1
00:00:00,760 --> 00:00:03,040
Speaker 1: I am all in.

2
00:00:04,880 --> 00:00:18,480
Speaker 2: Oh, that's just you. I am all in with Scott

3
00:00:18,520 --> 00:00:20,640
Speaker 2: Patterson an iHeartRadio podcast.

4
00:00:20,760 --> 00:00:23,760
Speaker 1: Hey everybody, Scott Patterson, I am all in podcast one

5
00:00:23,800 --> 00:00:27,920
Speaker 1: of Love Productions. iHeart Media, iHeart Radio. iHeart Podcast. Joining

6
00:00:28,000 --> 00:00:31,400
Speaker 1: with my Intrepid crew Daniel Rome with Terror, Suzanne French,

7
00:00:31,440 --> 00:00:35,960
Speaker 1: Jamie Sugarman. This is season seven, episode thirteen. I'd rather

8
00:00:36,159 --> 00:00:42,600
Speaker 1: be in Philadelphia, my hometown, ladies. What did you think?

9
00:00:44,640 --> 00:00:45,400
Speaker 3: Good episode?

10
00:00:46,720 --> 00:00:50,440
Speaker 2: It's so good. It's not just season seven good, it's

11
00:00:50,479 --> 00:00:52,920
Speaker 2: gilmore good. And I'm concerned about Suzanne's face.

12
00:00:54,800 --> 00:00:57,680
Speaker 4: You know, I didn't dislike it. I just thought it

13
00:00:57,760 --> 00:00:59,880
Speaker 4: was kind of a nothing burger for me, Like it

14
00:01:00,240 --> 00:01:04,880
Speaker 4: just really it didn't really move the story along, like

15
00:01:04,920 --> 00:01:07,280
Speaker 4: you could pull that episode out and not even miss it,

16
00:01:07,360 --> 00:01:09,959
Speaker 4: like it was fine. I just I don't know.

17
00:01:10,000 --> 00:01:12,440
Speaker 5: I just said it was a callback to when Richard

18
00:01:12,440 --> 00:01:13,759
Speaker 5: went to the hospital last time.

19
00:01:14,800 --> 00:01:18,360
Speaker 3: I thought it was more agree Yeah with Amy, I disagree.

20
00:01:18,400 --> 00:01:20,840
Speaker 3: I feel like it was more this.

21
00:01:20,959 --> 00:01:23,240
Speaker 2: I thought Kelly Bishop was phenomenal.

22
00:01:23,480 --> 00:01:24,120
Speaker 1: She was great.

23
00:01:24,280 --> 00:01:24,640
Speaker 2: Yeah.

24
00:01:25,440 --> 00:01:29,000
Speaker 4: Emily and Babet were highlights for me in this episode.

25
00:01:29,000 --> 00:01:29,360
Speaker 3: Guys.

26
00:01:29,840 --> 00:01:34,880
Speaker 4: Zukrie, oh on, I thought it was too perfect.

27
00:01:35,920 --> 00:01:37,920
Speaker 3: But I feel like it was a moment that you

28
00:01:38,040 --> 00:01:40,040
Speaker 3: needed him to be perfect and he delivered.

29
00:01:40,920 --> 00:01:43,520
Speaker 2: Because it's just showing the juxtaposition with Christopher.

30
00:01:44,000 --> 00:01:46,560
Speaker 3: Yeah exactly, yea, but.

31
00:01:47,200 --> 00:01:50,120
Speaker 4: Luke showing us the juxtaposition with Christopher, Like we didn't

32
00:01:50,120 --> 00:01:51,840
Speaker 4: correct both of them. I don't know.

33
00:01:51,920 --> 00:01:53,040
Speaker 2: I think we did.

34
00:01:53,560 --> 00:01:56,720
Speaker 5: The fact that a kid that just graduated college made

35
00:01:56,760 --> 00:02:01,880
Speaker 5: it a priority and a grown man. I thought it

36
00:02:01,920 --> 00:02:02,520
Speaker 5: was powerful.

37
00:02:03,200 --> 00:02:03,560
Speaker 1: I liked that.

38
00:02:03,720 --> 00:02:06,720
Speaker 4: Yeah, I agree with that. I just didn't I guess

39
00:02:06,760 --> 00:02:09,239
Speaker 4: I didn't really care for the writing. I thought there

40
00:02:09,240 --> 00:02:14,480
Speaker 4: were too many monologues, like just so drawn out. It

41
00:02:14,520 --> 00:02:17,720
Speaker 4: reminded me of those early episodes of season seven where

42
00:02:17,760 --> 00:02:20,440
Speaker 4: it was just all everybody felt weird and they were

43
00:02:20,480 --> 00:02:22,880
Speaker 4: just all talking so much without saying anything. That was

44
00:02:22,960 --> 00:02:25,400
Speaker 4: kind of what it felt like for me. So I

45
00:02:25,400 --> 00:02:28,839
Speaker 4: don't know. I like the logan thing. Yeah, I liked

46
00:02:28,880 --> 00:02:31,840
Speaker 4: that he was there, but just the dialogue I was

47
00:02:31,880 --> 00:02:34,080
Speaker 4: a little bit bored with. And when he says he

48
00:02:34,120 --> 00:02:37,480
Speaker 4: said something like there's nowhere I'd rather be than here

49
00:02:37,520 --> 00:02:40,560
Speaker 4: with you, I was like, oh, that's nice, But I

50
00:02:40,600 --> 00:02:43,360
Speaker 4: thought I said cheese ball, like it just was so

51
00:02:44,200 --> 00:02:45,160
Speaker 4: it was too perfect.

52
00:02:45,600 --> 00:02:51,760
Speaker 2: I respectfully disagree. She was needed it. She needed it,

53
00:02:51,880 --> 00:02:55,680
Speaker 2: someone steady, she needed she kept worrying about his work,

54
00:02:55,720 --> 00:02:58,400
Speaker 2: his work, and so he's saying to her, this is

55
00:02:58,440 --> 00:02:59,440
Speaker 2: where I need to be right now.

56
00:02:59,639 --> 00:03:00,400
Speaker 1: Do about that?

57
00:03:00,639 --> 00:03:01,760
Speaker 2: Yeah, I get that.

58
00:03:01,919 --> 00:03:05,360
Speaker 4: I'm just and also I think that goes but this

59
00:03:05,480 --> 00:03:07,440
Speaker 4: was kind of blaw for me, Like I didn't dislike it,

60
00:03:07,480 --> 00:03:08,200
Speaker 4: but I didn't love it.

61
00:03:08,520 --> 00:03:10,160
Speaker 3: I think that goes back to what we said about

62
00:03:10,240 --> 00:03:16,919
Speaker 3: the comparison between Logan and Christopher, because that's when Rory says,

63
00:03:16,960 --> 00:03:19,520
Speaker 3: thank you so much for being here, and he's like,

64
00:03:19,520 --> 00:03:21,200
Speaker 3: I wouldn't be that. I think I think it was

65
00:03:21,240 --> 00:03:25,080
Speaker 3: more of a I get why you think, Yeah, I

66
00:03:25,160 --> 00:03:26,920
Speaker 3: get why you think it's cheesy, but I felt like

67
00:03:26,960 --> 00:03:27,600
Speaker 3: it was needed.

68
00:03:28,440 --> 00:03:29,000
Speaker 2: Yeah, I agree.

69
00:03:29,280 --> 00:03:32,119
Speaker 4: The specific one I was thinking was when they were

70
00:03:32,120 --> 00:03:34,519
Speaker 4: in the hospital, like they were sitting in the waiting

71
00:03:34,560 --> 00:03:36,640
Speaker 4: room and he says something something.

72
00:03:37,160 --> 00:03:40,040
Speaker 5: Him yeah, work keeps calling him oh oh oh.

73
00:03:41,240 --> 00:03:43,720
Speaker 2: Thought thoughts, I want to hear what you think.

74
00:03:46,000 --> 00:03:51,840
Speaker 1: I'm kind of with Suzanne and Amy. I liked it.

75
00:03:51,880 --> 00:03:54,320
Speaker 1: I enjoyed it. I got some laughs. I could ease

76
00:03:54,360 --> 00:03:57,200
Speaker 1: into it, but I I think what we've done here

77
00:03:57,200 --> 00:04:00,200
Speaker 1: in season seven is is the show has painted itself

78
00:04:00,200 --> 00:04:03,480
Speaker 1: into a corner that it's can't get out of, and

79
00:04:03,520 --> 00:04:06,760
Speaker 1: no matter what they do, it still feels awkward. Like

80
00:04:06,960 --> 00:04:09,400
Speaker 1: you know, the book the Boomerang is coming around to

81
00:04:09,520 --> 00:04:12,840
Speaker 1: Luke and Laureli, but it's so deeply buried in the

82
00:04:12,880 --> 00:04:17,800
Speaker 1: episode that it's really kind of seems inconsequential, as you know,

83
00:04:18,320 --> 00:04:22,480
Speaker 1: like a D storyline or an F storyline, when really

84
00:04:22,520 --> 00:04:26,200
Speaker 1: all they're focused on is is Richard's health and you

85
00:04:26,200 --> 00:04:30,880
Speaker 1: know Emily's reaction. I mean, this was basically Emily's episode

86
00:04:32,080 --> 00:04:34,640
Speaker 1: from top to bottom, and she was fantastic, but it

87
00:04:34,720 --> 00:04:39,880
Speaker 1: was I don't think the weight distribution for the main

88
00:04:40,000 --> 00:04:43,040
Speaker 1: characters was properly distributed.

89
00:04:43,760 --> 00:04:46,279
Speaker 2: Let's see where you're what you're saying. I think that

90
00:04:46,320 --> 00:04:50,640
Speaker 2: the episode goes to Laurelai and Emily because we really

91
00:04:50,680 --> 00:04:54,000
Speaker 2: saw something in their relationship in my opinion in this episode.

92
00:04:55,560 --> 00:04:57,560
Speaker 2: I don't know, as we go see by scene, I'm

93
00:04:57,600 --> 00:05:00,800
Speaker 2: interested what you guys think, but I thought, oh, we're

94
00:05:00,839 --> 00:05:07,680
Speaker 2: really we're seeing some progress. Dare I say, like, because

95
00:05:07,720 --> 00:05:12,160
Speaker 2: she was so frustrated with Emily doing all the business

96
00:05:12,160 --> 00:05:16,039
Speaker 2: of you know, Richard's life and the fish and the

97
00:05:16,080 --> 00:05:18,600
Speaker 2: this and the that, and then you have that scene

98
00:05:18,720 --> 00:05:21,080
Speaker 2: in the hospital, like drug store, I don't know what

99
00:05:21,160 --> 00:05:23,960
Speaker 2: it is, hospital, convenience store, whatever, that whatever, that little

100
00:05:25,400 --> 00:05:28,800
Speaker 2: gift shop, and I thought, oh, that really came to

101
00:05:28,920 --> 00:05:35,760
Speaker 2: a moment. I don't know. I really liked this episode.

102
00:05:34,760 --> 00:05:37,080
Speaker 1: And I think, sorry, go ahead, susan Oh.

103
00:05:37,120 --> 00:05:38,400
Speaker 4: I was just gonna say, I think they did a

104
00:05:38,400 --> 00:05:42,440
Speaker 4: good job of showing how everyone reacted to the trauma differently.

105
00:05:42,560 --> 00:05:46,799
Speaker 4: Like Emily was very transactional, laurl I kind of checked

106
00:05:46,800 --> 00:05:48,720
Speaker 4: out a little bit, like she was just kind of flat,

107
00:05:48,839 --> 00:05:52,520
Speaker 4: and Rory was like, let me run around and pretend

108
00:05:52,520 --> 00:05:55,920
Speaker 4: I'm helping by grabbing every object that he owns. Like

109
00:05:55,960 --> 00:05:58,080
Speaker 4: it was just I liked the kind of the contrast

110
00:05:58,120 --> 00:06:00,000
Speaker 4: with how they all handled it differently.

111
00:06:00,279 --> 00:06:03,520
Speaker 1: Well, it's just true that's how people read. Everybody reacts

112
00:06:03,520 --> 00:06:04,640
Speaker 1: differently in a crisis.

113
00:06:05,080 --> 00:06:09,200
Speaker 2: Only reacted how I expected her to react. That's exactly

114
00:06:09,200 --> 00:06:11,400
Speaker 2: what I would expect of her, and Laura Lai sort

115
00:06:11,400 --> 00:06:15,359
Speaker 2: of pushing on it but yet not opening up. And

116
00:06:15,400 --> 00:06:18,160
Speaker 2: then finally they have that moment and I think Roy's

117
00:06:18,200 --> 00:06:21,440
Speaker 2: traumatized by what happened and just so hopeful he's going

118
00:06:21,480 --> 00:06:23,359
Speaker 2: to be okay, and she has that moment where She's like,

119
00:06:23,560 --> 00:06:25,560
Speaker 2: he's a really good teacher. Oh wait, he's not going

120
00:06:25,640 --> 00:06:28,359
Speaker 2: to be there next week, Like she's really to me,

121
00:06:28,560 --> 00:06:33,440
Speaker 2: reacting exactly how a college aged person would sort of react.

122
00:06:33,520 --> 00:06:38,960
Speaker 2: I thought Logan really stepped up. I thought Christopher's complete dumbass,

123
00:06:39,440 --> 00:06:42,360
Speaker 2: Like f you, Christopher, you tool bag?

124
00:06:42,440 --> 00:06:42,600
Speaker 3: Right?

125
00:06:42,640 --> 00:06:45,120
Speaker 2: I mean, and I, as we know, I like him,

126
00:06:45,480 --> 00:06:48,400
Speaker 2: But that's that's an s H I T T y

127
00:06:48,520 --> 00:06:52,000
Speaker 2: thing to do, Like what is where the hell was he?

128
00:06:53,680 --> 00:06:56,240
Speaker 5: I don't care if you said two days before you

129
00:06:56,240 --> 00:06:58,080
Speaker 5: were getting divorced, you still show up?

130
00:06:58,200 --> 00:07:02,760
Speaker 1: Like what this is for the course. This is deeply

131
00:07:02,800 --> 00:07:07,360
Speaker 1: embedded in Christopher's adult DNA where he doesn't show up.

132
00:07:07,400 --> 00:07:11,280
Speaker 1: He doesn't come through look with parents, it's it's one

133
00:07:11,320 --> 00:07:13,080
Speaker 1: of two options. You either show up or you don't.

134
00:07:13,120 --> 00:07:17,280
Speaker 1: Doesn't matter's divorced or separate. Whatever you show up. He doesn't.

135
00:07:17,360 --> 00:07:20,120
Speaker 1: He consistently does not, So this was not a surprise.

136
00:07:20,440 --> 00:07:23,440
Speaker 1: I could see this coming from ten miles away.

137
00:07:23,320 --> 00:07:26,760
Speaker 3: And showed up. He just bothered me. So he was

138
00:07:26,840 --> 00:07:29,120
Speaker 3: So he's like I wish he just never showed up.

139
00:07:29,800 --> 00:07:31,320
Speaker 1: And then and then he and then he has and

140
00:07:31,320 --> 00:07:32,720
Speaker 1: then he has the nerve to say to.

141
00:07:32,720 --> 00:07:37,920
Speaker 2: Luke shouldn't be here, Yeah, such a he gives him

142
00:07:37,960 --> 00:07:38,600
Speaker 2: that look.

143
00:07:38,720 --> 00:07:40,000
Speaker 4: I love that part, right.

144
00:07:41,320 --> 00:07:43,320
Speaker 5: I also kind of love like the first time that

145
00:07:43,400 --> 00:07:46,000
Speaker 5: Luke shows up, Laura I said, oh, well, you know,

146
00:07:46,160 --> 00:07:48,760
Speaker 5: like Christopher is going to be here soon, and he

147
00:07:48,840 --> 00:07:52,120
Speaker 5: knew he wasn't there and showed up again, you know,

148
00:07:52,360 --> 00:07:55,120
Speaker 5: like I just like I kind of I liked that

149
00:07:55,440 --> 00:07:59,360
Speaker 5: character decision for Luke because he totally you know, like

150
00:07:59,440 --> 00:08:01,360
Speaker 5: he knew he wasn't there, so he was going to

151
00:08:01,360 --> 00:08:02,000
Speaker 5: show up again.

152
00:08:02,600 --> 00:08:06,760
Speaker 2: Also, I love that Luke immediately went and sort of says,

153
00:08:07,080 --> 00:08:10,800
Speaker 2: I just immediately came and then goes and runs all

154
00:08:10,800 --> 00:08:14,680
Speaker 2: the errands for Emily and he's happy to do it. Like,

155
00:08:14,720 --> 00:08:18,400
Speaker 2: we have to remember this guy's heartbroken too. He's heartbroken

156
00:08:18,720 --> 00:08:25,000
Speaker 2: by her she broke up with him and married someone else,

157
00:08:25,920 --> 00:08:30,800
Speaker 2: but he doesn't care because he puts her first always,

158
00:08:30,880 --> 00:08:34,679
Speaker 2: and Christopher put himself first. And I am mad about it.

159
00:08:35,320 --> 00:08:39,840
Speaker 1: You know. It was also a stretch for me to

160
00:08:40,040 --> 00:08:45,480
Speaker 1: watch laurle I not understand why her mother was being

161
00:08:45,520 --> 00:08:51,840
Speaker 1: so transactional in this moment, because laurele I sort of

162
00:08:52,800 --> 00:08:58,680
Speaker 1: portrays a wisdom in human interaction a lot of times,

163
00:08:58,720 --> 00:09:01,600
Speaker 1: so for her to be so out of touch with

164
00:09:01,640 --> 00:09:04,800
Speaker 1: what her own mother is going through and can't empathize

165
00:09:04,800 --> 00:09:07,160
Speaker 1: with that in any way, to the point where it

166
00:09:07,200 --> 00:09:11,160
Speaker 1: makes her angry and openly like she just walked away

167
00:09:11,160 --> 00:09:13,600
Speaker 1: from her mother, left her at the table in an

168
00:09:13,640 --> 00:09:16,920
Speaker 1: hour of her hour of need. So I thought that

169
00:09:17,040 --> 00:09:18,680
Speaker 1: was inconsistent in the writing as well.

170
00:09:19,240 --> 00:09:21,520
Speaker 2: It's the fair point. I really like the scene. I

171
00:09:21,600 --> 00:09:23,000
Speaker 2: know we'll go through it where they're eating.

172
00:09:22,880 --> 00:09:25,680
Speaker 1: Right, but I like the scene because, you know, Emily

173
00:09:25,720 --> 00:09:28,880
Speaker 1: got to say, hey, you've been married for four minutes.

174
00:09:28,920 --> 00:09:31,440
Speaker 1: I've been married for forty years. Yeah, and then this

175
00:09:31,600 --> 00:09:33,480
Speaker 1: is what we did, and here's the history of it,

176
00:09:33,520 --> 00:09:35,400
Speaker 1: and this is why I'm doing it, like as if

177
00:09:35,440 --> 00:09:38,679
Speaker 1: she was owed, as if Laurel I was owed an explanation.

178
00:09:38,760 --> 00:09:42,040
Speaker 2: I mean, it's just I like the come around to

179
00:09:42,080 --> 00:09:46,439
Speaker 2: the milk dead scene because it's like they really made

180
00:09:47,040 --> 00:09:48,640
Speaker 2: some progress, you know.

181
00:09:48,840 --> 00:09:52,679
Speaker 1: So I don't know, Susan, you know, honestly, if Emily,

182
00:09:53,640 --> 00:09:56,600
Speaker 1: all I could think of is how many caps is

183
00:09:56,640 --> 00:09:59,800
Speaker 1: Emily going to lose in this scene because she's eating

184
00:09:59,800 --> 00:10:02,040
Speaker 1: milk DUTs, because they're all going to just yank them

185
00:10:02,040 --> 00:10:02,800
Speaker 1: off their posts.

186
00:10:03,520 --> 00:10:09,840
Speaker 2: Scott, I love you so much because I literally was like,

187
00:10:10,000 --> 00:10:12,800
Speaker 2: this is so bad for their teeth, This is so

188
00:10:12,880 --> 00:10:15,080
Speaker 2: bad for their teeth. I would not eat a milk

189
00:10:15,120 --> 00:10:19,280
Speaker 2: dud because it just gets so stuck, and I thought.

190
00:10:19,040 --> 00:10:21,240
Speaker 5: For acting, you know what I mean, because it's like.

191
00:10:23,280 --> 00:10:25,520
Speaker 1: Would by the end of that scene, I.

192
00:10:25,800 --> 00:10:30,040
Speaker 4: I loved that she even wanted a milk dud like

193
00:10:30,080 --> 00:10:32,800
Speaker 4: it was so un Emily. It was so fun to

194
00:10:32,840 --> 00:10:35,400
Speaker 4: see her being like a normal person that eats candy.

195
00:10:35,520 --> 00:10:38,079
Speaker 3: I also loved her in a track suit.

196
00:10:38,160 --> 00:10:45,600
Speaker 1: I don't know what he did. That was That was

197
00:10:45,800 --> 00:10:49,080
Speaker 1: That was Emily at uh you know up to past

198
00:10:49,240 --> 00:10:52,760
Speaker 1: volume ten, that was eleven. You know, she was just

199
00:10:52,960 --> 00:10:55,199
Speaker 1: all long. This was so her episode.

200
00:10:55,320 --> 00:10:57,760
Speaker 2: It wasn't really and she sure was good.

201
00:11:01,000 --> 00:11:03,040
Speaker 1: Who's going to send off Size Romo?

202
00:11:03,600 --> 00:11:06,520
Speaker 5: This is season seven, episode thirteen, I'd Rather Be in

203
00:11:06,600 --> 00:11:11,920
Speaker 5: Philadelphia Air date February six, two thousand and seven. While Lorlai, Rory,

204
00:11:11,960 --> 00:11:14,840
Speaker 5: and Emily wait at the hospital for news of Richard's condition,

205
00:11:15,760 --> 00:11:18,480
Speaker 5: Logan borrows a helicopter so that he can be there

206
00:11:18,520 --> 00:11:21,319
Speaker 5: with Rory, and Luke arrives to help out and ends

207
00:11:21,400 --> 00:11:25,720
Speaker 5: up running errands for Emily, but dun dundune Chris is

208
00:11:25,800 --> 00:11:26,880
Speaker 5: nowhere to be found.

209
00:11:27,520 --> 00:11:28,000
Speaker 2: Tool bag.

210
00:11:28,640 --> 00:11:33,040
Speaker 4: They keep calling it a chopper chopper, like that's a

211
00:11:33,320 --> 00:11:34,480
Speaker 4: corrige thing to say.

212
00:11:34,880 --> 00:11:40,679
Speaker 2: One chopper maybe, but like five at some point.

213
00:11:40,480 --> 00:11:44,560
Speaker 1: You're gonna chopped in from mon Talk. I'd love to

214
00:11:44,600 --> 00:11:50,040
Speaker 1: say that just chopped talk, by the way, which is

215
00:11:50,040 --> 00:11:52,360
Speaker 1: a very beautiful part of the country.

216
00:11:53,200 --> 00:11:55,400
Speaker 2: All right, Susan hit it, all right.

217
00:11:55,640 --> 00:11:58,280
Speaker 4: I do have to say Rory's hair looked really good

218
00:11:58,280 --> 00:11:58,520
Speaker 4: in this.

219
00:11:58,520 --> 00:12:01,760
Speaker 3: Oh my gosh, I have that too. It looks really good.

220
00:12:01,920 --> 00:12:04,200
Speaker 4: I like that, like pulled back from the bangs.

221
00:12:04,200 --> 00:12:06,719
Speaker 3: I thought that was so early two thousands with the.

222
00:12:08,440 --> 00:12:10,200
Speaker 4: It was like curled at the end. It was really cute.

223
00:12:10,240 --> 00:12:10,840
Speaker 1: Yeah. Great.

224
00:12:12,160 --> 00:12:16,319
Speaker 4: So Babet is taking one of laurel I's plants out

225
00:12:16,360 --> 00:12:20,280
Speaker 4: of her house. And Babet was another highlight in this

226
00:12:20,320 --> 00:12:22,920
Speaker 4: episode for me, like every every scene with she had

227
00:12:22,960 --> 00:12:23,839
Speaker 4: the dog on the porch.

228
00:12:23,880 --> 00:12:26,160
Speaker 2: She was when she goes to Luke, I really like that.

229
00:12:26,160 --> 00:12:28,400
Speaker 4: We'll get to Yeah, she was great. And she hears

230
00:12:28,440 --> 00:12:33,760
Speaker 4: Lorelei's phone ringing and asks if it's her pants alarm

231
00:12:33,880 --> 00:12:38,400
Speaker 4: and then so eventually laurel I answers the phone and

232
00:12:38,440 --> 00:12:41,000
Speaker 4: she says, oh my gosh, I'll be right there and

233
00:12:41,080 --> 00:12:44,240
Speaker 4: runs away, leaving Babbett standing there with the plant.

234
00:12:46,320 --> 00:12:49,520
Speaker 2: Somehow bab knew what happened, so maybe.

235
00:12:49,320 --> 00:12:54,720
Speaker 4: She must have found out I guess maybe or something. Yeah, somehow,

236
00:12:55,080 --> 00:12:59,160
Speaker 4: somehow she heard. But Babet's making a jungle in the bedroom.

237
00:12:59,200 --> 00:13:00,960
Speaker 4: I don't know that I want to go any further

238
00:13:01,080 --> 00:13:01,440
Speaker 4: than that.

239
00:13:01,960 --> 00:13:04,640
Speaker 1: Is there anybody better that you've ever seen on television

240
00:13:05,120 --> 00:13:07,120
Speaker 1: in terms of comedic acting? That?

241
00:13:07,440 --> 00:13:08,000
Speaker 2: She's great?

242
00:13:09,120 --> 00:13:12,439
Speaker 1: She's completely overwhelmed with some kind of physical task.

243
00:13:13,000 --> 00:13:13,840
Speaker 2: She's really great.

244
00:13:13,960 --> 00:13:16,000
Speaker 1: It's like the tightrope and is she going to fall

245
00:13:16,040 --> 00:13:18,920
Speaker 1: off it? I mean, it's just amazing tension she creates

246
00:13:19,360 --> 00:13:20,040
Speaker 1: with her work.

247
00:13:20,440 --> 00:13:21,800
Speaker 4: She's she's awesome.

248
00:13:22,000 --> 00:13:23,360
Speaker 1: Can't take your eyes off her.

249
00:13:23,480 --> 00:13:25,240
Speaker 4: I know, funny, this is going to be.

250
00:13:26,800 --> 00:13:27,079
Speaker 3: Same.

251
00:13:27,120 --> 00:13:28,440
Speaker 2: I was just about to say this. This may be

252
00:13:28,480 --> 00:13:33,200
Speaker 2: a totally controversial statement, but for me at this time,

253
00:13:34,360 --> 00:13:38,360
Speaker 2: Sally is funnier with the physical things than Melissa. Now,

254
00:13:38,440 --> 00:13:42,800
Speaker 2: I understand Melissa McCarthy is iconic and owned her craft

255
00:13:42,880 --> 00:13:47,600
Speaker 2: or whatever one says, but Sally really nails it every time.

256
00:13:48,120 --> 00:13:48,839
Speaker 2: So I'm just.

257
00:13:49,720 --> 00:13:52,120
Speaker 1: Well, I think they're both on a very very very

258
00:13:52,240 --> 00:13:55,680
Speaker 1: high level. Yeah, for sure, and wouldn't and wouldn't to

259
00:13:55,720 --> 00:13:58,720
Speaker 1: show between those two be something to behold, right, you

260
00:13:58,760 --> 00:14:02,480
Speaker 1: imagine that mother do what if they were the Gilmore

261
00:14:02,559 --> 00:14:04,320
Speaker 1: Girls part? Do you know?

262
00:14:07,040 --> 00:14:09,640
Speaker 4: And I think if the show went on, they didn't

263
00:14:09,720 --> 00:14:12,760
Speaker 4: give Melissa as many opportunities as they did in the beginning.

264
00:14:12,840 --> 00:14:16,200
Speaker 4: Like in the first season, Suki was very flat sy

265
00:14:16,320 --> 00:14:18,360
Speaker 4: and she was always falling down and like there was

266
00:14:18,440 --> 00:14:21,560
Speaker 4: just more opportunities for that physical comedy, and it seemed

267
00:14:21,600 --> 00:14:23,640
Speaker 4: like they kind of took that away from her as

268
00:14:23,720 --> 00:14:30,240
Speaker 4: the show went on. All Right, So Rory sitting in

269
00:14:30,560 --> 00:14:34,400
Speaker 4: the hospital, her cell phone's ringing Laura I doesn't know

270
00:14:34,440 --> 00:14:35,480
Speaker 4: where to find her.

271
00:14:35,720 --> 00:14:37,560
Speaker 2: And she's out of it, which is very I thought

272
00:14:37,600 --> 00:14:40,960
Speaker 2: that played well. The woman kind of behind her, yeah,

273
00:14:42,120 --> 00:14:44,320
Speaker 2: how you feel, just sort of totally in shock and

274
00:14:44,440 --> 00:14:48,040
Speaker 2: like right, and so.

275
00:14:47,960 --> 00:14:50,320
Speaker 4: She's trying to explain to Lurlai what happened. Like you

276
00:14:50,360 --> 00:14:53,080
Speaker 4: can tell Rory had been paying attention. She knows the words,

277
00:14:53,120 --> 00:14:58,040
Speaker 4: she knows the acronyms. Yeah, but they still just they

278
00:14:58,080 --> 00:14:59,880
Speaker 4: don't have a lot of information because Richard still have

279
00:15:00,160 --> 00:15:04,800
Speaker 4: tests done. Lorelai is trying to get a hold of Christopher.

280
00:15:05,560 --> 00:15:07,720
Speaker 4: But then why is to Rory and says, oh, you know,

281
00:15:07,760 --> 00:15:09,920
Speaker 4: he's on his way, he's coming. She doesn't want to

282
00:15:10,040 --> 00:15:12,480
Speaker 4: admit yet that she can't find him.

283
00:15:13,320 --> 00:15:17,600
Speaker 2: Can I double down on the d wordness of Christopher? Like, yeah,

284
00:15:18,480 --> 00:15:22,680
Speaker 2: he's you're he's her dad? Like are you kidding me?

285
00:15:22,800 --> 00:15:23,200
Speaker 1: Dude?

286
00:15:23,480 --> 00:15:26,480
Speaker 2: Like go even if you're mad at Loralai, go because

287
00:15:26,840 --> 00:15:27,920
Speaker 2: your daughter.

288
00:15:27,760 --> 00:15:31,160
Speaker 3: Needs you, right and you kidding me?

289
00:15:31,280 --> 00:15:33,800
Speaker 2: And he's got such a close relationship with Richard, it

290
00:15:33,880 --> 00:15:35,040
Speaker 2: just doesn't track for me.

291
00:15:35,360 --> 00:15:38,040
Speaker 1: As Amy. I have a question for you about Christopher.

292
00:15:39,720 --> 00:15:41,479
Speaker 1: Why are you surprised?

293
00:15:41,600 --> 00:15:44,760
Speaker 6: I don't know, no one's surprised.

294
00:15:46,600 --> 00:15:51,120
Speaker 1: Why Why the outrage when we know how this is

295
00:15:51,160 --> 00:15:55,320
Speaker 1: going to play out? This is the character's purpose in.

296
00:15:55,400 --> 00:15:58,320
Speaker 2: You make a great point, because I just keep always

297
00:15:58,400 --> 00:15:59,920
Speaker 2: wanting to see the best in him.

298
00:16:00,280 --> 00:16:03,520
Speaker 1: But isn't it great even though we know he's gonna

299
00:16:03,520 --> 00:16:07,520
Speaker 1: do this stuff, we still get angry. Yeah, you can't

300
00:16:07,520 --> 00:16:08,960
Speaker 1: avoid it. You can't so let.

301
00:16:08,880 --> 00:16:11,560
Speaker 2: Down by him in this. I think it's because of

302
00:16:11,600 --> 00:16:15,600
Speaker 2: his relationship with Richard, like like, rise above, dude.

303
00:16:16,160 --> 00:16:16,600
Speaker 4: I don't know.

304
00:16:16,920 --> 00:16:18,720
Speaker 3: I don't think I expect anything from him, but I

305
00:16:18,760 --> 00:16:21,840
Speaker 3: was just more annoyed for Rory and Lorlai. I'm like,

306
00:16:22,520 --> 00:16:24,520
Speaker 3: just like, that's the thing is like just show up

307
00:16:24,520 --> 00:16:26,600
Speaker 3: for them. It's not even like expecting much from him.

308
00:16:26,640 --> 00:16:28,440
Speaker 3: It's like more for the girls.

309
00:16:29,280 --> 00:16:30,640
Speaker 2: Right where was he?

310
00:16:31,440 --> 00:16:33,440
Speaker 4: And you? Like Na even mentions it in one of

311
00:16:33,480 --> 00:16:36,040
Speaker 4: the phone calls, She's like, everyone has been reaching out

312
00:16:36,080 --> 00:16:36,280
Speaker 4: to me.

313
00:16:36,680 --> 00:16:39,120
Speaker 2: When she finally lost it at the end, like where

314
00:16:39,160 --> 00:16:40,000
Speaker 2: the heck are you?

315
00:16:40,080 --> 00:16:41,880
Speaker 4: Like, the one person that's supposed to be there for

316
00:16:41,920 --> 00:16:45,040
Speaker 4: you is your husband, and even if you're fighting, that's

317
00:16:45,320 --> 00:16:47,600
Speaker 4: like when something's going on with the family, you're there.

318
00:16:48,920 --> 00:16:53,000
Speaker 1: He's probably looking at it with his new yacht agent

319
00:16:53,080 --> 00:16:53,840
Speaker 1: looking at yacht.

320
00:16:54,720 --> 00:16:58,800
Speaker 2: I don't know where he was. All right, well I'll

321
00:16:58,840 --> 00:16:59,080
Speaker 2: take you.

322
00:16:59,080 --> 00:17:02,600
Speaker 4: All right, so are right. So Laurelai shows up and

323
00:17:02,640 --> 00:17:05,359
Speaker 4: then eventually Emily comes in in her track suit and

324
00:17:05,960 --> 00:17:08,800
Speaker 4: typical you know, standard Emily that we've come to know

325
00:17:08,920 --> 00:17:12,560
Speaker 4: and love. She demands to see her husband right now, and.

326
00:17:13,000 --> 00:17:13,520
Speaker 2: I loved it.

327
00:17:13,960 --> 00:17:16,479
Speaker 4: Has a funny little interaction with the nurse who was like,

328
00:17:16,520 --> 00:17:18,080
Speaker 4: who the heck are you? And then I liked it

329
00:17:18,200 --> 00:17:21,320
Speaker 4: after after Emily walked away and Laurelai was like mouthing

330
00:17:21,359 --> 00:17:26,560
Speaker 4: to the nurse, I'm sorry, that was cute, And then

331
00:17:26,600 --> 00:17:30,760
Speaker 4: Logan arrives, So now everybody's there except Christopher, and Emila

332
00:17:30,800 --> 00:17:33,920
Speaker 4: even asks where is he? Like she's noticed that. Okay,

333
00:17:33,960 --> 00:17:37,320
Speaker 4: the whole clan has gathered here, even Logan's here on

334
00:17:37,400 --> 00:17:39,720
Speaker 4: his chopper, but Christopher is not.

335
00:17:39,720 --> 00:17:42,040
Speaker 5: Here accepting the tea from Logan.

336
00:17:43,400 --> 00:17:48,640
Speaker 2: Yeah, is right. When she calls out, that's a that's

337
00:17:48,640 --> 00:17:51,359
Speaker 2: a good boy. Like however she said it, and later

338
00:17:51,560 --> 00:17:55,320
Speaker 2: you see Lorli acknowledge it, and I'm glad Lorlai acknowledged

339
00:17:55,359 --> 00:17:58,080
Speaker 2: it because you know what, whatever if he was too

340
00:17:58,480 --> 00:18:03,720
Speaker 2: syrupy sweet, he showed up and didn't falter, I'll go

341
00:18:03,760 --> 00:18:07,920
Speaker 2: to the house. We got this, like I genuinely know

342
00:18:08,000 --> 00:18:11,520
Speaker 2: how much he cares about Rory, which.

343
00:18:11,520 --> 00:18:16,960
Speaker 4: Right, right. So then the doctor comes back in and says, okay,

344
00:18:17,000 --> 00:18:20,640
Speaker 4: we do need to do open heart surgery. So then Emily,

345
00:18:21,320 --> 00:18:23,800
Speaker 4: going through her mental checklist, she wants to know about

346
00:18:23,800 --> 00:18:25,040
Speaker 4: his education.

347
00:18:24,880 --> 00:18:26,200
Speaker 3: And oh my god, I love.

348
00:18:28,359 --> 00:18:28,760
Speaker 2: Legit.

349
00:18:28,920 --> 00:18:33,399
Speaker 4: I would do that, yeah, and then she cites all

350
00:18:33,440 --> 00:18:35,959
Speaker 4: of it back to Richard. She's like, okay, the surgeon

351
00:18:36,359 --> 00:18:39,840
Speaker 4: was Yale undergrad and Harvard Medical School, and Richard's like just.

352
00:18:40,760 --> 00:18:43,000
Speaker 3: I like he was like, i'no the.

353
00:18:44,200 --> 00:18:48,000
Speaker 2: Because that's her job. You guys, like that's her job

354
00:18:48,320 --> 00:18:51,919
Speaker 2: and she is so good at her job. And yes,

355
00:18:52,840 --> 00:18:59,280
Speaker 2: it might seem dated now, but meaning you know, a

356
00:19:01,280 --> 00:19:02,359
Speaker 2: I don't know how to say it, like we all

357
00:19:02,359 --> 00:19:03,440
Speaker 2: have careers, right.

358
00:19:03,280 --> 00:19:06,800
Speaker 5: But like her female taking care of her husband is

359
00:19:06,840 --> 00:19:08,280
Speaker 5: the job, that's what you're saying.

360
00:19:08,160 --> 00:19:11,480
Speaker 2: Job and she loves that job. And that's why that

361
00:19:11,600 --> 00:19:15,520
Speaker 2: scene for me in the gift shop is so like

362
00:19:16,040 --> 00:19:17,800
Speaker 2: I get it, Like I get it.

363
00:19:18,400 --> 00:19:23,480
Speaker 4: Yeah. And then this is when Richard gives us the

364
00:19:23,560 --> 00:19:26,320
Speaker 4: quote I'd rather be in Philadelphia, which obviously is the

365
00:19:26,359 --> 00:19:31,600
Speaker 4: title of the episode, which was a W. C. Fields quote.

366
00:19:31,600 --> 00:19:33,600
Speaker 4: I did not know that until, I mean till the

367
00:19:33,600 --> 00:19:36,639
Speaker 4: first time I watched the episode. And then Emily and

368
00:19:36,720 --> 00:19:39,399
Speaker 4: Laurel I are bickering over a pillowcase, and then Richard

369
00:19:39,480 --> 00:19:44,760
Speaker 4: says he'd rather be in Tucson. And then I'm I'm

370
00:19:44,760 --> 00:19:47,119
Speaker 4: going to give my favorite line here because I cracked

371
00:19:47,200 --> 00:19:49,720
Speaker 4: up when Emily was talking about the fashion in Tucson

372
00:19:49,760 --> 00:19:53,240
Speaker 4: and she goes men and sandals spare me.

373
00:19:54,359 --> 00:19:56,920
Speaker 2: I also like, have had a rough time in Tucson,

374
00:19:57,040 --> 00:19:58,760
Speaker 2: so I was like, I don't want to ban in Tucson.

375
00:20:00,080 --> 00:20:02,199
Speaker 2: I don't I might be going out of order, forgive me,

376
00:20:02,280 --> 00:20:06,879
Speaker 2: but Also when Laura tells Luke he looked small, and

377
00:20:06,920 --> 00:20:10,359
Speaker 2: then later in the episode he looked tall, and I thought, God,

378
00:20:10,480 --> 00:20:13,040
Speaker 2: and Luke says, yet, I think, is that when Luke

379
00:20:13,080 --> 00:20:14,360
Speaker 2: says he's a big man.

380
00:20:15,520 --> 00:20:18,400
Speaker 4: Yeah, she said in the message to Christopher, she said

381
00:20:18,440 --> 00:20:21,280
Speaker 4: he looked small. Okay, okay, But then when Luke came

382
00:20:21,320 --> 00:20:23,720
Speaker 4: to the hospital, she said to Luke that he was tall.

383
00:20:23,840 --> 00:20:26,439
Speaker 2: So it was the surgery and she knew he was

384
00:20:26,480 --> 00:20:29,480
Speaker 2: okay at that point. Yeah. I really liked the way

385
00:20:29,640 --> 00:20:33,720
Speaker 2: they wrote that. I think, look for me, and again,

386
00:20:34,880 --> 00:20:38,680
Speaker 2: this episode does not have many flaws for me, It's

387
00:20:38,720 --> 00:20:40,320
Speaker 2: really good. So anyway, keep going.

388
00:20:41,080 --> 00:20:44,480
Speaker 4: So then we go to Luke's diner and we see

389
00:20:44,680 --> 00:20:49,000
Speaker 4: Zach Is filling in for Lane because she's presumably now

390
00:20:49,040 --> 00:20:51,439
Speaker 4: too pregnant to work. We don't actually see Lane in

391
00:20:51,480 --> 00:20:56,399
Speaker 4: this episode. Yes, no training whatsoever. He's just jumping out.

392
00:20:56,440 --> 00:20:58,879
Speaker 4: I mean, it's a small diner. How much training do

393
00:20:58,920 --> 00:20:59,200
Speaker 4: you need?

394
00:20:59,320 --> 00:21:02,560
Speaker 2: Scott hiring the husband makes no sense.

395
00:21:02,960 --> 00:21:06,600
Speaker 1: What's the man? You know? It helps to have connections.

396
00:21:06,240 --> 00:21:09,000
Speaker 4: And Zach is thrilled to be on the inside. He's

397
00:21:09,080 --> 00:21:11,520
Speaker 4: got all the inside knowledge and.

398
00:21:11,320 --> 00:21:13,400
Speaker 3: The backstage pats.

399
00:21:14,720 --> 00:21:18,840
Speaker 2: He said, what we're all thinking I could do anything

400
00:21:18,920 --> 00:21:23,600
Speaker 2: to these people's they would never know. He's like, not

401
00:21:23,680 --> 00:21:27,400
Speaker 2: that I would, but I could. And literally I think

402
00:21:27,400 --> 00:21:28,120
Speaker 2: about that.

403
00:21:28,280 --> 00:21:31,200
Speaker 3: All the time, all the time.

404
00:21:31,680 --> 00:21:33,760
Speaker 1: Did you see the extras turn around and give those

405
00:21:33,800 --> 00:21:34,600
Speaker 1: horrified faces?

406
00:21:36,280 --> 00:21:38,919
Speaker 2: Okay, but I'm not going to say, but there was

407
00:21:38,960 --> 00:21:43,160
Speaker 2: a time in the not so distant past when Danielle

408
00:21:43,200 --> 00:21:45,800
Speaker 2: and I were at a restaurant and they brought us

409
00:21:46,240 --> 00:21:51,360
Speaker 2: the wrong meal and they put it down and then

410
00:21:51,440 --> 00:21:53,720
Speaker 2: realized it was for a different table. And the fact

411
00:21:53,760 --> 00:21:55,480
Speaker 2: that they picked it up and took it over to

412
00:21:55,520 --> 00:21:58,840
Speaker 2: the other table after I'd leaned in and breathed on

413
00:21:59,000 --> 00:22:03,920
Speaker 2: it to me out. So restaurant, I mean, I think

414
00:22:04,000 --> 00:22:05,040
Speaker 2: you're gonna take.

415
00:22:05,000 --> 00:22:08,200
Speaker 3: Your usually they can't, right, Like, they have.

416
00:22:08,160 --> 00:22:09,879
Speaker 2: To know it's dropped.

417
00:22:09,920 --> 00:22:10,560
Speaker 5: They shouldn't.

418
00:22:10,640 --> 00:22:15,160
Speaker 4: They should remake it a restaurant.

419
00:22:15,560 --> 00:22:17,959
Speaker 2: Yeah. Now, we were all in the same group, so

420
00:22:18,000 --> 00:22:19,560
Speaker 2: maybe they considered it like I just put it in

421
00:22:19,560 --> 00:22:21,920
Speaker 2: front of the wrong place, but it still wagged me out.

422
00:22:22,240 --> 00:22:24,719
Speaker 2: And then I won't say, but Danielle did notice the

423
00:22:24,800 --> 00:22:30,560
Speaker 2: tie went into the sauces. It was so bad.

424
00:22:31,480 --> 00:22:35,159
Speaker 5: The poor guy does that on his white, crisp clean shirt.

425
00:22:38,640 --> 00:22:41,000
Speaker 2: So yeah, restaurants stressed me out. They really do.

426
00:22:41,440 --> 00:22:41,760
Speaker 3: Scott.

427
00:22:41,800 --> 00:22:44,400
Speaker 4: When you mentioned the extras in the background, it made

428
00:22:44,440 --> 00:22:46,159
Speaker 4: me think of something I wanted to mention. In that

429
00:22:46,240 --> 00:22:48,280
Speaker 4: hospital scene. I don't know if you guys noticed, but

430
00:22:48,320 --> 00:22:50,840
Speaker 4: there was an extra in the background of that first

431
00:22:50,880 --> 00:22:54,760
Speaker 4: hospital scene that kept looking at the camera and it

432
00:22:54,800 --> 00:22:55,600
Speaker 4: was it was.

433
00:22:55,640 --> 00:23:02,040
Speaker 6: Really sitting behind Rory No the Wales see where Emily

434
00:23:02,200 --> 00:23:03,720
Speaker 6: was there, and they had all the food in front

435
00:23:03,720 --> 00:23:05,960
Speaker 6: of them on the table because they couldn't like decide

436
00:23:06,520 --> 00:23:08,960
Speaker 6: what to It was like from a different angle where.

437
00:23:08,760 --> 00:23:11,120
Speaker 4: That woman was sitting, there was a man with big

438
00:23:11,160 --> 00:23:14,800
Speaker 4: eyebrows and he had a magazine but he kept like

439
00:23:15,119 --> 00:23:17,600
Speaker 4: looking like I guess he was like watching the action

440
00:23:17,720 --> 00:23:20,119
Speaker 4: or something, but he was looking like right at the camera.

441
00:23:20,920 --> 00:23:22,080
Speaker 4: It was really distracting.

442
00:23:22,240 --> 00:23:24,280
Speaker 2: Oh my god, I love a background actor.

443
00:23:24,320 --> 00:23:30,640
Speaker 4: So all right, so we're at Luke's diner, Zach's having

444
00:23:30,680 --> 00:23:33,160
Speaker 4: the time of his life. Babet comes in and this

445
00:23:33,240 --> 00:23:36,879
Speaker 4: is when she tells Luke that Laura's dad had the

446
00:23:36,880 --> 00:23:42,520
Speaker 4: heart attack. She thought he would want to know, and yeah, exactly,

447
00:23:42,600 --> 00:23:45,119
Speaker 4: I know. It was good for her to do that,

448
00:23:45,200 --> 00:23:47,639
Speaker 4: and so then of course then Luke's wheels are turning

449
00:23:47,680 --> 00:23:52,080
Speaker 4: and he's gonna he's gonna get together or get the

450
00:23:52,400 --> 00:23:54,000
Speaker 4: I guess that wasn't when he got the food together,

451
00:23:54,040 --> 00:23:56,840
Speaker 4: but he's gonna go see Laurel I. So then we

452
00:23:56,920 --> 00:23:59,480
Speaker 4: go back to the hospital where Lorelai is leaving the

453
00:23:59,760 --> 00:24:05,200
Speaker 4: second phone message for Christopher. This is when Suki calls,

454
00:24:05,320 --> 00:24:09,160
Speaker 4: and so she's talking to Suki, and the whole Michelle

455
00:24:09,160 --> 00:24:11,760
Speaker 4: says blah blah blah, tell Michelle, blah blah blah. Oh,

456
00:24:11,920 --> 00:24:15,240
Speaker 4: Laurel I says blah. Like the whole conversation going between

457
00:24:15,920 --> 00:24:19,880
Speaker 4: Michelle Tsuki to Laurel I to Suki to Michelle. I

458
00:24:19,920 --> 00:24:22,360
Speaker 4: could have done without that whole thing was annoying.

459
00:24:24,000 --> 00:24:27,560
Speaker 1: I agree that was unusual. That was an unusual scene.

460
00:24:27,680 --> 00:24:30,360
Speaker 4: I mean, Michelle has worked at that end for how

461
00:24:30,400 --> 00:24:32,520
Speaker 4: many years? He can't figure out where to get a

462
00:24:32,600 --> 00:24:35,160
Speaker 4: roll away from, Like I don't know, I just.

463
00:24:35,160 --> 00:24:38,320
Speaker 2: Have really like she's in a crisis, and you're like,

464
00:24:38,640 --> 00:24:41,920
Speaker 2: I don't know, it's weird, which is at this wasn't

465
00:24:42,720 --> 00:24:44,720
Speaker 2: funny or clever. That was probably the only scene that

466
00:24:44,760 --> 00:24:44,960
Speaker 2: I was.

467
00:24:44,960 --> 00:24:50,159
Speaker 3: Like, Yeah, I liked her calling Suki, but I just

468
00:24:50,200 --> 00:24:52,320
Speaker 3: didn't need the Michelle part of it.

469
00:24:52,359 --> 00:24:56,359
Speaker 4: Right, exactly, yeah, exactly, and Suki was cute. She's like, oh,

470
00:24:56,359 --> 00:24:59,080
Speaker 4: I want to send so and so over with whatever

471
00:24:59,119 --> 00:25:01,159
Speaker 4: it was. I forget what it was, cookies or something.

472
00:25:02,080 --> 00:25:05,200
Speaker 4: So we see like Laurelis getting all this support from

473
00:25:05,240 --> 00:25:07,159
Speaker 4: everyone except her husband.

474
00:25:08,280 --> 00:25:11,240
Speaker 2: And may briefly interject with one thing that just came

475
00:25:11,280 --> 00:25:14,960
Speaker 2: to my mind. So sorry, you know how the muffin

476
00:25:15,000 --> 00:25:17,679
Speaker 2: tops were in last week. Thank you to the person

477
00:25:17,720 --> 00:25:22,879
Speaker 2: who wrote us about the Seinfeld episode. Fill More Girls

478
00:25:22,880 --> 00:25:27,280
Speaker 2: did not invent muffin tops. Seinfeld did it earlier. I

479
00:25:27,320 --> 00:25:30,040
Speaker 2: apologized for the interruption, but felt that it was important too.

480
00:25:39,880 --> 00:25:45,080
Speaker 4: So Emily's on the phone canceling something or other. This

481
00:25:45,160 --> 00:25:49,080
Speaker 4: is the part where Logan made that comment about I

482
00:25:49,119 --> 00:25:51,280
Speaker 4: wrote in my notes, I wrote two perfect because this

483
00:25:51,359 --> 00:25:54,399
Speaker 4: is when Logan said something like because he wasn't answering

484
00:25:54,440 --> 00:25:56,520
Speaker 4: his phone, and Rory was like, shouldn't you answer that?

485
00:25:56,880 --> 00:25:59,560
Speaker 4: He's like I have something like there's nothing more important

486
00:25:59,560 --> 00:26:00,560
Speaker 4: than me here with you.

487
00:26:00,600 --> 00:26:04,520
Speaker 2: I'm like, right, it's so rude. If he was her

488
00:26:04,520 --> 00:26:06,760
Speaker 2: grandpa's in a hospital bed, what's he gonna.

489
00:26:06,520 --> 00:26:08,480
Speaker 4: Be like, I gotta take a call?

490
00:26:08,640 --> 00:26:11,040
Speaker 5: Like that's kind of a yeah. It's also it's the

491
00:26:11,280 --> 00:26:14,080
Speaker 5: it's not even charming. It's the thing you should do. Yeah,

492
00:26:14,320 --> 00:26:16,600
Speaker 5: your significantther is going through something like that.

493
00:26:16,520 --> 00:26:18,600
Speaker 2: I would seem low again.

494
00:26:19,280 --> 00:26:22,560
Speaker 4: Yeah, I maybe I'm not getting my point across. I'm

495
00:26:22,560 --> 00:26:25,479
Speaker 4: not having a problem with what he was doing. I

496
00:26:25,560 --> 00:26:29,760
Speaker 4: just thought that the dialogue was cheesy. I just maybe

497
00:26:29,840 --> 00:26:31,919
Speaker 4: you think he's a little chmarmie.

498
00:26:32,600 --> 00:26:32,800
Speaker 2: Yeah.

499
00:26:32,880 --> 00:26:35,879
Speaker 4: I think it was impacting for a twenty three, twenty

500
00:26:35,880 --> 00:26:36,520
Speaker 4: four year old.

501
00:26:36,520 --> 00:26:38,960
Speaker 5: However, I did not want him to change. I'm really

502
00:26:39,000 --> 00:26:42,120
Speaker 5: nervous you will. I am fully nervous.

503
00:26:42,400 --> 00:26:44,760
Speaker 1: I think you can be a real gentleman. It's went.

504
00:26:45,160 --> 00:26:48,160
Speaker 2: Yeah, And I think he was raised right. He's got

505
00:26:48,800 --> 00:26:52,520
Speaker 2: tough parents. But I do think manners doing the right thing,

506
00:26:52,920 --> 00:26:55,120
Speaker 2: even though he rebelled against it. I do think he

507
00:26:55,160 --> 00:26:59,679
Speaker 2: was taught like, yeah, there's a family crisis, you step

508
00:26:59,800 --> 00:27:02,240
Speaker 2: up up and he considers them family.

509
00:27:02,280 --> 00:27:02,600
Speaker 4: I don't know.

510
00:27:02,600 --> 00:27:06,040
Speaker 2: I think he don't. I'm I'm team Logan, but the

511
00:27:06,040 --> 00:27:09,080
Speaker 2: movies are coming way. The movies are coming.

512
00:27:08,840 --> 00:27:12,560
Speaker 4: Way too fast for me that I'm like, Uh, I'm

513
00:27:12,560 --> 00:27:16,000
Speaker 4: not disagreeing that he would be that he would should

514
00:27:16,000 --> 00:27:18,000
Speaker 4: be like that, or that he was like that. That's

515
00:27:18,000 --> 00:27:18,800
Speaker 4: not what I'm disagreeing.

516
00:27:18,840 --> 00:27:23,199
Speaker 2: With anyone dreading the movies. Sorry to interrupt, I just

517
00:27:23,680 --> 00:27:26,359
Speaker 2: so many things are happening now that they're getting me

518
00:27:26,400 --> 00:27:30,640
Speaker 2: so close to the movies that I'm just like, I'll

519
00:27:30,680 --> 00:27:31,560
Speaker 2: shut it.

520
00:27:31,600 --> 00:27:33,760
Speaker 1: I'm actually looking I'm actually looking forward to them.

521
00:27:33,800 --> 00:27:34,560
Speaker 2: I like the movies.

522
00:27:34,600 --> 00:27:38,840
Speaker 4: I will say those to everybody that before we talk

523
00:27:38,880 --> 00:27:41,919
Speaker 4: about them, you should watch each one at least twice.

524
00:27:42,560 --> 00:27:45,760
Speaker 2: Oh okay, that's a great note, really great because the first.

525
00:27:45,520 --> 00:27:50,080
Speaker 4: Time it's because it's different, like remember night Yeah, fell

526
00:27:50,200 --> 00:27:53,119
Speaker 4: off rhythm. So watch it once and sit there and

527
00:27:53,119 --> 00:27:55,040
Speaker 4: be like, what the hell was that? And then watch

528
00:27:55,119 --> 00:27:57,080
Speaker 4: it a second time and then it would make more sense.

529
00:27:57,119 --> 00:28:00,000
Speaker 2: That's a great note. Okay, that's an excellent note for everybody.

530
00:28:00,480 --> 00:28:04,120
Speaker 2: Continue anyways, So have a lot of homework.

531
00:28:05,040 --> 00:28:06,119
Speaker 4: It is a lot of home I know.

532
00:28:06,240 --> 00:28:08,960
Speaker 3: And their longer episodes, yeah, they're an hour or.

533
00:28:08,920 --> 00:28:13,280
Speaker 2: Two hours, go fast like they might we might have

534
00:28:13,320 --> 00:28:15,480
Speaker 2: to split him into two parts each. So we watch

535
00:28:16,160 --> 00:28:18,520
Speaker 2: half twice, half twice, half tway.

536
00:28:18,600 --> 00:28:20,879
Speaker 4: Yeah, because I think we're gonna have a lot to say.

537
00:28:21,320 --> 00:28:23,679
Speaker 2: Yeah, I do too, I do too, So I thenk

538
00:28:23,680 --> 00:28:25,639
Speaker 2: it's gonna be well listening. Thanks for listening to our

539
00:28:25,680 --> 00:28:26,320
Speaker 2: production meeting.

540
00:28:26,400 --> 00:28:31,360
Speaker 3: Okay.

541
00:28:31,560 --> 00:28:37,880
Speaker 4: So then Luke shows up and he says, Laurla kind

542
00:28:37,880 --> 00:28:41,480
Speaker 4: of gave him the brush off because she was trying

543
00:28:41,520 --> 00:28:44,240
Speaker 4: to imply that Christopher was about to show up.

544
00:28:45,920 --> 00:28:46,720
Speaker 2: Did not love that.

545
00:28:47,160 --> 00:28:49,480
Speaker 4: Then Emily gives him an assignment. He has to go

546
00:28:49,520 --> 00:28:52,640
Speaker 4: pick up the car. And then she said, you do

547
00:28:52,760 --> 00:28:55,480
Speaker 4: know how to drive a European car, don't you like?

548
00:28:56,280 --> 00:28:58,680
Speaker 4: They drive differently than non European cars.

549
00:28:58,680 --> 00:29:01,560
Speaker 3: Also, I like when she was like, check the faculty

550
00:29:01,600 --> 00:29:03,280
Speaker 3: lot and any other lot, and I'm like.

551
00:29:03,560 --> 00:29:04,240
Speaker 2: Nts there are.

552
00:29:05,920 --> 00:29:06,760
Speaker 5: Checked the whole camp.

553
00:29:07,520 --> 00:29:10,800
Speaker 2: There's like Yale, thousands of cars.

554
00:29:11,080 --> 00:29:14,960
Speaker 4: Yeah, so go get the car, Go shovel the path,

555
00:29:15,120 --> 00:29:18,600
Speaker 4: go meet the fish man. And then Logan and Rory

556
00:29:19,120 --> 00:29:22,520
Speaker 4: end up taking Laurelized car to go get the fish

557
00:29:22,800 --> 00:29:31,240
Speaker 4: because Logan arrived in helicopter chopper a chopper and yes,

558
00:29:31,400 --> 00:29:34,120
Speaker 4: such a talk, as we find out as they're walking away,

559
00:29:34,120 --> 00:29:37,640
Speaker 4: they have that little conversation and then Laurel I looks.

560
00:29:37,440 --> 00:29:37,960
Speaker 2: At her phone.

561
00:29:38,080 --> 00:29:43,080
Speaker 4: Still no voicemail, no calls, you know, we just are

562
00:29:43,240 --> 00:29:47,840
Speaker 4: aculle aware that Christopher is not around. Then, so this

563
00:29:47,960 --> 00:29:50,360
Speaker 4: next scene I liked. This is when Babat was trying

564
00:29:50,360 --> 00:29:52,400
Speaker 4: to walk Paul Anka and he didn't want to go

565
00:29:52,480 --> 00:29:54,680
Speaker 4: down the porch steps. I thought the dog did a

566
00:29:54,680 --> 00:29:56,160
Speaker 4: great acting job in this scene.

567
00:29:56,200 --> 00:30:01,560
Speaker 1: That Grat should have been nominated for a doggie or

568
00:30:01,560 --> 00:30:03,440
Speaker 1: something that a board for sure.

569
00:30:04,160 --> 00:30:06,200
Speaker 4: Yeah, he was on point.

570
00:30:06,480 --> 00:30:09,360
Speaker 3: I also liked that they finally brought back like the

571
00:30:09,480 --> 00:30:12,160
Speaker 3: quirks that paul Anka has. It's been a minute since

572
00:30:12,160 --> 00:30:14,160
Speaker 3: we've seen that. We haven't seen it the season at all.

573
00:30:14,480 --> 00:30:15,040
Speaker 2: That's true.

574
00:30:15,120 --> 00:30:17,200
Speaker 4: That's a good point because when she first got him

575
00:30:17,240 --> 00:30:18,320
Speaker 4: and he was like afraid of.

576
00:30:18,720 --> 00:30:20,600
Speaker 3: It's like, oh, you have to like turn around seven

577
00:30:20,640 --> 00:30:22,160
Speaker 3: times or you know the things.

578
00:30:22,280 --> 00:30:25,640
Speaker 4: Yeah, so I thought I thought that was a good scene.

579
00:30:25,680 --> 00:30:27,760
Speaker 4: And then bad BET's trying to support Laureal I. She's like,

580
00:30:27,760 --> 00:30:30,400
Speaker 4: you know, it's gonna be fine and talking about Richard's

581
00:30:30,520 --> 00:30:31,720
Speaker 4: chi and all that.

582
00:30:31,840 --> 00:30:35,280
Speaker 2: How sexy he is. Yeah, hearing it. But I loved

583
00:30:35,280 --> 00:30:39,240
Speaker 2: it because I kind of agree, like Richard's a stud.

584
00:30:41,120 --> 00:30:43,959
Speaker 4: Then we go to Logan and Rory are at Emily

585
00:30:44,000 --> 00:30:47,880
Speaker 4: and Richards. My note on the scene, I wrote too

586
00:30:47,960 --> 00:30:50,240
Speaker 4: much blah blah blah.

587
00:30:51,160 --> 00:30:52,320
Speaker 2: Yeah, but I didn't mind it.

588
00:30:52,400 --> 00:30:54,440
Speaker 3: The one line I really or the one part I

589
00:30:54,520 --> 00:30:57,880
Speaker 3: really liked, and this is when Rory's kind of going

590
00:30:57,920 --> 00:31:01,000
Speaker 3: off about like what Richard's going to teach in class

591
00:31:01,080 --> 00:31:04,840
Speaker 3: next week. And I like that Logan didn't say like,

592
00:31:05,680 --> 00:31:09,240
Speaker 3: well you don't know, yeah, yeah, let her just go

593
00:31:09,400 --> 00:31:12,480
Speaker 3: and then she realized it and then he followed her lead.

594
00:31:13,120 --> 00:31:15,160
Speaker 3: I just like that he let her vent.

595
00:31:15,760 --> 00:31:19,520
Speaker 4: Yeah, yeah, I agreed that. I thought that was good.

596
00:31:20,040 --> 00:31:22,840
Speaker 4: Then we use the word chopper at least three more times.

597
00:31:23,120 --> 00:31:24,920
Speaker 2: Too many, too too many.

598
00:31:25,200 --> 00:31:27,840
Speaker 4: And then he so we find out this is an

599
00:31:27,840 --> 00:31:30,720
Speaker 4: interesting point to make note of. We find out that

600
00:31:30,720 --> 00:31:34,120
Speaker 4: Logan is looking at buying another company that is important

601
00:31:34,600 --> 00:31:38,560
Speaker 4: so this yeah, and he needs an investor. He's going

602
00:31:38,600 --> 00:31:40,240
Speaker 4: to buy it for five million. He's going to use

603
00:31:40,280 --> 00:31:42,880
Speaker 4: three million from his trust fund. We find out that

604
00:31:42,960 --> 00:31:47,280
Speaker 4: he approached his dad about it, but Mitcham said no,

605
00:31:48,640 --> 00:31:52,680
Speaker 4: and so then they do their little business speak lingle.

606
00:31:52,720 --> 00:31:54,640
Speaker 4: That was kind of cute when he was like, are

607
00:31:54,640 --> 00:31:57,120
Speaker 4: you talking business talk? That was I thought that was cute.

608
00:31:57,160 --> 00:32:01,160
Speaker 4: But just overall, like the little the honologus and where

609
00:32:01,200 --> 00:32:05,600
Speaker 4: she's narrating every single item of clothing and every all

610
00:32:05,640 --> 00:32:07,840
Speaker 4: the details of all the records she's going to bring,

611
00:32:08,200 --> 00:32:11,480
Speaker 4: it just was too much for me and just wied

612
00:32:11,480 --> 00:32:12,560
Speaker 4: too much stuff to take.

613
00:32:12,600 --> 00:32:15,120
Speaker 2: I feel like too much stuff to take. I agree,

614
00:32:15,200 --> 00:32:18,920
Speaker 2: but also like it is what a college kid would do, Like, Okay,

615
00:32:18,960 --> 00:32:21,360
Speaker 2: I gotta go get my grandma's outfit, but I want

616
00:32:21,360 --> 00:32:23,760
Speaker 2: to look in her underwear drawer, you know. Like that

617
00:32:23,920 --> 00:32:26,320
Speaker 2: was all kind of funny, and I think she loves

618
00:32:26,640 --> 00:32:29,000
Speaker 2: her grandpa. She loves him. She's going to bring all

619
00:32:29,040 --> 00:32:32,000
Speaker 2: his books and all those records that tracks with Rory,

620
00:32:32,360 --> 00:32:35,040
Speaker 2: like she remember when she would do things young, you know, earlier,

621
00:32:35,120 --> 00:32:36,760
Speaker 2: she would bring like forty books like.

622
00:32:37,320 --> 00:32:41,000
Speaker 4: Yeah, with the character all of them. I just thought

623
00:32:41,040 --> 00:32:43,680
Speaker 4: it was like that scene could have been cut in

624
00:32:43,800 --> 00:32:46,280
Speaker 4: half time wise, and it would have gotten the point across.

625
00:32:46,360 --> 00:32:46,760
Speaker 4: Just fine.

626
00:32:47,680 --> 00:32:50,680
Speaker 2: I just I wasn't irritated, but respect Scott. How are

627
00:32:50,720 --> 00:32:53,120
Speaker 2: you feeling about the dogs? Everything happening?

628
00:32:54,360 --> 00:32:58,600
Speaker 1: It's all just so wonderful.

629
00:32:59,120 --> 00:33:01,520
Speaker 2: Yeah, do you like this episode? Sorry to interject, but

630
00:33:01,560 --> 00:33:02,080
Speaker 2: I'm curious.

631
00:33:02,160 --> 00:33:06,480
Speaker 1: I actually did enjoy it. I'm I'm I've learned how

632
00:33:06,520 --> 00:33:11,840
Speaker 1: to ignore flaws. Yeah, and just just bring it. Just

633
00:33:11,920 --> 00:33:13,880
Speaker 1: let me enjoy it, let me laugh. I had a

634
00:33:13,880 --> 00:33:18,880
Speaker 1: lot of laughs. I enjoyed the ride. You know, I

635
00:33:18,960 --> 00:33:22,760
Speaker 1: hit my head, so I'm you know, I don't. I

636
00:33:22,800 --> 00:33:26,800
Speaker 1: don't judge it anymore. I'm not so critical anymore.

637
00:33:27,720 --> 00:33:30,880
Speaker 2: Yeah, it is more fun to watch it when you're

638
00:33:30,920 --> 00:33:33,280
Speaker 2: not trying to nitpick it. I'm just saying too. Yeah,

639
00:33:33,320 --> 00:33:35,560
Speaker 2: I had a little some issues at the beginning of

640
00:33:35,600 --> 00:33:38,240
Speaker 2: the season, and it's almost like it's just it's just kind.

641
00:33:38,120 --> 00:33:41,480
Speaker 1: Of too easy. It's too easy to NITPICKTI, you know,

642
00:33:41,800 --> 00:33:44,360
Speaker 1: and I think we we we got very nitpicky.

643
00:33:44,560 --> 00:33:47,520
Speaker 2: THEA in seven has found its way, and there is

644
00:33:47,600 --> 00:33:52,280
Speaker 2: the chance that those writers needed a minute for the

645
00:33:52,360 --> 00:33:56,720
Speaker 2: new team, right, and it's now found its way.

646
00:33:56,880 --> 00:34:01,040
Speaker 1: So I mean, if you were ever you know, I don't.

647
00:34:01,120 --> 00:34:03,400
Speaker 1: I can't imagine another writing staff in the history of

648
00:34:03,400 --> 00:34:06,760
Speaker 1: television under more pressure to come in after six seasons

649
00:34:06,840 --> 00:34:09,480
Speaker 1: of this show, which is turning out to be some

650
00:34:09,600 --> 00:34:15,319
Speaker 1: kind of you know, iconic historical television series woven into

651
00:34:15,360 --> 00:34:20,520
Speaker 1: the fabric of the American consciousness and culture. And hey,

652
00:34:20,600 --> 00:34:22,919
Speaker 1: I just pick up where Amy and Dan left off.

653
00:34:22,960 --> 00:34:26,760
Speaker 2: You know, probly Amy probably wrote three times the words

654
00:34:26,800 --> 00:34:28,880
Speaker 2: in a normal script, and these guys are probably writing

655
00:34:28,880 --> 00:34:31,440
Speaker 2: double So it's like they're not doing twenty two episodes,

656
00:34:31,440 --> 00:34:33,440
Speaker 2: they're doing forty four episode, you know what I mean?

657
00:34:33,440 --> 00:34:36,000
Speaker 2: Like it's a lot. So yeah, I'll give them some grace.

658
00:34:36,920 --> 00:34:37,759
Speaker 1: Yeah, me too.

659
00:34:38,000 --> 00:34:40,719
Speaker 4: Yeah, anyway, Well you're just a bigger person than I am.

660
00:34:40,719 --> 00:34:41,000
Speaker 4: I guess.

661
00:34:41,120 --> 00:34:46,920
Speaker 2: Anyways, I have had my moments a lot.

662
00:34:47,160 --> 00:34:48,879
Speaker 4: I feel like I need you to spend myself. I'd

663
00:34:48,960 --> 00:34:51,320
Speaker 4: like I said at the beginning, I don't dislike it. It

664
00:34:51,360 --> 00:34:53,080
Speaker 4: just wasn't great for me, Like.

665
00:34:53,080 --> 00:34:58,120
Speaker 2: It just was, Eh, I'm here to support you because

666
00:34:58,160 --> 00:35:00,400
Speaker 2: there have been episodes where I felt that way and

667
00:35:00,440 --> 00:35:04,640
Speaker 2: I got daggered not by you guys, but by the fans.

668
00:35:04,680 --> 00:35:06,279
Speaker 2: And so it's like I'm also going to say in

669
00:35:06,280 --> 00:35:09,960
Speaker 2: this one for me, I love this episode. So I'm

670
00:35:10,000 --> 00:35:11,920
Speaker 2: sure there's people that feel both ways.

671
00:35:11,960 --> 00:35:15,680
Speaker 1: So but I think, but I think it was regarding

672
00:35:15,760 --> 00:35:18,640
Speaker 1: what you're saying, Suzanne, It's like I've lowered my expectations,

673
00:35:19,239 --> 00:35:21,680
Speaker 1: so I'm not I don't let it bother me.

674
00:35:21,600 --> 00:35:24,080
Speaker 4: Anymore, right, right, right, Because it's not.

675
00:35:24,040 --> 00:35:27,960
Speaker 1: Fair to the show. It's not fair to the current writers,

676
00:35:28,000 --> 00:35:30,239
Speaker 1: you know, season seven, it's not fair to ask them

677
00:35:30,280 --> 00:35:32,560
Speaker 1: to step into those shoes and do exactly what Amy

678
00:35:32,560 --> 00:35:33,040
Speaker 1: and Dan did.

679
00:35:33,120 --> 00:35:35,560
Speaker 3: It's not fair, I thought. I mean, I was very

680
00:35:35,560 --> 00:35:36,799
Speaker 3: close to give I was just.

681
00:35:36,800 --> 00:35:39,080
Speaker 1: Trying to give them the props because I think they're

682
00:35:39,120 --> 00:35:40,839
Speaker 1: doing a really good job at this point.

683
00:35:40,880 --> 00:35:43,920
Speaker 2: You know, yeah, mindful. Oh sorry, go ahead, Susanne.

684
00:35:44,040 --> 00:35:45,640
Speaker 4: Oh, I was just going to say, as I was

685
00:35:45,680 --> 00:35:48,640
Speaker 4: watching this last night, because I I typically will watch

686
00:35:48,719 --> 00:35:50,399
Speaker 4: my husband will watch it with me, and then we'll

687
00:35:50,440 --> 00:35:52,080
Speaker 4: like comment on it. And he kind of felt the

688
00:35:52,080 --> 00:35:53,680
Speaker 4: same way I did. He's like, I'm glad that you

689
00:35:53,719 --> 00:35:55,440
Speaker 4: said that, because I was you didn't want to say

690
00:35:55,480 --> 00:35:57,520
Speaker 4: it to me, but when I said it, then he's like, yeah,

691
00:35:57,560 --> 00:35:59,759
Speaker 4: I thought the same thing. And I even looked to

692
00:35:59,760 --> 00:36:02,240
Speaker 4: see who the writer was and if they had written

693
00:36:02,280 --> 00:36:06,120
Speaker 4: other episodes, and it was credited to Rebecca rand Kirshner,

694
00:36:06,200 --> 00:36:09,200
Speaker 4: and apparently she wrote ten episodes, some of which I

695
00:36:09,280 --> 00:36:13,520
Speaker 4: completely loved. So it's not like I don't like her writing,

696
00:36:14,160 --> 00:36:17,200
Speaker 4: because I do. She wrote this the Sanda's Secret Stuff

697
00:36:17,239 --> 00:36:19,560
Speaker 4: episode that we just watched that I totally loved. So

698
00:36:20,400 --> 00:36:22,760
Speaker 4: I don't know. I guess there's it's just something about

699
00:36:22,760 --> 00:36:23,920
Speaker 4: this episode that is.

700
00:36:24,040 --> 00:36:29,080
Speaker 2: Very mindful of my own mind state? Is that the

701
00:36:29,080 --> 00:36:32,000
Speaker 2: word mindset? When I watched this episode, because I was

702
00:36:32,440 --> 00:36:35,160
Speaker 2: a little nervous about watching this episode just because of

703
00:36:35,200 --> 00:36:37,400
Speaker 2: my own like I don't want to bring in my

704
00:36:37,520 --> 00:36:40,879
Speaker 2: own junk into it, and I think I had done

705
00:36:40,920 --> 00:36:43,239
Speaker 2: that a couple of weeks ago. So I went to

706
00:36:43,360 --> 00:36:47,200
Speaker 2: watch it on I think Sunday night, and then I

707
00:36:47,200 --> 00:36:49,759
Speaker 2: said I'm going to wait, and I watched it when

708
00:36:49,760 --> 00:36:52,640
Speaker 2: I was like really ready for it because it's a

709
00:36:52,719 --> 00:36:55,479
Speaker 2: tough episode a little bit. And I think that also

710
00:36:56,160 --> 00:37:00,120
Speaker 2: benefited me because I really I was super just in

711
00:37:00,160 --> 00:37:03,319
Speaker 2: with the episode, like I wanted to feel this whole thing.

712
00:37:03,840 --> 00:37:05,720
Speaker 1: Did you I mean, did you watch this episode before

713
00:37:05,800 --> 00:37:07,840
Speaker 1: Chance Jackson or after post.

714
00:37:07,719 --> 00:37:13,080
Speaker 2: George Janet Jackson, before Janet Jackson Fall, which I can

715
00:37:13,120 --> 00:37:14,799
Speaker 2: tell everybody about if they care.

716
00:37:15,840 --> 00:37:18,800
Speaker 3: Wait, Susanne, how many times has your husband seen Gilmore? Girls?

717
00:37:18,920 --> 00:37:20,719
Speaker 3: Like this is first or second?

718
00:37:21,239 --> 00:37:21,359
Speaker 1: No?

719
00:37:21,480 --> 00:37:25,160
Speaker 4: He So when I watched it the very very first time,

720
00:37:25,239 --> 00:37:27,600
Speaker 4: and I was like, oh my god, you need to

721
00:37:27,600 --> 00:37:29,560
Speaker 4: watch this show. So I made him watch the whole

722
00:37:29,560 --> 00:37:33,960
Speaker 4: thing from start to finish years ago, and but then

723
00:37:34,000 --> 00:37:36,200
Speaker 4: it's like a lot of times, especially when it was

724
00:37:36,239 --> 00:37:38,560
Speaker 4: on up TV, it was just always on in the background,

725
00:37:38,680 --> 00:37:41,520
Speaker 4: and so he's like seen the whole He may not

726
00:37:41,600 --> 00:37:44,319
Speaker 4: have watched it straight through again, but he's seen all

727
00:37:44,360 --> 00:37:47,840
Speaker 4: the episodes of various He can quote some of the

728
00:37:47,880 --> 00:37:48,799
Speaker 4: lines better than I can.

729
00:37:49,520 --> 00:37:49,800
Speaker 1: Garry.

730
00:37:51,600 --> 00:37:57,840
Speaker 4: Yeah, okay, So we're in the cafeteria and this is

731
00:37:58,040 --> 00:38:04,720
Speaker 4: where Laurel gets upset at Emily for calling them getting

732
00:38:04,760 --> 00:38:05,160
Speaker 4: the will.

733
00:38:05,880 --> 00:38:08,080
Speaker 2: Also was concerned about that old man.

734
00:38:08,560 --> 00:38:09,399
Speaker 3: Oh and they.

735
00:38:09,320 --> 00:38:15,080
Speaker 2: Also all concerns about him and really noticed him multiple

736
00:38:15,080 --> 00:38:18,680
Speaker 2: times and was like, I wonder about he has what's

737
00:38:18,680 --> 00:38:20,960
Speaker 2: going on? And then when she said it, I was like,

738
00:38:21,280 --> 00:38:23,720
Speaker 2: oh my god, I am a person.

739
00:38:24,239 --> 00:38:26,480
Speaker 4: She had a good point. So as somebody who has

740
00:38:26,560 --> 00:38:30,840
Speaker 4: worked in hospitals for twenty eight years now, she's right, Like,

741
00:38:30,960 --> 00:38:33,560
Speaker 4: patients are not supposed to be eating in the cafeteria

742
00:38:33,719 --> 00:38:38,520
Speaker 4: the diet prescribed by the doctor. They eat what they

743
00:38:38,560 --> 00:38:42,319
Speaker 4: bring to the patient's room. Like generally patients are not

744
00:38:42,560 --> 00:38:44,680
Speaker 4: taking their ivy pull down to the caffe.

745
00:38:44,360 --> 00:38:46,600
Speaker 2: Do you have a baby, because can't you bring in

746
00:38:46,640 --> 00:38:48,799
Speaker 2: any restaurant food? Like I know people that when they

747
00:38:48,800 --> 00:38:51,479
Speaker 2: have a baby they get like mastros delivered or whatever.

748
00:38:51,480 --> 00:38:56,560
Speaker 4: I mean, yeah, you you can, depending once you deliver, right,

749
00:38:56,640 --> 00:39:00,880
Speaker 4: depending on the medical situation, but you have to have permission,

750
00:39:01,320 --> 00:39:03,319
Speaker 4: you know, from from the doctor, and they'll ride an

751
00:39:03,400 --> 00:39:05,200
Speaker 4: order that says, you know that the patient can have

752
00:39:05,200 --> 00:39:05,520
Speaker 4: their own.

753
00:39:05,760 --> 00:39:07,480
Speaker 1: I thought I was their food.

754
00:39:08,160 --> 00:39:13,000
Speaker 2: I didn't do that, just uberneats on an ivy. I

755
00:39:13,080 --> 00:39:15,360
Speaker 2: thought maybe he just had a hip replacement or something.

756
00:39:17,000 --> 00:39:18,640
Speaker 2: I had a whole story in my mind.

757
00:39:19,000 --> 00:39:21,600
Speaker 3: I totally noticed the red drink. Do you remember in

758
00:39:21,719 --> 00:39:24,640
Speaker 3: like like in schools and all those like nineties show

759
00:39:24,640 --> 00:39:28,719
Speaker 3: there's always that red juice. He had it in front

760
00:39:28,760 --> 00:39:28,880
Speaker 3: of it.

761
00:39:29,040 --> 00:39:31,600
Speaker 2: But I just kind of like high Sea or something

762
00:39:31,719 --> 00:39:33,399
Speaker 2: like a little plastic bottle, just.

763
00:39:33,360 --> 00:39:39,239
Speaker 5: Like those were fire Those are good.

764
00:39:48,400 --> 00:39:51,040
Speaker 4: Okay. So Emily's on the phone with the lawyer getting

765
00:39:51,120 --> 00:39:53,600
Speaker 4: the will and this bothers Laurel.

766
00:39:53,640 --> 00:39:58,959
Speaker 3: I I kind of agree with Emily. I understand where

767
00:39:59,080 --> 00:40:04,720
Speaker 3: Laurele's headed is. But I think Emily's being realistic because

768
00:40:04,920 --> 00:40:09,080
Speaker 3: current like currently, my my grandma's getting older and my

769
00:40:09,320 --> 00:40:13,919
Speaker 3: dad is helping figure out her will between like him

770
00:40:13,960 --> 00:40:16,799
Speaker 3: and his brothers, and it's like he's like, I don't

771
00:40:16,800 --> 00:40:19,879
Speaker 3: want to think about it, like if and well, when

772
00:40:19,920 --> 00:40:24,440
Speaker 3: the time comes, and so if I would say, yeah,

773
00:40:24,600 --> 00:40:26,440
Speaker 3: but you know, when the time comes. And so I

774
00:40:26,480 --> 00:40:29,000
Speaker 3: didn't blame her because she's probably thinking we didn't do

775
00:40:29,080 --> 00:40:29,920
Speaker 3: this sooner.

776
00:40:31,000 --> 00:40:34,759
Speaker 2: At it because the last time and this is his

777
00:40:34,880 --> 00:40:39,839
Speaker 2: wishes and her job. Again, Yeah, I also understand because

778
00:40:39,880 --> 00:40:41,080
Speaker 2: there is the business of.

779
00:40:41,040 --> 00:40:45,240
Speaker 5: It too, and the hospital's going to have to handle

780
00:40:45,239 --> 00:40:47,240
Speaker 5: the business. Somebody has to handle.

781
00:40:47,000 --> 00:40:47,640
Speaker 3: I want to do it.

782
00:40:47,760 --> 00:40:50,880
Speaker 4: Yeah, the hospital is going to ask what the DNR

783
00:40:51,040 --> 00:40:54,200
Speaker 4: status is because they don't want to call a code

784
00:40:54,239 --> 00:40:57,040
Speaker 4: blue on somebody that doesn't want to be resuscitated, so

785
00:40:57,840 --> 00:41:01,160
Speaker 4: they they will ask for that. But the actual will,

786
00:41:01,760 --> 00:41:04,399
Speaker 4: like the dn R is part of the living will, right,

787
00:41:04,480 --> 00:41:06,960
Speaker 4: the actual will. They held me back in the hospital

788
00:41:06,960 --> 00:41:10,000
Speaker 4: because it was helping his stuff in the hospital.

789
00:41:10,520 --> 00:41:14,280
Speaker 2: It was helping her busy, it was keeping her focused. Also,

790
00:41:14,680 --> 00:41:19,200
Speaker 2: ordering the fish is mentally her saying he's going to

791
00:41:19,239 --> 00:41:21,600
Speaker 2: be fine, and when he gets home, I'm going to

792
00:41:21,640 --> 00:41:25,560
Speaker 2: have fish and I'm not going to lose my reservation

793
00:41:25,800 --> 00:41:28,520
Speaker 2: with this. Made he d because he's going to be

794
00:41:28,560 --> 00:41:30,360
Speaker 2: fine and we're going to go back there. So I

795
00:41:30,440 --> 00:41:31,200
Speaker 2: really we're going.

796
00:41:31,120 --> 00:41:33,520
Speaker 5: To get better by eating fish exactly.

797
00:41:33,600 --> 00:41:36,040
Speaker 2: So I understood what she was doing. And also it's

798
00:41:36,160 --> 00:41:38,880
Speaker 2: very Emily. That's how she copes. And she did have

799
00:41:38,920 --> 00:41:42,520
Speaker 2: her meltdown. We knew it would come, but she was

800
00:41:42,520 --> 00:41:44,600
Speaker 2: doing what she needed to do.

801
00:41:45,480 --> 00:41:47,640
Speaker 3: And this is how many years, well, let's say like

802
00:41:47,680 --> 00:41:52,200
Speaker 3: what roughly like eight years since since the other heart attack.

803
00:41:52,200 --> 00:41:57,120
Speaker 2: Because there's only season seven, so the first season one.

804
00:41:57,400 --> 00:42:00,200
Speaker 3: Because at that point she had nothing prepared. Now he's

805
00:42:00,320 --> 00:42:03,239
Speaker 3: kind of yeah, she kind of knows what to do

806
00:42:03,360 --> 00:42:06,520
Speaker 3: or what to expect.

807
00:42:05,760 --> 00:42:08,960
Speaker 4: Right, Yeah, And she says like they had, she just

808
00:42:09,120 --> 00:42:14,080
Speaker 4: is executing the you know this the plan that they

809
00:42:14,080 --> 00:42:15,719
Speaker 4: had created after the last time.

810
00:42:15,880 --> 00:42:16,560
Speaker 3: Yeah.

811
00:42:16,600 --> 00:42:21,600
Speaker 4: Gorlai does not react well to that. Yeah, I guess

812
00:42:21,600 --> 00:42:24,080
Speaker 4: it just seems like a little morbid, like Emily's already

813
00:42:24,120 --> 00:42:28,080
Speaker 4: assuming he's going to pass away, which she's not, but

814
00:42:28,560 --> 00:42:30,960
Speaker 4: just the two of them are not understanding where the

815
00:42:31,040 --> 00:42:32,080
Speaker 4: other one is coming from.

816
00:42:32,239 --> 00:42:35,359
Speaker 2: So not to be a total like because please don't

817
00:42:35,360 --> 00:42:38,920
Speaker 2: write Alis makes it about her, but like my dad,

818
00:42:39,200 --> 00:42:41,800
Speaker 2: his job is to be the lawyer that she's calling,

819
00:42:42,640 --> 00:42:47,319
Speaker 2: and like, so there is an element of it where

820
00:42:47,360 --> 00:42:51,520
Speaker 2: you a B C D E. You get those things

821
00:42:51,520 --> 00:42:55,200
Speaker 2: in order and then then you don't worry about that,

822
00:42:55,680 --> 00:42:58,000
Speaker 2: do you know what I mean? So she's I get

823
00:42:58,040 --> 00:43:01,000
Speaker 2: what she's doing, and I'm not mad. I get I

824
00:43:01,000 --> 00:43:05,560
Speaker 2: also understand my lore livees frustrated by it. That I

825
00:43:05,600 --> 00:43:08,280
Speaker 2: have full respect for how everybody is sort of grieving

826
00:43:08,360 --> 00:43:10,960
Speaker 2: here and dealing every single person.

827
00:43:12,160 --> 00:43:13,680
Speaker 4: So right, that's why I'm kind of on the fence

828
00:43:13,719 --> 00:43:17,800
Speaker 4: about it, because it's the ultimate just doing the best.

829
00:43:17,600 --> 00:43:20,560
Speaker 2: They can, you do, you boo, because when you're dealing

830
00:43:20,560 --> 00:43:23,600
Speaker 2: with that stuff, you cannot be told how to deal

831
00:43:23,640 --> 00:43:26,680
Speaker 2: with it. Yeah, So that's just where I'm at on it,

832
00:43:26,719 --> 00:43:27,320
Speaker 2: and everybody.

833
00:43:27,400 --> 00:43:29,600
Speaker 1: Everybody react differently every Yeah, and.

834
00:43:29,600 --> 00:43:33,520
Speaker 2: It's kind of what Scott said earlier, like everybody try

835
00:43:33,560 --> 00:43:36,680
Speaker 2: to support everybody in the way they're dealing with it too,

836
00:43:37,560 --> 00:43:40,640
Speaker 2: So which I do. I love the scene that's coming,

837
00:43:40,719 --> 00:43:42,360
Speaker 2: so I'll shut my trap.

838
00:43:43,719 --> 00:43:46,239
Speaker 4: Then we go back to Emily and Richard's and we

839
00:43:46,320 --> 00:43:50,440
Speaker 4: have another scene that was way too long. I don't

840
00:43:50,480 --> 00:43:53,080
Speaker 4: know why we needed this scene twice. This is where

841
00:43:53,080 --> 00:43:56,040
Speaker 4: we talk about the records and the clothes for a

842
00:43:56,080 --> 00:43:59,799
Speaker 4: really long time, and then the fish and the fish

843
00:43:59,840 --> 00:44:01,480
Speaker 4: all has to go in the right refrigerator. And this

844
00:44:01,520 --> 00:44:03,560
Speaker 4: is where Rory thanks Logan for being there with her.

845
00:44:03,640 --> 00:44:07,400
Speaker 4: That was a nice That was a nice moment. But

846
00:44:07,680 --> 00:44:10,160
Speaker 4: I'd like they couldn't put that with the other scene.

847
00:44:10,200 --> 00:44:14,440
Speaker 4: I don't know. Then we go then, okay, so this

848
00:44:14,520 --> 00:44:16,960
Speaker 4: is the scene in the gift shop. This was I

849
00:44:17,040 --> 00:44:17,960
Speaker 4: this was a good scene.

850
00:44:17,960 --> 00:44:18,479
Speaker 2: This was.

851
00:44:21,160 --> 00:44:26,680
Speaker 4: Kelly Bishop was brilliant in this scene, and Loura is

852
00:44:26,719 --> 00:44:30,800
Speaker 4: still upset about the way Emily's acting, and Emily says, this,

853
00:44:30,800 --> 00:44:34,319
Speaker 4: this is the plan, like this is I have to

854
00:44:34,360 --> 00:44:34,920
Speaker 4: do this.

855
00:44:36,880 --> 00:44:41,759
Speaker 3: Thoughts on this scene, I this is where I kind

856
00:44:41,840 --> 00:44:45,200
Speaker 3: of I felt for Laura, but I did side with

857
00:44:45,520 --> 00:44:49,440
Speaker 3: Emily when she's like, I've you've been married for what

858
00:44:49,600 --> 00:44:52,120
Speaker 3: she say, like forty days and I've been married for

859
00:44:52,160 --> 00:44:54,600
Speaker 3: over forty years and yeah, it's so true, and it

860
00:44:54,680 --> 00:44:57,759
Speaker 3: kind of it kind of made Laura, I think, realize

861
00:44:57,800 --> 00:45:00,920
Speaker 3: like she doesn't know how marriage works, like not like

862
00:45:01,800 --> 00:45:05,360
Speaker 3: we ever believe she did. But I think Laurai is like,

863
00:45:05,440 --> 00:45:07,320
Speaker 3: I know what I'm doing a lot of the times,

864
00:45:07,360 --> 00:45:12,480
Speaker 3: and in this moment, she's probably like, my mom's right, yeah,

865
00:45:12,600 --> 00:45:13,680
Speaker 3: I don't know what I'm doing.

866
00:45:15,040 --> 00:45:18,000
Speaker 2: So sorry that I just Danielle, I'm so sorry, but

867
00:45:18,040 --> 00:45:19,719
Speaker 2: I just do think it's important. So you can take

868
00:45:19,719 --> 00:45:21,200
Speaker 2: your headphones off, but I'm not going to run anything.

869
00:45:21,280 --> 00:45:23,120
Speaker 2: It's just making me think about the movies. It's making

870
00:45:23,120 --> 00:45:26,759
Speaker 2: me think about the movies so much. I can't help it.

871
00:45:26,840 --> 00:45:29,640
Speaker 2: And I do think we're analyzing the show from a

872
00:45:29,640 --> 00:45:34,200
Speaker 2: bird's eye view. It should be mentioned, but I also

873
00:45:34,800 --> 00:45:38,400
Speaker 2: I see both their perspectives, but I get it. Emily

874
00:45:38,640 --> 00:45:44,120
Speaker 2: is just I just thought she was so brilliant Kelly

875
00:45:44,360 --> 00:45:47,560
Speaker 2: playing Emily, and also I just understood and I think

876
00:45:47,600 --> 00:45:49,640
Speaker 2: finally she conveyed it to Laura, and that's why we

877
00:45:49,680 --> 00:45:52,239
Speaker 2: get the milk dead scene because she finally expressed what

878
00:45:52,239 --> 00:45:53,000
Speaker 2: she's feeling.

879
00:45:53,840 --> 00:45:56,480
Speaker 1: I think what is so good in the writing in

880
00:45:56,520 --> 00:46:00,839
Speaker 1: this episode is that there's a generation gap between mother

881
00:46:00,920 --> 00:46:06,080
Speaker 1: and daughter that can't be You're right, and that experience

882
00:46:06,160 --> 00:46:10,400
Speaker 1: and age. With experience and age comes wisdom, and Laurel

883
00:46:10,480 --> 00:46:14,400
Speaker 1: I lacked that experience and wisdom in this situation, and

884
00:46:14,440 --> 00:46:16,239
Speaker 1: she didn't know how to handle it. She's freaking out

885
00:46:16,400 --> 00:46:19,560
Speaker 1: and she was overacting because she didn't get it because

886
00:46:19,560 --> 00:46:21,880
Speaker 1: she hadn't been there, you know what I'm saying. And

887
00:46:22,560 --> 00:46:25,239
Speaker 1: it's amazing. As I get older, I find myself in

888
00:46:25,280 --> 00:46:28,759
Speaker 1: more and more of these situations with younger people, you know,

889
00:46:29,040 --> 00:46:32,680
Speaker 1: and me having to explain to them exactly what Emily said.

890
00:46:35,280 --> 00:46:37,720
Speaker 1: You know, I've been around the block and you haven't,

891
00:46:37,840 --> 00:46:40,360
Speaker 1: and you don't know what's coming and you don't know

892
00:46:40,400 --> 00:46:40,719
Speaker 1: how to do.

893
00:46:41,040 --> 00:46:44,680
Speaker 2: York by saying that, like with age is wisdom and

894
00:46:44,800 --> 00:46:50,080
Speaker 2: like we would be well served to listen to people

895
00:46:50,080 --> 00:46:52,400
Speaker 2: that know do you know what I mean? And like

896
00:46:53,239 --> 00:46:58,239
Speaker 2: and also putting ourselves because Laura I was behaving how

897
00:46:58,320 --> 00:47:02,680
Speaker 2: Lorlai felt instead of taking a deep breath and saying,

898
00:47:03,000 --> 00:47:10,279
Speaker 2: what is my mom actually experiencing here? And I felt,

899
00:47:10,800 --> 00:47:14,319
Speaker 2: for some reason in this episode my heart was with

900
00:47:14,560 --> 00:47:17,279
Speaker 2: Emily because I was like, oh my god, she is

901
00:47:17,320 --> 00:47:21,880
Speaker 2: in excruciating pain, worry, stress.

902
00:47:23,000 --> 00:47:29,720
Speaker 4: Over this, and we've seen that to a lesser extent.

903
00:47:30,040 --> 00:47:34,200
Speaker 4: It kind of reminded me of that episode where I

904
00:47:34,200 --> 00:47:37,120
Speaker 4: don't even remember what season it was three or four

905
00:47:37,320 --> 00:47:40,960
Speaker 4: maybe four, with where they were planning that event with

906
00:47:41,400 --> 00:47:46,440
Speaker 4: Jason's styles and he canceled it, and so Emily was

907
00:47:46,440 --> 00:47:51,640
Speaker 4: feeling obsolete and useless, and Laurel I really defended her,

908
00:47:51,640 --> 00:47:55,319
Speaker 4: like she went to Jason and was like, Dude, my

909
00:47:55,440 --> 00:47:58,480
Speaker 4: mother lives for this stuff and you just pulled the

910
00:47:58,560 --> 00:47:59,719
Speaker 4: rug out from under her.

911
00:48:00,080 --> 00:48:01,000
Speaker 1: So I.

912
00:48:02,800 --> 00:48:07,400
Speaker 4: Think, I think Laura I can get it.

913
00:48:07,120 --> 00:48:09,560
Speaker 2: She gets it in she.

914
00:48:09,680 --> 00:48:12,240
Speaker 4: Was kind of bogged down by her own thoughts.

915
00:48:12,760 --> 00:48:14,920
Speaker 2: She gets it in the gift shop. You know what

916
00:48:14,960 --> 00:48:17,319
Speaker 2: it makes me think of and for me and I

917
00:48:17,360 --> 00:48:19,480
Speaker 2: know I said it at the time. One of the

918
00:48:19,520 --> 00:48:22,080
Speaker 2: most important scenes I ever saw in Gilmour Girls is

919
00:48:22,120 --> 00:48:25,000
Speaker 2: when Richard and Emily are separated and Emily goes on

920
00:48:25,040 --> 00:48:28,320
Speaker 2: the date and comes home and shuts the door and cries.

921
00:48:29,760 --> 00:48:34,080
Speaker 2: And I don't know, I'm realizing as the series goes on,

922
00:48:34,360 --> 00:48:39,520
Speaker 2: how much Emily is so important even with her shortcomings,

923
00:48:39,880 --> 00:48:46,120
Speaker 2: And it's like they are the couple, even with their

924
00:48:46,200 --> 00:48:46,839
Speaker 2: ups and down.

925
00:48:47,080 --> 00:48:50,840
Speaker 5: So I hate to say it, but like, in my opinion,

926
00:48:50,880 --> 00:48:54,719
Speaker 5: Emily is the Gilmore girl, Like she is that to me,

927
00:48:54,960 --> 00:48:57,279
Speaker 5: Like obviously, I know a lot of people would say

928
00:48:57,440 --> 00:49:00,080
Speaker 5: argue that that's Rory or lauraa I, but to me,

929
00:49:00,440 --> 00:49:01,800
Speaker 5: she is the show.

930
00:49:02,800 --> 00:49:06,320
Speaker 1: You know. Another another aspect of this in that dynamic

931
00:49:06,360 --> 00:49:10,040
Speaker 1: where Laurel is not understanding where where her mother's coming from,

932
00:49:10,200 --> 00:49:14,440
Speaker 1: could be, you know, either subconsciously or not, Laurel I

933
00:49:14,520 --> 00:49:22,319
Speaker 1: re reacting to this reality she's living where Christopher's not

934
00:49:22,360 --> 00:49:25,319
Speaker 1: responding to her text, he's not coming by. You know,

935
00:49:26,080 --> 00:49:29,560
Speaker 1: she's just kind of out of her depth in this situation.

936
00:49:29,560 --> 00:49:31,560
Speaker 1: She's going to lose her maybe going to lose her dad,

937
00:49:31,640 --> 00:49:36,720
Speaker 1: so of course she's going to overreact. So it's funny

938
00:49:36,760 --> 00:49:37,640
Speaker 1: to interject that.

939
00:49:38,680 --> 00:49:46,280
Speaker 2: Yeah, all right, So on the milk duds.

940
00:49:46,840 --> 00:49:48,440
Speaker 1: In other words, I don't I don't think she was.

941
00:49:48,440 --> 00:49:50,200
Speaker 1: I don't think I don't think she was so angry

942
00:49:50,239 --> 00:49:53,040
Speaker 1: at her mother. I think she was angry at her situation.

943
00:49:53,680 --> 00:49:55,440
Speaker 2: I agree with you, Yeah, I agree with you. She

944
00:49:55,520 --> 00:49:59,879
Speaker 2: was just she was totally like it couldn't make sense

945
00:50:00,080 --> 00:50:03,640
Speaker 2: of it because she was she was in her state

946
00:50:04,160 --> 00:50:08,720
Speaker 2: instead of putting herself into her mom's situation.

947
00:50:08,560 --> 00:50:12,719
Speaker 1: Right, right, And how would she react if, maybe if

948
00:50:12,800 --> 00:50:15,880
Speaker 1: Christopher were about to have surgery or Luke was about

949
00:50:15,920 --> 00:50:18,680
Speaker 1: to have surgery? You know, yeah, who did she want

950
00:50:18,719 --> 00:50:23,120
Speaker 1: to be in a situation with who was having surgery?

951
00:50:23,719 --> 00:50:31,920
Speaker 4: That's an interesting point, surgery quiz. When you mentioned Christopher

952
00:50:32,000 --> 00:50:34,560
Speaker 4: or Luke having surgery, it made me think it might

953
00:50:34,640 --> 00:50:37,759
Speaker 4: also be a little bit of a difference because it's

954
00:50:37,800 --> 00:50:41,840
Speaker 4: different when it's your parent versus your husband. You know, like,

955
00:50:42,280 --> 00:50:45,480
Speaker 4: as an adult child, you know that your parents are

956
00:50:45,560 --> 00:50:50,839
Speaker 4: going to die at some point, but you don't necessarily

957
00:50:51,040 --> 00:50:55,360
Speaker 4: expect your spouse to pas, you know what I mean. So,

958
00:50:55,520 --> 00:50:59,360
Speaker 4: like Emily's experience is going to be different than loralized

959
00:50:59,360 --> 00:51:02,120
Speaker 4: and vice versa, just because they both have a different

960
00:51:02,160 --> 00:51:03,360
Speaker 4: relationship with Richard.

961
00:51:04,880 --> 00:51:07,520
Speaker 3: Yeah, because like Emily, I mean, Emily can think like, oh,

962
00:51:07,560 --> 00:51:11,640
Speaker 3: maybe she'll pass before Richard. But as as a child,

963
00:51:11,760 --> 00:51:14,719
Speaker 3: you know that you'll see both your parents pass in

964
00:51:14,760 --> 00:51:15,840
Speaker 3: your lifetime, right.

965
00:51:15,920 --> 00:51:17,840
Speaker 2: Right, like you you know that you're.

966
00:51:17,840 --> 00:51:18,640
Speaker 3: You know it's coming.

967
00:51:20,600 --> 00:51:22,479
Speaker 2: It's so awful. It's just awful that.

968
00:51:22,880 --> 00:51:26,839
Speaker 1: You can't you can't know. My cousin called me he'd

969
00:51:27,760 --> 00:51:30,799
Speaker 1: lost his mother, my aunt, and when my mother was

970
00:51:30,880 --> 00:51:33,120
Speaker 1: near the end, he called me and said, Scott, it's

971
00:51:33,160 --> 00:51:36,760
Speaker 1: going to hit you like a train. It's it's it's

972
00:51:36,920 --> 00:51:40,239
Speaker 1: the most impactful thing you will ever go through. And

973
00:51:40,360 --> 00:51:41,160
Speaker 1: he wasn't wrong.

974
00:51:45,040 --> 00:51:47,400
Speaker 4: I did just to put a put the button on

975
00:51:47,400 --> 00:51:49,760
Speaker 4: that scene. I did like the shoplifting of the Kleenex.

976
00:51:49,840 --> 00:51:54,680
Speaker 4: That was cute and we'll worry about this later.

977
00:51:57,920 --> 00:52:02,360
Speaker 1: Did you just take that?

978
00:52:03,520 --> 00:52:05,239
Speaker 4: Didn't even think twice. She just takes it off the

979
00:52:05,239 --> 00:52:19,240
Speaker 4: shelf and starts handing out Queenex, almost like she choplifted before. Anyway,

980
00:52:19,360 --> 00:52:23,080
Speaker 4: So this is the the duds scene. Emily is like

981
00:52:23,160 --> 00:52:27,600
Speaker 4: really into the milk duds, and she she said something

982
00:52:27,880 --> 00:52:31,200
Speaker 4: like why why are they called duds? It's counterintuitive for

983
00:52:31,239 --> 00:52:33,719
Speaker 4: a candy or I can't remember the exact line, but

984
00:52:33,760 --> 00:52:35,640
Speaker 4: I thought that was funny, so I had I googled

985
00:52:35,640 --> 00:52:37,799
Speaker 4: it because I'm like, why why do they call it

986
00:52:37,840 --> 00:52:41,880
Speaker 4: milk duds? And apparently the inventor.

987
00:52:41,880 --> 00:52:45,000
Speaker 1: Maybe they're trying to describe the episodes in season seven.

988
00:52:47,120 --> 00:52:50,960
Speaker 4: I guess the inventor couldn't get them completely round and

989
00:52:51,040 --> 00:52:51,840
Speaker 4: so he called.

990
00:52:51,640 --> 00:52:54,560
Speaker 3: Them they were duds. Oh yeah, because they're all different shapes.

991
00:52:54,760 --> 00:52:58,920
Speaker 4: Yeah, exactly, good one. But anyway, so they're passing them

992
00:52:58,920 --> 00:53:00,680
Speaker 4: back and forth, and I'm like, I wonder how many

993
00:53:00,719 --> 00:53:04,200
Speaker 4: takes that took, because they're passing these like fifteen milk

994
00:53:04,239 --> 00:53:06,440
Speaker 4: does a handful.

995
00:53:06,520 --> 00:53:08,600
Speaker 2: When the doctor comes to I totally was like and

996
00:53:08,600 --> 00:53:10,680
Speaker 2: then she's like hands and it's hands.

997
00:53:10,760 --> 00:53:13,560
Speaker 1: They're probably they wanted her to scrub up before it's

998
00:53:13,560 --> 00:53:14,400
Speaker 1: going to see the Richard.

999
00:53:15,760 --> 00:53:17,640
Speaker 2: I know, they're all kind of cavalier being around a

1000
00:53:17,719 --> 00:53:20,240
Speaker 2: dude who just had a triple bypass or whatever.

1001
00:53:20,280 --> 00:53:22,080
Speaker 1: He have chocolate hands.

1002
00:53:22,360 --> 00:53:26,239
Speaker 4: Right, So the doctor comes in and says, you know,

1003
00:53:26,400 --> 00:53:29,680
Speaker 4: just one visitor, and so Emily goes to see him

1004
00:53:30,520 --> 00:53:34,560
Speaker 4: in the hospital room. Now, I don't know, I've been

1005
00:53:34,800 --> 00:53:38,400
Speaker 4: I worked in the ICU for a good twenty years.

1006
00:53:38,719 --> 00:53:40,839
Speaker 4: I've seen a lot of open heart patients come out.

1007
00:53:41,000 --> 00:53:43,840
Speaker 4: They do not come out just with their little nasal canyon.

1008
00:53:45,360 --> 00:53:48,919
Speaker 4: I'm sorry. They have like eight different IVY pumps. Half

1009
00:53:48,960 --> 00:53:52,120
Speaker 4: the time they're intubated. They're not they're not wearing their

1010
00:53:52,120 --> 00:53:54,879
Speaker 4: hospital gown because they have to get to the dressings.

1011
00:53:55,040 --> 00:53:57,040
Speaker 4: Like that was silly, but.

1012
00:53:57,920 --> 00:54:00,160
Speaker 5: They should have, you know, didn't think about it.

1013
00:54:00,120 --> 00:54:02,400
Speaker 4: Someone that's ever been inside and I see you before,

1014
00:54:02,560 --> 00:54:07,239
Speaker 4: but I'll let them have that one. And they had

1015
00:54:07,320 --> 00:54:09,920
Speaker 4: like these weird supplies in there, like it's they had

1016
00:54:09,960 --> 00:54:12,160
Speaker 4: a trait cart and that he didn't even have a

1017
00:54:12,200 --> 00:54:16,719
Speaker 4: trait like why would that be in there? Whatever, But

1018
00:54:16,920 --> 00:54:20,600
Speaker 4: just this, I know everything.

1019
00:54:21,040 --> 00:54:21,760
Speaker 2: I got a stop.

1020
00:54:21,840 --> 00:54:24,160
Speaker 4: I can't watch the medical shows because I get mad.

1021
00:54:25,760 --> 00:54:27,279
Speaker 2: But he was in good spirits.

1022
00:54:27,680 --> 00:54:31,520
Speaker 4: He you know things, the surgery went fine, and he

1023
00:54:31,719 --> 00:54:34,360
Speaker 4: was Emily's like bombarding him with all the all of

1024
00:54:34,360 --> 00:54:35,520
Speaker 4: her checklist items and.

1025
00:54:35,440 --> 00:54:38,480
Speaker 2: He's like, that's what she would totally want to do.

1026
00:54:38,640 --> 00:54:41,760
Speaker 2: I've got the fish. Yeah, it was just a nice

1027
00:54:41,920 --> 00:54:44,520
Speaker 2: She's like, we're gonna have so much fish like that

1028
00:54:44,640 --> 00:54:47,600
Speaker 2: was her way of saying, like I'm so happy.

1029
00:54:47,920 --> 00:54:52,440
Speaker 4: Yeah, exactly, like she's just you could see the relief. Yeah,

1030
00:54:52,480 --> 00:54:54,879
Speaker 4: but that the surgery went well because she's just like

1031
00:54:55,920 --> 00:54:58,880
Speaker 4: pouring everything out, like I got all this fish and

1032
00:54:59,000 --> 00:55:00,839
Speaker 4: so that was a nice scene.

1033
00:55:00,880 --> 00:55:01,319
Speaker 1: I liked that.

1034
00:55:03,000 --> 00:55:08,120
Speaker 4: And then uh oh they don't come okay. Then we

1035
00:55:08,200 --> 00:55:10,719
Speaker 4: go back outside the hospital where Lurlai is leaving. I

1036
00:55:10,719 --> 00:55:12,799
Speaker 4: think this was message number three. I was trying to

1037
00:55:12,840 --> 00:55:14,840
Speaker 4: count and I think that was the third message that

1038
00:55:14,920 --> 00:55:16,680
Speaker 4: she was leaving for Christopher. And this is when she

1039
00:55:16,719 --> 00:55:20,200
Speaker 4: basically tells him like this is not okay, and she

1040
00:55:20,320 --> 00:55:22,759
Speaker 4: hangs up, so she's like done trying to give him

1041
00:55:22,760 --> 00:55:24,800
Speaker 4: the benefit of the doubt.

1042
00:55:25,640 --> 00:55:26,399
Speaker 1: That was a scene.

1043
00:55:26,800 --> 00:55:27,720
Speaker 4: That was a good scene.

1044
00:55:27,840 --> 00:55:31,640
Speaker 1: Excellent scene. Yeah, just her is just just Laurla on

1045
00:55:31,680 --> 00:55:34,760
Speaker 1: the phone right, terrific, terrific stuff.

1046
00:55:35,360 --> 00:55:40,840
Speaker 4: Very good. And then back in the hospital room, they've

1047
00:55:41,040 --> 00:55:46,479
Speaker 4: got the record player. Rory's playing some of his music and.

1048
00:55:46,960 --> 00:55:49,440
Speaker 3: Which I was like, who's bringing a record player and

1049
00:55:49,520 --> 00:55:50,720
Speaker 3: plugging it into the.

1050
00:55:51,400 --> 00:55:55,520
Speaker 1: I know, I know.

1051
00:55:57,040 --> 00:55:59,120
Speaker 4: That was another thing that was a little unrealistic. The

1052
00:55:59,200 --> 00:56:01,640
Speaker 4: nurses would have been like, take all that junk back

1053
00:56:01,680 --> 00:56:03,399
Speaker 4: to the car and that does not need to be

1054
00:56:03,520 --> 00:56:04,120
Speaker 4: in here.

1055
00:56:04,160 --> 00:56:04,959
Speaker 3: And turn it down.

1056
00:56:06,640 --> 00:56:09,320
Speaker 1: Actually, guys, we did that for my mom.

1057
00:56:10,120 --> 00:56:10,400
Speaker 3: Really.

1058
00:56:10,840 --> 00:56:14,120
Speaker 1: Yeah. We brought in a turntable and Sinatra records.

1059
00:56:14,200 --> 00:56:17,600
Speaker 4: Yeah, they they do. Like if it's an end of

1060
00:56:17,640 --> 00:56:18,760
Speaker 4: life situation.

1061
00:56:18,520 --> 00:56:20,839
Speaker 1: Was it was hospous care, it wasn't.

1062
00:56:21,520 --> 00:56:23,719
Speaker 4: They will bend the rules in a situation like that.

1063
00:56:23,840 --> 00:56:26,319
Speaker 4: But somebody who is you know, two hours out of

1064
00:56:26,360 --> 00:56:31,080
Speaker 4: open heart surgery, there's not.

1065
00:56:31,000 --> 00:56:33,320
Speaker 1: Going to be a station in there, Dak Can I

1066
00:56:33,400 --> 00:56:36,000
Speaker 1: make it on? How about it? How about a record?

1067
00:56:36,000 --> 00:56:38,799
Speaker 1: We'll yeah there, Vaughan for you.

1068
00:56:38,880 --> 00:56:42,560
Speaker 3: I didn't think it was sweet though, like yeah, yeah, she.

1069
00:56:43,040 --> 00:56:45,920
Speaker 4: Was trying to bring the things she knew would bring

1070
00:56:46,000 --> 00:56:47,880
Speaker 4: him comfort in happiness.

1071
00:56:48,000 --> 00:56:51,080
Speaker 1: Yeah. Yeah, this episode messed me up a little bit.

1072
00:56:51,600 --> 00:56:56,400
Speaker 2: Yeah, I get it. No, I get it. It's heavy stuff,

1073
00:56:57,200 --> 00:57:00,080
Speaker 2: all of it.

1074
00:57:00,160 --> 00:57:02,560
Speaker 4: And then this is This is where Laurela makes the

1075
00:57:02,600 --> 00:57:06,920
Speaker 4: comment about Logan that she's glad to see that Rory

1076
00:57:07,000 --> 00:57:11,000
Speaker 4: and Logan are getting along and he says he's almost okay.

1077
00:57:12,719 --> 00:57:18,200
Speaker 4: I thought that was good. And then one more hospital

1078
00:57:18,240 --> 00:57:22,360
Speaker 4: scene was this is when Luke came with the food.

1079
00:57:24,400 --> 00:57:26,600
Speaker 4: They had a nice little conversation, Like Laurela, I wasn't

1080
00:57:26,600 --> 00:57:28,680
Speaker 4: trying to brush him off this time like she did

1081
00:57:28,680 --> 00:57:29,320
Speaker 4: the first time.

1082
00:57:32,600 --> 00:57:36,480
Speaker 1: Can I ask you guys something, did you what do

1083
00:57:36,520 --> 00:57:39,400
Speaker 1: you think Luke was really trying to get out of

1084
00:57:39,400 --> 00:57:45,640
Speaker 1: there unnoticed or was he trying to get caught.

1085
00:57:46,480 --> 00:57:48,120
Speaker 2: I don't think he was intentionally trying.

1086
00:57:48,320 --> 00:57:48,920
Speaker 3: Yeah, I don't think.

1087
00:57:48,920 --> 00:57:51,920
Speaker 1: I think he just wanted to deliver the guy and

1088
00:57:52,080 --> 00:57:57,160
Speaker 1: just get out of it. He wasn't trying to another meeting,

1089
00:57:57,400 --> 00:58:02,360
Speaker 1: another connection with Inger to long. Really, he's just dropping off.

1090
00:58:02,400 --> 00:58:03,040
Speaker 2: The food.

1091
00:58:06,280 --> 00:58:08,840
Speaker 3: Was in the bags, Yes, blaming it.

1092
00:58:09,760 --> 00:58:11,680
Speaker 5: He wanted to see her and make.

1093
00:58:11,520 --> 00:58:13,880
Speaker 2: Sure she's obviously, But but I'm not mad. I don't

1094
00:58:13,880 --> 00:58:16,000
Speaker 2: think he was intentionally trying to be like, I'm gonna

1095
00:58:16,200 --> 00:58:19,640
Speaker 2: linger around so Christopher sees me and I can not Christopher.

1096
00:58:19,840 --> 00:58:24,160
Speaker 5: But lorla yeah, maybe see her.

1097
00:58:24,560 --> 00:58:26,840
Speaker 1: Yeah, needed that scene in his truck where he's clutching

1098
00:58:26,840 --> 00:58:28,560
Speaker 1: onto the bags before he goes in the hospital. He's

1099
00:58:28,600 --> 00:58:30,160
Speaker 1: debviously scheming.

1100
00:58:32,240 --> 00:58:35,320
Speaker 3: No, I feel like it's just a very Luke characteristic too,

1101
00:58:35,480 --> 00:58:38,520
Speaker 3: Like I just think, you know, he were coming off

1102
00:58:38,520 --> 00:58:41,560
Speaker 3: the episode where Lorlai wrote the letter for Luke, and

1103
00:58:41,560 --> 00:58:46,160
Speaker 3: I think he just still yeah, oh yeah.

1104
00:58:45,840 --> 00:58:49,400
Speaker 4: Right right, and he he knows like he kind of

1105
00:58:49,400 --> 00:58:51,960
Speaker 4: feels like he needs to do something for her because

1106
00:58:52,000 --> 00:58:55,320
Speaker 4: she did that thing for He just saw that opportunity.

1107
00:58:55,080 --> 00:58:58,480
Speaker 1: To the extra mile go there exactly.

1108
00:58:59,520 --> 00:59:04,240
Speaker 4: So then Christopher shows up and immediately is on the offensive,

1109
00:59:05,360 --> 00:59:09,400
Speaker 4: telling Luke that he needs to leave. And I loved

1110
00:59:09,440 --> 00:59:14,160
Speaker 4: that little visual exchange between Luke and Christopher where Luke

1111
00:59:14,320 --> 00:59:17,240
Speaker 4: just gives him a look and then Christopher like immediately

1112
00:59:17,320 --> 00:59:22,160
Speaker 4: looks down like he was totally in this subordinate position there.

1113
00:59:23,000 --> 00:59:24,440
Speaker 4: I thought that was that was good.

1114
00:59:25,520 --> 00:59:28,480
Speaker 2: Yeah, and then.

1115
00:59:29,480 --> 00:59:31,000
Speaker 1: Thank you by the way. I worked on that for

1116
00:59:31,080 --> 00:59:33,560
Speaker 1: hours coming up with that brief pause.

1117
00:59:34,040 --> 00:59:34,840
Speaker 2: It was very good.

1118
00:59:36,960 --> 00:59:39,720
Speaker 4: And then Chris is like defensive with Laurel I and.

1119
00:59:41,480 --> 00:59:43,800
Speaker 3: I just thought it wasn't the time, Like you, you

1120
00:59:43,840 --> 00:59:48,840
Speaker 3: weren't there all day and before anything happened, you were

1121
00:59:48,880 --> 00:59:51,240
Speaker 3: going to talk about Luke being there, Like we could

1122
00:59:51,280 --> 00:59:55,760
Speaker 3: have had that conversation in a day. Yeah, not thirty

1123
00:59:55,800 --> 00:59:58,240
Speaker 3: seconds after you walk into the hospital, after everyone's been

1124
00:59:58,560 --> 01:00:00,160
Speaker 3: or Laura, I's been calling you five time.

1125
01:00:00,040 --> 01:00:03,920
Speaker 4: Times right right, like he immediately makes it about himself.

1126
01:00:04,160 --> 01:00:09,200
Speaker 3: Yeah, but like like Scott said, are we surprised, No,

1127
01:00:09,360 --> 01:00:09,720
Speaker 3: you just.

1128
01:00:11,360 --> 01:00:15,480
Speaker 1: You know he's delivering the goods. Christopher always, he never

1129
01:00:15,560 --> 01:00:19,200
Speaker 1: lets you down in that department. Here's a big bag

1130
01:00:19,240 --> 01:00:23,480
Speaker 1: of d bag, here you go, my name on it.

1131
01:00:26,240 --> 01:00:29,360
Speaker 4: I also like the very very end where Emily is

1132
01:00:29,400 --> 01:00:32,000
Speaker 4: like picking up that you know, probably all is not

1133
01:00:32,120 --> 01:00:34,960
Speaker 4: well there and she's trying to comfort Lorelei in her

1134
01:00:35,000 --> 01:00:36,200
Speaker 4: own way.

1135
01:00:36,400 --> 01:00:37,919
Speaker 2: I really love that too.

1136
01:00:38,240 --> 01:00:40,720
Speaker 4: Yeah, that was That was a great moment. And then

1137
01:00:40,800 --> 01:00:42,600
Speaker 4: that was that was the episode.

1138
01:00:42,960 --> 01:00:45,560
Speaker 1: All right, So what are we giving it?

1139
01:00:47,840 --> 01:00:50,200
Speaker 2: Jokes from the Fishman and.

1140
01:00:52,760 --> 01:00:58,200
Speaker 1: I really like ten jokes from the Fishman and just

1141
01:00:58,280 --> 01:00:58,880
Speaker 1: jumped right in.

1142
01:01:00,600 --> 01:01:03,280
Speaker 7: I also response like, I was like, what co d like?

1143
01:01:03,360 --> 01:01:10,000
Speaker 7: As he said it, I was like, oh wait, what

1144
01:01:10,000 --> 01:01:10,680
Speaker 7: are you giving it?

1145
01:01:11,400 --> 01:01:19,040
Speaker 3: I give this nine point seven choppers.

1146
01:01:19,160 --> 01:01:25,880
Speaker 8: Choppers Danielle well I had choppers, but I will improvise

1147
01:01:25,920 --> 01:01:29,760
Speaker 8: on the spot and say nine point two five cups

1148
01:01:29,800 --> 01:01:30,280
Speaker 8: of tea.

1149
01:01:31,320 --> 01:01:31,640
Speaker 3: Mm hmm.

1150
01:01:33,480 --> 01:01:41,640
Speaker 4: I'm gonna say seven milk duds, lot amount of DUTs,

1151
01:01:41,760 --> 01:01:52,040
Speaker 4: but melted milk DUTs, dirty hand for being handed back and.

1152
01:01:52,000 --> 01:01:54,480
Speaker 1: Forth, four caps in them.

1153
01:01:55,400 --> 01:01:58,720
Speaker 2: Duds are covered in germs. They went from hand to hand,

1154
01:01:58,880 --> 01:02:04,680
Speaker 2: back to hand, hospital no less, just so many germs.

1155
01:02:05,240 --> 01:02:12,600
Speaker 1: I'm gonna give it. Gosh, the critical side is it

1156
01:02:12,720 --> 01:02:15,080
Speaker 1: war with the forgiving signs?

1157
01:02:16,000 --> 01:02:17,600
Speaker 4: Uh, what's the difference?

1158
01:02:18,320 --> 01:02:21,280
Speaker 1: Seven five? Let's give it a seven point seven seven

1159
01:02:21,920 --> 01:02:28,720
Speaker 1: stolen Kleenex tissues and that's gonna rap. Oh are we

1160
01:02:28,720 --> 01:02:31,800
Speaker 1: gonna well, No, we're not anyway, that's gonna be a

1161
01:02:31,880 --> 01:02:36,240
Speaker 1: wrap on season seven, episode thirteen. I'd rather be in Philadelphia.

1162
01:02:37,360 --> 01:02:41,440
Speaker 1: Thank you, ladies, Daniel Roma, Terra, suit Amy, Sugarman. Choose

1163
01:02:41,520 --> 01:02:44,600
Speaker 1: in French. We will see you next time. What's the

1164
01:02:44,680 --> 01:02:47,720
Speaker 1: name of the next episode? Do we care? I can't carry?

1165
01:02:49,640 --> 01:02:51,080
Speaker 5: Does Paul Inca die?

1166
01:02:52,000 --> 01:02:52,760
Speaker 4: We can't tell you.

1167
01:02:53,040 --> 01:02:55,360
Speaker 1: We can't tell you, and I don't know either. I

1168
01:02:55,360 --> 01:02:58,200
Speaker 1: couldn't tell you. If I don't know, I don't know.

1169
01:02:58,720 --> 01:03:03,520
Speaker 1: It'll be season seven, episod fourteenth. Farewell, my pet best

1170
01:03:03,520 --> 01:03:06,040
Speaker 1: fans on the planet. Thanks for all the downloads. Everybody,

1171
01:03:06,320 --> 01:03:09,760
Speaker 1: keep those cards and letters coming. Remember we I A'm

1172
01:03:09,840 --> 01:03:41,240
Speaker 1: all in. Stay safe, Hey, everybody tells again. Follow us

1173
01:03:41,280 --> 01:03:45,520
Speaker 1: on Instagram at I Am all In podcast and email

1174
01:03:45,640 --> 01:03:59,480
Speaker 1: us at Gilmore at iHeartRadio dot com.