --> 00:56:57,840
Speaker 1: the same team, because wow, he's picking it up. I

866
00:56:57,960 --> 00:57:00,960
Speaker 1: love you. About to get dangerous, Okay, he's here for

867
00:57:01,040 --> 00:57:06,120
Speaker 1: me because I'm an evil villain. What I have been

868
00:57:06,200 --> 00:57:09,720
Speaker 1: hunting you for a long time? Rich wealth, a single

869
00:57:09,760 --> 00:57:14,400
Speaker 1: man and sick and sick. Oh you're sick? Are you

870
00:57:14,440 --> 00:57:20,520
Speaker 1: seeing this? My arts nemesis? Finally I can confront you

871
00:57:20,560 --> 00:57:23,360
Speaker 1: and kill this evil, but my hand is steadied by

872
00:57:23,360 --> 00:57:25,680
Speaker 1: the fact that your life is being taken by time

873
00:57:26,320 --> 00:57:31,800
Speaker 1: and sickness. What's the takeaway? He will kill or no?

874
00:57:32,360 --> 00:57:37,280
Speaker 1: It turns out the time bizarre Both of our nemesis nemi.

875
00:57:37,760 --> 00:57:40,400
Speaker 1: I don't know nemesis singular right or is that plural?

876
00:57:40,440 --> 00:57:47,200
Speaker 1: I cactus plural? Nemesis isis and Nemesis. Nemesis is just

877
00:57:47,240 --> 00:57:50,600
Speaker 1: want refills on the water coming right up, sir, I'm

878
00:57:50,720 --> 00:57:55,040
Speaker 1: Lis is Lisa protege. Okay, how much did you pay

879
00:57:55,080 --> 00:58:01,800
Speaker 1: for this piece of OKAYI it's five dollars. I'll pay it.

880
00:58:02,120 --> 00:58:04,960
Speaker 1: Not but that is not a bill from Lisa. That

881
00:58:05,120 --> 00:58:09,280
Speaker 1: is for food. You pay it. I am not a

882
00:58:09,360 --> 00:58:14,520
Speaker 1: green for five dollars. I'll get your protege your levity. Wow,

883
00:58:14,640 --> 00:58:18,720
Speaker 1: the inside of me lifts me up from the ground up.

884
00:58:20,080 --> 00:58:23,880
Speaker 1: You paid this table, this is yours. I do not

885
00:58:24,000 --> 00:58:28,600
Speaker 1: agree and cut. That was fantastic with me stepping into

886
00:58:28,640 --> 00:58:32,040
Speaker 1: the director writer role and you doing acting for once

887
00:58:32,040 --> 00:58:35,080
Speaker 1: with I was shot. I was shot. I got to

888
00:58:35,200 --> 00:58:39,480
Speaker 1: do a voice. Yes, I've been wanting to do a voice. Yes. Um.

889
00:58:39,760 --> 00:58:41,480
Speaker 1: I thought it was good. I thought I did fine

890
00:58:41,560 --> 00:58:46,040
Speaker 1: with my part. Jim was amazing. Was so good Jim

891
00:58:46,440 --> 00:58:51,720
Speaker 1: as the man with the cape. Yes, guys, guys, you

892
00:58:51,760 --> 00:58:54,959
Speaker 1: were right? Were we rolling on that? Honestly, I didn't

893
00:58:54,960 --> 00:58:56,960
Speaker 1: realize we were growing out. Thought this was a test shoot.

894
00:58:57,000 --> 00:59:02,960
Speaker 1: This is that's lunch. I want to thank all the

895
00:59:03,000 --> 00:59:07,840
Speaker 1: alchemists going around in the perfect order. James Henu, what

896
00:59:07,840 --> 00:59:11,680
Speaker 1: do you got for us? I just had a great time.

897
00:59:12,280 --> 00:59:13,960
Speaker 1: If you want to check it out on YouTube, the

898
00:59:13,960 --> 00:59:18,200
Speaker 1: real James Heeney. That's beautiful. Vanessa Ragland, people catch you.

899
00:59:18,200 --> 00:59:21,240
Speaker 1: You could catch me on Twitter at Vanessa Ragland or

900
00:59:21,440 --> 00:59:24,120
Speaker 1: almost every night at Dynasty Typewriter at the Hayward Theater

901
00:59:24,160 --> 00:59:29,880
Speaker 1: at Dynasty Typewriter dot com. Yeah, Joey Grisha at Jeby Grieber.

902
00:59:29,960 --> 00:59:31,360
Speaker 1: I'm not even gonna try to spell it because I

903
00:59:31,360 --> 00:59:34,680
Speaker 1: funked it up last time. That's my Instagram. Did you

904
00:59:34,800 --> 00:59:37,000
Speaker 1: create the Instagram name? I did? And you're not sure

905
00:59:37,000 --> 00:59:39,480
Speaker 1: how to spelling? Well, you know I want it's illusion.

906
00:59:39,600 --> 00:59:41,480
Speaker 1: There's magic, you know, you know you know I'm not

907
00:59:42,440 --> 00:59:46,080
Speaker 1: spell Thank you though, Craggy at Kaikowski on Twitter, at

908
00:59:46,120 --> 00:59:49,720
Speaker 1: Craigslist Peacast for the Craigslist podcast and the Drunken Street

909
00:59:49,720 --> 00:59:52,920
Speaker 1: television program on Comedy Central. Correct continue, We go over

910
00:59:52,960 --> 00:59:55,720
Speaker 1: to Chris Alvarado for the wrap up at Chris Alvarado,

911
00:59:58,280 --> 01:00:02,120
Speaker 1: so well done. Less into the rest of you, Doug

912
01:00:02,200 --> 01:00:10,280
Speaker 1: Bow our engineer, let's here for Douggie who Raphael Brito

913
01:00:11,680 --> 01:00:16,040
Speaker 1: our soundfold of everyone here and how stuff works network.

914
01:00:16,080 --> 01:00:17,720
Speaker 1: I want to thank each and every damn one of you.

915
01:00:17,760 --> 01:00:22,840
Speaker 1: And here's the list now, sophie Um, that's all I got.

916
01:00:25,480 --> 01:00:30,560
Speaker 1: But that's our show for this particularly week until next time. Alchemy.

917
01:00:30,640 --> 01:00:30,680
Speaker 1: This