1 00:00:01,040 --> 00:00:04,320 Speaker 1: Morning, everybody. It's d j en V Charlamagne the God. 2 00:00:04,360 --> 00:00:06,520 Speaker 1: We are the Breakfast Club. We got our guest host 3 00:00:06,600 --> 00:00:09,760 Speaker 1: with us. Yes, indeed, Erica Dutchess she's here, she's joining us. 4 00:00:09,960 --> 00:00:11,639 Speaker 1: And we got some special guests in the building. 5 00:00:17,079 --> 00:00:18,720 Speaker 2: How you pronounce it hot? 6 00:00:18,800 --> 00:00:21,920 Speaker 3: Is it it? I used to struggle with it too. 7 00:00:22,280 --> 00:00:22,759 Speaker 2: Yeah, I don't know. 8 00:00:22,880 --> 00:00:25,200 Speaker 1: But we got the homie Woody mclady he's been here before. 9 00:00:25,640 --> 00:00:27,120 Speaker 1: And Lavell Adams great welcome. 10 00:00:27,240 --> 00:00:33,400 Speaker 4: Yes, indeed, Kayan Drew from Power Book season two. Man, y'all, 11 00:00:33,960 --> 00:00:35,479 Speaker 4: it's funny, right because y'all got to be some of 12 00:00:35,560 --> 00:00:38,520 Speaker 4: the most famous people in black coaches at the moment, 13 00:00:38,560 --> 00:00:38,919 Speaker 4: you know. Think. 14 00:00:39,040 --> 00:00:42,000 Speaker 3: So it's been love, man, Yeah, it's been love. People 15 00:00:42,000 --> 00:00:44,760 Speaker 3: come up to you, smack you in the airport. It's crazy. 16 00:00:44,800 --> 00:00:47,360 Speaker 2: It's crazy, I know anywhere. 17 00:00:47,479 --> 00:00:49,920 Speaker 3: It was in the airport. Lady had a baby, white lady. 18 00:00:50,000 --> 00:00:53,920 Speaker 3: She was like, I love what you're doing, appreciate it. 19 00:00:53,920 --> 00:00:55,120 Speaker 3: But it just caught me, you know what I mean, 20 00:00:55,480 --> 00:00:57,639 Speaker 3: off guard. But yeah, it's been love. That's a lot 21 00:00:57,680 --> 00:00:57,959 Speaker 3: of love. 22 00:00:58,040 --> 00:01:00,520 Speaker 5: Yeah, I got that in. I think it's smacked. But 23 00:01:00,840 --> 00:01:02,400 Speaker 5: this dude stopped me. It was like, bro, I know 24 00:01:02,480 --> 00:01:05,000 Speaker 5: you right, like you you've been in Houston. I'm like, listen, 25 00:01:05,000 --> 00:01:07,360 Speaker 5: I've never been using my life, so I know I've 26 00:01:07,360 --> 00:01:10,200 Speaker 5: never met before, you know, and like it was it 27 00:01:10,240 --> 00:01:11,520 Speaker 5: was definitely from the show, but. 28 00:01:11,720 --> 00:01:13,480 Speaker 2: You know it was it was funny, like he started 29 00:01:13,480 --> 00:01:15,000 Speaker 2: the character you played. Where did he smack you? 30 00:01:15,800 --> 00:01:16,720 Speaker 5: It was it was on my arm? 31 00:01:16,840 --> 00:01:20,080 Speaker 2: Okay, making sure, I. 32 00:01:20,040 --> 00:01:21,480 Speaker 6: Mean because I know what you're trying to bring because 33 00:01:21,480 --> 00:01:22,280 Speaker 6: somebody slapped. 34 00:01:22,040 --> 00:01:25,120 Speaker 3: Me before you Ah. 35 00:01:25,160 --> 00:01:28,160 Speaker 2: Wow, wasn't on the basketball court. 36 00:01:28,360 --> 00:01:29,240 Speaker 5: Was on the basketball court. 37 00:01:30,040 --> 00:01:31,720 Speaker 1: I was DJing and I just finished my set and 38 00:01:31,760 --> 00:01:33,840 Speaker 1: I killed it. Wow, And he spented your mask like fow, 39 00:01:33,920 --> 00:01:36,120 Speaker 1: good job guy? 40 00:01:36,360 --> 00:01:39,120 Speaker 5: Did it Did it feel like a part of the 41 00:01:39,360 --> 00:01:40,479 Speaker 5: moment or was it like, hey, what. 42 00:01:40,440 --> 00:01:40,840 Speaker 3: Are you doing? 43 00:01:40,959 --> 00:01:42,760 Speaker 6: Like you Paul, it's so uncomfortable? 44 00:01:42,800 --> 00:01:43,520 Speaker 2: He said, thank you? 45 00:01:43,520 --> 00:01:46,080 Speaker 1: He said comfortable was the club I was walking out? 46 00:01:46,080 --> 00:01:47,200 Speaker 1: You know, I didn't know what to say back. 47 00:01:47,240 --> 00:01:49,200 Speaker 2: That was you know, this has nothing to do with 48 00:01:49,240 --> 00:01:54,800 Speaker 2: this interview though. Season three. 49 00:01:54,920 --> 00:01:58,400 Speaker 4: Actually yes, yes, it's been a next season, so the 50 00:01:58,480 --> 00:01:59,920 Speaker 4: last two episodes are gonna be crazy. 51 00:01:59,720 --> 00:02:01,160 Speaker 2: And I have not watching it even though they leaked. 52 00:02:01,160 --> 00:02:01,720 Speaker 5: Appreciate that. 53 00:02:01,800 --> 00:02:04,600 Speaker 2: Okay, How how can y'all top with y'all done. 54 00:02:07,400 --> 00:02:09,919 Speaker 5: I think you know the writers have you know, only 55 00:02:09,919 --> 00:02:14,000 Speaker 5: gotten better. Bratt really cares about the show, the showrunner 56 00:02:14,160 --> 00:02:16,240 Speaker 5: and really takes care of us, and it's invested on 57 00:02:16,320 --> 00:02:19,040 Speaker 5: making it new and exciting and truthful. I think that 58 00:02:19,160 --> 00:02:22,200 Speaker 5: you know, you keep it truthful and you know it 59 00:02:22,280 --> 00:02:23,919 Speaker 5: tops itself, I think, and. 60 00:02:23,919 --> 00:02:26,919 Speaker 3: A whole lot of drama. You know, Twitter loves drama, 61 00:02:27,000 --> 00:02:29,000 Speaker 3: so I think they've been doing a great job with it. 62 00:02:30,200 --> 00:02:31,880 Speaker 2: And you've been in love the whole damn season. 63 00:02:31,960 --> 00:02:33,359 Speaker 3: I know, Man, how. 64 00:02:33,200 --> 00:02:34,760 Speaker 2: That go from being a gangster. You're still a gangster, 65 00:02:34,840 --> 00:02:35,799 Speaker 2: but you're in love now. 66 00:02:37,280 --> 00:02:39,079 Speaker 3: On the show, being in love is kind of boring 67 00:02:39,120 --> 00:02:42,280 Speaker 3: to me. I'm like, man, I'm ready to catch your 68 00:02:42,320 --> 00:02:46,240 Speaker 3: body's horrible right. It's a horrible way to think. But 69 00:02:46,320 --> 00:02:49,680 Speaker 3: that show has definitely altered my mind to think like that. 70 00:02:49,720 --> 00:02:53,040 Speaker 3: It's weird. It's like, man, another scene, like, man, when 71 00:02:53,080 --> 00:02:53,960 Speaker 3: do I pop somebody? 72 00:02:54,200 --> 00:02:56,000 Speaker 1: I was going to ask, how does that change your character? 73 00:02:56,040 --> 00:02:58,960 Speaker 1: Because now now you're you're into this, right, you want 74 00:02:59,000 --> 00:03:01,360 Speaker 1: to pop somebody? Now when you go out and somebody 75 00:03:01,360 --> 00:03:03,560 Speaker 1: says something, you think like, are you still in character? 76 00:03:03,639 --> 00:03:04,200 Speaker 1: Like what you say? 77 00:03:04,480 --> 00:03:06,560 Speaker 6: Are you still like that? Or do you get out 78 00:03:06,600 --> 00:03:07,040 Speaker 6: of character? 79 00:03:07,280 --> 00:03:10,680 Speaker 3: Nah, I get out of character. I get out of character. 80 00:03:10,760 --> 00:03:13,239 Speaker 3: But it depends if I'm with my family, I'm still 81 00:03:13,240 --> 00:03:14,880 Speaker 3: in it a little bit because you know, people don't 82 00:03:14,880 --> 00:03:18,400 Speaker 3: really respect boundaries. Nah. They and because we're on TV, 83 00:03:18,480 --> 00:03:20,200 Speaker 3: we're no longer human, you know what I mean. I 84 00:03:20,200 --> 00:03:21,880 Speaker 3: just feel like everybody treat just like an item. So 85 00:03:21,919 --> 00:03:25,200 Speaker 3: it's like I'm always like just thinking about those things 86 00:03:25,200 --> 00:03:27,360 Speaker 3: and making sure my family is straight while I'm outside. 87 00:03:27,360 --> 00:03:28,639 Speaker 3: But it's always been loved though, and. 88 00:03:28,600 --> 00:03:30,919 Speaker 1: It has to be different, right because because of the 89 00:03:31,000 --> 00:03:35,040 Speaker 1: characters that you play, you have like very different demographics. 90 00:03:35,040 --> 00:03:37,320 Speaker 1: Like you have the young people that might follow this, 91 00:03:37,520 --> 00:03:39,520 Speaker 1: but then you have the older people that love you 92 00:03:39,560 --> 00:03:41,120 Speaker 1: and this. So how does that work? 93 00:03:41,280 --> 00:03:44,360 Speaker 3: Nos? For me? I know, like I've been to like 94 00:03:44,760 --> 00:03:46,840 Speaker 3: the hoodies of the hoods and people like yo, that's 95 00:03:46,880 --> 00:03:49,360 Speaker 3: you me up there, Like I appreciate that, and I'm like, ah, 96 00:03:49,480 --> 00:03:50,040 Speaker 3: thank you. 97 00:03:50,080 --> 00:03:54,280 Speaker 2: So I always say, call the police, tell you that 98 00:03:54,920 --> 00:03:56,360 Speaker 2: I relate the character King that's me. 99 00:03:58,920 --> 00:04:02,680 Speaker 3: No, No, But like so knowing that I represent certain 100 00:04:02,680 --> 00:04:04,600 Speaker 3: people out there, I always try to, like you know 101 00:04:04,640 --> 00:04:06,320 Speaker 3: what I mean, when it's certain things that don't make 102 00:04:06,360 --> 00:04:08,120 Speaker 3: sense I'm like, yo, we can't do this because it's 103 00:04:08,120 --> 00:04:10,040 Speaker 3: gonna make me look bad. You know, I don't want 104 00:04:10,080 --> 00:04:12,880 Speaker 3: nobody to come down on me. But you don't even 105 00:04:12,880 --> 00:04:14,240 Speaker 3: know what he was talking about. My bad. 106 00:04:17,880 --> 00:04:19,719 Speaker 5: Look at me like you were. 107 00:04:21,040 --> 00:04:23,240 Speaker 6: The demographics love you, and the younger demographics love you. 108 00:04:23,680 --> 00:04:27,080 Speaker 2: I mean the older love them. Because the new edition, you. 109 00:04:27,120 --> 00:04:30,360 Speaker 1: Got aunties and grandma's that know, the new addition, that's 110 00:04:30,360 --> 00:04:31,400 Speaker 1: you a different type of lovel But. 111 00:04:31,400 --> 00:04:33,440 Speaker 6: Then you got homies from the corner that look at 112 00:04:33,520 --> 00:04:33,960 Speaker 6: them differently. 113 00:04:34,040 --> 00:04:35,520 Speaker 2: So that's interesting, I thought. 114 00:04:35,560 --> 00:04:36,960 Speaker 4: I thought, because I thought that there was a young 115 00:04:37,080 --> 00:04:39,920 Speaker 4: demo that watched the Bobby Brown Story New Edition too. 116 00:04:39,920 --> 00:04:41,839 Speaker 2: I feel like that introduced them to a new audience. 117 00:04:41,880 --> 00:04:44,720 Speaker 3: No, absolutely, for sure, I agree. I agree, Yeah, because 118 00:04:44,760 --> 00:04:48,279 Speaker 3: my kids love the kids call me Bobby Brown, nigga, 119 00:04:48,279 --> 00:04:52,719 Speaker 3: you Bobby Bro, and you get tired of that. Yeah, 120 00:04:52,920 --> 00:04:53,440 Speaker 3: a little bit. 121 00:04:53,640 --> 00:04:56,560 Speaker 2: I feel like I can't trump Bobby though, No, yes, 122 00:04:57,880 --> 00:04:58,320 Speaker 2: right now. 123 00:04:58,440 --> 00:04:59,120 Speaker 6: And the culture. 124 00:04:59,320 --> 00:05:01,240 Speaker 1: I don't know b but I've seen him in the hall. 125 00:05:01,240 --> 00:05:02,520 Speaker 1: The first thing I thought it was Bobby. I was like, 126 00:05:03,120 --> 00:05:05,919 Speaker 1: that's what I thought, man, But. 127 00:05:06,040 --> 00:05:08,200 Speaker 3: I mean no, I mean I was just watching the 128 00:05:08,279 --> 00:05:11,000 Speaker 3: fight and it was just white guy. He was like 129 00:05:11,120 --> 00:05:13,160 Speaker 3: Yo Cain and the Ouzi songs. But he was like, 130 00:05:16,040 --> 00:05:17,240 Speaker 3: but I'm like, that's crazy. 131 00:05:17,400 --> 00:05:18,560 Speaker 6: Sound like a little flirt right there. 132 00:05:18,600 --> 00:05:21,600 Speaker 3: I was, I don't know New York, so nobody really 133 00:05:21,640 --> 00:05:28,840 Speaker 3: tripped on it. It was crazy different power. 134 00:05:29,000 --> 00:05:32,279 Speaker 4: One of them shows that the culture really gets involved 135 00:05:32,320 --> 00:05:35,680 Speaker 4: in absolute When it's on, everybody tweeting about it. It's 136 00:05:35,720 --> 00:05:38,320 Speaker 4: like it's like a family gathering, and then people talking 137 00:05:38,320 --> 00:05:41,440 Speaker 4: about what happened, you know, that night on social media afterwards, 138 00:05:41,600 --> 00:05:44,320 Speaker 4: people care about y'all personal lives, Like that's rare. 139 00:05:44,920 --> 00:05:46,640 Speaker 2: Everybody don't get that, you. 140 00:05:46,720 --> 00:05:49,600 Speaker 5: Know, I think it's it's an important thing, you know, 141 00:05:49,720 --> 00:05:52,640 Speaker 5: to separate the character from the from the from the actor. 142 00:05:52,720 --> 00:05:55,760 Speaker 5: You know, like we watched like Lewis. We don't think 143 00:05:55,839 --> 00:05:58,680 Speaker 5: like he's you know, built a butcher and you know 144 00:06:00,120 --> 00:06:03,400 Speaker 5: his name, Daniel Daniel playing View. You know, we just 145 00:06:03,440 --> 00:06:05,480 Speaker 5: look at him like that's a that's a really dope artist, 146 00:06:05,640 --> 00:06:08,120 Speaker 5: right And I think, like you're playing Bobby Brown, you 147 00:06:08,240 --> 00:06:10,520 Speaker 5: playing Kane, like that's a testament. 148 00:06:10,200 --> 00:06:13,560 Speaker 3: To your artistry. I appreciate that, bro, But you know. 149 00:06:13,920 --> 00:06:15,599 Speaker 2: You do a fantastic. 150 00:06:17,240 --> 00:06:19,800 Speaker 4: You do a fantastic job playing Drew and the crazy 151 00:06:19,839 --> 00:06:21,560 Speaker 4: part is everybody like, oh, is he really you know, 152 00:06:22,480 --> 00:06:23,159 Speaker 4: really gay? 153 00:06:23,200 --> 00:06:25,599 Speaker 2: And I'm like does it matter? You know what I'm saying, 154 00:06:25,640 --> 00:06:27,200 Speaker 2: Like what the matter? If Lavelle was like. 155 00:06:27,240 --> 00:06:27,560 Speaker 6: What is it? 156 00:06:27,640 --> 00:06:28,160 Speaker 2: What does it matter? 157 00:06:28,360 --> 00:06:30,120 Speaker 5: I don't think it does matter, you know. I think that, 158 00:06:30,240 --> 00:06:32,560 Speaker 5: you know, like it's important to separate those things, you know, 159 00:06:32,760 --> 00:06:36,440 Speaker 5: important to separate the personal from from the work, because 160 00:06:37,120 --> 00:06:39,320 Speaker 5: I have to be able to play everything as an artist, 161 00:06:39,360 --> 00:06:42,520 Speaker 5: you know, that's that's our Our job is to tell 162 00:06:42,560 --> 00:06:44,680 Speaker 5: the story and tell it as truthfully as possible. You know, 163 00:06:44,880 --> 00:06:48,640 Speaker 5: like I can't be I can't if I was playing 164 00:06:48,920 --> 00:06:52,000 Speaker 5: you know, your life story right and you watched it 165 00:06:52,080 --> 00:06:53,919 Speaker 5: and go like, you're not You're not telling the truth. 166 00:06:54,279 --> 00:06:55,360 Speaker 5: I'm doing you a a service. 167 00:06:55,760 --> 00:07:02,200 Speaker 2: You're not playing Some people saying no, no. 168 00:07:07,560 --> 00:07:09,440 Speaker 1: When you see the script, was there any doubts like wow, 169 00:07:09,560 --> 00:07:11,040 Speaker 1: maybe I don't want to play that, or it was 170 00:07:11,120 --> 00:07:11,880 Speaker 1: like no, I'm an actor. 171 00:07:11,960 --> 00:07:13,400 Speaker 6: This is what I'm gonna do regardless of what people. 172 00:07:13,400 --> 00:07:13,880 Speaker 5: That's what it was. 173 00:07:13,960 --> 00:07:14,080 Speaker 2: Man. 174 00:07:14,120 --> 00:07:16,280 Speaker 5: I'm an actor, you know, and I have to tell 175 00:07:16,280 --> 00:07:17,920 Speaker 5: the truth. And if I'm not telling the truth as 176 00:07:17,960 --> 00:07:19,640 Speaker 5: an artist, then get me out the show. You know 177 00:07:19,680 --> 00:07:25,360 Speaker 5: what I mean like that, you know, like it's if 178 00:07:25,400 --> 00:07:29,240 Speaker 5: I'm not going, if I'm not committing one hundred percent, 179 00:07:29,480 --> 00:07:32,120 Speaker 5: then I don't deserve the part. And that's just how 180 00:07:32,200 --> 00:07:34,800 Speaker 5: I see it. Like, you know what, regardless of whatever 181 00:07:34,920 --> 00:07:37,680 Speaker 5: part it is, whatever role it is, it's like if 182 00:07:37,720 --> 00:07:42,520 Speaker 5: you're putting in the work, then you know and investigating 183 00:07:42,560 --> 00:07:44,320 Speaker 5: in yourself and trying to tell the truth, and you 184 00:07:44,400 --> 00:07:46,240 Speaker 5: know you deserve to be on that platform and tell 185 00:07:46,280 --> 00:07:46,720 Speaker 5: that story. 186 00:07:47,120 --> 00:07:51,120 Speaker 4: And yeah, it's an interesting social experiment though too. I 187 00:07:51,160 --> 00:07:53,240 Speaker 4: mean it's not really a social experiment, but it is 188 00:07:53,360 --> 00:07:56,960 Speaker 4: because whenever there's a love making scene between a man 189 00:07:57,040 --> 00:07:59,280 Speaker 4: and a woman, nobody cares. But you see it pop 190 00:07:59,400 --> 00:08:01,640 Speaker 4: up on Power or or one of those other shows, 191 00:08:01,680 --> 00:08:04,320 Speaker 4: everybody's up in arms like, ah, man, I can't watch this. Man, 192 00:08:04,360 --> 00:08:06,520 Speaker 4: I'm not I'm gonna tell stars if they don't stop 193 00:08:06,560 --> 00:08:07,520 Speaker 4: doing this, I'm not gonna watch. 194 00:08:07,560 --> 00:08:09,600 Speaker 2: But I'm like, are people be like why why do 195 00:08:09,840 --> 00:08:11,800 Speaker 2: nobody ever asked that? What's men and women? 196 00:08:12,080 --> 00:08:12,240 Speaker 3: You know? 197 00:08:12,920 --> 00:08:15,400 Speaker 5: You know, I think you know, if we're talking about 198 00:08:15,440 --> 00:08:21,840 Speaker 5: the first first uh Power Power? Amari Hardwick and Laila 199 00:08:22,400 --> 00:08:25,560 Speaker 5: Leila look really good together though, you know, like like 200 00:08:25,920 --> 00:08:28,320 Speaker 5: the back muscles and everything like that. So I understand, like, 201 00:08:28,840 --> 00:08:30,760 Speaker 5: you know, the the aesthetic is what we're used to, 202 00:08:31,680 --> 00:08:33,679 Speaker 5: and we're not used to seeing queer love making on, 203 00:08:33,960 --> 00:08:37,160 Speaker 5: especially on a mainstream show like this, and but real life, 204 00:08:37,200 --> 00:08:39,280 Speaker 5: and it happens, real life, and it happens. And I 205 00:08:39,360 --> 00:08:42,559 Speaker 5: think my biggest thing was like I haven't gotten the 206 00:08:42,640 --> 00:08:44,839 Speaker 5: back yet, like my hardway's back. I haven't gotten that 207 00:08:45,040 --> 00:08:47,920 Speaker 5: like physical physical like strength, because you know what I mean, 208 00:08:48,080 --> 00:08:49,800 Speaker 5: Like I just turned thirty one, so I'm like, I 209 00:08:49,880 --> 00:08:53,200 Speaker 5: still got to like get my man meat on. But I'm. 210 00:08:55,280 --> 00:08:56,160 Speaker 3: Not like that like that. 211 00:08:57,720 --> 00:09:08,960 Speaker 7: Right, I'm talking about your man. 212 00:09:10,400 --> 00:09:13,319 Speaker 5: And like and so like that's that's whenever I have 213 00:09:13,400 --> 00:09:14,760 Speaker 5: those scenes, I'm like, I want to make sure I 214 00:09:14,800 --> 00:09:16,280 Speaker 5: look as good as possible. I want to make you 215 00:09:16,320 --> 00:09:17,760 Speaker 5: know what I mean, I want to look good. And 216 00:09:17,840 --> 00:09:19,679 Speaker 5: that's you know the same thing with Kine, Like you 217 00:09:19,760 --> 00:09:20,760 Speaker 5: want to make sure he looks. 218 00:09:20,600 --> 00:09:25,240 Speaker 3: Good, Amar said the bar. So I remember reading the tweets. 219 00:09:25,240 --> 00:09:27,880 Speaker 3: Somebody was like, Kane looks like a college dropout kid 220 00:09:27,960 --> 00:09:30,080 Speaker 3: that just play Call of Duty. I was like, damn, 221 00:09:30,120 --> 00:09:33,360 Speaker 3: I need to get in the gym. Oh for sure, 222 00:09:33,440 --> 00:09:35,160 Speaker 3: that's all I think. I hear that in my ears 223 00:09:35,200 --> 00:09:36,400 Speaker 3: while I'm like, you know what I mean, when I'm 224 00:09:36,480 --> 00:09:38,480 Speaker 3: like running out of energy, I just hear him saying, 225 00:09:38,559 --> 00:09:41,360 Speaker 3: like college drop out, body, that's crazy. 226 00:09:41,440 --> 00:09:43,880 Speaker 4: That's a good question. Does social media bother y'all? Like 227 00:09:43,920 --> 00:09:46,560 Speaker 4: when y'all read comments? Does the impact how y'all approach 228 00:09:46,640 --> 00:09:47,520 Speaker 4: the roles and everything? 229 00:09:48,320 --> 00:09:50,360 Speaker 3: For me personally? Not because I come I come from 230 00:09:50,400 --> 00:09:52,240 Speaker 3: social media, and I just used to say ship that 231 00:09:52,360 --> 00:09:54,160 Speaker 3: didn't even really matter. I just said it to get 232 00:09:54,280 --> 00:09:55,360 Speaker 3: like a reaction or some ship. 233 00:09:55,520 --> 00:09:57,600 Speaker 2: You know, you have people looking for your damn old tweets. 234 00:09:57,600 --> 00:09:59,439 Speaker 3: You're right, But that's where I was at though, Like 235 00:09:59,480 --> 00:10:01,400 Speaker 3: that's the space I was in. I just wanted to 236 00:10:01,440 --> 00:10:03,360 Speaker 3: get a reaction. That's what Twitter was for, is like 237 00:10:03,440 --> 00:10:05,400 Speaker 3: to see how many retweets and how many get you 238 00:10:05,440 --> 00:10:06,839 Speaker 3: know what I mean. So now I look at it, 239 00:10:06,920 --> 00:10:09,200 Speaker 3: it's like that's just somebody just trying to get attention. 240 00:10:10,040 --> 00:10:10,960 Speaker 3: But it don't bother me though. 241 00:10:11,040 --> 00:10:16,520 Speaker 5: Now you gotta be careful, uh, Coming from the I 242 00:10:16,559 --> 00:10:19,960 Speaker 5: come from theater a little bit, and and we learned 243 00:10:20,240 --> 00:10:23,480 Speaker 5: really quickly not to like you can't read everything every night, 244 00:10:23,880 --> 00:10:26,360 Speaker 5: you know, because it affects your work. So I come 245 00:10:26,400 --> 00:10:28,959 Speaker 5: from that, like where it comes, like, you know, I'm 246 00:10:29,000 --> 00:10:31,480 Speaker 5: not reading everything all the time, like I kind of 247 00:10:31,559 --> 00:10:34,080 Speaker 5: just post or whatever, and it's go by my business. 248 00:10:35,160 --> 00:10:37,320 Speaker 1: And we had a Mario up here last year, maybe 249 00:10:37,440 --> 00:10:39,839 Speaker 1: two years ago, and I asked him Charlamagne and I 250 00:10:39,920 --> 00:10:41,000 Speaker 1: asked him about the character. 251 00:10:41,240 --> 00:10:43,120 Speaker 6: Was he ever fearful that he was going to be 252 00:10:43,160 --> 00:10:44,040 Speaker 6: stuck in that character? 253 00:10:44,200 --> 00:10:44,320 Speaker 3: Right? 254 00:10:44,920 --> 00:10:47,079 Speaker 6: And you know he was a little upset about it 255 00:10:47,080 --> 00:10:47,920 Speaker 6: because he said, he's an actor. 256 00:10:48,000 --> 00:10:50,800 Speaker 1: But sometimes people see o Mari as ghosts, you know, 257 00:10:51,040 --> 00:10:52,480 Speaker 1: sometimes they see you as Bobby. 258 00:10:52,520 --> 00:10:54,360 Speaker 6: Do you ever feel full of roles you take to 259 00:10:54,440 --> 00:10:55,560 Speaker 6: be stuck in that character? 260 00:10:57,440 --> 00:11:01,360 Speaker 5: No God will provide there it is, I agree, you 261 00:11:01,400 --> 00:11:04,120 Speaker 5: know what I mean? Yeah, Like it's it's it's a 262 00:11:04,160 --> 00:11:06,160 Speaker 5: scarcity mindset to think that way, I think. 263 00:11:06,760 --> 00:11:08,640 Speaker 1: But it happens to people like look at Steve Le, 264 00:11:08,679 --> 00:11:10,439 Speaker 1: He's always Steve Verkle. You look at the guy that 265 00:11:10,520 --> 00:11:12,920 Speaker 1: plays I can't remember the brother's name he played Chris 266 00:11:13,040 --> 00:11:15,640 Speaker 1: Rock that everybody hates Chris. He's always looked at that. 267 00:11:15,920 --> 00:11:16,079 Speaker 2: You know. 268 00:11:16,120 --> 00:11:17,920 Speaker 3: I don't know if you just want to go. 269 00:11:23,000 --> 00:11:25,280 Speaker 8: See him as that le boy, if it's not a 270 00:11:25,320 --> 00:11:27,439 Speaker 8: blessing the play role that icon. 271 00:11:28,880 --> 00:11:30,800 Speaker 5: I think it is you know, it stands the test 272 00:11:30,880 --> 00:11:32,840 Speaker 5: of time, and you know we leave that legacy for sure. 273 00:11:32,840 --> 00:11:36,800 Speaker 5: I think it does, you know, but actors want to 274 00:11:36,800 --> 00:11:39,080 Speaker 5: be transcendent right and be able to disappear in the roles. 275 00:11:39,080 --> 00:11:40,920 Speaker 5: And I think a part of that is the onus 276 00:11:41,000 --> 00:11:42,920 Speaker 5: on the actor to like switch it up a little 277 00:11:42,920 --> 00:11:46,400 Speaker 5: bit and try something different and never let themselves get 278 00:11:47,160 --> 00:11:49,240 Speaker 5: in one thing. But I think being scared of that 279 00:11:49,360 --> 00:11:50,960 Speaker 5: brings it on to you know what I mean. 280 00:11:51,200 --> 00:11:51,920 Speaker 6: Do you ever feel a. 281 00:11:51,920 --> 00:11:54,240 Speaker 1: Way, you know, because you are a theater actor actor, 282 00:11:54,360 --> 00:11:56,600 Speaker 1: so you've been through the course, you've been through the classes, 283 00:11:56,840 --> 00:11:59,000 Speaker 1: and then you see somebody that might be you know, 284 00:11:59,240 --> 00:12:01,600 Speaker 1: a social media person that gets a roll because they 285 00:12:01,640 --> 00:12:03,199 Speaker 1: are social media. Does that ever make you feel a 286 00:12:03,240 --> 00:12:05,600 Speaker 1: way like they didn't get their chops where they didn't 287 00:12:05,640 --> 00:12:07,719 Speaker 1: do the proper training that you've been through. 288 00:12:07,760 --> 00:12:10,000 Speaker 6: Does that ever make you feel away? 289 00:12:10,760 --> 00:12:14,120 Speaker 5: If I'm be honest, whenever I get whenever that comes 290 00:12:14,200 --> 00:12:15,960 Speaker 5: up for me and I get tight like that, I'm like, well, 291 00:12:16,000 --> 00:12:18,839 Speaker 5: that's just my ego, Like that's me, you know, that's 292 00:12:18,920 --> 00:12:20,560 Speaker 5: me because I didn't get that part or I didn't 293 00:12:20,559 --> 00:12:22,280 Speaker 5: do you know what I mean? But like what's for 294 00:12:22,400 --> 00:12:24,360 Speaker 5: you is meant to be for you, you know, so 295 00:12:24,520 --> 00:12:28,319 Speaker 5: that I remind myself of that and and then you know, 296 00:12:28,360 --> 00:12:30,839 Speaker 5: it goes away. But like and it's it's like acting 297 00:12:30,960 --> 00:12:33,200 Speaker 5: is always going to change mediums and always going to evolve, 298 00:12:33,240 --> 00:12:34,920 Speaker 5: and that's the point. If you don't evolve with it, 299 00:12:34,960 --> 00:12:36,760 Speaker 5: then you're gonna get left behind about you. 300 00:12:38,559 --> 00:12:42,319 Speaker 3: I come from social media, so I slew anybody that 301 00:12:42,400 --> 00:12:43,520 Speaker 3: comes from social media. 302 00:12:43,440 --> 00:12:46,240 Speaker 2: You know, I like it just taking question? Was that 303 00:12:46,280 --> 00:12:47,400 Speaker 2: the question I was. 304 00:12:47,400 --> 00:12:55,360 Speaker 6: Saying in social media? 305 00:12:56,960 --> 00:12:58,199 Speaker 1: Does it ever make you feel a way where it 306 00:12:58,200 --> 00:13:00,560 Speaker 1: feels like people you know, they always say people skipped 307 00:13:00,559 --> 00:13:02,959 Speaker 1: the line right so that they didn't, you know, take 308 00:13:03,040 --> 00:13:04,679 Speaker 1: the acting classes and acting lessons. 309 00:13:04,679 --> 00:13:06,640 Speaker 3: That's what I'm saying. I come from the people that 310 00:13:06,720 --> 00:13:09,640 Speaker 3: didn't take acting classes that straight from social media, Like, 311 00:13:09,720 --> 00:13:11,080 Speaker 3: so I don't I don't take it no way. Now, 312 00:13:11,280 --> 00:13:11,760 Speaker 3: I just took it. 313 00:13:12,480 --> 00:13:13,560 Speaker 8: You kind to skip the line. 314 00:13:13,600 --> 00:13:15,160 Speaker 3: I did skip the line, but then I took it 315 00:13:15,440 --> 00:13:16,400 Speaker 3: very very serious. 316 00:13:16,520 --> 00:13:20,760 Speaker 8: Yeah, that's what I like because a lot of people, yeah, 317 00:13:20,760 --> 00:13:24,400 Speaker 8: they're just right, like the comedians, like they can't do 318 00:13:24,480 --> 00:13:27,199 Speaker 8: the stage. They can do the the social media stuff 319 00:13:27,200 --> 00:13:30,000 Speaker 8: all day post, but when it comes to that stage, 320 00:13:30,559 --> 00:13:32,439 Speaker 8: it's totally different, and they don't want to get in 321 00:13:32,520 --> 00:13:35,840 Speaker 8: their room, you know, go to the open. 322 00:13:35,679 --> 00:13:36,319 Speaker 6: Mics and stuff that. 323 00:13:36,360 --> 00:13:36,959 Speaker 8: They don't want to do that. 324 00:13:37,040 --> 00:13:37,719 Speaker 6: They're too good for that. 325 00:13:38,240 --> 00:13:39,640 Speaker 2: But you horrible. 326 00:13:41,280 --> 00:13:42,360 Speaker 8: When it comes to the stage. 327 00:13:43,679 --> 00:13:46,800 Speaker 5: Got somebody personally there a couple people. 328 00:13:48,440 --> 00:13:51,360 Speaker 8: Now, I'm a stand up comedian, so I just see 329 00:13:51,679 --> 00:13:54,640 Speaker 8: the new wave and it is the new way. 330 00:13:55,040 --> 00:13:57,560 Speaker 5: But well, somebody like me and who've been doing it. 331 00:13:57,600 --> 00:13:59,679 Speaker 8: For so long, you start seeing stuff. At first, I 332 00:13:59,800 --> 00:14:02,360 Speaker 8: was acting like Semi H. Jackson at first, you know 333 00:14:02,400 --> 00:14:04,040 Speaker 8: what I'm saying, how he was with the people taking 334 00:14:04,080 --> 00:14:05,880 Speaker 8: the acting to give. I was like, hold on, now 335 00:14:05,920 --> 00:14:08,040 Speaker 8: they ain't even But I had to sit back and 336 00:14:08,120 --> 00:14:10,000 Speaker 8: get in yo mo and be like, holdo, what God 337 00:14:10,040 --> 00:14:12,600 Speaker 8: God for me is for me? They passed my path, 338 00:14:12,679 --> 00:14:13,280 Speaker 8: you know what I'm saying. 339 00:14:13,360 --> 00:14:14,840 Speaker 9: So this is my journey. 340 00:14:15,320 --> 00:14:17,800 Speaker 8: So I got to stay on my own germs blessed 341 00:14:18,000 --> 00:14:21,920 Speaker 8: and and understand why I'm in my position and be patient. 342 00:14:22,440 --> 00:14:23,880 Speaker 6: And that's why I'm here today. 343 00:14:25,480 --> 00:14:29,600 Speaker 4: It's Kenan killing each other over f you man, that's 344 00:14:29,600 --> 00:14:31,080 Speaker 4: gonna have to be. That's gonna mess up the business 345 00:14:31,320 --> 00:14:32,440 Speaker 4: in some way, shape or form. 346 00:14:34,400 --> 00:14:36,000 Speaker 3: Damn, I don't even know if I can talk about that, 347 00:14:36,840 --> 00:14:39,240 Speaker 3: I don't know, though I can see it happening. Okay, 348 00:14:39,320 --> 00:14:40,040 Speaker 3: I can see it happening. 349 00:14:40,160 --> 00:14:42,760 Speaker 2: Okay, okay, yeah, yeah, yeah yeah, good suggestion. 350 00:14:42,920 --> 00:14:47,800 Speaker 3: Yeah yeah. I can't talk on I can't. 351 00:14:48,520 --> 00:14:49,480 Speaker 6: I won't get in trouble. 352 00:14:49,600 --> 00:14:52,560 Speaker 2: Right well, I mean, as you, why is youre not 353 00:14:52,600 --> 00:14:54,800 Speaker 2: allowed to have love? Seems like you lose every guy 354 00:14:54,840 --> 00:14:55,840 Speaker 2: that you started off healing. 355 00:14:56,600 --> 00:14:59,480 Speaker 5: I think it's because it's the reality of the you know, 356 00:14:59,640 --> 00:15:02,640 Speaker 5: the game. We're right, and I feel like, you know, 357 00:15:02,760 --> 00:15:04,680 Speaker 5: with Gordo, you found somebody that you felt like you 358 00:15:04,760 --> 00:15:07,640 Speaker 5: could you know, who could he could see all of 359 00:15:07,760 --> 00:15:10,040 Speaker 5: him and recognize all of him at the same time. 360 00:15:10,080 --> 00:15:12,600 Speaker 5: It's like it started off of lies, right, like I 361 00:15:12,720 --> 00:15:14,320 Speaker 5: killed his pops or we killed his pops. 362 00:15:14,360 --> 00:15:14,720 Speaker 3: So it's like. 363 00:15:15,560 --> 00:15:18,200 Speaker 5: If I can't tell you that truth, then we're already 364 00:15:18,240 --> 00:15:20,800 Speaker 5: our foundation is shaky anyway, you know. So I think 365 00:15:21,200 --> 00:15:25,320 Speaker 5: you know, God willn't going forward, Drew will find some 366 00:15:25,440 --> 00:15:27,480 Speaker 5: love somebody that you know can resonate with him in 367 00:15:27,520 --> 00:15:29,560 Speaker 5: that way they just have to hide himself from But 368 00:15:29,720 --> 00:15:31,840 Speaker 5: until then, to be about your bread man. 369 00:15:32,040 --> 00:15:34,360 Speaker 6: It is, how's working with Mary? 370 00:15:35,920 --> 00:15:41,240 Speaker 3: Beautiful man? Mary's so cool she's so chill and she's 371 00:15:43,000 --> 00:15:45,640 Speaker 3: damn from my brain just keeps cutting off. Bro. 372 00:15:45,800 --> 00:15:48,760 Speaker 5: It was because like we have so many moments and 373 00:15:48,840 --> 00:15:52,800 Speaker 5: memories with Mary and my I think my favorite one is, 374 00:15:53,000 --> 00:15:56,160 Speaker 5: you know, first day table reading. You know what, It's 375 00:15:56,160 --> 00:15:58,200 Speaker 5: funny they don't tell actors of this lot. It's always like, 376 00:15:58,240 --> 00:15:59,680 Speaker 5: you know, like, well, you just get in the space 377 00:15:59,760 --> 00:16:02,040 Speaker 5: and like, yeah, you know I belonged there and I 378 00:16:02,080 --> 00:16:04,240 Speaker 5: already already been there, so you know, I gotta act 379 00:16:04,320 --> 00:16:07,840 Speaker 5: like and whatever whatever, you know, the back tension, shoulder 380 00:16:07,920 --> 00:16:09,600 Speaker 5: tension comes up, you know what I mean? Like no, 381 00:16:10,000 --> 00:16:12,400 Speaker 5: Like when I got to the table read, I was like, 382 00:16:12,480 --> 00:16:14,720 Speaker 5: I've never been here before, and I've never been face 383 00:16:14,760 --> 00:16:16,360 Speaker 5: to face with Mary J. Blige before. 384 00:16:16,880 --> 00:16:17,600 Speaker 7: You know what she did. 385 00:16:17,880 --> 00:16:20,440 Speaker 5: She broke the ice with a funny ass story, you know. 386 00:16:20,640 --> 00:16:23,040 Speaker 5: She she she brought us in as her kids off 387 00:16:23,200 --> 00:16:25,640 Speaker 5: rip and that to me like taught me, like God 388 00:16:25,680 --> 00:16:27,160 Speaker 5: will and I get to that place where I can 389 00:16:27,760 --> 00:16:29,520 Speaker 5: people look at me in that way that I can 390 00:16:29,600 --> 00:16:31,480 Speaker 5: be like, oh no, I'm chill, like you know what 391 00:16:31,560 --> 00:16:32,960 Speaker 5: I mean, because that really helped me out. 392 00:16:33,080 --> 00:16:34,400 Speaker 2: How did she bring you only? What was the joke 393 00:16:34,400 --> 00:16:35,920 Speaker 2: that brought y'all in, he said, because he said she 394 00:16:36,000 --> 00:16:37,240 Speaker 2: brought you in her kids. 395 00:16:37,480 --> 00:16:39,200 Speaker 5: Well, she told us like it was a story. I 396 00:16:39,240 --> 00:16:41,280 Speaker 5: told her that, like my dad's from Jamaica, right, And 397 00:16:41,360 --> 00:16:42,800 Speaker 5: she was like, oh, I'm never going to Jaica again, 398 00:16:42,920 --> 00:16:45,160 Speaker 5: Like I'm never bringing nobody to Jamaica because like it's drama. 399 00:16:45,240 --> 00:16:47,680 Speaker 5: And it's just the way that she just related to 400 00:16:47,800 --> 00:16:52,200 Speaker 5: us was you know, it was you would think that, 401 00:16:52,560 --> 00:16:56,520 Speaker 5: like I guess the perspective of someone of that high 402 00:16:56,560 --> 00:16:58,760 Speaker 5: stature is that like you have to go to them, 403 00:17:00,280 --> 00:17:02,720 Speaker 5: like she came down and came and gave it's a 404 00:17:02,800 --> 00:17:05,200 Speaker 5: story that was like we all had us laughing and 405 00:17:05,280 --> 00:17:06,960 Speaker 5: it was like, well, thanks for sharing that, you know, 406 00:17:07,040 --> 00:17:09,760 Speaker 5: with with us and and really brought us in and 407 00:17:09,840 --> 00:17:12,119 Speaker 5: so it just made it so easy, you know, you know, 408 00:17:12,200 --> 00:17:14,119 Speaker 5: we get to do these scenes and she's so generous 409 00:17:14,160 --> 00:17:16,520 Speaker 5: as a as a scene partner, and we get to 410 00:17:16,640 --> 00:17:18,520 Speaker 5: like really go and play with it. Just so many 411 00:17:18,560 --> 00:17:22,120 Speaker 5: fun ideas and just really cares about Monette and says 412 00:17:22,160 --> 00:17:24,880 Speaker 5: like listen, man, when they is from here, So she's 413 00:17:24,920 --> 00:17:26,200 Speaker 5: not going to do it like that, She's gonna do 414 00:17:26,240 --> 00:17:29,720 Speaker 5: it like this, and like her you know what I mean. Yeah, 415 00:17:31,359 --> 00:17:35,120 Speaker 5: when we did the dinner table, not super iconic dinner 416 00:17:35,160 --> 00:17:37,680 Speaker 5: table scene. You know. It was her idea to be like, listen, like, 417 00:17:37,800 --> 00:17:40,840 Speaker 5: we gotta get it elevated, right, She said, we have 418 00:17:40,920 --> 00:17:43,280 Speaker 5: to elevate this thing because she's not going to have 419 00:17:43,440 --> 00:17:45,159 Speaker 5: her daughter talk to her no type of way and 420 00:17:45,240 --> 00:17:47,600 Speaker 5: not snatch her across the table and have it beat 421 00:17:47,640 --> 00:17:50,640 Speaker 5: this big moment, you know, And it came alive because 422 00:17:50,640 --> 00:17:52,760 Speaker 5: of that. I learned so much as an actor because 423 00:17:52,760 --> 00:17:52,840 Speaker 5: of that. 424 00:17:52,960 --> 00:17:54,320 Speaker 2: So what's gonna happen when y'all got to hate her? 425 00:17:54,320 --> 00:17:56,159 Speaker 4: Because eventually y'all gonna find out that she's the one 426 00:17:56,200 --> 00:17:58,600 Speaker 4: who said Lorenzo I mean, you know what I mean? 427 00:17:59,280 --> 00:18:01,159 Speaker 2: You know, like I'm gonna have tona hate it then 428 00:18:01,600 --> 00:18:02,679 Speaker 2: comes out this weekend. 429 00:18:02,720 --> 00:18:05,159 Speaker 3: We're gonna see it, right, yeah, yeah, Yeah, that's this 430 00:18:05,240 --> 00:18:07,560 Speaker 3: week Friday. Yeah, we're gonna find out all that stuff. 431 00:18:07,560 --> 00:18:10,080 Speaker 4: But yeah, are you're happy Lorenzo days? So you don't 432 00:18:10,080 --> 00:18:11,640 Speaker 4: got to be poppy? You don't say poppy no more? 433 00:18:13,359 --> 00:18:15,760 Speaker 3: Said poppy like that. I never I never knew how 434 00:18:15,800 --> 00:18:17,760 Speaker 3: to say it for real, Like I didn't. It didn't 435 00:18:17,840 --> 00:18:19,320 Speaker 3: roll off my tongue like that, So I kind of 436 00:18:19,320 --> 00:18:24,000 Speaker 3: eliminated the Poppies out of my vocabulary. Yeah, did it 437 00:18:24,119 --> 00:18:24,600 Speaker 3: roll off right? 438 00:18:24,680 --> 00:18:25,640 Speaker 9: Yes, said poppies? 439 00:18:26,000 --> 00:18:30,240 Speaker 5: Really I think I think, you know, and tell Bertial 440 00:18:30,280 --> 00:18:35,560 Speaker 5: Cologne who plays Lorenzo, amazing, uh I missing man sometimes, 441 00:18:35,640 --> 00:18:40,240 Speaker 5: you know, he's he's a he's a masterclass too, you know, 442 00:18:40,600 --> 00:18:43,159 Speaker 5: and I love him being there. He just holds it 443 00:18:43,240 --> 00:18:46,639 Speaker 5: down in such a grounding energy. And uh so as Lavelle, 444 00:18:47,000 --> 00:18:50,880 Speaker 5: I'm like, damn, you know he's gone. But as Drew, 445 00:18:50,920 --> 00:18:52,440 Speaker 5: I think Drews also like damn he's gone. 446 00:18:52,520 --> 00:18:53,560 Speaker 3: Yeah, yeah, I agree. 447 00:18:54,280 --> 00:18:57,399 Speaker 2: Puerto Ricans call it daddy poppy. No, I thought that 448 00:18:57,400 --> 00:19:02,280 Speaker 2: would feel like you boom, you know, I man, daddy 449 00:19:03,800 --> 00:19:04,239 Speaker 2: poppy too. 450 00:19:04,440 --> 00:19:07,080 Speaker 5: You're married, I'm engaged. You engaged? 451 00:19:07,119 --> 00:19:10,280 Speaker 8: Okay, So how do your fiance feel about your your 452 00:19:10,359 --> 00:19:11,720 Speaker 8: love scenes and stuff like that. 453 00:19:12,080 --> 00:19:14,200 Speaker 5: You know, she's she's the same way she comes from. 454 00:19:14,520 --> 00:19:16,680 Speaker 5: Uh you know, that that place of like if you 455 00:19:16,720 --> 00:19:18,399 Speaker 5: don't do it, do it right kind of thing. So 456 00:19:18,920 --> 00:19:21,520 Speaker 5: and she she she's a big fan of the show, 457 00:19:21,520 --> 00:19:23,640 Speaker 5: and she loves watching the show. She has a great 458 00:19:23,720 --> 00:19:26,800 Speaker 5: heart and a great empathetic capacity. So she watched watches 459 00:19:26,920 --> 00:19:29,720 Speaker 5: Drew or anybody going through it. She's just like, Wow, like, 460 00:19:30,040 --> 00:19:32,040 Speaker 5: this is a every time I'm watching it. So I'm 461 00:19:32,040 --> 00:19:33,800 Speaker 5: watching it being like, I know what we did, right, 462 00:19:33,840 --> 00:19:36,280 Speaker 5: I know what's happening. And she's like, Wow, this show 463 00:19:36,400 --> 00:19:38,120 Speaker 5: like surprises me every time. It's phenomenal. 464 00:19:38,200 --> 00:19:39,680 Speaker 6: This is this and this is it hard to watch 465 00:19:39,680 --> 00:19:40,040 Speaker 6: it with her. 466 00:19:42,680 --> 00:19:45,639 Speaker 5: It's hard to watch with her because she's sometimes around 467 00:19:45,680 --> 00:19:48,119 Speaker 5: her and the table reads and so she's like privy 468 00:19:48,119 --> 00:19:50,480 Speaker 5: to information and she's like, oh, so that's what you 469 00:19:50,560 --> 00:19:54,399 Speaker 5: guys were talking about. Oh, you know, And but in 470 00:19:54,520 --> 00:19:58,600 Speaker 5: terms of like content stuff, and you know, it's not 471 00:19:58,720 --> 00:20:01,080 Speaker 5: it's not hard watching, you know, because she's also done 472 00:20:01,600 --> 00:20:02,359 Speaker 5: love scenes, and. 473 00:20:02,640 --> 00:20:04,520 Speaker 6: How do you feel you see her doing love season 474 00:20:04,720 --> 00:20:06,840 Speaker 6: it's it's taking some getting. 475 00:20:11,200 --> 00:20:11,560 Speaker 2: Muscles. 476 00:20:11,600 --> 00:20:20,840 Speaker 9: He got that man meet on his back, Like that's 477 00:20:20,960 --> 00:20:22,960 Speaker 9: comedy Jesus. 478 00:20:23,040 --> 00:20:24,680 Speaker 6: But yeah, but how did that make you feel? 479 00:20:24,960 --> 00:20:27,399 Speaker 5: You know, she just did this film called Perfect Addiction. 480 00:20:27,520 --> 00:20:29,760 Speaker 5: It just came out and in it she plays an 481 00:20:29,800 --> 00:20:32,280 Speaker 5: m M, a fighter and trainer and she had to 482 00:20:32,400 --> 00:20:35,960 Speaker 5: be with the six two six three, you know, getting 483 00:20:36,040 --> 00:20:39,240 Speaker 5: swollen bees for the role and coming in and you know, 484 00:20:39,520 --> 00:20:41,880 Speaker 5: she was love interest to both of them. And I'm 485 00:20:41,920 --> 00:20:43,640 Speaker 5: having to sit there being like, you know, it's just fine. 486 00:20:44,040 --> 00:20:49,159 Speaker 6: It's just fine, you know, you know, but you go 487 00:20:49,320 --> 00:20:49,920 Speaker 6: back with your chance. 488 00:20:50,080 --> 00:20:53,200 Speaker 5: Yeah, listen, every time she goes somewhere to work on 489 00:20:53,280 --> 00:20:57,200 Speaker 5: the job, but she's like, there's a time apart. I'm 490 00:20:57,280 --> 00:20:59,160 Speaker 5: in the gym. I go crazy in the gym because 491 00:20:59,160 --> 00:21:01,119 Speaker 5: when you come back, you don't see me looking different 492 00:21:01,200 --> 00:21:01,800 Speaker 5: than when you left. 493 00:21:01,880 --> 00:21:02,240 Speaker 6: That's right. 494 00:21:02,920 --> 00:21:04,639 Speaker 2: They all asked fifty for tips. I mean fifty be 495 00:21:04,720 --> 00:21:06,080 Speaker 2: swore forever, right. 496 00:21:06,600 --> 00:21:07,680 Speaker 5: No, I haven't asked something. 497 00:21:08,040 --> 00:21:10,240 Speaker 2: Yeah, man, you gotta have fifth tips much. 498 00:21:11,280 --> 00:21:13,399 Speaker 3: No, No, I've seen fifth on set like twice. 499 00:21:13,600 --> 00:21:13,800 Speaker 2: Yeah. 500 00:21:13,960 --> 00:21:16,240 Speaker 4: Yeah, you know to ask you do you get flacked 501 00:21:16,240 --> 00:21:20,280 Speaker 4: from like, uh, actual gay actors who feel like that 502 00:21:20,600 --> 00:21:23,480 Speaker 4: role should go to game actual gay like you took 503 00:21:23,560 --> 00:21:23,960 Speaker 4: my role. 504 00:21:24,400 --> 00:21:26,800 Speaker 5: That's a good question. No. I get a lot of love, 505 00:21:27,320 --> 00:21:30,920 Speaker 5: a lot of like a lot of uh support comes 506 00:21:30,960 --> 00:21:32,840 Speaker 5: from other queer actors, you. 507 00:21:32,840 --> 00:21:35,000 Speaker 4: Know, And I get a lot of love because I 508 00:21:35,000 --> 00:21:37,560 Speaker 4: would think that's a ridiculous conversation to have, because if 509 00:21:37,560 --> 00:21:39,359 Speaker 4: a gay person plays the great persons because they got 510 00:21:39,400 --> 00:21:40,359 Speaker 4: the roll, they're a good actor. 511 00:21:40,440 --> 00:21:42,160 Speaker 2: Right. If you get at what you do, you get 512 00:21:42,200 --> 00:21:42,480 Speaker 2: what you do. 513 00:21:42,920 --> 00:21:45,840 Speaker 5: Yeah, I was all. 514 00:21:45,800 --> 00:21:48,760 Speaker 2: Gonna ask y'alla, I forgot see everybody. 515 00:21:51,040 --> 00:21:54,199 Speaker 4: That's all gonna ask what I gotta bring this closet up. 516 00:21:54,240 --> 00:21:56,399 Speaker 4: But what he got everybody hitting my damn phone. 517 00:21:56,920 --> 00:21:57,480 Speaker 2: Was kind of excited. 518 00:21:57,480 --> 00:22:01,280 Speaker 4: I got no no what he tagged me on something 519 00:22:01,320 --> 00:22:04,760 Speaker 4: people hit me just the reason I got excited because 520 00:22:04,760 --> 00:22:06,359 Speaker 4: I was like, oh, it might you know, it might 521 00:22:06,400 --> 00:22:06,840 Speaker 4: be some brand. 522 00:22:06,880 --> 00:22:09,000 Speaker 2: And what he was like explaining the post what he said. 523 00:22:09,000 --> 00:22:10,679 Speaker 4: He posted, I want to do a season for now 524 00:22:10,840 --> 00:22:13,080 Speaker 4: watch party in South Carolina, but I need to see 525 00:22:13,119 --> 00:22:14,760 Speaker 4: the God to host it with me. He said, who 526 00:22:14,800 --> 00:22:16,880 Speaker 4: in South Carolina would pull up? I got like twenty 527 00:22:16,920 --> 00:22:20,480 Speaker 4: six hundred comments, and then people started making actual post 528 00:22:20,600 --> 00:22:22,760 Speaker 4: about it, like this needs to happen, and I'm like, 529 00:22:25,000 --> 00:22:26,440 Speaker 4: I'm wining it. I mean, you gotta find a place 530 00:22:26,520 --> 00:22:28,080 Speaker 4: to do it, because you know we used to the 531 00:22:28,119 --> 00:22:29,960 Speaker 4: house party. VIS mean, what do you party together? 532 00:22:29,960 --> 00:22:30,520 Speaker 9: He was in the house. 533 00:22:33,320 --> 00:22:34,120 Speaker 2: You can't do it in the house. 534 00:22:34,240 --> 00:22:35,800 Speaker 6: You can't can't bring all those people to your house. 535 00:22:36,040 --> 00:22:36,520 Speaker 3: I can't do that. 536 00:22:36,600 --> 00:22:37,680 Speaker 2: You got to figure out where to do it. 537 00:22:37,760 --> 00:22:38,080 Speaker 3: I don't know. 538 00:22:38,680 --> 00:22:41,880 Speaker 2: And do we charge people? Yes, that's the hard part. 539 00:22:42,440 --> 00:22:44,480 Speaker 1: Charge people because if not, it's got to be limited space. 540 00:22:44,480 --> 00:22:46,000 Speaker 1: If not, everybody's gonna be there gonna be too pack. 541 00:22:46,040 --> 00:22:47,400 Speaker 1: You want limited space, you want people to be able 542 00:22:47,440 --> 00:22:47,720 Speaker 1: to see. 543 00:22:47,840 --> 00:22:49,760 Speaker 3: Yeah, so you charge people, but then have like an 544 00:22:49,760 --> 00:22:50,199 Speaker 3: open bar. 545 00:22:51,280 --> 00:22:52,000 Speaker 6: Have an open bar. 546 00:22:54,280 --> 00:22:55,680 Speaker 1: So they can have a good time and some food. 547 00:22:55,720 --> 00:22:57,600 Speaker 1: But that way you have section soil people can actually 548 00:22:57,600 --> 00:22:58,760 Speaker 1: watch it. You don't want a two pack where you 549 00:22:58,800 --> 00:23:00,280 Speaker 1: can't enjoy and screaming yelling. 550 00:23:00,520 --> 00:23:03,040 Speaker 2: Maybe we could do it at the museum, American Museum. 551 00:23:03,400 --> 00:23:05,239 Speaker 6: You have to break some TVs in and cable if 552 00:23:05,240 --> 00:23:05,919 Speaker 6: they got it, and it's not. 553 00:23:05,920 --> 00:23:10,680 Speaker 2: To the twenty six right it may twenty six right, six, Yeah, 554 00:23:11,560 --> 00:23:13,080 Speaker 2: we got a couple of day we can. 555 00:23:13,200 --> 00:23:15,520 Speaker 3: We got time though we might you figure it out. 556 00:23:15,640 --> 00:23:17,280 Speaker 5: Let's do a lot about how to host the party 557 00:23:17,320 --> 00:23:18,480 Speaker 5: between from. 558 00:23:18,359 --> 00:23:19,760 Speaker 2: You guys, I have been to a party. I ain't 559 00:23:19,760 --> 00:23:21,080 Speaker 2: host the party in so long I don't. I don't 560 00:23:21,080 --> 00:23:21,680 Speaker 2: forgot how to do it. 561 00:23:21,720 --> 00:23:23,040 Speaker 5: I don't like you charge them to get in an 562 00:23:23,080 --> 00:23:26,199 Speaker 5: open bar. That's a good like I have fun there. 563 00:23:26,240 --> 00:23:30,000 Speaker 6: You know what I'm saying at the museum is not 564 00:23:30,119 --> 00:23:31,520 Speaker 6: really for you. 565 00:23:31,680 --> 00:23:33,320 Speaker 1: It's more to make sure people are gonna come because 566 00:23:33,320 --> 00:23:35,200 Speaker 1: everybody a r ZP. I'm coming, and then to be 567 00:23:35,280 --> 00:23:36,919 Speaker 1: rainy like I ain't coming in the ring. I mean, 568 00:23:36,960 --> 00:23:38,720 Speaker 1: but you want people that it's gonna come enjoy and 569 00:23:38,800 --> 00:23:39,440 Speaker 1: have a great time. 570 00:23:39,640 --> 00:23:41,960 Speaker 4: But then once again, that's the testament to how big 571 00:23:42,160 --> 00:23:45,240 Speaker 4: power is in the coach. I'm telling you show all 572 00:23:45,359 --> 00:23:47,760 Speaker 4: shows don't get that cultural reverence. 573 00:23:47,400 --> 00:23:47,800 Speaker 2: The way. 574 00:23:49,160 --> 00:23:51,840 Speaker 3: They let us host host stuff like rappers. I'm like 575 00:23:51,960 --> 00:23:54,040 Speaker 3: at a host and I'm like, I ain't got no songs. 576 00:23:54,080 --> 00:23:55,200 Speaker 3: I don't know which I want to do, so I 577 00:23:55,320 --> 00:23:59,720 Speaker 3: just take pictures. They would give me the mic. I'm like, 578 00:23:59,720 --> 00:24:01,119 Speaker 3: I don't know what y'all want me to say, Like 579 00:24:01,200 --> 00:24:03,479 Speaker 3: I ain't got no no bars or nothing for nobody? 580 00:24:03,560 --> 00:24:07,520 Speaker 2: Does it shows leak? Yes, Okay, I was tight? 581 00:24:08,320 --> 00:24:09,720 Speaker 6: Is that the true lead? Because they say that it 582 00:24:09,800 --> 00:24:11,000 Speaker 6: might not be the true shows? 583 00:24:11,440 --> 00:24:13,240 Speaker 5: Well, no, I think I think it was like some 584 00:24:13,520 --> 00:24:15,960 Speaker 5: like fake poor quality stuff. I didn't see it, but 585 00:24:16,520 --> 00:24:19,240 Speaker 5: man like it's like like a rapper, like you always 586 00:24:19,280 --> 00:24:21,119 Speaker 5: tight when you're when your ship leaks and the like 587 00:24:21,200 --> 00:24:23,000 Speaker 5: who did it? Like it has to be somebody in 588 00:24:23,040 --> 00:24:23,440 Speaker 5: your camp? 589 00:24:23,960 --> 00:24:24,120 Speaker 3: Right? 590 00:24:24,359 --> 00:24:26,680 Speaker 2: And why is it only power shows. 591 00:24:26,680 --> 00:24:28,280 Speaker 3: The artist with nobody? 592 00:24:28,600 --> 00:24:30,520 Speaker 1: People just can't that much like other things leak that 593 00:24:30,560 --> 00:24:32,480 Speaker 1: we just don't think about, but people care. 594 00:24:32,320 --> 00:24:35,399 Speaker 5: About this that's I don't know, I don't know, I 595 00:24:35,440 --> 00:24:37,800 Speaker 5: don't know about it, but like I appreciate the fans 596 00:24:37,800 --> 00:24:39,480 Speaker 5: who like stuck it out and like are gonna watch 597 00:24:39,520 --> 00:24:42,720 Speaker 5: it again, you know and see it because it deserves 598 00:24:42,760 --> 00:24:44,520 Speaker 5: to be seen in the right way. 599 00:24:45,680 --> 00:24:48,719 Speaker 4: Question, with this love triangle, Tyree got going on, right, 600 00:24:49,240 --> 00:24:51,640 Speaker 4: Who would y'all rather see him end up with Fie, 601 00:24:52,000 --> 00:24:52,960 Speaker 4: Lauren or Diana? 602 00:24:55,400 --> 00:24:58,760 Speaker 5: Speaking as I'd rather see him with Diana really yeah, 603 00:24:58,960 --> 00:25:00,200 Speaker 5: speaking of the system. 604 00:25:00,040 --> 00:25:03,640 Speaker 3: Yeah, speaking as a speaking a wood as Woody dying 605 00:25:03,760 --> 00:25:06,640 Speaker 3: as well as really yeah, Drew don't want to treak 606 00:25:06,680 --> 00:25:09,480 Speaker 3: nowhere around absolutely, you know. 607 00:25:09,840 --> 00:25:12,480 Speaker 5: But as Lavelle, I'm like this, they make a good pair. 608 00:25:12,920 --> 00:25:13,080 Speaker 2: You know. 609 00:25:13,200 --> 00:25:16,080 Speaker 5: They're both very intelligent, and they both move around the 610 00:25:16,080 --> 00:25:19,080 Speaker 5: business really well, and they could actually like make a 611 00:25:19,160 --> 00:25:21,359 Speaker 5: great like if they came together like that, they can 612 00:25:21,400 --> 00:25:22,280 Speaker 5: make a good, good team. 613 00:25:22,320 --> 00:25:23,600 Speaker 2: But then the brothers might have to kill him. 614 00:25:23,680 --> 00:25:28,240 Speaker 3: Yeah, yeah, I agree. 615 00:25:28,480 --> 00:25:30,760 Speaker 2: Did you feel bad for Sacks when he got killed? 616 00:25:31,280 --> 00:25:31,480 Speaker 3: Hell? 617 00:25:31,600 --> 00:25:31,800 Speaker 2: Yeah. 618 00:25:32,040 --> 00:25:34,000 Speaker 3: Shane is so dope, man, He's so incredible. He's the 619 00:25:34,080 --> 00:25:35,960 Speaker 3: O G Well, I think he's been there for like 620 00:25:36,119 --> 00:25:39,200 Speaker 3: nine years, and I think it caught everybody by surprise 621 00:25:39,400 --> 00:25:41,399 Speaker 3: because I don't read the whole script until we get 622 00:25:41,440 --> 00:25:43,200 Speaker 3: to the table that just read kind of my section. 623 00:25:43,280 --> 00:25:45,200 Speaker 3: So when I heard it for the first time, it 624 00:25:45,359 --> 00:25:48,720 Speaker 3: definitely was like one of those emotional emotional things. 625 00:25:48,920 --> 00:25:50,399 Speaker 4: Damn, I don't even think about it. I'm sitting it 626 00:25:50,440 --> 00:25:52,560 Speaker 4: thinking about it from the character perspective. The people that's 627 00:25:52,560 --> 00:25:53,479 Speaker 4: not gonna have no work no more. 628 00:25:54,240 --> 00:25:56,320 Speaker 5: Well no, see, that's the thing, Like Shane is such 629 00:25:56,320 --> 00:25:59,199 Speaker 5: an amazing actor that he's working. He's working. He's an 630 00:25:59,240 --> 00:26:02,960 Speaker 5: artist like and and he he's an artist with him 631 00:26:03,040 --> 00:26:07,960 Speaker 5: with ambition and with with drive, you know. And and 632 00:26:08,080 --> 00:26:10,480 Speaker 5: that's the one thing like I always say about about 633 00:26:10,520 --> 00:26:14,400 Speaker 5: actors about artists specifically, like you don't we can make 634 00:26:14,520 --> 00:26:16,240 Speaker 5: whatever we want to make whenever we want to make it, 635 00:26:16,400 --> 00:26:18,240 Speaker 5: like now, depending on how much money you have, and 636 00:26:18,400 --> 00:26:20,560 Speaker 5: like if you want to get butts and seats, that's 637 00:26:20,600 --> 00:26:21,000 Speaker 5: another thing. 638 00:26:21,400 --> 00:26:21,720 Speaker 2: But like. 639 00:26:23,320 --> 00:26:25,520 Speaker 5: Art is there, you can just make it, you know. 640 00:26:25,920 --> 00:26:27,440 Speaker 5: And for shaying he doesn't have to worry about like 641 00:26:27,560 --> 00:26:30,359 Speaker 5: lack and you know, but you know he'll always be 642 00:26:30,400 --> 00:26:32,359 Speaker 5: a thriving artist because he's a beautiful actor. 643 00:26:32,640 --> 00:26:34,200 Speaker 1: Y'all have a nervous that that you're going to read 644 00:26:34,200 --> 00:26:35,720 Speaker 1: a script and it's like what E think, like please 645 00:26:35,720 --> 00:26:37,240 Speaker 1: don't give me, Please don't give don't give me. 646 00:26:37,640 --> 00:26:39,240 Speaker 6: Y'all ever feel that way when you when y'all. 647 00:26:39,080 --> 00:26:41,800 Speaker 5: Pick up a script that was me season one, two three, 648 00:26:44,760 --> 00:26:45,360 Speaker 5: His House right. 649 00:26:45,320 --> 00:26:46,480 Speaker 9: Now, you're buying like. 650 00:26:48,400 --> 00:26:51,800 Speaker 3: Yeah, yeah, yeah, yeah, I think for the same Like 651 00:26:52,000 --> 00:26:53,879 Speaker 3: the first season it was like that, but after the 652 00:26:53,920 --> 00:26:57,000 Speaker 3: first season, whatever makes sense for the character, the character 653 00:26:57,040 --> 00:26:59,200 Speaker 3: gotta go, he gotta go. That's how I felt. 654 00:27:00,680 --> 00:27:02,600 Speaker 5: Yeah, I just when they when they you know, when 655 00:27:02,600 --> 00:27:04,359 Speaker 5: they do decide to if they do decide to do 656 00:27:04,440 --> 00:27:07,119 Speaker 5: that with Drew, that like it's a it's like iconic, 657 00:27:07,240 --> 00:27:10,280 Speaker 5: like I wanted to king to kill you. Man, I 658 00:27:10,320 --> 00:27:13,520 Speaker 5: don't know about that. That's heartbreaking, but I got you. 659 00:27:14,000 --> 00:27:15,680 Speaker 5: I always want to be like I said, I don't 660 00:27:15,680 --> 00:27:17,720 Speaker 5: want to be the black Shawn Bean and like dying 661 00:27:17,760 --> 00:27:20,960 Speaker 5: all my ship. So if it's going to happen, like 662 00:27:21,000 --> 00:27:22,399 Speaker 5: it needs to be happening, like you know some like 663 00:27:22,480 --> 00:27:25,080 Speaker 5: dope slow motion kind of like you know, something dope, 664 00:27:25,200 --> 00:27:26,800 Speaker 5: something dope. But I won't speak that out. You know, 665 00:27:27,440 --> 00:27:28,280 Speaker 5: six seven eight. 666 00:27:28,560 --> 00:27:31,280 Speaker 4: They did they run run a run run by y'all. 667 00:27:31,560 --> 00:27:33,800 Speaker 4: This whole Ghost return was that even real? Because we 668 00:27:33,840 --> 00:27:36,280 Speaker 4: saw Mari Harwood do an interview recently, we said he 669 00:27:36,280 --> 00:27:37,280 Speaker 4: got asked to come back. 670 00:27:37,440 --> 00:27:38,320 Speaker 2: Was that a thing for real? 671 00:27:39,400 --> 00:27:42,040 Speaker 5: I don't know because it wasn't the script. 672 00:27:43,480 --> 00:27:45,960 Speaker 3: You know, that's above our pay grade. 673 00:27:46,080 --> 00:27:48,639 Speaker 5: That babing in a different draft or something like that. 674 00:27:48,840 --> 00:27:51,120 Speaker 2: What And is that a real beef between the Power 675 00:27:51,280 --> 00:27:53,080 Speaker 2: Team and the b MF actors? 676 00:27:53,240 --> 00:27:53,880 Speaker 5: Like is that real? 677 00:27:54,280 --> 00:27:56,600 Speaker 2: That just some social media ship between uh? 678 00:27:58,520 --> 00:27:59,119 Speaker 3: I don't think so. 679 00:27:59,760 --> 00:28:02,680 Speaker 5: I might be that might be Twitter fingers. I hope so, 680 00:28:02,840 --> 00:28:04,720 Speaker 5: because like we you know, we're all black and we're 681 00:28:04,720 --> 00:28:05,639 Speaker 5: all getting it, and I love that. 682 00:28:05,760 --> 00:28:06,440 Speaker 3: I love to see that. 683 00:28:06,600 --> 00:28:07,920 Speaker 5: So I think that's what it is. 684 00:28:08,280 --> 00:28:11,960 Speaker 4: Participating that though it's usually a dude that play too 685 00:28:12,040 --> 00:28:14,080 Speaker 4: Rican meet, I. 686 00:28:15,720 --> 00:28:20,399 Speaker 3: Don't participate doing it. I'll be in the gym. I 687 00:28:20,680 --> 00:28:22,520 Speaker 3: got time for that business. 688 00:28:22,960 --> 00:28:30,400 Speaker 5: Back to this party, Carol, you're. 689 00:28:28,200 --> 00:28:30,639 Speaker 4: Gonna be you want to do it from Yeah, just 690 00:28:30,720 --> 00:28:32,240 Speaker 4: don't say that because now we got to plan it. 691 00:28:32,280 --> 00:28:33,240 Speaker 4: I don't want to let people down. 692 00:28:33,480 --> 00:28:36,080 Speaker 3: No, I'm serious, I'm serious. I know this is Hollywood 693 00:28:36,200 --> 00:28:38,000 Speaker 3: niggas be like, yeah, hit me up, let's do this. 694 00:28:38,120 --> 00:28:40,240 Speaker 3: But I'm like serious, I'm looking at you in the eyes. 695 00:28:40,960 --> 00:28:43,320 Speaker 3: We're gonna do this lord, Now I got to commit 696 00:28:43,400 --> 00:28:45,640 Speaker 3: to Yeah, yeah, exactly, so we're taking it there. 697 00:28:45,880 --> 00:28:47,800 Speaker 6: Make sure you're free Memorial week. 698 00:28:47,840 --> 00:28:49,560 Speaker 4: And make sure you know I'm free already because I 699 00:28:49,560 --> 00:28:50,960 Speaker 4: already said I'm not doing nothing for a month. I 700 00:28:50,960 --> 00:28:53,040 Speaker 4: gotta go to out of the country in June, so 701 00:28:53,040 --> 00:28:54,600 Speaker 4: I'm not. I wasn't doing nothing for a month nowhere. 702 00:28:54,720 --> 00:28:58,960 Speaker 6: Okay, what's you doing France? Must be nice? 703 00:29:01,640 --> 00:29:05,840 Speaker 4: Oh, this thing called cons lions is an advertising that's dope. 704 00:29:06,040 --> 00:29:07,440 Speaker 2: I went last year. I got to go this year. 705 00:29:07,920 --> 00:29:09,080 Speaker 2: All right, the problems to have. 706 00:29:09,720 --> 00:29:13,720 Speaker 1: We appreciate you brothers for joining us. May May twenty 707 00:29:13,800 --> 00:29:16,040 Speaker 1: six is the date, and thank you guys for stopping through. 708 00:29:16,040 --> 00:29:17,120 Speaker 1: You know, these guys are always invited. 709 00:29:17,280 --> 00:29:19,000 Speaker 4: Both episodes coming out the weekend on May twenty six, 710 00:29:19,040 --> 00:29:20,760 Speaker 4: I was one, and then the next this week one, 711 00:29:20,800 --> 00:29:22,000 Speaker 4: this weekend, one. 712 00:29:21,920 --> 00:29:23,600 Speaker 2: This weekend in the finale next week. Okay, got you 713 00:29:23,680 --> 00:29:24,120 Speaker 2: got all right? 714 00:29:24,200 --> 00:29:26,360 Speaker 6: So that's Willy McCain, Lavelle Adams. 715 00:29:26,400 --> 00:29:26,600 Speaker 8: Great. 716 00:29:26,600 --> 00:29:27,440 Speaker 6: Appreciate you brothers. 717 00:29:27,440 --> 00:29:27,959 Speaker 3: It's the breakfast. 718 00:29:28,000 --> 00:29:30,040 Speaker 5: Welcome morning, thanks for having us, all right, y'all