WEBVTT - Season 7 Episode 1: The Fall Without End (Pt.2 of 2)

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<v Speaker 1>The following episode contains graphic scenes of injury and death

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<v Speaker 1>that some may find disturbing. For rental discretion is advised

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<v Speaker 1>you're listening to Unexplained, Season seven, episode one, The Fall

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<v Speaker 1>Without End, Part two. For Frank Olson's family, prior to

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<v Speaker 1>the revelations of the nineteen seventy five Rockefeller Inquiry, it

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<v Speaker 1>had always felt like there was some key information missing

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<v Speaker 1>from the story of Frank's death. But now that they

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<v Speaker 1>had some of those missing pieces, the full picture was

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<v Speaker 1>worse than they could have imagined. Not only had Frank's

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<v Speaker 1>death been indirectly caused by the government he devoted his

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<v Speaker 1>life to, but the CIA had been actively like to

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<v Speaker 1>the family ever since, and they'd done it through Vincent Ruitt,

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<v Speaker 1>who had become a trusted friend for both Alice and

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<v Speaker 1>her by then grown up children. Within days at the

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<v Speaker 1>report's release, the family held a press conference in their

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<v Speaker 1>backyard and announced their intention to file a lawsuit against

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<v Speaker 1>the CIA. But Alice was also determined to set something straight.

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<v Speaker 1>Stoically reading out a prepared statement in front of the

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<v Speaker 1>photographers and reporters, she painted a picture of Olsen in

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<v Speaker 1>his final days that was at odds with the agencies.

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<v Speaker 1>He wasn't irrational or mentally unstable, she said. Instead, she

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<v Speaker 1>felt he was simply consumed by melancholy and had talked

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<v Speaker 1>repeatedly about leaving his job. Scrambling to contain the fallout,

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<v Speaker 1>the CIA enlisted some friends in high places to help

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<v Speaker 1>with damage control. The Rockefeller report had been damaging enough.

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<v Speaker 1>If Frank Olsen's family followed through with the lawsuit, it

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<v Speaker 1>could force the agency to disclose classified information that could

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<v Speaker 1>put national security at risk. It fell to then President

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<v Speaker 1>Gerald Ford's chief of staff, Donald Rumsfeldt and his deputy,

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<v Speaker 1>Dick Cheney, to manage the situation. Their first mission was

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<v Speaker 1>finding a way to placate the family, and so it

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<v Speaker 1>was that shortly after the press conference, Alice Olsen received

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<v Speaker 1>a letter in the post. Inside she found an invitation

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<v Speaker 1>to the White House. On July twenty first, nineteen seventy five,

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<v Speaker 1>Alice and her three children, Eric, Nils, and Lisa arrived

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<v Speaker 1>at sixteen hundred Pennsylvania Avenue. It was hard not to

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<v Speaker 1>be overawed as they were welcomed into the Oval office

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<v Speaker 1>by President Ford himself, who began by making a formal

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<v Speaker 1>apology to the family. On behalf of the U s government.

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<v Speaker 1>He also expressed his personal sympathy for what they'd been through.

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<v Speaker 1>White House officials promised the family that there would be

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<v Speaker 1>no more lies from now on, and that they'd be

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<v Speaker 1>given all of the facts as soon as possible. It

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<v Speaker 1>was a week later when Alice and her children met

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<v Speaker 1>with CIA Director William Colby, who gave them a thick

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<v Speaker 1>sheaf of declassified documents containing information about Frank's death. After

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<v Speaker 1>so many years with no answers, it felt like striking gold,

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<v Speaker 1>But the documents opened up as many questions as they

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<v Speaker 1>had answers. As Alice scanned through the pages, she could

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<v Speaker 1>see immediately that they were not being given the full picture.

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<v Speaker 1>Line after line had been redacted, leaving only a muddled,

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<v Speaker 1>bity version of the truth with many crucial details left out.

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<v Speaker 1>Like most high level CIA employees, Olsen's work with the

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<v Speaker 1>agency had to be kept absolutely secret. His family had

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<v Speaker 1>always believed that he was a civilian employee working for

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<v Speaker 1>the military, and there was nothing in Colby's documents to

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<v Speaker 1>contradict that. As far as they knew, Olson's involvement with

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<v Speaker 1>the CIA had begun just days before his death, when

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<v Speaker 1>they droped him in as an unwitting guinea pig in

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<v Speaker 1>their psychedelic drug experiment. Even after reading through the documents,

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<v Speaker 1>they had no idea just how close Olson's ties to

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<v Speaker 1>the agency were, or, more perdinently, that he was one

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<v Speaker 1>of just a handful of men who knew the CIA's

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<v Speaker 1>darke As secrets. The document release was the first step

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<v Speaker 1>and a lengthy negotiation between the American government and the Olsons.

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<v Speaker 1>After that, the family agreed to a seven hundred and

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<v Speaker 1>fifty thousand dollars settlement in exchange for signing a contract

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<v Speaker 1>not to pursue any further legal action. The amount was

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<v Speaker 1>much less than they'd initially been promised, but perhaps in

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<v Speaker 1>the absence of the whole truth and knowing what impossible

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<v Speaker 1>lengths it would take to get it, it provided some

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<v Speaker 1>closure at least, and with that, just as they had

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<v Speaker 1>been forced to do two decades earlier, the Olsons tried

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<v Speaker 1>to move on with their lives, choking back all of

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<v Speaker 1>their unanswered questions. But Eric, Alice and Frank's oldest son,

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<v Speaker 1>just couldn't do it this time. Ever since his father's

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<v Speaker 1>mysterious death, he'd thought about what it would feel like

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<v Speaker 1>to finally know the truth. He'd imagined catharsis and a

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<v Speaker 1>sense of relief, the very least he deserved. Yet now

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<v Speaker 1>he felt none of that. If the CIA had really

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<v Speaker 1>come clean, this LSD story was the whole truth, then

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<v Speaker 1>why did it still feel like the wool was being

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<v Speaker 1>pulled over his eyes? Like the rest of the surviving family.

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<v Speaker 1>For years, Eric turned the events of nineteen fifty three

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<v Speaker 1>over and over in his head to make the pieces

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<v Speaker 1>fit together into a coherent story. After weeks of trying,

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<v Speaker 1>he eventually succeeded in tracking down Sydney Gottlieb and Robert Lashbrook,

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<v Speaker 1>the CIA scientists who'd overseen the disastrous LSD experiment that

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<v Speaker 1>had supposedly sent Olson spiraling into madness. Gottlieb was the

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<v Speaker 1>one who slipped the drug into the Quontroe that night.

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<v Speaker 1>Although disciplinary action had been recommended by the CIA's General Council,

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<v Speaker 1>he was let off with little more than a slap

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<v Speaker 1>on the wrist and had remained in senior positions at

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<v Speaker 1>the age for many years. When Eric showed up at

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<v Speaker 1>his door, accompanied by his mother Alice and brother Nils,

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<v Speaker 1>Gottley was polite and apologetic, making all the right noises

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<v Speaker 1>about the terrible circumstances of Frank's death, but when they

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<v Speaker 1>left his house later that afternoon, they did so with

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<v Speaker 1>nothing they didn't already know. Lashbrook, who'd shared the hotel

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<v Speaker 1>room with Olson on the night he died, wasn't much

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<v Speaker 1>more forthcoming. When the family tracked him down in Ohai, California,

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<v Speaker 1>he invited them to take a seat in the living room,

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<v Speaker 1>where he proceeded to walk them through everything he remembered.

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<v Speaker 1>He and Olson had both gone to sleep around ten

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<v Speaker 1>thirty pm, he said, a few hours later he was

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<v Speaker 1>startled awake by the sound of glass breaking. When his

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<v Speaker 1>eyes adjusted to the dark, he saw the broken glass

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<v Speaker 1>all over the floor, the smashed out window, and the

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<v Speaker 1>curtain billowing at the chilly night air, And then he

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<v Speaker 1>saw that Olson's bed was empty. The man seemed twitchy

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<v Speaker 1>and nervous as he talked, his eyes darting about the room,

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<v Speaker 1>seemingly unable to meet with Eric's or any one else.

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<v Speaker 1>The story was precisely the same as what he'd told

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<v Speaker 1>the police at the time, and Eric didn't buy any

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<v Speaker 1>of it. It was then that Eric decided he had

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<v Speaker 1>to see the scene of the crime for himself. At

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<v Speaker 1>some time during the nineteen eighties, Eric Olsen booked a

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<v Speaker 1>flight to New York and checked into the Statler Hotel

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<v Speaker 1>in Midtown Manhattan. At the reception desk, he requested Room

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<v Speaker 1>ten eighteen A on the thirteenth floor, the room in

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<v Speaker 1>which his father had spent his final hours. The hotel

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<v Speaker 1>had changed hands several times in the past three decades,

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<v Speaker 1>but the structure was the same, not least of all

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<v Speaker 1>the grand colonnaded lobby from where night manager Armond Pastory

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<v Speaker 1>witnessed Frank fall to the pavement all those years before.

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<v Speaker 1>Looking about, Eric shuddered at the thought of it as

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<v Speaker 1>distorted images of his father's death raced through his mind.

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<v Speaker 1>Taking the lift up to the thirteenth floor, of all places,

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<v Speaker 1>it was hard not to feel the weight of it

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<v Speaker 1>all as he traced his father's last footsteps to room

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<v Speaker 1>ten eighteen A, And as soon as Eric walked inside,

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<v Speaker 1>all of his misgivings about Robert Lashbrook's story only intensified.

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<v Speaker 1>For one, the room was much much smaller than he'd imagine,

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<v Speaker 1>and so was the window, that pane of glass which

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<v Speaker 1>had loomed so largely over him in countless nights for

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<v Speaker 1>so many years. So much more compact and mundane. He'd

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<v Speaker 1>often imagined his father taking a running jump through this

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<v Speaker 1>closed window and plummeting thirteen stories to his death. But

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<v Speaker 1>looking at it now, this mental image made no sense.

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<v Speaker 1>There wasn't enough space in the room to run at

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<v Speaker 1>any kind of speed or gather enough momentum to shatter glass.

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<v Speaker 1>There was also a radiator right in front of the window,

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<v Speaker 1>and the sill was so high that you'd have to

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<v Speaker 1>make a significant leap to reach it. In that moment,

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<v Speaker 1>the official story went from far fetched to just plain bullshit.

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<v Speaker 1>In Eric's mind, his father's apparent suicide had always been

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<v Speaker 1>emotionally hard to swallow, but now it also seemed physically impossible.

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<v Speaker 1>But Eric was powerless to do more. It was clear

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<v Speaker 1>that the government had closed ranks. Lashbrook and Gottlieb had

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<v Speaker 1>said all they were ever going to say, and the

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<v Speaker 1>only other person who knew what really happened inside this

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<v Speaker 1>room had been permanently silenced, or had he. The dead

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<v Speaker 1>tell no tales, but their bodies do. In the usual

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<v Speaker 1>course of things, when a person dies a violent, unnatural,

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<v Speaker 1>or mysterious death, a coroner gets the chance to examine

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<v Speaker 1>their corpse interpret whatever clues are present and determine a

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<v Speaker 1>cause of death based on the evidence. But no autopsy

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<v Speaker 1>was ever performed on Frank Olsen. The government had made

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<v Speaker 1>sure of it. Forty years later, Eric set out to

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<v Speaker 1>right that wrong. He was going to have his father's

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<v Speaker 1>body exhumed. On a bright summer's day in nineteen ninety four,

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<v Speaker 1>the Linden Hills Cemetery in Frederick, Maryland was unusually busy.

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<v Speaker 1>Eric Olsen stood beside his father's grave, squinted under the

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<v Speaker 1>glare of the sun as a mechanical digger clawed its

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<v Speaker 1>way through the soil, while a small crowd of reporters

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<v Speaker 1>stood watch around him. Moments later, Frank Olson's now exposed

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<v Speaker 1>casket was carefully raised from the earth, the word only

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<v Speaker 1>slightly decomposed after forty years underground. From there, it was

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<v Speaker 1>transported to the forensics department of George Washington University Law School,

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<v Speaker 1>where a team of pathologists began the slow, painstaking process

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<v Speaker 1>that should have taken place years earlier. In nineteen fifty three,

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<v Speaker 1>Alice Olsen had been told that Frank's body was too

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<v Speaker 1>badly damaged for an open casket funeral to be held,

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<v Speaker 1>and that his face was disfigured from lacerations caused by

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<v Speaker 1>the glass breaking around him. But when the forensic team

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<v Speaker 1>opened the casket, they found an embalmed corpse in close

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<v Speaker 1>to perfect condition. There were no serious cuts or lacerations

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<v Speaker 1>on his face at all, and no microscopic shots of

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<v Speaker 1>glass embedded in his head or neck. Certainly nothing close

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<v Speaker 1>to the kinds of injuries one would expect to find

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<v Speaker 1>on a man who'd jumped through a plate glass window

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<v Speaker 1>head first. But what the team did find was a

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<v Speaker 1>large hematoma on Olsen's left temple, a gathering of blood

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<v Speaker 1>about the size of a fist pulled underneath unbroken skin.

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<v Speaker 1>They all agreed that this injury could not have been

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<v Speaker 1>caused by his impact with the ground, because the velocity

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<v Speaker 1>of that fall would have caused much more extensive damage,

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<v Speaker 1>and in any case, Olson had reportedly landed on his back,

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<v Speaker 1>not his side. Opinions varied on what exactly this meant.

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<v Speaker 1>One pathologist suggested Olson might have hit his head on

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<v Speaker 1>the window frame as he jumped, but the others disagreed.

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<v Speaker 1>To James Stars, the lead pathologist, there was no doubting

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<v Speaker 1>that the blow to the head had happened before Olson

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<v Speaker 1>went through the window, someone he believed, though he couldn't

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<v Speaker 1>prove it at first, not Frank unconscious before he died.

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<v Speaker 1>Stars and his team spent more than a month studying

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<v Speaker 1>the body before finally calling a news conference to deliver

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<v Speaker 1>their findings. When Stars addressed reporters, he acknowledged that the

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<v Speaker 1>team hadn't found any smoking guns, there was no scientific

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<v Speaker 1>evidence to contradict the official narrative. However, he emphasized the

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<v Speaker 1>inexplicable injury on Old Wilson's temple and the lack of

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<v Speaker 1>any lacerations consistent with broken glass. He said that in

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<v Speaker 1>his opinion, the hematoma could only have been caused by

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<v Speaker 1>a direct, stunning blow to the head, and that he

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<v Speaker 1>was exceedingly skeptical that Olson had gone through the window

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<v Speaker 1>by his own force alone. Asked to clarify what he meant,

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<v Speaker 1>Stars finally came right out and said it. I think

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<v Speaker 1>Frank Olsen was intentionally, deliberately and with malicious forethought thrown

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<v Speaker 1>out of that window. For Eric pathologist James Starr's conclusion

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<v Speaker 1>felt like coming up for air after two decades swimming underwater,

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<v Speaker 1>for the first time someone had said out loud what

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<v Speaker 1>he had long suspected that his father had been murdered,

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<v Speaker 1>But just why would the CIA want Frank Olsen dead.

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<v Speaker 1>To answer that question, it's essential to understand just what

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<v Speaker 1>exactly Olson was doing at Fort Detrick, where he worked

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<v Speaker 1>in the decade prior to his death. During World War II,

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<v Speaker 1>Detric was the U. S Army's base of operations for

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<v Speaker 1>developing biological weapons, and Olsen was one of the first

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<v Speaker 1>scientists to join a clandestine team working on aerosol pathogen

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<v Speaker 1>technologies that is, turning diseases like anthrax into airborne weapons.

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<v Speaker 1>For a number of years, he made several visits to

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<v Speaker 1>a secret military base on an island just off the

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<v Speaker 1>eastern coast of New York, where the army tested toxins

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<v Speaker 1>that were considered too dangerous to be brought onto the

0:16:53.200 --> 0:16:58.680
<v Speaker 1>US mainland. After the war ended, that mission seemed destined

0:16:58.680 --> 0:17:02.800
<v Speaker 1>to fade into obscurity because the government's focus had shifted

0:17:02.920 --> 0:17:07.639
<v Speaker 1>to nuclear weapons. But then in nineteen fifty came the

0:17:07.720 --> 0:17:12.280
<v Speaker 1>Korean War, or the Fatherland Liberation War as it was

0:17:12.359 --> 0:17:16.399
<v Speaker 1>known in North Korea, and with it a new enemy

0:17:16.680 --> 0:17:22.760
<v Speaker 1>with new capabilities. At some point, the CIA became convinced

0:17:22.960 --> 0:17:26.760
<v Speaker 1>that the North Korean military had developed ways to brainwash

0:17:26.960 --> 0:17:31.359
<v Speaker 1>American prisoners of war after many of them signed statements

0:17:31.400 --> 0:17:36.159
<v Speaker 1>criticizing the US government while in captivity. Though there was

0:17:36.200 --> 0:17:39.600
<v Speaker 1>no concrete evidence that this was true, the fear of

0:17:39.720 --> 0:17:45.960
<v Speaker 1>psychological warfare became an obsession, and so the Special Operations

0:17:46.040 --> 0:17:50.199
<v Speaker 1>Division at Fort Detrick was given a new mission to

0:17:50.280 --> 0:18:02.760
<v Speaker 1>investigate ways in which you can control someone's mind. Scientists

0:18:03.000 --> 0:18:06.240
<v Speaker 1>like Frank Olsen were tasked with studying the use of

0:18:06.320 --> 0:18:10.280
<v Speaker 1>drugs for both interrogation and brainwashing as part of a

0:18:10.320 --> 0:18:14.680
<v Speaker 1>top secret program that began under the name Project art Choke.

0:18:15.560 --> 0:18:21.680
<v Speaker 1>In that process, they bore witness to horror. Olsen observed

0:18:21.760 --> 0:18:26.640
<v Speaker 1>the brutal interrogation of prisoners at CIA safe houses in Germany,

0:18:26.880 --> 0:18:32.240
<v Speaker 1>where men were subjected to torture, hypnosis, and forced drug use.

0:18:33.359 --> 0:18:37.800
<v Speaker 1>These interrogations were designed not just to extract information, but

0:18:37.880 --> 0:18:43.280
<v Speaker 1>also to test the limits of experimental brainwashing techniques. When

0:18:43.320 --> 0:18:48.119
<v Speaker 1>detainees died, their lives were simply dismissed as collateral damage,

0:18:48.440 --> 0:18:54.080
<v Speaker 1>the unavoidable cost of protecting US national security. Olson had

0:18:54.119 --> 0:18:58.600
<v Speaker 1>been upset enough when laboratory monkeys died at Detrich. Seeing

0:18:58.720 --> 0:19:02.480
<v Speaker 1>human beings being to the watcher to death shattered him completely.

0:19:03.680 --> 0:19:07.639
<v Speaker 1>In nineteen fifty three, when Olson officially began working for

0:19:07.720 --> 0:19:11.960
<v Speaker 1>the CIA project, Artichoke was succeeded by a new program

0:19:12.280 --> 0:19:17.720
<v Speaker 1>which would expand its extreme interrogation techniques even further. That

0:19:17.800 --> 0:19:23.199
<v Speaker 1>program was known as MK Ultra. It was in the

0:19:23.359 --> 0:19:28.439
<v Speaker 1>mk Ultra era that Olson's misgivings really consumed him. In

0:19:28.480 --> 0:19:32.120
<v Speaker 1>the spring of nineteen fifty three, he flew to England

0:19:32.359 --> 0:19:38.959
<v Speaker 1>to visit porton Down the world's oldest chemical warfare facility. There,

0:19:39.480 --> 0:19:45.200
<v Speaker 1>government scientists were experimenting with newly developed, highly toxic nerve agents.

0:19:46.080 --> 0:19:50.719
<v Speaker 1>Olson's visit coincided with one of the most controversial events

0:19:50.760 --> 0:19:55.280
<v Speaker 1>in Port and Down's history. That May, a twenty year

0:19:55.320 --> 0:19:59.320
<v Speaker 1>old airman named Ronald Madison volunteered as a guinea pig

0:19:59.600 --> 0:20:02.720
<v Speaker 1>in what he'd been told would be a series of

0:20:02.800 --> 0:20:06.600
<v Speaker 1>fairly innocuous experiments to help find a cure for the

0:20:06.640 --> 0:20:11.720
<v Speaker 1>common cold. In actual fact, Madison had been unwittingly brought

0:20:11.760 --> 0:20:15.320
<v Speaker 1>in to help test the effects of saren, a highly

0:20:15.359 --> 0:20:20.080
<v Speaker 1>toxic nerve agent, on the human body. The ultimate aim

0:20:20.160 --> 0:20:23.840
<v Speaker 1>of the experiment to test what level of exposure was

0:20:23.960 --> 0:20:40.320
<v Speaker 1>necessary to incapacitate a person On May sixth, nineteen fifty three,

0:20:40.520 --> 0:20:45.640
<v Speaker 1>but Poorten down. Leading aircraftsman Ronald Madison was layered into

0:20:45.720 --> 0:20:50.439
<v Speaker 1>a laboratory and instructed to roll up his sleeve. A

0:20:50.480 --> 0:20:54.359
<v Speaker 1>man in a white coat with thick protective gloves measured

0:20:54.400 --> 0:20:58.600
<v Speaker 1>out two hundred milligrams of liquid saren before pouring it

0:20:58.720 --> 0:21:05.119
<v Speaker 1>onto some material. The material was then tied onto Madison's arm.

0:21:05.640 --> 0:21:09.560
<v Speaker 1>The effects started slowly at first, the sense of something

0:21:09.680 --> 0:21:15.400
<v Speaker 1>burning heating up within Madison's body. Soon he was screaming

0:21:15.440 --> 0:21:20.840
<v Speaker 1>in agony, and moments later he began to convulse, his

0:21:20.960 --> 0:21:24.440
<v Speaker 1>body and limbs jerking all over the place, as though

0:21:24.480 --> 0:21:29.080
<v Speaker 1>he was being electrocuted. His skin seemed to be vibrating.

0:21:29.960 --> 0:21:33.159
<v Speaker 1>Madison's eyes rolled into the back of his head, and

0:21:33.359 --> 0:21:38.480
<v Speaker 1>thick bubbles of something viscous, like frogsborn, as one observer

0:21:38.640 --> 0:21:42.720
<v Speaker 1>later put it, spilled out of his mouth. The men

0:21:42.760 --> 0:21:46.720
<v Speaker 1>in coats gathered round quickly. He began to panic while

0:21:46.840 --> 0:21:51.920
<v Speaker 1>some tried to hold Madison's body still. Fifteen minutes later,

0:21:52.440 --> 0:21:58.280
<v Speaker 1>he lost consciousness. Madison was quickly ferried over to Portendown's

0:21:58.320 --> 0:22:02.960
<v Speaker 1>medical unit. Eighteen year old Alfred Thornhill was tasked with

0:22:03.119 --> 0:22:07.159
<v Speaker 1>carrying him inside. When he arrived, he found the place

0:22:07.200 --> 0:22:10.439
<v Speaker 1>had been completely cleared of all other patients, and a

0:22:10.480 --> 0:22:13.320
<v Speaker 1>group of men in white coats were waiting for him

0:22:13.560 --> 0:22:18.320
<v Speaker 1>next to an empty bed. Thornhill carried Madison over and

0:22:18.440 --> 0:22:22.480
<v Speaker 1>laid him down, then allegedly watched on in disbelief and

0:22:22.640 --> 0:22:27.439
<v Speaker 1>terror as Madison's leg inexplicably rose up from the bed,

0:22:28.040 --> 0:22:31.720
<v Speaker 1>and first his ankle began to turn blue, then his

0:22:31.880 --> 0:22:35.960
<v Speaker 1>lower leg, then up above the knee, as though a

0:22:36.040 --> 0:22:41.200
<v Speaker 1>strange blue liquid were being poured into him. Seconds later,

0:22:41.680 --> 0:22:44.640
<v Speaker 1>one of the men in coats pulled out a hypodermic

0:22:44.720 --> 0:22:49.880
<v Speaker 1>syringe and plunged the needle into Madison's body, and shortly

0:22:49.920 --> 0:23:02.280
<v Speaker 1>after that Madison was declared dead. After everything else that

0:23:02.359 --> 0:23:06.600
<v Speaker 1>Frank Olsen had witnessed, Ronald Madison's death was a bridge

0:23:06.640 --> 0:23:11.480
<v Speaker 1>too far. Soon after, he confided in a psychiatrist at

0:23:11.480 --> 0:23:16.040
<v Speaker 1>Porton down William Sergeant, admitting how disturbed he was by

0:23:16.040 --> 0:23:20.080
<v Speaker 1>what he'd seen. He talked not just about Madison, but

0:23:20.160 --> 0:23:23.960
<v Speaker 1>also about the other atrocities he'd seen at CIA safe

0:23:24.040 --> 0:23:28.879
<v Speaker 1>houses in Germany, where he'd watched prisoners dying painful deaths

0:23:28.920 --> 0:23:34.800
<v Speaker 1>from toxins that he'd personally helped to develop. Olsen's guilt

0:23:34.960 --> 0:23:39.200
<v Speaker 1>was overwhelming, and confessing how he felt would have no doubt,

0:23:39.359 --> 0:23:42.920
<v Speaker 1>brought some relief. But if he believed he was speaking

0:23:42.960 --> 0:23:48.560
<v Speaker 1>to Sergeant in confidence, he was mistaken. Sergeant immediately wrote

0:23:48.640 --> 0:23:52.280
<v Speaker 1>up a report about Olsen's state of mind and submitted

0:23:52.320 --> 0:23:55.800
<v Speaker 1>it to his superiors. He wrote that, in his opinion,

0:23:56.160 --> 0:23:59.280
<v Speaker 1>Olsen was upset enough that he might be unwilling to

0:23:59.359 --> 0:24:03.240
<v Speaker 1>keep his mouth shut. In other words, he was a liability,

0:24:03.680 --> 0:24:06.720
<v Speaker 1>and Sergeant wanted to make sure that he had no

0:24:06.840 --> 0:24:11.600
<v Speaker 1>further access to porton Down. It was around this time,

0:24:11.840 --> 0:24:16.160
<v Speaker 1>in August of nineteen fifty three, that Olson returned home,

0:24:16.560 --> 0:24:19.399
<v Speaker 1>and his wife and brother in law noticed he seemed

0:24:19.480 --> 0:24:23.399
<v Speaker 1>strangely withdrawn and depressed, But the true reason for his

0:24:23.520 --> 0:24:26.879
<v Speaker 1>mood would only make sense to them many years later.

0:24:28.040 --> 0:24:31.359
<v Speaker 1>During World War II, Olson had been proud to be

0:24:31.440 --> 0:24:35.679
<v Speaker 1>part of the fight against Adolf Hitler's fascist regime in

0:24:35.800 --> 0:24:40.200
<v Speaker 1>part because of its heinous track record of human experimentation.

0:24:41.480 --> 0:24:44.520
<v Speaker 1>Now his own country was doing the very same thing.

0:24:45.920 --> 0:24:51.280
<v Speaker 1>Shortly after Peter Sargeant alerted them, British intelligence officials forwarded

0:24:51.320 --> 0:24:56.960
<v Speaker 1>his report onto their American counterparts. In Sergeant's opinion. Olsen

0:24:57.200 --> 0:25:03.639
<v Speaker 1>was deeply dangerously disillusioned with the agency and its entire mission. Many,

0:25:04.040 --> 0:25:11.000
<v Speaker 1>including Frank's son Eric, believed the CIA strongly concurred. In

0:25:11.080 --> 0:25:15.040
<v Speaker 1>nineteen ninety seven, a few years after Frank Olsen's body

0:25:15.160 --> 0:25:20.560
<v Speaker 1>was exhumed, the CIA inadvertently released a document titled A

0:25:20.600 --> 0:25:26.239
<v Speaker 1>Study of Assassination. It's essentially an assassination manual, and the

0:25:26.359 --> 0:25:31.000
<v Speaker 1>very first edition dates back to late nineteen fifty three,

0:25:31.280 --> 0:25:37.840
<v Speaker 1>precisely when Olsen died. According to this manual, the ideal

0:25:37.880 --> 0:25:41.280
<v Speaker 1>way to assassinate someone is by dropping them from a

0:25:41.320 --> 0:25:45.440
<v Speaker 1>height of at least seventy five feet onto a hard surface.

0:25:46.400 --> 0:25:50.200
<v Speaker 1>In some cases, the author notes, it's necessary to stun

0:25:50.240 --> 0:25:55.120
<v Speaker 1>the victim first, ideally with a blow to the temple.

0:25:56.200 --> 0:25:59.720
<v Speaker 1>Reading this, with all its apparent echoes of his father's

0:25:59.720 --> 0:26:04.880
<v Speaker 1>own death, was a horrifying experience for Eric Olsen. The manual,

0:26:05.280 --> 0:26:08.760
<v Speaker 1>in combination with the new autopsy results and what he'd

0:26:08.840 --> 0:26:13.280
<v Speaker 1>learned about his father's work on MK Ultra, finally seemed

0:26:13.280 --> 0:26:15.840
<v Speaker 1>to give him the certainty he had longed for his

0:26:16.119 --> 0:26:26.520
<v Speaker 1>entire adult life. Eric Olsen was now sure that the

0:26:26.560 --> 0:26:31.280
<v Speaker 1>CIA's so called mere coulpa in the nineteen seventies, when

0:26:31.280 --> 0:26:34.800
<v Speaker 1>they admitted to dosing his father with LSD had in

0:26:34.880 --> 0:26:39.440
<v Speaker 1>fact been part of a much larger cover up. Inadvertently

0:26:39.600 --> 0:26:43.359
<v Speaker 1>driving a man to suicide through a reckless experiment as

0:26:43.400 --> 0:26:47.280
<v Speaker 1>a terrible sin, but it would pale in comparison to

0:26:47.359 --> 0:26:52.480
<v Speaker 1>the CIA assassinating one of its own. There's no doubt

0:26:52.520 --> 0:26:56.680
<v Speaker 1>that the Deep Creek Lake retreat really happened, and that

0:26:56.760 --> 0:27:01.560
<v Speaker 1>Frank Olsen and his colleagues really were dosed WITHSD, But

0:27:01.680 --> 0:27:05.080
<v Speaker 1>in light of the fact that Olson's bosses likely saw

0:27:05.160 --> 0:27:08.440
<v Speaker 1>him as a threat, the possible true purpose of it

0:27:08.520 --> 0:27:13.439
<v Speaker 1>becomes much murkier. Perhaps the LSD was a test to

0:27:13.520 --> 0:27:16.880
<v Speaker 1>see if Olsen would confess his misgivings to them under

0:27:16.880 --> 0:27:20.680
<v Speaker 1>the influence of drugs, Or perhaps it was even more

0:27:20.720 --> 0:27:24.800
<v Speaker 1>sinister than that, designed to discredit Olson and give the

0:27:24.840 --> 0:27:28.320
<v Speaker 1>agency a pretext to risk him away to New York

0:27:28.520 --> 0:27:32.240
<v Speaker 1>for so called treatment and assess just how much of

0:27:32.280 --> 0:27:36.760
<v Speaker 1>a risk he really posed. During that trip, the only

0:27:36.840 --> 0:27:41.440
<v Speaker 1>people that Olson saw were on the CIA payroll, Sydney

0:27:41.480 --> 0:27:47.440
<v Speaker 1>Gottlieb Vincent Ruitt and Harold Abramson, the doctor and John Mulholland,

0:27:47.520 --> 0:27:52.600
<v Speaker 1>the magician. His supposed paranoia, and his attempts to get

0:27:52.640 --> 0:27:56.200
<v Speaker 1>away may in fact have been a perfectly rational response

0:27:56.320 --> 0:27:59.600
<v Speaker 1>to the realization that he had a target on his back.

0:28:00.800 --> 0:28:04.640
<v Speaker 1>If the CIA truly believed that Olson posed an imminent

0:28:04.720 --> 0:28:08.280
<v Speaker 1>threat to national security, then there's no telling what lengths

0:28:08.359 --> 0:28:11.280
<v Speaker 1>they might go to keep him quiet. And if it

0:28:11.359 --> 0:28:14.800
<v Speaker 1>was decided that he had to be eliminated, then, according

0:28:14.880 --> 0:28:18.159
<v Speaker 1>to their own manual, the best way to do it

0:28:18.200 --> 0:28:22.080
<v Speaker 1>would be a drop from a great height thirteen flaws.

0:28:22.400 --> 0:28:28.280
<v Speaker 1>For example, in light of this hypothetical narrative, Robert Lashbrook's

0:28:28.280 --> 0:28:32.480
<v Speaker 1>strange phone call to Harold Abramsom just after Olsen went

0:28:32.560 --> 0:28:35.920
<v Speaker 1>out at the window makes a lot more sense. Their

0:28:36.000 --> 0:28:41.080
<v Speaker 1>peculiar exchange. Well he's gone, said Lashbrook. That's too bad,

0:28:41.520 --> 0:28:46.160
<v Speaker 1>replied Abramsom. Is nonsensical in the context of a sudden

0:28:46.240 --> 0:28:50.400
<v Speaker 1>and unexpected suicide, not so in the context of a

0:28:50.480 --> 0:28:56.520
<v Speaker 1>meticulously planned murder. In twenty twelve, prosecutors in New York

0:28:56.840 --> 0:29:02.160
<v Speaker 1>formerly reclassified Olson's cause of death from suicide to unknown,

0:29:03.280 --> 0:29:06.640
<v Speaker 1>and Eric and his brother Nils promptly filed a suit

0:29:06.680 --> 0:29:10.880
<v Speaker 1>against the CIA, formally alleging that their father was murdered.

0:29:11.720 --> 0:29:14.760
<v Speaker 1>Though the suit was dismissed a year later. It was

0:29:14.840 --> 0:29:18.680
<v Speaker 1>not due to a lack of merit. In fact, Federal

0:29:18.800 --> 0:29:22.560
<v Speaker 1>Judge James Boseburg made it clear that, in his opinion,

0:29:22.960 --> 0:29:27.160
<v Speaker 1>the public record supported many of the allegations, but for

0:29:27.200 --> 0:29:32.200
<v Speaker 1>a variety of procedural reasons, including the Statute of Limitations

0:29:32.560 --> 0:29:35.160
<v Speaker 1>and the fact that the family had signed an agreement

0:29:35.520 --> 0:29:39.720
<v Speaker 1>waiving their right to pursue any further legal action, the

0:29:39.800 --> 0:29:45.720
<v Speaker 1>case went no further, and so despite the overwhelming evidence

0:29:45.840 --> 0:29:50.240
<v Speaker 1>pointing in a single direction, it seems Frank Olsen's cause

0:29:50.280 --> 0:30:02.800
<v Speaker 1>of death will officially always remain unexplained. This episode was

0:30:02.840 --> 0:30:07.240
<v Speaker 1>written by Emma Dibden Unexplained as an Avy Club Productions

0:30:07.280 --> 0:30:11.840
<v Speaker 1>podcast created by Richard McClain smith. All other elements of

0:30:11.880 --> 0:30:15.280
<v Speaker 1>the podcast, including the music, are also produced by me

0:30:15.560 --> 0:30:20.600
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0:30:20.680 --> 0:30:23.600
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0:30:23.640 --> 0:30:27.880
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0:30:28.240 --> 0:30:32.520
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0:30:35.880 --> 0:30:39.000
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