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Speaker 1: Are you leaving?

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Speaker 2: I you wanna way back home?

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Speaker 1: Either way, we want to be there. Doesn't matter how

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Speaker 1: much baggage you claim and give us time and a

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Speaker 1: terminol and gage aid.

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Speaker 2: We want to send you off INSTI.

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Speaker 1: We wanna welcome you back home.

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Speaker 2: Tell us all about it.

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Speaker 1: We scared her? Was it fine? Malborn? Do you need

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Speaker 1: to ride? Do you need to ride? Do you need

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Speaker 1: to ride? Do you need to ride? Do you need

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Speaker 1: to ride? Do your need to ride?

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Speaker 2: Ride with Karen and Chris. Welcome to Do you need

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Speaker 2: to ride? This is Chris Fairbanks.

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Speaker 1: And this is Karen Kilgareff.

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Speaker 2: Hello, my friend Karen Kilgareff.

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Speaker 1: Hi, Chris Fairbanks.

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Speaker 2: I have a story to tell you. Surprisingly let's hear it.

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Speaker 2: I think I had just said I'm going to go

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Speaker 2: into it.

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Speaker 1: Great, I'm ready.

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Speaker 2: Okay, good race yourself.

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Speaker 1: All right.

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Speaker 2: I was driving today and at a light, this guy

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Speaker 2: shuffled into the middle of the walkway or the crosswalk,

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Speaker 2: in front of all the line. I'm like, and then

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Speaker 2: he stopped and he was limping, and then all this

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Speaker 2: he pulled kind of a willy walkup where he's like,

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Speaker 2: look at me, I'm limping. No, I'm not, and he

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Speaker 2: started juggling, but he juggled and I didn't look to

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Speaker 2: see if this is like world world record. But it

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Speaker 2: was seven balls, seven balls super high above his head

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Speaker 2: and he was doing like lake k He was like

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Speaker 2: hacky sacking it back into his head. He was the

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Speaker 2: best juggler I've ever seen. And he knew he's been

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Speaker 2: doing it in the intersection so long. He knew. He

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Speaker 2: didn't look up to see that the light was green.

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Speaker 2: He stopped, did a bout and so he didn't even

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Speaker 2: ask for money. He just did the most amazing juggling.

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Speaker 2: If you love me, if I care about juggling, it's

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Speaker 2: like magic or something. I say, I don't. And then

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Speaker 2: when you see someone that's amazing at it, I almost

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Speaker 2: started crying. And that's just I that's what I saw.

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Speaker 1: Because you know what I think the crying part is

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Speaker 1: because it wasn't just It's not like juggling itself would

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Speaker 1: move you. But that man knows everyone is on the

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Speaker 1: razor's edge of losing their minds right now. Yeah, so

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Speaker 1: he's like, you know what, I'm gonna go out. I'm

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Speaker 1: gonna take to the streets and I'm going to remind

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Speaker 1: people of human magic and that'll just be my volunteering

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Speaker 1: for the day.

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Speaker 2: And on top of that, I of course was thinking,

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Speaker 2: what is his background to be that good? Was he

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Speaker 2: in circus or some other circus. I'm sure he had.

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Speaker 2: He did it for a living at some point. Seven

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Speaker 2: balls is nothing to sneeze at, but it is something

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Speaker 2: to round home about.

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Speaker 1: I was trying to imagine what's the standard amount of balls,

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Speaker 1: which I guess opener amount is three. Yeah, right, that's

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Speaker 1: when you're like in the kitchen trying to be kind

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Speaker 1: of fun and sexy at the same time. Yeah, hey,

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Speaker 1: look what I can.

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Speaker 2: Do erotic the erotic three they call.

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Speaker 1: It the erotic Apple juggler, but then incorporating four more,

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Speaker 1: that's a lot.

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Speaker 2: Yeah. Like Tommy Drake, this guy in Houston that used

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Speaker 2: to be a comic and juggler at the same time.

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Speaker 2: He'd like opened for share and then he did family

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Speaker 2: friendly versions of his joke as he juggled swords and

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Speaker 2: knives at at six Flags anyway, he did five knives

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Speaker 2: and that was like a record, like he was the

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Speaker 2: best at. So I'm seven balls has to be something.

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Speaker 2: Can someone do eight? And this guy, you know what

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Speaker 2: I'm thinking of?

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Speaker 1: Is like all of the grammar school art that my

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Speaker 1: teachers had on the wall, where like there would be

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Speaker 1: a clown with a with all the balls that had

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Speaker 1: children's names inside or something, and it's like that was

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Speaker 1: probably twenty five in a standard classroom. I'm just trying

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Speaker 1: to compare. Yeah, I don't really have a lot of

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Speaker 1: juggling background myself.

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Speaker 2: Right, but that's it's a good comparison. Because everyone in

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Speaker 2: traffic turned to a little kid, and they all were

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Speaker 2: in a good mood, and I wanted to pull over.

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Speaker 2: But what am I going to say, Hey, you're good

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Speaker 2: at that, here's a dollar. I'm going to insult you.

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Speaker 1: He's like, sir, get away, I'm an artist.

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Speaker 2: Yeah, stop her eying. Yeah, he just snubs me and

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Speaker 2: doesn't make eye contact.

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Speaker 1: And like Kase, he didn't do it.

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Speaker 2: I feel like I'm at a comedy party again.

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Speaker 1: You know who absolutely will know how many balls is

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Speaker 1: the juggling limit? Is our guest today?

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Speaker 2: Yeah, I was gonna say, he'll know he used to

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Speaker 2: juggle and do magic.

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Speaker 3: Yeah.

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Speaker 2: I don't know that that's true, but I do know.

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Speaker 1: From the Pacific Northwest, that's where all that stuff he.

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Speaker 2: Brought rain that we're experiencing down from Seattle. Everybody.

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Speaker 3: Sorry, sorry, guys, that was me.

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Speaker 2: You've seen her. The clubs and colleges, He's hilarious. He

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Speaker 2: does a lot of colleges. Put your ears together for

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Speaker 2: fahim anoir, thank you, thank you.

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Speaker 3: Good to be here. Hey, I love the boiler play.

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Speaker 3: Clubs and colleges. Like crowds are just wow, Like, oh

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Speaker 3: my god, honey, this guy does clubs and colleges.

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Speaker 2: Educated children. Can you imagine that audience?

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Speaker 3: You know, I throw in a third credit. I say, say,

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Speaker 3: clubs and colleges, and then throwing corporate events from time

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Speaker 3: to time. They're like, whoa, he can wear a corporate

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Speaker 3: clean Yeah, because there might be some executives in the crowd.

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Speaker 3: That's right, because I'm advertising when I'm up there, too, right.

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Speaker 2: I treat every set like a LinkedIn profile.

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Speaker 1: Have to.

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Speaker 3: Yeah, that's when your career really starts to skyrocket. Like

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Speaker 3: I used to do things that I thought were funny,

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Speaker 3: but now I just treat it like, you know, yeah,

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Speaker 3: like you said, a LinkedIn profile.

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Speaker 2: Yeah.

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Speaker 3: I opened my set by saying I'm here to network,

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Speaker 3: and then I hand out cards to the front up.

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Speaker 1: Let's keep them laughing at a minimum because this is business.

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Speaker 3: Yeah, this is business, guys. You can't hear my strengths.

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Speaker 2: It's funny though, because we are supposed to do some

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Speaker 2: level of that. When I was young and opening for comics,

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Speaker 2: I remember Mike Berbiglia and like Dane Cook actually putting

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Speaker 2: down paperwork and gathering it in a bag at the

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Speaker 2: end like an email list, and then they go home

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Speaker 2: and tell everyone thank you for coming to the show.

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Speaker 2: And that was something I still don't that's so far

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Speaker 2: removed from my brain.

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Speaker 3: But yeah, yeah, it's necessary. It's such a necessary thing,

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Speaker 3: you know. That's a that's what separates a lot of people,

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Speaker 3: like like someone who's like Kevin Hart or someone who's

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Speaker 3: like very funny, but you'll never know who they are,

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Speaker 3: or I have a you know, it's hard to get

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Speaker 3: to that level without having like open micro energy. No

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Speaker 3: matter what level you're at, it's crazy, like it never ends.

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Speaker 2: Yeah, I'm still going to lie to myself and say

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Speaker 2: it's about joke quality.

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Speaker 3: Yes, that's all.

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Speaker 1: That's not true.

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Speaker 3: It took me a long time to realize that. Lesson

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Speaker 3: I'll like being good and people caring are they're like

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Speaker 3: independent of each other. They have nothing to do with

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Speaker 3: each other.

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Speaker 2: Yeah, yeah, and you are. You are one of my

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Speaker 2: favorite comm You do a a very relate like every

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Speaker 2: joke you do, it's it's that situation where it's like,

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Speaker 2: oh my god, why didn't I think of that before,

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Speaker 2: Like your bit about trying to meet up with someone

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Speaker 2: that's on the move or they're a different club, Like

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Speaker 2: I think everyone has realized has thought that is the

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Speaker 2: most frustrating thing ever, but no one has done a

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Speaker 2: joke about it as far as I know. And your

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Speaker 2: whole act is like a bunch of relatable scenarios and

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Speaker 2: it's so great. I just watched Your Your Special, Your

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Speaker 2: Hat Trick Special.

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Speaker 3: And oh cool.

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Speaker 2: So many things in that were like, god, I've thought

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Speaker 2: of that, except for the joke part.

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Speaker 3: I'd just like, yeah, you know, that's that's just great comedy.

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Speaker 3: You know, you just say what we're all thinking but

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Speaker 3: haven't put it into words yet.

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Speaker 2: I mean, it is truly, that is actually the formula.

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Speaker 2: I think.

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Speaker 3: I think so too. Yeah. I mean there are people

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Speaker 3: who have jokes and you're like, ah, yes, you know

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Speaker 3: what I mean, Like they just cracked it a certain way,

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Speaker 3: and I think that's there's between like stand ups and

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Speaker 3: people who just have regular jobs. Is everyone has these thoughts.

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Speaker 3: But I think, like, you know, the art of doing

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Speaker 3: stand up is just drilling down the minutia and like

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Speaker 3: taking a feeling into like a thought for an audience

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Speaker 3: or something.

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Speaker 2: Yeah, yeah, yeah, I've seen you do it many times

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Speaker 2: and I love it.

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Speaker 3: Thanks man, Dittoh yeah, I'm a fan too. That's school.

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Speaker 3: You saw the special, thanks dude.

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Speaker 2: Yeah it was great.

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Speaker 3: You know it's it's available on YouTube, so that's.

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Speaker 1: Not like channel for him on water. I watched her

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Speaker 1: two late night sets because oh yeah, our producer on

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Speaker 1: Elise sends us a little thing of like, we know

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Speaker 1: what's going on with this guy, and it's nice.

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Speaker 3: That's more than most general meetings you go on. You know,

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Speaker 3: like your people will be like so and so and

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Speaker 3: Sony wants to meet you. You go, oh great, and

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Speaker 3: you get in the chair and they have this like

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Speaker 3: look of like who the fuck is this guy? And

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Speaker 3: you go, oh, this is just a stand up show

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Speaker 3: in an armchair that I have to do.

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Speaker 1: YEA for one dry man who does.

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Speaker 3: One doesn't know who you are or why you're here.

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Speaker 3: He filled the calendar, He's just dotting his eyes and

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Speaker 3: crossing his te so that if you get famous, he

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Speaker 3: won't get fired.

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Speaker 1: So they'll be like I met with him, great guy,

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Speaker 1: this stuff, love to share stuff.

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Speaker 3: He was very well hydrated. We took care of him,

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Speaker 3: two bottles of water and diet coke.

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Speaker 1: I remember having that realization going on meetings and they

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Speaker 1: do you like your representation always words it like they

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Speaker 1: they want you for this park, they want to meet you,

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Speaker 1: and it's completely not true. And it was like probably

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Speaker 1: year three of living here where I was like, wait

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Speaker 1: a second, these people are being paid a lot of

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Speaker 1: money to meet with people all day long. They don't

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Speaker 1: want to meet with me. They don't care about me.

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Speaker 1: They don't They're probably being told like it was such

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Speaker 1: a sad like, oh, I'm being lied to on like

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Speaker 1: every level, every level. Hilarious.

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Speaker 2: Yeah. And then the last one I did, and it

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Speaker 2: had been years since I had like a general meeting,

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Speaker 2: never over zoom. They were after seven to ten minutes,

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Speaker 2: They're both like, well, I got to go, I got

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Speaker 2: another thing, and I have all prepared. We hadn't even

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Speaker 2: gotten to my ideas or thoughts about anything.

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Speaker 3: You had like an easel on the other side of

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Speaker 3: the door, Like, ready to a friend is going to

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Speaker 3: come in with your pitch for Jurassic Park.

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Speaker 2: The reboot turns out that pitch was softer than I thought.

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Speaker 1: It's not dinosaurs, it's frogs. Are you ready?

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Speaker 2: Wait?

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Speaker 1: Hold on? Are you ready leave meeting now?

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Speaker 3: I mean, zoom has really made it great for pointless meetings. Though.

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Speaker 3: All you gotta do is crack open a laptop and

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Speaker 3: be like, oh, this is fun. Guys by no traffic,

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Speaker 3: no parking, It's great. H the pandemic person, Yeah, isn't

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Speaker 3: that great?

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Speaker 2: For real?

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Speaker 1: The sweat that I would build between putting on makeup

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Speaker 1: in my car and walking across the like six football

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Speaker 1: fields of parking lots in all of the studios around town,

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Speaker 1: We're just like, what is what am I doing? Why

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Speaker 1: would I do this? This is horrible?

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Speaker 3: Yeah, yeah, it's kind of nice. I mean, look, the

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Speaker 3: pandemic was a terrible thing, but I think what has

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Speaker 3: come on the other side of it is people really

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Speaker 3: valuing their time. Yeah, it's like, pre pandemic, no one

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Speaker 3: gave a fuck about their time. It was crazy how

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Speaker 3: much we were just giving for point like things that

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Speaker 3: could have been phone calls, things that could have been

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Speaker 3: zooms auditions. I did a callback for this like NBC

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Speaker 3: show via zoom. That's like a big thing that they're

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Speaker 3: doing over zoom. Whereas before you would go to a

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Speaker 3: pre read, you would go to the actual audition. Yeah,

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Speaker 3: you would go to the callback with producers. You would

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Speaker 3: go to a studio test, you would go to producer

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Speaker 3: like yeah so much. Yeah, I mean was it?

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Speaker 1: Do you think it was easier to do a callback

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Speaker 1: on zoom than if you were in the room.

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Speaker 3: I well, the thing is like I am a stand

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Speaker 3: up whose visits these Hollywood things, like stand is my

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Speaker 3: main thing. So I love it because I'm not. My

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Speaker 3: entire being isn't wrapped up and like I hope I

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Speaker 3: get this part right. So I love the value of

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Speaker 3: time and that feeling of nervousness. I am in my home,

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Speaker 3: it's so minimal, Like maybe when I crack open my

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Speaker 3: laptop for like two minutes or five minutes, it might

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Speaker 3: be butterfly. But when you have an audition, it's like

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Speaker 3: you're in traffic getting ready, you know, in the shower,

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Speaker 3: the whole ritual. It's like half your days just you're

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Speaker 3: a not.

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Speaker 2: Yeah, and being in a room and being judged in

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Speaker 2: some way, there's this power dynamic that kind of doesn't

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Speaker 2: exist over zoom and from.

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Speaker 3: It's so funny. It's like they still try, if they

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Speaker 3: still try the mind fuck you via zoo. Yeah, they're like,

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Speaker 3: can you go downstairs and just fidget on your sofa

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Speaker 3: for thirty minutes and then come back up.

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Speaker 2: Or they try and make their monitors slightly bigger. They

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Speaker 2: have like a design guy.

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Speaker 3: I just he just puts a crown. He puts a

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Speaker 3: crown on.

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Speaker 2: It's good to be here. Don't mind this scaff I'm holding.

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Speaker 1: Yeah, I'm he changes his background to a cloud. That's right, motherfucker.

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Speaker 1: I'm god.

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Speaker 2: Yeah, yeah, And I've said this before. When that was

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Speaker 2: happening and we I was like, I can't believe I'm

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Speaker 2: doing stand up into a siline and over zoom, And

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Speaker 2: then went turn on TV and Stephen Colbert is struggling

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Speaker 2: through a monologue over zoom, and I realized, oh, we're

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Speaker 2: all the same. Look at this human with no power,

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Speaker 2: and all my gray hair went away. I had gray

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Speaker 2: hair on the sides here. It's kind of come back

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Speaker 2: now that we're all thriving again. But it was such

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Speaker 2: a weight off my shoulders.

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Speaker 3: Oh, it was great. Like it was. It's pretty interesting,

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Speaker 3: just like the smoke and Mirrors of gloss. Once the

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Speaker 3: pandemic happened, everyone was a YouTuber like Trevor Noah, Jimmy,

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Speaker 3: Like vloggers had an edge up on them because that's

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Speaker 3: what they've been doing their whole lives, you know what

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Speaker 3: I mean, Like they had to come down and like

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Speaker 3: these people were at that level all the time. It's interesting.

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Speaker 2: Yeah, you still haven't kind of pulled out of that.

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Speaker 3: Yeah, Like it's fun, it's cool, but like I feel

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Speaker 3: like after the pandemic it feels less relevant. It was

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Speaker 3: already kind of on a decline, but when you got

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Speaker 3: to see it's like you got to see Late Night

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Speaker 3: with no makeup on. Yeah, the pandemic happened, right, Yeah,

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Speaker 3: so now it feels kind of like a relic on

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Speaker 3: the fifties or something.

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Speaker 1: There was also up north. I was at my sister's

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Speaker 1: house and they were doing the news, but they were

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Speaker 1: all from home, so there was like the weather man

307
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Speaker 1: was like at a weird green screen in his living

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Speaker 1: room and it was my favorite. I think he had

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Speaker 1: a cat that kept walking through or something. But I

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Speaker 1: was just like it was so fascinating to watch where

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Speaker 1: I was like, hey, first of all, it's not my problem,

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Speaker 1: Like I don't have to feel any of that tension

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Speaker 1: of like what are we gonna do? How are we

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Speaker 1: going to get this done? I was just like, Oh,

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Speaker 1: thank god, I do podcasting. I don't have to worry

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Speaker 1: about any of this stuff anymore.

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Speaker 3: That's awesome.

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Speaker 1: But then the idea of like, wait, this is better,

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Speaker 1: Like we the way things have gotten to this point

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Speaker 1: where it's like, what we like is a bunch of

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Speaker 1: people fake applauding and fake laughing. What we like is

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Speaker 1: this It's like, no, we don't like people. What people

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Speaker 1: like is seven balls being juggled in the crosswalk.

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Speaker 2: God I liked it.

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Speaker 3: Yeah, yeah, because that's real.

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Speaker 1: It's real. God, damn its streets.

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Speaker 3: You get a honk, you earn that honk. There's no

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Speaker 3: sign that says honk now from a producer.

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Speaker 2: Yeah, maybe that's why I like those drive in shows.

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Speaker 2: You think someone tells you that they're gonna honk at you.

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Speaker 2: I was like, Oh, that's gonna be terrifying. A honk

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Speaker 2: only means bad, get out of the way. I want

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Speaker 2: to kill you. And I've never a symphony of honks.

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Speaker 2: It's like my favorite, Yo, what if?

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Speaker 3: What if you're still like conditioned from the pandemic these

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Speaker 3: comedy shows though you're in like the four or five

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00:16:20,000 --> 00:16:23,520
Speaker 3: people are honking, You're like I crushed. Yeah, these guys

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Speaker 3: love me.

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Speaker 2: They're honking because you won't it's green and you won't drive,

340
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Speaker 2: and you're just like, thank you, I'll be here all week.

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Speaker 3: You just sit there till when it's still here with

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Speaker 3: my work.

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Speaker 2: You're from Seattle, right, I am?

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Speaker 3: Yeah?

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Speaker 2: Did we talk last time about working it? Boeing and.

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Speaker 3: Maybe the thing is like I went to U Dubb

347
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Speaker 3: University Washington, got my engineering degree there mechanical. If you

348
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Speaker 3: guys were wondering, yay, mechanical engineering.

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Speaker 1: I was going to mechanical, not kitchen appliances, the big stuff.

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Speaker 3: The big stuff, not saying cars, robot dogs that kill,

351
00:17:07,400 --> 00:17:09,919
Speaker 3: that killed. Yeah. So then I got a job in

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Speaker 3: Long Beach because I just applied the jobs in southern

353
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Speaker 3: California because I knew I wanted to do this. So

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Speaker 3: you got to go New York or LA. And I'm

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Speaker 3: a West Coast kid. My family's still in Seattle, So

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Speaker 3: I was like, I'll just apply to this.

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Speaker 2: So you knew right away after you did all the

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Speaker 2: post grad work, You're like, how do I also do

359
00:17:26,000 --> 00:17:28,080
Speaker 2: stand up? Were you struggling with that?

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Speaker 3: Yeah, I mean it was just like a very methodical,

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Speaker 3: premeditated plan. I mean I was doing stand up when

362
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Speaker 3: I was eighteen, Like when I graduated high school, I

363
00:17:36,440 --> 00:17:37,680
Speaker 3: was just going to the I was going to the

364
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Speaker 3: comedy underground and giggles a lot through the summer no laughs.

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Speaker 2: In Kirkland.

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Speaker 3: Well it wasn't. Yeah, I love them, David Angela. Yeah,

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Speaker 3: they were their first comedy club was like part of

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Speaker 3: the ramata In in the Wow and I used to

369
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Speaker 3: go there all the time, like Friday and Saturday. They

370
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Speaker 3: would give me twenty minutes because I was going to

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Speaker 3: college and I couldn't my parents are a little strict,

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Speaker 3: like I couldn't do comedy through the middle of the week,

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Speaker 3: so but Friday and Saturday they would give me twenty minutes.

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Speaker 3: So that was kind of like my home club, this

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Speaker 3: ramata In nice laughs. Yeah, yeah, but it was good.

376
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Speaker 3: It was like it was a good crowd. Yeah.

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Speaker 2: They're like when it sounded the first clubs that said hey,

378
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Speaker 2: we're going to take a chance on you because of

379
00:18:17,920 --> 00:18:20,399
Speaker 2: a video we saw or something and I that was

380
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Speaker 2: one of the first times that happened.

381
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Speaker 3: Oh yeah, they're great. I think I'm gonna do it

382
00:18:24,240 --> 00:18:28,520
Speaker 3: sometime this summer because they weren't Kirkland and then now

383
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Speaker 3: there were Giggles used to be in the university.

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Speaker 2: District and it's good. I've been there. It was fun.

385
00:18:34,760 --> 00:18:35,240
Speaker 3: Oh cool.

386
00:18:35,480 --> 00:18:38,159
Speaker 1: Yeah, is Giggles the one with a brick wall like

387
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Speaker 1: a brick it's a brick corner.

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00:18:40,119 --> 00:18:43,280
Speaker 2: Yeah, it is a corner. Maybe it used to be brick. Yeah, they.

389
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Speaker 1: That might be my memory laying on a comedy club

390
00:18:48,480 --> 00:18:51,760
Speaker 1: brick element that wasn't actually there. It was just a corner.

391
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Speaker 3: It'd be funny on the road. So long you can

392
00:18:53,640 --> 00:18:57,080
Speaker 3: just blindfoldedly late, like lean against a brick wall and

393
00:18:57,200 --> 00:18:59,040
Speaker 3: you can you could say what club it is?

394
00:18:59,480 --> 00:19:02,560
Speaker 2: Three by five entures. It's good to be back in Cleveland.

395
00:19:05,840 --> 00:19:06,280
Speaker 3: Yeah.

396
00:19:06,359 --> 00:19:09,760
Speaker 2: Yeah, it's just it's so rare because you had but

397
00:19:10,000 --> 00:19:13,800
Speaker 2: a good job that you worked hard to become a

398
00:19:13,720 --> 00:19:16,359
Speaker 2: a is it aero aerospace engineer?

399
00:19:17,160 --> 00:19:20,600
Speaker 3: I mean that is space you It sounds cool. I

400
00:19:20,600 --> 00:19:25,680
Speaker 3: guess will be like you like rocket scientists or something.

401
00:19:25,720 --> 00:19:28,720
Speaker 3: I go, I can I stay in the atmosphere you know. Yeah, yeah,

402
00:19:28,800 --> 00:19:31,240
Speaker 3: it's just gets much credit. Yeah, it's just aerospace.

403
00:19:31,600 --> 00:19:34,119
Speaker 1: But you did have to use a protractor, right, that

404
00:19:34,280 --> 00:19:34,520
Speaker 1: was it?

405
00:19:34,760 --> 00:19:39,760
Speaker 3: I wish no, just no, just numbers, just no. Yes,

406
00:19:39,840 --> 00:19:43,199
Speaker 3: it's just the computer work really oh yeah yeah, but

407
00:19:43,200 --> 00:19:45,119
Speaker 3: it gets it gets it. It's so niche, you're not

408
00:19:45,160 --> 00:19:47,960
Speaker 3: even like you. I mean, I mean this may be hyperbole,

409
00:19:48,000 --> 00:19:49,399
Speaker 3: but I feel like you could teach a high school

410
00:19:49,440 --> 00:19:52,520
Speaker 3: kid who's to do any job really because it gets

411
00:19:52,560 --> 00:19:56,680
Speaker 3: so specialized once you get into the field. It's repetitive

412
00:19:56,920 --> 00:19:58,240
Speaker 3: and you use the same software.

413
00:19:58,520 --> 00:20:01,800
Speaker 2: Yeah, what were you working like smarter in college last

414
00:20:01,960 --> 00:20:04,320
Speaker 2: last time? The last thing you were working on, do

415
00:20:04,320 --> 00:20:07,000
Speaker 2: you remember, Like was it a hatch door or a window?

416
00:20:07,200 --> 00:20:07,280
Speaker 4: Like?

417
00:20:07,359 --> 00:20:08,960
Speaker 3: No, like, okay, the whole time I was there, I'm

418
00:20:09,000 --> 00:20:11,080
Speaker 3: trying to think. It was like the floor beams O

419
00:20:12,080 --> 00:20:16,359
Speaker 3: the seven four seven dash eight freighter, which is like

420
00:20:16,560 --> 00:20:19,320
Speaker 3: ups and all that, and then passenger, which is like

421
00:20:19,720 --> 00:20:21,680
Speaker 3: once we fly, you know people, so.

422
00:20:21,720 --> 00:20:25,959
Speaker 2: You want to have a solid divide between the passengers

423
00:20:25,960 --> 00:20:26,880
Speaker 2: and the luggage.

424
00:20:26,960 --> 00:20:31,480
Speaker 3: That's the free Well, the loads are different, you know

425
00:20:31,520 --> 00:20:34,159
Speaker 3: what I mean, like the load cases you get. But

426
00:20:34,240 --> 00:20:36,359
Speaker 3: I mean it's very unglamorous. You tell someone like I

427
00:20:36,359 --> 00:20:39,359
Speaker 3: worked on the floor beams, so when you walk to

428
00:20:39,400 --> 00:20:42,400
Speaker 3: your seat, you're welcome. The reason you don't fall through

429
00:20:42,400 --> 00:20:43,040
Speaker 3: the floor is me.

430
00:20:43,600 --> 00:20:46,119
Speaker 1: Yeah, and they're like clicking off the zoom. Oh I

431
00:20:46,160 --> 00:20:48,359
Speaker 1: didn't I thought it was outer space bye bye.

432
00:20:48,640 --> 00:20:48,840
Speaker 2: Yeah.

433
00:20:48,920 --> 00:20:50,280
Speaker 3: Yeah.

434
00:20:50,320 --> 00:20:54,200
Speaker 1: Did you ever have to do equations on a gigantic chalkboard?

435
00:20:54,920 --> 00:20:55,160
Speaker 2: Yeah?

436
00:20:55,600 --> 00:20:58,399
Speaker 3: I mean yeah, no, but that'd be great, just just

437
00:20:58,440 --> 00:21:01,600
Speaker 3: to feel like I'm in a beautiful mind or something. Yeah,

438
00:21:01,600 --> 00:21:03,400
Speaker 3: it's very simple to do this.

439
00:21:03,480 --> 00:21:06,359
Speaker 2: Yeah, right, equations in front of a bunch of drunk

440
00:21:06,440 --> 00:21:07,840
Speaker 2: college kids from Boston.

441
00:21:08,480 --> 00:21:15,880
Speaker 3: Yeah. Like apples. Yeah, I wonder if any I wonder

442
00:21:15,920 --> 00:21:19,120
Speaker 3: if anyone tries to use that quote nowadays. But everyone's

443
00:21:19,119 --> 00:21:21,159
Speaker 3: too young, so they're like, what are you talking about?

444
00:21:21,320 --> 00:21:22,000
Speaker 1: What apples?

445
00:21:22,320 --> 00:21:24,360
Speaker 3: What apples? I want to do a joke like say,

446
00:21:24,440 --> 00:21:26,359
Speaker 3: like I like going on dates with like girls in

447
00:21:26,359 --> 00:21:29,600
Speaker 3: their early twenties and just do movie quotes from the nineties. Yeah,

448
00:21:29,800 --> 00:21:34,240
Speaker 3: so it's be like somebody's stuck me. Do want to

449
00:21:34,240 --> 00:21:35,399
Speaker 3: make you holdy baby?

450
00:21:35,480 --> 00:21:35,760
Speaker 1: Do it?

451
00:21:36,240 --> 00:21:40,280
Speaker 3: Just be like what are you doing? What's going on?

452
00:21:40,440 --> 00:21:42,000
Speaker 1: She's dialing nine one one next?

453
00:21:42,280 --> 00:21:45,040
Speaker 2: Yeah, or you're on a day. But someone that's never

454
00:21:45,119 --> 00:21:47,679
Speaker 2: ever seen a movie. They were like, they grew up

455
00:21:48,400 --> 00:21:51,080
Speaker 2: in a very religious commune and they just think you're

456
00:21:51,080 --> 00:21:54,639
Speaker 2: a genius. Everything he says. It's always in a different voice,

457
00:21:55,200 --> 00:21:56,360
Speaker 2: but it's so funny.

458
00:21:56,880 --> 00:21:59,560
Speaker 3: He's just quoting ace Ventura and they think that you're

459
00:21:59,720 --> 00:22:04,400
Speaker 3: some savant. That is so weird. You ever meet those people, Yeah,

460
00:22:04,440 --> 00:22:06,320
Speaker 3: like you're saying, who are like very religious or we

461
00:22:06,359 --> 00:22:09,680
Speaker 3: didn't watch movies growing up, and it's it's like they're

462
00:22:09,720 --> 00:22:12,800
Speaker 3: in Sino Man or something. Yeah, it's crazy. You have

463
00:22:12,880 --> 00:22:16,280
Speaker 3: no cultural touchstones with them.

464
00:22:16,280 --> 00:22:20,399
Speaker 2: Speaking of Encino Man, when you when you guys close

465
00:22:20,480 --> 00:22:23,800
Speaker 2: your eyes, do you just I can't get rid of

466
00:22:23,840 --> 00:22:26,440
Speaker 2: the vision of Brendan Fraser crying.

467
00:22:27,520 --> 00:22:29,280
Speaker 3: That's all in Encino Man.

468
00:22:29,359 --> 00:22:33,000
Speaker 2: I've seen him cry so much lately, no more grown

469
00:22:33,080 --> 00:22:40,440
Speaker 2: up Brendan crazier him and uh way Kwan, uh wow,

470
00:22:40,480 --> 00:22:42,840
Speaker 2: what's his name? They were both in the Casino Man.

471
00:22:42,880 --> 00:22:44,000
Speaker 2: I forgot anyway that I.

472
00:22:43,920 --> 00:22:46,879
Speaker 3: Saw that screen grab of them and Encino Man, like

473
00:22:46,920 --> 00:22:47,879
Speaker 3: both are Oscar winners.

474
00:22:48,119 --> 00:22:50,880
Speaker 2: Yeah, yeah, it is really cool and it does make

475
00:22:50,920 --> 00:22:53,720
Speaker 2: me cry too. It's just there's a lot of crying

476
00:22:53,800 --> 00:22:56,280
Speaker 2: and I'm hey, you know, I cry. I wake up

477
00:22:57,080 --> 00:23:02,000
Speaker 2: crier I love cry, but man, yeah, a lot of cry.

478
00:23:02,800 --> 00:23:07,000
Speaker 3: Well, when you look at his career and the trajectory,

479
00:23:07,200 --> 00:23:10,119
Speaker 3: I think you're out and then there's this outpouring of

480
00:23:10,200 --> 00:23:15,800
Speaker 3: support and then you win the biggest it's yeah yeah.

481
00:23:15,480 --> 00:23:19,040
Speaker 1: And for both of them, Yeah, standing ovation. Brenda Fraser

482
00:23:19,080 --> 00:23:21,639
Speaker 1: got in Khan for it was like a ten minute

483
00:23:21,800 --> 00:23:24,600
Speaker 1: standing ovation or whatever, where it's like that's how he

484
00:23:24,680 --> 00:23:28,640
Speaker 1: came back after he gone for fifteen years.

485
00:23:28,520 --> 00:23:32,119
Speaker 2: Or something like they all had just watched The Whale

486
00:23:32,200 --> 00:23:34,439
Speaker 2: and then freaked out and he didn't know if anyone

487
00:23:34,480 --> 00:23:36,200
Speaker 2: would even like it exactly.

488
00:23:36,320 --> 00:23:39,400
Speaker 3: Really Yeah, well that director's pretty big, though, is any

489
00:23:39,480 --> 00:23:42,560
Speaker 3: like aeron Osky or whatever? Theren so? I mean, it's

490
00:23:42,640 --> 00:23:44,520
Speaker 3: not really a roll of the dice, like if you're

491
00:23:44,520 --> 00:23:47,000
Speaker 3: in a Spielberg film and you're like, I hope people

492
00:23:47,240 --> 00:23:51,480
Speaker 3: like it, will it be good? Yeah, I'm in this

493
00:23:51,560 --> 00:23:53,919
Speaker 3: Tarantino movie. I hope it's good.

494
00:23:54,960 --> 00:23:55,520
Speaker 1: Yeah.

495
00:23:55,640 --> 00:23:55,880
Speaker 2: Yeah.

496
00:23:56,040 --> 00:23:57,920
Speaker 3: I did this bit at the improv one time, because

497
00:23:57,920 --> 00:24:00,159
Speaker 3: like I always read every year, it's always like so

498
00:24:00,200 --> 00:24:03,760
Speaker 3: and so gets, Dune gets seven minutes standing ovation or

499
00:24:03,760 --> 00:24:06,520
Speaker 3: the Whale gets and everyone just accepts it. I want

500
00:24:06,520 --> 00:24:08,720
Speaker 3: to be like, do you know how fucking long seven

501
00:24:08,800 --> 00:24:12,200
Speaker 3: minutes is I go, that's bizarre. I go, let's let's

502
00:24:12,200 --> 00:24:16,400
Speaker 3: do an experiment. Let's pretend my film just got done screening,

503
00:24:16,720 --> 00:24:19,800
Speaker 3: and you guys start clapping, all right, So I did

504
00:24:19,920 --> 00:24:22,600
Speaker 3: the Hollywood inpro I go, okay, my film just got

505
00:24:22,680 --> 00:24:25,919
Speaker 3: done screening. They all start clapping, and I just I

506
00:24:26,000 --> 00:24:29,040
Speaker 3: stand up there and I'm very gracious and I'm trying

507
00:24:29,080 --> 00:24:32,399
Speaker 3: to act natural while the applause are coming. It gets

508
00:24:32,480 --> 00:24:37,920
Speaker 3: weird after thirty seconds, and like the audience can feel

509
00:24:37,920 --> 00:24:40,480
Speaker 3: how weird it is, and I go forty five seconds.

510
00:24:40,520 --> 00:24:43,360
Speaker 3: Everybody for it, and I try to go for as

511
00:24:43,359 --> 00:24:46,239
Speaker 3: long as they will, but like the crowds never go

512
00:24:46,359 --> 00:24:49,560
Speaker 3: past a minute. They get tired. Yeah yeah, yeah, So

513
00:24:49,600 --> 00:24:51,879
Speaker 3: do you really got to will yourself to do seven?

514
00:24:52,040 --> 00:24:52,240
Speaker 2: Eight?

515
00:24:52,440 --> 00:24:53,960
Speaker 3: Your hands are getting bloody.

516
00:24:54,200 --> 00:24:58,240
Speaker 1: There's just no way anyone means it by minute like seven.

517
00:24:58,400 --> 00:25:02,080
Speaker 3: There's no way correct. It's almost like the perfect microcosm

518
00:25:02,200 --> 00:25:08,000
Speaker 3: for Hollywood. Just the artifice, the bullshit, the veneer like clapping.

519
00:25:08,119 --> 00:25:13,600
Speaker 3: It's so performative, like Arnofski to clap, clap, clap. They're

520
00:25:13,600 --> 00:25:16,520
Speaker 3: probably all filmmakers in the audience. I wonder if there's

521
00:25:16,560 --> 00:25:18,480
Speaker 3: one guy who's in a suit and to tie during

522
00:25:18,520 --> 00:25:20,400
Speaker 3: con you know. And then he like sits down after

523
00:25:20,440 --> 00:25:22,760
Speaker 3: three minutes and everyone's just giving him the stink eye

524
00:25:23,040 --> 00:25:26,520
Speaker 3: and he gets fired from whatever. Yeah whatever, studio.

525
00:25:26,520 --> 00:25:29,040
Speaker 1: Gotta play ball. Jerry, we saw you.

526
00:25:28,960 --> 00:25:34,200
Speaker 3: You couldn't stand for ten minutes. Brendan saw that. He's upset,

527
00:25:34,680 --> 00:25:37,879
Speaker 3: but he's crying again. He's not gonna do the whale too. Now.

528
00:25:39,920 --> 00:25:43,639
Speaker 1: I was laughing because the two guys that did everything everywhere,

529
00:25:43,640 --> 00:25:45,840
Speaker 1: all at once, which is an amazing movie, and they

530
00:25:45,880 --> 00:25:49,359
Speaker 1: just like it. They deserve this price. But after your

531
00:25:49,400 --> 00:25:52,520
Speaker 1: fifth speech, go up there, grab it and run like

532
00:25:52,720 --> 00:25:54,600
Speaker 1: do the thing everyone wants you to do, which is

533
00:25:54,720 --> 00:25:57,199
Speaker 1: zip it and go, not like I just I just

534
00:25:57,200 --> 00:26:01,240
Speaker 1: thought it one more thing, my teacher, I forgot my tea. Yeah,

535
00:26:01,400 --> 00:26:04,120
Speaker 1: they did it every time, or just like no, no, no,

536
00:26:04,280 --> 00:26:07,240
Speaker 1: you're you were welcome the first three or four times.

537
00:26:07,760 --> 00:26:09,480
Speaker 1: Now get out for real.

538
00:26:09,920 --> 00:26:13,040
Speaker 3: It's almost like MCing, you know. I you know, I

539
00:26:13,080 --> 00:26:15,919
Speaker 3: never did it. Whenever I whenever I did EMC, I

540
00:26:15,920 --> 00:26:18,880
Speaker 3: would do my time up top and then I would

541
00:26:18,960 --> 00:26:21,920
Speaker 3: just introduce people. I'm not trying to do time in between,

542
00:26:22,840 --> 00:26:23,440
Speaker 3: you know what I mean.

543
00:26:23,520 --> 00:26:27,240
Speaker 2: There's times I've enjoyed that. But if anyone does time

544
00:26:27,400 --> 00:26:30,160
Speaker 2: before me or after me, I take it as a oh,

545
00:26:30,240 --> 00:26:32,520
Speaker 2: this guy just ate it, so let me do a joke.

546
00:26:33,200 --> 00:26:35,160
Speaker 3: That's a good point. You're like, oh, this guy's trying

547
00:26:35,200 --> 00:26:38,879
Speaker 3: to palette cleanse. Yeah yeah, yeah, that's the coffee beans

548
00:26:38,880 --> 00:26:39,960
Speaker 3: at the fragrance counter.

549
00:26:40,280 --> 00:26:42,680
Speaker 1: Or they do a little crowd work that. Then they

550
00:26:42,760 --> 00:26:45,600
Speaker 1: eat it as the EBC where you're just like, no, no,

551
00:26:45,640 --> 00:26:47,600
Speaker 1: we can't go down any further. You have to only

552
00:26:47,640 --> 00:26:48,879
Speaker 1: go up. You can't do that.

553
00:26:49,119 --> 00:26:51,600
Speaker 3: It's almost like seeing the matrix because sometimes they're like

554
00:26:51,640 --> 00:26:54,919
Speaker 3: younger comedians and don't know and like, you know, the

555
00:26:54,960 --> 00:26:58,360
Speaker 3: most they can get as an EMC during this show.

556
00:26:58,480 --> 00:27:01,919
Speaker 3: And then you're like, oh no, they're doing bits like

557
00:27:02,840 --> 00:27:04,440
Speaker 3: I know they want it to go, but it's just

558
00:27:04,560 --> 00:27:08,680
Speaker 3: it's like impossible. Yeah yeah, so you should just yeah,

559
00:27:08,760 --> 00:27:09,600
Speaker 3: just bring someone up.

560
00:27:09,720 --> 00:27:12,000
Speaker 2: Yeah, it's funny we're talking about that because every time

561
00:27:12,040 --> 00:27:14,080
Speaker 2: I've seen it, I'm like, oh, what are you doing?

562
00:27:14,320 --> 00:27:17,720
Speaker 2: And I know that I've done it. Well, I got

563
00:27:17,760 --> 00:27:21,480
Speaker 2: to be professional. Maybe it's not very professional. Just go up, Hey,

564
00:27:21,560 --> 00:27:24,639
Speaker 2: that was great, here's the next comic. I shouldn't do that.

565
00:27:25,200 --> 00:27:26,520
Speaker 2: I don't know why I forget.

566
00:27:26,640 --> 00:27:28,600
Speaker 3: That's why I love doing that. You know, my new

567
00:27:28,640 --> 00:27:30,760
Speaker 3: mantra is I want to do the least amount of

568
00:27:30,800 --> 00:27:35,040
Speaker 3: work to get the most amount of money. Honestly, Like

569
00:27:35,480 --> 00:27:36,200
Speaker 3: it's new for you.

570
00:27:36,200 --> 00:27:37,560
Speaker 1: You've never thought of that before.

571
00:27:38,600 --> 00:27:42,080
Speaker 3: Well, here's the thing, because I think when you're younger,

572
00:27:42,160 --> 00:27:44,560
Speaker 3: you get glitz and glam, like, oh yeah, it'd be

573
00:27:44,560 --> 00:27:46,680
Speaker 3: cool to be an actor on some c W show

574
00:27:46,800 --> 00:27:49,199
Speaker 3: or whereas like you might make more just doing stand up,

575
00:27:49,280 --> 00:27:51,600
Speaker 3: or you might make more writing a show. So all

576
00:27:51,640 --> 00:27:55,879
Speaker 3: these like jingly Hollywood things like okay, but now that

577
00:27:55,920 --> 00:27:58,359
Speaker 3: you're older, you realize the time suck of all these

578
00:27:58,440 --> 00:28:01,880
Speaker 3: quote unquote cool things. Yeah, like you're in a trailer

579
00:28:02,000 --> 00:28:06,320
Speaker 3: in Vancouver for like six months to be on the

580
00:28:06,359 --> 00:28:09,640
Speaker 3: show people watch when they're on their treadmill at the gym.

581
00:28:10,560 --> 00:28:13,200
Speaker 3: Whereas you can like be in La and maybe sell

582
00:28:13,240 --> 00:28:16,320
Speaker 3: a script or something. So you start seeing the matrix

583
00:28:16,320 --> 00:28:18,440
Speaker 3: that way, like, yeah, maybe that's not as cool.

584
00:28:18,920 --> 00:28:22,439
Speaker 1: Acting is so much harder. I mean, well, Chris might

585
00:28:22,640 --> 00:28:25,000
Speaker 1: disagree when I think it's just I had this idea

586
00:28:25,040 --> 00:28:27,000
Speaker 1: of what it was in my head where it's like, no,

587
00:28:27,080 --> 00:28:29,600
Speaker 1: I like stand up because I'm in charge. I write it,

588
00:28:29,960 --> 00:28:31,960
Speaker 1: I decide I leave and I want.

589
00:28:32,160 --> 00:28:35,359
Speaker 3: Yeah, everything you put into it you get out of it.

590
00:28:35,720 --> 00:28:40,120
Speaker 3: Whereas auditions it's like, Okay, you have to memorize three

591
00:28:40,400 --> 00:28:43,840
Speaker 3: four scenes, you're spending two three days, you're running it

592
00:28:43,880 --> 00:28:46,520
Speaker 3: with somebody else, you drive, or you used to do

593
00:28:46,640 --> 00:28:49,760
Speaker 3: whatever you do the audition, you don't get it. All

594
00:28:49,800 --> 00:28:51,360
Speaker 3: that work just evaporated.

595
00:28:51,600 --> 00:28:54,840
Speaker 1: And also to this, you retain the memory of the

596
00:28:54,880 --> 00:28:56,960
Speaker 1: scenes like do you have you ever had that? Where

597
00:28:57,000 --> 00:28:59,520
Speaker 1: like I've done things where I've memorized it. It kind

598
00:28:59,520 --> 00:29:02,120
Speaker 1: of didn't make sense. I wasn't the biggest fan, and

599
00:29:02,200 --> 00:29:05,040
Speaker 1: for years afterwards I could do that scene if people

600
00:29:05,120 --> 00:29:08,200
Speaker 1: walked up and cued me yeah, because it was it

601
00:29:08,200 --> 00:29:12,240
Speaker 1: all became a traumatic failure memory where I was just like, oh,

602
00:29:12,400 --> 00:29:13,160
Speaker 1: I didn't get that.

603
00:29:14,320 --> 00:29:17,560
Speaker 3: Yeah did like a one woman show. And you're just

604
00:29:17,640 --> 00:29:20,720
Speaker 3: dumping all all the memories of the auditions you never

605
00:29:20,800 --> 00:29:23,400
Speaker 3: got and you just kind of it's like your synapses

606
00:29:23,440 --> 00:29:25,120
Speaker 3: are firing and you used to do a commercial for

607
00:29:25,120 --> 00:29:29,240
Speaker 3: amodium ad and then you do you do a scene

608
00:29:29,320 --> 00:29:30,960
Speaker 3: from some sitcom.

609
00:29:31,040 --> 00:29:35,280
Speaker 1: It's like snarky best friend, slutty best friend, man, hungry

610
00:29:35,320 --> 00:29:38,480
Speaker 1: best friend. It's just like every single possible scene.

611
00:29:38,240 --> 00:29:42,480
Speaker 2: I've friend because that was only trauma puts it in

612
00:29:42,520 --> 00:29:45,400
Speaker 2: your memory forever, all the fun stuff you don't remember that.

613
00:29:45,680 --> 00:29:45,840
Speaker 1: You know.

614
00:29:45,880 --> 00:29:48,440
Speaker 3: What's funny is like I think maybe this is five

615
00:29:48,520 --> 00:29:51,440
Speaker 3: years or six years ago Hollywood they were doing. They

616
00:29:51,440 --> 00:29:53,960
Speaker 3: were doubling up on a diversity role. I was seeing

617
00:29:54,000 --> 00:29:57,440
Speaker 3: so many roles for like a gay Indian. There were

618
00:29:57,480 --> 00:30:00,800
Speaker 3: so many just auditions for like the characters gay and

619
00:30:01,160 --> 00:30:02,920
Speaker 3: he's gay and he's Indian. It was just funny how

620
00:30:02,920 --> 00:30:05,840
Speaker 3: they were doubling up on the rolls like two diversities.

621
00:30:06,000 --> 00:30:09,280
Speaker 2: Yeah, yeah, yeah, just so they can get them. Yeah. Oh,

622
00:30:09,320 --> 00:30:12,200
Speaker 2: I'd love to see the meeting about that. Hey, this

623
00:30:12,280 --> 00:30:14,920
Speaker 2: guy's a they probably have a word for it. This

624
00:30:15,000 --> 00:30:16,160
Speaker 2: guy's a two for one.

625
00:30:16,880 --> 00:30:19,200
Speaker 3: Well, I think they write what they want to write,

626
00:30:19,240 --> 00:30:21,480
Speaker 3: and then they kind of see what comes down from

627
00:30:21,520 --> 00:30:23,440
Speaker 3: the top and they go, okay, all right, well we

628
00:30:23,480 --> 00:30:27,560
Speaker 3: need too we don't have two roles. Let's have rog

629
00:30:28,200 --> 00:30:30,360
Speaker 3: be gay.

630
00:30:30,440 --> 00:30:33,200
Speaker 2: Right, Yeah, that's great.

631
00:30:33,440 --> 00:30:37,120
Speaker 1: It's a long way from nineties auditions where no joke.

632
00:30:37,560 --> 00:30:41,320
Speaker 1: I think I auditioned two different times for sitcoms where

633
00:30:41,360 --> 00:30:46,120
Speaker 1: a woman falls in love with a talking dog, no joke,

634
00:30:46,320 --> 00:30:50,400
Speaker 1: there's a talking dog that then the the arc becomes

635
00:30:50,840 --> 00:30:53,760
Speaker 1: there's romantic feelings about the dog. I swear to God,

636
00:30:54,000 --> 00:30:55,640
Speaker 1: the first time I saw it, I was like, this

637
00:30:55,680 --> 00:30:58,520
Speaker 1: is a joke, scre this is fake. There's no way

638
00:30:58,560 --> 00:31:00,280
Speaker 1: this is real. And I was going in, is the

639
00:31:00,320 --> 00:31:03,440
Speaker 1: man hungry best friend of the girl that discovers her

640
00:31:03,480 --> 00:31:05,640
Speaker 1: dog can talk? And then it's kind of like, I

641
00:31:05,680 --> 00:31:07,120
Speaker 1: don't know, we really get along.

642
00:31:07,880 --> 00:31:10,520
Speaker 3: I mean so, I mean, is the audience rooting for

643
00:31:10,600 --> 00:31:12,040
Speaker 3: this dog to fuck this chick?

644
00:31:12,160 --> 00:31:15,560
Speaker 1: I mean no, I don't think anyone knew what they

645
00:31:15,560 --> 00:31:18,200
Speaker 1: were rooting for. In the nineties, it was like such

646
00:31:18,240 --> 00:31:19,640
Speaker 1: a difficult time for all.

647
00:31:21,200 --> 00:31:24,800
Speaker 2: Yeah, there was if you to think back that there

648
00:31:24,880 --> 00:31:27,960
Speaker 2: was a show called Small Wonder about a robot girl

649
00:31:28,720 --> 00:31:32,800
Speaker 2: that that said the darnedest things. I really think we've

650
00:31:32,800 --> 00:31:35,600
Speaker 2: evolved as humans over the last maybe in a lot

651
00:31:35,640 --> 00:31:37,480
Speaker 2: of way it's not for the best, but.

652
00:31:37,480 --> 00:31:39,840
Speaker 3: You know, I guess we didn't realize what a golden

653
00:31:39,880 --> 00:31:42,320
Speaker 3: age we were in terms of just being a creative

654
00:31:42,400 --> 00:31:47,080
Speaker 3: and pitching what was acceptable. Yeadn't didn't have to be

655
00:31:47,120 --> 00:31:49,920
Speaker 3: in the realm of reality. You probably didn't even have

656
00:31:49,960 --> 00:31:52,040
Speaker 3: to have a pitch deck Yeah, you just like went

657
00:31:52,080 --> 00:31:54,960
Speaker 3: in there and then you go, yeah, it's about a robot.

658
00:31:55,640 --> 00:31:57,200
Speaker 2: Look out the window, there's a dog.

659
00:31:57,440 --> 00:31:57,720
Speaker 3: Dog.

660
00:31:57,840 --> 00:31:58,440
Speaker 2: Yeah, that's it.

661
00:31:58,600 --> 00:31:58,880
Speaker 1: Yeah.

662
00:31:58,960 --> 00:32:01,120
Speaker 3: Yeah, or like Olf, you know, someone went in there

663
00:32:01,120 --> 00:32:03,320
Speaker 3: and just went, yeah, he's like a furry alien guy.

664
00:32:04,280 --> 00:32:06,280
Speaker 2: Good enough, let's do more cocaine.

665
00:32:07,360 --> 00:32:10,280
Speaker 1: Literally, that guy, the ALF guy, was on Heroin. That's

666
00:32:10,320 --> 00:32:14,560
Speaker 1: the best part of that story. That's yeah, the what's

667
00:32:14,600 --> 00:32:16,600
Speaker 1: that movie Permanent Midnight with Ben Stiller?

668
00:32:16,680 --> 00:32:16,840
Speaker 4: Oh?

669
00:32:16,880 --> 00:32:20,240
Speaker 1: Sure, it's about the guy that he. I don't think

670
00:32:20,280 --> 00:32:21,400
Speaker 1: he was the show, and I think he was a

671
00:32:21,400 --> 00:32:24,160
Speaker 1: writer on ALF and he just basically was kind of

672
00:32:24,200 --> 00:32:27,240
Speaker 1: like lightly on Heroin in the beginning and then basically

673
00:32:27,240 --> 00:32:30,600
Speaker 1: had his downfall as he the more successful he became

674
00:32:30,920 --> 00:32:32,120
Speaker 1: because of that show.

675
00:32:31,960 --> 00:32:34,400
Speaker 3: He started turning more and more into ALF.

676
00:32:34,760 --> 00:32:37,760
Speaker 1: Yeah, he himself was becoming Alf.

677
00:32:37,880 --> 00:32:40,680
Speaker 3: Actually, that'd be a funny, true Hollywood story, just like

678
00:32:40,760 --> 00:32:44,040
Speaker 3: ALF is getting gagged out of his mind just with

679
00:32:44,080 --> 00:32:46,560
Speaker 3: all the success. He's going to nightclubs, he's going to

680
00:32:46,600 --> 00:32:47,440
Speaker 3: Studio fifty four.

681
00:32:48,400 --> 00:32:50,640
Speaker 1: Then he's driving around downtown trying to score.

682
00:32:50,760 --> 00:32:54,560
Speaker 3: It's like, just drove by, he wrecked his car. That's

683
00:32:54,600 --> 00:32:56,280
Speaker 3: when it got real. He's on life support.

684
00:32:57,280 --> 00:33:01,160
Speaker 2: That's when I started wanting to eat cats. That was

685
00:33:01,200 --> 00:33:03,560
Speaker 2: one of his character traits, is that he wanted to

686
00:33:03,600 --> 00:33:06,240
Speaker 2: eat cats. I thought that one just kind of flew

687
00:33:06,320 --> 00:33:08,680
Speaker 2: under the radar. That should not have been.

688
00:33:08,800 --> 00:33:11,480
Speaker 3: Well, do you think they probably tried dogs first draft

689
00:33:11,520 --> 00:33:13,680
Speaker 3: and the focus groups were having none of it. There

690
00:33:13,720 --> 00:33:15,120
Speaker 3: to go, let's switch it to cats.

691
00:33:15,200 --> 00:33:17,760
Speaker 1: We can only be in love with dogs. Yeah, yeah,

692
00:33:18,120 --> 00:33:19,640
Speaker 1: this is true, cannot eat them.

693
00:33:19,880 --> 00:33:22,400
Speaker 2: But in the movies back then in the nineties, you

694
00:33:22,400 --> 00:33:24,440
Speaker 2: could catch a cat on fire, throw it into a

695
00:33:24,480 --> 00:33:27,080
Speaker 2: Christmas tree. It was just have a rail in the

696
00:33:28,560 --> 00:33:32,760
Speaker 2: in the background for a laugh and a record scratch fame.

697
00:33:33,520 --> 00:33:37,840
Speaker 1: Aside from your aeronautics job, what's the worst job do

698
00:33:37,920 --> 00:33:40,080
Speaker 1: you have? Like a high school job or a part

699
00:33:40,080 --> 00:33:41,959
Speaker 1: time job. Did we talk about this already?

700
00:33:42,400 --> 00:33:42,440
Speaker 4: No?

701
00:33:42,640 --> 00:33:44,960
Speaker 2: We last time we just it was an hour talking

702
00:33:44,960 --> 00:33:47,360
Speaker 2: about air frars I think, which I've gotten.

703
00:33:47,040 --> 00:33:49,240
Speaker 3: For by the way, Oh okay, because I was I

704
00:33:49,280 --> 00:33:50,840
Speaker 3: was going to talk about air friars, but we already

705
00:33:50,840 --> 00:33:51,200
Speaker 3: covered it.

706
00:33:51,320 --> 00:33:51,520
Speaker 4: Yeah.

707
00:33:51,880 --> 00:33:53,800
Speaker 1: If we covered it, I mean we can dip a

708
00:33:53,840 --> 00:33:55,400
Speaker 1: little into it. If there's highlights.

709
00:33:55,600 --> 00:33:58,440
Speaker 3: I think I covered everything. Yeah, probably that needs to

710
00:33:58,480 --> 00:34:00,520
Speaker 3: be I spread the gospel of airs.

711
00:34:00,600 --> 00:34:02,920
Speaker 2: You are the Oprah of air fryers.

712
00:34:03,160 --> 00:34:05,000
Speaker 3: Yeah, except I don't give them to people. I just

713
00:34:05,000 --> 00:34:06,280
Speaker 3: say get one with your own money.

714
00:34:06,360 --> 00:34:07,760
Speaker 2: Yeah, get your own I go.

715
00:34:07,960 --> 00:34:10,720
Speaker 3: You can buy an air fryer. You can buy everyone.

716
00:34:10,760 --> 00:34:13,240
Speaker 3: Look under your chairs, there's air.

717
00:34:13,719 --> 00:34:15,520
Speaker 1: There's an Amazon lank under your chair.

718
00:34:15,600 --> 00:34:17,520
Speaker 3: Go ahead, yeah do it.

719
00:34:18,040 --> 00:34:20,279
Speaker 2: Maybe you didn't have one of those bad jobs because

720
00:34:20,320 --> 00:34:22,760
Speaker 2: you went from engineer to a comedian, right or did

721
00:34:22,920 --> 00:34:24,160
Speaker 2: what did you do? Nah?

722
00:34:24,200 --> 00:34:26,400
Speaker 3: But I would have like little summer jobs, you know.

723
00:34:26,480 --> 00:34:28,600
Speaker 3: One one was one sucked. I was like helping some

724
00:34:28,800 --> 00:34:32,239
Speaker 3: guy like with like odd jobs around his business, and

725
00:34:33,160 --> 00:34:35,480
Speaker 3: so it's like a lot of manual labor, like lifting

726
00:34:35,520 --> 00:34:37,640
Speaker 3: a bunch of newspapers one time for him. And I'm

727
00:34:37,680 --> 00:34:40,080
Speaker 3: like a tiny kid, like I kind of grew late,

728
00:34:40,120 --> 00:34:42,080
Speaker 3: so it was a lot of work. And then he

729
00:34:42,120 --> 00:34:46,000
Speaker 3: had me clear out bees in the back. What he

730
00:34:46,040 --> 00:34:49,279
Speaker 3: gave me some spray and there's like sticker bushes and

731
00:34:49,320 --> 00:34:51,040
Speaker 3: then he's like, yeah, can you just like clear out

732
00:34:51,080 --> 00:34:53,840
Speaker 3: these bushes? And there were so many bees like that,

733
00:34:54,040 --> 00:34:57,000
Speaker 3: I think I quit after that day. Yeah, this isn't

734
00:34:57,040 --> 00:34:57,440
Speaker 3: worth it.

735
00:34:58,120 --> 00:34:59,399
Speaker 2: Yeah that's dangerous.

736
00:35:00,120 --> 00:35:03,080
Speaker 3: Yeah, I turn, I'll have the child do it.

737
00:35:03,200 --> 00:35:06,319
Speaker 1: Can you get rid of these rattlesnakes after you do

738
00:35:06,440 --> 00:35:06,880
Speaker 1: the bees.

739
00:35:07,480 --> 00:35:09,719
Speaker 3: Just you have tinier wrists. That'll be I'm like, O,

740
00:35:09,719 --> 00:35:13,719
Speaker 3: how does that make sense? You have tiny wrists get

741
00:35:13,800 --> 00:35:17,040
Speaker 3: rid of these snakes. So yeah, that kind of sucked. Yeah.

742
00:35:17,080 --> 00:35:21,520
Speaker 3: I think I worked at Dominoes for thirty minutes one delivery.

743
00:35:22,120 --> 00:35:22,359
Speaker 2: Yeah.

744
00:35:22,600 --> 00:35:25,759
Speaker 3: Well, well, what's funny is when you get so it

745
00:35:25,880 --> 00:35:28,319
Speaker 3: was training, but it's all on a computer. So I'm

746
00:35:28,320 --> 00:35:31,040
Speaker 3: like learning how to make pizzas on a computer. They

747
00:35:31,040 --> 00:35:36,800
Speaker 3: probably bought some software like train your employees on the computer. Yeah.

748
00:35:36,840 --> 00:35:39,840
Speaker 3: So I'm making like half ground beef pizzas on a computer,

749
00:35:40,040 --> 00:35:42,479
Speaker 3: like clicking buttons and stuff like it's the worst video

750
00:35:42,480 --> 00:35:45,120
Speaker 3: game in the world. So I'm doing that for thirty minutes,

751
00:35:46,120 --> 00:35:48,560
Speaker 3: and then I find out that I got a job

752
00:35:48,560 --> 00:35:51,880
Speaker 3: at Safeco Insurance, which is like a cubicle, like a

753
00:35:51,920 --> 00:35:54,839
Speaker 3: way better job. Yeah yeah, So I'm like, oh, I'm

754
00:35:54,880 --> 00:35:56,759
Speaker 3: just going to do that. I'm not going to make pizzas.

755
00:35:57,120 --> 00:35:58,960
Speaker 3: So I didn't even pick up my check because it

756
00:35:59,000 --> 00:36:00,240
Speaker 3: was like so little money.

757
00:36:00,400 --> 00:36:00,600
Speaker 2: Yeah.

758
00:36:00,680 --> 00:36:03,160
Speaker 3: Yeah, So I pretty much just costplayed as a Domino's

759
00:36:03,160 --> 00:36:05,120
Speaker 3: employee for thirty minutes.

760
00:36:06,880 --> 00:36:08,400
Speaker 1: You're like, now I know how to do that just

761
00:36:08,440 --> 00:36:11,160
Speaker 1: in case, like you just have it in your Yeah, it's.

762
00:36:11,000 --> 00:36:13,640
Speaker 2: Not like Dominoes is going to call the insurance company

763
00:36:13,640 --> 00:36:15,680
Speaker 2: and be like, hey, we thought you should know we

764
00:36:15,760 --> 00:36:16,879
Speaker 2: walked out mid Pi.

765
00:36:17,640 --> 00:36:20,760
Speaker 1: Yeah, okay, you're not stop headhunting our guys.

766
00:36:21,880 --> 00:36:24,960
Speaker 3: Yeah, so nothing too terrible. What about you? You ever

767
00:36:25,000 --> 00:36:26,040
Speaker 3: have like a terrible one?

768
00:36:26,600 --> 00:36:28,680
Speaker 1: I did a thing where when I was like twelve,

769
00:36:28,680 --> 00:36:31,239
Speaker 1: the lady up the street hired me to feed her

770
00:36:31,280 --> 00:36:35,400
Speaker 1: horses after school, which I was like dreamcome Drew, but

771
00:36:35,520 --> 00:36:38,080
Speaker 1: I had to take I had to not just feed them,

772
00:36:38,120 --> 00:36:41,880
Speaker 1: but clean out their stalls. And they had been standing

773
00:36:41,880 --> 00:36:44,880
Speaker 1: in their stalls all day, so it's like four o'clock,

774
00:36:45,320 --> 00:36:47,440
Speaker 1: so I would have to bridle them, take off an

775
00:36:47,480 --> 00:36:51,680
Speaker 1: electric like an electric thing so that they wouldn't like

776
00:36:51,719 --> 00:36:54,399
Speaker 1: try to push against the door, and they were they

777
00:36:54,400 --> 00:36:57,320
Speaker 1: were really big horses. And then I would open the

778
00:36:57,360 --> 00:36:59,040
Speaker 1: door and then they would like run a little bit

779
00:36:59,160 --> 00:37:01,360
Speaker 1: because they knew I wasn't in charge. Really, I was

780
00:37:01,360 --> 00:37:04,120
Speaker 1: a fucking twelve year old girl, and it was so

781
00:37:05,160 --> 00:37:10,440
Speaker 1: looking back, wildly dangerous and yeah, like improper, And she

782
00:37:10,640 --> 00:37:13,480
Speaker 1: was paying me like five dollars a week or something

783
00:37:13,520 --> 00:37:15,440
Speaker 1: like that. And then one day I went there and

784
00:37:15,480 --> 00:37:18,640
Speaker 1: the the fence was all fucked up, and I was like,

785
00:37:18,680 --> 00:37:20,799
Speaker 1: I didn't know what to do, and I just went

786
00:37:20,840 --> 00:37:23,320
Speaker 1: back home because I was like that was the extent

787
00:37:23,360 --> 00:37:26,359
Speaker 1: of my problem solving ability. Was like, well I can't

788
00:37:26,400 --> 00:37:29,160
Speaker 1: deal with an electric fence, so goodbye. And then she

789
00:37:29,360 --> 00:37:32,640
Speaker 1: called and was screaming at me, and then my mom

790
00:37:32,719 --> 00:37:36,400
Speaker 1: was just like, uh, yes, Janie, that's enough of this,

791
00:37:36,640 --> 00:37:39,400
Speaker 1: like we're we're done, like whatever. Where I think my

792
00:37:39,440 --> 00:37:42,239
Speaker 1: parents were like, oh, yeah, you should go try to work.

793
00:37:42,000 --> 00:37:44,799
Speaker 3: And see what built character. Yes.

794
00:37:45,360 --> 00:37:48,400
Speaker 1: Meanwhile, I'm like running after thoroughbred horses and all this

795
00:37:48,440 --> 00:37:51,320
Speaker 1: shit where it was just like so over the top.

796
00:37:52,840 --> 00:37:54,640
Speaker 1: I should not have been in charge of those horses.

797
00:37:55,000 --> 00:37:57,520
Speaker 3: Yeah, you could have got Abraham Lincoln. You know what

798
00:37:57,600 --> 00:37:59,920
Speaker 3: happened to didn't get kicked in the head by horse

799
00:38:01,480 --> 00:38:02,480
Speaker 3: making history.

800
00:38:03,000 --> 00:38:04,400
Speaker 1: He was politics.

801
00:38:04,560 --> 00:38:07,440
Speaker 2: It's yeah, it's kind of it's people don't remember it

802
00:38:07,480 --> 00:38:10,360
Speaker 2: because the it got overshadowed by the getting shot in

803
00:38:10,400 --> 00:38:13,839
Speaker 2: the theater thing. Yes true, yeah, yeah, but he did

804
00:38:13,920 --> 00:38:15,759
Speaker 2: chop down that cherry tree.

805
00:38:15,880 --> 00:38:19,600
Speaker 1: I know, I know, what was your worst job, Chris.

806
00:38:19,840 --> 00:38:22,760
Speaker 2: I think it has to be delivering because on paper,

807
00:38:22,800 --> 00:38:24,480
Speaker 2: it sounded good. I was going to go door to

808
00:38:24,520 --> 00:38:28,440
Speaker 2: door and deliver coupon books and you got a percentage.

809
00:38:28,960 --> 00:38:30,920
Speaker 2: It was always some sales job, but I.

810
00:38:30,960 --> 00:38:32,720
Speaker 3: Remember those, Yeah, those coupon books.

811
00:38:32,800 --> 00:38:32,960
Speaker 1: Yeah.

812
00:38:33,000 --> 00:38:38,120
Speaker 2: It was called Serendipity Ventures and uh. And the first

813
00:38:38,120 --> 00:38:40,960
Speaker 2: time I got picked up, the girl was just chain smoking.

814
00:38:41,040 --> 00:38:43,080
Speaker 2: We had to stop at a bar. These guys were

815
00:38:43,080 --> 00:38:46,120
Speaker 2: fighting and they were my co workers, adult men. I

816
00:38:46,200 --> 00:38:48,200
Speaker 2: was like fifteen. They got in the car, one of

817
00:38:48,200 --> 00:38:50,840
Speaker 2: them had a bloody nose, and then we drove to

818
00:38:50,880 --> 00:38:53,840
Speaker 2: a part of town that I'd never been to that

819
00:38:53,920 --> 00:38:57,400
Speaker 2: where people want savings, so it was like a mobile

820
00:38:57,440 --> 00:39:00,120
Speaker 2: park and they we just got dropped off until the

821
00:39:00,120 --> 00:39:03,000
Speaker 2: son went down and I'm with two drunk adult men.

822
00:39:03,440 --> 00:39:06,560
Speaker 2: It was like that these all the jobs we're talking

823
00:39:06,600 --> 00:39:10,040
Speaker 2: about are very dangerous. The fact I didn't get kidnapped.

824
00:39:10,040 --> 00:39:12,080
Speaker 2: These men were nice to me, by the way. They

825
00:39:12,080 --> 00:39:14,160
Speaker 2: weren't like they're like sorry, you had to see that.

826
00:39:14,360 --> 00:39:17,440
Speaker 2: We're friends and we were fighting like they treated me

827
00:39:17,560 --> 00:39:21,200
Speaker 2: like a kid. But I can't believe that was like

828
00:39:21,320 --> 00:39:24,839
Speaker 2: the nineties. You just get dropped off somewhere and go

829
00:39:24,920 --> 00:39:29,560
Speaker 2: door to door. Dogs hit me. Yeah, Yeah, And I

830
00:39:29,680 --> 00:39:33,040
Speaker 2: learned nothing, and I wasn't good at it. I remember

831
00:39:33,040 --> 00:39:35,560
Speaker 2: I brought a friend in that was like, he's like, oh,

832
00:39:35,600 --> 00:39:37,560
Speaker 2: can I try? Can you get me a job? And

833
00:39:37,600 --> 00:39:42,240
Speaker 2: he was like charismatic and all everyone's all my friends,

834
00:39:42,280 --> 00:39:45,480
Speaker 2: their moms loved this kid. And he made hundreds of dollars.

835
00:39:46,160 --> 00:39:46,839
Speaker 2: He went in.

836
00:39:46,840 --> 00:39:50,360
Speaker 3: Sales man like if you have that jean or gear,

837
00:39:50,600 --> 00:39:52,200
Speaker 3: like you can make so much money.

838
00:39:52,520 --> 00:39:55,240
Speaker 2: Yeah, and I it was weird. It took me several

839
00:39:55,360 --> 00:39:58,520
Speaker 2: jobs knives, all the all the sales jobs you get

840
00:39:58,680 --> 00:40:02,000
Speaker 2: before you're in college. And I'm like, okay, I'm not

841
00:40:02,080 --> 00:40:04,840
Speaker 2: good at this. I'm not good at selling my soul

842
00:40:04,920 --> 00:40:08,000
Speaker 2: for a product. One time, this is named Mike. I

843
00:40:09,280 --> 00:40:10,960
Speaker 2: was like, we were supposed to meet. He's like, yeah,

844
00:40:11,000 --> 00:40:13,440
Speaker 2: this family invited me and they were having a party

845
00:40:13,480 --> 00:40:16,080
Speaker 2: and I ate a bunch of chicken and pizza. I'm like,

846
00:40:16,160 --> 00:40:19,360
Speaker 2: you got invited into a house. He was like partying

847
00:40:19,400 --> 00:40:23,440
Speaker 2: with dogs. He had drank some beers. No, they int

848
00:40:24,280 --> 00:40:25,480
Speaker 2: he had sex.

849
00:40:27,000 --> 00:40:31,759
Speaker 3: With the family. Like documentary Hand the Chicken. What is

850
00:40:31,800 --> 00:40:34,200
Speaker 3: that Netflix shows about, like the guy who had sex

851
00:40:34,200 --> 00:40:35,320
Speaker 3: with the entire family?

852
00:40:35,480 --> 00:40:39,560
Speaker 1: Right? Oh wait, the neighbor one where yeah, he was

853
00:40:39,600 --> 00:40:41,920
Speaker 1: the neighbor, and then he ended uping the one girl.

854
00:40:42,400 --> 00:40:44,520
Speaker 3: Yeah, and they're not mad at him, and like he

855
00:40:44,600 --> 00:40:46,600
Speaker 3: ended up having sex with a wife and then the husband.

856
00:40:46,800 --> 00:40:49,879
Speaker 2: It's like, crazy, man, he must be great in the sack.

857
00:40:50,480 --> 00:40:51,720
Speaker 1: Oh, it's so gross.

858
00:40:51,760 --> 00:40:53,400
Speaker 3: I want to I want to take his seminar. You know,

859
00:40:53,440 --> 00:40:55,000
Speaker 3: you can go to pick up artists, but they only

860
00:40:55,040 --> 00:40:57,799
Speaker 3: teach you how to pick up women. I want to

861
00:40:57,800 --> 00:40:59,240
Speaker 3: know how to fuck an entire family.

862
00:40:59,320 --> 00:41:03,760
Speaker 1: Yeah, when you see that guy, it's like that idea

863
00:41:03,800 --> 00:41:06,279
Speaker 1: that this was any kind of a like that. It's

864
00:41:06,320 --> 00:41:09,120
Speaker 1: a reveal of any kind that he's a bizarre and

865
00:41:09,280 --> 00:41:12,239
Speaker 1: creepy pervert. It's just like, yeah, you if you moved

866
00:41:12,239 --> 00:41:14,200
Speaker 1: into a house and he came over, it's like, hey,

867
00:41:14,200 --> 00:41:16,399
Speaker 1: what's up, I'm her across the street, neighbor, you would

868
00:41:16,400 --> 00:41:20,040
Speaker 1: immediately sell that house. The creepiness is coming off of

869
00:41:20,080 --> 00:41:22,239
Speaker 1: him in waves. So I don't know what was going

870
00:41:22,239 --> 00:41:24,560
Speaker 1: on in that family that they were just like, well,

871
00:41:24,640 --> 00:41:28,840
Speaker 1: let's let's see, let's just give him a chance. Yeah, insane.

872
00:41:29,400 --> 00:41:32,760
Speaker 2: That just what's good with Grandma's good with all of us.

873
00:41:34,440 --> 00:41:36,319
Speaker 3: Yeah, that's another gear. Like I'll see all these cult

874
00:41:36,400 --> 00:41:41,000
Speaker 3: documentaries too, And part of me is like, Yeah, what

875
00:41:41,120 --> 00:41:43,680
Speaker 3: is this guy? He has something? There's something to be

876
00:41:43,760 --> 00:41:44,239
Speaker 3: learned there.

877
00:41:44,320 --> 00:41:44,440
Speaker 2: You know.

878
00:41:44,480 --> 00:41:46,759
Speaker 3: It keeps on happening over and over again, like yeah,

879
00:41:47,080 --> 00:41:48,400
Speaker 3: the way they talk to people.

880
00:41:48,480 --> 00:41:52,840
Speaker 1: They're like, yeah, I think it's like extreme eye contact.

881
00:41:53,000 --> 00:41:54,560
Speaker 1: I think it's the thing that most people are so

882
00:41:54,680 --> 00:41:57,440
Speaker 1: uncomfortable doing where it's like if you lock in on

883
00:41:57,480 --> 00:42:00,520
Speaker 1: someone and you act like you love looking at them,

884
00:42:00,719 --> 00:42:03,560
Speaker 1: they'll fucking do anything you write. And then it's a

885
00:42:03,560 --> 00:42:04,400
Speaker 1: classic trick.

886
00:42:04,280 --> 00:42:06,400
Speaker 2: I found when I when I'm trying to get someone

887
00:42:06,440 --> 00:42:08,279
Speaker 2: to do something I know they don't want to do,

888
00:42:08,719 --> 00:42:11,440
Speaker 2: I don't blink and I look at one eye. I

889
00:42:11,560 --> 00:42:15,120
Speaker 2: learned this from Michael Kaine. It's an acting Oh really,

890
00:42:15,160 --> 00:42:18,160
Speaker 2: you just look at one eye and not both eyes.

891
00:42:18,560 --> 00:42:20,640
Speaker 2: A lot of people dart around, a lot of people blink.

892
00:42:20,680 --> 00:42:22,560
Speaker 2: If you look at them one eye, you can get

893
00:42:22,600 --> 00:42:25,680
Speaker 2: them to do all types of sex. You can get

894
00:42:25,719 --> 00:42:26,280
Speaker 2: them to buy.

895
00:42:26,239 --> 00:42:29,960
Speaker 1: Knives, coupon after coupon.

896
00:42:30,320 --> 00:42:31,800
Speaker 2: Oh so many coupons.

897
00:42:32,560 --> 00:42:34,680
Speaker 3: What if you get both After you're done having sex,

898
00:42:34,800 --> 00:42:37,360
Speaker 3: you want some knives.

899
00:42:36,640 --> 00:42:38,759
Speaker 1: And then you get a coupon for next time. The

900
00:42:38,760 --> 00:42:42,640
Speaker 1: idea of selling coupon books sounds like it's from nineteen

901
00:42:42,680 --> 00:42:48,440
Speaker 1: forty two, Like I know where it's like before the Internet,

902
00:42:48,840 --> 00:42:52,200
Speaker 1: there was stuff going on that like went unchecked or

903
00:42:52,440 --> 00:42:57,360
Speaker 1: was assumed. Like when I first moved out for college,

904
00:42:57,440 --> 00:43:00,279
Speaker 1: I remember opening that someone knocking on the door, Like,

905
00:43:00,360 --> 00:43:03,360
Speaker 1: I wonder who's at the door opening the door? Some dude,

906
00:43:03,800 --> 00:43:07,839
Speaker 1: and he begins to pitch me buying magazine subscriptions right

907
00:43:07,920 --> 00:43:10,480
Speaker 1: and like, and of course he was a charismatic type.

908
00:43:10,600 --> 00:43:12,759
Speaker 1: I signed up for like three years of Vogue or

909
00:43:12,800 --> 00:43:15,320
Speaker 1: some shit that I didn't even want, Yeah, and didn't

910
00:43:15,320 --> 00:43:18,600
Speaker 1: have the money to buy a lot, very like just

911
00:43:18,920 --> 00:43:22,120
Speaker 1: that was standard. You would open the door if someone

912
00:43:22,160 --> 00:43:22,640
Speaker 1: knocked on.

913
00:43:22,640 --> 00:43:24,800
Speaker 3: It, and I had to. It's a social contract.

914
00:43:25,000 --> 00:43:30,440
Speaker 1: I agreed by having a door. Just the weirdest like difference.

915
00:43:30,760 --> 00:43:33,600
Speaker 2: Yeah, especially because now if someone knocks on the door,

916
00:43:33,680 --> 00:43:36,120
Speaker 2: I just laugh out loud and keep sitting there. It's like,

917
00:43:36,160 --> 00:43:42,160
Speaker 2: who the fucking up? Okay, murder a movie? Yeah that

918
00:43:42,239 --> 00:43:46,440
Speaker 2: it's so I don't know how because here was my

919
00:43:46,680 --> 00:43:50,560
Speaker 2: opening pitch. One of the coupons was for ten dollars

920
00:43:50,680 --> 00:43:54,000
Speaker 2: off of an oil change that I remember. The book

921
00:43:54,040 --> 00:43:57,319
Speaker 2: itself was twelve dollars to purchase, so I would just

922
00:43:57,360 --> 00:44:00,359
Speaker 2: open it I'm like, here's most of your money right here.

923
00:44:00,480 --> 00:44:03,440
Speaker 2: Everyone needs an oil change. This is ten dollars off.

924
00:44:04,000 --> 00:44:06,360
Speaker 2: You can just use one of the dairy Queen coupon

925
00:44:06,480 --> 00:44:10,200
Speaker 2: or one other coupon. You got your twelve dollars back. Okay,

926
00:44:10,239 --> 00:44:13,080
Speaker 2: do you want one? They're like, can't, And that's when

927
00:44:13,080 --> 00:44:16,400
Speaker 2: they'd sick their dog on me. I can't believe I

928
00:44:16,520 --> 00:44:18,480
Speaker 2: didn't sell them hand over fist.

929
00:44:19,040 --> 00:44:21,719
Speaker 3: Hey, I mean that logic checks out for me. Yeah, okay, yeah,

930
00:44:21,719 --> 00:44:23,560
Speaker 3: all right, at most two dollars I'm paying for the

931
00:44:23,560 --> 00:44:25,759
Speaker 3: coupon book change.

932
00:44:25,840 --> 00:44:28,080
Speaker 1: You're naturally good at math. You know, there's a lot

933
00:44:28,080 --> 00:44:31,000
Speaker 1: of people would be very challenged by that opening, that

934
00:44:31,160 --> 00:44:33,879
Speaker 1: opening gambit. We're just like I'd be like.

935
00:44:33,800 --> 00:44:36,600
Speaker 3: What, yeah, they cause thick, these pages are. This is

936
00:44:36,800 --> 00:44:41,000
Speaker 3: quality stock, just totally the wrong thing, practically card stock.

937
00:44:41,400 --> 00:44:43,040
Speaker 3: I remember when I moved to It's just funny how

938
00:44:43,040 --> 00:44:46,680
Speaker 3: it's so antiquated coupon books Like that was a deep

939
00:44:46,719 --> 00:44:49,000
Speaker 3: memory that I totally forgot about coupon books because I

940
00:44:49,040 --> 00:44:51,040
Speaker 3: used to sell them. Part of middle school too, you know,

941
00:44:51,239 --> 00:44:54,879
Speaker 3: for baseball. I remember when I moved to LA there

942
00:44:54,920 --> 00:44:58,560
Speaker 3: wasn't GPS like I would I got like the Thomas Guide,

943
00:44:58,680 --> 00:45:01,040
Speaker 3: of course, so I remember I would get lost because

944
00:45:01,040 --> 00:45:03,440
Speaker 3: they always close freeways here in LA, which is not

945
00:45:03,520 --> 00:45:07,359
Speaker 3: a thing in Washington. You know, like you go home

946
00:45:07,400 --> 00:45:09,359
Speaker 3: the same way every time and it's fine. But here

947
00:45:09,560 --> 00:45:12,000
Speaker 3: they'll close the seven ten, they'll close the four h five,

948
00:45:12,040 --> 00:45:14,160
Speaker 3: they'll close and I'm not from here, so I'm just

949
00:45:14,200 --> 00:45:16,000
Speaker 3: like fucked. I don't know where I am. Yeah, and

950
00:45:16,040 --> 00:45:18,360
Speaker 3: I would have to pull the car over and it

951
00:45:18,360 --> 00:45:21,160
Speaker 3: would be in my trunk. This Thomas Guide. Open up

952
00:45:21,200 --> 00:45:24,920
Speaker 3: the Thomas guy goes C three to whatever, and then

953
00:45:25,000 --> 00:45:25,960
Speaker 3: find out where I am.

954
00:45:26,080 --> 00:45:28,279
Speaker 2: Yeah, you had to find the page. Then you had

955
00:45:28,280 --> 00:45:31,160
Speaker 2: to fight. It was like a whole There was like

956
00:45:31,400 --> 00:45:33,440
Speaker 2: several factors. You had to go to a page, then

957
00:45:33,480 --> 00:45:35,759
Speaker 2: you had to follow the grid. Then you find where

958
00:45:35,760 --> 00:45:39,000
Speaker 2: you are and after that information I don't remember how

959
00:45:39,360 --> 00:45:42,359
Speaker 2: you then have to look up the grid coordinates of

960
00:45:42,400 --> 00:45:47,440
Speaker 2: your destination and then what get a highlighter. All while driving.

961
00:45:47,480 --> 00:45:52,040
Speaker 1: You're memorizing streets above and below the address, so you're like, well,

962
00:45:52,280 --> 00:45:55,840
Speaker 1: if I turn here and I suddenly see Adeline, okay,

963
00:45:55,880 --> 00:45:57,719
Speaker 1: then I'm closed, Like you're yeah.

964
00:45:57,480 --> 00:46:00,839
Speaker 3: It's insert well, even you know, as talking about this

965
00:46:01,200 --> 00:46:07,200
Speaker 3: just the act of asking someone for directions doesn't exist anymore. No,

966
00:46:08,000 --> 00:46:10,160
Speaker 3: and it doesn't feel that long ago, like that used

967
00:46:10,200 --> 00:46:12,320
Speaker 3: to be such a big thing. Yeah, it's like stop

968
00:46:12,320 --> 00:46:14,400
Speaker 3: at a gas station. How do I how do I

969
00:46:14,480 --> 00:46:15,920
Speaker 3: get to the four or five? Or how do I

970
00:46:15,920 --> 00:46:16,600
Speaker 3: get to the south?

971
00:46:17,360 --> 00:46:20,600
Speaker 2: That was part of a gas station where you raised yes,

972
00:46:20,719 --> 00:46:23,800
Speaker 2: that's right, yeah, that and handing out a dirty spoon

973
00:46:23,920 --> 00:46:24,919
Speaker 2: connected to a key.

974
00:46:26,600 --> 00:46:29,319
Speaker 1: That and throwing an oily rag over her shoulder. He

975
00:46:29,480 --> 00:46:33,080
Speaker 1: begins to gesture southward or wherever you're going.

976
00:46:34,000 --> 00:46:35,360
Speaker 3: I wanted to do a sketch for like Law and

977
00:46:35,480 --> 00:46:37,600
Speaker 3: Order or something where they go, like they go into

978
00:46:37,640 --> 00:46:40,360
Speaker 3: a bar to ask about a murder, and the bartender

979
00:46:40,560 --> 00:46:43,759
Speaker 3: just he has busy work that doesn't make sense. You know,

980
00:46:44,320 --> 00:46:47,319
Speaker 3: he's just like polishing a beer can. Like he's just

981
00:46:47,320 --> 00:46:49,080
Speaker 3: like a nervous actor and doesn't know how to do

982
00:46:49,160 --> 00:46:49,880
Speaker 3: natural things.

983
00:46:50,640 --> 00:46:54,040
Speaker 2: He has a stable sauce, he's resurfacing the wood.

984
00:46:54,520 --> 00:46:57,600
Speaker 3: He's just stacking the cans. You know, he's like, yeah,

985
00:46:57,640 --> 00:47:00,760
Speaker 3: she used to come around here or something like, Uh,

986
00:47:00,840 --> 00:47:03,759
Speaker 3: no one does that, no one, No one would do that.

987
00:47:03,800 --> 00:47:06,719
Speaker 3: You just do what do what bartenders would do?

988
00:47:08,400 --> 00:47:11,279
Speaker 2: Make dear towers sorry.

989
00:47:11,239 --> 00:47:13,160
Speaker 1: Sorry, we were doing the same joke and.

990
00:47:16,560 --> 00:47:18,839
Speaker 3: He's just like twirling the rag the whole time while

991
00:47:18,880 --> 00:47:21,000
Speaker 3: talking about how what the.

992
00:47:20,920 --> 00:47:25,160
Speaker 1: Girl was doing picking at his skin until it leads sir,

993
00:47:25,320 --> 00:47:25,879
Speaker 1: that's more.

994
00:47:28,840 --> 00:47:30,160
Speaker 2: That's bar back behavior.

995
00:47:30,600 --> 00:47:32,560
Speaker 3: Yeah, they go, we can't recast him. We're into deep.

996
00:47:32,560 --> 00:47:35,040
Speaker 3: We need to move, we're losing daylight. Just work with him,

997
00:47:35,160 --> 00:47:38,520
Speaker 3: work with the actor. Hey, buddy, I know you're nervous,

998
00:47:38,560 --> 00:47:41,360
Speaker 3: but uh, it's okay. Just maybe just don't do do

999
00:47:41,360 --> 00:47:42,399
Speaker 3: anything with your hands this time.

1000
00:47:42,560 --> 00:47:45,719
Speaker 2: Just yeah, I want to know what Eric Stoltz did

1001
00:47:45,760 --> 00:47:48,200
Speaker 2: on that day and back to the future where they

1002
00:47:48,200 --> 00:47:51,279
Speaker 2: had shot like a third of the movie and then

1003
00:47:51,360 --> 00:47:54,000
Speaker 2: he chewed it so hard one day that they're like,

1004
00:47:54,920 --> 00:47:57,880
Speaker 2: we got to reshoot this with someone else. That's so

1005
00:47:57,960 --> 00:48:01,719
Speaker 2: interesting though, because like he he's a good great yes.

1006
00:48:02,480 --> 00:48:04,840
Speaker 2: So I mean, was it just that they kept on

1007
00:48:04,880 --> 00:48:07,400
Speaker 2: filming and they go, Okay, it's just not gelling for

1008
00:48:07,440 --> 00:48:09,400
Speaker 2: the vibe that we want for that. That's exactly what

1009
00:48:09,440 --> 00:48:12,239
Speaker 2: they always say. There's never anything. I'm the first one

1010
00:48:12,280 --> 00:48:15,280
Speaker 2: to say anything bad about Eric Stoltz. I can't believe

1011
00:48:15,280 --> 00:48:20,000
Speaker 2: I even did it. It's just comedically his sensibilities did

1012
00:48:20,040 --> 00:48:24,560
Speaker 2: not match hilarious. Michael J. Fox, who was in a

1013
00:48:25,480 --> 00:48:28,360
Speaker 2: He was perfect. But it is interesting that it was

1014
00:48:28,440 --> 00:48:31,080
Speaker 2: late in life that I actually saw because on YouTube

1015
00:48:31,120 --> 00:48:33,160
Speaker 2: you can look at scenes with Eric.

1016
00:48:33,040 --> 00:48:35,040
Speaker 3: Stoltz like, is it a completely different movie?

1017
00:48:35,080 --> 00:48:38,719
Speaker 2: It's just memorable scene. Yeah, he's stone faced and dramatic

1018
00:48:38,760 --> 00:48:41,560
Speaker 2: and the music is different. It's an entirely different movie.

1019
00:48:42,320 --> 00:48:44,160
Speaker 3: Would they tell him to like lighten up or something,

1020
00:48:44,239 --> 00:48:45,880
Speaker 3: or do it twist on it or did he have

1021
00:48:45,880 --> 00:48:46,799
Speaker 3: his own interpretation?

1022
00:48:47,040 --> 00:48:49,520
Speaker 2: It had to be like I remember they're they're having

1023
00:48:49,520 --> 00:48:54,080
Speaker 2: the clock tower conversation in Doc Brown's house and he's

1024
00:48:54,160 --> 00:48:58,319
Speaker 2: so dramatically is realizing that the clock like that, it's

1025
00:48:58,360 --> 00:49:02,000
Speaker 2: two high stakes. It's not as playful it was like

1026
00:49:02,120 --> 00:49:04,279
Speaker 2: the clock tower realization. You can.

1027
00:49:04,400 --> 00:49:06,640
Speaker 1: But this is the thing, this one I'm talking about

1028
00:49:06,640 --> 00:49:10,840
Speaker 1: where how hard acting is because you're seeing some takes

1029
00:49:11,080 --> 00:49:14,359
Speaker 1: but like we probably did forty where it's like this

1030
00:49:14,440 --> 00:49:17,600
Speaker 1: is my funny version. Okay, I guess I'll be less funny,

1031
00:49:17,960 --> 00:49:19,959
Speaker 1: you know what I mean? Or depending on how they're

1032
00:49:20,080 --> 00:49:23,359
Speaker 1: directing them, where it's like you're as an actor, you're

1033
00:49:23,440 --> 00:49:26,719
Speaker 1: just expected to just keep doing it over and over

1034
00:49:26,760 --> 00:49:31,840
Speaker 1: in different ways. I'm still amazed by that. I always

1035
00:49:31,880 --> 00:49:34,279
Speaker 1: thought I wanted to be an actress, and I was

1036
00:49:34,360 --> 00:49:36,880
Speaker 1: so wrong. Like when I finally did it, I was

1037
00:49:36,880 --> 00:49:39,440
Speaker 1: just like, what do you mean again? I did it

1038
00:49:40,040 --> 00:49:40,440
Speaker 1: like that.

1039
00:49:41,480 --> 00:49:43,160
Speaker 3: That's the way.

1040
00:49:44,560 --> 00:49:45,839
Speaker 1: I'm an automatic one take.

1041
00:49:46,000 --> 00:49:48,360
Speaker 2: Do you enjoy it? It is a great way to

1042
00:49:48,360 --> 00:49:52,920
Speaker 2: get health insurance too. But yeah, once you get like

1043
00:49:53,000 --> 00:49:58,120
Speaker 2: you can watch Star Wars auditions and watch you can

1044
00:49:58,160 --> 00:50:01,800
Speaker 2: see Mark Hamill nail and audition so hard. He's better

1045
00:50:01,840 --> 00:50:04,640
Speaker 2: than he is in the movie at acting. He nailed

1046
00:50:04,760 --> 00:50:07,080
Speaker 2: That's why he got. You see all these other well

1047
00:50:07,120 --> 00:50:10,359
Speaker 2: known actors and their same audition. I do a lot

1048
00:50:10,360 --> 00:50:13,320
Speaker 2: of YouTube and you guys and then they talk about it.

1049
00:50:13,719 --> 00:50:16,839
Speaker 2: But he's so good in his audition that's like, oh,

1050
00:50:16,880 --> 00:50:19,520
Speaker 2: of course he got it. Not as good in them.

1051
00:50:19,600 --> 00:50:21,879
Speaker 2: I'm a big fan of Mark Hamill's traditioning.

1052
00:50:24,320 --> 00:50:27,959
Speaker 3: Yeah, I mean, yeah, auditioning is a different art form

1053
00:50:28,000 --> 00:50:30,640
Speaker 3: onto itself. Some people can just kill auditions, but then

1054
00:50:30,640 --> 00:50:32,520
Speaker 3: they're they're not as great in the actual thing.

1055
00:50:33,160 --> 00:50:35,440
Speaker 2: Like you can see Kurt Russell audition to be Luke

1056
00:50:35,480 --> 00:50:38,400
Speaker 2: Skywalker and it just didn't nail that audition, but he

1057
00:50:38,400 --> 00:50:39,799
Speaker 2: would have been very interesting, you know.

1058
00:50:40,040 --> 00:50:42,239
Speaker 3: Wow, that's out there. You can see Kurr I go

1059
00:50:42,480 --> 00:50:49,360
Speaker 3: down Weird Wormholes audition in person at current current age.

1060
00:50:49,440 --> 00:50:51,759
Speaker 2: Yeah, it's kind of fun to watch and you can

1061
00:50:51,840 --> 00:50:52,640
Speaker 2: learn from them.

1062
00:50:53,239 --> 00:50:57,279
Speaker 3: Yeah, there's those office auditions. Those are on YouTube. And

1063
00:50:57,320 --> 00:51:00,880
Speaker 3: then I think Steve Carrell's audition for a anchorman on

1064
00:51:00,920 --> 00:51:01,799
Speaker 3: YouTube is pretty great.

1065
00:51:02,080 --> 00:51:02,879
Speaker 1: Man, that was good.

1066
00:51:03,360 --> 00:51:03,920
Speaker 3: Yeah.

1067
00:51:03,960 --> 00:51:05,800
Speaker 1: I had an audition once. I'm gonna tell you the

1068
00:51:05,840 --> 00:51:10,480
Speaker 1: story of my proudest but failed audition is I got

1069
00:51:10,480 --> 00:51:13,719
Speaker 1: a call on a Saturday for someone saying they were

1070
00:51:13,760 --> 00:51:16,760
Speaker 1: from casting for Seinfeld calling me in for an audition,

1071
00:51:17,120 --> 00:51:20,080
Speaker 1: and I go shut up and then hung up the phone.

1072
00:51:20,800 --> 00:51:23,399
Speaker 1: And then they call back. They're like, no, no, we're

1073
00:51:23,400 --> 00:51:25,799
Speaker 1: not joking or whatever. And I'm like, oh, sorry, I

1074
00:51:25,840 --> 00:51:28,160
Speaker 1: could have sworn you were like a friend. Like I

1075
00:51:28,160 --> 00:51:30,560
Speaker 1: go it's Saturday, and they're like, I know, we had

1076
00:51:30,560 --> 00:51:33,000
Speaker 1: a thing and whatever. So we're bringing people in. It's

1077
00:51:33,040 --> 00:51:35,440
Speaker 1: one line or whatever. You really said shut up and

1078
00:51:35,520 --> 00:51:39,440
Speaker 1: hung up, yes, because it was like Seinfeld on a Saturday,

1079
00:51:39,560 --> 00:51:41,920
Speaker 1: so it is the biggest show. It was probably nineteen

1080
00:51:42,000 --> 00:51:44,960
Speaker 1: ninety six or something like that. It was like anyone's dream.

1081
00:51:45,480 --> 00:51:48,719
Speaker 1: So then I go in literally it's two lines, and

1082
00:51:48,760 --> 00:51:52,799
Speaker 1: it's like when Elaine it's like another company party and

1083
00:51:52,840 --> 00:51:55,600
Speaker 1: she's the one that danced weird last time, and so

1084
00:51:55,880 --> 00:51:58,640
Speaker 1: I'm like a cater waiter and I offer her to

1085
00:51:58,800 --> 00:52:01,200
Speaker 1: Keto's and then say, are you the one that danced

1086
00:52:01,200 --> 00:52:04,239
Speaker 1: weird last time? Essentially was the It's two lines. I

1087
00:52:04,280 --> 00:52:07,160
Speaker 1: get there, it's filled with people and it's all like, oh,

1088
00:52:07,239 --> 00:52:09,600
Speaker 1: that's I recognize them from going to a show with

1089
00:52:09,640 --> 00:52:12,359
Speaker 1: the Groundlings, Like there's all these people there to do

1090
00:52:12,520 --> 00:52:16,520
Speaker 1: to do that two line part right. I'm like, fuck, man,

1091
00:52:16,560 --> 00:52:19,000
Speaker 1: this is like intense, and I was. It was that

1092
00:52:19,080 --> 00:52:20,600
Speaker 1: kind of thing where I was like, I can't care

1093
00:52:20,640 --> 00:52:22,880
Speaker 1: about this because there there's no way I'm going to

1094
00:52:22,960 --> 00:52:26,839
Speaker 1: get it. So whatever. Walk in. It's a gigantic room.

1095
00:52:26,920 --> 00:52:29,000
Speaker 1: Like you know how normally you go in it's office

1096
00:52:29,040 --> 00:52:32,359
Speaker 1: size room. This room was this size of no joke,

1097
00:52:32,480 --> 00:52:35,080
Speaker 1: like ten offices put together, and there was a couch

1098
00:52:35,280 --> 00:52:37,840
Speaker 1: all the way around the outside, and then Larry David

1099
00:52:37,880 --> 00:52:41,160
Speaker 1: and Jerry Seinfelder sitting like over here, and then there's

1100
00:52:41,200 --> 00:52:43,520
Speaker 1: like it seemed like every writer like they were just

1101
00:52:43,520 --> 00:52:43,799
Speaker 1: doing that.

1102
00:52:45,560 --> 00:52:45,759
Speaker 2: Right.

1103
00:52:47,239 --> 00:52:49,000
Speaker 1: So I walk and I'm like, man, this is like

1104
00:52:49,120 --> 00:52:51,560
Speaker 1: and I'm thinking almost like normally I would have been

1105
00:52:51,840 --> 00:52:54,520
Speaker 1: out of my mind, but it was also surreal that

1106
00:52:54,560 --> 00:52:58,359
Speaker 1: I was just like this is crazy. And so then

1107
00:52:58,400 --> 00:53:00,680
Speaker 1: I get this idea right at the last second before

1108
00:53:00,680 --> 00:53:02,680
Speaker 1: they're like are you ready to go? I'm like, oh,

1109
00:53:02,680 --> 00:53:07,120
Speaker 1: I'm gonna say taketos with an accent. So they do

1110
00:53:07,200 --> 00:53:08,920
Speaker 1: the que line or whatever it is, and then I

1111
00:53:09,000 --> 00:53:13,759
Speaker 1: go takito and the entire room goes like erupts, and

1112
00:53:13,800 --> 00:53:16,600
Speaker 1: then I just been looking around like fuck yeah, like

1113
00:53:16,760 --> 00:53:21,600
Speaker 1: I just did it or whatever. And then the casting

1114
00:53:21,640 --> 00:53:24,480
Speaker 1: person says the next line and I completely blank on

1115
00:53:24,520 --> 00:53:27,439
Speaker 1: the actual line that matters of like aren't you from

1116
00:53:27,520 --> 00:53:29,600
Speaker 1: aren't you the lady that danced Weirdles? So that I

1117
00:53:29,640 --> 00:53:34,759
Speaker 1: was like and I was like literally, it.

1118
00:53:34,719 --> 00:53:37,640
Speaker 4: Was just like I had to look at the paper

1119
00:53:38,239 --> 00:53:40,239
Speaker 4: to say the next line. And then I was just

1120
00:53:40,320 --> 00:53:42,920
Speaker 4: like thank bye, and it was like I knew I

1121
00:53:42,960 --> 00:53:44,640
Speaker 4: didn't get it. But then it was that thing of

1122
00:53:44,680 --> 00:53:48,080
Speaker 4: like that's and also that's I'm not I don't mean.

1123
00:53:48,000 --> 00:53:50,120
Speaker 1: To brag or tell that story to brag or whatever,

1124
00:53:50,280 --> 00:53:52,960
Speaker 1: because I always ate shit in every audition I went to.

1125
00:53:53,040 --> 00:53:55,480
Speaker 1: But it was like this one time where I was like, oh,

1126
00:53:55,480 --> 00:53:57,399
Speaker 1: maybe I get what I'm supposed to be doing here,

1127
00:53:57,680 --> 00:54:00,920
Speaker 1: like bring a little something to the and then something

1128
00:54:00,920 --> 00:54:05,640
Speaker 1: different immediately, like can't get over the just it's like

1129
00:54:05,719 --> 00:54:08,600
Speaker 1: that was my accomplishment. I'm not acting. This was like

1130
00:54:08,680 --> 00:54:10,000
Speaker 1: I can't not take it all.

1131
00:54:10,719 --> 00:54:13,600
Speaker 3: It's so bra I'm a stand up. That's the stand

1132
00:54:13,680 --> 00:54:16,120
Speaker 3: up in you, because like you're sitting in the pocket

1133
00:54:16,160 --> 00:54:19,040
Speaker 3: of the laugh and just yeah, you're you. You're like

1134
00:54:19,160 --> 00:54:21,480
Speaker 3: I did that, and they oh yeah, hold on, I

1135
00:54:21,480 --> 00:54:21,959
Speaker 3: have to act.

1136
00:54:22,239 --> 00:54:25,160
Speaker 1: Oh oh the point of the scene, Oh are you

1137
00:54:25,239 --> 00:54:27,040
Speaker 1: the lady that danced? And I'm sure I said it

1138
00:54:27,080 --> 00:54:29,080
Speaker 1: like so flat and boring. It's like, are you the

1139
00:54:29,160 --> 00:54:31,560
Speaker 1: lady that danced weird last year? Thank you? Thank you?

1140
00:54:31,800 --> 00:54:34,200
Speaker 2: We always forget what we're going to close on. That

1141
00:54:34,400 --> 00:54:35,320
Speaker 2: happens all the time.

1142
00:54:36,280 --> 00:54:36,720
Speaker 3: It sucks.

1143
00:54:37,360 --> 00:54:41,200
Speaker 2: I can totally see you nineties Karen delivering that line

1144
00:54:41,239 --> 00:54:44,960
Speaker 2: all dead pan, and you would have been great. You

1145
00:54:45,040 --> 00:54:49,640
Speaker 2: really screwed the pooch the husky. You screw the Washington

1146
00:54:49,719 --> 00:54:50,680
Speaker 2: Husky on that one.

1147
00:54:51,040 --> 00:54:52,319
Speaker 1: Every single time, I.

1148
00:54:52,360 --> 00:54:54,200
Speaker 3: Kind of want to watch that episode and just see

1149
00:54:54,200 --> 00:54:57,200
Speaker 3: who got it. Yeah they did, be like oh now

1150
00:54:57,239 --> 00:54:59,839
Speaker 3: I know why they got it. They really they really

1151
00:55:00,080 --> 00:55:01,120
Speaker 3: rop subsessed to him.

1152
00:55:01,200 --> 00:55:04,719
Speaker 2: Yeah, I can't believe it was a young Judy Dench. Yeah,

1153
00:55:04,800 --> 00:55:05,200
Speaker 2: for real.

1154
00:55:05,560 --> 00:55:08,759
Speaker 1: It's like someone It's like, oh, Charlie's Throng got her

1155
00:55:08,800 --> 00:55:09,480
Speaker 1: start on Sign.

1156
00:55:11,560 --> 00:55:13,400
Speaker 3: There is a lot of that though. You watched the

1157
00:55:13,440 --> 00:55:15,600
Speaker 3: show and like Terry Hatch or like all these guest

1158
00:55:15,600 --> 00:55:19,600
Speaker 3: stars you know, yeah, and then like Daphney on Frasier,

1159
00:55:19,960 --> 00:55:22,680
Speaker 3: like yeah, they all kind of have little guest stars

1160
00:55:22,680 --> 00:55:23,160
Speaker 3: on that show.

1161
00:55:23,600 --> 00:55:26,680
Speaker 2: Yeah. I one of the first times opening for a comic.

1162
00:55:26,719 --> 00:55:30,520
Speaker 2: It was his name was John Bowman and he was

1163
00:55:30,560 --> 00:55:33,799
Speaker 2: like an umbrella salesman on Seinfeld And I'd seen that

1164
00:55:33,920 --> 00:55:36,480
Speaker 2: episode so many times and I had to share a

1165
00:55:36,560 --> 00:55:39,080
Speaker 2: condo with him in Boise. It's when they're used to

1166
00:55:39,120 --> 00:55:41,480
Speaker 2: be these comedy condos and you just have a roommate

1167
00:55:41,560 --> 00:55:45,040
Speaker 2: for four days five I think it was Tuesday through Sunday,

1168
00:55:45,640 --> 00:55:47,360
Speaker 2: and I couldn't. I'm like, oh my god, it's the

1169
00:55:47,440 --> 00:55:50,239
Speaker 2: umbrella guy from Seinfeld. I could never let it go.

1170
00:55:50,440 --> 00:55:51,800
Speaker 2: I never let him be a person.

1171
00:55:52,040 --> 00:55:54,000
Speaker 3: He was just how did he treat it? Was just

1172
00:55:54,160 --> 00:55:56,200
Speaker 3: did he just treat it like a thing that came

1173
00:55:56,239 --> 00:55:58,439
Speaker 3: and went or did he revel in it? Like yeah,

1174
00:55:58,440 --> 00:55:59,160
Speaker 3: that's pretty cool.

1175
00:55:59,440 --> 00:56:02,600
Speaker 2: Yeah, I'm I think maybe I don't. I think it

1176
00:56:02,680 --> 00:56:07,040
Speaker 2: was in his in his intro, yeah, okay, yeah, So

1177
00:56:07,200 --> 00:56:09,000
Speaker 2: he was proud of it, and he was fun. He

1178
00:56:09,080 --> 00:56:12,719
Speaker 2: was very funny. He made me laugh. I missed that guy.

1179
00:56:12,719 --> 00:56:14,960
Speaker 2: I miss being his roommate. But you know how I

1180
00:56:15,040 --> 00:56:18,120
Speaker 2: hold salesman in such a high regard, high regard to

1181
00:56:19,200 --> 00:56:21,000
Speaker 2: successful umbrella salesman.

1182
00:56:21,400 --> 00:56:23,359
Speaker 3: What if he juggled the umbrellas? That would have put

1183
00:56:23,400 --> 00:56:25,040
Speaker 3: you and another lead?

1184
00:56:25,200 --> 00:56:31,480
Speaker 2: No one does more than five the seven. I just faint.

1185
00:56:31,840 --> 00:56:35,320
Speaker 2: Oh god, they're lucky. I wasn't unconscious in that car

1186
00:56:35,760 --> 00:56:36,280
Speaker 2: the other.

1187
00:56:36,360 --> 00:56:40,440
Speaker 1: Passengers was the juggling guy in that crosswalk? Do you

1188
00:56:40,480 --> 00:56:43,880
Speaker 1: think he's working Los Angeles as a whole or do

1189
00:56:43,920 --> 00:56:45,440
Speaker 1: you think he's just in that area.

1190
00:56:45,680 --> 00:56:51,040
Speaker 2: He he seemed like he had had a very bad year,

1191
00:56:51,360 --> 00:56:55,480
Speaker 2: and his limp I don't think was fully an affectation.

1192
00:56:55,880 --> 00:56:59,759
Speaker 2: He in a past life was an amazing juggler, and

1193
00:56:59,800 --> 00:57:03,279
Speaker 2: that that's why I got very emotional about it. But

1194
00:57:03,320 --> 00:57:05,040
Speaker 2: it seems like he's rediscovered it.

1195
00:57:05,840 --> 00:57:07,719
Speaker 3: I hope he's taking that show on the road. You

1196
00:57:07,760 --> 00:57:09,480
Speaker 3: can't have that for one intersection.

1197
00:57:12,120 --> 00:57:16,000
Speaker 2: I'm sorry, I'm sorry, I'm sorry.

1198
00:57:17,280 --> 00:57:20,120
Speaker 3: I want multiple roads, though I don't want a single road.

1199
00:57:20,200 --> 00:57:22,960
Speaker 3: I mean that talent, you gotta go to different intersections.

1200
00:57:23,120 --> 00:57:25,120
Speaker 1: He's got to go to the Walk of Fame and

1201
00:57:25,160 --> 00:57:28,280
Speaker 1: he's gotta get yeah over by that really dirty SpongeBob

1202
00:57:28,320 --> 00:57:29,120
Speaker 1: SquarePants guy.

1203
00:57:29,240 --> 00:57:32,440
Speaker 3: Yeah yeah, because I'm going to be his agent and

1204
00:57:32,720 --> 00:57:35,120
Speaker 3: I'm gonna I'm gonna get you in the sense strip.

1205
00:57:35,000 --> 00:57:37,360
Speaker 2: I wished I was an agent in that moment.

1206
00:57:37,480 --> 00:57:41,240
Speaker 3: I was, I'm talking to Santa Monica Boulevard. I so interested.

1207
00:57:41,520 --> 00:57:44,920
Speaker 2: Yeah, and you didn't know I was watching, but I was.

1208
00:57:45,000 --> 00:57:47,600
Speaker 2: I love the limp. In the beginning, he really did pretend.

1209
00:57:47,640 --> 00:57:51,480
Speaker 2: He's like, oh, I'm gonna act extra for long, Like

1210
00:57:51,560 --> 00:57:54,440
Speaker 2: he was really dragging his leg and one of his

1211
00:57:54,480 --> 00:57:57,960
Speaker 2: pant legs was ripped open. And then he was amazing

1212
00:57:58,040 --> 00:58:00,200
Speaker 2: and he was having fun and he smiled and I

1213
00:58:00,240 --> 00:58:02,680
Speaker 2: was like, oh, look at it. He's like a happy

1214
00:58:02,800 --> 00:58:07,160
Speaker 2: It was really everyone. I was looking around. Everyone's like, ah,

1215
00:58:07,280 --> 00:58:08,840
Speaker 2: everyone in their car was freaking out.

1216
00:58:08,960 --> 00:58:13,000
Speaker 3: It kind of the pinnacle of street performance because there's

1217
00:58:13,040 --> 00:58:17,080
Speaker 3: a shot clock. You know, it's a high stage environment,

1218
00:58:17,120 --> 00:58:21,120
Speaker 3: there's cars and stuff. It's a captive audience. Yes, it's

1219
00:58:21,120 --> 00:58:21,840
Speaker 3: pretty amazing.

1220
00:58:21,920 --> 00:58:23,480
Speaker 2: It was great. I loved it.

1221
00:58:23,560 --> 00:58:25,160
Speaker 3: Was it thirty seconds? How long did he have?

1222
00:58:25,440 --> 00:58:28,160
Speaker 2: It was a sort of a long light. I don't

1223
00:58:28,160 --> 00:58:31,760
Speaker 2: know how he did that part, but it was. It's

1224
00:58:31,840 --> 00:58:34,800
Speaker 2: because it was where Alvarado meets Glenn. It was like

1225
00:58:34,920 --> 00:58:38,919
Speaker 2: a there you had to wait for five different streets

1226
00:58:38,920 --> 00:58:40,640
Speaker 2: to intersection. It wasn't just.

1227
00:58:41,200 --> 00:58:43,680
Speaker 3: So how many shows do you think he does per hour?

1228
00:58:43,840 --> 00:58:45,720
Speaker 3: Like how many times does that crosswalk come on?

1229
00:58:46,000 --> 00:58:48,280
Speaker 2: I that's something I want to know too. Of he

1230
00:58:48,520 --> 00:58:51,200
Speaker 2: just stepped to this because he was juggled. He was

1231
00:58:51,280 --> 00:58:54,480
Speaker 2: juggling on the corner. And then once the cars stop,

1232
00:58:54,520 --> 00:58:57,520
Speaker 2: I guess he does the limp and he was dragging

1233
00:58:57,560 --> 00:59:00,280
Speaker 2: like a milk crate. So everyone's like, oh, brother, it's

1234
00:59:00,320 --> 00:59:02,760
Speaker 2: going to take a while. They don't realize they're about

1235
00:59:02,760 --> 00:59:03,840
Speaker 2: to see the best show on earth.

1236
00:59:03,880 --> 00:59:06,480
Speaker 3: I feel like maybe we should pitch this show. It's

1237
00:59:06,480 --> 00:59:09,280
Speaker 3: sort of like America's Got Talent, but it's at crosswalks

1238
00:59:09,480 --> 00:59:12,760
Speaker 3: and everyone has thirty seconds to put on the grandest

1239
00:59:12,800 --> 00:59:15,440
Speaker 3: show whatever they have. And then the people in the

1240
00:59:15,480 --> 00:59:17,440
Speaker 3: cars vote, you know, they decide.

1241
00:59:17,080 --> 00:59:19,960
Speaker 2: Yeah, and if they don't get it, you execute them right.

1242
00:59:20,160 --> 00:59:21,760
Speaker 3: Then you run them over. You run him over.

1243
00:59:21,960 --> 00:59:24,600
Speaker 1: Yeah, it's like it should be near a freeway exit,

1244
00:59:24,720 --> 00:59:28,640
Speaker 1: so everyone has road rage, so they're not automatically going

1245
00:59:28,760 --> 00:59:32,600
Speaker 1: to love it. They're probably the literal toughest audience there.

1246
00:59:32,920 --> 00:59:37,360
Speaker 3: Yeah, yeah, yeah, an angry audience. Yeah, thirty seconds.

1247
00:59:37,400 --> 00:59:41,240
Speaker 2: Like the time I was doing morning radio in Austin.

1248
00:59:41,320 --> 00:59:45,080
Speaker 2: They got a guy that would win Nickelback tickets if

1249
00:59:45,080 --> 00:59:48,800
Speaker 2: we could make him laugh, and he was so angry

1250
00:59:48,840 --> 00:59:52,120
Speaker 2: and so many he came in there ready to not laugh,

1251
00:59:52,160 --> 00:59:53,880
Speaker 2: and it's like, this isn't gonna wait.

1252
00:59:53,960 --> 00:59:55,360
Speaker 3: Did he not want the tickets?

1253
00:59:55,640 --> 00:59:58,560
Speaker 2: He really would. I I've talked about this before.

1254
00:59:58,560 --> 01:00:01,080
Speaker 1: I'm repeat, no, wait, you mean you mean if he

1255
01:00:01,160 --> 01:00:03,600
Speaker 1: didn't laugh, you would try to make him laugh. He didn't,

1256
01:00:03,760 --> 01:00:05,600
Speaker 1: he would win Nickelback tickets.

1257
01:00:05,320 --> 01:00:08,760
Speaker 2: Right, I'm sorry, no, if right, I think they are

1258
01:00:08,800 --> 01:00:11,640
Speaker 2: going to give them to him anyway. But the object

1259
01:00:11,680 --> 01:00:15,200
Speaker 2: of the game was he gets free Nickelback tickets unless,

1260
01:00:15,720 --> 01:00:20,320
Speaker 2: against his will, we make him laugh, which is an impossibility,

1261
01:00:20,440 --> 01:00:23,160
Speaker 2: especially a guy who called in and said on the phone,

1262
01:00:23,560 --> 01:00:26,640
Speaker 2: I love Nickelback so much. I named my horse Nickelback,

1263
01:00:28,320 --> 01:00:31,640
Speaker 2: which actually is a pretty good it's a horse name.

1264
01:00:32,400 --> 01:00:33,680
Speaker 1: Is a great horse name. Yeah.

1265
01:00:33,760 --> 01:00:37,160
Speaker 3: I never realized that until now. Now I love the band.

1266
01:00:37,720 --> 01:00:40,240
Speaker 2: Yeah, well I've thought about it a few times because

1267
01:00:40,240 --> 01:00:43,920
Speaker 2: I disliked the name Sea Biscuits so much. I came

1268
01:00:43,960 --> 01:00:45,080
Speaker 2: on a list of betters.

1269
01:00:45,240 --> 01:00:46,400
Speaker 3: Huh.

1270
01:00:46,440 --> 01:00:49,280
Speaker 2: But yeah, he did not laugh, and I think he

1271
01:00:49,400 --> 01:00:53,480
Speaker 2: enjoyed nickelback and I was scarred for life. Yeah it

1272
01:00:53,520 --> 01:00:53,960
Speaker 2: was awful.

1273
01:00:54,240 --> 01:00:55,439
Speaker 3: Everyone won, right.

1274
01:00:55,600 --> 01:00:59,600
Speaker 2: Yeah, but yeah, I think I love the show where

1275
01:00:59,600 --> 01:01:03,320
Speaker 2: it's like you have a street corner, but then you're

1276
01:01:04,040 --> 01:01:07,040
Speaker 2: you're using people. I guess that's about.

1277
01:01:07,080 --> 01:01:11,360
Speaker 3: Wait, why are they they're voluntarily colleting? They love it.

1278
01:01:11,400 --> 01:01:14,200
Speaker 3: They lived a juggle exactly. Come on.

1279
01:01:14,840 --> 01:01:17,760
Speaker 2: Yeah, and you don't have to rent a theater and

1280
01:01:17,760 --> 01:01:19,840
Speaker 2: and hire Nick Cannon and all that stuff.

1281
01:01:20,440 --> 01:01:23,400
Speaker 3: Yeah, and it's for the people. There's no artifice of

1282
01:01:23,440 --> 01:01:29,000
Speaker 3: all this production is It's like the podcasting of talent shows.

1283
01:01:29,200 --> 01:01:31,880
Speaker 3: You know, it's it's real, it's gritty.

1284
01:01:32,520 --> 01:01:36,120
Speaker 2: I like it, and I like it's in your faith.

1285
01:01:36,560 --> 01:01:39,160
Speaker 3: Yeah, you're commuting, you can't get away from it.

1286
01:01:39,600 --> 01:01:41,680
Speaker 2: Have you ever pitched a Have you ever pitched a

1287
01:01:41,720 --> 01:01:45,520
Speaker 2: show about Oh, here's the premise. It's an aeronautical engineer

1288
01:01:45,560 --> 01:01:48,080
Speaker 2: who is funny in the office. And have you ever

1289
01:01:48,160 --> 01:01:48,600
Speaker 2: pitched that?

1290
01:01:49,680 --> 01:01:55,160
Speaker 3: No? Yeah, no, I to take my life story. You're like,

1291
01:01:55,200 --> 01:02:02,520
Speaker 3: so when you're growing up in Afghan boy?

1292
01:01:58,560 --> 01:01:58,760
Speaker 1: Yeah?

1293
01:02:03,040 --> 01:02:05,600
Speaker 3: Yeah, and then I got into engineering.

1294
01:02:05,120 --> 01:02:06,320
Speaker 1: And I turned to math.

1295
01:02:06,800 --> 01:02:12,600
Speaker 2: You just wanted to get away from the grunge music scene? Uh,

1296
01:02:12,800 --> 01:02:15,360
Speaker 2: where's the time got when we were already and this

1297
01:02:15,560 --> 01:02:15,960
Speaker 2: was an.

1298
01:02:15,800 --> 01:02:18,040
Speaker 1: Episode we have kept you for a long time.

1299
01:02:18,240 --> 01:02:20,480
Speaker 2: I did want to ask, though, because I started listening

1300
01:02:20,480 --> 01:02:25,120
Speaker 2: to your dance party podcast hours because I don't see

1301
01:02:25,120 --> 01:02:28,120
Speaker 2: another name on it. Are you talking to yourself? Because

1302
01:02:28,160 --> 01:02:29,600
Speaker 2: the other voice sounds like you?

1303
01:02:29,880 --> 01:02:33,200
Speaker 3: Oh no, it's my buddy all Ali Balouch.

1304
01:02:34,840 --> 01:02:38,080
Speaker 2: You guys have did you know you have very similar voices?

1305
01:02:38,320 --> 01:02:41,200
Speaker 3: I did not know. But he's he's Afghan as well,

1306
01:02:41,280 --> 01:02:41,920
Speaker 3: so maybe.

1307
01:02:42,040 --> 01:02:45,480
Speaker 2: That's not Hey, hey, you know I'm not different. I'm

1308
01:02:45,520 --> 01:02:49,200
Speaker 2: just saying all I never saw a photo the other way.

1309
01:02:49,240 --> 01:02:54,680
Speaker 3: I mean, I mean you sound different. I meant different.

1310
01:02:55,160 --> 01:02:58,360
Speaker 2: I just liked the idea and how difficult it would

1311
01:02:58,360 --> 01:03:01,880
Speaker 2: be to record both sides of a podcast as one person.

1312
01:03:02,680 --> 01:03:05,040
Speaker 2: Cause you're like, I'm like, after there was enough banter,

1313
01:03:05,160 --> 01:03:07,320
Speaker 2: I'm like, okay, there's no way there is good people.

1314
01:03:07,520 --> 01:03:09,600
Speaker 3: Yeah, this is top level talent. If he is doing

1315
01:03:09,600 --> 01:03:12,840
Speaker 3: a podcast with himself a recorded. That means there's two

1316
01:03:12,920 --> 01:03:15,720
Speaker 3: guys that talented in this world, they have to both

1317
01:03:15,800 --> 01:03:19,040
Speaker 3: be him. Yeah. I was doing it for a bit

1318
01:03:19,120 --> 01:03:21,880
Speaker 3: and then and then I got the writing job, so

1319
01:03:21,920 --> 01:03:24,479
Speaker 3: I wasn't able to you know, your time is less,

1320
01:03:24,480 --> 01:03:26,520
Speaker 3: so I stopped doing it, but I'm bringing it back.

1321
01:03:26,600 --> 01:03:31,880
Speaker 2: So yeah, we're concluding. Is there anyone anything you want

1322
01:03:31,920 --> 01:03:33,280
Speaker 2: to promote like writing?

1323
01:03:33,360 --> 01:03:36,360
Speaker 3: Yeah, tours, No, I mean I've done with the writing job. Yeah,

1324
01:03:36,360 --> 01:03:38,360
Speaker 3: I'm on tours. So if you go to fhemanor dot com,

1325
01:03:38,400 --> 01:03:40,520
Speaker 3: you'll see what cities I'm doing. I'm doing Irvine this

1326
01:03:40,600 --> 01:03:43,160
Speaker 3: week and then Phoenix, and then I'll be in New

1327
01:03:43,240 --> 01:03:47,480
Speaker 3: York and Chicago, Terrific some other places. So yeah, just

1328
01:03:47,560 --> 01:03:50,440
Speaker 3: check out that. I guess my ig, you know, fahimn

1329
01:03:50,640 --> 01:03:52,880
Speaker 3: Or I put stand up clips up there and then

1330
01:03:52,920 --> 01:03:55,560
Speaker 3: the podcast I'm starting up again. So that's my YouTube

1331
01:03:55,640 --> 01:03:58,320
Speaker 3: channel where the special is as well. Just Fahim an

1332
01:03:58,520 --> 01:03:59,480
Speaker 3: or Nice.

1333
01:03:59,720 --> 01:04:02,560
Speaker 2: Yeah, if you are on look at his website and

1334
01:04:02,560 --> 01:04:05,160
Speaker 2: if you live in LA he's often at the Comedy

1335
01:04:05,200 --> 01:04:08,920
Speaker 2: Store and he's very good and his special takes place

1336
01:04:09,000 --> 01:04:11,440
Speaker 2: in all three rooms at the Comedy Store and it's

1337
01:04:11,560 --> 01:04:14,520
Speaker 2: very funny. If you like jokes, Thanks one of the

1338
01:04:14,560 --> 01:04:16,000
Speaker 2: great like well written jokes.

1339
01:04:16,240 --> 01:04:17,680
Speaker 1: Thanks for being here with us.

1340
01:04:17,880 --> 01:04:19,040
Speaker 3: Of course, thanks for having me.

1341
01:04:19,080 --> 01:04:22,000
Speaker 2: As always, guys, you've been listening to Do You Need

1342
01:04:22,000 --> 01:04:22,440
Speaker 2: a Ride?

1343
01:04:22,640 --> 01:04:24,680
Speaker 3: D y n A R.

1344
01:04:31,880 --> 01:04:34,320
Speaker 2: This has been an exactly Right production.

1345
01:04:34,800 --> 01:04:39,000
Speaker 1: Produced by Analise Nelson, mixed by Edson Chroi. Our talent

1346
01:04:39,040 --> 01:04:40,400
Speaker 1: booker is Patrick Kottner.

1347
01:04:40,680 --> 01:04:42,640
Speaker 2: Theme song by Karen Kilgarrett.

1348
01:04:43,040 --> 01:04:46,600
Speaker 1: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,

1349
01:04:46,640 --> 01:04:51,000
Speaker 1: and Facebook at dinar podcast That's d y nar Podcast.

1350
01:04:51,440 --> 01:04:55,000
Speaker 2: For more information, go to exactly rightmedia dot com.

1351
01:04:55,040 --> 01:04:57,280
Speaker 1: Thank you, Oh you're welcome.

1352
01:05:01,280 --> 01:05:05,160
Speaker 2: Honk honk. We used to honk the horn finking I

1353
01:05:05,200 --> 01:05:06,040
Speaker 2: get it, I get it.