WEBVTT - Selects: The Max Headroom Affair

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<v Speaker 1>Hi, everyone, This is Chuck on a Saturday and want

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<v Speaker 1>you to open your mind. I want you to go

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<v Speaker 1>back in time, jumping the way back machine and join me,

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<v Speaker 1>because it's June in my mind's eye. And on that

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<v Speaker 1>date we talked about one of my favorite podcast titles

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<v Speaker 1>and favorite incidents in the United States history, that Max

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<v Speaker 1>Droom incident. Welcome to Stuff You Should Know, a production

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<v Speaker 1>of I Heart Radio. Hey, and welcome to the podcast.

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<v Speaker 1>I'm Josh Clark, There's Chuck Bryant, Jerry Roland. Pretty good,

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<v Speaker 1>it's pretty good. And this is Stuff you should Know.

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<v Speaker 1>Josh ed Room. Thank you you've been I saw you

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<v Speaker 1>over there with your earbuds today. You were working on

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<v Speaker 1>this all day, weren't you. I watched season one, episode

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<v Speaker 1>one of Max Headroom, like the last ten minutes is

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<v Speaker 1>still pending, okay, but it's crazy Like Max Headroam himself

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<v Speaker 1>doesn't show up until like forty minutes into the first

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<v Speaker 1>hour long episode, but when he does, it's dynamite. So

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<v Speaker 1>what are we talking about. We're talking about Max Headroom,

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<v Speaker 1>that's right. A huge shout out at the beginning of

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<v Speaker 1>this two buis dot Com, specifically Motherboard, specifically Alex Pasternak, Yeah,

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<v Speaker 1>who wrote the article on Motherboard, And we actually we

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<v Speaker 1>used to blog a little bit for them back in

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<v Speaker 1>the day. I remember that. Yeah. I don't think they

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<v Speaker 1>like to talk about that or acknowledge it publicly, you know,

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<v Speaker 1>I don't think so. Oh, I think it was mutually beneficial.

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<v Speaker 1>I'll bet you can't find those on motherboard anymore. I'm

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<v Speaker 1>trying to remember. I'm sure they were, like I think

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<v Speaker 1>I read one about driving a stick shift versus automatic

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<v Speaker 1>or something weird. That's a big one. Yeah. We started

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<v Speaker 1>out with an old fashioned recipe. I think, yeah, that

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<v Speaker 1>was you. They were like, let's do better than this

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<v Speaker 1>guy's and we said no, and then they said we

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<v Speaker 1>got our own people. Yeah, well let somebody come in

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<v Speaker 1>and ghost right for you. Yeah. So that Motherboard articles

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<v Speaker 1>the basis and from what I found, I mean, we

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<v Speaker 1>we used a lot of different sources on this, but

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<v Speaker 1>this article entitled the Mystery of the Creepiest Television Heck

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<v Speaker 1>is sort of the culmination like the Kuda gra kDa

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<v Speaker 1>Graw of Max Headroom incidental articles. Yeah, it actually really

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<v Speaker 1>good job past her neck, like very exhaustively investigated it

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<v Speaker 1>and turned up new information, got new new um, a

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<v Speaker 1>new understanding of it and basically contributed to the mythos

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<v Speaker 1>of it himself. So a way to go pastor neck right,

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<v Speaker 1>And what we're talking about is if you if you

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<v Speaker 1>don't know who Max Headroom at all is, We're about

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<v Speaker 1>to set that up. Yeah, let's talk about Max headrom

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<v Speaker 1>But if you were alive during the nineteen eighties, then

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<v Speaker 1>you probably know who Max had Room is because weirdly,

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<v Speaker 1>for a brief few years it was kind of a

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<v Speaker 1>big pop culture thing about four years by my by

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<v Speaker 1>my calculations. So starting in there was a movie called

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<v Speaker 1>Max Headroom Colon so you know his an important movie

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<v Speaker 1>twenty Minutes in the Future, right, and it was a

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<v Speaker 1>kind of a cyberpunk movie, Um dys Topium future very

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<v Speaker 1>Terry Gilliam brazil ish um, and it was I'm not

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<v Speaker 1>I haven't seen that one, but it was basically where

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<v Speaker 1>the character of Max Headroom was born, right, And I

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<v Speaker 1>think it actually formed the basis for the TV show

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<v Speaker 1>later In between the later TV show that you and

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<v Speaker 1>I are more familiar with and that movie, Max Headroom

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<v Speaker 1>was a pop culture sensation. He was a pitchman for

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<v Speaker 1>New Coke. I went and watched an old ad. He

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<v Speaker 1>was in an ad with run DMC pitching you coke,

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<v Speaker 1>and I was like, doesn't get any more eighties than this?

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<v Speaker 1>But it was actually a pretty cool ad, right was it?

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<v Speaker 1>Did it say here's a little story A need to

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<v Speaker 1>tell about a new coke on the scene that he loved.

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<v Speaker 1>So well, that was exactly word for word how that

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<v Speaker 1>ad went. So so let's back up a little more. Right, Okay,

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<v Speaker 1>let's describe what Max Headroom is for the kids, because

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<v Speaker 1>I guarantee about eight percent of our our audience are like,

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<v Speaker 1>what's the eighties? What's new coke? Who's run DMC? Well

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<v Speaker 1>that's probably not true, but what so what was Max Headroom?

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<v Speaker 1>He was builed as like the first virtual um talk

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<v Speaker 1>show host, right correct? Okay, yeah, so he was played

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<v Speaker 1>by guy named Matt Frewer, who, out of prosthetic makeup,

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<v Speaker 1>had that look anyway, very chiseled, square jawed. He was

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<v Speaker 1>not bald, but had he had a receding hairline. Okay,

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<v Speaker 1>but he kept it really really short, so he kind

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<v Speaker 1>of looks bald. Yeah, here, this will explain it to

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<v Speaker 1>all the kids at home. He was a colleague of

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<v Speaker 1>Murphy Brown and the Murphy Brown Television. Yeah, they're like,

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<v Speaker 1>oh that guy, Yeah, not the painter, the other one,

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<v Speaker 1>the love interest. I don't think I knew that. I

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<v Speaker 1>never watched Murphy Brown though. Oh man, I hope that

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<v Speaker 1>was him. I'm pretty sure it was him. Yeah. Yeah,

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<v Speaker 1>well he's been around, he's still acting today. But yes,

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<v Speaker 1>he played the character of Max Headroom, and the TV

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<v Speaker 1>show Max Headroom was actually pretty far ahead of its time,

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<v Speaker 1>totally speaking. Yeah, So the whole, the whole premise of

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<v Speaker 1>the TV show The Last his big last, great gasp

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<v Speaker 1>that was actually the most serious of all of it

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<v Speaker 1>was where in the future TV networks controlled the world,

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<v Speaker 1>and there was the station that network twenty three that

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<v Speaker 1>Matt Frewer's character and later Max Headroom, who became his

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<v Speaker 1>alter ego, worked for. We're putting these things called blip

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<v Speaker 1>verts out. Yeah. His his character's name was Edison Carter

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<v Speaker 1>at first, and he was like an investigative journey list. So, um,

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<v Speaker 1>he starts looking into these blip firts because the problem

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<v Speaker 1>with blip firsts they are thirty second ads compressed into

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<v Speaker 1>three seconds, and it's meant to keep you from changing

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<v Speaker 1>the channel. The problem is that everybody watched so much

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<v Speaker 1>TV by this time, they didn't move around, which meant

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<v Speaker 1>that all of the electricity generated by their nerve endings

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<v Speaker 1>wasn't burned off as how the how the show explained it.

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<v Speaker 1>So when their brains were assaulted with these blip furts,

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<v Speaker 1>they kind of short circuited, and all that electricity that

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<v Speaker 1>was just hanging around their bodies because they weren't moving

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<v Speaker 1>at all during the day, made them explode. The network

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<v Speaker 1>really liked blip verts and they didn't want to get

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<v Speaker 1>rid of them, so they decided to instead get rid

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<v Speaker 1>of Edison Carter. Yeah, and the TV advertising at the time,

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<v Speaker 1>or advertising in general sort of not only did TV

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<v Speaker 1>rule the world, but the ads behind it was really

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<v Speaker 1>the driving force. It sounds very familiar, it does. Everyone's like,

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<v Speaker 1>take a blip furture, give me a three second ad

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<v Speaker 1>on the podcast guys, it will blow you up. So

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<v Speaker 1>what they what ended up happening was was the character

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<v Speaker 1>of Edison Carter eventually was there was an incident not

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<v Speaker 1>the Max Headroom, It's in it where he was left

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<v Speaker 1>in a coma in an episode the first episode, Oh yeah,

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<v Speaker 1>the pilot of course, and the last thing he sees

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<v Speaker 1>before falling into a coma is a sign that said

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<v Speaker 1>Max Headroom colon two point three meters uh, and so

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<v Speaker 1>that's how he got the name Max Heterom. Right. It

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<v Speaker 1>was in like a parking garage and it was basically saying,

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<v Speaker 1>this is the overhead clearance. Is the way it's put

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<v Speaker 1>in the United States. Yeah, right, so that's the name

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<v Speaker 1>Max Headroum. Right. But he was an AI character, right,

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<v Speaker 1>So the the Evil TV network got ahold of him,

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<v Speaker 1>uploaded his brain um and they originally did this with

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<v Speaker 1>the intent of bringing Edison Carter because again he was

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<v Speaker 1>like their star reporter, bring him back in virtual forms.

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<v Speaker 1>They created an artificial intelligence. Well, it was kind of

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<v Speaker 1>glitchy and blippy and it looked weird, so they threw

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<v Speaker 1>it out. Well, some pirate broadcasters got ahold of this,

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<v Speaker 1>this database that that Max Hendrom lived on, and they

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<v Speaker 1>started broadcasting with him, and Max Hendrom was born. That's right.

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<v Speaker 1>And you said glitchy and blippy, and that kids explains

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<v Speaker 1>your intro when you went to Josh. Yeah, yeah, I

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<v Speaker 1>was doing thank you for explaining that. Yeah, that bears

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<v Speaker 1>Josh was He's He's okay everybody. So that's what Max

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<v Speaker 1>Headroom did. It was jittery, it was blippy. Like you said,

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<v Speaker 1>the background was this weird sort of horizontal and diagonal

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<v Speaker 1>line moving around thing, and that was all part of

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<v Speaker 1>this at the time sort of futuristic look. He was

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<v Speaker 1>also really sarcastic and really catty, and he was really um.

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<v Speaker 1>He poked fun at censorship, and he was just kind

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<v Speaker 1>of like a cult hero just the character itself. Right.

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<v Speaker 1>The awesome thing about him is in the real world

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<v Speaker 1>of we didn't have any kind of computers that could

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<v Speaker 1>generate a c g I post, so they actually used

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<v Speaker 1>like prosthetics, Like there's a four hour process to put

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<v Speaker 1>Matt frew Er into the Max Headroom makeup. So it's

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<v Speaker 1>the guy acting and then you know, they messed with

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<v Speaker 1>the video a little bit. But it wasn't a c

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<v Speaker 1>a c g I version of a guy. It was

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<v Speaker 1>a guy acting like he was a c g I

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<v Speaker 1>version of himself, right, which is why if, for instance,

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<v Speaker 1>if Max Headroom the character were to appear on say

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<v Speaker 1>David Letterman, which he did, it would be Letterman interviewing

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<v Speaker 1>a TV screen, which is what they did. But it

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<v Speaker 1>was actually Matt Freuer in another studio. He was probably

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<v Speaker 1>just backstage broadcast and it's really like, as a kid,

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<v Speaker 1>I did not get all this. No, I just thought

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<v Speaker 1>it was a I didn't you know what it was

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<v Speaker 1>because I've never seen the show. I thought he was

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<v Speaker 1>the coke guy, right, right, And I think I've seen

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<v Speaker 1>the show a little bit. I was like, this is

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<v Speaker 1>way too grown up for me. Um, But I think

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<v Speaker 1>I just kind of took it on faith that he

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<v Speaker 1>was computer generated or something like that. I didn't really

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<v Speaker 1>think about it much. But now as an adult looking back,

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<v Speaker 1>I'm like, that is brilliant and really difficult. And the

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<v Speaker 1>fact that they did this and pulled it off as

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<v Speaker 1>well as they did, it's it's it's a it's a

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<v Speaker 1>pretty amazing thing, right, And you can kind of understand

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<v Speaker 1>how Max Headroom with all that information now became this

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<v Speaker 1>kind of cult icon, especially among cyberpunks at the time,

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<v Speaker 1>and what just keep saying cyberpunk. So so let me

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<v Speaker 1>let me I'm I'm I'm not like particularly well versed

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<v Speaker 1>in like what constitutes cyberpunk, but like it's like pornography

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<v Speaker 1>to a Supreme Court justice, Like I know it when

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<v Speaker 1>I see it, right, Sure, So if you watch the

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<v Speaker 1>Max Headroom show, you're like, that's cyberpunk. RoboCop is supposedly cyberpunk, right.

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<v Speaker 1>It's like a bleak technological future where people are controlled

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<v Speaker 1>by almost down to their minds, by the government or

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<v Speaker 1>some corporation or some amalgamation of the two. That's pretty cyberpunk, right.

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<v Speaker 1>So at the time you had what are called geeks

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<v Speaker 1>and nerds, but they are not really what you would

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<v Speaker 1>call the geek or a nerd today. Right, somebody who

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<v Speaker 1>wears like glasses that don't actually have prescription glass in them?

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<v Speaker 1>Do people do that? That's some people do. I did

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<v Speaker 1>that in the fourth grade. Well, then you were a

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<v Speaker 1>geek apparently. No. I was a prep and I wore

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<v Speaker 1>those little tortoiseshell round uh preppy glasses because that was

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<v Speaker 1>a cool look. And actually, when it's it's one of

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<v Speaker 1>my least proud moments fashion wise, has actually bought fake

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<v Speaker 1>glasses and wore them around. You have photos of those.

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<v Speaker 1>I'd really have to dig through some boxes. I think

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<v Speaker 1>I speak for everyone when I say started digging dig Yeah,

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<v Speaker 1>it was not my proudest moment. Yeah, I'd like to

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<v Speaker 1>see that picture. So um, at the time, people who

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<v Speaker 1>were geeks and nerds, that whole culture was very much

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<v Speaker 1>derided and pushed around. I mean, look at the Revenge

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<v Speaker 1>of the Nerds, right like they came out on top.

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<v Speaker 1>I watched a little bit of that just the other night.

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<v Speaker 1>This is probably the earliest celebration of nerd culture. It

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<v Speaker 1>was not something that was like venerated or subscribed to

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<v Speaker 1>by anyone who wasn't a genuine nerd or geek. And

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<v Speaker 1>these were a very rarefied group of people who really

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<v Speaker 1>knew what they were doing with computers at a time

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<v Speaker 1>when almost no one else did. Early adopters across the

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<v Speaker 1>board very much so. Right, so, so Max Drum is

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<v Speaker 1>kind of a cult hero to this guy, and um,

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<v Speaker 1>that kind of sets up what happened on November twenty

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<v Speaker 1>two in a little town called Chicago, Illinois, the city

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<v Speaker 1>of dusty city that doesn't ever sleep, never, the windy city.

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<v Speaker 1>That's it. There you go of all time, the windy

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<v Speaker 1>city of all time. Yeah, so that sets the stage.

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<v Speaker 1>We know who who the character of Max Headroom was? Then? Yes?

0:13:19.800 --> 0:13:22.160
<v Speaker 1>Are you sure I set the stage? I think so?

0:13:22.480 --> 0:13:24.800
<v Speaker 1>Did we set the stage fully? Here? It looks nice?

0:13:24.880 --> 0:13:28.880
<v Speaker 1>All right? Let's do so at pm on that November

0:13:29.280 --> 0:13:35.080
<v Speaker 1>night in Chicago, four days before Thanksgiving. Yeah, so everyone

0:13:35.120 --> 0:13:37.480
<v Speaker 1>was in that frame of mind. Put yourself there. I

0:13:37.520 --> 0:13:39.280
<v Speaker 1>think that that helps a lot. It helped me at

0:13:39.320 --> 0:13:43.040
<v Speaker 1>least football seasons going on. Yeah. As a matter of fact,

0:13:43.080 --> 0:13:46.880
<v Speaker 1>just that very day, the Bears had beat the Lions,

0:13:47.520 --> 0:13:49.760
<v Speaker 1>which you know, it's a long time ago. Because the

0:13:49.800 --> 0:13:54.240
<v Speaker 1>Bears won a football game, the people in the Windy

0:13:54.240 --> 0:13:56.000
<v Speaker 1>City of all time are not going to be happy

0:13:56.040 --> 0:14:00.079
<v Speaker 1>with you for that city time. Oh and there is

0:14:00.120 --> 0:14:06.280
<v Speaker 1>a sportscaster on local channel nine, uh Dan Rone r

0:14:06.440 --> 0:14:08.480
<v Speaker 1>A N and he was he was going over the

0:14:08.520 --> 0:14:10.960
<v Speaker 1>highlights of that football game. Then all of a sudden,

0:14:11.320 --> 0:14:17.240
<v Speaker 1>right in the middle, the broadcast signal goes, it makes

0:14:17.280 --> 0:14:20.800
<v Speaker 1>those noise noises. And then over at w g N

0:14:20.840 --> 0:14:24.760
<v Speaker 1>the control room, they were like, what's what's going on here?

0:14:24.840 --> 0:14:26.800
<v Speaker 1>We have no idea what this is. I think the

0:14:26.840 --> 0:14:33.400
<v Speaker 1>exact quote was a girl. So Um. What happened was

0:14:33.520 --> 0:14:36.000
<v Speaker 1>they eventually what what what they were doing at the

0:14:36.000 --> 0:14:37.560
<v Speaker 1>time was. And this is how We're not going to

0:14:37.680 --> 0:14:40.360
<v Speaker 1>go into the weeds here on how broadcast signals work.

0:14:41.040 --> 0:14:43.080
<v Speaker 1>But what they did back in the day was they

0:14:43.080 --> 0:14:47.480
<v Speaker 1>broadcast microwave transmissions to antenna's at the top of the

0:14:47.520 --> 0:14:50.080
<v Speaker 1>tallest buildings of whatever city that they were in for

0:14:50.160 --> 0:14:53.160
<v Speaker 1>local TV, for local TV, which is I mean there

0:14:53.240 --> 0:14:55.440
<v Speaker 1>was cable at the time, but local TV still kind

0:14:55.440 --> 0:14:58.440
<v Speaker 1>of ruled, yeah, and in the well sort of in

0:14:58.440 --> 0:15:02.440
<v Speaker 1>the late eighties, right, So like darting to Segue, Yeah,

0:15:02.480 --> 0:15:04.720
<v Speaker 1>for sure, cable is you know, kind of a thing.

0:15:04.800 --> 0:15:07.240
<v Speaker 1>But you if you were a local TV station, you

0:15:07.320 --> 0:15:09.400
<v Speaker 1>still have a pretty big market share of it, right,

0:15:09.760 --> 0:15:11.960
<v Speaker 1>especially w g N in Chicago. I mean it's like

0:15:12.040 --> 0:15:15.320
<v Speaker 1>Chicago station, right absolutely. So what you what I think

0:15:15.360 --> 0:15:18.800
<v Speaker 1>you're saying is that in a studio, whatever they're recording

0:15:18.880 --> 0:15:22.160
<v Speaker 1>or shooting or playing on their their little video tapes,

0:15:23.200 --> 0:15:27.560
<v Speaker 1>they're they're beaming that from the actual studio to a transmitter,

0:15:27.680 --> 0:15:30.000
<v Speaker 1>say atop a very tall building, and then that just

0:15:30.080 --> 0:15:32.200
<v Speaker 1>kind of bounces around to other transmitters. And that's how

0:15:32.240 --> 0:15:36.080
<v Speaker 1>everybody in Chicago gets their w g N signal, right, Right,

0:15:36.200 --> 0:15:39.880
<v Speaker 1>So all of a sudden, during the sportscast, it skits

0:15:39.960 --> 0:15:41.960
<v Speaker 1>is out and then all of a sudden you see

0:15:42.000 --> 0:15:48.160
<v Speaker 1>a a guy in a suit, uh wearing a max

0:15:48.200 --> 0:15:54.040
<v Speaker 1>headroom mask and it was there was no audio that

0:15:54.120 --> 0:15:57.440
<v Speaker 1>was I guess the problem with this first intrusion that

0:15:57.520 --> 0:16:01.120
<v Speaker 1>was called a broadcast intrusion. Yeah, but you couldn't hear anything.

0:16:01.520 --> 0:16:03.840
<v Speaker 1>But I'm sure it was certainly distressing to a viewer

0:16:04.440 --> 0:16:06.960
<v Speaker 1>to see this kind of weird thing happened, especially if

0:16:07.000 --> 0:16:09.360
<v Speaker 1>viewer who wanted to know what the heck happened between

0:16:09.400 --> 0:16:13.000
<v Speaker 1>the Bears and the Lions that day. And Um, the

0:16:13.000 --> 0:16:15.360
<v Speaker 1>whole thing lasted I think like eleven seconds or some

0:16:15.560 --> 0:16:17.520
<v Speaker 1>very short amount of time. Yeah, this was a short

0:16:17.560 --> 0:16:21.000
<v Speaker 1>one before um, the w g N engineers went and

0:16:21.120 --> 0:16:25.480
<v Speaker 1>switched to the backup transmitter and and I guess transmitted

0:16:25.520 --> 0:16:29.800
<v Speaker 1>on a slightly different signal and brought the broadcast the

0:16:29.840 --> 0:16:34.400
<v Speaker 1>sportscaster back on and Dan Rone was like, uh, if

0:16:34.480 --> 0:16:38.600
<v Speaker 1>you're wondering what just happened, so am I right? There's

0:16:38.600 --> 0:16:40.240
<v Speaker 1>a chuckle in between. I wasn't going to do my

0:16:40.280 --> 0:16:43.120
<v Speaker 1>impression of it, but it's good. You should watch it,

0:16:43.240 --> 0:16:47.280
<v Speaker 1>like somebody just go look it up. Right. So Federal Investigators,

0:16:47.560 --> 0:16:50.880
<v Speaker 1>the FEC that is, was called in to investigate, um,

0:16:51.040 --> 0:16:54.360
<v Speaker 1>what technically is well not technically, it's a crime to

0:16:54.480 --> 0:16:57.920
<v Speaker 1>do so. And then just a few minutes later they thought, well,

0:16:57.960 --> 0:17:00.440
<v Speaker 1>this is probably coming from inside the building, and so

0:17:00.480 --> 0:17:02.600
<v Speaker 1>that's the first place they started looking, they said, the

0:17:02.640 --> 0:17:07.840
<v Speaker 1>intrusions coming from inside the building exactly. They didn't find anybody, though,

0:17:07.880 --> 0:17:11.800
<v Speaker 1>I mean it was as you'll see after we explained further,

0:17:12.320 --> 0:17:15.640
<v Speaker 1>it would make sense that you would look in the building, yeah, right,

0:17:16.000 --> 0:17:19.720
<v Speaker 1>for something like this inside job. There apparently was not

0:17:19.800 --> 0:17:21.960
<v Speaker 1>an inside job at least as far as the w

0:17:22.119 --> 0:17:26.399
<v Speaker 1>g N Engineers Search was concerned. Right, right, So that

0:17:26.480 --> 0:17:29.880
<v Speaker 1>was at nine fourteen. About two hours later, I think,

0:17:29.920 --> 0:17:34.280
<v Speaker 1>at eleven fifteen, on another channel in Chicago, w t

0:17:34.280 --> 0:17:37.879
<v Speaker 1>t W, which was the PBS station, they were airing

0:17:37.960 --> 0:17:41.920
<v Speaker 1>an episode of Doctor Who called the Horror on fang Island,

0:17:42.240 --> 0:17:45.240
<v Speaker 1>fang Rock, fang Rock, Horror of fang Rock. You have

0:17:45.320 --> 0:17:48.520
<v Speaker 1>to say it like that, though, the Horror of fang Rock.

0:17:48.840 --> 0:17:52.200
<v Speaker 1>Thank you. And this is the Tom Baker doctor. Okay,

0:17:52.240 --> 0:17:56.280
<v Speaker 1>that's the only one I recognize that. Really he's seventies, right, Hey,

0:17:56.320 --> 0:17:59.159
<v Speaker 1>I'm no doctor who, guys, don't it looked like it

0:17:59.160 --> 0:18:01.040
<v Speaker 1>looked like the seven is what they cut in on.

0:18:01.119 --> 0:18:04.600
<v Speaker 1>Look pretty seventies. It didn't look eighty seven, so who

0:18:04.680 --> 0:18:08.080
<v Speaker 1>would think it would be seven? I'm guessing it was

0:18:08.119 --> 0:18:10.800
<v Speaker 1>a rerun on PBS. That's what I think all right,

0:18:11.160 --> 0:18:14.120
<v Speaker 1>we'll find out and oh man, we're going to find

0:18:14.160 --> 0:18:17.160
<v Speaker 1>out too. Are that would have been super easy to check? Yeah,

0:18:17.880 --> 0:18:21.199
<v Speaker 1>at any rate, um the the in the middle of

0:18:21.200 --> 0:18:25.040
<v Speaker 1>this Doctor Who episode, it suddenly cuts out again, and

0:18:25.720 --> 0:18:28.760
<v Speaker 1>now you've got what appears to be the full run

0:18:29.400 --> 0:18:33.160
<v Speaker 1>of this Max headroom intrusion. Yes, instead of thirty seconds,

0:18:33.200 --> 0:18:36.280
<v Speaker 1>this one was a minute in twenty two seconds. And

0:18:36.359 --> 0:18:40.560
<v Speaker 1>right now I would say, if you are somewhere where

0:18:40.600 --> 0:18:45.560
<v Speaker 1>you can pause and go to a video online video

0:18:45.640 --> 0:18:49.240
<v Speaker 1>carrier of your choosing and type in Max headroom incident,

0:18:50.040 --> 0:18:52.280
<v Speaker 1>spend the next minute in twenty two seconds watching it.

0:18:52.640 --> 0:18:55.280
<v Speaker 1>We'll wait and we'll wait. We'll just in cert a

0:18:55.280 --> 0:18:58.080
<v Speaker 1>minute seconds of silence here. How about this, Let's take

0:18:58.080 --> 0:19:00.600
<v Speaker 1>a break and then we'll come back, and then we'll

0:19:00.600 --> 0:19:03.040
<v Speaker 1>talk about exactly what happened during that minute in twenty

0:19:03.080 --> 0:19:27.639
<v Speaker 1>two seconds. Okay, we're back. Did you watch it? Are

0:19:27.680 --> 0:19:31.320
<v Speaker 1>you talking to me? Okay, look at you. I'm guessing

0:19:31.320 --> 0:19:33.560
<v Speaker 1>that people people did watch it. A few people did,

0:19:33.640 --> 0:19:36.280
<v Speaker 1>smart ones did. Because this is really tough to describe,

0:19:36.320 --> 0:19:39.960
<v Speaker 1>and we're going to try, but it's something you really

0:19:40.000 --> 0:19:44.920
<v Speaker 1>have to see. You in here, it's genuinely disturbing sitting

0:19:44.960 --> 0:19:48.000
<v Speaker 1>in an office years later watching it, and I can

0:19:48.040 --> 0:19:51.360
<v Speaker 1>imagine if I was at home, I would have probably

0:19:51.720 --> 0:19:55.640
<v Speaker 1>been a little freaked out. You found it disturbing, Yeah,

0:19:55.840 --> 0:19:59.800
<v Speaker 1>I found it hilarious in like a really juvenile way.

0:20:00.359 --> 0:20:03.680
<v Speaker 1>It creeps me out. It was like watching David Byrne

0:20:03.680 --> 0:20:05.919
<v Speaker 1>on acid at a talking head show. That's what I

0:20:05.960 --> 0:20:09.040
<v Speaker 1>think of when I saw that. You know, all right,

0:20:09.119 --> 0:20:11.920
<v Speaker 1>so let's let's describe the scene here. Okay, so you

0:20:12.040 --> 0:20:15.400
<v Speaker 1>got Max Headroom, Well, actually a dude wearing a rubber mask,

0:20:15.440 --> 0:20:19.560
<v Speaker 1>a rubber Halloween mask of Max Headroom. And this this

0:20:19.640 --> 0:20:23.200
<v Speaker 1>is just genius to me. So you mentioned earlier about

0:20:23.240 --> 0:20:26.199
<v Speaker 1>how the um Max headroom had like these kind of

0:20:26.359 --> 0:20:28.680
<v Speaker 1>grid lines behind them at all times and they kind

0:20:28.680 --> 0:20:31.800
<v Speaker 1>of moved and adjusted. They were different colors to do

0:20:31.920 --> 0:20:35.520
<v Speaker 1>to to simulate that these guys had like a piece

0:20:35.560 --> 0:20:40.360
<v Speaker 1>of corrugated metal, shiny metal, and I guess they had

0:20:40.359 --> 0:20:43.280
<v Speaker 1>an attached somehow to something that rocked it back and forth,

0:20:43.920 --> 0:20:46.480
<v Speaker 1>and they kind of somebody was clearly rocking it back

0:20:46.520 --> 0:20:49.679
<v Speaker 1>and forth here there erratically, And it really does a

0:20:49.720 --> 0:20:52.640
<v Speaker 1>good job. It gets the point across that it looked

0:20:52.640 --> 0:20:54.720
<v Speaker 1>like the maxid Room TV show. The Yeah, the back

0:20:54.760 --> 0:20:59.439
<v Speaker 1>of the character. Yes, but again I would say that

0:20:59.480 --> 0:21:03.040
<v Speaker 1>this person is very very clearly on acid. Well, I

0:21:03.040 --> 0:21:05.160
<v Speaker 1>think what disturbs me, and I need to make it clear.

0:21:05.240 --> 0:21:08.600
<v Speaker 1>It is definitely funny and stupid, But what disturbs me

0:21:08.720 --> 0:21:12.280
<v Speaker 1>is the sound of the voice, which is all garble.

0:21:12.359 --> 0:21:16.240
<v Speaker 1>It's really like on YouTube. It has subtitles, thankfully because

0:21:16.280 --> 0:21:17.879
<v Speaker 1>it's hard to make out, and a lot of times

0:21:17.880 --> 0:21:20.480
<v Speaker 1>it just says can't you know understand what he's saying

0:21:20.560 --> 0:21:23.840
<v Speaker 1>or whatever? Uh, and the garble quality and just the

0:21:24.000 --> 0:21:29.199
<v Speaker 1>random weirdness that's going on. It's not like it was

0:21:29.240 --> 0:21:32.440
<v Speaker 1>creepier to me than if V for Vendetta dude had

0:21:32.440 --> 0:21:34.280
<v Speaker 1>to come on, Guy Fox had to come on and said,

0:21:34.640 --> 0:21:36.440
<v Speaker 1>you know, we are coming into your thing to tell

0:21:36.480 --> 0:21:39.480
<v Speaker 1>you this about this This was just so weird and

0:21:39.480 --> 0:21:42.360
<v Speaker 1>all over the place. It was creepy to me. Yeah,

0:21:42.440 --> 0:21:44.400
<v Speaker 1>well yeah, yeah, I see what you mean, Like you're

0:21:44.400 --> 0:21:50.320
<v Speaker 1>watching some somebody's brain slightly damaged. Yeah, felt watching somebody

0:21:50.320 --> 0:21:54.200
<v Speaker 1>lose their mind. Right, Okay, yeah, totally get that. Um,

0:21:54.240 --> 0:21:57.000
<v Speaker 1>And here's here's what the guy did that would make

0:21:57.119 --> 0:22:01.320
<v Speaker 1>you feel like he lost his mind. Um, this is

0:22:01.359 --> 0:22:04.359
<v Speaker 1>the weird thing to me. It's it's very targeted towards

0:22:04.520 --> 0:22:08.919
<v Speaker 1>w g N, right, almost so much so that some

0:22:09.000 --> 0:22:11.879
<v Speaker 1>people would say this was clearly somebody who had a

0:22:11.920 --> 0:22:14.600
<v Speaker 1>grudge against w g N. He makes fun of the

0:22:14.640 --> 0:22:19.000
<v Speaker 1>bulls um sportscaster, the guy who worked for w g

0:22:19.160 --> 0:22:21.960
<v Speaker 1>N at the time. He makes reference to how he

0:22:22.080 --> 0:22:26.960
<v Speaker 1>just made a masterpiece for the Greatest World's Newspaper Nerds,

0:22:27.520 --> 0:22:30.560
<v Speaker 1>which was a messed up version of w g n's

0:22:30.600 --> 0:22:34.680
<v Speaker 1>call letters stand for World's Greatest Newspaper. He wields a

0:22:34.760 --> 0:22:38.120
<v Speaker 1>rubber penis. That's one. Although it was great and almost

0:22:38.119 --> 0:22:40.680
<v Speaker 1>every article it was referred to as a marital aid.

0:22:41.680 --> 0:22:44.920
<v Speaker 1>Did you see that? No? But uh, I actually guessed

0:22:44.920 --> 0:22:47.960
<v Speaker 1>it on Strickland's Tech stuff like four years ago, and

0:22:48.040 --> 0:22:49.960
<v Speaker 1>we covered this and I called it a marital aide,

0:22:50.080 --> 0:22:53.680
<v Speaker 1>did you Okay? So I wanted to keep it clean.

0:22:55.400 --> 0:22:58.400
<v Speaker 1>I realized that saying the word penis is okay, Well,

0:22:58.440 --> 0:23:01.399
<v Speaker 1>it's clinical. I mean, we did a puberty episode, surely

0:23:01.440 --> 0:23:05.440
<v Speaker 1>we have the chops to say penis. But marital aide

0:23:05.480 --> 0:23:09.040
<v Speaker 1>is hilarious, especially in this context like this crazy dude

0:23:09.040 --> 0:23:14.320
<v Speaker 1>on acid wearing a max headroom mask. Is has a

0:23:14.359 --> 0:23:16.719
<v Speaker 1>marital aid. No, he doesn't, that's not what that is

0:23:16.800 --> 0:23:20.119
<v Speaker 1>in that context. Yeah, and that's a new T shirt.

0:23:20.200 --> 0:23:22.520
<v Speaker 1>By the way, what we have the chops to say

0:23:22.520 --> 0:23:26.680
<v Speaker 1>penis So that's a band name. Let's go ahead and

0:23:26.760 --> 0:23:29.280
<v Speaker 1>use some of the let's go and say some of

0:23:29.320 --> 0:23:32.080
<v Speaker 1>the direct quotes. So he comes on and he goes

0:23:32.400 --> 0:23:36.680
<v Speaker 1>he's a freaking nerd. I think I'm better than Chuck Swarsky,

0:23:36.800 --> 0:23:39.760
<v Speaker 1>freaking liberal. That's a really good impression of it. And

0:23:39.840 --> 0:23:44.320
<v Speaker 1>Chuck Swarsky was the Bulls guy. Yeah, the sports announcer.

0:23:44.359 --> 0:23:46.320
<v Speaker 1>And this is a time too when like the Bulls

0:23:46.320 --> 0:23:49.560
<v Speaker 1>were um, this is the Jordan Pippen era. Still I

0:23:49.600 --> 0:23:52.359
<v Speaker 1>mean well still was at the beginning of it was seven.

0:23:52.359 --> 0:23:53.560
<v Speaker 1>I thought it was like in the middle of it.

0:23:54.000 --> 0:23:58.040
<v Speaker 1>M hmm. Was at the beginning pretty early earli ish.

0:23:58.119 --> 0:24:00.760
<v Speaker 1>Let's say, I wish these days is that I would

0:24:00.800 --> 0:24:05.679
<v Speaker 1>have been more cognizant and like more into basketball than

0:24:05.960 --> 0:24:08.320
<v Speaker 1>like I am. Now. See, that's when I was the

0:24:08.359 --> 0:24:12.320
<v Speaker 1>most into it was bird Jordan's magic toatch some of

0:24:12.320 --> 0:24:14.760
<v Speaker 1>those games. Yeah, that was good stuff because that's when

0:24:14.760 --> 0:24:19.200
<v Speaker 1>the Hawks were good back then. Yeah, back then, Dominique, Hey,

0:24:19.200 --> 0:24:21.720
<v Speaker 1>shout out to Kent bays Moore. You know he listens

0:24:21.760 --> 0:24:23.800
<v Speaker 1>to this show. Way, he's a fan. How did you

0:24:23.800 --> 0:24:28.120
<v Speaker 1>find that out? Twitter? Yeah, that's great man. I love

0:24:28.160 --> 0:24:31.040
<v Speaker 1>base I know, how do you not love bases? He's awesome. Man,

0:24:31.080 --> 0:24:34.560
<v Speaker 1>He's brought right right now. That's so cool. Alright. So, uh,

0:24:34.680 --> 0:24:38.960
<v Speaker 1>Chuck Sworski's freaking liberal. Uh. He's wielding the rubber penis

0:24:39.280 --> 0:24:43.040
<v Speaker 1>in the marital aide. He drops that. Then he picks

0:24:43.119 --> 0:24:45.480
<v Speaker 1>up a new coke while you can't really tell if

0:24:45.520 --> 0:24:48.359
<v Speaker 1>it's oh was it okay? I couldn't really tell. He

0:24:48.400 --> 0:24:51.560
<v Speaker 1>picks up a can and but he says catch the wave,

0:24:51.680 --> 0:24:54.639
<v Speaker 1>which is the new coke slogan. Right. Then he starts

0:24:54.720 --> 0:24:58.040
<v Speaker 1>humming it's so random. Then he starts humming the theme

0:24:58.119 --> 0:25:02.800
<v Speaker 1>song to the sixty show Clutch Cargo, which is weird

0:25:02.840 --> 0:25:05.200
<v Speaker 1>in and of itself. Sure, that's that one where it's

0:25:05.240 --> 0:25:08.760
<v Speaker 1>like animation, but for the mouths, it was just like

0:25:08.800 --> 0:25:12.199
<v Speaker 1>a human mouth moving with that's disturbing. Yeah, that was.

0:25:12.280 --> 0:25:14.800
<v Speaker 1>If you've seen pulp Fiction, it was the scene where

0:25:14.800 --> 0:25:17.360
<v Speaker 1>Bruce Willis was a kid and Christopher Walkin comes in

0:25:17.400 --> 0:25:21.200
<v Speaker 1>with the wristwatch scene. Um, that Clutch Cargo is playing

0:25:21.840 --> 0:25:24.560
<v Speaker 1>on TV when he's watching it, right, but it is

0:25:24.600 --> 0:25:26.879
<v Speaker 1>weird looking, right, so you would say, why did you

0:25:26.920 --> 0:25:29.399
<v Speaker 1>do the Clutch Cargo theme? Well, again, this is a

0:25:29.640 --> 0:25:32.280
<v Speaker 1>w g N thing and apparently that's where you saw

0:25:32.280 --> 0:25:36.800
<v Speaker 1>it as as a kid. Yeah, on UM in Chicago. Okay,

0:25:36.800 --> 0:25:40.840
<v Speaker 1>so he says, also, your love is fading. I still

0:25:40.880 --> 0:25:44.160
<v Speaker 1>see the X, which apparently is something from the last

0:25:44.160 --> 0:25:47.560
<v Speaker 1>episode of Clutch Cargo. Yeah, that was the Big X

0:25:47.680 --> 0:25:50.600
<v Speaker 1>or something. And then he says, what you're talking about earlier,

0:25:50.680 --> 0:25:53.520
<v Speaker 1>I just made a joint masterpiece for all the greatest

0:25:53.560 --> 0:25:57.399
<v Speaker 1>World Newspaper nerds. But he should have said world's Greatest

0:25:57.440 --> 0:26:01.800
<v Speaker 1>Newspaper Nerds w g in right, which you might find confusing,

0:26:01.840 --> 0:26:04.920
<v Speaker 1>as I did too. But apparently the Chicago Tribune Company

0:26:05.440 --> 0:26:10.760
<v Speaker 1>owns w g N TV, so they called themselves World's

0:26:10.800 --> 0:26:15.600
<v Speaker 1>Greatest Newspaper TV. Right. W it's all coming together. It's

0:26:15.640 --> 0:26:19.840
<v Speaker 1>so fact though. There you go. Then finally, towards the end,

0:26:20.240 --> 0:26:24.160
<v Speaker 1>the camera cuts to a different angle. Uh, this one

0:26:24.240 --> 0:26:27.880
<v Speaker 1>has the dude bent over with his bare butt hanging out.

0:26:28.400 --> 0:26:30.439
<v Speaker 1>His face is now off screen, but he's holding the

0:26:30.520 --> 0:26:33.399
<v Speaker 1>mask still out like his head is in it, but

0:26:33.440 --> 0:26:37.879
<v Speaker 1>it's not there is a person I say woman, but

0:26:37.960 --> 0:26:39.960
<v Speaker 1>I don't know, but a person in a like an

0:26:39.960 --> 0:26:42.560
<v Speaker 1>anti Oakley dress? Is that what it was? I didn't

0:26:42.560 --> 0:26:46.040
<v Speaker 1>get that. Yeah, it looked like a prairie bonnet ensemble,

0:26:46.480 --> 0:26:48.040
<v Speaker 1>but the bonnet kind of hides the face, so you

0:26:48.040 --> 0:26:50.159
<v Speaker 1>don't know if it's a man or a woman. And

0:26:50.280 --> 0:26:54.600
<v Speaker 1>they are spanking the bare butt with a fly swatter, right,

0:26:55.160 --> 0:26:57.520
<v Speaker 1>and he's worried about them coming to get him. They're

0:26:57.560 --> 0:27:00.440
<v Speaker 1>going to get me, and then he says, come get

0:27:00.480 --> 0:27:03.399
<v Speaker 1>me and uses a bad word, B word, the B word,

0:27:04.320 --> 0:27:07.200
<v Speaker 1>and then it goes back to doctor Who. Yeah, as

0:27:07.320 --> 0:27:10.320
<v Speaker 1>as just like it when it came in went out

0:27:10.359 --> 0:27:13.080
<v Speaker 1>it just because it's like gone. Can you imagine seeing

0:27:13.119 --> 0:27:15.680
<v Speaker 1>that live? And that while the people who saw it live,

0:27:15.760 --> 0:27:18.040
<v Speaker 1>the next thing they would have heard was the doctor

0:27:18.200 --> 0:27:21.359
<v Speaker 1>saying something like, oh, he died of an electric shock.

0:27:21.520 --> 0:27:25.480
<v Speaker 1>Must have died instantly. And then and everybody's just sitting there,

0:27:25.960 --> 0:27:28.600
<v Speaker 1>mouths hanging open. It was Dr Who too, So it

0:27:28.760 --> 0:27:32.280
<v Speaker 1>was probably a bunch of Chicago nerds watching PBS. Yeah,

0:27:32.600 --> 0:27:34.760
<v Speaker 1>so all right, my inmitation was okay, but let's just

0:27:34.760 --> 0:27:36.679
<v Speaker 1>play at least like a couple of lines from the

0:27:36.720 --> 0:27:55.240
<v Speaker 1>real thing. Yeah, all right, so you did a pretty

0:27:55.280 --> 0:27:57.680
<v Speaker 1>good impression. I think everyone can agree now, right, it's

0:27:57.720 --> 0:28:01.680
<v Speaker 1>so strange. So this was an enormous thing, right, Like, um,

0:28:01.720 --> 0:28:07.000
<v Speaker 1>like people were watching this and we're aghast. Agog some

0:28:07.040 --> 0:28:10.040
<v Speaker 1>people probably thought it was funny. Um. W g N

0:28:10.359 --> 0:28:12.920
<v Speaker 1>reporting on it all over the place the next couple

0:28:12.960 --> 0:28:16.040
<v Speaker 1>of days. Yeah, the newspapers had picked it up. Yeah, Um,

0:28:16.080 --> 0:28:20.760
<v Speaker 1>there's this one. There's a compilation of w g M broadcasts,

0:28:21.320 --> 0:28:23.800
<v Speaker 1>or it might may be more than just w g

0:28:23.960 --> 0:28:26.919
<v Speaker 1>N of people in the street being interviewed. What do

0:28:26.960 --> 0:28:29.800
<v Speaker 1>you think about this? One guy's like it's it's kind

0:28:29.840 --> 0:28:32.159
<v Speaker 1>of like Cooligans throwing a brick through your window, you know,

0:28:32.240 --> 0:28:34.959
<v Speaker 1>to get your attention. There's a little kid who's like,

0:28:35.240 --> 0:28:39.360
<v Speaker 1>very very funny. The star of the news, though, was

0:28:39.480 --> 0:28:42.680
<v Speaker 1>this one doctor who fan uh, this lady who was

0:28:42.760 --> 0:28:46.120
<v Speaker 1>not at all amused by this, and I just want

0:28:46.120 --> 0:28:49.840
<v Speaker 1>to play her little segment. Okay, yeah, ann some viewers. No,

0:28:50.000 --> 0:28:51.760
<v Speaker 1>I just thought it would be just a slight mess up,

0:28:51.800 --> 0:28:53.959
<v Speaker 1>but that in the middle of it's going to be

0:28:55.880 --> 0:28:58.440
<v Speaker 1>we're gonna have to tape over it. I just think

0:28:58.480 --> 0:29:01.000
<v Speaker 1>that's the funniest thing out of the whole, the whole thing. Well,

0:29:01.000 --> 0:29:03.000
<v Speaker 1>another guy said he wanted to smash his TV he

0:29:03.040 --> 0:29:05.280
<v Speaker 1>was so angry. Yeah, I didn't see that guy. I

0:29:05.320 --> 0:29:08.240
<v Speaker 1>saw that in the Pastor Nech article. Yeah, he was mad.

0:29:08.840 --> 0:29:11.120
<v Speaker 1>So there was a lot of mixed reaction. But the

0:29:11.120 --> 0:29:15.080
<v Speaker 1>the the voice from on high that came from the FCC,

0:29:15.280 --> 0:29:18.720
<v Speaker 1>who you said, we're called in pretty quickly. They were like,

0:29:18.800 --> 0:29:21.400
<v Speaker 1>this is no laughing matter. You might think it's funny,

0:29:21.440 --> 0:29:23.800
<v Speaker 1>it's not very funny. Okay, it's kind of funny, but

0:29:23.880 --> 0:29:26.760
<v Speaker 1>not really. And you can get a hundred thousand dollar

0:29:26.880 --> 0:29:29.040
<v Speaker 1>fine in a year in jail for this kind of thing,

0:29:29.080 --> 0:29:32.640
<v Speaker 1>so stop doing it. But at this point, by this point,

0:29:33.040 --> 0:29:37.120
<v Speaker 1>it was actually a federal offense. It was a felony,

0:29:37.440 --> 0:29:41.640
<v Speaker 1>A felony offense. Wait what was that? Days and confused

0:29:42.120 --> 0:29:44.840
<v Speaker 1>cantering with the mailboxes a filon. I was like, wait

0:29:44.880 --> 0:29:47.120
<v Speaker 1>a minute, I know that from somewhere. So the FCC

0:29:47.320 --> 0:29:50.000
<v Speaker 1>gets involved in this, This is really interesting in this article.

0:29:50.160 --> 0:29:52.200
<v Speaker 1>The f B I got involved, to FB I was involved,

0:29:52.320 --> 0:29:55.040
<v Speaker 1>Chicago p D like there was they were looking into it.

0:29:55.640 --> 0:30:00.640
<v Speaker 1>Apparently the um man I is become obvious to me

0:30:00.760 --> 0:30:04.640
<v Speaker 1>that I say the word apparently a lot, really a lot.

0:30:05.320 --> 0:30:07.960
<v Speaker 1>I was listening to an episode, cueing an episode, and

0:30:08.040 --> 0:30:13.000
<v Speaker 1>I was like stopped saying, apparently, Josh, yeah, I've started

0:30:13.000 --> 0:30:15.880
<v Speaker 1>after ten years, I've started to notice some things about

0:30:15.880 --> 0:30:17.800
<v Speaker 1>my own self. It's like a tick. I tried to

0:30:17.880 --> 0:30:20.280
<v Speaker 1>just avoid it. I tried to too normally I can,

0:30:20.360 --> 0:30:23.080
<v Speaker 1>but man, it just came welling up into my awareness.

0:30:23.560 --> 0:30:26.959
<v Speaker 1>Apparently it's certainly I'm gonna have to get over it

0:30:27.240 --> 0:30:30.600
<v Speaker 1>at any rate. Um, the the there were a lot

0:30:30.640 --> 0:30:33.280
<v Speaker 1>of different agencies working on this, but the trail went

0:30:33.360 --> 0:30:37.560
<v Speaker 1>cold pretty quick. And you remember how you said that. Um,

0:30:37.600 --> 0:30:41.000
<v Speaker 1>the w g N engineers started looking around the station.

0:30:42.160 --> 0:30:45.320
<v Speaker 1>I think what they were looking for was this somebody

0:30:45.800 --> 0:30:51.680
<v Speaker 1>physically patching in to the transmission network the cable mask

0:30:51.880 --> 0:30:55.040
<v Speaker 1>and yeah, either playing a videotape, which it's it seems

0:30:55.040 --> 0:30:59.000
<v Speaker 1>pretty obvious it was pre taped or doing something like

0:30:59.040 --> 0:31:01.560
<v Speaker 1>in a studio, but but that they would have to

0:31:01.800 --> 0:31:07.240
<v Speaker 1>physically patch into w g n's transmission network. Yeah, it's

0:31:07.280 --> 0:31:10.240
<v Speaker 1>like when a car doesn't work and I opened the

0:31:10.280 --> 0:31:14.479
<v Speaker 1>hood thinking I'm going to see a squirrel not gnawing

0:31:14.520 --> 0:31:18.600
<v Speaker 1>on a cable two pieces now and frayed at the ends, right,

0:31:18.600 --> 0:31:21.160
<v Speaker 1>now imagine that squirrel wearing a max hydroom mask and

0:31:21.200 --> 0:31:26.800
<v Speaker 1>being on acid, okay, with a maritalaide. So um, And

0:31:26.880 --> 0:31:30.800
<v Speaker 1>at first the FCC and the FBI and anybody who

0:31:30.840 --> 0:31:34.400
<v Speaker 1>was in the know basically said, this was a very

0:31:34.440 --> 0:31:39.840
<v Speaker 1>sophisticated attack. It would have required a very very some

0:31:40.000 --> 0:31:45.840
<v Speaker 1>very expensive equipment, a lot of electricity. Um, there's not

0:31:45.920 --> 0:31:47.800
<v Speaker 1>a lot of ways that they could have done this.

0:31:47.880 --> 0:31:50.080
<v Speaker 1>But later on in the pastor Neck article, and this

0:31:50.120 --> 0:31:52.600
<v Speaker 1>is this is one of the ways Pastorne contributed to

0:31:52.640 --> 0:31:54.840
<v Speaker 1>this whole thing. He talked to one of the SEC

0:31:55.160 --> 0:31:59.239
<v Speaker 1>investigators and this guy basically did away with that that

0:31:59.280 --> 0:32:03.640
<v Speaker 1>whole viewpoint that had lasted for almost thirty years, that

0:32:03.800 --> 0:32:06.360
<v Speaker 1>it had to have been somebody with a hundred thousand

0:32:06.360 --> 0:32:09.480
<v Speaker 1>dollar piece of equipment and you know, ten thousand dollars

0:32:09.480 --> 0:32:12.000
<v Speaker 1>worth of electricity. Over the minute and a half he

0:32:12.080 --> 0:32:16.040
<v Speaker 1>was saying, No, you could probably have gotten the equipment

0:32:16.080 --> 0:32:19.400
<v Speaker 1>needed for this new for ten grand at the time,

0:32:20.000 --> 0:32:21.880
<v Speaker 1>or you could have probably bought it for use for

0:32:22.000 --> 0:32:25.680
<v Speaker 1>just a fraction of that, and um, it would have

0:32:25.760 --> 0:32:28.800
<v Speaker 1>taken very little electricity. It would have just taken um,

0:32:28.880 --> 0:32:33.200
<v Speaker 1>some know how and good positioning. Really, Yeah, Basically, he

0:32:33.280 --> 0:32:35.000
<v Speaker 1>was like you, it could have been done with like

0:32:35.560 --> 0:32:38.840
<v Speaker 1>the size of a direct TV dish today, and all

0:32:38.880 --> 0:32:40.960
<v Speaker 1>they would have had to do was get in a

0:32:41.040 --> 0:32:46.600
<v Speaker 1>high enough location in between, like literally because they're beaming waves,

0:32:46.600 --> 0:32:49.719
<v Speaker 1>are beaming microwaves through the air. So he's like, all

0:32:49.760 --> 0:32:53.160
<v Speaker 1>they had to do was get in between the original

0:32:53.200 --> 0:32:56.400
<v Speaker 1>studio and that initial tower on top of the I

0:32:56.400 --> 0:32:59.600
<v Speaker 1>think it was a John Hancock building for w g N. Yeah, yeah,

0:32:59.680 --> 0:33:03.160
<v Speaker 1>and and have a stronger signal, right, so even just

0:33:03.240 --> 0:33:07.200
<v Speaker 1>like a slightly stronger signal. So you remember how w

0:33:07.360 --> 0:33:10.920
<v Speaker 1>g N has their studio transmission shooting up to the

0:33:10.960 --> 0:33:14.240
<v Speaker 1>John Hancock building and then that transmitter shoots it out

0:33:14.240 --> 0:33:17.320
<v Speaker 1>to everybody else in Chicago. What what what? What I

0:33:17.360 --> 0:33:19.120
<v Speaker 1>think you're saying is like if somebody was on the

0:33:19.200 --> 0:33:22.920
<v Speaker 1>roof of another nearby building and they just shoot a

0:33:22.960 --> 0:33:29.080
<v Speaker 1>transmission their own max headroom transmission at a stronger a

0:33:29.240 --> 0:33:32.840
<v Speaker 1>stronger way or no, a stronger amplitude, that's what it is.

0:33:33.080 --> 0:33:36.760
<v Speaker 1>Of the same frequency. You just overpower cancels out what

0:33:36.960 --> 0:33:39.680
<v Speaker 1>w g N is doing and instead it transmits your

0:33:39.840 --> 0:33:42.160
<v Speaker 1>max headroom thing, and they would be closer to that

0:33:42.280 --> 0:33:46.920
<v Speaker 1>broadcast towers yes, so, um, that would mean that it

0:33:47.000 --> 0:33:49.480
<v Speaker 1>required far less electricity than you would think or that

0:33:49.520 --> 0:33:53.320
<v Speaker 1>they originally thought, and a far less equipment to They

0:33:53.360 --> 0:33:56.240
<v Speaker 1>also had a pretty good idea of where these people

0:33:56.240 --> 0:33:59.800
<v Speaker 1>would have had to have done it, because they after

0:34:00.080 --> 0:34:02.560
<v Speaker 1>they got shut out of w g M, they turned

0:34:02.560 --> 0:34:05.280
<v Speaker 1>their attention to w t t W, the PBS station,

0:34:05.640 --> 0:34:08.400
<v Speaker 1>and they hijacked their signal. Well, w t t W

0:34:09.320 --> 0:34:13.960
<v Speaker 1>shot their studio link to the Sears Tower. So this

0:34:14.000 --> 0:34:16.520
<v Speaker 1>would have been somebody who was on a roof somewhere

0:34:16.760 --> 0:34:20.719
<v Speaker 1>that had a clear view of John Hancock Building and

0:34:20.760 --> 0:34:23.840
<v Speaker 1>the Sears Tower and could transmit to either one of them.

0:34:23.880 --> 0:34:26.719
<v Speaker 1>But that's basically what they think happened. Yeah, and the

0:34:26.719 --> 0:34:29.440
<v Speaker 1>guy you were talking about, Dr Michael Marcus, who at

0:34:29.440 --> 0:34:32.280
<v Speaker 1>the time was the Assistant Bureau Chief in the fcc

0:34:32.440 --> 0:34:36.120
<v Speaker 1>S Field Operations Bureau. He was a lead investigator, and

0:34:36.200 --> 0:34:39.680
<v Speaker 1>he said that the guy in Chicago that was sort

0:34:39.719 --> 0:34:42.680
<v Speaker 1>of in charge wasn't super like he was just sort

0:34:42.719 --> 0:34:46.480
<v Speaker 1>of used to traditional FEC investigations. He wasn't wanted to

0:34:46.480 --> 0:34:50.280
<v Speaker 1>go knocking on doors and uh as to like investigate

0:34:50.360 --> 0:34:54.319
<v Speaker 1>some kind of weird, kind of maybe creepy criminal dudes uh,

0:34:54.320 --> 0:34:56.399
<v Speaker 1>it may or may not have a marital aid in

0:34:56.440 --> 0:35:00.640
<v Speaker 1>his apartment. Just smack them on the whether and then uh.

0:35:00.760 --> 0:35:03.839
<v Speaker 1>They also, you know, nobody was being hurt, No one

0:35:03.920 --> 0:35:07.800
<v Speaker 1>got hurt in the end, it was it was almost

0:35:07.840 --> 0:35:11.360
<v Speaker 1>a victimless crime. So they didn't throw a ton of

0:35:11.400 --> 0:35:13.239
<v Speaker 1>resources at it. They were kind of like, listen, we're

0:35:13.239 --> 0:35:15.640
<v Speaker 1>not gonna If you want to go investigate this, that's

0:35:15.640 --> 0:35:17.920
<v Speaker 1>great you should, but we're not going to assign a

0:35:17.920 --> 0:35:21.920
<v Speaker 1>team of twelve people to try and crack this case

0:35:22.560 --> 0:35:25.440
<v Speaker 1>of a bunch of nerds who did a weird thing

0:35:25.480 --> 0:35:28.080
<v Speaker 1>for a minute seconds and I think the longer it

0:35:28.120 --> 0:35:31.160
<v Speaker 1>went on and there was no more of these intrusions

0:35:31.200 --> 0:35:34.799
<v Speaker 1>from these guys, the fewer and fewer resources they had

0:35:34.800 --> 0:35:36.480
<v Speaker 1>to work with, and it just kind of fell to

0:35:36.560 --> 0:35:41.799
<v Speaker 1>the wayside. Well, what's interesting is to at the in

0:35:41.880 --> 0:35:44.800
<v Speaker 1>the beginning, they said it's gonna it would take somebody

0:35:44.840 --> 0:35:48.640
<v Speaker 1>with a very expensive piece of equipment, a lot of electricity,

0:35:48.719 --> 0:35:51.239
<v Speaker 1>and a lot of know how, And today the only

0:35:51.239 --> 0:35:54.120
<v Speaker 1>one of those that's remaining is a lot of know how.

0:35:54.440 --> 0:35:56.839
<v Speaker 1>There wouldn't have been a lot of people running around

0:35:56.920 --> 0:36:00.160
<v Speaker 1>Chicago who would have known how to do something thing

0:36:00.239 --> 0:36:03.960
<v Speaker 1>like this. Yeah. Um, so it's kind of surprising, even

0:36:04.040 --> 0:36:08.040
<v Speaker 1>with very few resources that no one has ever been

0:36:08.080 --> 0:36:11.520
<v Speaker 1>really implicated in this one. I don't think we said no.

0:36:11.719 --> 0:36:14.480
<v Speaker 1>They still don't know who did this. It's an unsolved mystery.

0:36:14.800 --> 0:36:20.680
<v Speaker 1>Like Dennis Farina and Robert Stack, I love this one. Uh.

0:36:20.880 --> 0:36:24.920
<v Speaker 1>The FBI, for their take, started concentrating on the actual video.

0:36:25.480 --> 0:36:27.879
<v Speaker 1>They had the technology at the time, which is kind

0:36:27.880 --> 0:36:30.040
<v Speaker 1>of funny now to think about it, but they're the

0:36:30.080 --> 0:36:31.960
<v Speaker 1>only ones who had the technology at the time to

0:36:32.000 --> 0:36:36.879
<v Speaker 1>actually make enhance frames of this videotape and print out,

0:36:37.960 --> 0:36:42.040
<v Speaker 1>you know, pictures enhance them. And they were kind of

0:36:42.040 --> 0:36:45.560
<v Speaker 1>focused on this upper right hand quadrant, as they say,

0:36:45.560 --> 0:36:48.600
<v Speaker 1>where the Antie Oakley was spanking with the fly swatter.

0:36:49.239 --> 0:36:52.680
<v Speaker 1>I don't know why they're so into that, but they said,

0:36:52.760 --> 0:36:54.600
<v Speaker 1>you know, we're trying to get clues on the actual

0:36:54.640 --> 0:36:57.239
<v Speaker 1>location of the people who made the tape, not necessarily

0:36:57.560 --> 0:36:59.680
<v Speaker 1>where they broadcast it from, but where did they shoot

0:36:59.680 --> 0:37:01.960
<v Speaker 1>the thing begin with. It was very little to go

0:37:02.000 --> 0:37:05.799
<v Speaker 1>on aside from that spinning corrugated metal, and that could

0:37:05.800 --> 0:37:09.040
<v Speaker 1>have been literally anywhere because it's a really tight shot,

0:37:09.120 --> 0:37:12.719
<v Speaker 1>it really is. Yeah, and there was very little evidence

0:37:12.800 --> 0:37:14.840
<v Speaker 1>given in the video. Yeah, I mean it says that

0:37:14.880 --> 0:37:17.719
<v Speaker 1>they were looking at industrial warehouses and things, but that

0:37:17.719 --> 0:37:20.359
<v Speaker 1>could have been in an apartment living room. I mean,

0:37:20.400 --> 0:37:22.400
<v Speaker 1>it wasn't like the door was a text anything. It

0:37:22.480 --> 0:37:25.719
<v Speaker 1>was freely spinning back and forth. So it didn't make

0:37:26.040 --> 0:37:30.960
<v Speaker 1>not the best lead, right, So um over time and

0:37:31.000 --> 0:37:33.640
<v Speaker 1>again this is weird too. It's it's not so weird

0:37:33.640 --> 0:37:36.279
<v Speaker 1>that the FCC or the FBI didn't find who did

0:37:36.320 --> 0:37:39.200
<v Speaker 1>this if they weren't really looking very hard. Was really

0:37:39.239 --> 0:37:41.600
<v Speaker 1>weird is that no one has been like, it was

0:37:41.680 --> 0:37:45.319
<v Speaker 1>these guys. I was there, I know these dudes. It

0:37:45.440 --> 0:37:48.080
<v Speaker 1>was these guys. Statute limitations is done, Like who cares

0:37:48.360 --> 0:37:52.760
<v Speaker 1>after these guys would have gotten all scott free because

0:37:52.920 --> 0:37:55.759
<v Speaker 1>the set of limitations for this one was five years, right.

0:37:55.880 --> 0:37:58.680
<v Speaker 1>I'm shocked that no one later said, hey, that was me,

0:37:59.680 --> 0:38:02.960
<v Speaker 1>So I bomb. No one's done that, right. There was

0:38:03.200 --> 0:38:09.240
<v Speaker 1>um some so very early forum like message boards stuff

0:38:09.600 --> 0:38:14.200
<v Speaker 1>took the form of bulletin boards services. I think BBS

0:38:14.360 --> 0:38:18.560
<v Speaker 1>is really early geek culture, like like like Matthew Broderick

0:38:19.080 --> 0:38:21.120
<v Speaker 1>dialing something with his phone and then putting it on

0:38:21.160 --> 0:38:24.759
<v Speaker 1>that weird little you know, commodore sixty four thing the

0:38:24.800 --> 0:38:29.239
<v Speaker 1>motum Yeah, to like transmit the dial tone over the

0:38:29.280 --> 0:38:33.000
<v Speaker 1>telephone system, right, So, um, that's what that's what like

0:38:33.040 --> 0:38:36.080
<v Speaker 1>the level of technology that these people were dealing with,

0:38:36.120 --> 0:38:38.160
<v Speaker 1>but they were communicating with each other over like this

0:38:38.239 --> 0:38:42.319
<v Speaker 1>proto internet, these bulletin board systems. And two days after this,

0:38:42.840 --> 0:38:46.440
<v Speaker 1>a guy named the Chameleon posted basically what you and

0:38:46.520 --> 0:38:50.400
<v Speaker 1>I said about how all it took was these guys

0:38:50.440 --> 0:38:53.040
<v Speaker 1>to go up on a tall building and overwhelm the

0:38:53.360 --> 0:38:56.120
<v Speaker 1>w g N and the w T t W studio links.

0:38:56.560 --> 0:38:59.520
<v Speaker 1>And it's so facto. I'm a big fan of that.

0:38:59.560 --> 0:39:04.279
<v Speaker 1>By the way, Um, this this intrusion was successful, right

0:39:04.719 --> 0:39:08.120
<v Speaker 1>two days, not two years, not a year ago. Two

0:39:08.200 --> 0:39:11.200
<v Speaker 1>days after it, somebody was on there explaining how it

0:39:11.239 --> 0:39:15.960
<v Speaker 1>went out, So somebody knew this, right, But only two

0:39:16.080 --> 0:39:18.560
<v Speaker 1>theories have really ever come to light as to who

0:39:18.600 --> 0:39:21.399
<v Speaker 1>it was. One you can basically just throw right out,

0:39:21.560 --> 0:39:23.680
<v Speaker 1>and the other one it turns out to have been

0:39:23.880 --> 0:39:26.440
<v Speaker 1>a dead end. Yeah. The first one that you were

0:39:26.480 --> 0:39:29.560
<v Speaker 1>talking about that doesn't really hold water was a and

0:39:29.640 --> 0:39:31.400
<v Speaker 1>this was a rumor online for a while. I was

0:39:31.440 --> 0:39:36.799
<v Speaker 1>a musician named Eric Fournier or Fournier furnier. I had

0:39:36.840 --> 0:39:41.319
<v Speaker 1>a friend in uh in pre school. I think, yeah,

0:39:41.480 --> 0:39:43.640
<v Speaker 1>that's how it was spelled. F O U R in

0:39:43.840 --> 0:39:45.759
<v Speaker 1>I E R. Actually I don't know how it was spelled.

0:39:45.760 --> 0:39:50.560
<v Speaker 1>I couldn't spell back then. Um. So this guy was

0:39:50.560 --> 0:39:56.080
<v Speaker 1>in a band, uh, and he did this weird, super

0:39:56.120 --> 0:40:01.160
<v Speaker 1>creepy YouTube series called shay st John on s H

0:40:01.239 --> 0:40:03.560
<v Speaker 1>A y E. Did you watch it? Oh? Yeah, I

0:40:03.560 --> 0:40:06.000
<v Speaker 1>love it. Yeah, just I've knew that you would love

0:40:06.040 --> 0:40:10.399
<v Speaker 1>it if you're ally. But this is genuinely unsettling too.

0:40:10.440 --> 0:40:12.319
<v Speaker 1>I'm with you on that. So it kind of fit

0:40:12.400 --> 0:40:15.120
<v Speaker 1>and that he was doing these weird things. He had

0:40:15.200 --> 0:40:18.719
<v Speaker 1>this band, Uh. They were in Bloomington, Indiana, not too

0:40:18.719 --> 0:40:21.440
<v Speaker 1>far from Chicago, the Blood Farmers, Yeah, the bands of

0:40:21.440 --> 0:40:24.400
<v Speaker 1>Blood Farmers, and they did these weird music videos and

0:40:24.440 --> 0:40:26.680
<v Speaker 1>they thought this is the kind of guy that would

0:40:26.680 --> 0:40:28.719
<v Speaker 1>have done that. And the thinking was that he went

0:40:28.800 --> 0:40:31.839
<v Speaker 1>to go broadcast one of their weird music videos as

0:40:31.840 --> 0:40:34.839
<v Speaker 1>a broadcast intrusion, but chickened out at the last minute

0:40:34.840 --> 0:40:38.040
<v Speaker 1>because they would have been found uh, and then ended

0:40:38.120 --> 0:40:40.439
<v Speaker 1>up just improving. That part makes a little sense, because

0:40:40.440 --> 0:40:44.800
<v Speaker 1>it definitely seems improved. It does, but it was also videotaped. Remember,

0:40:44.880 --> 0:40:47.360
<v Speaker 1>So that means he would have had two video tapes

0:40:47.400 --> 0:40:50.400
<v Speaker 1>with him. What do you mean? So if he was

0:40:50.440 --> 0:40:52.880
<v Speaker 1>gonna if he was going to play the music video

0:40:53.120 --> 0:40:54.640
<v Speaker 1>and said I'm not gonna do that, he would have

0:40:54.680 --> 0:40:58.239
<v Speaker 1>had to have brought this other video tape. The other

0:40:58.320 --> 0:41:02.080
<v Speaker 1>thing is apparently his. See I just said apparently again.

0:41:02.840 --> 0:41:06.680
<v Speaker 1>Alex Pastor Neck from Motherboard contacted some of Fernier's friends

0:41:06.960 --> 0:41:10.160
<v Speaker 1>because Fernier died in two thousand ten, but his friends

0:41:10.160 --> 0:41:13.120
<v Speaker 1>are like, absolutely not. Even some of the blood farmers

0:41:13.120 --> 0:41:15.400
<v Speaker 1>are like, it wasn't him that, Like, I know what

0:41:15.440 --> 0:41:17.560
<v Speaker 1>you're saying, and yeah, he did the whole Sha St

0:41:17.640 --> 0:41:20.200
<v Speaker 1>John thing, but it was this was not him. It

0:41:20.280 --> 0:41:22.320
<v Speaker 1>was not quite there. He didn't know what he was

0:41:22.400 --> 0:41:25.040
<v Speaker 1>doing with it. He wouldn't know any broadcast stuff or

0:41:25.160 --> 0:41:27.839
<v Speaker 1>video editing or anything like that. Yeah, so this other

0:41:27.840 --> 0:41:33.800
<v Speaker 1>one to me seems pretty promising. Uh So we flashed

0:41:33.840 --> 0:41:37.759
<v Speaker 1>forward to when did this actually happen? Was this like

0:41:38.320 --> 0:41:39.640
<v Speaker 1>by the time read it had to come around when

0:41:39.680 --> 0:41:41.680
<v Speaker 1>it't on Reddit? Yeah, I think it was about twenty

0:41:41.719 --> 0:41:44.719
<v Speaker 1>five years after, so it would have been in two

0:41:44.760 --> 0:41:51.440
<v Speaker 1>thousand seven. Yeah, so there's this guy two thousand. Sorry.

0:41:51.719 --> 0:41:55.200
<v Speaker 1>There was this guy named from Chicago named Bowie Pogue.

0:41:56.520 --> 0:41:59.120
<v Speaker 1>I didn't have any friends with that last name when

0:41:59.120 --> 0:42:01.160
<v Speaker 1>I was a kid, and he was one of the

0:42:01.239 --> 0:42:05.280
<v Speaker 1>kids hanging around those bbs is in the eighties in Chicago.

0:42:05.760 --> 0:42:08.319
<v Speaker 1>From the sounds of it, he was on the younger side.

0:42:08.320 --> 0:42:11.800
<v Speaker 1>He was thirteen, and even as a thirteen year old geek,

0:42:11.840 --> 0:42:14.640
<v Speaker 1>was very much intimidated by the older geeks in that crowd,

0:42:15.320 --> 0:42:18.359
<v Speaker 1>and so wasn't boisterous. He was sort of like, Hey,

0:42:18.360 --> 0:42:20.319
<v Speaker 1>I'm kind of hanging out here and not saying much

0:42:20.360 --> 0:42:23.920
<v Speaker 1>and don't notice me. I just want to ingratiate myself

0:42:24.480 --> 0:42:27.640
<v Speaker 1>and you guys can give me drunk you want, and

0:42:27.680 --> 0:42:31.920
<v Speaker 1>then a party. He remembers this. Uh. He described him

0:42:31.920 --> 0:42:34.919
<v Speaker 1>as a small, peculiar man that he thought was about

0:42:34.960 --> 0:42:38.520
<v Speaker 1>in his thirties, and he had an older brother. They

0:42:38.560 --> 0:42:42.000
<v Speaker 1>lived in Chicago. So Poe is describing these two guys

0:42:42.040 --> 0:42:45.040
<v Speaker 1>who were in the same scene with him. Correct, Yeah,

0:42:45.160 --> 0:42:48.800
<v Speaker 1>and he had uh They lived with his girlfriend downtown

0:42:48.960 --> 0:42:52.400
<v Speaker 1>or about ten miles from downtown Chicago, and they had

0:42:52.640 --> 0:42:56.560
<v Speaker 1>the know how. They were super into computers. Early on you,

0:42:56.719 --> 0:42:58.360
<v Speaker 1>he said, you went to their apartment and it was

0:42:58.440 --> 0:43:01.800
<v Speaker 1>just like it looked like a computer hoarder, mess of

0:43:01.920 --> 0:43:06.880
<v Speaker 1>wires and computers and equipment like Neo's apartment. Yeah, why not?

0:43:07.360 --> 0:43:10.080
<v Speaker 1>Or what was the other one he was in before

0:43:10.160 --> 0:43:16.120
<v Speaker 1>the Matrix Johnny Neumonic, Yes, yeah, Bill and Ted Yeah,

0:43:16.400 --> 0:43:19.719
<v Speaker 1>Johnny Neumonic at Cyberpunk. Yes, right, yes, it is all right.

0:43:20.640 --> 0:43:23.600
<v Speaker 1>You could probably make the case that the Matrix is

0:43:23.600 --> 0:43:27.440
<v Speaker 1>as well there, right, sure. So he described him as

0:43:27.440 --> 0:43:32.120
<v Speaker 1>a stocky guy with tinted lens glasses in his early

0:43:32.200 --> 0:43:35.520
<v Speaker 1>thirties and odd dude his brother, he said. He described

0:43:35.560 --> 0:43:39.719
<v Speaker 1>it's just kind of normal. But he said that he

0:43:39.719 --> 0:43:41.279
<v Speaker 1>didn't make the connection at the time, but at a

0:43:41.320 --> 0:43:45.440
<v Speaker 1>party on November about the same day. Midday on November,

0:43:46.400 --> 0:43:48.480
<v Speaker 1>he was at a gathering of these dudes at the

0:43:48.520 --> 0:43:51.600
<v Speaker 1>brothers apartment and he heard them say something about doing

0:43:51.640 --> 0:43:54.200
<v Speaker 1>something big. Later that night, they went to Pizza Hut

0:43:54.239 --> 0:43:56.200
<v Speaker 1>and He's like, what are you guys talking about? What's

0:43:56.239 --> 0:43:59.960
<v Speaker 1>the big thing? And they said, hey, don't ask question,

0:44:00.239 --> 0:44:04.200
<v Speaker 1>but just watched Channel eleven tonight on that same day.

0:44:04.320 --> 0:44:06.000
<v Speaker 1>And I don't know how he didn't put it together

0:44:06.360 --> 0:44:09.040
<v Speaker 1>that that's the one thing that really strikes me as fish.

0:44:09.320 --> 0:44:12.319
<v Speaker 1>But he said that years later Now when he looks

0:44:12.360 --> 0:44:15.160
<v Speaker 1>at it, he's like, even with that mask on, I

0:44:15.239 --> 0:44:18.040
<v Speaker 1>see the body, I see what's going on. I hear that,

0:44:18.160 --> 0:44:21.879
<v Speaker 1>and it's it's that guy to me. But twenty five

0:44:21.960 --> 0:44:25.200
<v Speaker 1>years later he was there that day, they tell him

0:44:25.200 --> 0:44:27.800
<v Speaker 1>to watch that night, and he didn't put it together

0:44:27.840 --> 0:44:30.040
<v Speaker 1>for twenty five years. That to me is the one

0:44:30.080 --> 0:44:35.200
<v Speaker 1>fishy thing. Well, and he has been called out as fishy. Sure,

0:44:35.840 --> 0:44:38.040
<v Speaker 1>I'm sure he knows that it's kind of fishy. Yeah.

0:44:38.080 --> 0:44:42.319
<v Speaker 1>So that the guy the motherboard pastor Neck reached out

0:44:42.360 --> 0:44:44.439
<v Speaker 1>and he said, you can you still get in touch

0:44:44.440 --> 0:44:46.360
<v Speaker 1>with these guys all these years later? He said, he

0:44:46.440 --> 0:44:49.719
<v Speaker 1>sent them messages via Facebook. I don't even know if

0:44:49.719 --> 0:44:51.880
<v Speaker 1>they saw him. They didn't get back. Then in the

0:44:51.960 --> 0:44:54.919
<v Speaker 1>last sitch effort, he sent them a certified mail too.

0:44:54.960 --> 0:44:57.600
<v Speaker 1>He found out where they lived, never heard anything back,

0:44:57.640 --> 0:44:59.439
<v Speaker 1>and he was like, hey, it's clear that these guys

0:44:59.480 --> 0:45:01.680
<v Speaker 1>don't want to be talked to, so you want to

0:45:01.719 --> 0:45:25.040
<v Speaker 1>take a break, Yeah, let's do it, Okay. So that's

0:45:25.040 --> 0:45:28.560
<v Speaker 1>where it stands right now, like nobody knows who is

0:45:28.640 --> 0:45:33.160
<v Speaker 1>behind it still to this day, which it is crazy

0:45:33.560 --> 0:45:37.280
<v Speaker 1>and as a result, this Max Headroom hack has taken

0:45:37.480 --> 0:45:40.400
<v Speaker 1>its place in like the pantheon of geek culture and

0:45:40.440 --> 0:45:45.320
<v Speaker 1>of hacker culture, and rightfully so you know it's legendary

0:45:45.360 --> 0:45:48.399
<v Speaker 1>in its own way. That's right. You got anything else?

0:45:48.880 --> 0:45:51.680
<v Speaker 1>I got nothing else on this one, cool man. Well,

0:45:51.719 --> 0:45:54.440
<v Speaker 1>if you want to know more about Max Headroom, you

0:45:54.480 --> 0:45:58.480
<v Speaker 1>should start by checking out this amazing Motherboard article by

0:45:58.480 --> 0:46:02.120
<v Speaker 1>Alex Pastor Knack. And since I said amazing, it's time

0:46:02.160 --> 0:46:09.319
<v Speaker 1>for listener mail. I'm gonna go with let me go

0:46:09.400 --> 0:46:12.840
<v Speaker 1>with the Almond Brothers eat a Peach from a Munchee.

0:46:13.480 --> 0:46:16.160
<v Speaker 1>I don't know if it's true, but it's fine. I

0:46:16.200 --> 0:46:18.480
<v Speaker 1>wanted to talk about when Josh talked about the Almond

0:46:18.480 --> 0:46:22.600
<v Speaker 1>Brothers band factoid um because I think it's actually a

0:46:22.680 --> 0:46:26.160
<v Speaker 1>cool factoid. Dwayne Allman was once asked by a reporter

0:46:26.280 --> 0:46:28.480
<v Speaker 1>what he was going to do for the war effort

0:46:28.480 --> 0:46:31.279
<v Speaker 1>in Vietnam, and his response was, I'm going to eat

0:46:31.320 --> 0:46:36.280
<v Speaker 1>a peach for peace. Dwayne died not long after that album,

0:46:36.320 --> 0:46:40.640
<v Speaker 1>and Eat a Peach was released posthumously, so he contends

0:46:41.239 --> 0:46:45.480
<v Speaker 1>Jesse Godet that that is where the album title came from,

0:46:45.480 --> 0:46:50.360
<v Speaker 1>and the eat a Peach was not eata bid he

0:46:50.680 --> 0:46:53.080
<v Speaker 1>or she i guess Jesse could go either way. Yeah,

0:46:53.120 --> 0:46:55.240
<v Speaker 1>as always, keep up a good work. I'm currently brewing

0:46:55.239 --> 0:46:58.560
<v Speaker 1>beer and listening. Tell me where to mail some bottles

0:46:59.360 --> 0:47:01.719
<v Speaker 1>or come pick them up in Salt Lake City. All right,

0:47:02.120 --> 0:47:05.840
<v Speaker 1>we'll do both. It's like a challenge, right, they're too heavy.

0:47:05.960 --> 0:47:09.080
<v Speaker 1>I'm sure I can't pick him up. Thanks a lot, Jesse,

0:47:09.200 --> 0:47:12.480
<v Speaker 1>appreciate that, even though I still think I'm right. Um,

0:47:12.520 --> 0:47:15.560
<v Speaker 1>if you want to contend that something one of us

0:47:15.600 --> 0:47:19.080
<v Speaker 1>said is incorrect, we love that stuff. You can tweet

0:47:19.120 --> 0:47:22.000
<v Speaker 1>to us at s y s K podcast or movie Crush.

0:47:22.560 --> 0:47:24.680
<v Speaker 1>You can hang out with us on Facebook, dot com

0:47:24.719 --> 0:47:26.920
<v Speaker 1>slash Stuff you Should Know. You can send us an

0:47:26.920 --> 0:47:29.879
<v Speaker 1>email to Stuff podcast at how Stuff Works dot com

0:47:29.920 --> 0:47:31.920
<v Speaker 1>and has always joined us at our home on the web,

0:47:32.040 --> 0:47:37.440
<v Speaker 1>Stuff you Should Know dot Com. Stuff you Should Know

0:47:37.560 --> 0:47:40.360
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