Speaker 1: Are you leaving?
Speaker 2: I you wanna way back home?
Speaker 1: Either way, we want to be there. Doesn't matter how
Speaker 1: much baggage you claim and give us time and a
Speaker 1: terminol and gage aid.
Speaker 2: We want to send you off INSTI.
Speaker 1: We wanna welcome you back home.
Speaker 2: Tell us all about it.
Speaker 1: We scared her? Was it fine? Malborn? Do you need
Speaker 1: to ride? Do you need to ride? Do you need
Speaker 1: to ride? Do your need to ride?
Speaker 2: Ride with Karen and Chris. Welcome to Do you need
Speaker 2: to ride? This is Chris Fairbanks.
Speaker 1: And this is Karen Kilgareff.
Speaker 2: Hello, my friend Karen Kilgareff.
Speaker 1: Hi, Chris Fairbanks.
Speaker 2: I have a story to tell you. Surprisingly let's hear it.
Speaker 2: I think I had just said I'm going to go
Speaker 2: into it.
Speaker 1: Great, I'm ready.
Speaker 2: Okay, good race yourself.
Speaker 1: All right.
Speaker 2: I was driving today and at a light, this guy
Speaker 2: shuffled into the middle of the walkway or the crosswalk,
Speaker 2: in front of all the line. I'm like, and then
Speaker 2: he stopped and he was limping, and then all this
Speaker 2: he pulled kind of a willy walkup where he's like,
Speaker 2: look at me, I'm limping. No, I'm not, and he
Speaker 2: started juggling, but he juggled and I didn't look to
Speaker 2: see if this is like world world record. But it
Speaker 2: was seven balls, seven balls super high above his head
Speaker 2: and he was doing like lake k He was like
Speaker 2: hacky sacking it back into his head. He was the
Speaker 2: best juggler I've ever seen. And he knew he's been
Speaker 2: doing it in the intersection so long. He knew. He
Speaker 2: didn't look up to see that the light was green.
Speaker 2: He stopped, did a bout and so he didn't even
Speaker 2: ask for money. He just did the most amazing juggling.
Speaker 2: If you love me, if I care about juggling, it's
Speaker 2: like magic or something. I say, I don't. And then
Speaker 2: when you see someone that's amazing at it, I almost
Speaker 2: started crying. And that's just I that's what I saw.
Speaker 1: Because you know what I think the crying part is
Speaker 1: because it wasn't just It's not like juggling itself would
Speaker 1: move you. But that man knows everyone is on the
Speaker 1: razor's edge of losing their minds right now. Yeah, so
Speaker 1: he's like, you know what, I'm gonna go out. I'm
Speaker 1: gonna take to the streets and I'm going to remind
Speaker 1: people of human magic and that'll just be my volunteering
Speaker 1: for the day.
Speaker 2: And on top of that, I of course was thinking,
Speaker 2: what is his background to be that good? Was he
Speaker 2: in circus or some other circus. I'm sure he had.
Speaker 2: He did it for a living at some point. Seven
Speaker 2: balls is nothing to sneeze at, but it is something
Speaker 2: to round home about.
Speaker 1: I was trying to imagine what's the standard amount of balls,
Speaker 1: which I guess opener amount is three. Yeah, right, that's
Speaker 1: when you're like in the kitchen trying to be kind
Speaker 1: of fun and sexy at the same time. Yeah, hey,
Speaker 1: look what I can.
Speaker 2: Do erotic the erotic three they call.
Speaker 1: It the erotic Apple juggler, but then incorporating four more,
Speaker 1: that's a lot.
Speaker 2: Yeah. Like Tommy Drake, this guy in Houston that used
Speaker 2: to be a comic and juggler at the same time.
Speaker 2: He'd like opened for share and then he did family
Speaker 2: friendly versions of his joke as he juggled swords and
Speaker 2: knives at at six Flags anyway, he did five knives
Speaker 2: and that was like a record, like he was the
Speaker 2: best at. So I'm seven balls has to be something.
Speaker 2: Can someone do eight? And this guy, you know what
Speaker 2: I'm thinking of?
Speaker 1: Is like all of the grammar school art that my
Speaker 1: teachers had on the wall, where like there would be
Speaker 1: a clown with a with all the balls that had
Speaker 1: children's names inside or something, and it's like that was
Speaker 1: probably twenty five in a standard classroom. I'm just trying
Speaker 1: to compare. Yeah, I don't really have a lot of
Speaker 1: juggling background myself.
Speaker 2: Right, but that's it's a good comparison. Because everyone in
Speaker 2: traffic turned to a little kid, and they all were
Speaker 2: in a good mood, and I wanted to pull over.
Speaker 2: But what am I going to say, Hey, you're good
Speaker 2: at that, here's a dollar. I'm going to insult you.
Speaker 1: He's like, sir, get away, I'm an artist.
Speaker 2: Yeah, stop her eying. Yeah, he just snubs me and
Speaker 2: doesn't make eye contact.
Speaker 1: And like Kase, he didn't do it.
Speaker 2: I feel like I'm at a comedy party again.
Speaker 1: You know who absolutely will know how many balls is
Speaker 1: the juggling limit? Is our guest today?
Speaker 2: Yeah, I was gonna say, he'll know he used to
Speaker 2: juggle and do magic.
Speaker 3: Yeah.
Speaker 2: I don't know that that's true, but I do know.
Speaker 1: From the Pacific Northwest, that's where all that stuff he.
Speaker 2: Brought rain that we're experiencing down from Seattle. Everybody.
Speaker 3: Sorry, sorry, guys, that was me.
Speaker 2: You've seen her. The clubs and colleges, He's hilarious. He
Speaker 2: does a lot of colleges. Put your ears together for
Speaker 2: fahim anoir, thank you, thank you.
Speaker 3: Good to be here. Hey, I love the boiler play.
Speaker 3: Clubs and colleges. Like crowds are just wow, Like, oh
Speaker 3: my god, honey, this guy does clubs and colleges.
Speaker 2: Educated children. Can you imagine that audience?
Speaker 3: You know, I throw in a third credit. I say, say,
Speaker 3: clubs and colleges, and then throwing corporate events from time
Speaker 3: to time. They're like, whoa, he can wear a corporate
Speaker 3: clean Yeah, because there might be some executives in the crowd.
Speaker 3: That's right, because I'm advertising when I'm up there, too, right.
Speaker 2: I treat every set like a LinkedIn profile.
Speaker 1: Have to.
Speaker 3: Yeah, that's when your career really starts to skyrocket. Like
Speaker 3: I used to do things that I thought were funny,
Speaker 3: but now I just treat it like, you know, yeah,
Speaker 3: like you said, a LinkedIn profile.
Speaker 2: Yeah.
Speaker 3: I opened my set by saying I'm here to network,
Speaker 3: and then I hand out cards to the front up.
Speaker 1: Let's keep them laughing at a minimum because this is business.
Speaker 3: Yeah, this is business, guys. You can't hear my strengths.
Speaker 2: It's funny though, because we are supposed to do some
Speaker 2: level of that. When I was young and opening for comics,
Speaker 2: I remember Mike Berbiglia and like Dane Cook actually putting
Speaker 2: down paperwork and gathering it in a bag at the
Speaker 2: end like an email list, and then they go home
Speaker 2: and tell everyone thank you for coming to the show.
Speaker 2: And that was something I still don't that's so far
Speaker 2: removed from my brain.
Speaker 3: But yeah, yeah, it's necessary. It's such a necessary thing,
Speaker 3: you know. That's a that's what separates a lot of people,
Speaker 3: like like someone who's like Kevin Hart or someone who's
Speaker 3: like very funny, but you'll never know who they are,
Speaker 3: or I have a you know, it's hard to get
Speaker 3: to that level without having like open micro energy. No
Speaker 3: matter what level you're at, it's crazy, like it never ends.
Speaker 2: Yeah, I'm still going to lie to myself and say
Speaker 2: it's about joke quality.
Speaker 3: Yes, that's all.
Speaker 1: That's not true.
Speaker 3: It took me a long time to realize that. Lesson
Speaker 3: I'll like being good and people caring are they're like
Speaker 3: independent of each other. They have nothing to do with
Speaker 3: each other.
Speaker 2: Yeah, yeah, and you are. You are one of my
Speaker 2: favorite comm You do a a very relate like every
Speaker 2: joke you do, it's it's that situation where it's like,
Speaker 2: oh my god, why didn't I think of that before,
Speaker 2: Like your bit about trying to meet up with someone
Speaker 2: that's on the move or they're a different club, Like
Speaker 2: I think everyone has realized has thought that is the
Speaker 2: most frustrating thing ever, but no one has done a
Speaker 2: joke about it as far as I know. And your
Speaker 2: whole act is like a bunch of relatable scenarios and
Speaker 2: it's so great. I just watched Your Your Special, Your
Speaker 2: Hat Trick Special.
Speaker 3: And oh cool.
Speaker 2: So many things in that were like, god, I've thought
Speaker 2: of that, except for the joke part.
Speaker 3: I'd just like, yeah, you know, that's that's just great comedy.
Speaker 3: You know, you just say what we're all thinking but
Speaker 3: haven't put it into words yet.
Speaker 2: I mean, it is truly, that is actually the formula.
Speaker 2: I think.
Speaker 3: I think so too. Yeah. I mean there are people
Speaker 3: who have jokes and you're like, ah, yes, you know
Speaker 3: what I mean, Like they just cracked it a certain way,
Speaker 3: and I think that's there's between like stand ups and
Speaker 3: people who just have regular jobs. Is everyone has these thoughts.
Speaker 3: But I think, like, you know, the art of doing
Speaker 3: stand up is just drilling down the minutia and like
Speaker 3: taking a feeling into like a thought for an audience
Speaker 3: or something.
Speaker 2: Yeah, yeah, yeah, I've seen you do it many times
Speaker 2: and I love it.
Speaker 3: Thanks man, Dittoh yeah, I'm a fan too. That's school.
Speaker 3: You saw the special, thanks dude.
Speaker 2: Yeah it was great.
Speaker 3: You know it's it's available on YouTube, so that's.
Speaker 1: Not like channel for him on water. I watched her
Speaker 1: two late night sets because oh yeah, our producer on
Speaker 1: Elise sends us a little thing of like, we know
Speaker 1: what's going on with this guy, and it's nice.
Speaker 3: That's more than most general meetings you go on. You know,
Speaker 3: like your people will be like so and so and
Speaker 3: Sony wants to meet you. You go, oh great, and
Speaker 3: you get in the chair and they have this like
Speaker 3: look of like who the fuck is this guy? And
Speaker 3: you go, oh, this is just a stand up show
Speaker 3: in an armchair that I have to do.
Speaker 1: YEA for one dry man who does.
Speaker 3: One doesn't know who you are or why you're here.
Speaker 3: He filled the calendar, He's just dotting his eyes and
Speaker 3: crossing his te so that if you get famous, he
Speaker 3: won't get fired.
Speaker 1: So they'll be like I met with him, great guy,
Speaker 1: this stuff, love to share stuff.
Speaker 3: He was very well hydrated. We took care of him,
Speaker 3: two bottles of water and diet coke.
Speaker 1: I remember having that realization going on meetings and they
Speaker 1: do you like your representation always words it like they
Speaker 1: they want you for this park, they want to meet you,
Speaker 1: and it's completely not true. And it was like probably
Speaker 1: year three of living here where I was like, wait
Speaker 1: a second, these people are being paid a lot of
Speaker 1: money to meet with people all day long. They don't
Speaker 1: want to meet with me. They don't care about me.
Speaker 1: They don't They're probably being told like it was such
Speaker 1: a sad like, oh, I'm being lied to on like
Speaker 1: every level, every level. Hilarious.
Speaker 2: Yeah. And then the last one I did, and it
Speaker 2: had been years since I had like a general meeting,
Speaker 2: never over zoom. They were after seven to ten minutes,
Speaker 2: They're both like, well, I got to go, I got
Speaker 2: another thing, and I have all prepared. We hadn't even
Speaker 2: gotten to my ideas or thoughts about anything.
Speaker 3: You had like an easel on the other side of
Speaker 3: the door, Like, ready to a friend is going to
Speaker 3: come in with your pitch for Jurassic Park.
Speaker 2: The reboot turns out that pitch was softer than I thought.
Speaker 1: It's not dinosaurs, it's frogs. Are you ready?
Speaker 2: Wait?
Speaker 1: Hold on? Are you ready leave meeting now?
Speaker 3: I mean, zoom has really made it great for pointless meetings. Though.
Speaker 3: All you gotta do is crack open a laptop and
Speaker 3: be like, oh, this is fun. Guys by no traffic,
Speaker 3: no parking, It's great. H the pandemic person, Yeah, isn't
Speaker 3: that great?
Speaker 2: For real?
Speaker 1: The sweat that I would build between putting on makeup
Speaker 1: in my car and walking across the like six football
Speaker 1: fields of parking lots in all of the studios around town,
Speaker 1: We're just like, what is what am I doing? Why
Speaker 1: would I do this? This is horrible?
Speaker 3: Yeah, yeah, it's kind of nice. I mean, look, the
Speaker 3: pandemic was a terrible thing, but I think what has
Speaker 3: come on the other side of it is people really
Speaker 3: valuing their time. Yeah, it's like, pre pandemic, no one
Speaker 3: gave a fuck about their time. It was crazy how
Speaker 3: much we were just giving for point like things that
Speaker 3: could have been phone calls, things that could have been
Speaker 3: zooms auditions. I did a callback for this like NBC
Speaker 3: show via zoom. That's like a big thing that they're
Speaker 3: doing over zoom. Whereas before you would go to a
Speaker 3: pre read, you would go to the actual audition. Yeah,
Speaker 3: you would go to the callback with producers. You would
Speaker 3: go to a studio test, you would go to producer
Speaker 3: like yeah so much. Yeah, I mean was it?
Speaker 1: Do you think it was easier to do a callback
Speaker 1: on zoom than if you were in the room.
Speaker 3: I well, the thing is like I am a stand
Speaker 3: up whose visits these Hollywood things, like stand is my
Speaker 3: main thing. So I love it because I'm not. My
Speaker 3: entire being isn't wrapped up and like I hope I
Speaker 3: get this part right. So I love the value of
Speaker 3: time and that feeling of nervousness. I am in my home,
Speaker 3: it's so minimal, Like maybe when I crack open my
Speaker 3: laptop for like two minutes or five minutes, it might
Speaker 3: be butterfly. But when you have an audition, it's like
Speaker 3: you're in traffic getting ready, you know, in the shower,
Speaker 3: the whole ritual. It's like half your days just you're
Speaker 3: a not.
Speaker 2: Yeah, and being in a room and being judged in
Speaker 2: some way, there's this power dynamic that kind of doesn't
Speaker 2: exist over zoom and from.
Speaker 3: It's so funny. It's like they still try, if they
Speaker 3: still try the mind fuck you via zoo. Yeah, they're like,
Speaker 3: can you go downstairs and just fidget on your sofa
Speaker 3: for thirty minutes and then come back up.
Speaker 2: Or they try and make their monitors slightly bigger. They
Speaker 2: have like a design guy.
Speaker 3: I just he just puts a crown. He puts a
Speaker 3: crown on.
Speaker 2: It's good to be here. Don't mind this scaff I'm holding.
Speaker 1: Yeah, I'm he changes his background to a cloud. That's right, motherfucker.
Speaker 1: I'm god.
Speaker 2: Yeah, yeah, And I've said this before. When that was
Speaker 2: happening and we I was like, I can't believe I'm
Speaker 2: doing stand up into a siline and over zoom, And
Speaker 2: then went turn on TV and Stephen Colbert is struggling
Speaker 2: through a monologue over zoom, and I realized, oh, we're
Speaker 2: all the same. Look at this human with no power,
Speaker 2: and all my gray hair went away. I had gray
Speaker 2: hair on the sides here. It's kind of come back
Speaker 2: now that we're all thriving again. But it was such
Speaker 2: a weight off my shoulders.
Speaker 3: Oh, it was great. Like it was. It's pretty interesting,
Speaker 3: just like the smoke and Mirrors of gloss. Once the
Speaker 3: pandemic happened, everyone was a YouTuber like Trevor Noah, Jimmy,
Speaker 3: Like vloggers had an edge up on them because that's
Speaker 3: what they've been doing their whole lives, you know what
Speaker 3: I mean, Like they had to come down and like
Speaker 3: these people were at that level all the time. It's interesting.
Speaker 2: Yeah, you still haven't kind of pulled out of that.
Speaker 3: Yeah, Like it's fun, it's cool, but like I feel
Speaker 3: like after the pandemic it feels less relevant. It was
Speaker 3: already kind of on a decline, but when you got
Speaker 3: to see it's like you got to see Late Night
Speaker 3: with no makeup on. Yeah, the pandemic happened, right, Yeah,
Speaker 3: so now it feels kind of like a relic on
Speaker 3: the fifties or something.
Speaker 1: There was also up north. I was at my sister's
Speaker 1: house and they were doing the news, but they were
Speaker 1: all from home, so there was like the weather man
Speaker 1: was like at a weird green screen in his living
Speaker 1: room and it was my favorite. I think he had
Speaker 1: a cat that kept walking through or something. But I
Speaker 1: was just like it was so fascinating to watch where
Speaker 1: I was like, hey, first of all, it's not my problem,
Speaker 1: Like I don't have to feel any of that tension
Speaker 1: of like what are we gonna do? How are we
Speaker 1: going to get this done? I was just like, Oh,
Speaker 1: thank god, I do podcasting. I don't have to worry
Speaker 1: about any of this stuff anymore.
Speaker 3: That's awesome.
Speaker 1: But then the idea of like, wait, this is better,
Speaker 1: Like we the way things have gotten to this point
Speaker 1: where it's like, what we like is a bunch of
Speaker 1: people fake applauding and fake laughing. What we like is
Speaker 1: this It's like, no, we don't like people. What people
Speaker 1: like is seven balls being juggled in the crosswalk.
Speaker 2: God I liked it.
Speaker 3: Yeah, yeah, because that's real.
Speaker 1: It's real. God, damn its streets.
Speaker 3: You get a honk, you earn that honk. There's no
Speaker 3: sign that says honk now from a producer.
Speaker 2: Yeah, maybe that's why I like those drive in shows.
Speaker 2: You think someone tells you that they're gonna honk at you.
Speaker 2: I was like, Oh, that's gonna be terrifying. A honk
Speaker 2: only means bad, get out of the way. I want
Speaker 2: to kill you. And I've never a symphony of honks.
Speaker 2: It's like my favorite, Yo, what if?
Speaker 3: What if you're still like conditioned from the pandemic these
Speaker 3: comedy shows though you're in like the four or five
Speaker 3: people are honking, You're like I crushed. Yeah, these guys
Speaker 3: love me.
Speaker 2: They're honking because you won't it's green and you won't drive,
Speaker 2: and you're just like, thank you, I'll be here all week.
Speaker 3: You just sit there till when it's still here with
Speaker 3: my work.
Speaker 2: You're from Seattle, right, I am?
Speaker 3: Yeah?
Speaker 2: Did we talk last time about working it? Boeing and.
Speaker 3: Maybe the thing is like I went to U Dubb
Speaker 3: University Washington, got my engineering degree there mechanical. If you
Speaker 3: guys were wondering, yay, mechanical engineering.
Speaker 1: I was going to mechanical, not kitchen appliances, the big stuff.
Speaker 3: The big stuff, not saying cars, robot dogs that kill,
Speaker 3: that killed. Yeah. So then I got a job in
Speaker 3: Long Beach because I just applied the jobs in southern
Speaker 3: California because I knew I wanted to do this. So
Speaker 3: you got to go New York or LA. And I'm
Speaker 3: a West Coast kid. My family's still in Seattle, So
Speaker 3: I was like, I'll just apply to this.
Speaker 2: So you knew right away after you did all the
Speaker 2: post grad work, You're like, how do I also do
Speaker 2: stand up? Were you struggling with that?
Speaker 3: Yeah, I mean it was just like a very methodical,
Speaker 3: premeditated plan. I mean I was doing stand up when
Speaker 3: I was eighteen, Like when I graduated high school, I
Speaker 3: was just going to the I was going to the
Speaker 3: comedy underground and giggles a lot through the summer no laughs.
Speaker 2: In Kirkland.
Speaker 3: Well it wasn't. Yeah, I love them, David Angela. Yeah,
Speaker 3: they were their first comedy club was like part of
Speaker 3: the ramata In in the Wow and I used to
Speaker 3: go there all the time, like Friday and Saturday. They
Speaker 3: would give me twenty minutes because I was going to
Speaker 3: college and I couldn't my parents are a little strict,
Speaker 3: like I couldn't do comedy through the middle of the week,
Speaker 3: so but Friday and Saturday they would give me twenty minutes.
Speaker 3: So that was kind of like my home club, this
Speaker 3: ramata In nice laughs. Yeah, yeah, but it was good.
Speaker 3: It was like it was a good crowd. Yeah.
Speaker 2: They're like when it sounded the first clubs that said hey,
Speaker 2: we're going to take a chance on you because of
Speaker 2: a video we saw or something and I that was
Speaker 2: one of the first times that happened.
Speaker 3: Oh yeah, they're great. I think I'm gonna do it
Speaker 3: sometime this summer because they weren't Kirkland and then now
Speaker 3: there were Giggles used to be in the university.
Speaker 2: District and it's good. I've been there. It was fun.
Speaker 3: Oh cool.
Speaker 1: Yeah, is Giggles the one with a brick wall like
Speaker 1: a brick it's a brick corner.
Speaker 2: Yeah, it is a corner. Maybe it used to be brick. Yeah, they.
Speaker 1: That might be my memory laying on a comedy club
Speaker 1: brick element that wasn't actually there. It was just a corner.
Speaker 3: It'd be funny on the road. So long you can
Speaker 3: just blindfoldedly late, like lean against a brick wall and
Speaker 3: you can you could say what club it is?
Speaker 2: Three by five entures. It's good to be back in Cleveland.
Speaker 3: Yeah.
Speaker 2: Yeah, it's just it's so rare because you had but
Speaker 2: a good job that you worked hard to become a
Speaker 2: a is it aero aerospace engineer?
Speaker 3: I mean that is space you It sounds cool. I
Speaker 3: guess will be like you like rocket scientists or something.
Speaker 3: I go, I can I stay in the atmosphere you know. Yeah, yeah,
Speaker 3: it's just gets much credit. Yeah, it's just aerospace.
Speaker 1: But you did have to use a protractor, right, that
Speaker 1: was it?
Speaker 3: I wish no, just no, just numbers, just no. Yes,
Speaker 3: it's just the computer work really oh yeah yeah, but
Speaker 3: it gets it gets it. It's so niche, you're not
Speaker 3: even like you. I mean, I mean this may be hyperbole,
Speaker 3: but I feel like you could teach a high school
Speaker 3: kid who's to do any job really because it gets
Speaker 3: so specialized once you get into the field. It's repetitive
Speaker 3: and you use the same software.
Speaker 2: Yeah, what were you working like smarter in college last
Speaker 2: last time? The last thing you were working on, do
Speaker 2: you remember, Like was it a hatch door or a window?
Speaker 4: Like?
Speaker 3: No, like, okay, the whole time I was there, I'm
Speaker 3: trying to think. It was like the floor beams O
Speaker 3: the seven four seven dash eight freighter, which is like
Speaker 3: ups and all that, and then passenger, which is like
Speaker 3: once we fly, you know people, so.
Speaker 2: You want to have a solid divide between the passengers
Speaker 2: and the luggage.
Speaker 3: That's the free Well, the loads are different, you know
Speaker 3: what I mean, like the load cases you get. But
Speaker 3: I mean it's very unglamorous. You tell someone like I
Speaker 3: worked on the floor beams, so when you walk to
Speaker 3: your seat, you're welcome. The reason you don't fall through
Speaker 3: the floor is me.
Speaker 1: Yeah, and they're like clicking off the zoom. Oh I
Speaker 1: didn't I thought it was outer space bye bye.
Speaker 2: Yeah.
Speaker 3: Yeah.
Speaker 1: Did you ever have to do equations on a gigantic chalkboard?
Speaker 2: Yeah?
Speaker 3: I mean yeah, no, but that'd be great, just just
Speaker 3: to feel like I'm in a beautiful mind or something. Yeah,
Speaker 3: it's very simple to do this.
Speaker 2: Yeah, right, equations in front of a bunch of drunk
Speaker 2: college kids from Boston.
Speaker 3: Yeah. Like apples. Yeah, I wonder if any I wonder
Speaker 3: if anyone tries to use that quote nowadays. But everyone's
Speaker 3: too young, so they're like, what are you talking about?
Speaker 1: What apples?
Speaker 3: What apples? I want to do a joke like say,
Speaker 3: like I like going on dates with like girls in
Speaker 3: their early twenties and just do movie quotes from the nineties. Yeah,
Speaker 3: so it's be like somebody's stuck me. Do want to
Speaker 3: make you holdy baby?
Speaker 1: Do it?
Speaker 3: Just be like what are you doing? What's going on?
Speaker 1: She's dialing nine one one next?
Speaker 2: Yeah, or you're on a day. But someone that's never
Speaker 2: ever seen a movie. They were like, they grew up
Speaker 2: in a very religious commune and they just think you're
Speaker 2: a genius. Everything he says. It's always in a different voice,
Speaker 2: but it's so funny.
Speaker 3: He's just quoting ace Ventura and they think that you're
Speaker 3: some savant. That is so weird. You ever meet those people, Yeah,
Speaker 3: like you're saying, who are like very religious or we
Speaker 3: didn't watch movies growing up, and it's it's like they're
Speaker 3: in Sino Man or something. Yeah, it's crazy. You have
Speaker 3: no cultural touchstones with them.
Speaker 2: Speaking of Encino Man, when you when you guys close
Speaker 2: your eyes, do you just I can't get rid of
Speaker 2: the vision of Brendan Fraser crying.
Speaker 3: That's all in Encino Man.
Speaker 2: I've seen him cry so much lately, no more grown
Speaker 2: up Brendan crazier him and uh way Kwan, uh wow,
Speaker 2: what's his name? They were both in the Casino Man.
Speaker 2: I forgot anyway that I.
Speaker 3: Saw that screen grab of them and Encino Man, like
Speaker 3: both are Oscar winners.
Speaker 2: Yeah, yeah, it is really cool and it does make
Speaker 2: me cry too. It's just there's a lot of crying
Speaker 2: and I'm hey, you know, I cry. I wake up
Speaker 2: crier I love cry, but man, yeah, a lot of cry.
Speaker 3: Well, when you look at his career and the trajectory,
Speaker 3: I think you're out and then there's this outpouring of
Speaker 3: support and then you win the biggest it's yeah yeah.
Speaker 1: And for both of them, Yeah, standing ovation. Brenda Fraser
Speaker 1: got in Khan for it was like a ten minute
Speaker 1: standing ovation or whatever, where it's like that's how he
Speaker 1: came back after he gone for fifteen years.
Speaker 2: Or something like they all had just watched The Whale
Speaker 2: and then freaked out and he didn't know if anyone
Speaker 2: would even like it exactly.
Speaker 3: Really Yeah, well that director's pretty big, though, is any
Speaker 3: like aeron Osky or whatever? Theren so? I mean, it's
Speaker 3: not really a roll of the dice, like if you're
Speaker 3: in a Spielberg film and you're like, I hope people
Speaker 3: like it, will it be good? Yeah, I'm in this
Speaker 3: Tarantino movie. I hope it's good.
Speaker 1: Yeah.
Speaker 2: Yeah.
Speaker 3: I did this bit at the improv one time, because
Speaker 3: like I always read every year, it's always like so
Speaker 3: and so gets, Dune gets seven minutes standing ovation or
Speaker 3: the Whale gets and everyone just accepts it. I want
Speaker 3: to be like, do you know how fucking long seven
Speaker 3: minutes is I go, that's bizarre. I go, let's let's
Speaker 3: do an experiment. Let's pretend my film just got done screening,
Speaker 3: and you guys start clapping, all right, So I did
Speaker 3: the Hollywood inpro I go, okay, my film just got
Speaker 3: done screening. They all start clapping, and I just I
Speaker 3: stand up there and I'm very gracious and I'm trying
Speaker 3: to act natural while the applause are coming. It gets
Speaker 3: weird after thirty seconds, and like the audience can feel
Speaker 3: how weird it is, and I go forty five seconds.
Speaker 3: Everybody for it, and I try to go for as
Speaker 3: long as they will, but like the crowds never go
Speaker 3: past a minute. They get tired. Yeah yeah, yeah, So
Speaker 3: do you really got to will yourself to do seven?
Speaker 2: Eight?
Speaker 3: Your hands are getting bloody.
Speaker 1: There's just no way anyone means it by minute like seven.
Speaker 3: There's no way correct. It's almost like the perfect microcosm
Speaker 3: for Hollywood. Just the artifice, the bullshit, the veneer like clapping.
Speaker 3: It's so performative, like Arnofski to clap, clap, clap. They're
Speaker 3: probably all filmmakers in the audience. I wonder if there's
Speaker 3: one guy who's in a suit and to tie during
Speaker 3: con you know. And then he like sits down after
Speaker 3: three minutes and everyone's just giving him the stink eye
Speaker 3: and he gets fired from whatever. Yeah whatever, studio.
Speaker 1: Gotta play ball. Jerry, we saw you.
Speaker 3: You couldn't stand for ten minutes. Brendan saw that. He's upset,
Speaker 3: but he's crying again. He's not gonna do the whale too. Now.
Speaker 1: I was laughing because the two guys that did everything everywhere,
Speaker 1: all at once, which is an amazing movie, and they
Speaker 1: just like it. They deserve this price. But after your
Speaker 1: fifth speech, go up there, grab it and run like
Speaker 1: do the thing everyone wants you to do, which is
Speaker 1: zip it and go, not like I just I just
Speaker 1: thought it one more thing, my teacher, I forgot my tea. Yeah,
Speaker 1: they did it every time, or just like no, no, no,
Speaker 1: you're you were welcome the first three or four times.
Speaker 1: Now get out for real.
Speaker 3: It's almost like MCing, you know. I you know, I
Speaker 3: never did it. Whenever I whenever I did EMC, I
Speaker 3: would do my time up top and then I would
Speaker 3: just introduce people. I'm not trying to do time in between,
Speaker 3: you know what I mean.
Speaker 2: There's times I've enjoyed that. But if anyone does time
Speaker 2: before me or after me, I take it as a oh,
Speaker 2: this guy just ate it, so let me do a joke.
Speaker 3: That's a good point. You're like, oh, this guy's trying
Speaker 3: to palette cleanse. Yeah yeah, yeah, that's the coffee beans
Speaker 3: at the fragrance counter.
Speaker 1: Or they do a little crowd work that. Then they
Speaker 1: eat it as the EBC where you're just like, no, no,
Speaker 1: we can't go down any further. You have to only
Speaker 1: go up. You can't do that.
Speaker 3: It's almost like seeing the matrix because sometimes they're like
Speaker 3: younger comedians and don't know and like, you know, the
Speaker 3: most they can get as an EMC during this show.
Speaker 3: And then you're like, oh no, they're doing bits like
Speaker 3: I know they want it to go, but it's just
Speaker 3: it's like impossible. Yeah yeah, so you should just yeah,
Speaker 3: just bring someone up.
Speaker 2: Yeah, it's funny we're talking about that because every time
Speaker 2: I've seen it, I'm like, oh, what are you doing?
Speaker 2: And I know that I've done it. Well, I got
Speaker 2: to be professional. Maybe it's not very professional. Just go up, Hey,
Speaker 2: that was great, here's the next comic. I shouldn't do that.
Speaker 2: I don't know why I forget.
Speaker 3: That's why I love doing that. You know, my new
Speaker 3: mantra is I want to do the least amount of
Speaker 3: work to get the most amount of money. Honestly, Like
Speaker 3: it's new for you.
Speaker 1: You've never thought of that before.
Speaker 3: Well, here's the thing, because I think when you're younger,
Speaker 3: you get glitz and glam, like, oh yeah, it'd be
Speaker 3: cool to be an actor on some c W show
Speaker 3: or whereas like you might make more just doing stand up,
Speaker 3: or you might make more writing a show. So all
Speaker 3: these like jingly Hollywood things like okay, but now that
Speaker 3: you're older, you realize the time suck of all these
Speaker 3: quote unquote cool things. Yeah, like you're in a trailer
Speaker 3: in Vancouver for like six months to be on the
Speaker 3: show people watch when they're on their treadmill at the gym.
Speaker 3: Whereas you can like be in La and maybe sell
Speaker 3: a script or something. So you start seeing the matrix
Speaker 3: that way, like, yeah, maybe that's not as cool.
Speaker 1: Acting is so much harder. I mean, well, Chris might
Speaker 1: disagree when I think it's just I had this idea
Speaker 1: of what it was in my head where it's like, no,
Speaker 1: I like stand up because I'm in charge. I write it,
Speaker 1: I decide I leave and I want.
Speaker 3: Yeah, everything you put into it you get out of it.
Speaker 3: Whereas auditions it's like, Okay, you have to memorize three
Speaker 3: four scenes, you're spending two three days, you're running it
Speaker 3: with somebody else, you drive, or you used to do
Speaker 3: whatever you do the audition, you don't get it. All
Speaker 3: that work just evaporated.
Speaker 1: And also to this, you retain the memory of the
Speaker 1: scenes like do you have you ever had that? Where
Speaker 1: like I've done things where I've memorized it. It kind
Speaker 1: of didn't make sense. I wasn't the biggest fan, and
Speaker 1: for years afterwards I could do that scene if people
Speaker 1: walked up and cued me yeah, because it was it
Speaker 1: all became a traumatic failure memory where I was just like, oh,
Speaker 1: I didn't get that.
Speaker 3: Yeah did like a one woman show. And you're just
Speaker 3: dumping all all the memories of the auditions you never
Speaker 3: got and you just kind of it's like your synapses
Speaker 3: are firing and you used to do a commercial for
Speaker 3: amodium ad and then you do you do a scene
Speaker 3: from some sitcom.
Speaker 1: It's like snarky best friend, slutty best friend, man, hungry
Speaker 1: best friend. It's just like every single possible scene.
Speaker 2: I've friend because that was only trauma puts it in
Speaker 2: your memory forever, all the fun stuff you don't remember that.
Speaker 1: You know.
Speaker 3: What's funny is like I think maybe this is five
Speaker 3: years or six years ago Hollywood they were doing. They
Speaker 3: were doubling up on a diversity role. I was seeing
Speaker 3: so many roles for like a gay Indian. There were
Speaker 3: so many just auditions for like the characters gay and
Speaker 3: he's gay and he's Indian. It was just funny how
Speaker 3: they were doubling up on the rolls like two diversities.
Speaker 2: Yeah, yeah, yeah, just so they can get them. Yeah. Oh,
Speaker 2: I'd love to see the meeting about that. Hey, this
Speaker 2: guy's a they probably have a word for it. This
Speaker 2: guy's a two for one.
Speaker 3: Well, I think they write what they want to write,
Speaker 3: and then they kind of see what comes down from
Speaker 3: the top and they go, okay, all right, well we
Speaker 3: need too we don't have two roles. Let's have rog
Speaker 3: be gay.
Speaker 2: Right, Yeah, that's great.
Speaker 1: It's a long way from nineties auditions where no joke.
Speaker 1: I think I auditioned two different times for sitcoms where
Speaker 1: a woman falls in love with a talking dog, no joke,
Speaker 1: there's a talking dog that then the the arc becomes
Speaker 1: there's romantic feelings about the dog. I swear to God,
Speaker 1: the first time I saw it, I was like, this
Speaker 1: is a joke, scre this is fake. There's no way
Speaker 1: this is real. And I was going in, is the
Speaker 1: man hungry best friend of the girl that discovers her
Speaker 1: dog can talk? And then it's kind of like, I
Speaker 1: don't know, we really get along.
Speaker 3: I mean so, I mean, is the audience rooting for
Speaker 3: this dog to fuck this chick?
Speaker 1: I mean no, I don't think anyone knew what they
Speaker 1: were rooting for. In the nineties, it was like such
Speaker 1: a difficult time for all.
Speaker 2: Yeah, there was if you to think back that there
Speaker 2: was a show called Small Wonder about a robot girl
Speaker 2: that that said the darnedest things. I really think we've
Speaker 2: evolved as humans over the last maybe in a lot
Speaker 2: of way it's not for the best, but.
Speaker 3: You know, I guess we didn't realize what a golden
Speaker 3: age we were in terms of just being a creative
Speaker 3: and pitching what was acceptable. Yeadn't didn't have to be
Speaker 3: in the realm of reality. You probably didn't even have
Speaker 3: to have a pitch deck Yeah, you just like went
Speaker 3: in there and then you go, yeah, it's about a robot.
Speaker 2: Look out the window, there's a dog.
Speaker 3: Dog.
Speaker 2: Yeah, that's it.
Speaker 1: Yeah.
Speaker 3: Yeah, or like Olf, you know, someone went in there
Speaker 3: and just went, yeah, he's like a furry alien guy.
Speaker 2: Good enough, let's do more cocaine.
Speaker 1: Literally, that guy, the ALF guy, was on Heroin. That's
Speaker 1: the best part of that story. That's yeah, the what's
Speaker 1: that movie Permanent Midnight with Ben Stiller?
Speaker 4: Oh?
Speaker 1: Sure, it's about the guy that he. I don't think
Speaker 1: he was the show, and I think he was a
Speaker 1: writer on ALF and he just basically was kind of
Speaker 1: like lightly on Heroin in the beginning and then basically
Speaker 1: had his downfall as he the more successful he became
Speaker 1: because of that show.
Speaker 3: He started turning more and more into ALF.
Speaker 1: Yeah, he himself was becoming Alf.
Speaker 3: Actually, that'd be a funny, true Hollywood story, just like
Speaker 3: ALF is getting gagged out of his mind just with
Speaker 3: all the success. He's going to nightclubs, he's going to
Speaker 3: Studio fifty four.
Speaker 1: Then he's driving around downtown trying to score.
Speaker 3: It's like, just drove by, he wrecked his car. That's
Speaker 3: when it got real. He's on life support.
Speaker 2: That's when I started wanting to eat cats. That was
Speaker 2: one of his character traits, is that he wanted to
Speaker 2: eat cats. I thought that one just kind of flew
Speaker 2: under the radar. That should not have been.
Speaker 3: Well, do you think they probably tried dogs first draft
Speaker 3: and the focus groups were having none of it. There
Speaker 3: to go, let's switch it to cats.
Speaker 1: We can only be in love with dogs. Yeah, yeah,
Speaker 1: this is true, cannot eat them.
Speaker 2: But in the movies back then in the nineties, you
Speaker 2: could catch a cat on fire, throw it into a
Speaker 2: Christmas tree. It was just have a rail in the
Speaker 2: in the background for a laugh and a record scratch fame.
Speaker 1: Aside from your aeronautics job, what's the worst job do
Speaker 1: you have? Like a high school job or a part
Speaker 1: time job. Did we talk about this already?
Speaker 4: No?
Speaker 2: We last time we just it was an hour talking
Speaker 2: about air frars I think, which I've gotten.
Speaker 3: For by the way, Oh okay, because I was I
Speaker 3: was going to talk about air friars, but we already
Speaker 3: covered it.
Speaker 4: Yeah.
Speaker 1: If we covered it, I mean we can dip a
Speaker 1: little into it. If there's highlights.
Speaker 3: I think I covered everything. Yeah, probably that needs to
Speaker 3: be I spread the gospel of airs.
Speaker 2: You are the Oprah of air fryers.
Speaker 3: Yeah, except I don't give them to people. I just
Speaker 3: say get one with your own money.
Speaker 2: Yeah, get your own I go.
Speaker 3: You can buy an air fryer. You can buy everyone.
Speaker 3: Look under your chairs, there's air.
Speaker 1: There's an Amazon lank under your chair.
Speaker 3: Go ahead, yeah do it.
Speaker 2: Maybe you didn't have one of those bad jobs because
Speaker 2: you went from engineer to a comedian, right or did
Speaker 2: what did you do? Nah?
Speaker 3: But I would have like little summer jobs, you know.
Speaker 3: One one was one sucked. I was like helping some
Speaker 3: guy like with like odd jobs around his business, and
Speaker 3: so it's like a lot of manual labor, like lifting
Speaker 3: a bunch of newspapers one time for him. And I'm
Speaker 3: like a tiny kid, like I kind of grew late,
Speaker 3: so it was a lot of work. And then he
Speaker 3: had me clear out bees in the back. What he
Speaker 3: gave me some spray and there's like sticker bushes and
Speaker 3: then he's like, yeah, can you just like clear out
Speaker 3: these bushes? And there were so many bees like that,
Speaker 3: I think I quit after that day. Yeah, this isn't
Speaker 3: worth it.
Speaker 2: Yeah that's dangerous.
Speaker 3: Yeah, I turn, I'll have the child do it.
Speaker 1: Can you get rid of these rattlesnakes after you do
Speaker 1: the bees.
Speaker 3: Just you have tinier wrists. That'll be I'm like, O,
Speaker 3: how does that make sense? You have tiny wrists get
Speaker 3: rid of these snakes. So yeah, that kind of sucked. Yeah.
Speaker 3: I think I worked at Dominoes for thirty minutes one delivery.
Speaker 2: Yeah.
Speaker 3: Well, well, what's funny is when you get so it
Speaker 3: was training, but it's all on a computer. So I'm
Speaker 3: like learning how to make pizzas on a computer. They
Speaker 3: probably bought some software like train your employees on the computer. Yeah.
Speaker 3: So I'm making like half ground beef pizzas on a computer,
Speaker 3: like clicking buttons and stuff like it's the worst video
Speaker 3: game in the world. So I'm doing that for thirty minutes,
Speaker 3: and then I find out that I got a job
Speaker 3: at Safeco Insurance, which is like a cubicle, like a
Speaker 3: way better job. Yeah yeah, So I'm like, oh, I'm
Speaker 3: just going to do that. I'm not going to make pizzas.
Speaker 3: So I didn't even pick up my check because it
Speaker 3: was like so little money.
Speaker 2: Yeah.
Speaker 3: Yeah, So I pretty much just costplayed as a Domino's
Speaker 3: employee for thirty minutes.
Speaker 1: You're like, now I know how to do that just
Speaker 1: in case, like you just have it in your Yeah, it's.
Speaker 2: Not like Dominoes is going to call the insurance company
Speaker 2: and be like, hey, we thought you should know we
Speaker 2: walked out mid Pi.
Speaker 1: Yeah, okay, you're not stop headhunting our guys.
Speaker 3: Yeah, so nothing too terrible. What about you? You ever
Speaker 3: have like a terrible one?
Speaker 1: I did a thing where when I was like twelve,
Speaker 1: the lady up the street hired me to feed her
Speaker 1: horses after school, which I was like dreamcome Drew, but
Speaker 1: I had to take I had to not just feed them,
Speaker 1: but clean out their stalls. And they had been standing
Speaker 1: in their stalls all day, so it's like four o'clock,
Speaker 1: so I would have to bridle them, take off an
Speaker 1: electric like an electric thing so that they wouldn't like
Speaker 1: try to push against the door, and they were they
Speaker 1: were really big horses. And then I would open the
Speaker 1: door and then they would like run a little bit
Speaker 1: because they knew I wasn't in charge. Really, I was
Speaker 1: a fucking twelve year old girl, and it was so
Speaker 1: looking back, wildly dangerous and yeah, like improper, And she
Speaker 1: was paying me like five dollars a week or something
Speaker 1: like that. And then one day I went there and
Speaker 1: the the fence was all fucked up, and I was like,
Speaker 1: I didn't know what to do, and I just went
Speaker 1: back home because I was like that was the extent
Speaker 1: of my problem solving ability. Was like, well I can't
Speaker 1: deal with an electric fence, so goodbye. And then she
Speaker 1: called and was screaming at me, and then my mom
Speaker 1: was just like, uh, yes, Janie, that's enough of this,
Speaker 1: like we're we're done, like whatever. Where I think my
Speaker 1: parents were like, oh, yeah, you should go try to work.
Speaker 3: And see what built character. Yes.
Speaker 1: Meanwhile, I'm like running after thoroughbred horses and all this
Speaker 1: shit where it was just like so over the top.
Speaker 1: I should not have been in charge of those horses.
Speaker 3: Yeah, you could have got Abraham Lincoln. You know what
Speaker 3: happened to didn't get kicked in the head by horse
Speaker 3: making history.
Speaker 1: He was politics.
Speaker 2: It's yeah, it's kind of it's people don't remember it
Speaker 2: because the it got overshadowed by the getting shot in
Speaker 2: the theater thing. Yes true, yeah, yeah, but he did
Speaker 2: chop down that cherry tree.
Speaker 1: I know, I know, what was your worst job, Chris.
Speaker 2: I think it has to be delivering because on paper,
Speaker 2: it sounded good. I was going to go door to
Speaker 2: door and deliver coupon books and you got a percentage.
Speaker 2: It was always some sales job, but I.
Speaker 3: Remember those, Yeah, those coupon books.
Speaker 1: Yeah.
Speaker 2: It was called Serendipity Ventures and uh. And the first
Speaker 2: time I got picked up, the girl was just chain smoking.
Speaker 2: We had to stop at a bar. These guys were
Speaker 2: fighting and they were my co workers, adult men. I
Speaker 2: was like fifteen. They got in the car, one of
Speaker 2: them had a bloody nose, and then we drove to
Speaker 2: a part of town that I'd never been to that
Speaker 2: where people want savings, so it was like a mobile
Speaker 2: park and they we just got dropped off until the
Speaker 2: son went down and I'm with two drunk adult men.
Speaker 2: It was like that these all the jobs we're talking
Speaker 2: about are very dangerous. The fact I didn't get kidnapped.
Speaker 2: These men were nice to me, by the way. They
Speaker 2: weren't like they're like sorry, you had to see that.
Speaker 2: We're friends and we were fighting like they treated me
Speaker 2: like a kid. But I can't believe that was like
Speaker 2: the nineties. You just get dropped off somewhere and go
Speaker 2: door to door. Dogs hit me. Yeah, Yeah, And I
Speaker 2: learned nothing, and I wasn't good at it. I remember
Speaker 2: I brought a friend in that was like, he's like, oh,
Speaker 2: can I try? Can you get me a job? And
Speaker 2: he was like charismatic and all everyone's all my friends,
Speaker 2: their moms loved this kid. And he made hundreds of dollars.
Speaker 2: He went in.
Speaker 3: Sales man like if you have that jean or gear,
Speaker 3: like you can make so much money.
Speaker 2: Yeah, and I it was weird. It took me several
Speaker 2: jobs knives, all the all the sales jobs you get
Speaker 2: before you're in college. And I'm like, okay, I'm not
Speaker 2: good at this. I'm not good at selling my soul
Speaker 2: for a product. One time, this is named Mike. I
Speaker 2: was like, we were supposed to meet. He's like, yeah,
Speaker 2: this family invited me and they were having a party
Speaker 2: and I ate a bunch of chicken and pizza. I'm like,
Speaker 2: you got invited into a house. He was like partying
Speaker 2: with dogs. He had drank some beers. No, they int
Speaker 2: he had sex.
Speaker 3: With the family. Like documentary Hand the Chicken. What is
Speaker 3: that Netflix shows about, like the guy who had sex
Speaker 3: with the entire family?
Speaker 1: Right? Oh wait, the neighbor one where yeah, he was
Speaker 1: the neighbor, and then he ended uping the one girl.
Speaker 3: Yeah, and they're not mad at him, and like he
Speaker 3: ended up having sex with a wife and then the husband.
Speaker 2: It's like, crazy, man, he must be great in the sack.
Speaker 1: Oh, it's so gross.
Speaker 3: I want to I want to take his seminar. You know,
Speaker 3: you can go to pick up artists, but they only
Speaker 3: teach you how to pick up women. I want to
Speaker 3: know how to fuck an entire family.
Speaker 1: Yeah, when you see that guy, it's like that idea
Speaker 1: that this was any kind of a like that. It's
Speaker 1: a reveal of any kind that he's a bizarre and
Speaker 1: creepy pervert. It's just like, yeah, you if you moved
Speaker 1: into a house and he came over, it's like, hey,
Speaker 1: what's up, I'm her across the street, neighbor, you would
Speaker 1: immediately sell that house. The creepiness is coming off of
Speaker 1: him in waves. So I don't know what was going
Speaker 1: on in that family that they were just like, well,
Speaker 1: let's let's see, let's just give him a chance. Yeah, insane.
Speaker 2: That just what's good with Grandma's good with all of us.
Speaker 3: Yeah, that's another gear. Like I'll see all these cult
Speaker 3: documentaries too, And part of me is like, Yeah, what
Speaker 3: is this guy? He has something? There's something to be
Speaker 3: learned there.
Speaker 2: You know.
Speaker 3: It keeps on happening over and over again, like yeah,
Speaker 3: the way they talk to people.
Speaker 1: They're like, yeah, I think it's like extreme eye contact.
Speaker 1: I think it's the thing that most people are so
Speaker 1: uncomfortable doing where it's like if you lock in on
Speaker 1: someone and you act like you love looking at them,
Speaker 1: they'll fucking do anything you write. And then it's a
Speaker 1: classic trick.
Speaker 2: I found when I when I'm trying to get someone
Speaker 2: to do something I know they don't want to do,
Speaker 2: I don't blink and I look at one eye. I
Speaker 2: learned this from Michael Kaine. It's an acting Oh really,
Speaker 2: you just look at one eye and not both eyes.
Speaker 2: A lot of people dart around, a lot of people blink.
Speaker 2: If you look at them one eye, you can get
Speaker 2: them to do all types of sex. You can get
Speaker 2: them to buy.
Speaker 1: Knives, coupon after coupon.
Speaker 2: Oh so many coupons.
Speaker 3: What if you get both After you're done having sex,
Speaker 3: you want some knives.
Speaker 1: And then you get a coupon for next time. The
Speaker 1: idea of selling coupon books sounds like it's from nineteen
Speaker 1: forty two, Like I know where it's like before the Internet,
Speaker 1: there was stuff going on that like went unchecked or
Speaker 1: was assumed. Like when I first moved out for college,
Speaker 1: I remember opening that someone knocking on the door, Like,
Speaker 1: I wonder who's at the door opening the door? Some dude,
Speaker 1: and he begins to pitch me buying magazine subscriptions right
Speaker 1: and like, and of course he was a charismatic type.
Speaker 1: I signed up for like three years of Vogue or
Speaker 1: some shit that I didn't even want, Yeah, and didn't
Speaker 1: have the money to buy a lot, very like just
Speaker 1: that was standard. You would open the door if someone
Speaker 1: knocked on.
Speaker 3: It, and I had to. It's a social contract.
Speaker 1: I agreed by having a door. Just the weirdest like difference.
Speaker 2: Yeah, especially because now if someone knocks on the door,
Speaker 2: I just laugh out loud and keep sitting there. It's like,
Speaker 2: who the fucking up? Okay, murder a movie? Yeah that
Speaker 2: it's so I don't know how because here was my
Speaker 2: opening pitch. One of the coupons was for ten dollars
Speaker 2: off of an oil change that I remember. The book
Speaker 2: itself was twelve dollars to purchase, so I would just
Speaker 2: open it I'm like, here's most of your money right here.
Speaker 2: Everyone needs an oil change. This is ten dollars off.
Speaker 2: You can just use one of the dairy Queen coupon
Speaker 2: or one other coupon. You got your twelve dollars back. Okay,
Speaker 2: do you want one? They're like, can't, And that's when
Speaker 2: they'd sick their dog on me. I can't believe I
Speaker 2: didn't sell them hand over fist.
Speaker 3: Hey, I mean that logic checks out for me. Yeah, okay, yeah,
Speaker 3: all right, at most two dollars I'm paying for the
Speaker 3: coupon book change.
Speaker 1: You're naturally good at math. You know, there's a lot
Speaker 1: of people would be very challenged by that opening, that
Speaker 1: opening gambit. We're just like I'd be like.
Speaker 3: What, yeah, they cause thick, these pages are. This is
Speaker 3: quality stock, just totally the wrong thing, practically card stock.
Speaker 3: I remember when I moved to It's just funny how
Speaker 3: it's so antiquated coupon books Like that was a deep
Speaker 3: memory that I totally forgot about coupon books because I
Speaker 3: used to sell them. Part of middle school too, you know,
Speaker 3: for baseball. I remember when I moved to LA there
Speaker 3: wasn't GPS like I would I got like the Thomas Guide,
Speaker 3: of course, so I remember I would get lost because
Speaker 3: they always close freeways here in LA, which is not
Speaker 3: a thing in Washington. You know, like you go home
Speaker 3: the same way every time and it's fine. But here
Speaker 3: they'll close the seven ten, they'll close the four h five,
Speaker 3: they'll close and I'm not from here, so I'm just
Speaker 3: like fucked. I don't know where I am. Yeah, and
Speaker 3: I would have to pull the car over and it
Speaker 3: would be in my trunk. This Thomas Guide. Open up
Speaker 3: the Thomas guy goes C three to whatever, and then
Speaker 3: find out where I am.
Speaker 2: Yeah, you had to find the page. Then you had
Speaker 2: to fight. It was like a whole There was like
Speaker 2: several factors. You had to go to a page, then
Speaker 2: you had to follow the grid. Then you find where
Speaker 2: you are and after that information I don't remember how
Speaker 2: you then have to look up the grid coordinates of
Speaker 2: your destination and then what get a highlighter. All while driving.
Speaker 1: You're memorizing streets above and below the address, so you're like, well,
Speaker 1: if I turn here and I suddenly see Adeline, okay,
Speaker 1: then I'm closed, Like you're yeah.
Speaker 3: It's insert well, even you know, as talking about this
Speaker 3: just the act of asking someone for directions doesn't exist anymore. No,
Speaker 3: and it doesn't feel that long ago, like that used
Speaker 3: to be such a big thing. Yeah, it's like stop
Speaker 3: at a gas station. How do I how do I
Speaker 3: get to the four or five? Or how do I
Speaker 3: get to the south?
Speaker 2: That was part of a gas station where you raised yes,
Speaker 2: that's right, yeah, that and handing out a dirty spoon
Speaker 2: connected to a key.
Speaker 1: That and throwing an oily rag over her shoulder. He
Speaker 1: begins to gesture southward or wherever you're going.
Speaker 3: I wanted to do a sketch for like Law and
Speaker 3: Order or something where they go, like they go into
Speaker 3: a bar to ask about a murder, and the bartender
Speaker 3: just he has busy work that doesn't make sense. You know,
Speaker 3: he's just like polishing a beer can. Like he's just
Speaker 3: like a nervous actor and doesn't know how to do
Speaker 3: natural things.
Speaker 2: He has a stable sauce, he's resurfacing the wood.
Speaker 3: He's just stacking the cans. You know, he's like, yeah,
Speaker 3: she used to come around here or something like, Uh,
Speaker 3: no one does that, no one, No one would do that.
Speaker 3: You just do what do what bartenders would do?
Speaker 2: Make dear towers sorry.
Speaker 1: Sorry, we were doing the same joke and.
Speaker 3: He's just like twirling the rag the whole time while
Speaker 3: talking about how what the.
Speaker 1: Girl was doing picking at his skin until it leads sir,
Speaker 1: that's more.
Speaker 2: That's bar back behavior.
Speaker 3: Yeah, they go, we can't recast him. We're into deep.
Speaker 3: We need to move, we're losing daylight. Just work with him,
Speaker 3: work with the actor. Hey, buddy, I know you're nervous,
Speaker 3: but uh, it's okay. Just maybe just don't do do
Speaker 3: anything with your hands this time.
Speaker 2: Just yeah, I want to know what Eric Stoltz did
Speaker 2: on that day and back to the future where they
Speaker 2: had shot like a third of the movie and then
Speaker 2: he chewed it so hard one day that they're like,
Speaker 2: we got to reshoot this with someone else. That's so
Speaker 2: interesting though, because like he he's a good great yes.
Speaker 2: So I mean, was it just that they kept on
Speaker 2: filming and they go, Okay, it's just not gelling for
Speaker 2: the vibe that we want for that. That's exactly what
Speaker 2: they always say. There's never anything. I'm the first one
Speaker 2: to say anything bad about Eric Stoltz. I can't believe
Speaker 2: I even did it. It's just comedically his sensibilities did
Speaker 2: not match hilarious. Michael J. Fox, who was in a
Speaker 2: He was perfect. But it is interesting that it was
Speaker 2: late in life that I actually saw because on YouTube
Speaker 2: you can look at scenes with Eric.
Speaker 3: Stoltz like, is it a completely different movie?
Speaker 2: It's just memorable scene. Yeah, he's stone faced and dramatic
Speaker 2: and the music is different. It's an entirely different movie.
Speaker 3: Would they tell him to like lighten up or something,
Speaker 3: or do it twist on it or did he have
Speaker 3: his own interpretation?
Speaker 2: It had to be like I remember they're they're having
Speaker 2: the clock tower conversation in Doc Brown's house and he's
Speaker 2: so dramatically is realizing that the clock like that, it's
Speaker 2: two high stakes. It's not as playful it was like
Speaker 2: the clock tower realization. You can.
Speaker 1: But this is the thing, this one I'm talking about
Speaker 1: where how hard acting is because you're seeing some takes
Speaker 1: but like we probably did forty where it's like this
Speaker 1: is my funny version. Okay, I guess I'll be less funny,
Speaker 1: you know what I mean? Or depending on how they're
Speaker 1: directing them, where it's like you're as an actor, you're
Speaker 1: just expected to just keep doing it over and over
Speaker 1: in different ways. I'm still amazed by that. I always
Speaker 1: thought I wanted to be an actress, and I was
Speaker 1: so wrong. Like when I finally did it, I was
Speaker 1: just like, what do you mean again? I did it
Speaker 1: like that.
Speaker 3: That's the way.
Speaker 1: I'm an automatic one take.
Speaker 2: Do you enjoy it? It is a great way to
Speaker 2: get health insurance too. But yeah, once you get like
Speaker 2: you can watch Star Wars auditions and watch you can
Speaker 2: see Mark Hamill nail and audition so hard. He's better
Speaker 2: than he is in the movie at acting. He nailed
Speaker 2: That's why he got. You see all these other well
Speaker 2: known actors and their same audition. I do a lot
Speaker 2: of YouTube and you guys and then they talk about it.
Speaker 2: But he's so good in his audition that's like, oh,
Speaker 2: of course he got it. Not as good in them.
Speaker 2: I'm a big fan of Mark Hamill's traditioning.
Speaker 3: Yeah, I mean, yeah, auditioning is a different art form
Speaker 3: onto itself. Some people can just kill auditions, but then
Speaker 3: they're they're not as great in the actual thing.
Speaker 2: Like you can see Kurt Russell audition to be Luke
Speaker 2: Skywalker and it just didn't nail that audition, but he
Speaker 2: would have been very interesting, you know.
Speaker 3: Wow, that's out there. You can see Kurr I go
Speaker 3: down Weird Wormholes audition in person at current current age.
Speaker 2: Yeah, it's kind of fun to watch and you can
Speaker 2: learn from them.
Speaker 3: Yeah, there's those office auditions. Those are on YouTube. And
Speaker 3: then I think Steve Carrell's audition for a anchorman on
Speaker 3: YouTube is pretty great.
Speaker 1: Man, that was good.
Speaker 3: Yeah.
Speaker 1: I had an audition once. I'm gonna tell you the
Speaker 1: story of my proudest but failed audition is I got
Speaker 1: a call on a Saturday for someone saying they were
Speaker 1: from casting for Seinfeld calling me in for an audition,
Speaker 1: and I go shut up and then hung up the phone.
Speaker 1: And then they call back. They're like, no, no, we're
Speaker 1: not joking or whatever. And I'm like, oh, sorry, I
Speaker 1: could have sworn you were like a friend. Like I
Speaker 1: go it's Saturday, and they're like, I know, we had
Speaker 1: a thing and whatever. So we're bringing people in. It's
Speaker 1: one line or whatever. You really said shut up and
Speaker 1: hung up, yes, because it was like Seinfeld on a Saturday,
Speaker 1: so it is the biggest show. It was probably nineteen
Speaker 1: ninety six or something like that. It was like anyone's dream.
Speaker 1: So then I go in literally it's two lines, and
Speaker 1: it's like when Elaine it's like another company party and
Speaker 1: she's the one that danced weird last time, and so
Speaker 1: I'm like a cater waiter and I offer her to
Speaker 1: Keto's and then say, are you the one that danced
Speaker 1: weird last time? Essentially was the It's two lines. I
Speaker 1: get there, it's filled with people and it's all like, oh,
Speaker 1: that's I recognize them from going to a show with
Speaker 1: the Groundlings, Like there's all these people there to do
Speaker 1: to do that two line part right. I'm like, fuck, man,
Speaker 1: this is like intense, and I was. It was that
Speaker 1: kind of thing where I was like, I can't care
Speaker 1: about this because there there's no way I'm going to
Speaker 1: get it. So whatever. Walk in. It's a gigantic room.
Speaker 1: Like you know how normally you go in it's office
Speaker 1: size room. This room was this size of no joke,
Speaker 1: like ten offices put together, and there was a couch
Speaker 1: all the way around the outside, and then Larry David
Speaker 1: and Jerry Seinfelder sitting like over here, and then there's
Speaker 1: like it seemed like every writer like they were just
Speaker 1: doing that.
Speaker 2: Right.
Speaker 1: So I walk and I'm like, man, this is like
Speaker 1: and I'm thinking almost like normally I would have been
Speaker 1: out of my mind, but it was also surreal that
Speaker 1: I was just like this is crazy. And so then
Speaker 1: I get this idea right at the last second before
Speaker 1: they're like are you ready to go? I'm like, oh,
Speaker 1: I'm gonna say taketos with an accent. So they do
Speaker 1: the que line or whatever it is, and then I
Speaker 1: go takito and the entire room goes like erupts, and
Speaker 1: then I just been looking around like fuck yeah, like
Speaker 1: I just did it or whatever. And then the casting
Speaker 1: person says the next line and I completely blank on
Speaker 1: the actual line that matters of like aren't you from
Speaker 1: aren't you the lady that danced Weirdles? So that I
Speaker 1: was like and I was like literally, it.
Speaker 4: Was just like I had to look at the paper
Speaker 4: to say the next line. And then I was just
Speaker 4: like thank bye, and it was like I knew I
Speaker 4: didn't get it. But then it was that thing of
Speaker 4: like that's and also that's I'm not I don't mean.
Speaker 1: To brag or tell that story to brag or whatever,
Speaker 1: because I always ate shit in every audition I went to.
Speaker 1: But it was like this one time where I was like, oh,
Speaker 1: maybe I get what I'm supposed to be doing here,
Speaker 1: like bring a little something to the and then something
Speaker 1: different immediately, like can't get over the just it's like
Speaker 1: that was my accomplishment. I'm not acting. This was like
Speaker 1: I can't not take it all.
Speaker 3: It's so bra I'm a stand up. That's the stand
Speaker 3: up in you, because like you're sitting in the pocket
Speaker 3: of the laugh and just yeah, you're you. You're like
Speaker 3: I did that, and they oh yeah, hold on, I
Speaker 3: have to act.
Speaker 1: Oh oh the point of the scene, Oh are you
Speaker 1: the lady that danced? And I'm sure I said it
Speaker 1: like so flat and boring. It's like, are you the
Speaker 1: lady that danced weird last year? Thank you? Thank you?
Speaker 2: We always forget what we're going to close on. That
Speaker 2: happens all the time.
Speaker 3: It sucks.
Speaker 2: I can totally see you nineties Karen delivering that line
Speaker 2: all dead pan, and you would have been great. You
Speaker 2: really screwed the pooch the husky. You screw the Washington
Speaker 2: Husky on that one.
Speaker 1: Every single time, I.
Speaker 3: Kind of want to watch that episode and just see
Speaker 3: who got it. Yeah they did, be like oh now
Speaker 3: I know why they got it. They really they really
Speaker 3: rop subsessed to him.
Speaker 2: Yeah, I can't believe it was a young Judy Dench. Yeah,
Speaker 2: for real.
Speaker 1: It's like someone It's like, oh, Charlie's Throng got her
Speaker 1: start on Sign.
Speaker 3: There is a lot of that though. You watched the
Speaker 3: show and like Terry Hatch or like all these guest
Speaker 3: stars you know, yeah, and then like Daphney on Frasier,
Speaker 3: like yeah, they all kind of have little guest stars
Speaker 3: on that show.
Speaker 2: Yeah. I one of the first times opening for a comic.
Speaker 2: It was his name was John Bowman and he was
Speaker 2: like an umbrella salesman on Seinfeld And I'd seen that
Speaker 2: episode so many times and I had to share a
Speaker 2: condo with him in Boise. It's when they're used to
Speaker 2: be these comedy condos and you just have a roommate
Speaker 2: for four days five I think it was Tuesday through Sunday,
Speaker 2: and I couldn't. I'm like, oh my god, it's the
Speaker 2: umbrella guy from Seinfeld. I could never let it go.
Speaker 2: I never let him be a person.
Speaker 3: He was just how did he treat it? Was just
Speaker 3: did he just treat it like a thing that came
Speaker 3: and went or did he revel in it? Like yeah,
Speaker 3: that's pretty cool.
Speaker 2: Yeah, I'm I think maybe I don't. I think it
Speaker 2: was in his in his intro, yeah, okay, yeah, So
Speaker 2: he was proud of it, and he was fun. He
Speaker 2: was very funny. He made me laugh. I missed that guy.
Speaker 2: I miss being his roommate. But you know how I
Speaker 2: hold salesman in such a high regard, high regard to
Speaker 2: successful umbrella salesman.
Speaker 3: What if he juggled the umbrellas? That would have put
Speaker 3: you and another lead?
Speaker 2: No one does more than five the seven. I just faint.
Speaker 2: Oh god, they're lucky. I wasn't unconscious in that car
Speaker 2: the other.
Speaker 1: Passengers was the juggling guy in that crosswalk? Do you
Speaker 1: think he's working Los Angeles as a whole or do
Speaker 1: you think he's just in that area.
Speaker 2: He he seemed like he had had a very bad year,
Speaker 2: and his limp I don't think was fully an affectation.
Speaker 2: He in a past life was an amazing juggler, and
Speaker 2: that that's why I got very emotional about it. But
Speaker 2: it seems like he's rediscovered it.
Speaker 3: I hope he's taking that show on the road. You
Speaker 3: can't have that for one intersection.
Speaker 2: I'm sorry, I'm sorry, I'm sorry.
Speaker 3: I want multiple roads, though I don't want a single road.
Speaker 3: I mean that talent, you gotta go to different intersections.
Speaker 1: He's got to go to the Walk of Fame and
Speaker 1: he's gotta get yeah over by that really dirty SpongeBob
Speaker 1: SquarePants guy.
Speaker 3: Yeah yeah, because I'm going to be his agent and
Speaker 3: I'm gonna I'm gonna get you in the sense strip.
Speaker 2: I wished I was an agent in that moment.
Speaker 3: I was, I'm talking to Santa Monica Boulevard. I so interested.
Speaker 2: Yeah, and you didn't know I was watching, but I was.
Speaker 2: I love the limp. In the beginning, he really did pretend.
Speaker 2: He's like, oh, I'm gonna act extra for long, Like
Speaker 2: he was really dragging his leg and one of his
Speaker 2: pant legs was ripped open. And then he was amazing
Speaker 2: and he was having fun and he smiled and I
Speaker 2: was like, oh, look at it. He's like a happy
Speaker 2: It was really everyone. I was looking around. Everyone's like, ah,
Speaker 2: everyone in their car was freaking out.
Speaker 3: It kind of the pinnacle of street performance because there's
Speaker 3: a shot clock. You know, it's a high stage environment,
Speaker 3: there's cars and stuff. It's a captive audience. Yes, it's
Speaker 3: pretty amazing.
Speaker 2: It was great. I loved it.
Speaker 3: Was it thirty seconds? How long did he have?
Speaker 2: It was a sort of a long light. I don't
Speaker 2: know how he did that part, but it was. It's
Speaker 2: because it was where Alvarado meets Glenn. It was like
Speaker 2: a there you had to wait for five different streets
Speaker 2: to intersection. It wasn't just.
Speaker 3: So how many shows do you think he does per hour?
Speaker 3: Like how many times does that crosswalk come on?
Speaker 2: I that's something I want to know too. Of he
Speaker 2: just stepped to this because he was juggled. He was
Speaker 2: juggling on the corner. And then once the cars stop,
Speaker 2: I guess he does the limp and he was dragging
Speaker 2: like a milk crate. So everyone's like, oh, brother, it's
Speaker 2: going to take a while. They don't realize they're about
Speaker 2: to see the best show on earth.
Speaker 3: I feel like maybe we should pitch this show. It's
Speaker 3: sort of like America's Got Talent, but it's at crosswalks
Speaker 3: and everyone has thirty seconds to put on the grandest
Speaker 3: show whatever they have. And then the people in the
Speaker 3: cars vote, you know, they decide.
Speaker 2: Yeah, and if they don't get it, you execute them right.
Speaker 3: Then you run them over. You run him over.
Speaker 1: Yeah, it's like it should be near a freeway exit,
Speaker 1: so everyone has road rage, so they're not automatically going
Speaker 1: to love it. They're probably the literal toughest audience there.
Speaker 3: Yeah, yeah, yeah, an angry audience. Yeah, thirty seconds.
Speaker 2: Like the time I was doing morning radio in Austin.
Speaker 2: They got a guy that would win Nickelback tickets if
Speaker 2: we could make him laugh, and he was so angry
Speaker 2: and so many he came in there ready to not laugh,
Speaker 2: and it's like, this isn't gonna wait.
Speaker 3: Did he not want the tickets?
Speaker 2: He really would. I I've talked about this before.
Speaker 1: I'm repeat, no, wait, you mean you mean if he
Speaker 1: didn't laugh, you would try to make him laugh. He didn't,
Speaker 1: he would win Nickelback tickets.
Speaker 2: Right, I'm sorry, no, if right, I think they are
Speaker 2: going to give them to him anyway. But the object
Speaker 2: of the game was he gets free Nickelback tickets unless,
Speaker 2: against his will, we make him laugh, which is an impossibility,
Speaker 2: especially a guy who called in and said on the phone,
Speaker 2: I love Nickelback so much. I named my horse Nickelback,
Speaker 2: which actually is a pretty good it's a horse name.
Speaker 1: Is a great horse name. Yeah.
Speaker 3: I never realized that until now. Now I love the band.
Speaker 2: Yeah, well I've thought about it a few times because
Speaker 2: I disliked the name Sea Biscuits so much. I came
Speaker 2: on a list of betters.
Speaker 3: Huh.
Speaker 2: But yeah, he did not laugh, and I think he
Speaker 2: enjoyed nickelback and I was scarred for life. Yeah it
Speaker 2: was awful.
Speaker 3: Everyone won, right.
Speaker 2: Yeah, but yeah, I think I love the show where
Speaker 2: it's like you have a street corner, but then you're
Speaker 2: you're using people. I guess that's about.
Speaker 3: Wait, why are they they're voluntarily colleting? They love it.
Speaker 3: They lived a juggle exactly. Come on.
Speaker 2: Yeah, and you don't have to rent a theater and
Speaker 2: and hire Nick Cannon and all that stuff.
Speaker 3: Yeah, and it's for the people. There's no artifice of
Speaker 3: all this production is It's like the podcasting of talent shows.
Speaker 3: You know, it's it's real, it's gritty.
Speaker 2: I like it, and I like it's in your faith.
Speaker 3: Yeah, you're commuting, you can't get away from it.
Speaker 2: Have you ever pitched a Have you ever pitched a
Speaker 2: show about Oh, here's the premise. It's an aeronautical engineer
Speaker 2: who is funny in the office. And have you ever
Speaker 2: pitched that?
Speaker 3: No? Yeah, no, I to take my life story. You're like,
Speaker 3: so when you're growing up in Afghan boy?
Speaker 1: Yeah?
Speaker 3: Yeah, and then I got into engineering.
Speaker 1: And I turned to math.
Speaker 2: You just wanted to get away from the grunge music scene? Uh,
Speaker 2: where's the time got when we were already and this
Speaker 2: was an.
Speaker 1: Episode we have kept you for a long time.
Speaker 2: I did want to ask, though, because I started listening
Speaker 2: to your dance party podcast hours because I don't see
Speaker 2: another name on it. Are you talking to yourself? Because
Speaker 2: the other voice sounds like you?
Speaker 3: Oh no, it's my buddy all Ali Balouch.
Speaker 2: You guys have did you know you have very similar voices?
Speaker 3: I did not know. But he's he's Afghan as well,
Speaker 3: so maybe.
Speaker 2: That's not Hey, hey, you know I'm not different. I'm
Speaker 2: just saying all I never saw a photo the other way.
Speaker 3: I mean, I mean you sound different. I meant different.
Speaker 2: I just liked the idea and how difficult it would
Speaker 2: be to record both sides of a podcast as one person.
Speaker 2: Cause you're like, I'm like, after there was enough banter,
Speaker 2: I'm like, okay, there's no way there is good people.
Speaker 3: Yeah, this is top level talent. If he is doing
Speaker 3: a podcast with himself a recorded. That means there's two
Speaker 3: guys that talented in this world, they have to both
Speaker 3: be him. Yeah. I was doing it for a bit
Speaker 3: and then and then I got the writing job, so
Speaker 3: I wasn't able to you know, your time is less,
Speaker 3: so I stopped doing it, but I'm bringing it back.
Speaker 2: So yeah, we're concluding. Is there anyone anything you want
Speaker 2: to promote like writing?
Speaker 3: Yeah, tours, No, I mean I've done with the writing job. Yeah,
Speaker 3: I'm on tours. So if you go to fhemanor dot com,
Speaker 3: you'll see what cities I'm doing. I'm doing Irvine this
Speaker 3: week and then Phoenix, and then I'll be in New
Speaker 3: York and Chicago, Terrific some other places. So yeah, just
Speaker 3: check out that. I guess my ig, you know, fahimn
Speaker 3: Or I put stand up clips up there and then
Speaker 3: the podcast I'm starting up again. So that's my YouTube
Speaker 3: channel where the special is as well. Just Fahim an
Speaker 3: or Nice.
Speaker 2: Yeah, if you are on look at his website and
Speaker 2: if you live in LA he's often at the Comedy
Speaker 2: Store and he's very good and his special takes place
Speaker 2: in all three rooms at the Comedy Store and it's
Speaker 2: very funny. If you like jokes, Thanks one of the
Speaker 2: great like well written jokes.
Speaker 1: Thanks for being here with us.
Speaker 3: Of course, thanks for having me.
Speaker 2: As always, guys, you've been listening to Do You Need
Speaker 2: a Ride?
Speaker 3: D y n A R.
Speaker 2: This has been an exactly Right production.
Speaker 1: Produced by Analise Nelson, mixed by Edson Chroi. Our talent
Speaker 1: booker is Patrick Kottner.
Speaker 2: Theme song by Karen Kilgarrett.
Speaker 1: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,
Speaker 1: and Facebook at dinar podcast That's d y nar Podcast.
Speaker 2: For more information, go to exactly rightmedia dot com.
Speaker 1: Thank you, Oh you're welcome.
Speaker 2: Honk honk. We used to honk the horn finking I
Speaker 2: get it, I get it.