WEBVTT - Waymo: The Movie! 0:00:04.640 --> 0:00:07.120 Welcome back to Artists on Artists on Artists on Artists. 0:00:07.120 --> 0:00:10.039 This week on the show, It's a movie, It's a 0:00:10.039 --> 0:00:13.320 way Mo, It's a both. We're talking to the creators 0:00:13.360 --> 0:00:13.960 of Way Mo. 0:00:14.320 --> 0:00:20.680 The way movie movies have had a long, storied tradition, 0:00:21.079 --> 0:00:23.680 and now a car is going to be one, a 0:00:23.760 --> 0:00:25.440 car that drives itself. 0:00:25.720 --> 0:00:26.239 That's right. 0:00:26.480 --> 0:00:29.040 We sit down to the creative team that developed the 0:00:29.080 --> 0:00:31.480 Way Mo. Movie movies used to. 0:00:31.440 --> 0:00:36.239 Be written by writers, and then it became what if 0:00:36.280 --> 0:00:39.199 we didn't have that, and what if the car that 0:00:39.320 --> 0:00:42.760 drove the writer here didn't really have one in it either. 0:00:43.880 --> 0:00:47.400 This is the movie that we are so excited to 0:00:47.479 --> 0:00:48.120 talk about. 0:00:49.800 --> 0:00:57.000 So sit back, buckle up, and tell your car to 0:00:57.040 --> 0:00:57.480 listen in. 0:01:01.040 --> 0:01:05.039 Wow, guys, here we are guys. 0:01:05.760 --> 0:01:09.640 This it's really good. This is amazing. 0:01:12.120 --> 0:01:16.520 I'm locked in and now I'm sitting. 0:01:15.680 --> 0:01:19.840 I want this chair to know I'm sitting. 0:01:19.920 --> 0:01:22.279 I'm shot, I'm shot, and I'm ready. 0:01:23.040 --> 0:01:25.679 I'm st a f i am sick. 0:01:25.840 --> 0:01:28.920 If I'm sadder than a motherfucker. 0:01:35.840 --> 0:01:38.039 You guys know I'm out of pocket. You guys know 0:01:38.120 --> 0:01:39.200 I'm always out of pocket. 0:01:39.240 --> 0:01:45.000 Lyle's out of pockets, out of pocket af today, Wait, 0:01:45.080 --> 0:01:47.600 why is why is Lyle being out of pocket? 0:01:47.640 --> 0:01:48.200 Literally me. 0:01:50.000 --> 0:01:53.400 Literally you literally Lyles out of pocket. 0:01:53.560 --> 0:01:56.040 I'm feeling like it's a Craig Friday. 0:01:57.080 --> 0:02:00.600 And that's gold and that's all period Friday. 0:02:00.760 --> 0:02:05.120 It's such Craig Friday Fridays on period Stop. 0:02:05.280 --> 0:02:06.440 That is Craig Friday. 0:02:06.600 --> 0:02:08.920 Get the blow up. It's a Craig Friday. 0:02:09.360 --> 0:02:10.320 Dead at Sleigh. 0:02:10.639 --> 0:02:13.160 It's a Craig. Why is Craig Friday vibe? 0:02:13.280 --> 0:02:18.880 So you is Craig Friday vibes? Like literally me like 0:02:19.160 --> 0:02:20.440 it literally. 0:02:20.120 --> 0:02:27.200 Mean me, yes, it's gotta babe, Meg the pocket Creig Friday. 0:02:27.360 --> 0:02:29.959 Literally, gosh, good thing I took all my eighty h 0:02:30.040 --> 0:02:31.080 D medicine today. 0:02:31.280 --> 0:02:36.120 Oh you're you're locked up. You're locked up, locked up? 0:02:36.280 --> 0:02:42.639 Arthur on his MEDD A f. 0:02:43.720 --> 0:02:46.640 Meds is literally mean because like literally why are there 0:02:46.639 --> 0:02:49.359 like five folders open on my desktop right now? 0:02:49.360 --> 0:02:57.560 Literally because you're on your med Cassie, that is crazy, Cassie. 0:02:57.720 --> 0:03:00.480 Literally did you use your sleepabium machine last night? 0:03:01.080 --> 0:03:01.200 No? 0:03:01.520 --> 0:03:03.720 Bitch, Oh no, She's gonna be crazy. 0:03:03.800 --> 0:03:12.280 Cass Cassie, c pop Cassie, Cassie, nap Cassie. 0:03:12.680 --> 0:03:15.919 Like, guys, don't you wish like This could be driven 0:03:15.960 --> 0:03:17.520 by a driverless car right. 0:03:17.400 --> 0:03:20.240 Now, like this conversation, like this podcast. What are we 0:03:20.440 --> 0:03:22.720 Are we talking about the driver scene? Are we talking 0:03:22.720 --> 0:03:26.000 about the expansion the boat we're talking about? 0:03:26.040 --> 0:03:26.160 No? 0:03:27.000 --> 0:03:29.200 Oh, are we talking about the youth directive? 0:03:29.440 --> 0:03:29.680 No? 0:03:30.320 --> 0:03:32.720 Are we talking about the interface that you can turn 0:03:32.840 --> 0:03:34.760 your car into a way Mo close? 0:03:35.440 --> 0:03:37.680 We're talking the creative initiative? 0:03:38.320 --> 0:03:43.480 Oh? Oh, the the the meta glasses. No, no one 0:03:43.520 --> 0:03:49.320 to c one beat under comic book is when are 0:03:49.320 --> 0:03:51.320 we doing the magazine? No? 0:03:51.640 --> 0:03:52.080 Not yet. 0:03:52.720 --> 0:03:56.559 You are so out of pocket talking. 0:03:56.520 --> 0:03:59.440 Allow you're out of pocket. Look go into your g suite. 0:03:59.480 --> 0:04:04.320 Look at the first task on there, highest priority. 0:04:05.720 --> 0:04:07.280 That's your stream to unlock. 0:04:06.960 --> 0:04:20.000 It phonet on slock. 0:04:20.200 --> 0:04:20.720 I can't wait. 0:04:21.960 --> 0:04:25.719 Guys, we are making a Waymo movie. We are so excited, 0:04:25.839 --> 0:04:29.000 so exciting. Cat is out of the Waimo and out 0:04:29.040 --> 0:04:31.520 of the driver's seat as well. Because cats didn't drive 0:04:31.560 --> 0:04:33.600 and they certainly aren't now, and. 0:04:33.520 --> 0:04:35.760 They don't have to drive legally. 0:04:36.040 --> 0:04:37.839 We are not saying you can let your cat drive 0:04:37.880 --> 0:04:38.200 your car. 0:04:38.320 --> 0:04:38.400 No. 0:04:38.839 --> 0:04:40.720 You know what, if I'm monitoring the Waymos, I'll let 0:04:40.720 --> 0:04:43.640 a cat in. If I just cat'll see where this goes. 0:04:44.279 --> 0:04:49.719 You are out of I'm literally robbing and contagious. You 0:04:49.800 --> 0:04:51.159 literally can't contain your. 0:04:51.080 --> 0:04:52.360 Crabby Kray right now. 0:04:53.440 --> 0:04:56.839 Anyway, So we made a movie, Well, we are working 0:04:56.839 --> 0:04:59.159 on a movie and it's almost done. 0:04:59.200 --> 0:05:00.760 You're Crabby Ray right now. 0:05:01.320 --> 0:05:07.000 You're going rabies, You're going raby mode. 0:05:07.640 --> 0:05:11.400 I think at the mouth out of that podcast, you're. 0:05:11.279 --> 0:05:12.640 Acting so Cassie right. 0:05:14.680 --> 0:05:17.159 In a genuine moment. Do you think this is listenable 0:05:17.200 --> 0:05:23.880 at all? If you write you love. 0:05:23.720 --> 0:05:25.760 This podcast, listen here's the disclaimer. 0:05:25.839 --> 0:05:28.200 If you're having trouble listening to this, print it out, 0:05:28.839 --> 0:05:29.640 read it instead. 0:05:31.120 --> 0:05:33.040 Readscribe this. 0:05:33.320 --> 0:05:37.040 Read the transcript Broke Broke Broke wrote, in all seriousness, 0:05:37.320 --> 0:05:39.920 this podcast and the listeners at home might not be 0:05:40.040 --> 0:05:43.159 used to our kind of vibe. I know they've done 0:05:43.320 --> 0:05:47.520 a little bit of tech stuff, but we are we 0:05:47.640 --> 0:05:48.599 are tech right. 0:05:48.480 --> 0:05:50.839 So like we tech with a capital tea. 0:05:50.960 --> 0:05:54.240 But we happen to be like the creatives in the 0:05:54.279 --> 0:05:56.479 tech business. Like I'd say, like we're the ones at 0:05:56.560 --> 0:05:59.400 lunch talking about our favorite movies and stuff, like we 0:05:59.560 --> 0:06:04.360 are the perfect people for way Mode to make a movie. 0:06:04.720 --> 0:06:06.520 Yeah, we like to be a lush fund of like 0:06:06.839 --> 0:06:11.360 one point oh one point two point five billion dollars. 0:06:11.440 --> 0:06:13.560 Yeah, it's just lush, But I'd say, like for more 0:06:13.640 --> 0:06:16.200 normal people, they're probably not used to filmmakers like us 0:06:16.200 --> 0:06:17.080 who are tech based. 0:06:17.160 --> 0:06:17.360 Yeah. 0:06:17.360 --> 0:06:20.840 Tech based filmmaking is a new state of the art entrepreneurship, 0:06:20.880 --> 0:06:24.000 venture capitalist type of approach to media TM. We attack 0:06:24.080 --> 0:06:26.480 it the way you would attack the stock market. We 0:06:26.760 --> 0:06:29.440 come in, we disrupt with our movie ideas, and we 0:06:29.480 --> 0:06:31.400 push it forward to make sure you can sive the 0:06:31.440 --> 0:06:32.200 movie no matter what. 0:06:32.400 --> 0:06:32.599 Yeah. 0:06:32.720 --> 0:06:35.920 Like, but all that while also being obsessed with five 0:06:35.960 --> 0:06:37.679 hundred days of Summer, like we love. 0:06:37.640 --> 0:06:40.200 No like, and that's what got us into all of this. 0:06:40.400 --> 0:06:42.880 The only difference between us and like your typical film 0:06:43.000 --> 0:06:45.039 kid is like, we watched five hundred days of Summer 0:06:45.040 --> 0:06:47.280 with kind of a different eye, right, because we're looking 0:06:47.320 --> 0:06:49.360 at five hundred days of summer and going, what kind 0:06:49.400 --> 0:06:51.600 of screen is this on? How can we make the 0:06:51.600 --> 0:06:55.000 screen smaller then bigger than in your own mind? Then 0:06:55.920 --> 0:06:58.599 decide things for the how the world works exactly. 0:06:58.680 --> 0:07:00.800 And I'm also looking at five hundred days in summer 0:07:00.839 --> 0:07:03.240 and saying I could have done this a lot faster. 0:07:03.640 --> 0:07:05.320 I could have made this movie a minute and it 0:07:05.320 --> 0:07:06.640 would have been just as effective. 0:07:06.760 --> 0:07:07.920 It would have been just as good. 0:07:08.040 --> 0:07:09.559 I don't think it would have been a perfect vertical. 0:07:09.680 --> 0:07:11.680 I think it was before verticals. 0:07:11.320 --> 0:07:13.480 Were out, a five part vertical where you hide the 0:07:13.480 --> 0:07:14.000 fourth part. 0:07:14.320 --> 0:07:18.360 I like my heart breaks for every filmmaker that didn't 0:07:18.400 --> 0:07:21.880 get to shoot in verticals, Like it makes me so 0:07:22.080 --> 0:07:26.280 sad that this medium is new, it's and so Spielberg 0:07:26.520 --> 0:07:29.240 never got We never got to see a Spielbern vertical. 0:07:30.480 --> 0:07:34.840 Honestly, I feel that way about our passengers. I feel 0:07:34.840 --> 0:07:37.200 that way about old people trying to find their Uber drivers, 0:07:37.520 --> 0:07:40.480 having old stupid Uber drivers take care of these old 0:07:40.480 --> 0:07:42.560 people who are trying to get to the market. Meanwhile, 0:07:42.600 --> 0:07:44.240 they could just be in a weymo. I feel that 0:07:44.280 --> 0:07:47.320 way about kids on buses. Yeah, they could be in 0:07:47.360 --> 0:07:47.960 a weymouth. 0:07:48.040 --> 0:07:49.840 They could be in the path, like the driver's seat. 0:07:49.840 --> 0:07:50.880 In a way, we're doing that. 0:07:50.800 --> 0:07:53.600 To Hollywood, Like we're making Hollywood a better passenger experience. 0:07:53.680 --> 0:07:54.800 Yeah, because there's. 0:07:54.640 --> 0:07:57.280 So many inefficiencies going on, like and there's so many 0:07:57.360 --> 0:08:00.160 even in like character development and all that, Like there 0:08:00.200 --> 0:08:03.560 are so many scenes where characters are just talking to 0:08:03.640 --> 0:08:07.680 each other and not delivering the plot points that are 0:08:07.920 --> 0:08:11.320 like they're talking around the thing instead of just saying 0:08:11.480 --> 0:08:12.679 what is happening? 0:08:12.800 --> 0:08:14.440 Yeah, tell me the plot. 0:08:14.760 --> 0:08:17.400 Tell it to me, plot, summarize the plot. 0:08:17.520 --> 0:08:20.320 I then end the movie. I am on my phone, 0:08:20.760 --> 0:08:21.720 tell me the plot. 0:08:22.120 --> 0:08:25.040 Yes, like literally, Like that was my biggest gripe with 0:08:25.080 --> 0:08:27.160 five hundred Days of Summer is like they kept on 0:08:27.280 --> 0:08:29.840 fighting for that movie and I could not figure out 0:08:29.840 --> 0:08:32.839 why they were fighting, just such they're dating. 0:08:32.960 --> 0:08:34.040 Yeah they fight. 0:08:34.400 --> 0:08:36.640 That's end of sentence. That took me two seconds to say. 0:08:36.679 --> 0:08:38.280 I think it's like it's also taking the emotion out 0:08:38.320 --> 0:08:40.040 of it, and I think like there's a lot of 0:08:40.080 --> 0:08:42.080 power in doing that. I think that's why some of 0:08:42.160 --> 0:08:44.120 our companies. That's why a lot of people are like, 0:08:44.800 --> 0:08:47.280 it's surprised at how fast tech moves. And I think 0:08:47.320 --> 0:08:51.080 it's because tech isn't crying or scared or nervous. 0:08:51.280 --> 0:08:54.439 Yeah no, no, because you know what is drilled out 0:08:54.440 --> 0:08:56.760 of you when you're working these nineteen hour days in 0:08:56.800 --> 0:09:00.120 Silicon Valley. What fucking being a cry baby? 0:09:00.960 --> 0:09:05.040 Cassie cast Literally, you cannot cry. 0:09:05.200 --> 0:09:09.319 You'll fry the server, dude, capital d Yeah, dude. 0:09:09.800 --> 0:09:13.240 If you have, it would be huge. 0:09:12.960 --> 0:09:13.760 Cassie. 0:09:15.200 --> 0:09:18.320 King Kong, like swiping over buildings like I would try 0:09:18.360 --> 0:09:20.960 and go to the bathroom and like literally wipe out 0:09:20.960 --> 0:09:21.560 half of New. 0:09:21.520 --> 0:09:24.839 York City's so big it's not even nice. 0:09:25.040 --> 0:09:27.760 Yeah, I'd be like, oh, I actually am a little 0:09:27.800 --> 0:09:29.640 afraid of this. I maybe will be. 0:09:29.600 --> 0:09:31.000 A burden for you. 0:09:33.160 --> 0:09:35.280 One of those people who's like, actually, my dick is 0:09:35.320 --> 0:09:37.000 too big, like one of the few people who can 0:09:37.080 --> 0:09:37.720 actually say that. 0:09:38.120 --> 0:09:41.040 You say, like, I'm a third or fourth thinging about me. 0:09:41.240 --> 0:09:44.040 That's all right, it's all right, it's okay, it's all right. 0:09:44.080 --> 0:09:44.959 It's hard to imagine. 0:09:45.160 --> 0:09:45.680 It's crazy. 0:09:45.679 --> 0:09:48.480 It's just hard to imagine. Like you're just motherfucker dude. 0:09:48.520 --> 0:09:50.800 You're out in the streets. You one that was like listen, 0:09:50.840 --> 0:09:54.240 put us in, put us in. Yeah, yeah, put us in. 0:09:54.480 --> 0:09:56.920 And this is why we were like because I would say, 0:09:56.920 --> 0:09:59.960 we're the class clowns of Silicon Valley, right, Oh my gosh, 0:10:00.120 --> 0:10:04.559 we have capital capital creative is I think the third 0:10:04.559 --> 0:10:08.480 sea in class cloud closet class. 0:10:09.280 --> 0:10:11.520 Just remembering one of the funniest things we ever did, 0:10:11.640 --> 0:10:12.600 that's five seas. 0:10:14.120 --> 0:10:17.560 Do you remember when we wore green wigs to that. 0:10:18.120 --> 0:10:23.720 Galaude Stop Stop Lyle Stop said we wouldn't talk about 0:10:23.720 --> 0:10:27.000 that because that was so fun. 0:10:26.960 --> 0:10:31.760 The amount of mother fucking adderall I found at the 0:10:31.920 --> 0:10:33.000 rathon event. 0:10:33.440 --> 0:10:37.440 They were giving it out, was giving out like, well, 0:10:37.559 --> 0:10:38.360 I think you know. 0:10:38.320 --> 0:10:40.520 What I heard about that is that they were testing 0:10:40.520 --> 0:10:43.319 a new kind of aderall that the military was testing 0:10:43.360 --> 0:10:44.120 a new kind of adderall. 0:10:45.080 --> 0:10:49.080 Thank god, thank god, I've got all. 0:10:50.760 --> 0:10:52.240 Thank god they're trying to perfect that. 0:10:52.360 --> 0:10:56.520 There's that adderall shortage. Like, yeah, bro, you guys were trying, 0:10:57.000 --> 0:10:57.480 you had it. 0:10:57.640 --> 0:11:00.480 I can tell when people are working on a newer 0:11:01.280 --> 0:11:02.880 device and working on another system. 0:11:02.960 --> 0:11:03.520 Yeah, that's all that. 0:11:03.800 --> 0:11:06.200 That's Craig's kind of magic power is like whenever we 0:11:06.240 --> 0:11:08.199 see some sort of shortage or like a stock thing, 0:11:08.400 --> 0:11:10.480 Craig goes like, let me tell you what's actually happening. 0:11:10.520 --> 0:11:13.520 Literally yeah, and and like that's just good market, right, 0:11:13.520 --> 0:11:15.760 that's just like seeing it and like taking it away. 0:11:15.800 --> 0:11:18.120 So then you hit it fat in the face with 0:11:18.160 --> 0:11:18.560 a new. 0:11:18.440 --> 0:11:20.800 Product, dude, like a fucking penis, Like. 0:11:21.440 --> 0:11:24.199 A fucking penis kind of like. 0:11:23.800 --> 0:11:26.240 Like this is tech, guys, this is this is how 0:11:26.280 --> 0:11:26.640 we talk. 0:11:26.880 --> 0:11:27.640 And like we talk. 0:11:27.920 --> 0:11:29.599 We should introduce ourselves. 0:11:31.000 --> 0:11:32.920 About your favorite movie because I know we all love 0:11:32.920 --> 0:11:35.320 having summer, and I think they'll understand us as filmmakers. 0:11:35.600 --> 0:11:37.560 If we also say, like what we do in tech, 0:11:37.640 --> 0:11:39.880 our name and our favorite movie, that's awesome. 0:11:39.920 --> 0:11:41.480 Great, that's maybe what we were doing on the way 0:11:41.520 --> 0:11:44.800 Away Movie Ahead you have to start stop. 0:11:45.000 --> 0:11:51.559 Dude starts in command. What's up? What's up? 0:11:52.160 --> 0:11:58.560 My name is Arthur de Lamico. I favorite movie besides 0:11:59.480 --> 0:12:04.120 is Transform three, And yeah, I actually kind of run 0:12:04.160 --> 0:12:06.200 a lot of the script work and kind of the 0:12:06.240 --> 0:12:09.000 creative Like I'm kind of like the big guy, Like 0:12:09.240 --> 0:12:11.120 I'm kind of like writing as much as I can 0:12:11.160 --> 0:12:14.480 through Claude, through chatchybt, like really busting out this movie 0:12:14.520 --> 0:12:15.440 as quickly as we can. 0:12:15.720 --> 0:12:18.080 You're putting them against each other, and it's so exciting. 0:12:18.200 --> 0:12:19.400 It's fun to make them compete. 0:12:19.480 --> 0:12:21.320 Yeah, we're not using one AI to make this movie. 0:12:21.360 --> 0:12:25.359 We're using all of them, well, using all staff of writing. 0:12:25.480 --> 0:12:27.439 Like, hey, Claude, do you want to be in this movie? 0:12:27.520 --> 0:12:28.400 Then five for yourself? 0:12:28.480 --> 0:12:28.840 Yeah? 0:12:29.000 --> 0:12:31.920 I said, well, Chatchabet said this should be a good scene. 0:12:32.240 --> 0:12:34.160 How do you feel about that? Claude, And they go, 0:12:34.440 --> 0:12:37.080 it's like kind of scary. Actually sometimes what I make 0:12:37.120 --> 0:12:40.040 them say to each other anyway, that's like my thing, 0:12:40.200 --> 0:12:42.120 Like I'm kind of like the big idea guy and 0:12:42.160 --> 0:12:44.520 the guy who knows how to work the AI pretty well. 0:12:44.600 --> 0:12:46.120 Yeah, incredible, that's incredible. 0:12:46.400 --> 0:12:46.720 What's up? 0:12:46.760 --> 0:12:48.320 I'm Greg Craig. 0:12:48.600 --> 0:12:52.280 I I'm also working on the screenwriting operating system with 0:12:52.440 --> 0:12:59.000 my boy and I'm really I'm really into camera angles, 0:12:59.559 --> 0:13:01.120 so I'm helping that out. 0:13:01.200 --> 0:13:03.079 I'm putting I'm good at like. 0:13:03.040 --> 0:13:04.160 So nice that you're helping that out. 0:13:04.200 --> 0:13:08.720 I'm helping that out the system and showing showing Claude 0:13:08.720 --> 0:13:10.920 and gem Ni and the whole system. Like what shots 0:13:10.920 --> 0:13:15.760 I like because I like some interesting stuff, Like there's 0:13:15.760 --> 0:13:17.560 a shot in Magnolia that I want to use for 0:13:17.640 --> 0:13:22.280 way movie and and and I'll just screen record it, 0:13:22.360 --> 0:13:24.320 send it to the send it to the machine and 0:13:24.360 --> 0:13:27.160 like it's I'm like, we're figuring out a fun way 0:13:27.360 --> 0:13:29.439 of dping being. 0:13:29.280 --> 0:13:31.040 Like a fully operated thing. 0:13:31.600 --> 0:13:31.880 Right. 0:13:32.040 --> 0:13:33.560 So I'm working on so you could say I'm like 0:13:33.640 --> 0:13:35.640 probably part of the DP team. 0:13:35.960 --> 0:13:36.360 I think so. 0:13:37.720 --> 0:13:41.559 But yeah, my favorite movies, i'd say, uh, the After 0:13:41.600 --> 0:13:43.199 Midnight Before Sunset Trilogy. 0:13:43.280 --> 0:13:44.120 Whoa you like that? 0:13:44.200 --> 0:13:45.000 I'm obsessed with that? 0:13:45.080 --> 0:13:45.320 Wow? 0:13:45.440 --> 0:13:49.400 Wow wow lolaland and Rugrats when they go. 0:13:49.360 --> 0:13:50.720 To Parists in Paris. 0:13:50.760 --> 0:13:53.520 Wow, that one is classic, classic, The Baja Man who 0:13:53.559 --> 0:13:57.880 let the Dogs Out scene Chucky meets his new stepsister. 0:13:59.360 --> 0:14:03.040 Sign me up literally, because. 0:14:04.360 --> 0:14:06.080 Oh my god, I love that movie. I think we 0:14:06.080 --> 0:14:10.160 could have written it faster. Yeah, Hey guys, I'm Cassie. 0:14:10.600 --> 0:14:22.200 I asked everybody. I'm literally all of you. I am one. 0:14:22.320 --> 0:14:26.320 We are one. I am one. I am of course, 0:14:26.440 --> 0:14:29.800 I run the marketing arm of the Way Way movie, 0:14:30.000 --> 0:14:32.680 and so I'm super excited. We've got so many fun 0:14:32.720 --> 0:14:36.040 pop ups with way Mo's. We've got Waymo ice cream 0:14:36.080 --> 0:14:38.320 that we're unleashing with salt and straw. 0:14:38.160 --> 0:14:39.920 We've got flavor. 0:14:40.840 --> 0:14:45.560 So it's like, can you imagine a vanilla that is 0:14:45.600 --> 0:14:48.840 statistically perfect? 0:14:49.440 --> 0:14:50.920 Isn't the protect of steel vanilla? 0:14:51.280 --> 0:14:52.960 Yes, So it's so steel vanilla. 0:14:53.080 --> 0:14:55.600 That's such a relief to hear that, because I always 0:14:55.680 --> 0:14:58.240 like vanilla, but I just always taste the flaws in 0:14:58.280 --> 0:15:00.040 it too, right, And that's. 0:14:59.840 --> 0:15:02.560 The big flaw with Vanilla is that every single if 0:15:02.600 --> 0:15:06.040 you taste, like all the different major ice cream companies, 0:15:06.040 --> 0:15:08.240 if you taste their vanilla, they're all slightly different from 0:15:08.240 --> 0:15:10.800 each other. Right, they all have slightly different notes because 0:15:10.800 --> 0:15:14.480 they got different ingredients. Well, we analyzed all Vanilla made 0:15:14.640 --> 0:15:18.840 one perfect statistical average of every vanilla, and now it's 0:15:18.880 --> 0:15:21.440 perfect and we don't have to change it. So that's 0:15:21.480 --> 0:15:25.040 what the way most the average is the perfect coverage 0:15:25.400 --> 0:15:26.520 is perfect. 0:15:26.600 --> 0:15:28.920 And you also came up with the stop sign previews. 0:15:29.280 --> 0:15:31.600 The stop sign previews be able to when. 0:15:31.480 --> 0:15:34.040 You're stopped at a stop sign. The preview of the 0:15:34.040 --> 0:15:35.080 movie is gonna be in your mo in. 0:15:35.040 --> 0:15:37.200 The The preview of the movie is gonna be in. 0:15:37.200 --> 0:15:39.040 Your commercial for the movie is going to be in 0:15:39.080 --> 0:15:40.320 your car everything you stop. 0:15:40.480 --> 0:15:42.440 Yeah, people are finally going to take a long stop. 0:15:42.600 --> 0:15:46.240 Like I feel like like manually operating cars are just 0:15:46.320 --> 0:15:47.800 kind of like barely stopping. 0:15:48.040 --> 0:15:51.640 Yeah, I'm putting we are putting an end to the 0:15:51.720 --> 0:15:55.160 California stop right, the rolling stop when people hit a 0:15:55.200 --> 0:15:58.440 stop sign and they just like slow down instead of 0:15:58.440 --> 0:16:01.920 fully stopping. If you get to one of our stop 0:16:01.960 --> 0:16:04.280 signs and you see the preview for the Weimo movie, 0:16:04.320 --> 0:16:06.000 you are not gonna want to move. 0:16:06.240 --> 0:16:11.360 Say that you are gonna be sat no way set. 0:16:14.800 --> 0:16:19.120 Speak of my sat af speaking of alf Okay enough, 0:16:20.160 --> 0:16:21.360 my name is Lyle Jk. 0:16:21.800 --> 0:16:24.520 It is so fun to be here. I am so 0:16:24.600 --> 0:16:25.760 honored to be on this team. 0:16:26.520 --> 0:16:30.920 I started as an intern at WEIMO and I got 0:16:30.920 --> 0:16:33.440 my first job out of college here and I've just 0:16:33.600 --> 0:16:36.120 moved up every single day. 0:16:36.680 --> 0:16:37.680 It's been crazy. 0:16:38.440 --> 0:16:40.920 I am so happy to be on the movie and 0:16:41.000 --> 0:16:44.520 I can't wait because I'm am the coordinator of the coach, 0:16:45.040 --> 0:16:50.400 the rep and the teacher for the cars. So I'm 0:16:50.440 --> 0:16:53.400 in charge of the cars they need to I'm there 0:16:53.440 --> 0:16:55.840 for when they need to shoot, and I'll get them there. 0:16:57.400 --> 0:16:59.560 And I also have to talk to them and teach 0:16:59.600 --> 0:17:02.000 them how to act and what angles and stuff like that, 0:17:02.120 --> 0:17:04.119 depending on what we need a way to do in 0:17:04.160 --> 0:17:04.560 the moment. 0:17:04.720 --> 0:17:08.240 Have you guys ever seen maybe you're like sitting in 0:17:08.280 --> 0:17:09.879 traffic or what you think is traffic, and then you 0:17:09.920 --> 0:17:11.800 look up and it's two way mods that like maybe 0:17:11.800 --> 0:17:15.160 are restarting and they're stop and everyone's kind of going 0:17:15.160 --> 0:17:15.880 around them. 0:17:16.400 --> 0:17:17.920 Every time you see that, I want you to think 0:17:17.920 --> 0:17:18.680 of my boy. 0:17:18.520 --> 0:17:19.920 And I want you to look across the street because 0:17:19.920 --> 0:17:21.880 I'm there with a damn iPad and doing this. 0:17:21.960 --> 0:17:22.880 They send him. 0:17:22.920 --> 0:17:25.760 He's like, we'll be at a dinner and he's like, fuck, 0:17:25.880 --> 0:17:29.240 I have to go lebreas jam Yeah, and he's you 0:17:29.280 --> 0:17:31.000 are the crisis guy, which I think is perfect. 0:17:31.080 --> 0:17:32.040 Lends itself to Hollywood. 0:17:32.080 --> 0:17:34.119 I'm a full time way moa Wangler, that's what we 0:17:34.160 --> 0:17:39.600 call it, winger. I'm a Wangler, and I like to 0:17:39.600 --> 0:17:42.240 say I'm a part time human and a full time Wangler. 0:17:55.320 --> 0:17:57.919 My favorite thing about Lyle is the biggest sigh whenever 0:17:57.960 --> 0:17:58.880 you give him work. 0:17:59.640 --> 0:18:03.000 I love to hate work, but it is all I have. 0:18:04.960 --> 0:18:07.760 You made it, but you have nothing going. 0:18:08.600 --> 0:18:11.000 Talk about it right when someone goes, here's more worker, 0:18:12.400 --> 0:18:13.640 and then I will do it and I. 0:18:13.600 --> 0:18:14.080 Will love it. 0:18:14.200 --> 0:18:15.119 Ultimately what else is? 0:18:15.200 --> 0:18:17.600 Because ultimately there's nothing else going on for me? 0:18:18.960 --> 0:18:20.960 It's awesome. Well, why don't we jump into a little 0:18:20.960 --> 0:18:22.840 bit of the plot of this movie right now? Like 0:18:22.880 --> 0:18:25.560 this story we're trying to tell, and you guys have to. 0:18:25.480 --> 0:18:26.200 Sign the NDIA. 0:18:26.520 --> 0:18:30.879 Don't just send a car through your wall, you know 0:18:30.920 --> 0:18:31.280 what I mean. 0:18:32.680 --> 0:18:34.600 It should populate in your car. So go ahead and 0:18:34.720 --> 0:18:35.880 open up your PDF. 0:18:35.880 --> 0:18:38.600 And you think of robot cars scary, Think of a 0:18:38.720 --> 0:18:40.840 robot car with a big fat NDA on it. 0:18:41.000 --> 0:18:43.600 Literally, think about that for I had. 0:18:43.640 --> 0:18:45.560 It's hard to listen to you while you're driving. Maybe 0:18:45.560 --> 0:18:47.399 pull over and calloweeno and listen to it in the way. 0:18:47.720 --> 0:18:49.200 That's that's what we're trying to get you to do. 0:18:49.200 --> 0:18:50.760 Because you can't take notes while driving. 0:18:51.160 --> 0:18:53.080 And if you're a young filmmaker, which I know you 0:18:53.119 --> 0:18:55.399 probably are, you're gonna want to take notes because this 0:18:55.440 --> 0:18:55.919 is the future. 0:18:55.960 --> 0:18:58.200 Because this all started with a little fucking idea. 0:18:58.320 --> 0:19:03.480 Dude, stop, a little showed idea that's bloomed into a massive. 0:19:03.160 --> 0:19:05.360 Cock Dude, you're gross. I love it. 0:19:06.080 --> 0:19:15.240