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If you want 21 00:00:56,480 --> 00:00:58,920 Speaker 1: to get twenty dollars off and free shipping. Use the 22 00:00:58,960 --> 00:01:02,000 Speaker 1: promo code fifty when you order at brook Lennon dot com. 23 00:01:02,040 --> 00:01:05,279 Speaker 1: That's twenty dollars off and free shipping. Use the promo 24 00:01:05,360 --> 00:01:08,760 Speaker 1: code fifteen at brook Lennon dot com b R O 25 00:01:08,920 --> 00:01:11,320 Speaker 1: O KA l I N E N dot com promo 26 00:01:11,400 --> 00:01:16,720 Speaker 1: code fifteen. What would you talk about on your on 27 00:01:16,760 --> 00:01:27,679 Speaker 1: your podcast? Firm Elvis Presents fifteen show. Right, we've got 28 00:01:27,680 --> 00:01:32,280 Speaker 1: fifteen minutes to make a difference. Let's get going. Hi Danielle, Hey, 29 00:01:32,640 --> 00:01:36,000 Speaker 1: I love you. I love you too, all right. Other 30 00:01:36,040 --> 00:01:39,000 Speaker 1: than that, you guys have a nice day. You cannot leave, Yeah, 31 00:01:39,120 --> 00:01:43,400 Speaker 1: you can. There's other people here love Danielle, but the 32 00:01:43,440 --> 00:01:48,040 Speaker 1: rest of us, Hi, Brody didn't see back there? Garrett, Hi, Garrett, 33 00:01:49,080 --> 00:01:52,240 Speaker 1: I'm right in the middle. There's Nate n the Hey there, 34 00:01:52,760 --> 00:01:55,040 Speaker 1: and then the best for last, Gregg Tea. Alright. You 35 00:01:55,080 --> 00:01:57,920 Speaker 1: know Greg t is still a little cocky from his 36 00:01:58,160 --> 00:02:02,120 Speaker 1: uh successful topic train on our show. That was the 37 00:02:02,120 --> 00:02:04,600 Speaker 1: best one you've ever done. I was gonna says it's 38 00:02:04,640 --> 00:02:06,120 Speaker 1: the best one in a long time. It was the 39 00:02:06,120 --> 00:02:09,160 Speaker 1: best one a long time. Enough. Yes, well, he really 40 00:02:09,200 --> 00:02:10,680 Speaker 1: didn't have anything to do with it, though. If you 41 00:02:10,720 --> 00:02:12,840 Speaker 1: think about it, he typed it off, he typed it up. 42 00:02:12,880 --> 00:02:15,560 Speaker 1: He probably got most of the topics from other people. 43 00:02:16,200 --> 00:02:18,679 Speaker 1: And then your Ritza gets the good calls, and then 44 00:02:18,960 --> 00:02:21,160 Speaker 1: Nate will take the text that call in, and then 45 00:02:21,160 --> 00:02:23,480 Speaker 1: he'll text in and then he will call them to 46 00:02:23,520 --> 00:02:26,280 Speaker 1: be on the show. So really T doesn't do much. 47 00:02:26,560 --> 00:02:28,560 Speaker 1: But if you think about it, Elvis does all the work. 48 00:02:28,639 --> 00:02:30,320 Speaker 1: Elvis comes up with a topic, splits it out, and 49 00:02:30,320 --> 00:02:35,200 Speaker 1: we all do what we've been to be fair, to 50 00:02:35,320 --> 00:02:38,880 Speaker 1: be fair, Greg T puts as much into his topic 51 00:02:38,880 --> 00:02:40,880 Speaker 1: train as I put into the show. I don't do anything. 52 00:02:41,120 --> 00:02:43,680 Speaker 1: So I'm thinking of a new jingle. Greg T typed 53 00:02:43,680 --> 00:02:48,440 Speaker 1: this up. Let's call in great type this stuff, and 54 00:02:48,440 --> 00:02:50,519 Speaker 1: even then he didn't spell it right. Well, there's the 55 00:02:50,639 --> 00:02:52,760 Speaker 1: rich ones. Did you actually come up with? Okay, here's 56 00:02:52,760 --> 00:02:55,799 Speaker 1: what I'll do. The old school rocket roller one was mine, 57 00:02:56,240 --> 00:02:58,240 Speaker 1: that was mine, and then I forget the other one 58 00:02:58,280 --> 00:03:00,600 Speaker 1: with his mine. But here's the thing is I'll look 59 00:03:00,639 --> 00:03:03,920 Speaker 1: at Okay, it doesn't need to be a thing. We 60 00:03:03,919 --> 00:03:06,360 Speaker 1: we know you. You do as little work as possible. 61 00:03:06,480 --> 00:03:08,919 Speaker 1: Oh my god, where am I? But wait? And other 62 00:03:08,919 --> 00:03:11,839 Speaker 1: people do most of the heavy lifting. What I'm saying 63 00:03:11,919 --> 00:03:14,000 Speaker 1: is I can relate because I'm the same way. I 64 00:03:14,000 --> 00:03:17,560 Speaker 1: don't do anything around here. My phone never rings, there's 65 00:03:17,639 --> 00:03:20,840 Speaker 1: never anyone asking for anything because people know not to 66 00:03:20,919 --> 00:03:25,360 Speaker 1: contact me to get me to do anything. Right straight now, anybody, 67 00:03:26,760 --> 00:03:28,840 Speaker 1: I just want to say what I've realized straight Nate 68 00:03:28,919 --> 00:03:31,200 Speaker 1: does all the hard work and heavy lifting. What I've 69 00:03:31,200 --> 00:03:34,400 Speaker 1: realized is that this show, he's got so much talent 70 00:03:34,520 --> 00:03:38,360 Speaker 1: on it, and each individual has their own talent that 71 00:03:38,400 --> 00:03:40,840 Speaker 1: can help you out at any given moment. So I 72 00:03:40,880 --> 00:03:44,440 Speaker 1: know who to go to when I actually need something done. 73 00:03:44,640 --> 00:03:48,120 Speaker 1: When it comes to Top of Train, I love Brodie's ideas. 74 00:03:48,280 --> 00:03:50,920 Speaker 1: Brodie's got weird ideas, like you know, you ever seen 75 00:03:51,080 --> 00:03:54,400 Speaker 1: a zombie walks through your backyard with with a machine gun? Boom? Great, 76 00:03:54,440 --> 00:03:56,320 Speaker 1: top of the Top of Train. No, actually that's not 77 00:03:56,360 --> 00:03:58,880 Speaker 1: a good topic. You know, we get the point, like 78 00:03:58,960 --> 00:04:02,280 Speaker 1: Josh is very creative. Josh gave me Stuck in your Body. 79 00:04:02,440 --> 00:04:05,120 Speaker 1: That was Josh's. The other ones were all mine. By 80 00:04:05,160 --> 00:04:07,040 Speaker 1: the way, if someone's listening to this podcast and they 81 00:04:07,040 --> 00:04:08,720 Speaker 1: didn't hear the topic train, they don't know what the 82 00:04:08,800 --> 00:04:11,600 Speaker 1: hell you're talking about. What the hell you're talking about? 83 00:04:11,840 --> 00:04:15,200 Speaker 1: All right, Well, let's move on UH. We interviewed Nick 84 00:04:15,240 --> 00:04:18,359 Speaker 1: Cannon today, and I gotta tell you an interesting backstory. 85 00:04:18,760 --> 00:04:21,560 Speaker 1: So he and his his guys walk in. They're supposed 86 00:04:21,560 --> 00:04:25,440 Speaker 1: to be slated for seven forty am, right, So Nate 87 00:04:25,440 --> 00:04:29,599 Speaker 1: walks in, going uh. They have a seven fifty plane 88 00:04:31,120 --> 00:04:34,440 Speaker 1: close close. It was a nine fifteen flight out of Newark, 89 00:04:34,680 --> 00:04:36,839 Speaker 1: which is it can be a twenty minute or a 90 00:04:36,920 --> 00:04:38,840 Speaker 1: one hour twenty minute drive from where we are in 91 00:04:38,880 --> 00:04:41,400 Speaker 1: downtown Manhattan, which one I told you that You asked 92 00:04:41,720 --> 00:04:43,039 Speaker 1: me when do they need to leave? And you looked 93 00:04:43,040 --> 00:04:44,640 Speaker 1: at the watch and said, um, I think he needs 94 00:04:44,680 --> 00:04:47,200 Speaker 1: to leave right now, right now. And we still had 95 00:04:47,240 --> 00:04:48,880 Speaker 1: to do the phone tap. We had to do a 96 00:04:48,920 --> 00:04:50,680 Speaker 1: local break for New York. We had a lot of 97 00:04:50,720 --> 00:04:53,120 Speaker 1: stuff to do, and so he wouldn't be on the 98 00:04:53,120 --> 00:04:56,480 Speaker 1: air with us until eight o'clock and he has to 99 00:04:56,520 --> 00:04:59,280 Speaker 1: be there by eight fifteen for nine flight, and it 100 00:04:59,320 --> 00:05:01,960 Speaker 1: would it wouldn't work out. The numbers didn't work. So 101 00:05:01,960 --> 00:05:03,520 Speaker 1: I said, well, what are we gonna do? I mean, 102 00:05:03,520 --> 00:05:05,360 Speaker 1: should we just go tell him to come back next time? 103 00:05:05,360 --> 00:05:07,560 Speaker 1: Because I don't want to be rude because he's Nick 104 00:05:07,600 --> 00:05:11,000 Speaker 1: Cannon's a great A great interview, is a great guy. Yeah, 105 00:05:11,160 --> 00:05:12,800 Speaker 1: so we figured it out. We figured it out. No, 106 00:05:12,880 --> 00:05:14,400 Speaker 1: we put him on in a local break and then 107 00:05:14,400 --> 00:05:17,719 Speaker 1: we still had enough time in the network break that 108 00:05:17,839 --> 00:05:21,279 Speaker 1: everybody heard that it was worth his one. Do we 109 00:05:21,360 --> 00:05:24,040 Speaker 1: know if he made the plane? That's my question, made 110 00:05:24,080 --> 00:05:26,159 Speaker 1: the plane? I'm going to ask it. But most celebrities 111 00:05:26,200 --> 00:05:28,760 Speaker 1: like Nick Cannon have the special door at the airport. 112 00:05:28,960 --> 00:05:30,520 Speaker 1: They go through. They don't have to wait at T 113 00:05:30,720 --> 00:05:33,200 Speaker 1: s A like most of us do. Well, they have 114 00:05:33,400 --> 00:05:35,440 Speaker 1: they have their own private T s A. Yeah, they 115 00:05:35,480 --> 00:05:37,919 Speaker 1: go to the secret door and they have they have 116 00:05:38,040 --> 00:05:40,240 Speaker 1: one agent who's dedicated to that door, and they take 117 00:05:40,240 --> 00:05:42,039 Speaker 1: care of the people who come through. That's what he 118 00:05:42,120 --> 00:05:44,920 Speaker 1: said on our show. I'll tell that my agent when 119 00:05:44,960 --> 00:05:47,680 Speaker 1: I get to the door. Yeah, the combo. Yeah, yeah, 120 00:05:47,720 --> 00:05:50,520 Speaker 1: they have people ready for him. What I did not 121 00:05:50,720 --> 00:05:53,799 Speaker 1: know this? How do you get that so quick? Little status? 122 00:05:56,360 --> 00:05:58,479 Speaker 1: But now we think about it. I don't think I've 123 00:05:58,480 --> 00:06:02,120 Speaker 1: ever really seen an actual celebrity standing on the check 124 00:06:02,160 --> 00:06:05,000 Speaker 1: in line at all. Right, you've seen him on your flight, 125 00:06:05,160 --> 00:06:07,080 Speaker 1: I've seen him on How do they get on the flight. 126 00:06:07,160 --> 00:06:09,520 Speaker 1: They go through the secret door, the Nick Cannon door. 127 00:06:09,800 --> 00:06:11,960 Speaker 1: Remember one time we were flying we all sat down 128 00:06:11,960 --> 00:06:17,560 Speaker 1: in our United flight to Houston and then boom, these 129 00:06:17,600 --> 00:06:19,159 Speaker 1: two people come in and sit down to the front seat. 130 00:06:19,200 --> 00:06:20,520 Speaker 1: Then they closed the door and believe who was it? 131 00:06:20,640 --> 00:06:23,640 Speaker 1: Beyonce in her security guard. Yes, she's not going through 132 00:06:23,640 --> 00:06:25,599 Speaker 1: the normal line. That's yeah, well that's back when she 133 00:06:25,600 --> 00:06:29,000 Speaker 1: flew commercial. I don't think she doesn't anymore. But but no, 134 00:06:29,080 --> 00:06:31,560 Speaker 1: they have their secret door. There were so amazing that, 135 00:06:31,720 --> 00:06:33,960 Speaker 1: so many amazing things in the world. How does celebrities 136 00:06:33,960 --> 00:06:37,400 Speaker 1: get on airplanes seeing them? You know, I mean, how 137 00:06:37,400 --> 00:06:39,840 Speaker 1: did you think they got on airplanes? Well, I don't know. 138 00:06:39,960 --> 00:06:42,600 Speaker 1: That's good. You never really think. They just kind of appear, 139 00:06:43,000 --> 00:06:44,760 Speaker 1: you know, I don't know, like how does it cut 140 00:06:44,800 --> 00:06:46,560 Speaker 1: on your finger? Get? You know, how does it heal? 141 00:06:47,160 --> 00:06:49,200 Speaker 1: I don't know. Okay, now I'm not going on I'm 142 00:06:49,200 --> 00:06:53,400 Speaker 1: not going not going down this road. Scary. Can we 143 00:06:53,440 --> 00:06:55,160 Speaker 1: talk to Scary about how great he looked on the 144 00:06:55,279 --> 00:07:00,000 Speaker 1: MTV the MTV Video Music Award like carpet at Radio 145 00:07:00,040 --> 00:07:02,239 Speaker 1: City last night. Thank you so much. You looked awesome. 146 00:07:02,279 --> 00:07:04,400 Speaker 1: Did you have a good time because it looked like that. 147 00:07:04,400 --> 00:07:06,680 Speaker 1: That was a hard job. It was hard because we 148 00:07:06,760 --> 00:07:09,120 Speaker 1: were at the end of the carpet and what. They 149 00:07:09,160 --> 00:07:13,080 Speaker 1: separate the carpet into segments. It's not one continuous red 150 00:07:13,160 --> 00:07:16,280 Speaker 1: carpet as you would imagine where celebrities are all going 151 00:07:16,320 --> 00:07:20,000 Speaker 1: to rush past you. There are these little fallout shelters 152 00:07:20,400 --> 00:07:23,559 Speaker 1: where the the celebrities can do where all the camera 153 00:07:23,600 --> 00:07:25,240 Speaker 1: crews are all lined up. It's t V t V, 154 00:07:25,360 --> 00:07:28,320 Speaker 1: t V TV, and then there's a break where if 155 00:07:28,320 --> 00:07:31,360 Speaker 1: a said celeb wants to do all the major TV 156 00:07:31,480 --> 00:07:34,640 Speaker 1: outlets right after the last one, they can dip out 157 00:07:34,680 --> 00:07:38,200 Speaker 1: to the side and they go behind the carpet and 158 00:07:38,200 --> 00:07:40,400 Speaker 1: they don't have to walk it. So there's a picture 159 00:07:40,440 --> 00:07:42,800 Speaker 1: like a pool table with several pockets. You could go 160 00:07:42,880 --> 00:07:44,360 Speaker 1: to the side pocket and not have to go to 161 00:07:44,440 --> 00:07:46,880 Speaker 1: the and not have to go to scary. That's a 162 00:07:46,920 --> 00:07:49,320 Speaker 1: lot of them did not. Well, you opted out. You 163 00:07:49,400 --> 00:07:51,960 Speaker 1: never ever ever want to be at the end of 164 00:07:51,960 --> 00:07:54,200 Speaker 1: the red carpet. If you get to a red carpet 165 00:07:54,200 --> 00:07:56,560 Speaker 1: event and you know you're that last thing, you know 166 00:07:56,600 --> 00:08:03,320 Speaker 1: you're getting shifted because yes, because that's exactly what you say. 167 00:08:03,440 --> 00:08:06,640 Speaker 1: It's they take because everybody takes so much time talking 168 00:08:06,640 --> 00:08:08,680 Speaker 1: to these people that by the time they get to you, 169 00:08:08,840 --> 00:08:11,080 Speaker 1: they're running late. They have to get in their seed. 170 00:08:11,280 --> 00:08:14,040 Speaker 1: They're getting, you know whatever, so they have to Sorry, kids, 171 00:08:16,040 --> 00:08:18,440 Speaker 1: the key is to be first positions as soon as 172 00:08:18,440 --> 00:08:21,840 Speaker 1: they get out of their car, positions, as soon as 173 00:08:21,840 --> 00:08:23,480 Speaker 1: they get out of their car, their stuv. You want 174 00:08:23,520 --> 00:08:26,320 Speaker 1: them to walk directly to you first, and then you don't. 175 00:08:26,400 --> 00:08:28,520 Speaker 1: You don't care where they how The good news was, 176 00:08:28,840 --> 00:08:32,280 Speaker 1: we did get the space right next to the MTV 177 00:08:32,520 --> 00:08:35,280 Speaker 1: v N A pre show stage where Vinny and DJ 178 00:08:35,360 --> 00:08:39,080 Speaker 1: Paul D from Jersey Shore we're hosting. So I did 179 00:08:39,160 --> 00:08:42,320 Speaker 1: get some celebs that were rushing to that stage, but 180 00:08:42,360 --> 00:08:47,240 Speaker 1: they weren't stopping from Ken John from the Chinese Crazy 181 00:08:49,559 --> 00:08:55,120 Speaker 1: and did you shove your now? I used to go 182 00:08:55,320 --> 00:08:58,000 Speaker 1: and I barget on other people's interviews. If I knew 183 00:08:58,040 --> 00:09:00,800 Speaker 1: I wasn't getting the exclusive, my microphone was going to 184 00:09:00,840 --> 00:09:03,680 Speaker 1: get somebody else is exclusive, So I shoved the microphone 185 00:09:03,679 --> 00:09:06,559 Speaker 1: in there. That's scary. Just tried so hard not only 186 00:09:06,559 --> 00:09:08,720 Speaker 1: to remember the name of the movie, but remember not 187 00:09:08,760 --> 00:09:15,360 Speaker 1: to say something offensive crazy Chinese, It was crazy Rich Asians. 188 00:09:16,320 --> 00:09:18,000 Speaker 1: But I will say, you know, it was great and 189 00:09:18,040 --> 00:09:21,080 Speaker 1: I got a great interview with Madison Beer. I got 190 00:09:21,080 --> 00:09:24,040 Speaker 1: a which hasn't been posted yet, and a couple of others, 191 00:09:24,080 --> 00:09:27,760 Speaker 1: and you know Sabrina Carpenter always, so she came to me. 192 00:09:27,880 --> 00:09:31,160 Speaker 1: I didn't have to look for her, so that was nice. 193 00:09:31,200 --> 00:09:33,160 Speaker 1: It was just it was wonderful. The whole the whole 194 00:09:33,160 --> 00:09:36,480 Speaker 1: atmosphere is it can be crazy and chaotic, but it 195 00:09:36,559 --> 00:09:37,880 Speaker 1: is what you make of it. And we had a 196 00:09:37,960 --> 00:09:41,040 Speaker 1: fun time. Why did you talk to the backdoor teen 197 00:09:41,080 --> 00:09:44,559 Speaker 1: mom about her daughter growing up? And of course you 198 00:09:44,679 --> 00:09:49,120 Speaker 1: did her teen teen mom, fare fare Abraham. Yeah, she's 199 00:09:49,160 --> 00:09:51,360 Speaker 1: she's doing a lot of wonderful things. I interviewed her too. 200 00:09:51,360 --> 00:09:55,080 Speaker 1: With all the interviews Instagram, nothing's been posted, but it's 201 00:09:55,120 --> 00:09:58,160 Speaker 1: all somewhere. We have the footage on someone's camera. A 202 00:09:58,200 --> 00:10:00,120 Speaker 1: lot of people would love to the experience of on 203 00:10:00,160 --> 00:10:02,080 Speaker 1: a red carpet. It's something you should do at least once, 204 00:10:02,120 --> 00:10:05,000 Speaker 1: and that's all you need. Red carpet is like backstage. 205 00:10:05,160 --> 00:10:07,439 Speaker 1: Those are places you just don't want to be. There's 206 00:10:07,480 --> 00:10:10,200 Speaker 1: nothing good about backstage. There's nothing good about red carpet. 207 00:10:10,200 --> 00:10:12,760 Speaker 1: But it's just mayhem, people pushing you out of the way. 208 00:10:12,800 --> 00:10:16,160 Speaker 1: And was very nice to us. See but see go 209 00:10:16,200 --> 00:10:19,079 Speaker 1: to a garret. Yes, who actually had tenth row for 210 00:10:19,120 --> 00:10:21,800 Speaker 1: the MTV Video Music he warns, you had great seats. 211 00:10:22,320 --> 00:10:25,200 Speaker 1: It's it's it's exactly what you just said, Elvis. Like 212 00:10:25,280 --> 00:10:28,000 Speaker 1: sitting at the show. They go to commercial, everybody's not 213 00:10:28,080 --> 00:10:30,560 Speaker 1: up hanging out. Everybody either runs to the bathroom, gets 214 00:10:30,600 --> 00:10:34,080 Speaker 1: free drinks and they come back, or they just vanished 215 00:10:34,120 --> 00:10:37,240 Speaker 1: backstage for like twenty minutes at a time, and then 216 00:10:37,360 --> 00:10:40,440 Speaker 1: people get filled into their seats like some random strangers 217 00:10:40,440 --> 00:10:43,119 Speaker 1: from the streets. So it's not like that party atmosphere 218 00:10:43,120 --> 00:10:45,640 Speaker 1: where it's like nothing but seleds and you're bumping into people. 219 00:10:45,880 --> 00:10:49,200 Speaker 1: It was interesting to see how all the stuff the 220 00:10:49,280 --> 00:10:53,079 Speaker 1: musicians were sitting sitting in that ring by the stage. 221 00:10:53,440 --> 00:10:56,160 Speaker 1: Then about five to ten rows back from the stage 222 00:10:56,320 --> 00:10:59,000 Speaker 1: was the Jersey shorecast, and then ten rows behind them 223 00:10:59,240 --> 00:11:01,439 Speaker 1: was the cast of the Hills, because they just announced 224 00:11:01,559 --> 00:11:03,600 Speaker 1: the Hills are bad, so you were ahead of the Hill. 225 00:11:03,679 --> 00:11:06,120 Speaker 1: I was ahead of the Hills, by the way, looking 226 00:11:06,160 --> 00:11:10,640 Speaker 1: at Spencer Pratt and Heidi Uh, by the way, I 227 00:11:10,679 --> 00:11:12,560 Speaker 1: know I'm a better parent than them. How do you 228 00:11:12,600 --> 00:11:14,680 Speaker 1: know that they have a one year old son that 229 00:11:14,800 --> 00:11:18,960 Speaker 1: they kept up until until midnight? Pretty much you have 230 00:11:19,000 --> 00:11:20,800 Speaker 1: a one year wait brought her son to the Video 231 00:11:20,880 --> 00:11:23,960 Speaker 1: Music Award. Yes, because they're desperate for attention. Those two 232 00:11:24,640 --> 00:11:28,720 Speaker 1: watching watching. Honestly, I I know, and I think most 233 00:11:28,760 --> 00:11:31,320 Speaker 1: of everyone in here, even Scary, could be a better 234 00:11:31,400 --> 00:11:37,120 Speaker 1: parent than than those two that drop. He dropped, Jada, 235 00:11:37,320 --> 00:11:40,360 Speaker 1: he didn't, he didn't drop. It was weird watching a 236 00:11:40,440 --> 00:11:42,880 Speaker 1: music award show and Taylor Swift wasn't in the front row. 237 00:11:46,000 --> 00:11:48,160 Speaker 1: She is in town though, so she's in time. It 238 00:11:48,200 --> 00:11:50,440 Speaker 1: didn't go. You know what I noticed too, When you're 239 00:11:50,480 --> 00:11:53,120 Speaker 1: there and you're sitting there, you notice that they move 240 00:11:53,200 --> 00:11:55,839 Speaker 1: people up, Like if j Low's coming up next, her 241 00:11:55,840 --> 00:11:57,599 Speaker 1: whole family is going to move to the front to 242 00:11:57,679 --> 00:12:00,160 Speaker 1: watch her. Even at the I Heart Radio Musical War, 243 00:12:00,160 --> 00:12:02,640 Speaker 1: It's like when Camilla Kabao was about to get on stage, 244 00:12:02,720 --> 00:12:05,400 Speaker 1: they moved Camilla into a position so that she's ready 245 00:12:05,400 --> 00:12:07,520 Speaker 1: to go. Since the light scot which makes total thing. 246 00:12:07,520 --> 00:12:09,320 Speaker 1: You gotta keep in mind, first and foremost, it's a 247 00:12:09,360 --> 00:12:12,760 Speaker 1: TV show. It's all for the camera, so you know 248 00:12:12,880 --> 00:12:15,000 Speaker 1: there are performances going on that you don't really see 249 00:12:15,040 --> 00:12:18,200 Speaker 1: that well when you're there because the cameras have doing 250 00:12:18,200 --> 00:12:20,640 Speaker 1: them backstage and this and that, and they don't care. 251 00:12:21,120 --> 00:12:23,079 Speaker 1: They just want people to clap, They want people in 252 00:12:23,120 --> 00:12:25,600 Speaker 1: the adage to clap that's all they want. You scary 253 00:12:25,720 --> 00:12:28,000 Speaker 1: that it before that they were filming it for TV, 254 00:12:28,080 --> 00:12:30,200 Speaker 1: which they were because there was more people actually watching 255 00:12:30,240 --> 00:12:33,200 Speaker 1: it on TV than there were in radio seating music 256 00:12:33,480 --> 00:12:36,800 Speaker 1: thousand times. Tis hence why they would just film it 257 00:12:36,800 --> 00:12:39,240 Speaker 1: for TV as opposed to you know, when they put 258 00:12:39,280 --> 00:12:41,199 Speaker 1: the camera on the celebs and the and the celebs 259 00:12:41,200 --> 00:12:45,040 Speaker 1: will clap like they're really enjoying what's on stage. Last night, especially, 260 00:12:45,040 --> 00:12:47,000 Speaker 1: I noticed when artists were like in the back of 261 00:12:47,000 --> 00:12:49,600 Speaker 1: the shot and didn't think they're on camera. They didn't 262 00:12:49,600 --> 00:12:52,400 Speaker 1: give a crap what was going on. Nicki Minaje when 263 00:12:52,440 --> 00:12:54,360 Speaker 1: other people on stage and she didn't love She had 264 00:12:54,400 --> 00:12:56,040 Speaker 1: to look on her face like I don't know, need 265 00:12:56,080 --> 00:12:57,840 Speaker 1: this crap. But as soon as the camera was like 266 00:12:57,840 --> 00:13:01,120 Speaker 1: honors like yeah, yeah, Sean Mendez, when camera's not like 267 00:13:01,880 --> 00:13:06,840 Speaker 1: whatver the you like, what do you do for the 268 00:13:06,880 --> 00:13:10,200 Speaker 1: camera versus off the camera? Let's ask straight. No. I've 269 00:13:10,200 --> 00:13:12,000 Speaker 1: been to so many TV tapings when I was in 270 00:13:12,040 --> 00:13:15,160 Speaker 1: Los Angeles. He go to we go to idol or whatever, 271 00:13:15,920 --> 00:13:18,640 Speaker 1: and it's so disappointing sometimes when they have a lot 272 00:13:18,679 --> 00:13:21,600 Speaker 1: of pre records. So I remember going to this Idol 273 00:13:21,800 --> 00:13:23,520 Speaker 1: show one time, and I'm like, oh my god, Neil 274 00:13:23,600 --> 00:13:25,880 Speaker 1: Diamond's gonna be here. It's gonna be cool. So I 275 00:13:25,920 --> 00:13:28,000 Speaker 1: get there and it's Ryan on stage and it's this 276 00:13:28,160 --> 00:13:30,440 Speaker 1: huge presence, and you know, all of a sudden, he's 277 00:13:30,480 --> 00:13:32,880 Speaker 1: like blah blah blah blah and Neil Diamond and then 278 00:13:33,160 --> 00:13:37,160 Speaker 1: everything goes black and people start applauding, and then where's 279 00:13:37,200 --> 00:13:40,000 Speaker 1: Neil Diamond And then he just comes on the screen. 280 00:13:40,000 --> 00:13:44,199 Speaker 1: They had recorded it that afternoon. I'm like, okay, it's 281 00:13:44,480 --> 00:13:46,160 Speaker 1: for the TV, for the TV, and then like fifteen 282 00:13:46,160 --> 00:13:48,880 Speaker 1: minutes like like oh, the best performance from last night, 283 00:13:49,120 --> 00:13:51,320 Speaker 1: and then they played it from the night before. So 284 00:13:51,400 --> 00:13:53,079 Speaker 1: you showed up and said in an audience just to 285 00:13:53,120 --> 00:13:57,600 Speaker 1: watch videos. It's just the most disappointed thing. It's the 286 00:13:57,679 --> 00:14:00,880 Speaker 1: same as the Macy's Thanksgiving Day, that's right. A lot 287 00:14:00,920 --> 00:14:03,640 Speaker 1: of that is pre recording. A lot of those performances 288 00:14:03,640 --> 00:14:05,920 Speaker 1: are done right on the street in front of Macy's 289 00:14:06,120 --> 00:14:09,720 Speaker 1: Harold Square, and they record those, some of them like 290 00:14:09,800 --> 00:14:12,360 Speaker 1: months ahead of time, with with a crowd dressed in 291 00:14:12,480 --> 00:14:17,800 Speaker 1: winter coaches outside went on the record that and because 292 00:14:17,840 --> 00:14:19,520 Speaker 1: they do it for teving. One of those was last 293 00:14:19,600 --> 00:14:24,480 Speaker 1: night Nicki Minaj was all of a sudden downtown from 294 00:14:24,520 --> 00:14:26,480 Speaker 1: a secret location which has turned out to be the 295 00:14:26,480 --> 00:14:30,240 Speaker 1: Oculus Downtown Manhattan, And uh that was had to have 296 00:14:30,280 --> 00:14:32,840 Speaker 1: been taped on a different day because she was backstage 297 00:14:33,520 --> 00:14:35,520 Speaker 1: different way. I thought it was last night. Do you 298 00:14:35,560 --> 00:14:40,240 Speaker 1: think they rushed her out of the VIM. Yeah, she 299 00:14:40,280 --> 00:14:42,600 Speaker 1: goes had to get there, and I go, probably helicopter. 300 00:14:44,320 --> 00:14:48,640 Speaker 1: I really thought that's not how it happened. But it's 301 00:14:48,680 --> 00:14:50,960 Speaker 1: it's a package they produced her. But they didn't have 302 00:14:51,000 --> 00:14:53,360 Speaker 1: a helicopter flying in the air with the word queen 303 00:14:53,400 --> 00:14:55,480 Speaker 1: written on it, you know, her album and everything. So 304 00:14:55,520 --> 00:14:58,480 Speaker 1: I thought like she was in there flying to the 305 00:14:58,520 --> 00:15:01,120 Speaker 1: thing okay where you know had a helicopter at Radio 306 00:15:01,120 --> 00:15:02,960 Speaker 1: City Music Call. But that's what I was thinking. Maybe 307 00:15:03,000 --> 00:15:05,520 Speaker 1: on the roof you weren't thinking they let a parachute 308 00:15:05,560 --> 00:15:09,360 Speaker 1: on her and they shut her down. There's a roof 309 00:15:09,440 --> 00:15:11,880 Speaker 1: to Radio City Fitness. There's a roof weight Do you 310 00:15:12,760 --> 00:15:16,960 Speaker 1: greg it was prerecording when you thought was a fallout 311 00:15:16,960 --> 00:15:19,440 Speaker 1: boy you thought was performing or someone down the block. 312 00:15:19,520 --> 00:15:21,240 Speaker 1: You I can hear you and they're like, yeah, we 313 00:15:21,320 --> 00:15:25,240 Speaker 1: pre recorded that, like months of thought. They were like 314 00:15:25,240 --> 00:15:26,840 Speaker 1: a block from my apartment. I'm like, oh my god, 315 00:15:26,960 --> 00:15:28,480 Speaker 1: to hear you guys. I sent a text to it. 316 00:15:28,560 --> 00:15:31,040 Speaker 1: He's like, we recorded that I think three years ago. 317 00:15:32,480 --> 00:15:34,520 Speaker 1: I know, but these are the magic tricks of TV. 318 00:15:34,680 --> 00:15:36,880 Speaker 1: But all love to do it when people are available, 319 00:15:36,880 --> 00:15:39,360 Speaker 1: because sometimes the artists have other things to do and 320 00:15:39,400 --> 00:15:41,360 Speaker 1: they're not available in the date of that show, and 321 00:15:41,400 --> 00:15:43,480 Speaker 1: so they do things ahead of time thinking of the 322 00:15:43,480 --> 00:15:46,040 Speaker 1: magic of TV. Not only they fake the performances, they 323 00:15:46,080 --> 00:15:48,240 Speaker 1: faked the crowds. I was in a taping of a 324 00:15:48,280 --> 00:15:50,680 Speaker 1: show called That Metal Show where they have uh and anyway, 325 00:15:50,800 --> 00:15:53,160 Speaker 1: they made the audience pre record. They got everybody laugh 326 00:15:53,360 --> 00:15:56,080 Speaker 1: great now laugh like you just heard something that surprised you. 327 00:15:56,080 --> 00:15:58,040 Speaker 1: You realized it, then laughed and we had like do 328 00:15:58,160 --> 00:16:00,200 Speaker 1: like fifteen reactions that they then put in to the 329 00:16:00,200 --> 00:16:02,080 Speaker 1: show as if it was live. I know. But at 330 00:16:02,080 --> 00:16:03,920 Speaker 1: the end result, I mean, there is an art to 331 00:16:03,960 --> 00:16:06,560 Speaker 1: putting these things together making it look like a real deal. Right. 332 00:16:06,640 --> 00:16:08,720 Speaker 1: This podcast anyway, great job in the vm A is 333 00:16:08,760 --> 00:16:12,200 Speaker 1: Scaryford to meet. This podcast The Fifteen Minute Morning Show