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Speaker 1: Hello, I feel like my voice is warmed up a

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Speaker 1: little Andrea Barber. Yeah, I still got to push a

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Speaker 1: little bit on them. Yeah, yeah, sorry, that's okay, that's okay.

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Speaker 1: You know we sound great. That for the first episode

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Speaker 1: warmed my voice up a little bit, though, I definitely

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Speaker 1: did feel a little bit a little bit.

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Speaker 2: Yeah, it was like a vocal warm up, like an

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Speaker 2: hour long, an hour long vocal warm up. Yeah, yeah,

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Speaker 2: I have an update. I have an update, because update

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Speaker 2: regarding what regarding the how we Know Bye Bye episode,

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Speaker 2: which I know, I know they don't want to talk

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Speaker 2: about it ever again. Yes, so that episode just aired

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Speaker 2: a few days ago, and so we we had asked

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Speaker 2: in that episode, how many times did Michelle say Howie?

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Speaker 1: Oh my god?

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Speaker 2: Yes, and our fans have counted, Our fans have counted.

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Speaker 2: Wait wait, wait, wait, wait, wait what I want to guess?

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Speaker 2: Oh yeah, okay, yeah, yeah, I already know, so I can't.

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Speaker 1: Yeah, you want you to guess, I'm gonna say like

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Speaker 1: I want to say, like seventy something, but that feels excessive.

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Speaker 2: Wait wait, wait, don't try to read my face.

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Speaker 1: You just looked at you, you glanced and you were like, well,

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Speaker 1: I'm shutting, and the look that I saw on your

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Speaker 1: face sort of said like, I mean, it could be,

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Speaker 1: but you might actually be right.

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Speaker 2: I'm gonna say sixty three. No, No, you're You're totally

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Speaker 2: trying to read my expression and I'm trying to be

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Speaker 2: stone faced, poker faced.

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Speaker 1: Okay, okay, I'm final answer, final answer, fifty seven. No,

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Speaker 1: but you're close, damn it?

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Speaker 2: What Okay?

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Speaker 1: So wait, wait, wait wait is it prices price, prices right,

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Speaker 1: rules closest but not over.

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Speaker 2: You went over. You went over, sorry, but not by much,

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Speaker 2: not by too much. Really, Yeah, So thank you to

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Speaker 2: at Denny underscore nine point one.

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Speaker 1: Okay for the answer, Okay.

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Speaker 2: Forty eight times forty forty eight times eight and that's

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Speaker 2: just Michelle. Oh see, I.

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Speaker 1: Was I was thinking I was counting.

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Speaker 2: Whole the entire show, which was why my first thing

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Speaker 2: was seventy. But just Michelle says it, that's probably closer.

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Speaker 2: It just Michelle says, Howie, really.

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Speaker 1: Eight lines in the whole damn episode.

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Speaker 2: My god, that's excessive. That is excessive.

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Speaker 1: Yeah, I can't.

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Speaker 2: Yeah, it's I'm impressed. That is dedication. Thank you, thank you.

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Speaker 1: Eight times Michelle alone.

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Speaker 2: Yeah, wow, that is how that's why it's stuck in

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Speaker 2: her head. Maybe that's why we yeah, we didn't love

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Speaker 2: the episode, and that the fans were like split, like

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Speaker 2: they either loved the episode or they hated it.

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Speaker 1: Well, I feel like the Michelle crowd was probably like,

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Speaker 1: we loved it because because Michelle.

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Speaker 2: They loved it. They were like, oh, we disagree with

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Speaker 2: your great up road.

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Speaker 1: That's okay, Yeah, it's okay to have a different range

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Speaker 1: of the toddler, all of the whole thing.

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Speaker 2: But then oh yeah, they thought it was so sweet.

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Speaker 2: And then there's those of us that are like, God,

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Speaker 2: turn the TV off, like we never want to see

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Speaker 2: this episode again. Yeah, it was. It was a lot.

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Speaker 1: And now that I know that we heard Michelle alone

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Speaker 1: say howie forty eight times, I know exactly why. That's

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Speaker 1: too many times.

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Speaker 2: Yeah we didn't need it's too many times. That's too

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Speaker 2: many lines for a two year old. Also, forty too

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Speaker 2: many lines? Yeah yeah, yeah, how was it? Just in

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Speaker 2: that that crib scene she says how we know bye bye,

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Speaker 2: like at least ten times just in that right?

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Speaker 1: All right, Well, thank you. Date.

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Speaker 2: So people keep keep answering our question, please do read

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Speaker 2: they do read them.

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Speaker 1: We're fascinated. Uh and I yeah, I knew it was excited,

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Speaker 1: knew it was accessible.

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Speaker 2: I'll try to make a concerted effort to write it

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Speaker 2: down and talk.

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Speaker 1: Anything over fifteen is excessive. Forty eight times.

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Speaker 2: Forty eight is just that's a that's a crime.

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Speaker 1: Yeah, she should get a restraining order filed against her

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Speaker 1: just for saying his name that many times in one

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Speaker 1: twenty two minute episode of television.

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Speaker 2: They should write it into the child labor laws that

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Speaker 2: two year olds aren't allowed to say Howie forty eight times?

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Speaker 2: You got twelve, that's.

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Speaker 1: Yeah, and those twelve times can't be in one scene.

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Speaker 2: No, no, you have spread it out through through the

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Speaker 2: twenty two minutes. Yes, yes, that's true.

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Speaker 1: All right, Well, so thank you, thank you for the

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Speaker 1: Howie updates.

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Speaker 2: Although I feel like at this point we've said it more.

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Speaker 1: We've said the name more times in the first five

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Speaker 1: minutes of this show than we did the whole time

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Speaker 1: on nine episodes.

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Speaker 2: Yeah, I'm getting triggered.

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Speaker 1: I am, I am you know what. Yeah, I'm missing Howie.

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Speaker 2: No, no, no, you're not.

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Speaker 1: We'll always talk about him, you know. I need to

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Speaker 1: feel like I need to see him. Where is he

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Speaker 1: or her? They where are they? They? Yeah? Yeah, he

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Speaker 1: comes back?

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Speaker 2: How he comes back for the wedding, So we can

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Speaker 2: just reserve our judgment for got it that whenever whatever

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Speaker 2: season the wedding is, it's next season three four. I don't,

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Speaker 2: I don't. I have no clue, Like if well, I

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Speaker 2: would not be able to tell you what seas episode

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Speaker 2: we have it to be continued. So is this our

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Speaker 2: first two parter? This is our second? This is our second.

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Speaker 2: We had one in season one where Jesse is like,

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Speaker 2: I gotta move kids kids. That was a t to

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Speaker 2: be continued, and this is our this is the only

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Speaker 2: one of season two.

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Speaker 1: I believe. Wait, wasn't the wasn't the one was the

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Speaker 1: one where he was going to move out like the

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Speaker 1: last two episodes of the season or No, Now that was.

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Speaker 2: Early and we talked about that. That was no, but

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Speaker 2: it was it was like the penultimate.

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Speaker 1: That's what I'm saying. This is the penultimate. Also, so

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Speaker 1: the last two seasons ended, So each season has ended

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Speaker 1: so far with a two parter because we only have

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Speaker 1: one more episode out.

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Speaker 2: I thought episode I thought season one we said that

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Speaker 2: the two parter should have been the ending, but then

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Speaker 2: we had the Kirk Cameron episode, just one of the guys,

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Speaker 2: which didn't feel like a season a season closer.

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Speaker 1: That was the season end, I think probably because it

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Speaker 1: was so probably though, because at the time it was

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Speaker 1: so big.

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Speaker 2: It was a big get to get him, that's true.

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Speaker 1: So it was probably that was probably why it was

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Speaker 1: the season ender, you know what I mean.

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Speaker 2: At the time, it would have been a big like

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Speaker 2: a big deal. It was May sweeps, right, but that

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Speaker 2: sweeps used to be a thing back in the day

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Speaker 2: where in November, Yeah, November and May, that's when everybody

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Speaker 2: puts their best episodes on TV to try to get

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Speaker 2: the best ratings. Yeah, that was probably I think success. Okay,

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Speaker 2: so that's probably.

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Speaker 1: Why it ended on that. Maybe maybe it was gonna

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Speaker 1: be the two part episode that we ended on, but

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Speaker 1: they were like, no, we'll get better ratings, let's add it. Yeah, well,

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Speaker 1: whatever it was, We're in another two parter and I

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Speaker 1: have a lot of thoughts on this first part.

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Speaker 2: This is so good, Like, this is such a good

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Speaker 2: episode that I don't think I've ever seen and I

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Speaker 2: was like, what where has this episode been my whole life?

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Speaker 2: This was Oh my god, it you don't Oh, that's true.

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Speaker 2: Because you wait, I wasn't in it.

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Speaker 1: No, you weren't in it, and I all I remember

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Speaker 1: is the fabulous like.

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Speaker 2: Great years. Yeah. Yeah, we would repeat that line for

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Speaker 2: the rest of the series. How can you not It's

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Speaker 2: so catchy. Okay, anyways, let me officially start this podcast. Hello,

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Speaker 2: and welcome back to How Rude Tanneritos. I'm Andrea Barber

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Speaker 2: and I'm Jody Sweeten. Today we're discussing season two, episode

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Speaker 2: twenty one, the penultimate episode of season two, titled Luck

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Speaker 2: Be a Lady Pardon one. Obviously, this is referring to

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Speaker 2: the classic Frank Sinatra song of the same name.

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Speaker 1: That's the guy. It's from Guys and Dolls.

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Speaker 2: Yeah, and Guys and Dolls too true. This originally aired

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Speaker 2: April twenty eighth, nineteen eighty nine, and it goes almost

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Speaker 2: almost to the day. Yeah, almost thirty five years to

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Speaker 2: the day. Yes, today's April twenty fifth.

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Speaker 1: Yeah. Wow.

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Speaker 2: Oh that's cool, right, what a coincidence? Uh? And it

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Speaker 2: goes a little something like this. Danny and Becky have

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Speaker 2: their morning talk show live for the first time at

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Speaker 2: a casino hotel in Lake Tahoe. Jesse's dreams of Romantic

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Speaker 2: moments with Becky are threatened by a film star and

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Speaker 2: Joey and the girls turned to gambling.

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Speaker 1: Wow, that's passed him first of all. That sounds dark.

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Speaker 1: Joey and the girls turned to gambling like they're desperate, right, Yeah,

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Speaker 1: Becky's getting threatened by a film star and Joey and

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Speaker 1: the girls are turning to gambling. Right, Because you know,

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Speaker 1: a lot of things happen in Lake Tahoe.

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Speaker 2: This is it's it's very ominous. But they packed a

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Speaker 2: lot into these twenty two minutes. No wonder, it's a

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Speaker 2: two parter.

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Speaker 1: They're up in Tahoe. You know who we last Tahoe?

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Speaker 1: Oh no, the bullets, the ripper with the ratail, but no.

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Speaker 2: Living ratl Sorry, I got excited. Okay, he should have

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Speaker 2: made a cameo in this appearance in this in this episode.

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Speaker 1: Well he's maybe he turned to gambling. He was kicked

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Speaker 1: out of the band. Okay.

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Speaker 2: Anyways, we love a ripper with the rat tail. Anyways,

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Speaker 2: back to like, we're sorry, guys, we are very unhinged today.

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Speaker 2: Just buckle up. This was directed by Billy Fastaff Coffee

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Speaker 2: Coffee Coffee, and it was written by a lot of people.

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Speaker 2: The story was by Rob Dames and Bill Frasier, and

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Speaker 2: the teleplay was by Dennis Frinstler and Mark Warren.

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Speaker 1: Got it.

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Speaker 2: So all these writing teams are getting credits right on

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Speaker 2: the same time.

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Speaker 1: Well because the story is like the idea right, but

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Speaker 1: the teleplay actually right words and that. Yeah. Yeah.

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Speaker 2: So Robin Bill say, hey, let's do an episode in

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Speaker 2: like Tahoe at a casino hotel, and Dennis and Mark

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Speaker 2: were like, we'll write the dialogue. Yeah, got it. We

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Speaker 2: have some fabulous guest stars this week at the Yes,

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Speaker 2: we have Lewis Avolos as the fabulous mister Santana. This

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Speaker 2: guy is a legend. Yeah. He is best known for

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Speaker 2: doing six hundred and fifty episodes of The Electric Company

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Speaker 2: that I Yes, loved The Electric Company. Of course you did,

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Speaker 2: of course you did.

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Speaker 1: Yes.

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Speaker 2: This guy is just he's everywhere, He's everywhere you look.

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Speaker 2: He did guest appearances on Benson Fresno, You Again, hanging

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Speaker 2: with mister Cooper Like You Again show, wasn't that Oh?

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Speaker 2: So I wonder if what if they knew each other.

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Speaker 2: I wonder if John brought up I don't know if

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Speaker 2: this guy is just he's so good, he's so perfectly

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Speaker 2: cast in this role. Great, oh man, I just can't

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Speaker 2: sing his praises enough. And then we have Steve Bond

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Speaker 2: as Todd Masters.

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Speaker 1: Steve, Steve Bond, Steve Bond.

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Speaker 2: He's best known as Jimmy Lee Holt in General Hospital,

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Speaker 2: so one of John brought him.

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Speaker 1: Over from Little h crossover action here. Yeah. Yeah.

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Speaker 2: He was also Mac Blake in Santa Barbara, So this

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Speaker 2: is a soap guy. He's a soap star. And last,

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Speaker 2: but certainly not least, we have Sandra Wilde as waitress,

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Speaker 2: no name, just waitress. Yeah. She did guest appearances on Walker,

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Speaker 2: Texas Ranger and Star Trek Deep Space nine. And then

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Speaker 2: she has a lot of credits in movies like California,

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Speaker 2: Hot Wax, Body Waves, and Inside Out for so, just

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Speaker 2: make of that what you will. I will not editorialize.

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Speaker 1: I have questions as to the first three Inside Outs.

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Speaker 2: How much Morgan there be put inside?

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Speaker 1: Yeah?

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Speaker 2: Though there's what is it?

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Speaker 1: All I'm picturing is it's like those little laparoscopic cameras.

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Speaker 1: A sorry, okay, I'm sorry, we have to we have to.

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Speaker 1: Oh god, we have to do a show. Okay, you're

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Speaker 1: so distracted. Now, you're so distracted. Right, put her out

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Speaker 1: of your mind. Put her out of your mind until

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Speaker 1: she comes up in that scene. Okay, but it makes

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Speaker 1: sense once you see that, once you see then it's.

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Speaker 2: All it all makes sense. Yes, good for great Okay, No,

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Speaker 2: no disrespect at all. It's just's very talented things that

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Speaker 2: this is what we do. No one is safe. This

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Speaker 2: is what we do, No one is safe. We open

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Speaker 2: our teaser. In the kitchen, Danny has just prepared lunch

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Speaker 2: for Michelle, but when he walks over to place it

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Speaker 2: on the table, she isn't at her seat. She walks

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Speaker 2: in from around the corner on all fours, barking like

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Speaker 2: a dog. Danny smiles and crouches down to greet her.

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Speaker 1: What have we here?

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Speaker 2: She tells, I'm a doggie, and then she instructs Danny

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Speaker 2: daddy be a doggie. He agrees, and he gets on

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Speaker 2: his hands and knees and starts barking. Oh my gosh,

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Speaker 2: Bob is such a good sport in this. It was

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Speaker 2: so cute though, and it was like it was also very.

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Speaker 1: Indicative of like the way he would play with his kids,

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Speaker 1: you know what I mean?

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Speaker 2: Like that Bob was he was very much like he

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Speaker 2: was a very hands on dad, and it's very evident

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Speaker 2: in this teaser. So Michelle pats his head and says,

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Speaker 2: nice doggie. She throws a carrot out in the distance

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Speaker 2: and orders him to go get it. He tells her,

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Speaker 2: all right, but I'm not sleeping outside tonight, and while

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Speaker 2: Danny Will still in character, gets the carrot and brings

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Speaker 2: it back to Michelle, and this game continues through the

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Speaker 2: end of the teaser.

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Speaker 1: They I love Ashley, Mary Kate used to love pretending

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Speaker 1: to be doggies and oh yeah, they were at a

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Speaker 1: stage and I seem to remember I seem to remember

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Speaker 1: h Fox and Dashels sort of going through it too.

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Speaker 1: Oh yeah, where you would hold them and my even

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Speaker 1: my kids were they and they'd want to like the

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Speaker 1: side of your face. They find that Evan, You're like stop, like, yeah,

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Speaker 1: it's a very toddler thing to do, but they, yeah,

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Speaker 1: it's very like all right, well, let's right it into

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Speaker 1: the show.

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Speaker 2: And we're not Evento the Comet years yet, like this

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Speaker 2: is pre Comet and they were still very into dogs.

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Speaker 2: Uh So in Michelle's room, Danny holds up two dresses

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Speaker 2: and asks which one Michelle wants to take on their

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Speaker 2: trip to Lake Tahoe. Michelle points to both and says

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Speaker 2: that one Danny looks discouraged. Oh yeah, I'm looking forward

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Speaker 2: to those shopping years. And Michelle is sporting what becomes

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Speaker 2: her signature ponytail, the little the little.

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Speaker 1: Poof on top tree on top of the head.

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Speaker 2: Oh yeah, that that she She wore that style for many,

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Speaker 2: many years. Jesse walks in with Joey and he's carrying

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Speaker 2: a suitcase. He flings it on the ground and says

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Speaker 2: this will be big enough for Michelle. Michelle says, okay,

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Speaker 2: Jesse and sits in the suitcase. I guess she calls

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Speaker 2: him Jesse too.

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Speaker 1: Not for Jesse.

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Speaker 2: Jesse to everyone they won't be seeing much of him

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Speaker 2: this weekend, as he is going to spend every moment

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Speaker 2: with Becky. Danny reminds him this is a work trip

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Speaker 2: and it's their first show on location. Danny continues, if

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Speaker 2: this goes well, I might get more free vacations. Jesse admits,

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Speaker 2: I just hope she can keep her mind on her work,

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Speaker 2: because this weekend, I'm gonna tell Becky those three little

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Speaker 2: words that every woman wants to hear. Joey puts his

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Speaker 2: hand on his chest, Honey, I'm wrong. Yes, Jesse smirks

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Speaker 2: that those are the two weeks. Yes, I've read three words.

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Speaker 2: Joey has it right yet, Yes, that is more meaningful

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Speaker 2: than any other three word phrase. Jesse Smirkson says, I

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Speaker 2: love you, and Joey gasps, I am so touched, and

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Speaker 2: they both break out in laughter, which felt like real.

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Speaker 1: This looked was a genuine yea, a genuine one was

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Speaker 1: happening before that moment, but that was that was an

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Speaker 1: actual laugh between the two of them.

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Speaker 2: That was a real laugh, not a sitcom laugh. Danny

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Speaker 2: walks over in points out that Jesse and Becky have

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Speaker 2: been going out for a long time. You haven't told

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Speaker 2: her I love you yet. Jesse sighs. Oh, you know

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Speaker 2: how Becky is. She likes to take things slow, and

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Speaker 2: I didn't want to scare her off. But guys, I

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Speaker 2: am crazy about this girl, and I can't keep my

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Speaker 2: feelings in any longer. I'm gonna take her in my arms.

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Speaker 2: I'm gonna passionately look into her eyes and say right. Then,

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Speaker 2: Becky comes up from behind him and puts a hand

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Speaker 2: on his shoulder. Jesse nervously finishes his sentence, Hi is

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Speaker 2: the cab here yet, and she chuckles, telling them they

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Speaker 2: gotta go. Everyone scurries out of the room, with just

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Speaker 2: Becky standing in the doorway. Michelle pops out of her

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Speaker 2: crib and shouts, don't forget me. Becky shouts down the hall, guys,

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Speaker 2: I think you forgot something. Jesse comes racing into the room,

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Speaker 2: wondering what was left. His tone immediately switches to a

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Speaker 2: baby voice and says, oh, Michelle, I'm sorry. I didn't

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Speaker 2: mean to forget you, and Michelle says, I'm not mad.

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Speaker 2: That was so cute. That was a very cute, sweet

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Speaker 2: little moment. Becky chimes in, Jess, I am so excited

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Speaker 2: about this trip. Jesse agrees and adds, Rebecca, this is

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Speaker 2: going to be a trip that you will never and

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Speaker 2: I mean never forget. Becky's face fills with joy. Tell

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Speaker 2: me about it. She says, Todd Masters is going to

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Speaker 2: be on our show. He is the biggest movie star

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Speaker 2: I've ever interviewed.

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Speaker 1: What a hunk.

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Speaker 2: She walks out of the room and Jesse mocks her,

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Speaker 2: what a hunk. I love that because she's like, but anyway, yeah,

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Speaker 2: she's kind of keeping him at arm's length, and you know,

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Speaker 2: I appreciate that Jesse kind of needs. We cut to

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Speaker 2: some generic stock footage of Lake Tahoe to set the scene.

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Speaker 1: Some very fuzzy stock footage.

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Speaker 2: It's very fuzzy and it's it looks like it was. Yeah,

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Speaker 2: we didn't have drones back then, so I'm sure somebody

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Speaker 2: was like leaning out of a plane or a helicopter

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Speaker 2: taking it was whatever you could find in the vault.

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Speaker 1: I don't know. Give me some pictures of some trees

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Speaker 1: around like Tahoe. Yeah, something with a lake in the background.

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Speaker 2: Right, right, So we are in Stephan DJ's hotel room.

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Speaker 2: A bellman leads Danny and the girls into the room,

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Speaker 2: and Steph is ecstatic. They have a TV set, a dresser,

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Speaker 2: a bed, a phone, and curtains. DJ tells her to

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Speaker 2: calm down. They have all this stuff at home, but

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Speaker 2: stuph counters, yeah, but we don't have this guy, as

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Speaker 2: she gestures towards the bellman. I remember this as a

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Speaker 2: kid being so excited about a hotel room. Right, You're like,

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Speaker 2: look at all the things. Yeah, yeah, just because you're

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Speaker 2: not home, that's what's exciting.

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Speaker 1: I still walk into a hotel room and if it's

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Speaker 1: got like nice little features I'm like, oh, look at this,

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Speaker 1: it's a mini mouth wash. Yeah. I don't know, I

360
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Speaker 1: just get really excited, exciting.

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Speaker 2: You would have got to touch everything. Yeah, yeah, yeah,

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Speaker 2: I understand that. So as the bellman leaves, an eccentric

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Speaker 2: man with a mustache Waltz is in and announces welcome

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Speaker 2: to the Fabulous Ali Ababa Hotel and because you know,

365
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Speaker 2: he introduces himself as mister Santana, manager of the Fabulous

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Speaker 2: Sally Baba Hotel and Casino. Okay, what's he do you?

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Speaker 2: I don't know if you remember this, but was he

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Speaker 2: directed to deliver that line that way or did he

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Speaker 2: come did the actor bring this delivery himself and.

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Speaker 1: Make it was a choice of his because it's so

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Speaker 1: I think it was well, I think it was written

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Speaker 1: that it's you know that he keeps saying the fabulous

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Speaker 1: Ali Baba Hotel and Casino. So I think he probably

374
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Speaker 1: read that and was like, oh, they want me to

375
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Speaker 1: like it's a thing every time he.

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Speaker 2: Says the thing. So I'm sure that was sort of.

377
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Speaker 1: Indicated in like what the joke was that he keeps

378
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Speaker 1: making a big deal out of it.

379
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Speaker 2: But he I mean the way he said it was great. Oh,

380
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Speaker 2: it's so perfect. It's so perfect it's not even annoying.

381
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Speaker 2: I love it every single time, he says it. Oh,

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Speaker 2: it's so great. So Danny shakes mister Santana's hand and

383
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Speaker 2: introduces himself. Mister Santana expresses how thrilled they are for

384
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Speaker 2: him to do his show live from the fabulous Alibaba

385
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Speaker 2: Hotel and Casino. He walks over to DJ and Sta

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Speaker 2: and tells them anything you and your fabulous family desires,

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Speaker 2: just sign your room number. It's all free. Steph can't

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Speaker 2: believe it. Everything is free. He nods his head and

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00:20:11,800 --> 00:20:14,560
Speaker 2: Steph places both of her hands on her chest to say,

390
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Speaker 2: you are the nicest man in the world. Mister Santana

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Speaker 2: reaches his hand into his pocket and gives a shiny

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Speaker 2: silver dollar to each girl. DJ, with a huge smile

393
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Speaker 2: on her face, points at mister Santana and says, dad,

394
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Speaker 2: give this man a hug. Danny doesn't move, and he

395
00:20:32,800 --> 00:20:37,359
Speaker 2: tells DJ that he doesn't believe that's entirely necessary. Mister

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00:20:37,400 --> 00:20:40,880
Speaker 2: Santana cuts him off and says, no problem. He lunges

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Speaker 2: forward and bear hugs Danny while Danny's hands remain in

398
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Speaker 2: his pocket. Wow, I was like what. I was shocked.

399
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Speaker 1: Danny feels like someone who's a hugger doesn't matter who

400
00:20:51,840 --> 00:20:55,840
Speaker 1: doesn't miss Mander, this is what we do.

401
00:20:56,000 --> 00:20:58,760
Speaker 2: Yeah, I agree, that was out of character. I agree,

402
00:21:00,160 --> 00:21:03,920
Speaker 2: mister Santana adds Yes, the love never stops here at

403
00:21:03,960 --> 00:21:11,840
Speaker 2: the and everyone chimes in the Faus Hotel and Casino. Next,

404
00:21:11,920 --> 00:21:15,240
Speaker 2: in Danny's hotel room, Danny is lying on his bed

405
00:21:15,680 --> 00:21:18,879
Speaker 2: and Michelle is next to him. He tells her, Michelle,

406
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Speaker 2: tomorrow you will be in the fabulous Ali Baba Hotel

407
00:21:22,200 --> 00:21:26,080
Speaker 2: and Casino daycare. Michelle imitates him and says.

408
00:21:26,359 --> 00:21:34,520
Speaker 3: Fla flabulous balus flabolous. Danny says it back, flabulous and

409
00:21:34,600 --> 00:21:37,199
Speaker 3: guess what. They have a TV there, So, who are

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Speaker 3: you gonna watch tomorrow at nine o'clock. Michelle giggles and

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Speaker 3: says Gill again. Danny raises an eyebrow, Gill again. Oh, Michelle,

412
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Speaker 3: aren't you.

413
00:21:45,920 --> 00:21:49,320
Speaker 2: Gonna watch Daddy's show? Michelle squirms in place and says

414
00:21:49,520 --> 00:21:53,240
Speaker 2: Gill again. Funny, Danny says to her, come on, Michelle,

415
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Speaker 2: haven't you caught on by now?

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Speaker 1: They're never getting off.

417
00:21:55,640 --> 00:21:58,840
Speaker 2: That island except for that one time, except for that

418
00:21:58,840 --> 00:22:01,800
Speaker 2: one time, except for that one time, Jesse and Joey

419
00:22:01,800 --> 00:22:04,280
Speaker 2: barge into Danny's room and Jesse shouts, all right, who

420
00:22:04,359 --> 00:22:07,119
Speaker 2: wants a good night kiss? Michelle raises her hand and

421
00:22:07,160 --> 00:22:10,000
Speaker 2: says me, me, me. Jesse and Joey each give a

422
00:22:10,040 --> 00:22:15,000
Speaker 2: slobbery kiss on either side of her cheeks. Danny tells her, okay, Michelle,

423
00:22:15,080 --> 00:22:17,639
Speaker 2: go give your sisters a kiss good night, and Joey

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00:22:17,760 --> 00:22:20,040
Speaker 2: sends her out of the room. I'm assuming these are

425
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Speaker 2: connected rooms.

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Speaker 1: Yeah, they're not just setting door, no, because they come

427
00:22:24,440 --> 00:22:27,840
Speaker 1: in from one side and you see and you see

428
00:22:27,840 --> 00:22:29,800
Speaker 1: them going and then basically what they did is just

429
00:22:29,880 --> 00:22:33,320
Speaker 1: flipped the doors for the set, okay, and so then

430
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Speaker 1: it looks like the other door is the you know

431
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Speaker 1: what I mean?

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00:22:37,680 --> 00:22:39,400
Speaker 2: Hey, yeah, yeah, yeah, that makes sense.

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Speaker 1: Okay, good.

434
00:22:40,000 --> 00:22:41,719
Speaker 2: I was like, why are they why is the toddler?

435
00:22:41,720 --> 00:22:42,760
Speaker 2: Good again?

436
00:22:43,600 --> 00:22:46,399
Speaker 1: But I'm assuming that everyone can kind of picture what

437
00:22:46,480 --> 00:22:49,200
Speaker 1: the that the you know, you entered from the hallway

438
00:22:49,280 --> 00:22:52,960
Speaker 1: on the left, and then the supposed you know, connecting

439
00:22:53,040 --> 00:22:54,959
Speaker 1: room is on the right, but then they just switched

440
00:22:54,960 --> 00:22:57,320
Speaker 1: it for the next scene. They put the connecting door

441
00:22:57,359 --> 00:23:01,439
Speaker 1: on the right and the hallway door on the you know. Anyway,

442
00:23:01,480 --> 00:23:04,240
Speaker 1: I'm not going I'm tracking, Okay, good, I was just

443
00:23:04,280 --> 00:23:05,760
Speaker 1: making sure I've been tracking.

444
00:23:05,440 --> 00:23:07,520
Speaker 2: The whole time. I'm trying to picture where they put

445
00:23:07,560 --> 00:23:09,399
Speaker 2: these sets, Like there's a lot of new sets.

446
00:23:09,880 --> 00:23:13,359
Speaker 1: I think they were usually down kind of around like

447
00:23:13,400 --> 00:23:16,520
Speaker 1: those there was like the living room and the kitchen

448
00:23:16,600 --> 00:23:18,959
Speaker 1: and the backyard set, and then it was usually like

449
00:23:19,840 --> 00:23:23,119
Speaker 1: I think there was probably the casino set kind of

450
00:23:23,160 --> 00:23:26,160
Speaker 1: took up like a corner there, and then I would

451
00:23:26,200 --> 00:23:30,399
Speaker 1: assume that the bed that the hotel room is like

452
00:23:30,520 --> 00:23:32,280
Speaker 1: next to that kind of so it's sort of like

453
00:23:32,280 --> 00:23:35,640
Speaker 1: a U shape around the like where the audience got it.

454
00:23:35,960 --> 00:23:38,800
Speaker 2: That makes sense. I didn't know if they struck the

455
00:23:38,840 --> 00:23:41,600
Speaker 2: girl's bedroom because they didn't need that set and like

456
00:23:41,680 --> 00:23:42,440
Speaker 2: built it in there.

457
00:23:42,480 --> 00:23:44,119
Speaker 1: I don't know, but you're in Jesse's room so you

458
00:23:44,160 --> 00:23:46,400
Speaker 1: see into it, and we never struck those sets. Those

459
00:23:46,400 --> 00:23:50,560
Speaker 1: were always permanent sets. Jesse's room, back the girls room,

460
00:23:50,720 --> 00:23:56,000
Speaker 1: the living room, and the kitchen were the four permanent sets,

461
00:23:56,000 --> 00:23:59,399
Speaker 1: and Michelle's room those were the like the five permanent sets,

462
00:23:59,440 --> 00:24:02,280
Speaker 1: and then anything else would be a like a like

463
00:24:02,320 --> 00:24:04,359
Speaker 1: a swing set that would not I mean not an

464
00:24:04,400 --> 00:24:05,720
Speaker 1: actual swing set, but.

465
00:24:06,240 --> 00:24:08,800
Speaker 2: That would come if swing set means in it, right, right? Yeah,

466
00:24:08,800 --> 00:24:11,720
Speaker 2: that would come not a permanent set. Hopefully people can

467
00:24:11,760 --> 00:24:14,720
Speaker 2: picture what we're talking about. Right and if you've ever

468
00:24:14,720 --> 00:24:17,080
Speaker 2: been to a fuller House taping or full house taping,

469
00:24:17,119 --> 00:24:20,439
Speaker 2: you know exactly what we're talking about. Yeah, Okay, where

470
00:24:20,480 --> 00:24:21,240
Speaker 2: did I leave off?

471
00:24:22,400 --> 00:24:22,520
Speaker 1: Oh?

472
00:24:22,600 --> 00:24:25,760
Speaker 2: Yeah, Michelle, they sent the toddler away. Joey suggests that

473
00:24:25,800 --> 00:24:27,880
Speaker 2: they go down to the showroom so they can still

474
00:24:27,920 --> 00:24:33,199
Speaker 2: catch harem bare him eighty nine? Is that like a

475
00:24:33,440 --> 00:24:33,959
Speaker 2: is that what I think?

476
00:24:34,040 --> 00:24:34,959
Speaker 1: Topless review?

477
00:24:35,440 --> 00:24:39,400
Speaker 2: Okay, I mean that's what that's like, what I guess.

478
00:24:39,960 --> 00:24:44,520
Speaker 2: And they're guys, and they're they're single. They're single, well,

479
00:24:44,560 --> 00:24:46,480
Speaker 2: Jesse's not single, but the other two arts.

480
00:24:46,480 --> 00:24:48,440
Speaker 1: Okay, I get it. Uh.

481
00:24:48,560 --> 00:24:51,199
Speaker 2: Jesse tells him he's not interested because he's spending the

482
00:24:51,240 --> 00:24:55,240
Speaker 2: evening with Becky by the lake counting stars. Danny tells

483
00:24:55,320 --> 00:24:57,040
Speaker 2: him not to count on her because she has to

484
00:24:57,040 --> 00:25:01,879
Speaker 2: prepare for their show tomorrow. Jesse challenges him and says, oh, really,

485
00:25:02,520 --> 00:25:06,159
Speaker 2: observe the power of love. He walks over to the

486
00:25:06,160 --> 00:25:10,000
Speaker 2: phone and dials Becky's room. Becky answers the phone while

487
00:25:10,000 --> 00:25:12,679
Speaker 2: she's on her bed, and Jesse asks, how does this

488
00:25:12,800 --> 00:25:17,480
Speaker 2: sound a romantic moonlit stroll by the lake. Becky says, Oh, Jess,

489
00:25:17,560 --> 00:25:21,159
Speaker 2: that sounds wonderful. Jesse pulls the phone away from his

490
00:25:21,200 --> 00:25:24,600
Speaker 2: ear and cockily repeats what she says to Danny. He

491
00:25:24,680 --> 00:25:26,359
Speaker 2: brings the phone back to his ear and tells her

492
00:25:26,400 --> 00:25:28,840
Speaker 2: he will swing by her room in ten minutes, but

493
00:25:28,880 --> 00:25:32,480
Speaker 2: Becky unfortunately tells him, Oh, Jess, I'm sorry, I just

494
00:25:32,960 --> 00:25:35,640
Speaker 2: I have to prepare my interview with Todd Masters. I'll

495
00:25:35,640 --> 00:25:39,320
Speaker 2: take a rain check. Though Jesse, on his end, pretends

496
00:25:39,320 --> 00:25:41,720
Speaker 2: that he didn't just get rejected. In order to save

497
00:25:41,800 --> 00:25:46,040
Speaker 2: face with the guys, he mumbles mm hmm. Becky tells

498
00:25:46,080 --> 00:25:48,119
Speaker 2: him they will talk about it over breakfast, and then

499
00:25:48,160 --> 00:25:51,000
Speaker 2: she says good night. Becky hangs up the phone, and

500
00:25:51,080 --> 00:25:55,640
Speaker 2: Jesse continues to speak into his phone. Actually, on second thought,

501
00:25:55,880 --> 00:25:57,560
Speaker 2: you do have a big show tomorrow, and I think

502
00:25:57,600 --> 00:25:59,240
Speaker 2: maybe it'd be best that you stay in and get

503
00:25:59,240 --> 00:26:02,240
Speaker 2: some work done. He pauses for a fake response and

504
00:26:02,280 --> 00:26:05,760
Speaker 2: then says, Hey, now, now don't argue with me, young lady.

505
00:26:05,880 --> 00:26:09,960
Speaker 2: I mean it okay. Just then Becky walks through it

506
00:26:10,240 --> 00:26:12,480
Speaker 2: walks in through the door behind Jesse as he's still

507
00:26:12,640 --> 00:26:14,359
Speaker 2: pretending to talk to her on the phone.

508
00:26:14,520 --> 00:26:17,560
Speaker 1: Yeah, yeah, throw your young lady out there. We all

509
00:26:17,560 --> 00:26:21,240
Speaker 1: know you're lying, you know, call her young lady. She

510
00:26:21,320 --> 00:26:21,719
Speaker 1: comes in.

511
00:26:21,960 --> 00:26:26,119
Speaker 2: Yes, it was great. Jesse freezes and Joey smiles slyly.

512
00:26:26,600 --> 00:26:28,840
Speaker 2: Danny hands are some papers and she walks back out.

513
00:26:29,520 --> 00:26:32,240
Speaker 2: Jesse says into the phone, who is this? Leave me alone,

514
00:26:32,440 --> 00:26:36,800
Speaker 2: and he slams the phone down. Jesse nudges Joey's shoulder

515
00:26:36,840 --> 00:26:39,680
Speaker 2: and asks to go catch the show. Joey tells him

516
00:26:39,840 --> 00:26:42,960
Speaker 2: I like this one better, and Jesse grabs him by

517
00:26:42,960 --> 00:26:44,200
Speaker 2: the ear and pulls him out the door.

518
00:26:44,520 --> 00:26:47,119
Speaker 1: H Jesse just get knocked down a peg by Becky.

519
00:26:47,400 --> 00:26:48,040
Speaker 1: Just gotta love it.

520
00:26:48,280 --> 00:26:51,080
Speaker 2: Yeah, we again see the generic stock footage of Like

521
00:26:51,119 --> 00:26:53,520
Speaker 2: Tahoe to remind us that we are still in Like Tahoe.

522
00:26:54,960 --> 00:26:56,600
Speaker 2: And now we're on the set of Wake Up San

523
00:26:56,640 --> 00:26:59,920
Speaker 2: Francisco Live from the fabulous Ali Baba Hotel and Casino.

524
00:27:00,840 --> 00:27:03,440
Speaker 2: Jesse and Joey are in the crowd. Danny's on stage

525
00:27:03,440 --> 00:27:06,040
Speaker 2: in a tuxedo with Steph and DJ. As he fixes

526
00:27:06,080 --> 00:27:09,800
Speaker 2: his bow tie, he tells the girls, Okay, Loretta is

527
00:27:09,840 --> 00:27:12,240
Speaker 2: gonna check my makeup. You girls have a seat.

528
00:27:12,280 --> 00:27:15,080
Speaker 1: And it was John's mom. It is just so cute.

529
00:27:15,080 --> 00:27:17,920
Speaker 2: I know, I know, it's so great. There's some great

530
00:27:17,960 --> 00:27:21,200
Speaker 2: cameos in this. So Stephan DJ sit down in the

531
00:27:21,320 --> 00:27:23,679
Speaker 2: chairs on stage. They pick up some note cards and

532
00:27:23,760 --> 00:27:27,800
Speaker 2: begin to mimic the hosts. DJ reads, Wake up San Francisco.

533
00:27:27,960 --> 00:27:32,120
Speaker 2: I'm Danny Tanner, and Steph says, and I'm Rebecca Rebecca Donaldson.

534
00:27:32,800 --> 00:27:36,919
Speaker 2: DJ continues, and our guests today are George Michael, Patrick Swayzee,

535
00:27:36,920 --> 00:27:41,520
Speaker 2: and Tom Cruise. Steph continues, and our two very special guests,

536
00:27:41,880 --> 00:27:44,520
Speaker 2: Ken and Barbie. This was cute.

537
00:27:44,600 --> 00:27:44,840
Speaker 1: Yeah.

538
00:27:45,640 --> 00:27:48,040
Speaker 2: Danny walks back on stage and says how cute they are,

539
00:27:48,560 --> 00:27:50,080
Speaker 2: and then he says, now get out of those chairs

540
00:27:50,080 --> 00:27:53,000
Speaker 2: before I'm out of a job. Steph says, Okay, we'll

541
00:27:53,000 --> 00:27:55,159
Speaker 2: go play those slot machines. Those look fun.

542
00:27:55,280 --> 00:27:57,520
Speaker 1: Yes see Steph's turning to gambling.

543
00:27:57,840 --> 00:28:01,920
Speaker 2: Yeah already. They walk away. Danny tells them it's against

544
00:28:02,000 --> 00:28:05,240
Speaker 2: the law to play those machines unless you're over twenty one.

545
00:28:06,160 --> 00:28:08,200
Speaker 2: He points towards the audience and directs the girls to

546
00:28:08,240 --> 00:28:10,359
Speaker 2: go sit down so they can cheer on Danny because

547
00:28:10,359 --> 00:28:14,640
Speaker 2: it's his first live audience. DJ tells him, Hey, we're

548
00:28:14,640 --> 00:28:18,320
Speaker 2: there for you, babe. Great callback, yep, to the previous episode.

549
00:28:19,400 --> 00:28:22,359
Speaker 2: All of a sudden, Becky appears and apologizes for being late.

550
00:28:22,960 --> 00:28:25,399
Speaker 2: Jesse stands up to ask her where she was because

551
00:28:25,400 --> 00:28:28,680
Speaker 2: they were supposed to have breakfast. Becky says, oh, didn't

552
00:28:28,760 --> 00:28:31,840
Speaker 2: Danny give you my message? Danny is behind Jesse and

553
00:28:31,840 --> 00:28:32,840
Speaker 2: says not yet.

554
00:28:33,280 --> 00:28:33,560
Speaker 1: Jess.

555
00:28:33,720 --> 00:28:35,919
Speaker 2: Becky can't make it. She has a breakfast meeting with

556
00:28:36,000 --> 00:28:40,240
Speaker 2: Todd Masters. Jess turns to Becky with a furrowed eyebrow

557
00:28:40,480 --> 00:28:43,520
Speaker 2: and says, how could you do this to me? Danny

558
00:28:43,560 --> 00:28:46,080
Speaker 2: starts talking, well, I've just been nervous about the show,

559
00:28:46,160 --> 00:28:50,760
Speaker 2: and Jesse cuts him off and says, not you. Becky apologizes,

560
00:28:50,880 --> 00:28:52,640
Speaker 2: but says they will have to talk about this later

561
00:28:52,680 --> 00:28:56,560
Speaker 2: because they're about to go on the air. Jesse walks

562
00:28:56,600 --> 00:28:58,680
Speaker 2: over to Joey and asks what that was all about.

563
00:28:59,280 --> 00:29:01,520
Speaker 2: Joey tells him, Man, she's just excited to meet a

564
00:29:01,560 --> 00:29:03,840
Speaker 2: movie star. I mean, suppose you could spend some time

565
00:29:03,880 --> 00:29:04,800
Speaker 2: with Michelle Pfeiffer.

566
00:29:04,840 --> 00:29:05,440
Speaker 1: What would you do?

567
00:29:06,280 --> 00:29:09,680
Speaker 2: Jesse thinks about it and smiles, and then he becomes concerned.

568
00:29:09,760 --> 00:29:13,600
Speaker 2: Becky wouldn't dare I love that? Yeah, Michelle Pfeiffer was

569
00:29:13,680 --> 00:29:14,240
Speaker 2: hot stuff.

570
00:29:14,360 --> 00:29:15,720
Speaker 1: Yeah, like in nineteen eight and nine.

571
00:29:15,800 --> 00:29:18,880
Speaker 2: Still we're still yeah, Yeah, that was Selle Fiver was

572
00:29:19,000 --> 00:29:19,600
Speaker 2: she was about one.

573
00:29:19,720 --> 00:29:20,640
Speaker 1: Yeah.

574
00:29:20,680 --> 00:29:23,480
Speaker 2: Production counts Danny and Becky in to start the show,

575
00:29:23,760 --> 00:29:26,880
Speaker 2: and Danny introduces himself and the girls cheer loudly in

576
00:29:26,920 --> 00:29:30,320
Speaker 2: the crowd. Becky welcomes the crowd to a special edition

577
00:29:30,400 --> 00:29:33,680
Speaker 2: of Wake Up San Francisco Live from the Fabulous Ali

578
00:29:33,720 --> 00:29:38,920
Speaker 2: Baba Hotel and Casino. Mister Santana shouts fabulous and hugs Jesse,

579
00:29:39,240 --> 00:29:42,880
Speaker 2: who is standing next to him. Jesse stands still in

580
00:29:42,920 --> 00:29:45,720
Speaker 2: glares at him. I love this guy. I love this

581
00:29:45,840 --> 00:29:46,560
Speaker 2: character so.

582
00:29:46,680 --> 00:29:49,760
Speaker 1: Much so he was just, yeah, fabulous. Now time I

583
00:29:49,840 --> 00:29:52,080
Speaker 1: say fabulous, that's what I'm who, I'm gonna think fabulous.

584
00:29:52,400 --> 00:29:54,640
Speaker 1: He is just he's so extra and in all the

585
00:29:54,720 --> 00:29:55,200
Speaker 1: right ways.

586
00:29:56,040 --> 00:29:58,880
Speaker 2: Becky introduces Todd Masters and he comes in through the

587
00:29:58,920 --> 00:30:03,760
Speaker 2: back already autographs. He breezes past Jesse and hands him

588
00:30:03,760 --> 00:30:06,960
Speaker 2: an autograph, and there's an audience goer that just throws

589
00:30:07,000 --> 00:30:10,480
Speaker 2: herself on right, very excited, very aggressive.

590
00:30:10,760 --> 00:30:14,800
Speaker 1: Was I'm like, who was that? Was that somebody's relative?

591
00:30:15,280 --> 00:30:17,520
Speaker 2: No? Is it just an It should have been because

592
00:30:17,560 --> 00:30:19,920
Speaker 2: she might have that little feature, but they were all

593
00:30:19,960 --> 00:30:22,080
Speaker 2: I noticed. It was an older crowd, like they're leaning

594
00:30:22,120 --> 00:30:25,080
Speaker 2: into the right right, the blue hairs are playing the

595
00:30:25,120 --> 00:30:27,960
Speaker 2: slots and stuff. So but I didn't I didn't recognize

596
00:30:28,000 --> 00:30:31,120
Speaker 2: any of the older ladies, Okay, but I feel like

597
00:30:31,160 --> 00:30:33,440
Speaker 2: it should have been somebody related.

598
00:30:33,400 --> 00:30:35,840
Speaker 1: Yeah to her, it might have been some It might

599
00:30:35,880 --> 00:30:39,120
Speaker 1: have been somebody's relative, not necessarily in the cast, but

600
00:30:39,200 --> 00:30:40,480
Speaker 1: somebody's someone.

601
00:30:40,640 --> 00:30:43,080
Speaker 2: You know, somebody someone Okay, Well.

602
00:30:42,960 --> 00:30:45,200
Speaker 1: I mean obviously it's somebody someone because they're human beings.

603
00:30:45,240 --> 00:30:49,000
Speaker 1: So someone somewhere is it has them involved in their

604
00:30:49,240 --> 00:30:49,960
Speaker 1: familial tree.

605
00:30:50,080 --> 00:30:52,360
Speaker 2: But yeah, we don't know who it is though. No,

606
00:30:54,400 --> 00:30:56,880
Speaker 2: so Todd continues onto the stage. He kind of looks

607
00:30:56,920 --> 00:30:59,520
Speaker 2: like Paul Riser, Like from the back, he sort of

608
00:30:59,560 --> 00:30:59,840
Speaker 2: looked like.

609
00:30:59,840 --> 00:31:04,080
Speaker 1: That my god, I wrote down. He looks like the

610
00:31:04,160 --> 00:31:08,200
Speaker 1: eighties version and curly haired version of is it Tillian

611
00:31:08,280 --> 00:31:10,720
Speaker 1: Murphy Killian Killing mur I can't never say his name.

612
00:31:10,680 --> 00:31:15,720
Speaker 2: Right, the dude from Oppenheimer. Oh oh yeah, oh yeah right, he.

613
00:31:15,720 --> 00:31:16,680
Speaker 1: Does look like him.

614
00:31:16,760 --> 00:31:18,400
Speaker 2: If you if you, if.

615
00:31:18,280 --> 00:31:22,040
Speaker 1: You like put the hair away, Yeah, it's the hair,

616
00:31:22,080 --> 00:31:25,680
Speaker 1: the hair distracted eyes like like kind of like wider set,

617
00:31:25,760 --> 00:31:28,400
Speaker 1: like bigger eyes. He looks he's kind of a lot

618
00:31:28,480 --> 00:31:29,120
Speaker 1: like that guy.

619
00:31:29,520 --> 00:31:33,120
Speaker 2: Yeah, he does have very standout eyes. So yeah, that's

620
00:31:33,120 --> 00:31:33,959
Speaker 2: a good comparison.

621
00:31:34,200 --> 00:31:36,440
Speaker 1: I like that. And everyone's you said his name. I know,

622
00:31:36,560 --> 00:31:39,360
Speaker 1: I'm never always afraid of if I'm saying, is it?

623
00:31:39,560 --> 00:31:43,400
Speaker 1: How is it? Sillian? Gillian, I don't know, Killian cee

624
00:31:43,440 --> 00:31:48,600
Speaker 1: I L L I A N. I'm Irish Killian Oh,

625
00:31:49,080 --> 00:31:51,280
Speaker 1: I don't know. Sometimes Irish names. You look at him

626
00:31:51,280 --> 00:31:53,440
Speaker 1: and you're like, that's not that's not how you spell

627
00:31:53,480 --> 00:31:58,680
Speaker 1: Frank pronounced c I L. Let's just call him Frank. Okay.

628
00:31:59,320 --> 00:32:02,800
Speaker 2: Todd shakes down Annie's hand and gives Becky an intimate hug.

629
00:32:03,800 --> 00:32:06,760
Speaker 2: Becky says, Ladies, I did something this morning with Todd

630
00:32:06,840 --> 00:32:12,240
Speaker 2: that every woman in America fantasizes about. The crowd cheers

631
00:32:12,320 --> 00:32:16,280
Speaker 2: and Jesse makes a disgusted face. Becky announces that they

632
00:32:16,440 --> 00:32:19,800
Speaker 2: ate breakfast together, and Todd ads, and now I know

633
00:32:19,840 --> 00:32:22,080
Speaker 2: why breakfast is the most important meal of the day,

634
00:32:22,920 --> 00:32:28,080
Speaker 2: m M, Jesse, Jess. And just like that, Jesse mimics

635
00:32:28,120 --> 00:32:30,160
Speaker 2: putting his finger down his throat like he's gagging.

636
00:32:30,240 --> 00:32:31,080
Speaker 1: Yeah.

637
00:32:31,320 --> 00:32:34,080
Speaker 2: Danny closes the introduction by saying, well, we will be

638
00:32:34,160 --> 00:32:37,080
Speaker 2: back with more of my breakfast with Todd after a

639
00:32:37,120 --> 00:32:39,720
Speaker 2: word from the people who pay for my breakfast. The

640
00:32:39,760 --> 00:32:44,440
Speaker 2: audience cheers. They cut to a commercial break, and then

641
00:32:44,480 --> 00:32:47,800
Speaker 2: we angle on the girls. An alarm bell rings, which

642
00:32:47,840 --> 00:32:51,520
Speaker 2: then sparks curiosity in the girls. They run off to

643
00:32:51,600 --> 00:32:55,680
Speaker 2: check what's going on. Jesse asks Joey, did you see

644
00:32:55,680 --> 00:32:59,360
Speaker 2: the way Becky was drooling all over Todd Masters. I'm

645
00:32:59,360 --> 00:33:01,680
Speaker 2: gonna go upstairs and joined Michelle in the daycare center

646
00:33:01,720 --> 00:33:05,280
Speaker 2: and catch the last half of Gilligan. The girls grab

647
00:33:05,360 --> 00:33:07,920
Speaker 2: Joey and lead him into the casino to show him

648
00:33:07,960 --> 00:33:10,040
Speaker 2: how some lady just won a ton of money.

649
00:33:10,120 --> 00:33:10,880
Speaker 1: Eh.

650
00:33:11,160 --> 00:33:14,600
Speaker 2: Steph adds, oh, I wish we could play joey'sys. Settled

651
00:33:14,640 --> 00:33:17,880
Speaker 2: down girls, let me tell you something about gambling. Most

652
00:33:17,880 --> 00:33:21,840
Speaker 2: of these people lose. Someone off screen faintly shouts in

653
00:33:21,880 --> 00:33:25,200
Speaker 2: the background, I won, I won, which prompts DJ to

654
00:33:25,240 --> 00:33:28,320
Speaker 2: say to Joey, I don't hear anybody screaming I lost.

655
00:33:28,480 --> 00:33:29,040
Speaker 2: I lost.

656
00:33:29,320 --> 00:33:33,320
Speaker 1: Now DJ's turning to gambling, everybody, Yes, it's containous. Here

657
00:33:33,360 --> 00:33:33,560
Speaker 1: we go.

658
00:33:34,880 --> 00:33:37,240
Speaker 2: Joey steps over the red rope, asking the girls to

659
00:33:37,320 --> 00:33:40,440
Speaker 2: watch as he teaches them how stupid it is to gamble.

660
00:33:41,080 --> 00:33:43,280
Speaker 2: He slips a coin into the slot machine and pulls

661
00:33:43,320 --> 00:33:47,200
Speaker 2: the lever. The alarm rings and two coins appear. Steph

662
00:33:47,320 --> 00:33:51,000
Speaker 2: jumps up and down, saying you won, you won two dollars.

663
00:33:51,840 --> 00:33:53,840
Speaker 1: This is back in the day when coins actually got

664
00:33:53,880 --> 00:33:55,680
Speaker 1: spit out of the machine and you'd hear the clanging

665
00:33:55,720 --> 00:34:00,240
Speaker 1: of it and now, oh, just a weird uh foe

666
00:34:00,560 --> 00:34:04,440
Speaker 1: clanging sound. But yeah, yeah, no, that's all like dirty money.

667
00:34:04,760 --> 00:34:07,479
Speaker 2: But that's what it was, such a sensory experience, you know,

668
00:34:07,600 --> 00:34:08,000
Speaker 2: like that.

669
00:34:09,120 --> 00:34:14,080
Speaker 1: I would imagine you, much to the casino's chagrin, spent

670
00:34:14,120 --> 00:34:15,799
Speaker 1: your money a little bit slower because you had to

671
00:34:15,840 --> 00:34:17,680
Speaker 1: put it in there and pull the thing down manually.

672
00:34:17,719 --> 00:34:19,480
Speaker 1: Now you can just push a button and your money

673
00:34:19,520 --> 00:34:21,400
Speaker 1: literally goes flying out of your wallet. Yeah.

674
00:34:21,440 --> 00:34:24,359
Speaker 2: True, true, it's not satisfying. I miss the days.

675
00:34:24,840 --> 00:34:27,799
Speaker 1: I still like to pull the thing. Yeah, because you can.

676
00:34:28,040 --> 00:34:28,640
Speaker 1: You can. Yeah.

677
00:34:28,719 --> 00:34:30,680
Speaker 2: It's like a little hit of dopamine when you pull

678
00:34:30,719 --> 00:34:33,040
Speaker 2: that left. Yeah yeah, I miss it, almost like it

679
00:34:33,040 --> 00:34:37,759
Speaker 2: could be addictive. Well what do you know? Oh so,

680
00:34:37,920 --> 00:34:42,080
Speaker 2: Jesse continues with his instructions Girl's first rule of gambling,

681
00:34:42,360 --> 00:34:45,839
Speaker 2: never be fooled by beginner's luck. He places another coin

682
00:34:45,920 --> 00:34:48,280
Speaker 2: back in the machine and pulls the lever. The alarm

683
00:34:48,400 --> 00:34:51,560
Speaker 2: sounds again and he shouts, whoa ten dollars?

684
00:34:51,680 --> 00:34:52,279
Speaker 1: All right.

685
00:34:53,120 --> 00:34:55,920
Speaker 2: The girl's cheer with excitement, and Joey says, girls, second

686
00:34:56,000 --> 00:34:59,880
Speaker 2: rule of gambling, don't quit while you're hot. He pulls

687
00:35:00,120 --> 00:35:04,760
Speaker 2: lover again and he wins again twenty dollars. The girls

688
00:35:04,800 --> 00:35:07,759
Speaker 2: are so excited. DJ says, don't stop now. If you

689
00:35:07,800 --> 00:35:11,560
Speaker 2: get four sevens you can win one hundred thousand dollars.

690
00:35:12,040 --> 00:35:14,400
Speaker 2: What well, it's a lot of money. Bag in nineteen

691
00:35:14,440 --> 00:35:16,760
Speaker 2: eighty nine. It's a lot of money now of mine now, yeah.

692
00:35:16,840 --> 00:35:17,920
Speaker 1: Yeah.

693
00:35:18,239 --> 00:35:20,560
Speaker 2: Joey pauses the fun and says he's gonna go get

694
00:35:20,600 --> 00:35:23,720
Speaker 2: a change bucket and warned them you stay here, guard

695
00:35:23,800 --> 00:35:26,839
Speaker 2: my machine with your life. If anybody goes near it,

696
00:35:26,880 --> 00:35:30,960
Speaker 2: scream because I'm hot, I'm burning, I'm wasting time. Yes,

697
00:35:32,080 --> 00:35:35,600
Speaker 2: So Joey leaves, and DJ exclaims, Oh, I can't take it.

698
00:35:35,600 --> 00:35:39,560
Speaker 2: It's driving me crazy. I gotta play that machine. Steph

699
00:35:39,600 --> 00:35:42,280
Speaker 2: reaches into her sock and pulls out her silver dollar

700
00:35:42,880 --> 00:35:46,120
Speaker 2: smart stuff, SmartMart, smart place to keep it. Yeah, She's like,

701
00:35:46,120 --> 00:35:47,719
Speaker 2: I'm going, I gotta keep my money in my sock.

702
00:35:47,800 --> 00:35:48,400
Speaker 1: Yeah, you know what I mean.

703
00:35:48,880 --> 00:35:52,680
Speaker 2: In case she hands her silver dollar to DJ to use,

704
00:35:52,719 --> 00:35:55,120
Speaker 2: and DJ says, thanks, Steph. If we win any money,

705
00:35:55,160 --> 00:35:58,040
Speaker 2: I'll split it with you. DJ then asks if the

706
00:35:58,040 --> 00:36:02,319
Speaker 2: coast is clear, and both girls scan the area. DJ

707
00:36:02,520 --> 00:36:04,919
Speaker 2: slips the silver dollar into the machine and scurries back

708
00:36:04,960 --> 00:36:08,320
Speaker 2: behind the red rope after pulling the lever. That's one seven,

709
00:36:08,960 --> 00:36:13,640
Speaker 2: two sevens, three sevens and four sevens.

710
00:36:13,800 --> 00:36:15,800
Speaker 1: They want excitement.

711
00:36:16,200 --> 00:36:19,520
Speaker 2: Didn't see that coming? Yeah, no, not at all. This

712
00:36:19,560 --> 00:36:20,160
Speaker 2: could have never.

713
00:36:20,280 --> 00:36:22,680
Speaker 1: I could have never imagined that this would have turned

714
00:36:22,680 --> 00:36:23,680
Speaker 1: into a storyline.

715
00:36:25,880 --> 00:36:25,960
Speaker 4: Uh.

716
00:36:26,000 --> 00:36:29,000
Speaker 2: The alarm rings, and Stephan DJ jump and cheer while

717
00:36:29,040 --> 00:36:30,840
Speaker 2: covering each other's mouths.

718
00:36:30,920 --> 00:36:31,560
Speaker 1: Yeah.

719
00:36:31,719 --> 00:36:34,279
Speaker 2: People slowly start to crowd around the machine to see

720
00:36:34,280 --> 00:36:37,759
Speaker 2: what's going on. Joey runs over and asks who won

721
00:36:37,960 --> 00:36:42,120
Speaker 2: his one hundred thousand dollars jackpot. DJ immediately responds I did,

722
00:36:42,480 --> 00:36:46,040
Speaker 2: and Steph adds with my silver dollar. They disregard the

723
00:36:46,040 --> 00:36:48,640
Speaker 2: red rope and stand next to Joey. DJ tells him

724
00:36:48,640 --> 00:36:51,520
Speaker 2: that they will split the jackpot three ways, and Steph

725
00:36:51,600 --> 00:36:54,279
Speaker 2: tells him to start jumping up and down. He does,

726
00:36:54,320 --> 00:36:58,440
Speaker 2: and they all chant we won, We won. There's a

727
00:36:58,480 --> 00:37:00,520
Speaker 2: quick cut to the Wake Up San Francisco set where

728
00:37:00,560 --> 00:37:04,000
Speaker 2: Danny announces that someone has just won the Big jackpot.

729
00:37:04,640 --> 00:37:06,920
Speaker 2: He stands up from his chair and grabs a microphone,

730
00:37:07,000 --> 00:37:10,000
Speaker 2: and he starts walking towards the jackpot and exclaims, boy,

731
00:37:10,239 --> 00:37:13,480
Speaker 2: this is what live television is all about. DJ runs

732
00:37:13,520 --> 00:37:15,960
Speaker 2: over to Danny and shakes him, saying, Dad, Dad, Joey

733
00:37:15,960 --> 00:37:18,920
Speaker 2: won the Big Jackpot. Danny turns to the camera and says,

734
00:37:19,080 --> 00:37:22,160
Speaker 2: you hear that, ladies and gentlemen, Joey just won. Joey

735
00:37:22,400 --> 00:37:26,480
Speaker 2: are Joey, my Joey, Oh my god. Danny freaks out

736
00:37:26,480 --> 00:37:28,439
Speaker 2: and runs over to Joey, who is jumping up and down.

737
00:37:29,000 --> 00:37:32,080
Speaker 2: The cameraman Perry is close behind, and we see this

738
00:37:32,320 --> 00:37:34,560
Speaker 2: bit next bit all from the point of view of

739
00:37:34,680 --> 00:37:37,759
Speaker 2: the camera. Danny and Joey and the girls are all

740
00:37:37,880 --> 00:37:41,400
Speaker 2: cheering and jumping. Danny asks, Joey, you have been broke

741
00:37:41,440 --> 00:37:44,000
Speaker 2: your entire life. How does it feel to win one

742
00:37:44,040 --> 00:37:48,279
Speaker 2: hundred thousand dollars? DJ answers for him, it feels unbelievable.

743
00:37:48,520 --> 00:37:50,759
Speaker 2: I mean, not that I would know personally, but this

744
00:37:50,880 --> 00:37:53,320
Speaker 2: has got to be the rattest day of Joey's life.

745
00:37:54,480 --> 00:37:57,480
Speaker 2: Steph grabs the microphone and says into the camera, I'm

746
00:37:57,520 --> 00:38:02,000
Speaker 2: going to Disneyland. What the heck buy it? Yep, just

747
00:38:02,040 --> 00:38:07,360
Speaker 2: buy in Disneyland. Low key, buy in Disneyland. Yeah, mister

748
00:38:07,400 --> 00:38:11,480
Speaker 2: Santana Rush is over saying congratulations and that everyone is

749
00:38:11,520 --> 00:38:14,600
Speaker 2: a winner. At the Fabulous Sally Baba Hotel and Casino.

750
00:38:15,360 --> 00:38:17,600
Speaker 2: They all start to jump and chant.

751
00:38:17,440 --> 00:38:23,400
Speaker 4: Yes, yes, yes, yes, this this scene like this is

752
00:38:23,480 --> 00:38:26,960
Speaker 4: just there's I remember doing this once on a deal

753
00:38:27,400 --> 00:38:30,280
Speaker 4: Oh you do, on the one of the celebrity.

754
00:38:29,920 --> 00:38:32,879
Speaker 1: Kids cris On Stale with the Stars with I think

755
00:38:32,920 --> 00:38:34,960
Speaker 1: it was like the one of the last ones. I

756
00:38:35,040 --> 00:38:39,880
Speaker 1: believe Ryder Strong was there and we all know how

757
00:38:39,920 --> 00:38:43,120
Speaker 1: much he loves Yeah, yeah it was, but no, but

758
00:38:43,160 --> 00:38:44,920
Speaker 1: we were we we put money in a thing and

759
00:38:45,000 --> 00:38:48,040
Speaker 1: then when we're like, oh crap, because it's like some

760
00:38:48,080 --> 00:38:49,880
Speaker 1: money came out and I've been but like we all

761
00:38:49,920 --> 00:38:52,880
Speaker 1: pretended that we were disinterested in somebody that was of age,

762
00:38:53,040 --> 00:38:56,080
Speaker 1: like covered for I don't know how, I don't remember

763
00:38:56,120 --> 00:38:57,200
Speaker 1: it quite, but I do remember.

764
00:38:58,040 --> 00:39:01,759
Speaker 2: I do remember this sort of happening. That's hysterical because yeah,

765
00:39:01,760 --> 00:39:03,760
Speaker 2: we were all minors, we were all under eighteen.

766
00:39:03,960 --> 00:39:05,600
Speaker 1: But you know on cruise ships you walk by and

767
00:39:05,640 --> 00:39:08,319
Speaker 1: there's like the the you know, the like at least

768
00:39:08,320 --> 00:39:10,120
Speaker 1: there used to be like you'd kind of walk out

769
00:39:10,120 --> 00:39:11,560
Speaker 1: and it was Yeah, they had like the again, like

770
00:39:11,600 --> 00:39:14,000
Speaker 1: the little velvet ropes and sort of stanchions, but like

771
00:39:14,080 --> 00:39:16,560
Speaker 1: you know, normally reach it.

772
00:39:16,680 --> 00:39:19,920
Speaker 2: And again I'm sure that you know, the video proved otherwise.

773
00:39:19,960 --> 00:39:21,799
Speaker 1: But yeah, at the time, we were like, oh my god,

774
00:39:21,800 --> 00:39:24,000
Speaker 1: we're gonna get you know, five hundred bucks or something.

775
00:39:24,680 --> 00:39:26,880
Speaker 2: I don't know, how funny. And how much did you win?

776
00:39:26,960 --> 00:39:27,720
Speaker 2: Probably like two bucks.

777
00:39:28,080 --> 00:39:29,799
Speaker 1: I have no idea, I don't even you don't even

778
00:39:29,840 --> 00:39:33,440
Speaker 1: remember what the outcome of. It was only only that

779
00:39:34,200 --> 00:39:37,239
Speaker 1: we put money in and then money was coming out,

780
00:39:37,280 --> 00:39:39,239
Speaker 1: and we were all panicked because we knew it that

781
00:39:39,280 --> 00:39:40,280
Speaker 1: we couldn't keep it.

782
00:39:40,960 --> 00:39:43,520
Speaker 2: That was it so scandalous.

783
00:39:43,600 --> 00:39:44,200
Speaker 1: Yeah.

784
00:39:44,200 --> 00:39:46,200
Speaker 2: So, back on the set of Wake Up San Francisco,

785
00:39:46,880 --> 00:39:48,919
Speaker 2: Todd is seated in the makeup chair as he gets

786
00:39:48,920 --> 00:39:52,719
Speaker 2: his hair combed. Becky is apologizing for Danny running off

787
00:39:52,760 --> 00:39:55,759
Speaker 2: the stage. Todd tells her, well, that's all right, I'm

788
00:39:55,800 --> 00:39:59,000
Speaker 2: having fun here with you. He grabs her hand and

789
00:39:59,040 --> 00:40:01,560
Speaker 2: starts to walk with her. As a matter of fact,

790
00:40:01,960 --> 00:40:06,280
Speaker 2: why don't we continue our breakfast at dinner tonight? Becky

791
00:40:06,320 --> 00:40:08,120
Speaker 2: thanks him for the invite, but says she has a

792
00:40:08,160 --> 00:40:12,239
Speaker 2: boyfriend and she is really crazy about him. Todd says

793
00:40:12,239 --> 00:40:14,480
Speaker 2: that he is a very lucky guy and then asks,

794
00:40:14,640 --> 00:40:16,840
Speaker 2: I'll tell you what, why don't I take both of

795
00:40:16,880 --> 00:40:17,640
Speaker 2: you out to dinner?

796
00:40:17,880 --> 00:40:21,719
Speaker 1: Oh nice, he's yeah, gentlemen, there you go, sir.

797
00:40:21,880 --> 00:40:25,880
Speaker 2: Yeah right, that is the way to handle rejection. Becky agrees,

798
00:40:26,040 --> 00:40:28,120
Speaker 2: and just as Todd leans in to kiss her on

799
00:40:28,160 --> 00:40:30,640
Speaker 2: the cheek, Jesse walks up, whoa, whoa, whoa, whoa, whoa?

800
00:40:30,719 --> 00:40:33,120
Speaker 2: What the hell is going on here? You're going out

801
00:40:33,120 --> 00:40:34,520
Speaker 2: to dinner with this joker?

802
00:40:34,800 --> 00:40:42,800
Speaker 1: Oh? Here we go, Nick, here goes? You know, Grandpa

803
00:40:43,719 --> 00:40:48,640
Speaker 1: Andy work with Jesse just flying into a ridiculous, jealous,

804
00:40:48,920 --> 00:40:52,359
Speaker 1: possessive rage and not listening to anyone and trying to.

805
00:40:52,719 --> 00:40:56,680
Speaker 2: Exactly yes, not listening to any sort of facts or reason,

806
00:40:56,800 --> 00:40:57,880
Speaker 2: He's just going off.

807
00:40:57,800 --> 00:40:59,840
Speaker 1: None, none at all, Becky.

808
00:41:00,239 --> 00:41:02,480
Speaker 2: Becky cannot get a word in and Jesse says, no,

809
00:41:02,600 --> 00:41:05,400
Speaker 2: I understand. Good looking guy comes into town, goes on

810
00:41:05,440 --> 00:41:07,560
Speaker 2: your show, he hits on you, and you're all over

811
00:41:07,640 --> 00:41:10,120
Speaker 2: him like a cheap suit. I mean, is this guy

812
00:41:10,160 --> 00:41:11,160
Speaker 2: really that big of a deal?

813
00:41:11,960 --> 00:41:12,320
Speaker 1: Ouch?

814
00:41:13,040 --> 00:41:16,560
Speaker 2: That's I was like, what right? Excuse? Me like he's

815
00:41:16,600 --> 00:41:20,520
Speaker 2: insulting her with this right, so exc to me, Like.

816
00:41:21,480 --> 00:41:24,319
Speaker 1: I've seen this behavior before, up close and personal, and

817
00:41:24,360 --> 00:41:25,440
Speaker 1: it is a big.

818
00:41:25,200 --> 00:41:27,359
Speaker 2: Red flag, huge red flags, I guess.

819
00:41:27,600 --> 00:41:30,560
Speaker 1: So it's funny now like seeing it though and being

820
00:41:30,560 --> 00:41:34,040
Speaker 1: on like an adult and being like, this is unacceptable behavior, Becky,

821
00:41:34,080 --> 00:41:34,959
Speaker 1: you need to not do.

822
00:41:35,400 --> 00:41:38,280
Speaker 2: Like, yeah, yeah, we're more confident now, way.

823
00:41:38,120 --> 00:41:40,239
Speaker 1: More commident and like but you know, but like even

824
00:41:40,239 --> 00:41:42,719
Speaker 1: from the beginning when he's on the phone and he says, now,

825
00:41:42,719 --> 00:41:45,799
Speaker 1: listen to me, young lady, I was like that, right,

826
00:41:45,840 --> 00:41:51,000
Speaker 1: there would be enough for me to go no, I won't. Yeah.

827
00:41:51,040 --> 00:41:53,000
Speaker 1: So now he's doing this. She can't even speak and

828
00:41:53,040 --> 00:41:55,279
Speaker 1: he's yelling at her and she's it's saying, he's she's

829
00:41:55,320 --> 00:41:56,400
Speaker 1: all over him like a cheap suit.

830
00:41:57,360 --> 00:42:01,520
Speaker 2: Yeah, we were much more. We're seasoned now and we

831
00:42:01,640 --> 00:42:04,080
Speaker 2: know and it's like, yeah, this was the one I

832
00:42:04,080 --> 00:42:05,799
Speaker 2: had some I was like this m.

833
00:42:07,760 --> 00:42:08,040
Speaker 1: M hm.

834
00:42:09,120 --> 00:42:11,959
Speaker 2: The crowd booze behind Jesse and he yells back, knock

835
00:42:12,000 --> 00:42:15,960
Speaker 2: it off. Becky tries to speak again, and Jesse cuts

836
00:42:15,960 --> 00:42:20,560
Speaker 2: her off again to say, right, how would you like

837
00:42:20,600 --> 00:42:23,040
Speaker 2: it if I hit on every incredibly gorgeous blonde that

838
00:42:23,080 --> 00:42:28,280
Speaker 2: walks by me. Bye bye. I know, I know, bye bye.

839
00:42:28,560 --> 00:42:29,080
Speaker 1: Go for it.

840
00:42:29,120 --> 00:42:33,560
Speaker 2: He excuses himself as his eyes follow a long, blondhaired

841
00:42:33,600 --> 00:42:38,200
Speaker 2: woman wearing a very revealing sparkly gold outfit. He walks

842
00:42:38,239 --> 00:42:39,960
Speaker 2: up to the woman and says, Hi, I'd like to

843
00:42:40,000 --> 00:42:43,080
Speaker 2: see you tonight. You can cook me dinner. I'll cook

844
00:42:43,120 --> 00:42:48,080
Speaker 2: you breakfast and in between, babe, we'll just cook. Is

845
00:42:48,120 --> 00:42:50,640
Speaker 2: this a common line that he used to pick up

846
00:42:51,000 --> 00:42:54,400
Speaker 2: women like this? I hope not.

847
00:42:55,320 --> 00:42:59,680
Speaker 1: But it goes about as well as planned, because uh,

848
00:42:59,760 --> 00:43:02,480
Speaker 1: yeah it does. She says, get out of my face,

849
00:43:02,520 --> 00:43:04,239
Speaker 1: you creep, and punches him in the stomach and.

850
00:43:04,280 --> 00:43:05,120
Speaker 2: I applaud it.

851
00:43:05,160 --> 00:43:08,239
Speaker 1: I was like, thank you, yeah, thank you, thank you.

852
00:43:09,160 --> 00:43:13,000
Speaker 2: That was the perfect response. Wait, well yeahn yep, yes, yep,

853
00:43:13,960 --> 00:43:14,439
Speaker 2: that's it.

854
00:43:14,760 --> 00:43:19,560
Speaker 1: No, he deserved that he did that, Yes he did. Sorry,

855
00:43:19,640 --> 00:43:21,520
Speaker 1: Uncle Jay. Not cool.

856
00:43:22,360 --> 00:43:25,240
Speaker 2: We angle on Danny, who is still live with the cameraman.

857
00:43:26,080 --> 00:43:29,120
Speaker 2: He brings the camera back to stage, where nobody is.

858
00:43:30,040 --> 00:43:32,360
Speaker 2: Becky angrily tells Jesse that they will talk about this

859
00:43:32,440 --> 00:43:35,680
Speaker 2: later before heading back on stage, but Jesse follows her

860
00:43:35,719 --> 00:43:37,879
Speaker 2: on the stage, saying they will talk about this right now.

861
00:43:38,040 --> 00:43:38,600
Speaker 1: No, we will not.

862
00:43:39,719 --> 00:43:41,360
Speaker 2: Oh, oh, dear, oh, dear, do not.

863
00:43:41,440 --> 00:43:44,160
Speaker 1: Show up at my work and make a scene. You

864
00:43:44,200 --> 00:43:44,719
Speaker 1: know what I mean.

865
00:43:44,800 --> 00:43:47,640
Speaker 2: Oh, it just gets worse. It just gets worse as

866
00:43:47,680 --> 00:43:52,320
Speaker 2: it goes on. Danny is still recording live and says,

867
00:43:52,360 --> 00:43:54,920
Speaker 2: through a forced smile, Oh, here they are. What a

868
00:43:54,920 --> 00:43:57,960
Speaker 2: pleasant surprise, my brother in law, Jesse, right in the

869
00:43:58,000 --> 00:44:01,520
Speaker 2: middle of the most important broadcast of my cur Welcome Jesse.

870
00:44:02,239 --> 00:44:02,839
Speaker 1: Read the room.

871
00:44:03,120 --> 00:44:04,879
Speaker 2: Jeez, the room.

872
00:44:05,080 --> 00:44:06,840
Speaker 1: You just got punched in the stomach. You're not in

873
00:44:06,880 --> 00:44:09,760
Speaker 1: a position to be mouth. You need to leave before

874
00:44:09,760 --> 00:44:12,520
Speaker 1: it gets more embarrassing. But you don't, And here we are.

875
00:44:12,719 --> 00:44:15,040
Speaker 1: He's digging himself a deep.

876
00:44:16,600 --> 00:44:19,440
Speaker 2: Jesse steps in front of Danny and asks Becky, how

877
00:44:19,440 --> 00:44:22,200
Speaker 2: could you do this to me? Becky asks to have

878
00:44:22,280 --> 00:44:25,920
Speaker 2: this discussion during the next commercial. Jesse says, no, we

879
00:44:25,960 --> 00:44:28,480
Speaker 2: are talking about our relationship. It is much more important

880
00:44:28,480 --> 00:44:29,839
Speaker 2: than some stupid talk show.

881
00:44:30,160 --> 00:44:36,680
Speaker 1: This is her job. Bruh again again Ben here, Ben here,

882
00:44:37,000 --> 00:44:42,080
Speaker 1: and it no no, this I'm literally legitimately like having

883
00:44:42,160 --> 00:44:45,360
Speaker 1: had situations like this happened to me. I was like

884
00:44:45,400 --> 00:44:49,120
Speaker 1: triggered by this up. I was like, God, Jesse, I

885
00:44:49,160 --> 00:44:52,400
Speaker 1: was so upset. I was so upset, Like this is

886
00:44:52,400 --> 00:44:53,799
Speaker 1: her job? This.

887
00:44:54,440 --> 00:44:57,880
Speaker 2: Respect it. Yeah, we respected the exterminator job and the

888
00:44:57,960 --> 00:44:59,600
Speaker 2: jingle writing. Respect her talking.

889
00:45:00,320 --> 00:45:05,200
Speaker 1: But I think you know, Jesse in respect is.

890
00:45:05,800 --> 00:45:08,840
Speaker 2: He can't see through his blinded How could you do this?

891
00:45:08,960 --> 00:45:12,560
Speaker 2: Do what to you? She didn't do anything because but

892
00:45:12,640 --> 00:45:14,959
Speaker 2: he won't stop. Shut up.

893
00:45:16,080 --> 00:45:19,799
Speaker 1: You just won't shut up. You make it worse. You

894
00:45:19,920 --> 00:45:24,080
Speaker 1: hit on some poor woman who's like, excuse me, I

895
00:45:24,120 --> 00:45:28,120
Speaker 1: can cook you dinner, you can go you know what? Yeah,

896
00:45:28,640 --> 00:45:30,600
Speaker 1: right off? And then she walked away. And now he's

897
00:45:30,640 --> 00:45:33,759
Speaker 1: now he's up on stage, not only ruining Becky's day,

898
00:45:33,800 --> 00:45:35,400
Speaker 1: but but Danny's too.

899
00:45:36,160 --> 00:45:38,040
Speaker 2: He's ruining everyone's day, like everyone.

900
00:45:38,680 --> 00:45:42,239
Speaker 1: He ruined my day, ruin every just ruining everybody's day.

901
00:45:43,000 --> 00:45:46,879
Speaker 2: He is Yeah, Danny says, this is my brother in law,

902
00:45:46,920 --> 00:45:50,400
Speaker 2: and I love him dearly security. Yes, thank you, Danny,

903
00:45:50,560 --> 00:45:52,680
Speaker 2: thank you. Danny knows Danny's like the only way to

904
00:45:52,680 --> 00:45:55,440
Speaker 2: get him. I'm sorry I have to do this to you.

905
00:45:56,160 --> 00:46:00,200
Speaker 2: Jesse continues to speak at Becky Todd to at not

906
00:46:00,280 --> 00:46:04,840
Speaker 2: too yet speak bey, this isn't a conversation. This is

907
00:46:04,880 --> 00:46:09,680
Speaker 2: a monologue, a ragey monologue. But Todd interrupts him to

908
00:46:09,760 --> 00:46:13,759
Speaker 2: tell him he's making a fool of himself. Listen to Todd,

909
00:46:13,880 --> 00:46:18,040
Speaker 2: Thank you Todd. Listen to Todd. But Jesse tells him,

910
00:46:18,080 --> 00:46:23,000
Speaker 2: sit down, fun boy. That I did appreciate that.

911
00:46:23,080 --> 00:46:24,600
Speaker 1: I was like, you know, I think fun Boy is

912
00:46:24,600 --> 00:46:31,320
Speaker 1: gonna be a it's a family friendly way of calling

913
00:46:31,320 --> 00:46:32,000
Speaker 1: someone another.

914
00:46:32,840 --> 00:46:38,920
Speaker 2: Oh yeah, f word. Yeah, I like it. It's a

915
00:46:39,000 --> 00:46:43,520
Speaker 2: very satisfying thing to say, Becky says Jesse. Todd is right,

916
00:46:43,560 --> 00:46:47,040
Speaker 2: you're making a really big mistake. Jesse says back, Oh,

917
00:46:47,080 --> 00:46:50,359
Speaker 2: really good. Then this is the last mistake I make

918
00:46:50,400 --> 00:46:53,799
Speaker 2: with you, because this is it. We're breaking up by.

919
00:46:54,719 --> 00:46:57,000
Speaker 2: Becky says, well, fine, then it's over.

920
00:46:57,400 --> 00:46:58,640
Speaker 1: Thank you, Becky.

921
00:46:59,520 --> 00:47:01,480
Speaker 2: Stand up yourself, Becky, don't take it.

922
00:47:01,680 --> 00:47:04,320
Speaker 1: No, don't take it. This is this is not okay.

923
00:47:04,440 --> 00:47:07,720
Speaker 1: This He is not respecting your your your the place,

924
00:47:08,400 --> 00:47:12,600
Speaker 1: your people, your job, her judgment, your ability to speak.

925
00:47:12,800 --> 00:47:16,319
Speaker 2: Yet no, I gotta say I was very upset. I'm

926
00:47:16,320 --> 00:47:18,320
Speaker 2: proud of Becky. I'm glad she didn't like begged to

927
00:47:18,320 --> 00:47:19,440
Speaker 2: get him back, she didn't like.

928
00:47:19,480 --> 00:47:21,080
Speaker 1: She's handled it very professionally.

929
00:47:22,160 --> 00:47:24,879
Speaker 2: Jesse tells her, you're looking at a freeman and right

930
00:47:24,920 --> 00:47:30,040
Speaker 2: then he gets pulled away by security. Danny gets back

931
00:47:30,120 --> 00:47:32,080
Speaker 2: to the camera and says, well, you won't see that

932
00:47:32,400 --> 00:47:34,080
Speaker 2: on Gilligan's Island.

933
00:47:35,000 --> 00:47:36,359
Speaker 1: True. Oh boy.

934
00:47:44,920 --> 00:47:47,160
Speaker 2: A little while later, as the crew cleans up the

935
00:47:47,200 --> 00:47:50,080
Speaker 2: wake Up San Francisco said, DJ and Stuff are seated

936
00:47:50,120 --> 00:47:53,319
Speaker 2: at one of the tables. DJ tells Steph with my

937
00:47:53,440 --> 00:47:55,960
Speaker 2: share of the jackpot, I'm gonna buy a ranch full

938
00:47:55,960 --> 00:47:59,400
Speaker 2: of horses and a red Corvette. Stuph tells her, I'm

939
00:47:59,400 --> 00:48:02,440
Speaker 2: gonna buy my own jet plane. That bus takes forever

940
00:48:02,520 --> 00:48:03,320
Speaker 2: to get to school.

941
00:48:03,800 --> 00:48:04,840
Speaker 1: Yeah, it's true.

942
00:48:05,520 --> 00:48:07,239
Speaker 2: I'm sure the backyard can fit a jet plane and

943
00:48:07,280 --> 00:48:08,120
Speaker 2: a runway like this.

944
00:48:08,560 --> 00:48:11,279
Speaker 1: Yeah, obviously, I mean only when it's parked there, but

945
00:48:11,400 --> 00:48:12,960
Speaker 1: it's not. We'll just shrink it up a little bit

946
00:48:13,000 --> 00:48:14,799
Speaker 1: and pull that gate in, you know what I mean?

947
00:48:16,640 --> 00:48:18,480
Speaker 1: Magic cool buy Yeah.

948
00:48:18,320 --> 00:48:22,400
Speaker 2: Of back. So Joey walks up and says, now, girls,

949
00:48:22,440 --> 00:48:24,600
Speaker 2: when mister fabulous comes in here to give me my

950
00:48:24,719 --> 00:48:27,800
Speaker 2: check for one hundred grand, just let me do the talking,

951
00:48:28,560 --> 00:48:31,920
Speaker 2: DJ ads, as long as you let us do the spending.

952
00:48:32,200 --> 00:48:34,840
Speaker 1: Damn Joey, Well, he's.

953
00:48:34,680 --> 00:48:37,600
Speaker 2: I wasn't offended because he's staying. Because they're miners. They

954
00:48:37,600 --> 00:48:38,720
Speaker 2: can't see what I'm saying.

955
00:48:38,719 --> 00:48:41,319
Speaker 1: Though, I'm not offended. I'm just saying like, oh, he's

956
00:48:41,360 --> 00:48:43,440
Speaker 1: about to be like no, no, no, no, no, like to give

957
00:48:43,440 --> 00:48:45,200
Speaker 1: me the money. Yeah, he's about to be a criminal.

958
00:48:45,320 --> 00:48:48,759
Speaker 1: He's about to be I'm like, all right, yeah, get

959
00:48:48,760 --> 00:48:49,320
Speaker 1: the money.

960
00:48:49,520 --> 00:48:51,680
Speaker 2: There's yeah, there's a little there's a little crime happening.

961
00:48:52,080 --> 00:48:54,480
Speaker 1: It's as small, just a small crime of trying to,

962
00:48:54,760 --> 00:48:57,600
Speaker 1: you know, claim one hundred thousand dollars from a casino

963
00:48:57,840 --> 00:49:00,120
Speaker 1: that may or may not hea illegally being gone.

964
00:49:00,719 --> 00:49:04,439
Speaker 2: Yeah, it's true. Danny walks up, saying hey, hey, hey,

965
00:49:04,600 --> 00:49:07,839
Speaker 2: mister lucky. He asks Joey to help him pick out

966
00:49:07,880 --> 00:49:11,520
Speaker 2: a slot machine, and steph says, let DJ pickt she

967
00:49:11,600 --> 00:49:16,799
Speaker 2: won the jackpot. Oh, Stephanie always tattle tailing, always like

968
00:49:16,880 --> 00:49:20,200
Speaker 2: you know, I know she's maybe she just blurted it

969
00:49:20,239 --> 00:49:22,360
Speaker 2: out without thinking. She just blurts it out. She's just

970
00:49:22,400 --> 00:49:24,120
Speaker 2: so yeah, she's so excited.

971
00:49:24,360 --> 00:49:26,480
Speaker 1: I get that. That happens to me sometimes I just

972
00:49:26,840 --> 00:49:27,400
Speaker 1: say things.

973
00:49:27,800 --> 00:49:32,480
Speaker 2: That's okay. DJ gets flustered and Danny is flabbergasted. He

974
00:49:32,600 --> 00:49:36,640
Speaker 2: asks Joey, you let the girls gamble. Joey says no,

975
00:49:36,719 --> 00:49:38,800
Speaker 2: I had nothing to do with it. I was getting

976
00:49:38,840 --> 00:49:42,000
Speaker 2: a money bucket. Danny then looks at the girls and says,

977
00:49:42,280 --> 00:49:45,239
Speaker 2: you girls were gambling after I told you not to.

978
00:49:45,800 --> 00:49:48,680
Speaker 2: I am not happy about this at all. DJ lean's

979
00:49:48,719 --> 00:49:51,200
Speaker 2: closer to him and says, would ten thousand dollars cheer

980
00:49:51,239 --> 00:49:55,719
Speaker 2: you up? Danny says they won the money illegally and

981
00:49:55,760 --> 00:49:59,560
Speaker 2: therefore cannot accept it. Then Joey says, well, there's a

982
00:49:59,560 --> 00:50:02,960
Speaker 2: bright side to this. I can accept it. There you go.

983
00:50:03,160 --> 00:50:04,920
Speaker 2: Here's what I'll say.

984
00:50:05,520 --> 00:50:07,600
Speaker 1: He's not trying to He's not. He's not.

985
00:50:07,920 --> 00:50:09,400
Speaker 2: Joey's not thinking with a criminal mind.

986
00:50:09,840 --> 00:50:10,160
Speaker 1: He's not.

987
00:50:10,280 --> 00:50:11,719
Speaker 2: I don't think he's.

988
00:50:11,800 --> 00:50:14,360
Speaker 1: Yeah, he's just like, well, I was gonna it was

989
00:50:14,440 --> 00:50:16,319
Speaker 1: gonna be me, might as well have been me.

990
00:50:16,920 --> 00:50:19,759
Speaker 2: Yeah, it was the people I was with. I think's

991
00:50:19,800 --> 00:50:22,719
Speaker 2: sort of like it was me. He's not understanding that

992
00:50:22,800 --> 00:50:24,560
Speaker 2: this is a crime. He's just like, oh, well, you know,

993
00:50:24,680 --> 00:50:25,399
Speaker 2: what's the big deal?

994
00:50:25,480 --> 00:50:28,480
Speaker 1: I was next? Yeah, I get it. Uh.

995
00:50:28,520 --> 00:50:31,239
Speaker 2: Mister Santana walks up to Joey, asking to speak with him.

996
00:50:31,560 --> 00:50:34,800
Speaker 2: Joey stands up and tells him a funny story. You see,

997
00:50:34,960 --> 00:50:36,799
Speaker 2: I was playing the machine and I stepped away for

998
00:50:36,840 --> 00:50:40,680
Speaker 2: a minute. A second, heck a micro second. Well, I

999
00:50:40,719 --> 00:50:42,960
Speaker 2: told the girls here to guard my machine, which they

1000
00:50:43,080 --> 00:50:46,240
Speaker 2: did by putting a silver dollar over the coin slot,

1001
00:50:46,480 --> 00:50:49,560
Speaker 2: which accidentally fell into the coin slot.

1002
00:50:50,000 --> 00:50:54,360
Speaker 1: That's a that's a great uh story.

1003
00:50:54,400 --> 00:50:58,160
Speaker 2: That's a great lie. You know. I was like, okay, okay,

1004
00:50:58,320 --> 00:51:01,640
Speaker 2: I could rive. Yeah, you know, yeah, this is how

1005
00:51:01,640 --> 00:51:04,120
Speaker 2: he's justifying it in his mind. You know. It was quick.

1006
00:51:04,640 --> 00:51:09,520
Speaker 2: Joey and mister Santana laugh along with Stephan dj. Joey continues, Oh,

1007
00:51:09,640 --> 00:51:12,719
Speaker 2: I just couldn't accept the money without clearing my conscience.

1008
00:51:13,080 --> 00:51:15,040
Speaker 2: But I feel great now, so lay it on me.

1009
00:51:15,360 --> 00:51:15,560
Speaker 1: Yeah.

1010
00:51:16,280 --> 00:51:19,719
Speaker 2: Mister Santana doesn't respond and just places a video cassette

1011
00:51:19,760 --> 00:51:23,440
Speaker 2: in Joey's hands. He says, our security camera got a

1012
00:51:23,560 --> 00:51:27,319
Speaker 2: nice clean shot of the children gambling. You didn't come

1013
00:51:27,320 --> 00:51:32,240
Speaker 2: into the picture until many, many, many microseconds later. Joey asks,

1014
00:51:32,560 --> 00:51:37,000
Speaker 2: I'm not getting the money, am I. Mister Santana shakes

1015
00:51:37,000 --> 00:51:39,120
Speaker 2: his head and says, oh, but you can keep the

1016
00:51:39,200 --> 00:51:42,200
Speaker 2: video cassette as a souvenir of not having won the

1017
00:51:42,280 --> 00:51:45,680
Speaker 2: jackpot here at the fabulous Ali Ababa Hotel and Casino,

1018
00:51:45,920 --> 00:51:47,520
Speaker 2: and he walks away with his hands in the air.

1019
00:51:48,840 --> 00:51:51,239
Speaker 2: Joey takes a seat with Danny and the girls and

1020
00:51:51,280 --> 00:51:55,160
Speaker 2: stuff asks do you hate us Joey. He tells the

1021
00:51:55,160 --> 00:51:58,160
Speaker 2: girls not to be silly. He loves them very much.

1022
00:51:58,920 --> 00:52:02,240
Speaker 2: DJ's concerned because they cost him one hundred thousand dollars,

1023
00:52:02,719 --> 00:52:04,799
Speaker 2: and she asks if there's any way they can make

1024
00:52:04,840 --> 00:52:08,400
Speaker 2: it up to him. Joey smiles and says, no, I

1025
00:52:08,400 --> 00:52:12,680
Speaker 2: don't think so. That was such a great line.

1026
00:52:12,840 --> 00:52:14,160
Speaker 1: No you can't, You're not gonna.

1027
00:52:14,360 --> 00:52:18,359
Speaker 2: I was expecting something like your love is enough.

1028
00:52:19,160 --> 00:52:21,799
Speaker 1: I was like, I appreciated the moment of reality was

1029
00:52:21,880 --> 00:52:23,920
Speaker 1: just no, you can't. You're not going to make that

1030
00:52:23,960 --> 00:52:24,600
Speaker 1: up to be things.

1031
00:52:25,640 --> 00:52:27,920
Speaker 2: So he got away pretty scot free.

1032
00:52:27,920 --> 00:52:33,640
Speaker 1: For I was I feel like Casito's may not take

1033
00:52:33,719 --> 00:52:37,440
Speaker 1: that as kindly as mister mister.

1034
00:52:37,680 --> 00:52:40,160
Speaker 2: I feel like there would be a punishment involved.

1035
00:52:40,280 --> 00:52:40,680
Speaker 1: For sure.

1036
00:52:40,800 --> 00:52:44,439
Speaker 2: There would be some handcuffs probably on the other side

1037
00:52:44,480 --> 00:52:45,080
Speaker 2: of that tape.

1038
00:52:45,160 --> 00:52:47,919
Speaker 1: Yeah, yeah, easily. Yeah. And I don't think they would

1039
00:52:47,920 --> 00:52:51,640
Speaker 1: be giving out security footage from the casino to just write.

1040
00:52:51,680 --> 00:52:54,680
Speaker 2: They wouldn't just hand it over again. Yeah, right, you

1041
00:52:54,719 --> 00:52:57,080
Speaker 2: can have this. You can have it, and then you

1042
00:52:57,080 --> 00:52:59,680
Speaker 2: can manipulate it and modify it so it doesn't look

1043
00:52:59,719 --> 00:53:03,920
Speaker 2: like what we saw. So next we're in Becky's room.

1044
00:53:04,120 --> 00:53:06,960
Speaker 2: Becky is on the phone, explaining to her mom, I

1045
00:53:07,040 --> 00:53:10,719
Speaker 2: have never been so embarrassed in my life. I never

1046
00:53:10,760 --> 00:53:13,759
Speaker 2: want to talk to Jesse again. He is the most obstinate,

1047
00:53:14,080 --> 00:53:17,439
Speaker 2: pig headed. She's interrupted by Jesse knocking on the door.

1048
00:53:18,280 --> 00:53:20,759
Speaker 2: Becky quickly hangs up with her mom stands in front

1049
00:53:20,760 --> 00:53:23,440
Speaker 2: of the mirror before opening the door for Jesse. She

1050
00:53:23,480 --> 00:53:24,880
Speaker 2: looks at herself in the mirror and says, what am

1051
00:53:24,920 --> 00:53:27,359
Speaker 2: I doing? And she shakes her head or shakes her

1052
00:53:27,360 --> 00:53:30,960
Speaker 2: hair loose and walks towards the door. She shouts from

1053
00:53:31,040 --> 00:53:34,920
Speaker 2: inside the room, talk, I'm listening. Jesse says there is

1054
00:53:34,960 --> 00:53:37,919
Speaker 2: a maid, a bell hop, and some man staring at him.

1055
00:53:38,680 --> 00:53:41,279
Speaker 2: So Becky opens the door and says, since when does

1056
00:53:41,280 --> 00:53:42,879
Speaker 2: an audience bother you?

1057
00:53:43,239 --> 00:53:43,879
Speaker 1: That's what I was.

1058
00:53:43,800 --> 00:53:44,759
Speaker 2: Saying, is oh, all of.

1059
00:53:44,760 --> 00:53:46,839
Speaker 1: A sudden, now you're shy. You won't want to talk

1060
00:53:46,880 --> 00:53:49,000
Speaker 1: in front of three people, but you'll talk on TV

1061
00:53:50,000 --> 00:53:53,760
Speaker 1: burnll deserved.

1062
00:53:54,640 --> 00:53:57,879
Speaker 2: Jesse states that the fact they broke up is all

1063
00:53:58,080 --> 00:54:03,919
Speaker 2: Becky's fault. I know, I know, I know he's doubling down.

1064
00:54:04,000 --> 00:54:05,800
Speaker 2: He came to her room to double down.

1065
00:54:06,000 --> 00:54:09,480
Speaker 1: I mean, you showed up to have a conversation and

1066
00:54:09,560 --> 00:54:12,840
Speaker 1: now you're like by the way, not not not this

1067
00:54:13,000 --> 00:54:13,640
Speaker 1: is your fault.

1068
00:54:14,200 --> 00:54:16,920
Speaker 2: No, it's so petty, it's it's so petty.

1069
00:54:17,080 --> 00:54:19,279
Speaker 1: Yeah, you could have said that outside with those three

1070
00:54:19,280 --> 00:54:21,359
Speaker 1: people watching. You could have said it's all my fault,

1071
00:54:21,400 --> 00:54:22,880
Speaker 1: and I could have not opened the door and we

1072
00:54:22,920 --> 00:54:24,560
Speaker 1: could have just skipped ourselves this whole.

1073
00:54:24,440 --> 00:54:26,719
Speaker 2: Nonsense exactly exactly.

1074
00:54:27,160 --> 00:54:29,279
Speaker 1: And also when she says talk I'm listening, I was

1075
00:54:29,280 --> 00:54:31,200
Speaker 1: thinking you he has done enough talking.

1076
00:54:31,880 --> 00:54:34,440
Speaker 2: Yeah, he has done quite enough talking. He needs to

1077
00:54:34,480 --> 00:54:39,439
Speaker 2: do some listening exactly. Becky gasps and says, you're right,

1078
00:54:39,600 --> 00:54:42,640
Speaker 2: it's all my fault. I met Todd Masters, I watched

1079
00:54:42,719 --> 00:54:44,759
Speaker 2: him eet scrambled eggs, and then I did the only

1080
00:54:44,800 --> 00:54:48,040
Speaker 2: logical thing. I threw out our whole relate. I threw

1081
00:54:48,120 --> 00:54:52,040
Speaker 2: our whole relationship out the window. Jesse interjects, Oh, please,

1082
00:54:52,160 --> 00:54:54,799
Speaker 2: don't try to turn this whole thing around on me.

1083
00:54:55,280 --> 00:54:59,120
Speaker 2: What you were the one who was going to dinner

1084
00:54:59,160 --> 00:55:02,200
Speaker 2: with this blow dry I'd sight a beef blue dried.

1085
00:55:03,680 --> 00:55:05,320
Speaker 1: Sir, you and your hair.

1086
00:55:06,719 --> 00:55:08,919
Speaker 2: Take up more time.

1087
00:55:08,760 --> 00:55:10,200
Speaker 1: And space than anyone.

1088
00:55:10,480 --> 00:55:13,160
Speaker 2: All right, you know it has no room to talk about.

1089
00:55:13,239 --> 00:55:15,040
Speaker 1: Yeah, you get you don't get to call anyone a

1090
00:55:15,080 --> 00:55:18,520
Speaker 1: blow dryed side of beef. You are a well quaffed man.

1091
00:55:18,440 --> 00:55:24,480
Speaker 2: Yourself, so just it's so funny. So Becky exclaims that

1092
00:55:24,640 --> 00:55:29,520
Speaker 2: Jesse doesn't know what he's talking about, and they continue bickering. Yeah,

1093
00:55:29,880 --> 00:55:33,200
Speaker 2: in the midst of their yelling, Jesse grabs Becky aggressively

1094
00:55:33,239 --> 00:55:35,960
Speaker 2: and swings her around for a kiss. I would have

1095
00:55:36,040 --> 00:55:38,799
Speaker 2: slapped him right in his face. It was I mean,

1096
00:55:40,280 --> 00:55:42,440
Speaker 2: I know they're going for passion, but I was like,

1097
00:55:42,560 --> 00:55:47,080
Speaker 2: whoa you no, No, it's about control, maybe not passion.

1098
00:55:48,280 --> 00:55:50,560
Speaker 1: This was a very you know what I you know

1099
00:55:50,600 --> 00:55:53,880
Speaker 1: what I pictured Grandpa Nick and Irene. This was exactly.

1100
00:55:53,960 --> 00:55:57,000
Speaker 1: I was like, this is how Grandpa Nick gets Irene

1101
00:55:57,080 --> 00:56:00,920
Speaker 1: to stop being upset. He's just just yeah, and then

1102
00:56:01,040 --> 00:56:05,160
Speaker 1: try to her and yep, yep, oh you know you're right,

1103
00:56:05,160 --> 00:56:06,960
Speaker 1: he's wrong, and he doesn't want to listen. That's what happens.

1104
00:56:07,080 --> 00:56:10,600
Speaker 2: This exact fight has happened before between Nick and I ree.

1105
00:56:10,719 --> 00:56:11,600
Speaker 1: You're right. Yeah.

1106
00:56:11,600 --> 00:56:15,280
Speaker 2: Oh, he stands her back up and they just continue fighting.

1107
00:56:15,719 --> 00:56:17,920
Speaker 2: Becky says, if you think kissing me is going to

1108
00:56:17,960 --> 00:56:20,280
Speaker 2: solve this, then you've been watching too many old movies.

1109
00:56:20,800 --> 00:56:23,200
Speaker 2: And it just so happens that the blow dried side

1110
00:56:23,200 --> 00:56:26,680
Speaker 2: of beef and I we're gonna have dinner tonight with you.

1111
00:56:27,360 --> 00:56:29,000
Speaker 2: And if you didn't lose your temper and act like

1112
00:56:29,040 --> 00:56:31,400
Speaker 2: such a jealous maniac, I could have told you that

1113
00:56:31,440 --> 00:56:32,200
Speaker 2: in the first place.

1114
00:56:32,680 --> 00:56:33,319
Speaker 1: Ha ha ha.

1115
00:56:34,120 --> 00:56:37,399
Speaker 2: There, thank you, thank you. He finally let her talk,

1116
00:56:37,840 --> 00:56:40,680
Speaker 2: like seventeen minutes later, he finally let her talk.

1117
00:56:40,920 --> 00:56:42,560
Speaker 1: Well, I don't even know if he led her. She

1118
00:56:42,760 --> 00:56:44,959
Speaker 1: just was like, all right, we're no, you're just wanting

1119
00:56:44,960 --> 00:56:47,120
Speaker 1: to kiss and makeup. You need to listen to what

1120
00:56:47,160 --> 00:56:48,600
Speaker 1: you've done. Mm hm. Yeah.

1121
00:56:48,680 --> 00:56:51,120
Speaker 2: She's a smart woman. She's a good role model. I

1122
00:56:51,160 --> 00:56:55,799
Speaker 2: love Becky so much. Jesse finally takes a breath and

1123
00:56:55,920 --> 00:56:58,480
Speaker 2: realizes that he's been acting like a jerk.

1124
00:56:59,440 --> 00:57:01,160
Speaker 1: You think, oh my god.

1125
00:57:01,280 --> 00:57:05,359
Speaker 2: Finally he apologizes and explains how that's just the way

1126
00:57:05,400 --> 00:57:09,279
Speaker 2: he is when he's jealous. Like that excuses it.

1127
00:57:11,560 --> 00:57:13,560
Speaker 1: Well, then you need to.

1128
00:57:13,520 --> 00:57:16,400
Speaker 2: Work on it. He needs some anger management therapy, he

1129
00:57:16,440 --> 00:57:21,880
Speaker 2: needs he needs to stop and breathe.

1130
00:57:23,240 --> 00:57:23,640
Speaker 1: For sure.

1131
00:57:24,400 --> 00:57:29,080
Speaker 2: Jesse insists that Becky acts jealous too, and mentions when

1132
00:57:29,080 --> 00:57:30,680
Speaker 2: he hit on the waitress as an example.

1133
00:57:31,800 --> 00:57:33,520
Speaker 1: Now, who's turning it around on who?

1134
00:57:33,920 --> 00:57:37,320
Speaker 2: This is not the way. Yeah, he's just sidestepping the

1135
00:57:37,400 --> 00:57:40,040
Speaker 2: all this and he's just blaming it back on her.

1136
00:57:40,240 --> 00:57:44,640
Speaker 2: Come on, Jesse, yeah, Becky admits, Okay, well, maybe I

1137
00:57:44,760 --> 00:57:48,680
Speaker 2: was jealous for a split second. Jesse asks how it felt,

1138
00:57:48,720 --> 00:57:51,680
Speaker 2: and Becky says it was the worst split second of

1139
00:57:51,720 --> 00:57:55,040
Speaker 2: my life. Jesse starts to pace as he describes what

1140
00:57:55,120 --> 00:57:58,360
Speaker 2: he thought this weekend was supposed to be about. He

1141
00:57:58,440 --> 00:58:00,640
Speaker 2: mentions how he was going to tell her he loved her,

1142
00:58:01,120 --> 00:58:04,680
Speaker 2: and she immediately says, I love you too. Jesse doesn't

1143
00:58:04,680 --> 00:58:07,640
Speaker 2: hear her at first, of course, and continues to describe.

1144
00:58:07,240 --> 00:58:11,120
Speaker 1: His ideal weekend, the whole thing, the whole description of

1145
00:58:11,160 --> 00:58:14,040
Speaker 1: the weekend that he's tagging along for. By the way,

1146
00:58:14,400 --> 00:58:19,400
Speaker 1: on your trip, you're right, it's her work trip, yes trip,

1147
00:58:20,200 --> 00:58:24,400
Speaker 1: and that's the whole reason you're even going. And then

1148
00:58:24,600 --> 00:58:30,600
Speaker 1: you act a fool and cause all this drama, and

1149
00:58:30,640 --> 00:58:33,040
Speaker 1: then you're just mad because it didn't go the way

1150
00:58:33,120 --> 00:58:35,920
Speaker 1: you wanted it to go on a trip that wasn't

1151
00:58:35,960 --> 00:58:36,840
Speaker 1: yours to begin with.

1152
00:58:37,320 --> 00:58:39,680
Speaker 2: He's still not totally getting it. He's calmed down, but

1153
00:58:39,720 --> 00:58:41,960
Speaker 2: he's still like, not totally getting it.

1154
00:58:42,040 --> 00:58:44,520
Speaker 1: I still have he still needs to learn how to listen.

1155
00:58:47,000 --> 00:58:50,640
Speaker 2: I agree, Becky, asks if he heard her, and he goes, yeah,

1156
00:58:50,680 --> 00:58:53,480
Speaker 2: you said I love you too, and then he realizes

1157
00:58:53,520 --> 00:58:56,480
Speaker 2: what just occurred. He shouts and jumps on the couch.

1158
00:58:56,640 --> 00:58:57,160
Speaker 1: Whoo.

1159
00:58:57,280 --> 00:58:58,680
Speaker 2: That means we're in love.

1160
00:58:58,920 --> 00:59:01,800
Speaker 1: He cruise moment, he did.

1161
00:59:01,920 --> 00:59:06,480
Speaker 2: Yes, He grabs Becky and kisses her. He then confesses

1162
00:59:06,560 --> 00:59:09,160
Speaker 2: to being in love with her since the first day

1163
00:59:09,280 --> 00:59:12,760
Speaker 2: he saw her. Jesse aggressively tells her he wants to

1164
00:59:12,760 --> 00:59:17,000
Speaker 2: get married in Nevada so that everybody knows she is his.

1165
00:59:17,720 --> 00:59:21,520
Speaker 2: I know he's ruined this. Yeah, he's ruined it. He's

1166
00:59:21,560 --> 00:59:23,960
Speaker 2: ruined this moment, ruined the moment for me. Oh, I

1167
00:59:24,000 --> 00:59:25,760
Speaker 2: just because now I'm with my own name.

1168
00:59:26,320 --> 00:59:28,760
Speaker 1: That's how That's how upset I am is I just

1169
00:59:28,840 --> 00:59:31,080
Speaker 1: choked myself with my own headphone cord I.

1170
00:59:32,840 --> 00:59:36,000
Speaker 2: He was building to a lovely moment and then he's like,

1171
00:59:36,120 --> 00:59:37,120
Speaker 2: I want to possess you. Know.

1172
00:59:37,160 --> 00:59:40,920
Speaker 1: What I have to say is this is all incredibly

1173
00:59:41,360 --> 00:59:43,440
Speaker 1: toxic Yasier.

1174
00:59:44,440 --> 00:59:47,560
Speaker 2: Yes, kids, if you're listening like this is a red.

1175
00:59:47,480 --> 00:59:49,920
Speaker 1: Kids, if you're listening, this is not a good example

1176
00:59:49,960 --> 00:59:52,880
Speaker 1: of a relationship. If a dude shows up freaks out

1177
00:59:52,920 --> 00:59:55,800
Speaker 1: like this, doesn't listen, has a whole thing blames it

1178
00:59:55,840 --> 00:59:58,680
Speaker 1: on you, does all this stuff, kisses you, doesn't listen

1179
00:59:58,680 --> 01:00:00,800
Speaker 1: to your thing, goes off about it's all about him

1180
01:00:00,800 --> 01:00:04,480
Speaker 1: and you disappointed him. And then when he finally realizes

1181
01:00:04,560 --> 01:00:07,000
Speaker 1: that you did something to make him happy that he

1182
01:00:07,080 --> 01:00:08,880
Speaker 1: always wanted, then all of a sudden he wants to

1183
01:00:08,920 --> 01:00:10,080
Speaker 1: own you and marry you.

1184
01:00:10,520 --> 01:00:10,880
Speaker 2: Oh.

1185
01:00:10,920 --> 01:00:11,680
Speaker 1: Oh, I know.

1186
01:00:11,880 --> 01:00:14,400
Speaker 2: It's very women women and women are property.

1187
01:00:14,560 --> 01:00:19,360
Speaker 4: It's it's it's just just I I have.

1188
01:00:19,680 --> 01:00:21,880
Speaker 2: I had a lot of thoughts on this one. I

1189
01:00:21,920 --> 01:00:23,600
Speaker 2: know who wrote this one. Oh, it was like the

1190
01:00:23,600 --> 01:00:25,080
Speaker 2: four writers that wrote yeah and again.

1191
01:00:25,120 --> 01:00:27,280
Speaker 1: Maybe it's you know, I think I think you know,

1192
01:00:27,360 --> 01:00:29,440
Speaker 1: at a certain point women of a certain age, you

1193
01:00:29,440 --> 01:00:31,880
Speaker 1: go okay, we no no, no, no, no, no no.

1194
01:00:32,280 --> 01:00:34,560
Speaker 1: Maybe when you're like twenty five, this is the thing.

1195
01:00:34,600 --> 01:00:37,560
Speaker 1: You're like, oh, this is so romantic. No, no, this

1196
01:00:37,600 --> 01:00:39,720
Speaker 1: is no. No one needs to fight like this.

1197
01:00:39,720 --> 01:00:41,880
Speaker 2: This episode is like a warning to all of the

1198
01:00:41,920 --> 01:00:44,480
Speaker 2: single ladies out there, like right, run and you know.

1199
01:00:44,440 --> 01:00:46,160
Speaker 1: What and right and I'm sure And at the time

1200
01:00:46,200 --> 01:00:47,919
Speaker 1: I was like, oh, Jesse and Beck you're so in love.

1201
01:00:48,000 --> 01:00:51,280
Speaker 1: I'm like, no, this is a terrible idea. And Jesse

1202
01:00:51,400 --> 01:00:53,160
Speaker 1: doesn't know what he's talking about. And needs to go.

1203
01:00:53,480 --> 01:00:54,840
Speaker 1: You'll do some therapy.

1204
01:00:55,480 --> 01:00:57,680
Speaker 2: Well that's why I'm so torn, because I love Jesse

1205
01:00:57,760 --> 01:01:00,680
Speaker 2: and Becky so much, like they are so holes in

1206
01:01:00,760 --> 01:01:03,640
Speaker 2: so many ways. But this scene, well, but you know there,

1207
01:01:03,720 --> 01:01:05,200
Speaker 2: Jesse's so problematic.

1208
01:01:05,240 --> 01:01:08,880
Speaker 1: Jesse was kind of problematic sometimes, even if fuller. When

1209
01:01:08,880 --> 01:01:11,160
Speaker 1: he walks in the door, Becky's carrying all the bags.

1210
01:01:11,360 --> 01:01:17,080
Speaker 2: Oh yeah, that's right. That's always, it's always it's always

1211
01:01:17,080 --> 01:01:21,080
Speaker 2: about Jesse. Yeah, you know gets when you're that good looking,

1212
01:01:21,520 --> 01:01:22,960
Speaker 2: you think you can get away with this.

1213
01:01:23,800 --> 01:01:26,640
Speaker 1: But it's you know, how far we've come in terms

1214
01:01:26,640 --> 01:01:32,080
Speaker 1: of how we view relationships. But this true. Yeah, anyway,

1215
01:01:32,560 --> 01:01:33,320
Speaker 1: let's get to the end.

1216
01:01:34,000 --> 01:01:35,400
Speaker 2: Get to the end. I know, I know we're almost there.

1217
01:01:36,000 --> 01:01:40,360
Speaker 2: Becky doesn't have an answer to this pseudo proposal and

1218
01:01:40,480 --> 01:01:42,160
Speaker 2: just puts a hand to his head like maybe he

1219
01:01:42,200 --> 01:01:45,240
Speaker 2: has a fever. She doesn't know what to say, so

1220
01:01:45,360 --> 01:01:49,120
Speaker 2: Jesse grabs her hands and says, Rebecca Donaldson, I love you,

1221
01:01:49,920 --> 01:01:53,200
Speaker 2: and if anything has ever been right, it's you and

1222
01:01:53,240 --> 01:01:56,520
Speaker 2: me gets down on one knee and asks her to

1223
01:01:56,640 --> 01:01:59,760
Speaker 2: marry him. No, no, it's much better than I own you, Like,

1224
01:01:59,800 --> 01:02:00,920
Speaker 2: that's way better.

1225
01:02:01,000 --> 01:02:03,960
Speaker 1: But it's still I feel it's still coming from the

1226
01:02:04,000 --> 01:02:08,760
Speaker 1: same place. Yeah, but at least he's I need to

1227
01:02:08,800 --> 01:02:11,440
Speaker 1: make you mine so that you never have breakfast with

1228
01:02:11,520 --> 01:02:14,320
Speaker 1: anyone else again. And it feels.

1229
01:02:15,760 --> 01:02:18,560
Speaker 2: But then like but then like, but then Lori cries like,

1230
01:02:19,240 --> 01:02:20,000
Speaker 2: but that's what I'm saying.

1231
01:02:20,040 --> 01:02:21,080
Speaker 1: Well, yeah, I mean.

1232
01:02:22,520 --> 01:02:25,120
Speaker 2: It's beautiful, right, she does a great job. She does

1233
01:02:25,280 --> 01:02:28,360
Speaker 2: such a good job. She's so Laurie's so vulnerable and

1234
01:02:28,480 --> 01:02:31,640
Speaker 2: open and like, she handles this scene so well.

1235
01:02:32,440 --> 01:02:33,080
Speaker 1: It got to me.

1236
01:02:33,240 --> 01:02:36,320
Speaker 2: It got to me, it really, even with problematic Jesse.

1237
01:02:36,520 --> 01:02:40,200
Speaker 2: I mean, you know, all the Becky and Jesse shippers

1238
01:02:40,200 --> 01:02:40,760
Speaker 2: were just.

1239
01:02:40,640 --> 01:02:44,840
Speaker 1: Like melting right over meanwhile, sitting here shocked that we

1240
01:02:45,160 --> 01:02:50,280
Speaker 1: let this sort of toxic behavior be you know, don't

1241
01:02:50,400 --> 01:02:53,040
Speaker 1: accepted on the relationship. Yeah.

1242
01:02:53,200 --> 01:02:57,480
Speaker 2: Well anyway, it's we'll see what happens next. But the

1243
01:02:57,640 --> 01:03:01,120
Speaker 2: tear down the cheek Jesse mouth have mercy. They slowly

1244
01:03:01,200 --> 01:03:03,360
Speaker 2: kiss and we get.

1245
01:03:03,320 --> 01:03:06,680
Speaker 1: To be continued, and that is our shot to drag

1246
01:03:06,800 --> 01:03:09,360
Speaker 1: this poor behavior out for another twenty two minutes.

1247
01:03:10,160 --> 01:03:12,120
Speaker 2: So I know, I mean, I know what happens because

1248
01:03:13,440 --> 01:03:16,600
Speaker 2: I've seen I know what happens because well they don't

1249
01:03:16,600 --> 01:03:18,360
Speaker 2: I know, they get married in a future scenes.

1250
01:03:18,400 --> 01:03:21,280
Speaker 1: Well, all we know is Howie's not here, so therefore

1251
01:03:21,400 --> 01:03:22,280
Speaker 1: it can't be the wedding.

1252
01:03:22,320 --> 01:03:25,480
Speaker 2: Oh yeah, that's right, how he's not Howie.

1253
01:03:26,360 --> 01:03:26,800
Speaker 1: You know what?

1254
01:03:26,880 --> 01:03:28,720
Speaker 2: I miss Howie.

1255
01:03:28,520 --> 01:03:30,960
Speaker 1: After this episode.

1256
01:03:29,560 --> 01:03:33,000
Speaker 2: This makes you then you know it's bad.

1257
01:03:35,760 --> 01:03:40,000
Speaker 1: I'm interested to see what happens next. I mean, I know,

1258
01:03:40,200 --> 01:03:42,520
Speaker 1: obviously we know what. You know that there's gonna be

1259
01:03:42,560 --> 01:03:43,960
Speaker 1: some decisions that have to be made.

1260
01:03:44,440 --> 01:03:48,040
Speaker 2: How does it come about?

1261
01:03:48,800 --> 01:03:51,760
Speaker 1: Do they have a conversation? How does Jesse handle it?

1262
01:03:51,880 --> 01:03:53,920
Speaker 1: I don't feel like it's gonna be handled.

1263
01:03:54,200 --> 01:03:58,520
Speaker 2: Yeah that's true. Yeah, he hasn't done any growing in

1264
01:03:58,560 --> 01:04:01,240
Speaker 2: this episode. So yeah, I'm a little worried about the

1265
01:04:01,240 --> 01:04:02,040
Speaker 2: next episode.

1266
01:04:02,080 --> 01:04:05,000
Speaker 1: But I don't know.

1267
01:04:05,080 --> 01:04:07,280
Speaker 2: We'll see. I'm curious how the fans feel about this.

1268
01:04:07,720 --> 01:04:10,439
Speaker 2: I feel like the people love John Stamos. They love

1269
01:04:10,520 --> 01:04:12,360
Speaker 2: Jesse and Becky so much that I feel like they're

1270
01:04:12,360 --> 01:04:14,760
Speaker 2: gonna be very forgiving. Well, yeah, I love him, but

1271
01:04:14,840 --> 01:04:17,160
Speaker 2: this was this is a toxic personality, Like this is

1272
01:04:17,200 --> 01:04:19,840
Speaker 2: a toxic trait. You know, the two things can be

1273
01:04:19,880 --> 01:04:22,439
Speaker 2: true at once. You can love John and Jesse Becky yep,

1274
01:04:22,520 --> 01:04:25,400
Speaker 2: and you could acknowledge that Jesse is problematic.

1275
01:04:24,960 --> 01:04:25,600
Speaker 1: Yep, yep.

1276
01:04:25,800 --> 01:04:30,320
Speaker 2: And that's in Yeah, well then this kind of in general.

1277
01:04:32,640 --> 01:04:34,320
Speaker 1: He's got a good heart and he's well intentioned.

1278
01:04:34,320 --> 01:04:35,920
Speaker 2: He's just got to do he's got to.

1279
01:04:35,920 --> 01:04:37,800
Speaker 1: Do some some things, some work. He's got to do

1280
01:04:37,840 --> 01:04:38,600
Speaker 1: some work, as we all do.

1281
01:04:38,640 --> 01:04:40,960
Speaker 2: He's got to do some emotional work. Yes, yes, as

1282
01:04:41,040 --> 01:04:41,600
Speaker 2: we all do.

1283
01:04:41,720 --> 01:04:42,680
Speaker 1: Yeah, that's true.

1284
01:04:42,800 --> 01:04:46,479
Speaker 2: Therapy wasn't as big as the Laddies, No, not, not,

1285
01:04:46,480 --> 01:04:47,760
Speaker 2: not as it is now true.

1286
01:04:47,920 --> 01:04:50,760
Speaker 1: And you know he had Grandpa Nick. It's just who

1287
01:04:50,800 --> 01:04:54,080
Speaker 1: doesn't one to grandma? I even going to night school,

1288
01:04:54,160 --> 01:04:57,680
Speaker 1: so you know, but yes, you're right what I'm saying,

1289
01:04:57,960 --> 01:05:01,000
Speaker 1: this is all it's learned behavior and Jesse just has

1290
01:05:01,040 --> 01:05:04,320
Speaker 1: to do someone learning and we're here for it, and fans,

1291
01:05:04,320 --> 01:05:06,600
Speaker 1: we're going to take you through it, through the healing

1292
01:05:06,680 --> 01:05:08,200
Speaker 1: of Jesse Katzopolis.

1293
01:05:09,800 --> 01:05:11,439
Speaker 2: I hope he's come a long way.

1294
01:05:11,680 --> 01:05:11,960
Speaker 1: Yeah.

1295
01:05:12,000 --> 01:05:13,680
Speaker 2: As far as being a family man, we saw in

1296
01:05:13,680 --> 01:05:15,880
Speaker 2: the last episode that he's you know, he's there for

1297
01:05:15,960 --> 01:05:17,840
Speaker 2: the family. He likes being part of the family team.

1298
01:05:18,040 --> 01:05:20,600
Speaker 2: He just needs to work on his relationships. Yeah, like

1299
01:05:20,640 --> 01:05:24,920
Speaker 2: his his love love relationships. Check that uh that that.

1300
01:05:24,760 --> 01:05:28,600
Speaker 1: The little misogynistic streak a little bit Yeah true.

1301
01:05:29,080 --> 01:05:32,720
Speaker 2: Anyway, Wait, everywhere he looks. There's some big ones. The

1302
01:05:33,400 --> 01:05:34,880
Speaker 2: one you've already one, You've already.

1303
01:05:34,640 --> 01:05:37,640
Speaker 1: Mentioned, one I've mentioned, and I had a second one.

1304
01:05:38,240 --> 01:05:40,480
Speaker 2: I think I probably have the same one, which is

1305
01:05:40,520 --> 01:05:44,440
Speaker 2: the other everywhere you look, which is our stage manager. Yes,

1306
01:05:44,720 --> 01:05:49,080
Speaker 2: which is Mark Sandrowski. Yes, he's he's in the scene,

1307
01:05:49,200 --> 01:05:52,200
Speaker 2: in the scene as the as the stage manager.

1308
01:05:52,320 --> 01:05:54,840
Speaker 1: Ye, as a stage manager for Wake Up San Francisco.

1309
01:05:54,960 --> 01:05:59,840
Speaker 1: Mark Sandrowski, who was Dave Coolier's best friends since they

1310
01:05:59,880 --> 01:06:02,480
Speaker 1: were nine years old in Michigan, who wanted to get

1311
01:06:02,480 --> 01:06:04,360
Speaker 1: into the business and came out and started working on

1312
01:06:04,400 --> 01:06:08,440
Speaker 1: our show, and uh, you know, had done all the

1313
01:06:08,440 --> 01:06:10,160
Speaker 1: things and became a second a d and then he

1314
01:06:10,200 --> 01:06:13,000
Speaker 1: came to full House and he and Dave had been friends,

1315
01:06:13,000 --> 01:06:14,520
Speaker 1: but he was yeah, you see him on there, and

1316
01:06:14,560 --> 01:06:16,720
Speaker 1: then that is the same Mark Sandrowski that would years

1317
01:06:16,800 --> 01:06:19,880
Speaker 1: later go on to direct and win Emmys.

1318
01:06:19,560 --> 01:06:22,840
Speaker 2: For The Big Bank Perry. So here he is. Yeah

1319
01:06:22,920 --> 01:06:29,080
Speaker 2: again another thing he started, We started started, he started, yeah, yeah,

1320
01:06:30,760 --> 01:06:34,400
Speaker 2: but no, but it was he mentioned us in his acceptance, right, yeah, exactly,

1321
01:06:34,760 --> 01:06:35,360
Speaker 2: but it is. No.

1322
01:06:35,480 --> 01:06:37,000
Speaker 1: It is pretty cool to see though, you know, we

1323
01:06:37,160 --> 01:06:39,880
Speaker 1: and and Mark would have been the he was the second, right,

1324
01:06:39,920 --> 01:06:40,840
Speaker 1: he was our second.

1325
01:06:40,560 --> 01:06:43,640
Speaker 2: Ad, yeah, because he so, Keith was our was our.

1326
01:06:43,520 --> 01:06:47,440
Speaker 1: First and back in the earlier seasons we would I

1327
01:06:47,480 --> 01:06:50,200
Speaker 1: saw Keith one or two times. But oh yeah, you know,

1328
01:06:50,280 --> 01:06:52,680
Speaker 1: now the show has gotten slightly bigger, and now we

1329
01:06:52,760 --> 01:06:55,280
Speaker 1: need we can't have Keith, you know, messing about. We

1330
01:06:55,320 --> 01:06:58,360
Speaker 1: need him actually doing his job. Yeah, we all hands

1331
01:06:58,360 --> 01:06:58,919
Speaker 1: on deck. Yeah.

1332
01:06:58,960 --> 01:07:03,320
Speaker 2: Now for all these extras in the scenes in and then,

1333
01:07:03,400 --> 01:07:07,360
Speaker 2: and Loretta, John's mom is actually the one combing Todd

1334
01:07:07,400 --> 01:07:10,280
Speaker 2: Master's hair. Yeah, yeah, she's coman's hair, doing a touch up. Yeah.

1335
01:07:10,320 --> 01:07:13,440
Speaker 2: So I was just like, I didn't register when Danny says, oh,

1336
01:07:13,480 --> 01:07:15,680
Speaker 2: Loretta's doing my makeup or whatever. It didn't occur to

1337
01:07:15,760 --> 01:07:18,320
Speaker 2: me that Loretta is actually in the scene. I wonder

1338
01:07:18,400 --> 01:07:19,200
Speaker 2: touching up makeup.

1339
01:07:19,320 --> 01:07:24,040
Speaker 1: Now. I wonder if guy that played Todd Masters, since

1340
01:07:24,040 --> 01:07:26,439
Speaker 1: he was from General Hospital, like you said, if John

1341
01:07:26,480 --> 01:07:27,160
Speaker 1: and him knew each other.

1342
01:07:27,160 --> 01:07:28,600
Speaker 2: I wonder if Loretta had met him before.

1343
01:07:29,320 --> 01:07:30,640
Speaker 1: Oh you know what I mean. I wonder if that

1344
01:07:30,720 --> 01:07:34,600
Speaker 1: was kind of a fun little like a little ha ha, yeah, that.

1345
01:07:34,520 --> 01:07:37,200
Speaker 2: She knew him as well. Maybe that's true because she's

1346
01:07:37,240 --> 01:07:40,520
Speaker 2: not touching up Danny and she's not touching up Becky

1347
01:07:40,680 --> 01:07:43,120
Speaker 2: or Jesse for that matter. So yeah, they probably knew

1348
01:07:43,160 --> 01:07:43,440
Speaker 2: each other.

1349
01:07:43,520 --> 01:07:44,680
Speaker 1: Yeah, I don't. I mean, I don't think we. I

1350
01:07:44,720 --> 01:07:46,720
Speaker 1: just don't think we see it. But I do wonder

1351
01:07:46,760 --> 01:07:50,400
Speaker 1: if you know, because of the general hospital connection.

1352
01:07:50,120 --> 01:07:52,480
Speaker 2: They will be met before I'm gonna go with yes,

1353
01:07:52,520 --> 01:07:55,360
Speaker 2: I'm gonna say yes. I'm gonna say yes too. Well,

1354
01:07:56,200 --> 01:07:59,080
Speaker 2: delicious everywhere he looks, I love. Yeah, they were great

1355
01:07:59,160 --> 01:08:03,640
Speaker 2: every everywhere you books were people that we know in

1356
01:08:03,680 --> 01:08:07,479
Speaker 2: this in this one, although not in the in.

1357
01:08:07,440 --> 01:08:11,960
Speaker 1: The the the casino I didn't see, and in the audience,

1358
01:08:12,160 --> 01:08:15,480
Speaker 1: although again, I feel like I feel like somehow some

1359
01:08:15,560 --> 01:08:18,880
Speaker 1: of those, like the older women, were somehow attached to

1360
01:08:18,920 --> 01:08:21,479
Speaker 1: somebody's family. And I don't know who or what, but

1361
01:08:22,160 --> 01:08:23,759
Speaker 1: I feel like it has to be. Yeah.

1362
01:08:23,800 --> 01:08:26,240
Speaker 2: Anyway, anytime an extra gets a close.

1363
01:08:26,080 --> 01:08:28,479
Speaker 1: Up or right right, or is like a bit to do,

1364
01:08:28,880 --> 01:08:33,160
Speaker 1: it's usually it's somebody who's Yeah, who was that person really? Anyway?

1365
01:08:33,600 --> 01:08:39,360
Speaker 1: Oh I am, I'm I'm full of thoughts and I'm

1366
01:08:39,600 --> 01:08:43,320
Speaker 1: on tenter hooks waiting for the next for the next episode,

1367
01:08:43,320 --> 01:08:47,280
Speaker 1: which is the final episode of season two.

1368
01:08:48,080 --> 01:08:51,040
Speaker 2: How how have we already gotten to this? We have

1369
01:08:51,200 --> 01:08:56,320
Speaker 2: made it through two seasons of the show. A wow, wow,

1370
01:08:56,360 --> 01:08:59,679
Speaker 2: and we're still We're still standing. People are still listening

1371
01:08:59,680 --> 01:09:01,120
Speaker 2: to us. This is great.

1372
01:09:01,280 --> 01:09:02,559
Speaker 1: I mean it's great.

1373
01:09:02,640 --> 01:09:05,040
Speaker 2: I'm loving this. I'm having such a good time with you, Like,

1374
01:09:05,040 --> 01:09:07,320
Speaker 2: oh my gosh, it's so much fun, even more fun

1375
01:09:07,360 --> 01:09:11,559
Speaker 2: than I expected. Like it's so satisfying, awarding, and I

1376
01:09:11,560 --> 01:09:12,800
Speaker 2: get to see you regularly.

1377
01:09:13,080 --> 01:09:15,080
Speaker 1: It's so nice they get to see you bat in

1378
01:09:15,080 --> 01:09:18,719
Speaker 1: my week, laugh and and have more fun bits with

1379
01:09:18,720 --> 01:09:22,040
Speaker 1: with my favorite ab. I just love it. But yeah,

1380
01:09:22,120 --> 01:09:25,080
Speaker 1: next next episode, Season two, episode twenty two, Lucky a

1381
01:09:25,160 --> 01:09:28,280
Speaker 1: Lady Part two. Mmm, here we come.

1382
01:09:28,680 --> 01:09:29,760
Speaker 2: I'm excited. I can't wait.

1383
01:09:29,880 --> 01:09:32,720
Speaker 1: End of second season. Wait, it's almost here and then

1384
01:09:32,760 --> 01:09:37,040
Speaker 1: Monto Moore to see what could possibly happen next?

1385
01:09:37,640 --> 01:09:38,479
Speaker 2: How do they top this?

1386
01:09:38,720 --> 01:09:38,880
Speaker 1: Right?

1387
01:09:39,120 --> 01:09:40,000
Speaker 2: Why do they welp this?

1388
01:09:40,920 --> 01:09:42,960
Speaker 1: I have no idea, but I bet the I bet

1389
01:09:43,000 --> 01:09:45,040
Speaker 1: the fan ritos do because they've probably watched all of

1390
01:09:45,040 --> 01:09:49,479
Speaker 1: this many, many many times, multiple times through they excited heart.

1391
01:09:52,000 --> 01:09:54,479
Speaker 1: But thank you everyone to joining us for another fun

1392
01:09:54,520 --> 01:09:56,760
Speaker 1: episode of How Rude Tannerito's.

1393
01:09:56,800 --> 01:09:58,839
Speaker 2: We really appreciate you guys. Keep being here and listening.

1394
01:09:59,120 --> 01:10:01,280
Speaker 1: If you want to check ust out on Instagram, send

1395
01:10:01,360 --> 01:10:03,760
Speaker 1: us d MS, or follow the page. You can find

1396
01:10:03,840 --> 01:10:06,559
Speaker 1: us at how Rude Podcast. You can also send us

1397
01:10:06,880 --> 01:10:11,640
Speaker 1: emails at how ud podcast at gmail dot com. You

1398
01:10:11,680 --> 01:10:14,559
Speaker 1: can also make sure you're liking and subscribing to the

1399
01:10:14,560 --> 01:10:16,640
Speaker 1: podcast wherever you're listening so that you can get all

1400
01:10:16,680 --> 01:10:19,479
Speaker 1: of the newest episodes as soon as they're released, and

1401
01:10:19,560 --> 01:10:22,000
Speaker 1: make sure to you know, like it, and you know

1402
01:10:22,040 --> 01:10:24,720
Speaker 1: give it a rating and leave comments.

1403
01:10:24,320 --> 01:10:24,640
Speaker 2: And all that.

1404
01:10:24,680 --> 01:10:26,760
Speaker 1: We love hearing what you guys have to say and

1405
01:10:27,160 --> 01:10:29,760
Speaker 1: all the things that you send us. So we will

1406
01:10:29,760 --> 01:10:34,160
Speaker 1: see you for the next episode, the final episode season two.

1407
01:10:34,840 --> 01:10:39,519
Speaker 1: But in the meantime, remember everybody, the world is small,

1408
01:10:40,280 --> 01:10:41,000
Speaker 1: the house is full.

1409
01:10:41,360 --> 01:10:44,559
Speaker 2: The hesitation helps help you, Like, I have a minute

1410
01:10:44,800 --> 01:10:48,639
Speaker 2: because I had to quickly run through them head Well done,

1411
01:10:48,840 --> 01:10:49,519
Speaker 2: well done, sweet