WEBVTT - "Luck Be A Lady Part 1" Recap Season 2, Episode 21

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<v Speaker 1>Hello, I feel like my voice is warmed up a

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<v Speaker 1>little Andrea Barber. Yeah, I still got to push a

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<v Speaker 1>little bit on them. Yeah, yeah, sorry, that's okay, that's okay.

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<v Speaker 1>You know we sound great. That for the first episode

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<v Speaker 1>warmed my voice up a little bit, though, I definitely

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<v Speaker 1>did feel a little bit a little bit.

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<v Speaker 2>Yeah, it was like a vocal warm up, like an

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<v Speaker 2>hour long, an hour long vocal warm up. Yeah, yeah,

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<v Speaker 2>I have an update. I have an update, because update

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<v Speaker 2>regarding what regarding the how we Know Bye Bye episode,

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<v Speaker 2>which I know, I know they don't want to talk

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<v Speaker 2>about it ever again. Yes, so that episode just aired

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<v Speaker 2>a few days ago, and so we we had asked

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<v Speaker 2>in that episode, how many times did Michelle say Howie?

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<v Speaker 1>Oh my god?

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<v Speaker 2>Yes, and our fans have counted, Our fans have counted.

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<v Speaker 2>Wait wait, wait, wait, wait, wait what I want to guess?

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<v Speaker 2>Oh yeah, okay, yeah, yeah, I already know, so I can't.

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<v Speaker 1>Yeah, you want you to guess, I'm gonna say like

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<v Speaker 1>I want to say, like seventy something, but that feels excessive.

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<v Speaker 2>Wait wait, wait, don't try to read my face.

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<v Speaker 1>You just looked at you, you glanced and you were like, well,

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<v Speaker 1>I'm shutting, and the look that I saw on your

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<v Speaker 1>face sort of said like, I mean, it could be,

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<v Speaker 1>but you might actually be right.

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<v Speaker 2>I'm gonna say sixty three. No, No, you're You're totally

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<v Speaker 2>trying to read my expression and I'm trying to be

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<v Speaker 2>stone faced, poker faced.

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<v Speaker 1>Okay, okay, I'm final answer, final answer, fifty seven. No,

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<v Speaker 1>but you're close, damn it?

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<v Speaker 2>What Okay?

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<v Speaker 1>So wait, wait, wait wait is it prices price, prices right,

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<v Speaker 1>rules closest but not over.

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<v Speaker 2>You went over. You went over, sorry, but not by much,

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<v Speaker 2>not by too much. Really, Yeah, So thank you to

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<v Speaker 2>at Denny underscore nine point one.

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<v Speaker 1>Okay for the answer, Okay.

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<v Speaker 2>Forty eight times forty forty eight times eight and that's

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<v Speaker 2>just Michelle. Oh see, I.

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<v Speaker 1>Was I was thinking I was counting.

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<v Speaker 2>Whole the entire show, which was why my first thing

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<v Speaker 2>was seventy. But just Michelle says it, that's probably closer.

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<v Speaker 2>It just Michelle says, Howie, really.

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<v Speaker 1>Eight lines in the whole damn episode.

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<v Speaker 2>My god, that's excessive. That is excessive.

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<v Speaker 1>Yeah, I can't.

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<v Speaker 2>Yeah, it's I'm impressed. That is dedication. Thank you, thank you.

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<v Speaker 1>Eight times Michelle alone.

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<v Speaker 2>Yeah, wow, that is how that's why it's stuck in

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<v Speaker 2>her head. Maybe that's why we yeah, we didn't love

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<v Speaker 2>the episode, and that the fans were like split, like

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<v Speaker 2>they either loved the episode or they hated it.

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<v Speaker 1>Well, I feel like the Michelle crowd was probably like,

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<v Speaker 1>we loved it because because Michelle.

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<v Speaker 2>They loved it. They were like, oh, we disagree with

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<v Speaker 2>your great up road.

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<v Speaker 1>That's okay, Yeah, it's okay to have a different range

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<v Speaker 1>of the toddler, all of the whole thing.

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<v Speaker 2>But then oh yeah, they thought it was so sweet.

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<v Speaker 2>And then there's those of us that are like, God,

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<v Speaker 2>turn the TV off, like we never want to see

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<v Speaker 2>this episode again. Yeah, it was. It was a lot.

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<v Speaker 1>And now that I know that we heard Michelle alone

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<v Speaker 1>say howie forty eight times, I know exactly why. That's

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<v Speaker 1>too many times.

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<v Speaker 2>Yeah we didn't need it's too many times. That's too

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<v Speaker 2>many lines for a two year old. Also, forty too

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<v Speaker 2>many lines? Yeah yeah, yeah, how was it? Just in

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<v Speaker 2>that that crib scene she says how we know bye bye,

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<v Speaker 2>like at least ten times just in that right?

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<v Speaker 1>All right, Well, thank you. Date.

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<v Speaker 2>So people keep keep answering our question, please do read

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<v Speaker 2>they do read them.

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<v Speaker 1>We're fascinated. Uh and I yeah, I knew it was excited,

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<v Speaker 1>knew it was accessible.

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<v Speaker 2>I'll try to make a concerted effort to write it

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<v Speaker 2>down and talk.

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<v Speaker 1>Anything over fifteen is excessive. Forty eight times.

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<v Speaker 2>Forty eight is just that's a that's a crime.

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<v Speaker 1>Yeah, she should get a restraining order filed against her

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<v Speaker 1>just for saying his name that many times in one

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<v Speaker 1>twenty two minute episode of television.

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<v Speaker 2>They should write it into the child labor laws that

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<v Speaker 2>two year olds aren't allowed to say Howie forty eight times?

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<v Speaker 2>You got twelve, that's.

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<v Speaker 1>Yeah, and those twelve times can't be in one scene.

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<v Speaker 2>No, no, you have spread it out through through the

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<v Speaker 2>twenty two minutes. Yes, yes, that's true.

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<v Speaker 1>All right, Well, so thank you, thank you for the

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<v Speaker 1>Howie updates.

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<v Speaker 2>Although I feel like at this point we've said it more.

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<v Speaker 1>We've said the name more times in the first five

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<v Speaker 1>minutes of this show than we did the whole time

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<v Speaker 1>on nine episodes.

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<v Speaker 2>Yeah, I'm getting triggered.

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<v Speaker 1>I am, I am you know what. Yeah, I'm missing Howie.

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<v Speaker 2>No, no, no, you're not.

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<v Speaker 1>We'll always talk about him, you know. I need to

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<v Speaker 1>feel like I need to see him. Where is he

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<v Speaker 1>or her? They where are they? They? Yeah? Yeah, he

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<v Speaker 1>comes back?

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<v Speaker 2>How he comes back for the wedding, So we can

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<v Speaker 2>just reserve our judgment for got it that whenever whatever

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<v Speaker 2>season the wedding is, it's next season three four. I don't,

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<v Speaker 2>I don't. I have no clue, Like if well, I

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<v Speaker 2>would not be able to tell you what seas episode

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<v Speaker 2>we have it to be continued. So is this our

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<v Speaker 2>first two parter? This is our second? This is our second.

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<v Speaker 2>We had one in season one where Jesse is like,

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<v Speaker 2>I gotta move kids kids. That was a t to

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<v Speaker 2>be continued, and this is our this is the only

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<v Speaker 2>one of season two.

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<v Speaker 1>I believe. Wait, wasn't the wasn't the one was the

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<v Speaker 1>one where he was going to move out like the

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<v Speaker 1>last two episodes of the season or No, Now that was.

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<v Speaker 2>Early and we talked about that. That was no, but

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<v Speaker 2>it was it was like the penultimate.

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<v Speaker 1>That's what I'm saying. This is the penultimate. Also, so

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<v Speaker 1>the last two seasons ended, So each season has ended

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<v Speaker 1>so far with a two parter because we only have

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<v Speaker 1>one more episode out.

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<v Speaker 2>I thought episode I thought season one we said that

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<v Speaker 2>the two parter should have been the ending, but then

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<v Speaker 2>we had the Kirk Cameron episode, just one of the guys,

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<v Speaker 2>which didn't feel like a season a season closer.

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<v Speaker 1>That was the season end, I think probably because it

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<v Speaker 1>was so probably though, because at the time it was

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<v Speaker 1>so big.

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<v Speaker 2>It was a big get to get him, that's true.

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<v Speaker 1>So it was probably that was probably why it was

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<v Speaker 1>the season ender, you know what I mean.

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<v Speaker 2>At the time, it would have been a big like

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<v Speaker 2>a big deal. It was May sweeps, right, but that

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<v Speaker 2>sweeps used to be a thing back in the day

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<v Speaker 2>where in November, Yeah, November and May, that's when everybody

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<v Speaker 2>puts their best episodes on TV to try to get

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<v Speaker 2>the best ratings. Yeah, that was probably I think success. Okay,

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<v Speaker 2>so that's probably.

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<v Speaker 1>Why it ended on that. Maybe maybe it was gonna

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<v Speaker 1>be the two part episode that we ended on, but

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<v Speaker 1>they were like, no, we'll get better ratings, let's add it. Yeah, well,

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<v Speaker 1>whatever it was, We're in another two parter and I

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<v Speaker 1>have a lot of thoughts on this first part.

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<v Speaker 2>This is so good, Like, this is such a good

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<v Speaker 2>episode that I don't think I've ever seen and I

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<v Speaker 2>was like, what where has this episode been my whole life?

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<v Speaker 2>This was Oh my god, it you don't Oh, that's true.

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<v Speaker 2>Because you wait, I wasn't in it.

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<v Speaker 1>No, you weren't in it, and I all I remember

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<v Speaker 1>is the fabulous like.

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<v Speaker 2>Great years. Yeah. Yeah, we would repeat that line for

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<v Speaker 2>the rest of the series. How can you not It's

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<v Speaker 2>so catchy. Okay, anyways, let me officially start this podcast. Hello,

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<v Speaker 2>and welcome back to How Rude Tanneritos. I'm Andrea Barber

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<v Speaker 2>and I'm Jody Sweeten. Today we're discussing season two, episode

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<v Speaker 2>twenty one, the penultimate episode of season two, titled Luck

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<v Speaker 2>Be a Lady Pardon one. Obviously, this is referring to

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<v Speaker 2>the classic Frank Sinatra song of the same name.

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<v Speaker 1>That's the guy. It's from Guys and Dolls.

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<v Speaker 2>Yeah, and Guys and Dolls too true. This originally aired

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<v Speaker 2>April twenty eighth, nineteen eighty nine, and it goes almost

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<v Speaker 2>almost to the day. Yeah, almost thirty five years to

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<v Speaker 2>the day. Yes, today's April twenty fifth.

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<v Speaker 1>Yeah. Wow.

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<v Speaker 2>Oh that's cool, right, what a coincidence? Uh? And it

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<v Speaker 2>goes a little something like this. Danny and Becky have

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<v Speaker 2>their morning talk show live for the first time at

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<v Speaker 2>a casino hotel in Lake Tahoe. Jesse's dreams of Romantic

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<v Speaker 2>moments with Becky are threatened by a film star and

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<v Speaker 2>Joey and the girls turned to gambling.

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<v Speaker 1>Wow, that's passed him first of all. That sounds dark.

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<v Speaker 1>Joey and the girls turned to gambling like they're desperate, right, Yeah,

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<v Speaker 1>Becky's getting threatened by a film star and Joey and

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<v Speaker 1>the girls are turning to gambling. Right, Because you know,

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<v Speaker 1>a lot of things happen in Lake Tahoe.

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<v Speaker 2>This is it's it's very ominous. But they packed a

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<v Speaker 2>lot into these twenty two minutes. No wonder, it's a

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<v Speaker 2>two parter.

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<v Speaker 1>They're up in Tahoe. You know who we last Tahoe?

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<v Speaker 1>Oh no, the bullets, the ripper with the ratail, but no.

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<v Speaker 2>Living ratl Sorry, I got excited. Okay, he should have

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<v Speaker 2>made a cameo in this appearance in this in this episode.

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<v Speaker 1>Well he's maybe he turned to gambling. He was kicked

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<v Speaker 1>out of the band. Okay.

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<v Speaker 2>Anyways, we love a ripper with the rat tail. Anyways,

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<v Speaker 2>back to like, we're sorry, guys, we are very unhinged today.

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<v Speaker 2>Just buckle up. This was directed by Billy Fastaff Coffee

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<v Speaker 2>Coffee Coffee, and it was written by a lot of people.

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<v Speaker 2>The story was by Rob Dames and Bill Frasier, and

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<v Speaker 2>the teleplay was by Dennis Frinstler and Mark Warren.

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<v Speaker 1>Got it.

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<v Speaker 2>So all these writing teams are getting credits right on

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<v Speaker 2>the same time.

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<v Speaker 1>Well because the story is like the idea right, but

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<v Speaker 1>the teleplay actually right words and that. Yeah. Yeah.

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<v Speaker 2>So Robin Bill say, hey, let's do an episode in

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<v Speaker 2>like Tahoe at a casino hotel, and Dennis and Mark

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<v Speaker 2>were like, we'll write the dialogue. Yeah, got it. We

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<v Speaker 2>have some fabulous guest stars this week at the Yes,

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<v Speaker 2>we have Lewis Avolos as the fabulous mister Santana. This

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<v Speaker 2>guy is a legend. Yeah. He is best known for

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<v Speaker 2>doing six hundred and fifty episodes of The Electric Company

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<v Speaker 2>that I Yes, loved The Electric Company. Of course you did,

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<v Speaker 2>of course you did.

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<v Speaker 1>Yes.

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<v Speaker 2>This guy is just he's everywhere, He's everywhere you look.

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<v Speaker 2>He did guest appearances on Benson Fresno, You Again, hanging

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<v Speaker 2>with mister Cooper Like You Again show, wasn't that Oh?

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<v Speaker 2>So I wonder if what if they knew each other.

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<v Speaker 2>I wonder if John brought up I don't know if

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<v Speaker 2>this guy is just he's so good, he's so perfectly

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<v Speaker 2>cast in this role. Great, oh man, I just can't

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<v Speaker 2>sing his praises enough. And then we have Steve Bond

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<v Speaker 2>as Todd Masters.

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<v Speaker 1>Steve, Steve Bond, Steve Bond.

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<v Speaker 2>He's best known as Jimmy Lee Holt in General Hospital,

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<v Speaker 2>so one of John brought him.

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<v Speaker 1>Over from Little h crossover action here. Yeah. Yeah.

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<v Speaker 2>He was also Mac Blake in Santa Barbara, So this

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<v Speaker 2>is a soap guy. He's a soap star. And last,

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<v Speaker 2>but certainly not least, we have Sandra Wilde as waitress,

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<v Speaker 2>no name, just waitress. Yeah. She did guest appearances on Walker,

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<v Speaker 2>Texas Ranger and Star Trek Deep Space nine. And then

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<v Speaker 2>she has a lot of credits in movies like California,

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<v Speaker 2>Hot Wax, Body Waves, and Inside Out for so, just

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<v Speaker 2>make of that what you will. I will not editorialize.

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<v Speaker 1>I have questions as to the first three Inside Outs.

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<v Speaker 2>How much Morgan there be put inside?

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<v Speaker 1>Yeah?

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<v Speaker 2>Though there's what is it?

0:12:05.320 --> 0:12:09.840
<v Speaker 1>All I'm picturing is it's like those little laparoscopic cameras.

0:12:10.400 --> 0:12:13.480
<v Speaker 1>A sorry, okay, I'm sorry, we have to we have to.

0:12:13.840 --> 0:12:15.400
<v Speaker 1>Oh god, we have to do a show. Okay, you're

0:12:15.440 --> 0:12:18.839
<v Speaker 1>so distracted. Now, you're so distracted. Right, put her out

0:12:18.840 --> 0:12:20.480
<v Speaker 1>of your mind. Put her out of your mind until

0:12:20.520 --> 0:12:23.440
<v Speaker 1>she comes up in that scene. Okay, but it makes

0:12:23.480 --> 0:12:26.680
<v Speaker 1>sense once you see that, once you see then it's.

0:12:26.480 --> 0:12:32.760
<v Speaker 2>All it all makes sense. Yes, good for great Okay, No,

0:12:32.760 --> 0:12:37.319
<v Speaker 2>no disrespect at all. It's just's very talented things that

0:12:37.360 --> 0:12:39.200
<v Speaker 2>this is what we do. No one is safe. This

0:12:39.280 --> 0:12:42.280
<v Speaker 2>is what we do, No one is safe. We open

0:12:42.440 --> 0:12:45.520
<v Speaker 2>our teaser. In the kitchen, Danny has just prepared lunch

0:12:45.559 --> 0:12:47.760
<v Speaker 2>for Michelle, but when he walks over to place it

0:12:47.800 --> 0:12:50.760
<v Speaker 2>on the table, she isn't at her seat. She walks

0:12:50.760 --> 0:12:53.840
<v Speaker 2>in from around the corner on all fours, barking like

0:12:53.880 --> 0:12:57.600
<v Speaker 2>a dog. Danny smiles and crouches down to greet her.

0:12:57.960 --> 0:12:58.679
<v Speaker 1>What have we here?

0:12:59.559 --> 0:13:02.960
<v Speaker 2>She tells, I'm a doggie, and then she instructs Danny

0:13:03.480 --> 0:13:06.680
<v Speaker 2>daddy be a doggie. He agrees, and he gets on

0:13:06.720 --> 0:13:09.000
<v Speaker 2>his hands and knees and starts barking. Oh my gosh,

0:13:09.240 --> 0:13:11.480
<v Speaker 2>Bob is such a good sport in this. It was

0:13:11.559 --> 0:13:15.439
<v Speaker 2>so cute though, and it was like it was also very.

0:13:15.240 --> 0:13:17.560
<v Speaker 1>Indicative of like the way he would play with his kids,

0:13:18.040 --> 0:13:18.480
<v Speaker 1>you know what I mean?

0:13:18.480 --> 0:13:20.480
<v Speaker 2>Like that Bob was he was very much like he

0:13:20.520 --> 0:13:23.440
<v Speaker 2>was a very hands on dad, and it's very evident

0:13:23.480 --> 0:13:27.240
<v Speaker 2>in this teaser. So Michelle pats his head and says,

0:13:27.320 --> 0:13:30.120
<v Speaker 2>nice doggie. She throws a carrot out in the distance

0:13:30.240 --> 0:13:33.040
<v Speaker 2>and orders him to go get it. He tells her,

0:13:33.040 --> 0:13:35.640
<v Speaker 2>all right, but I'm not sleeping outside tonight, and while

0:13:35.760 --> 0:13:37.760
<v Speaker 2>Danny Will still in character, gets the carrot and brings

0:13:37.760 --> 0:13:40.280
<v Speaker 2>it back to Michelle, and this game continues through the

0:13:40.400 --> 0:13:40.959
<v Speaker 2>end of the teaser.

0:13:41.520 --> 0:13:44.400
<v Speaker 1>They I love Ashley, Mary Kate used to love pretending

0:13:44.480 --> 0:13:47.480
<v Speaker 1>to be doggies and oh yeah, they were at a

0:13:47.520 --> 0:13:51.360
<v Speaker 1>stage and I seem to remember I seem to remember

0:13:52.840 --> 0:13:55.720
<v Speaker 1>h Fox and Dashels sort of going through it too.

0:13:56.120 --> 0:13:58.400
<v Speaker 1>Oh yeah, where you would hold them and my even

0:13:58.440 --> 0:14:00.240
<v Speaker 1>my kids were they and they'd want to like the

0:14:00.240 --> 0:14:03.800
<v Speaker 1>side of your face. They find that Evan, You're like stop, like, yeah,

0:14:03.840 --> 0:14:05.520
<v Speaker 1>it's a very toddler thing to do, but they, yeah,

0:14:05.520 --> 0:14:10.240
<v Speaker 1>it's very like all right, well, let's right it into

0:14:10.280 --> 0:14:10.600
<v Speaker 1>the show.

0:14:10.960 --> 0:14:13.560
<v Speaker 2>And we're not Evento the Comet years yet, like this

0:14:13.800 --> 0:14:16.320
<v Speaker 2>is pre Comet and they were still very into dogs.

0:14:17.440 --> 0:14:21.120
<v Speaker 2>Uh So in Michelle's room, Danny holds up two dresses

0:14:21.200 --> 0:14:24.000
<v Speaker 2>and asks which one Michelle wants to take on their

0:14:24.040 --> 0:14:27.800
<v Speaker 2>trip to Lake Tahoe. Michelle points to both and says

0:14:27.880 --> 0:14:32.040
<v Speaker 2>that one Danny looks discouraged. Oh yeah, I'm looking forward

0:14:32.080 --> 0:14:35.360
<v Speaker 2>to those shopping years. And Michelle is sporting what becomes

0:14:35.360 --> 0:14:37.840
<v Speaker 2>her signature ponytail, the little the little.

0:14:37.640 --> 0:14:39.400
<v Speaker 1>Poof on top tree on top of the head.

0:14:39.520 --> 0:14:42.560
<v Speaker 2>Oh yeah, that that she She wore that style for many,

0:14:42.560 --> 0:14:46.360
<v Speaker 2>many years. Jesse walks in with Joey and he's carrying

0:14:46.400 --> 0:14:49.240
<v Speaker 2>a suitcase. He flings it on the ground and says

0:14:49.360 --> 0:14:52.280
<v Speaker 2>this will be big enough for Michelle. Michelle says, okay,

0:14:52.360 --> 0:14:56.640
<v Speaker 2>Jesse and sits in the suitcase. I guess she calls

0:14:56.680 --> 0:14:57.280
<v Speaker 2>him Jesse too.

0:14:57.360 --> 0:14:58.080
<v Speaker 1>Not for Jesse.

0:14:59.520 --> 0:15:02.040
<v Speaker 2>Jesse to everyone they won't be seeing much of him

0:15:02.120 --> 0:15:05.160
<v Speaker 2>this weekend, as he is going to spend every moment

0:15:05.240 --> 0:15:08.840
<v Speaker 2>with Becky. Danny reminds him this is a work trip

0:15:09.160 --> 0:15:13.680
<v Speaker 2>and it's their first show on location. Danny continues, if

0:15:13.680 --> 0:15:18.000
<v Speaker 2>this goes well, I might get more free vacations. Jesse admits,

0:15:18.160 --> 0:15:20.120
<v Speaker 2>I just hope she can keep her mind on her work,

0:15:20.200 --> 0:15:23.720
<v Speaker 2>because this weekend, I'm gonna tell Becky those three little

0:15:23.720 --> 0:15:27.600
<v Speaker 2>words that every woman wants to hear. Joey puts his

0:15:27.640 --> 0:15:31.960
<v Speaker 2>hand on his chest, Honey, I'm wrong. Yes, Jesse smirks

0:15:32.320 --> 0:15:34.440
<v Speaker 2>that those are the two weeks. Yes, I've read three words.

0:15:34.480 --> 0:15:36.960
<v Speaker 2>Joey has it right yet, Yes, that is more meaningful

0:15:37.040 --> 0:15:41.640
<v Speaker 2>than any other three word phrase. Jesse Smirkson says, I

0:15:41.880 --> 0:15:45.360
<v Speaker 2>love you, and Joey gasps, I am so touched, and

0:15:45.400 --> 0:15:48.480
<v Speaker 2>they both break out in laughter, which felt like real.

0:15:48.560 --> 0:15:51.040
<v Speaker 1>This looked was a genuine yea, a genuine one was

0:15:51.080 --> 0:15:53.960
<v Speaker 1>happening before that moment, but that was that was an

0:15:54.000 --> 0:15:55.800
<v Speaker 1>actual laugh between the two of them.

0:15:56.160 --> 0:15:59.440
<v Speaker 2>That was a real laugh, not a sitcom laugh. Danny

0:15:59.480 --> 0:16:01.560
<v Speaker 2>walks over in points out that Jesse and Becky have

0:16:01.640 --> 0:16:04.200
<v Speaker 2>been going out for a long time. You haven't told

0:16:04.200 --> 0:16:07.560
<v Speaker 2>her I love you yet. Jesse sighs. Oh, you know

0:16:07.600 --> 0:16:10.160
<v Speaker 2>how Becky is. She likes to take things slow, and

0:16:10.240 --> 0:16:12.440
<v Speaker 2>I didn't want to scare her off. But guys, I

0:16:12.520 --> 0:16:15.000
<v Speaker 2>am crazy about this girl, and I can't keep my

0:16:15.000 --> 0:16:17.760
<v Speaker 2>feelings in any longer. I'm gonna take her in my arms.

0:16:18.000 --> 0:16:21.800
<v Speaker 2>I'm gonna passionately look into her eyes and say right. Then,

0:16:21.920 --> 0:16:23.800
<v Speaker 2>Becky comes up from behind him and puts a hand

0:16:23.800 --> 0:16:27.760
<v Speaker 2>on his shoulder. Jesse nervously finishes his sentence, Hi is

0:16:27.800 --> 0:16:30.880
<v Speaker 2>the cab here yet, and she chuckles, telling them they

0:16:30.880 --> 0:16:35.000
<v Speaker 2>gotta go. Everyone scurries out of the room, with just

0:16:35.040 --> 0:16:37.640
<v Speaker 2>Becky standing in the doorway. Michelle pops out of her

0:16:37.640 --> 0:16:41.920
<v Speaker 2>crib and shouts, don't forget me. Becky shouts down the hall, guys,

0:16:42.040 --> 0:16:45.640
<v Speaker 2>I think you forgot something. Jesse comes racing into the room,

0:16:45.720 --> 0:16:48.840
<v Speaker 2>wondering what was left. His tone immediately switches to a

0:16:48.840 --> 0:16:52.600
<v Speaker 2>baby voice and says, oh, Michelle, I'm sorry. I didn't

0:16:52.600 --> 0:16:56.440
<v Speaker 2>mean to forget you, and Michelle says, I'm not mad.

0:16:56.760 --> 0:16:59.040
<v Speaker 2>That was so cute. That was a very cute, sweet

0:16:59.040 --> 0:17:02.720
<v Speaker 2>little moment. Becky chimes in, Jess, I am so excited

0:17:02.760 --> 0:17:06.679
<v Speaker 2>about this trip. Jesse agrees and adds, Rebecca, this is

0:17:06.720 --> 0:17:08.760
<v Speaker 2>going to be a trip that you will never and

0:17:08.840 --> 0:17:14.200
<v Speaker 2>I mean never forget. Becky's face fills with joy. Tell

0:17:14.200 --> 0:17:16.560
<v Speaker 2>me about it. She says, Todd Masters is going to

0:17:16.600 --> 0:17:18.960
<v Speaker 2>be on our show. He is the biggest movie star

0:17:19.000 --> 0:17:20.280
<v Speaker 2>I've ever interviewed.

0:17:20.600 --> 0:17:21.479
<v Speaker 1>What a hunk.

0:17:22.560 --> 0:17:24.399
<v Speaker 2>She walks out of the room and Jesse mocks her,

0:17:24.560 --> 0:17:30.640
<v Speaker 2>what a hunk. I love that because she's like, but anyway, yeah,

0:17:30.800 --> 0:17:32.919
<v Speaker 2>she's kind of keeping him at arm's length, and you know,

0:17:33.080 --> 0:17:43.520
<v Speaker 2>I appreciate that Jesse kind of needs. We cut to

0:17:43.560 --> 0:17:46.359
<v Speaker 2>some generic stock footage of Lake Tahoe to set the scene.

0:17:46.400 --> 0:17:48.200
<v Speaker 1>Some very fuzzy stock footage.

0:17:48.240 --> 0:17:52.760
<v Speaker 2>It's very fuzzy and it's it looks like it was. Yeah,

0:17:53.800 --> 0:17:55.639
<v Speaker 2>we didn't have drones back then, so I'm sure somebody

0:17:55.800 --> 0:17:58.080
<v Speaker 2>was like leaning out of a plane or a helicopter

0:17:58.200 --> 0:18:01.000
<v Speaker 2>taking it was whatever you could find in the vault.

0:18:01.160 --> 0:18:02.920
<v Speaker 1>I don't know. Give me some pictures of some trees

0:18:02.960 --> 0:18:05.440
<v Speaker 1>around like Tahoe. Yeah, something with a lake in the background.

0:18:05.560 --> 0:18:10.600
<v Speaker 2>Right, right, So we are in Stephan DJ's hotel room.

0:18:11.320 --> 0:18:14.160
<v Speaker 2>A bellman leads Danny and the girls into the room,

0:18:14.200 --> 0:18:17.720
<v Speaker 2>and Steph is ecstatic. They have a TV set, a dresser,

0:18:17.760 --> 0:18:21.119
<v Speaker 2>a bed, a phone, and curtains. DJ tells her to

0:18:21.119 --> 0:18:23.919
<v Speaker 2>calm down. They have all this stuff at home, but

0:18:23.960 --> 0:18:26.840
<v Speaker 2>stuph counters, yeah, but we don't have this guy, as

0:18:26.840 --> 0:18:30.359
<v Speaker 2>she gestures towards the bellman. I remember this as a

0:18:30.440 --> 0:18:33.000
<v Speaker 2>kid being so excited about a hotel room. Right, You're like,

0:18:33.040 --> 0:18:35.280
<v Speaker 2>look at all the things. Yeah, yeah, just because you're

0:18:35.320 --> 0:18:36.639
<v Speaker 2>not home, that's what's exciting.

0:18:37.440 --> 0:18:39.280
<v Speaker 1>I still walk into a hotel room and if it's

0:18:39.280 --> 0:18:41.280
<v Speaker 1>got like nice little features I'm like, oh, look at this,

0:18:41.880 --> 0:18:43.879
<v Speaker 1>it's a mini mouth wash. Yeah. I don't know, I

0:18:43.960 --> 0:18:45.639
<v Speaker 1>just get really excited, exciting.

0:18:46.359 --> 0:18:48.800
<v Speaker 2>You would have got to touch everything. Yeah, yeah, yeah,

0:18:48.920 --> 0:18:52.320
<v Speaker 2>I understand that. So as the bellman leaves, an eccentric

0:18:52.400 --> 0:18:56.679
<v Speaker 2>man with a mustache Waltz is in and announces welcome

0:18:56.920 --> 0:18:59.439
<v Speaker 2>to the Fabulous Ali Ababa Hotel and because you know,

0:19:00.240 --> 0:19:04.600
<v Speaker 2>he introduces himself as mister Santana, manager of the Fabulous

0:19:04.640 --> 0:19:09.160
<v Speaker 2>Sally Baba Hotel and Casino. Okay, what's he do you?

0:19:09.160 --> 0:19:10.439
<v Speaker 2>I don't know if you remember this, but was he

0:19:10.520 --> 0:19:13.439
<v Speaker 2>directed to deliver that line that way or did he

0:19:13.520 --> 0:19:16.760
<v Speaker 2>come did the actor bring this delivery himself and.

0:19:16.720 --> 0:19:18.919
<v Speaker 1>Make it was a choice of his because it's so

0:19:20.080 --> 0:19:22.320
<v Speaker 1>I think it was well, I think it was written

0:19:22.560 --> 0:19:24.920
<v Speaker 1>that it's you know that he keeps saying the fabulous

0:19:24.920 --> 0:19:27.959
<v Speaker 1>Ali Baba Hotel and Casino. So I think he probably

0:19:28.040 --> 0:19:29.399
<v Speaker 1>read that and was like, oh, they want me to

0:19:29.480 --> 0:19:30.880
<v Speaker 1>like it's a thing every time he.

0:19:30.880 --> 0:19:33.400
<v Speaker 2>Says the thing. So I'm sure that was sort of.

0:19:33.359 --> 0:19:36.160
<v Speaker 1>Indicated in like what the joke was that he keeps

0:19:36.200 --> 0:19:37.199
<v Speaker 1>making a big deal out of it.

0:19:37.240 --> 0:19:40.280
<v Speaker 2>But he I mean the way he said it was great. Oh,

0:19:40.560 --> 0:19:43.120
<v Speaker 2>it's so perfect. It's so perfect it's not even annoying.

0:19:43.160 --> 0:19:45.240
<v Speaker 2>I love it every single time, he says it. Oh,

0:19:45.240 --> 0:19:48.679
<v Speaker 2>it's so great. So Danny shakes mister Santana's hand and

0:19:48.720 --> 0:19:52.639
<v Speaker 2>introduces himself. Mister Santana expresses how thrilled they are for

0:19:52.720 --> 0:19:55.560
<v Speaker 2>him to do his show live from the fabulous Alibaba

0:19:55.600 --> 0:19:59.879
<v Speaker 2>Hotel and Casino. He walks over to DJ and Sta

0:20:00.240 --> 0:20:04.200
<v Speaker 2>and tells them anything you and your fabulous family desires,

0:20:04.480 --> 0:20:08.320
<v Speaker 2>just sign your room number. It's all free. Steph can't

0:20:08.320 --> 0:20:11.800
<v Speaker 2>believe it. Everything is free. He nods his head and

0:20:11.800 --> 0:20:14.560
<v Speaker 2>Steph places both of her hands on her chest to say,

0:20:14.920 --> 0:20:19.240
<v Speaker 2>you are the nicest man in the world. Mister Santana

0:20:19.280 --> 0:20:22.119
<v Speaker 2>reaches his hand into his pocket and gives a shiny

0:20:22.200 --> 0:20:26.040
<v Speaker 2>silver dollar to each girl. DJ, with a huge smile

0:20:26.080 --> 0:20:28.919
<v Speaker 2>on her face, points at mister Santana and says, dad,

0:20:29.320 --> 0:20:32.760
<v Speaker 2>give this man a hug. Danny doesn't move, and he

0:20:32.800 --> 0:20:37.359
<v Speaker 2>tells DJ that he doesn't believe that's entirely necessary. Mister

0:20:37.400 --> 0:20:40.880
<v Speaker 2>Santana cuts him off and says, no problem. He lunges

0:20:40.920 --> 0:20:43.879
<v Speaker 2>forward and bear hugs Danny while Danny's hands remain in

0:20:43.960 --> 0:20:48.200
<v Speaker 2>his pocket. Wow, I was like what. I was shocked.

0:20:48.280 --> 0:20:51.640
<v Speaker 1>Danny feels like someone who's a hugger doesn't matter who

0:20:51.840 --> 0:20:55.840
<v Speaker 1>doesn't miss Mander, this is what we do.

0:20:56.000 --> 0:20:58.760
<v Speaker 2>Yeah, I agree, that was out of character. I agree,

0:21:00.160 --> 0:21:03.920
<v Speaker 2>mister Santana adds Yes, the love never stops here at

0:21:03.960 --> 0:21:11.840
<v Speaker 2>the and everyone chimes in the Faus Hotel and Casino. Next,

0:21:11.920 --> 0:21:15.240
<v Speaker 2>in Danny's hotel room, Danny is lying on his bed

0:21:15.680 --> 0:21:18.879
<v Speaker 2>and Michelle is next to him. He tells her, Michelle,

0:21:19.160 --> 0:21:22.200
<v Speaker 2>tomorrow you will be in the fabulous Ali Baba Hotel

0:21:22.200 --> 0:21:26.080
<v Speaker 2>and Casino daycare. Michelle imitates him and says.

0:21:26.359 --> 0:21:34.520
<v Speaker 3>Fla flabulous balus flabolous. Danny says it back, flabulous and

0:21:34.600 --> 0:21:37.199
<v Speaker 3>guess what. They have a TV there, So, who are

0:21:37.200 --> 0:21:40.560
<v Speaker 3>you gonna watch tomorrow at nine o'clock. Michelle giggles and

0:21:40.600 --> 0:21:45.480
<v Speaker 3>says Gill again. Danny raises an eyebrow, Gill again. Oh, Michelle,

0:21:45.560 --> 0:21:45.919
<v Speaker 3>aren't you.

0:21:45.920 --> 0:21:49.320
<v Speaker 2>Gonna watch Daddy's show? Michelle squirms in place and says

0:21:49.520 --> 0:21:53.240
<v Speaker 2>Gill again. Funny, Danny says to her, come on, Michelle,

0:21:53.240 --> 0:21:54.480
<v Speaker 2>haven't you caught on by now?

0:21:54.640 --> 0:21:55.840
<v Speaker 1>They're never getting off.

0:21:55.640 --> 0:21:58.840
<v Speaker 2>That island except for that one time, except for that

0:21:58.840 --> 0:22:01.800
<v Speaker 2>one time, except for that one time, Jesse and Joey

0:22:01.800 --> 0:22:04.280
<v Speaker 2>barge into Danny's room and Jesse shouts, all right, who

0:22:04.359 --> 0:22:07.119
<v Speaker 2>wants a good night kiss? Michelle raises her hand and

0:22:07.160 --> 0:22:10.000
<v Speaker 2>says me, me, me. Jesse and Joey each give a

0:22:10.040 --> 0:22:15.000
<v Speaker 2>slobbery kiss on either side of her cheeks. Danny tells her, okay, Michelle,

0:22:15.080 --> 0:22:17.639
<v Speaker 2>go give your sisters a kiss good night, and Joey

0:22:17.760 --> 0:22:20.040
<v Speaker 2>sends her out of the room. I'm assuming these are

0:22:20.040 --> 0:22:21.200
<v Speaker 2>connected rooms.

0:22:21.320 --> 0:22:24.400
<v Speaker 1>Yeah, they're not just setting door, no, because they come

0:22:24.440 --> 0:22:27.840
<v Speaker 1>in from one side and you see and you see

0:22:27.840 --> 0:22:29.800
<v Speaker 1>them going and then basically what they did is just

0:22:29.880 --> 0:22:33.320
<v Speaker 1>flipped the doors for the set, okay, and so then

0:22:33.359 --> 0:22:37.240
<v Speaker 1>it looks like the other door is the you know

0:22:37.280 --> 0:22:37.600
<v Speaker 1>what I mean?

0:22:37.680 --> 0:22:39.400
<v Speaker 2>Hey, yeah, yeah, yeah, that makes sense.

0:22:39.440 --> 0:22:39.880
<v Speaker 1>Okay, good.

0:22:40.000 --> 0:22:41.719
<v Speaker 2>I was like, why are they why is the toddler?

0:22:41.720 --> 0:22:42.760
<v Speaker 2>Good again?

0:22:43.600 --> 0:22:46.399
<v Speaker 1>But I'm assuming that everyone can kind of picture what

0:22:46.480 --> 0:22:49.200
<v Speaker 1>the that the you know, you entered from the hallway

0:22:49.280 --> 0:22:52.960
<v Speaker 1>on the left, and then the supposed you know, connecting

0:22:53.040 --> 0:22:54.959
<v Speaker 1>room is on the right, but then they just switched

0:22:54.960 --> 0:22:57.320
<v Speaker 1>it for the next scene. They put the connecting door

0:22:57.359 --> 0:23:01.439
<v Speaker 1>on the right and the hallway door on the you know. Anyway,

0:23:01.480 --> 0:23:04.240
<v Speaker 1>I'm not going I'm tracking, Okay, good, I was just

0:23:04.280 --> 0:23:05.760
<v Speaker 1>making sure I've been tracking.

0:23:05.440 --> 0:23:07.520
<v Speaker 2>The whole time. I'm trying to picture where they put

0:23:07.560 --> 0:23:09.399
<v Speaker 2>these sets, Like there's a lot of new sets.

0:23:09.880 --> 0:23:13.359
<v Speaker 1>I think they were usually down kind of around like

0:23:13.400 --> 0:23:16.520
<v Speaker 1>those there was like the living room and the kitchen

0:23:16.600 --> 0:23:18.959
<v Speaker 1>and the backyard set, and then it was usually like

0:23:19.840 --> 0:23:23.119
<v Speaker 1>I think there was probably the casino set kind of

0:23:23.160 --> 0:23:26.160
<v Speaker 1>took up like a corner there, and then I would

0:23:26.200 --> 0:23:30.399
<v Speaker 1>assume that the bed that the hotel room is like

0:23:30.520 --> 0:23:32.280
<v Speaker 1>next to that kind of so it's sort of like

0:23:32.280 --> 0:23:35.640
<v Speaker 1>a U shape around the like where the audience got it.

0:23:35.960 --> 0:23:38.800
<v Speaker 2>That makes sense. I didn't know if they struck the

0:23:38.840 --> 0:23:41.600
<v Speaker 2>girl's bedroom because they didn't need that set and like

0:23:41.680 --> 0:23:42.440
<v Speaker 2>built it in there.

0:23:42.480 --> 0:23:44.119
<v Speaker 1>I don't know, but you're in Jesse's room so you

0:23:44.160 --> 0:23:46.400
<v Speaker 1>see into it, and we never struck those sets. Those

0:23:46.400 --> 0:23:50.560
<v Speaker 1>were always permanent sets. Jesse's room, back the girls room,

0:23:50.720 --> 0:23:56.000
<v Speaker 1>the living room, and the kitchen were the four permanent sets,

0:23:56.000 --> 0:23:59.399
<v Speaker 1>and Michelle's room those were the like the five permanent sets,

0:23:59.440 --> 0:24:02.280
<v Speaker 1>and then anything else would be a like a like

0:24:02.320 --> 0:24:04.359
<v Speaker 1>a swing set that would not I mean not an

0:24:04.400 --> 0:24:05.720
<v Speaker 1>actual swing set, but.

0:24:06.240 --> 0:24:08.800
<v Speaker 2>That would come if swing set means in it, right, right? Yeah,

0:24:08.800 --> 0:24:11.720
<v Speaker 2>that would come not a permanent set. Hopefully people can

0:24:11.760 --> 0:24:14.720
<v Speaker 2>picture what we're talking about. Right and if you've ever

0:24:14.720 --> 0:24:17.080
<v Speaker 2>been to a fuller House taping or full house taping,

0:24:17.119 --> 0:24:20.439
<v Speaker 2>you know exactly what we're talking about. Yeah, Okay, where

0:24:20.480 --> 0:24:21.240
<v Speaker 2>did I leave off?

0:24:22.400 --> 0:24:22.520
<v Speaker 1>Oh?

0:24:22.600 --> 0:24:25.760
<v Speaker 2>Yeah, Michelle, they sent the toddler away. Joey suggests that

0:24:25.800 --> 0:24:27.880
<v Speaker 2>they go down to the showroom so they can still

0:24:27.920 --> 0:24:33.199
<v Speaker 2>catch harem bare him eighty nine? Is that like a

0:24:33.440 --> 0:24:33.959
<v Speaker 2>is that what I think?

0:24:34.040 --> 0:24:34.959
<v Speaker 1>Topless review?

0:24:35.440 --> 0:24:39.400
<v Speaker 2>Okay, I mean that's what that's like, what I guess.

0:24:39.960 --> 0:24:44.520
<v Speaker 2>And they're guys, and they're they're single. They're single, well,

0:24:44.560 --> 0:24:46.480
<v Speaker 2>Jesse's not single, but the other two arts.

0:24:46.480 --> 0:24:48.440
<v Speaker 1>Okay, I get it. Uh.

0:24:48.560 --> 0:24:51.199
<v Speaker 2>Jesse tells him he's not interested because he's spending the

0:24:51.240 --> 0:24:55.240
<v Speaker 2>evening with Becky by the lake counting stars. Danny tells

0:24:55.320 --> 0:24:57.040
<v Speaker 2>him not to count on her because she has to

0:24:57.040 --> 0:25:01.879
<v Speaker 2>prepare for their show tomorrow. Jesse challenges him and says, oh, really,

0:25:02.520 --> 0:25:06.159
<v Speaker 2>observe the power of love. He walks over to the

0:25:06.160 --> 0:25:10.000
<v Speaker 2>phone and dials Becky's room. Becky answers the phone while

0:25:10.000 --> 0:25:12.679
<v Speaker 2>she's on her bed, and Jesse asks, how does this

0:25:12.800 --> 0:25:17.480
<v Speaker 2>sound a romantic moonlit stroll by the lake. Becky says, Oh, Jess,

0:25:17.560 --> 0:25:21.159
<v Speaker 2>that sounds wonderful. Jesse pulls the phone away from his

0:25:21.200 --> 0:25:24.600
<v Speaker 2>ear and cockily repeats what she says to Danny. He

0:25:24.680 --> 0:25:26.359
<v Speaker 2>brings the phone back to his ear and tells her

0:25:26.400 --> 0:25:28.840
<v Speaker 2>he will swing by her room in ten minutes, but

0:25:28.880 --> 0:25:32.480
<v Speaker 2>Becky unfortunately tells him, Oh, Jess, I'm sorry, I just

0:25:32.960 --> 0:25:35.640
<v Speaker 2>I have to prepare my interview with Todd Masters. I'll

0:25:35.640 --> 0:25:39.320
<v Speaker 2>take a rain check. Though Jesse, on his end, pretends

0:25:39.320 --> 0:25:41.720
<v Speaker 2>that he didn't just get rejected. In order to save

0:25:41.800 --> 0:25:46.040
<v Speaker 2>face with the guys, he mumbles mm hmm. Becky tells

0:25:46.080 --> 0:25:48.119
<v Speaker 2>him they will talk about it over breakfast, and then

0:25:48.160 --> 0:25:51.000
<v Speaker 2>she says good night. Becky hangs up the phone, and

0:25:51.080 --> 0:25:55.640
<v Speaker 2>Jesse continues to speak into his phone. Actually, on second thought,

0:25:55.880 --> 0:25:57.560
<v Speaker 2>you do have a big show tomorrow, and I think

0:25:57.600 --> 0:25:59.240
<v Speaker 2>maybe it'd be best that you stay in and get

0:25:59.240 --> 0:26:02.240
<v Speaker 2>some work done. He pauses for a fake response and

0:26:02.280 --> 0:26:05.760
<v Speaker 2>then says, Hey, now, now don't argue with me, young lady.

0:26:05.880 --> 0:26:09.960
<v Speaker 2>I mean it okay. Just then Becky walks through it

0:26:10.240 --> 0:26:12.480
<v Speaker 2>walks in through the door behind Jesse as he's still

0:26:12.640 --> 0:26:14.359
<v Speaker 2>pretending to talk to her on the phone.

0:26:14.520 --> 0:26:17.560
<v Speaker 1>Yeah, yeah, throw your young lady out there. We all

0:26:17.560 --> 0:26:21.240
<v Speaker 1>know you're lying, you know, call her young lady. She

0:26:21.320 --> 0:26:21.719
<v Speaker 1>comes in.

0:26:21.960 --> 0:26:26.119
<v Speaker 2>Yes, it was great. Jesse freezes and Joey smiles slyly.

0:26:26.600 --> 0:26:28.840
<v Speaker 2>Danny hands are some papers and she walks back out.

0:26:29.520 --> 0:26:32.240
<v Speaker 2>Jesse says into the phone, who is this? Leave me alone,

0:26:32.440 --> 0:26:36.800
<v Speaker 2>and he slams the phone down. Jesse nudges Joey's shoulder

0:26:36.840 --> 0:26:39.680
<v Speaker 2>and asks to go catch the show. Joey tells him

0:26:39.840 --> 0:26:42.960
<v Speaker 2>I like this one better, and Jesse grabs him by

0:26:42.960 --> 0:26:44.200
<v Speaker 2>the ear and pulls him out the door.

0:26:44.520 --> 0:26:47.119
<v Speaker 1>H Jesse just get knocked down a peg by Becky.

0:26:47.400 --> 0:26:48.040
<v Speaker 1>Just gotta love it.

0:26:48.280 --> 0:26:51.080
<v Speaker 2>Yeah, we again see the generic stock footage of Like

0:26:51.119 --> 0:26:53.520
<v Speaker 2>Tahoe to remind us that we are still in Like Tahoe.

0:26:54.960 --> 0:26:56.600
<v Speaker 2>And now we're on the set of Wake Up San

0:26:56.640 --> 0:26:59.920
<v Speaker 2>Francisco Live from the fabulous Ali Baba Hotel and Casino.

0:27:00.840 --> 0:27:03.440
<v Speaker 2>Jesse and Joey are in the crowd. Danny's on stage

0:27:03.440 --> 0:27:06.040
<v Speaker 2>in a tuxedo with Steph and DJ. As he fixes

0:27:06.080 --> 0:27:09.800
<v Speaker 2>his bow tie, he tells the girls, Okay, Loretta is

0:27:09.840 --> 0:27:12.240
<v Speaker 2>gonna check my makeup. You girls have a seat.

0:27:12.280 --> 0:27:15.080
<v Speaker 1>And it was John's mom. It is just so cute.

0:27:15.080 --> 0:27:17.920
<v Speaker 2>I know, I know, it's so great. There's some great

0:27:17.960 --> 0:27:21.200
<v Speaker 2>cameos in this. So Stephan DJ sit down in the

0:27:21.320 --> 0:27:23.679
<v Speaker 2>chairs on stage. They pick up some note cards and

0:27:23.760 --> 0:27:27.800
<v Speaker 2>begin to mimic the hosts. DJ reads, Wake up San Francisco.

0:27:27.960 --> 0:27:32.120
<v Speaker 2>I'm Danny Tanner, and Steph says, and I'm Rebecca Rebecca Donaldson.

0:27:32.800 --> 0:27:36.919
<v Speaker 2>DJ continues, and our guests today are George Michael, Patrick Swayzee,

0:27:36.920 --> 0:27:41.520
<v Speaker 2>and Tom Cruise. Steph continues, and our two very special guests,

0:27:41.880 --> 0:27:44.520
<v Speaker 2>Ken and Barbie. This was cute.

0:27:44.600 --> 0:27:44.840
<v Speaker 1>Yeah.

0:27:45.640 --> 0:27:48.040
<v Speaker 2>Danny walks back on stage and says how cute they are,

0:27:48.560 --> 0:27:50.080
<v Speaker 2>and then he says, now get out of those chairs

0:27:50.080 --> 0:27:53.000
<v Speaker 2>before I'm out of a job. Steph says, Okay, we'll

0:27:53.000 --> 0:27:55.159
<v Speaker 2>go play those slot machines. Those look fun.

0:27:55.280 --> 0:27:57.520
<v Speaker 1>Yes see Steph's turning to gambling.

0:27:57.840 --> 0:28:01.920
<v Speaker 2>Yeah already. They walk away. Danny tells them it's against

0:28:02.000 --> 0:28:05.240
<v Speaker 2>the law to play those machines unless you're over twenty one.

0:28:06.160 --> 0:28:08.200
<v Speaker 2>He points towards the audience and directs the girls to

0:28:08.240 --> 0:28:10.359
<v Speaker 2>go sit down so they can cheer on Danny because

0:28:10.359 --> 0:28:14.640
<v Speaker 2>it's his first live audience. DJ tells him, Hey, we're

0:28:14.640 --> 0:28:18.320
<v Speaker 2>there for you, babe. Great callback, yep, to the previous episode.

0:28:19.400 --> 0:28:22.359
<v Speaker 2>All of a sudden, Becky appears and apologizes for being late.

0:28:22.960 --> 0:28:25.399
<v Speaker 2>Jesse stands up to ask her where she was because

0:28:25.400 --> 0:28:28.680
<v Speaker 2>they were supposed to have breakfast. Becky says, oh, didn't

0:28:28.760 --> 0:28:31.840
<v Speaker 2>Danny give you my message? Danny is behind Jesse and

0:28:31.840 --> 0:28:32.840
<v Speaker 2>says not yet.

0:28:33.280 --> 0:28:33.560
<v Speaker 1>Jess.

0:28:33.720 --> 0:28:35.919
<v Speaker 2>Becky can't make it. She has a breakfast meeting with

0:28:36.000 --> 0:28:40.240
<v Speaker 2>Todd Masters. Jess turns to Becky with a furrowed eyebrow

0:28:40.480 --> 0:28:43.520
<v Speaker 2>and says, how could you do this to me? Danny

0:28:43.560 --> 0:28:46.080
<v Speaker 2>starts talking, well, I've just been nervous about the show,

0:28:46.160 --> 0:28:50.760
<v Speaker 2>and Jesse cuts him off and says, not you. Becky apologizes,

0:28:50.880 --> 0:28:52.640
<v Speaker 2>but says they will have to talk about this later

0:28:52.680 --> 0:28:56.560
<v Speaker 2>because they're about to go on the air. Jesse walks

0:28:56.600 --> 0:28:58.680
<v Speaker 2>over to Joey and asks what that was all about.

0:28:59.280 --> 0:29:01.520
<v Speaker 2>Joey tells him, Man, she's just excited to meet a

0:29:01.560 --> 0:29:03.840
<v Speaker 2>movie star. I mean, suppose you could spend some time

0:29:03.880 --> 0:29:04.800
<v Speaker 2>with Michelle Pfeiffer.

0:29:04.840 --> 0:29:05.440
<v Speaker 1>What would you do?

0:29:06.280 --> 0:29:09.680
<v Speaker 2>Jesse thinks about it and smiles, and then he becomes concerned.

0:29:09.760 --> 0:29:13.600
<v Speaker 2>Becky wouldn't dare I love that? Yeah, Michelle Pfeiffer was

0:29:13.680 --> 0:29:14.240
<v Speaker 2>hot stuff.

0:29:14.360 --> 0:29:15.720
<v Speaker 1>Yeah, like in nineteen eight and nine.

0:29:15.800 --> 0:29:18.880
<v Speaker 2>Still we're still yeah, Yeah, that was Selle Fiver was

0:29:19.000 --> 0:29:19.600
<v Speaker 2>she was about one.

0:29:19.720 --> 0:29:20.640
<v Speaker 1>Yeah.

0:29:20.680 --> 0:29:23.480
<v Speaker 2>Production counts Danny and Becky in to start the show,

0:29:23.760 --> 0:29:26.880
<v Speaker 2>and Danny introduces himself and the girls cheer loudly in

0:29:26.920 --> 0:29:30.320
<v Speaker 2>the crowd. Becky welcomes the crowd to a special edition

0:29:30.400 --> 0:29:33.680
<v Speaker 2>of Wake Up San Francisco Live from the Fabulous Ali

0:29:33.720 --> 0:29:38.920
<v Speaker 2>Baba Hotel and Casino. Mister Santana shouts fabulous and hugs Jesse,

0:29:39.240 --> 0:29:42.880
<v Speaker 2>who is standing next to him. Jesse stands still in

0:29:42.920 --> 0:29:45.720
<v Speaker 2>glares at him. I love this guy. I love this

0:29:45.840 --> 0:29:46.560
<v Speaker 2>character so.

0:29:46.680 --> 0:29:49.760
<v Speaker 1>Much so he was just, yeah, fabulous. Now time I

0:29:49.840 --> 0:29:52.080
<v Speaker 1>say fabulous, that's what I'm who, I'm gonna think fabulous.

0:29:52.400 --> 0:29:54.640
<v Speaker 1>He is just he's so extra and in all the

0:29:54.720 --> 0:29:55.200
<v Speaker 1>right ways.

0:29:56.040 --> 0:29:58.880
<v Speaker 2>Becky introduces Todd Masters and he comes in through the

0:29:58.920 --> 0:30:03.760
<v Speaker 2>back already autographs. He breezes past Jesse and hands him

0:30:03.760 --> 0:30:06.960
<v Speaker 2>an autograph, and there's an audience goer that just throws

0:30:07.000 --> 0:30:10.480
<v Speaker 2>herself on right, very excited, very aggressive.

0:30:10.760 --> 0:30:14.800
<v Speaker 1>Was I'm like, who was that? Was that somebody's relative?

0:30:15.280 --> 0:30:17.520
<v Speaker 2>No? Is it just an It should have been because

0:30:17.560 --> 0:30:19.920
<v Speaker 2>she might have that little feature, but they were all

0:30:19.960 --> 0:30:22.080
<v Speaker 2>I noticed. It was an older crowd, like they're leaning

0:30:22.120 --> 0:30:25.080
<v Speaker 2>into the right right, the blue hairs are playing the

0:30:25.120 --> 0:30:27.960
<v Speaker 2>slots and stuff. So but I didn't I didn't recognize

0:30:28.000 --> 0:30:31.120
<v Speaker 2>any of the older ladies, Okay, but I feel like

0:30:31.160 --> 0:30:33.440
<v Speaker 2>it should have been somebody related.

0:30:33.400 --> 0:30:35.840
<v Speaker 1>Yeah to her, it might have been some It might

0:30:35.880 --> 0:30:39.120
<v Speaker 1>have been somebody's relative, not necessarily in the cast, but

0:30:39.200 --> 0:30:40.480
<v Speaker 1>somebody's someone.

0:30:40.640 --> 0:30:43.080
<v Speaker 2>You know, somebody someone Okay, Well.

0:30:42.960 --> 0:30:45.200
<v Speaker 1>I mean obviously it's somebody someone because they're human beings.

0:30:45.240 --> 0:30:49.000
<v Speaker 1>So someone somewhere is it has them involved in their

0:30:49.240 --> 0:30:49.960
<v Speaker 1>familial tree.

0:30:50.080 --> 0:30:52.360
<v Speaker 2>But yeah, we don't know who it is though. No,

0:30:54.400 --> 0:30:56.880
<v Speaker 2>so Todd continues onto the stage. He kind of looks

0:30:56.920 --> 0:30:59.520
<v Speaker 2>like Paul Riser, Like from the back, he sort of

0:30:59.560 --> 0:30:59.840
<v Speaker 2>looked like.

0:30:59.840 --> 0:31:04.080
<v Speaker 1>That my god, I wrote down. He looks like the

0:31:04.160 --> 0:31:08.200
<v Speaker 1>eighties version and curly haired version of is it Tillian

0:31:08.280 --> 0:31:10.720
<v Speaker 1>Murphy Killian Killing mur I can't never say his name.

0:31:10.680 --> 0:31:15.720
<v Speaker 2>Right, the dude from Oppenheimer. Oh oh yeah, oh yeah right, he.

0:31:15.720 --> 0:31:16.680
<v Speaker 1>Does look like him.

0:31:16.760 --> 0:31:18.400
<v Speaker 2>If you if you, if.

0:31:18.280 --> 0:31:22.040
<v Speaker 1>You like put the hair away, Yeah, it's the hair,

0:31:22.080 --> 0:31:25.680
<v Speaker 1>the hair distracted eyes like like kind of like wider set,

0:31:25.760 --> 0:31:28.400
<v Speaker 1>like bigger eyes. He looks he's kind of a lot

0:31:28.480 --> 0:31:29.120
<v Speaker 1>like that guy.

0:31:29.520 --> 0:31:33.120
<v Speaker 2>Yeah, he does have very standout eyes. So yeah, that's

0:31:33.120 --> 0:31:33.959
<v Speaker 2>a good comparison.

0:31:34.200 --> 0:31:36.440
<v Speaker 1>I like that. And everyone's you said his name. I know,

0:31:36.560 --> 0:31:39.360
<v Speaker 1>I'm never always afraid of if I'm saying, is it?

0:31:39.560 --> 0:31:43.400
<v Speaker 1>How is it? Sillian? Gillian, I don't know, Killian cee

0:31:43.440 --> 0:31:48.600
<v Speaker 1>I L L I A N. I'm Irish Killian Oh,

0:31:49.080 --> 0:31:51.280
<v Speaker 1>I don't know. Sometimes Irish names. You look at him

0:31:51.280 --> 0:31:53.440
<v Speaker 1>and you're like, that's not that's not how you spell

0:31:53.480 --> 0:31:58.680
<v Speaker 1>Frank pronounced c I L. Let's just call him Frank. Okay.

0:31:59.320 --> 0:32:02.800
<v Speaker 2>Todd shakes down Annie's hand and gives Becky an intimate hug.

0:32:03.800 --> 0:32:06.760
<v Speaker 2>Becky says, Ladies, I did something this morning with Todd

0:32:06.840 --> 0:32:12.240
<v Speaker 2>that every woman in America fantasizes about. The crowd cheers

0:32:12.320 --> 0:32:16.280
<v Speaker 2>and Jesse makes a disgusted face. Becky announces that they

0:32:16.440 --> 0:32:19.800
<v Speaker 2>ate breakfast together, and Todd ads, and now I know

0:32:19.840 --> 0:32:22.080
<v Speaker 2>why breakfast is the most important meal of the day,

0:32:22.920 --> 0:32:28.080
<v Speaker 2>m M, Jesse, Jess. And just like that, Jesse mimics

0:32:28.120 --> 0:32:30.160
<v Speaker 2>putting his finger down his throat like he's gagging.

0:32:30.240 --> 0:32:31.080
<v Speaker 1>Yeah.

0:32:31.320 --> 0:32:34.080
<v Speaker 2>Danny closes the introduction by saying, well, we will be

0:32:34.160 --> 0:32:37.080
<v Speaker 2>back with more of my breakfast with Todd after a

0:32:37.120 --> 0:32:39.720
<v Speaker 2>word from the people who pay for my breakfast. The

0:32:39.760 --> 0:32:44.440
<v Speaker 2>audience cheers. They cut to a commercial break, and then

0:32:44.480 --> 0:32:47.800
<v Speaker 2>we angle on the girls. An alarm bell rings, which

0:32:47.840 --> 0:32:51.520
<v Speaker 2>then sparks curiosity in the girls. They run off to

0:32:51.600 --> 0:32:55.680
<v Speaker 2>check what's going on. Jesse asks Joey, did you see

0:32:55.680 --> 0:32:59.360
<v Speaker 2>the way Becky was drooling all over Todd Masters. I'm

0:32:59.360 --> 0:33:01.680
<v Speaker 2>gonna go upstairs and joined Michelle in the daycare center

0:33:01.720 --> 0:33:05.280
<v Speaker 2>and catch the last half of Gilligan. The girls grab

0:33:05.360 --> 0:33:07.920
<v Speaker 2>Joey and lead him into the casino to show him

0:33:07.960 --> 0:33:10.040
<v Speaker 2>how some lady just won a ton of money.

0:33:10.120 --> 0:33:10.880
<v Speaker 1>Eh.

0:33:11.160 --> 0:33:14.600
<v Speaker 2>Steph adds, oh, I wish we could play joey'sys. Settled

0:33:14.640 --> 0:33:17.880
<v Speaker 2>down girls, let me tell you something about gambling. Most

0:33:17.880 --> 0:33:21.840
<v Speaker 2>of these people lose. Someone off screen faintly shouts in

0:33:21.880 --> 0:33:25.200
<v Speaker 2>the background, I won, I won, which prompts DJ to

0:33:25.240 --> 0:33:28.320
<v Speaker 2>say to Joey, I don't hear anybody screaming I lost.

0:33:28.480 --> 0:33:29.040
<v Speaker 2>I lost.

0:33:29.320 --> 0:33:33.320
<v Speaker 1>Now DJ's turning to gambling, everybody, Yes, it's containous. Here

0:33:33.360 --> 0:33:33.560
<v Speaker 1>we go.

0:33:34.880 --> 0:33:37.240
<v Speaker 2>Joey steps over the red rope, asking the girls to

0:33:37.320 --> 0:33:40.440
<v Speaker 2>watch as he teaches them how stupid it is to gamble.

0:33:41.080 --> 0:33:43.280
<v Speaker 2>He slips a coin into the slot machine and pulls

0:33:43.320 --> 0:33:47.200
<v Speaker 2>the lever. The alarm rings and two coins appear. Steph

0:33:47.320 --> 0:33:51.000
<v Speaker 2>jumps up and down, saying you won, you won two dollars.

0:33:51.840 --> 0:33:53.840
<v Speaker 1>This is back in the day when coins actually got

0:33:53.880 --> 0:33:55.680
<v Speaker 1>spit out of the machine and you'd hear the clanging

0:33:55.720 --> 0:34:00.240
<v Speaker 1>of it and now, oh, just a weird uh foe

0:34:00.560 --> 0:34:04.440
<v Speaker 1>clanging sound. But yeah, yeah, no, that's all like dirty money.

0:34:04.760 --> 0:34:07.479
<v Speaker 2>But that's what it was, such a sensory experience, you know,

0:34:07.600 --> 0:34:08.000
<v Speaker 2>like that.

0:34:09.120 --> 0:34:14.080
<v Speaker 1>I would imagine you, much to the casino's chagrin, spent

0:34:14.120 --> 0:34:15.799
<v Speaker 1>your money a little bit slower because you had to

0:34:15.840 --> 0:34:17.680
<v Speaker 1>put it in there and pull the thing down manually.

0:34:17.719 --> 0:34:19.480
<v Speaker 1>Now you can just push a button and your money

0:34:19.520 --> 0:34:21.400
<v Speaker 1>literally goes flying out of your wallet. Yeah.

0:34:21.440 --> 0:34:24.359
<v Speaker 2>True, true, it's not satisfying. I miss the days.

0:34:24.840 --> 0:34:27.799
<v Speaker 1>I still like to pull the thing. Yeah, because you can.

0:34:28.040 --> 0:34:28.640
<v Speaker 1>You can. Yeah.

0:34:28.719 --> 0:34:30.680
<v Speaker 2>It's like a little hit of dopamine when you pull

0:34:30.719 --> 0:34:33.040
<v Speaker 2>that left. Yeah yeah, I miss it, almost like it

0:34:33.040 --> 0:34:37.759
<v Speaker 2>could be addictive. Well what do you know? Oh so,

0:34:37.920 --> 0:34:42.080
<v Speaker 2>Jesse continues with his instructions Girl's first rule of gambling,

0:34:42.360 --> 0:34:45.839
<v Speaker 2>never be fooled by beginner's luck. He places another coin

0:34:45.920 --> 0:34:48.280
<v Speaker 2>back in the machine and pulls the lever. The alarm

0:34:48.400 --> 0:34:51.560
<v Speaker 2>sounds again and he shouts, whoa ten dollars?

0:34:51.680 --> 0:34:52.279
<v Speaker 1>All right.

0:34:53.120 --> 0:34:55.920
<v Speaker 2>The girl's cheer with excitement, and Joey says, girls, second

0:34:56.000 --> 0:34:59.880
<v Speaker 2>rule of gambling, don't quit while you're hot. He pulls

0:35:00.120 --> 0:35:04.760
<v Speaker 2>lover again and he wins again twenty dollars. The girls

0:35:04.800 --> 0:35:07.759
<v Speaker 2>are so excited. DJ says, don't stop now. If you

0:35:07.800 --> 0:35:11.560
<v Speaker 2>get four sevens you can win one hundred thousand dollars.

0:35:12.040 --> 0:35:14.400
<v Speaker 2>What well, it's a lot of money. Bag in nineteen

0:35:14.440 --> 0:35:16.760
<v Speaker 2>eighty nine. It's a lot of money now of mine now, yeah.

0:35:16.840 --> 0:35:17.920
<v Speaker 1>Yeah.

0:35:18.239 --> 0:35:20.560
<v Speaker 2>Joey pauses the fun and says he's gonna go get

0:35:20.600 --> 0:35:23.720
<v Speaker 2>a change bucket and warned them you stay here, guard

0:35:23.800 --> 0:35:26.839
<v Speaker 2>my machine with your life. If anybody goes near it,

0:35:26.880 --> 0:35:30.960
<v Speaker 2>scream because I'm hot, I'm burning, I'm wasting time. Yes,

0:35:32.080 --> 0:35:35.600
<v Speaker 2>So Joey leaves, and DJ exclaims, Oh, I can't take it.

0:35:35.600 --> 0:35:39.560
<v Speaker 2>It's driving me crazy. I gotta play that machine. Steph

0:35:39.600 --> 0:35:42.280
<v Speaker 2>reaches into her sock and pulls out her silver dollar

0:35:42.880 --> 0:35:46.120
<v Speaker 2>smart stuff, SmartMart, smart place to keep it. Yeah, She's like,

0:35:46.120 --> 0:35:47.719
<v Speaker 2>I'm going, I gotta keep my money in my sock.

0:35:47.800 --> 0:35:48.400
<v Speaker 1>Yeah, you know what I mean.

0:35:48.880 --> 0:35:52.680
<v Speaker 2>In case she hands her silver dollar to DJ to use,

0:35:52.719 --> 0:35:55.120
<v Speaker 2>and DJ says, thanks, Steph. If we win any money,

0:35:55.160 --> 0:35:58.040
<v Speaker 2>I'll split it with you. DJ then asks if the

0:35:58.040 --> 0:36:02.319
<v Speaker 2>coast is clear, and both girls scan the area. DJ

0:36:02.520 --> 0:36:04.919
<v Speaker 2>slips the silver dollar into the machine and scurries back

0:36:04.960 --> 0:36:08.320
<v Speaker 2>behind the red rope after pulling the lever. That's one seven,

0:36:08.960 --> 0:36:13.640
<v Speaker 2>two sevens, three sevens and four sevens.

0:36:13.800 --> 0:36:15.800
<v Speaker 1>They want excitement.

0:36:16.200 --> 0:36:19.520
<v Speaker 2>Didn't see that coming? Yeah, no, not at all. This

0:36:19.560 --> 0:36:20.160
<v Speaker 2>could have never.

0:36:20.280 --> 0:36:22.680
<v Speaker 1>I could have never imagined that this would have turned

0:36:22.680 --> 0:36:23.680
<v Speaker 1>into a storyline.

0:36:25.880 --> 0:36:25.960
<v Speaker 4>Uh.

0:36:26.000 --> 0:36:29.000
<v Speaker 2>The alarm rings, and Stephan DJ jump and cheer while

0:36:29.040 --> 0:36:30.840
<v Speaker 2>covering each other's mouths.

0:36:30.920 --> 0:36:31.560
<v Speaker 1>Yeah.

0:36:31.719 --> 0:36:34.279
<v Speaker 2>People slowly start to crowd around the machine to see

0:36:34.280 --> 0:36:37.759
<v Speaker 2>what's going on. Joey runs over and asks who won

0:36:37.960 --> 0:36:42.120
<v Speaker 2>his one hundred thousand dollars jackpot. DJ immediately responds I did,

0:36:42.480 --> 0:36:46.040
<v Speaker 2>and Steph adds with my silver dollar. They disregard the

0:36:46.040 --> 0:36:48.640
<v Speaker 2>red rope and stand next to Joey. DJ tells him

0:36:48.640 --> 0:36:51.520
<v Speaker 2>that they will split the jackpot three ways, and Steph

0:36:51.600 --> 0:36:54.279
<v Speaker 2>tells him to start jumping up and down. He does,

0:36:54.320 --> 0:36:58.440
<v Speaker 2>and they all chant we won, We won. There's a

0:36:58.480 --> 0:37:00.520
<v Speaker 2>quick cut to the Wake Up San Francisco set where

0:37:00.560 --> 0:37:04.000
<v Speaker 2>Danny announces that someone has just won the Big jackpot.

0:37:04.640 --> 0:37:06.920
<v Speaker 2>He stands up from his chair and grabs a microphone,

0:37:07.000 --> 0:37:10.000
<v Speaker 2>and he starts walking towards the jackpot and exclaims, boy,

0:37:10.239 --> 0:37:13.480
<v Speaker 2>this is what live television is all about. DJ runs

0:37:13.520 --> 0:37:15.960
<v Speaker 2>over to Danny and shakes him, saying, Dad, Dad, Joey

0:37:15.960 --> 0:37:18.920
<v Speaker 2>won the Big Jackpot. Danny turns to the camera and says,

0:37:19.080 --> 0:37:22.160
<v Speaker 2>you hear that, ladies and gentlemen, Joey just won. Joey

0:37:22.400 --> 0:37:26.480
<v Speaker 2>are Joey, my Joey, Oh my god. Danny freaks out

0:37:26.480 --> 0:37:28.439
<v Speaker 2>and runs over to Joey, who is jumping up and down.

0:37:29.000 --> 0:37:32.080
<v Speaker 2>The cameraman Perry is close behind, and we see this

0:37:32.320 --> 0:37:34.560
<v Speaker 2>bit next bit all from the point of view of

0:37:34.680 --> 0:37:37.759
<v Speaker 2>the camera. Danny and Joey and the girls are all

0:37:37.880 --> 0:37:41.400
<v Speaker 2>cheering and jumping. Danny asks, Joey, you have been broke

0:37:41.440 --> 0:37:44.000
<v Speaker 2>your entire life. How does it feel to win one

0:37:44.040 --> 0:37:48.279
<v Speaker 2>hundred thousand dollars? DJ answers for him, it feels unbelievable.

0:37:48.520 --> 0:37:50.759
<v Speaker 2>I mean, not that I would know personally, but this

0:37:50.880 --> 0:37:53.320
<v Speaker 2>has got to be the rattest day of Joey's life.

0:37:54.480 --> 0:37:57.480
<v Speaker 2>Steph grabs the microphone and says into the camera, I'm

0:37:57.520 --> 0:38:02.000
<v Speaker 2>going to Disneyland. What the heck buy it? Yep, just

0:38:02.040 --> 0:38:07.360
<v Speaker 2>buy in Disneyland. Low key, buy in Disneyland. Yeah, mister

0:38:07.400 --> 0:38:11.480
<v Speaker 2>Santana Rush is over saying congratulations and that everyone is

0:38:11.520 --> 0:38:14.600
<v Speaker 2>a winner. At the Fabulous Sally Baba Hotel and Casino.

0:38:15.360 --> 0:38:17.600
<v Speaker 2>They all start to jump and chant.

0:38:17.440 --> 0:38:23.400
<v Speaker 4>Yes, yes, yes, yes, this this scene like this is

0:38:23.480 --> 0:38:26.960
<v Speaker 4>just there's I remember doing this once on a deal

0:38:27.400 --> 0:38:30.280
<v Speaker 4>Oh you do, on the one of the celebrity.

0:38:29.920 --> 0:38:32.879
<v Speaker 1>Kids cris On Stale with the Stars with I think

0:38:32.920 --> 0:38:34.960
<v Speaker 1>it was like the one of the last ones. I

0:38:35.040 --> 0:38:39.880
<v Speaker 1>believe Ryder Strong was there and we all know how

0:38:39.920 --> 0:38:43.120
<v Speaker 1>much he loves Yeah, yeah it was, but no, but

0:38:43.160 --> 0:38:44.920
<v Speaker 1>we were we we put money in a thing and

0:38:45.000 --> 0:38:48.040
<v Speaker 1>then when we're like, oh crap, because it's like some

0:38:48.080 --> 0:38:49.880
<v Speaker 1>money came out and I've been but like we all

0:38:49.920 --> 0:38:52.880
<v Speaker 1>pretended that we were disinterested in somebody that was of age,

0:38:53.040 --> 0:38:56.080
<v Speaker 1>like covered for I don't know how, I don't remember

0:38:56.120 --> 0:38:57.200
<v Speaker 1>it quite, but I do remember.

0:38:58.040 --> 0:39:01.759
<v Speaker 2>I do remember this sort of happening. That's hysterical because yeah,

0:39:01.760 --> 0:39:03.760
<v Speaker 2>we were all minors, we were all under eighteen.

0:39:03.960 --> 0:39:05.600
<v Speaker 1>But you know on cruise ships you walk by and

0:39:05.640 --> 0:39:08.319
<v Speaker 1>there's like the the you know, the like at least

0:39:08.320 --> 0:39:10.120
<v Speaker 1>there used to be like you'd kind of walk out

0:39:10.120 --> 0:39:11.560
<v Speaker 1>and it was Yeah, they had like the again, like

0:39:11.600 --> 0:39:14.000
<v Speaker 1>the little velvet ropes and sort of stanchions, but like

0:39:14.080 --> 0:39:16.560
<v Speaker 1>you know, normally reach it.

0:39:16.680 --> 0:39:19.920
<v Speaker 2>And again I'm sure that you know, the video proved otherwise.

0:39:19.960 --> 0:39:21.799
<v Speaker 1>But yeah, at the time, we were like, oh my god,

0:39:21.800 --> 0:39:24.000
<v Speaker 1>we're gonna get you know, five hundred bucks or something.

0:39:24.680 --> 0:39:26.880
<v Speaker 2>I don't know, how funny. And how much did you win?

0:39:26.960 --> 0:39:27.720
<v Speaker 2>Probably like two bucks.

0:39:28.080 --> 0:39:29.799
<v Speaker 1>I have no idea, I don't even you don't even

0:39:29.840 --> 0:39:33.440
<v Speaker 1>remember what the outcome of. It was only only that

0:39:34.200 --> 0:39:37.239
<v Speaker 1>we put money in and then money was coming out,

0:39:37.280 --> 0:39:39.239
<v Speaker 1>and we were all panicked because we knew it that

0:39:39.280 --> 0:39:40.280
<v Speaker 1>we couldn't keep it.

0:39:40.960 --> 0:39:43.520
<v Speaker 2>That was it so scandalous.

0:39:43.600 --> 0:39:44.200
<v Speaker 1>Yeah.

0:39:44.200 --> 0:39:46.200
<v Speaker 2>So, back on the set of Wake Up San Francisco,

0:39:46.880 --> 0:39:48.919
<v Speaker 2>Todd is seated in the makeup chair as he gets

0:39:48.920 --> 0:39:52.719
<v Speaker 2>his hair combed. Becky is apologizing for Danny running off

0:39:52.760 --> 0:39:55.759
<v Speaker 2>the stage. Todd tells her, well, that's all right, I'm

0:39:55.800 --> 0:39:59.000
<v Speaker 2>having fun here with you. He grabs her hand and

0:39:59.040 --> 0:40:01.560
<v Speaker 2>starts to walk with her. As a matter of fact,

0:40:01.960 --> 0:40:06.280
<v Speaker 2>why don't we continue our breakfast at dinner tonight? Becky

0:40:06.320 --> 0:40:08.120
<v Speaker 2>thanks him for the invite, but says she has a

0:40:08.160 --> 0:40:12.239
<v Speaker 2>boyfriend and she is really crazy about him. Todd says

0:40:12.239 --> 0:40:14.480
<v Speaker 2>that he is a very lucky guy and then asks,

0:40:14.640 --> 0:40:16.840
<v Speaker 2>I'll tell you what, why don't I take both of

0:40:16.880 --> 0:40:17.640
<v Speaker 2>you out to dinner?

0:40:17.880 --> 0:40:21.719
<v Speaker 1>Oh nice, he's yeah, gentlemen, there you go, sir.

0:40:21.880 --> 0:40:25.880
<v Speaker 2>Yeah right, that is the way to handle rejection. Becky agrees,

0:40:26.040 --> 0:40:28.120
<v Speaker 2>and just as Todd leans in to kiss her on

0:40:28.160 --> 0:40:30.640
<v Speaker 2>the cheek, Jesse walks up, whoa, whoa, whoa, whoa, whoa?

0:40:30.719 --> 0:40:33.120
<v Speaker 2>What the hell is going on here? You're going out

0:40:33.120 --> 0:40:34.520
<v Speaker 2>to dinner with this joker?

0:40:34.800 --> 0:40:42.800
<v Speaker 1>Oh? Here we go, Nick, here goes? You know, Grandpa

0:40:43.719 --> 0:40:48.640
<v Speaker 1>Andy work with Jesse just flying into a ridiculous, jealous,

0:40:48.920 --> 0:40:52.359
<v Speaker 1>possessive rage and not listening to anyone and trying to.

0:40:52.719 --> 0:40:56.680
<v Speaker 2>Exactly yes, not listening to any sort of facts or reason,

0:40:56.800 --> 0:40:57.880
<v Speaker 2>He's just going off.

0:40:57.800 --> 0:40:59.840
<v Speaker 1>None, none at all, Becky.

0:41:00.239 --> 0:41:02.480
<v Speaker 2>Becky cannot get a word in and Jesse says, no,

0:41:02.600 --> 0:41:05.400
<v Speaker 2>I understand. Good looking guy comes into town, goes on

0:41:05.440 --> 0:41:07.560
<v Speaker 2>your show, he hits on you, and you're all over

0:41:07.640 --> 0:41:10.120
<v Speaker 2>him like a cheap suit. I mean, is this guy

0:41:10.160 --> 0:41:11.160
<v Speaker 2>really that big of a deal?

0:41:11.960 --> 0:41:12.320
<v Speaker 1>Ouch?

0:41:13.040 --> 0:41:16.560
<v Speaker 2>That's I was like, what right? Excuse? Me like he's

0:41:16.600 --> 0:41:20.520
<v Speaker 2>insulting her with this right, so exc to me, Like.

0:41:21.480 --> 0:41:24.319
<v Speaker 1>I've seen this behavior before, up close and personal, and

0:41:24.360 --> 0:41:25.440
<v Speaker 1>it is a big.

0:41:25.200 --> 0:41:27.359
<v Speaker 2>Red flag, huge red flags, I guess.

0:41:27.600 --> 0:41:30.560
<v Speaker 1>So it's funny now like seeing it though and being

0:41:30.560 --> 0:41:34.040
<v Speaker 1>on like an adult and being like, this is unacceptable behavior, Becky,

0:41:34.080 --> 0:41:34.959
<v Speaker 1>you need to not do.

0:41:35.400 --> 0:41:38.280
<v Speaker 2>Like, yeah, yeah, we're more confident now, way.

0:41:38.120 --> 0:41:40.239
<v Speaker 1>More commident and like but you know, but like even

0:41:40.239 --> 0:41:42.719
<v Speaker 1>from the beginning when he's on the phone and he says, now,

0:41:42.719 --> 0:41:45.799
<v Speaker 1>listen to me, young lady, I was like that, right,

0:41:45.840 --> 0:41:51.000
<v Speaker 1>there would be enough for me to go no, I won't. Yeah.

0:41:51.040 --> 0:41:53.000
<v Speaker 1>So now he's doing this. She can't even speak and

0:41:53.040 --> 0:41:55.279
<v Speaker 1>he's yelling at her and she's it's saying, he's she's

0:41:55.320 --> 0:41:56.400
<v Speaker 1>all over him like a cheap suit.

0:41:57.360 --> 0:42:01.520
<v Speaker 2>Yeah, we were much more. We're seasoned now and we

0:42:01.640 --> 0:42:04.080
<v Speaker 2>know and it's like, yeah, this was the one I

0:42:04.080 --> 0:42:05.799
<v Speaker 2>had some I was like this m.

0:42:07.760 --> 0:42:08.040
<v Speaker 1>M hm.

0:42:09.120 --> 0:42:11.959
<v Speaker 2>The crowd booze behind Jesse and he yells back, knock

0:42:12.000 --> 0:42:15.960
<v Speaker 2>it off. Becky tries to speak again, and Jesse cuts

0:42:15.960 --> 0:42:20.560
<v Speaker 2>her off again to say, right, how would you like

0:42:20.600 --> 0:42:23.040
<v Speaker 2>it if I hit on every incredibly gorgeous blonde that

0:42:23.080 --> 0:42:28.280
<v Speaker 2>walks by me. Bye bye. I know, I know, bye bye.

0:42:28.560 --> 0:42:29.080
<v Speaker 1>Go for it.

0:42:29.120 --> 0:42:33.560
<v Speaker 2>He excuses himself as his eyes follow a long, blondhaired

0:42:33.600 --> 0:42:38.200
<v Speaker 2>woman wearing a very revealing sparkly gold outfit. He walks

0:42:38.239 --> 0:42:39.960
<v Speaker 2>up to the woman and says, Hi, I'd like to

0:42:40.000 --> 0:42:43.080
<v Speaker 2>see you tonight. You can cook me dinner. I'll cook

0:42:43.120 --> 0:42:48.080
<v Speaker 2>you breakfast and in between, babe, we'll just cook. Is

0:42:48.120 --> 0:42:50.640
<v Speaker 2>this a common line that he used to pick up

0:42:51.000 --> 0:42:54.400
<v Speaker 2>women like this? I hope not.

0:42:55.320 --> 0:42:59.680
<v Speaker 1>But it goes about as well as planned, because uh,

0:42:59.760 --> 0:43:02.480
<v Speaker 1>yeah it does. She says, get out of my face,

0:43:02.520 --> 0:43:04.239
<v Speaker 1>you creep, and punches him in the stomach and.

0:43:04.280 --> 0:43:05.120
<v Speaker 2>I applaud it.

0:43:05.160 --> 0:43:08.239
<v Speaker 1>I was like, thank you, yeah, thank you, thank you.

0:43:09.160 --> 0:43:13.000
<v Speaker 2>That was the perfect response. Wait, well yeahn yep, yes, yep,

0:43:13.960 --> 0:43:14.439
<v Speaker 2>that's it.

0:43:14.760 --> 0:43:19.560
<v Speaker 1>No, he deserved that he did that, Yes he did. Sorry,

0:43:19.640 --> 0:43:21.520
<v Speaker 1>Uncle Jay. Not cool.

0:43:22.360 --> 0:43:25.240
<v Speaker 2>We angle on Danny, who is still live with the cameraman.

0:43:26.080 --> 0:43:29.120
<v Speaker 2>He brings the camera back to stage, where nobody is.

0:43:30.040 --> 0:43:32.360
<v Speaker 2>Becky angrily tells Jesse that they will talk about this

0:43:32.440 --> 0:43:35.680
<v Speaker 2>later before heading back on stage, but Jesse follows her

0:43:35.719 --> 0:43:37.879
<v Speaker 2>on the stage, saying they will talk about this right now.

0:43:38.040 --> 0:43:38.600
<v Speaker 1>No, we will not.

0:43:39.719 --> 0:43:41.360
<v Speaker 2>Oh, oh, dear, oh, dear, do not.

0:43:41.440 --> 0:43:44.160
<v Speaker 1>Show up at my work and make a scene. You

0:43:44.200 --> 0:43:44.719
<v Speaker 1>know what I mean.

0:43:44.800 --> 0:43:47.640
<v Speaker 2>Oh, it just gets worse. It just gets worse as

0:43:47.680 --> 0:43:52.320
<v Speaker 2>it goes on. Danny is still recording live and says,

0:43:52.360 --> 0:43:54.920
<v Speaker 2>through a forced smile, Oh, here they are. What a

0:43:54.920 --> 0:43:57.960
<v Speaker 2>pleasant surprise, my brother in law, Jesse, right in the

0:43:58.000 --> 0:44:01.520
<v Speaker 2>middle of the most important broadcast of my cur Welcome Jesse.

0:44:02.239 --> 0:44:02.839
<v Speaker 1>Read the room.

0:44:03.120 --> 0:44:04.879
<v Speaker 2>Jeez, the room.

0:44:05.080 --> 0:44:06.840
<v Speaker 1>You just got punched in the stomach. You're not in

0:44:06.880 --> 0:44:09.760
<v Speaker 1>a position to be mouth. You need to leave before

0:44:09.760 --> 0:44:12.520
<v Speaker 1>it gets more embarrassing. But you don't, And here we are.

0:44:12.719 --> 0:44:15.040
<v Speaker 1>He's digging himself a deep.

0:44:16.600 --> 0:44:19.440
<v Speaker 2>Jesse steps in front of Danny and asks Becky, how

0:44:19.440 --> 0:44:22.200
<v Speaker 2>could you do this to me? Becky asks to have

0:44:22.280 --> 0:44:25.920
<v Speaker 2>this discussion during the next commercial. Jesse says, no, we

0:44:25.960 --> 0:44:28.480
<v Speaker 2>are talking about our relationship. It is much more important

0:44:28.480 --> 0:44:29.839
<v Speaker 2>than some stupid talk show.

0:44:30.160 --> 0:44:36.680
<v Speaker 1>This is her job. Bruh again again Ben here, Ben here,

0:44:37.000 --> 0:44:42.080
<v Speaker 1>and it no no, this I'm literally legitimately like having

0:44:42.160 --> 0:44:45.360
<v Speaker 1>had situations like this happened to me. I was like

0:44:45.400 --> 0:44:49.120
<v Speaker 1>triggered by this up. I was like, God, Jesse, I

0:44:49.160 --> 0:44:52.400
<v Speaker 1>was so upset. I was so upset, Like this is

0:44:52.400 --> 0:44:53.799
<v Speaker 1>her job? This.

0:44:54.440 --> 0:44:57.880
<v Speaker 2>Respect it. Yeah, we respected the exterminator job and the

0:44:57.960 --> 0:44:59.600
<v Speaker 2>jingle writing. Respect her talking.

0:45:00.320 --> 0:45:05.200
<v Speaker 1>But I think you know, Jesse in respect is.

0:45:05.800 --> 0:45:08.840
<v Speaker 2>He can't see through his blinded How could you do this?

0:45:08.960 --> 0:45:12.560
<v Speaker 2>Do what to you? She didn't do anything because but

0:45:12.640 --> 0:45:14.959
<v Speaker 2>he won't stop. Shut up.

0:45:16.080 --> 0:45:19.799
<v Speaker 1>You just won't shut up. You make it worse. You

0:45:19.920 --> 0:45:24.080
<v Speaker 1>hit on some poor woman who's like, excuse me, I

0:45:24.120 --> 0:45:28.120
<v Speaker 1>can cook you dinner, you can go you know what? Yeah,

0:45:28.640 --> 0:45:30.600
<v Speaker 1>right off? And then she walked away. And now he's

0:45:30.640 --> 0:45:33.759
<v Speaker 1>now he's up on stage, not only ruining Becky's day,

0:45:33.800 --> 0:45:35.400
<v Speaker 1>but but Danny's too.

0:45:36.160 --> 0:45:38.040
<v Speaker 2>He's ruining everyone's day, like everyone.

0:45:38.680 --> 0:45:42.239
<v Speaker 1>He ruined my day, ruin every just ruining everybody's day.

0:45:43.000 --> 0:45:46.879
<v Speaker 2>He is Yeah, Danny says, this is my brother in law,

0:45:46.920 --> 0:45:50.400
<v Speaker 2>and I love him dearly security. Yes, thank you, Danny,

0:45:50.560 --> 0:45:52.680
<v Speaker 2>thank you. Danny knows Danny's like the only way to

0:45:52.680 --> 0:45:55.440
<v Speaker 2>get him. I'm sorry I have to do this to you.

0:45:56.160 --> 0:46:00.200
<v Speaker 2>Jesse continues to speak at Becky Todd to at not

0:46:00.280 --> 0:46:04.840
<v Speaker 2>too yet speak bey, this isn't a conversation. This is

0:46:04.880 --> 0:46:09.680
<v Speaker 2>a monologue, a ragey monologue. But Todd interrupts him to

0:46:09.760 --> 0:46:13.759
<v Speaker 2>tell him he's making a fool of himself. Listen to Todd,

0:46:13.880 --> 0:46:18.040
<v Speaker 2>Thank you Todd. Listen to Todd. But Jesse tells him,

0:46:18.080 --> 0:46:23.000
<v Speaker 2>sit down, fun boy. That I did appreciate that.

0:46:23.080 --> 0:46:24.600
<v Speaker 1>I was like, you know, I think fun Boy is

0:46:24.600 --> 0:46:31.320
<v Speaker 1>gonna be a it's a family friendly way of calling

0:46:31.320 --> 0:46:32.000
<v Speaker 1>someone another.

0:46:32.840 --> 0:46:38.920
<v Speaker 2>Oh yeah, f word. Yeah, I like it. It's a

0:46:39.000 --> 0:46:43.520
<v Speaker 2>very satisfying thing to say, Becky says Jesse. Todd is right,

0:46:43.560 --> 0:46:47.040
<v Speaker 2>you're making a really big mistake. Jesse says back, Oh,

0:46:47.080 --> 0:46:50.359
<v Speaker 2>really good. Then this is the last mistake I make

0:46:50.400 --> 0:46:53.799
<v Speaker 2>with you, because this is it. We're breaking up by.

0:46:54.719 --> 0:46:57.000
<v Speaker 2>Becky says, well, fine, then it's over.

0:46:57.400 --> 0:46:58.640
<v Speaker 1>Thank you, Becky.

0:46:59.520 --> 0:47:01.480
<v Speaker 2>Stand up yourself, Becky, don't take it.

0:47:01.680 --> 0:47:04.320
<v Speaker 1>No, don't take it. This is this is not okay.

0:47:04.440 --> 0:47:07.720
<v Speaker 1>This He is not respecting your your your the place,

0:47:08.400 --> 0:47:12.600
<v Speaker 1>your people, your job, her judgment, your ability to speak.

0:47:12.800 --> 0:47:16.319
<v Speaker 2>Yet no, I gotta say I was very upset. I'm

0:47:16.320 --> 0:47:18.320
<v Speaker 2>proud of Becky. I'm glad she didn't like begged to

0:47:18.320 --> 0:47:19.440
<v Speaker 2>get him back, she didn't like.

0:47:19.480 --> 0:47:21.080
<v Speaker 1>She's handled it very professionally.

0:47:22.160 --> 0:47:24.879
<v Speaker 2>Jesse tells her, you're looking at a freeman and right

0:47:24.920 --> 0:47:30.040
<v Speaker 2>then he gets pulled away by security. Danny gets back

0:47:30.120 --> 0:47:32.080
<v Speaker 2>to the camera and says, well, you won't see that

0:47:32.400 --> 0:47:34.080
<v Speaker 2>on Gilligan's Island.

0:47:35.000 --> 0:47:36.359
<v Speaker 1>True. Oh boy.

0:47:44.920 --> 0:47:47.160
<v Speaker 2>A little while later, as the crew cleans up the

0:47:47.200 --> 0:47:50.080
<v Speaker 2>wake Up San Francisco said, DJ and Stuff are seated

0:47:50.120 --> 0:47:53.319
<v Speaker 2>at one of the tables. DJ tells Steph with my

0:47:53.440 --> 0:47:55.960
<v Speaker 2>share of the jackpot, I'm gonna buy a ranch full

0:47:55.960 --> 0:47:59.400
<v Speaker 2>of horses and a red Corvette. Stuph tells her, I'm

0:47:59.400 --> 0:48:02.440
<v Speaker 2>gonna buy my own jet plane. That bus takes forever

0:48:02.520 --> 0:48:03.320
<v Speaker 2>to get to school.

0:48:03.800 --> 0:48:04.840
<v Speaker 1>Yeah, it's true.

0:48:05.520 --> 0:48:07.239
<v Speaker 2>I'm sure the backyard can fit a jet plane and

0:48:07.280 --> 0:48:08.120
<v Speaker 2>a runway like this.

0:48:08.560 --> 0:48:11.279
<v Speaker 1>Yeah, obviously, I mean only when it's parked there, but

0:48:11.400 --> 0:48:12.960
<v Speaker 1>it's not. We'll just shrink it up a little bit

0:48:13.000 --> 0:48:14.799
<v Speaker 1>and pull that gate in, you know what I mean?

0:48:16.640 --> 0:48:18.480
<v Speaker 1>Magic cool buy Yeah.

0:48:18.320 --> 0:48:22.400
<v Speaker 2>Of back. So Joey walks up and says, now, girls,

0:48:22.440 --> 0:48:24.600
<v Speaker 2>when mister fabulous comes in here to give me my

0:48:24.719 --> 0:48:27.800
<v Speaker 2>check for one hundred grand, just let me do the talking,

0:48:28.560 --> 0:48:31.920
<v Speaker 2>DJ ads, as long as you let us do the spending.

0:48:32.200 --> 0:48:34.840
<v Speaker 1>Damn Joey, Well, he's.

0:48:34.680 --> 0:48:37.600
<v Speaker 2>I wasn't offended because he's staying. Because they're miners. They

0:48:37.600 --> 0:48:38.720
<v Speaker 2>can't see what I'm saying.

0:48:38.719 --> 0:48:41.319
<v Speaker 1>Though, I'm not offended. I'm just saying like, oh, he's

0:48:41.360 --> 0:48:43.440
<v Speaker 1>about to be like no, no, no, no, no, like to give

0:48:43.440 --> 0:48:45.200
<v Speaker 1>me the money. Yeah, he's about to be a criminal.

0:48:45.320 --> 0:48:48.759
<v Speaker 1>He's about to be I'm like, all right, yeah, get

0:48:48.760 --> 0:48:49.320
<v Speaker 1>the money.

0:48:49.520 --> 0:48:51.680
<v Speaker 2>There's yeah, there's a little there's a little crime happening.

0:48:52.080 --> 0:48:54.480
<v Speaker 1>It's as small, just a small crime of trying to,

0:48:54.760 --> 0:48:57.600
<v Speaker 1>you know, claim one hundred thousand dollars from a casino

0:48:57.840 --> 0:49:00.120
<v Speaker 1>that may or may not hea illegally being gone.

0:49:00.719 --> 0:49:04.439
<v Speaker 2>Yeah, it's true. Danny walks up, saying hey, hey, hey,

0:49:04.600 --> 0:49:07.839
<v Speaker 2>mister lucky. He asks Joey to help him pick out

0:49:07.880 --> 0:49:11.520
<v Speaker 2>a slot machine, and steph says, let DJ pickt she

0:49:11.600 --> 0:49:16.799
<v Speaker 2>won the jackpot. Oh, Stephanie always tattle tailing, always like

0:49:16.880 --> 0:49:20.200
<v Speaker 2>you know, I know she's maybe she just blurted it

0:49:20.239 --> 0:49:22.360
<v Speaker 2>out without thinking. She just blurts it out. She's just

0:49:22.400 --> 0:49:24.120
<v Speaker 2>so yeah, she's so excited.

0:49:24.360 --> 0:49:26.480
<v Speaker 1>I get that. That happens to me sometimes I just

0:49:26.840 --> 0:49:27.400
<v Speaker 1>say things.

0:49:27.800 --> 0:49:32.480
<v Speaker 2>That's okay. DJ gets flustered and Danny is flabbergasted. He

0:49:32.600 --> 0:49:36.640
<v Speaker 2>asks Joey, you let the girls gamble. Joey says no,

0:49:36.719 --> 0:49:38.800
<v Speaker 2>I had nothing to do with it. I was getting

0:49:38.840 --> 0:49:42.000
<v Speaker 2>a money bucket. Danny then looks at the girls and says,

0:49:42.280 --> 0:49:45.239
<v Speaker 2>you girls were gambling after I told you not to.

0:49:45.800 --> 0:49:48.680
<v Speaker 2>I am not happy about this at all. DJ lean's

0:49:48.719 --> 0:49:51.200
<v Speaker 2>closer to him and says, would ten thousand dollars cheer

0:49:51.239 --> 0:49:55.719
<v Speaker 2>you up? Danny says they won the money illegally and

0:49:55.760 --> 0:49:59.560
<v Speaker 2>therefore cannot accept it. Then Joey says, well, there's a

0:49:59.560 --> 0:50:02.960
<v Speaker 2>bright side to this. I can accept it. There you go.

0:50:03.160 --> 0:50:04.920
<v Speaker 2>Here's what I'll say.

0:50:05.520 --> 0:50:07.600
<v Speaker 1>He's not trying to He's not. He's not.

0:50:07.920 --> 0:50:09.400
<v Speaker 2>Joey's not thinking with a criminal mind.

0:50:09.840 --> 0:50:10.160
<v Speaker 1>He's not.

0:50:10.280 --> 0:50:11.719
<v Speaker 2>I don't think he's.

0:50:11.800 --> 0:50:14.360
<v Speaker 1>Yeah, he's just like, well, I was gonna it was

0:50:14.440 --> 0:50:16.319
<v Speaker 1>gonna be me, might as well have been me.

0:50:16.920 --> 0:50:19.759
<v Speaker 2>Yeah, it was the people I was with. I think's

0:50:19.800 --> 0:50:22.719
<v Speaker 2>sort of like it was me. He's not understanding that

0:50:22.800 --> 0:50:24.560
<v Speaker 2>this is a crime. He's just like, oh, well, you know,

0:50:24.680 --> 0:50:25.399
<v Speaker 2>what's the big deal?

0:50:25.480 --> 0:50:28.480
<v Speaker 1>I was next? Yeah, I get it. Uh.

0:50:28.520 --> 0:50:31.239
<v Speaker 2>Mister Santana walks up to Joey, asking to speak with him.

0:50:31.560 --> 0:50:34.800
<v Speaker 2>Joey stands up and tells him a funny story. You see,

0:50:34.960 --> 0:50:36.799
<v Speaker 2>I was playing the machine and I stepped away for

0:50:36.840 --> 0:50:40.680
<v Speaker 2>a minute. A second, heck a micro second. Well, I

0:50:40.719 --> 0:50:42.960
<v Speaker 2>told the girls here to guard my machine, which they

0:50:43.080 --> 0:50:46.240
<v Speaker 2>did by putting a silver dollar over the coin slot,

0:50:46.480 --> 0:50:49.560
<v Speaker 2>which accidentally fell into the coin slot.

0:50:50.000 --> 0:50:54.360
<v Speaker 1>That's a that's a great uh story.

0:50:54.400 --> 0:50:58.160
<v Speaker 2>That's a great lie. You know. I was like, okay, okay,

0:50:58.320 --> 0:51:01.640
<v Speaker 2>I could rive. Yeah, you know, yeah, this is how

0:51:01.640 --> 0:51:04.120
<v Speaker 2>he's justifying it in his mind. You know. It was quick.

0:51:04.640 --> 0:51:09.520
<v Speaker 2>Joey and mister Santana laugh along with Stephan dj. Joey continues, Oh,

0:51:09.640 --> 0:51:12.719
<v Speaker 2>I just couldn't accept the money without clearing my conscience.

0:51:13.080 --> 0:51:15.040
<v Speaker 2>But I feel great now, so lay it on me.

0:51:15.360 --> 0:51:15.560
<v Speaker 1>Yeah.

0:51:16.280 --> 0:51:19.719
<v Speaker 2>Mister Santana doesn't respond and just places a video cassette

0:51:19.760 --> 0:51:23.440
<v Speaker 2>in Joey's hands. He says, our security camera got a

0:51:23.560 --> 0:51:27.319
<v Speaker 2>nice clean shot of the children gambling. You didn't come

0:51:27.320 --> 0:51:32.240
<v Speaker 2>into the picture until many, many, many microseconds later. Joey asks,

0:51:32.560 --> 0:51:37.000
<v Speaker 2>I'm not getting the money, am I. Mister Santana shakes

0:51:37.000 --> 0:51:39.120
<v Speaker 2>his head and says, oh, but you can keep the

0:51:39.200 --> 0:51:42.200
<v Speaker 2>video cassette as a souvenir of not having won the

0:51:42.280 --> 0:51:45.680
<v Speaker 2>jackpot here at the fabulous Ali Ababa Hotel and Casino,

0:51:45.920 --> 0:51:47.520
<v Speaker 2>and he walks away with his hands in the air.

0:51:48.840 --> 0:51:51.239
<v Speaker 2>Joey takes a seat with Danny and the girls and

0:51:51.280 --> 0:51:55.160
<v Speaker 2>stuff asks do you hate us Joey. He tells the

0:51:55.160 --> 0:51:58.160
<v Speaker 2>girls not to be silly. He loves them very much.

0:51:58.920 --> 0:52:02.240
<v Speaker 2>DJ's concerned because they cost him one hundred thousand dollars,

0:52:02.719 --> 0:52:04.799
<v Speaker 2>and she asks if there's any way they can make

0:52:04.840 --> 0:52:08.400
<v Speaker 2>it up to him. Joey smiles and says, no, I

0:52:08.400 --> 0:52:12.680
<v Speaker 2>don't think so. That was such a great line.

0:52:12.840 --> 0:52:14.160
<v Speaker 1>No you can't, You're not gonna.

0:52:14.360 --> 0:52:18.359
<v Speaker 2>I was expecting something like your love is enough.

0:52:19.160 --> 0:52:21.799
<v Speaker 1>I was like, I appreciated the moment of reality was

0:52:21.880 --> 0:52:23.920
<v Speaker 1>just no, you can't. You're not going to make that

0:52:23.960 --> 0:52:24.600
<v Speaker 1>up to be things.

0:52:25.640 --> 0:52:27.920
<v Speaker 2>So he got away pretty scot free.

0:52:27.920 --> 0:52:33.640
<v Speaker 1>For I was I feel like Casito's may not take

0:52:33.719 --> 0:52:37.440
<v Speaker 1>that as kindly as mister mister.

0:52:37.680 --> 0:52:40.160
<v Speaker 2>I feel like there would be a punishment involved.

0:52:40.280 --> 0:52:40.680
<v Speaker 1>For sure.

0:52:40.800 --> 0:52:44.439
<v Speaker 2>There would be some handcuffs probably on the other side

0:52:44.480 --> 0:52:45.080
<v Speaker 2>of that tape.

0:52:45.160 --> 0:52:47.919
<v Speaker 1>Yeah, yeah, easily. Yeah. And I don't think they would

0:52:47.920 --> 0:52:51.640
<v Speaker 1>be giving out security footage from the casino to just write.

0:52:51.680 --> 0:52:54.680
<v Speaker 2>They wouldn't just hand it over again. Yeah, right, you

0:52:54.719 --> 0:52:57.080
<v Speaker 2>can have this. You can have it, and then you

0:52:57.080 --> 0:52:59.680
<v Speaker 2>can manipulate it and modify it so it doesn't look

0:52:59.719 --> 0:53:03.920
<v Speaker 2>like what we saw. So next we're in Becky's room.

0:53:04.120 --> 0:53:06.960
<v Speaker 2>Becky is on the phone, explaining to her mom, I

0:53:07.040 --> 0:53:10.719
<v Speaker 2>have never been so embarrassed in my life. I never

0:53:10.760 --> 0:53:13.759
<v Speaker 2>want to talk to Jesse again. He is the most obstinate,

0:53:14.080 --> 0:53:17.439
<v Speaker 2>pig headed. She's interrupted by Jesse knocking on the door.

0:53:18.280 --> 0:53:20.759
<v Speaker 2>Becky quickly hangs up with her mom stands in front

0:53:20.760 --> 0:53:23.440
<v Speaker 2>of the mirror before opening the door for Jesse. She

0:53:23.480 --> 0:53:24.880
<v Speaker 2>looks at herself in the mirror and says, what am

0:53:24.920 --> 0:53:27.359
<v Speaker 2>I doing? And she shakes her head or shakes her

0:53:27.360 --> 0:53:30.960
<v Speaker 2>hair loose and walks towards the door. She shouts from

0:53:31.040 --> 0:53:34.920
<v Speaker 2>inside the room, talk, I'm listening. Jesse says there is

0:53:34.960 --> 0:53:37.919
<v Speaker 2>a maid, a bell hop, and some man staring at him.

0:53:38.680 --> 0:53:41.279
<v Speaker 2>So Becky opens the door and says, since when does

0:53:41.280 --> 0:53:42.879
<v Speaker 2>an audience bother you?

0:53:43.239 --> 0:53:43.879
<v Speaker 1>That's what I was.

0:53:43.800 --> 0:53:44.759
<v Speaker 2>Saying, is oh, all of.

0:53:44.760 --> 0:53:46.839
<v Speaker 1>A sudden, now you're shy. You won't want to talk

0:53:46.880 --> 0:53:49.000
<v Speaker 1>in front of three people, but you'll talk on TV

0:53:50.000 --> 0:53:53.760
<v Speaker 1>burnll deserved.

0:53:54.640 --> 0:53:57.879
<v Speaker 2>Jesse states that the fact they broke up is all

0:53:58.080 --> 0:54:03.919
<v Speaker 2>Becky's fault. I know, I know, I know he's doubling down.

0:54:04.000 --> 0:54:05.800
<v Speaker 2>He came to her room to double down.

0:54:06.000 --> 0:54:09.480
<v Speaker 1>I mean, you showed up to have a conversation and

0:54:09.560 --> 0:54:12.840
<v Speaker 1>now you're like by the way, not not not this

0:54:13.000 --> 0:54:13.640
<v Speaker 1>is your fault.

0:54:14.200 --> 0:54:16.920
<v Speaker 2>No, it's so petty, it's it's so petty.

0:54:17.080 --> 0:54:19.279
<v Speaker 1>Yeah, you could have said that outside with those three

0:54:19.280 --> 0:54:21.359
<v Speaker 1>people watching. You could have said it's all my fault,

0:54:21.400 --> 0:54:22.880
<v Speaker 1>and I could have not opened the door and we

0:54:22.920 --> 0:54:24.560
<v Speaker 1>could have just skipped ourselves this whole.

0:54:24.440 --> 0:54:26.719
<v Speaker 2>Nonsense exactly exactly.

0:54:27.160 --> 0:54:29.279
<v Speaker 1>And also when she says talk I'm listening, I was

0:54:29.280 --> 0:54:31.200
<v Speaker 1>thinking you he has done enough talking.

0:54:31.880 --> 0:54:34.440
<v Speaker 2>Yeah, he has done quite enough talking. He needs to

0:54:34.480 --> 0:54:39.439
<v Speaker 2>do some listening exactly. Becky gasps and says, you're right,

0:54:39.600 --> 0:54:42.640
<v Speaker 2>it's all my fault. I met Todd Masters, I watched

0:54:42.719 --> 0:54:44.759
<v Speaker 2>him eet scrambled eggs, and then I did the only

0:54:44.800 --> 0:54:48.040
<v Speaker 2>logical thing. I threw out our whole relate. I threw

0:54:48.120 --> 0:54:52.040
<v Speaker 2>our whole relationship out the window. Jesse interjects, Oh, please,

0:54:52.160 --> 0:54:54.799
<v Speaker 2>don't try to turn this whole thing around on me.

0:54:55.280 --> 0:54:59.120
<v Speaker 2>What you were the one who was going to dinner

0:54:59.160 --> 0:55:02.200
<v Speaker 2>with this blow dry I'd sight a beef blue dried.

0:55:03.680 --> 0:55:05.320
<v Speaker 1>Sir, you and your hair.

0:55:06.719 --> 0:55:08.919
<v Speaker 2>Take up more time.

0:55:08.760 --> 0:55:10.200
<v Speaker 1>And space than anyone.

0:55:10.480 --> 0:55:13.160
<v Speaker 2>All right, you know it has no room to talk about.

0:55:13.239 --> 0:55:15.040
<v Speaker 1>Yeah, you get you don't get to call anyone a

0:55:15.080 --> 0:55:18.520
<v Speaker 1>blow dryed side of beef. You are a well quaffed man.

0:55:18.440 --> 0:55:24.480
<v Speaker 2>Yourself, so just it's so funny. So Becky exclaims that

0:55:24.640 --> 0:55:29.520
<v Speaker 2>Jesse doesn't know what he's talking about, and they continue bickering. Yeah,

0:55:29.880 --> 0:55:33.200
<v Speaker 2>in the midst of their yelling, Jesse grabs Becky aggressively

0:55:33.239 --> 0:55:35.960
<v Speaker 2>and swings her around for a kiss. I would have

0:55:36.040 --> 0:55:38.799
<v Speaker 2>slapped him right in his face. It was I mean,

0:55:40.280 --> 0:55:42.440
<v Speaker 2>I know they're going for passion, but I was like,

0:55:42.560 --> 0:55:47.080
<v Speaker 2>whoa you no, No, it's about control, maybe not passion.

0:55:48.280 --> 0:55:50.560
<v Speaker 1>This was a very you know what I you know

0:55:50.600 --> 0:55:53.880
<v Speaker 1>what I pictured Grandpa Nick and Irene. This was exactly.

0:55:53.960 --> 0:55:57.000
<v Speaker 1>I was like, this is how Grandpa Nick gets Irene

0:55:57.080 --> 0:56:00.920
<v Speaker 1>to stop being upset. He's just just yeah, and then

0:56:01.040 --> 0:56:05.160
<v Speaker 1>try to her and yep, yep, oh you know you're right,

0:56:05.160 --> 0:56:06.960
<v Speaker 1>he's wrong, and he doesn't want to listen. That's what happens.

0:56:07.080 --> 0:56:10.600
<v Speaker 2>This exact fight has happened before between Nick and I ree.

0:56:10.719 --> 0:56:11.600
<v Speaker 1>You're right. Yeah.

0:56:11.600 --> 0:56:15.280
<v Speaker 2>Oh, he stands her back up and they just continue fighting.

0:56:15.719 --> 0:56:17.920
<v Speaker 2>Becky says, if you think kissing me is going to

0:56:17.960 --> 0:56:20.280
<v Speaker 2>solve this, then you've been watching too many old movies.

0:56:20.800 --> 0:56:23.200
<v Speaker 2>And it just so happens that the blow dried side

0:56:23.200 --> 0:56:26.680
<v Speaker 2>of beef and I we're gonna have dinner tonight with you.

0:56:27.360 --> 0:56:29.000
<v Speaker 2>And if you didn't lose your temper and act like

0:56:29.040 --> 0:56:31.400
<v Speaker 2>such a jealous maniac, I could have told you that

0:56:31.440 --> 0:56:32.200
<v Speaker 2>in the first place.

0:56:32.680 --> 0:56:33.319
<v Speaker 1>Ha ha ha.

0:56:34.120 --> 0:56:37.399
<v Speaker 2>There, thank you, thank you. He finally let her talk,

0:56:37.840 --> 0:56:40.680
<v Speaker 2>like seventeen minutes later, he finally let her talk.

0:56:40.920 --> 0:56:42.560
<v Speaker 1>Well, I don't even know if he led her. She

0:56:42.760 --> 0:56:44.959
<v Speaker 1>just was like, all right, we're no, you're just wanting

0:56:44.960 --> 0:56:47.120
<v Speaker 1>to kiss and makeup. You need to listen to what

0:56:47.160 --> 0:56:48.600
<v Speaker 1>you've done. Mm hm. Yeah.

0:56:48.680 --> 0:56:51.120
<v Speaker 2>She's a smart woman. She's a good role model. I

0:56:51.160 --> 0:56:55.799
<v Speaker 2>love Becky so much. Jesse finally takes a breath and

0:56:55.920 --> 0:56:58.480
<v Speaker 2>realizes that he's been acting like a jerk.

0:56:59.440 --> 0:57:01.160
<v Speaker 1>You think, oh my god.

0:57:01.280 --> 0:57:05.359
<v Speaker 2>Finally he apologizes and explains how that's just the way

0:57:05.400 --> 0:57:09.279
<v Speaker 2>he is when he's jealous. Like that excuses it.

0:57:11.560 --> 0:57:13.560
<v Speaker 1>Well, then you need to.

0:57:13.520 --> 0:57:16.400
<v Speaker 2>Work on it. He needs some anger management therapy, he

0:57:16.440 --> 0:57:21.880
<v Speaker 2>needs he needs to stop and breathe.

0:57:23.240 --> 0:57:23.640
<v Speaker 1>For sure.

0:57:24.400 --> 0:57:29.080
<v Speaker 2>Jesse insists that Becky acts jealous too, and mentions when

0:57:29.080 --> 0:57:30.680
<v Speaker 2>he hit on the waitress as an example.

0:57:31.800 --> 0:57:33.520
<v Speaker 1>Now, who's turning it around on who?

0:57:33.920 --> 0:57:37.320
<v Speaker 2>This is not the way. Yeah, he's just sidestepping the

0:57:37.400 --> 0:57:40.040
<v Speaker 2>all this and he's just blaming it back on her.

0:57:40.240 --> 0:57:44.640
<v Speaker 2>Come on, Jesse, yeah, Becky admits, Okay, well, maybe I

0:57:44.760 --> 0:57:48.680
<v Speaker 2>was jealous for a split second. Jesse asks how it felt,

0:57:48.720 --> 0:57:51.680
<v Speaker 2>and Becky says it was the worst split second of

0:57:51.720 --> 0:57:55.040
<v Speaker 2>my life. Jesse starts to pace as he describes what

0:57:55.120 --> 0:57:58.360
<v Speaker 2>he thought this weekend was supposed to be about. He

0:57:58.440 --> 0:58:00.640
<v Speaker 2>mentions how he was going to tell her he loved her,

0:58:01.120 --> 0:58:04.680
<v Speaker 2>and she immediately says, I love you too. Jesse doesn't

0:58:04.680 --> 0:58:07.640
<v Speaker 2>hear her at first, of course, and continues to describe.

0:58:07.240 --> 0:58:11.120
<v Speaker 1>His ideal weekend, the whole thing, the whole description of

0:58:11.160 --> 0:58:14.040
<v Speaker 1>the weekend that he's tagging along for. By the way,

0:58:14.400 --> 0:58:19.400
<v Speaker 1>on your trip, you're right, it's her work trip, yes trip,

0:58:20.200 --> 0:58:24.400
<v Speaker 1>and that's the whole reason you're even going. And then

0:58:24.600 --> 0:58:30.600
<v Speaker 1>you act a fool and cause all this drama, and

0:58:30.640 --> 0:58:33.040
<v Speaker 1>then you're just mad because it didn't go the way

0:58:33.120 --> 0:58:35.920
<v Speaker 1>you wanted it to go on a trip that wasn't

0:58:35.960 --> 0:58:36.840
<v Speaker 1>yours to begin with.

0:58:37.320 --> 0:58:39.680
<v Speaker 2>He's still not totally getting it. He's calmed down, but

0:58:39.720 --> 0:58:41.960
<v Speaker 2>he's still like, not totally getting it.

0:58:42.040 --> 0:58:44.520
<v Speaker 1>I still have he still needs to learn how to listen.

0:58:47.000 --> 0:58:50.640
<v Speaker 2>I agree, Becky, asks if he heard her, and he goes, yeah,

0:58:50.680 --> 0:58:53.480
<v Speaker 2>you said I love you too, and then he realizes

0:58:53.520 --> 0:58:56.480
<v Speaker 2>what just occurred. He shouts and jumps on the couch.

0:58:56.640 --> 0:58:57.160
<v Speaker 1>Whoo.

0:58:57.280 --> 0:58:58.680
<v Speaker 2>That means we're in love.

0:58:58.920 --> 0:59:01.800
<v Speaker 1>He cruise moment, he did.

0:59:01.920 --> 0:59:06.480
<v Speaker 2>Yes, He grabs Becky and kisses her. He then confesses

0:59:06.560 --> 0:59:09.160
<v Speaker 2>to being in love with her since the first day

0:59:09.280 --> 0:59:12.760
<v Speaker 2>he saw her. Jesse aggressively tells her he wants to

0:59:12.760 --> 0:59:17.000
<v Speaker 2>get married in Nevada so that everybody knows she is his.

0:59:17.720 --> 0:59:21.520
<v Speaker 2>I know he's ruined this. Yeah, he's ruined it. He's

0:59:21.560 --> 0:59:23.960
<v Speaker 2>ruined this moment, ruined the moment for me. Oh, I

0:59:24.000 --> 0:59:25.760
<v Speaker 2>just because now I'm with my own name.

0:59:26.320 --> 0:59:28.760
<v Speaker 1>That's how That's how upset I am is I just

0:59:28.840 --> 0:59:31.080
<v Speaker 1>choked myself with my own headphone cord I.

0:59:32.840 --> 0:59:36.000
<v Speaker 2>He was building to a lovely moment and then he's like,

0:59:36.120 --> 0:59:37.120
<v Speaker 2>I want to possess you. Know.

0:59:37.160 --> 0:59:40.920
<v Speaker 1>What I have to say is this is all incredibly

0:59:41.360 --> 0:59:43.440
<v Speaker 1>toxic Yasier.

0:59:44.440 --> 0:59:47.560
<v Speaker 2>Yes, kids, if you're listening like this is a red.

0:59:47.480 --> 0:59:49.920
<v Speaker 1>Kids, if you're listening, this is not a good example

0:59:49.960 --> 0:59:52.880
<v Speaker 1>of a relationship. If a dude shows up freaks out

0:59:52.920 --> 0:59:55.800
<v Speaker 1>like this, doesn't listen, has a whole thing blames it

0:59:55.840 --> 0:59:58.680
<v Speaker 1>on you, does all this stuff, kisses you, doesn't listen

0:59:58.680 --> 1:00:00.800
<v Speaker 1>to your thing, goes off about it's all about him

1:00:00.800 --> 1:00:04.480
<v Speaker 1>and you disappointed him. And then when he finally realizes

1:00:04.560 --> 1:00:07.000
<v Speaker 1>that you did something to make him happy that he

1:00:07.080 --> 1:00:08.880
<v Speaker 1>always wanted, then all of a sudden he wants to

1:00:08.920 --> 1:00:10.080
<v Speaker 1>own you and marry you.

1:00:10.520 --> 1:00:10.880
<v Speaker 2>Oh.

1:00:10.920 --> 1:00:11.680
<v Speaker 1>Oh, I know.

1:00:11.880 --> 1:00:14.400
<v Speaker 2>It's very women women and women are property.

1:00:14.560 --> 1:00:19.360
<v Speaker 4>It's it's it's just just I I have.

1:00:19.680 --> 1:00:21.880
<v Speaker 2>I had a lot of thoughts on this one. I

1:00:21.920 --> 1:00:23.600
<v Speaker 2>know who wrote this one. Oh, it was like the

1:00:23.600 --> 1:00:25.080
<v Speaker 2>four writers that wrote yeah and again.

1:00:25.120 --> 1:00:27.280
<v Speaker 1>Maybe it's you know, I think I think you know,

1:00:27.360 --> 1:00:29.440
<v Speaker 1>at a certain point women of a certain age, you

1:00:29.440 --> 1:00:31.880
<v Speaker 1>go okay, we no no, no, no, no, no no.

1:00:32.280 --> 1:00:34.560
<v Speaker 1>Maybe when you're like twenty five, this is the thing.

1:00:34.600 --> 1:00:37.560
<v Speaker 1>You're like, oh, this is so romantic. No, no, this

1:00:37.600 --> 1:00:39.720
<v Speaker 1>is no. No one needs to fight like this.

1:00:39.720 --> 1:00:41.880
<v Speaker 2>This episode is like a warning to all of the

1:00:41.920 --> 1:00:44.480
<v Speaker 2>single ladies out there, like right, run and you know.

1:00:44.440 --> 1:00:46.160
<v Speaker 1>What and right and I'm sure And at the time

1:00:46.200 --> 1:00:47.919
<v Speaker 1>I was like, oh, Jesse and Beck you're so in love.

1:00:48.000 --> 1:00:51.280
<v Speaker 1>I'm like, no, this is a terrible idea. And Jesse

1:00:51.400 --> 1:00:53.160
<v Speaker 1>doesn't know what he's talking about. And needs to go.

1:00:53.480 --> 1:00:54.840
<v Speaker 1>You'll do some therapy.

1:00:55.480 --> 1:00:57.680
<v Speaker 2>Well that's why I'm so torn, because I love Jesse

1:00:57.760 --> 1:01:00.680
<v Speaker 2>and Becky so much, like they are so holes in

1:01:00.760 --> 1:01:03.640
<v Speaker 2>so many ways. But this scene, well, but you know there,

1:01:03.720 --> 1:01:05.200
<v Speaker 2>Jesse's so problematic.

1:01:05.240 --> 1:01:08.880
<v Speaker 1>Jesse was kind of problematic sometimes, even if fuller. When

1:01:08.880 --> 1:01:11.160
<v Speaker 1>he walks in the door, Becky's carrying all the bags.

1:01:11.360 --> 1:01:17.080
<v Speaker 2>Oh yeah, that's right. That's always, it's always it's always

1:01:17.080 --> 1:01:21.080
<v Speaker 2>about Jesse. Yeah, you know gets when you're that good looking,

1:01:21.520 --> 1:01:22.960
<v Speaker 2>you think you can get away with this.

1:01:23.800 --> 1:01:26.640
<v Speaker 1>But it's you know, how far we've come in terms

1:01:26.640 --> 1:01:32.080
<v Speaker 1>of how we view relationships. But this true. Yeah, anyway,

1:01:32.560 --> 1:01:33.320
<v Speaker 1>let's get to the end.

1:01:34.000 --> 1:01:35.400
<v Speaker 2>Get to the end. I know, I know we're almost there.

1:01:36.000 --> 1:01:40.360
<v Speaker 2>Becky doesn't have an answer to this pseudo proposal and

1:01:40.480 --> 1:01:42.160
<v Speaker 2>just puts a hand to his head like maybe he

1:01:42.200 --> 1:01:45.240
<v Speaker 2>has a fever. She doesn't know what to say, so

1:01:45.360 --> 1:01:49.120
<v Speaker 2>Jesse grabs her hands and says, Rebecca Donaldson, I love you,

1:01:49.920 --> 1:01:53.200
<v Speaker 2>and if anything has ever been right, it's you and

1:01:53.240 --> 1:01:56.520
<v Speaker 2>me gets down on one knee and asks her to

1:01:56.640 --> 1:01:59.760
<v Speaker 2>marry him. No, no, it's much better than I own you, Like,

1:01:59.800 --> 1:02:00.920
<v Speaker 2>that's way better.

1:02:01.000 --> 1:02:03.960
<v Speaker 1>But it's still I feel it's still coming from the

1:02:04.000 --> 1:02:08.760
<v Speaker 1>same place. Yeah, but at least he's I need to

1:02:08.800 --> 1:02:11.440
<v Speaker 1>make you mine so that you never have breakfast with

1:02:11.520 --> 1:02:14.320
<v Speaker 1>anyone else again. And it feels.

1:02:15.760 --> 1:02:18.560
<v Speaker 2>But then like but then like, but then Lori cries like,

1:02:19.240 --> 1:02:20.000
<v Speaker 2>but that's what I'm saying.

1:02:20.040 --> 1:02:21.080
<v Speaker 1>Well, yeah, I mean.

1:02:22.520 --> 1:02:25.120
<v Speaker 2>It's beautiful, right, she does a great job. She does

1:02:25.280 --> 1:02:28.360
<v Speaker 2>such a good job. She's so Laurie's so vulnerable and

1:02:28.480 --> 1:02:31.640
<v Speaker 2>open and like, she handles this scene so well.

1:02:32.440 --> 1:02:33.080
<v Speaker 1>It got to me.

1:02:33.240 --> 1:02:36.320
<v Speaker 2>It got to me, it really, even with problematic Jesse.

1:02:36.520 --> 1:02:40.200
<v Speaker 2>I mean, you know, all the Becky and Jesse shippers

1:02:40.200 --> 1:02:40.760
<v Speaker 2>were just.

1:02:40.640 --> 1:02:44.840
<v Speaker 1>Like melting right over meanwhile, sitting here shocked that we

1:02:45.160 --> 1:02:50.280
<v Speaker 1>let this sort of toxic behavior be you know, don't

1:02:50.400 --> 1:02:53.040
<v Speaker 1>accepted on the relationship. Yeah.

1:02:53.200 --> 1:02:57.480
<v Speaker 2>Well anyway, it's we'll see what happens next. But the

1:02:57.640 --> 1:03:01.120
<v Speaker 2>tear down the cheek Jesse mouth have mercy. They slowly

1:03:01.200 --> 1:03:03.360
<v Speaker 2>kiss and we get.

1:03:03.320 --> 1:03:06.680
<v Speaker 1>To be continued, and that is our shot to drag

1:03:06.800 --> 1:03:09.360
<v Speaker 1>this poor behavior out for another twenty two minutes.

1:03:10.160 --> 1:03:12.120
<v Speaker 2>So I know, I mean, I know what happens because

1:03:13.440 --> 1:03:16.600
<v Speaker 2>I've seen I know what happens because well they don't

1:03:16.600 --> 1:03:18.360
<v Speaker 2>I know, they get married in a future scenes.

1:03:18.400 --> 1:03:21.280
<v Speaker 1>Well, all we know is Howie's not here, so therefore

1:03:21.400 --> 1:03:22.280
<v Speaker 1>it can't be the wedding.

1:03:22.320 --> 1:03:25.480
<v Speaker 2>Oh yeah, that's right, how he's not Howie.

1:03:26.360 --> 1:03:26.800
<v Speaker 1>You know what?

1:03:26.880 --> 1:03:28.720
<v Speaker 2>I miss Howie.

1:03:28.520 --> 1:03:30.960
<v Speaker 1>After this episode.

1:03:29.560 --> 1:03:33.000
<v Speaker 2>This makes you then you know it's bad.

1:03:35.760 --> 1:03:40.000
<v Speaker 1>I'm interested to see what happens next. I mean, I know,

1:03:40.200 --> 1:03:42.520
<v Speaker 1>obviously we know what. You know that there's gonna be

1:03:42.560 --> 1:03:43.960
<v Speaker 1>some decisions that have to be made.

1:03:44.440 --> 1:03:48.040
<v Speaker 2>How does it come about?

1:03:48.800 --> 1:03:51.760
<v Speaker 1>Do they have a conversation? How does Jesse handle it?

1:03:51.880 --> 1:03:53.920
<v Speaker 1>I don't feel like it's gonna be handled.

1:03:54.200 --> 1:03:58.520
<v Speaker 2>Yeah that's true. Yeah, he hasn't done any growing in

1:03:58.560 --> 1:04:01.240
<v Speaker 2>this episode. So yeah, I'm a little worried about the

1:04:01.240 --> 1:04:02.040
<v Speaker 2>next episode.

1:04:02.080 --> 1:04:05.000
<v Speaker 1>But I don't know.

1:04:05.080 --> 1:04:07.280
<v Speaker 2>We'll see. I'm curious how the fans feel about this.

1:04:07.720 --> 1:04:10.439
<v Speaker 2>I feel like the people love John Stamos. They love

1:04:10.520 --> 1:04:12.360
<v Speaker 2>Jesse and Becky so much that I feel like they're

1:04:12.360 --> 1:04:14.760
<v Speaker 2>gonna be very forgiving. Well, yeah, I love him, but

1:04:14.840 --> 1:04:17.160
<v Speaker 2>this was this is a toxic personality, Like this is

1:04:17.200 --> 1:04:19.840
<v Speaker 2>a toxic trait. You know, the two things can be

1:04:19.880 --> 1:04:22.439
<v Speaker 2>true at once. You can love John and Jesse Becky yep,

1:04:22.520 --> 1:04:25.400
<v Speaker 2>and you could acknowledge that Jesse is problematic.

1:04:24.960 --> 1:04:25.600
<v Speaker 1>Yep, yep.

1:04:25.800 --> 1:04:30.320
<v Speaker 2>And that's in Yeah, well then this kind of in general.

1:04:32.640 --> 1:04:34.320
<v Speaker 1>He's got a good heart and he's well intentioned.

1:04:34.320 --> 1:04:35.920
<v Speaker 2>He's just got to do he's got to.

1:04:35.920 --> 1:04:37.800
<v Speaker 1>Do some some things, some work. He's got to do

1:04:37.840 --> 1:04:38.600
<v Speaker 1>some work, as we all do.

1:04:38.640 --> 1:04:40.960
<v Speaker 2>He's got to do some emotional work. Yes, yes, as

1:04:41.040 --> 1:04:41.600
<v Speaker 2>we all do.

1:04:41.720 --> 1:04:42.680
<v Speaker 1>Yeah, that's true.

1:04:42.800 --> 1:04:46.479
<v Speaker 2>Therapy wasn't as big as the Laddies, No, not, not,

1:04:46.480 --> 1:04:47.760
<v Speaker 2>not as it is now true.

1:04:47.920 --> 1:04:50.760
<v Speaker 1>And you know he had Grandpa Nick. It's just who

1:04:50.800 --> 1:04:54.080
<v Speaker 1>doesn't one to grandma? I even going to night school,

1:04:54.160 --> 1:04:57.680
<v Speaker 1>so you know, but yes, you're right what I'm saying,

1:04:57.960 --> 1:05:01.000
<v Speaker 1>this is all it's learned behavior and Jesse just has

1:05:01.040 --> 1:05:04.320
<v Speaker 1>to do someone learning and we're here for it, and fans,

1:05:04.320 --> 1:05:06.600
<v Speaker 1>we're going to take you through it, through the healing

1:05:06.680 --> 1:05:08.200
<v Speaker 1>of Jesse Katzopolis.

1:05:09.800 --> 1:05:11.439
<v Speaker 2>I hope he's come a long way.

1:05:11.680 --> 1:05:11.960
<v Speaker 1>Yeah.

1:05:12.000 --> 1:05:13.680
<v Speaker 2>As far as being a family man, we saw in

1:05:13.680 --> 1:05:15.880
<v Speaker 2>the last episode that he's you know, he's there for

1:05:15.960 --> 1:05:17.840
<v Speaker 2>the family. He likes being part of the family team.

1:05:18.040 --> 1:05:20.600
<v Speaker 2>He just needs to work on his relationships. Yeah, like

1:05:20.640 --> 1:05:24.920
<v Speaker 2>his his love love relationships. Check that uh that that.

1:05:24.760 --> 1:05:28.600
<v Speaker 1>The little misogynistic streak a little bit Yeah true.

1:05:29.080 --> 1:05:32.720
<v Speaker 2>Anyway, Wait, everywhere he looks. There's some big ones. The

1:05:33.400 --> 1:05:34.880
<v Speaker 2>one you've already one, You've already.

1:05:34.640 --> 1:05:37.640
<v Speaker 1>Mentioned, one I've mentioned, and I had a second one.

1:05:38.240 --> 1:05:40.480
<v Speaker 2>I think I probably have the same one, which is

1:05:40.520 --> 1:05:44.440
<v Speaker 2>the other everywhere you look, which is our stage manager. Yes,

1:05:44.720 --> 1:05:49.080
<v Speaker 2>which is Mark Sandrowski. Yes, he's he's in the scene,

1:05:49.200 --> 1:05:52.200
<v Speaker 2>in the scene as the as the stage manager.

1:05:52.320 --> 1:05:54.840
<v Speaker 1>Ye, as a stage manager for Wake Up San Francisco.

1:05:54.960 --> 1:05:59.840
<v Speaker 1>Mark Sandrowski, who was Dave Coolier's best friends since they

1:05:59.880 --> 1:06:02.480
<v Speaker 1>were nine years old in Michigan, who wanted to get

1:06:02.480 --> 1:06:04.360
<v Speaker 1>into the business and came out and started working on

1:06:04.400 --> 1:06:08.440
<v Speaker 1>our show, and uh, you know, had done all the

1:06:08.440 --> 1:06:10.160
<v Speaker 1>things and became a second a d and then he

1:06:10.200 --> 1:06:13.000
<v Speaker 1>came to full House and he and Dave had been friends,

1:06:13.000 --> 1:06:14.520
<v Speaker 1>but he was yeah, you see him on there, and

1:06:14.560 --> 1:06:16.720
<v Speaker 1>then that is the same Mark Sandrowski that would years

1:06:16.800 --> 1:06:19.880
<v Speaker 1>later go on to direct and win Emmys.

1:06:19.560 --> 1:06:22.840
<v Speaker 2>For The Big Bank Perry. So here he is. Yeah

1:06:22.920 --> 1:06:29.080
<v Speaker 2>again another thing he started, We started started, he started, yeah, yeah,

1:06:30.760 --> 1:06:34.400
<v Speaker 2>but no, but it was he mentioned us in his acceptance, right, yeah, exactly,

1:06:34.760 --> 1:06:35.360
<v Speaker 2>but it is. No.

1:06:35.480 --> 1:06:37.000
<v Speaker 1>It is pretty cool to see though, you know, we

1:06:37.160 --> 1:06:39.880
<v Speaker 1>and and Mark would have been the he was the second, right,

1:06:39.920 --> 1:06:40.840
<v Speaker 1>he was our second.

1:06:40.560 --> 1:06:43.640
<v Speaker 2>Ad, yeah, because he so, Keith was our was our.

1:06:43.520 --> 1:06:47.440
<v Speaker 1>First and back in the earlier seasons we would I

1:06:47.480 --> 1:06:50.200
<v Speaker 1>saw Keith one or two times. But oh yeah, you know,

1:06:50.280 --> 1:06:52.680
<v Speaker 1>now the show has gotten slightly bigger, and now we

1:06:52.760 --> 1:06:55.280
<v Speaker 1>need we can't have Keith, you know, messing about. We

1:06:55.320 --> 1:06:58.360
<v Speaker 1>need him actually doing his job. Yeah, we all hands

1:06:58.360 --> 1:06:58.919
<v Speaker 1>on deck. Yeah.

1:06:58.960 --> 1:07:03.320
<v Speaker 2>Now for all these extras in the scenes in and then,

1:07:03.400 --> 1:07:07.360
<v Speaker 2>and Loretta, John's mom is actually the one combing Todd

1:07:07.400 --> 1:07:10.280
<v Speaker 2>Master's hair. Yeah, yeah, she's coman's hair, doing a touch up. Yeah.

1:07:10.320 --> 1:07:13.440
<v Speaker 2>So I was just like, I didn't register when Danny says, oh,

1:07:13.480 --> 1:07:15.680
<v Speaker 2>Loretta's doing my makeup or whatever. It didn't occur to

1:07:15.760 --> 1:07:18.320
<v Speaker 2>me that Loretta is actually in the scene. I wonder

1:07:18.400 --> 1:07:19.200
<v Speaker 2>touching up makeup.

1:07:19.320 --> 1:07:24.040
<v Speaker 1>Now. I wonder if guy that played Todd Masters, since

1:07:24.040 --> 1:07:26.439
<v Speaker 1>he was from General Hospital, like you said, if John

1:07:26.480 --> 1:07:27.160
<v Speaker 1>and him knew each other.

1:07:27.160 --> 1:07:28.600
<v Speaker 2>I wonder if Loretta had met him before.

1:07:29.320 --> 1:07:30.640
<v Speaker 1>Oh you know what I mean. I wonder if that

1:07:30.720 --> 1:07:34.600
<v Speaker 1>was kind of a fun little like a little ha ha, yeah, that.

1:07:34.520 --> 1:07:37.200
<v Speaker 2>She knew him as well. Maybe that's true because she's

1:07:37.240 --> 1:07:40.520
<v Speaker 2>not touching up Danny and she's not touching up Becky

1:07:40.680 --> 1:07:43.120
<v Speaker 2>or Jesse for that matter. So yeah, they probably knew

1:07:43.160 --> 1:07:43.440
<v Speaker 2>each other.

1:07:43.520 --> 1:07:44.680
<v Speaker 1>Yeah, I don't. I mean, I don't think we. I

1:07:44.720 --> 1:07:46.720
<v Speaker 1>just don't think we see it. But I do wonder

1:07:46.760 --> 1:07:50.400
<v Speaker 1>if you know, because of the general hospital connection.

1:07:50.120 --> 1:07:52.480
<v Speaker 2>They will be met before I'm gonna go with yes,

1:07:52.520 --> 1:07:55.360
<v Speaker 2>I'm gonna say yes. I'm gonna say yes too. Well,

1:07:56.200 --> 1:07:59.080
<v Speaker 2>delicious everywhere he looks, I love. Yeah, they were great

1:07:59.160 --> 1:08:03.640
<v Speaker 2>every everywhere you books were people that we know in

1:08:03.680 --> 1:08:07.479
<v Speaker 2>this in this one, although not in the in.

1:08:07.440 --> 1:08:11.960
<v Speaker 1>The the the casino I didn't see, and in the audience,

1:08:12.160 --> 1:08:15.480
<v Speaker 1>although again, I feel like I feel like somehow some

1:08:15.560 --> 1:08:18.880
<v Speaker 1>of those, like the older women, were somehow attached to

1:08:18.920 --> 1:08:21.479
<v Speaker 1>somebody's family. And I don't know who or what, but

1:08:22.160 --> 1:08:23.759
<v Speaker 1>I feel like it has to be. Yeah.

1:08:23.800 --> 1:08:26.240
<v Speaker 2>Anyway, anytime an extra gets a close.

1:08:26.080 --> 1:08:28.479
<v Speaker 1>Up or right right, or is like a bit to do,

1:08:28.880 --> 1:08:33.160
<v Speaker 1>it's usually it's somebody who's Yeah, who was that person really? Anyway?

1:08:33.600 --> 1:08:39.360
<v Speaker 1>Oh I am, I'm I'm full of thoughts and I'm

1:08:39.600 --> 1:08:43.320
<v Speaker 1>on tenter hooks waiting for the next for the next episode,

1:08:43.320 --> 1:08:47.280
<v Speaker 1>which is the final episode of season two.

1:08:48.080 --> 1:08:51.040
<v Speaker 2>How how have we already gotten to this? We have

1:08:51.200 --> 1:08:56.320
<v Speaker 2>made it through two seasons of the show. A wow, wow,

1:08:56.360 --> 1:08:59.679
<v Speaker 2>and we're still We're still standing. People are still listening

1:08:59.680 --> 1:09:01.120
<v Speaker 2>to us. This is great.

1:09:01.280 --> 1:09:02.559
<v Speaker 1>I mean it's great.

1:09:02.640 --> 1:09:05.040
<v Speaker 2>I'm loving this. I'm having such a good time with you, Like,

1:09:05.040 --> 1:09:07.320
<v Speaker 2>oh my gosh, it's so much fun, even more fun

1:09:07.360 --> 1:09:11.559
<v Speaker 2>than I expected. Like it's so satisfying, awarding, and I

1:09:11.560 --> 1:09:12.800
<v Speaker 2>get to see you regularly.

1:09:13.080 --> 1:09:15.080
<v Speaker 1>It's so nice they get to see you bat in

1:09:15.080 --> 1:09:18.719
<v Speaker 1>my week, laugh and and have more fun bits with

1:09:18.720 --> 1:09:22.040
<v Speaker 1>with my favorite ab. I just love it. But yeah,

1:09:22.120 --> 1:09:25.080
<v Speaker 1>next next episode, Season two, episode twenty two, Lucky a

1:09:25.160 --> 1:09:28.280
<v Speaker 1>Lady Part two. Mmm, here we come.

1:09:28.680 --> 1:09:29.760
<v Speaker 2>I'm excited. I can't wait.

1:09:29.880 --> 1:09:32.720
<v Speaker 1>End of second season. Wait, it's almost here and then

1:09:32.760 --> 1:09:37.040
<v Speaker 1>Monto Moore to see what could possibly happen next?

1:09:37.640 --> 1:09:38.479
<v Speaker 2>How do they top this?

1:09:38.720 --> 1:09:38.880
<v Speaker 1>Right?

1:09:39.120 --> 1:09:40.000
<v Speaker 2>Why do they welp this?

1:09:40.920 --> 1:09:42.960
<v Speaker 1>I have no idea, but I bet the I bet

1:09:43.000 --> 1:09:45.040
<v Speaker 1>the fan ritos do because they've probably watched all of

1:09:45.040 --> 1:09:49.479
<v Speaker 1>this many, many many times, multiple times through they excited heart.

1:09:52.000 --> 1:09:54.479
<v Speaker 1>But thank you everyone to joining us for another fun

1:09:54.520 --> 1:09:56.760
<v Speaker 1>episode of How Rude Tannerito's.

1:09:56.800 --> 1:09:58.839
<v Speaker 2>We really appreciate you guys. Keep being here and listening.

1:09:59.120 --> 1:10:01.280
<v Speaker 1>If you want to check ust out on Instagram, send

1:10:01.360 --> 1:10:03.760
<v Speaker 1>us d MS, or follow the page. You can find

1:10:03.840 --> 1:10:06.559
<v Speaker 1>us at how Rude Podcast. You can also send us

1:10:06.880 --> 1:10:11.640
<v Speaker 1>emails at how ud podcast at gmail dot com. You

1:10:11.680 --> 1:10:14.559
<v Speaker 1>can also make sure you're liking and subscribing to the

1:10:14.560 --> 1:10:16.640
<v Speaker 1>podcast wherever you're listening so that you can get all

1:10:16.680 --> 1:10:19.479
<v Speaker 1>of the newest episodes as soon as they're released, and

1:10:19.560 --> 1:10:22.000
<v Speaker 1>make sure to you know, like it, and you know

1:10:22.040 --> 1:10:24.720
<v Speaker 1>give it a rating and leave comments.

1:10:24.320 --> 1:10:24.640
<v Speaker 2>And all that.

1:10:24.680 --> 1:10:26.760
<v Speaker 1>We love hearing what you guys have to say and

1:10:27.160 --> 1:10:29.760
<v Speaker 1>all the things that you send us. So we will

1:10:29.760 --> 1:10:34.160
<v Speaker 1>see you for the next episode, the final episode season two.

1:10:34.840 --> 1:10:39.519
<v Speaker 1>But in the meantime, remember everybody, the world is small,

1:10:40.280 --> 1:10:41.000
<v Speaker 1>the house is full.

1:10:41.360 --> 1:10:44.559
<v Speaker 2>The hesitation helps help you, Like, I have a minute

1:10:44.800 --> 1:10:48.639
<v Speaker 2>because I had to quickly run through them head Well done,

1:10:48.840 --> 1:10:49.519
<v Speaker 2>well done, sweet