1 00:00:00,280 --> 00:00:04,439 Speaker 1: Dream Sequence is a production of iHeart Podcasts, Blumhouse Television, 2 00:00:04,559 --> 00:00:14,360 Speaker 1: and Realm. 3 00:00:14,400 --> 00:00:18,040 Speaker 2: I'm sorry, I'm such a bummer. Don't apologize. Life's hard 4 00:00:18,160 --> 00:00:20,160 Speaker 2: and it's healthy to talk about it. People just think 5 00:00:20,160 --> 00:00:22,960 Speaker 2: about their day and pretend everything's okay. So then you 6 00:00:23,000 --> 00:00:25,240 Speaker 2: start wondering if maybe you're the only ones struggling and 7 00:00:25,280 --> 00:00:29,080 Speaker 2: bumbling your way through life. But no one gets buried 8 00:00:29,080 --> 00:00:35,480 Speaker 2: without scars. You know, I'm really glad you're here. Okay, same, 9 00:00:38,120 --> 00:00:39,680 Speaker 2: are you anna optimist or a pessimist? 10 00:00:39,720 --> 00:00:39,800 Speaker 3: Like? 11 00:00:39,840 --> 00:00:42,280 Speaker 2: Do you think life's pain and grief with good shit 12 00:00:42,320 --> 00:00:44,720 Speaker 2: in between? Or is life good shit with pain and 13 00:00:44,720 --> 00:00:45,440 Speaker 2: grief in between? 14 00:00:46,680 --> 00:00:48,639 Speaker 1: I think we'd all be happier dad, for. 15 00:00:48,600 --> 00:00:52,760 Speaker 2: The most part, Is that really what you think? Yeah? 16 00:00:52,840 --> 00:00:58,120 Speaker 2: It is. What's with the knife? It's for your throat? 17 00:01:00,000 --> 00:01:07,280 Speaker 2: Oh seriously, it's not a joke. Here, take it for what, Josie, 18 00:01:07,959 --> 00:01:10,559 Speaker 2: take the knife, put the bleed to your throat. Saw 19 00:01:10,600 --> 00:01:12,640 Speaker 2: back and forth until you say, for the artery? Why 20 00:01:12,760 --> 00:01:18,000 Speaker 2: is that so hard? Okay, you're scaring me. I'll do 21 00:01:18,040 --> 00:01:18,399 Speaker 2: it for you. 22 00:01:18,440 --> 00:01:22,000 Speaker 1: Then wait, it's. 23 00:01:23,200 --> 00:01:32,280 Speaker 2: I just want you to be happy. Well that was something, huh, 24 00:01:32,720 --> 00:01:35,640 Speaker 2: I thought you'd want to hear it. I know it's 25 00:01:35,720 --> 00:01:38,440 Speaker 2: just a dream, but I'm still kind of offended. I 26 00:01:38,440 --> 00:01:39,720 Speaker 2: thought we were becoming friends. 27 00:01:40,160 --> 00:01:43,280 Speaker 4: I think you've become a symbol for her skepticism and 28 00:01:43,319 --> 00:01:44,480 Speaker 4: fear of our treatment. 29 00:01:45,040 --> 00:01:46,800 Speaker 2: But I'm the only one here who is involved in 30 00:01:46,840 --> 00:01:47,400 Speaker 2: her treatment. 31 00:01:47,760 --> 00:01:51,040 Speaker 4: That's true. But of course dreams aren't always logical that way. 32 00:01:52,480 --> 00:01:54,840 Speaker 2: When you're analyzing a dream, are you operating from some 33 00:01:54,920 --> 00:01:57,560 Speaker 2: kind of cheat sheet, like, Oh, a window open, but 34 00:01:57,600 --> 00:01:59,800 Speaker 2: it let in a flood of swamp water. Windows mean 35 00:02:00,040 --> 00:02:02,040 Speaker 2: opportunity in swamp water means you're screwed. 36 00:02:02,600 --> 00:02:05,800 Speaker 4: That was the prevailing wisdom once, yes, but now it 37 00:02:05,880 --> 00:02:08,519 Speaker 4: seems we know even less than we thought we did. 38 00:02:09,080 --> 00:02:12,400 Speaker 4: How so, and worried anything I say today will be 39 00:02:12,400 --> 00:02:13,520 Speaker 4: disproven in the future. 40 00:02:14,040 --> 00:02:16,440 Speaker 2: In the future, someone will see further by standing on 41 00:02:16,480 --> 00:02:20,160 Speaker 2: your shoulders, you're the giant. Very kind way to put it, 42 00:02:20,560 --> 00:02:24,600 Speaker 2: that kind honest, Okay. 43 00:02:25,320 --> 00:02:28,440 Speaker 4: At their core, dreams tend to be very primal. I'm 44 00:02:28,480 --> 00:02:30,880 Speaker 4: afraid of that, I want to have sex with her. 45 00:02:31,360 --> 00:02:35,160 Speaker 4: I'm jealous of him. The mind then constructs lose narratives 46 00:02:35,200 --> 00:02:39,080 Speaker 4: around these basic emotions. Some are more literal, some are 47 00:02:39,080 --> 00:02:55,280 Speaker 4: more avant garde. Let me show you an example, what 48 00:02:55,360 --> 00:02:56,000 Speaker 4: are you doing? 49 00:03:00,919 --> 00:03:16,440 Speaker 2: Why do you want me to die? Please? Please? 50 00:03:18,040 --> 00:03:26,320 Speaker 4: Please? Yeah, if you boil it down. My working hypothesis 51 00:03:26,480 --> 00:03:29,680 Speaker 4: is that to cure a parasomnia, you need to observe 52 00:03:29,760 --> 00:03:34,079 Speaker 4: the primal emotion and its fear catalyst, and then reconcile them. 53 00:03:34,680 --> 00:03:38,200 Speaker 4: I haven't been successful yet, but I'm hoping Josie will 54 00:03:38,200 --> 00:03:38,760 Speaker 4: be the first. 55 00:03:39,400 --> 00:03:41,720 Speaker 2: How would this reconciliation work in Josie's case? 56 00:03:42,640 --> 00:03:46,200 Speaker 4: Well, if I only listen to her dreams, i'd say 57 00:03:46,240 --> 00:03:49,440 Speaker 4: she has a fear of fire. But in our sessions, 58 00:03:51,640 --> 00:03:53,760 Speaker 4: what is your relationship with her? 59 00:03:54,840 --> 00:03:57,720 Speaker 2: We went out a few times, didn't work out. What 60 00:03:57,800 --> 00:03:58,839 Speaker 2: kind of question is that? 61 00:04:00,120 --> 00:04:04,680 Speaker 4: I apologize for the phrasing? Sometimes my sweetest doesn't translate well? 62 00:04:05,280 --> 00:04:08,320 Speaker 4: I ask, because from your dream journal, fire appears to 63 00:04:08,360 --> 00:04:12,600 Speaker 4: be a recurring element. Are there any unpleasant memories you 64 00:04:12,680 --> 00:04:14,120 Speaker 4: have centered around fire? 65 00:04:15,680 --> 00:04:15,720 Speaker 3: No? 66 00:04:18,360 --> 00:04:24,320 Speaker 4: Are you not being fully truthful Josie? She has denied it. 67 00:04:25,440 --> 00:04:26,440 Speaker 4: I'm not sure why? 68 00:04:28,040 --> 00:04:28,280 Speaker 2: Huh? 69 00:04:29,480 --> 00:04:29,560 Speaker 3: What? 70 00:04:31,240 --> 00:04:33,479 Speaker 2: When I talked to her, she didn't say she'd fear fire, 71 00:04:33,560 --> 00:04:34,960 Speaker 2: but she did tell me she used to live in 72 00:04:35,000 --> 00:04:39,839 Speaker 2: Wakeham Tower. What are you looking at me like that? 73 00:04:57,240 --> 00:05:00,479 Speaker 3: You know how? Sometimes there's a word and you think 74 00:05:00,520 --> 00:05:03,479 Speaker 3: you know what it means, then you experience something and 75 00:05:03,520 --> 00:05:08,359 Speaker 3: you're like, Oh, that's what that word means. That's what 76 00:05:08,400 --> 00:05:09,799 Speaker 3: it was like when I heard the static? 77 00:05:11,480 --> 00:05:19,000 Speaker 2: What was the lord this time? Despair? How long did 78 00:05:19,040 --> 00:05:20,840 Speaker 2: you listened to the static while you were trying to 79 00:05:20,880 --> 00:05:28,240 Speaker 2: fix the mayor not eighteen hours? What do you think 80 00:05:28,240 --> 00:05:28,960 Speaker 2: the static was? 81 00:05:31,000 --> 00:05:34,080 Speaker 5: I think it's more or less exactly what you said, 82 00:05:34,839 --> 00:05:37,240 Speaker 5: subliminal messaging to make you afraid. 83 00:05:37,880 --> 00:05:40,480 Speaker 2: Does that make sense coming from a person's dream? 84 00:05:41,200 --> 00:05:43,119 Speaker 5: I think there are ways to make it make sense. 85 00:05:44,279 --> 00:05:46,760 Speaker 2: Are you talking about manifold? 86 00:05:47,560 --> 00:05:48,400 Speaker 5: What's manifold? 87 00:05:48,920 --> 00:05:51,160 Speaker 2: That's what Josie calls the dark figure that ruined her 88 00:05:51,160 --> 00:05:53,320 Speaker 2: life and that you've been finding in everyone's dreams. 89 00:05:54,160 --> 00:05:56,000 Speaker 5: Huh, manifold? 90 00:05:57,480 --> 00:06:00,840 Speaker 2: That works? What exactly is your theory? 91 00:06:01,240 --> 00:06:02,120 Speaker 5: I don't have a theory. 92 00:06:02,279 --> 00:06:03,360 Speaker 2: I know you have a theory. 93 00:06:04,040 --> 00:06:06,960 Speaker 5: Well, I take the word theory very seriously. What I 94 00:06:07,000 --> 00:06:08,520 Speaker 5: have is a hypothesis. 95 00:06:08,720 --> 00:06:11,640 Speaker 2: Oh my god, you are so annoying. Just tell me 96 00:06:11,640 --> 00:06:12,279 Speaker 2: what you're thinking. 97 00:06:15,800 --> 00:06:20,560 Speaker 5: Our subjects are all very different people, color, creed, age, gender, 98 00:06:21,360 --> 00:06:26,600 Speaker 5: and they're from all over the country. They've all dreamt 99 00:06:26,040 --> 00:06:29,040 Speaker 5: of manifold, but don't a lot. 100 00:06:28,920 --> 00:06:31,960 Speaker 2: Of people dream about shadowy creatures. I mean, it's not unique, 101 00:06:32,040 --> 00:06:32,320 Speaker 2: is it. 102 00:06:33,279 --> 00:06:35,520 Speaker 5: If you heard my voice in seven different audio tracks, 103 00:06:35,520 --> 00:06:37,839 Speaker 5: wouldn't you assume that I was present for each recording. 104 00:06:38,120 --> 00:06:41,800 Speaker 5: You can recognize my voice and assume it's me. I mean, yes, 105 00:06:43,240 --> 00:06:46,839 Speaker 5: the Manifold growl is present in all seven subjects dreams. 106 00:06:47,400 --> 00:06:50,880 Speaker 5: When you overlay the sound waves, they're a perfect match. 107 00:06:51,240 --> 00:06:53,640 Speaker 5: It's not just a similar creature, it's the same creature. 108 00:06:54,760 --> 00:06:55,479 Speaker 5: That's the premise. 109 00:06:57,040 --> 00:06:58,599 Speaker 2: Okay, I'm with you so far. 110 00:06:59,120 --> 00:07:02,240 Speaker 5: Working from that, you might say, maybe they saw the 111 00:07:02,240 --> 00:07:05,120 Speaker 5: same movie as children and it imprinted on their brains. 112 00:07:05,360 --> 00:07:09,360 Speaker 5: That's not it. The subject's age ranges from eighteen to eighty. 113 00:07:09,800 --> 00:07:12,280 Speaker 5: Maybe Manifold was subconsciously planted in their heads by some 114 00:07:12,320 --> 00:07:15,120 Speaker 5: creepy art on the Sleep Center's walls that they all saw. Now, 115 00:07:15,560 --> 00:07:18,120 Speaker 5: that's not it either. They've been dreaming about this figure 116 00:07:18,200 --> 00:07:20,960 Speaker 5: for years, some even decades. You can go back and 117 00:07:21,000 --> 00:07:25,320 Speaker 5: listen to Craig Ingram and Eliza Mason, Helen Pizzetti. They 118 00:07:25,400 --> 00:07:28,840 Speaker 5: all said the same thing. And when you've eliminated the impossible, 119 00:07:28,920 --> 00:07:33,840 Speaker 5: whatever remains is the truth. There's something, in some sense 120 00:07:34,120 --> 00:07:35,920 Speaker 5: alive in our dreams. 121 00:07:37,560 --> 00:07:44,000 Speaker 2: A sleep demon. Demons aren't real sleep ghost. It's an organism, okay, 122 00:07:44,040 --> 00:07:48,760 Speaker 2: but not like an organism. Organism, Well, think about it. 123 00:07:49,480 --> 00:07:52,640 Speaker 2: There are organisms that survive in hydrothermal events on the 124 00:07:52,680 --> 00:07:56,080 Speaker 2: ocean floor. There are organisms that survive in subduction zones 125 00:07:56,080 --> 00:07:58,640 Speaker 2: in two hundred and twenty degree heat. There are organisms 126 00:07:58,640 --> 00:08:02,240 Speaker 2: that survive in the vacuum of one hundred years ago, 127 00:08:02,280 --> 00:08:05,200 Speaker 2: scientists would have said that was impossible, and those are 128 00:08:05,240 --> 00:08:08,960 Speaker 2: just carbon based life forms from our planet. All I'm 129 00:08:09,000 --> 00:08:12,120 Speaker 2: saying is that organisms thrive in the most extreme and 130 00:08:12,320 --> 00:08:18,680 Speaker 2: unlikely environments, So why not the human mind? So what 131 00:08:18,720 --> 00:08:20,160 Speaker 2: does that make the static. 132 00:08:20,560 --> 00:08:26,920 Speaker 5: A defense mechanism against interlopers in its natural habitat you 133 00:08:27,040 --> 00:08:30,040 Speaker 5: sound insane? Imagine explaining the autom bomb to a caveman. 134 00:08:31,320 --> 00:08:32,800 Speaker 2: Did you just compare me to a caveman? 135 00:08:33,160 --> 00:08:33,199 Speaker 6: No? 136 00:08:35,360 --> 00:08:40,360 Speaker 2: Yes, hey, diego, is now a good time? 137 00:08:40,520 --> 00:08:43,680 Speaker 7: You have two minutes? Really, they'll make a thing of it, 138 00:08:43,760 --> 00:08:44,360 Speaker 7: or this is over. 139 00:08:44,760 --> 00:08:45,920 Speaker 2: Sorry, you took me by. 140 00:08:45,840 --> 00:08:48,040 Speaker 7: Surprise one hundred seconds. 141 00:08:48,280 --> 00:08:49,800 Speaker 2: Okay, how'd you end up here? 142 00:08:51,240 --> 00:08:53,719 Speaker 7: I was eighteen and my nephew was having nighttiares, So 143 00:08:54,000 --> 00:08:56,400 Speaker 7: I researched and found this place. I found a link 144 00:08:56,440 --> 00:08:57,960 Speaker 7: on one of the pages that led to a bunch 145 00:08:57,960 --> 00:08:59,920 Speaker 7: of nonsense. I thought it was a bug at first, 146 00:09:00,040 --> 00:09:00,920 Speaker 7: but it was a test. 147 00:09:01,240 --> 00:09:04,520 Speaker 2: Now I'm here, I can see why she likes you. 148 00:09:04,520 --> 00:09:05,440 Speaker 2: You are her people. 149 00:09:06,120 --> 00:09:07,800 Speaker 7: How would you define her people? 150 00:09:08,559 --> 00:09:13,679 Speaker 2: Goal oriented tunnel vision? Is that all a lack of empathy? 151 00:09:13,760 --> 00:09:14,720 Speaker 2: An emotional voyd. 152 00:09:15,720 --> 00:09:17,240 Speaker 7: I don't care to get to know you better. I 153 00:09:17,240 --> 00:09:18,920 Speaker 7: don't care for you to get to know me better. 154 00:09:19,000 --> 00:09:21,920 Speaker 7: I've participated because I understand their sacrifices you have to 155 00:09:21,920 --> 00:09:23,320 Speaker 7: make in this life to keep the peace. 156 00:09:24,600 --> 00:09:27,480 Speaker 2: You're going to find this annoying, but I find that sweet. 157 00:09:27,840 --> 00:09:29,120 Speaker 2: Thanks for keeping the peace with me. 158 00:09:29,559 --> 00:09:32,120 Speaker 7: I didn't do it for you, for my sister, then 159 00:09:32,320 --> 00:09:33,160 Speaker 7: it's for neither of you. 160 00:09:34,400 --> 00:09:36,800 Speaker 2: Oh my god, you have a crush on Morgan. I 161 00:09:36,840 --> 00:09:39,560 Speaker 2: do not, and you just confided that in me. 162 00:09:39,920 --> 00:09:40,319 Speaker 7: I did not. 163 00:09:40,640 --> 00:09:42,600 Speaker 2: I know you think I'm dumb, but there's only five 164 00:09:42,640 --> 00:09:44,160 Speaker 2: people who work here, and if it's not for me 165 00:09:44,280 --> 00:09:46,160 Speaker 2: or Sadie, it can only be the doc or Morgan. 166 00:09:48,600 --> 00:09:50,800 Speaker 7: I had rock bottom expectations for how this would go, 167 00:09:50,880 --> 00:09:52,280 Speaker 7: and it's so much worse than. 168 00:09:52,240 --> 00:09:54,440 Speaker 2: I thought it would be, and it's so much better 169 00:09:54,480 --> 00:09:56,920 Speaker 2: than I thought it would be. Secrets make friends. So 170 00:09:56,960 --> 00:09:57,720 Speaker 2: we're kind of friends. 171 00:09:57,760 --> 00:10:00,480 Speaker 7: Now, No, we're not. I've answered your question and now 172 00:10:00,520 --> 00:10:01,120 Speaker 7: this is over. 173 00:10:01,480 --> 00:10:04,280 Speaker 2: Thank you for your time. Buddy, we're not buddies, you sure, 174 00:10:04,480 --> 00:10:06,319 Speaker 2: because I only keep secrets for my buddies. 175 00:10:07,559 --> 00:10:13,000 Speaker 6: We'll work on it, as you can see behind me 176 00:10:13,080 --> 00:10:14,080 Speaker 6: right now, wakem. 177 00:10:13,880 --> 00:10:15,319 Speaker 2: Power is in claims. 178 00:10:15,400 --> 00:10:18,959 Speaker 6: The fire started approximately three hours ago at six thirty am. 179 00:10:19,720 --> 00:10:22,400 Speaker 6: About half of the six hundred tenants have been accounted 180 00:10:22,400 --> 00:10:28,040 Speaker 6: for thus far. It's a horrific scene. You can feel 181 00:10:28,040 --> 00:10:31,280 Speaker 6: the heat even where I'm standing forty feet away. The 182 00:10:31,360 --> 00:10:35,120 Speaker 6: firefighters are doing their best to control the blaze. The 183 00:10:35,200 --> 00:10:40,920 Speaker 6: surrounding buildings have been evacuated. A firefighter just ran out 184 00:10:40,960 --> 00:10:46,079 Speaker 6: of the building with a young girl her conditioners on here. 185 00:10:47,440 --> 00:10:51,000 Speaker 2: Joy shit deposit, that's her. That has to be her 186 00:10:51,920 --> 00:10:54,680 Speaker 2: cut on the cheek matches her scar. She didn't miss 187 00:10:54,679 --> 00:10:56,800 Speaker 2: a fire by a day. She was in the fucking building. 188 00:10:58,520 --> 00:10:59,800 Speaker 2: I mean she lied to both of us. 189 00:11:00,920 --> 00:11:03,240 Speaker 4: Why I don't think she was lying? 190 00:11:03,760 --> 00:11:08,520 Speaker 2: Not exactly. Man, this is heavy. I wonder everyone's so 191 00:11:08,600 --> 00:11:11,600 Speaker 2: stressed out all the time. What happens next? 192 00:11:12,600 --> 00:11:15,480 Speaker 4: She has to face the fire? What do you mean 193 00:11:16,640 --> 00:11:44,000 Speaker 4: she has to watch the YouTube video? 194 00:11:45,080 --> 00:11:45,840 Speaker 5: Is this a gimmick? 195 00:11:46,960 --> 00:11:47,679 Speaker 2: Is what a gimmick? 196 00:11:47,840 --> 00:11:49,920 Speaker 5: Your frozen chicken nugget and fries meal that you have 197 00:11:50,000 --> 00:11:52,880 Speaker 5: almost every night? Is it beneficial to your brand or 198 00:11:52,880 --> 00:11:54,360 Speaker 5: something to eat like a five year old? 199 00:11:55,880 --> 00:11:58,040 Speaker 2: Is your drinking a gimmick? I think it's cool to 200 00:11:58,080 --> 00:11:59,920 Speaker 2: walk around with a coffee mug full of Scotch. 201 00:12:01,559 --> 00:12:05,120 Speaker 5: If you maintain the right level of inebriation, it improves 202 00:12:05,240 --> 00:12:09,280 Speaker 5: cognitive function. It's called the Balmer peak. It's proven signs, 203 00:12:10,040 --> 00:12:12,880 Speaker 5: just like how eating nuggets and fries every day will 204 00:12:12,960 --> 00:12:19,240 Speaker 5: kill you before you're fifty. You know what. I'm sorry 205 00:12:19,280 --> 00:12:21,560 Speaker 5: I brought it up. I care about you, that's all. 206 00:12:21,600 --> 00:12:26,160 Speaker 5: But I apologize all good. Andrews tells me you helped 207 00:12:26,200 --> 00:12:30,480 Speaker 5: to make a breakthrough with Josie, and that's generous and 208 00:12:30,520 --> 00:12:32,680 Speaker 5: you're very valuable here. I'm proud of you. 209 00:12:33,400 --> 00:12:33,800 Speaker 2: Thank you. 210 00:12:35,320 --> 00:12:39,960 Speaker 5: I have a confession to make. Really, when I called 211 00:12:40,000 --> 00:12:43,040 Speaker 5: you a few weeks ago, it wasn't a sleep dial. 212 00:12:43,400 --> 00:12:47,280 Speaker 5: I know I was drunk, listening Tonightmares. 213 00:12:47,200 --> 00:12:50,319 Speaker 2: Humble down the Balmer peak, huh. 214 00:12:50,640 --> 00:12:54,120 Speaker 5: I didn't have the courage to contact you sober even 215 00:12:54,120 --> 00:12:55,840 Speaker 5: when you called me out, and I couldn't admit the 216 00:12:55,880 --> 00:13:01,439 Speaker 5: truth that it was a decision. Since you've been here, 217 00:13:01,640 --> 00:13:04,559 Speaker 5: I've been happier, and I wanted you to know that. 218 00:13:07,400 --> 00:13:13,680 Speaker 2: You were unfucking believable. You know that what I mean. 219 00:13:13,760 --> 00:13:16,360 Speaker 2: When we were growing up, it was like you were 220 00:13:16,360 --> 00:13:18,880 Speaker 2: this once in a generation genius and I was just 221 00:13:19,320 --> 00:13:24,200 Speaker 2: your dumb sister. But I loved you so much and 222 00:13:24,240 --> 00:13:27,720 Speaker 2: I've missed you so much. And since i've been here, 223 00:13:27,760 --> 00:13:29,600 Speaker 2: we'll have these moments where I forget why I haven't 224 00:13:29,600 --> 00:13:31,240 Speaker 2: talked to you in seven years, and it's just like 225 00:13:31,320 --> 00:13:35,720 Speaker 2: it used to be. And then and then I remember 226 00:13:35,720 --> 00:13:36,200 Speaker 2: what you did. 227 00:13:37,240 --> 00:13:38,440 Speaker 5: You abandoned me, you know. 228 00:13:40,400 --> 00:13:40,480 Speaker 2: What. 229 00:13:42,200 --> 00:13:44,960 Speaker 5: Instead of grieving with me, you threatened me and cut 230 00:13:45,000 --> 00:13:47,920 Speaker 5: me out of your life. You didn't die, but I 231 00:13:47,960 --> 00:13:49,440 Speaker 5: still lost everyone that night. 232 00:13:49,720 --> 00:13:56,280 Speaker 2: You're mad at me. You drugged and killed our parents, 233 00:13:56,320 --> 00:13:58,440 Speaker 2: You fucking psycho bitch. 234 00:14:02,120 --> 00:14:02,959 Speaker 7: Are you too all right? 235 00:14:03,040 --> 00:14:12,360 Speaker 2: It wasn't us. Came from Josie's room. Josie, are you okay? 236 00:14:12,960 --> 00:14:14,120 Speaker 2: I know what Manifold is. 237 00:14:48,880 --> 00:14:52,280 Speaker 1: You're listening to dream Sequence written and created by Andrew 238 00:14:52,360 --> 00:14:57,480 Speaker 1: Martin Robinson, directed by Dave Beasley and John Brooks. Executive 239 00:14:57,520 --> 00:15:01,320 Speaker 1: producers are Molly Barton, John Brooks, Dave Beasley, and Marcy 240 00:15:01,360 --> 00:15:05,640 Speaker 1: Wiseman for realm Alex Williams, Matt Frederick and Trevor Young 241 00:15:05,720 --> 00:15:09,960 Speaker 1: for iHeart Podcasts, Chris Dicky and Noah Feinberg for Blumhouse Television, 242 00:15:10,560 --> 00:15:14,800 Speaker 1: starring Jesse Case and Alice Kremelberg, with performances by Shalini, 243 00:15:14,840 --> 00:15:20,840 Speaker 1: Bethina Einer, Gunn, Nick Osborne, Winifred, Anne Concannon, Tara Brown, 244 00:15:21,240 --> 00:15:28,920 Speaker 1: Emily Barry, Linnelle Scott, Shannon McClung, Dave Huber, Hugo Armstrong, Cooper, Tomilson, 245 00:15:29,280 --> 00:15:35,320 Speaker 1: Joel Haberley, Simaj Miller, Dean Simone, and Brian Finney. Additional 246 00:15:35,400 --> 00:15:40,160 Speaker 1: voices by Patrick Higney, Fred Greenhalge, John Brooks, Christina Teleska, 247 00:15:40,200 --> 00:15:44,520 Speaker 1: and Kaylan West. Casting by Sunday Bowling, Kennedy CSA and 248 00:15:44,560 --> 00:15:49,480 Speaker 1: Meg Mormon CSA. Producers for realm are Fred Greenholge, Marcus Thorne, 249 00:15:49,480 --> 00:15:55,480 Speaker 1: Bagala and Rhoda Bayessa. Associate producer Michael Colter, Production manager 250 00:15:55,560 --> 00:16:00,760 Speaker 1: Devin Shepherd, Production coordinator Angela Yee. Dialogue editing by Corey Barton, 251 00:16:01,240 --> 00:16:04,760 Speaker 1: Sound designed by Rory O'sha and Dan Powell. Final mixed 252 00:16:04,760 --> 00:16:08,760 Speaker 1: by Kaylan West. Original score composed by Marcus Thorne. Begala 253 00:16:09,160 --> 00:16:12,680 Speaker 1: Songs for Josie by Kaylan West, recorded at Real Voice 254 00:16:12,720 --> 00:16:16,200 Speaker 1: Los Angeles and Citybox, New York City. This podcast was 255 00:16:16,240 --> 00:16:20,480 Speaker 1: recorded under a SAG after collective bargaining agreement. Dream Sequence 256 00:16:20,520 --> 00:16:24,200 Speaker 1: is a production of iHeart Podcasts, Blumhouse Television, and Realm. 257 00:16:24,400 --> 00:16:28,800 Speaker 1: Find more great podcasts by visiting the iHeartRadio app, Apple Podcasts, 258 00:16:28,920 --> 00:16:30,840 Speaker 1: or wherever you listen to your favorite show.