WEBVTT - Are You There Godzilla, It’s Me Kim Jong-il

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<v Speaker 1>Ridiculous Crime is a production of I Heart Radio. Yo,

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<v Speaker 1>Elizabeth Dutton, what you doing girl, Zarin Burnett, I got

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<v Speaker 1>a question for you. Yes, you know what's ridiculous? Yeah?

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<v Speaker 1>I do. Actually come on now all right listen. You

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<v Speaker 1>like football, right, like you're a football guy, producer, Dave's

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<v Speaker 1>a football guy. Yeah. Um, you like how when they

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<v Speaker 1>hit their heads and they get the brain damage. That's

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<v Speaker 1>like your favorite part, right you non football fans? Um,

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<v Speaker 1>you know soccer people get concussions and brain damage. Dude,

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<v Speaker 1>No one talks about this, the CTE damage of soccer.

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<v Speaker 1>I'm just saying, yeah, well okay, so good point. Um,

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<v Speaker 1>here's here's the thing. Like when you know, you think

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<v Speaker 1>about football, and especially we're like Super Bowl time and um,

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<v Speaker 1>it's all like not just the football that's being played,

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<v Speaker 1>but the football and your tummy cheese, well yeah, all

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<v Speaker 1>the snacks. Right, so you've got like, um, nachos like

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<v Speaker 1>you said, and chili and beer and that's ridiculous. No,

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<v Speaker 1>you know where I'm going. Where are you going? Okay,

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<v Speaker 1>So there's this thing that pairs well, as they said,

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<v Speaker 1>with recliners, gaming and late night snack attacks. And it

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<v Speaker 1>was we got so many of like sent to us,

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<v Speaker 1>of these things sent to us, not physically, but we

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<v Speaker 1>got a lot of messages about this from so many

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<v Speaker 1>brew dudes and all working against me. Go on, Okay,

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<v Speaker 1>So there's this thing and it's called Hormel Chili Chili

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<v Speaker 1>Cheese Brew. It's beer, Hormel Chili Cheese Brew. Yeah, the

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<v Speaker 1>website says, Yes, this madness is real. The tastiness of

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<v Speaker 1>Hormel Chili Cheese Dip has come to life as a

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<v Speaker 1>beer perrier dip with SIPs. When you pick up a

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<v Speaker 1>four pack of this smooth chili cheese spice beer, it's

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<v Speaker 1>dip a clock, y'all. Could you imagine drinking enough to

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<v Speaker 1>get sick and the stuff coming back up a flavor burning?

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<v Speaker 1>Can I read you the press release? It's amazing, arriving

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<v Speaker 1>just in time for Super Bowl or Super Bowl for

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<v Speaker 1>those you know in different space. Um l V I

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<v Speaker 1>I what's that? Hormel today launched a first ever Hormel

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<v Speaker 1>Chili Cheese Brew in a partnership with the award winning

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<v Speaker 1>Modest Brewing Company. Inspired by the brand signature chili Cheese Dip.

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<v Speaker 1>Limited edition American Logger features features Minnesota pills and er barley,

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<v Speaker 1>malt and flaked corn. Here's the part brace yourself with

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<v Speaker 1>its corn chip flavored bass. Oh god, taste like right okay,

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<v Speaker 1>Modest brewing Company tastes like athletes Foot added a mix

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<v Speaker 1>of savory spices and hints of cheddar cheese powder to

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<v Speaker 1>bring the flavors of Hormel Cheese Dip to life. Starting Tuesday,

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<v Speaker 1>January at eight a m. East. Oh damn, I probably

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<v Speaker 1>missed it. Then, four packs are available to purchase Hormel

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<v Speaker 1>Chili cheesebrew dot com for while supplies last. The price

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<v Speaker 1>includes shipping and handling Hormel Chili Cheese brew wile ship

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<v Speaker 1>in time for fans to enjoy when watching the Super

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<v Speaker 1>Bowl on February. Fans can whip up a batch of

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<v Speaker 1>Hormels Chili Cheese Dip by combining Hormel chili no beans

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<v Speaker 1>with a one pound package of pasteurized cheese cut into

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<v Speaker 1>half inch cubes. Mixed together the ingredients in a microwave

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<v Speaker 1>safe bowl and micro wave on high for four and

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<v Speaker 1>a half to five minutes until hot and cheese is melt,

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<v Speaker 1>served with corn chips if desired. Why would they do that?

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<v Speaker 1>I win the ridiculousness, dude, that is more than ridiculous.

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<v Speaker 1>That's just hate chili cheese. Are you going to do

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<v Speaker 1>that to a super Bowl party? Because could you meague

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<v Speaker 1>if you showed up a super Bowl party and they

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<v Speaker 1>were serving the there like, I wouldn't be surprised. I

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<v Speaker 1>don't know what happens at this that's true, you don't.

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<v Speaker 1>It's not that bad. It's not as bad as you think.

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<v Speaker 1>If you got a second. You're familiar with the leader

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<v Speaker 1>of North Korea, right, Kim Jong doon? Okay, well, there

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<v Speaker 1>was his one time when his daddy, the former dear

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<v Speaker 1>leader Kim Jong ill, he kidnapped the biggest star and

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<v Speaker 1>the best director from South Korea. Then he brought them

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<v Speaker 1>to North Korea and he had them shoot a remake

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<v Speaker 1>of Godzilla. Yes, he wanted a North Korean Godzilla who

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<v Speaker 1>could crush the capitalist swine. Now you have to understand,

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<v Speaker 1>this is such a wild story. Are you ready for

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<v Speaker 1>the story of the making of a movie that feels

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<v Speaker 1>like it's story would make an even better movie than

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<v Speaker 1>the movie that was made? I am ready? All right?

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<v Speaker 1>This is Ridiculous Crime a podcast about absurd and outrageous capers,

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<v Speaker 1>heights and cons. It's always murder free and one ridiculous Elizabeth.

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<v Speaker 1>I would like to talk with you today about your

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<v Speaker 1>Lord and savior, Godzilla. Have you been saved? Are you

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<v Speaker 1>a fan of Godzilla? No? Okay, well I'm gonna lay

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<v Speaker 1>some facts on your I mean, disappointment is an understatement,

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<v Speaker 1>but whatever, you know, let me just lay some facts

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<v Speaker 1>on you so you can appreciate the cult of the

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<v Speaker 1>thunder Lizard. All right, So Godzilla is an americanization of

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<v Speaker 1>a Japanese name, right, So in Japan his name is Godjira,

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<v Speaker 1>and Gojira is a portmanteau in Japanese. It's two Japanese

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<v Speaker 1>words braided together, and the words are goira for gorilla

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<v Speaker 1>and kujira for whale. So Godzilla's name really means guerrilla whale.

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<v Speaker 1>I thought you'd like that. Yeah, it's starting to win

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<v Speaker 1>me over right. I'm working and from not caring to

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<v Speaker 1>like caring a little bit the dial I'm a little curious.

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<v Speaker 1>What is that, Godzilla? Curious? You can't understand god have

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<v Speaker 1>you You've never seen a single movie I have. He

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<v Speaker 1>didn't enjoy it, he didn't stay with you, just didn't care.

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<v Speaker 1>When we're the other How can you say that? I

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<v Speaker 1>just didn't care when we are the other. You said

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<v Speaker 1>it twice, so nice, I said it all right. Well whatever,

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<v Speaker 1>So Godzilla my dog, not yours. Born of the sea whale, exactly,

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<v Speaker 1>my gerilla whale. What up dog? Awakened by the nuclear age,

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<v Speaker 1>he in a sense, is the revenge of nature against civilization.

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<v Speaker 1>Godzilla is the spirit of our times. Elizabeth, you know

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<v Speaker 1>I love that, I thought you. Yeah, you know I

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<v Speaker 1>love animals and creatures attacking us in the street, kidding

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<v Speaker 1>all around the world. Godzilla is loved by many people

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<v Speaker 1>who aren't you, and he is the monster you love

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<v Speaker 1>to hate. He stars in movies. He's also he has

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<v Speaker 1>ted TV shows, cartoon shows, comic books, mangas, graphic novels

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<v Speaker 1>literally very novels, video games, music videos, and of course

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<v Speaker 1>knockoff porn videos. So Godzilla, I'm not sure if you

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<v Speaker 1>know this. He's not young. He came to screens in

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<v Speaker 1>ninety four in Japan, and then in two years later

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<v Speaker 1>he comes to America and he starts to reckon Shop,

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<v Speaker 1>and the americanized version heavily edited, and they threw in

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<v Speaker 1>a Raymond burd just to really make the American audiences connect.

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<v Speaker 1>It was called Godzilla, King of the Monsters exclamation point.

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<v Speaker 1>Now the American release, it becomes a big hit, and uh,

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<v Speaker 1>you know, it's one of those things that pretty much

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<v Speaker 1>created not just a genre, but a whole thing. You know,

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<v Speaker 1>it is a world to itself. And there's the mathra things,

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<v Speaker 1>all the monsters exactly. Okay, So in four Godzilla had

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<v Speaker 1>been off of screens for a decade. There have been

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<v Speaker 1>no movies. The seventies have been hard on Godzilla. They

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<v Speaker 1>got a little cheesy in the sixties, and by the

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<v Speaker 1>seventies people are like, what what is this mecha zillah?

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<v Speaker 1>I don't even care anymore? Right, So the people, good

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<v Speaker 1>people of Tohe Films, they decided in let's bring back Godzilla.

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<v Speaker 1>They're like, yeah, like not only that, let's a race

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<v Speaker 1>all of those bad movies we've made. So they take

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<v Speaker 1>the fourteen films in between the first one and the

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<v Speaker 1>new one they plan and they go, none of those counted,

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<v Speaker 1>and so they say this will be the first sequel

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<v Speaker 1>to the original film. The rest all just went to

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<v Speaker 1>Mystery Science theater. Pretty much, Yeah, pretty much because Zilla.

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<v Speaker 1>The people from Toe they realized we went we made

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<v Speaker 1>a mistake. We stopped letting Godzilla be the monster. We

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<v Speaker 1>made him the hero of fighting other monsters. I want

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<v Speaker 1>to go back to him being the one coming after us. Yeah, exactly.

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<v Speaker 1>So Godzilla comes back eighty meters tall, fifty thousand tons

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<v Speaker 1>of lizard monstrous, right, big bigg and so he's this

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<v Speaker 1>long daddy. The movie is called the Return of Godzilla.

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<v Speaker 1>In America, it's called Godzilla. You've seen this one. Raymond

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<v Speaker 1>Burr came back for the sequel, did wow. I don't

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<v Speaker 1>recall if I've seen it or not, but there's a

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<v Speaker 1>lot I don't remembers. It's very likely you maybe have

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<v Speaker 1>seen it. Is the Godzilla movie. A lot of Americans

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<v Speaker 1>have seen it, even if they don't know it. Right now,

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<v Speaker 1>I know you're probably thinking, Zarin, what is it that

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<v Speaker 1>we all love about Godzilla? Darren, what is it that

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<v Speaker 1>we all love about Godzilla? It's a great question, Elizabeth.

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<v Speaker 1>I'll tell you now. Koji Hashimoto, he's the director of

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<v Speaker 1>the Return of Godzilla. He said, and I quote, the

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<v Speaker 1>existence of Godzilla is itself a dilemma. Godzilla is a

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<v Speaker 1>living conflict of evil and sadness. Yes, he is the

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<v Speaker 1>monster you feel sorry for. Well, well, I mean maybe

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<v Speaker 1>I do okay. Now, the writer of Godzilla remake, Tomo

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<v Speaker 1>Yuki Tanaka, he said, and I quote, Godzilla is the

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<v Speaker 1>son of the atomic bomb. He is a nightmare created

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<v Speaker 1>of the darkness of the human soul. He is the

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<v Speaker 1>sacred beast of the apocalypse. Right. Yeah, Now, when the

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<v Speaker 1>Godzilla reboot dropped, there was one cinephile out there, not you,

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<v Speaker 1>who saw Godzilla re emerged from the dark and deep

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<v Speaker 1>and was like, I need me one of those Godzillas,

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<v Speaker 1>Get me a Godzilla. And that man's name was Kim

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<v Speaker 1>Jong Ill, the next in future dear leader of North Korea.

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<v Speaker 1>At the time, he was the son of the founder

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<v Speaker 1>of dpr K. He was always the son of the founder,

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<v Speaker 1>but at the time he was not yet the leader.

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<v Speaker 1>He was still like, you know, junior dictator to be.

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<v Speaker 1>Now his father's running the show, so that means his

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<v Speaker 1>son had a lot of time on his hands. So

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<v Speaker 1>what he liked to do was watch movies, specially bootleg

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<v Speaker 1>Western movies. The dude loved movies. Like I'm talking, he

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<v Speaker 1>had fifteen thousand film library. Now remember these legals, no

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<v Speaker 1>American products or Western products are supposed to be in

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<v Speaker 1>the country. He's got fifteen thousand bootleg film movies for me,

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<v Speaker 1>but not for the exact So the ones he loved,

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<v Speaker 1>I'm not sure if I'll just tell you. He loved

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<v Speaker 1>action movies like Rambo, loved the Rambo movies. He also

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<v Speaker 1>loved James Bond films. He loved Friday the Thirteen, Big

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<v Speaker 1>Jason fan. Yeah. Also he loved any film that starred

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<v Speaker 1>Elizabeth Taylor. He went nuts for her lavender eyes. Right.

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<v Speaker 1>So now since dude that can have whatever job he wants,

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<v Speaker 1>he becomes the head of the North Korean film industry. Right,

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<v Speaker 1>so he has bustling exactly. He's got him cooking sixty

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<v Speaker 1>films a year, which is not bad. I mean, like

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<v Speaker 1>Disney only puts out like fifteen films in here now,

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<v Speaker 1>So they were cooking, right, it was like Golden Age

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<v Speaker 1>Hollywood era. Now anywhere, Oh, I'll lists off something for

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<v Speaker 1>you to go and here, get your pen out, you're ready.

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<v Speaker 1>So the films are all mostly blatant propaganda, right, the

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<v Speaker 1>original ones like so the ones like of his father's era,

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<v Speaker 1>they're just all propagandiam me, generally under communism is kind

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<v Speaker 1>of hard to make good films. I mean, yes, there's Tartakovsky.

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<v Speaker 1>They're good filmmakers, but generally under communism you get some

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<v Speaker 1>pretty questionable films. Right. Kim Jong Ill he knew this,

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<v Speaker 1>so he studies Western film. He writes the books so

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<v Speaker 1>that these communist movies can get better. His book is

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<v Speaker 1>called On the Art of Cinema. It was his attempt

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<v Speaker 1>to guide this film industry, right, So he gives him

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<v Speaker 1>the manifesto about how to make a good movie. Lars Montrier,

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<v Speaker 1>he was not, but he did at USC Films. Yeah,

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<v Speaker 1>it's like Dogma nine. And then also on the Artist

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<v Speaker 1>Cinema and then some Willie Golden books on screenwriting. That's

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<v Speaker 1>it right now. Mostly dude is just railing on the

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<v Speaker 1>Korean film scene in his book, right, he's just like

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<v Speaker 1>the angriest film history you've ever read. Now. His father,

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<v Speaker 1>as I told you, created propaganda films. You asked about them.

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<v Speaker 1>One of them was Sea of Blood. That was about

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<v Speaker 1>Korea's fight against Japan in the nineteen thirties, a real

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<v Speaker 1>tragic film. And I know, Elizabeth, you probably remember the

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<v Speaker 1>hit song from that that movie, My Heart Will Remain Faithful.

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<v Speaker 1>Oh yeah, but is my go to it karaoke? I

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<v Speaker 1>knew that that's what I thought. Okay, now, Kim Jong Il,

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<v Speaker 1>I've never done karaoke really, yeah, have to correct that.

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<v Speaker 1>I'll even embarrass myself to make sure you do it now,

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<v Speaker 1>Kim Jong Il. He uh. He praised his father's era

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<v Speaker 1>of films. He wrote in his book quote, films should

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<v Speaker 1>contain musical masterpieces like these, the fusion of noble ideas

0:12:46.280 --> 0:12:48.600
<v Speaker 1>and burning passion. Right. He's like very much about the

0:12:48.640 --> 0:12:51.280
<v Speaker 1>grand themes. But he's a different man than his father.

0:12:51.400 --> 0:12:53.280
<v Speaker 1>So when he gets his hands on the North Korean

0:12:53.280 --> 0:12:56.720
<v Speaker 1>film industry, he wants to create great art. So and

0:12:56.760 --> 0:12:59.520
<v Speaker 1>also the communist propaganda the same thing, same goals, right,

0:12:59.559 --> 0:13:01.720
<v Speaker 1>But he know this wouldn't be easy, so he decided,

0:13:01.760 --> 0:13:03.000
<v Speaker 1>you know what I need to do. I need to

0:13:03.080 --> 0:13:06.000
<v Speaker 1>kidnap the most talented director in South Korea so I

0:13:06.040 --> 0:13:09.679
<v Speaker 1>can make great art. I won't force him, so this

0:13:09.760 --> 0:13:13.480
<v Speaker 1>poor unfortunate soul. His name was Shin Song oc Shin Song.

0:13:13.840 --> 0:13:16.640
<v Speaker 1>He had a production company and he named after himself.

0:13:16.679 --> 0:13:19.200
<v Speaker 1>It was called Shin Films, and he made a ton

0:13:19.240 --> 0:13:21.920
<v Speaker 1>of films and they were mostly beloved. Some were challenging,

0:13:21.960 --> 0:13:23.840
<v Speaker 1>but he mostly made crowd pleasers. He was like kind

0:13:23.840 --> 0:13:25.680
<v Speaker 1>of like a James Cameron if you will right now.

0:13:25.920 --> 0:13:28.240
<v Speaker 1>One of his big films is called The Eunuch. Now,

0:13:28.360 --> 0:13:32.120
<v Speaker 1>can you guess what The Eunuch is about? Elizabeth? Yes,

0:13:32.160 --> 0:13:34.520
<v Speaker 1>I'm having no testicles, but no, maybe it's beyond that.

0:13:34.640 --> 0:13:38.560
<v Speaker 1>It's it's about unis and concubines. It's doubling up. Yeah,

0:13:38.720 --> 0:13:40.800
<v Speaker 1>there's two of them. They fall in love a concubine

0:13:40.800 --> 0:13:43.079
<v Speaker 1>me to Unich. In the court. They decide, oh, it

0:13:43.080 --> 0:13:45.080
<v Speaker 1>would be great if we could consummate our love affair.

0:13:45.080 --> 0:13:47.120
<v Speaker 1>Oh but you have no junk. And he's like, no, no, baby,

0:13:47.120 --> 0:13:49.199
<v Speaker 1>don't worry. It still works. And she's like really, And

0:13:49.200 --> 0:13:51.440
<v Speaker 1>they're about to consummate their love affair, and then tragic

0:13:51.480 --> 0:13:55.040
<v Speaker 1>events happen and they don't and people die spoil Oh sorry,

0:13:55.080 --> 0:13:58.200
<v Speaker 1>I totally I didn't mean to blow that for you anyway.

0:13:59.320 --> 0:14:07.880
<v Speaker 1>For me, Shin's movies are mostly these for you too, Okay,

0:14:07.960 --> 0:14:11.280
<v Speaker 1>let me let me get back together. Okay, So the

0:14:11.480 --> 0:14:14.360
<v Speaker 1>Shin's movie they're mostly there's star women, and they're they're

0:14:14.400 --> 0:14:19.040
<v Speaker 1>considered like provocative. At this time, there's Chinese movies, Japanese

0:14:19.080 --> 0:14:21.160
<v Speaker 1>movies in Korea, and the Korea's movies and creas movies

0:14:21.200 --> 0:14:24.160
<v Speaker 1>are often very conservative careers culture at the times conservative.

0:14:24.200 --> 0:14:28.120
<v Speaker 1>It's under a dictatorship, so he's challenging societal roles for women.

0:14:28.200 --> 0:14:30.600
<v Speaker 1>He's very much an avant garde artist but still making

0:14:30.640 --> 0:14:34.560
<v Speaker 1>popular films. And he's also really good like director where

0:14:34.600 --> 0:14:37.160
<v Speaker 1>he's his films are like a master class for young actors. Right.

0:14:37.200 --> 0:14:40.120
<v Speaker 1>So the guys just killing it in the rolls around

0:14:40.400 --> 0:14:42.480
<v Speaker 1>the Korean dictatorships, like you know what, Shin, you need

0:14:42.520 --> 0:14:44.160
<v Speaker 1>to close up shops, and there's nothing he can do

0:14:44.200 --> 0:14:46.880
<v Speaker 1>about it. So boom, he's out of business and he's like, oh,

0:14:47.000 --> 0:14:49.680
<v Speaker 1>this sucks, and uh, you know, this is the moment

0:14:49.760 --> 0:14:52.960
<v Speaker 1>Kim Jong ill was waiting for. He's like rubbing his

0:14:53.040 --> 0:14:56.400
<v Speaker 1>hands together all sinister. Now the filmmaker made suddenly be

0:14:56.440 --> 0:15:00.520
<v Speaker 1>amenable to this second chance to make great art. Kim

0:15:00.560 --> 0:15:03.160
<v Speaker 1>Jong il knows he's gonna need the right enticements if

0:15:03.160 --> 0:15:05.040
<v Speaker 1>he wants to get Shin to come over to North

0:15:05.120 --> 0:15:07.360
<v Speaker 1>Korea and jump the d MZ. So he's like, what

0:15:07.480 --> 0:15:09.680
<v Speaker 1>can I do? He's like, well, is he great art?

0:15:09.720 --> 0:15:12.200
<v Speaker 1>That may not be enough? I know it. I'm I've

0:15:12.240 --> 0:15:13.600
<v Speaker 1>got it. I know what I need to do. And

0:15:13.600 --> 0:15:18.160
<v Speaker 1>he's like, I'll kidnap his wife. It's like this business

0:15:19.240 --> 0:15:23.200
<v Speaker 1>always to the relationship of trust and need, so joy

0:15:23.480 --> 0:15:25.640
<v Speaker 1>you and He. That was his wife's name. She was

0:15:25.720 --> 0:15:28.520
<v Speaker 1>the biggest, most respected actress in South Korea and she's

0:15:28.600 --> 0:15:31.840
<v Speaker 1>married to the hottest director. They were this ultra cool couple.

0:15:31.880 --> 0:15:35.240
<v Speaker 1>They were like the jay Z and Beyonce of seventies Korea. Right.

0:15:35.480 --> 0:15:38.040
<v Speaker 1>They met on a film set. And there's a documentary

0:15:38.040 --> 0:15:40.000
<v Speaker 1>about this whole story. It's called The Lovers in the

0:15:40.040 --> 0:15:43.040
<v Speaker 1>Despot and I recommend it great your coverage if you

0:15:43.040 --> 0:15:44.760
<v Speaker 1>want to hear more about this story. In the film

0:15:45.080 --> 0:15:47.720
<v Speaker 1>show You and He. She remembers meeting her future husband

0:15:47.720 --> 0:15:50.080
<v Speaker 1>and she's like, I was asked to star in this film.

0:15:50.200 --> 0:15:53.640
<v Speaker 1>Then we met and had black bean noodles. Shin wasn't

0:15:53.680 --> 0:15:57.120
<v Speaker 1>only handsome, he was also stylish. Everyone thought he was

0:15:57.160 --> 0:16:00.120
<v Speaker 1>cool and he was a brilliant filmmaker. He said that

0:16:00.200 --> 0:16:03.640
<v Speaker 1>we should make films together forever, and that's how it

0:16:03.640 --> 0:16:07.480
<v Speaker 1>all began. Now, storybook romance. That's awesome, right, but be

0:16:07.560 --> 0:16:09.440
<v Speaker 1>careful what you wish for because there may be some

0:16:09.520 --> 0:16:13.480
<v Speaker 1>North Korean dictator listening, and suddenly you're making movies together forever.

0:16:13.880 --> 0:16:17.480
<v Speaker 1>In North Korea, which is pretty much what happened. Okay,

0:16:18.000 --> 0:16:20.080
<v Speaker 1>we'll take a little break here and we'll get back

0:16:20.120 --> 0:16:22.520
<v Speaker 1>to the North Korean Godzilla and I'm going to blow

0:16:22.560 --> 0:16:47.200
<v Speaker 1>your mind, all right, Elizabeth Zaren, I like saying it

0:16:47.240 --> 0:16:52.680
<v Speaker 1>in an accusatory way today, Saren. Yes, Elizabeth, I was

0:16:52.720 --> 0:16:54.880
<v Speaker 1>telling you about the super couple, the director of My man,

0:16:54.880 --> 0:16:58.160
<v Speaker 1>Shin and his wife the star You and he. Now

0:16:58.320 --> 0:17:01.520
<v Speaker 1>they sounds super groovy, right they were. Well, I'll show

0:17:01.520 --> 0:17:02.880
<v Speaker 1>you pictures of them and you can put them up

0:17:02.880 --> 0:17:05.760
<v Speaker 1>and be like, oh man, look at these two that

0:17:06.040 --> 0:17:07.960
<v Speaker 1>I'm going to sound Yeah, just like that. It feel

0:17:07.960 --> 0:17:09.639
<v Speaker 1>like when you're looking at pictures of Elliott, are you

0:17:09.680 --> 0:17:12.040
<v Speaker 1>going to hit me in the head? I got a

0:17:12.080 --> 0:17:15.760
<v Speaker 1>head wound now and I'm looking at the pictures. So Shin,

0:17:15.960 --> 0:17:18.800
<v Speaker 1>he's this dude is a wilful soul, right, You and he?

0:17:18.840 --> 0:17:21.000
<v Speaker 1>She called him the wild Horse, which I think means

0:17:21.040 --> 0:17:26.400
<v Speaker 1>like we would call him the mustang man mustand yeah,

0:17:26.400 --> 0:17:29.440
<v Speaker 1>total cowboy, little band's man in terms of like going

0:17:29.520 --> 0:17:32.359
<v Speaker 1>his own way, right, the super couple, they're a match

0:17:32.400 --> 0:17:34.680
<v Speaker 1>set though, because you and he's she's just as willful

0:17:34.800 --> 0:17:37.240
<v Speaker 1>as Shin, right, maybe even more so in some ways,

0:17:37.280 --> 0:17:39.720
<v Speaker 1>because well, I'll get into that later. But she goes

0:17:39.760 --> 0:17:43.240
<v Speaker 1>on to secretly record Kim Jong Ill by hiding a

0:17:43.320 --> 0:17:46.040
<v Speaker 1>recorder in her purse. Getting caught would cost her, possibly

0:17:46.080 --> 0:17:51.000
<v Speaker 1>her head and seven generations of her family, right, exactly

0:17:51.080 --> 0:17:53.639
<v Speaker 1>the circles that emanate with blood. No, you have to

0:17:53.720 --> 0:17:56.800
<v Speaker 1>understand thanks to this, you and he, Elizabeth, you know

0:17:56.920 --> 0:18:00.720
<v Speaker 1>that I have now heard Kim Jong Ill's voice. You. Yes,

0:18:01.080 --> 0:18:03.879
<v Speaker 1>I she recorded him, and before she recorded him, no

0:18:04.040 --> 0:18:07.120
<v Speaker 1>Westerner had heard Kim Jong ULL's voice. Now I am

0:18:07.160 --> 0:18:10.200
<v Speaker 1>in rare air. Yeah, and if you watch the documentary,

0:18:10.359 --> 0:18:13.760
<v Speaker 1>you two can be in that same rare air. But

0:18:13.840 --> 0:18:15.760
<v Speaker 1>for you, Elizabeth, I thought, I just read a couple

0:18:15.800 --> 0:18:18.160
<v Speaker 1>of Kim Jong ules choice quotes from the secret tape

0:18:18.160 --> 0:18:20.199
<v Speaker 1>that you and he recorded. You get a sense of

0:18:20.240 --> 0:18:22.720
<v Speaker 1>the man's gonna sound like him. Well, this is gonna

0:18:22.720 --> 0:18:26.040
<v Speaker 1>be Kim Jong Lem excited. Why do all of our

0:18:26.119 --> 0:18:30.360
<v Speaker 1>films have the same ideological plots? There's nothing no about them?

0:18:30.400 --> 0:18:32.679
<v Speaker 1>I mean, like, why are there so many crying scenes?

0:18:32.760 --> 0:18:35.880
<v Speaker 1>All of her films have crying scenes. This isn't a funeral,

0:18:36.040 --> 0:18:39.520
<v Speaker 1>is it? Okay? Elizabeth? No, wait a minute, you said

0:18:39.560 --> 0:18:42.480
<v Speaker 1>the reason I gave the Dear Leader a comical Chicago accent,

0:18:42.800 --> 0:18:44.880
<v Speaker 1>It's because I don't want to tread on any racist

0:18:44.880 --> 0:18:47.680
<v Speaker 1>ground here by a mistake. Right, So my imitation is

0:18:47.720 --> 0:18:49.159
<v Speaker 1>gonna be you know, I'm gonna stay away from me

0:18:49.440 --> 0:18:52.360
<v Speaker 1>caricatures or stereotypes, and I'm gonna go with those pure

0:18:52.440 --> 0:18:55.439
<v Speaker 1>Chicago Okay, Now, if you got a second, I got

0:18:55.480 --> 0:18:58.359
<v Speaker 1>another one for you now, he said on tape, and

0:18:58.400 --> 0:19:01.280
<v Speaker 1>I quote, we don't have any films they can get

0:19:01.280 --> 0:19:03.840
<v Speaker 1>into film festivals. But I mean, like in South Korea,

0:19:04.119 --> 0:19:08.080
<v Speaker 1>they have better technology. They are like college students. We

0:19:08.200 --> 0:19:11.640
<v Speaker 1>are just in nursery school. People here are so close minded.

0:19:12.560 --> 0:19:15.639
<v Speaker 1>I wonder why, yes, the irony could choke Godzilla. I

0:19:15.680 --> 0:19:17.959
<v Speaker 1>mean it's just like, come on, Mane, You're the reason

0:19:18.000 --> 0:19:21.280
<v Speaker 1>they're so close. Mind you and your daddy. I got

0:19:21.280 --> 0:19:23.600
<v Speaker 1>one more for you. You're ready. This is uh Kim

0:19:23.680 --> 0:19:27.760
<v Speaker 1>Jong Ill talking about South Korea's films versus the North

0:19:27.800 --> 0:19:30.960
<v Speaker 1>Koreas films. Alright, I've looked at South Korea's films. I've

0:19:30.960 --> 0:19:33.959
<v Speaker 1>asked my advisor who's the best director in the South.

0:19:34.320 --> 0:19:37.400
<v Speaker 1>He said that his name is Shin. I said, how

0:19:37.440 --> 0:19:39.879
<v Speaker 1>can we persuade him to come here. How could I

0:19:39.960 --> 0:19:43.959
<v Speaker 1>lure this director Shin? So now that's the plot. He's

0:19:44.000 --> 0:19:46.520
<v Speaker 1>like to get this man into North Korea. So I

0:19:46.560 --> 0:19:48.400
<v Speaker 1>already told you the answer to this is he's gonna

0:19:48.480 --> 0:19:50.639
<v Speaker 1>kidnap you and he. That's his plan. That's how he's

0:19:50.680 --> 0:19:52.600
<v Speaker 1>gonna get him over and force to come and make

0:19:52.720 --> 0:19:57.159
<v Speaker 1>great art Godzilla movies. Now his plan, perfect plan, grabbed

0:19:57.160 --> 0:20:00.359
<v Speaker 1>the wife. Here's how it plays out. You're ready, you

0:20:00.440 --> 0:20:02.879
<v Speaker 1>and he. She's an actress, so you know she has

0:20:02.920 --> 0:20:04.760
<v Speaker 1>to go and talk to producers. She gotta go and

0:20:04.800 --> 0:20:07.119
<v Speaker 1>do business a film. She's gotta have lunches, all that

0:20:07.160 --> 0:20:09.560
<v Speaker 1>kind of right. Now, she gets flown over to Hong

0:20:09.600 --> 0:20:11.919
<v Speaker 1>Kong to meet with this producer about a potential role

0:20:11.960 --> 0:20:14.600
<v Speaker 1>in an upcoming Hong Kong movie. And Hong Kong guys

0:20:14.600 --> 0:20:17.359
<v Speaker 1>a great film community, so she's like stoked. She's like,

0:20:17.359 --> 0:20:18.760
<v Speaker 1>oh yeah, I'm gonna go work with some you know,

0:20:18.840 --> 0:20:21.560
<v Speaker 1>Jackie Chance Production company or whatever. Right, she stoked. She

0:20:21.600 --> 0:20:23.880
<v Speaker 1>gets met at the airport by an executive she knows

0:20:24.000 --> 0:20:26.560
<v Speaker 1>from the Hong Kong branch of her ex husband Shin's

0:20:26.600 --> 0:20:29.160
<v Speaker 1>film company, because at this point they are divorced. Right,

0:20:29.200 --> 0:20:32.359
<v Speaker 1>So She's like always from Shin's films. So with this dude,

0:20:32.480 --> 0:20:35.120
<v Speaker 1>is this woman she doesn't know, the woman she doesn't know,

0:20:35.640 --> 0:20:37.680
<v Speaker 1>she's told as a shopping guide for her while she's

0:20:37.760 --> 0:20:40.640
<v Speaker 1>in Hong Kong. She's like, how thoughtful. That's dope. Now

0:20:40.720 --> 0:20:43.119
<v Speaker 1>I'll let you and he tell the story. Alright ready,

0:20:43.359 --> 0:20:46.639
<v Speaker 1>she says there was no reason to be suspicious. She

0:20:46.720 --> 0:20:49.919
<v Speaker 1>came to the hotel with her daughter and we wandered around.

0:20:50.200 --> 0:20:52.880
<v Speaker 1>She suggested we visit a summer house by the seaside.

0:20:53.119 --> 0:20:55.440
<v Speaker 1>It was owned by the guy who wanted to start

0:20:55.480 --> 0:20:59.119
<v Speaker 1>a business relationship. I was playing with her daughter and

0:20:59.240 --> 0:21:02.600
<v Speaker 1>waiting for the to show up, and then she called out,

0:21:03.040 --> 0:21:06.800
<v Speaker 1>come here quickly. There was a speedboat with three or

0:21:06.840 --> 0:21:09.800
<v Speaker 1>four strong men. All of a sudden, a guy grabbed

0:21:09.800 --> 0:21:11.840
<v Speaker 1>me by the arms. Before I knew it, I was

0:21:11.880 --> 0:21:15.239
<v Speaker 1>on board. So that's how she gets grabbed, right. I

0:21:15.320 --> 0:21:18.280
<v Speaker 1>love that there was a speedboat. Yes, yes, just like

0:21:18.320 --> 0:21:22.960
<v Speaker 1>that the mid eighties. So yeah, it's Miami Vice era. Okay,

0:21:22.960 --> 0:21:24.640
<v Speaker 1>so it makes sense that of course there's a speed

0:21:24.680 --> 0:21:27.240
<v Speaker 1>you gotta have a speedboat. Everybody's like, no, I'm Crockett

0:21:27.240 --> 0:21:29.960
<v Speaker 1>and tubs my way over there now, you and he

0:21:30.040 --> 0:21:32.360
<v Speaker 1>She gets further into the story and she says, when

0:21:32.400 --> 0:21:34.919
<v Speaker 1>I woke up, I was in the captain's cabin on

0:21:34.960 --> 0:21:38.240
<v Speaker 1>a big cargo ship. I thought they are going to

0:21:38.359 --> 0:21:40.320
<v Speaker 1>kill me. There was a doctor and he had a

0:21:40.359 --> 0:21:43.440
<v Speaker 1>lot of equipment and he gave me injections. This went

0:21:43.440 --> 0:21:46.280
<v Speaker 1>on for about eight days, me waking and then collapsing

0:21:46.320 --> 0:21:49.200
<v Speaker 1>with no food. Now, when she arrives in North Korea

0:21:49.240 --> 0:21:51.760
<v Speaker 1>and she's like, oh, you know, just completely out of sorts.

0:21:51.840 --> 0:21:55.080
<v Speaker 1>It sounds terrifying totally right now. When she gets there though,

0:21:55.080 --> 0:21:57.280
<v Speaker 1>there's this entourage of people up there to meet her

0:21:57.320 --> 0:21:59.480
<v Speaker 1>at the wharf, and then she hears a deep voice

0:21:59.480 --> 0:22:02.400
<v Speaker 1>call out her, Hey, thanks for coming to make Kim

0:22:02.480 --> 0:22:04.720
<v Speaker 1>Jong ill. Alright, So he comes over to her and

0:22:04.800 --> 0:22:06.800
<v Speaker 1>Kim Jong Hill. He acts just like he'd arrived on

0:22:06.800 --> 0:22:09.120
<v Speaker 1>a movie set and she's there and he's the director

0:22:09.160 --> 0:22:11.479
<v Speaker 1>and he's like, hey, well, we're gonna have a lot

0:22:11.520 --> 0:22:13.560
<v Speaker 1>of fun on this account. And she's like, what are

0:22:13.600 --> 0:22:17.480
<v Speaker 1>you just terrified? Right? She's been like repeatedly drugged, hasn't eaten,

0:22:17.920 --> 0:22:20.000
<v Speaker 1>like she didn't know where she was going. She would

0:22:20.040 --> 0:22:21.760
<v Speaker 1>just come to doesn't know if she's gonna be killed,

0:22:22.240 --> 0:22:24.399
<v Speaker 1>and then she's got this clown and then that the

0:22:24.440 --> 0:22:26.360
<v Speaker 1>first thing that she sees that makes sense is Kim

0:22:26.440 --> 0:22:28.199
<v Speaker 1>Jong Ill coming at her. Yeah, I'd be like him.

0:22:28.240 --> 0:22:30.960
<v Speaker 1>I having a hallucination. She says that she didn't know

0:22:30.960 --> 0:22:33.240
<v Speaker 1>if she was a gift for him or his father.

0:22:33.680 --> 0:22:36.960
<v Speaker 1>Just imagine that, dear right. Yeah. Meanwhile, her ex husband

0:22:36.960 --> 0:22:39.320
<v Speaker 1>Shin he discovers you and he is missing from Hong Kong,

0:22:39.560 --> 0:22:42.280
<v Speaker 1>and he goes wild with worry. He's like, he immediately

0:22:42.280 --> 0:22:45.120
<v Speaker 1>fears the worst. He's faced with all the ideas of

0:22:45.160 --> 0:22:47.919
<v Speaker 1>like what could go wrong, and he immediately thinks north Korea.

0:22:48.040 --> 0:22:50.320
<v Speaker 1>It's got to be North Korea. And he's fearing, by

0:22:50.359 --> 0:22:52.119
<v Speaker 1>the way, for both his wife and himself because if

0:22:52.160 --> 0:22:54.600
<v Speaker 1>they grabbed his wife, he's like, oh, I could be next, right,

0:22:54.680 --> 0:22:56.679
<v Speaker 1>So he traveled to Hong Kong to go find his

0:22:56.720 --> 0:22:59.320
<v Speaker 1>missing wife, and while he's there he asked the police.

0:22:59.320 --> 0:23:01.720
<v Speaker 1>He's like, hey, I'm gonna need protection because my wife

0:23:01.760 --> 0:23:03.359
<v Speaker 1>got grabbed. They're like, oh, of course, of course. He's like,

0:23:03.400 --> 0:23:05.040
<v Speaker 1>I don't want to get snatched off the street like

0:23:05.080 --> 0:23:06.960
<v Speaker 1>my wife, Like of course, what we got you? Like

0:23:07.200 --> 0:23:09.400
<v Speaker 1>this is under British protectorate at the time. So there's

0:23:09.440 --> 0:23:11.600
<v Speaker 1>British investigators trying to figure this all out, and like

0:23:11.640 --> 0:23:13.760
<v Speaker 1>we were going to take care of the foreign nationals

0:23:13.760 --> 0:23:16.400
<v Speaker 1>and so it's like a whole thing. Right now, Shin

0:23:16.560 --> 0:23:18.560
<v Speaker 1>has little to go on to find his wife, right

0:23:18.640 --> 0:23:20.760
<v Speaker 1>and he's like, he's got little help other than the

0:23:20.760 --> 0:23:23.959
<v Speaker 1>British authorities. But he does have one colleague in the city,

0:23:24.240 --> 0:23:27.000
<v Speaker 1>an old friend and a former business partner, and this

0:23:27.040 --> 0:23:29.080
<v Speaker 1>man offers him help to go find you and he

0:23:29.240 --> 0:23:31.800
<v Speaker 1>and he's like, oh cool. But then come to find

0:23:31.800 --> 0:23:34.640
<v Speaker 1>out his old friend and business partner was a North

0:23:34.720 --> 0:23:41.240
<v Speaker 1>Korean spy. Chin never sees coming. So here's how Shin

0:23:41.320 --> 0:23:44.080
<v Speaker 1>tells the story. There was a secret agent in Hong Kong.

0:23:44.119 --> 0:23:45.919
<v Speaker 1>He was my colleague, so there was no reason to

0:23:45.920 --> 0:23:48.159
<v Speaker 1>be suspicious, and he took me to Repulse Bay on

0:23:48.200 --> 0:23:50.400
<v Speaker 1>Hong Kong Island. The car stopped and three or four

0:23:50.440 --> 0:23:52.359
<v Speaker 1>people got in. Okay, wait, I have to pause the

0:23:52.359 --> 0:23:54.680
<v Speaker 1>story for a second. I like them, both of these stories.

0:23:54.680 --> 0:23:58.159
<v Speaker 1>It's always three or four people, Like they're just like hey,

0:23:58.200 --> 0:23:59.920
<v Speaker 1>for both of them, they're just like, you know, sm

0:24:00.000 --> 0:24:03.199
<v Speaker 1>it's good for supremely low numbers. It like like it

0:24:03.240 --> 0:24:06.760
<v Speaker 1>was three ye stopped counting after three. I don't know

0:24:06.880 --> 0:24:08.639
<v Speaker 1>what are one person? What does it matter? We are,

0:24:08.880 --> 0:24:10.720
<v Speaker 1>we are we setting a table here. Why do I

0:24:10.720 --> 0:24:12.240
<v Speaker 1>have to know how many people are in the car?

0:24:12.760 --> 0:24:14.240
<v Speaker 1>But you know, he's like, look, you know me people

0:24:14.359 --> 0:24:21.200
<v Speaker 1>was enough people exactly, So every time he goes, he's

0:24:21.200 --> 0:24:24.040
<v Speaker 1>like three or four people. Anyway. He also reminds me

0:24:24.080 --> 0:24:26.280
<v Speaker 1>of the David Sedaris story of like the sixty eight

0:24:26.320 --> 0:24:31.800
<v Speaker 1>black Men. Yeah, you know this story. So he's like,

0:24:32.160 --> 0:24:34.520
<v Speaker 1>just for anyone who doesn't. David Sai Darris is driving

0:24:34.560 --> 0:24:36.600
<v Speaker 1>around Europe and he's talking to people, trying to get

0:24:36.600 --> 0:24:38.000
<v Speaker 1>to know the areas, and it's a big thing to do.

0:24:38.080 --> 0:24:40.679
<v Speaker 1>Was always asking him what's the local Christmas traditions? And

0:24:40.720 --> 0:24:42.840
<v Speaker 1>in the Netherlands, he gets there and they start telling

0:24:42.880 --> 0:24:45.000
<v Speaker 1>him that St. Nick shows up, and every time he

0:24:45.000 --> 0:24:48.360
<v Speaker 1>shows up, it's always a six eight black men. And

0:24:47.320 --> 0:24:50.399
<v Speaker 1>he keeps asking people and he can never get an

0:24:50.440 --> 0:24:53.399
<v Speaker 1>exact number. At one point, I have a code here

0:24:53.400 --> 0:24:56.040
<v Speaker 1>from him, he says, I asked several touch people to

0:24:56.160 --> 0:24:58.119
<v Speaker 1>narrow it down, but none of them could give me

0:24:58.119 --> 0:25:00.360
<v Speaker 1>an exact number. It was always six to eight, which

0:25:00.359 --> 0:25:03.040
<v Speaker 1>seems strange. Things they've had hundreds of years to get

0:25:03.080 --> 0:25:06.320
<v Speaker 1>a decent count. So anyway, that's what I kept picturing

0:25:06.359 --> 0:25:08.119
<v Speaker 1>when I'm reading, three to four people get in the car.

0:25:08.200 --> 0:25:10.199
<v Speaker 1>Three to four people were in the boat. Okay, so

0:25:10.240 --> 0:25:12.399
<v Speaker 1>back to your abductions. Okay, So the director is in

0:25:12.440 --> 0:25:14.800
<v Speaker 1>the car with his former colleague when three or four

0:25:14.840 --> 0:25:18.160
<v Speaker 1>people get in. They were wearing long wigs. He says,

0:25:18.200 --> 0:25:20.920
<v Speaker 1>they put a bag over my head. And I gotta

0:25:20.920 --> 0:25:24.359
<v Speaker 1>stop again because I'm sorry, but they're wearing wigs. They

0:25:24.359 --> 0:25:26.879
<v Speaker 1>put a bag over his head. Does seem incongruous to me.

0:25:26.960 --> 0:25:28.560
<v Speaker 1>It's like, make up your minds. Do you want to

0:25:28.560 --> 0:25:30.800
<v Speaker 1>be disguised or you're gonna like just put a bag

0:25:30.800 --> 0:25:32.600
<v Speaker 1>over some of the wearing a bag, they put a

0:25:32.640 --> 0:25:37.600
<v Speaker 1>wing on him, just exactly like okay, like you're driving

0:25:37.640 --> 0:25:39.439
<v Speaker 1>around Hong Kong with a man with a bag on

0:25:39.480 --> 0:25:42.200
<v Speaker 1>his head. What are the wigs for, like or the Beatles?

0:25:42.240 --> 0:25:44.119
<v Speaker 1>It's okay, I mean I can see they probably like

0:25:44.119 --> 0:25:45.800
<v Speaker 1>put the bag on his head and then shove them

0:25:45.840 --> 0:25:47.879
<v Speaker 1>down into the footwell and then they're wearing wigs and

0:25:47.880 --> 0:25:50.280
<v Speaker 1>they're like, I don't know, these like three to four

0:25:50.320 --> 0:25:53.680
<v Speaker 1>guys with really beautiful long tresses flowing in the open

0:25:53.680 --> 0:25:57.560
<v Speaker 1>air windows. Yes, I don't know what it doesn't look

0:25:57.600 --> 0:26:02.480
<v Speaker 1>like me. You're probably right if exactly that. So at

0:26:02.480 --> 0:26:05.639
<v Speaker 1>this point, I'll pick back up the abduction. So he

0:26:05.800 --> 0:26:07.879
<v Speaker 1>since says they were wearing long wigs. They put a

0:26:07.880 --> 0:26:10.880
<v Speaker 1>bag over my head and made me in halee chloroform.

0:26:10.920 --> 0:26:14.760
<v Speaker 1>So poom, he's out. Now he's captured too. Boom, Just

0:26:14.800 --> 0:26:17.040
<v Speaker 1>like that, the North Korean film industry just got a

0:26:17.080 --> 0:26:20.840
<v Speaker 1>whole lot more talents. So meanwhile, back in South Korea,

0:26:20.960 --> 0:26:23.320
<v Speaker 1>people start to assume terrible things. And I don't mean

0:26:23.400 --> 0:26:25.639
<v Speaker 1>terrible things like oh they're dead. I mean like terrible

0:26:25.640 --> 0:26:28.040
<v Speaker 1>things like I don't know about this abduction. First the

0:26:28.080 --> 0:26:31.120
<v Speaker 1>wife gets abducted, and now Shin gets abducted. I think

0:26:31.200 --> 0:26:34.679
<v Speaker 1>they defected. I think they just faked their kidnappings. So

0:26:34.840 --> 0:26:41.119
<v Speaker 1>people still not looking for them or killing they're gone. Yes. Meanwhile,

0:26:41.200 --> 0:26:43.800
<v Speaker 1>Smash cut to Shin in a North Korean prison camp

0:26:43.840 --> 0:26:46.920
<v Speaker 1>because that's where he was taken by his abductors. So

0:26:47.320 --> 0:26:49.919
<v Speaker 1>he's seriously sitting in a North Korean prison camp. His

0:26:49.960 --> 0:26:52.040
<v Speaker 1>wife you and he she's being treated well. She's in

0:26:52.160 --> 0:26:55.879
<v Speaker 1>Kim Jong's palaces. She's cared for pamper being taken to

0:26:55.960 --> 0:26:59.080
<v Speaker 1>shows eating well, Shannon is also in North Korea, but

0:26:59.359 --> 0:27:01.920
<v Speaker 1>she doesn't know that, right, so she's just like having

0:27:01.960 --> 0:27:05.320
<v Speaker 1>her little life totally unaware. Now being my kind of guy,

0:27:05.520 --> 0:27:07.920
<v Speaker 1>Shin was thinking the whole time he's in the prison camp.

0:27:08.520 --> 0:27:11.200
<v Speaker 1>W W S M D. You know what that stands for?

0:27:11.320 --> 0:27:17.680
<v Speaker 1>What would Steve McQueen do. That's a good thing all

0:27:17.720 --> 0:27:20.920
<v Speaker 1>the time? Well, I mean not all the time. He

0:27:21.000 --> 0:27:26.760
<v Speaker 1>was always there are some exceptions to exactly. So shin

0:27:26.880 --> 0:27:28.960
<v Speaker 1>ch handles Steve McQueen in The Great Escape and he

0:27:29.000 --> 0:27:31.520
<v Speaker 1>gets all inspired. He decides he's gonna bust out of

0:27:31.520 --> 0:27:34.320
<v Speaker 1>this North Korean prison camp. So he starts to write

0:27:34.359 --> 0:27:37.560
<v Speaker 1>and direct his own escape movie starring him. Oh my god,

0:27:37.640 --> 0:27:40.560
<v Speaker 1>that's so perfect. And I got a quote for you

0:27:40.640 --> 0:27:44.719
<v Speaker 1>from Shin You ready, He says, when put in extreme situations,

0:27:44.760 --> 0:27:47.280
<v Speaker 1>people imitate what they see in movies. If I was

0:27:47.280 --> 0:27:49.680
<v Speaker 1>going to make a movie about this situation, how would

0:27:49.680 --> 0:27:52.200
<v Speaker 1>I film it? I thought, I'm gonna get out, even

0:27:52.200 --> 0:27:54.280
<v Speaker 1>if I have to dig a tunnel under the floor.

0:27:54.720 --> 0:27:58.160
<v Speaker 1>Then I tried scraping at the floorboards. Anyway, whatever it takes,

0:27:58.160 --> 0:28:00.720
<v Speaker 1>I have to get out of here. So that's his plan, right,

0:28:01.240 --> 0:28:04.520
<v Speaker 1>and we have a lot of cinematic This is not

0:28:04.560 --> 0:28:07.439
<v Speaker 1>really his his part isn't a crime, but it's like

0:28:07.480 --> 0:28:11.520
<v Speaker 1>what's his name with heat? Oh yeah, yeah, yeah completely

0:28:11.760 --> 0:28:14.159
<v Speaker 1>And so my man Shin, he pulls it off. He

0:28:14.359 --> 0:28:17.600
<v Speaker 1>escapes the prison camp. He's able to run off, and

0:28:17.680 --> 0:28:19.920
<v Speaker 1>when he gets outside the fence, he finds a bike.

0:28:20.040 --> 0:28:22.680
<v Speaker 1>I loved this park. He finds a bike. He steals

0:28:22.680 --> 0:28:24.800
<v Speaker 1>a bike, and then he's like, you know what, each

0:28:24.840 --> 0:28:27.640
<v Speaker 1>according to their needs, comrade, and takes off and he's

0:28:27.680 --> 0:28:30.240
<v Speaker 1>gone right on his stolen bike. He's paddling away and

0:28:30.320 --> 0:28:32.800
<v Speaker 1>like Fiona Apple, he's going as fast as he can.

0:28:33.000 --> 0:28:36.120
<v Speaker 1>Right now, Shin sees a train and maybe he can

0:28:36.160 --> 0:28:38.760
<v Speaker 1>catch this train get over the border to China. He's like,

0:28:39.120 --> 0:28:42.320
<v Speaker 1>I've gotta catch that train. So he ditches the stolen bike,

0:28:42.400 --> 0:28:44.800
<v Speaker 1>runs over the freight train, tries to hop like a

0:28:44.920 --> 0:28:47.600
<v Speaker 1>hobo his way onto the train. Makes it. But it

0:28:47.640 --> 0:28:50.000
<v Speaker 1>turns out that train just goes in one big circle.

0:28:50.080 --> 0:28:53.080
<v Speaker 1>It just loop. It doesn't go anywhere. It's such a

0:28:53.080 --> 0:28:55.840
<v Speaker 1>North Korean train. It's like I just go in the circle.

0:28:55.880 --> 0:29:00.440
<v Speaker 1>What I'm just supposed to run? So it is feeded.

0:29:00.520 --> 0:29:02.800
<v Speaker 1>He is, but he's so tired and worn out he

0:29:02.840 --> 0:29:05.800
<v Speaker 1>cannot muster another like escape attempts, So he just goes

0:29:05.800 --> 0:29:08.320
<v Speaker 1>to sleep on top of the train car. Somebody sees

0:29:08.360 --> 0:29:10.880
<v Speaker 1>his foot dangling on the side. They called the police,

0:29:13.360 --> 0:29:15.920
<v Speaker 1>so the police call come, they arrest him. They take

0:29:16.000 --> 0:29:18.440
<v Speaker 1>him back to the prison camp, and he's like I was,

0:29:20.000 --> 0:29:21.680
<v Speaker 1>so he gots he gets up, but then he's taken

0:29:21.720 --> 0:29:24.800
<v Speaker 1>to prison number six. Now, Prison number six is the

0:29:24.880 --> 0:29:28.120
<v Speaker 1>hardcore prison reform camp where political prisoners are sent for

0:29:28.240 --> 0:29:32.560
<v Speaker 1>re education North Korean style re education. Again, yeah, exactly,

0:29:32.600 --> 0:29:36.360
<v Speaker 1>so it shouldn't put it anyway. It's a horrible place anyway.

0:29:37.920 --> 0:29:39.480
<v Speaker 1>This is from his memory. He's telling a story and

0:29:39.480 --> 0:29:42.520
<v Speaker 1>he goes anyway, it's a horrible place. So to survive

0:29:42.600 --> 0:29:47.560
<v Speaker 1>he has to subsist on rice, handfuls of grass and salt. Yeah,

0:29:47.720 --> 0:29:51.000
<v Speaker 1>that's that's his nutrient account. He said, I quote, I

0:29:51.040 --> 0:29:54.880
<v Speaker 1>experienced the limits of human beings. So yeah, he learns

0:29:55.000 --> 0:29:57.320
<v Speaker 1>the one all important lesson from his time in North

0:29:57.400 --> 0:30:00.680
<v Speaker 1>Korea's re education prison. He learns the idea that if

0:30:00.720 --> 0:30:03.360
<v Speaker 1>he wants to ever escape the country, he's going to

0:30:03.400 --> 0:30:06.200
<v Speaker 1>need an actual plan. He can't just run out. I'm

0:30:06.240 --> 0:30:10.280
<v Speaker 1>gonna catch a train or steal a bike. And so

0:30:10.360 --> 0:30:12.560
<v Speaker 1>the first step of his new path is he writes

0:30:12.600 --> 0:30:15.320
<v Speaker 1>a letter to the dear Leader Kim Jong Ill. He's like, hey,

0:30:15.400 --> 0:30:18.120
<v Speaker 1>dear leader, and he promises him, I will make you

0:30:18.160 --> 0:30:21.479
<v Speaker 1>glorious films. I will make you great, beautiful films, movies

0:30:21.480 --> 0:30:24.560
<v Speaker 1>that will exalt North Korea on the world stage. This

0:30:24.680 --> 0:30:27.440
<v Speaker 1>is everything Kim Jong Ill has been waiting to hear.

0:30:28.200 --> 0:30:30.800
<v Speaker 1>So Kim Jong Ill is like, as my girl Renee

0:30:30.880 --> 0:30:33.320
<v Speaker 1>Zala Baker, Well, one day come to say you had

0:30:33.320 --> 0:30:39.400
<v Speaker 1>me at hello? So what Shin wins over Kim Jong Ill?

0:30:39.800 --> 0:30:43.120
<v Speaker 1>He has the baby dictator. Hey, what about my kidnapped wife?

0:30:43.280 --> 0:30:45.880
<v Speaker 1>She's still alive now. At this point, Shin has been

0:30:45.880 --> 0:30:49.440
<v Speaker 1>in North Korea for five years, five years, and he

0:30:49.480 --> 0:30:51.520
<v Speaker 1>hasn't seen it yet, hasn't seen it. She doesn't know

0:30:51.560 --> 0:30:53.360
<v Speaker 1>that he's been there for five years. And they had

0:30:53.560 --> 0:30:57.320
<v Speaker 1>two adopted children. They've they've been told by everybody they've defected,

0:30:57.440 --> 0:30:59.520
<v Speaker 1>so their children don't even they think they've been abandoned

0:30:59.520 --> 0:31:02.760
<v Speaker 1>by their parents. So he's just like going through it. Right.

0:31:02.920 --> 0:31:06.920
<v Speaker 1>So February three, Kim Jong Il's birthday. You know, Johnny

0:31:06.960 --> 0:31:08.920
<v Speaker 1>big hair, don't care is going to show out for

0:31:08.960 --> 0:31:12.000
<v Speaker 1>his birthday. So he does and you and he tells

0:31:12.000 --> 0:31:14.680
<v Speaker 1>the story. She's like, one day, out of the blue,

0:31:14.680 --> 0:31:16.800
<v Speaker 1>there was a car waiting to take me to Kim

0:31:16.880 --> 0:31:19.880
<v Speaker 1>Jong Iill's house. You have to understand she knows that

0:31:19.960 --> 0:31:22.040
<v Speaker 1>when a car is sent for her, it just means

0:31:22.120 --> 0:31:23.880
<v Speaker 1>something big is going to happen. You could mean, oh,

0:31:23.880 --> 0:31:26.040
<v Speaker 1>you're gonna get murdered today, or it could being like, oh,

0:31:26.080 --> 0:31:28.440
<v Speaker 1>I want to show you this this ballerina from Swan

0:31:28.520 --> 0:31:31.719
<v Speaker 1>Lake I abducted. You never know, right, So when she arrives,

0:31:31.800 --> 0:31:33.600
<v Speaker 1>Kim john Ill is in a good mood. He's like,

0:31:33.640 --> 0:31:35.560
<v Speaker 1>you know, like Rick James in a room full of cocaine.

0:31:35.640 --> 0:31:37.600
<v Speaker 1>He's like, he's like to give Drake, could go to

0:31:37.640 --> 0:31:39.880
<v Speaker 1>a Drake concert. He's just like and be in the

0:31:39.960 --> 0:31:44.160
<v Speaker 1>front row. He's just beaming. Right. So Kim john Ill

0:31:44.280 --> 0:31:47.479
<v Speaker 1>sees her and he's like, miss Joy, it's my birthday party.

0:31:47.520 --> 0:31:50.640
<v Speaker 1>It's a family affair, right, And she's like, oh god right.

0:31:50.680 --> 0:31:53.000
<v Speaker 1>So one of the party guests guides her attention. He's like,

0:31:53.320 --> 0:31:55.840
<v Speaker 1>look over there, you and he she turns and she

0:31:55.920 --> 0:31:58.760
<v Speaker 1>sees her husband, Shin standing in the room, and she's like,

0:31:58.800 --> 0:32:02.040
<v Speaker 1>what the hell. They've dozens of film together, raised two children.

0:32:02.360 --> 0:32:05.640
<v Speaker 1>They have the storybook love affair. They are the ben Affleck.

0:32:05.880 --> 0:32:08.120
<v Speaker 1>He's the ben Affleck to her j Lo. You know, yeah,

0:32:08.160 --> 0:32:10.400
<v Speaker 1>but weren't they divorced? They broke up and then now

0:32:10.480 --> 0:32:15.360
<v Speaker 1>fate has brought them back together. Just in this case,

0:32:15.440 --> 0:32:17.320
<v Speaker 1>you know, Fate is you know, Kim jong Ill just

0:32:17.360 --> 0:32:21.000
<v Speaker 1>like a little less Dunkin Donuts and exactly less cold

0:32:21.040 --> 0:32:24.080
<v Speaker 1>coffee and less dunk now and you and he sees Shin.

0:32:24.240 --> 0:32:27.120
<v Speaker 1>She says, I froze on the spot. Was I dreaming?

0:32:27.480 --> 0:32:30.760
<v Speaker 1>This can't be real. I kept staring at him. All

0:32:30.800 --> 0:32:34.640
<v Speaker 1>I could say is what happened to you? Shin was quiet.

0:32:34.640 --> 0:32:37.160
<v Speaker 1>He just looked at me and smiled. Even then, I

0:32:37.200 --> 0:32:39.680
<v Speaker 1>was thinking if this was a film, there'd be a

0:32:39.720 --> 0:32:44.880
<v Speaker 1>lot of tears. But she's like filming herself. Yeah, they're

0:32:44.920 --> 0:32:49.760
<v Speaker 1>living this out and instead of being like how we

0:32:49.800 --> 0:32:51.600
<v Speaker 1>can get out of here? So Kim Jong Ill is like,

0:32:51.760 --> 0:32:54.120
<v Speaker 1>I think everybody forgot whose birthday party it is. So

0:32:54.280 --> 0:32:57.920
<v Speaker 1>he's like, comrades, let me introduce you. This is director

0:32:58.000 --> 0:33:01.920
<v Speaker 1>shan Are, no film advisor. This is miss Joy mother

0:33:02.080 --> 0:33:04.400
<v Speaker 1>of Korea. So he's like telling him, like, these are

0:33:04.400 --> 0:33:06.880
<v Speaker 1>my new people, right. He orders the reunited couple to

0:33:06.960 --> 0:33:08.840
<v Speaker 1>embrace because the thing you were worried about, he say,

0:33:09.000 --> 0:33:11.959
<v Speaker 1>hug up, alright, So they do, and he tells him

0:33:12.000 --> 0:33:14.360
<v Speaker 1>like you're getting You're getting remarried. This is great and

0:33:14.400 --> 0:33:16.680
<v Speaker 1>they're like oh. And eventually the couple is remarried. And

0:33:16.680 --> 0:33:19.720
<v Speaker 1>while they're in North Korea. So at his birthday party,

0:33:20.000 --> 0:33:22.720
<v Speaker 1>Kim John guilt explains to Shin about, oh, by the way,

0:33:22.760 --> 0:33:26.040
<v Speaker 1>about tossing him in prison, that whole rigor morale. He's like, no, sorry,

0:33:26.120 --> 0:33:31.040
<v Speaker 1>it was a misunderstanding. He blames his people, like exactly,

0:33:31.040 --> 0:33:33.760
<v Speaker 1>he just got lost in the translations of paperwork. Sorry.

0:33:34.160 --> 0:33:36.320
<v Speaker 1>So you know, he's like, hey, you try running a

0:33:36.360 --> 0:33:40.320
<v Speaker 1>country without a reliable power grid, you know. So Shin

0:33:40.480 --> 0:33:42.640
<v Speaker 1>said about this time, he's like, I hated communism, but

0:33:42.680 --> 0:33:45.240
<v Speaker 1>I had to pretend to be devoted to it to

0:33:45.440 --> 0:33:50.120
<v Speaker 1>escape from this barren republic. It was lunacy. Now, speaking

0:33:50.120 --> 0:33:54.240
<v Speaker 1>of lunacy, I promised you a North Korean Godzilla, and oh,

0:33:54.320 --> 0:33:56.600
<v Speaker 1>you're ready for it, because we're gonna be getting into

0:33:56.640 --> 0:33:59.520
<v Speaker 1>it now, all right. So now we have our free director,

0:33:59.840 --> 0:34:02.959
<v Speaker 1>and all the film ideas, the scripts, the casting whatever,

0:34:03.200 --> 0:34:05.920
<v Speaker 1>all that stuff has to run through Kim Jong Ill.

0:34:06.840 --> 0:34:09.120
<v Speaker 1>Now can you imagine being in the writer's room with

0:34:09.200 --> 0:34:14.200
<v Speaker 1>Kim Jong Illazing, terrifying and amazing. It's ten am. He's

0:34:14.200 --> 0:34:16.440
<v Speaker 1>already had two of your co writers sent to the gulag.

0:34:16.800 --> 0:34:18.759
<v Speaker 1>They weren't laughing at his jokes. Is that just a

0:34:18.760 --> 0:34:21.880
<v Speaker 1>funny pat? Why aren't you laughing? He's he's had like

0:34:21.640 --> 0:34:24.960
<v Speaker 1>a like a delivery person executed for bringing him cold black,

0:34:24.960 --> 0:34:27.920
<v Speaker 1>being the little that's doing this show with you exactly.

0:34:29.760 --> 0:34:31.759
<v Speaker 1>So one Shin is out of prison and Kim Jong

0:34:31.800 --> 0:34:34.160
<v Speaker 1>Il he's like, hey, I'm gonna give you free rein

0:34:34.200 --> 0:34:36.080
<v Speaker 1>And they're allowed. The couples are to go all around

0:34:36.080 --> 0:34:38.080
<v Speaker 1>the country and look for locations for all the movies

0:34:38.120 --> 0:34:39.800
<v Speaker 1>he wants them to make, and they do. It's small

0:34:39.800 --> 0:34:43.800
<v Speaker 1>taste of freedom. They're stoked. They're even allowed to travel internationally.

0:34:44.400 --> 0:34:46.480
<v Speaker 1>One of the trips, the couple goes to Berlin for

0:34:46.560 --> 0:34:49.080
<v Speaker 1>location shoots, but this time it's East Berlin. It's still

0:34:49.120 --> 0:34:51.160
<v Speaker 1>part of the Eastern Block, right, so they're in a

0:34:51.160 --> 0:34:53.960
<v Speaker 1>communist country still, right, but they're outside North Korea. And

0:34:53.960 --> 0:34:56.080
<v Speaker 1>so while they're in East Berlin. Shin and you and

0:34:56.120 --> 0:34:58.600
<v Speaker 1>he are walking around. They see the US embassy and

0:34:58.600 --> 0:35:01.080
<v Speaker 1>you and he his Shin's arm of squeeze. He's like,

0:35:01.320 --> 0:35:03.759
<v Speaker 1>let's run for it, try to make it to the embassy,

0:35:04.239 --> 0:35:06.319
<v Speaker 1>and Shin was like against it. He tells his wife,

0:35:06.480 --> 0:35:08.279
<v Speaker 1>what's the matter with you. I will not make an

0:35:08.320 --> 0:35:11.399
<v Speaker 1>attempt unless it is certain if they caught us, we'd

0:35:11.400 --> 0:35:14.360
<v Speaker 1>be dead right now. Plus shins about his make of

0:35:14.400 --> 0:35:18.680
<v Speaker 1>North Korean masterpiece Polga. Sorry, that's the name of North

0:35:18.760 --> 0:35:22.640
<v Speaker 1>Korean godzilla, Pulga. Sorry, Pulga. Sorry, So he wants to

0:35:22.680 --> 0:35:25.479
<v Speaker 1>get into his masterpieces. Like, I ain't going anywhere now.

0:35:25.520 --> 0:35:28.240
<v Speaker 1>After this little break, I will tell you all about Bulga.

0:35:28.280 --> 0:35:54.880
<v Speaker 1>Sorry alright, Elizabeth. While our couple, Shin and you and

0:35:54.920 --> 0:35:57.560
<v Speaker 1>he were being detained in North Korea, they were able

0:35:57.600 --> 0:36:01.040
<v Speaker 1>to shoot seventeen feature films. And they did this in

0:36:01.040 --> 0:36:04.080
<v Speaker 1>a span of two years three months. Yeah, they were

0:36:04.200 --> 0:36:06.400
<v Speaker 1>cranking them out. They said they were like barely sleeping

0:36:06.400 --> 0:36:09.200
<v Speaker 1>to three hours a night. Anyway, there was one unexpected

0:36:09.239 --> 0:36:11.800
<v Speaker 1>side effect they had encountered on, which is the couple

0:36:11.840 --> 0:36:16.280
<v Speaker 1>became a walking, talking propaganda film because their lives became content,

0:36:16.320 --> 0:36:17.960
<v Speaker 1>and Kim Jong Hill was able to use it. He

0:36:18.000 --> 0:36:20.120
<v Speaker 1>took photos of them, he put them on North Korean papers,

0:36:20.120 --> 0:36:22.799
<v Speaker 1>those go over to South Korea's borders. Suddenly it looks

0:36:22.800 --> 0:36:25.040
<v Speaker 1>like they're having this great time in North Korea, which

0:36:25.600 --> 0:36:30.000
<v Speaker 1>plays into the story that they voluntarily defected. So and

0:36:30.040 --> 0:36:31.719
<v Speaker 1>they don't know this because they don't know that these

0:36:31.719 --> 0:36:34.680
<v Speaker 1>stories anyway, so it's a whole problem. Anyway, this is

0:36:34.719 --> 0:36:36.560
<v Speaker 1>far from the truth because you and he and Shin

0:36:37.080 --> 0:36:39.560
<v Speaker 1>they even though yes they were like the COMI, ben

0:36:39.600 --> 0:36:42.840
<v Speaker 1>affleckt In j Lo, the People's jay Z and Beyonce,

0:36:43.760 --> 0:36:46.319
<v Speaker 1>they were still in their minds South Korean artists, right.

0:36:46.480 --> 0:36:47.839
<v Speaker 1>So they're like, how do we get out of here?

0:36:47.840 --> 0:36:51.839
<v Speaker 1>And Shin's like, Pulga sorry, So he gives Kim Jong

0:36:51.920 --> 0:36:54.880
<v Speaker 1>Hill what he wants his Godzilla Monster movie. Now. To

0:36:54.960 --> 0:36:58.480
<v Speaker 1>make this North Korean Godzilla truly epic, Shin decides they're

0:36:58.480 --> 0:37:01.080
<v Speaker 1>gonna need to hire the original team from Japan that

0:37:01.239 --> 0:37:04.440
<v Speaker 1>made the original Godzilla back in nineteen fifty four. So

0:37:04.520 --> 0:37:07.200
<v Speaker 1>Shin tells Kim Jong Il's planned and the Dictator to

0:37:07.239 --> 0:37:09.400
<v Speaker 1>be is like, that's so crazy. I freaking love it.

0:37:09.440 --> 0:37:12.279
<v Speaker 1>We got it through this, So this time Kim Jong Il.

0:37:12.360 --> 0:37:14.640
<v Speaker 1>He doesn't have the film crew kidnapped like them. Instead,

0:37:14.680 --> 0:37:17.440
<v Speaker 1>he has this Japanese VFX crew invited to go to

0:37:17.520 --> 0:37:19.200
<v Speaker 1>China to shoot a film. They get on a plane

0:37:19.360 --> 0:37:21.680
<v Speaker 1>and when the plane lands there in North Korea, surprise,

0:37:21.840 --> 0:37:26.120
<v Speaker 1>welcome the pe Yeah so boom. Now one of the

0:37:26.120 --> 0:37:29.760
<v Speaker 1>the abductive members of this Japanese VFX crew, it's Elizabeth

0:37:30.400 --> 0:37:33.160
<v Speaker 1>is Ken Pachiro Satsuma. Now, if you don't know the

0:37:33.280 --> 0:37:36.320
<v Speaker 1>name Kim Paturo Satsuma, he's the man who was Godzilla.

0:37:36.640 --> 0:37:40.000
<v Speaker 1>He's the one inside the Rubber Monster. So really yeah, well,

0:37:40.000 --> 0:37:41.920
<v Speaker 1>technically he was the second man to ever wear the

0:37:41.960 --> 0:37:44.360
<v Speaker 1>Godzilla suit because it was a long stretch between fifty

0:37:44.400 --> 0:37:49.360
<v Speaker 1>four and he's he's tall, he's a big boy. He's

0:37:49.400 --> 0:37:54.800
<v Speaker 1>I love that. I've I've introduced long Daddy andlexicon, a

0:37:54.880 --> 0:37:59.440
<v Speaker 1>lexicon of strange phrases, tall boys and long days. Well,

0:37:59.480 --> 0:38:04.600
<v Speaker 1>tall boys still reserve for bears, but cemented. So when

0:38:04.840 --> 0:38:07.200
<v Speaker 1>SMA gets to North Korea, he gets to be the

0:38:07.239 --> 0:38:10.439
<v Speaker 1>first to wear the new Pulgasari suit. So he's got

0:38:10.480 --> 0:38:13.040
<v Speaker 1>his own record. Oh my god, So no Polka Sari

0:38:13.200 --> 0:38:14.600
<v Speaker 1>is a lot like Godzilla. I want you to be

0:38:14.640 --> 0:38:17.240
<v Speaker 1>able to picture him. He has a giant lizard beast monster.

0:38:17.440 --> 0:38:21.200
<v Speaker 1>He destroys everything. But he wasn't born from nuclear energy

0:38:21.360 --> 0:38:23.040
<v Speaker 1>from the West. You know that would be too much

0:38:23.040 --> 0:38:25.440
<v Speaker 1>of a flex for the West. So pulga sorry, he

0:38:25.520 --> 0:38:28.440
<v Speaker 1>was made by an elderly farmer and uh he was

0:38:28.480 --> 0:38:31.759
<v Speaker 1>created and shaped out of rice. And Pulgasari came to

0:38:31.760 --> 0:38:34.520
<v Speaker 1>life when a drop of the farmer's daughter's blood landed

0:38:34.560 --> 0:38:36.960
<v Speaker 1>on his rice mold body. I don't want to know

0:38:37.000 --> 0:38:40.000
<v Speaker 1>how that happen. So Kim Jong ill he think he

0:38:40.040 --> 0:38:42.440
<v Speaker 1>wants his film to be a powerful attack on Western

0:38:42.560 --> 0:38:45.880
<v Speaker 1>values and a love song to the people struggle against greed,

0:38:46.080 --> 0:38:49.799
<v Speaker 1>private wealth and oppression. Did Pulgasari have to wear like that,

0:38:49.840 --> 0:38:55.000
<v Speaker 1>like drab, gray North Korean utilitarian sheet clothes. That's the

0:38:55.040 --> 0:38:57.080
<v Speaker 1>other question I have just said. I'm sorry to side

0:38:57.080 --> 0:38:59.279
<v Speaker 1>track you, but I keep wondering in my mind when

0:38:59.280 --> 0:39:02.680
<v Speaker 1>you describe the couple like they're super fashionable and like

0:39:03.040 --> 0:39:05.680
<v Speaker 1>wearing all these designer duds. But did they have to

0:39:05.719 --> 0:39:08.759
<v Speaker 1>pick from like the approved haircuts you know about in

0:39:09.200 --> 0:39:11.640
<v Speaker 1>the Communism under Like most of these times, the party

0:39:11.719 --> 0:39:14.359
<v Speaker 1>leaders have all the best Western stuff but if they're

0:39:14.400 --> 0:39:16.520
<v Speaker 1>going to know, they don't. They are not supposed to

0:39:16.520 --> 0:39:19.240
<v Speaker 1>be emblems of the revolution. The revolution has been from

0:39:19.360 --> 0:39:21.840
<v Speaker 1>like a handful of haircuts if you're like a person

0:39:22.160 --> 0:39:24.480
<v Speaker 1>like on the regular, Like, yeah, they don't touch streets,

0:39:24.640 --> 0:39:26.680
<v Speaker 1>so they do whatever they want. Did they cut her

0:39:26.719 --> 0:39:30.960
<v Speaker 1>hair to look like no, Kim John Ill you know

0:39:31.080 --> 0:39:35.319
<v Speaker 1>he has like the helmet hair he's got that. They

0:39:35.440 --> 0:39:38.799
<v Speaker 1>got the papadoor. Sorry, it's fine. So yeah, though they

0:39:38.840 --> 0:39:40.880
<v Speaker 1>had the best of everything. They're eating like, you know,

0:39:41.000 --> 0:39:44.759
<v Speaker 1>wild boar for dinner, running their fingers over pearl necklaces,

0:39:44.800 --> 0:39:48.040
<v Speaker 1>like running their fingers through just like hell, yes, I

0:39:48.080 --> 0:39:49.840
<v Speaker 1>sit here, I run my fingers over pearls and I

0:39:49.880 --> 0:39:54.120
<v Speaker 1>eat deep bore like anyway, they're living locks. Right. So

0:39:54.239 --> 0:39:57.920
<v Speaker 1>in the film Polga Sorry the Monster, there's this wicked

0:39:58.000 --> 0:40:00.520
<v Speaker 1>king because it takes place in the past, and the

0:40:00.520 --> 0:40:03.440
<v Speaker 1>wicked king is starving the people. So the monster attacks

0:40:03.480 --> 0:40:06.759
<v Speaker 1>the king. Right, Godzilla goes after Pulga. Sorry, he goes

0:40:06.840 --> 0:40:09.600
<v Speaker 1>after the king. Now, this plot line gets intercut with

0:40:09.640 --> 0:40:13.080
<v Speaker 1>folk dances of the people because it's a communist movie, Elizabeth,

0:40:13.520 --> 0:40:15.799
<v Speaker 1>and that's what they do in communist movies. In case

0:40:15.800 --> 0:40:17.719
<v Speaker 1>you didn't notice. Yeah, it's it's part of the whole deal.

0:40:17.760 --> 0:40:19.920
<v Speaker 1>It's like their version of a car chase. Instead of

0:40:19.960 --> 0:40:22.320
<v Speaker 1>like cut to the chase, it's cut to the harvest dancers.

0:40:23.640 --> 0:40:26.880
<v Speaker 1>So you know. Anyway, Eventually, our monster, Pulgasari, he squares

0:40:26.920 --> 0:40:30.080
<v Speaker 1>off with the king. King fires a missile at him.

0:40:30.080 --> 0:40:33.279
<v Speaker 1>Paulgasari eats the missile. He kills the king right. He's like,

0:40:33.760 --> 0:40:35.439
<v Speaker 1>he eats him right, and the King's like oh. Then,

0:40:35.560 --> 0:40:38.640
<v Speaker 1>surprising everyone, Pulgasari starts attacking the people. They're like, no,

0:40:38.840 --> 0:40:42.120
<v Speaker 1>we didn't see this coming. Pulga sorry, and Paulga sorry

0:40:42.160 --> 0:40:44.400
<v Speaker 1>because he doesn't know any better. He's just, you know,

0:40:44.440 --> 0:40:47.480
<v Speaker 1>a rice mold monster who wants to eat iron. I

0:40:47.480 --> 0:40:50.640
<v Speaker 1>forgot to tell you that he eats iron. So he's

0:40:50.800 --> 0:40:54.160
<v Speaker 1>hungry for delicious, delicious iron. So he's always like eating like,

0:40:54.200 --> 0:40:56.880
<v Speaker 1>you know, gates or sections of fence, or like munching

0:40:56.920 --> 0:41:00.360
<v Speaker 1>on like a farmer's tools, nibbling on a shovel, whatever

0:41:00.400 --> 0:41:02.799
<v Speaker 1>you can get, right. So the farmer's daughter she goes

0:41:02.800 --> 0:41:06.239
<v Speaker 1>and she pleads with Paulga Sari, so leave the people alone, Paulkasari,

0:41:06.280 --> 0:41:09.279
<v Speaker 1>and Polkasari' is like oh and then like, you know,

0:41:09.480 --> 0:41:12.319
<v Speaker 1>I don't know why he explodes, right, he's just like her,

0:41:12.440 --> 0:41:15.640
<v Speaker 1>please are so strong? He explodes, and why would he explode?

0:41:15.680 --> 0:41:19.640
<v Speaker 1>For the people, Elizabeth, it's communism and he's communist Godzilla.

0:41:19.680 --> 0:41:22.080
<v Speaker 1>So he gives his body forth like Jesus and he's

0:41:22.160 --> 0:41:26.120
<v Speaker 1>like each of my Pulga Sari and this sounds beautiful. Anyway.

0:41:26.160 --> 0:41:28.600
<v Speaker 1>At the end of the movie, a baby Polga Sari

0:41:28.760 --> 0:41:31.320
<v Speaker 1>is seen walking out of the sea. Because you always

0:41:31.320 --> 0:41:36.200
<v Speaker 1>got to think of the sequel seeds. Now, surprisingly this

0:41:36.239 --> 0:41:38.480
<v Speaker 1>movie when he gets dropped in North Korean theaters, it's

0:41:38.480 --> 0:41:42.880
<v Speaker 1>a huge hit. People love it. Kim Joyo stoked. He's like,

0:41:42.960 --> 0:41:45.640
<v Speaker 1>it's a masterpiece. It's a work of pure cinema. I'm

0:41:45.680 --> 0:41:48.719
<v Speaker 1>telling you, it's amazing. Now in North Korea, he's a

0:41:48.760 --> 0:41:51.040
<v Speaker 1>really only critic that matters. So this is like if

0:41:51.160 --> 0:41:54.200
<v Speaker 1>Roger Ebert and Cisco and like every other film critic

0:41:54.239 --> 0:41:57.520
<v Speaker 1>you can name, Jean Shallot, there you go. They all

0:41:57.719 --> 0:42:01.520
<v Speaker 1>loved it, right, just all one big person. Now next

0:42:01.600 --> 0:42:04.720
<v Speaker 1>up a voltron. Yeah, but film critics, I am getting

0:42:04.760 --> 0:42:07.040
<v Speaker 1>I am hitting you with some eighties references. You're cheaping

0:42:07.120 --> 0:42:10.040
<v Speaker 1>it on tame like thank you. Next step the North

0:42:10.120 --> 0:42:12.520
<v Speaker 1>Korean film industry. There he decided to take on the

0:42:12.560 --> 0:42:17.279
<v Speaker 1>bloody legacy of Genghis Khan, but not the historic Gengis Khan.

0:42:17.440 --> 0:42:20.839
<v Speaker 1>You're thinking of Jenison Jengis Kon. No. No, they want

0:42:20.840 --> 0:42:24.400
<v Speaker 1>to do the one inspired by John Wayne's version The Conqueror.

0:42:25.040 --> 0:42:27.600
<v Speaker 1>That's the movie where John Wayne plays Genkison everyone got

0:42:27.640 --> 0:42:30.799
<v Speaker 1>cancer And if you're wondering, well, Zaron, did he do

0:42:30.880 --> 0:42:36.439
<v Speaker 1>that in Yellow Face? You damn Yeah. So the movie

0:42:36.640 --> 0:42:39.000
<v Speaker 1>Racist Is All Hell was something that Kim Jong Ill

0:42:39.200 --> 0:42:41.000
<v Speaker 1>loved and he's like, I want to rebote it. We

0:42:41.080 --> 0:42:44.640
<v Speaker 1>gotta remote it. So they decided to reboot The Conqueror.

0:42:45.200 --> 0:42:49.080
<v Speaker 1>So Chen tells the dictator, I know the perfect person

0:42:49.160 --> 0:42:51.680
<v Speaker 1>for this. If we're doing historical epic, we gotta get

0:42:51.680 --> 0:42:53.560
<v Speaker 1>it on board. And he's like, oh okay, yeah, who

0:42:53.760 --> 0:42:56.200
<v Speaker 1>who you got mined? And he's like, oh, I'm gonna

0:42:56.239 --> 0:42:58.520
<v Speaker 1>go talk to him. He's an Austrian producer. I'll get

0:42:58.520 --> 0:43:00.640
<v Speaker 1>a co production deal going. He starts working on the

0:43:00.680 --> 0:43:03.440
<v Speaker 1>co production deal. The producer friend agrees to a co

0:43:03.520 --> 0:43:05.879
<v Speaker 1>production deal with North Korea, which is pretty rare new

0:43:06.040 --> 0:43:08.120
<v Speaker 1>at the time. Things are looking up for the North

0:43:08.239 --> 0:43:11.880
<v Speaker 1>Korean film industry like maybe Polka. Sorry, he's finally giving

0:43:12.000 --> 0:43:14.880
<v Speaker 1>us a little bit of respect. But turns out that

0:43:14.960 --> 0:43:17.799
<v Speaker 1>the whole Austrian co production deal, that's what we in

0:43:17.840 --> 0:43:20.480
<v Speaker 1>the smoke blowing industry. It's like we call a lie.

0:43:21.480 --> 0:43:23.440
<v Speaker 1>So it was just a cover for Shinn and you

0:43:23.520 --> 0:43:27.200
<v Speaker 1>and he to finally escape smart yes, right, because Shin

0:43:27.320 --> 0:43:29.880
<v Speaker 1>wrote in his memoir to be in Korea living a

0:43:29.880 --> 0:43:33.319
<v Speaker 1>good life ourselves and enjoying movies while everyone else was

0:43:33.480 --> 0:43:38.239
<v Speaker 1>not free was not happiness but agony. So he's like,

0:43:38.280 --> 0:43:39.879
<v Speaker 1>I gotta get out of this. So he ties he's

0:43:39.880 --> 0:43:43.000
<v Speaker 1>gonna end the agony. I'm flying to Vienna, so and

0:43:43.040 --> 0:43:45.000
<v Speaker 1>he hoped his bravery would catch up to him when

0:43:45.040 --> 0:43:49.240
<v Speaker 1>he got there. So the date is March thirteenth, nineteen six.

0:43:49.320 --> 0:43:51.880
<v Speaker 1>The ultracool couple arrives in Vienna. They check into a

0:43:51.920 --> 0:43:55.640
<v Speaker 1>hotel there with their North Korean minders, the agents, intelligence agents,

0:43:55.920 --> 0:43:57.880
<v Speaker 1>Shinn and you and he. They're chilling in the hotel

0:43:57.960 --> 0:44:01.080
<v Speaker 1>room across the hall or other North Korea intelligent handlers.

0:44:01.120 --> 0:44:04.040
<v Speaker 1>They're smoking with the door open, playing cards, you know,

0:44:04.200 --> 0:44:06.640
<v Speaker 1>playing poker or whatever. She and you he They look

0:44:06.680 --> 0:44:09.359
<v Speaker 1>at each other decide this is our moment. So they

0:44:09.360 --> 0:44:11.719
<v Speaker 1>start packing their bags. They pack like one piece of

0:44:11.760 --> 0:44:14.040
<v Speaker 1>luggage each and they make a break for it. If

0:44:14.040 --> 0:44:16.200
<v Speaker 1>you rush out of the room, they sneak down the hallway.

0:44:16.320 --> 0:44:18.280
<v Speaker 1>Each of them told you carrying a small piece of luggage.

0:44:18.280 --> 0:44:20.160
<v Speaker 1>Are trying to be super quiet. If they get caught,

0:44:20.200 --> 0:44:23.800
<v Speaker 1>they'll lose everything, everything, their freedom, they're possibly their lives.

0:44:24.120 --> 0:44:26.520
<v Speaker 1>He'll be sent back to a re education camp, maybe worse.

0:44:27.280 --> 0:44:29.239
<v Speaker 1>So they're like, we cannot blow this. And remember she

0:44:29.480 --> 0:44:32.000
<v Speaker 1>said it has to be a guarantee. He's going for it.

0:44:32.040 --> 0:44:34.560
<v Speaker 1>His bravery is caught up to him. They make it.

0:44:34.600 --> 0:44:36.880
<v Speaker 1>They run for it down the hallway, they make it

0:44:36.880 --> 0:44:39.240
<v Speaker 1>to the elevator, down to the lobby, and the elevator,

0:44:39.280 --> 0:44:42.240
<v Speaker 1>they make it across the hotel lobby. Outside, they flag

0:44:42.280 --> 0:44:44.560
<v Speaker 1>down a taxi cab. They may get inside of the cab,

0:44:44.800 --> 0:44:47.560
<v Speaker 1>they shut the door. Elizabeth, at this point, I'd like

0:44:47.600 --> 0:44:53.040
<v Speaker 1>you to close your eyes, yes and picture it. You've

0:44:53.040 --> 0:44:56.040
<v Speaker 1>been driving a cab in Austria for about two weeks now.

0:44:56.400 --> 0:44:58.279
<v Speaker 1>You'd love to be able to get people where they

0:44:58.320 --> 0:45:00.279
<v Speaker 1>want to go. You love to see the city. Vienna

0:45:00.360 --> 0:45:02.200
<v Speaker 1>is a terribly beautiful city to walk through or to

0:45:02.320 --> 0:45:04.520
<v Speaker 1>drive through. You really take into your new job as

0:45:04.560 --> 0:45:07.680
<v Speaker 1>a Viennese cabby. You just love it. But there's one problem.

0:45:08.000 --> 0:45:09.879
<v Speaker 1>You don't know your way around the city, like at all,

0:45:10.160 --> 0:45:12.680
<v Speaker 1>like just at all, not yet got you got a

0:45:12.680 --> 0:45:14.759
<v Speaker 1>lot of maps, but whatever. So you're always telling your

0:45:14.760 --> 0:45:17.040
<v Speaker 1>passengers to be patient with you. You're like, hey, I'm

0:45:17.080 --> 0:45:19.960
<v Speaker 1>new in town. And sometimes they laugh, sometimes they do

0:45:20.040 --> 0:45:23.320
<v Speaker 1>not laugh. So the door to your cab swam shut

0:45:23.480 --> 0:45:25.760
<v Speaker 1>and you spot the two fresh passengers you just climbed

0:45:25.760 --> 0:45:27.880
<v Speaker 1>to the back seat. It's a middle aged Korean couple,

0:45:27.920 --> 0:45:30.600
<v Speaker 1>both well dressed. They look like movie stars. You turn

0:45:30.640 --> 0:45:33.600
<v Speaker 1>on the meter and you ask in French, then in Austrian, German,

0:45:33.640 --> 0:45:36.440
<v Speaker 1>and finally in English, where are you headed? You're surprised

0:45:36.440 --> 0:45:38.120
<v Speaker 1>when you hear the answer. The woman you and he

0:45:38.280 --> 0:45:41.440
<v Speaker 1>she shouts at you just drive. You're like okay, Well,

0:45:41.719 --> 0:45:44.120
<v Speaker 1>you think okay. You put your Mercedes Sedan taxi in

0:45:44.160 --> 0:45:46.319
<v Speaker 1>to drive and you ease away from the curb. You

0:45:46.400 --> 0:45:49.080
<v Speaker 1>gently pull away from the hotel's front door, and the

0:45:49.080 --> 0:45:50.759
<v Speaker 1>man the back said, can you can you drive faster?

0:45:50.960 --> 0:45:53.040
<v Speaker 1>You're like, sure, buddy, once you were on the street,

0:45:53.280 --> 0:45:55.520
<v Speaker 1>you haven't noticed We're kind of in a driveway. Okay,

0:45:55.719 --> 0:45:57.719
<v Speaker 1>but you sit tight, Buttercup, don't you worry? And these

0:45:57.760 --> 0:46:00.919
<v Speaker 1>ponies like to run. So at this point you check

0:46:01.000 --> 0:46:03.600
<v Speaker 1>both your side mirrors, your rear view mirror for some reason,

0:46:03.640 --> 0:46:05.600
<v Speaker 1>then your side of your mirrors again, just to be certain.

0:46:05.680 --> 0:46:08.720
<v Speaker 1>Once you're satisfied it's safe, you ease your Mercedes Sedan

0:46:08.880 --> 0:46:12.479
<v Speaker 1>taxicab out into traffic. Can you please drive faster now?

0:46:12.640 --> 0:46:14.480
<v Speaker 1>The woman in the back asked you, and you're like, yeah, yeah,

0:46:14.640 --> 0:46:18.320
<v Speaker 1>he's like, please drive faster. Like you guys were so cute.

0:46:18.520 --> 0:46:20.440
<v Speaker 1>You haven't even told me where we're going, but you're like, hey,

0:46:20.480 --> 0:46:22.560
<v Speaker 1>can we speed to get there? So like, maybe you

0:46:22.560 --> 0:46:24.359
<v Speaker 1>want to tell me where we're going. And you pull

0:46:24.440 --> 0:46:26.279
<v Speaker 1>up to a red light and then you stop and

0:46:26.280 --> 0:46:27.880
<v Speaker 1>you hum to yourself and you're looking in the rear

0:46:27.960 --> 0:46:29.600
<v Speaker 1>view waiting for them to tell you where you're going,

0:46:29.640 --> 0:46:31.000
<v Speaker 1>and you're like, well, do you guys have a radio

0:46:31.040 --> 0:46:33.319
<v Speaker 1>station you want to hear do anything you like? They

0:46:33.320 --> 0:46:36.040
<v Speaker 1>don't answer. You've you noticed that they have spun around.

0:46:36.080 --> 0:46:38.360
<v Speaker 1>They're looking behind you and traffic to see if anyone's

0:46:38.360 --> 0:46:41.360
<v Speaker 1>following your car. You're like, I said, our favorite radio

0:46:41.440 --> 0:46:43.680
<v Speaker 1>stations you guys like you like the tunes, You're like

0:46:43.760 --> 0:46:45.680
<v Speaker 1>rock music. What do you want to hear? You're asking

0:46:45.719 --> 0:46:47.640
<v Speaker 1>and no answer. Again, You're these people are kind of

0:46:47.719 --> 0:46:50.520
<v Speaker 1>rude anyway, light changes, so you get back to driving

0:46:50.520 --> 0:46:53.280
<v Speaker 1>and your eaves dropping on your passengers there while they're

0:46:53.320 --> 0:46:55.880
<v Speaker 1>just focused on the traffic behind you, and you hear

0:46:55.960 --> 0:46:58.560
<v Speaker 1>the woman saying, there the cap, it's suspicious, right, you

0:46:58.600 --> 0:47:00.680
<v Speaker 1>see it? And the guys like, tchwe she's like the

0:47:01.000 --> 0:47:03.960
<v Speaker 1>black and white cap. There, it's them. They're following us.

0:47:04.360 --> 0:47:06.440
<v Speaker 1>They both spin back around and now you see that

0:47:06.440 --> 0:47:09.000
<v Speaker 1>they're holding hands and trembling like autumn leaves in a

0:47:09.000 --> 0:47:10.920
<v Speaker 1>stiff breeze. And you're like, oh my goodness. You ask

0:47:11.000 --> 0:47:13.040
<v Speaker 1>him again, Hey, you guys know where you side? Where

0:47:13.040 --> 0:47:15.480
<v Speaker 1>we're going? And the woman says, the US embassy, take

0:47:15.560 --> 0:47:17.520
<v Speaker 1>us to the U. S Embassy. You tell her with

0:47:17.560 --> 0:47:19.600
<v Speaker 1>a smile and your voice, oh, I'm only too happy

0:47:19.680 --> 0:47:22.759
<v Speaker 1>to help the US embassy. Great idea. Oh that's a

0:47:22.760 --> 0:47:26.040
<v Speaker 1>great choice. One thing, do you know where it is? Like?

0:47:26.400 --> 0:47:28.239
<v Speaker 1>Are you kidding with us? Is she kidding? What? What

0:47:28.320 --> 0:47:31.400
<v Speaker 1>do the guys that go left? And you're like, okay,

0:47:31.400 --> 0:47:33.200
<v Speaker 1>I don't know if that's it, but the light's about

0:47:33.239 --> 0:47:36.000
<v Speaker 1>it change, so you're like, huh, but you remember you're

0:47:36.000 --> 0:47:38.239
<v Speaker 1>being followed. They probably want you to make the light.

0:47:38.480 --> 0:47:41.040
<v Speaker 1>So you hit the gas and you roar through the

0:47:41.040 --> 0:47:43.120
<v Speaker 1>intersection and you make it. You hug a tight right

0:47:43.160 --> 0:47:45.520
<v Speaker 1>turn and you make it, and the taxi game behind

0:47:45.600 --> 0:47:47.880
<v Speaker 1>you get stuck behind a bread truck, so they're stoked,

0:47:48.080 --> 0:47:51.200
<v Speaker 1>and you're like saying, don't you guys worry so American embassy.

0:47:51.280 --> 0:47:53.319
<v Speaker 1>I'm pretty sure I can find this embassy. And you're

0:47:53.320 --> 0:47:55.680
<v Speaker 1>just bouncing along in your cap. You're like, but hey,

0:47:55.920 --> 0:47:58.520
<v Speaker 1>please be patient with me. I'm new here, I'm new

0:47:58.560 --> 0:48:01.359
<v Speaker 1>in town. Doesn't get a laugh. Again, doesn't get a laugh.

0:48:01.400 --> 0:48:04.640
<v Speaker 1>You're like, whatever, shinnon you and he they're just holding hands,

0:48:04.880 --> 0:48:07.600
<v Speaker 1>shaking in the back seat, and you're like, I don't

0:48:07.600 --> 0:48:09.319
<v Speaker 1>I'm not that scary of a driver. I don't know

0:48:09.360 --> 0:48:11.840
<v Speaker 1>why they're just so tight, but whatever. They keep checking

0:48:11.840 --> 0:48:14.759
<v Speaker 1>behind them, and you're like, no, US embassy. All that's right.

0:48:14.760 --> 0:48:16.879
<v Speaker 1>All the nice hotels are by that big park. I'll

0:48:16.920 --> 0:48:19.000
<v Speaker 1>go over there. So you're just driving over towards this

0:48:19.239 --> 0:48:21.200
<v Speaker 1>one big park you know about where you think there's

0:48:21.280 --> 0:48:23.880
<v Speaker 1>nice hotels. You keep your eyes on the road because

0:48:23.960 --> 0:48:26.800
<v Speaker 1>getting in an accident that sure wouldn't help Elizabeth. And

0:48:27.360 --> 0:48:31.480
<v Speaker 1>always safety first, the Elizabeth Dutton Guarantee. So when you

0:48:31.560 --> 0:48:35.160
<v Speaker 1>turn and you gently speed down a side road which

0:48:35.200 --> 0:48:37.759
<v Speaker 1>parallels the main major boulevard, and you're headed to where

0:48:37.800 --> 0:48:39.880
<v Speaker 1>you remember seeing a bunch of the big houses and

0:48:39.920 --> 0:48:42.920
<v Speaker 1>hotels and flags, and you're like, I bet that's Embassy Row.

0:48:43.200 --> 0:48:44.960
<v Speaker 1>So you're driving over there and you drive towards this

0:48:45.040 --> 0:48:48.200
<v Speaker 1>green expanse of oh Stod Park. You see this signs.

0:48:48.239 --> 0:48:50.000
<v Speaker 1>You're like, oh, I know this is right. You drive

0:48:50.040 --> 0:48:52.160
<v Speaker 1>past the fancy hotels, You're like, I think this is it.

0:48:52.320 --> 0:48:55.200
<v Speaker 1>You're getting all excited. They're still super nervous. You're like, okay,

0:48:55.400 --> 0:48:58.640
<v Speaker 1>make a high speed right turn, and you imagine to

0:48:58.719 --> 0:49:01.720
<v Speaker 1>sneak through a yellow light. Make it. Finally, your taxi

0:49:01.760 --> 0:49:05.440
<v Speaker 1>cab slides to us up fifty yards from the U. S. Embassy.

0:49:05.480 --> 0:49:08.080
<v Speaker 1>You turned your passengers and tell them U. S. Embassy

0:49:08.120 --> 0:49:10.000
<v Speaker 1>is the one with the American flags, I think, and

0:49:10.000 --> 0:49:13.480
<v Speaker 1>then they like, I am the worst just right over there. Hey,

0:49:13.520 --> 0:49:15.520
<v Speaker 1>by the way, this rides on me. Looks like you

0:49:15.640 --> 0:49:18.439
<v Speaker 1>kids could use some black huh. So they're like, okay, thanks, sorry,

0:49:18.440 --> 0:49:20.240
<v Speaker 1>and they hop out of the car. You and he smiles.

0:49:20.320 --> 0:49:22.799
<v Speaker 1>She's like, you drive better than Robert Mitchum and you're like,

0:49:22.840 --> 0:49:26.520
<v Speaker 1>oh thanks. The man just waves and nods and they

0:49:26.560 --> 0:49:28.919
<v Speaker 1>both run after this sumps. They closed the doors. They're

0:49:29.000 --> 0:49:32.120
<v Speaker 1>running right, just fast as their feet hit pavement, and

0:49:32.160 --> 0:49:34.520
<v Speaker 1>they were like cartoon running right. You're like, oh man,

0:49:35.080 --> 0:49:37.560
<v Speaker 1>it's like they're running as fast as Feon Apple moves

0:49:38.440 --> 0:49:41.960
<v Speaker 1>again again. I'm I'm driving at home, baby. So they're

0:49:42.000 --> 0:49:44.520
<v Speaker 1>run as fast as they can and towards the front

0:49:44.560 --> 0:49:47.160
<v Speaker 1>gid of the U. S. Embassy. Forty yards left to go,

0:49:47.239 --> 0:49:49.480
<v Speaker 1>thirty yards left to go, twenty yards left to go,

0:49:49.520 --> 0:49:51.600
<v Speaker 1>ten yards left to go the goal line. There at

0:49:51.640 --> 0:49:55.080
<v Speaker 1>the goal I touched down. They make it. They make

0:49:55.120 --> 0:49:57.000
<v Speaker 1>it across the line, Elizabeth, And you watched them go,

0:49:57.040 --> 0:49:58.879
<v Speaker 1>and you say to yourself, I remember when I first

0:49:58.960 --> 0:50:01.640
<v Speaker 1>ran to the U. S. Embassy. And then you drive

0:50:01.680 --> 0:50:05.719
<v Speaker 1>away now being who they are, you and he and

0:50:05.760 --> 0:50:08.400
<v Speaker 1>Shin they both compared their daring escape as you've noticed,

0:50:08.440 --> 0:50:11.279
<v Speaker 1>to what they know best. You and he said, even

0:50:11.320 --> 0:50:14.920
<v Speaker 1>though I ran fast like this, and she doesn't minds it.

0:50:14.920 --> 0:50:17.720
<v Speaker 1>It felt like slow motion in a movie. Slow motion

0:50:17.840 --> 0:50:21.000
<v Speaker 1>was all I could think about. I love that she's

0:50:21.040 --> 0:50:23.200
<v Speaker 1>like in a good Dard New way of French film,

0:50:23.280 --> 0:50:25.960
<v Speaker 1>like making her escape. But you know this is all,

0:50:26.000 --> 0:50:28.440
<v Speaker 1>by the way, a huge embarrassment to Kim Jong Ill,

0:50:29.280 --> 0:50:31.279
<v Speaker 1>huge embarrassment. So what does he do? What does what

0:50:31.320 --> 0:50:34.200
<v Speaker 1>does the little dictator do? The only thing he can do.

0:50:34.320 --> 0:50:37.319
<v Speaker 1>He kills Paul Gasary. He takes the film out of

0:50:37.360 --> 0:50:40.840
<v Speaker 1>the theaters, destroys the movie, takes all of their films

0:50:40.840 --> 0:50:43.000
<v Speaker 1>out of any theater, doesn't allow their films never to

0:50:43.040 --> 0:50:45.640
<v Speaker 1>be shown again in North Korea. And this is his

0:50:45.680 --> 0:50:51.400
<v Speaker 1>hope to erase their memory, right, but they're free. The

0:50:51.480 --> 0:50:55.760
<v Speaker 1>movie Polo Sorry re emerges from the depths of cultural memory.

0:50:55.840 --> 0:50:58.480
<v Speaker 1>There's this Japanese film critic who remembers it. He launches

0:50:58.520 --> 0:51:01.640
<v Speaker 1>a one man campaign to kreem the film in Korea

0:51:01.719 --> 0:51:04.400
<v Speaker 1>and South Korea so that he gets a copy of

0:51:04.400 --> 0:51:06.760
<v Speaker 1>the North Korean Godzilla film and he and he starts

0:51:06.760 --> 0:51:10.400
<v Speaker 1>showing it in South Korean theaters, multiple theaters, and the

0:51:10.440 --> 0:51:15.479
<v Speaker 1>movie bombs at bombs a thousand, one thousand people paid

0:51:15.520 --> 0:51:19.040
<v Speaker 1>actual money to see it. One thousand people has now

0:51:19.120 --> 0:51:21.799
<v Speaker 1>in two thousand one. An American company they tried the

0:51:21.840 --> 0:51:23.560
<v Speaker 1>same stunt, and they're like, hey, we need to bring

0:51:23.600 --> 0:51:25.920
<v Speaker 1>that Pulgasari over to American shores, maybe to be a

0:51:26.000 --> 0:51:29.440
<v Speaker 1>hit like Godzilla. No theatrical release this time instead, there

0:51:29.440 --> 0:51:30.920
<v Speaker 1>just like, what's you gonna go straight to videos? So

0:51:30.920 --> 0:51:33.760
<v Speaker 1>then you go straight to video. There are VHS copies

0:51:33.840 --> 0:51:36.160
<v Speaker 1>of this monster movie and ever since then, for the

0:51:36.200 --> 0:51:39.040
<v Speaker 1>last twenty years or so, it occasionally pops up. You'll

0:51:39.080 --> 0:51:41.719
<v Speaker 1>see North Korean Godzilla in the wild. It's just out

0:51:41.760 --> 0:51:44.719
<v Speaker 1>there in America, wandering in the dark. Pops up like

0:51:44.840 --> 0:51:46.600
<v Speaker 1>in New York at a theater, maybe in l A,

0:51:46.920 --> 0:51:49.799
<v Speaker 1>maybe done in Austin. It's been shown in Canada, over

0:51:49.840 --> 0:51:52.320
<v Speaker 1>in Bristol in the UK. It pops up in places

0:51:52.360 --> 0:51:54.960
<v Speaker 1>you would never expect. But if you're really curious, you

0:51:55.000 --> 0:51:58.279
<v Speaker 1>can find it on YouTube. Just look up Paulgasari. Now,

0:51:58.320 --> 0:52:00.960
<v Speaker 1>after making his Godzilla remake, John Ill went in a

0:52:01.040 --> 0:52:04.600
<v Speaker 1>very different direction politics. He became the monster of North

0:52:04.680 --> 0:52:07.479
<v Speaker 1>Korea after his father died. But one of his last

0:52:07.480 --> 0:52:09.880
<v Speaker 1>great acts, when he was still not quite the leader,

0:52:09.920 --> 0:52:12.680
<v Speaker 1>he had this giant sign erected outside the Ministry of

0:52:12.719 --> 0:52:17.200
<v Speaker 1>Culture that said make more cartoons. He decided movies were

0:52:17.200 --> 0:52:21.840
<v Speaker 1>not it so killed his love of movies. So, Elizabeth,

0:52:21.920 --> 0:52:26.040
<v Speaker 1>what is our ridiculous takeaway here? Oh? Man, I don't know.

0:52:26.920 --> 0:52:29.120
<v Speaker 1>You know, something that I'm like still kind of hung

0:52:29.200 --> 0:52:31.560
<v Speaker 1>up on is them escaping the hotel in Vienna and

0:52:31.560 --> 0:52:38.120
<v Speaker 1>they packed bags. Why buy underpants? I assumed that it

0:52:38.200 --> 0:52:40.840
<v Speaker 1>was they had some tapes that they had recorded. So

0:52:40.880 --> 0:52:42.480
<v Speaker 1>they have this bag of tapes that they need to

0:52:42.480 --> 0:52:44.160
<v Speaker 1>get because they need to prove to people that they

0:52:44.160 --> 0:52:50.279
<v Speaker 1>were abducted and they have secretly recorded him. They have records.

0:52:49.719 --> 0:52:52.880
<v Speaker 1>They also have other documents, and then they're they're artists,

0:52:52.880 --> 0:52:54.800
<v Speaker 1>so they have like mementos that they apparently wanted to

0:52:54.880 --> 0:52:56.879
<v Speaker 1>keep of their time making movies. I don't know, I'm

0:52:56.920 --> 0:52:59.600
<v Speaker 1>just imagining like a little like weekend bag and they're

0:52:59.600 --> 0:53:01.800
<v Speaker 1>shoving swim trunks in there. I'm like, there's no time

0:53:02.960 --> 0:53:07.799
<v Speaker 1>from that. No. My takeaway, it's interesting how film has

0:53:07.800 --> 0:53:10.520
<v Speaker 1>such a grasp on people that it's like such an

0:53:10.560 --> 0:53:13.600
<v Speaker 1>incredible medium because you have the sound, you have the

0:53:13.960 --> 0:53:16.319
<v Speaker 1>site and everything and all this emotion. It's like the

0:53:16.360 --> 0:53:20.440
<v Speaker 1>most cathartic immediate thing aside from live theater. Right, But

0:53:20.560 --> 0:53:24.680
<v Speaker 1>then but it pulls people in and completely see it

0:53:24.800 --> 0:53:29.960
<v Speaker 1>was just intoxicating to them. It's amazing and intoxic is

0:53:29.960 --> 0:53:33.120
<v Speaker 1>the right word. Because like a like a film junkie,

0:53:33.200 --> 0:53:35.359
<v Speaker 1>Kim Jong Il had to come back around to it,

0:53:35.440 --> 0:53:39.040
<v Speaker 1>and in two thousand he had North Korea make another

0:53:39.080 --> 0:53:43.040
<v Speaker 1>remake of a classic Western movie, this time Titanic. He's like,

0:53:43.239 --> 0:53:45.239
<v Speaker 1>let's try one more time to see if we can

0:53:45.280 --> 0:53:48.440
<v Speaker 1>get respect from the Western audiences. So he made a

0:53:48.520 --> 0:53:50.920
<v Speaker 1>North three and Titanic, and I've watched some of it.

0:53:50.920 --> 0:53:56.640
<v Speaker 1>It is horrendous. So that's my ridiculous take away. Thank

0:53:56.680 --> 0:54:00.200
<v Speaker 1>you for asking Elizabeth welcome, You're welcome. Well. You can

0:54:00.239 --> 0:54:03.320
<v Speaker 1>find us online at Ridiculous Crime on both Twitter and Instagram.

0:54:03.440 --> 0:54:05.560
<v Speaker 1>The words are on the bird, the images are on

0:54:05.640 --> 0:54:08.560
<v Speaker 1>the Graham, and you get sneak peeks at new Epps

0:54:08.600 --> 0:54:12.200
<v Speaker 1>on both emails. If you like Ridiculous Crime at gmail

0:54:12.280 --> 0:54:14.839
<v Speaker 1>dot com, or just shout into the wind and maybe

0:54:14.840 --> 0:54:24.320
<v Speaker 1>we'll hear it. Thanks for listening. Ridiculous Crime is hosted

0:54:24.320 --> 0:54:27.319
<v Speaker 1>by Elizabeth Dutton and Zaron Burnett, produced and edited by

0:54:27.320 --> 0:54:31.000
<v Speaker 1>our man Inside the Raider Nation suit Dave Couston. Researches

0:54:31.040 --> 0:54:34.040
<v Speaker 1>by j Low historian Rissa Brown and Ben Affleck, Truther

0:54:34.320 --> 0:54:36.960
<v Speaker 1>Andrea Song Sharp and tier. Our theme song is by

0:54:37.000 --> 0:54:40.800
<v Speaker 1>Dear bandleader Thomas Lee and Minister of the Groove Travis Dutton.

0:54:40.960 --> 0:54:44.880
<v Speaker 1>Executive producers are Ben Gorilla, Porpois Bowland and No Guerrilla

0:54:44.960 --> 0:54:55.719
<v Speaker 1>Dolphin Brown Say It One More Time. We Diculous Crew.

0:54:56.920 --> 0:54:59.560
<v Speaker 1>Ridiculous Crime is a production of my Heart Radio. Four

0:54:59.600 --> 0:55:01.520
<v Speaker 1>more pot casts to my Heart Radio, visit the I

0:55:01.600 --> 0:55:04.400
<v Speaker 1>Heart Radio app, Apple podcasts, or wherever you listen to

0:55:04.440 --> 0:55:05.320
<v Speaker 1>your favorite shows.