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Speaker 1: R and B Money.

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Speaker 2: We are.

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Speaker 3: Thanks take valotility.

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Speaker 4: We are the authority on all things R.

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Speaker 3: And B ladies and gentlemen.

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Speaker 1: My name is Tank Valentine, and this what is it.

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Speaker 4: It's the R and B Money Podcast, the authority.

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Speaker 1: On all things.

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Speaker 5: Who yeah one more time?

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Speaker 1: Who yeah?

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Speaker 5: Yeah?

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Speaker 4: See see you wasn't desperate, you know, in your spirit,

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Speaker 4: in your tongue, right, You wasn't in the middle of

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Speaker 4: a desert with lother on your body, sweating your balls

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Speaker 4: off to prove a point. Not only was your eyes ryan,

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Speaker 4: but your skin on your whole body. It's clearing tears.

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Speaker 4: You ain't never done that. You ain't never put on

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Speaker 4: boots with a two piece shots at and turned the

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Speaker 4: rain off.

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Speaker 1: On your feet.

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Speaker 5: What you've never done it? You ain't never did it.

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Speaker 4: You don't sit on the mouth rushmore. It's a godfather,

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Speaker 4: this ship right here, it's one man. It's one man,

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Speaker 4: and that Maine is here. The God. No, yes, sir,

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Speaker 4: not God, the God, the God.

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Speaker 3: Created in his image Casey Haley, my god.

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Speaker 1: Oh yeah, yeah, yeah.

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Speaker 3: Himself, mister Huliah himself.

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Speaker 5: Yeah man, what's going on?

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Speaker 4: What made what made you do? Oh yeah, let's start

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Speaker 4: with this right there.

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Speaker 1: Okay, we can do that. That's real easy. I was.

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Speaker 1: They used to call me like that, a little king,

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Speaker 1: but the guys did like you, I go and I

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Speaker 1: go into booth man just start singing, and I get

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Speaker 1: and I got tired of saying what iut the words

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Speaker 1: of the song and stuff. I just I just put

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Speaker 1: them in. Ooh yeah, it's a feeling. You gotta have that,

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Speaker 1: oh yeah, feeling you could sing. Mary had a little lamb.

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Speaker 1: Mary had a little lamb, little lamb, little lamb. Oh yeah, man.

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Speaker 2: Man, they do say it's casey jojo right yeah, that's

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Speaker 2: that's like the Holy Trinity.

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Speaker 3: Bro.

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Speaker 4: I just I mean, listen, I just got to say this.

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Speaker 4: And I tell you this all the time, but I

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Speaker 4: can never tell you enough. Thank you man, Thank you man.

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Speaker 4: You have to like like I want you to like

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Speaker 4: to day is the day. You know, I know you humble,

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Speaker 4: you know I know your godfaring man. You give it

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Speaker 4: all back to the Creator. You understand what I'm saying.

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Speaker 4: But when he gives us those gifts, it is up

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Speaker 4: to us to be good stewards over those gifts. It

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Speaker 4: is up for us to develop and nurture and work

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Speaker 4: hard to bring their gifts to their fullness. And you

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Speaker 4: did just that, and in doing so, you created.

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Speaker 1: Us for surecire sure sure appreciate.

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Speaker 2: No R and B money without you. There's no R

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Speaker 2: and B money without your, not even closer.

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Speaker 1: We tried no, no, no, no, no, no no.

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Speaker 4: Today today today can't see you get the pump your ship.

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Speaker 1: This is flowers, this is celebration.

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Speaker 3: K C Day right now.

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Speaker 1: Okay, we did that ship. We did that, Yes, you did.

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Speaker 1: It was on a mission, Oh my god. And number

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Speaker 1: two understood the assignment.

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Speaker 3: Yeah.

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Speaker 5: When we first when we.

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Speaker 1: First got together, we always said, we said that we

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Speaker 1: made a pack. We made a vow that we was

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Speaker 1: gonna be the baddest, baddest group that ever came out. Wow,

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Speaker 1: you know what I'm saying. I made a vow like

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Speaker 1: I'm gonna be the most aggressive lead singer that's out there.

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Speaker 5: My age. You know what I'm saying.

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Speaker 1: My era and uh ay Man and I guess, like

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Speaker 1: I said, we did that ship.

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Speaker 4: You damn right, you did it. Let's go back to

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Speaker 4: the beginning case, go ahead. I want to go back

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Speaker 4: to me being a kid in a church somewhere in Wisconsin.

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Speaker 4: I want to say race sing, We'll sing Wisconsin, and

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Speaker 4: we went to see Little Cedric and the Haley singer.

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Speaker 4: Yes man, and I watched y'all run down the middle aisle.

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Speaker 4: You didn't walk down the middle aisle. Oh yeah, for

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Speaker 4: those of y'all who know anything about church, church folk,

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Speaker 4: you don't go down the middle aisle. That is, that's forbidden.

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Speaker 4: You don't walk down the middle church. Been going on

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Speaker 4: the side.

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Speaker 5: Next time I go to church, remember that.

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Speaker 4: So the usher say, you know, sure you're seeing the

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Speaker 4: ball like he does instructions for the middle hour. Not

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Speaker 4: only did they come down the middle aisle, they ran

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Speaker 4: down the middle aisle to assault the injury Jojo had

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Speaker 4: a ball head and ear rings.

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Speaker 3: We said, what in the worldly? What in the fleshy

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Speaker 3: business is.

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Speaker 1: Going on there?

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Speaker 4: And y'all proceeded, for lack of a better term to

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Speaker 4: talk about gospel music kick ass.

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Speaker 1: Yeah man, we had to do that too, man, we

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Speaker 1: did that. So how did that start? Give me Casey

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Speaker 1: and the Hally say, go take me back to the beginning,

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Speaker 1: at the beginning like this, Well, those you don't know

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Speaker 1: it started out and Alltimore and Maryland our professional singing

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Speaker 1: career study in Baltimore, and Maryland. My mom had a group,

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Speaker 1: my dad had a group, and me and Joji would

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Speaker 1: be around house singing all the time. They had a

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Speaker 1: back in those days, they had a Friday night spade parties.

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Speaker 1: Mama and the man had the spade party. I know

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Speaker 1: y'all know about that. But anyway, when our uncles and

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Speaker 1: non they'd be playing spades and all that, me and

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Speaker 1: Jojo will be in the bed sleep with it. Used

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Speaker 1: they thought we were, but we can hear everything that's

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Speaker 1: going on there. But one or two every Friday night

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Speaker 1: and my uncles and they are juiced up now, you

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Speaker 1: know what I'm saying, So they want to hit the

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Speaker 1: little boys sing. So Mama would wake us up, like

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Speaker 1: it'd be like one sometimes two in the morning, wake

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Speaker 1: us up, turn our favorite gospel group on, which was

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Speaker 1: the Gospel Keynotes at the time. You and me and

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Speaker 1: Joe Joja would be Paul Beasley. I would be the

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Speaker 1: lead singer, Willy Neil so and Willy Neil was the one,

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Speaker 1: like the the aggressive one, the lead singer. So they

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Speaker 1: would ask us to make us sing those songs. I

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Speaker 1: remember one night I got bull headed, you know what

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Speaker 1: I'm saying. I got bullheaded and it wont to sing. Man,

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Speaker 1: So believe it or not, my mother, my mother a

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Speaker 1: lover for doing this. Some people these days might ridicule

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Speaker 1: her for doing it. But my mother she went upstairs,

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Speaker 1: got her leather belt, leather belt, and man, that belt

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Speaker 1: kept me singing today. She said, boy, if you don't

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Speaker 1: go downstairs and sing them songs, but them people want

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Speaker 1: you to sing and mine now they was giving me

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Speaker 1: a jojo fifty cents to sing. She said, if you

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Speaker 1: don't get your tail downstairs, she took that belt. Man,

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Speaker 1: she used that belt to this day. I never been

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Speaker 1: shame or shy to open my mouth to sing for nobody.

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Speaker 1: So fast forward, like I said, my mother had a

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Speaker 1: group from Baltimore Female group, and my father had had

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Speaker 1: a male group in Baltimore Quartet. And my mama told

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Speaker 1: my daddy, she said, I think you need to put

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Speaker 1: centric in that group. That boy ready, That boy ain't ready,

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Speaker 1: she said, he ready?

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Speaker 5: She said, he ready.

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Speaker 1: So she asked me, if you want to be in

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Speaker 1: your daddy group.

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Speaker 5: Man, yeah, I want to.

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Speaker 1: Be in the group at eleven years old. Who wouldn't, yeah,

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Speaker 1: eleven years old? Then, so my daddy let me in

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Speaker 1: the group. I went to the couple of rehearsals and

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Speaker 1: we did that first gospel you know back in the

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Speaker 1: day call him programs. You know, we did a program.

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Speaker 1: So when I did that, man and my uncle, which

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Speaker 1: was the manager of my dad group, his uncle, so

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Speaker 1: he told my daddy, oh, yeah, that's gonna be our

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Speaker 1: little showstopper. Yeah, we're gonna keep him. So by that time,

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Speaker 1: like I said, my mama had a group. She had

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Speaker 1: to kill a band. So my mama told my daddy, look,

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Speaker 1: I want to take him out your group and I'm

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Speaker 1: gonna get my band because there was more contemporary you know,

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Speaker 1: all that players, young guys. She said, I want to

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Speaker 1: take them out your group, and I'm gonna get rid

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Speaker 1: of my band and let them play for Cedric. Mm hm.

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Speaker 1: So dadd was like, we see how it is. I

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Speaker 1: think the group my daddy group kind of figured what

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Speaker 1: was going on. Cause for me, Daddy and Jojo got

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Speaker 1: to rehearsal, believe it or our tank man, they had

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Speaker 1: our papers waiting on us saying we fired.

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Speaker 5: Oh y'all was getting kicked out.

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Speaker 1: Yeah, we got kicked out when they found out that,

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Speaker 1: you know, little Cedric and the Haley things was about.

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Speaker 2: But did they kick you and George? They kick your

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Speaker 2: daddy out here, and yeah, hold on you and your son, Yeah.

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Speaker 1: You and your sons out the group just because of that.

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Speaker 1: So my DAD'SID, okay, cool, we got this. They handed

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Speaker 1: you papers. They handles papers a rehearsal when we walked in.

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Speaker 5: That's crazy, you know.

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Speaker 1: I cried like a baby man. Look eleven years old

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Speaker 1: getting fired. Come on now, when something I love to

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Speaker 1: you want to do. But though it was God's playing,

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Speaker 1: of course it wasn't their plans. Because at the next day,

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Speaker 1: here we are, my mom and dad telling me one

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Speaker 1: of it. We got my Mama said Timmy. Then Timmy

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Speaker 1: them gonna play for you now. So I'm like half

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Speaker 1: because Timmy, though they was young, they was funky, you know,

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Speaker 1: so I'm like cool. That was the birth a Little

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Speaker 1: Cedric and the Haley Singers signed a gospel record label,

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Speaker 1: which is Air Records. Now, so I got that deal

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Speaker 1: twelve years old. Did our recording man and Little Cedric

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Speaker 1: and Haley Singers blew up? I mean we blew up

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Speaker 1: in the court TP Field man. I would like to

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Speaker 1: they would call me the Michael Jackson of gospel and

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Speaker 1: during that time. Yeah, and during that time, my rival

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Speaker 1: was a little boy from Washington, d C. He had

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Speaker 1: his group from DC. So Baltimore had they little boy

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Speaker 1: which is a little Cedric and that little boy I'm

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Speaker 1: talking about. I mean we went next to neck, neck

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Speaker 1: to the neck.

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Speaker 5: Man.

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Speaker 1: One night was his night. Next night was not my night,

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Speaker 1: that little boy it was Johnny Gill.

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Speaker 3: Oh I didn't know.

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Speaker 1: That, yeah, man. Man and Johnny talked about it all

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Speaker 1: the time. We talked about the all the time. Johnny

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Speaker 1: will come to Baltimore. He'll try to make it hard

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Speaker 1: for me in my Town's okay, all right, I gotta

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Speaker 1: go to I gotta go to d C.

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Speaker 3: Yeah, come see you.

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Speaker 2: So this is like twelve thirteen for so he's been

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Speaker 2: browling for a long time.

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Speaker 1: Oh yeah, oh yeah, oh yeah, man, Johnny, we've been

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Speaker 1: in the game together, in the game a long time, man,

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Speaker 1: a long time. Yeah, yeah, yeah, Man. Johnny was way back, man,

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Speaker 1: forty some years ago.

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Speaker 5: So was your father in and haleying Halle sing.

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Speaker 1: Yeah, he came. He got him some songs off til Too,

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Speaker 1: off the albums too.

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Speaker 5: You know what I'm saying.

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Speaker 1: You know, well, and then Jojo Jojo was like this.

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Speaker 1: He's still like this to this day. He don't let

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Speaker 1: y'all see it. We had to beg Jojo to sing

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Speaker 1: m We had to beg Jojo to then they had

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Speaker 1: to do it. Now you know what I'm saying.

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Speaker 5: But one of the coldest vocals whoever.

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Speaker 1: Yeah, and then Jojo then he got into it, man,

224
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Speaker 1: And he had this couple of songs on the albums

225
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Speaker 1: and all that, but Jojo always knew he would tell

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Speaker 1: them and then I'm gonna do that, man. That's that's

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Speaker 1: cedgic man. Jojo. Jojo was more like he was a

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Speaker 1: rough He was a rough neck. Joja wanted to go

229
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Speaker 1: outside and play football while I'm in rehearsal ten hours

230
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Speaker 1: a day in the bass hot basement right after school.

231
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Speaker 1: Got to go down to the basement and rehearse for

232
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Speaker 1: the album. And so Jojo outside playing and if he

233
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Speaker 1: got a song, he'll come in and do his little song,

234
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Speaker 1: go right back outside and play. I'm still in there

235
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Speaker 1: because I'm so I'm I'm hungry at the age of twelve,

236
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Speaker 1: I'm hungry, man. But it all worked out good. So

237
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Speaker 1: that's how the Haley Singers started.

238
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Speaker 3: Man, it was your first song that took out, took.

239
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Speaker 1: Off, Uh, Jesus saved and then born again with the

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Speaker 1: second cold. That's it. That was it right there. I

241
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Speaker 1: was like, we used to call it in we call

242
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Speaker 1: it drive. That was what was your cross? Yeah?

243
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Speaker 3: That was that?

244
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Speaker 1: That was our drive, right And then from then on, man,

245
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Speaker 1: it's just we did those. We did three albums under

246
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Speaker 1: the Little c the Haley Singers, and then the family

247
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Speaker 1: moved back to North Carolina.

248
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Speaker 3: And then what made you guys move?

249
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Speaker 1: Well, what made us move is really I think I

250
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Speaker 1: think my mom and parents was ready to move back

251
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Speaker 1: down south because we had lived in Baltimore for what wow,

252
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Speaker 1: we lived in Baltimore for like thirteen years, you know

253
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Speaker 1: what I'm saying. So, but they wanted to move back

254
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Speaker 1: down south, and of course they took the kids with us.

255
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Speaker 1: So we went down there, and still we still had

256
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Speaker 1: the Hailee Singers going. We still was traveling. The group

257
00:14:13,800 --> 00:14:16,839
Speaker 1: had busted up, but we still you know, hire some

258
00:14:17,160 --> 00:14:21,520
Speaker 1: new new musicians and backup singers and everything for Little Cedric,

259
00:14:21,720 --> 00:14:26,760
Speaker 1: so we're still going. So and then and and and

260
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Speaker 1: it was God, man, it was God, because I.

261
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Speaker 3: Was I was.

262
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Speaker 1: I left North Carolina and went to Baltimore. I was

263
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Speaker 1: gonna do a reunion with Little Cedric and the Haley

264
00:14:39,720 --> 00:14:47,560
Speaker 1: Singers with the original all original members. This is a

265
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Speaker 1: seventeen It's like just like seventeen eighteen, one of them.

266
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Speaker 1: So while I'm while I'm in Baltimore, Jokeren didn't go

267
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Speaker 1: with me. So while I'm in Baltimo, more Jojo plays

268
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Speaker 1: a song for me over the phone. By this time, Jojo,

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Speaker 1: you know he didn't go back to Baltimore with me.

270
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Speaker 1: So I'm listening on the phone. I'm like, Jojo, who

271
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Speaker 1: is that? It's yo, man, It's just it's this guy.

272
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Speaker 1: Ain't done man, we've been doing music together. Man, you

273
00:15:22,680 --> 00:15:25,000
Speaker 1: can't be in this group. Nah. Now this is just

274
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Speaker 1: me and done this, Me and done su this, me

275
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Speaker 1: and done. So. So then I go back to now

276
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Speaker 1: I go. I meant, before I go to Baltimore, I'm

277
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Speaker 1: in I rehearsal hard with Let's at the Canale Singers.

278
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Speaker 1: So some girls they came over to visit us. Just

279
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Speaker 1: before I went to the boy, I skipped all that, but

280
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Speaker 1: some girls brought some guys.

281
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Speaker 5: To our studio.

282
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Speaker 1: I was dating one of the girl, but calling myself

283
00:15:50,520 --> 00:15:54,880
Speaker 1: dating and Jojo was talking to one of them. So

284
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Speaker 1: they brought out They said, well, we want to meet

285
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Speaker 1: y'all some We want y'all to meet some brothers. You know,

286
00:16:00,520 --> 00:16:03,440
Speaker 1: they got their own church and and and they doing

287
00:16:03,480 --> 00:16:06,320
Speaker 1: their thing. They tight on the music. Man, they good,

288
00:16:06,640 --> 00:16:09,440
Speaker 1: y'all need to meet on y'all. Who are they? So

289
00:16:09,480 --> 00:16:12,000
Speaker 1: when they walked in and they brought the guys in,

290
00:16:12,600 --> 00:16:16,280
Speaker 1: so all that first thing I see is my girlfriend

291
00:16:17,160 --> 00:16:24,920
Speaker 1: and got these guys behind her. So immediately I'm not

292
00:16:24,920 --> 00:16:28,280
Speaker 1: feeling I'm not feeling it. So and I see one

293
00:16:28,320 --> 00:16:32,520
Speaker 1: of them going to the studio what the recording part

294
00:16:32,720 --> 00:16:35,200
Speaker 1: was at the studio we had, and I hear a

295
00:16:35,240 --> 00:16:37,760
Speaker 1: piano play. Now by this time, me and this guy

296
00:16:37,800 --> 00:16:40,360
Speaker 1: that Joe was in the room with. Man, his brother

297
00:16:41,120 --> 00:16:43,480
Speaker 1: is about to go at it. I mean guns down,

298
00:16:43,880 --> 00:16:48,880
Speaker 1: really guns down. So anyway, were like, he's like, yo,

299
00:16:48,920 --> 00:16:51,360
Speaker 1: what's going on? Man? Like y'all you're telling me what's

300
00:16:51,360 --> 00:16:51,600
Speaker 1: going on?

301
00:16:51,680 --> 00:16:51,880
Speaker 3: Y'all?

302
00:16:51,880 --> 00:16:55,600
Speaker 1: Walking with my girl? Man, I mean, who are y'all?

303
00:16:55,840 --> 00:16:59,320
Speaker 1: Who are y'all? So then I hear it. I hear

304
00:16:59,480 --> 00:17:04,240
Speaker 1: keep it up. A keyboard playing and I hear my

305
00:17:04,400 --> 00:17:09,000
Speaker 1: brother singing. I'm like, oh, I have my voice. I

306
00:17:09,080 --> 00:17:12,120
Speaker 1: have my brother voice, but who is that.

307
00:17:12,200 --> 00:17:14,760
Speaker 5: Plan that keyboard?

308
00:17:15,840 --> 00:17:18,919
Speaker 1: And his brother said, that's what I was trying to

309
00:17:18,960 --> 00:17:23,160
Speaker 1: tell you. We're the guys that they wanted to introduce

310
00:17:23,280 --> 00:17:26,560
Speaker 1: us to. Y'all. I was like, who who are you'all?

311
00:17:28,440 --> 00:17:35,040
Speaker 1: I'm Dalving and that's my brother. Yeah, he said, I'm

312
00:17:35,119 --> 00:17:36,520
Speaker 1: Dalving and that's my brother.

313
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Speaker 5: Done.

314
00:17:38,320 --> 00:17:43,240
Speaker 1: I said, y'all are the great boys? Like yeah, yo, man.

315
00:17:43,400 --> 00:17:47,360
Speaker 1: We dismissed the girl, like, want to see what's going on?

316
00:17:47,440 --> 00:17:47,600
Speaker 5: Now?

317
00:17:48,680 --> 00:17:49,240
Speaker 1: Work God?

318
00:17:49,560 --> 00:17:49,800
Speaker 3: Where?

319
00:17:49,840 --> 00:17:50,080
Speaker 2: God?

320
00:17:50,240 --> 00:17:53,800
Speaker 1: I said, I see you moving. So by that time,

321
00:17:53,880 --> 00:17:55,720
Speaker 1: you know that we met each other and met each other,

322
00:17:55,840 --> 00:17:57,720
Speaker 1: hung out a little bit, and then like I said,

323
00:17:57,760 --> 00:17:59,800
Speaker 1: now I can go back to Baltimore because I thought

324
00:17:59,800 --> 00:18:01,800
Speaker 1: that I was gonna work out, like that's gonna flu

325
00:18:02,119 --> 00:18:03,720
Speaker 1: So I go to Baltimore. I'm trying to get my

326
00:18:03,760 --> 00:18:08,240
Speaker 1: group back together. Jojo caused me, and and he's playing

327
00:18:08,280 --> 00:18:10,000
Speaker 1: something on the on the on the phone. I said, Yo,

328
00:18:10,080 --> 00:18:13,040
Speaker 1: that's how good was that? He said, Yo, that's being done? Man?

329
00:18:13,440 --> 00:18:15,880
Speaker 1: I said, for real, y'all did that? He said yeah?

330
00:18:15,920 --> 00:18:18,040
Speaker 1: I said, yeah, Man, it's tight. I said, man, that's

331
00:18:18,080 --> 00:18:20,600
Speaker 1: that's I like that, bro. If I don't even think

332
00:18:20,640 --> 00:18:26,160
Speaker 1: about it, stay in Baltimore, get your hatey singings together. Yeah,

333
00:18:28,080 --> 00:18:35,159
Speaker 1: I got my yeah, so I said, nah, Man, So

334
00:18:35,520 --> 00:18:40,280
Speaker 1: immediately immediately I called my mom, I call my daddy.

335
00:18:40,760 --> 00:18:43,280
Speaker 1: That so ready to come home. I'm ready to come home.

336
00:18:43,320 --> 00:18:47,680
Speaker 1: I told her. Haley singers, Hey, look y'all, I'm going

337
00:18:47,720 --> 00:18:48,480
Speaker 1: back to Charlotte.

338
00:18:51,920 --> 00:18:52,840
Speaker 3: I can't tell you why.

339
00:18:52,920 --> 00:18:55,679
Speaker 1: I can't tell you about it, but you're here about it.

340
00:18:55,760 --> 00:18:57,879
Speaker 1: But you're here about it. And by that time I

341
00:18:57,920 --> 00:19:00,840
Speaker 1: got home, man, and by that time, Jojo jojo heed it,

342
00:19:01,040 --> 00:19:04,600
Speaker 1: jojo heed it, and then all you started yelling. So

343
00:19:05,080 --> 00:19:07,920
Speaker 1: then we Jojo really didn't want you in the group. No,

344
00:19:08,160 --> 00:19:09,639
Speaker 1: and Davante didn't want Dalvin.

345
00:19:11,119 --> 00:19:14,679
Speaker 3: I love this, Yeah, this is great.

346
00:19:15,080 --> 00:19:17,840
Speaker 1: I didn't want Davin, so Jojo made it. But Jojo

347
00:19:17,960 --> 00:19:22,720
Speaker 1: wanted Dalvin, Dvante wanted me. So Jojo was like this

348
00:19:22,960 --> 00:19:27,680
Speaker 1: now Jojo Jojo playing that card. If you want my brother,

349
00:19:27,760 --> 00:19:28,639
Speaker 1: Lee saying.

350
00:19:30,000 --> 00:19:35,359
Speaker 4: You got your brother and the group yeah yeah yeahs.

351
00:19:35,160 --> 00:19:41,440
Speaker 1: And vice versa. So if you want Dalvin in, you know, yeah,

352
00:19:41,440 --> 00:19:45,920
Speaker 1: I need Yeah. So we got together, man, talked about

353
00:19:45,920 --> 00:19:49,240
Speaker 1: it that you go we do. We started doing demos, Man.

354
00:19:49,280 --> 00:19:52,680
Speaker 1: We were demo at at the church. Man. We would

355
00:19:52,680 --> 00:19:55,560
Speaker 1: do demos at the church, like time we share those

356
00:19:55,600 --> 00:19:59,120
Speaker 1: songs like that and like the chords, like the chords Davante.

357
00:19:59,480 --> 00:20:02,199
Speaker 1: A lot of that stuff was written in church at

358
00:20:02,280 --> 00:20:07,880
Speaker 1: Dvante's dad church man. So against Davante's dad got tired

359
00:20:07,920 --> 00:20:09,879
Speaker 1: of it, you know, he got tired all that secular

360
00:20:09,960 --> 00:20:12,240
Speaker 1: music been played at the church. So what we did,

361
00:20:12,320 --> 00:20:14,520
Speaker 1: we didn't tell me and Jose didn't tell our parents.

362
00:20:14,960 --> 00:20:18,240
Speaker 1: We had a basement, right and this thing, you know, Divante,

363
00:20:18,600 --> 00:20:22,400
Speaker 1: my dad and my mother they see Dvanute loading there

364
00:20:22,400 --> 00:20:27,119
Speaker 1: in like fifteen ten or fifteen keyboards, hooking everything up

365
00:20:27,160 --> 00:20:29,400
Speaker 1: in their basement, you get, you know what I'm saying.

366
00:20:29,480 --> 00:20:31,520
Speaker 1: By that time, they didn't know what. They knew we

367
00:20:31,520 --> 00:20:33,560
Speaker 1: was doing music, but they didn't know what he was

368
00:20:33,600 --> 00:20:36,040
Speaker 1: doing it for. Because my daddy that I don't know

369
00:20:36,359 --> 00:20:39,479
Speaker 1: what that boy doing down there. But all out here

370
00:20:39,560 --> 00:20:40,080
Speaker 1: is a lot of.

371
00:20:41,720 --> 00:20:42,320
Speaker 3: That sound.

372
00:20:43,040 --> 00:20:45,840
Speaker 1: You know, that sound is slapping on the keyboards, but

373
00:20:45,920 --> 00:20:49,320
Speaker 1: he had his headphones on. By that Vante was doing

374
00:20:49,400 --> 00:20:52,359
Speaker 1: Joess's demo. He did that. We did that for like

375
00:20:52,400 --> 00:20:54,240
Speaker 1: a year. We got our son, we got.

376
00:20:54,080 --> 00:20:57,120
Speaker 5: Like jodas he yet though or what like when did

377
00:20:57,200 --> 00:20:58,119
Speaker 5: when do you guys.

378
00:20:57,840 --> 00:21:00,320
Speaker 1: When we find out we were Jodasy. When we when

379
00:21:00,359 --> 00:21:03,280
Speaker 1: we well, we knew that we had something, and we

380
00:21:03,320 --> 00:21:05,160
Speaker 1: were standing in our we were sitting in our mother

381
00:21:05,280 --> 00:21:08,320
Speaker 1: our parents yard, man, and and we're like, what name

382
00:21:08,400 --> 00:21:08,679
Speaker 1: can we?

383
00:21:08,960 --> 00:21:09,680
Speaker 5: We need a name?

384
00:21:09,720 --> 00:21:09,920
Speaker 6: Man.

385
00:21:09,960 --> 00:21:12,000
Speaker 1: Now it's all four but we're good. Now we're tight.

386
00:21:12,640 --> 00:21:12,880
Speaker 5: Man.

387
00:21:13,080 --> 00:21:15,160
Speaker 1: You know, we need a name, man, we need a name.

388
00:21:15,920 --> 00:21:20,359
Speaker 1: So I came up with brothers, and I think Darvin

389
00:21:20,440 --> 00:21:24,400
Speaker 1: came up with some things. And then and then Davante

390
00:21:24,440 --> 00:21:29,040
Speaker 1: was like, hey, man, when we just put our name together, man,

391
00:21:33,240 --> 00:21:39,040
Speaker 1: Jojo Divonte Jarvin.

392
00:21:40,240 --> 00:21:40,560
Speaker 5: Case.

393
00:21:41,680 --> 00:21:48,960
Speaker 1: Yeah, we just put Joe d and see mm hmm,

394
00:21:49,920 --> 00:21:55,560
Speaker 1: Jodasy man Jodasy joseh. I guess, said Josy Jodasy, Jodasy Jodasy.

395
00:21:56,600 --> 00:22:02,119
Speaker 1: I don't know, man, that sounds too biblical. But but

396
00:22:02,480 --> 00:22:03,840
Speaker 1: at the end of the day, we had a vote.

397
00:22:04,400 --> 00:22:20,800
Speaker 1: We had a vote with Jodas it is. Then we

398
00:22:20,920 --> 00:22:23,399
Speaker 1: got on sound, man, We got on sound. Won't be

399
00:22:23,440 --> 00:22:27,399
Speaker 1: no producers, none of that. So I'm telling y'all the

400
00:22:27,440 --> 00:22:30,440
Speaker 1: boss man like, just get your boss. So when it

401
00:22:30,520 --> 00:22:34,120
Speaker 1: got Drake, Drake came in there. The song that Kirk

402
00:22:34,280 --> 00:22:37,520
Speaker 1: was playing was come and talk to Me then he

403
00:22:37,600 --> 00:22:40,160
Speaker 1: play the song he was playing Yeah, Then he played stay,

404
00:22:41,560 --> 00:22:43,639
Speaker 1: then he played then they played.

405
00:22:44,440 --> 00:22:45,399
Speaker 5: I'm Still waiting.

406
00:22:47,200 --> 00:22:52,639
Speaker 1: Then all this on demo what oh man? Then he

407
00:22:52,760 --> 00:22:56,800
Speaker 1: played back in the day, every moment that was just

408
00:22:56,840 --> 00:22:59,320
Speaker 1: don't hear this, just don't hear all this on the

409
00:22:59,359 --> 00:23:03,800
Speaker 1: demos b so dre Light, dre Light, Hold up, y'all

410
00:23:03,800 --> 00:23:07,920
Speaker 1: tell me that's y'all. Yeah, that's up. Ye what you're

411
00:23:07,920 --> 00:23:15,040
Speaker 1: talking me? Yes, us, I don't believe it, no doubt, okay, okay,

412
00:23:15,119 --> 00:23:15,680
Speaker 1: believe this.

413
00:23:16,440 --> 00:23:16,639
Speaker 6: You know.

414
00:23:16,720 --> 00:23:21,439
Speaker 1: I stood up, I stopped singing the verses. Yeah, I

415
00:23:21,480 --> 00:23:23,880
Speaker 1: got the put with me. You know that, I said,

416
00:23:24,000 --> 00:23:26,800
Speaker 1: I said, okay, that's good. We started singing, did a

417
00:23:26,800 --> 00:23:32,000
Speaker 1: little jealousy, you know, did jodosy little little little thing

418
00:23:32,040 --> 00:23:37,520
Speaker 1: we'll be doing, singing about Judge. Yeah that and then

419
00:23:37,560 --> 00:23:39,680
Speaker 1: you know, I did come and talk to me. I

420
00:23:39,840 --> 00:23:42,760
Speaker 1: sung a little song and you know, and by that

421
00:23:42,880 --> 00:23:44,240
Speaker 1: time Heavy came here.

422
00:23:44,320 --> 00:23:45,040
Speaker 5: Rest in peace.

423
00:23:45,920 --> 00:23:50,520
Speaker 1: Heavy stuck his head in the door. He said, Dre,

424
00:23:50,680 --> 00:23:56,120
Speaker 1: come in. From what I hear. Heavy told Dre if

425
00:23:56,119 --> 00:24:00,800
Speaker 1: you don't sign him, I get him. By that time,

426
00:24:01,040 --> 00:24:04,040
Speaker 1: I know Dre. He came back in the door, said Yo,

427
00:24:05,560 --> 00:24:09,320
Speaker 1: So where y'all staying where y'all staying at. We ain't

428
00:24:09,320 --> 00:24:10,120
Speaker 1: got nowhere to stay.

429
00:24:10,240 --> 00:24:10,440
Speaker 2: Man.

430
00:24:10,920 --> 00:24:13,639
Speaker 1: You know we out the money. The same guy that

431
00:24:13,800 --> 00:24:16,840
Speaker 1: was sleeping on us his and no man, Kurk willy,

432
00:24:17,280 --> 00:24:21,359
Speaker 1: he said, Kirk, uh pay for the rest of the room,

433
00:24:21,640 --> 00:24:23,800
Speaker 1: the hotel room for the rest of the route group

434
00:24:24,200 --> 00:24:26,840
Speaker 1: for the rest of the week. Take care of this

435
00:24:26,880 --> 00:24:31,760
Speaker 1: group for the rest of the week. Uh, come on, y'all,

436
00:24:31,760 --> 00:24:35,359
Speaker 1: we're going out to dinner. And Kirk, by the way,

437
00:24:35,960 --> 00:24:38,320
Speaker 1: you assigned to them for the rest of this week.

438
00:24:40,240 --> 00:24:41,680
Speaker 5: First, I know you don't like him.

439
00:24:44,240 --> 00:24:47,080
Speaker 4: Yeah, since you can't here, since you're going here for

440
00:24:47,119 --> 00:24:50,080
Speaker 4: the rest of the week, for the rest of your life.

441
00:24:51,240 --> 00:24:53,120
Speaker 1: So by that time and then you know, we had

442
00:24:53,119 --> 00:24:56,760
Speaker 1: that dinner and and get back to the hotel. Yo,

443
00:24:56,920 --> 00:25:02,199
Speaker 1: we gave Kurk would leave hell man. Yeah, we gave

444
00:25:02,240 --> 00:25:04,320
Speaker 1: him hell that day that whole week. Man, it was

445
00:25:04,320 --> 00:25:05,800
Speaker 1: like we've been in the bsiness for years.

446
00:25:06,000 --> 00:25:10,439
Speaker 7: Yo, we want this. You ain't doing your job. You

447
00:25:10,440 --> 00:25:14,280
Speaker 7: ain't doing you heard what Andre said, Yo, yump. We

448
00:25:14,440 --> 00:25:16,480
Speaker 7: turned into jodessy right then.

449
00:25:19,119 --> 00:25:22,440
Speaker 1: And then and then when I get back to the hotel,

450
00:25:23,720 --> 00:25:25,960
Speaker 1: I jumped up up and down on my bed. Man

451
00:25:26,680 --> 00:25:29,840
Speaker 1: jumped up and down on my bed. Everybody, man, we

452
00:25:29,960 --> 00:25:33,480
Speaker 1: was crying and all that, and I called him my pop.

453
00:25:34,359 --> 00:25:40,359
Speaker 1: That's a daddy. We gotta deal. You gonna give me

454
00:25:40,400 --> 00:25:47,600
Speaker 1: that truck I want? Yeah, And you know they got out.

455
00:25:47,800 --> 00:25:51,800
Speaker 1: They sent by Celeston, which was a lawyer for the label.

456
00:25:52,720 --> 00:25:55,640
Speaker 1: So they sent them down with us back to New York,

457
00:25:55,720 --> 00:26:01,320
Speaker 1: I mean, back to North Carolina and get some intern

458
00:26:01,800 --> 00:26:07,920
Speaker 1: term agreements made up and all that. And Davante fathers

459
00:26:07,960 --> 00:26:12,439
Speaker 1: and his lawyer looked over, our parents looked over, said yes, legit,

460
00:26:13,040 --> 00:26:15,960
Speaker 1: it's legit. It's it's a legit deal that they said,

461
00:26:16,000 --> 00:26:19,160
Speaker 1: they want to do business with your sons. I think

462
00:26:19,160 --> 00:26:24,200
Speaker 1: it's a good look. And we're talking today. And then

463
00:26:24,240 --> 00:26:27,320
Speaker 1: we took the world by storm man. What Dre did

464
00:26:27,840 --> 00:26:30,960
Speaker 1: by getting al in and like on some of the

465
00:26:31,000 --> 00:26:35,320
Speaker 1: cuts co produced with Davante, what he did was put

466
00:26:35,359 --> 00:26:36,679
Speaker 1: that picture in a frame.

467
00:26:37,440 --> 00:26:40,679
Speaker 3: You give you what I'm saying.

468
00:26:38,760 --> 00:26:42,000
Speaker 1: That's all he did. Put that picture in a fresh

469
00:26:42,119 --> 00:26:44,320
Speaker 1: fe get that fine tune.

470
00:26:45,640 --> 00:26:46,960
Speaker 3: Needs because.

471
00:26:50,600 --> 00:26:52,920
Speaker 1: And then he had a night and day, you know

472
00:26:52,960 --> 00:26:53,400
Speaker 1: what I'm saying.

473
00:26:53,440 --> 00:26:55,000
Speaker 5: Then he already knew how to make records.

474
00:26:55,080 --> 00:26:58,320
Speaker 1: There you go, there, you go Davante. He he knew

475
00:26:58,320 --> 00:27:01,280
Speaker 1: exactly what he's doing. He knew it. But like I said,

476
00:27:01,359 --> 00:27:03,440
Speaker 1: you want to you know, you know, put that put

477
00:27:03,480 --> 00:27:05,399
Speaker 1: a coat and put the lack on it. You know

478
00:27:05,400 --> 00:27:08,560
Speaker 1: what I'm saying, that's all And that's what I'll I'll

479
00:27:08,600 --> 00:27:12,399
Speaker 1: be dead and and all. And DeVante worked there. You know,

480
00:27:12,440 --> 00:27:15,480
Speaker 1: they bumped head but of course they had that ego.

481
00:27:15,560 --> 00:27:19,000
Speaker 1: But then he got you know, and he just had

482
00:27:19,000 --> 00:27:22,240
Speaker 1: it like I gotta listen. We told her you gotta listen, man,

483
00:27:22,720 --> 00:27:23,720
Speaker 1: you gotta listen to him.

484
00:27:23,720 --> 00:27:23,920
Speaker 4: Man.

485
00:27:24,040 --> 00:27:24,720
Speaker 3: And I had.

486
00:27:27,320 --> 00:27:33,640
Speaker 1: R exactly exactly and so and and then when Al

487
00:27:33,800 --> 00:27:37,600
Speaker 1: came in with that mature lyric like mine. Now everybody

488
00:27:37,640 --> 00:27:43,680
Speaker 1: think Ill wrote Forever my Lady? What all did Forever

489
00:27:43,760 --> 00:27:47,960
Speaker 1: my Lady was already written. Fether Lady was already written before.

490
00:27:48,160 --> 00:27:50,640
Speaker 1: Like I said, we had before we got a deal.

491
00:27:51,200 --> 00:27:55,440
Speaker 1: What our diad was? He put that that version in.

492
00:27:56,240 --> 00:27:58,760
Speaker 1: You know that that kind of messed by At first.

493
00:27:58,760 --> 00:28:01,320
Speaker 1: It messed my head up. When it's so you're having

494
00:28:01,359 --> 00:28:05,040
Speaker 1: my baby, We're like, whoa whoa whoa.

495
00:28:04,760 --> 00:28:05,639
Speaker 5: Whoa whoa whoa.

496
00:28:05,680 --> 00:28:07,080
Speaker 3: I wasn't ready to give him a baby yet.

497
00:28:07,160 --> 00:28:14,320
Speaker 8: No, got my deal. I just got my deal, no

498
00:28:14,720 --> 00:28:18,439
Speaker 8: child support. Why that's the way, And that's that's that.

499
00:28:18,640 --> 00:28:23,560
Speaker 1: Really, y'all. That's what really, really, really, I think set

500
00:28:23,640 --> 00:28:26,080
Speaker 1: us apart from a lot of younger.

501
00:28:25,800 --> 00:28:27,720
Speaker 5: With nobody we're talking about.

502
00:28:27,520 --> 00:28:31,639
Speaker 4: That nobody was saying. Nobody was saying, nobody was saying.

503
00:28:32,080 --> 00:28:33,960
Speaker 4: I mean, they might have saying, they might have been saying,

504
00:28:34,000 --> 00:28:37,760
Speaker 4: somebody's having my baby. Somebody might have been having a conversation,

505
00:28:38,000 --> 00:28:40,720
Speaker 4: but they weren't saying right behind it, and it needs.

506
00:28:40,600 --> 00:28:44,560
Speaker 2: So much to me, Yeah, ship nineteen when somebody having

507
00:28:44,600 --> 00:28:45,400
Speaker 2: your baby, trying.

508
00:28:45,200 --> 00:28:50,240
Speaker 4: To you're trying to figure sure, yeah, sure, sure, yeah,

509
00:28:50,480 --> 00:28:51,240
Speaker 4: I saw what's it?

510
00:28:51,320 --> 00:28:52,040
Speaker 1: Ain't computing?

511
00:28:52,360 --> 00:28:54,800
Speaker 3: You know, y'all used to talk. You know what I'm saying,

512
00:28:54,880 --> 00:28:55,920
Speaker 3: don't mean that much to me.

513
00:28:56,000 --> 00:29:01,040
Speaker 1: You don't mean that much. Befall the rest of the lyrics,

514
00:29:01,080 --> 00:29:04,840
Speaker 1: Man Devon Penn is sick with the stay and come

515
00:29:04,880 --> 00:29:06,959
Speaker 1: and talk to me, and that I'm still waiting, and

516
00:29:06,960 --> 00:29:09,840
Speaker 1: that you and ies and my heart belongs to you,

517
00:29:09,960 --> 00:29:12,880
Speaker 1: the feelings and the freaking us that that's all.

518
00:29:13,000 --> 00:29:15,880
Speaker 4: D hold on, let's stop right here, let's let's stop

519
00:29:15,960 --> 00:29:19,160
Speaker 4: right here. Okay, God to love his the streets got.

520
00:29:20,600 --> 00:29:20,760
Speaker 3: Well.

521
00:29:20,800 --> 00:29:22,880
Speaker 4: I was like, Okay, I don't know why they singing

522
00:29:22,920 --> 00:29:25,960
Speaker 4: this hard on this up tempo, but I love it.

523
00:29:26,680 --> 00:29:31,320
Speaker 3: I love it. And then what that Forever my ladies?

524
00:29:31,400 --> 00:29:36,560
Speaker 4: Right, Yes, because there's a period where as new artists,

525
00:29:37,000 --> 00:29:41,520
Speaker 4: you know, you're opening, you're doing venues, and maybe it's

526
00:29:41,560 --> 00:29:44,720
Speaker 4: just you for a radio show, it's maybe two hundred people,

527
00:29:44,720 --> 00:29:49,040
Speaker 4: three people. But there's gotta be a moment where when

528
00:29:49,040 --> 00:29:53,280
Speaker 4: that Forever my Lady hits that you see the difference

529
00:29:53,760 --> 00:29:56,240
Speaker 4: from that two hundred and this small radio shows and

530
00:29:56,280 --> 00:30:01,440
Speaker 4: the openings to the venues getting at sure he's going

531
00:30:01,480 --> 00:30:02,120
Speaker 4: to the thousands.

532
00:30:02,400 --> 00:30:07,600
Speaker 2: Yeah, man, you know you know where I'm going. I

533
00:30:07,640 --> 00:30:10,560
Speaker 2: want to know what he bought, but I got come on, man,

534
00:30:10,680 --> 00:30:11,960
Speaker 2: I want to know when.

535
00:30:11,840 --> 00:30:14,120
Speaker 1: You first tore it? What what did I get? I

536
00:30:14,160 --> 00:30:18,720
Speaker 1: gotta I gotta. I gott a BMW, man, see what

537
00:30:18,840 --> 00:30:23,360
Speaker 1: it was? I got a BMW Jojo gotta bm J

538
00:30:24,120 --> 00:30:29,880
Speaker 1: Dialvin gotta be in w that damn de Vune. He

539
00:30:29,960 --> 00:30:33,000
Speaker 1: brought her something crazy and they gotta.

540
00:30:32,840 --> 00:30:36,280
Speaker 2: Lama, y'all be as cool.

541
00:30:36,400 --> 00:30:41,040
Speaker 4: Man got to get the lamb on him.

542
00:30:42,520 --> 00:30:45,760
Speaker 1: He just stop at one. You got like a couple

543
00:30:45,880 --> 00:30:48,520
Speaker 1: of them, man. That was That was that was the

544
00:30:48,560 --> 00:30:49,680
Speaker 1: first tour, the.

545
00:30:49,680 --> 00:30:51,240
Speaker 3: First tour, man, Who's the first tour?

546
00:30:51,680 --> 00:30:55,360
Speaker 1: First to Hammer MC Hammer and then and then and

547
00:30:55,400 --> 00:30:57,720
Speaker 1: then we broke off from that and then we did

548
00:30:57,760 --> 00:31:02,600
Speaker 1: on Jodicy tour which was jo Toasy and Mary and

549
00:31:02,680 --> 00:31:04,920
Speaker 1: I think it was on that tour with us, I think,

550
00:31:05,000 --> 00:31:09,640
Speaker 1: and I wanted to say Biggie, but I don't want

551
00:31:09,680 --> 00:31:16,720
Speaker 1: to but did Yeah, I think it was Biggie. Yeah, yeah,

552
00:31:16,840 --> 00:31:21,200
Speaker 1: they were they was openness, yeah, Joasy, Yeah, man we

553
00:31:21,800 --> 00:31:25,720
Speaker 1: Josey was that Joasy, We were that well.

554
00:31:25,800 --> 00:31:26,480
Speaker 5: It was crazy.

555
00:31:26,720 --> 00:31:31,440
Speaker 3: So give me, give me the give me the puff player.

556
00:31:32,040 --> 00:31:34,800
Speaker 1: Oh when pop okay, give me. That goes back to

557
00:31:35,320 --> 00:31:39,880
Speaker 1: when Puff was doing when Papa was intern. So Puff

558
00:31:40,040 --> 00:31:42,880
Speaker 1: was like it was to the street. I'm gonna tell

559
00:31:42,880 --> 00:31:44,040
Speaker 1: you how I got in love.

560
00:31:44,160 --> 00:31:48,440
Speaker 5: Came in and puffing as Dre.

561
00:31:48,600 --> 00:31:51,120
Speaker 1: Yo. You told Dre said, Yo, you shouldn't because d

562
00:31:51,400 --> 00:31:53,560
Speaker 1: was gonna come out the first single. He would come,

563
00:31:53,680 --> 00:31:57,200
Speaker 1: come and talk to me forever, my lady. So Puff

564
00:31:57,280 --> 00:31:59,480
Speaker 1: told him, no, Dre, don't do that. I want to

565
00:31:59,520 --> 00:32:01,640
Speaker 1: do that. If I was you, I would put them

566
00:32:01,640 --> 00:32:05,000
Speaker 1: out with God of Love that song God of Love man.

567
00:32:05,160 --> 00:32:07,440
Speaker 1: So Dre like, why would you do that we didn't

568
00:32:07,440 --> 00:32:10,240
Speaker 1: even want to do that, and why, he said, because

569
00:32:10,760 --> 00:32:13,719
Speaker 1: the video concept could be like they could be dressed

570
00:32:13,760 --> 00:32:17,120
Speaker 1: like you know, you know in the hood, you know,

571
00:32:17,280 --> 00:32:20,880
Speaker 1: with the boots, the little thuggish or whatever. So that

572
00:32:21,360 --> 00:32:25,240
Speaker 1: got of Love was set the world up, you know,

573
00:32:25,360 --> 00:32:28,240
Speaker 1: because they didn't want Dre even said that, Dre really

574
00:32:28,320 --> 00:32:32,160
Speaker 1: he really, he told us, I don't want y'all. We

575
00:32:32,240 --> 00:32:34,120
Speaker 1: told Dre, we don't want like no boys to man,

576
00:32:34,400 --> 00:32:36,280
Speaker 1: not no, you know, just some boys.

577
00:32:36,320 --> 00:32:36,480
Speaker 3: Man.

578
00:32:36,480 --> 00:32:38,520
Speaker 1: We didn't want to We didn't want want it like that.

579
00:32:38,560 --> 00:32:40,840
Speaker 1: Even Puffs said, yo, man, you don't want them like

580
00:32:41,160 --> 00:32:43,960
Speaker 1: boys men in suits. You don't want them in suits, man,

581
00:32:44,360 --> 00:32:46,800
Speaker 1: he said. Puff told us that, yo, man, when I

582
00:32:46,800 --> 00:32:48,480
Speaker 1: see them, when I see them, man, I want to

583
00:32:48,520 --> 00:32:50,960
Speaker 1: see them like four of my homeboys on the corner

584
00:32:52,000 --> 00:32:54,480
Speaker 1: singing the girls and stuff like that, you know, on

585
00:32:54,560 --> 00:32:56,240
Speaker 1: the stoop singing the girls.

586
00:32:56,320 --> 00:32:56,520
Speaker 3: You know.

587
00:32:57,120 --> 00:32:58,760
Speaker 1: So Puff's I think you should come out with God

588
00:32:58,800 --> 00:33:01,400
Speaker 1: of Love first and be like just have on it

589
00:33:01,480 --> 00:33:05,240
Speaker 1: like some hip hop gear on. So I thought Puff's

590
00:33:05,240 --> 00:33:07,680
Speaker 1: gonna get fired for that, man. But then after we

591
00:33:07,720 --> 00:33:11,440
Speaker 1: heard what Puff I did was, yeah, Dre, I think

592
00:33:11,480 --> 00:33:13,880
Speaker 1: we should go God to Love man. So God of

593
00:33:13,920 --> 00:33:16,960
Speaker 1: Love work. And what it really did is set a

594
00:33:17,040 --> 00:33:19,920
Speaker 1: tone so the world could see, Okay, you put everybody

595
00:33:19,920 --> 00:33:22,240
Speaker 1: on this, Yeah, this is how they're gonna be looking. This,

596
00:33:22,320 --> 00:33:24,440
Speaker 1: how they're gonna dress, they're gonna have on their boots,

597
00:33:24,480 --> 00:33:28,600
Speaker 1: they're gonna have on their vests, chase in their baseball cap.

598
00:33:29,160 --> 00:33:32,360
Speaker 1: So that really set the world up. But once again,

599
00:33:33,360 --> 00:33:35,719
Speaker 1: I think you said it like when they when they

600
00:33:35,760 --> 00:33:39,040
Speaker 1: saw sing from My Lady, they probably said, oh, that's

601
00:33:39,080 --> 00:33:42,040
Speaker 1: that croup that got on the yellow and in that

602
00:33:42,240 --> 00:33:46,000
Speaker 1: video with the boots and stuff. Okay, we get it,

603
00:33:46,040 --> 00:33:48,800
Speaker 1: that's them, And that really set us apart from thumb

604
00:33:48,840 --> 00:33:51,000
Speaker 1: Boys to men and whatever groups that was coming out

605
00:33:51,040 --> 00:33:51,640
Speaker 1: the same time.

606
00:33:51,520 --> 00:33:54,360
Speaker 2: Which is genius stuff because most time in this business,

607
00:33:54,360 --> 00:33:55,960
Speaker 2: and we all know this, we've been in this game

608
00:33:56,000 --> 00:33:59,960
Speaker 2: a long time, when something works, everybody does the exact same.

609
00:34:00,080 --> 00:34:01,200
Speaker 2: There you're going because it's.

610
00:34:01,040 --> 00:34:01,680
Speaker 5: The cheek hode.

611
00:34:02,080 --> 00:34:04,040
Speaker 1: It can get you, it can get you in, It

612
00:34:04,040 --> 00:34:04,520
Speaker 1: can get you in.

613
00:34:04,520 --> 00:34:05,480
Speaker 3: It might not keep you in.

614
00:34:06,160 --> 00:34:11,120
Speaker 2: But for you guys to be the polar opposite made

615
00:34:11,200 --> 00:34:14,719
Speaker 2: so much sense. Yeah, and for for Puff to be

616
00:34:14,760 --> 00:34:17,800
Speaker 2: an intern at the time recognize that, Yeah, he was

617
00:34:17,840 --> 00:34:18,879
Speaker 2: already showing that he was a.

618
00:34:18,800 --> 00:34:22,120
Speaker 4: Taste maker and the other other genius in it too,

619
00:34:22,320 --> 00:34:27,239
Speaker 4: in it being polar opposite is that now you're immediately

620
00:34:27,280 --> 00:34:31,040
Speaker 4: in a conversation with some guys that are already selling

621
00:34:31,080 --> 00:34:34,319
Speaker 4: millions of records. So it's like now it's like, oh,

622
00:34:35,520 --> 00:34:36,680
Speaker 4: what's what's getting.

623
00:34:36,400 --> 00:34:41,000
Speaker 3: Ready to happen? Yeah? Yeah, now it's two, ain't just one? There.

624
00:34:41,640 --> 00:34:44,000
Speaker 4: We got some guys over here that they come in

625
00:34:44,040 --> 00:34:46,520
Speaker 4: the bad became the bad Boys Army, so we got

626
00:34:46,520 --> 00:34:47,319
Speaker 4: the good guys in the bad.

627
00:34:47,719 --> 00:34:52,160
Speaker 3: Who who you want to go see? Right? Who you

628
00:34:52,200 --> 00:34:53,040
Speaker 3: want to go see?

629
00:34:53,520 --> 00:34:54,000
Speaker 5: That's great?

630
00:34:54,400 --> 00:34:57,319
Speaker 2: And I'm a church kid, so like, so did you

631
00:34:57,360 --> 00:35:00,040
Speaker 2: know of Obviously you knew.

632
00:34:59,840 --> 00:35:03,239
Speaker 4: Of Little but I didn't know that Little Cedric and

633
00:35:03,239 --> 00:35:05,759
Speaker 4: the Haley singers with your You didn't know that. Had

634
00:35:05,960 --> 00:35:10,399
Speaker 4: no idea. I had no idea until I got out

635
00:35:10,400 --> 00:35:14,560
Speaker 4: of high school and did some research and I was like, well,

636
00:35:15,000 --> 00:35:17,080
Speaker 4: because I got you, I got your sets, you know

637
00:35:17,120 --> 00:35:19,600
Speaker 4: what I'm saying. So once I made that connection, I said,

638
00:35:19,719 --> 00:35:21,680
Speaker 4: that's why it makes so much sense to me. So

639
00:35:21,719 --> 00:35:25,520
Speaker 4: for me, I started being Jo tosy in church. Okay,

640
00:35:27,320 --> 00:35:29,960
Speaker 4: I started sounding like y'all in church. I would go

641
00:35:30,000 --> 00:35:32,440
Speaker 4: to visiting churches and play and you know, add my

642
00:35:32,560 --> 00:35:35,560
Speaker 4: divante cors and all that like this, you're like one

643
00:35:35,600 --> 00:35:42,040
Speaker 4: man jodusyud, God bless you.

644
00:35:42,760 --> 00:35:44,040
Speaker 1: Because because.

645
00:35:45,360 --> 00:35:48,879
Speaker 4: As much as I loved boys to men who were

646
00:35:48,920 --> 00:35:53,480
Speaker 4: you know, I mean ultimately just talented, just a freaking.

647
00:35:53,239 --> 00:35:55,919
Speaker 1: Charge, right, yeah, yeah, yeah, yeah.

648
00:35:56,760 --> 00:36:03,040
Speaker 4: I was drawn so much to that feeling that was

649
00:36:03,160 --> 00:36:09,000
Speaker 4: so familiar to me. The core struct, the vocal arrangement,

650
00:36:09,080 --> 00:36:12,600
Speaker 4: the arrangement and how that like I come from that,

651
00:36:12,719 --> 00:36:17,200
Speaker 4: I come from courtet that you go Baptist kojic and

652
00:36:17,239 --> 00:36:19,239
Speaker 4: I was like, that's in there.

653
00:36:19,080 --> 00:36:22,200
Speaker 1: And we definitely coach it. That's in there, definitely coach it.

654
00:36:22,400 --> 00:36:26,000
Speaker 1: So it it made my soul happy. Yeah, I want

655
00:36:26,040 --> 00:36:33,120
Speaker 1: to shout. I wanted to shouts came off. So y'all

656
00:36:33,160 --> 00:36:34,680
Speaker 1: don't hear this, y'all don't want to lift no offering

657
00:36:35,080 --> 00:36:38,799
Speaker 1: I got if you change a few some words, if

658
00:36:38,800 --> 00:36:42,560
Speaker 1: you change words our song, guys.

659
00:36:42,520 --> 00:36:42,960
Speaker 3: Talk to the law.

660
00:36:43,040 --> 00:36:46,200
Speaker 1: You can have an altar call, yeah, can instrumental.

661
00:36:46,440 --> 00:36:50,520
Speaker 3: You can. Let me ask you a question, did the

662
00:36:50,600 --> 00:36:52,760
Speaker 3: commission have any.

663
00:36:54,280 --> 00:36:59,480
Speaker 1: Most definitely commission the whinings and then you know, and

664
00:36:59,520 --> 00:37:03,440
Speaker 1: I had my quartet groups. You know, the gospel, keynotes,

665
00:37:04,120 --> 00:37:09,840
Speaker 1: the volunteers, you name, the quartest man, I was a

666
00:37:09,840 --> 00:37:16,560
Speaker 1: hardcore quartet. But then like in the late eighties, I

667
00:37:16,640 --> 00:37:21,480
Speaker 1: started listening to like, like I said, Commission in the Whinings,

668
00:37:21,520 --> 00:37:27,080
Speaker 1: you know those cats Clark Sisters, you know, And I'm like, okay,

669
00:37:27,200 --> 00:37:30,520
Speaker 1: and that's what we did. But think about it. When

670
00:37:30,520 --> 00:37:33,120
Speaker 1: we got an R and B, when we got in

671
00:37:33,280 --> 00:37:37,000
Speaker 1: RB Man, we were. However, Jose's you really really really

672
00:37:37,040 --> 00:37:44,160
Speaker 1: got our sound. Jojo was the deal in Babyface fanatic.

673
00:37:45,040 --> 00:37:51,279
Speaker 1: M m okay listen the late the late nineties, I mean,

674
00:37:51,400 --> 00:37:55,920
Speaker 1: Davante was fanatics of God.

675
00:37:56,760 --> 00:37:57,120
Speaker 5: Mm hmm.

676
00:37:57,680 --> 00:38:01,279
Speaker 1: So what we do is if Joe to sleeping in

677
00:38:01,360 --> 00:38:03,480
Speaker 1: one room, this is not my mom house. Now, Joe

678
00:38:03,480 --> 00:38:06,719
Speaker 1: to sleep in one room, He'll go to sleep with

679
00:38:06,880 --> 00:38:13,640
Speaker 1: all Babyface in the in the Deal stopped playing in

680
00:38:13,680 --> 00:38:18,080
Speaker 1: his cassette player, I mean Avante in another room. We're

681
00:38:18,080 --> 00:38:23,120
Speaker 1: going to sleep listening to Teddy, Teddy and er. So

682
00:38:23,120 --> 00:38:27,120
Speaker 1: I'm in the vante like, okay, I'm doing Teddy, I'm

683
00:38:27,160 --> 00:38:27,720
Speaker 1: doing Teddy.

684
00:38:27,719 --> 00:38:30,799
Speaker 5: Ship. You just some a ship mm hmm. Okay, so

685
00:38:30,880 --> 00:38:32,120
Speaker 5: this is all late ladies.

686
00:38:32,440 --> 00:38:43,240
Speaker 1: Yeah, what we did we combined the wines commission guy

687
00:38:43,640 --> 00:38:45,359
Speaker 1: in the deal and the deal.

688
00:38:47,320 --> 00:38:50,760
Speaker 5: Yeah, yeah, it all makes sense.

689
00:38:50,800 --> 00:38:53,920
Speaker 1: And then we made and plus we had of course

690
00:38:53,960 --> 00:38:57,120
Speaker 1: we had Jodasy.

691
00:38:58,160 --> 00:39:03,239
Speaker 5: It was so aggressed. Yeah, if you can hear it, man.

692
00:39:04,200 --> 00:39:09,080
Speaker 4: It was like I tell people all the time. Everybody's like, yeah,

693
00:39:09,760 --> 00:39:12,160
Speaker 4: it's you hit him, jousy army.

694
00:39:12,280 --> 00:39:13,520
Speaker 5: I said, yeah, I hear you.

695
00:39:15,200 --> 00:39:26,279
Speaker 2: But that's your way of saying, you don't here, you can't.

696
00:39:27,680 --> 00:39:30,040
Speaker 3: You can't because it's just nice to me. I'll be like,

697
00:39:30,160 --> 00:39:31,200
Speaker 3: this ain't no jous.

698
00:39:35,239 --> 00:39:38,960
Speaker 4: Here's here's two things right, because it's it's too two things.

699
00:39:39,360 --> 00:39:43,920
Speaker 4: First of all, you can try the arrangement, right, but

700
00:39:43,960 --> 00:39:50,200
Speaker 4: the but the vocal, the casey and and Jojos vocal

701
00:39:50,280 --> 00:39:55,759
Speaker 4: are so distinctive that she'll never you'll never have that

702
00:39:55,960 --> 00:40:01,400
Speaker 4: combination of tone make it what it is. And two,

703
00:40:01,880 --> 00:40:06,120
Speaker 4: the misconception of anybody, from groups to anybody trying to

704
00:40:06,160 --> 00:40:09,239
Speaker 4: be Joalasy is that they confuse.

705
00:40:10,480 --> 00:40:13,080
Speaker 5: The fashion with the music. With the music.

706
00:40:13,280 --> 00:40:19,200
Speaker 2: Y'all was making love, man, y'all screaming. Start treat them

707
00:40:19,200 --> 00:40:22,160
Speaker 2: like they're supposed to be treating y'all are screaming that though,

708
00:40:23,800 --> 00:40:27,480
Speaker 2: screaming that screaming forever, my lady screaming stay.

709
00:40:28,239 --> 00:40:30,200
Speaker 5: Those are all love to know.

710
00:40:37,000 --> 00:40:40,520
Speaker 1: What that's stay church, that's coach.

711
00:40:41,120 --> 00:40:46,919
Speaker 4: That sounds like sometimes yeah yeah.

712
00:40:46,960 --> 00:40:49,160
Speaker 1: And then the way we stack our stuff.

713
00:40:48,960 --> 00:40:50,160
Speaker 3: How many stack give me the stacks?

714
00:40:50,160 --> 00:40:50,400
Speaker 5: Come on?

715
00:40:50,400 --> 00:40:52,520
Speaker 4: Give me because y'all on the on the board, y'all

716
00:40:52,600 --> 00:40:56,279
Speaker 4: on tape, y'all on real too, y'all y'all using the

717
00:40:56,280 --> 00:40:57,280
Speaker 4: whole y'all using.

718
00:40:57,040 --> 00:41:04,640
Speaker 2: To man flying over No nah nah, I want to say,

719
00:41:04,880 --> 00:41:06,879
Speaker 2: on one note, give me how many how many times

720
00:41:06,920 --> 00:41:07,719
Speaker 2: you stacked one note?

721
00:41:07,760 --> 00:41:08,320
Speaker 1: One note?

722
00:41:08,440 --> 00:41:09,560
Speaker 3: One note?

723
00:41:10,360 --> 00:41:14,200
Speaker 1: The melody Davante will have a stack.

724
00:41:15,520 --> 00:41:16,200
Speaker 5: On one note.

725
00:41:16,280 --> 00:41:22,359
Speaker 1: The least man this might sound crazy, Man Davante would

726
00:41:22,400 --> 00:41:24,719
Speaker 1: have us clus to ten.

727
00:41:26,840 --> 00:41:28,400
Speaker 5: Ten stacks on one note.

728
00:41:28,480 --> 00:41:33,800
Speaker 4: I believe every word you sing. I believe every word

729
00:41:33,960 --> 00:41:36,160
Speaker 4: you were saying, yeah, yeah, say.

730
00:41:36,040 --> 00:41:39,120
Speaker 2: About during y'all stacks? Are y'all trying to match the note?

731
00:41:39,160 --> 00:41:41,120
Speaker 2: Are y'all just singing it with a different feel every time?

732
00:41:41,120 --> 00:41:42,040
Speaker 2: Because that's the other thing.

733
00:41:42,440 --> 00:41:43,400
Speaker 5: People go in.

734
00:41:43,360 --> 00:41:45,360
Speaker 2: And you stacking, stack and stacking, and you're trying to

735
00:41:45,400 --> 00:41:46,800
Speaker 2: make all the notes sound identical.

736
00:41:47,320 --> 00:41:53,239
Speaker 1: But sometimes we'll be like we'll do like, uh, we

737
00:41:53,400 --> 00:41:59,960
Speaker 1: do like five, Like tonight we do like five.

738
00:42:00,040 --> 00:42:00,200
Speaker 3: Uh.

739
00:42:00,600 --> 00:42:05,480
Speaker 1: The sixth times other to know, you know, just.

740
00:42:05,680 --> 00:42:09,759
Speaker 4: Yeah, very yeah, yeah, yeah, so it just feeling those yeah,

741
00:42:09,840 --> 00:42:15,800
Speaker 4: those sonic holes and panem PanAm all. You know, I

742
00:42:15,960 --> 00:42:20,799
Speaker 4: ain't stacking enough, That's what he's just saying. You're not

743
00:42:20,920 --> 00:42:24,960
Speaker 4: stacking enough enough. Stacks, you gotta stack. Ain't no ass

744
00:42:24,960 --> 00:42:26,520
Speaker 4: on your background, that's what he's saying.

745
00:42:26,560 --> 00:42:26,680
Speaker 3: Now.

746
00:42:26,760 --> 00:42:28,400
Speaker 5: As far as as far as.

747
00:42:30,520 --> 00:42:37,080
Speaker 1: Harmonies arrangements, see DeVante plays chords all five fingers. Yeah,

748
00:42:37,239 --> 00:42:40,440
Speaker 1: so we gotta, man, Jojo gotta sing every note every

749
00:42:40,880 --> 00:42:46,360
Speaker 1: that he's playing ship and then Jojo going there. He's

750
00:42:46,400 --> 00:42:50,120
Speaker 1: that's one thing about Jojo. He's so creative. Jojo just

751
00:42:50,200 --> 00:42:53,000
Speaker 1: dropped something in there. Even when we record, he'll just

752
00:42:53,080 --> 00:42:57,759
Speaker 1: drop something something for you fall off, yeah, yeah, yeah,

753
00:42:57,960 --> 00:43:00,960
Speaker 1: keep that and yeah, keep doing next thing.

754
00:43:00,960 --> 00:43:01,120
Speaker 3: You know.

755
00:43:01,200 --> 00:43:03,960
Speaker 5: That's a harmony. Yeah, and that's a harmony.

756
00:43:04,239 --> 00:43:07,120
Speaker 1: So you know, man, sometimes we have like what some

757
00:43:07,160 --> 00:43:10,680
Speaker 1: people lose, use five part harmonies. Man, we'll we'll make

758
00:43:10,719 --> 00:43:13,760
Speaker 1: it away. We can use six or seven absolutely, because

759
00:43:13,800 --> 00:43:16,200
Speaker 1: like mine, now we got the regulars, we got the

760
00:43:16,239 --> 00:43:21,560
Speaker 1: regular notes. Now mine, Davante gonna play five chords. You know,

761
00:43:21,600 --> 00:43:24,680
Speaker 1: he's gonna play five chords on the harmonies and then

762
00:43:24,760 --> 00:43:26,640
Speaker 1: like I said, the extra stuff that Jojo would do,

763
00:43:27,640 --> 00:43:31,160
Speaker 1: and you know that that it's just you gotta be

764
00:43:31,160 --> 00:43:33,680
Speaker 1: in one of our sessions. Man, you'll be like, whoa.

765
00:43:34,160 --> 00:43:36,040
Speaker 4: You know, the first time I got a I gotta

766
00:43:36,200 --> 00:43:41,240
Speaker 4: just maybe even a slight glimpse of it was working Virginiaine. Okay, okay,

767
00:43:41,600 --> 00:43:43,880
Speaker 4: he will know he came from that school and I

768
00:43:44,239 --> 00:43:47,040
Speaker 4: watched him.

769
00:43:45,880 --> 00:43:48,279
Speaker 1: Stack stack stacks.

770
00:43:48,440 --> 00:43:50,640
Speaker 4: He got different d and he was like he was like.

771
00:43:50,880 --> 00:43:52,279
Speaker 4: I was like, I was like, you're doing the same

772
00:43:52,320 --> 00:43:54,600
Speaker 4: note again. He said, Nah, I'm doing it a little

773
00:43:54,600 --> 00:43:56,560
Speaker 4: different this time. Watch when I watch what I do

774
00:43:56,600 --> 00:44:00,600
Speaker 4: at the end, I'm like, oh, okay, okay, he said,

775
00:44:00,600 --> 00:44:02,279
Speaker 4: all right, now give me, give me, give me three

776
00:44:02,280 --> 00:44:03,160
Speaker 4: more of a whispered ease.

777
00:44:03,920 --> 00:44:07,680
Speaker 5: Should I just tell you that? Yeah, what are you doing? Yeah?

778
00:44:08,120 --> 00:44:10,799
Speaker 1: The whole thing before you came from the school absolutely

779
00:44:10,840 --> 00:44:11,600
Speaker 1: came from the school.

780
00:44:11,920 --> 00:44:14,560
Speaker 3: So that was my first glimpse. Yeah, that much stacking.

781
00:44:14,719 --> 00:44:18,880
Speaker 1: Yeah yeah, Timberland too, Yeah, it came from the school. Okay,

782
00:44:18,880 --> 00:44:20,680
Speaker 1: here we go, Like I said, we did that ship.

783
00:44:21,080 --> 00:44:23,600
Speaker 4: No, you can say that as many times as you

784
00:44:23,640 --> 00:44:28,719
Speaker 4: want to. I want to get to I want to

785
00:44:28,719 --> 00:44:30,240
Speaker 4: get the Diary of a Mad band.

786
00:44:30,320 --> 00:44:31,920
Speaker 1: Come.

787
00:44:32,000 --> 00:44:35,080
Speaker 4: I want to know first why Diary of a Mad Band?

788
00:44:35,120 --> 00:44:36,279
Speaker 4: Why that title.

789
00:44:41,040 --> 00:44:46,919
Speaker 1: Diary of a Mad Band? I didn't like it at first,

790
00:44:46,960 --> 00:44:49,200
Speaker 1: and then I started realizing. We came back with it,

791
00:44:49,320 --> 00:44:54,720
Speaker 1: we met Davante, but that second we were we was mad.

792
00:44:54,800 --> 00:44:56,960
Speaker 5: What were all mad about? Just mad?

793
00:44:58,880 --> 00:44:59,160
Speaker 8: Mad?

794
00:44:59,360 --> 00:45:02,960
Speaker 5: Was it was so? Wasn't was it connected to the businesses?

795
00:45:03,360 --> 00:45:03,400
Speaker 4: Was?

796
00:45:03,680 --> 00:45:06,080
Speaker 1: No, It wasn't connected to the business. It was just

797
00:45:06,160 --> 00:45:08,800
Speaker 1: we were just mad. We wanted to be like, yo, okay,

798
00:45:09,840 --> 00:45:13,360
Speaker 1: we're getting out of that. Okay, we people think we're soft.

799
00:45:13,840 --> 00:45:14,319
Speaker 3: We're mad.

800
00:45:14,640 --> 00:45:17,200
Speaker 1: We're trying to get mad. That's right to the album

801
00:45:17,239 --> 00:45:19,880
Speaker 1: cover like that with shirts off with Van and Dobbin

802
00:45:19,960 --> 00:45:22,120
Speaker 1: and we had the boost and stuff off and all that,

803
00:45:22,239 --> 00:45:25,479
Speaker 1: all that boost on. We were just I was gonna

804
00:45:25,480 --> 00:45:30,120
Speaker 1: sit ourselves a mad band. Mad don't mean you know,

805
00:45:30,160 --> 00:45:34,680
Speaker 1: we have attitude. I mean, we got attitude, but we

806
00:45:34,680 --> 00:45:36,360
Speaker 1: want to let y'all know we're more than just an

807
00:45:36,480 --> 00:45:39,440
Speaker 1: R and B band. You know we you know, our

808
00:45:39,480 --> 00:45:40,800
Speaker 1: conrollers too, were mad.

809
00:45:41,160 --> 00:45:41,800
Speaker 3: You know what I'm saying.

810
00:45:42,080 --> 00:45:46,000
Speaker 5: We got attitude and all that.

811
00:45:46,280 --> 00:45:46,879
Speaker 1: We didn't care.

812
00:45:47,080 --> 00:45:48,200
Speaker 3: We was mad.

813
00:45:48,200 --> 00:45:50,239
Speaker 1: We didn't give a damn. We wanted to change the

814
00:45:50,239 --> 00:45:51,120
Speaker 1: face of R and B.

815
00:45:51,920 --> 00:45:55,040
Speaker 5: Yeah, y'all did that. Y'all did that.

816
00:45:55,360 --> 00:45:57,880
Speaker 1: So and all the songs we put on that album

817
00:45:57,920 --> 00:45:59,640
Speaker 1: man Ship.

818
00:45:59,560 --> 00:46:00,000
Speaker 5: We didn't care.

819
00:46:00,040 --> 00:46:17,160
Speaker 4: YEA little mad brother said, you just comentast sound good,

820
00:46:17,280 --> 00:46:24,879
Speaker 4: you know in your travels and this R and B thing,

821
00:46:27,560 --> 00:46:36,640
Speaker 4: this gospel thing, being a tighten yourself. They are definitely

822
00:46:36,680 --> 00:46:38,000
Speaker 4: people m HM.

823
00:46:40,400 --> 00:46:41,560
Speaker 1: And songs.

824
00:46:45,000 --> 00:46:49,920
Speaker 3: That inspired this great man. Okay, see, we want to

825
00:46:49,960 --> 00:46:50,440
Speaker 3: know your.

826
00:46:52,160 --> 00:47:01,640
Speaker 4: Top five, your top five, top f.

827
00:47:04,160 --> 00:47:10,120
Speaker 1: H, your top five R and B singer? What else

828
00:47:10,960 --> 00:47:12,400
Speaker 1: love man be song?

829
00:47:13,680 --> 00:47:13,919
Speaker 2: Yeah?

830
00:47:14,520 --> 00:47:19,520
Speaker 1: Yeah? Can I see your top? Can I see yo?

831
00:47:20,000 --> 00:47:20,040
Speaker 4: No?

832
00:47:20,280 --> 00:47:21,160
Speaker 1: SUNet yom?

833
00:47:21,440 --> 00:47:22,040
Speaker 3: We want to know.

834
00:47:22,480 --> 00:47:30,880
Speaker 1: We want to know your top yeah, wow, yeah h

835
00:47:31,239 --> 00:47:33,880
Speaker 1: your top.

836
00:47:37,360 --> 00:47:52,040
Speaker 6: We did you didn't laughing fuck top daddy?

837
00:47:52,680 --> 00:47:55,560
Speaker 5: Merse see now?

838
00:47:57,040 --> 00:47:57,719
Speaker 3: Yeah?

839
00:47:57,920 --> 00:48:01,279
Speaker 4: Your top FI now or R and B singers of

840
00:48:01,719 --> 00:48:05,480
Speaker 4: all time, all time, R and B, R and B gospel,

841
00:48:05,520 --> 00:48:09,680
Speaker 4: your world, your top five singers, no particularly they can

842
00:48:09,760 --> 00:48:11,759
Speaker 4: be whatever you want, whatever you want it to be.

843
00:48:12,160 --> 00:48:19,280
Speaker 4: Marvin Wyers talk to talk m hm, Steve Won, Marvin Gay.

844
00:48:22,320 --> 00:48:27,919
Speaker 1: My personals you want me to I came from Uncle

845
00:48:28,000 --> 00:48:30,000
Speaker 1: Charlie in Tank and Front.

846
00:48:30,719 --> 00:48:32,120
Speaker 5: I feel like I feel like you just hit a

847
00:48:32,160 --> 00:48:33,160
Speaker 5: game with the Three brothers.

848
00:48:35,120 --> 00:48:35,880
Speaker 1: I'm not crying.

849
00:48:37,080 --> 00:48:37,360
Speaker 3: I'm not.

850
00:48:38,239 --> 00:48:44,040
Speaker 1: I'm not I'm not Jacob. Hold up, I'm not saying

851
00:48:44,160 --> 00:48:46,320
Speaker 1: that because.

852
00:48:47,880 --> 00:48:48,920
Speaker 5: You're sitting right here. Man.

853
00:48:49,400 --> 00:48:52,759
Speaker 1: I don't saying that because every time when now you sing, man,

854
00:48:52,800 --> 00:48:58,000
Speaker 1: it's like, Man, my mama like you, and she told

855
00:48:58,040 --> 00:49:03,080
Speaker 1: me tell you how to better better tell a little

856
00:49:03,120 --> 00:49:08,680
Speaker 1: squinchy eye boy. That that was this morning when you

857
00:49:08,800 --> 00:49:14,160
Speaker 1: told me that anyway you your style, man, is like,

858
00:49:14,600 --> 00:49:18,560
Speaker 1: I know they're trying to do this. I've heard things

859
00:49:18,880 --> 00:49:23,359
Speaker 1: about artists coming out they gonna be the new, they

860
00:49:23,480 --> 00:49:28,520
Speaker 1: gonna be the new that from my era, my era,

861
00:49:30,000 --> 00:49:33,719
Speaker 1: and the way your performance is you that new Marvin.

862
00:49:35,560 --> 00:49:36,520
Speaker 3: Person. That's just me.

863
00:49:37,400 --> 00:49:41,640
Speaker 1: Wow, don't have to be with you. Don't have to

864
00:49:41,680 --> 00:49:43,919
Speaker 1: be with the way you sing or y'all know, y'all

865
00:49:43,960 --> 00:49:47,759
Speaker 1: got different styles, but your your your or you know.

866
00:49:47,880 --> 00:49:50,080
Speaker 1: It's like when I saw you on the on the

867
00:49:50,200 --> 00:49:52,799
Speaker 1: on on a New Addition tour, I said, Yoe, that's

868
00:49:52,920 --> 00:49:56,000
Speaker 1: that's a new Marvin ship right there. And y'all did

869
00:49:56,080 --> 00:49:58,200
Speaker 1: y'all think too? I saw that, Man, I love but

870
00:49:58,440 --> 00:49:59,440
Speaker 1: that's how I feel about you.

871
00:49:59,520 --> 00:49:59,680
Speaker 3: Man.

872
00:50:00,200 --> 00:50:02,600
Speaker 1: Yeah, you're on my top five the show. I ain't

873
00:50:02,600 --> 00:50:06,359
Speaker 1: gonna better tell this niggas your arrangement, you know all that, man,

874
00:50:06,800 --> 00:50:09,640
Speaker 1: all that. People just don't know. And see they're not

875
00:50:09,760 --> 00:50:14,160
Speaker 1: from well we're from They wouldn't get it. I get it.

876
00:50:14,880 --> 00:50:19,040
Speaker 4: You know you're done sucked up right. I need wipers,

877
00:50:21,480 --> 00:50:31,680
Speaker 4: I need bathers. Somebody feeding me grapes. Yeah, you heard

878
00:50:31,680 --> 00:50:34,799
Speaker 4: what you did? You hear what you gotta or you got.

879
00:50:37,239 --> 00:50:44,520
Speaker 1: You James, because like yo, that's not marble like he

880
00:50:44,719 --> 00:50:45,040
Speaker 1: right there.

881
00:50:45,600 --> 00:50:48,239
Speaker 4: I love you for that, brother, because you you are,

882
00:50:48,760 --> 00:50:52,279
Speaker 4: you are in my DNA. Yeah, man, And I appreciate that.

883
00:50:53,600 --> 00:50:56,040
Speaker 4: Case of your top five R and B.

884
00:50:56,360 --> 00:51:00,480
Speaker 1: Songs, anything from the songs and the was a Kid

885
00:51:00,480 --> 00:51:01,560
Speaker 1: of Life, anything from.

886
00:51:01,480 --> 00:51:05,080
Speaker 5: That, anything but that anyone that's one.

887
00:51:07,880 --> 00:51:11,919
Speaker 1: Wildflower? No, you're going there for New Bird? Oh yeah?

888
00:51:11,960 --> 00:51:12,719
Speaker 5: Are you going there?

889
00:51:14,280 --> 00:51:21,440
Speaker 1: Yeah? Yeah, Newbird of course definitely, Barbie wo mack. If

890
00:51:21,440 --> 00:51:24,040
Speaker 1: you think you lonely, now, why not Johnny had to

891
00:51:24,120 --> 00:51:29,319
Speaker 1: wait song for you? Oh my god, that's what fo Yeah,

892
00:51:29,320 --> 00:51:29,880
Speaker 1: that's what we need.

893
00:51:29,920 --> 00:51:32,600
Speaker 5: One more more. I mean as song as a Kid

894
00:51:32,600 --> 00:51:34,560
Speaker 5: of Life. We got thirty seven the hours, so really

895
00:51:34,640 --> 00:51:35,200
Speaker 5: we have forty.

896
00:51:35,480 --> 00:51:47,160
Speaker 1: But I gotta say this, y'all, sorry forever, my lady.

897
00:51:47,600 --> 00:51:51,719
Speaker 3: Why not why not.

898
00:51:52,360 --> 00:51:52,960
Speaker 5: It has to be.

899
00:51:53,200 --> 00:51:56,279
Speaker 1: It has to be. It has to be, My lady,

900
00:51:56,360 --> 00:51:59,359
Speaker 1: that's it. That song right there, it's like every time

901
00:51:59,440 --> 00:52:03,480
Speaker 1: I sing that song, I just I forgets it's me.

902
00:52:04,239 --> 00:52:06,080
Speaker 5: M hmm, I forget it's me.

903
00:52:07,440 --> 00:52:08,040
Speaker 3: So how good it is?

904
00:52:10,160 --> 00:52:12,640
Speaker 5: What song do you get tired of singing? If there's

905
00:52:12,680 --> 00:52:13,960
Speaker 5: any what song.

906
00:52:13,960 --> 00:52:14,400
Speaker 1: Is you like?

907
00:52:14,520 --> 00:52:14,719
Speaker 3: Ah?

908
00:52:15,520 --> 00:52:17,520
Speaker 1: Here we go with this one again. I put my

909
00:52:17,640 --> 00:52:18,040
Speaker 1: all in.

910
00:52:19,760 --> 00:52:21,120
Speaker 3: To everything that I sing.

911
00:52:22,760 --> 00:52:25,520
Speaker 1: And I and I enjoy them so much till I

912
00:52:25,680 --> 00:52:28,399
Speaker 1: really really don't get tired of singing none of them,

913
00:52:28,800 --> 00:52:32,560
Speaker 1: because every time I sing them, I get a different feeling.

914
00:52:33,280 --> 00:52:36,239
Speaker 1: I don't. I don't approach them the same way.

915
00:52:37,400 --> 00:52:42,400
Speaker 4: Your voltron, it's called a voltron, it's called your super

916
00:52:42,560 --> 00:52:46,080
Speaker 4: R and B artists, we're gonna get You gotta get

917
00:52:46,080 --> 00:52:49,640
Speaker 4: the vocal from somebody. You gotta get the performance style

918
00:52:49,719 --> 00:52:53,800
Speaker 4: from somebody. You gotta get the styling from somebody, And

919
00:52:53,960 --> 00:52:56,520
Speaker 4: you gotta get the passion, the heart of the artist

920
00:52:56,600 --> 00:52:58,080
Speaker 4: from somebody to.

921
00:52:58,160 --> 00:53:01,800
Speaker 3: Make your ultimate R and B singer. Who are you

922
00:53:01,840 --> 00:53:02,960
Speaker 3: getting that vocal from?

923
00:53:03,600 --> 00:53:05,040
Speaker 5: Marvin Wys.

924
00:53:06,239 --> 00:53:10,000
Speaker 1: Who are getting the performance style from the style on

925
00:53:10,120 --> 00:53:16,320
Speaker 1: stage performance? I get my style in casey, come on, come, on.

926
00:53:16,520 --> 00:53:19,760
Speaker 1: I try, I try to be nice today today.

927
00:53:23,960 --> 00:53:26,280
Speaker 4: Okay, can we got Casey performance style? We've got Marvil

928
00:53:26,280 --> 00:53:29,440
Speaker 4: Wat's on the vocals, kting aggressive. Who getting the styling

929
00:53:29,560 --> 00:53:32,040
Speaker 4: from the drip of the artists? What they what they

930
00:53:32,120 --> 00:53:32,800
Speaker 4: what they're putting on?

931
00:53:34,920 --> 00:53:36,040
Speaker 1: Doland, come with our clothes.

932
00:53:36,640 --> 00:53:37,160
Speaker 3: You know what I'm saying.

933
00:53:37,200 --> 00:53:38,600
Speaker 5: We're going who you're thinking.

934
00:53:39,280 --> 00:53:41,520
Speaker 3: I feel like who were dressing? I feel like.

935
00:53:43,520 --> 00:53:51,760
Speaker 4: Jon Ship style from your damnself.

936
00:53:52,640 --> 00:53:56,840
Speaker 1: There you go, Ship. But right now you know I

937
00:53:57,719 --> 00:54:01,279
Speaker 1: have help, you know, God bless me with my beautiful wife.

938
00:54:01,320 --> 00:54:04,520
Speaker 1: So she got good. She got a good taste. Keep

939
00:54:04,600 --> 00:54:08,520
Speaker 1: you make sure help me keep your come on rib.

940
00:54:08,920 --> 00:54:11,239
Speaker 1: She makes sure, yes, my rib come on rib. So

941
00:54:11,400 --> 00:54:14,719
Speaker 1: she helped me right now now she said, baby, you

942
00:54:14,719 --> 00:54:17,000
Speaker 1: ain't wearing that. No, no, you ain't doing that. I

943
00:54:17,080 --> 00:54:20,160
Speaker 1: mean she had me have a fitting session every night

944
00:54:20,280 --> 00:54:21,399
Speaker 1: before I walk out the door.

945
00:54:22,040 --> 00:54:23,840
Speaker 3: I love it who you get in the heart of

946
00:54:23,880 --> 00:54:25,920
Speaker 3: the artists, from the passion of the artists.

947
00:54:26,320 --> 00:54:29,040
Speaker 2: The passion of it, like like just I love it.

948
00:54:29,600 --> 00:54:32,080
Speaker 2: They love what they're doing, and like putting all in

949
00:54:32,640 --> 00:54:35,719
Speaker 2: James making the crowd sweat, Prince.

950
00:54:36,600 --> 00:54:43,280
Speaker 1: Michael, okay, all of them. Stevie's that list is along.

951
00:54:44,880 --> 00:54:46,480
Speaker 3: Can you pick one or you need all four?

952
00:54:47,800 --> 00:54:51,879
Speaker 5: Let me pick one. I sweat man.

953
00:54:51,920 --> 00:54:53,719
Speaker 1: I was just talking about this too today on the

954
00:54:53,760 --> 00:54:54,279
Speaker 1: way over here.

955
00:54:55,320 --> 00:54:56,040
Speaker 5: James Brown.

956
00:54:57,120 --> 00:55:01,640
Speaker 4: Yeah, no argument, no argument, you know what I mean? No, No,

957
00:55:01,840 --> 00:55:03,480
Speaker 4: I'm not arguing at at all. I heard stories of

958
00:55:03,520 --> 00:55:07,960
Speaker 4: where James Brody used to laugh laugh at people's performances,

959
00:55:08,000 --> 00:55:08,960
Speaker 4: like that's all y'all got.

960
00:55:12,200 --> 00:55:15,200
Speaker 3: That's all y'all. Yeah, that's all y'all gonna do and

961
00:55:15,360 --> 00:55:17,200
Speaker 3: get out there and proceed to sweat.

962
00:55:18,640 --> 00:55:22,520
Speaker 5: Yeah, four hour and a half sweat.

963
00:55:23,080 --> 00:55:25,240
Speaker 3: We got one more segment for you, brother.

964
00:55:29,160 --> 00:55:39,440
Speaker 4: Oka se mm hmmm, one more segment. The rules of

965
00:55:39,520 --> 00:55:43,439
Speaker 4: this segment. I ain't saying no names. I ain't saying

966
00:55:43,560 --> 00:55:46,640
Speaker 4: no names. I ain't saying no names. I ain't saying

967
00:55:46,719 --> 00:55:47,200
Speaker 4: no names.

968
00:55:47,239 --> 00:55:51,200
Speaker 5: Where you was, what you did?

969
00:55:52,120 --> 00:55:56,680
Speaker 1: Don't say she, I ain't saying no names.

970
00:56:03,600 --> 00:56:06,399
Speaker 5: He'll be here all week. I'm all weak?

971
00:56:07,520 --> 00:56:09,440
Speaker 3: Is that so right? Now?

972
00:56:09,880 --> 00:56:10,359
Speaker 5: Talk to him?

973
00:56:10,360 --> 00:56:13,160
Speaker 2: We got a special segment of the show. It's called

974
00:56:13,200 --> 00:56:15,480
Speaker 2: I ain't saying no names. Will you tell us a story?

975
00:56:16,320 --> 00:56:16,640
Speaker 3: Funny?

976
00:56:16,880 --> 00:56:20,719
Speaker 5: Are fucked up? Are funny and fucked up? Okay? The

977
00:56:20,960 --> 00:56:24,320
Speaker 5: only rule to the game is you can't say no names. Okay,

978
00:56:25,480 --> 00:56:26,600
Speaker 5: you reckon, let's go.

979
00:56:27,360 --> 00:56:28,720
Speaker 3: This is case.

980
00:56:30,040 --> 00:56:33,839
Speaker 5: Mister ooh yeah, who yeah, however the hell you want

981
00:56:33,880 --> 00:56:34,480
Speaker 5: to sing it.

982
00:56:36,239 --> 00:56:36,799
Speaker 1: Himself?

983
00:56:38,960 --> 00:56:40,280
Speaker 5: I ain't saying no names.

984
00:56:42,280 --> 00:56:44,880
Speaker 1: That's so many man, Damn, y'all gotta go into archive.

985
00:56:45,360 --> 00:56:45,719
Speaker 3: All right.

986
00:56:46,480 --> 00:56:50,080
Speaker 5: We're in London. M hmm. I like this. All restaurant good.

987
00:56:51,320 --> 00:56:56,680
Speaker 1: And the VIP section matter our business. Anybody just chilling

988
00:56:57,000 --> 00:57:04,160
Speaker 1: James Floyd fans good, it feating, it's good. All of

989
00:57:04,239 --> 00:57:11,920
Speaker 1: a sudden, that bitch keep looking over at you. Oh

990
00:57:12,000 --> 00:57:12,680
Speaker 1: she's looking again.

991
00:57:14,200 --> 00:57:14,839
Speaker 3: Oh my god.

992
00:57:14,920 --> 00:57:16,080
Speaker 1: We got to get down the club.

993
00:57:19,520 --> 00:57:27,520
Speaker 5: I ain't saying on that. I thought I was some

994
00:57:27,680 --> 00:57:28,240
Speaker 5: by standing.

995
00:57:29,560 --> 00:57:30,360
Speaker 1: She's looking at me.

996
00:57:31,880 --> 00:57:34,200
Speaker 5: Somebody got knocked out for looking at Casey. I didn't

997
00:57:34,200 --> 00:57:38,000
Speaker 5: do nothing. I don't know who that is.

998
00:57:39,680 --> 00:57:40,840
Speaker 3: I use that fact.

999
00:57:41,520 --> 00:57:42,240
Speaker 1: We're in London.

1000
00:57:42,480 --> 00:57:43,040
Speaker 5: We're in London.

1001
00:57:43,400 --> 00:57:53,280
Speaker 1: No, I don't know who. I don't know nobody.

1002
00:57:53,400 --> 00:57:55,960
Speaker 3: But I use that to.

1003
00:57:58,520 --> 00:58:09,080
Speaker 1: Take I didn't We all wain atleta at who that is.

1004
00:58:10,120 --> 00:58:13,480
Speaker 1: I don't get your hand. What you do, don't do

1005
00:58:13,560 --> 00:58:18,440
Speaker 1: it no more. They pursue you. Oh man, listen, man,

1006
00:58:18,960 --> 00:58:19,600
Speaker 1: you know what I'm saying.

1007
00:58:20,120 --> 00:58:20,240
Speaker 4: Night.

1008
00:58:20,280 --> 00:58:22,160
Speaker 1: I got to fight to prove my love.

1009
00:58:22,240 --> 00:58:29,880
Speaker 3: Lord, brother, Casey, my brother.

1010
00:58:31,160 --> 00:58:33,800
Speaker 4: I just want to tell you from from my heart,

1011
00:58:34,640 --> 00:58:40,200
Speaker 4: from his heart, from every R and B singer, gospel singer,

1012
00:58:40,880 --> 00:58:44,960
Speaker 4: that his singer, songwriter, producer, a former that has come

1013
00:58:45,080 --> 00:58:49,200
Speaker 4: up under the sound of your voice. We we have

1014
00:58:49,280 --> 00:58:53,040
Speaker 4: been truly, we have truly been blessed by your existence.

1015
00:58:53,720 --> 00:58:59,600
Speaker 4: Thank you by your continued pursuit of perfection, by your

1016
00:58:59,640 --> 00:59:00,360
Speaker 4: life journey.

1017
00:59:01,120 --> 00:59:01,680
Speaker 3: You know what I mean.

1018
00:59:01,840 --> 00:59:05,240
Speaker 4: You're up and you're down, and you powering through to

1019
00:59:05,720 --> 00:59:09,440
Speaker 4: still be here with us right here forty years to

1020
00:59:09,600 --> 00:59:10,000
Speaker 4: this day.

1021
00:59:10,520 --> 00:59:12,040
Speaker 5: That's including with.

1022
00:59:13,880 --> 00:59:14,480
Speaker 3: It all matters.

1023
00:59:15,920 --> 00:59:22,360
Speaker 4: You've you've you've you've created a legacy for yourself that

1024
00:59:22,480 --> 00:59:26,440
Speaker 4: includes all of us. So as you are proud of,

1025
00:59:27,280 --> 00:59:32,400
Speaker 4: you know, the accomplishments that you're directly a part of,

1026
00:59:33,040 --> 00:59:34,520
Speaker 4: you know what I mean, as you stand on those

1027
00:59:34,520 --> 00:59:39,440
Speaker 4: stages and as you stand behind those microphones, also accept

1028
00:59:39,480 --> 00:59:43,200
Speaker 4: the credit. You know, when me and this guy stand

1029
00:59:43,280 --> 00:59:47,280
Speaker 4: on those stages and stand behind those microphones and get

1030
00:59:47,360 --> 00:59:50,560
Speaker 4: on those pianos and entertain those crowds.

1031
00:59:50,600 --> 00:59:52,280
Speaker 5: That's that's that.

1032
00:59:52,400 --> 00:59:56,120
Speaker 4: We have a song called what That's that's really on

1033
00:59:56,240 --> 01:00:01,040
Speaker 4: my olbum. That's that's mindset.

1034
01:00:01,160 --> 01:00:01,640
Speaker 1: Yeah, So.

1035
01:00:03,200 --> 01:00:07,280
Speaker 4: Take that credit as well. That is also yours and

1036
01:00:07,560 --> 01:00:10,040
Speaker 4: we will your your your name is, your name is

1037
01:00:10,080 --> 01:00:13,160
Speaker 4: in the annals. Thank you history of my brother. Appreciate

1038
01:00:13,240 --> 01:00:16,520
Speaker 4: a foundational building block. I appreciate everything we do and

1039
01:00:16,560 --> 01:00:17,920
Speaker 4: everything that R and B will ever be.

1040
01:00:18,360 --> 01:00:20,440
Speaker 1: I appreciate it. Man. Thank you man. I just want

1041
01:00:20,480 --> 01:00:26,920
Speaker 1: to thank you, guys, man for really by you saying that,

1042
01:00:27,160 --> 01:00:35,360
Speaker 1: lets me know there's more than four members of Jodasy. Absolutely,

1043
01:00:35,440 --> 01:00:38,160
Speaker 1: you know what I'm saying. Absolutely, those other members side

1044
01:00:38,640 --> 01:00:42,800
Speaker 1: the four are the people that love us, people that

1045
01:00:43,000 --> 01:00:48,320
Speaker 1: support us, people that pay for our tickets to go

1046
01:00:48,440 --> 01:00:50,440
Speaker 1: and see us live in concert.

1047
01:00:51,640 --> 01:00:52,120
Speaker 5: That's Joe.

1048
01:00:52,200 --> 01:00:55,000
Speaker 1: Those the real Jodases. You know what I'm saying, You guys,

1049
01:00:55,120 --> 01:00:57,720
Speaker 1: y'all are real Joses because we once for y'all, y'all

1050
01:00:57,800 --> 01:01:02,320
Speaker 1: our heartbeat and Joe can't live without a heartbeat, and

1051
01:01:02,480 --> 01:01:04,640
Speaker 1: that goes out to y'all. Wow.

1052
01:01:05,160 --> 01:01:07,400
Speaker 5: I feel like Martin at the Varneille Hill Show right now.

1053
01:01:19,680 --> 01:01:22,080
Speaker 1: Martin is funny and back to you since we got

1054
01:01:22,160 --> 01:01:22,480
Speaker 1: all that.

1055
01:01:23,560 --> 01:01:23,920
Speaker 3: Thank you.

1056
01:01:24,360 --> 01:01:29,320
Speaker 1: Yes, I love you for everything. Man, Ja Valentine, love you,

1057
01:01:30,240 --> 01:01:30,520
Speaker 1: but you.

1058
01:01:32,480 --> 01:01:38,800
Speaker 5: Pupone to pick with you? Come on, I called you.

1059
01:01:40,560 --> 01:01:45,240
Speaker 1: That's a tank. You know you know that's my mom

1060
01:01:45,920 --> 01:01:47,280
Speaker 1: doing this, doing this album.

1061
01:01:47,360 --> 01:01:47,880
Speaker 4: Man. You know.

1062
01:01:49,720 --> 01:01:53,720
Speaker 1: I would love for you to be on my be

1063
01:01:53,880 --> 01:01:57,360
Speaker 1: on this album from me, Tank, I need you right out?

1064
01:01:58,280 --> 01:01:58,880
Speaker 4: What what? What?

1065
01:01:59,160 --> 01:01:59,920
Speaker 5: What's your need?

1066
01:02:00,240 --> 01:02:01,320
Speaker 3: Man? Thank?

1067
01:02:01,600 --> 01:02:07,720
Speaker 1: I mean I need that tear jerker that I needed that,

1068
01:02:08,000 --> 01:02:08,560
Speaker 1: I need that.

1069
01:02:10,360 --> 01:02:19,040
Speaker 5: On this album. Tank, I got you, mister.

1070
01:02:18,880 --> 01:02:22,400
Speaker 2: Durrell, I said, where's his song? I said that I

1071
01:02:22,480 --> 01:02:27,520
Speaker 2: have scooed over inside Talking Ship. Where a song that

1072
01:02:27,960 --> 01:02:38,760
Speaker 2: I have templates? What's your name on it? Are you sure, absolutely, Mama.

1073
01:02:40,000 --> 01:02:40,440
Speaker 3: That I had.

1074
01:02:40,560 --> 01:02:45,000
Speaker 4: I had just started just putting ideas together and and

1075
01:02:45,200 --> 01:02:49,880
Speaker 4: I cannot think of why or what happened within that

1076
01:02:50,080 --> 01:02:54,960
Speaker 4: time to get me out of focus. So first, apologies,

1077
01:02:55,280 --> 01:02:57,200
Speaker 4: no no no, no, no, no no no, I have

1078
01:02:57,280 --> 01:02:59,560
Speaker 4: to have to issue that because I said, I got you.

1079
01:03:01,440 --> 01:03:02,160
Speaker 3: That's my word.

1080
01:03:02,880 --> 01:03:07,440
Speaker 4: So in in in honor of this chastisement of you

1081
01:03:07,560 --> 01:03:12,960
Speaker 4: pulling out the belt and spanking me on my own podcast,

1082
01:03:18,000 --> 01:03:22,720
Speaker 4: you tell me when it it's done, You tell me

1083
01:03:22,800 --> 01:03:24,080
Speaker 4: how soon you need it, and we're gonna get it

1084
01:03:24,080 --> 01:03:24,560
Speaker 4: turned around.

1085
01:03:25,360 --> 01:03:26,000
Speaker 3: I'll tell you what.

1086
01:03:27,760 --> 01:03:31,680
Speaker 1: Get back into Carolina's next week. I'm gonna give you

1087
01:03:31,720 --> 01:03:37,080
Speaker 1: a call. I get back on Monday. All right, let's

1088
01:03:37,120 --> 01:03:38,600
Speaker 1: rek os something next week done?

1089
01:03:39,080 --> 01:03:39,720
Speaker 3: You heard.

1090
01:03:41,440 --> 01:03:42,040
Speaker 5: People heard it?

1091
01:03:42,920 --> 01:03:47,320
Speaker 4: Now if I can't find Casey next week because he

1092
01:03:47,440 --> 01:03:48,600
Speaker 4: disappeared last that.

1093
01:03:50,480 --> 01:03:50,520
Speaker 1: Was.

1094
01:03:52,840 --> 01:03:58,840
Speaker 2: That was men can fight, can find anybody, collagistics, collagistics.

1095
01:03:59,600 --> 01:04:01,320
Speaker 3: That's done. That's done.

1096
01:04:01,400 --> 01:04:01,640
Speaker 5: Cool.

1097
01:04:02,160 --> 01:04:05,520
Speaker 1: I understand, though, Man, you gotta think about it. Hey, man,

1098
01:04:06,880 --> 01:04:10,200
Speaker 1: this this this, this game is very busy in this game.

1099
01:04:10,360 --> 01:04:10,880
Speaker 1: So I get it.

1100
01:04:11,160 --> 01:04:12,680
Speaker 3: No, but you gotta you know, you gotta make you

1101
01:04:12,760 --> 01:04:14,680
Speaker 3: gotta certain things you have to make a priority.

1102
01:04:14,760 --> 01:04:18,400
Speaker 1: But I really, really, really, really really really I think

1103
01:04:20,040 --> 01:04:25,360
Speaker 1: that touch of Tank, but I think I think I

1104
01:04:25,600 --> 01:04:26,959
Speaker 1: will have a winner done.

1105
01:04:27,840 --> 01:04:29,480
Speaker 5: Go make a winner. It's gonna happen.

1106
01:04:29,560 --> 01:04:32,200
Speaker 1: Let's go app Okay, there it is my word.

1107
01:04:32,720 --> 01:04:36,000
Speaker 4: There it is, ladies and gentlemen, Tank Valentine And this

1108
01:04:36,200 --> 01:04:39,560
Speaker 4: is the Army Money podcast, the authority on all things

1109
01:04:40,360 --> 01:04:43,280
Speaker 4: R and B, everything everything R and B.

1110
01:04:44,120 --> 01:04:50,800
Speaker 3: And we have truly truly been blessed to have all

1111
01:04:50,920 --> 01:04:51,600
Speaker 3: things R and.

1112
01:04:51,640 --> 01:04:54,160
Speaker 5: D in the building. Mist the case.

1113
01:04:56,320 --> 01:04:58,520
Speaker 1: Love, your love, your love, your level, your love. Yeah,

1114
01:04:59,280 --> 01:05:01,280
Speaker 1: I've R and B Money.

1115
01:05:02,440 --> 01:05:04,200
Speaker 2: R and B Money is a production of the Black

1116
01:05:04,240 --> 01:05:10,320
Speaker 2: Effect podcast Network. For more podcasts from iHeartRadio, visit the iHeartRadio, app,

1117
01:05:10,480 --> 01:05:13,720
Speaker 2: Apple podcasts, or wherever you listen to your favorite shows.

1118
01:05:14,240 --> 01:05:17,240
Speaker 2: Don't forget to subscribe to and rate our show, and

1119
01:05:17,360 --> 01:05:19,920
Speaker 2: you can connect with us on social media at j

1120
01:05:20,160 --> 01:05:24,120
Speaker 2: Valentine and at the Real Tank. For the extended episode,

1121
01:05:24,240 --> 01:05:28,440
Speaker 2: subscribe to YouTube dot com or slash r and b

1122
01:05:28,560 --> 01:05:28,800
Speaker 2: money