WEBVTT - Little Literature Lessons

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<v Speaker 1>On Theme is a production of iHeartRadio and fair Weather

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<v Speaker 1>Friends Media.

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<v Speaker 2>You are from the time we are born. Stories surround us,

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<v Speaker 2>whispering wisdom, sharing histories, and planting the seeds of who

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<v Speaker 2>we will become. For generations, black writers have used the

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<v Speaker 2>pages of children's literature as a canvas, weaving in the

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<v Speaker 2>rich tapestries of our culture, our struggles, and our.

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<v Speaker 3>Triumphs outside or inside, night or day. What's imagination? We

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<v Speaker 3>all play sounds on to a friends or on our own.

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<v Speaker 3>Everyone is welcome, We all belonged.

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<v Speaker 1>She was born a dreamer, a dare, a maker of.

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<v Speaker 2>Her own way, passing down our stories into traditions to

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<v Speaker 2>the next generation, ensuring the lessons that guided us continue

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<v Speaker 2>to light the way. I'm Katie and I'm Eves. In

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<v Speaker 2>today's episode, Little Literature Lessons, we're exploring how black authors

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<v Speaker 2>passed down traditions and lessons through the pages of children's books.

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<v Speaker 2>Earlier this year, we lost faith Ringgold, the celebrated artist

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<v Speaker 2>and author.

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<v Speaker 1>She was also one of the most influential voices in

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<v Speaker 1>using kids books to pass down traditions. She dedicated a

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<v Speaker 1>lot of her career to uplifting the Black American experience

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<v Speaker 1>through vibrant storytelling.

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<v Speaker 2>In her award winning nineteen ninety one book, Tarbeach, Ringo

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<v Speaker 2>transports readers to the rooftop of a Harlem home during

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<v Speaker 2>the Depression era. Through the eyes of young Cassie Louise Lightfoot,

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<v Speaker 2>she paints a vivid picture a family, community, and joy

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<v Speaker 2>despite the difficulties.

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<v Speaker 4>I can fly. That means I am free to go

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<v Speaker 4>wherever I want for the rest of my life.

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<v Speaker 2>Cassie dreams of freedom, of possibility despite limitations. Those dreams

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<v Speaker 2>echo the aspirations Faith Ringgold's own mother instilled in her

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<v Speaker 2>as a child. In this way, Tarbag becomes a multi

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<v Speaker 2>layered passing of the torch from the author's ancestors to her,

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<v Speaker 2>and then from Faith Ringgold to the many generations of

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<v Speaker 2>children who read her words, and.

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<v Speaker 1>Some of those children grew up to become children's books

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<v Speaker 1>authors themselves. After the break, we're chatting with Dalisha Mitchell

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<v Speaker 1>of Little Black Booknook.

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<v Speaker 4>I am Dalisha Mitchell. I'm a writer, author my debut

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<v Speaker 4>board book How We Play. If you are on Instagram,

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<v Speaker 4>you've seen me as Little Black Booknook. But I also

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<v Speaker 4>do like book reviews for PBS kids, so lots of

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<v Speaker 4>titles stay with us.

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<v Speaker 2>Well, welcome, Thank you for joining us in studio, Thanks

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<v Speaker 2>for having me. Are there any standout books from your

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<v Speaker 2>childhood that like really taught you a lesson and it

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<v Speaker 2>really ingrained in you.

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<v Speaker 4>So my parents were really intentional about me reading books

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<v Speaker 4>with black characters, which I appreciate, but also back then,

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<v Speaker 4>I feel like a lot of the books were racially charged.

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<v Speaker 4>So I'm sure like y'all probably read What was It? Ror?

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<v Speaker 4>What Is It? Ror? Thunder Here, Minecraft, thunder Here. Yeah,

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<v Speaker 4>I feel like everybody read that book. But I remember

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<v Speaker 4>reading books like Honey I Love and other Poems and

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<v Speaker 4>being so happy because they were just like relatable and fun,

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<v Speaker 4>like hanging out with your cousins and summer days with popsicles,

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<v Speaker 4>and so Honey I Love and Other Poems always stands out,

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<v Speaker 4>like I still have a copy to this day. I

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<v Speaker 4>used to like memorize it or recite them, and it

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<v Speaker 4>also was like written and like to me a little

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<v Speaker 4>bit of a sass seaway. So I remember like reading

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<v Speaker 4>them and swaying my hips and rolling my neck a

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<v Speaker 4>little bit. So I really liked that book in particular.

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<v Speaker 4>But Eloise Screenfield, Yeah, Louise Screenfield. Outside of that, I

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<v Speaker 4>was all about like Babysitters Club and was a Bailey

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<v Speaker 4>Science Kids Club. A lot of those kind of books

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<v Speaker 4>stood out to me back then, so those were my

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<v Speaker 4>probably favorites, and animals and goose Bumps, and I really

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<v Speaker 4>loved scary books, so Goosebumps was like top tier back then.

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<v Speaker 1>So when you say they resonated with you back then,

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<v Speaker 1>what do you mean by that. I'm trying to step

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<v Speaker 1>into the shoes of a child, Like when I think

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<v Speaker 1>of what resonates with me now, understand because I have

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<v Speaker 1>certain conditioning that's come up since then. And also, like

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<v Speaker 1>I know, I'm interested in certain things in society, and

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<v Speaker 1>that's why they resonate with me. When you were a child,

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<v Speaker 1>if you could put yourself back in those shoes, what

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<v Speaker 1>was it about the works that made you like, oh,

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<v Speaker 1>this feels right right.

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<v Speaker 4>I grew up in a really small rural town, so

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<v Speaker 4>anytimes I could find books that had experiences that were

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<v Speaker 4>outside of that, I loved it because like I didn't know,

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<v Speaker 4>like what a city block was, I didn't have any

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<v Speaker 4>idea about any of those sorts of things. So for me,

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<v Speaker 4>I really liked finding books that kind of took me

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<v Speaker 4>out of my small community and put me into the world.

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<v Speaker 4>So I also enjoyed books that brought me closer to

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<v Speaker 4>my family, which was a big, big thing for me.

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<v Speaker 4>So I think that's why when I talk about like Honey,

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<v Speaker 4>I love a lot of it talked about like summer,

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<v Speaker 4>spending time together with cousins, enjoying food together, playing games together,

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<v Speaker 4>all those sorts of things. So that's something that stood

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<v Speaker 4>out to me. I also have always loved Halloween. That

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<v Speaker 4>was something big in my family. We dress up, go

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<v Speaker 4>trick or treating together. So I always seeked out kind

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<v Speaker 4>of like those horror scary stories, which there weren't a

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<v Speaker 4>lot to offer during that time. I feel like for

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<v Speaker 4>kids anyway, it was always a little too much for

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<v Speaker 4>my age range at that time. But I always seek

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<v Speaker 4>to find some of those more scary spooky stories outside

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<v Speaker 4>of those, or about family.

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<v Speaker 2>Yeah, I love children's books that talk about like family

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<v Speaker 2>in summertime because then, like you as a kid, you're like,

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<v Speaker 2>let's emulate this, like let's have this barbecue. Like you

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<v Speaker 2>ain't helping with the barbue at all, but you just

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<v Speaker 2>like we need to just delegate. Hey, let me get

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<v Speaker 2>this jump rope. We gonna do some double Dutch. She

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<v Speaker 2>make some ice cream and it's gonna be ay.

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<v Speaker 4>It's Mary Matt.

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<v Speaker 1>Yeah.

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<v Speaker 2>Did you have a book from your childhood that really

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<v Speaker 2>taught you a lesson or had that passed down tradition vibe.

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<v Speaker 1>I remember reading and when my mom got for me

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<v Speaker 1>the book but not Buddy by Christopher Paul Curtis. She

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<v Speaker 1>I think she might have gotten it from the library

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<v Speaker 1>for me, and I just remember, you know, thinking about it,

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<v Speaker 1>putting myself back in that era, like I got to

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<v Speaker 1>travel backward in time. I got to go on this

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<v Speaker 1>road trip. Also at the same time, I got to

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<v Speaker 1>learn a little bit more about blackness. That is one

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<v Speaker 1>book that stands out for me from my childhood. Before that,

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<v Speaker 1>I remember a lot of those. I don't remember what

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<v Speaker 1>they were called, but each one of the books had

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<v Speaker 1>a specific moral lesson in it. It was a whole

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<v Speaker 1>series of books. It was there were heartback Yes, they

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<v Speaker 1>were skinny, and it was like cartoon. They weren't them

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<v Speaker 1>in my house.

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<v Speaker 2>I do because I was bad. I was bad. If

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<v Speaker 2>my parents said you need this whole set, and they

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<v Speaker 2>would read them every day.

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<v Speaker 1>And.

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<v Speaker 4>I would have to go dig through the garage.

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<v Speaker 1>They're probably in there somewhere still, but that's what I

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<v Speaker 1>remember from early on. They were really trying to they

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<v Speaker 1>were hitting heavy with the propaganda early on.

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<v Speaker 2>No, Yeah, it was like the titles will be like

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<v Speaker 2>stop tattle telling.

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<v Speaker 4>Yes, I got straight to the point. Did it work

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<v Speaker 4>for any of us?

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<v Speaker 2>Not for me?

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<v Speaker 4>No, not really. They were fun. I don't know why

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<v Speaker 4>they were fun to read, because I feel like I

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<v Speaker 4>like reading them all the time. Yeah, but I didn't

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<v Speaker 4>get the message.

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<v Speaker 2>I understood what they were trying to get at, but

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<v Speaker 2>I was like, I'm still tattle a little bit.

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<v Speaker 4>It's a little too heavy.

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<v Speaker 1>And then back then we knew it.

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<v Speaker 2>I feel like one for me that I remember like,

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<v Speaker 2>oh yeah, like I'm getting something out of this was

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<v Speaker 2>the story of Ruby Bridges. I was reading that when

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<v Speaker 2>we lived in Kansas, which is historically a very white place,

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<v Speaker 2>and I wasn't like the only black kid around, but

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<v Speaker 2>you know, one of very few. And I just remember

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<v Speaker 2>thinking like, am Igraphy Bridges not are you? And is like,

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<v Speaker 2>you know, my mom's from Jacksonssissippi, So like she didn't

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<v Speaker 2>shy away from talking about like racism or just like

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<v Speaker 2>the things like black people have gone through in this country,

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<v Speaker 2>even if I am seven years old, so like you're

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<v Speaker 2>gonna know about this. So I think that like really

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<v Speaker 2>shaped like my view of like society, like oh this

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<v Speaker 2>this how day? Uh huh. You know, I know I

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<v Speaker 2>know which audio and I still have that in me,

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<v Speaker 2>So like I'm interested for you, d Alisha, as an author,

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<v Speaker 2>how do you navigate those topics like racism and injustice

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<v Speaker 2>or trauma in like an age appropriate way but also impactful.

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<v Speaker 4>So I think it's kind of like one side of

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<v Speaker 4>me as a black writer and creative. I enjoy finding

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<v Speaker 4>and writing books that aren't about those topics, just because

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<v Speaker 4>sometimes it's so much about that that sometimes when you

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<v Speaker 4>go to the library and you're looking for books that

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<v Speaker 4>have black characters, all stories kind of have that arc.

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<v Speaker 4>You know, you got the introduction of the protagonist and

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<v Speaker 4>a problem, and then but if all the black protagonists

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<v Speaker 4>problems are racism, kids can start to feel kind of

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<v Speaker 4>like that's the only story we have to tell. So

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<v Speaker 4>I seek to write more and find books that focus

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<v Speaker 4>more on stories of just black folks being black, like

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<v Speaker 4>having cookouts, getting their hair braided. Watched a new book

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<v Speaker 4>coming out that I can't wait to read books about

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<v Speaker 4>bedtime bondings and wrapping your hair up at night. I'm

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<v Speaker 4>looking for more fantasy for black kid lit too. I

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<v Speaker 4>think to approach topics on like racism or discrimination, I

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<v Speaker 4>try to make it more of this is a everybody's problem,

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<v Speaker 4>not of black problem. So how can we be more

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<v Speaker 4>inclusive to one another? On what does that look like?

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<v Speaker 4>Because when you're thinking about kids that are like four

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<v Speaker 4>and five, it's hard to get too deep because they

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<v Speaker 4>don't even quite understand just yet. But just making sure

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<v Speaker 4>if you're at the playground and everybody's over here playing,

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<v Speaker 4>is that one kid over there, invite them over to play?

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<v Speaker 4>You know, if you see a kid fall down and

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<v Speaker 4>hurt themselves by them over, if you see other kids

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<v Speaker 4>making fun of this one kid who happens to not

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<v Speaker 4>look like everybody else or have a disability, how do

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<v Speaker 4>we go about making sure that you know, they know

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<v Speaker 4>we're not having that. So I think it can get

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<v Speaker 4>really heavy sometimes, but I think there's a way to

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<v Speaker 4>always make it focused on inclusion and not so much

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<v Speaker 4>on the outright racism and oppression. Especially when you talk

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<v Speaker 4>about like zero to four age, it's really hard to

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<v Speaker 4>cover but I think all of them. Play is a

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<v Speaker 4>powerful thing we talk about. I talk about play a lot,

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<v Speaker 4>so I think making sure that we focus on including others,

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<v Speaker 4>being kind and if someone isn't, making sure that you're

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<v Speaker 4>that person that's going to stand up and make sure

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<v Speaker 4>that you're inclusive of that person or just protecting them

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<v Speaker 4>if needed. But I feel like sometimes kid lit, especially

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<v Speaker 4>for black kids, can get really heavy on the a

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<v Speaker 4>lot of books coming out that are all about somebody

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<v Speaker 4>being discriminated against or being racist, or which are important stories.

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<v Speaker 4>So I'm definitely not saying that those are definitely important stories,

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<v Speaker 4>but I think we have to make sure that we

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<v Speaker 4>like balance out what black stories are about, because thankfully

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<v Speaker 4>we're at a point where we get to tell our

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<v Speaker 4>own stories and narratives and not have them told for us.

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<v Speaker 2>Yeah, run in the past. Can you talk about play?

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<v Speaker 2>What lessons or values did you put in your book

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<v Speaker 2>that you wrote about play?

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<v Speaker 4>I think for me is that like play looks different

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<v Speaker 4>for every kid, every family. I think not for me

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<v Speaker 4>as a parent to even realizing how controlling adults can

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<v Speaker 4>be about play, Like if you're too messy or don't

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<v Speaker 4>be too loud, or that's not how you play the

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<v Speaker 4>game when none of that matters to kids. I'm sure

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<v Speaker 4>all of y'all remember like making up games and you're like, Okay,

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<v Speaker 4>what's the rule? Well, no, if you get out two times,

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<v Speaker 4>then you got to be on this team and.

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<v Speaker 1>Changing in the middle of the game.

0:12:10.160 --> 0:12:11.920
<v Speaker 4>In the middle of the game, we're like, oh no,

0:12:12.080 --> 0:12:14.240
<v Speaker 4>we always argue about what are the actual rules to

0:12:14.320 --> 0:12:16.679
<v Speaker 4>the game. So for me, when I think about, like

0:12:17.080 --> 0:12:19.520
<v Speaker 4>how I wrote my book about play and just watching

0:12:19.640 --> 0:12:22.600
<v Speaker 4>my son play, it's me as an adult giving up

0:12:22.640 --> 0:12:25.120
<v Speaker 4>the control and just letting him do his thing, and

0:12:25.160 --> 0:12:27.800
<v Speaker 4>even as a former teacher, just like letting them enjoy

0:12:27.840 --> 0:12:30.000
<v Speaker 4>themselves and figure it out because that's part of how

0:12:30.000 --> 0:12:32.640
<v Speaker 4>they learn through play. It doesn't have to be by

0:12:32.679 --> 0:12:34.760
<v Speaker 4>the book or it doesn't have to look the same way.

0:12:34.840 --> 0:12:37.320
<v Speaker 4>Some kids like to play by themselves in a corner

0:12:37.360 --> 0:12:40.320
<v Speaker 4>and that's fine. Others might just want to do something relaxing.

0:12:40.440 --> 0:12:42.520
<v Speaker 4>Other might want to jump off the top of a tree,

0:12:42.920 --> 0:12:45.000
<v Speaker 4>swing across and jump off, which I'm sure we all

0:12:45.040 --> 0:12:47.640
<v Speaker 4>remember that too, swinging and jumping off of the swings.

0:12:47.720 --> 0:12:50.400
<v Speaker 4>So I think just respecting that kids know how to play,

0:12:50.440 --> 0:12:52.120
<v Speaker 4>we don't have to teach them how to play. It

0:12:52.200 --> 0:12:54.720
<v Speaker 4>is natural for them. They're going to figure it out,

0:12:55.040 --> 0:12:58.200
<v Speaker 4>so just not you know, being controlling, letting kids play

0:12:58.280 --> 0:12:59.319
<v Speaker 4>and enjoy themselves.

0:13:00.000 --> 0:13:02.520
<v Speaker 1>I think that it's been the same over time. You

0:13:02.559 --> 0:13:06.080
<v Speaker 1>talk about how much there is around, I guess trying

0:13:06.080 --> 0:13:09.800
<v Speaker 1>to teach children empathy around. That's why the racial oppression

0:13:09.840 --> 0:13:12.400
<v Speaker 1>conversations come up so much. It's always about those. Is

0:13:12.440 --> 0:13:15.559
<v Speaker 1>it more like that in children's lit now than it

0:13:15.640 --> 0:13:18.760
<v Speaker 1>was before? Do you see a change in like maybe

0:13:18.800 --> 0:13:22.400
<v Speaker 1>a few decades ago, like how children's lit looked. Did

0:13:22.400 --> 0:13:25.760
<v Speaker 1>it focus on those types of stories as much then

0:13:25.800 --> 0:13:26.640
<v Speaker 1>as it does now?

0:13:27.160 --> 0:13:30.080
<v Speaker 4>As far as it comes to empathy and racism. I

0:13:30.160 --> 0:13:32.720
<v Speaker 4>am grateful that I am starting to see more stories

0:13:32.760 --> 0:13:36.840
<v Speaker 4>where that's not the primary topic. So in the book,

0:13:36.960 --> 0:13:39.280
<v Speaker 4>there may be an instance where someone does something or

0:13:39.280 --> 0:13:42.080
<v Speaker 4>says something that's inappropriate, but that's not the whole focus

0:13:42.160 --> 0:13:44.360
<v Speaker 4>of the book. When I think back to books like

0:13:44.400 --> 0:13:46.320
<v Speaker 4>when I was younger, compared to the books that I

0:13:46.360 --> 0:13:48.960
<v Speaker 4>read to my son, there's a lot more and just

0:13:49.120 --> 0:13:52.240
<v Speaker 4>being kind and joyful and enjoying each other's company in

0:13:52.240 --> 0:13:56.760
<v Speaker 4>general versus you know, here's a story about you know,

0:13:56.880 --> 0:13:59.560
<v Speaker 4>a little black boy who wasn't allowed to participate in

0:13:59.600 --> 0:14:02.120
<v Speaker 4>this activity and how that shaped his life and his

0:14:02.160 --> 0:14:04.080
<v Speaker 4>family and so on. I feel like there were a

0:14:04.080 --> 0:14:07.720
<v Speaker 4>lot of those kind of moral stories of racism is

0:14:07.720 --> 0:14:10.319
<v Speaker 4>wrong back then. Now I feel like they're starting to

0:14:10.400 --> 0:14:14.400
<v Speaker 4>kind of be mixed into just the black experience. Like, yes,

0:14:14.440 --> 0:14:16.800
<v Speaker 4>we've all in this room, I'm sure experience racism, but

0:14:16.840 --> 0:14:19.880
<v Speaker 4>that's not our story per se. Like there's so many

0:14:19.960 --> 0:14:22.840
<v Speaker 4>other things that we go through from day to day

0:14:23.000 --> 0:14:25.680
<v Speaker 4>through time that we can talk about. So I would

0:14:25.680 --> 0:14:27.480
<v Speaker 4>like to say that I see now that it's more

0:14:27.560 --> 0:14:30.880
<v Speaker 4>focused on empathy in general and just being more inclusive

0:14:30.920 --> 0:14:35.240
<v Speaker 4>with others than the kind of story of black kid

0:14:35.360 --> 0:14:38.840
<v Speaker 4>being discriminated again, treated poorly and that's the end of

0:14:38.880 --> 0:14:41.280
<v Speaker 4>the story basically, because then it kind of feels like

0:14:41.320 --> 0:14:43.560
<v Speaker 4>that's all. That's the end of the story. We just

0:14:43.600 --> 0:14:46.640
<v Speaker 4>have to work through a racism. It's just, you know,

0:14:46.800 --> 0:14:49.400
<v Speaker 4>there's no way to work past it and through it.

0:14:49.840 --> 0:14:54.920
<v Speaker 2>As a children's books expert, I need your opinion on something.

0:14:55.920 --> 0:14:58.640
<v Speaker 2>I feel like there's been a lot of news about

0:14:58.680 --> 0:15:03.080
<v Speaker 2>non black writers writing about black characters.

0:15:03.280 --> 0:15:04.960
<v Speaker 4>Yeah, and you.

0:15:04.920 --> 0:15:08.520
<v Speaker 2>Know, on one hand, people say, you know, it's just a

0:15:08.600 --> 0:15:10.760
<v Speaker 2>character anyone can write about it, and then on the

0:15:10.800 --> 0:15:14.240
<v Speaker 2>other hand, people say like, hey, like you're not in

0:15:14.280 --> 0:15:17.240
<v Speaker 2>this community, like why are you? Like what are your

0:15:17.240 --> 0:15:17.720
<v Speaker 2>thoughts on this?

0:15:18.040 --> 0:15:20.920
<v Speaker 4>So I've had lots of thoughts and conversations about this,

0:15:21.080 --> 0:15:24.280
<v Speaker 4>and I think for me, it always boils down to

0:15:24.640 --> 0:15:31.440
<v Speaker 4>why are you writing about a character that isn't representative

0:15:31.640 --> 0:15:33.680
<v Speaker 4>of your experience?

0:15:35.840 --> 0:15:36.120
<v Speaker 2>Why?

0:15:36.440 --> 0:15:38.920
<v Speaker 4>Like, what's the why behind that? Because at one point,

0:15:39.640 --> 0:15:41.800
<v Speaker 4>a lot of books were coming out that have black characters,

0:15:41.840 --> 0:15:43.560
<v Speaker 4>which made a lot of us happy because we were

0:15:43.600 --> 0:15:45.520
<v Speaker 4>just happy to see black characters. But then when you

0:15:45.560 --> 0:15:47.560
<v Speaker 4>would search the author's name, you know would be a

0:15:47.560 --> 0:15:55.160
<v Speaker 4>white woman. And for me it becomes problematic because there

0:15:55.160 --> 0:15:57.840
<v Speaker 4>are tons of black authors who want a shot, They

0:15:57.880 --> 0:16:02.240
<v Speaker 4>wanted opportunity to write stories about people who have their experiences,

0:16:02.280 --> 0:16:05.840
<v Speaker 4>are able to tell those stories from a genuine place.

0:16:06.440 --> 0:16:09.720
<v Speaker 4>So when I see people who aren't from that background,

0:16:09.960 --> 0:16:13.120
<v Speaker 4>it's always met with like suspicion, like, well, why did

0:16:13.160 --> 0:16:16.000
<v Speaker 4>you choose to make this character black?

0:16:16.520 --> 0:16:17.800
<v Speaker 2>Why do you think they're doing that?

0:16:18.520 --> 0:16:23.560
<v Speaker 4>Honestly, I think diversity became a really big thing, and

0:16:23.640 --> 0:16:28.560
<v Speaker 4>I think that they're able to use that opportunity to

0:16:28.600 --> 0:16:32.560
<v Speaker 4>pull in an audience that they wouldn't necessarily be able

0:16:32.640 --> 0:16:36.080
<v Speaker 4>to pull in with another white book, per se. So

0:16:36.160 --> 0:16:38.560
<v Speaker 4>if all the characters in the book are white, they

0:16:38.560 --> 0:16:41.280
<v Speaker 4>may feel like, Okay, well, this will only reach this group.

0:16:41.800 --> 0:16:45.240
<v Speaker 4>Whereas if I add, you know, a black character, especially

0:16:45.280 --> 0:16:47.640
<v Speaker 4>a black main character. I think it is important to

0:16:47.800 --> 0:16:50.480
<v Speaker 4>have diverse books. So as a black author, I don't

0:16:50.480 --> 0:16:53.280
<v Speaker 4>think my book should only include black characters. But if

0:16:53.280 --> 0:16:56.880
<v Speaker 4>I'm talking about the main character and their experience, I

0:16:56.960 --> 0:16:58.840
<v Speaker 4>just feel like it would be odd for me to

0:16:58.840 --> 0:17:01.400
<v Speaker 4>be like, Okay, this is going to be Billy, a

0:17:01.440 --> 0:17:04.280
<v Speaker 4>little white boy in Arkansas, because I have no you know,

0:17:05.160 --> 0:17:08.880
<v Speaker 4>no experie that right. So I think sometimes it's used

0:17:08.880 --> 0:17:12.679
<v Speaker 4>as a way to promote diversity, but it feels a

0:17:12.720 --> 0:17:14.920
<v Speaker 4>little bit like black face.

0:17:16.160 --> 0:17:19.679
<v Speaker 1>So you're saying that it's from the publisher's perspective or

0:17:19.760 --> 0:17:22.080
<v Speaker 1>is that from the author's perspective when they're choosing to

0:17:22.080 --> 0:17:22.800
<v Speaker 1>write the story.

0:17:23.320 --> 0:17:24.600
<v Speaker 4>I think it's a little bit of both. I mean,

0:17:24.600 --> 0:17:26.680
<v Speaker 4>publishers want their books to sell, so I think when

0:17:26.680 --> 0:17:31.040
<v Speaker 4>it's popular to be diverse and have diverse characters, then

0:17:31.119 --> 0:17:33.240
<v Speaker 4>it's like, oh, well, what if we make this character

0:17:33.760 --> 0:17:36.920
<v Speaker 4>black instead or Asian instead? But I feel like when

0:17:36.960 --> 0:17:39.880
<v Speaker 4>you're an author and you write a story, you know

0:17:40.160 --> 0:17:42.359
<v Speaker 4>who that character is. I shouldn't be able to just

0:17:42.480 --> 0:17:45.320
<v Speaker 4>like swap out the race and it's the same story,

0:17:45.359 --> 0:17:47.720
<v Speaker 4>if that makes sense. Like, when you're writing a story,

0:17:47.800 --> 0:17:49.920
<v Speaker 4>your character should be a person that looks a certain

0:17:49.920 --> 0:17:52.280
<v Speaker 4>way and has certain experiences. I shouldn't just be able

0:17:52.280 --> 0:17:55.119
<v Speaker 4>to say, Okay, yesterday they were black. Oh no today,

0:17:55.160 --> 0:17:58.000
<v Speaker 4>let's make them Asian. Tomorrow, let's make them indigenous. Like

0:17:58.480 --> 0:18:04.120
<v Speaker 4>it should show some real experiences and background and references

0:18:04.160 --> 0:18:07.360
<v Speaker 4>to who that person is in their background. So yeah,

0:18:07.640 --> 0:18:11.720
<v Speaker 4>should have more depth to them. But I think publishers

0:18:11.760 --> 0:18:15.880
<v Speaker 4>and authors both kind of push that to sale books. Honestly,

0:18:15.920 --> 0:18:18.200
<v Speaker 4>when it's I was gonna say, when it's on themes.

0:18:21.280 --> 0:18:23.840
<v Speaker 2>Can we get you reading some of the lines from

0:18:23.840 --> 0:18:24.200
<v Speaker 2>your book.

0:18:26.000 --> 0:18:32.080
<v Speaker 4>It starts off outside or inside or today with imagination.

0:18:32.600 --> 0:18:37.800
<v Speaker 3>We all play, sometimes with friends or on our own.

0:18:38.320 --> 0:18:40.520
<v Speaker 3>Everyone is welcome, we all.

0:18:40.400 --> 0:18:43.280
<v Speaker 4>Belong, and that's my favorite part.

0:18:43.720 --> 0:18:48.160
<v Speaker 3>We saw a stack, hide and seek, explore and observe,

0:18:48.640 --> 0:18:51.880
<v Speaker 3>s and leap, We color and paint, cut and blue

0:18:52.240 --> 0:18:59.640
<v Speaker 3>read a design something new. We we have and how

0:18:59.720 --> 0:19:01.760
<v Speaker 3>we and how we play?

0:19:11.160 --> 0:19:14.520
<v Speaker 2>All right, So you know we're talking about children's books

0:19:15.320 --> 0:19:20.040
<v Speaker 2>passing down lessons and traditions, and as writers, you know

0:19:20.119 --> 0:19:22.399
<v Speaker 2>that when a book comes out, it has a little,

0:19:22.680 --> 0:19:28.639
<v Speaker 2>you know, description. So your task, I am going to

0:19:28.680 --> 0:19:32.040
<v Speaker 2>give you three words. With those three words, you're going

0:19:32.119 --> 0:19:35.680
<v Speaker 2>to come up with a description for a children's book

0:19:36.040 --> 0:19:40.480
<v Speaker 2>that has a lesson or is passing down some tradition.

0:19:40.880 --> 0:19:44.200
<v Speaker 2>You must use those three words. The review or the

0:19:44.240 --> 0:19:47.199
<v Speaker 2>description only about a paragraph, but you got to sell it.

0:19:47.440 --> 0:19:50.800
<v Speaker 2>Which one is going to become a bestseller? Dahalisha your

0:19:50.960 --> 0:19:59.520
<v Speaker 2>set of words, hula hoop Twins Moving, Eves your words

0:20:00.640 --> 0:20:05.320
<v Speaker 2>belly tomorrow and milk.

0:20:06.000 --> 0:20:10.080
<v Speaker 1>Milk that's anti black, Okay.

0:20:10.960 --> 0:20:14.480
<v Speaker 2>And we will hear from Eve's and Dahlicia after this

0:20:14.560 --> 0:20:28.440
<v Speaker 2>break and we're back. Dalicia, can you remind us of

0:20:28.480 --> 0:20:30.560
<v Speaker 2>your words?

0:20:31.440 --> 0:20:38.840
<v Speaker 4>Hula hoop Twins Moving. Ellie and Elise are eager for

0:20:38.920 --> 0:20:42.679
<v Speaker 4>the fifth grade talent showcase. After months of practice, they

0:20:42.840 --> 0:20:47.760
<v Speaker 4>finally perfected their choreography and hula hoop twirls. That is

0:20:48.040 --> 0:20:51.240
<v Speaker 4>until Mom gets the big news she's been waiting for

0:20:51.960 --> 0:20:56.600
<v Speaker 4>a promotion that causes them to move across states to

0:20:56.760 --> 0:20:57.880
<v Speaker 4>the Big Apple.

0:21:07.880 --> 0:21:12.320
<v Speaker 1>I'm trying to get there, five minutes is not enough, Katie,

0:21:14.440 --> 0:21:15.480
<v Speaker 1>I was with you.

0:21:15.480 --> 0:21:19.639
<v Speaker 4>Too, Okay, Okay, I'm gonna just it's not going to

0:21:19.680 --> 0:21:22.399
<v Speaker 4>be in the same excitement. But the lesson is a

0:21:22.480 --> 0:21:25.760
<v Speaker 4>lesson of resilience. You know, they're going to figure out

0:21:26.080 --> 0:21:29.200
<v Speaker 4>how they can still be a part of this fifth

0:21:29.240 --> 0:21:39.800
<v Speaker 4>grade talent showcase by working with their friends. Okay, I'll

0:21:39.800 --> 0:21:43.920
<v Speaker 4>finish up. It's resilience though, that's the moral. Okay, we're

0:21:43.960 --> 0:21:48.240
<v Speaker 4>not there yet. Okay, that's it's resilience, right, stay staying

0:21:48.280 --> 0:21:51.240
<v Speaker 4>rooted in the community while also, you know, having Maybe

0:21:51.280 --> 0:21:55.119
<v Speaker 4>they don't the next city over and they have to

0:21:55.160 --> 0:21:56.000
<v Speaker 4>find a way back.

0:21:56.920 --> 0:21:58.600
<v Speaker 2>Okay, get some editing in.

0:21:58.720 --> 0:21:59.439
<v Speaker 1>I like it.

0:22:00.960 --> 0:22:03.520
<v Speaker 2>I'm there with you. Okay, ease remind us of your word.

0:22:04.200 --> 0:22:08.159
<v Speaker 1>Belly, Tomorrow and Milk. Layla wakes up in the morning.

0:22:08.880 --> 0:22:11.880
<v Speaker 1>The sun shines through the window. It's a beautiful day.

0:22:12.520 --> 0:22:15.199
<v Speaker 1>She gets ready to have her favorite cereal in the morning,

0:22:15.680 --> 0:22:19.240
<v Speaker 1>Pretty Puffs. She fixes her bowl all on her own,

0:22:19.800 --> 0:22:23.520
<v Speaker 1>but oh no, the milk spills. She's sure that her

0:22:23.600 --> 0:22:26.800
<v Speaker 1>dad's going to be angry. What should she do? In

0:22:26.840 --> 0:22:32.320
<v Speaker 1>this book we have Tomorrow, Layla learns valuable lessons about

0:22:32.440 --> 0:22:40.560
<v Speaker 1>gratitude for a full belly and always having tomorrow.

0:22:41.680 --> 0:22:46.520
<v Speaker 4>It's like food security, y'all.

0:22:46.600 --> 0:22:49.679
<v Speaker 1>To be real, what I was thinking it was flash.

0:22:49.800 --> 0:22:51.640
<v Speaker 1>It was taking me back to the things that all

0:22:51.680 --> 0:22:55.120
<v Speaker 1>black parents say, like you already got food on the table,

0:22:55.880 --> 0:22:59.119
<v Speaker 1>We got food at home. I ain't got McDonald's money.

0:23:00.200 --> 0:23:02.280
<v Speaker 1>It's the first thing that came up in my mind

0:23:02.320 --> 0:23:04.280
<v Speaker 1>when I was thinking of bellies.

0:23:04.760 --> 0:23:08.400
<v Speaker 4>And a lot of black people are lactose intolerant.

0:23:10.680 --> 0:23:10.920
<v Speaker 2>Milk.

0:23:11.680 --> 0:23:19.600
<v Speaker 1>Okay, just like that is not I believe it was

0:23:19.600 --> 0:23:23.600
<v Speaker 1>a draw. I think we're on an equal footing.

0:23:25.400 --> 0:23:26.919
<v Speaker 4>At least there was a lesson anything.

0:23:28.520 --> 0:23:32.400
<v Speaker 2>I member the dad is like, oh, he gonna be abused?

0:23:33.040 --> 0:23:35.040
<v Speaker 2>What No.

0:23:35.119 --> 0:23:37.120
<v Speaker 1>I was thinking of this from a child's perspective, where

0:23:37.119 --> 0:23:39.040
<v Speaker 1>they kind of hype everything up in their mind and

0:23:39.080 --> 0:23:41.800
<v Speaker 1>they're like, you know, my parents are going to be

0:23:41.840 --> 0:23:47.280
<v Speaker 1>really angry. I just okay, that's how I thought of it.

0:23:47.359 --> 0:23:49.920
<v Speaker 2>But okay, I'm glad she's not getting abused.

0:23:51.240 --> 0:23:52.640
<v Speaker 1>This story would not get accepted.

0:23:52.680 --> 0:23:55.399
<v Speaker 4>I think that's where we same where we land.

0:23:55.880 --> 0:23:59.680
<v Speaker 2>The first draft of many Yeah, first drafts always very rough,

0:24:00.119 --> 0:24:00.960
<v Speaker 2>as illustrated.

0:24:01.640 --> 0:24:01.919
<v Speaker 1>That was.

0:24:04.600 --> 0:24:05.680
<v Speaker 4>Not what I was expecting.

0:24:05.800 --> 0:24:14.959
<v Speaker 2>I love it. Okay, delisiha. How can folks keep up

0:24:15.000 --> 0:24:16.879
<v Speaker 2>with you? Do you have any future projects coming down

0:24:16.920 --> 0:24:17.440
<v Speaker 2>the pipeline?

0:24:17.680 --> 0:24:20.959
<v Speaker 4>I do. You can keep up with me on Instagram

0:24:21.160 --> 0:24:26.199
<v Speaker 4>at Little Black Book Nook. And I finished up my

0:24:26.640 --> 0:24:30.360
<v Speaker 4>debut board book, How We Play, and I am already

0:24:30.359 --> 0:24:33.720
<v Speaker 4>working on my second board book with a Little Feminist

0:24:33.920 --> 0:24:36.359
<v Speaker 4>and it's going to be about Juneteenth. So that's my

0:24:36.480 --> 0:24:40.560
<v Speaker 4>next big project I'm working on and still just writing

0:24:40.840 --> 0:24:44.359
<v Speaker 4>all the time, all day, every day. So I'm hoping

0:24:44.400 --> 0:24:47.800
<v Speaker 4>to tell more stories, especially for the younger age group.

0:24:47.840 --> 0:24:51.960
<v Speaker 4>I feel like they're not enough board books with black kiddos,

0:24:52.000 --> 0:24:54.160
<v Speaker 4>So I think that's my lane for now.

0:24:57.720 --> 0:25:00.679
<v Speaker 2>And now it's time for All Credits segment, where we

0:25:00.720 --> 0:25:03.080
<v Speaker 2>give credit to a person, place, or thing that we

0:25:03.200 --> 0:25:07.080
<v Speaker 2>encountered during the week, and we are joined with Dollisha Mitchell.

0:25:07.320 --> 0:25:09.119
<v Speaker 2>But first, Eves who are what would you like to.

0:25:09.119 --> 0:25:10.440
<v Speaker 4>Give credit to today?

0:25:10.720 --> 0:25:14.000
<v Speaker 1>I would like to give credit to spiritual teachers, all

0:25:14.040 --> 0:25:18.080
<v Speaker 1>of them, but also my spiritual teachers specifically. I really

0:25:18.119 --> 0:25:23.800
<v Speaker 1>appreciate all of the guidance they've given me, how generous

0:25:23.840 --> 0:25:27.840
<v Speaker 1>they are with their time and with the knowledge that

0:25:27.840 --> 0:25:30.240
<v Speaker 1>they're willing to share. I think the work that they've

0:25:30.240 --> 0:25:32.320
<v Speaker 1>done in my life and that they do in general

0:25:32.440 --> 0:25:36.600
<v Speaker 1>is very important and it's been very edifying for me,

0:25:36.720 --> 0:25:38.040
<v Speaker 1>So I'm grateful for them.

0:25:38.200 --> 0:25:40.399
<v Speaker 2>Dollisha, who are what would you like to give credit to?

0:25:40.720 --> 0:25:44.920
<v Speaker 4>I would like to give credit to Ashley from Ninguzo Babies.

0:25:45.600 --> 0:25:48.920
<v Speaker 4>My baby and I went to a performance that she

0:25:49.000 --> 0:25:51.560
<v Speaker 4>put on with her puppets and it was so amazing.

0:25:51.600 --> 0:25:54.520
<v Speaker 4>We enjoyed it so much to see little black puppets

0:25:54.560 --> 0:25:58.000
<v Speaker 4>telling our stories, dancing bubbles. It was a good time.

0:25:58.119 --> 0:26:00.760
<v Speaker 4>So cheers some more puppetry.

0:26:01.200 --> 0:26:07.200
<v Speaker 2>I'd like to give credit to physical media, like family media,

0:26:07.359 --> 0:26:12.080
<v Speaker 2>like the photo album, subscribe books, the VH S, VHC,

0:26:13.040 --> 0:26:16.560
<v Speaker 2>VHS tapes, the DVDs with the home videos on it.

0:26:16.680 --> 0:26:19.560
<v Speaker 2>I've been steeped in those and it's just really cool

0:26:19.600 --> 0:26:22.040
<v Speaker 2>to see, you know, the life of a person and

0:26:22.080 --> 0:26:25.159
<v Speaker 2>how they you know, grow up and change, and how

0:26:25.520 --> 0:26:27.680
<v Speaker 2>all these memories are captured and we just have them.

0:26:27.840 --> 0:26:29.919
<v Speaker 2>So it's nice to be able to look back on

0:26:29.960 --> 0:26:33.440
<v Speaker 2>those and hold them in your hand. And with that,

0:26:33.840 --> 0:26:35.760
<v Speaker 2>we will see y'all next week. Thanks so much for

0:26:35.840 --> 0:26:37.760
<v Speaker 2>joining us, Dolisha, Thanks for having me.

0:26:39.480 --> 0:26:45.640
<v Speaker 3>How we play outside or inside night or day, What's imagination?

0:26:46.200 --> 0:26:50.400
<v Speaker 3>We all play, sometimes do with friends or on our own.

0:26:50.880 --> 0:26:53.240
<v Speaker 3>Everyone is welcome, We all belonged.

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<v Speaker 1>On Theme is a production of iHeartRadio and Fearwell their

0:27:00.200 --> 0:27:03.840
<v Speaker 1>Friends Media. This episode was written by Eves Jeffco and

0:27:03.920 --> 0:27:07.320
<v Speaker 1>Katie Mitchell. It was edited and produced by Tari Harrison.

0:27:07.920 --> 0:27:11.440
<v Speaker 1>Follow us on Instagram at on Themeshow. You can also

0:27:11.480 --> 0:27:15.200
<v Speaker 1>send us an email at hello at on Theme dot show.

0:27:16.080 --> 0:27:17.920
<v Speaker 1>Head to on Themet Show to check out the show

0:27:17.960 --> 0:27:21.840
<v Speaker 1>notes for episodes. For more podcasts from iHeartRadio, visit the

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