WEBVTT - R&B Money: K-Ci Hailey

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<v Speaker 1>R and B Money.

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<v Speaker 2>We are.

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<v Speaker 3>Thanks take valotility.

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<v Speaker 4>We are the authority on all things R.

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<v Speaker 3>And B ladies and gentlemen.

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<v Speaker 1>My name is Tank Valentine, and this what is it.

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<v Speaker 4>It's the R and B Money Podcast, the authority.

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<v Speaker 1>On all things.

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<v Speaker 5>Who yeah one more time?

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<v Speaker 1>Who yeah?

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<v Speaker 5>Yeah?

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<v Speaker 4>See see you wasn't desperate, you know, in your spirit,

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<v Speaker 4>in your tongue, right, You wasn't in the middle of

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<v Speaker 4>a desert with lother on your body, sweating your balls

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<v Speaker 4>off to prove a point. Not only was your eyes ryan,

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<v Speaker 4>but your skin on your whole body. It's clearing tears.

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<v Speaker 4>You ain't never done that. You ain't never put on

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<v Speaker 4>boots with a two piece shots at and turned the

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<v Speaker 4>rain off.

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<v Speaker 1>On your feet.

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<v Speaker 5>What you've never done it? You ain't never did it.

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<v Speaker 4>You don't sit on the mouth rushmore. It's a godfather,

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<v Speaker 4>this ship right here, it's one man. It's one man,

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<v Speaker 4>and that Maine is here. The God. No, yes, sir,

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<v Speaker 4>not God, the God, the God.

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<v Speaker 3>Created in his image Casey Haley, my god.

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<v Speaker 1>Oh yeah, yeah, yeah.

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<v Speaker 3>Himself, mister Huliah himself.

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<v Speaker 5>Yeah man, what's going on?

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<v Speaker 4>What made what made you do? Oh yeah, let's start

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<v Speaker 4>with this right there.

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<v Speaker 1>Okay, we can do that. That's real easy. I was.

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<v Speaker 1>They used to call me like that, a little king,

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<v Speaker 1>but the guys did like you, I go and I

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<v Speaker 1>go into booth man just start singing, and I get

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<v Speaker 1>and I got tired of saying what iut the words

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<v Speaker 1>of the song and stuff. I just I just put

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<v Speaker 1>them in. Ooh yeah, it's a feeling. You gotta have that,

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<v Speaker 1>oh yeah, feeling you could sing. Mary had a little lamb.

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<v Speaker 1>Mary had a little lamb, little lamb, little lamb. Oh yeah, man.

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<v Speaker 2>Man, they do say it's casey jojo right yeah, that's

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<v Speaker 2>that's like the Holy Trinity.

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<v Speaker 3>Bro.

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<v Speaker 4>I just I mean, listen, I just got to say this.

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<v Speaker 4>And I tell you this all the time, but I

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<v Speaker 4>can never tell you enough. Thank you man, Thank you man.

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<v Speaker 4>You have to like like I want you to like

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<v Speaker 4>to day is the day. You know, I know you humble,

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<v Speaker 4>you know I know your godfaring man. You give it

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<v Speaker 4>all back to the Creator. You understand what I'm saying.

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<v Speaker 4>But when he gives us those gifts, it is up

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<v Speaker 4>to us to be good stewards over those gifts. It

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<v Speaker 4>is up for us to develop and nurture and work

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<v Speaker 4>hard to bring their gifts to their fullness. And you

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<v Speaker 4>did just that, and in doing so, you created.

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<v Speaker 1>Us for surecire sure sure appreciate.

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<v Speaker 2>No R and B money without you. There's no R

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<v Speaker 2>and B money without your, not even closer.

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<v Speaker 1>We tried no, no, no, no, no, no no.

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<v Speaker 4>Today today today can't see you get the pump your ship.

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<v Speaker 1>This is flowers, this is celebration.

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<v Speaker 3>K C Day right now.

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<v Speaker 1>Okay, we did that ship. We did that, Yes, you did.

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<v Speaker 1>It was on a mission, Oh my god. And number

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<v Speaker 1>two understood the assignment.

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<v Speaker 3>Yeah.

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<v Speaker 5>When we first when we.

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<v Speaker 1>First got together, we always said, we said that we

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<v Speaker 1>made a pack. We made a vow that we was

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<v Speaker 1>gonna be the baddest, baddest group that ever came out. Wow,

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<v Speaker 1>you know what I'm saying. I made a vow like

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<v Speaker 1>I'm gonna be the most aggressive lead singer that's out there.

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<v Speaker 5>My age. You know what I'm saying.

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<v Speaker 1>My era and uh ay Man and I guess, like

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<v Speaker 1>I said, we did that ship.

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<v Speaker 4>You damn right, you did it. Let's go back to

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<v Speaker 4>the beginning case, go ahead. I want to go back

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<v Speaker 4>to me being a kid in a church somewhere in Wisconsin.

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<v Speaker 4>I want to say race sing, We'll sing Wisconsin, and

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<v Speaker 4>we went to see Little Cedric and the Haley singer.

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<v Speaker 4>Yes man, and I watched y'all run down the middle aisle.

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<v Speaker 4>You didn't walk down the middle aisle. Oh yeah, for

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<v Speaker 4>those of y'all who know anything about church, church folk,

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<v Speaker 4>you don't go down the middle aisle. That is, that's forbidden.

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<v Speaker 4>You don't walk down the middle church. Been going on

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<v Speaker 4>the side.

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<v Speaker 5>Next time I go to church, remember that.

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<v Speaker 4>So the usher say, you know, sure you're seeing the

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<v Speaker 4>ball like he does instructions for the middle hour. Not

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<v Speaker 4>only did they come down the middle aisle, they ran

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<v Speaker 4>down the middle aisle to assault the injury Jojo had

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<v Speaker 4>a ball head and ear rings.

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<v Speaker 3>We said, what in the worldly? What in the fleshy

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<v Speaker 3>business is.

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<v Speaker 1>Going on there?

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<v Speaker 4>And y'all proceeded, for lack of a better term to

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<v Speaker 4>talk about gospel music kick ass.

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<v Speaker 1>Yeah man, we had to do that too, man, we

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<v Speaker 1>did that. So how did that start? Give me Casey

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<v Speaker 1>and the Hally say, go take me back to the beginning,

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<v Speaker 1>at the beginning like this, Well, those you don't know

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<v Speaker 1>it started out and Alltimore and Maryland our professional singing

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<v Speaker 1>career study in Baltimore, and Maryland. My mom had a group,

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<v Speaker 1>my dad had a group, and me and Joji would

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<v Speaker 1>be around house singing all the time. They had a

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<v Speaker 1>back in those days, they had a Friday night spade parties.

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<v Speaker 1>Mama and the man had the spade party. I know

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<v Speaker 1>y'all know about that. But anyway, when our uncles and

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<v Speaker 1>non they'd be playing spades and all that, me and

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<v Speaker 1>Jojo will be in the bed sleep with it. Used

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<v Speaker 1>they thought we were, but we can hear everything that's

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<v Speaker 1>going on there. But one or two every Friday night

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<v Speaker 1>and my uncles and they are juiced up now, you

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<v Speaker 1>know what I'm saying, So they want to hit the

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<v Speaker 1>little boys sing. So Mama would wake us up, like

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<v Speaker 1>it'd be like one sometimes two in the morning, wake

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<v Speaker 1>us up, turn our favorite gospel group on, which was

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<v Speaker 1>the Gospel Keynotes at the time. You and me and

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<v Speaker 1>Joe Joja would be Paul Beasley. I would be the

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<v Speaker 1>lead singer, Willy Neil so and Willy Neil was the one,

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<v Speaker 1>like the the aggressive one, the lead singer. So they

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<v Speaker 1>would ask us to make us sing those songs. I

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<v Speaker 1>remember one night I got bull headed, you know what

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<v Speaker 1>I'm saying. I got bullheaded and it wont to sing. Man,

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<v Speaker 1>So believe it or not, my mother, my mother a

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<v Speaker 1>lover for doing this. Some people these days might ridicule

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<v Speaker 1>her for doing it. But my mother she went upstairs,

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<v Speaker 1>got her leather belt, leather belt, and man, that belt

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<v Speaker 1>kept me singing today. She said, boy, if you don't

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<v Speaker 1>go downstairs and sing them songs, but them people want

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<v Speaker 1>you to sing and mine now they was giving me

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<v Speaker 1>a jojo fifty cents to sing. She said, if you

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<v Speaker 1>don't get your tail downstairs, she took that belt. Man,

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<v Speaker 1>she used that belt to this day. I never been

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<v Speaker 1>shame or shy to open my mouth to sing for nobody.

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<v Speaker 1>So fast forward, like I said, my mother had a

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<v Speaker 1>group from Baltimore Female group, and my father had had

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<v Speaker 1>a male group in Baltimore Quartet. And my mama told

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<v Speaker 1>my daddy, she said, I think you need to put

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<v Speaker 1>centric in that group. That boy ready, That boy ain't ready,

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<v Speaker 1>she said, he ready?

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<v Speaker 5>She said, he ready.

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<v Speaker 1>So she asked me, if you want to be in

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<v Speaker 1>your daddy group.

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<v Speaker 5>Man, yeah, I want to.

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<v Speaker 1>Be in the group at eleven years old. Who wouldn't, yeah,

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<v Speaker 1>eleven years old? Then, so my daddy let me in

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<v Speaker 1>the group. I went to the couple of rehearsals and

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<v Speaker 1>we did that first gospel you know back in the

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<v Speaker 1>day call him programs. You know, we did a program.

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<v Speaker 1>So when I did that, man and my uncle, which

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<v Speaker 1>was the manager of my dad group, his uncle, so

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<v Speaker 1>he told my daddy, oh, yeah, that's gonna be our

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<v Speaker 1>little showstopper. Yeah, we're gonna keep him. So by that time,

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<v Speaker 1>like I said, my mama had a group. She had

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<v Speaker 1>to kill a band. So my mama told my daddy, look,

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<v Speaker 1>I want to take him out your group and I'm

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<v Speaker 1>gonna get my band because there was more contemporary you know,

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<v Speaker 1>all that players, young guys. She said, I want to

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<v Speaker 1>take them out your group, and I'm gonna get rid

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<v Speaker 1>of my band and let them play for Cedric. Mm hm.

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<v Speaker 1>So dadd was like, we see how it is. I

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<v Speaker 1>think the group my daddy group kind of figured what

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<v Speaker 1>was going on. Cause for me, Daddy and Jojo got

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<v Speaker 1>to rehearsal, believe it or our tank man, they had

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<v Speaker 1>our papers waiting on us saying we fired.

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<v Speaker 5>Oh y'all was getting kicked out.

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<v Speaker 1>Yeah, we got kicked out when they found out that,

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<v Speaker 1>you know, little Cedric and the Haley things was about.

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<v Speaker 2>But did they kick you and George? They kick your

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<v Speaker 2>daddy out here, and yeah, hold on you and your son, Yeah.

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<v Speaker 1>You and your sons out the group just because of that.

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<v Speaker 1>So my DAD'SID, okay, cool, we got this. They handed

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<v Speaker 1>you papers. They handles papers a rehearsal when we walked in.

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<v Speaker 5>That's crazy, you know.

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<v Speaker 1>I cried like a baby man. Look eleven years old

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<v Speaker 1>getting fired. Come on now, when something I love to

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<v Speaker 1>you want to do. But though it was God's playing,

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<v Speaker 1>of course it wasn't their plans. Because at the next day,

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<v Speaker 1>here we are, my mom and dad telling me one

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<v Speaker 1>of it. We got my Mama said Timmy. Then Timmy

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<v Speaker 1>them gonna play for you now. So I'm like half

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<v Speaker 1>because Timmy, though they was young, they was funky, you know,

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<v Speaker 1>so I'm like cool. That was the birth a Little

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<v Speaker 1>Cedric and the Haley Singers signed a gospel record label,

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<v Speaker 1>which is Air Records. Now, so I got that deal

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<v Speaker 1>twelve years old. Did our recording man and Little Cedric

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<v Speaker 1>and Haley Singers blew up? I mean we blew up

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<v Speaker 1>in the court TP Field man. I would like to

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<v Speaker 1>they would call me the Michael Jackson of gospel and

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<v Speaker 1>during that time. Yeah, and during that time, my rival

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<v Speaker 1>was a little boy from Washington, d C. He had

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<v Speaker 1>his group from DC. So Baltimore had they little boy

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<v Speaker 1>which is a little Cedric and that little boy I'm

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<v Speaker 1>talking about. I mean we went next to neck, neck

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<v Speaker 1>to the neck.

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<v Speaker 5>Man.

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<v Speaker 1>One night was his night. Next night was not my night,

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<v Speaker 1>that little boy it was Johnny Gill.

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<v Speaker 3>Oh I didn't know.

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<v Speaker 1>That, yeah, man. Man and Johnny talked about it all

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<v Speaker 1>the time. We talked about the all the time. Johnny

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<v Speaker 1>will come to Baltimore. He'll try to make it hard

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<v Speaker 1>for me in my Town's okay, all right, I gotta

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<v Speaker 1>go to I gotta go to d C.

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<v Speaker 3>Yeah, come see you.

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<v Speaker 2>So this is like twelve thirteen for so he's been

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<v Speaker 2>browling for a long time.

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<v Speaker 1>Oh yeah, oh yeah, oh yeah, man, Johnny, we've been

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<v Speaker 1>in the game together, in the game a long time, man,

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<v Speaker 1>a long time. Yeah, yeah, yeah, Man. Johnny was way back, man,

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<v Speaker 1>forty some years ago.

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<v Speaker 5>So was your father in and haleying Halle sing.

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<v Speaker 1>Yeah, he came. He got him some songs off til Too,

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<v Speaker 1>off the albums too.

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<v Speaker 5>You know what I'm saying.

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<v Speaker 1>You know, well, and then Jojo Jojo was like this.

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<v Speaker 1>He's still like this to this day. He don't let

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<v Speaker 1>y'all see it. We had to beg Jojo to sing

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<v Speaker 1>m We had to beg Jojo to then they had

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<v Speaker 1>to do it. Now you know what I'm saying.

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<v Speaker 5>But one of the coldest vocals whoever.

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<v Speaker 1>Yeah, and then Jojo then he got into it, man,

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<v Speaker 1>And he had this couple of songs on the albums

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<v Speaker 1>and all that, but Jojo always knew he would tell

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<v Speaker 1>them and then I'm gonna do that, man. That's that's

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<v Speaker 1>cedgic man. Jojo. Jojo was more like he was a

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<v Speaker 1>rough He was a rough neck. Joja wanted to go

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<v Speaker 1>outside and play football while I'm in rehearsal ten hours

0:12:45.960 --> 0:12:49.040
<v Speaker 1>a day in the bass hot basement right after school.

0:12:49.120 --> 0:12:51.000
<v Speaker 1>Got to go down to the basement and rehearse for

0:12:51.040 --> 0:12:53.920
<v Speaker 1>the album. And so Jojo outside playing and if he

0:12:54.000 --> 0:12:56.240
<v Speaker 1>got a song, he'll come in and do his little song,

0:12:56.480 --> 0:12:59.319
<v Speaker 1>go right back outside and play. I'm still in there

0:12:59.320 --> 0:13:02.960
<v Speaker 1>because I'm so I'm I'm hungry at the age of twelve,

0:13:02.960 --> 0:13:06.200
<v Speaker 1>I'm hungry, man. But it all worked out good. So

0:13:06.240 --> 0:13:07.800
<v Speaker 1>that's how the Haley Singers started.

0:13:07.840 --> 0:13:10.120
<v Speaker 3>Man, it was your first song that took out, took.

0:13:09.960 --> 0:13:14.200
<v Speaker 1>Off, Uh, Jesus saved and then born again with the

0:13:14.240 --> 0:13:21.160
<v Speaker 1>second cold. That's it. That was it right there. I

0:13:21.240 --> 0:13:23.520
<v Speaker 1>was like, we used to call it in we call

0:13:23.559 --> 0:13:30.080
<v Speaker 1>it drive. That was what was your cross? Yeah?

0:13:30.120 --> 0:13:30.400
<v Speaker 3>That was that?

0:13:30.600 --> 0:13:34.280
<v Speaker 1>That was our drive, right And then from then on, man,

0:13:34.320 --> 0:13:39.439
<v Speaker 1>it's just we did those. We did three albums under

0:13:39.400 --> 0:13:41.880
<v Speaker 1>the Little c the Haley Singers, and then the family

0:13:41.960 --> 0:13:44.760
<v Speaker 1>moved back to North Carolina.

0:13:45.040 --> 0:13:46.800
<v Speaker 3>And then what made you guys move?

0:13:47.360 --> 0:13:51.520
<v Speaker 1>Well, what made us move is really I think I

0:13:51.520 --> 0:13:54.079
<v Speaker 1>think my mom and parents was ready to move back

0:13:54.120 --> 0:13:57.520
<v Speaker 1>down south because we had lived in Baltimore for what wow,

0:13:57.559 --> 0:14:01.040
<v Speaker 1>we lived in Baltimore for like thirteen years, you know

0:14:01.080 --> 0:14:04.720
<v Speaker 1>what I'm saying. So, but they wanted to move back

0:14:04.760 --> 0:14:07.679
<v Speaker 1>down south, and of course they took the kids with us.

0:14:07.840 --> 0:14:10.720
<v Speaker 1>So we went down there, and still we still had

0:14:11.120 --> 0:14:13.800
<v Speaker 1>the Hailee Singers going. We still was traveling. The group

0:14:13.800 --> 0:14:16.839
<v Speaker 1>had busted up, but we still you know, hire some

0:14:17.160 --> 0:14:21.520
<v Speaker 1>new new musicians and backup singers and everything for Little Cedric,

0:14:21.720 --> 0:14:26.760
<v Speaker 1>so we're still going. So and then and and and

0:14:27.120 --> 0:14:29.880
<v Speaker 1>it was God, man, it was God, because I.

0:14:29.880 --> 0:14:30.600
<v Speaker 3>Was I was.

0:14:30.920 --> 0:14:35.920
<v Speaker 1>I left North Carolina and went to Baltimore. I was

0:14:35.920 --> 0:14:39.680
<v Speaker 1>gonna do a reunion with Little Cedric and the Haley

0:14:39.720 --> 0:14:47.560
<v Speaker 1>Singers with the original all original members. This is a

0:14:49.840 --> 0:14:54.960
<v Speaker 1>seventeen It's like just like seventeen eighteen, one of them.

0:14:55.280 --> 0:14:57.640
<v Speaker 1>So while I'm while I'm in Baltimore, Jokeren didn't go

0:14:57.680 --> 0:15:02.480
<v Speaker 1>with me. So while I'm in Baltimo, more Jojo plays

0:15:02.480 --> 0:15:07.000
<v Speaker 1>a song for me over the phone. By this time, Jojo,

0:15:07.160 --> 0:15:08.880
<v Speaker 1>you know he didn't go back to Baltimore with me.

0:15:09.520 --> 0:15:13.840
<v Speaker 1>So I'm listening on the phone. I'm like, Jojo, who

0:15:13.920 --> 0:15:18.680
<v Speaker 1>is that? It's yo, man, It's just it's this guy.

0:15:19.080 --> 0:15:22.640
<v Speaker 1>Ain't done man, we've been doing music together. Man, you

0:15:22.680 --> 0:15:25.000
<v Speaker 1>can't be in this group. Nah. Now this is just

0:15:25.040 --> 0:15:27.760
<v Speaker 1>me and done this, Me and done su this, me

0:15:27.840 --> 0:15:31.640
<v Speaker 1>and done. So. So then I go back to now

0:15:31.680 --> 0:15:34.760
<v Speaker 1>I go. I meant, before I go to Baltimore, I'm

0:15:34.880 --> 0:15:38.360
<v Speaker 1>in I rehearsal hard with Let's at the Canale Singers.

0:15:38.560 --> 0:15:41.600
<v Speaker 1>So some girls they came over to visit us. Just

0:15:41.640 --> 0:15:43.960
<v Speaker 1>before I went to the boy, I skipped all that, but

0:15:44.960 --> 0:15:48.040
<v Speaker 1>some girls brought some guys.

0:15:47.720 --> 0:15:48.440
<v Speaker 5>To our studio.

0:15:48.560 --> 0:15:50.400
<v Speaker 1>I was dating one of the girl, but calling myself

0:15:50.520 --> 0:15:54.880
<v Speaker 1>dating and Jojo was talking to one of them. So

0:15:54.920 --> 0:15:56.680
<v Speaker 1>they brought out They said, well, we want to meet

0:15:56.720 --> 0:16:00.440
<v Speaker 1>y'all some We want y'all to meet some brothers. You know,

0:16:00.520 --> 0:16:03.440
<v Speaker 1>they got their own church and and and they doing

0:16:03.480 --> 0:16:06.320
<v Speaker 1>their thing. They tight on the music. Man, they good,

0:16:06.640 --> 0:16:09.440
<v Speaker 1>y'all need to meet on y'all. Who are they? So

0:16:09.480 --> 0:16:12.000
<v Speaker 1>when they walked in and they brought the guys in,

0:16:12.600 --> 0:16:16.280
<v Speaker 1>so all that first thing I see is my girlfriend

0:16:17.160 --> 0:16:24.920
<v Speaker 1>and got these guys behind her. So immediately I'm not

0:16:24.920 --> 0:16:28.280
<v Speaker 1>feeling I'm not feeling it. So and I see one

0:16:28.320 --> 0:16:32.520
<v Speaker 1>of them going to the studio what the recording part

0:16:32.720 --> 0:16:35.200
<v Speaker 1>was at the studio we had, and I hear a

0:16:35.240 --> 0:16:37.760
<v Speaker 1>piano play. Now by this time, me and this guy

0:16:37.800 --> 0:16:40.360
<v Speaker 1>that Joe was in the room with. Man, his brother

0:16:41.120 --> 0:16:43.480
<v Speaker 1>is about to go at it. I mean guns down,

0:16:43.880 --> 0:16:48.880
<v Speaker 1>really guns down. So anyway, were like, he's like, yo,

0:16:48.920 --> 0:16:51.360
<v Speaker 1>what's going on? Man? Like y'all you're telling me what's

0:16:51.360 --> 0:16:51.600
<v Speaker 1>going on?

0:16:51.680 --> 0:16:51.880
<v Speaker 3>Y'all?

0:16:51.880 --> 0:16:55.600
<v Speaker 1>Walking with my girl? Man, I mean, who are y'all?

0:16:55.840 --> 0:16:59.320
<v Speaker 1>Who are y'all? So then I hear it. I hear

0:16:59.480 --> 0:17:04.240
<v Speaker 1>keep it up. A keyboard playing and I hear my

0:17:04.400 --> 0:17:09.000
<v Speaker 1>brother singing. I'm like, oh, I have my voice. I

0:17:09.080 --> 0:17:12.120
<v Speaker 1>have my brother voice, but who is that.

0:17:12.200 --> 0:17:14.760
<v Speaker 5>Plan that keyboard?

0:17:15.840 --> 0:17:18.919
<v Speaker 1>And his brother said, that's what I was trying to

0:17:18.960 --> 0:17:23.160
<v Speaker 1>tell you. We're the guys that they wanted to introduce

0:17:23.280 --> 0:17:26.560
<v Speaker 1>us to. Y'all. I was like, who who are you'all?

0:17:28.440 --> 0:17:35.040
<v Speaker 1>I'm Dalving and that's my brother. Yeah, he said, I'm

0:17:35.119 --> 0:17:36.520
<v Speaker 1>Dalving and that's my brother.

0:17:36.720 --> 0:17:37.120
<v Speaker 5>Done.

0:17:38.320 --> 0:17:43.240
<v Speaker 1>I said, y'all are the great boys? Like yeah, yo, man.

0:17:43.400 --> 0:17:47.360
<v Speaker 1>We dismissed the girl, like, want to see what's going on?

0:17:47.440 --> 0:17:47.600
<v Speaker 5>Now?

0:17:48.680 --> 0:17:49.240
<v Speaker 1>Work God?

0:17:49.560 --> 0:17:49.800
<v Speaker 3>Where?

0:17:49.840 --> 0:17:50.080
<v Speaker 2>God?

0:17:50.240 --> 0:17:53.800
<v Speaker 1>I said, I see you moving. So by that time,

0:17:53.880 --> 0:17:55.720
<v Speaker 1>you know that we met each other and met each other,

0:17:55.840 --> 0:17:57.720
<v Speaker 1>hung out a little bit, and then like I said,

0:17:57.760 --> 0:17:59.800
<v Speaker 1>now I can go back to Baltimore because I thought

0:17:59.800 --> 0:18:01.800
<v Speaker 1>that I was gonna work out, like that's gonna flu

0:18:02.119 --> 0:18:03.720
<v Speaker 1>So I go to Baltimore. I'm trying to get my

0:18:03.760 --> 0:18:08.240
<v Speaker 1>group back together. Jojo caused me, and and he's playing

0:18:08.280 --> 0:18:10.000
<v Speaker 1>something on the on the on the phone. I said, Yo,

0:18:10.080 --> 0:18:13.040
<v Speaker 1>that's how good was that? He said, Yo, that's being done? Man?

0:18:13.440 --> 0:18:15.880
<v Speaker 1>I said, for real, y'all did that? He said yeah?

0:18:15.920 --> 0:18:18.040
<v Speaker 1>I said, yeah, Man, it's tight. I said, man, that's

0:18:18.080 --> 0:18:20.600
<v Speaker 1>that's I like that, bro. If I don't even think

0:18:20.640 --> 0:18:26.160
<v Speaker 1>about it, stay in Baltimore, get your hatey singings together. Yeah,

0:18:28.080 --> 0:18:35.159
<v Speaker 1>I got my yeah, so I said, nah, Man, So

0:18:35.520 --> 0:18:40.280
<v Speaker 1>immediately immediately I called my mom, I call my daddy.

0:18:40.760 --> 0:18:43.280
<v Speaker 1>That so ready to come home. I'm ready to come home.

0:18:43.320 --> 0:18:47.680
<v Speaker 1>I told her. Haley singers, Hey, look y'all, I'm going

0:18:47.720 --> 0:18:48.480
<v Speaker 1>back to Charlotte.

0:18:51.920 --> 0:18:52.840
<v Speaker 3>I can't tell you why.

0:18:52.920 --> 0:18:55.679
<v Speaker 1>I can't tell you about it, but you're here about it.

0:18:55.760 --> 0:18:57.879
<v Speaker 1>But you're here about it. And by that time I

0:18:57.920 --> 0:19:00.840
<v Speaker 1>got home, man, and by that time, Jojo jojo heed it,

0:19:01.040 --> 0:19:04.600
<v Speaker 1>jojo heed it, and then all you started yelling. So

0:19:05.080 --> 0:19:07.920
<v Speaker 1>then we Jojo really didn't want you in the group. No,

0:19:08.160 --> 0:19:09.639
<v Speaker 1>and Davante didn't want Dalvin.

0:19:11.119 --> 0:19:14.679
<v Speaker 3>I love this, Yeah, this is great.

0:19:15.080 --> 0:19:17.840
<v Speaker 1>I didn't want Davin, so Jojo made it. But Jojo

0:19:17.960 --> 0:19:22.720
<v Speaker 1>wanted Dalvin, Dvante wanted me. So Jojo was like this

0:19:22.960 --> 0:19:27.680
<v Speaker 1>now Jojo Jojo playing that card. If you want my brother,

0:19:27.760 --> 0:19:28.639
<v Speaker 1>Lee saying.

0:19:30.000 --> 0:19:35.359
<v Speaker 4>You got your brother and the group yeah yeah yeahs.

0:19:35.160 --> 0:19:41.440
<v Speaker 1>And vice versa. So if you want Dalvin in, you know, yeah,

0:19:41.440 --> 0:19:45.920
<v Speaker 1>I need Yeah. So we got together, man, talked about

0:19:45.920 --> 0:19:49.240
<v Speaker 1>it that you go we do. We started doing demos, Man.

0:19:49.280 --> 0:19:52.680
<v Speaker 1>We were demo at at the church. Man. We would

0:19:52.680 --> 0:19:55.560
<v Speaker 1>do demos at the church, like time we share those

0:19:55.600 --> 0:19:59.120
<v Speaker 1>songs like that and like the chords, like the chords Davante.

0:19:59.480 --> 0:20:02.199
<v Speaker 1>A lot of that stuff was written in church at

0:20:02.280 --> 0:20:07.880
<v Speaker 1>Dvante's dad church man. So against Davante's dad got tired

0:20:07.920 --> 0:20:09.879
<v Speaker 1>of it, you know, he got tired all that secular

0:20:09.960 --> 0:20:12.240
<v Speaker 1>music been played at the church. So what we did,

0:20:12.320 --> 0:20:14.520
<v Speaker 1>we didn't tell me and Jose didn't tell our parents.

0:20:14.960 --> 0:20:18.240
<v Speaker 1>We had a basement, right and this thing, you know, Divante,

0:20:18.600 --> 0:20:22.400
<v Speaker 1>my dad and my mother they see Dvanute loading there

0:20:22.400 --> 0:20:27.119
<v Speaker 1>in like fifteen ten or fifteen keyboards, hooking everything up

0:20:27.160 --> 0:20:29.400
<v Speaker 1>in their basement, you get, you know what I'm saying.

0:20:29.480 --> 0:20:31.520
<v Speaker 1>By that time, they didn't know what. They knew we

0:20:31.520 --> 0:20:33.560
<v Speaker 1>was doing music, but they didn't know what he was

0:20:33.600 --> 0:20:36.040
<v Speaker 1>doing it for. Because my daddy that I don't know

0:20:36.359 --> 0:20:39.479
<v Speaker 1>what that boy doing down there. But all out here

0:20:39.560 --> 0:20:40.080
<v Speaker 1>is a lot of.

0:20:41.720 --> 0:20:42.320
<v Speaker 3>That sound.

0:20:43.040 --> 0:20:45.840
<v Speaker 1>You know, that sound is slapping on the keyboards, but

0:20:45.920 --> 0:20:49.320
<v Speaker 1>he had his headphones on. By that Vante was doing

0:20:49.400 --> 0:20:52.359
<v Speaker 1>Joess's demo. He did that. We did that for like

0:20:52.400 --> 0:20:54.240
<v Speaker 1>a year. We got our son, we got.

0:20:54.080 --> 0:20:57.120
<v Speaker 5>Like jodas he yet though or what like when did

0:20:57.200 --> 0:20:58.119
<v Speaker 5>when do you guys.

0:20:57.840 --> 0:21:00.320
<v Speaker 1>When we find out we were Jodasy. When we when

0:21:00.359 --> 0:21:03.280
<v Speaker 1>we well, we knew that we had something, and we

0:21:03.320 --> 0:21:05.160
<v Speaker 1>were standing in our we were sitting in our mother

0:21:05.280 --> 0:21:08.320
<v Speaker 1>our parents yard, man, and and we're like, what name

0:21:08.400 --> 0:21:08.679
<v Speaker 1>can we?

0:21:08.960 --> 0:21:09.680
<v Speaker 5>We need a name?

0:21:09.720 --> 0:21:09.920
<v Speaker 6>Man.

0:21:09.960 --> 0:21:12.000
<v Speaker 1>Now it's all four but we're good. Now we're tight.

0:21:12.640 --> 0:21:12.880
<v Speaker 5>Man.

0:21:13.080 --> 0:21:15.160
<v Speaker 1>You know, we need a name, man, we need a name.

0:21:15.920 --> 0:21:20.359
<v Speaker 1>So I came up with brothers, and I think Darvin

0:21:20.440 --> 0:21:24.400
<v Speaker 1>came up with some things. And then and then Davante

0:21:24.440 --> 0:21:29.040
<v Speaker 1>was like, hey, man, when we just put our name together, man,

0:21:33.240 --> 0:21:39.040
<v Speaker 1>Jojo Divonte Jarvin.

0:21:40.240 --> 0:21:40.560
<v Speaker 5>Case.

0:21:41.680 --> 0:21:48.960
<v Speaker 1>Yeah, we just put Joe d and see mm hmm,

0:21:49.920 --> 0:21:55.560
<v Speaker 1>Jodasy man Jodasy joseh. I guess, said Josy Jodasy, Jodasy Jodasy.

0:21:56.600 --> 0:22:02.119
<v Speaker 1>I don't know, man, that sounds too biblical. But but

0:22:02.480 --> 0:22:03.840
<v Speaker 1>at the end of the day, we had a vote.

0:22:04.400 --> 0:22:20.800
<v Speaker 1>We had a vote with Jodas it is. Then we

0:22:20.920 --> 0:22:23.399
<v Speaker 1>got on sound, man, We got on sound. Won't be

0:22:23.440 --> 0:22:27.399
<v Speaker 1>no producers, none of that. So I'm telling y'all the

0:22:27.440 --> 0:22:30.440
<v Speaker 1>boss man like, just get your boss. So when it

0:22:30.520 --> 0:22:34.120
<v Speaker 1>got Drake, Drake came in there. The song that Kirk

0:22:34.280 --> 0:22:37.520
<v Speaker 1>was playing was come and talk to Me then he

0:22:37.600 --> 0:22:40.160
<v Speaker 1>play the song he was playing Yeah, Then he played stay,

0:22:41.560 --> 0:22:43.639
<v Speaker 1>then he played then they played.

0:22:44.440 --> 0:22:45.399
<v Speaker 5>I'm Still waiting.

0:22:47.200 --> 0:22:52.639
<v Speaker 1>Then all this on demo what oh man? Then he

0:22:52.760 --> 0:22:56.800
<v Speaker 1>played back in the day, every moment that was just

0:22:56.840 --> 0:22:59.320
<v Speaker 1>don't hear this, just don't hear all this on the

0:22:59.359 --> 0:23:03.800
<v Speaker 1>demos b so dre Light, dre Light, Hold up, y'all

0:23:03.800 --> 0:23:07.920
<v Speaker 1>tell me that's y'all. Yeah, that's up. Ye what you're

0:23:07.920 --> 0:23:15.040
<v Speaker 1>talking me? Yes, us, I don't believe it, no doubt, okay, okay,

0:23:15.119 --> 0:23:15.680
<v Speaker 1>believe this.

0:23:16.440 --> 0:23:16.639
<v Speaker 6>You know.

0:23:16.720 --> 0:23:21.439
<v Speaker 1>I stood up, I stopped singing the verses. Yeah, I

0:23:21.480 --> 0:23:23.880
<v Speaker 1>got the put with me. You know that, I said,

0:23:24.000 --> 0:23:26.800
<v Speaker 1>I said, okay, that's good. We started singing, did a

0:23:26.800 --> 0:23:32.000
<v Speaker 1>little jealousy, you know, did jodosy little little little thing

0:23:32.040 --> 0:23:37.520
<v Speaker 1>we'll be doing, singing about Judge. Yeah that and then

0:23:37.560 --> 0:23:39.680
<v Speaker 1>you know, I did come and talk to me. I

0:23:39.840 --> 0:23:42.760
<v Speaker 1>sung a little song and you know, and by that

0:23:42.880 --> 0:23:44.240
<v Speaker 1>time Heavy came here.

0:23:44.320 --> 0:23:45.040
<v Speaker 5>Rest in peace.

0:23:45.920 --> 0:23:50.520
<v Speaker 1>Heavy stuck his head in the door. He said, Dre,

0:23:50.680 --> 0:23:56.120
<v Speaker 1>come in. From what I hear. Heavy told Dre if

0:23:56.119 --> 0:24:00.800
<v Speaker 1>you don't sign him, I get him. By that time,

0:24:01.040 --> 0:24:04.040
<v Speaker 1>I know Dre. He came back in the door, said Yo,

0:24:05.560 --> 0:24:09.320
<v Speaker 1>So where y'all staying where y'all staying at. We ain't

0:24:09.320 --> 0:24:10.120
<v Speaker 1>got nowhere to stay.

0:24:10.240 --> 0:24:10.440
<v Speaker 2>Man.

0:24:10.920 --> 0:24:13.639
<v Speaker 1>You know we out the money. The same guy that

0:24:13.800 --> 0:24:16.840
<v Speaker 1>was sleeping on us his and no man, Kurk willy,

0:24:17.280 --> 0:24:21.359
<v Speaker 1>he said, Kirk, uh pay for the rest of the room,

0:24:21.640 --> 0:24:23.800
<v Speaker 1>the hotel room for the rest of the route group

0:24:24.200 --> 0:24:26.840
<v Speaker 1>for the rest of the week. Take care of this

0:24:26.880 --> 0:24:31.760
<v Speaker 1>group for the rest of the week. Uh, come on, y'all,

0:24:31.760 --> 0:24:35.359
<v Speaker 1>we're going out to dinner. And Kirk, by the way,

0:24:35.960 --> 0:24:38.320
<v Speaker 1>you assigned to them for the rest of this week.

0:24:40.240 --> 0:24:41.680
<v Speaker 5>First, I know you don't like him.

0:24:44.240 --> 0:24:47.080
<v Speaker 4>Yeah, since you can't here, since you're going here for

0:24:47.119 --> 0:24:50.080
<v Speaker 4>the rest of the week, for the rest of your life.

0:24:51.240 --> 0:24:53.120
<v Speaker 1>So by that time and then you know, we had

0:24:53.119 --> 0:24:56.760
<v Speaker 1>that dinner and and get back to the hotel. Yo,

0:24:56.920 --> 0:25:02.199
<v Speaker 1>we gave Kurk would leave hell man. Yeah, we gave

0:25:02.240 --> 0:25:04.320
<v Speaker 1>him hell that day that whole week. Man, it was

0:25:04.320 --> 0:25:05.800
<v Speaker 1>like we've been in the bsiness for years.

0:25:06.000 --> 0:25:10.439
<v Speaker 7>Yo, we want this. You ain't doing your job. You

0:25:10.440 --> 0:25:14.280
<v Speaker 7>ain't doing you heard what Andre said, Yo, yump. We

0:25:14.440 --> 0:25:16.480
<v Speaker 7>turned into jodessy right then.

0:25:19.119 --> 0:25:22.440
<v Speaker 1>And then and then when I get back to the hotel,

0:25:23.720 --> 0:25:25.960
<v Speaker 1>I jumped up up and down on my bed. Man

0:25:26.680 --> 0:25:29.840
<v Speaker 1>jumped up and down on my bed. Everybody, man, we

0:25:29.960 --> 0:25:33.480
<v Speaker 1>was crying and all that, and I called him my pop.

0:25:34.359 --> 0:25:40.359
<v Speaker 1>That's a daddy. We gotta deal. You gonna give me

0:25:40.400 --> 0:25:47.600
<v Speaker 1>that truck I want? Yeah, And you know they got out.

0:25:47.800 --> 0:25:51.800
<v Speaker 1>They sent by Celeston, which was a lawyer for the label.

0:25:52.720 --> 0:25:55.640
<v Speaker 1>So they sent them down with us back to New York,

0:25:55.720 --> 0:26:01.320
<v Speaker 1>I mean, back to North Carolina and get some intern

0:26:01.800 --> 0:26:07.920
<v Speaker 1>term agreements made up and all that. And Davante fathers

0:26:07.960 --> 0:26:12.439
<v Speaker 1>and his lawyer looked over, our parents looked over, said yes, legit,

0:26:13.040 --> 0:26:15.960
<v Speaker 1>it's legit. It's it's a legit deal that they said,

0:26:16.000 --> 0:26:19.160
<v Speaker 1>they want to do business with your sons. I think

0:26:19.160 --> 0:26:24.200
<v Speaker 1>it's a good look. And we're talking today. And then

0:26:24.240 --> 0:26:27.320
<v Speaker 1>we took the world by storm man. What Dre did

0:26:27.840 --> 0:26:30.960
<v Speaker 1>by getting al in and like on some of the

0:26:31.000 --> 0:26:35.320
<v Speaker 1>cuts co produced with Davante, what he did was put

0:26:35.359 --> 0:26:36.679
<v Speaker 1>that picture in a frame.

0:26:37.440 --> 0:26:40.679
<v Speaker 3>You give you what I'm saying.

0:26:38.760 --> 0:26:42.000
<v Speaker 1>That's all he did. Put that picture in a fresh

0:26:42.119 --> 0:26:44.320
<v Speaker 1>fe get that fine tune.

0:26:45.640 --> 0:26:46.960
<v Speaker 3>Needs because.

0:26:50.600 --> 0:26:52.920
<v Speaker 1>And then he had a night and day, you know

0:26:52.960 --> 0:26:53.400
<v Speaker 1>what I'm saying.

0:26:53.440 --> 0:26:55.000
<v Speaker 5>Then he already knew how to make records.

0:26:55.080 --> 0:26:58.320
<v Speaker 1>There you go, there, you go Davante. He he knew

0:26:58.320 --> 0:27:01.280
<v Speaker 1>exactly what he's doing. He knew it. But like I said,

0:27:01.359 --> 0:27:03.440
<v Speaker 1>you want to you know, you know, put that put

0:27:03.480 --> 0:27:05.399
<v Speaker 1>a coat and put the lack on it. You know

0:27:05.400 --> 0:27:08.560
<v Speaker 1>what I'm saying, that's all And that's what I'll I'll

0:27:08.600 --> 0:27:12.399
<v Speaker 1>be dead and and all. And DeVante worked there. You know,

0:27:12.440 --> 0:27:15.480
<v Speaker 1>they bumped head but of course they had that ego.

0:27:15.560 --> 0:27:19.000
<v Speaker 1>But then he got you know, and he just had

0:27:19.000 --> 0:27:22.240
<v Speaker 1>it like I gotta listen. We told her you gotta listen, man,

0:27:22.720 --> 0:27:23.720
<v Speaker 1>you gotta listen to him.

0:27:23.720 --> 0:27:23.920
<v Speaker 4>Man.

0:27:24.040 --> 0:27:24.720
<v Speaker 3>And I had.

0:27:27.320 --> 0:27:33.640
<v Speaker 1>R exactly exactly and so and and then when Al

0:27:33.800 --> 0:27:37.600
<v Speaker 1>came in with that mature lyric like mine. Now everybody

0:27:37.640 --> 0:27:43.680
<v Speaker 1>think Ill wrote Forever my Lady? What all did Forever

0:27:43.760 --> 0:27:47.960
<v Speaker 1>my Lady was already written. Fether Lady was already written before.

0:27:48.160 --> 0:27:50.640
<v Speaker 1>Like I said, we had before we got a deal.

0:27:51.200 --> 0:27:55.440
<v Speaker 1>What our diad was? He put that that version in.

0:27:56.240 --> 0:27:58.760
<v Speaker 1>You know that that kind of messed by At first.

0:27:58.760 --> 0:28:01.320
<v Speaker 1>It messed my head up. When it's so you're having

0:28:01.359 --> 0:28:05.040
<v Speaker 1>my baby, We're like, whoa whoa whoa.

0:28:04.760 --> 0:28:05.639
<v Speaker 5>Whoa whoa whoa.

0:28:05.680 --> 0:28:07.080
<v Speaker 3>I wasn't ready to give him a baby yet.

0:28:07.160 --> 0:28:14.320
<v Speaker 8>No, got my deal. I just got my deal, no

0:28:14.720 --> 0:28:18.439
<v Speaker 8>child support. Why that's the way, And that's that's that.

0:28:18.640 --> 0:28:23.560
<v Speaker 1>Really, y'all. That's what really, really, really, I think set

0:28:23.640 --> 0:28:26.080
<v Speaker 1>us apart from a lot of younger.

0:28:25.800 --> 0:28:27.720
<v Speaker 5>With nobody we're talking about.

0:28:27.520 --> 0:28:31.639
<v Speaker 4>That nobody was saying. Nobody was saying, nobody was saying.

0:28:32.080 --> 0:28:33.960
<v Speaker 4>I mean, they might have saying, they might have been saying,

0:28:34.000 --> 0:28:37.760
<v Speaker 4>somebody's having my baby. Somebody might have been having a conversation,

0:28:38.000 --> 0:28:40.720
<v Speaker 4>but they weren't saying right behind it, and it needs.

0:28:40.600 --> 0:28:44.560
<v Speaker 2>So much to me, Yeah, ship nineteen when somebody having

0:28:44.600 --> 0:28:45.400
<v Speaker 2>your baby, trying.

0:28:45.200 --> 0:28:50.240
<v Speaker 4>To you're trying to figure sure, yeah, sure, sure, yeah,

0:28:50.480 --> 0:28:51.240
<v Speaker 4>I saw what's it?

0:28:51.320 --> 0:28:52.040
<v Speaker 1>Ain't computing?

0:28:52.360 --> 0:28:54.800
<v Speaker 3>You know, y'all used to talk. You know what I'm saying,

0:28:54.880 --> 0:28:55.920
<v Speaker 3>don't mean that much to me.

0:28:56.000 --> 0:29:01.040
<v Speaker 1>You don't mean that much. Befall the rest of the lyrics,

0:29:01.080 --> 0:29:04.840
<v Speaker 1>Man Devon Penn is sick with the stay and come

0:29:04.880 --> 0:29:06.959
<v Speaker 1>and talk to me, and that I'm still waiting, and

0:29:06.960 --> 0:29:09.840
<v Speaker 1>that you and ies and my heart belongs to you,

0:29:09.960 --> 0:29:12.880
<v Speaker 1>the feelings and the freaking us that that's all.

0:29:13.000 --> 0:29:15.880
<v Speaker 4>D hold on, let's stop right here, let's let's stop

0:29:15.960 --> 0:29:19.160
<v Speaker 4>right here. Okay, God to love his the streets got.

0:29:20.600 --> 0:29:20.760
<v Speaker 3>Well.

0:29:20.800 --> 0:29:22.880
<v Speaker 4>I was like, Okay, I don't know why they singing

0:29:22.920 --> 0:29:25.960
<v Speaker 4>this hard on this up tempo, but I love it.

0:29:26.680 --> 0:29:31.320
<v Speaker 3>I love it. And then what that Forever my ladies?

0:29:31.400 --> 0:29:36.560
<v Speaker 4>Right, Yes, because there's a period where as new artists,

0:29:37.000 --> 0:29:41.520
<v Speaker 4>you know, you're opening, you're doing venues, and maybe it's

0:29:41.560 --> 0:29:44.720
<v Speaker 4>just you for a radio show, it's maybe two hundred people,

0:29:44.720 --> 0:29:49.040
<v Speaker 4>three people. But there's gotta be a moment where when

0:29:49.040 --> 0:29:53.280
<v Speaker 4>that Forever my Lady hits that you see the difference

0:29:53.760 --> 0:29:56.240
<v Speaker 4>from that two hundred and this small radio shows and

0:29:56.280 --> 0:30:01.440
<v Speaker 4>the openings to the venues getting at sure he's going

0:30:01.480 --> 0:30:02.120
<v Speaker 4>to the thousands.

0:30:02.400 --> 0:30:07.600
<v Speaker 2>Yeah, man, you know you know where I'm going. I

0:30:07.640 --> 0:30:10.560
<v Speaker 2>want to know what he bought, but I got come on, man,

0:30:10.680 --> 0:30:11.960
<v Speaker 2>I want to know when.

0:30:11.840 --> 0:30:14.120
<v Speaker 1>You first tore it? What what did I get? I

0:30:14.160 --> 0:30:18.720
<v Speaker 1>gotta I gotta. I gott a BMW, man, see what

0:30:18.840 --> 0:30:23.360
<v Speaker 1>it was? I got a BMW Jojo gotta bm J

0:30:24.120 --> 0:30:29.880
<v Speaker 1>Dialvin gotta be in w that damn de Vune. He

0:30:29.960 --> 0:30:33.000
<v Speaker 1>brought her something crazy and they gotta.

0:30:32.840 --> 0:30:36.280
<v Speaker 2>Lama, y'all be as cool.

0:30:36.400 --> 0:30:41.040
<v Speaker 4>Man got to get the lamb on him.

0:30:42.520 --> 0:30:45.760
<v Speaker 1>He just stop at one. You got like a couple

0:30:45.880 --> 0:30:48.520
<v Speaker 1>of them, man. That was That was that was the

0:30:48.560 --> 0:30:49.680
<v Speaker 1>first tour, the.

0:30:49.680 --> 0:30:51.240
<v Speaker 3>First tour, man, Who's the first tour?

0:30:51.680 --> 0:30:55.360
<v Speaker 1>First to Hammer MC Hammer and then and then and

0:30:55.400 --> 0:30:57.720
<v Speaker 1>then we broke off from that and then we did

0:30:57.760 --> 0:31:02.600
<v Speaker 1>on Jodicy tour which was jo Toasy and Mary and

0:31:02.680 --> 0:31:04.920
<v Speaker 1>I think it was on that tour with us, I think,

0:31:05.000 --> 0:31:09.640
<v Speaker 1>and I wanted to say Biggie, but I don't want

0:31:09.680 --> 0:31:16.720
<v Speaker 1>to but did Yeah, I think it was Biggie. Yeah, yeah,

0:31:16.840 --> 0:31:21.200
<v Speaker 1>they were they was openness, yeah, Joasy, Yeah, man we

0:31:21.800 --> 0:31:25.720
<v Speaker 1>Josey was that Joasy, We were that well.

0:31:25.800 --> 0:31:26.480
<v Speaker 5>It was crazy.

0:31:26.720 --> 0:31:31.440
<v Speaker 3>So give me, give me the give me the puff player.

0:31:32.040 --> 0:31:34.800
<v Speaker 1>Oh when pop okay, give me. That goes back to

0:31:35.320 --> 0:31:39.880
<v Speaker 1>when Puff was doing when Papa was intern. So Puff

0:31:40.040 --> 0:31:42.880
<v Speaker 1>was like it was to the street. I'm gonna tell

0:31:42.880 --> 0:31:44.040
<v Speaker 1>you how I got in love.

0:31:44.160 --> 0:31:48.440
<v Speaker 5>Came in and puffing as Dre.

0:31:48.600 --> 0:31:51.120
<v Speaker 1>Yo. You told Dre said, Yo, you shouldn't because d

0:31:51.400 --> 0:31:53.560
<v Speaker 1>was gonna come out the first single. He would come,

0:31:53.680 --> 0:31:57.200
<v Speaker 1>come and talk to me forever, my lady. So Puff

0:31:57.280 --> 0:31:59.480
<v Speaker 1>told him, no, Dre, don't do that. I want to

0:31:59.520 --> 0:32:01.640
<v Speaker 1>do that. If I was you, I would put them

0:32:01.640 --> 0:32:05.000
<v Speaker 1>out with God of Love that song God of Love man.

0:32:05.160 --> 0:32:07.440
<v Speaker 1>So Dre like, why would you do that we didn't

0:32:07.440 --> 0:32:10.240
<v Speaker 1>even want to do that, and why, he said, because

0:32:10.760 --> 0:32:13.719
<v Speaker 1>the video concept could be like they could be dressed

0:32:13.760 --> 0:32:17.120
<v Speaker 1>like you know, you know in the hood, you know,

0:32:17.280 --> 0:32:20.880
<v Speaker 1>with the boots, the little thuggish or whatever. So that

0:32:21.360 --> 0:32:25.240
<v Speaker 1>got of Love was set the world up, you know,

0:32:25.360 --> 0:32:28.240
<v Speaker 1>because they didn't want Dre even said that, Dre really

0:32:28.320 --> 0:32:32.160
<v Speaker 1>he really, he told us, I don't want y'all. We

0:32:32.240 --> 0:32:34.120
<v Speaker 1>told Dre, we don't want like no boys to man,

0:32:34.400 --> 0:32:36.280
<v Speaker 1>not no, you know, just some boys.

0:32:36.320 --> 0:32:36.480
<v Speaker 3>Man.

0:32:36.480 --> 0:32:38.520
<v Speaker 1>We didn't want to We didn't want want it like that.

0:32:38.560 --> 0:32:40.840
<v Speaker 1>Even Puffs said, yo, man, you don't want them like

0:32:41.160 --> 0:32:43.960
<v Speaker 1>boys men in suits. You don't want them in suits, man,

0:32:44.360 --> 0:32:46.800
<v Speaker 1>he said. Puff told us that, yo, man, when I

0:32:46.800 --> 0:32:48.480
<v Speaker 1>see them, when I see them, man, I want to

0:32:48.520 --> 0:32:50.960
<v Speaker 1>see them like four of my homeboys on the corner

0:32:52.000 --> 0:32:54.480
<v Speaker 1>singing the girls and stuff like that, you know, on

0:32:54.560 --> 0:32:56.240
<v Speaker 1>the stoop singing the girls.

0:32:56.320 --> 0:32:56.520
<v Speaker 3>You know.

0:32:57.120 --> 0:32:58.760
<v Speaker 1>So Puff's I think you should come out with God

0:32:58.800 --> 0:33:01.400
<v Speaker 1>of Love first and be like just have on it

0:33:01.480 --> 0:33:05.240
<v Speaker 1>like some hip hop gear on. So I thought Puff's

0:33:05.240 --> 0:33:07.680
<v Speaker 1>gonna get fired for that, man. But then after we

0:33:07.720 --> 0:33:11.440
<v Speaker 1>heard what Puff I did was, yeah, Dre, I think

0:33:11.480 --> 0:33:13.880
<v Speaker 1>we should go God to Love man. So God of

0:33:13.920 --> 0:33:16.960
<v Speaker 1>Love work. And what it really did is set a

0:33:17.040 --> 0:33:19.920
<v Speaker 1>tone so the world could see, Okay, you put everybody

0:33:19.920 --> 0:33:22.240
<v Speaker 1>on this, Yeah, this is how they're gonna be looking. This,

0:33:22.320 --> 0:33:24.440
<v Speaker 1>how they're gonna dress, they're gonna have on their boots,

0:33:24.480 --> 0:33:28.600
<v Speaker 1>they're gonna have on their vests, chase in their baseball cap.

0:33:29.160 --> 0:33:32.360
<v Speaker 1>So that really set the world up. But once again,

0:33:33.360 --> 0:33:35.719
<v Speaker 1>I think you said it like when they when they

0:33:35.760 --> 0:33:39.040
<v Speaker 1>saw sing from My Lady, they probably said, oh, that's

0:33:39.080 --> 0:33:42.040
<v Speaker 1>that croup that got on the yellow and in that

0:33:42.240 --> 0:33:46.000
<v Speaker 1>video with the boots and stuff. Okay, we get it,

0:33:46.040 --> 0:33:48.800
<v Speaker 1>that's them, And that really set us apart from thumb

0:33:48.840 --> 0:33:51.000
<v Speaker 1>Boys to men and whatever groups that was coming out

0:33:51.040 --> 0:33:51.640
<v Speaker 1>the same time.

0:33:51.520 --> 0:33:54.360
<v Speaker 2>Which is genius stuff because most time in this business,

0:33:54.360 --> 0:33:55.960
<v Speaker 2>and we all know this, we've been in this game

0:33:56.000 --> 0:33:59.960
<v Speaker 2>a long time, when something works, everybody does the exact same.

0:34:00.080 --> 0:34:01.200
<v Speaker 2>There you're going because it's.

0:34:01.040 --> 0:34:01.680
<v Speaker 5>The cheek hode.

0:34:02.080 --> 0:34:04.040
<v Speaker 1>It can get you, it can get you in, It

0:34:04.040 --> 0:34:04.520
<v Speaker 1>can get you in.

0:34:04.520 --> 0:34:05.480
<v Speaker 3>It might not keep you in.

0:34:06.160 --> 0:34:11.120
<v Speaker 2>But for you guys to be the polar opposite made

0:34:11.200 --> 0:34:14.719
<v Speaker 2>so much sense. Yeah, and for for Puff to be

0:34:14.760 --> 0:34:17.800
<v Speaker 2>an intern at the time recognize that, Yeah, he was

0:34:17.840 --> 0:34:18.879
<v Speaker 2>already showing that he was a.

0:34:18.800 --> 0:34:22.120
<v Speaker 4>Taste maker and the other other genius in it too,

0:34:22.320 --> 0:34:27.239
<v Speaker 4>in it being polar opposite is that now you're immediately

0:34:27.280 --> 0:34:31.040
<v Speaker 4>in a conversation with some guys that are already selling

0:34:31.080 --> 0:34:34.319
<v Speaker 4>millions of records. So it's like now it's like, oh,

0:34:35.520 --> 0:34:36.680
<v Speaker 4>what's what's getting.

0:34:36.400 --> 0:34:41.000
<v Speaker 3>Ready to happen? Yeah? Yeah, now it's two, ain't just one? There.

0:34:41.640 --> 0:34:44.000
<v Speaker 4>We got some guys over here that they come in

0:34:44.040 --> 0:34:46.520
<v Speaker 4>the bad became the bad Boys Army, so we got

0:34:46.520 --> 0:34:47.319
<v Speaker 4>the good guys in the bad.

0:34:47.719 --> 0:34:52.160
<v Speaker 3>Who who you want to go see? Right? Who you

0:34:52.200 --> 0:34:53.040
<v Speaker 3>want to go see?

0:34:53.520 --> 0:34:54.000
<v Speaker 5>That's great?

0:34:54.400 --> 0:34:57.319
<v Speaker 2>And I'm a church kid, so like, so did you

0:34:57.360 --> 0:35:00.040
<v Speaker 2>know of Obviously you knew.

0:34:59.840 --> 0:35:03.239
<v Speaker 4>Of Little but I didn't know that Little Cedric and

0:35:03.239 --> 0:35:05.759
<v Speaker 4>the Haley singers with your You didn't know that. Had

0:35:05.960 --> 0:35:10.399
<v Speaker 4>no idea. I had no idea until I got out

0:35:10.400 --> 0:35:14.560
<v Speaker 4>of high school and did some research and I was like, well,

0:35:15.000 --> 0:35:17.080
<v Speaker 4>because I got you, I got your sets, you know

0:35:17.120 --> 0:35:19.600
<v Speaker 4>what I'm saying. So once I made that connection, I said,

0:35:19.719 --> 0:35:21.680
<v Speaker 4>that's why it makes so much sense to me. So

0:35:21.719 --> 0:35:25.520
<v Speaker 4>for me, I started being Jo tosy in church. Okay,

0:35:27.320 --> 0:35:29.960
<v Speaker 4>I started sounding like y'all in church. I would go

0:35:30.000 --> 0:35:32.440
<v Speaker 4>to visiting churches and play and you know, add my

0:35:32.560 --> 0:35:35.560
<v Speaker 4>divante cors and all that like this, you're like one

0:35:35.600 --> 0:35:42.040
<v Speaker 4>man jodusyud, God bless you.

0:35:42.760 --> 0:35:44.040
<v Speaker 1>Because because.

0:35:45.360 --> 0:35:48.879
<v Speaker 4>As much as I loved boys to men who were

0:35:48.920 --> 0:35:53.480
<v Speaker 4>you know, I mean ultimately just talented, just a freaking.

0:35:53.239 --> 0:35:55.919
<v Speaker 1>Charge, right, yeah, yeah, yeah, yeah.

0:35:56.760 --> 0:36:03.040
<v Speaker 4>I was drawn so much to that feeling that was

0:36:03.160 --> 0:36:09.000
<v Speaker 4>so familiar to me. The core struct, the vocal arrangement,

0:36:09.080 --> 0:36:12.600
<v Speaker 4>the arrangement and how that like I come from that,

0:36:12.719 --> 0:36:17.200
<v Speaker 4>I come from courtet that you go Baptist kojic and

0:36:17.239 --> 0:36:19.239
<v Speaker 4>I was like, that's in there.

0:36:19.080 --> 0:36:22.200
<v Speaker 1>And we definitely coach it. That's in there, definitely coach it.

0:36:22.400 --> 0:36:26.000
<v Speaker 1>So it it made my soul happy. Yeah, I want

0:36:26.040 --> 0:36:33.120
<v Speaker 1>to shout. I wanted to shouts came off. So y'all

0:36:33.160 --> 0:36:34.680
<v Speaker 1>don't hear this, y'all don't want to lift no offering

0:36:35.080 --> 0:36:38.799
<v Speaker 1>I got if you change a few some words, if

0:36:38.800 --> 0:36:42.560
<v Speaker 1>you change words our song, guys.

0:36:42.520 --> 0:36:42.960
<v Speaker 3>Talk to the law.

0:36:43.040 --> 0:36:46.200
<v Speaker 1>You can have an altar call, yeah, can instrumental.

0:36:46.440 --> 0:36:50.520
<v Speaker 3>You can. Let me ask you a question, did the

0:36:50.600 --> 0:36:52.760
<v Speaker 3>commission have any.

0:36:54.280 --> 0:36:59.480
<v Speaker 1>Most definitely commission the whinings and then you know, and

0:36:59.520 --> 0:37:03.440
<v Speaker 1>I had my quartet groups. You know, the gospel, keynotes,

0:37:04.120 --> 0:37:09.840
<v Speaker 1>the volunteers, you name, the quartest man, I was a

0:37:09.840 --> 0:37:16.560
<v Speaker 1>hardcore quartet. But then like in the late eighties, I

0:37:16.640 --> 0:37:21.480
<v Speaker 1>started listening to like, like I said, Commission in the Whinings,

0:37:21.520 --> 0:37:27.080
<v Speaker 1>you know those cats Clark Sisters, you know, And I'm like, okay,

0:37:27.200 --> 0:37:30.520
<v Speaker 1>and that's what we did. But think about it. When

0:37:30.520 --> 0:37:33.120
<v Speaker 1>we got an R and B, when we got in

0:37:33.280 --> 0:37:37.000
<v Speaker 1>RB Man, we were. However, Jose's you really really really

0:37:37.040 --> 0:37:44.160
<v Speaker 1>got our sound. Jojo was the deal in Babyface fanatic.

0:37:45.040 --> 0:37:51.279
<v Speaker 1>M m okay listen the late the late nineties, I mean,

0:37:51.400 --> 0:37:55.920
<v Speaker 1>Davante was fanatics of God.

0:37:56.760 --> 0:37:57.120
<v Speaker 5>Mm hmm.

0:37:57.680 --> 0:38:01.279
<v Speaker 1>So what we do is if Joe to sleeping in

0:38:01.360 --> 0:38:03.480
<v Speaker 1>one room, this is not my mom house. Now, Joe

0:38:03.480 --> 0:38:06.719
<v Speaker 1>to sleep in one room, He'll go to sleep with

0:38:06.880 --> 0:38:13.640
<v Speaker 1>all Babyface in the in the Deal stopped playing in

0:38:13.680 --> 0:38:18.080
<v Speaker 1>his cassette player, I mean Avante in another room. We're

0:38:18.080 --> 0:38:23.120
<v Speaker 1>going to sleep listening to Teddy, Teddy and er. So

0:38:23.120 --> 0:38:27.120
<v Speaker 1>I'm in the vante like, okay, I'm doing Teddy, I'm

0:38:27.160 --> 0:38:27.720
<v Speaker 1>doing Teddy.

0:38:27.719 --> 0:38:30.799
<v Speaker 5>Ship. You just some a ship mm hmm. Okay, so

0:38:30.880 --> 0:38:32.120
<v Speaker 5>this is all late ladies.

0:38:32.440 --> 0:38:43.240
<v Speaker 1>Yeah, what we did we combined the wines commission guy

0:38:43.640 --> 0:38:45.359
<v Speaker 1>in the deal and the deal.

0:38:47.320 --> 0:38:50.760
<v Speaker 5>Yeah, yeah, it all makes sense.

0:38:50.800 --> 0:38:53.920
<v Speaker 1>And then we made and plus we had of course

0:38:53.960 --> 0:38:57.120
<v Speaker 1>we had Jodasy.

0:38:58.160 --> 0:39:03.239
<v Speaker 5>It was so aggressed. Yeah, if you can hear it, man.

0:39:04.200 --> 0:39:09.080
<v Speaker 4>It was like I tell people all the time. Everybody's like, yeah,

0:39:09.760 --> 0:39:12.160
<v Speaker 4>it's you hit him, jousy army.

0:39:12.280 --> 0:39:13.520
<v Speaker 5>I said, yeah, I hear you.

0:39:15.200 --> 0:39:26.279
<v Speaker 2>But that's your way of saying, you don't here, you can't.

0:39:27.680 --> 0:39:30.040
<v Speaker 3>You can't because it's just nice to me. I'll be like,

0:39:30.160 --> 0:39:31.200
<v Speaker 3>this ain't no jous.

0:39:35.239 --> 0:39:38.960
<v Speaker 4>Here's here's two things right, because it's it's too two things.

0:39:39.360 --> 0:39:43.920
<v Speaker 4>First of all, you can try the arrangement, right, but

0:39:43.960 --> 0:39:50.200
<v Speaker 4>the but the vocal, the casey and and Jojos vocal

0:39:50.280 --> 0:39:55.759
<v Speaker 4>are so distinctive that she'll never you'll never have that

0:39:55.960 --> 0:40:01.400
<v Speaker 4>combination of tone make it what it is. And two,

0:40:01.880 --> 0:40:06.120
<v Speaker 4>the misconception of anybody, from groups to anybody trying to

0:40:06.160 --> 0:40:09.239
<v Speaker 4>be Joalasy is that they confuse.

0:40:10.480 --> 0:40:13.080
<v Speaker 5>The fashion with the music. With the music.

0:40:13.280 --> 0:40:19.200
<v Speaker 2>Y'all was making love, man, y'all screaming. Start treat them

0:40:19.200 --> 0:40:22.160
<v Speaker 2>like they're supposed to be treating y'all are screaming that though,

0:40:23.800 --> 0:40:27.480
<v Speaker 2>screaming that screaming forever, my lady screaming stay.

0:40:28.239 --> 0:40:30.200
<v Speaker 5>Those are all love to know.

0:40:37.000 --> 0:40:40.520
<v Speaker 1>What that's stay church, that's coach.

0:40:41.120 --> 0:40:46.919
<v Speaker 4>That sounds like sometimes yeah yeah.

0:40:46.960 --> 0:40:49.160
<v Speaker 1>And then the way we stack our stuff.

0:40:48.960 --> 0:40:50.160
<v Speaker 3>How many stack give me the stacks?

0:40:50.160 --> 0:40:50.400
<v Speaker 5>Come on?

0:40:50.400 --> 0:40:52.520
<v Speaker 4>Give me because y'all on the on the board, y'all

0:40:52.600 --> 0:40:56.279
<v Speaker 4>on tape, y'all on real too, y'all y'all using the

0:40:56.280 --> 0:40:57.280
<v Speaker 4>whole y'all using.

0:40:57.040 --> 0:41:04.640
<v Speaker 2>To man flying over No nah nah, I want to say,

0:41:04.880 --> 0:41:06.879
<v Speaker 2>on one note, give me how many how many times

0:41:06.920 --> 0:41:07.719
<v Speaker 2>you stacked one note?

0:41:07.760 --> 0:41:08.320
<v Speaker 1>One note?

0:41:08.440 --> 0:41:09.560
<v Speaker 3>One note?

0:41:10.360 --> 0:41:14.200
<v Speaker 1>The melody Davante will have a stack.

0:41:15.520 --> 0:41:16.200
<v Speaker 5>On one note.

0:41:16.280 --> 0:41:22.359
<v Speaker 1>The least man this might sound crazy, Man Davante would

0:41:22.400 --> 0:41:24.719
<v Speaker 1>have us clus to ten.

0:41:26.840 --> 0:41:28.400
<v Speaker 5>Ten stacks on one note.

0:41:28.480 --> 0:41:33.800
<v Speaker 4>I believe every word you sing. I believe every word

0:41:33.960 --> 0:41:36.160
<v Speaker 4>you were saying, yeah, yeah, say.

0:41:36.040 --> 0:41:39.120
<v Speaker 2>About during y'all stacks? Are y'all trying to match the note?

0:41:39.160 --> 0:41:41.120
<v Speaker 2>Are y'all just singing it with a different feel every time?

0:41:41.120 --> 0:41:42.040
<v Speaker 2>Because that's the other thing.

0:41:42.440 --> 0:41:43.400
<v Speaker 5>People go in.

0:41:43.360 --> 0:41:45.360
<v Speaker 2>And you stacking, stack and stacking, and you're trying to

0:41:45.400 --> 0:41:46.800
<v Speaker 2>make all the notes sound identical.

0:41:47.320 --> 0:41:53.239
<v Speaker 1>But sometimes we'll be like we'll do like, uh, we

0:41:53.400 --> 0:41:59.960
<v Speaker 1>do like five, Like tonight we do like five.

0:42:00.040 --> 0:42:00.200
<v Speaker 3>Uh.

0:42:00.600 --> 0:42:05.480
<v Speaker 1>The sixth times other to know, you know, just.

0:42:05.680 --> 0:42:09.759
<v Speaker 4>Yeah, very yeah, yeah, yeah, so it just feeling those yeah,

0:42:09.840 --> 0:42:15.800
<v Speaker 4>those sonic holes and panem PanAm all. You know, I

0:42:15.960 --> 0:42:20.799
<v Speaker 4>ain't stacking enough, That's what he's just saying. You're not

0:42:20.920 --> 0:42:24.960
<v Speaker 4>stacking enough enough. Stacks, you gotta stack. Ain't no ass

0:42:24.960 --> 0:42:26.520
<v Speaker 4>on your background, that's what he's saying.

0:42:26.560 --> 0:42:26.680
<v Speaker 3>Now.

0:42:26.760 --> 0:42:28.400
<v Speaker 5>As far as as far as.

0:42:30.520 --> 0:42:37.080
<v Speaker 1>Harmonies arrangements, see DeVante plays chords all five fingers. Yeah,

0:42:37.239 --> 0:42:40.440
<v Speaker 1>so we gotta, man, Jojo gotta sing every note every

0:42:40.880 --> 0:42:46.360
<v Speaker 1>that he's playing ship and then Jojo going there. He's

0:42:46.400 --> 0:42:50.120
<v Speaker 1>that's one thing about Jojo. He's so creative. Jojo just

0:42:50.200 --> 0:42:53.000
<v Speaker 1>dropped something in there. Even when we record, he'll just

0:42:53.080 --> 0:42:57.759
<v Speaker 1>drop something something for you fall off, yeah, yeah, yeah,

0:42:57.960 --> 0:43:00.960
<v Speaker 1>keep that and yeah, keep doing next thing.

0:43:00.960 --> 0:43:01.120
<v Speaker 3>You know.

0:43:01.200 --> 0:43:03.960
<v Speaker 5>That's a harmony. Yeah, and that's a harmony.

0:43:04.239 --> 0:43:07.120
<v Speaker 1>So you know, man, sometimes we have like what some

0:43:07.160 --> 0:43:10.680
<v Speaker 1>people lose, use five part harmonies. Man, we'll we'll make

0:43:10.719 --> 0:43:13.760
<v Speaker 1>it away. We can use six or seven absolutely, because

0:43:13.800 --> 0:43:16.200
<v Speaker 1>like mine, now we got the regulars, we got the

0:43:16.239 --> 0:43:21.560
<v Speaker 1>regular notes. Now mine, Davante gonna play five chords. You know,

0:43:21.600 --> 0:43:24.680
<v Speaker 1>he's gonna play five chords on the harmonies and then

0:43:24.760 --> 0:43:26.640
<v Speaker 1>like I said, the extra stuff that Jojo would do,

0:43:27.640 --> 0:43:31.160
<v Speaker 1>and you know that that it's just you gotta be

0:43:31.160 --> 0:43:33.680
<v Speaker 1>in one of our sessions. Man, you'll be like, whoa.

0:43:34.160 --> 0:43:36.040
<v Speaker 4>You know, the first time I got a I gotta

0:43:36.200 --> 0:43:41.240
<v Speaker 4>just maybe even a slight glimpse of it was working Virginiaine. Okay, okay,

0:43:41.600 --> 0:43:43.880
<v Speaker 4>he will know he came from that school and I

0:43:44.239 --> 0:43:47.040
<v Speaker 4>watched him.

0:43:45.880 --> 0:43:48.279
<v Speaker 1>Stack stack stacks.

0:43:48.440 --> 0:43:50.640
<v Speaker 4>He got different d and he was like he was like.

0:43:50.880 --> 0:43:52.279
<v Speaker 4>I was like, I was like, you're doing the same

0:43:52.320 --> 0:43:54.600
<v Speaker 4>note again. He said, Nah, I'm doing it a little

0:43:54.600 --> 0:43:56.560
<v Speaker 4>different this time. Watch when I watch what I do

0:43:56.600 --> 0:44:00.600
<v Speaker 4>at the end, I'm like, oh, okay, okay, he said,

0:44:00.600 --> 0:44:02.279
<v Speaker 4>all right, now give me, give me, give me three

0:44:02.280 --> 0:44:03.160
<v Speaker 4>more of a whispered ease.

0:44:03.920 --> 0:44:07.680
<v Speaker 5>Should I just tell you that? Yeah, what are you doing? Yeah?

0:44:08.120 --> 0:44:10.799
<v Speaker 1>The whole thing before you came from the school absolutely

0:44:10.840 --> 0:44:11.600
<v Speaker 1>came from the school.

0:44:11.920 --> 0:44:14.560
<v Speaker 3>So that was my first glimpse. Yeah, that much stacking.

0:44:14.719 --> 0:44:18.880
<v Speaker 1>Yeah yeah, Timberland too, Yeah, it came from the school. Okay,

0:44:18.880 --> 0:44:20.680
<v Speaker 1>here we go, Like I said, we did that ship.

0:44:21.080 --> 0:44:23.600
<v Speaker 4>No, you can say that as many times as you

0:44:23.640 --> 0:44:28.719
<v Speaker 4>want to. I want to get to I want to

0:44:28.719 --> 0:44:30.240
<v Speaker 4>get the Diary of a Mad band.

0:44:30.320 --> 0:44:31.920
<v Speaker 1>Come.

0:44:32.000 --> 0:44:35.080
<v Speaker 4>I want to know first why Diary of a Mad Band?

0:44:35.120 --> 0:44:36.279
<v Speaker 4>Why that title.

0:44:41.040 --> 0:44:46.919
<v Speaker 1>Diary of a Mad Band? I didn't like it at first,

0:44:46.960 --> 0:44:49.200
<v Speaker 1>and then I started realizing. We came back with it,

0:44:49.320 --> 0:44:54.720
<v Speaker 1>we met Davante, but that second we were we was mad.

0:44:54.800 --> 0:44:56.960
<v Speaker 5>What were all mad about? Just mad?

0:44:58.880 --> 0:44:59.160
<v Speaker 8>Mad?

0:44:59.360 --> 0:45:02.960
<v Speaker 5>Was it was so? Wasn't was it connected to the businesses?

0:45:03.360 --> 0:45:03.400
<v Speaker 4>Was?

0:45:03.680 --> 0:45:06.080
<v Speaker 1>No, It wasn't connected to the business. It was just

0:45:06.160 --> 0:45:08.800
<v Speaker 1>we were just mad. We wanted to be like, yo, okay,

0:45:09.840 --> 0:45:13.360
<v Speaker 1>we're getting out of that. Okay, we people think we're soft.

0:45:13.840 --> 0:45:14.319
<v Speaker 3>We're mad.

0:45:14.640 --> 0:45:17.200
<v Speaker 1>We're trying to get mad. That's right to the album

0:45:17.239 --> 0:45:19.880
<v Speaker 1>cover like that with shirts off with Van and Dobbin

0:45:19.960 --> 0:45:22.120
<v Speaker 1>and we had the boost and stuff off and all that,

0:45:22.239 --> 0:45:25.479
<v Speaker 1>all that boost on. We were just I was gonna

0:45:25.480 --> 0:45:30.120
<v Speaker 1>sit ourselves a mad band. Mad don't mean you know,

0:45:30.160 --> 0:45:34.680
<v Speaker 1>we have attitude. I mean, we got attitude, but we

0:45:34.680 --> 0:45:36.360
<v Speaker 1>want to let y'all know we're more than just an

0:45:36.480 --> 0:45:39.440
<v Speaker 1>R and B band. You know we you know, our

0:45:39.480 --> 0:45:40.800
<v Speaker 1>conrollers too, were mad.

0:45:41.160 --> 0:45:41.800
<v Speaker 3>You know what I'm saying.

0:45:42.080 --> 0:45:46.000
<v Speaker 5>We got attitude and all that.

0:45:46.280 --> 0:45:46.879
<v Speaker 1>We didn't care.

0:45:47.080 --> 0:45:48.200
<v Speaker 3>We was mad.

0:45:48.200 --> 0:45:50.239
<v Speaker 1>We didn't give a damn. We wanted to change the

0:45:50.239 --> 0:45:51.120
<v Speaker 1>face of R and B.

0:45:51.920 --> 0:45:55.040
<v Speaker 5>Yeah, y'all did that. Y'all did that.

0:45:55.360 --> 0:45:57.880
<v Speaker 1>So and all the songs we put on that album

0:45:57.920 --> 0:45:59.640
<v Speaker 1>man Ship.

0:45:59.560 --> 0:46:00.000
<v Speaker 5>We didn't care.

0:46:00.040 --> 0:46:17.160
<v Speaker 4>YEA little mad brother said, you just comentast sound good,

0:46:17.280 --> 0:46:24.879
<v Speaker 4>you know in your travels and this R and B thing,

0:46:27.560 --> 0:46:36.640
<v Speaker 4>this gospel thing, being a tighten yourself. They are definitely

0:46:36.680 --> 0:46:38.000
<v Speaker 4>people m HM.

0:46:40.400 --> 0:46:41.560
<v Speaker 1>And songs.

0:46:45.000 --> 0:46:49.920
<v Speaker 3>That inspired this great man. Okay, see, we want to

0:46:49.960 --> 0:46:50.440
<v Speaker 3>know your.

0:46:52.160 --> 0:47:01.640
<v Speaker 4>Top five, your top five, top f.

0:47:04.160 --> 0:47:10.120
<v Speaker 1>H, your top five R and B singer? What else

0:47:10.960 --> 0:47:12.400
<v Speaker 1>love man be song?

0:47:13.680 --> 0:47:13.919
<v Speaker 2>Yeah?

0:47:14.520 --> 0:47:19.520
<v Speaker 1>Yeah? Can I see your top? Can I see yo?

0:47:20.000 --> 0:47:20.040
<v Speaker 4>No?

0:47:20.280 --> 0:47:21.160
<v Speaker 1>SUNet yom?

0:47:21.440 --> 0:47:22.040
<v Speaker 3>We want to know.

0:47:22.480 --> 0:47:30.880
<v Speaker 1>We want to know your top yeah, wow, yeah h

0:47:31.239 --> 0:47:33.880
<v Speaker 1>your top.

0:47:37.360 --> 0:47:52.040
<v Speaker 6>We did you didn't laughing fuck top daddy?

0:47:52.680 --> 0:47:55.560
<v Speaker 5>Merse see now?

0:47:57.040 --> 0:47:57.719
<v Speaker 3>Yeah?

0:47:57.920 --> 0:48:01.279
<v Speaker 4>Your top FI now or R and B singers of

0:48:01.719 --> 0:48:05.480
<v Speaker 4>all time, all time, R and B, R and B gospel,

0:48:05.520 --> 0:48:09.680
<v Speaker 4>your world, your top five singers, no particularly they can

0:48:09.760 --> 0:48:11.759
<v Speaker 4>be whatever you want, whatever you want it to be.

0:48:12.160 --> 0:48:19.280
<v Speaker 4>Marvin Wyers talk to talk m hm, Steve Won, Marvin Gay.

0:48:22.320 --> 0:48:27.919
<v Speaker 1>My personals you want me to I came from Uncle

0:48:28.000 --> 0:48:30.000
<v Speaker 1>Charlie in Tank and Front.

0:48:30.719 --> 0:48:32.120
<v Speaker 5>I feel like I feel like you just hit a

0:48:32.160 --> 0:48:33.160
<v Speaker 5>game with the Three brothers.

0:48:35.120 --> 0:48:35.880
<v Speaker 1>I'm not crying.

0:48:37.080 --> 0:48:37.360
<v Speaker 3>I'm not.

0:48:38.239 --> 0:48:44.040
<v Speaker 1>I'm not I'm not Jacob. Hold up, I'm not saying

0:48:44.160 --> 0:48:46.320
<v Speaker 1>that because.

0:48:47.880 --> 0:48:48.920
<v Speaker 5>You're sitting right here. Man.

0:48:49.400 --> 0:48:52.759
<v Speaker 1>I don't saying that because every time when now you sing, man,

0:48:52.800 --> 0:48:58.000
<v Speaker 1>it's like, Man, my mama like you, and she told

0:48:58.040 --> 0:49:03.080
<v Speaker 1>me tell you how to better better tell a little

0:49:03.120 --> 0:49:08.680
<v Speaker 1>squinchy eye boy. That that was this morning when you

0:49:08.800 --> 0:49:14.160
<v Speaker 1>told me that anyway you your style, man, is like,

0:49:14.600 --> 0:49:18.560
<v Speaker 1>I know they're trying to do this. I've heard things

0:49:18.880 --> 0:49:23.359
<v Speaker 1>about artists coming out they gonna be the new, they

0:49:23.480 --> 0:49:28.520
<v Speaker 1>gonna be the new that from my era, my era,

0:49:30.000 --> 0:49:33.719
<v Speaker 1>and the way your performance is you that new Marvin.

0:49:35.560 --> 0:49:36.520
<v Speaker 3>Person. That's just me.

0:49:37.400 --> 0:49:41.640
<v Speaker 1>Wow, don't have to be with you. Don't have to

0:49:41.680 --> 0:49:43.919
<v Speaker 1>be with the way you sing or y'all know, y'all

0:49:43.960 --> 0:49:47.759
<v Speaker 1>got different styles, but your your your or you know.

0:49:47.880 --> 0:49:50.080
<v Speaker 1>It's like when I saw you on the on the

0:49:50.200 --> 0:49:52.799
<v Speaker 1>on on a New Addition tour, I said, Yoe, that's

0:49:52.920 --> 0:49:56.000
<v Speaker 1>that's a new Marvin ship right there. And y'all did

0:49:56.080 --> 0:49:58.200
<v Speaker 1>y'all think too? I saw that, Man, I love but

0:49:58.440 --> 0:49:59.440
<v Speaker 1>that's how I feel about you.

0:49:59.520 --> 0:49:59.680
<v Speaker 3>Man.

0:50:00.200 --> 0:50:02.600
<v Speaker 1>Yeah, you're on my top five the show. I ain't

0:50:02.600 --> 0:50:06.359
<v Speaker 1>gonna better tell this niggas your arrangement, you know all that, man,

0:50:06.800 --> 0:50:09.640
<v Speaker 1>all that. People just don't know. And see they're not

0:50:09.760 --> 0:50:14.160
<v Speaker 1>from well we're from They wouldn't get it. I get it.

0:50:14.880 --> 0:50:19.040
<v Speaker 4>You know you're done sucked up right. I need wipers,

0:50:21.480 --> 0:50:31.680
<v Speaker 4>I need bathers. Somebody feeding me grapes. Yeah, you heard

0:50:31.680 --> 0:50:34.799
<v Speaker 4>what you did? You hear what you gotta or you got.

0:50:37.239 --> 0:50:44.520
<v Speaker 1>You James, because like yo, that's not marble like he

0:50:44.719 --> 0:50:45.040
<v Speaker 1>right there.

0:50:45.600 --> 0:50:48.239
<v Speaker 4>I love you for that, brother, because you you are,

0:50:48.760 --> 0:50:52.279
<v Speaker 4>you are in my DNA. Yeah, man, And I appreciate that.

0:50:53.600 --> 0:50:56.040
<v Speaker 4>Case of your top five R and B.

0:50:56.360 --> 0:51:00.480
<v Speaker 1>Songs, anything from the songs and the was a Kid

0:51:00.480 --> 0:51:01.560
<v Speaker 1>of Life, anything from.

0:51:01.480 --> 0:51:05.080
<v Speaker 5>That, anything but that anyone that's one.

0:51:07.880 --> 0:51:11.919
<v Speaker 1>Wildflower? No, you're going there for New Bird? Oh yeah?

0:51:11.960 --> 0:51:12.719
<v Speaker 5>Are you going there?

0:51:14.280 --> 0:51:21.440
<v Speaker 1>Yeah? Yeah, Newbird of course definitely, Barbie wo mack. If

0:51:21.440 --> 0:51:24.040
<v Speaker 1>you think you lonely, now, why not Johnny had to

0:51:24.120 --> 0:51:29.319
<v Speaker 1>wait song for you? Oh my god, that's what fo Yeah,

0:51:29.320 --> 0:51:29.880
<v Speaker 1>that's what we need.

0:51:29.920 --> 0:51:32.600
<v Speaker 5>One more more. I mean as song as a Kid

0:51:32.600 --> 0:51:34.560
<v Speaker 5>of Life. We got thirty seven the hours, so really

0:51:34.640 --> 0:51:35.200
<v Speaker 5>we have forty.

0:51:35.480 --> 0:51:47.160
<v Speaker 1>But I gotta say this, y'all, sorry forever, my lady.

0:51:47.600 --> 0:51:51.719
<v Speaker 3>Why not why not.

0:51:52.360 --> 0:51:52.960
<v Speaker 5>It has to be.

0:51:53.200 --> 0:51:56.279
<v Speaker 1>It has to be. It has to be, My lady,

0:51:56.360 --> 0:51:59.359
<v Speaker 1>that's it. That song right there, it's like every time

0:51:59.440 --> 0:52:03.480
<v Speaker 1>I sing that song, I just I forgets it's me.

0:52:04.239 --> 0:52:06.080
<v Speaker 5>M hmm, I forget it's me.

0:52:07.440 --> 0:52:08.040
<v Speaker 3>So how good it is?

0:52:10.160 --> 0:52:12.640
<v Speaker 5>What song do you get tired of singing? If there's

0:52:12.680 --> 0:52:13.960
<v Speaker 5>any what song.

0:52:13.960 --> 0:52:14.400
<v Speaker 1>Is you like?

0:52:14.520 --> 0:52:14.719
<v Speaker 3>Ah?

0:52:15.520 --> 0:52:17.520
<v Speaker 1>Here we go with this one again. I put my

0:52:17.640 --> 0:52:18.040
<v Speaker 1>all in.

0:52:19.760 --> 0:52:21.120
<v Speaker 3>To everything that I sing.

0:52:22.760 --> 0:52:25.520
<v Speaker 1>And I and I enjoy them so much till I

0:52:25.680 --> 0:52:28.399
<v Speaker 1>really really don't get tired of singing none of them,

0:52:28.800 --> 0:52:32.560
<v Speaker 1>because every time I sing them, I get a different feeling.

0:52:33.280 --> 0:52:36.239
<v Speaker 1>I don't. I don't approach them the same way.

0:52:37.400 --> 0:52:42.400
<v Speaker 4>Your voltron, it's called a voltron, it's called your super

0:52:42.560 --> 0:52:46.080
<v Speaker 4>R and B artists, we're gonna get You gotta get

0:52:46.080 --> 0:52:49.640
<v Speaker 4>the vocal from somebody. You gotta get the performance style

0:52:49.719 --> 0:52:53.800
<v Speaker 4>from somebody. You gotta get the styling from somebody, And

0:52:53.960 --> 0:52:56.520
<v Speaker 4>you gotta get the passion, the heart of the artist

0:52:56.600 --> 0:52:58.080
<v Speaker 4>from somebody to.

0:52:58.160 --> 0:53:01.800
<v Speaker 3>Make your ultimate R and B singer. Who are you

0:53:01.840 --> 0:53:02.960
<v Speaker 3>getting that vocal from?

0:53:03.600 --> 0:53:05.040
<v Speaker 5>Marvin Wys.

0:53:06.239 --> 0:53:10.000
<v Speaker 1>Who are getting the performance style from the style on

0:53:10.120 --> 0:53:16.320
<v Speaker 1>stage performance? I get my style in casey, come on, come, on.

0:53:16.520 --> 0:53:19.760
<v Speaker 1>I try, I try to be nice today today.

0:53:23.960 --> 0:53:26.280
<v Speaker 4>Okay, can we got Casey performance style? We've got Marvil

0:53:26.280 --> 0:53:29.440
<v Speaker 4>Wat's on the vocals, kting aggressive. Who getting the styling

0:53:29.560 --> 0:53:32.040
<v Speaker 4>from the drip of the artists? What they what they

0:53:32.120 --> 0:53:32.800
<v Speaker 4>what they're putting on?

0:53:34.920 --> 0:53:36.040
<v Speaker 1>Doland, come with our clothes.

0:53:36.640 --> 0:53:37.160
<v Speaker 3>You know what I'm saying.

0:53:37.200 --> 0:53:38.600
<v Speaker 5>We're going who you're thinking.

0:53:39.280 --> 0:53:41.520
<v Speaker 3>I feel like who were dressing? I feel like.

0:53:43.520 --> 0:53:51.760
<v Speaker 4>Jon Ship style from your damnself.

0:53:52.640 --> 0:53:56.840
<v Speaker 1>There you go, Ship. But right now you know I

0:53:57.719 --> 0:54:01.279
<v Speaker 1>have help, you know, God bless me with my beautiful wife.

0:54:01.320 --> 0:54:04.520
<v Speaker 1>So she got good. She got a good taste. Keep

0:54:04.600 --> 0:54:08.520
<v Speaker 1>you make sure help me keep your come on rib.

0:54:08.920 --> 0:54:11.239
<v Speaker 1>She makes sure, yes, my rib come on rib. So

0:54:11.400 --> 0:54:14.719
<v Speaker 1>she helped me right now now she said, baby, you

0:54:14.719 --> 0:54:17.000
<v Speaker 1>ain't wearing that. No, no, you ain't doing that. I

0:54:17.080 --> 0:54:20.160
<v Speaker 1>mean she had me have a fitting session every night

0:54:20.280 --> 0:54:21.399
<v Speaker 1>before I walk out the door.

0:54:22.040 --> 0:54:23.840
<v Speaker 3>I love it who you get in the heart of

0:54:23.880 --> 0:54:25.920
<v Speaker 3>the artists, from the passion of the artists.

0:54:26.320 --> 0:54:29.040
<v Speaker 2>The passion of it, like like just I love it.

0:54:29.600 --> 0:54:32.080
<v Speaker 2>They love what they're doing, and like putting all in

0:54:32.640 --> 0:54:35.719
<v Speaker 2>James making the crowd sweat, Prince.

0:54:36.600 --> 0:54:43.280
<v Speaker 1>Michael, okay, all of them. Stevie's that list is along.

0:54:44.880 --> 0:54:46.480
<v Speaker 3>Can you pick one or you need all four?

0:54:47.800 --> 0:54:51.879
<v Speaker 5>Let me pick one. I sweat man.

0:54:51.920 --> 0:54:53.719
<v Speaker 1>I was just talking about this too today on the

0:54:53.760 --> 0:54:54.279
<v Speaker 1>way over here.

0:54:55.320 --> 0:54:56.040
<v Speaker 5>James Brown.

0:54:57.120 --> 0:55:01.640
<v Speaker 4>Yeah, no argument, no argument, you know what I mean? No, No,

0:55:01.840 --> 0:55:03.480
<v Speaker 4>I'm not arguing at at all. I heard stories of

0:55:03.520 --> 0:55:07.960
<v Speaker 4>where James Brody used to laugh laugh at people's performances,

0:55:08.000 --> 0:55:08.960
<v Speaker 4>like that's all y'all got.

0:55:12.200 --> 0:55:15.200
<v Speaker 3>That's all y'all. Yeah, that's all y'all gonna do and

0:55:15.360 --> 0:55:17.200
<v Speaker 3>get out there and proceed to sweat.

0:55:18.640 --> 0:55:22.520
<v Speaker 5>Yeah, four hour and a half sweat.

0:55:23.080 --> 0:55:25.240
<v Speaker 3>We got one more segment for you, brother.

0:55:29.160 --> 0:55:39.440
<v Speaker 4>Oka se mm hmmm, one more segment. The rules of

0:55:39.520 --> 0:55:43.439
<v Speaker 4>this segment. I ain't saying no names. I ain't saying

0:55:43.560 --> 0:55:46.640
<v Speaker 4>no names. I ain't saying no names. I ain't saying

0:55:46.719 --> 0:55:47.200
<v Speaker 4>no names.

0:55:47.239 --> 0:55:51.200
<v Speaker 5>Where you was, what you did?

0:55:52.120 --> 0:55:56.680
<v Speaker 1>Don't say she, I ain't saying no names.

0:56:03.600 --> 0:56:06.399
<v Speaker 5>He'll be here all week. I'm all weak?

0:56:07.520 --> 0:56:09.440
<v Speaker 3>Is that so right? Now?

0:56:09.880 --> 0:56:10.359
<v Speaker 5>Talk to him?

0:56:10.360 --> 0:56:13.160
<v Speaker 2>We got a special segment of the show. It's called

0:56:13.200 --> 0:56:15.480
<v Speaker 2>I ain't saying no names. Will you tell us a story?

0:56:16.320 --> 0:56:16.640
<v Speaker 3>Funny?

0:56:16.880 --> 0:56:20.719
<v Speaker 5>Are fucked up? Are funny and fucked up? Okay? The

0:56:20.960 --> 0:56:24.320
<v Speaker 5>only rule to the game is you can't say no names. Okay,

0:56:25.480 --> 0:56:26.600
<v Speaker 5>you reckon, let's go.

0:56:27.360 --> 0:56:28.720
<v Speaker 3>This is case.

0:56:30.040 --> 0:56:33.839
<v Speaker 5>Mister ooh yeah, who yeah, however the hell you want

0:56:33.880 --> 0:56:34.480
<v Speaker 5>to sing it.

0:56:36.239 --> 0:56:36.799
<v Speaker 1>Himself?

0:56:38.960 --> 0:56:40.280
<v Speaker 5>I ain't saying no names.

0:56:42.280 --> 0:56:44.880
<v Speaker 1>That's so many man, Damn, y'all gotta go into archive.

0:56:45.360 --> 0:56:45.719
<v Speaker 3>All right.

0:56:46.480 --> 0:56:50.080
<v Speaker 5>We're in London. M hmm. I like this. All restaurant good.

0:56:51.320 --> 0:56:56.680
<v Speaker 1>And the VIP section matter our business. Anybody just chilling

0:56:57.000 --> 0:57:04.160
<v Speaker 1>James Floyd fans good, it feating, it's good. All of

0:57:04.239 --> 0:57:11.920
<v Speaker 1>a sudden, that bitch keep looking over at you. Oh

0:57:12.000 --> 0:57:12.680
<v Speaker 1>she's looking again.

0:57:14.200 --> 0:57:14.839
<v Speaker 3>Oh my god.

0:57:14.920 --> 0:57:16.080
<v Speaker 1>We got to get down the club.

0:57:19.520 --> 0:57:27.520
<v Speaker 5>I ain't saying on that. I thought I was some

0:57:27.680 --> 0:57:28.240
<v Speaker 5>by standing.

0:57:29.560 --> 0:57:30.360
<v Speaker 1>She's looking at me.

0:57:31.880 --> 0:57:34.200
<v Speaker 5>Somebody got knocked out for looking at Casey. I didn't

0:57:34.200 --> 0:57:38.000
<v Speaker 5>do nothing. I don't know who that is.

0:57:39.680 --> 0:57:40.840
<v Speaker 3>I use that fact.

0:57:41.520 --> 0:57:42.240
<v Speaker 1>We're in London.

0:57:42.480 --> 0:57:43.040
<v Speaker 5>We're in London.

0:57:43.400 --> 0:57:53.280
<v Speaker 1>No, I don't know who. I don't know nobody.

0:57:53.400 --> 0:57:55.960
<v Speaker 3>But I use that to.

0:57:58.520 --> 0:58:09.080
<v Speaker 1>Take I didn't We all wain atleta at who that is.

0:58:10.120 --> 0:58:13.480
<v Speaker 1>I don't get your hand. What you do, don't do

0:58:13.560 --> 0:58:18.440
<v Speaker 1>it no more. They pursue you. Oh man, listen, man,

0:58:18.960 --> 0:58:19.600
<v Speaker 1>you know what I'm saying.

0:58:20.120 --> 0:58:20.240
<v Speaker 4>Night.

0:58:20.280 --> 0:58:22.160
<v Speaker 1>I got to fight to prove my love.

0:58:22.240 --> 0:58:29.880
<v Speaker 3>Lord, brother, Casey, my brother.

0:58:31.160 --> 0:58:33.800
<v Speaker 4>I just want to tell you from from my heart,

0:58:34.640 --> 0:58:40.200
<v Speaker 4>from his heart, from every R and B singer, gospel singer,

0:58:40.880 --> 0:58:44.960
<v Speaker 4>that his singer, songwriter, producer, a former that has come

0:58:45.080 --> 0:58:49.200
<v Speaker 4>up under the sound of your voice. We we have

0:58:49.280 --> 0:58:53.040
<v Speaker 4>been truly, we have truly been blessed by your existence.

0:58:53.720 --> 0:58:59.600
<v Speaker 4>Thank you by your continued pursuit of perfection, by your

0:58:59.640 --> 0:59:00.360
<v Speaker 4>life journey.

0:59:01.120 --> 0:59:01.680
<v Speaker 3>You know what I mean.

0:59:01.840 --> 0:59:05.240
<v Speaker 4>You're up and you're down, and you powering through to

0:59:05.720 --> 0:59:09.440
<v Speaker 4>still be here with us right here forty years to

0:59:09.600 --> 0:59:10.000
<v Speaker 4>this day.

0:59:10.520 --> 0:59:12.040
<v Speaker 5>That's including with.

0:59:13.880 --> 0:59:14.480
<v Speaker 3>It all matters.

0:59:15.920 --> 0:59:22.360
<v Speaker 4>You've you've you've you've created a legacy for yourself that

0:59:22.480 --> 0:59:26.440
<v Speaker 4>includes all of us. So as you are proud of,

0:59:27.280 --> 0:59:32.400
<v Speaker 4>you know, the accomplishments that you're directly a part of,

0:59:33.040 --> 0:59:34.520
<v Speaker 4>you know what I mean, as you stand on those

0:59:34.520 --> 0:59:39.440
<v Speaker 4>stages and as you stand behind those microphones, also accept

0:59:39.480 --> 0:59:43.200
<v Speaker 4>the credit. You know, when me and this guy stand

0:59:43.280 --> 0:59:47.280
<v Speaker 4>on those stages and stand behind those microphones and get

0:59:47.360 --> 0:59:50.560
<v Speaker 4>on those pianos and entertain those crowds.

0:59:50.600 --> 0:59:52.280
<v Speaker 5>That's that's that.

0:59:52.400 --> 0:59:56.120
<v Speaker 4>We have a song called what That's that's really on

0:59:56.240 --> 1:00:01.040
<v Speaker 4>my olbum. That's that's mindset.

1:00:01.160 --> 1:00:01.640
<v Speaker 1>Yeah, So.

1:00:03.200 --> 1:00:07.280
<v Speaker 4>Take that credit as well. That is also yours and

1:00:07.560 --> 1:00:10.040
<v Speaker 4>we will your your your name is, your name is

1:00:10.080 --> 1:00:13.160
<v Speaker 4>in the annals. Thank you history of my brother. Appreciate

1:00:13.240 --> 1:00:16.520
<v Speaker 4>a foundational building block. I appreciate everything we do and

1:00:16.560 --> 1:00:17.920
<v Speaker 4>everything that R and B will ever be.

1:00:18.360 --> 1:00:20.440
<v Speaker 1>I appreciate it. Man. Thank you man. I just want

1:00:20.480 --> 1:00:26.920
<v Speaker 1>to thank you, guys, man for really by you saying that,

1:00:27.160 --> 1:00:35.360
<v Speaker 1>lets me know there's more than four members of Jodasy. Absolutely,

1:00:35.440 --> 1:00:38.160
<v Speaker 1>you know what I'm saying. Absolutely, those other members side

1:00:38.640 --> 1:00:42.800
<v Speaker 1>the four are the people that love us, people that

1:00:43.000 --> 1:00:48.320
<v Speaker 1>support us, people that pay for our tickets to go

1:00:48.440 --> 1:00:50.440
<v Speaker 1>and see us live in concert.

1:00:51.640 --> 1:00:52.120
<v Speaker 5>That's Joe.

1:00:52.200 --> 1:00:55.000
<v Speaker 1>Those the real Jodases. You know what I'm saying, You guys,

1:00:55.120 --> 1:00:57.720
<v Speaker 1>y'all are real Joses because we once for y'all, y'all

1:00:57.800 --> 1:01:02.320
<v Speaker 1>our heartbeat and Joe can't live without a heartbeat, and

1:01:02.480 --> 1:01:04.640
<v Speaker 1>that goes out to y'all. Wow.

1:01:05.160 --> 1:01:07.400
<v Speaker 5>I feel like Martin at the Varneille Hill Show right now.

1:01:19.680 --> 1:01:22.080
<v Speaker 1>Martin is funny and back to you since we got

1:01:22.160 --> 1:01:22.480
<v Speaker 1>all that.

1:01:23.560 --> 1:01:23.920
<v Speaker 3>Thank you.

1:01:24.360 --> 1:01:29.320
<v Speaker 1>Yes, I love you for everything. Man, Ja Valentine, love you,

1:01:30.240 --> 1:01:30.520
<v Speaker 1>but you.

1:01:32.480 --> 1:01:38.800
<v Speaker 5>Pupone to pick with you? Come on, I called you.

1:01:40.560 --> 1:01:45.240
<v Speaker 1>That's a tank. You know you know that's my mom

1:01:45.920 --> 1:01:47.280
<v Speaker 1>doing this, doing this album.

1:01:47.360 --> 1:01:47.880
<v Speaker 4>Man. You know.

1:01:49.720 --> 1:01:53.720
<v Speaker 1>I would love for you to be on my be

1:01:53.880 --> 1:01:57.360
<v Speaker 1>on this album from me, Tank, I need you right out?

1:01:58.280 --> 1:01:58.880
<v Speaker 4>What what? What?

1:01:59.160 --> 1:01:59.920
<v Speaker 5>What's your need?

1:02:00.240 --> 1:02:01.320
<v Speaker 3>Man? Thank?

1:02:01.600 --> 1:02:07.720
<v Speaker 1>I mean I need that tear jerker that I needed that,

1:02:08.000 --> 1:02:08.560
<v Speaker 1>I need that.

1:02:10.360 --> 1:02:19.040
<v Speaker 5>On this album. Tank, I got you, mister.

1:02:18.880 --> 1:02:22.400
<v Speaker 2>Durrell, I said, where's his song? I said that I

1:02:22.480 --> 1:02:27.520
<v Speaker 2>have scooed over inside Talking Ship. Where a song that

1:02:27.960 --> 1:02:38.760
<v Speaker 2>I have templates? What's your name on it? Are you sure, absolutely, Mama.

1:02:40.000 --> 1:02:40.440
<v Speaker 3>That I had.

1:02:40.560 --> 1:02:45.000
<v Speaker 4>I had just started just putting ideas together and and

1:02:45.200 --> 1:02:49.880
<v Speaker 4>I cannot think of why or what happened within that

1:02:50.080 --> 1:02:54.960
<v Speaker 4>time to get me out of focus. So first, apologies,

1:02:55.280 --> 1:02:57.200
<v Speaker 4>no no no, no, no, no no no, I have

1:02:57.280 --> 1:02:59.560
<v Speaker 4>to have to issue that because I said, I got you.

1:03:01.440 --> 1:03:02.160
<v Speaker 3>That's my word.

1:03:02.880 --> 1:03:07.440
<v Speaker 4>So in in in honor of this chastisement of you

1:03:07.560 --> 1:03:12.960
<v Speaker 4>pulling out the belt and spanking me on my own podcast,

1:03:18.000 --> 1:03:22.720
<v Speaker 4>you tell me when it it's done, You tell me

1:03:22.800 --> 1:03:24.080
<v Speaker 4>how soon you need it, and we're gonna get it

1:03:24.080 --> 1:03:24.560
<v Speaker 4>turned around.

1:03:25.360 --> 1:03:26.000
<v Speaker 3>I'll tell you what.

1:03:27.760 --> 1:03:31.680
<v Speaker 1>Get back into Carolina's next week. I'm gonna give you

1:03:31.720 --> 1:03:37.080
<v Speaker 1>a call. I get back on Monday. All right, let's

1:03:37.120 --> 1:03:38.600
<v Speaker 1>rek os something next week done?

1:03:39.080 --> 1:03:39.720
<v Speaker 3>You heard.

1:03:41.440 --> 1:03:42.040
<v Speaker 5>People heard it?

1:03:42.920 --> 1:03:47.320
<v Speaker 4>Now if I can't find Casey next week because he

1:03:47.440 --> 1:03:48.600
<v Speaker 4>disappeared last that.

1:03:50.480 --> 1:03:50.520
<v Speaker 1>Was.

1:03:52.840 --> 1:03:58.840
<v Speaker 2>That was men can fight, can find anybody, collagistics, collagistics.

1:03:59.600 --> 1:04:01.320
<v Speaker 3>That's done. That's done.

1:04:01.400 --> 1:04:01.640
<v Speaker 5>Cool.

1:04:02.160 --> 1:04:05.520
<v Speaker 1>I understand, though, Man, you gotta think about it. Hey, man,

1:04:06.880 --> 1:04:10.200
<v Speaker 1>this this this, this game is very busy in this game.

1:04:10.360 --> 1:04:10.880
<v Speaker 1>So I get it.

1:04:11.160 --> 1:04:12.680
<v Speaker 3>No, but you gotta you know, you gotta make you

1:04:12.760 --> 1:04:14.680
<v Speaker 3>gotta certain things you have to make a priority.

1:04:14.760 --> 1:04:18.400
<v Speaker 1>But I really, really, really, really really really I think

1:04:20.040 --> 1:04:25.360
<v Speaker 1>that touch of Tank, but I think I think I

1:04:25.600 --> 1:04:26.959
<v Speaker 1>will have a winner done.

1:04:27.840 --> 1:04:29.480
<v Speaker 5>Go make a winner. It's gonna happen.

1:04:29.560 --> 1:04:32.200
<v Speaker 1>Let's go app Okay, there it is my word.

1:04:32.720 --> 1:04:36.000
<v Speaker 4>There it is, ladies and gentlemen, Tank Valentine And this

1:04:36.200 --> 1:04:39.560
<v Speaker 4>is the Army Money podcast, the authority on all things

1:04:40.360 --> 1:04:43.280
<v Speaker 4>R and B, everything everything R and B.

1:04:44.120 --> 1:04:50.800
<v Speaker 3>And we have truly truly been blessed to have all

1:04:50.920 --> 1:04:51.600
<v Speaker 3>things R and.

1:04:51.640 --> 1:04:54.160
<v Speaker 5>D in the building. Mist the case.

1:04:56.320 --> 1:04:58.520
<v Speaker 1>Love, your love, your love, your level, your love. Yeah,

1:04:59.280 --> 1:05:01.280
<v Speaker 1>I've R and B Money.

1:05:02.440 --> 1:05:04.200
<v Speaker 2>R and B Money is a production of the Black

1:05:04.240 --> 1:05:10.320
<v Speaker 2>Effect podcast Network. For more podcasts from iHeartRadio, visit the iHeartRadio, app,

1:05:10.480 --> 1:05:13.720
<v Speaker 2>Apple podcasts, or wherever you listen to your favorite shows.

1:05:14.240 --> 1:05:17.240
<v Speaker 2>Don't forget to subscribe to and rate our show, and

1:05:17.360 --> 1:05:19.920
<v Speaker 2>you can connect with us on social media at j

1:05:20.160 --> 1:05:24.120
<v Speaker 2>Valentine and at the Real Tank. For the extended episode,

1:05:24.240 --> 1:05:28.440
<v Speaker 2>subscribe to YouTube dot com or slash r and b

1:05:28.560 --> 1:05:28.800
<v Speaker 2>money