WEBVTT - Samara Bay

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<v Speaker 1>This is a quote from Brittany Packnet in her ted

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<v Speaker 1>talk about confidence, permission, community, curiosity. All of these are

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<v Speaker 1>the things that we need to breathe the confidence that

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<v Speaker 1>will absolutely need to solve our greatest challenges and to

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<v Speaker 1>build the world. We dream a world where inequity has ended,

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<v Speaker 1>where justice is real. A world where we can be

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<v Speaker 1>free on the outside and free on the inside, because

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<v Speaker 1>we know that none of us are free until all

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<v Speaker 1>of us are free. A world that isn't intimidated by

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<v Speaker 1>confidence when it shows up in a woman, or in

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<v Speaker 1>black skin, or in anything other than our preferred archetypes

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<v Speaker 1>of leadership. Hello everybody, and welcome to the inaugural episode

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<v Speaker 1>of Permission to Speak, a new podcast for anyone who

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<v Speaker 1>thinks that the way that we talk about women's voices

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<v Speaker 1>could um use a little work. I'm your host, Samarbe

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<v Speaker 1>for those first episode the this is actually me. So

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<v Speaker 1>we have Jack O'Brien, the head of my Heart Radio

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<v Speaker 1>l A, in the studio and he's going to be

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<v Speaker 1>interviewing me along with Katherine Burke Campton. So I'm going

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<v Speaker 1>to tell you guys a little bit about them for context.

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<v Speaker 1>Here's what I know about Jack. He first of all,

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<v Speaker 1>founded Cracked dot com in two thousand five and was

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<v Speaker 1>editor in chief there until he left in to become

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<v Speaker 1>what I like to call the King of podcast over here,

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<v Speaker 1>where he produces projects like The Ron Burgundy Show and

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<v Speaker 1>the one that he co hosts every single day called

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<v Speaker 1>The Daily Zeitgeist. And uh, I should say I know

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<v Speaker 1>him as the gentleman who greenlit my show, which I

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<v Speaker 1>mean will surely be his ultimate legacy. And then Kat

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<v Speaker 1>and Mark are my producers and my friends. And Kat

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<v Speaker 1>is joining us on Mike today as well. Wait there

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<v Speaker 1>she is. Hi, guys, this is Mark. I'll probably do

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<v Speaker 1>a pickup of this because I'm not gonna like the

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<v Speaker 1>way it sounds. Um, and I have to say also,

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<v Speaker 1>they sometimes bring their newborn Eloise, and um, she's got

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<v Speaker 1>some hot takes, ladies and gentlemen. Anyway, I'm thrilled that

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<v Speaker 1>they joined me in the studio today and I can't

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<v Speaker 1>wait to share with you guys why I pitched this

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<v Speaker 1>show and why I'm so excited that we're doing it.

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<v Speaker 1>Samara Cat, thank you for joining me here. I'm glad

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<v Speaker 1>you've no so, I guess I wanted to uh talk

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<v Speaker 1>about just what is great about the show. Why I'm

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<v Speaker 1>super excited to have this show in existence and on

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<v Speaker 1>our network. Um, why I'm excited to have you Samara,

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<v Speaker 1>Thank you. I have to say, by the way, I'm

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<v Speaker 1>wearing my same blazer I wore when I pitched this show.

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<v Speaker 1>I just I just felt like, you know, my new

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<v Speaker 1>lucky blazer. Yeah, and it's a great blazer. Uh. And

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<v Speaker 1>I was just looking back at the email I sent

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<v Speaker 1>after you pitched it, and it was like, I think

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<v Speaker 1>it was I sent it while you were pitching it.

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<v Speaker 1>I was like, we have to get this show on

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<v Speaker 1>the butt pitch. It's something. I host a show called

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<v Speaker 1>The Daily y. I'm not saying that to plug it

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<v Speaker 1>like upto, man, am I right? But I am, you know,

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<v Speaker 1>because it's a daily show. I am plugged into like

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<v Speaker 1>what is happening in the culture on a regular basis,

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<v Speaker 1>and the subject of women's voices and voices in general

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<v Speaker 1>is something that I feel like keeps coming up. Is

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<v Speaker 1>uh sort of becoming a front line in you know,

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<v Speaker 1>some of the most important conversations we're having about power dynamics.

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<v Speaker 1>And then you came in and just kind of put

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<v Speaker 1>it all into words and like made it Crystal Clear

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<v Speaker 1>for me. And then there was, you know, an episode

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<v Speaker 1>of This American Life where they talked about how the

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<v Speaker 1>most common feedback they got was men telling the women

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<v Speaker 1>on their show to stop having vocal from that was

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<v Speaker 1>like ten years ago, and people are like, vocal fries

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<v Speaker 1>this new phenomenon. It's gripping young girls everywhere, and I'm like,

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<v Speaker 1>it's actually been around our entire adult life, and amazingly

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<v Speaker 1>because the men on This American Life have way more

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<v Speaker 1>affected voices than can we just real quick define vocal

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<v Speaker 1>fri because we're gonna talk about that, Yeah, for sure.

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<v Speaker 1>I mean vocal fry for me fits into a much

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<v Speaker 1>larger category of ways that we kind of hided vocally. Um.

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<v Speaker 1>But it I mean, it's technically for for people listening

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<v Speaker 1>who have always been like, what does it really sound like?

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<v Speaker 1>It's something you're probably already doing at the ends of

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<v Speaker 1>a lot of sentences, but it is when your voice

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<v Speaker 1>goes from like being supported with breath to kind of

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<v Speaker 1>not being supported and sounding like that, Ah, that was good.

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<v Speaker 1>It's almost like you did this. And I know and

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<v Speaker 1>I do tell people like even when we say something

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<v Speaker 1>strong and powerful, like you know, I believe filling the

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<v Speaker 1>blank thing. We often end it if we're talking in

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<v Speaker 1>front of other people and we suddenly become self conscious,

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<v Speaker 1>we often end it with like I care a lot

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<v Speaker 1>about this thing, or like whatever, and that's you know.

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<v Speaker 1>I mean, honestly, one of the biggest aspects of my

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<v Speaker 1>kind of ethos or philosophy as a you know, speech

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<v Speaker 1>coach for people is that I am not actually pointing

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<v Speaker 1>those things out to demonize it. I'm not saying like

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<v Speaker 1>young girls who do this are bad or are you know,

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<v Speaker 1>or even are undermining themselves. I'm saying it's something that

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<v Speaker 1>we should be aware of and that we have so

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<v Speaker 1>many more tools at our disposal, so we have to

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<v Speaker 1>know is that thing we're doing helping us get what

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<v Speaker 1>we want, or is it's something we've picked up at

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<v Speaker 1>some point to please someone else and it isn't actually

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<v Speaker 1>our authentic voice. Yeah, I mean, it's the raw material

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<v Speaker 1>that we communicate with, and that a lot of communication,

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<v Speaker 1>especially now as podcasts are increasingly becoming a record of

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<v Speaker 1>the oral tradition that we have what um, it's it's

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<v Speaker 1>increasingly the raw material that we're using to spress ourselves

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<v Speaker 1>and to communicate, and it's just something that hadn't I

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<v Speaker 1>hadn't specifically thought about in the terms that I probably

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<v Speaker 1>should have been thinking about it until you came in

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<v Speaker 1>and were like, here and let me describe it in

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<v Speaker 1>this incredibly clear and perfect way that just crystallized a

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<v Speaker 1>lot of things from it. I mean, I do feel like, um,

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<v Speaker 1>the voice, I mean, I don't feel like the voice

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<v Speaker 1>is invisible. Guys, you're here first. But you know, my

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<v Speaker 1>point is really that although we may have seen think

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<v Speaker 1>pieces here and there, the voice is invisible and we

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<v Speaker 1>haven't necessarily thought about our own voice except for those

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<v Speaker 1>rare moments when somebody points it out to us. You know,

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<v Speaker 1>a lot of my clients, whether we're talking about actors

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<v Speaker 1>or we're talking about people in like you know, the

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<v Speaker 1>corporate world, or entrepreneurs or politicians, a lot of them

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<v Speaker 1>are people who are finding their way into power in

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<v Speaker 1>a new way, Like they see it on the horizon,

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<v Speaker 1>or they're being offered an opportunity or they're not being

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<v Speaker 1>offered it and they're ready to fight back. And what

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<v Speaker 1>do they do differently to bring you know, the best

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<v Speaker 1>version of themselves into those scenarios so that that power happens.

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<v Speaker 1>So the people who deserve it, get it. That's yeah,

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<v Speaker 1>I mean there, there it is. There's the cry. Oh,

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<v Speaker 1>I don't know, I don't know, but you know. But

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<v Speaker 1>but what I what I really loved about that conversation

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<v Speaker 1>that we had, Jack, was that, um, I was able

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<v Speaker 1>to talk about what I've always thought about, which is that, like,

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<v Speaker 1>the voice is a way in, it's a frame to

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<v Speaker 1>talk about so much of the societal stuff that's played

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<v Speaker 1>out on our bodies and in our minds in terms

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<v Speaker 1>of how we talk to ourselves in these high stakes scenarios.

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<v Speaker 1>And you know, because I have a background as a

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<v Speaker 1>voice coach, I also have found ways that the voice

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<v Speaker 1>solves a lot of the problems that seem like they

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<v Speaker 1>require all kinds of other things. But really, you know,

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<v Speaker 1>learning how to breathe just a little better than you

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<v Speaker 1>already are, uh, can actually change your life, you know.

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<v Speaker 1>So that's the the thing where like when I've worked

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<v Speaker 1>with people from all kinds of different industries and seen

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<v Speaker 1>the same patterns, the same like getting them to breathe

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<v Speaker 1>a little bit more, getting them to realize that stuff

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<v Speaker 1>like vocal fry is about not taking up enough space

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<v Speaker 1>and trusting that what they have to say matters, the

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<v Speaker 1>same patterns come up with all of us, and so

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<v Speaker 1>the I mean, the dream for this podcast was that

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<v Speaker 1>we could kind of see the similarities and break them

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<v Speaker 1>down and say, here are some tools so that we

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<v Speaker 1>can break the patterns that need to be broken, and

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<v Speaker 1>let's do it together. I mean, I told you this

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<v Speaker 1>in them when I pitched this too, because it had

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<v Speaker 1>just happened. But the real origin story for this podcast

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<v Speaker 1>is that, uh So I went to Princeton undergrad and

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<v Speaker 1>they the crowning achievement of that was really that they

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<v Speaker 1>asked me to come back and speak at this women's

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<v Speaker 1>conference and there was like Justice Soda Mayor and Justice

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<v Speaker 1>Kagan and like you know me. You know, it was

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<v Speaker 1>just the lums gathered around the water cooler. There was

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<v Speaker 1>no water cooler, not Aton, but it was a golden

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<v Speaker 1>water cooler. Um. They had told me that as somebody

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<v Speaker 1>sort of the more creative side of things, as a

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<v Speaker 1>Princeton alum, they wanted me to come back and do

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<v Speaker 1>a workshop on the voice to a group of fifty

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<v Speaker 1>to a hundred women as sort of a breakout, you know,

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<v Speaker 1>option at this conference. And uh and I was like yeah,

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<v Speaker 1>and I had been working on a wonder woman at

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<v Speaker 1>the time. At the moment I got that call, I

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<v Speaker 1>was like in Washington, d C. On the phone with

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<v Speaker 1>them and they were like, what would you want to

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<v Speaker 1>call it? And I was like, how do you use

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<v Speaker 1>your voice to get what you want? Clearly I was

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<v Speaker 1>on a bit of a high. And then a week

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<v Speaker 1>before I flew out to do this workshop, I got

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<v Speaker 1>an email the four hundred and sixty people had signed

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<v Speaker 1>up for this, which and I remember just thinking like, okay, a,

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<v Speaker 1>I need to actually figure out what I'm doing now.

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<v Speaker 1>But the um, you know, if we need some market

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<v Speaker 1>research on who needs this help, it kind of seems

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<v Speaker 1>like a lot of people, you know, and um. And

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<v Speaker 1>then I had an hour fifteen and I had this big,

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<v Speaker 1>you know, gorgeous like gothic building to interact with these women,

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<v Speaker 1>and I my dream scenario really came true, which was

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<v Speaker 1>that the first half I did talk a lot about

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<v Speaker 1>these patterns, the the the tricks is maybe a word

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<v Speaker 1>to use that I've found that really helped people. I

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<v Speaker 1>have a lot of sense of like kind of psychological hacks,

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<v Speaker 1>so that this isn't like a six month job to

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<v Speaker 1>find your voice. It really is like let's just talkle

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<v Speaker 1>that switch. Let's just in the moment right now, no drama,

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<v Speaker 1>no preciousness, Let's just try something new and see how

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<v Speaker 1>much our nervous system can actually like adjust. And I

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<v Speaker 1>talked about that, but the main thing that happened was

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<v Speaker 1>I had made sure that there was gonna be microphones

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<v Speaker 1>in the audience, and about halfway through, I was like, so,

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<v Speaker 1>why did you come to something about how to use

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<v Speaker 1>your voice to get what you want? Like what's going on?

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<v Speaker 1>And truly what's going on? And it was, you know,

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<v Speaker 1>it was a room full of four indred plus women

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<v Speaker 1>of all different ages, and they looked, you know, like

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<v Speaker 1>they had all kinds of different life fixed variances. And

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<v Speaker 1>they got up and started to tell me about them.

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<v Speaker 1>And there was like, I mean, I remember there was

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<v Speaker 1>like a woman who had just gotten out of college.

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<v Speaker 1>She was like twenty two, I think she had just

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<v Speaker 1>launched a podcast and was dealing with trolling about her voice.

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<v Speaker 1>And then there was a middle aged woman who had

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<v Speaker 1>a teenage daughter who was freaking out because her daughter

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<v Speaker 1>had up speak and like, oh god, she'll never be

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<v Speaker 1>taken seriously in life. And then this woman stood up

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<v Speaker 1>in the back of the room and she was probably

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<v Speaker 1>the oldest that you can begin and to have come

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<v Speaker 1>to Princeton because they didn't let in women till the seventies.

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<v Speaker 1>And she said she's the only female board member of

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<v Speaker 1>a massive financial institution and and I'm trying to be

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<v Speaker 1>delicate and uh, and she said she couldn't get a

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<v Speaker 1>word in edgewise at meetings. And I thought this was

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<v Speaker 1>a good chance to sort of see if there's kind

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<v Speaker 1>of some group wisdom here. And I asked, like, is

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<v Speaker 1>anyone else here from corporate, you know, and do you

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<v Speaker 1>have anything that's worked? And people started to stand up

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<v Speaker 1>and offer suggestions. And that was really when I was like,

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<v Speaker 1>this is there's something here, because you know, I got

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<v Speaker 1>some really kind feedback afterwards about how I should do

0:12:09.600 --> 0:12:12.000
<v Speaker 1>a TED talk, and I was like, yeah, I succeeded

0:12:12.040 --> 0:12:13.719
<v Speaker 1>at you know, standing up on a stage and doing

0:12:13.760 --> 0:12:15.680
<v Speaker 1>all the things I teach other people to do, like

0:12:15.840 --> 0:12:19.040
<v Speaker 1>seriously check. That was awesome. But the real magic was

0:12:19.080 --> 0:12:22.720
<v Speaker 1>when people were sharing you know, quote unquote best practices

0:12:22.800 --> 0:12:25.360
<v Speaker 1>across industries, and I was like, there isn't like a

0:12:25.360 --> 0:12:29.440
<v Speaker 1>place for that. And then you know, I was on

0:12:29.480 --> 0:12:31.319
<v Speaker 1>a friend's podcast and I was like, oh God, this

0:12:31.360 --> 0:12:36.520
<v Speaker 1>is my media. Like that was like a month afterwards,

0:12:36.520 --> 0:12:38.720
<v Speaker 1>and I was like, oh, maybe that's maybe that's what

0:12:38.840 --> 0:12:40.880
<v Speaker 1>that because I didn't know how to process what that

0:12:40.920 --> 0:12:44.600
<v Speaker 1>Princeton thing was like. That room was magical. You came

0:12:44.600 --> 0:12:49.480
<v Speaker 1>back completely just you know, a glow with what the

0:12:49.520 --> 0:12:51.760
<v Speaker 1>process that happened. And I was so moved by that

0:12:51.800 --> 0:12:54.079
<v Speaker 1>moment when I think that's when we kind of had

0:12:54.160 --> 0:12:57.559
<v Speaker 1>first met each other, and I'm I am just so

0:12:57.760 --> 0:12:59.920
<v Speaker 1>proud of you sitting here and we're doing the show.

0:13:00.080 --> 0:13:02.599
<v Speaker 1>Thank you, my love. We have a mutual friend UM

0:13:02.760 --> 0:13:04.920
<v Speaker 1>named Jess who who had said to me as I

0:13:04.960 --> 0:13:07.720
<v Speaker 1>was walking out the door to go to the conference

0:13:07.840 --> 0:13:10.560
<v Speaker 1>and we were at a coworking space we're working at together,

0:13:10.559 --> 0:13:12.800
<v Speaker 1>and she like, I'm literally in the door frame and

0:13:12.840 --> 0:13:15.600
<v Speaker 1>she was like, it's not a moment, it's a movement.

0:13:17.840 --> 0:13:21.160
<v Speaker 1>Thank you for that. Needed to hear that, but you

0:13:21.200 --> 0:13:24.400
<v Speaker 1>know it really, um, it really set the tone for

0:13:24.480 --> 0:13:28.160
<v Speaker 1>me that, UM, you know, my dream is that all

0:13:28.200 --> 0:13:30.600
<v Speaker 1>of us in those moments that feel scary when we

0:13:30.640 --> 0:13:33.120
<v Speaker 1>have to decide whether or not to sort of sound

0:13:33.160 --> 0:13:36.280
<v Speaker 1>like the most generic version of ourselves as possible, or

0:13:36.480 --> 0:13:38.960
<v Speaker 1>to sort of break out of that box. All of

0:13:39.040 --> 0:13:40.960
<v Speaker 1>us have to do that work on our own, but

0:13:41.040 --> 0:13:43.280
<v Speaker 1>that does not mean that we are doing it alone.

0:13:43.720 --> 0:13:48.640
<v Speaker 1>There is a you know, unspoken god. The words sisterhood

0:13:48.679 --> 0:13:51.600
<v Speaker 1>comes to mind. I'm sorry if that sounds so cliche

0:13:51.640 --> 0:13:55.080
<v Speaker 1>and cheesy, but there really is, and we're all dealing

0:13:55.120 --> 0:13:57.120
<v Speaker 1>with this. And one of the things that Princeton thing

0:13:57.160 --> 0:13:59.320
<v Speaker 1>taught me was that one of the ways in which

0:13:59.360 --> 0:14:02.400
<v Speaker 1>we're conditioned is to think that all of this vocal

0:14:02.480 --> 0:14:04.880
<v Speaker 1>drama we have, like I can't get heard or I

0:14:04.920 --> 0:14:08.320
<v Speaker 1>don't like the way I sound, or I sound too girly,

0:14:08.480 --> 0:14:11.640
<v Speaker 1>or I sound not cool and millennial enough, or I

0:14:11.840 --> 0:14:16.679
<v Speaker 1>sound you know, too foreign, or I sound to anything. Um.

0:14:16.840 --> 0:14:19.600
<v Speaker 1>We often mistake that for being something that's happening only

0:14:19.640 --> 0:14:22.160
<v Speaker 1>to us, and that we're alone in this little silo

0:14:22.280 --> 0:14:27.000
<v Speaker 1>that sucks. And the real lesson is we're all in

0:14:27.040 --> 0:14:29.360
<v Speaker 1>this together. So but I will say, I know it's

0:14:29.360 --> 0:14:31.720
<v Speaker 1>about a sisterhood, and we're about it's about feminism, and

0:14:31.720 --> 0:14:34.200
<v Speaker 1>it's about the female voice here. But what I think

0:14:34.200 --> 0:14:37.160
<v Speaker 1>this podcast brings to the table, and Jack, maybe you

0:14:37.160 --> 0:14:39.400
<v Speaker 1>can weigh in on this too, if we let you

0:14:39.440 --> 0:14:44.280
<v Speaker 1>speak um um, is that this podcast is helpful for men,

0:14:44.400 --> 0:14:47.960
<v Speaker 1>for women, for whoever and wherever you are. And I

0:14:48.000 --> 0:14:50.680
<v Speaker 1>really feel strongly about that. Yeah, I mean, look at

0:14:50.720 --> 0:14:53.640
<v Speaker 1>somebody who's married to a straight white man. I can attest.

0:14:55.760 --> 0:15:01.560
<v Speaker 1>I cannot I And I have, you know, a little

0:15:01.640 --> 0:15:04.440
<v Speaker 1>boy who I don't know what his you know, sexual

0:15:04.440 --> 0:15:07.160
<v Speaker 1>orientation is yet, but you know, I'm raising a white

0:15:07.240 --> 0:15:11.120
<v Speaker 1>boy and I think about that a lot. And UM,

0:15:11.160 --> 0:15:13.920
<v Speaker 1>I have to say this as somebody who still works

0:15:14.240 --> 0:15:17.440
<v Speaker 1>primarily in Hollywood, I'm working with all kinds of people

0:15:17.440 --> 0:15:22.520
<v Speaker 1>who feel like outsiders. They're gay, they're people of color,

0:15:22.760 --> 0:15:27.440
<v Speaker 1>they're people in toxic masculinity recovery, as I call it, allies.

0:15:27.440 --> 0:15:29.120
<v Speaker 1>We're trying to figure out how to stand up for

0:15:29.200 --> 0:15:32.280
<v Speaker 1>the right people at the right time, despite their privilege.

0:15:32.800 --> 0:15:36.800
<v Speaker 1>So this is really work for everybody. And part of

0:15:36.840 --> 0:15:39.680
<v Speaker 1>my work that feels like it's sort of advocacy as

0:15:39.720 --> 0:15:42.720
<v Speaker 1>well as just speech work is in trying to change

0:15:42.760 --> 0:15:45.400
<v Speaker 1>the world in terms of how much we can reveal ourselves.

0:15:45.400 --> 0:15:47.920
<v Speaker 1>And it continued to be something that gets us more power,

0:15:48.000 --> 0:15:51.880
<v Speaker 1>not less and be safe or not less safe. My background,

0:15:52.840 --> 0:15:56.720
<v Speaker 1>you know, before running this podcast network was running a

0:15:56.720 --> 0:16:00.920
<v Speaker 1>website with hundreds of writers, and even in in the

0:16:00.960 --> 0:16:06.840
<v Speaker 1>written word. I was surprised, as a straight white man, oblivious,

0:16:06.840 --> 0:16:12.320
<v Speaker 1>straight white man, that whenever there was a byline that

0:16:12.400 --> 0:16:15.960
<v Speaker 1>suggested the writer was a woman, it would get at

0:16:16.040 --> 0:16:22.480
<v Speaker 1>least two the scrutiny, the negative feedback just brutalized in

0:16:22.520 --> 0:16:25.760
<v Speaker 1>the comments section. Um. And then I started seeing it

0:16:25.840 --> 0:16:30.120
<v Speaker 1>happen with you know, the most talented comedians that I

0:16:30.240 --> 0:16:33.360
<v Speaker 1>worked with on this network. There would just be scrutiny

0:16:33.360 --> 0:16:36.320
<v Speaker 1>of their voice. Part of what I'm interested in is

0:16:36.360 --> 0:16:41.120
<v Speaker 1>saying like that is not necessarily inevitable. I mean, I

0:16:41.120 --> 0:16:44.480
<v Speaker 1>hope our society continues to change, but if it is inevitable,

0:16:44.520 --> 0:16:47.560
<v Speaker 1>if it is, just like there is maybe an additional

0:16:47.560 --> 0:16:50.440
<v Speaker 1>struggle the further you are as a human from like

0:16:50.480 --> 0:16:54.400
<v Speaker 1>the straight white male archetype, if there is that additional

0:16:54.480 --> 0:16:57.360
<v Speaker 1>struggle to be heard, to be understood, to be taken seriously,

0:16:58.080 --> 0:17:01.440
<v Speaker 1>let's just acknowledge that, and then let's make that struggle

0:17:01.760 --> 0:17:03.840
<v Speaker 1>be as I mean, joyful is the word that comes

0:17:03.840 --> 0:17:05.920
<v Speaker 1>to mind, and I don't mean to minimize people's experience,

0:17:06.040 --> 0:17:08.280
<v Speaker 1>but let's just make that something that's shine a light

0:17:08.280 --> 0:17:09.639
<v Speaker 1>on that, the same way we're shining a light in

0:17:09.640 --> 0:17:13.280
<v Speaker 1>the voice. It just is an additional challenge to be

0:17:13.400 --> 0:17:16.560
<v Speaker 1>understood if you don't look like the archetype of power.

0:17:17.080 --> 0:17:20.439
<v Speaker 1>And yeah, okay, great, we acknowledged it. Now what do

0:17:20.520 --> 0:17:24.359
<v Speaker 1>we do? Yes? And you know, what we're really talking

0:17:24.359 --> 0:17:26.880
<v Speaker 1>about is like, wouldn't it be amazing if we could

0:17:26.920 --> 0:17:30.359
<v Speaker 1>all just be ourselves? And you know, life is really

0:17:30.359 --> 0:17:35.040
<v Speaker 1>complicated in American is really complicated. And I don't think

0:17:35.119 --> 0:17:39.119
<v Speaker 1>it's responsible as a communication coach to tell people be

0:17:39.240 --> 0:17:44.120
<v Speaker 1>yourself by you know, because there really are less safe spaces.

0:17:44.520 --> 0:17:47.200
<v Speaker 1>But I do think that it is my job to

0:17:48.119 --> 0:17:50.920
<v Speaker 1>encourage my clients to be as brave as possible about

0:17:50.960 --> 0:17:55.160
<v Speaker 1>pushing on the edges, like what are the assumptions that

0:17:55.359 --> 0:17:58.000
<v Speaker 1>actually can fall down? I will say from my own

0:17:58.040 --> 0:18:01.320
<v Speaker 1>experience that tomorrow you have helped to coach me, But

0:18:01.359 --> 0:18:04.080
<v Speaker 1>you continue to help coach me as I get deeper

0:18:04.119 --> 0:18:07.400
<v Speaker 1>into being a producer and owning my own company and

0:18:07.880 --> 0:18:10.680
<v Speaker 1>you know, to a place where I am so excited

0:18:10.680 --> 0:18:13.480
<v Speaker 1>and happy to be. It takes more practice to be

0:18:13.560 --> 0:18:16.760
<v Speaker 1>able to continue the longevity with that. What you reminded

0:18:16.760 --> 0:18:18.480
<v Speaker 1>me of, thank you for that couty you reminded me

0:18:18.520 --> 0:18:21.800
<v Speaker 1>of also is that like very obviously we can all

0:18:22.000 --> 0:18:24.080
<v Speaker 1>we can all say that when we talk about the voice,

0:18:24.400 --> 0:18:27.679
<v Speaker 1>we're talking about the literal voice, which we don't often

0:18:27.880 --> 0:18:29.880
<v Speaker 1>you know, shine a light on, like as somebody who

0:18:30.000 --> 0:18:33.640
<v Speaker 1>has a background in dialect coaching, I'm I can think

0:18:33.680 --> 0:18:36.359
<v Speaker 1>about you know, avowal and a consonant sound, you know,

0:18:36.400 --> 0:18:39.879
<v Speaker 1>like breaking breaking down the voice into the most micro units.

0:18:40.320 --> 0:18:42.840
<v Speaker 1>But I'm also talking about the metaphorical voice. How we

0:18:42.960 --> 0:18:45.800
<v Speaker 1>stand up for ourselves, how we stand up for our communities,

0:18:45.840 --> 0:18:49.159
<v Speaker 1>for people that don't have a voice. And so what

0:18:49.320 --> 0:18:52.879
<v Speaker 1>I'm finding for myself, for you, for our friends, for

0:18:53.920 --> 0:18:55.960
<v Speaker 1>you know, everybody who's sort of on a journey of

0:18:56.000 --> 0:18:59.800
<v Speaker 1>trying to become the best version of themselves in public. Uh,

0:19:00.280 --> 0:19:02.080
<v Speaker 1>there are little things that we can do up top

0:19:02.119 --> 0:19:04.440
<v Speaker 1>to sort of like let go some of our old

0:19:04.440 --> 0:19:07.200
<v Speaker 1>tricks that aren't working anymore. But then there's like next

0:19:07.280 --> 0:19:09.480
<v Speaker 1>level ship And that's what's been coming up with some

0:19:09.520 --> 0:19:11.199
<v Speaker 1>of my guests too, that you guys are gonna be

0:19:11.200 --> 0:19:14.159
<v Speaker 1>hearing from, is like, you know, yeah, it's all well

0:19:14.200 --> 0:19:15.760
<v Speaker 1>and good to be like I found my voice, and

0:19:15.800 --> 0:19:18.639
<v Speaker 1>then life gets harder and you have more power and

0:19:18.680 --> 0:19:20.879
<v Speaker 1>suddenly you have to say no more and how do

0:19:20.960 --> 0:19:23.879
<v Speaker 1>you say no in a way that continues to help you,

0:19:24.080 --> 0:19:25.960
<v Speaker 1>quote unquote get what you want well? And so a

0:19:26.000 --> 0:19:28.080
<v Speaker 1>lot of our guests that come on, we have people

0:19:28.119 --> 0:19:32.280
<v Speaker 1>from scientists to celebrities to mindfulness experts. But I think

0:19:32.320 --> 0:19:35.080
<v Speaker 1>what is important you've said up before, your voice is

0:19:35.119 --> 0:19:39.080
<v Speaker 1>connected to your heart and to your brain equally, and

0:19:39.840 --> 0:19:42.800
<v Speaker 1>I'm excited to explore that with you on this show. Jack,

0:19:42.840 --> 0:19:47.479
<v Speaker 1>Do you have anything to see Your job, just in

0:19:47.520 --> 0:19:52.320
<v Speaker 1>general is something I didn't know existed. Uh that, Like

0:19:52.440 --> 0:19:55.560
<v Speaker 1>I thought a voice coach was the person who hits

0:19:55.560 --> 0:19:58.119
<v Speaker 1>the button on the NBC show and like turns around

0:19:58.160 --> 0:20:02.120
<v Speaker 1>and I didn't know that there have a job. Yeah

0:20:03.440 --> 0:20:06.080
<v Speaker 1>for it And I'm so waiting to hear back. But well,

0:20:06.119 --> 0:20:07.840
<v Speaker 1>now you're in competition with me, and I'm going to

0:20:07.960 --> 0:20:11.880
<v Speaker 1>lower my voice to um. But I would just love

0:20:11.920 --> 0:20:14.840
<v Speaker 1>for the listeners to hear just a little bit more

0:20:14.880 --> 0:20:19.399
<v Speaker 1>about all the different ways that you work with people.

0:20:19.960 --> 0:20:21.760
<v Speaker 1>I've been thinking back on the threat of this, but

0:20:22.080 --> 0:20:24.880
<v Speaker 1>it was like, I don't know, seven years ago or something,

0:20:24.880 --> 0:20:27.320
<v Speaker 1>and I found out about this organization on the East

0:20:27.359 --> 0:20:29.960
<v Speaker 1>Coast called the Alan All the Center for Communicating Science,

0:20:30.520 --> 0:20:32.680
<v Speaker 1>and my dad's a scientist, and I was like, I'm

0:20:32.680 --> 0:20:35.240
<v Speaker 1>pretty fearless in that realm as somebody who's not a scientist,

0:20:35.280 --> 0:20:37.879
<v Speaker 1>but like, you know, it doesn't get too scared of

0:20:38.600 --> 0:20:43.760
<v Speaker 1>talking to scientists about how they communicate, perhaps badly and uh.

0:20:44.000 --> 0:20:46.760
<v Speaker 1>And so I got trained by them and was already

0:20:46.760 --> 0:20:49.439
<v Speaker 1>thinking like, how is what I do with actors applicable

0:20:49.600 --> 0:20:52.720
<v Speaker 1>in other industries? And then you know, I would coach

0:20:52.720 --> 0:20:55.360
<v Speaker 1>friends here and there when they would have a pitch for,

0:20:55.840 --> 0:20:59.120
<v Speaker 1>you know, something major that mattered to them. And then

0:20:59.560 --> 0:21:05.760
<v Speaker 1>the twenty sixteen election happened, and um, I started feeling

0:21:05.960 --> 0:21:10.040
<v Speaker 1>like the activism I was doing in my own life

0:21:10.280 --> 0:21:15.680
<v Speaker 1>and the skill set that I had could actually coincide.

0:21:16.320 --> 0:21:18.840
<v Speaker 1>And that was a pretty new thought for me, actually,

0:21:18.880 --> 0:21:21.639
<v Speaker 1>and and it ended up manifesting itself in move on

0:21:21.680 --> 0:21:23.880
<v Speaker 1>dot org finding me and having me coach a lot

0:21:23.920 --> 0:21:25.840
<v Speaker 1>of women who are running for office for the midterms,

0:21:26.400 --> 0:21:29.040
<v Speaker 1>and god, that was such a good experience and it

0:21:29.119 --> 0:21:31.959
<v Speaker 1>really made me realize that, you know, so much of

0:21:32.000 --> 0:21:34.879
<v Speaker 1>the um work of dialect coaching. You know, people hear

0:21:34.920 --> 0:21:36.720
<v Speaker 1>actors and they think, oh, I'm not an actor, so

0:21:36.960 --> 0:21:39.680
<v Speaker 1>I can't do whatever that is or what smart does

0:21:39.720 --> 0:21:43.280
<v Speaker 1>isn't as relevant for me. But the reality is it

0:21:43.400 --> 0:21:46.280
<v Speaker 1>is like this small percentage about those vowels and consonant

0:21:46.320 --> 0:21:49.560
<v Speaker 1>sounds and this huge percentage about how humans communicate. And

0:21:49.600 --> 0:21:53.199
<v Speaker 1>I realized that I've been spending my entire life like

0:21:53.520 --> 0:21:57.760
<v Speaker 1>sort of logging away both amazing readings on that subject

0:21:57.800 --> 0:22:01.800
<v Speaker 1>and also picking up mentors and all so observing. And

0:22:02.040 --> 0:22:05.320
<v Speaker 1>you know, I'm finally with this podcast and with the

0:22:05.320 --> 0:22:09.439
<v Speaker 1>work I'm doing, like taking head on that question what

0:22:09.560 --> 0:22:11.800
<v Speaker 1>does power sound like? Because a lot of us have

0:22:11.840 --> 0:22:14.280
<v Speaker 1>a version in our heads of all the people we've

0:22:14.280 --> 0:22:19.040
<v Speaker 1>heard through the ages and what they used to sound like, namely,

0:22:19.240 --> 0:22:25.120
<v Speaker 1>you know, this sort of rich, grumpy white man narrative. Uh.

0:22:25.160 --> 0:22:27.120
<v Speaker 1>And if we don't sound like that, we either try

0:22:27.160 --> 0:22:31.359
<v Speaker 1>to or we shut ourselves out before we're even shut

0:22:31.359 --> 0:22:34.880
<v Speaker 1>out of rooms of power. And you know, a lot

0:22:34.920 --> 0:22:37.240
<v Speaker 1>of that is societal. It's not our fault. But to

0:22:37.280 --> 0:22:39.560
<v Speaker 1>the extent that we do have power, I'm interested in

0:22:39.600 --> 0:22:43.159
<v Speaker 1>playing there. The experience has been so interesting to create

0:22:43.200 --> 0:22:47.600
<v Speaker 1>a podcast it's about empowering female voices because there's decisions

0:22:47.640 --> 0:22:49.600
<v Speaker 1>along the way that we have to make in order

0:22:49.640 --> 0:22:52.280
<v Speaker 1>to market the show the right way. Yes, we were

0:22:52.359 --> 0:22:54.760
<v Speaker 1>We were talking at some point about these images of

0:22:54.760 --> 0:22:56.359
<v Speaker 1>my mouth that were used for a New York Times

0:22:56.400 --> 0:22:58.960
<v Speaker 1>piece about my work from a few years ago. It's

0:22:59.040 --> 0:23:01.639
<v Speaker 1>my mouth actually moving into three different vowel sounds, if

0:23:01.640 --> 0:23:04.400
<v Speaker 1>we want to be very technical about it. But on

0:23:04.440 --> 0:23:09.680
<v Speaker 1>its own, the female mouth often just gets really sexualized.

0:23:09.760 --> 0:23:15.119
<v Speaker 1>And look nothing against sexuality or against my lips being amazing.

0:23:15.520 --> 0:23:19.000
<v Speaker 1>But you know, when we think about women's mouths, we

0:23:19.080 --> 0:23:21.280
<v Speaker 1>often think about them sort of from the perspective of

0:23:21.280 --> 0:23:24.560
<v Speaker 1>the male gaze, and a mouth that's closed is, you know,

0:23:24.720 --> 0:23:26.680
<v Speaker 1>looking hot for the sake of a man. A mouth

0:23:26.720 --> 0:23:30.160
<v Speaker 1>that's open is often used in media as a sort

0:23:30.160 --> 0:23:33.480
<v Speaker 1>of shorthand for women or shrill. I don't know if

0:23:33.480 --> 0:23:36.959
<v Speaker 1>it's um unconscious or not, but you know, there's like

0:23:37.000 --> 0:23:41.240
<v Speaker 1>a mainstream media choice about how to portray women who

0:23:41.359 --> 0:23:44.640
<v Speaker 1>dare to be powerful. And so I went into the

0:23:44.720 --> 0:23:47.199
<v Speaker 1>idea of what to do with this logo design, uh,

0:23:47.440 --> 0:23:50.119
<v Speaker 1>knowing all of that, and what we ended up with

0:23:50.160 --> 0:23:52.160
<v Speaker 1>him that I kind of love is it's my mouth

0:23:52.359 --> 0:23:55.360
<v Speaker 1>literally in the middle of talking. And by the way,

0:23:55.400 --> 0:23:58.320
<v Speaker 1>I can't wait for somebody to decide what I was

0:23:58.320 --> 0:24:01.040
<v Speaker 1>saying in that exact moment. We were all sort of

0:24:01.080 --> 0:24:03.400
<v Speaker 1>arrested by that image when we were looking back at

0:24:04.000 --> 0:24:07.760
<v Speaker 1>um the proofs, because we just don't actually often see

0:24:08.280 --> 0:24:12.200
<v Speaker 1>a woman's mouth just in the process of talking. Thank

0:24:12.240 --> 0:24:14.720
<v Speaker 1>you so much for having me on your episode zero.

0:24:15.040 --> 0:24:20.280
<v Speaker 1>This is a good, uh brief sort of thumbnail version

0:24:20.560 --> 0:24:23.240
<v Speaker 1>of what I think people are going to find out

0:24:23.480 --> 0:24:27.160
<v Speaker 1>is so great about your podcast in the coming uh

0:24:27.320 --> 0:24:34.000
<v Speaker 1>for decades and lifetime. So thank you. I'm just so

0:24:34.080 --> 0:24:36.160
<v Speaker 1>excited to be on this journey, and I hope our

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<v Speaker 1>listeners understand how much we want them to obviously take

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<v Speaker 1>a minute and listen, but to really become a part

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<v Speaker 1>of this community and share your voice with us and

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<v Speaker 1>with the people around you, and to have permission to

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<v Speaker 1>speak the Thank you to Jack O'Brien and Catherine Burke

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<v Speaker 1>Canton for guest ho hosting my show. You can find

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<v Speaker 1>out more about both of them in the show notes

0:25:05.280 --> 0:25:08.479
<v Speaker 1>or on our website Permission to Speak pod dot com. Also,

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<v Speaker 1>I would like to point out that in episodes moving forward,

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<v Speaker 1>there's a segment at the end where my guests get

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<v Speaker 1>to bring in the voice of someone they admire and

0:25:18.480 --> 0:25:21.119
<v Speaker 1>we talk about it, and you can actually hear that

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<v Speaker 1>in action with the other episode that drops today where

0:25:24.520 --> 0:25:26.800
<v Speaker 1>I got to interview Evan rachel Wood. Also, you can

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<v Speaker 1>go to Permission to Speak pod dot com if you

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<v Speaker 1>have any awesome quotes you'd like me to read at

0:25:31.320 --> 0:25:34.800
<v Speaker 1>the top of the episodes, and if you have any questions,

0:25:35.240 --> 0:25:37.920
<v Speaker 1>I will do and ask me anything episode from time

0:25:37.920 --> 0:25:40.000
<v Speaker 1>to time, and I want to know what is getting

0:25:40.000 --> 0:25:43.399
<v Speaker 1>in the way of your voice. You can also send

0:25:43.560 --> 0:25:46.480
<v Speaker 1>d M s or voice messages to our Instagram at

0:25:46.520 --> 0:25:50.080
<v Speaker 1>Permission to Speak Pod where we're posting a bunch of

0:25:50.119 --> 0:25:53.960
<v Speaker 1>content and please join the community. Thanks as well to

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<v Speaker 1>Sophie Lichterman and the team at I Heart Radio, to

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<v Speaker 1>Megan Read, to my family and cohort, and to all

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<v Speaker 1>of you. We're recording this podcast in the I Heart

0:26:03.600 --> 0:26:07.120
<v Speaker 1>Radio studios in Hollywood on land that used to belong

0:26:07.160 --> 0:26:09.879
<v Speaker 1>to the Tongva indigenous tribe, and you can visit U.

0:26:09.960 --> 0:26:12.200
<v Speaker 1>S d A C dot us to learn more about

0:26:12.240 --> 0:26:15.040
<v Speaker 1>honoring native land. Permission to Speak is a production of

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<v Speaker 1>I Heart Radio and Double Vision executive produced by Katherine

0:26:18.400 --> 0:26:21.119
<v Speaker 1>Burt Canton and Mark Canton. For more podcasts from My

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<v Speaker 1>Heart Radio, listen on the I Heart Radio app Apple

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<v Speaker 1>Podcasts or wherever you get your favorite shows