WEBVTT - Judy Collins

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<v Speaker 1>Welcome, Welcome, welcome back to the Bob West Podcast. My

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<v Speaker 1>guest today he is the one to know me, Judy Collin,

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<v Speaker 1>you'd be glad to have I'm thrilled to be here, Bob,

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<v Speaker 1>thanks for inviting me. Okay, you actually played a gig

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<v Speaker 1>last night at City Winery. How did that come together? Well?

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<v Speaker 1>It was wonderful. I'm an old City Winery performer, and

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<v Speaker 1>so I've already performed twice since uh, March or April

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<v Speaker 1>May one, I guess May first. So it's been wonderful

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<v Speaker 1>to get back. And I was also in New Jersey

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<v Speaker 1>last week at a wonderful engagement in Eatontown. So I'm

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<v Speaker 1>back on the boards and my book is full again

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<v Speaker 1>of all those dozens and hundreds of concerts that were

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<v Speaker 1>booked last year when we went into lockdown, and so

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<v Speaker 1>they're all coming up now like Roses. Uh. So what

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<v Speaker 1>do you do during lockdown? I practice the piano, I

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<v Speaker 1>made lunch and dinner for the most part, looked for movies,

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<v Speaker 1>had had zooms with friends and with various business enterprise.

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<v Speaker 1>Started my own podcast called Since You've Asked, which is

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<v Speaker 1>coming into being I think in July July, the eight

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<v Speaker 1>and I have interviewed a number of people that I

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<v Speaker 1>have enjoyed being with. It's it's you know, I think

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<v Speaker 1>you will agree. I think I'm very attracted to your

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<v Speaker 1>podcast and to your wonderful array of exploratory talks with people.

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<v Speaker 1>And it is kind of a way of socialize, don't

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<v Speaker 1>you think, among other you know, I talked to my

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<v Speaker 1>shrink and I say, listen, I'm in a bad I'm

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<v Speaker 1>in a bad mood. And all of a sudden, no

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<v Speaker 1>matter what moods I start to podcast, it completely changes one.

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<v Speaker 1>It changes your mood. It's wonderful. So it's good to

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<v Speaker 1>be back on the wards and uh so that's what

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<v Speaker 1>I did in the in the lockdown here in New York.

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<v Speaker 1>We were here, I think we have I'm I'm terribly

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<v Speaker 1>unhappy about the losses and the deaths that we've had here,

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<v Speaker 1>and I know you've had them there, and I have

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<v Speaker 1>to say that we've in that in the light of

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<v Speaker 1>that that was going on, we've had a very privileged lockdown.

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<v Speaker 1>In fact, I've had a rest. I haven't had a

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<v Speaker 1>rest in about sixty years, so except for being sick

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<v Speaker 1>a couple of times. So it's been a real strange

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<v Speaker 1>kind of a gift for me. I've worked on all

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<v Speaker 1>my own songs which are going to come out soon

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<v Speaker 1>in an album, probably next year. So that's been very

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<v Speaker 1>totalizing to me. Wow. So, uh, he's not very busy,

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<v Speaker 1>you know, I'm busy. Okay, So what kind of movies

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<v Speaker 1>did you watch during the lockdown? Oh? Everything you can

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<v Speaker 1>think of the favorites. We just watched thirty episodes of Yellowstone. Now.

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<v Speaker 1>I'm a Western girl, so I love Kevin Cosner, I

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<v Speaker 1>love the rodeos, I love the mountains in Montana, I

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<v Speaker 1>love the Indians. I love the fights about land and

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<v Speaker 1>water and uh so that was a big part of it.

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<v Speaker 1>We watched all of a couple of big We watched

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<v Speaker 1>The Queen. We watched What's What's the early series about

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<v Speaker 1>King Henry the eight and the guy who played in

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<v Speaker 1>was very sin so it was distracting for a while.

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<v Speaker 1>We have one of our favorites, which I really recommend

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<v Speaker 1>to everybody, is called The Night Manager, and it's I

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<v Speaker 1>think six or eight episodes and it's a John Lacarae

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<v Speaker 1>book of course, taken into the into the theater of television,

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<v Speaker 1>and it is superb. I must say that was one

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<v Speaker 1>of our favorites. I would go back and watch. In fact,

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<v Speaker 1>we did, I think watched that twice. We had a

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<v Speaker 1>whole year, and then we went back and picked the highlights,

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<v Speaker 1>and we're giving them another run. I even watched my

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<v Speaker 1>I even watched my own movie. I can't listen to myself,

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<v Speaker 1>so good credit for that. Let me ask you something,

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<v Speaker 1>you so so upbeat invaluable. I'm kind of stunned. Is

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<v Speaker 1>this your normal personality? Yes, this is me. This is me,

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<v Speaker 1>you know. I was born an optimist, and my sister

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<v Speaker 1>always accuses me of taking on that that costume at

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<v Speaker 1>all times, not taking it off very often. No, I

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<v Speaker 1>have to be well. The first thing that you have

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<v Speaker 1>to do as a singer. I think the practicing is

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<v Speaker 1>initially the daily routine has to be done once a

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<v Speaker 1>day because you're a pianist, so you have to keep

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<v Speaker 1>the fingers in shape. You have to keep doing your

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<v Speaker 1>chair and doing your motort, and you have to keep

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<v Speaker 1>writing because if you're writing poems, you might see that

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<v Speaker 1>one or two of them come out as a sound,

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<v Speaker 1>so sometimes they are poems and they won't fit into

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<v Speaker 1>the lyric quality that has to be there for a song.

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<v Speaker 1>So they then you have to eat well. You're breathing

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<v Speaker 1>when you're singing, so that's good. That keeps your spirits up.

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<v Speaker 1>And I have to keep my My routine involves having

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<v Speaker 1>to exercise at least five times a weekend, usually uh

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<v Speaker 1>three or four miles of walking, sometimes five. So it's

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<v Speaker 1>the exercise and I eat well. I can't eat junk.

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<v Speaker 1>I don't Oh, we don't smoke anymore. I don't drink anymore.

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<v Speaker 1>So what's left but to have fun. Let's go back

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<v Speaker 1>a chapter. You say you're a Western girl. You certainly

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<v Speaker 1>grew up in the West, but you know, having you

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<v Speaker 1>pretty much lived in the city since then, is your

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<v Speaker 1>mind in the Western? Do you actually go visit the West?

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<v Speaker 1>For years, I have visited. I've gone on ski trips,

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<v Speaker 1>I've gone hiking ventures. I usually go to Colorado. That's

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<v Speaker 1>the place that my heart lies, and I've and I

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<v Speaker 1>have so such strong pull to Colorado a lot of

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<v Speaker 1>a lot of my writing. I just wrote a new

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<v Speaker 1>called new song called Girl from when I was a

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<v Speaker 1>girl in Colorado, and I think it's going to actually

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<v Speaker 1>be very strong piece in the album. I'm starting to

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<v Speaker 1>do it in public now and a few other things.

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<v Speaker 1>So yes, I live in the city. I've lived in

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<v Speaker 1>New York since nineteen sixty three when I moved here,

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<v Speaker 1>and I've been in the same apartment here in New

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<v Speaker 1>York for fifty years. But people associate me, Oh, I

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<v Speaker 1>love Los Angeles. I have roots there too, certainly musical roots.

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<v Speaker 1>And I've done a number of recordings there. And so

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<v Speaker 1>I think the ocean and the West. Uh, the West

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<v Speaker 1>in all its glory, has a great pulp. But I'll

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<v Speaker 1>tell you there's nowhere. There's nowhere like New York. Yesterday

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<v Speaker 1>night before last, we went to Monday night, we went

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<v Speaker 1>to an opening of a Renaissance exhibition of the Medici paintings,

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<v Speaker 1>portraits really and the The few days before that, we

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<v Speaker 1>went over to the met and we wandered for a

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<v Speaker 1>number of hours through the Asian Wing, which is one

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<v Speaker 1>of the great treasures of this city. And of course

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<v Speaker 1>I have friends here. I have roots here. I know

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<v Speaker 1>all where all the good restaurants are, and some of

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<v Speaker 1>them are still open by God, and so that's been

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<v Speaker 1>a treat um I have. I have all kinds of friends,

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<v Speaker 1>you know, in l A. Well, the truth is, I

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<v Speaker 1>didn't move to Los Angeles I did work there. I

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<v Speaker 1>had an affair there was a very important affair with

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<v Speaker 1>Steven Stills. But I never moved there. I think I

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<v Speaker 1>would be dead if I'd moved there. I'm too susceptible

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<v Speaker 1>to the rhythms there. And it was the age of

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<v Speaker 1>drugs and overdoses, and I would have been right there

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<v Speaker 1>in the middle of it. And I in New York.

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<v Speaker 1>I had my therapist, I had my my lovers, and

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<v Speaker 1>my husband now of well, my my life partner, but

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<v Speaker 1>and my husband and my life partner of forty three years.

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<v Speaker 1>So New York is where it's at for me. There's

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<v Speaker 1>nothing like it. It's stimulating. My friends are not all decisions.

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<v Speaker 1>Some of them are painters, some of them are writers.

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<v Speaker 1>Some of them are just weird. So you know, Colorado,

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<v Speaker 1>Denver's in the flats and then in the mountains. Are

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<v Speaker 1>you more of a mountain girl or do you like

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<v Speaker 1>to see the mountains in the distance. I'm a mountain girl.

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<v Speaker 1>I had when I was a teenager. I was living

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<v Speaker 1>in Denver, of course, and when I was starting to

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<v Speaker 1>have those summer jobs, I started out working at a

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<v Speaker 1>place called Sportsland Valley guest Ranch over on the other

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<v Speaker 1>side of birth it well, I started skiing. Of course,

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<v Speaker 1>my brother's skied all the time. I had to practice,

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<v Speaker 1>so I was not up on the slopes as often

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<v Speaker 1>as they were. So I'm not as great as skiers there,

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<v Speaker 1>but I'm a very I'm fifty five or sixty years

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<v Speaker 1>of skiing, and you know, it does teach you how

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<v Speaker 1>to ski. So I'm a mountain girl and working in

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<v Speaker 1>in the mountains, uh at at guest ranches, and then

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<v Speaker 1>after I got out of high school and went to

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<v Speaker 1>college for a year, had a job in Rocky Mountain

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<v Speaker 1>National Park running running a wilderness site in the Rocky

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<v Speaker 1>Mountain National Park which was called Friend Lake Lodge. It

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<v Speaker 1>was a lodge which had been in existence since nineteen ten,

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<v Speaker 1>and when we got there, we were the first people

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<v Speaker 1>to run it for a couple of years because nobody

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<v Speaker 1>wanted to live there without electricity, which we didn't care.

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<v Speaker 1>And I can live by starlight or moonlight or firelight anytime.

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<v Speaker 1>And it was really the event of a lifetime. Really.

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<v Speaker 1>I had to bake pies and bread on a wood stove,

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<v Speaker 1>and I got by the end of the summer, We're saying,

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<v Speaker 1>you know, you really can't get a decent meal without

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<v Speaker 1>cooking it in a was so so I'm very I

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<v Speaker 1>very much romanticized the Rockies. Yes, things have changed. I

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<v Speaker 1>tried to buy that place, but the government had started

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<v Speaker 1>Operation sixty four, which was intend to move all of

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<v Speaker 1>the commercial quotes commercial enterprises out of the National Park.

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<v Speaker 1>So we lost that and I would have wound up

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<v Speaker 1>working for the parks. I was probably if I hadn't

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<v Speaker 1>started singing songs for money. So when was lost? Time

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<v Speaker 1>you skied? I'm a big skier in Colorado. I love

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<v Speaker 1>I love skis, you know. I I skied pretty much

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<v Speaker 1>every year either either Veil or Aspen or Winter Park

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<v Speaker 1>and primarily those places. And about four or five I

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<v Speaker 1>have I decided that I really had to give it

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<v Speaker 1>up because I couldn't afford to have another injury, frankly

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<v Speaker 1>because of my schedule, because I'm on the road. Because

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<v Speaker 1>I just couldn't do it anymore. It's too dangerous. It's

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<v Speaker 1>a dangerous sport. And I have I have a um

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<v Speaker 1>A replacement shoulder, I have lots of pins in my legs.

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<v Speaker 1>And uh, I really said to myself, it's after the

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<v Speaker 1>last big one. And I went back after the show

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<v Speaker 1>to replacement, and I skied for a few more years.

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<v Speaker 1>But I love it, love it, love it. But I'm

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<v Speaker 1>not going to ski across country. It's there's no no

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<v Speaker 1>fair comparison. And I like the speed and the wind,

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<v Speaker 1>and I couldn't agree more. The freedom. You know. The

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<v Speaker 1>great thing about skiing, I'm like tennis or something. At

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<v Speaker 1>any ability level, you can reach your limit and both

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<v Speaker 1>enjoy it and be scared. Right exactly, So these injuries

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<v Speaker 1>were all as results of skiing. Yes, but that's why

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<v Speaker 1>I think so. Yes, I'd like to go back, and

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<v Speaker 1>who knows? I may, I may, I may go back

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<v Speaker 1>because I have a brother who's a ski instructor still

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<v Speaker 1>at Veil, and oh yes, Dave has hung in there.

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<v Speaker 1>You know, Dave's life consists of getting injured in the

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<v Speaker 1>winter and then spending the summer rehabbing. That's his life.

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<v Speaker 1>He's in another one. They've taken one of his shoulders

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<v Speaker 1>apart three or four times. They're giving up trying to

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<v Speaker 1>find place, think places to put all this gear that

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<v Speaker 1>has to go back there when he gets an injury.

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<v Speaker 1>But he's still at it Veil and he still has

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<v Speaker 1>has clients. I mean, he's got to be seven years

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<v Speaker 1>younger than I I am. I thinking I made it too.

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<v Speaker 1>So he's whatever that is, seventies something. But he also

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<v Speaker 1>works all the time because he's a great builder. He

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<v Speaker 1>built about ninety of the maybe you know them, the

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<v Speaker 1>pine Um houses in Veil in the early sixties, and

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<v Speaker 1>then he went off to went off the tracks for

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<v Speaker 1>one then he came back and they all they all

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<v Speaker 1>have to keep Dave Collins on board because he knows everything,

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<v Speaker 1>you know, he has the he's like being a national

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<v Speaker 1>treasure in Japan. He knows all the things to do

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<v Speaker 1>with all the building tricks and all the things that

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<v Speaker 1>people need to have done when they're building or rebuilding.

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<v Speaker 1>And so he promised me that maybe next year he

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<v Speaker 1>is going to retire, but I don't believe it, and

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<v Speaker 1>certainly not from skiing. Okay, so you say that you're

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<v Speaker 1>eighty two. We live in a world where every but

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<v Speaker 1>he's lying about the rangel though now you can look

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<v Speaker 1>at you're so upfront. So how do you feel about aging? Well,

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<v Speaker 1>it's a fortunate journey because you could get off anywhere

0:13:12.080 --> 0:13:19.080
<v Speaker 1>along the way, and I haven't. I I like what's

0:13:19.120 --> 0:13:21.320
<v Speaker 1>going on in my life a lot. I like it

0:13:21.720 --> 0:13:27.600
<v Speaker 1>I am always willing to say that somebody might be

0:13:27.720 --> 0:13:32.560
<v Speaker 1>right instead of wrong. So I'm open to improvement, and

0:13:32.600 --> 0:13:36.040
<v Speaker 1>I think that's never ending. Learning is never ending, and

0:13:36.400 --> 0:13:40.080
<v Speaker 1>curiosity is never ending. And I live in a very

0:13:40.080 --> 0:13:45.040
<v Speaker 1>interesting world which we all do challenging, certainly as challenging

0:13:45.120 --> 0:13:49.200
<v Speaker 1>as the sixties world, though, I mean, nothing nothing comes

0:13:49.280 --> 0:13:52.040
<v Speaker 1>up to Vietnam. Nothing does. There was a big piece

0:13:52.040 --> 0:13:53.800
<v Speaker 1>in the Times, I don't know if you saw it

0:13:53.880 --> 0:13:59.720
<v Speaker 1>last week about it was. It was about ten pages,

0:14:00.000 --> 0:14:04.080
<v Speaker 1>well pages, uh, and about the big report that was

0:14:05.400 --> 0:14:08.200
<v Speaker 1>came out in nine one about all of the lies

0:14:08.360 --> 0:14:12.840
<v Speaker 1>and all of the horrible Anyway, nothing really beats Vietnam,

0:14:12.960 --> 0:14:16.280
<v Speaker 1>and frankly, we'll never get over paying for it. I

0:14:16.360 --> 0:14:19.080
<v Speaker 1>said all the time as we were marching against the war,

0:14:19.120 --> 0:14:21.320
<v Speaker 1>I said, you know, this is this comes with the price.

0:14:21.560 --> 0:14:23.920
<v Speaker 1>This it's not just the people that are dying, both

0:14:23.960 --> 0:14:30.160
<v Speaker 1>in Vietnam and our American soldiers. It's it's it's a price,

0:14:30.560 --> 0:14:33.880
<v Speaker 1>and it's gonna it's gonna come to one of these days. Okay,

0:14:33.920 --> 0:14:37.320
<v Speaker 1>So how is your health other than these physical injuries

0:14:37.480 --> 0:14:40.960
<v Speaker 1>with h you know, the shoulder, etcetera. Perfect for a

0:14:41.080 --> 0:14:42.720
<v Speaker 1>check out. Okay, So you could you can live for

0:14:42.760 --> 0:14:45.920
<v Speaker 1>another twenty years? Twenty years is what I'm counting on.

0:14:46.160 --> 0:14:49.320
<v Speaker 1>Maybe I come from also a line of people who

0:14:49.400 --> 0:14:52.640
<v Speaker 1>live a long time, and I have an aunt who's

0:14:52.680 --> 0:14:56.080
<v Speaker 1>a hundred now, and some of my mother's aunts and

0:14:56.200 --> 0:15:00.800
<v Speaker 1>uncles from uh the Bird line, in the Cope line

0:15:00.840 --> 0:15:03.360
<v Speaker 1>of her family. The Birds and the Copes live a

0:15:03.360 --> 0:15:07.040
<v Speaker 1>long time hundred and four hundred and five. So who knows. However,

0:15:07.280 --> 0:15:10.680
<v Speaker 1>I'm getting I'm in the game for today. That's plenty

0:15:10.840 --> 0:15:13.640
<v Speaker 1>for me. Well how do you feel, I mean, I'm

0:15:13.680 --> 0:15:16.400
<v Speaker 1>fourteen years younger than you and I'm experiencing it. How

0:15:16.400 --> 0:15:20.040
<v Speaker 1>do you feel about your friends and people you know? Passing?

0:15:20.720 --> 0:15:24.160
<v Speaker 1>I hated, I hated. I lost a couple of friends

0:15:24.160 --> 0:15:29.800
<v Speaker 1>to the COVID Dynamic. Wonderful writer named Patty Bosworth was

0:15:29.840 --> 0:15:31.520
<v Speaker 1>a very close friend of mine. She was one of

0:15:31.520 --> 0:15:35.240
<v Speaker 1>the first to could leave. She was finishing a book

0:15:35.280 --> 0:15:41.080
<v Speaker 1>on UH Paul Robeson. I'm hoping that it's coming out.

0:15:41.120 --> 0:15:44.400
<v Speaker 1>I think her publishes. Her publishers said in her oh

0:15:44.520 --> 0:15:47.880
<v Speaker 1>bit that she was that it was ready to roll.

0:15:48.040 --> 0:15:51.080
<v Speaker 1>I haven't seen any announcements about it. And that was

0:15:51.120 --> 0:15:52.960
<v Speaker 1>a year ago that she died A little over a

0:15:53.040 --> 0:15:57.640
<v Speaker 1>year ago. But of course, yeah, it's terrible. I mean,

0:15:57.680 --> 0:16:00.960
<v Speaker 1>people die and the ones you don't expect to die,

0:16:01.640 --> 0:16:08.120
<v Speaker 1>and you know, only the only the young die young. Okay, now,

0:16:08.240 --> 0:16:10.560
<v Speaker 1>needless to say, just talking about the music business, it's

0:16:10.600 --> 0:16:14.960
<v Speaker 1>completely changed from the sixties and seventies from today. And

0:16:15.000 --> 0:16:18.920
<v Speaker 1>one of the big things is stars were much bigger

0:16:19.160 --> 0:16:23.000
<v Speaker 1>back then. Without going into all the technology, why does

0:16:23.080 --> 0:16:26.720
<v Speaker 1>this affect your outlook? It's like, okay, you have all

0:16:26.760 --> 0:16:31.440
<v Speaker 1>this visibility in the sixties and seventies and nobody has

0:16:31.480 --> 0:16:34.560
<v Speaker 1>that level of visibility or do you just put your

0:16:34.560 --> 0:16:38.040
<v Speaker 1>eyes forward and keep going. Well, the work is what

0:16:38.240 --> 0:16:42.400
<v Speaker 1>it's all about, of course, the contact. It's interesting because

0:16:42.560 --> 0:16:50.480
<v Speaker 1>during the pandemic I did too viral full fully operational shows.

0:16:50.560 --> 0:16:54.560
<v Speaker 1>I went to UH September twenty three. We got in

0:16:54.560 --> 0:16:59.040
<v Speaker 1>the car in our masks and we drove to We

0:16:59.040 --> 0:17:02.920
<v Speaker 1>were driven to Norfolk, Virginia, where I sang to an

0:17:02.960 --> 0:17:06.479
<v Speaker 1>empty theater. It's called the Chrysler Theater, gorgeous theater. And

0:17:06.520 --> 0:17:09.120
<v Speaker 1>we stayed in a hotel. There was a hilton there

0:17:08.720 --> 0:17:12.040
<v Speaker 1>was full. Fully, we didn't eat any food there. We

0:17:12.080 --> 0:17:14.680
<v Speaker 1>took all of our food with us, but we had

0:17:14.680 --> 0:17:18.119
<v Speaker 1>a wonderful time, and I sang into this gorgeous, gorgeous theater.

0:17:18.600 --> 0:17:21.640
<v Speaker 1>I don't have a problem with that. I love my audiences.

0:17:21.720 --> 0:17:26.200
<v Speaker 1>But frankly, after all the years of television and recordings

0:17:26.240 --> 0:17:29.520
<v Speaker 1>in recruit recording studios where you don't have an audience,

0:17:29.800 --> 0:17:32.160
<v Speaker 1>and I'm a radio girl. I grew up my father

0:17:32.320 --> 0:17:34.520
<v Speaker 1>was in the radio. He had a radio show for

0:17:34.600 --> 0:17:37.199
<v Speaker 1>thirty years, and so I was on the show and

0:17:37.240 --> 0:17:39.040
<v Speaker 1>I listened to the show, and I was used to

0:17:39.320 --> 0:17:42.159
<v Speaker 1>I'm used to singing wherever it is that I am,

0:17:42.200 --> 0:17:44.880
<v Speaker 1>with or without an audience. Then I did a big

0:17:44.920 --> 0:17:48.280
<v Speaker 1>town Hall show which I just signed about a hundred

0:17:48.280 --> 0:17:51.240
<v Speaker 1>and fifty posters from that show, which I did here

0:17:51.320 --> 0:17:55.119
<v Speaker 1>at town Hall in January, again empty theater. Well, I've

0:17:55.160 --> 0:17:58.480
<v Speaker 1>been in town Hall since nineteen sixty four. I've been

0:17:58.480 --> 0:18:02.800
<v Speaker 1>singing there, and town How asked me, would I repeat

0:18:03.200 --> 0:18:06.040
<v Speaker 1>some of the material that I did in nine, which

0:18:06.080 --> 0:18:10.560
<v Speaker 1>involved a number of songs by Tom Paxton, Billiatt Wheeler,

0:18:11.119 --> 0:18:14.000
<v Speaker 1>Bob Dylan, and so we did a repeat of a

0:18:14.080 --> 0:18:16.040
<v Speaker 1>number of those things. Of course, we mixed in the

0:18:16.440 --> 0:18:20.960
<v Speaker 1>current some of the current songs, but it was fantastic

0:18:21.000 --> 0:18:24.440
<v Speaker 1>and of course, town Hall is a gorgeous theater with

0:18:24.560 --> 0:18:27.119
<v Speaker 1>or without people in it, and it's historic, and it

0:18:27.240 --> 0:18:30.640
<v Speaker 1>sort of resonates. It gave me a chance to talk

0:18:30.680 --> 0:18:34.880
<v Speaker 1>about to change, to sort of upgrade my my spield,

0:18:35.560 --> 0:18:39.960
<v Speaker 1>you know my spield. I'm funny on stage. I take

0:18:40.160 --> 0:18:43.040
<v Speaker 1>the time and the energy to be funny. I have

0:18:43.280 --> 0:18:46.000
<v Speaker 1>done this for a long time, and to tell stories,

0:18:46.480 --> 0:18:50.159
<v Speaker 1>because it came through working at the Carlisle in New

0:18:50.240 --> 0:18:53.840
<v Speaker 1>York a lot and having that weekly you know, seven

0:18:54.000 --> 0:18:57.520
<v Speaker 1>six or seven days, six days a week, going in

0:18:57.680 --> 0:19:00.679
<v Speaker 1>and talking while you're working. And of course I have

0:19:00.720 --> 0:19:03.439
<v Speaker 1>a lot of stories having lived all this time and

0:19:03.560 --> 0:19:06.000
<v Speaker 1>known a lot of people, and had a lot of lovers,

0:19:06.080 --> 0:19:10.000
<v Speaker 1>and and had a lot of strange things happened to me.

0:19:10.600 --> 0:19:14.320
<v Speaker 1>And so I was very comfortable. But I also went

0:19:14.400 --> 0:19:17.960
<v Speaker 1>back through the history of town Hall and talked about

0:19:18.040 --> 0:19:20.760
<v Speaker 1>some of the people. The people that first open town

0:19:20.760 --> 0:19:24.280
<v Speaker 1>Hall in New York was the Suffragettes. They hired the

0:19:24.280 --> 0:19:28.760
<v Speaker 1>theater and they started out in nineteen one. Was it

0:19:28.880 --> 0:19:31.919
<v Speaker 1>twenty one? I think so. And then everybody you can

0:19:32.000 --> 0:19:36.400
<v Speaker 1>think of performed there, saying they're played in the my

0:19:36.560 --> 0:19:39.359
<v Speaker 1>my teacher, Dr Brico, when I say that I watched

0:19:39.359 --> 0:19:42.199
<v Speaker 1>one of my watched my movie during the lockdown. I

0:19:42.240 --> 0:19:44.919
<v Speaker 1>meant it. I made a movie which was nominated for

0:19:44.920 --> 0:19:48.920
<v Speaker 1>an Academy Award in nineteen seventy five, about my teacher,

0:19:49.080 --> 0:19:53.080
<v Speaker 1>Antonio Brico, and she I'm on the stage there where

0:19:53.119 --> 0:19:57.080
<v Speaker 1>I had been in nineteen sixty four, almost fifty years before,

0:19:57.720 --> 0:19:59.960
<v Speaker 1>and she had been on the stage during the war

0:20:00.040 --> 0:20:03.280
<v Speaker 1>because she had her own orchestra in New York which

0:20:03.359 --> 0:20:06.680
<v Speaker 1>played at Town Hall and at Carnegie Hall. So it

0:20:06.760 --> 0:20:11.920
<v Speaker 1>was a wonderful experience, and I'll tell you it's draw

0:20:12.240 --> 0:20:15.119
<v Speaker 1>It was a very successful experience, and it gave me,

0:20:15.600 --> 0:20:19.040
<v Speaker 1>referring to your idea about exposure. A lot of people

0:20:19.119 --> 0:20:21.840
<v Speaker 1>have watched it, and town Halls got very excited. In fact,

0:20:21.840 --> 0:20:24.720
<v Speaker 1>they made not a CD but a vinyl. So I

0:20:24.800 --> 0:20:29.200
<v Speaker 1>just saw beside vinyls and and posters. I mean, can

0:20:29.280 --> 0:20:32.639
<v Speaker 1>it get any better? I don't know. Okay, let's go

0:20:32.680 --> 0:20:35.600
<v Speaker 1>back to the beginning. You're you know, and some of

0:20:35.600 --> 0:20:38.800
<v Speaker 1>this I know from Wikipedia, as opposed to just living

0:20:38.800 --> 0:20:41.800
<v Speaker 1>and knowing your career from having experienced it. So you

0:20:41.920 --> 0:20:45.480
<v Speaker 1>grow up in Seattle at age four, you move right.

0:20:45.520 --> 0:20:49.960
<v Speaker 1>We moved to to Los Angeles where my dad got

0:20:49.960 --> 0:20:55.359
<v Speaker 1>a job at the CBS radio station in Hollywood. And

0:20:55.440 --> 0:21:02.800
<v Speaker 1>so those years from from already five to forty nine,

0:21:03.359 --> 0:21:07.399
<v Speaker 1>we're in in Hollywood and in the midst of stardom,

0:21:07.480 --> 0:21:12.640
<v Speaker 1>and that's where he met got got all kinds of

0:21:12.680 --> 0:21:17.000
<v Speaker 1>stars that he met. But he also got um involved

0:21:17.040 --> 0:21:22.320
<v Speaker 1>with people who what's the diet guru Gaylord Houser. So

0:21:22.440 --> 0:21:25.160
<v Speaker 1>from then on we ate right, you know, we didn't

0:21:25.200 --> 0:21:27.960
<v Speaker 1>need any white things. We didn't need any any white

0:21:28.040 --> 0:21:31.840
<v Speaker 1>rice or white bread. And he was always on a

0:21:31.880 --> 0:21:35.640
<v Speaker 1>health kick, so that I'm sure that helped everybody. And

0:21:35.680 --> 0:21:40.760
<v Speaker 1>then after Denver, after Seattle and then Hollywood, we moved

0:21:40.760 --> 0:21:45.399
<v Speaker 1>to Denver in n Now, your father was blind. He

0:21:45.600 --> 0:21:48.960
<v Speaker 1>was he was blind from the age of four, and

0:21:49.200 --> 0:21:55.720
<v Speaker 1>he had I think, a stunning career and really life.

0:21:55.720 --> 0:21:58.399
<v Speaker 1>He was He was brilliant, he was funny. He he

0:21:58.520 --> 0:22:01.240
<v Speaker 1>read everything in Braille. He thought, if you hadn't read

0:22:01.440 --> 0:22:03.399
<v Speaker 1>Moby Dick by the time you were seven, there was

0:22:03.440 --> 0:22:07.359
<v Speaker 1>something fundamentally wrong with you. And so I got rid

0:22:07.600 --> 0:22:13.520
<v Speaker 1>the Russians and Ruskolnikov and and Mark Twain, and I

0:22:13.560 --> 0:22:16.959
<v Speaker 1>grew up in a literate and musical household that was.

0:22:17.160 --> 0:22:19.199
<v Speaker 1>There was none like it. And I played the piano

0:22:19.320 --> 0:22:22.200
<v Speaker 1>from the age of about five, maybe four and a half.

0:22:22.480 --> 0:22:26.840
<v Speaker 1>But let's go back at chapter how did your parents meet? Ah?

0:22:27.240 --> 0:22:31.000
<v Speaker 1>They I had my mother right out her a story

0:22:31.320 --> 0:22:34.880
<v Speaker 1>of her meeting my father. And and she was in Seattle.

0:22:34.880 --> 0:22:40.520
<v Speaker 1>They broth in Seattle. She was one of nine kids.

0:22:41.320 --> 0:22:45.480
<v Speaker 1>She was in her early twenties, well I think she was.

0:22:46.280 --> 0:22:50.879
<v Speaker 1>She was twenty two, maybe three, and she was in college.

0:22:51.200 --> 0:22:55.480
<v Speaker 1>And she got on a bus to go home, and

0:22:55.960 --> 0:23:00.080
<v Speaker 1>this fellow was there, she said, dressed nicely, dressed in

0:23:01.240 --> 0:23:04.840
<v Speaker 1>and she noticed he sat down and began pulled out

0:23:04.880 --> 0:23:07.560
<v Speaker 1>a very large book and began running his hands over

0:23:07.880 --> 0:23:10.280
<v Speaker 1>at which at which point she realized he was blind.

0:23:10.720 --> 0:23:12.520
<v Speaker 1>He didn't have a dog, he didn't have a cane.

0:23:12.560 --> 0:23:16.480
<v Speaker 1>So there was only his appearance with the Briale book

0:23:16.520 --> 0:23:20.879
<v Speaker 1>that gave her the clue. And when she got up

0:23:20.920 --> 0:23:23.480
<v Speaker 1>to get off, he got up, got up to get off,

0:23:23.520 --> 0:23:26.960
<v Speaker 1>it's the same spot. And she tried to help him,

0:23:27.000 --> 0:23:28.760
<v Speaker 1>you know, she said, can I give you a hand

0:23:28.840 --> 0:23:32.439
<v Speaker 1>or something? And he brusquely refused that. He said, I

0:23:32.440 --> 0:23:34.760
<v Speaker 1>don't need any help or something. Then it turned out

0:23:34.800 --> 0:23:38.320
<v Speaker 1>that he was walking in her directions, and he was

0:23:38.359 --> 0:23:41.480
<v Speaker 1>going to a club called Kenny's, which was on Queen

0:23:41.560 --> 0:23:45.760
<v Speaker 1>Anne Hill, right near her parents home. And they started

0:23:45.800 --> 0:23:48.760
<v Speaker 1>talking and he said, why don't you come and see me?

0:23:49.040 --> 0:23:52.200
<v Speaker 1>And they did, the family and her sisters and her

0:23:52.240 --> 0:23:54.919
<v Speaker 1>best friend, Eleene. They started to go to Kenny's to

0:23:54.960 --> 0:23:57.159
<v Speaker 1>hear daddy play the piano and say. My father had

0:23:57.200 --> 0:23:59.639
<v Speaker 1>a gorgeous voice, and he sang all the Rodgers and

0:23:59.760 --> 0:24:04.360
<v Speaker 1>heart wonderful hits of the day. And he said to her, now,

0:24:04.520 --> 0:24:09.119
<v Speaker 1>I'm having my radio debut next Saturday night, so I

0:24:09.160 --> 0:24:11.800
<v Speaker 1>hope that you and your friends and your family will listen.

0:24:12.600 --> 0:24:15.760
<v Speaker 1>So Eileen and she and Aline, her best friend, sat

0:24:15.800 --> 0:24:22.840
<v Speaker 1>down in front of the old Pine Emerson Walnut radio.

0:24:22.960 --> 0:24:26.280
<v Speaker 1>You know, the huge thing that you should fill up, Yeah,

0:24:26.320 --> 0:24:30.800
<v Speaker 1>the console. And in the middle of this performance that

0:24:30.880 --> 0:24:34.280
<v Speaker 1>my father did, he was singing, U been so long

0:24:34.560 --> 0:24:39.720
<v Speaker 1>since yo, you went away. I think about you every day.

0:24:39.840 --> 0:24:45.159
<v Speaker 1>My body, my body remember it. Your buddy misses you.

0:24:45.760 --> 0:24:48.760
<v Speaker 1>And my my mother is in tears. And Aline said,

0:24:48.800 --> 0:24:51.480
<v Speaker 1>what is wrong with you? And my mother said, that's

0:24:51.480 --> 0:24:54.080
<v Speaker 1>the man I'm going to marry, and she did. She

0:24:54.119 --> 0:24:56.080
<v Speaker 1>went home and told her parents, I think she told

0:24:56.080 --> 0:25:01.320
<v Speaker 1>her parents before she told my father, and so, so

0:25:01.359 --> 0:25:04.359
<v Speaker 1>then you, uh, you start to take piano lessons. Do

0:25:04.440 --> 0:25:07.960
<v Speaker 1>you like playing the piano? Do you practice? I practice

0:25:08.000 --> 0:25:11.359
<v Speaker 1>all the time. I have to. I practice as I

0:25:11.400 --> 0:25:13.480
<v Speaker 1>once asked my mother if she had to force me

0:25:14.080 --> 0:25:17.239
<v Speaker 1>to to play, to practice, and she said no, I

0:25:17.280 --> 0:25:22.040
<v Speaker 1>had to remind you to wash your hands. Because I

0:25:22.160 --> 0:25:24.720
<v Speaker 1>was also a tomboy. I mean I was out in

0:25:24.840 --> 0:25:27.000
<v Speaker 1>it all the time, you know. I was always a

0:25:27.080 --> 0:25:30.199
<v Speaker 1>running around town. Okay, And when did you start to

0:25:30.240 --> 0:25:34.560
<v Speaker 1>be singing? I sang right away, I have. My first

0:25:34.640 --> 0:25:41.200
<v Speaker 1>performance was in Butte, Montana. My dad was a big

0:25:41.280 --> 0:25:44.760
<v Speaker 1>hit on the radio, and when he lost he lost

0:25:44.880 --> 0:25:48.040
<v Speaker 1>his job on on the on the Seattle radio station,

0:25:48.080 --> 0:25:52.240
<v Speaker 1>but immediately was out on the road with something called

0:25:52.359 --> 0:25:55.919
<v Speaker 1>National School Assemblies, which was something devised by f dr

0:25:56.880 --> 0:26:03.640
<v Speaker 1>Um to accommodate music Asians and communities which needed entertainment,

0:26:03.680 --> 0:26:05.439
<v Speaker 1>and so it was a whole big deal. It was

0:26:05.520 --> 0:26:08.000
<v Speaker 1>something that operated all over the country. But he was

0:26:08.119 --> 0:26:13.280
<v Speaker 1>doing the north western route and so I was in

0:26:13.320 --> 0:26:17.399
<v Speaker 1>the car in the big Buick which my father named Claudia.

0:26:17.560 --> 0:26:19.119
<v Speaker 1>From the age of two and a half or so

0:26:19.280 --> 0:26:22.600
<v Speaker 1>and three and we would drive every place and we

0:26:22.880 --> 0:26:25.760
<v Speaker 1>wound up. I mean, the Northwest goes only so far,

0:26:26.200 --> 0:26:28.800
<v Speaker 1>but we wound up in Butte, Montana. And one night

0:26:28.840 --> 0:26:31.280
<v Speaker 1>he was singing and we came to the intermission and

0:26:31.320 --> 0:26:33.400
<v Speaker 1>he said, do you want to sing something? Because I

0:26:33.440 --> 0:26:36.360
<v Speaker 1>was already singing, he would play the piano for me

0:26:36.400 --> 0:26:38.760
<v Speaker 1>and I would sing. So I said sure. I was

0:26:38.880 --> 0:26:42.679
<v Speaker 1>very excited and I've never been asked to do that before.

0:26:42.880 --> 0:26:47.600
<v Speaker 1>And I said, so what should I sing? And he said, well,

0:26:47.880 --> 0:26:50.280
<v Speaker 1>you should sing something, you know, which is always a

0:26:50.280 --> 0:26:55.760
<v Speaker 1>good idea. So I sang I'll be I'll be hung

0:26:56.240 --> 0:27:00.800
<v Speaker 1>for Christmas. You can count on me. And of course

0:27:00.920 --> 0:27:03.440
<v Speaker 1>it was a big hit. And it was also April,

0:27:03.840 --> 0:27:08.480
<v Speaker 1>but that was the first of my performances and about

0:27:08.520 --> 0:27:13.000
<v Speaker 1>three maybe, yeah, close to three. So you're in school.

0:27:13.720 --> 0:27:16.359
<v Speaker 1>You go to regular public school? Oh yeah, oh yeah,

0:27:16.400 --> 0:27:20.159
<v Speaker 1>oh the best public schools, by the way, I did

0:27:20.400 --> 0:27:23.120
<v Speaker 1>go to them. Were you known as the singer? Did

0:27:23.160 --> 0:27:25.880
<v Speaker 1>people say, oh that to Judy, she's the singer. Yes,

0:27:26.760 --> 0:27:29.600
<v Speaker 1>oh yes, I sang at the school shows. I sang.

0:27:29.640 --> 0:27:32.520
<v Speaker 1>I played the piano and sang on my father's radio show.

0:27:32.600 --> 0:27:36.239
<v Speaker 1>At my school whatever I was in the choir as,

0:27:36.320 --> 0:27:39.280
<v Speaker 1>the church choir, the school choir. I sang in the

0:27:39.320 --> 0:27:42.359
<v Speaker 1>opera courses I got when I when we moved from

0:27:42.520 --> 0:27:45.520
<v Speaker 1>l A to Denver, my father found me a new

0:27:45.560 --> 0:27:48.760
<v Speaker 1>teacher and it just turned out to be Dr Antonio Brico,

0:27:48.800 --> 0:27:55.520
<v Speaker 1>who was this wildly famous dynamo conductor and pianist. And

0:27:55.960 --> 0:27:58.159
<v Speaker 1>she did, of course, was always doing opera. So I

0:27:58.200 --> 0:28:03.639
<v Speaker 1>was sang in the operas y Poachi and Onyagan and

0:28:03.680 --> 0:28:07.360
<v Speaker 1>so forth. And I played the piano, and I of

0:28:07.400 --> 0:28:10.879
<v Speaker 1>course was going to be a great pianist, she thought.

0:28:11.560 --> 0:28:13.760
<v Speaker 1>And so the first thing I did was the first

0:28:13.760 --> 0:28:17.000
<v Speaker 1>thing she did was to hand me the the manuscript.

0:28:17.080 --> 0:28:19.600
<v Speaker 1>I was going to say, the manuscript, the whatever they

0:28:19.640 --> 0:28:23.560
<v Speaker 1>call it, uh to the Mozart to piano concerto. This

0:28:23.600 --> 0:28:26.040
<v Speaker 1>was when I was eleven, and she said, I want

0:28:26.040 --> 0:28:30.320
<v Speaker 1>you to start memorizing this immediately. And so I played

0:28:30.359 --> 0:28:34.880
<v Speaker 1>with her orchestra two years later and played the Mozart.

0:28:34.960 --> 0:28:38.920
<v Speaker 1>So I had to practice all the time. Okay, but

0:28:39.000 --> 0:28:42.200
<v Speaker 1>when you were practicing, what kind of student were you

0:28:42.280 --> 0:28:44.360
<v Speaker 1>and how did you fit in in school? Were you

0:28:44.400 --> 0:28:46.920
<v Speaker 1>a loner? Were the leader of the group where you're popular?

0:28:47.920 --> 0:28:52.640
<v Speaker 1>I was very popular for lots of reasons. Um, I

0:28:52.800 --> 0:28:56.040
<v Speaker 1>was fun, I had liked people, I got along with people,

0:28:56.600 --> 0:29:00.600
<v Speaker 1>and I was always doing something about me, playing in

0:29:00.640 --> 0:29:03.600
<v Speaker 1>the shows or and I liked my teachers. I was

0:29:03.720 --> 0:29:11.040
<v Speaker 1>not great in algebra, but I was very good in geometry,

0:29:11.120 --> 0:29:14.640
<v Speaker 1>which I think is the clue of why I do

0:29:14.760 --> 0:29:19.160
<v Speaker 1>what I do today, because geometry is really about finding

0:29:19.200 --> 0:29:21.040
<v Speaker 1>your way, and a lot of what I do is

0:29:21.080 --> 0:29:24.800
<v Speaker 1>I travel, and I travel. Of course, I do about

0:29:26.200 --> 0:29:29.280
<v Speaker 1>a hundred and twenty shows a year normally, that's my normal,

0:29:29.840 --> 0:29:35.160
<v Speaker 1>uh routine, and I've done that for years, well since

0:29:35.320 --> 0:29:38.880
<v Speaker 1>two thousand and eight. Before that, before the crash, I

0:29:39.360 --> 0:29:43.920
<v Speaker 1>was probably se shows a year, and now it's twenty.

0:29:44.080 --> 0:29:48.120
<v Speaker 1>That's because finances have changed in the music business. And

0:29:48.200 --> 0:29:51.480
<v Speaker 1>so I was. But my two friends, my two best

0:29:51.560 --> 0:29:54.720
<v Speaker 1>friends who are still I'm still in touch with, and

0:29:54.760 --> 0:29:57.360
<v Speaker 1>we're all the same age, which makes it easier. But

0:29:57.480 --> 0:30:00.000
<v Speaker 1>they live in different places. Ones on the West Coast,

0:30:00.040 --> 0:30:04.880
<v Speaker 1>ones in Tacoma, ones in Norfolk, not Norfolk, but we're

0:30:04.920 --> 0:30:10.840
<v Speaker 1>all uh, I don't remember, it's a Confederate town and uh.

0:30:10.920 --> 0:30:13.800
<v Speaker 1>And so we've been friends since we were in grade

0:30:13.800 --> 0:30:16.880
<v Speaker 1>school in Denver and then in junior high in high school,

0:30:16.880 --> 0:30:21.080
<v Speaker 1>we formed a group, a trio, and we called ourselves

0:30:21.120 --> 0:30:24.280
<v Speaker 1>the Little Reds. Oh, everybody else called us the Little Reds. Two.

0:30:24.640 --> 0:30:28.000
<v Speaker 1>It wasn't it wasn't political as it would have been

0:30:28.040 --> 0:30:30.840
<v Speaker 1>if we were here in New York. But we were

0:30:30.880 --> 0:30:33.560
<v Speaker 1>called the Little Reds because we did a version of

0:30:33.760 --> 0:30:35.960
<v Speaker 1>Little Red Riding Hood. And I sat at the piano

0:30:36.520 --> 0:30:39.040
<v Speaker 1>and I made up the themes of Red Riding Hood

0:30:39.080 --> 0:30:44.480
<v Speaker 1>and the wolf and the grandmother, and and the girls

0:30:44.600 --> 0:30:48.239
<v Speaker 1>danced the story, and I played it and told it

0:30:48.320 --> 0:30:52.160
<v Speaker 1>on the on the piano, and that's what led. And

0:30:52.200 --> 0:30:55.320
<v Speaker 1>I'm I'm at this late date in my career, in

0:30:55.360 --> 0:31:00.360
<v Speaker 1>my life, I have put together that really it was all.

0:31:00.400 --> 0:31:02.880
<v Speaker 1>The rest of the music was going to be there anyway.

0:31:02.920 --> 0:31:04.920
<v Speaker 1>I was always going to be playing the piano. I

0:31:05.000 --> 0:31:08.600
<v Speaker 1>was now. I was learning rockmaninof to play with my

0:31:08.640 --> 0:31:15.200
<v Speaker 1>teacher's orchestra. And but the girls and I needed a

0:31:15.200 --> 0:31:18.240
<v Speaker 1>new piece of of of we needed a new story

0:31:18.600 --> 0:31:21.720
<v Speaker 1>because we've done this everywhere and done at the all

0:31:21.760 --> 0:31:24.520
<v Speaker 1>the clubs, you know, the Elks Club and the Kawana's Club,

0:31:24.680 --> 0:31:29.520
<v Speaker 1>and the and Lowry Air Force Base and for Simmons

0:31:29.520 --> 0:31:32.200
<v Speaker 1>General Hospital, and we even went to the Brown Palace

0:31:32.240 --> 0:31:35.840
<v Speaker 1>where we met one of those famous movie stars. Can't

0:31:35.880 --> 0:31:38.760
<v Speaker 1>remember his name right now. That's the only thing I

0:31:38.840 --> 0:31:40.880
<v Speaker 1>have to complain about this. Once in a while a

0:31:41.040 --> 0:31:44.240
<v Speaker 1>name slips my mind. It wasn't Tony Curtis. Maybe it

0:31:44.280 --> 0:31:48.840
<v Speaker 1>was Tony Curtis. So we needed some new material and

0:31:48.880 --> 0:31:52.560
<v Speaker 1>I was supposed to be playing this rock mining off

0:31:52.800 --> 0:31:55.320
<v Speaker 1>piano concerto, which I was gonna do with my orchestra.

0:31:55.360 --> 0:31:58.520
<v Speaker 1>I was about fifteen and a half now, and uh,

0:31:58.640 --> 0:32:01.480
<v Speaker 1>but I got up and went over to the radio

0:32:01.600 --> 0:32:05.200
<v Speaker 1>and turned it on. And you know, my father sang

0:32:05.240 --> 0:32:09.160
<v Speaker 1>all of the great American songbook material, but he also

0:32:09.320 --> 0:32:14.840
<v Speaker 1>every once in a while he'd break into, oh oh,

0:32:15.120 --> 0:32:20.720
<v Speaker 1>Danny boy, the pipes, the pipes are called. He'd do

0:32:21.200 --> 0:32:25.800
<v Speaker 1>a little Irish or English melody. And I turned on

0:32:25.800 --> 0:32:31.680
<v Speaker 1>the radio and I heard the Gypsy Rover, and I

0:32:31.840 --> 0:32:35.200
<v Speaker 1>heard the next week, I heard Barbara Allen. So those

0:32:35.240 --> 0:32:39.840
<v Speaker 1>two songs locked it into my brain that this was

0:32:39.880 --> 0:32:41.680
<v Speaker 1>the music I was going to go after. I didn't

0:32:41.680 --> 0:32:45.440
<v Speaker 1>know anything about folk music, or about the folk revival,

0:32:45.640 --> 0:32:48.640
<v Speaker 1>or about any of these people. But down at Wells

0:32:48.760 --> 0:32:51.600
<v Speaker 1>Music when I went to buy this record of the

0:32:51.680 --> 0:32:54.800
<v Speaker 1>Gypsy Rover, which was It was in the soundtrack of

0:32:54.840 --> 0:32:57.600
<v Speaker 1>an Allen lab movie called The Black Night, so it

0:32:57.680 --> 0:33:03.600
<v Speaker 1>was very popular. It was movie great success. And when

0:33:03.640 --> 0:33:06.239
<v Speaker 1>I went into Wells Music, the guy said, well, you

0:33:06.240 --> 0:33:08.320
<v Speaker 1>know what you're looking for? You here it is. I

0:33:08.400 --> 0:33:10.800
<v Speaker 1>have it. Yeah, I have it. So I bought it

0:33:10.840 --> 0:33:14.400
<v Speaker 1>with my babysitting money and he said, we'll see you

0:33:14.440 --> 0:33:17.040
<v Speaker 1>around on the walls. See all these albums this is

0:33:17.600 --> 0:33:22.640
<v Speaker 1>there's the Classy Brothers, and there's Josh White over there,

0:33:22.680 --> 0:33:26.120
<v Speaker 1>and there's Pete Seeger and there's Gene Richie. I said,

0:33:26.160 --> 0:33:29.920
<v Speaker 1>what is that and he said his folk music? And

0:33:29.960 --> 0:33:33.560
<v Speaker 1>I said what he said, it's folk music. And that's

0:33:33.560 --> 0:33:39.080
<v Speaker 1>where I began to see my life opening up before me.

0:33:45.560 --> 0:33:49.480
<v Speaker 1>You graduate from high school, then what do you do? Well,

0:33:49.520 --> 0:33:52.360
<v Speaker 1>this was before that, I understand, but I want to

0:33:52.360 --> 0:33:55.080
<v Speaker 1>get back to that with context, into the full folk music.

0:33:56.080 --> 0:33:59.720
<v Speaker 1>So by the time I had graduated from high school,

0:33:59.840 --> 0:34:04.480
<v Speaker 1>I had, first of all, I been um, my boyfriend

0:34:04.560 --> 0:34:07.360
<v Speaker 1>was this guy that I married, and we've been having

0:34:07.800 --> 0:34:11.200
<v Speaker 1>our love affair for a couple of years already. But

0:34:11.360 --> 0:34:14.279
<v Speaker 1>I had already memorized and learned and gone to the

0:34:15.239 --> 0:34:18.720
<v Speaker 1>gotten that my calluses on my fingers to play the guitar.

0:34:18.760 --> 0:34:21.040
<v Speaker 1>And I had a guitar now, and I went to

0:34:21.160 --> 0:34:24.640
<v Speaker 1>all the folk music meetings in the folk Folklore Center,

0:34:24.680 --> 0:34:27.239
<v Speaker 1>and I met Lingo, the drifter who played all the

0:34:27.280 --> 0:34:30.399
<v Speaker 1>songs of Witdy Guthrie. So I had that in my

0:34:30.719 --> 0:34:32.759
<v Speaker 1>bag of tricks, so to speak, and I sang it

0:34:32.880 --> 0:34:35.440
<v Speaker 1>every place I went. I took the guitar, I sang.

0:34:35.920 --> 0:34:39.719
<v Speaker 1>I went off to a year of college in this

0:34:39.920 --> 0:34:44.880
<v Speaker 1>dreary little well. I shouldn't say that, insulting a college

0:34:44.920 --> 0:34:46.600
<v Speaker 1>in southern Illinois. I don't know how I got there.

0:34:46.600 --> 0:34:49.040
<v Speaker 1>I think my mother got me a scholarship from one

0:34:49.040 --> 0:34:54.480
<v Speaker 1>of her peo groups, some some Unitarian gathering of souls

0:34:54.520 --> 0:34:57.640
<v Speaker 1>who had who got together and got me some sort

0:34:57.640 --> 0:35:01.040
<v Speaker 1>of a scholarship. Anyway, came back from that at and

0:35:01.080 --> 0:35:03.560
<v Speaker 1>that's when I went to the mountains with my husband

0:35:03.560 --> 0:35:07.480
<v Speaker 1>to be, and we got married in the mountains. And uh,

0:35:07.640 --> 0:35:10.680
<v Speaker 1>I just would make bread and pies on a woodstove,

0:35:10.719 --> 0:35:12.400
<v Speaker 1>and then I sit on the porch and play this

0:35:12.480 --> 0:35:16.360
<v Speaker 1>land is your land. So that's how it all began

0:35:16.440 --> 0:35:19.080
<v Speaker 1>to unfold. So how did you get from the mountains

0:35:19.120 --> 0:35:24.200
<v Speaker 1>to the east coast? I had uh when we were

0:35:24.200 --> 0:35:27.239
<v Speaker 1>finished with the mountains, and we tried to buy the

0:35:27.239 --> 0:35:31.839
<v Speaker 1>fernlike Lodge. My husband was now in graduate school at

0:35:31.840 --> 0:35:34.520
<v Speaker 1>the University of Colorado. We moved back down to Boulder.

0:35:34.880 --> 0:35:38.520
<v Speaker 1>We got a little apartment in the basement. I had

0:35:38.560 --> 0:35:43.280
<v Speaker 1>my first my only son, Clark, who was a little baby.

0:35:43.480 --> 0:35:47.040
<v Speaker 1>And I had a job. I worked at the university

0:35:47.120 --> 0:35:50.239
<v Speaker 1>in the filing department. And my husband, of course, was

0:35:50.280 --> 0:35:53.400
<v Speaker 1>in school, and he had a job. He had a

0:35:53.480 --> 0:35:56.880
<v Speaker 1>paper route at four in the morning, and it was February,

0:35:57.000 --> 0:36:00.760
<v Speaker 1>and he said he came in put on his boots.

0:36:00.800 --> 0:36:04.200
<v Speaker 1>It was snowing. Of course, it's always snowing in Colorado.

0:36:05.320 --> 0:36:07.680
<v Speaker 1>And he came in and he said, he looked at me,

0:36:07.719 --> 0:36:09.759
<v Speaker 1>and he said, you know, I was going off to

0:36:10.080 --> 0:36:14.160
<v Speaker 1>file papers at the university later that day, and Mrs

0:36:14.200 --> 0:36:16.440
<v Speaker 1>Chingley was going to take care of the baby. And

0:36:16.520 --> 0:36:19.000
<v Speaker 1>he said to me, why don't you get a job

0:36:19.160 --> 0:36:22.799
<v Speaker 1>doing something you know how to do. You've always been

0:36:22.840 --> 0:36:26.560
<v Speaker 1>a musician. You have all these songs. Look, I had

0:36:26.600 --> 0:36:30.640
<v Speaker 1>no clue that you could get a job singing these songs.

0:36:30.680 --> 0:36:33.560
<v Speaker 1>I mean, there was no indications that I didn't know

0:36:33.600 --> 0:36:36.480
<v Speaker 1>anything about that world. I knew all those people that

0:36:36.520 --> 0:36:40.320
<v Speaker 1>made records, But I thought records were for learning songs.

0:36:40.400 --> 0:36:44.400
<v Speaker 1>That's what I figured. And so I called my father

0:36:44.440 --> 0:36:47.160
<v Speaker 1>and I said, what about this? Do you know anybody

0:36:47.280 --> 0:36:49.759
<v Speaker 1>up here and Boulder that Do you know anybody who

0:36:49.760 --> 0:36:52.640
<v Speaker 1>knows anything about this? And he said, yeah, let me

0:36:52.960 --> 0:36:56.880
<v Speaker 1>let me make some calls. So people will tell you

0:36:56.920 --> 0:36:58.759
<v Speaker 1>that all the time. Let me make some calls. But

0:36:58.880 --> 0:37:02.160
<v Speaker 1>he did, and he found this friend of ours from

0:37:02.200 --> 0:37:04.840
<v Speaker 1>Denver who knew all about the clubs and Boulder and

0:37:04.880 --> 0:37:07.680
<v Speaker 1>had this connection with a couple of the owners of

0:37:08.280 --> 0:37:12.040
<v Speaker 1>bars and restaurants. And so I got a job at

0:37:12.120 --> 0:37:17.799
<v Speaker 1>Michael's Pub in March of nineteen fifty nine. And I

0:37:18.040 --> 0:37:20.680
<v Speaker 1>came home with a job and a hundred bucks a week,

0:37:21.520 --> 0:37:24.120
<v Speaker 1>which was a lot of money in nineteen fifty nine,

0:37:24.760 --> 0:37:28.120
<v Speaker 1>when I'd been making forty five cents and a bottle

0:37:28.160 --> 0:37:35.000
<v Speaker 1>of Coors beer for working in the college. So I started.

0:37:35.120 --> 0:37:40.040
<v Speaker 1>And in those days, you know this, you know a

0:37:40.080 --> 0:37:43.279
<v Speaker 1>lot about this, this business, Bob. So you know that

0:37:43.640 --> 0:37:45.640
<v Speaker 1>in those days it was really a matter of word

0:37:45.640 --> 0:37:50.200
<v Speaker 1>of mouth. It wasn't even agents or gatherings. It wasn't

0:37:50.239 --> 0:37:52.560
<v Speaker 1>really morse. It was you know, you're saying at the

0:37:52.600 --> 0:37:55.080
<v Speaker 1>club for a few weeks. And the guy who owned

0:37:55.080 --> 0:37:57.880
<v Speaker 1>the club told the next people down the road, oh,

0:37:57.960 --> 0:38:00.239
<v Speaker 1>you know, she we got we sold some tickets since

0:38:00.320 --> 0:38:03.120
<v Speaker 1>she did well, and so on. So that started it.

0:38:03.320 --> 0:38:08.040
<v Speaker 1>And right away I was singing at the Gilded Garter

0:38:08.719 --> 0:38:12.600
<v Speaker 1>in CenTra City. There was Bob Bob Dylan who was

0:38:13.160 --> 0:38:18.640
<v Speaker 1>then called Robert whatever his name is, Zimmerman. He was homeless.

0:38:18.680 --> 0:38:21.520
<v Speaker 1>He was trying to get a job singing at everybody's

0:38:21.560 --> 0:38:24.000
<v Speaker 1>hooting atis. You know, you'd get to sing three songs

0:38:24.480 --> 0:38:28.759
<v Speaker 1>in a row. Uh. And then I when I got

0:38:28.760 --> 0:38:30.960
<v Speaker 1>to New York a couple of years later, he was

0:38:31.200 --> 0:38:35.000
<v Speaker 1>there in New York, same homeless as well. It was

0:38:35.160 --> 0:38:37.439
<v Speaker 1>six one when I got here, so he still had

0:38:37.520 --> 0:38:40.920
<v Speaker 1>not changed his name, and I thought he was pathetic.

0:38:41.080 --> 0:38:44.040
<v Speaker 1>I thought, oh my god, he's singing these old witty

0:38:44.080 --> 0:38:49.640
<v Speaker 1>Guthrie blues. I thought, badly, badly chosen, badly sung. I

0:38:49.640 --> 0:38:53.480
<v Speaker 1>couldn't believe it. Then one day I opened up the

0:38:53.520 --> 0:38:56.480
<v Speaker 1>Bible of folk music that's called sing Out. It was

0:38:56.520 --> 0:39:00.439
<v Speaker 1>a little tiny pamphlet in those days. Now it's a great,

0:39:00.440 --> 0:39:06.240
<v Speaker 1>big piece of literature. It looks like a life magazine,

0:39:06.280 --> 0:39:08.279
<v Speaker 1>compared to what it used to look like. Anyway, there

0:39:08.320 --> 0:39:11.880
<v Speaker 1>was a song after I have a few drinks with

0:39:11.960 --> 0:39:14.239
<v Speaker 1>him and heard him sing at the hooting Nanny and

0:39:14.520 --> 0:39:18.600
<v Speaker 1>I think he was opening for uh Robert Johnson or

0:39:18.719 --> 0:39:21.279
<v Speaker 1>one of the one of the blue singers. After I

0:39:21.320 --> 0:39:24.840
<v Speaker 1>had closed at Girty's Folk City and uh, so I

0:39:24.880 --> 0:39:26.680
<v Speaker 1>looked at this little book and there was this song

0:39:26.760 --> 0:39:30.560
<v Speaker 1>printed out. It said blowing in the Wind. Nice title,

0:39:30.600 --> 0:39:34.160
<v Speaker 1>I thought, and I read the lyric and I was

0:39:35.000 --> 0:39:37.759
<v Speaker 1>then the Then they printed the melody. I said, oh

0:39:37.800 --> 0:39:41.480
<v Speaker 1>my god, this is this is brilliant. And at the

0:39:41.480 --> 0:39:45.680
<v Speaker 1>bottom it said Bob Dylan. And I had known that

0:39:45.760 --> 0:39:47.600
<v Speaker 1>he had changed his name to Bob Dylan, and I

0:39:47.640 --> 0:39:53.799
<v Speaker 1>thought there has to be some mistake here, so I

0:39:53.840 --> 0:39:56.839
<v Speaker 1>wrote him a fan letter, which of course he didn't

0:39:56.880 --> 0:40:01.560
<v Speaker 1>get because he was homeless. But still, but of course

0:40:01.600 --> 0:40:08.799
<v Speaker 1>I became a complete um wreck over his music. I mean,

0:40:08.840 --> 0:40:11.200
<v Speaker 1>I just thought he was and I recorded him right away.

0:40:11.360 --> 0:40:14.640
<v Speaker 1>I recorded well. One of the songs that I sang

0:40:14.640 --> 0:40:18.080
<v Speaker 1>at town Hall in January was the Lonesome Death of

0:40:18.080 --> 0:40:23.120
<v Speaker 1>Hattie Carroll, which when I heard it in sixty two,

0:40:24.000 --> 0:40:26.000
<v Speaker 1>I said, well, I have to sing that song. It

0:40:26.160 --> 0:40:28.160
<v Speaker 1>is one of the great songs of all times, and

0:40:28.200 --> 0:40:31.040
<v Speaker 1>it is, and of course it's as appropriate today as

0:40:31.080 --> 0:40:35.960
<v Speaker 1>it ever was. Okay, let's go back. The folk scene

0:40:36.000 --> 0:40:39.480
<v Speaker 1>has really been lost to time. Most people think popular

0:40:39.560 --> 0:40:42.200
<v Speaker 1>music started with the Beatles, but for those of us

0:40:42.200 --> 0:40:44.360
<v Speaker 1>who were older and you certainly lived through it and

0:40:44.400 --> 0:40:48.000
<v Speaker 1>were part of it and uh before me. But it

0:40:48.080 --> 0:40:50.680
<v Speaker 1>was such a big scene. They even had a show

0:40:50.719 --> 0:40:54.000
<v Speaker 1>on TV hood Nanny, So can he give us a

0:40:54.200 --> 0:40:57.640
<v Speaker 1>feel of what the folk music scene was like and

0:40:57.719 --> 0:41:03.880
<v Speaker 1>how that developed? It was amazing. There was a shift

0:41:04.080 --> 0:41:08.279
<v Speaker 1>in the culture which had to do I sink with

0:41:09.960 --> 0:41:14.280
<v Speaker 1>the guitar and the singer songwriter, and thus because previous

0:41:14.320 --> 0:41:16.960
<v Speaker 1>to that, in the fifties you had to have a band.

0:41:17.000 --> 0:41:19.120
<v Speaker 1>I mean I had a job with the with the

0:41:19.160 --> 0:41:24.200
<v Speaker 1>band singing Rogers and Heart when I was sixteen getting dressed.

0:41:24.280 --> 0:41:25.960
<v Speaker 1>I was under age, so they had to get rid

0:41:26.000 --> 0:41:27.600
<v Speaker 1>of me. But because I had to sing in bars

0:41:27.640 --> 0:41:31.920
<v Speaker 1>and I wasn't able to go in. But before fifty

0:41:32.000 --> 0:41:36.800
<v Speaker 1>nine sixty, before the Newport Festival which started in fifty nine,

0:41:37.840 --> 0:41:39.520
<v Speaker 1>you had to if you if you were going to

0:41:39.640 --> 0:41:42.040
<v Speaker 1>go anywhere, do anything, you had to have a band.

0:41:42.080 --> 0:41:45.840
<v Speaker 1>You had to have a uh, one of the Rogers

0:41:45.880 --> 0:41:48.680
<v Speaker 1>and Hart songs, one of the new songs from the

0:41:48.719 --> 0:41:51.279
<v Speaker 1>shows in New York. And you had to have all

0:41:51.360 --> 0:41:59.840
<v Speaker 1>the accouterments that surrounded you, orchestras, soloists, long dresses, and

0:42:00.040 --> 0:42:04.080
<v Speaker 1>all of a sudden there's this crop of kids playing

0:42:04.080 --> 0:42:06.960
<v Speaker 1>guitars and singing songs. You remember that Woody Guthrie and

0:42:07.000 --> 0:42:11.520
<v Speaker 1>Pete Seegers started their lives as protesters, as people on

0:42:11.560 --> 0:42:15.319
<v Speaker 1>the edge, on the outside of the inner circle. And

0:42:15.600 --> 0:42:20.760
<v Speaker 1>they were originally writing songs to raise money for the unions.

0:42:21.600 --> 0:42:24.000
<v Speaker 1>And that's what where their hearts were, and that's what

0:42:24.040 --> 0:42:28.120
<v Speaker 1>they were doing. Sometimes people forgot about that in those esoteric,

0:42:28.239 --> 0:42:31.960
<v Speaker 1>pristine years of some of the some of the Newport years.

0:42:32.040 --> 0:42:36.040
<v Speaker 1>Because I even was on the board of Newport. As

0:42:36.080 --> 0:42:38.200
<v Speaker 1>I said, I moved to New York in sixty three.

0:42:39.360 --> 0:42:41.440
<v Speaker 1>Just one second. What was the motivation to moved to

0:42:41.480 --> 0:42:48.239
<v Speaker 1>New York? I had? Um, I was in the hospital.

0:42:48.440 --> 0:42:52.360
<v Speaker 1>My my marriage broke up in sixty two. And what

0:42:52.520 --> 0:42:55.680
<v Speaker 1>happened was that the marriage broke up and I also

0:42:55.760 --> 0:42:59.000
<v Speaker 1>got sick. Just just since we're getting there, why did

0:42:59.040 --> 0:43:05.600
<v Speaker 1>the marriage break up? Um? Well, we were awfully young

0:43:05.719 --> 0:43:09.000
<v Speaker 1>when we met and I think that over the course

0:43:09.040 --> 0:43:13.360
<v Speaker 1>of my growing career and the fact that it was

0:43:13.760 --> 0:43:18.920
<v Speaker 1>very hard on on motherhood and being married, I just

0:43:18.960 --> 0:43:21.600
<v Speaker 1>think we didn't get along anymore and we weren't going

0:43:21.640 --> 0:43:24.600
<v Speaker 1>to stay together. And I left New York to go

0:43:24.640 --> 0:43:27.680
<v Speaker 1>out to Tucson to sing after I opened actually for

0:43:28.080 --> 0:43:32.080
<v Speaker 1>Theodore macall at Carnegie Hall in sixty two in October,

0:43:32.920 --> 0:43:35.000
<v Speaker 1>and then I got on a plane for Tucson. And

0:43:35.040 --> 0:43:38.600
<v Speaker 1>when I got to Tucson, I was working at a

0:43:38.640 --> 0:43:42.040
<v Speaker 1>little club called ash Alley, and I was already having

0:43:42.160 --> 0:43:46.120
<v Speaker 1>trouble breathing. My lungs were gurgling, and I didn't want

0:43:46.120 --> 0:43:48.040
<v Speaker 1>to do anything about it because I didn't want to

0:43:48.040 --> 0:43:50.280
<v Speaker 1>go to the doctor because I thought that a doctor

0:43:50.320 --> 0:43:53.640
<v Speaker 1>would tell me to slow down and stop running around

0:43:53.680 --> 0:43:57.840
<v Speaker 1>and working. So the people that ran the club also

0:43:57.920 --> 0:44:01.120
<v Speaker 1>were interns at the two on Clinic, and they worked

0:44:01.120 --> 0:44:04.400
<v Speaker 1>for a doctor who was a long specialist, and they

0:44:04.440 --> 0:44:06.680
<v Speaker 1>took one look at me when I got in that night,

0:44:07.040 --> 0:44:10.040
<v Speaker 1>and they said, we're taking you to the hospital tomorrow,

0:44:10.280 --> 0:44:13.279
<v Speaker 1>and which he did, and Dr Schneida took one look

0:44:13.320 --> 0:44:16.279
<v Speaker 1>at me and said, you have TV and you're not

0:44:16.320 --> 0:44:20.760
<v Speaker 1>going anywhere. And so there I was with my guitar

0:44:21.239 --> 0:44:25.920
<v Speaker 1>and my notebooks and a court of kalua and a

0:44:26.000 --> 0:44:30.200
<v Speaker 1>case of of course beer, no it was, I'm sorry,

0:44:30.200 --> 0:44:33.919
<v Speaker 1>it was a Canadian beer. And there I stayed for

0:44:34.719 --> 0:44:40.319
<v Speaker 1>the beginning of what became five months of hospitalization, and

0:44:40.680 --> 0:44:44.719
<v Speaker 1>my husband came to see me and brought my son

0:44:44.880 --> 0:44:48.839
<v Speaker 1>to Denver, where my mother lived. Then I went from

0:44:48.880 --> 0:44:52.800
<v Speaker 1>Tucson for a month to Denver to National Jewish Hospital.

0:44:53.000 --> 0:44:56.719
<v Speaker 1>I got in there only because because C. Bickell was

0:44:56.760 --> 0:44:58.799
<v Speaker 1>on the board of directors and he got me in

0:44:58.840 --> 0:45:01.480
<v Speaker 1>there or I don't know where i'd be actually, but

0:45:01.600 --> 0:45:04.040
<v Speaker 1>they were great. And I was in Denver with my

0:45:04.120 --> 0:45:06.239
<v Speaker 1>mother and my son was there, which was fabulous, and

0:45:06.320 --> 0:45:10.920
<v Speaker 1>my husband and I broke the knot and said this

0:45:11.120 --> 0:45:15.520
<v Speaker 1>is not gonna work, which it wasn't, and so then

0:45:15.560 --> 0:45:22.520
<v Speaker 1>of course I was stranded in in National Jewish Hospital.

0:45:22.960 --> 0:45:26.319
<v Speaker 1>And when I left National Jewish Hospital, I went to

0:45:26.360 --> 0:45:29.080
<v Speaker 1>New York. New York was the place we had lived

0:45:29.120 --> 0:45:31.360
<v Speaker 1>in Connecticut for a while, and I had worked in

0:45:31.400 --> 0:45:35.000
<v Speaker 1>New York at Gertie's Folk City, driven two or three

0:45:35.000 --> 0:45:37.719
<v Speaker 1>hours back and forth for a while. So that was

0:45:37.880 --> 0:45:42.520
<v Speaker 1>part of probably my health breakdown, was that stress of

0:45:42.560 --> 0:45:45.640
<v Speaker 1>traveling and working and driving and singing and so on.

0:45:46.440 --> 0:45:50.080
<v Speaker 1>So I knew when you moved to New York, where

0:45:50.080 --> 0:45:54.200
<v Speaker 1>are your ex husband and your son? In uh in Connecticut,

0:45:55.160 --> 0:45:58.480
<v Speaker 1>in stores, Connecticut where he was teaching. And you know,

0:45:58.560 --> 0:46:00.479
<v Speaker 1>he was a good guy. I mean, there's nothing wrong

0:46:00.520 --> 0:46:04.080
<v Speaker 1>with him really, except that we didn't mesh anymore and

0:46:04.160 --> 0:46:10.399
<v Speaker 1>that was just the problem. And did you get along thereafter? No? No, No,

0:46:10.480 --> 0:46:13.560
<v Speaker 1>he was he was great. He was great, He was

0:46:13.800 --> 0:46:21.560
<v Speaker 1>very generous. He uh specifically wanted to have custody, and

0:46:21.600 --> 0:46:25.680
<v Speaker 1>I fought him for it. I the custody battle was hard,

0:46:26.560 --> 0:46:29.080
<v Speaker 1>and I lost it, which you know, my lawyer said,

0:46:29.120 --> 0:46:33.240
<v Speaker 1>you can't lose women never lose custody in nineteen sixty three,

0:46:33.800 --> 0:46:36.279
<v Speaker 1>that's out of the question. But I lost custody. I

0:46:36.320 --> 0:46:39.279
<v Speaker 1>was told by my lawyer that the reason that I

0:46:39.320 --> 0:46:41.759
<v Speaker 1>lost custody was that I was in therapy, which is

0:46:41.760 --> 0:46:43.680
<v Speaker 1>the first thing I did when I got to New

0:46:43.760 --> 0:46:46.319
<v Speaker 1>York was to get into therapy, which was the best

0:46:46.360 --> 0:46:51.279
<v Speaker 1>thing I could have possibly done and probably saved my sanity.

0:46:51.480 --> 0:46:56.200
<v Speaker 1>And uh So, nowadays, if you weren't in custody, if

0:46:56.200 --> 0:46:58.799
<v Speaker 1>you weren't in therapy, you'd lose custody. But in those

0:46:58.880 --> 0:47:01.600
<v Speaker 1>days it was so unique that that, you know, the

0:47:01.719 --> 0:47:05.800
<v Speaker 1>judge in Connecticut couldn't conceive of anybody being in custody

0:47:05.800 --> 0:47:09.920
<v Speaker 1>who wasn't totally crazy and who certainly didn't have the

0:47:10.000 --> 0:47:11.759
<v Speaker 1>right to have a child. Anyway, a couple of years

0:47:11.840 --> 0:47:16.440
<v Speaker 1>later I got got full custy. But even though that happened,

0:47:17.000 --> 0:47:20.080
<v Speaker 1>I was always he was Peter was always generous with

0:47:20.280 --> 0:47:22.560
<v Speaker 1>everything about I mean, I could have he could have

0:47:22.640 --> 0:47:25.919
<v Speaker 1>lived with me, actually if I hadn't had the tour.

0:47:26.560 --> 0:47:29.400
<v Speaker 1>But he was very good. He's a good guy. He

0:47:29.520 --> 0:47:32.600
<v Speaker 1>was always a good guy. Okay, so take us back.

0:47:32.680 --> 0:47:34.600
<v Speaker 1>You know, we're in the early days. You're talking about

0:47:34.600 --> 0:47:37.040
<v Speaker 1>the folk scene. So suddenly you could play with the guitar,

0:47:37.120 --> 0:47:41.319
<v Speaker 1>you didn't need a complete orchestra and play out how

0:47:41.360 --> 0:47:46.920
<v Speaker 1>that scene goes. It was amazing. It was just amazing.

0:47:47.120 --> 0:47:49.680
<v Speaker 1>I landed. I knew that I had to be in

0:47:49.719 --> 0:47:53.400
<v Speaker 1>New York. I knew that the village was the hotbed

0:47:53.520 --> 0:47:57.080
<v Speaker 1>of all the writers and all of the extraordinary music

0:47:57.120 --> 0:48:01.000
<v Speaker 1>that was coming out into that world. And I didn't.

0:48:01.000 --> 0:48:03.080
<v Speaker 1>By the way, one of the pieces of this which

0:48:03.120 --> 0:48:08.680
<v Speaker 1>I've which I think is fundamental to my career, and

0:48:08.760 --> 0:48:11.360
<v Speaker 1>to my fortune, the good fortune that I've had is

0:48:11.400 --> 0:48:15.560
<v Speaker 1>that my skill. I was never a great guitarist, please,

0:48:16.239 --> 0:48:18.840
<v Speaker 1>but I did know how to choose songs. My father

0:48:18.920 --> 0:48:21.239
<v Speaker 1>had really taught me that. My mother always reminded me.

0:48:21.360 --> 0:48:23.920
<v Speaker 1>She would say, you know, you didn't invent this. He

0:48:24.040 --> 0:48:27.000
<v Speaker 1>taught you how to how to choose a song. And

0:48:27.160 --> 0:48:33.080
<v Speaker 1>I had that innate ability to to to know when

0:48:33.120 --> 0:48:35.960
<v Speaker 1>I heard the right song that it was right for me,

0:48:36.040 --> 0:48:39.160
<v Speaker 1>and if it wasn't, I didn't go near it. And

0:48:39.239 --> 0:48:42.520
<v Speaker 1>so there I was among people a lot of whom

0:48:42.560 --> 0:48:46.120
<v Speaker 1>were writing songs, but many of whom didn't have contracts.

0:48:46.120 --> 0:48:49.000
<v Speaker 1>So quite often I would be the first person to

0:48:49.200 --> 0:48:52.040
<v Speaker 1>record the songs of an artist to who I would

0:48:52.040 --> 0:48:54.279
<v Speaker 1>help to launch. I would help because I had the

0:48:54.680 --> 0:49:00.560
<v Speaker 1>recording contract. How did I get the recording contract? When

0:49:00.600 --> 0:49:07.360
<v Speaker 1>I started singing in Colorado, I was I moved from

0:49:07.520 --> 0:49:12.000
<v Speaker 1>Michael's Pub to the Gilded Garter in Central City, and

0:49:12.000 --> 0:49:14.319
<v Speaker 1>then I went to Denver to a place called the Exodus,

0:49:14.360 --> 0:49:18.400
<v Speaker 1>and that was a very, very fundamental club to the

0:49:18.440 --> 0:49:22.240
<v Speaker 1>folk movement. There were clubs like that all over the country.

0:49:22.760 --> 0:49:28.279
<v Speaker 1>They were hugely influential for anybody who was playing the

0:49:28.280 --> 0:49:32.000
<v Speaker 1>guitar and singing songs. I opened for Josh White, I

0:49:32.120 --> 0:49:36.399
<v Speaker 1>opened for the Terriers. I opened for a guy named

0:49:36.400 --> 0:49:40.480
<v Speaker 1>Bob Gibson. Bob Gibson played the guitar, played the banjo,

0:49:40.640 --> 0:49:44.600
<v Speaker 1>and sang and was a recording artist with Electra. A

0:49:44.920 --> 0:49:47.760
<v Speaker 1>number of those artists had recorded with the Elector, including

0:49:48.040 --> 0:49:54.960
<v Speaker 1>the Terriers and and Josh White. And Bob Gibson had

0:49:55.000 --> 0:49:58.160
<v Speaker 1>been the one who heard Joan Bias in Boston and

0:49:58.360 --> 0:50:04.640
<v Speaker 1>called p Seeger and Uh, the fellow who started the

0:50:04.640 --> 0:50:07.960
<v Speaker 1>Newport Festival, and said, I have found your star. I'm

0:50:07.960 --> 0:50:10.839
<v Speaker 1>going to bring her to the Newport Festival, which he did.

0:50:11.200 --> 0:50:15.279
<v Speaker 1>That was September of fifty nine August of fifty nine.

0:50:15.600 --> 0:50:19.400
<v Speaker 1>He then came to Denver and I opened for him.

0:50:19.480 --> 0:50:24.600
<v Speaker 1>He called Jack Holsman and said to Jack Holsman, who

0:50:24.640 --> 0:50:27.719
<v Speaker 1>was president of Elector, I have found your Joan Bias

0:50:29.040 --> 0:50:31.200
<v Speaker 1>and Jack and I only found this out two years

0:50:31.280 --> 0:50:33.799
<v Speaker 1>two years later, two years ago. I mean I only

0:50:33.840 --> 0:50:37.200
<v Speaker 1>found this out how much? At least sixty years later?

0:50:38.400 --> 0:50:43.360
<v Speaker 1>Jack went to Denver, but he didn't He listened, but

0:50:43.400 --> 0:50:46.160
<v Speaker 1>he didn't introduce himself and he didn't show himself to

0:50:46.239 --> 0:50:49.120
<v Speaker 1>me and when he told me this a couple of

0:50:49.200 --> 0:50:52.400
<v Speaker 1>years ago, he said, you know, I went and I

0:50:52.480 --> 0:50:55.000
<v Speaker 1>heard you, and I said, you know she has talent.

0:50:55.400 --> 0:50:59.239
<v Speaker 1>That he said, I didn't know if you had the

0:50:59.360 --> 0:51:02.279
<v Speaker 1>mileage you, if you had the commitment in you. I

0:51:02.320 --> 0:51:04.799
<v Speaker 1>said to him, you should have asked me. I was

0:51:04.880 --> 0:51:09.480
<v Speaker 1>in for it from the very beginning. And when I

0:51:09.560 --> 0:51:13.359
<v Speaker 1>was in New York two years later in sixty one,

0:51:13.440 --> 0:51:17.120
<v Speaker 1>when I opened at the at Gurneys, Folk City, which

0:51:17.120 --> 0:51:22.440
<v Speaker 1>again was one of these clubs which was a um

0:51:22.560 --> 0:51:26.319
<v Speaker 1>what do they call it, a magnet for artists of

0:51:26.360 --> 0:51:29.719
<v Speaker 1>all kinds, starting with with Dylan. Dylan worked there and

0:51:29.880 --> 0:51:32.680
<v Speaker 1>so many many artists worked there, and I worked there.

0:51:33.239 --> 0:51:36.480
<v Speaker 1>And the clubs were scattered, as I said, around the country.

0:51:36.880 --> 0:51:40.240
<v Speaker 1>In in the on the West Coast, there was a Troubador.

0:51:40.360 --> 0:51:46.319
<v Speaker 1>There was that place I never worked in um I

0:51:46.360 --> 0:51:49.400
<v Speaker 1>can't remember who started. There was the Hungry Eye in

0:51:49.480 --> 0:51:53.480
<v Speaker 1>San Francisco. In in Chicago, there was the Gate of Horn,

0:51:53.520 --> 0:51:56.319
<v Speaker 1>where I worked in nineteen sixty for weeks on end

0:51:56.320 --> 0:51:58.719
<v Speaker 1>I opened for the Terriers there again I opened for

0:51:59.040 --> 0:52:01.759
<v Speaker 1>I met O'Dell to there. I met Sonny Terry and

0:52:01.760 --> 0:52:08.680
<v Speaker 1>Brownie McGee there everywhere there was this burgeoning gathering storm,

0:52:08.880 --> 0:52:12.480
<v Speaker 1>so to speak, of singer songwriters and of all kinds,

0:52:12.520 --> 0:52:17.160
<v Speaker 1>of all all sorts. The old blues singers used to

0:52:17.160 --> 0:52:22.040
<v Speaker 1>show come to the to the Newport Festival. Uh, the

0:52:22.040 --> 0:52:29.000
<v Speaker 1>the religious bands from from New Orleans would come. Uh,

0:52:29.160 --> 0:52:33.440
<v Speaker 1>all of the pickers and fiddlers from Boston, you know,

0:52:33.520 --> 0:52:37.759
<v Speaker 1>the New York City ramblers would come. There was a

0:52:37.920 --> 0:52:41.480
<v Speaker 1>gathering as I it is like a gathering storm, but

0:52:41.640 --> 0:52:44.200
<v Speaker 1>of the good kind. And so by the time I

0:52:44.239 --> 0:52:47.719
<v Speaker 1>got to New York in sixte I was booked to

0:52:48.239 --> 0:52:50.960
<v Speaker 1>do a couple of weeks or three weeks I think

0:52:51.000 --> 0:52:52.880
<v Speaker 1>at gurnie S Folks City, and then I went across

0:52:52.920 --> 0:52:56.440
<v Speaker 1>the street to the gate of the village gate and

0:52:56.480 --> 0:52:59.719
<v Speaker 1>I did a movie. I did a recording there for

0:52:59.760 --> 0:53:03.520
<v Speaker 1>a film, and the Clancy brothers were in it, and

0:53:03.719 --> 0:53:06.560
<v Speaker 1>Josh White, uh not Josh Pa. Theodore McCall was in it,

0:53:07.160 --> 0:53:11.640
<v Speaker 1>and the and a girl named Lynn Gold was And

0:53:11.920 --> 0:53:16.520
<v Speaker 1>when it was finished, Jack Holsman, president of Electra, walked

0:53:16.600 --> 0:53:19.480
<v Speaker 1>up to me and said, dear, you're ready to make

0:53:19.560 --> 0:53:22.640
<v Speaker 1>a record. So he had waited those two years to

0:53:22.760 --> 0:53:26.040
<v Speaker 1>find out what would happen with me. Where I would

0:53:26.080 --> 0:53:30.360
<v Speaker 1>be going and so on a handshake, and John Hammond

0:53:30.480 --> 0:53:32.759
<v Speaker 1>called me a week later and said, would you like

0:53:32.840 --> 0:53:35.200
<v Speaker 1>to sign with Columbia? Said, I just made a deal

0:53:35.200 --> 0:53:37.520
<v Speaker 1>with Jack Holseman on a handshake, So I'm sorry I

0:53:37.560 --> 0:53:43.400
<v Speaker 1>have to pass. Okay. So now you have a record deal.

0:53:43.840 --> 0:53:47.120
<v Speaker 1>You cut a record that separates you from so many

0:53:47.160 --> 0:53:52.480
<v Speaker 1>in the village. Okay, So you start to make records

0:53:52.880 --> 0:53:57.719
<v Speaker 1>forgetting the inner scene of the people in New York. Uh.

0:53:58.160 --> 0:54:00.399
<v Speaker 1>After you make a record to what to We? Does

0:54:00.400 --> 0:54:05.600
<v Speaker 1>that change your career? Change your life? It helps because

0:54:05.600 --> 0:54:09.000
<v Speaker 1>it's a calling card in a way, and it opened up,

0:54:09.840 --> 0:54:15.600
<v Speaker 1>uh further the stream of clubs and by sixties and

0:54:15.640 --> 0:54:18.319
<v Speaker 1>I would make a record basically throughout my career, I've

0:54:18.320 --> 0:54:20.920
<v Speaker 1>made a record either every year or every year and

0:54:20.920 --> 0:54:25.680
<v Speaker 1>a half, every eighteen months or so pretty much regularly. Uh.

0:54:26.400 --> 0:54:30.000
<v Speaker 1>And because I started, and because it was the time

0:54:30.120 --> 0:54:32.959
<v Speaker 1>that it was. If you made a record, you didn't

0:54:33.000 --> 0:54:36.399
<v Speaker 1>have to sell a million records to make an impression.

0:54:37.280 --> 0:54:40.160
<v Speaker 1>And you also didn't have to sell a million records

0:54:40.200 --> 0:54:45.440
<v Speaker 1>to to um convinced your record company to keep putting

0:54:45.480 --> 0:54:47.920
<v Speaker 1>money in you. You know, I I have had my

0:54:47.960 --> 0:54:50.400
<v Speaker 1>own record label now for a few years, and I

0:54:50.560 --> 0:54:53.480
<v Speaker 1>understand I signed a lot of artists that I really

0:54:53.520 --> 0:54:58.200
<v Speaker 1>care about, but I understand what record labels were up against.

0:54:58.920 --> 0:55:02.360
<v Speaker 1>They had they had to be sure if they signed

0:55:02.400 --> 0:55:05.520
<v Speaker 1>an artist that the artist was going to tour, because

0:55:05.560 --> 0:55:09.520
<v Speaker 1>there was no other way to sell records really, And

0:55:09.600 --> 0:55:13.160
<v Speaker 1>so I was a touring I was a queen of

0:55:13.200 --> 0:55:15.840
<v Speaker 1>the touring. I loved it. I did it. I wanted

0:55:15.880 --> 0:55:17.800
<v Speaker 1>to do it. I knew I was going to be

0:55:17.920 --> 0:55:20.759
<v Speaker 1>able to make a living that way, and that impressed

0:55:20.760 --> 0:55:25.480
<v Speaker 1>me a lot that making a living was possible, and

0:55:25.560 --> 0:55:28.920
<v Speaker 1>so it was helpful. And also it meant that I

0:55:28.960 --> 0:55:31.400
<v Speaker 1>could go on. And of course, because I didn't write

0:55:31.440 --> 0:55:35.080
<v Speaker 1>my own songs, I was gathering together the songs of

0:55:35.480 --> 0:55:38.080
<v Speaker 1>many artists who couldn't get a record. As you said,

0:55:38.120 --> 0:55:41.800
<v Speaker 1>you know that everybody didn't have a record record deal

0:55:42.239 --> 0:55:44.799
<v Speaker 1>in those days. So I was one of the first.

0:55:44.840 --> 0:55:48.160
<v Speaker 1>I even was the first person to record Brandy Newman.

0:55:49.200 --> 0:55:55.440
<v Speaker 1>Strangely enough, it's a it's a great somebody sent us

0:55:55.840 --> 0:55:59.160
<v Speaker 1>a copy. I mean, this happens in my career many times,

0:55:59.680 --> 0:56:01.839
<v Speaker 1>the little bit slower. So how did you get the song?

0:56:02.680 --> 0:56:06.440
<v Speaker 1>I was about ready to record an album called In

0:56:06.520 --> 0:56:14.000
<v Speaker 1>My Life, and I had sort of jumped the fence

0:56:14.120 --> 0:56:17.440
<v Speaker 1>with that album because I had already made five albums

0:56:18.760 --> 0:56:24.360
<v Speaker 1>and uh, the last one was called the fifth Album.

0:56:24.440 --> 0:56:26.480
<v Speaker 1>I think we didn't have a name for it, and

0:56:26.680 --> 0:56:32.160
<v Speaker 1>somebody sent us then my my producer, Jack Mark Abramson

0:56:32.200 --> 0:56:34.920
<v Speaker 1>and I and I think Jack had something to do

0:56:35.000 --> 0:56:38.279
<v Speaker 1>with it. To Jack was always involved completely. He's like

0:56:38.360 --> 0:56:40.520
<v Speaker 1>the chef who goes into the kitchen all the time

0:56:40.560 --> 0:56:42.759
<v Speaker 1>and checks out all the recipes and make sure you're

0:56:42.800 --> 0:56:45.839
<v Speaker 1>doing it right. And he had great taste and has

0:56:45.920 --> 0:56:48.680
<v Speaker 1>great taste, and Uh, it's a great fellow to know

0:56:48.800 --> 0:56:55.160
<v Speaker 1>and be with. And we decided, Okay, enough guitars, enough

0:56:55.200 --> 0:57:02.680
<v Speaker 1>Bob Dylan, enough, Tom Paxton, enough, even Richard Frena, enough

0:57:02.760 --> 0:57:05.400
<v Speaker 1>Pete and Woody. We're going to jump the fence and

0:57:05.520 --> 0:57:09.439
<v Speaker 1>do things that are from a whole different point of view.

0:57:09.520 --> 0:57:14.719
<v Speaker 1>So I wanted to record songs from Uh. I wanted

0:57:14.719 --> 0:57:17.560
<v Speaker 1>to record Pirate Jenny. I wanted to record the songs

0:57:17.600 --> 0:57:24.880
<v Speaker 1>from Mark the Maratsad and have them orchestrated by Josh Rifkin.

0:57:25.040 --> 0:57:28.000
<v Speaker 1>And Josh Rifkin was a part of the Electric family

0:57:28.040 --> 0:57:30.320
<v Speaker 1>because he did a lot of things for None Such.

0:57:30.720 --> 0:57:34.200
<v Speaker 1>He found that Scott Joplin rags and he translated them

0:57:34.240 --> 0:57:39.080
<v Speaker 1>and started playing them. He orchestrated handle he put wonderful,

0:57:39.120 --> 0:57:42.880
<v Speaker 1>wonderful music together for the None Such album, and he

0:57:42.880 --> 0:57:46.640
<v Speaker 1>he was our friends. So Mark and I said, oh, okay,

0:57:46.760 --> 0:57:52.520
<v Speaker 1>let's get Josh to record and orchestrate the things from

0:57:52.560 --> 0:57:57.800
<v Speaker 1>the uh marasad pirate. Jenny and we actually went to

0:57:57.920 --> 0:58:00.800
<v Speaker 1>England to record, and we got a choir that we

0:58:00.920 --> 0:58:04.920
<v Speaker 1>liked over there, and we were just about finished with

0:58:05.120 --> 0:58:10.120
<v Speaker 1>the album when uh somebody came to our door and

0:58:10.240 --> 0:58:12.080
<v Speaker 1>dropped a tape off and it was a tape of

0:58:12.120 --> 0:58:19.680
<v Speaker 1>Randy Newman singing Broken Windows and Empty Star Wars, and

0:58:19.720 --> 0:58:23.800
<v Speaker 1>we said, oh my god. So we put the album

0:58:23.840 --> 0:58:27.160
<v Speaker 1>together and we recorded that song, and Randy heard it

0:58:29.160 --> 0:58:34.200
<v Speaker 1>and he said, oh, I see, I'm not gonna spend

0:58:34.240 --> 0:58:37.880
<v Speaker 1>my life doing music for movies. I'm going to be

0:58:37.920 --> 0:58:41.000
<v Speaker 1>a singer's all writer. He says that he did that,

0:58:41.000 --> 0:58:44.240
<v Speaker 1>that he knew that I had recorded it and put

0:58:44.320 --> 0:58:46.120
<v Speaker 1>and I had been doing that with a lot of

0:58:46.240 --> 0:58:50.400
<v Speaker 1>artists whose material, as you pointed out, was getting out

0:58:50.600 --> 0:58:54.160
<v Speaker 1>when they didn't have record labels, and by that time

0:58:54.240 --> 0:58:56.760
<v Speaker 1>I was sort of I was paying the bills at Elector,

0:58:56.880 --> 0:59:00.280
<v Speaker 1>I was working, I was selling albums. I was courting

0:59:00.400 --> 0:59:04.680
<v Speaker 1>artists that would become very, very very famous, and in

0:59:04.720 --> 0:59:09.080
<v Speaker 1>a way I was contributing to this folk music revival

0:59:09.160 --> 0:59:14.960
<v Speaker 1>in in my Own Way. And the next album was

0:59:15.560 --> 0:59:18.640
<v Speaker 1>On On On The On, The in my Life album

0:59:18.960 --> 0:59:21.800
<v Speaker 1>was when I had discovered No. I didn't discover him.

0:59:22.000 --> 0:59:26.120
<v Speaker 1>Leonard Cohen found me, and he found a little bit slower.

0:59:26.160 --> 0:59:28.600
<v Speaker 1>Tell us how we found you. I had a friend

0:59:28.920 --> 0:59:32.520
<v Speaker 1>in the city that I would have dinner with. There

0:59:32.520 --> 0:59:35.200
<v Speaker 1>were a bunch of us, Lily Tomlin and Jane Wagner

0:59:35.280 --> 0:59:40.720
<v Speaker 1>and my friend Linda. Oh this is long before laughing. Yeah,

0:59:40.720 --> 0:59:44.760
<v Speaker 1>how do you know Lily Tomlin and Jane Wagner Because

0:59:44.760 --> 0:59:49.720
<v Speaker 1>they were friends of my friend Linda Gottlieb Linda. I'll

0:59:49.760 --> 0:59:51.720
<v Speaker 1>think of her name in a minute. Anyway, they were

0:59:51.800 --> 0:59:55.120
<v Speaker 1>They were just social friends that I met and somehow

0:59:55.480 --> 0:59:57.560
<v Speaker 1>we bonded and we would have dinner once in a while.

0:59:57.600 --> 1:00:01.440
<v Speaker 1>And Mary Martin was one of these women. She was

1:00:01.600 --> 1:00:05.520
<v Speaker 1>working in the music business. She was working for Warner Brothers,

1:00:05.560 --> 1:00:11.320
<v Speaker 1>and she was working for um Al Grossman Albert who

1:00:11.400 --> 1:00:13.960
<v Speaker 1>also owned the club I had sung it in Chicago.

1:00:14.200 --> 1:00:16.480
<v Speaker 1>He owned the Gate of the Gate of Horn. Yeah,

1:00:17.400 --> 1:00:20.000
<v Speaker 1>and so and so we would go out for dinner.

1:00:20.320 --> 1:00:22.240
<v Speaker 1>I go out to dinner with the girls. And we

1:00:22.280 --> 1:00:24.760
<v Speaker 1>would just hang out and have dinner and go to

1:00:24.840 --> 1:00:33.360
<v Speaker 1>the various clubs. And Mary would talk about Leonard. She'd say,

1:00:33.560 --> 1:00:37.520
<v Speaker 1>you know, there's this guy. I went to McGill with him,

1:00:37.840 --> 1:00:39.840
<v Speaker 1>I grew up with him in Montreal, and he's just

1:00:39.920 --> 1:00:43.280
<v Speaker 1>a brilliant poet. He's a wonderful guy. But we're also

1:00:44.000 --> 1:00:47.520
<v Speaker 1>really upset because he's not He really is not going anywhere.

1:00:47.920 --> 1:00:49.760
<v Speaker 1>And I would say, well, that's too bad. You know,

1:00:49.840 --> 1:00:52.720
<v Speaker 1>I didn't know him, I never met I said, that's

1:00:52.760 --> 1:00:55.480
<v Speaker 1>too bad. I said, why do you feel this way better?

1:00:56.320 --> 1:01:00.320
<v Speaker 1>And Mary said, you know these poems that her sow.

1:01:00.360 --> 1:01:02.720
<v Speaker 1>He gets published and we buy his books and we

1:01:02.800 --> 1:01:05.680
<v Speaker 1>go to the readings, but you know the problem is

1:01:05.760 --> 1:01:09.600
<v Speaker 1>that they are so obscure. Nobody knows what he's really

1:01:09.640 --> 1:01:16.720
<v Speaker 1>talking about, and so we're worried. I said, well, sounds

1:01:16.760 --> 1:01:19.560
<v Speaker 1>like a sad story to me. Then one day in

1:01:19.640 --> 1:01:22.920
<v Speaker 1>sixties six, she called me up and she said, guess what,

1:01:23.240 --> 1:01:25.160
<v Speaker 1>Leonard wants to come and see you. He wants to

1:01:25.160 --> 1:01:29.120
<v Speaker 1>sing you his songs. So I said to her, are

1:01:29.160 --> 1:01:34.920
<v Speaker 1>they obscure? And she said, oh yes, oh yes they're obscure.

1:01:35.640 --> 1:01:39.280
<v Speaker 1>That's we'll see. But he's coming to see you. He

1:01:39.400 --> 1:01:41.480
<v Speaker 1>wants to see you. So he came, you know, and

1:01:41.520 --> 1:01:44.280
<v Speaker 1>I thought, I opened the door, and I thought, I

1:01:44.280 --> 1:01:47.080
<v Speaker 1>don't care if he doesn't write songs. He was very

1:01:47.120 --> 1:01:52.400
<v Speaker 1>good looking man and very smart and very charming, darling,

1:01:52.600 --> 1:01:57.760
<v Speaker 1>absolutely wonderful man and amazing man. And he came in

1:01:57.800 --> 1:01:59.560
<v Speaker 1>and he said, I can't sing and I can't play

1:01:59.600 --> 1:02:01.880
<v Speaker 1>the guitar, and I don't know if these are songs.

1:02:02.360 --> 1:02:05.240
<v Speaker 1>And then he sang me the Stranger Song and dress

1:02:05.280 --> 1:02:11.360
<v Speaker 1>rehearsal rag and Suzanne, and I said, these are great,

1:02:11.920 --> 1:02:17.600
<v Speaker 1>these are wonderful. I said, I'll record them tomorrow. And

1:02:17.640 --> 1:02:19.400
<v Speaker 1>I did two out of three. I didn't do the

1:02:19.440 --> 1:02:22.920
<v Speaker 1>Stranger song. I still will have to have the Stranger

1:02:23.000 --> 1:02:26.120
<v Speaker 1>song somewhere on an album. I'll do it. And so

1:02:26.600 --> 1:02:29.720
<v Speaker 1>that's how we became friends. That's how I recorded his songs.

1:02:29.800 --> 1:02:35.880
<v Speaker 1>And after I recorded Susanne on my fifth fifth album,

1:02:35.880 --> 1:02:39.840
<v Speaker 1>on my sixth album, in my Life, he said he

1:02:39.960 --> 1:02:42.680
<v Speaker 1>called me up and he said, you've made me famous.

1:02:42.920 --> 1:02:47.439
<v Speaker 1>And I said, well, that's wonderful. That's good. It's good

1:02:47.480 --> 1:02:51.000
<v Speaker 1>for you, good for us. It's a great song, Susanne,

1:02:51.000 --> 1:02:55.400
<v Speaker 1>it's a great song. And uh, he said, but there's

1:02:55.440 --> 1:02:58.920
<v Speaker 1>one thing I don't understand, which is I don't understand

1:02:58.960 --> 1:03:03.880
<v Speaker 1>why you're not what writing your own songs. And I

1:03:03.960 --> 1:03:06.960
<v Speaker 1>didn't have any answer. Dylan had always said to me,

1:03:09.960 --> 1:03:12.760
<v Speaker 1>you should. You know people who say that you should

1:03:12.960 --> 1:03:14.920
<v Speaker 1>do such, and you don't want to ever listen to

1:03:14.920 --> 1:03:20.160
<v Speaker 1>those people. And but it was the way that the

1:03:20.240 --> 1:03:24.640
<v Speaker 1>way that Leonard asked it was different. There was the

1:03:24.680 --> 1:03:29.160
<v Speaker 1>difference between some kind of socratic method and the other way.

1:03:29.160 --> 1:03:31.480
<v Speaker 1>I don't know what the difference is exactly, but it's

1:03:31.520 --> 1:03:35.480
<v Speaker 1>not it's not the same as saying you should. And

1:03:35.800 --> 1:03:38.680
<v Speaker 1>he said, I just don't know why you don't. So

1:03:38.720 --> 1:03:42.400
<v Speaker 1>I came home. I already had my Steinway. I had

1:03:42.400 --> 1:03:46.000
<v Speaker 1>already moved uptown because I needed more room because now

1:03:46.040 --> 1:03:47.720
<v Speaker 1>I had to have custody of my son. I had

1:03:47.720 --> 1:03:51.080
<v Speaker 1>to have a bigger apartment, and I had my Steinway,

1:03:51.800 --> 1:03:54.920
<v Speaker 1>and I sat down and I started fiddling around, and

1:03:54.960 --> 1:03:57.000
<v Speaker 1>I wrote a song called since You've asked. That was

1:03:57.040 --> 1:04:00.280
<v Speaker 1>the first. Now you know, my books and my study

1:04:00.320 --> 1:04:02.800
<v Speaker 1>are filled with attempt, some of which have made it

1:04:02.840 --> 1:04:07.680
<v Speaker 1>to the stage. And so I've been writing ever since then.

1:04:14.320 --> 1:04:16.640
<v Speaker 1>So what is your technique today for writing a song?

1:04:16.960 --> 1:04:19.560
<v Speaker 1>It's twofold. First of all, I have to practice every day.

1:04:19.600 --> 1:04:23.560
<v Speaker 1>That's essential. And when I finished with my hand and

1:04:23.600 --> 1:04:28.360
<v Speaker 1>my charny and my exercises, I can usually listen to

1:04:28.400 --> 1:04:31.880
<v Speaker 1>something or read something while I do hand and charny,

1:04:32.800 --> 1:04:35.320
<v Speaker 1>and thank god I can do that. So then I

1:04:35.400 --> 1:04:37.880
<v Speaker 1>put that aside, and then I take the copies of

1:04:38.520 --> 1:04:41.160
<v Speaker 1>poetry that I've written in the past day or day

1:04:41.240 --> 1:04:43.360
<v Speaker 1>or two or week, and I put it up in

1:04:43.400 --> 1:04:47.560
<v Speaker 1>front of the piano. Wa wa. The poetry is that

1:04:47.800 --> 1:04:51.200
<v Speaker 1>something you write on inspiration? Is it something you force

1:04:51.240 --> 1:04:53.120
<v Speaker 1>yourself to write? How does the how do the words

1:04:53.160 --> 1:04:56.640
<v Speaker 1>come to be? Well, it's both. It's a chore and

1:04:56.720 --> 1:05:00.320
<v Speaker 1>a pleasure, but it's also a responsibility. Is if I

1:05:00.400 --> 1:05:05.040
<v Speaker 1>don't write things down. I've written a number of books

1:05:05.080 --> 1:05:11.080
<v Speaker 1>over the years, and I've written a lot of songs

1:05:11.160 --> 1:05:14.040
<v Speaker 1>that some of which have been recorded in some of

1:05:14.040 --> 1:05:17.440
<v Speaker 1>which have, you know, sit there waiting for more attention.

1:05:18.000 --> 1:05:22.920
<v Speaker 1>Sometimes it is I have a friend who says that

1:05:23.000 --> 1:05:26.200
<v Speaker 1>writing is like is like laying pipe. If you don't

1:05:26.280 --> 1:05:28.480
<v Speaker 1>do it every day, you're not going to be there

1:05:28.560 --> 1:05:30.720
<v Speaker 1>when the muse comes through the window. At least that's

1:05:30.720 --> 1:05:33.800
<v Speaker 1>true for me. Some people it doesn't matter. They can

1:05:33.800 --> 1:05:36.320
<v Speaker 1>write any time of day or night, it doesn't matter.

1:05:36.440 --> 1:05:39.200
<v Speaker 1>There are me, I have to find the time in

1:05:39.240 --> 1:05:42.800
<v Speaker 1>the day to get it done, and then when it's done,

1:05:42.840 --> 1:05:44.600
<v Speaker 1>it's done, and then I can look at it and

1:05:44.640 --> 1:05:48.840
<v Speaker 1>listen to it. I also have times when I'm able

1:05:48.960 --> 1:05:50.720
<v Speaker 1>to do what I did in the early years, which

1:05:50.800 --> 1:05:53.880
<v Speaker 1>is to sit a noodle at the piano until something

1:05:53.920 --> 1:06:01.560
<v Speaker 1>comes through. It's not necessarily something that is going to

1:06:01.720 --> 1:06:03.800
<v Speaker 1>make it, but if there are a few lines and

1:06:03.880 --> 1:06:08.120
<v Speaker 1>a few melody, and sometimes it's the melody, sometimes it's

1:06:08.160 --> 1:06:11.600
<v Speaker 1>the lyric, it's the hook. But sometimes it will tighten

1:06:11.600 --> 1:06:14.160
<v Speaker 1>itself up into a song actually while you're sitting there

1:06:14.160 --> 1:06:18.000
<v Speaker 1>at the piano. And sometimes you'll write something that I

1:06:18.160 --> 1:06:21.640
<v Speaker 1>have made it u For instance, in I wrote a

1:06:21.680 --> 1:06:23.960
<v Speaker 1>poem every day, and so at the end of the

1:06:24.000 --> 1:06:28.440
<v Speaker 1>year had three poems, a number of which made it

1:06:28.480 --> 1:06:32.000
<v Speaker 1>into song form. Most you know, two thirds of the

1:06:32.080 --> 1:06:35.680
<v Speaker 1>poems have wound up in the poem patch, so to speak,

1:06:36.080 --> 1:06:38.480
<v Speaker 1>but some of them make it make it to the piano,

1:06:38.560 --> 1:06:40.640
<v Speaker 1>and they make it through the test of whether this

1:06:40.760 --> 1:06:44.280
<v Speaker 1>is really singable or workable. Now, I've got a whole

1:06:44.320 --> 1:06:46.919
<v Speaker 1>batch of new songs on this album that's coming out

1:06:46.960 --> 1:06:53.880
<v Speaker 1>in uh twenty two, probably the early part, and they're

1:06:53.920 --> 1:06:59.160
<v Speaker 1>all kinds of subjects. It's it's very interesting. It's uh

1:06:59.440 --> 1:07:03.360
<v Speaker 1>you know, there's me about language and being able to

1:07:03.400 --> 1:07:07.240
<v Speaker 1>hear language, and writers who hear language in songs have

1:07:07.360 --> 1:07:12.600
<v Speaker 1>a great gift uh lingua franca. They used to call it.

1:07:12.600 --> 1:07:15.520
<v Speaker 1>It's the common knowledge of people around you and the

1:07:15.560 --> 1:07:19.240
<v Speaker 1>phrases that they say that are memorable and jump right

1:07:19.280 --> 1:07:23.080
<v Speaker 1>off the page, and something that will jump right into

1:07:23.120 --> 1:07:26.800
<v Speaker 1>a melodic structure easily and lead you to then finish

1:07:26.840 --> 1:07:30.160
<v Speaker 1>the story. But it is a job. It's not I

1:07:30.200 --> 1:07:34.600
<v Speaker 1>don't think for most people. I don't think you can

1:07:34.640 --> 1:07:36.800
<v Speaker 1>say that it's something you do. It's like falling off

1:07:36.800 --> 1:07:38.320
<v Speaker 1>a log. No, it's a job. You have to do

1:07:38.360 --> 1:07:42.360
<v Speaker 1>it every day. Okay, So you work and you get

1:07:42.360 --> 1:07:46.720
<v Speaker 1>more notoriety having covered Susanne? How do you end up

1:07:46.760 --> 1:07:51.200
<v Speaker 1>knowing Joni Mitchell and doing both sides? Now, another miracle

1:07:51.560 --> 1:07:55.560
<v Speaker 1>coming through the window, an angel at the window. I

1:07:57.400 --> 1:08:00.840
<v Speaker 1>it was I had, of course recorded Nerd and anyway,

1:08:00.840 --> 1:08:06.080
<v Speaker 1>I loved the Canadians. I recorded and worked worked with

1:08:06.280 --> 1:08:09.320
<v Speaker 1>and recorded songs by Fred Ed mccurty. At the beginning

1:08:10.200 --> 1:08:15.400
<v Speaker 1>UM Last Night, I had this strange dream. I recorded

1:08:15.440 --> 1:08:20.120
<v Speaker 1>him very early on Ian and Sylvia Canadians of whom

1:08:20.160 --> 1:08:24.519
<v Speaker 1>from whom I learned some day soon, which I would

1:08:24.520 --> 1:08:28.760
<v Speaker 1>do on my UM who Knows Where the Time Goes album?

1:08:28.800 --> 1:08:33.439
<v Speaker 1>So I loved I loved Canadians and Gordie Lightfoot I

1:08:33.520 --> 1:08:38.880
<v Speaker 1>recorded him on that fifth album, and so Canadians were.

1:08:39.240 --> 1:08:43.320
<v Speaker 1>There was something fresh and different about the way they wrote,

1:08:44.240 --> 1:08:48.400
<v Speaker 1>probably the wide open plains or something, or the English influence,

1:08:48.400 --> 1:08:52.960
<v Speaker 1>I don't know, maybe, But then Leonard came along, and

1:08:53.080 --> 1:08:57.080
<v Speaker 1>Leonard Leonard blew my mind and of course started my writing.

1:08:57.680 --> 1:09:01.679
<v Speaker 1>So the next year, in in sixties Heaven, I'm asleep

1:09:01.680 --> 1:09:05.200
<v Speaker 1>one night and I get the phone rings and it's

1:09:05.240 --> 1:09:08.639
<v Speaker 1>three in the morning, and it's my friend Al Cooper.

1:09:08.680 --> 1:09:11.040
<v Speaker 1>Now I knew Al Cooper because he was hanging around

1:09:11.040 --> 1:09:13.080
<v Speaker 1>the village. I was hanging around the village. I would

1:09:13.080 --> 1:09:15.439
<v Speaker 1>always go I loved blood, sweat and tears, so I'd

1:09:15.439 --> 1:09:18.479
<v Speaker 1>go down to hear them play, and I think I

1:09:18.560 --> 1:09:25.320
<v Speaker 1>was half half in love with I forget the guitar player. Uh.

1:09:25.400 --> 1:09:28.840
<v Speaker 1>And so he knew my phone number by by heart,

1:09:29.479 --> 1:09:31.760
<v Speaker 1>and it was him on the phone at three in

1:09:31.800 --> 1:09:36.280
<v Speaker 1>the morning. And I and I had no romantic involvement

1:09:36.320 --> 1:09:38.040
<v Speaker 1>with al. I just knew him and liked him and

1:09:38.120 --> 1:09:41.000
<v Speaker 1>hung out with him. And so he called me up,

1:09:41.000 --> 1:09:42.840
<v Speaker 1>and he knew I was recording, and he knew that

1:09:42.880 --> 1:09:45.799
<v Speaker 1>I was involved with the new with the new album,

1:09:45.960 --> 1:09:49.320
<v Speaker 1>and that I had started to write my own songs.

1:09:50.160 --> 1:09:53.120
<v Speaker 1>I had written since you've asked, I'd written Albatross and

1:09:53.160 --> 1:09:59.080
<v Speaker 1>another song which died in early deserved death. And so

1:09:59.439 --> 1:10:02.920
<v Speaker 1>he said, Hi, how are you? And I said, I'm fine,

1:10:03.600 --> 1:10:07.600
<v Speaker 1>how are you? It's three in the morning. Well, it

1:10:07.640 --> 1:10:09.519
<v Speaker 1>could have been in those days I could have been

1:10:09.680 --> 1:10:13.080
<v Speaker 1>up still or getting ready because I could have been drunk.

1:10:13.200 --> 1:10:17.479
<v Speaker 1>I probably was surprising that I woke up. But he said,

1:10:17.520 --> 1:10:19.960
<v Speaker 1>you know, I ran into this girl. She came to

1:10:20.040 --> 1:10:22.720
<v Speaker 1>the show and she's I think she's in love of

1:10:22.760 --> 1:10:25.320
<v Speaker 1>the drummer and she was hanging out and I asked

1:10:25.360 --> 1:10:27.400
<v Speaker 1>her what she did and she said, I'm a songwriter.

1:10:27.520 --> 1:10:30.519
<v Speaker 1>So he said she was good looking, and so I

1:10:30.560 --> 1:10:33.559
<v Speaker 1>decided to follow her home, but he said When I

1:10:33.600 --> 1:10:36.320
<v Speaker 1>got here, I thought, oh my god, Judy has to

1:10:36.320 --> 1:10:40.920
<v Speaker 1>hear this. So then he turned the telephone in the

1:10:41.000 --> 1:10:44.519
<v Speaker 1>direction of Joanie and she sang me both sides now,

1:10:46.000 --> 1:10:49.200
<v Speaker 1>and I said, oh my god, what a song. Oh

1:10:49.360 --> 1:10:51.680
<v Speaker 1>be right over, So I was. I went to her

1:10:51.680 --> 1:10:55.040
<v Speaker 1>house at three in the morning. No, I didn't go

1:10:55.160 --> 1:10:57.760
<v Speaker 1>right over. I went over the next day. I called Jack.

1:10:57.840 --> 1:11:01.120
<v Speaker 1>I said, you have to meet me Joni's apartment, and

1:11:01.160 --> 1:11:03.400
<v Speaker 1>you have to hear the song, because I'm telling you

1:11:03.840 --> 1:11:07.519
<v Speaker 1>this is it. And I we got there and she

1:11:07.560 --> 1:11:12.120
<v Speaker 1>played the song and we recorded it and Josh, Josh Rifkin,

1:11:12.200 --> 1:11:16.280
<v Speaker 1>made a beautiful, wonderful arrangement. And you know he's the one.

1:11:16.320 --> 1:11:19.839
<v Speaker 1>We were sitting in this studio in New York, the Columbia,

1:11:19.880 --> 1:11:25.520
<v Speaker 1>the big fat Columbia Orchestra recording studio. We had a

1:11:25.640 --> 1:11:29.080
<v Speaker 1>nice sized orchestra. But then Josh said, you know, I

1:11:29.160 --> 1:11:32.360
<v Speaker 1>need a harpsichord. I said, what do you need a

1:11:32.400 --> 1:11:35.519
<v Speaker 1>harpsichord for. You have a whole orchestra here. He said, no,

1:11:35.960 --> 1:11:40.519
<v Speaker 1>there's something here in this orchestra that needs to come

1:11:40.520 --> 1:11:45.360
<v Speaker 1>out in a different way. So it's that do that

1:11:46.439 --> 1:11:49.000
<v Speaker 1>and that's where we did it and how we did

1:11:49.200 --> 1:11:51.520
<v Speaker 1>And then of course I got to know Jony in California.

1:11:51.640 --> 1:11:54.000
<v Speaker 1>First I hung out with her here and listened to

1:11:54.040 --> 1:11:57.840
<v Speaker 1>her sing her songs to me, and she's just the

1:11:57.880 --> 1:12:01.240
<v Speaker 1>most splendid writer. She's got an for that thing we

1:12:01.240 --> 1:12:04.599
<v Speaker 1>were saying about the lingua franca, that that that that

1:12:04.840 --> 1:12:11.240
<v Speaker 1>sense about saying things that are in the conversation, things

1:12:11.280 --> 1:12:19.200
<v Speaker 1>that are unusual language that's unusual. It's partly it's partly Canadian,

1:12:19.200 --> 1:12:21.519
<v Speaker 1>it's partly a thing that's a twist that they have

1:12:21.760 --> 1:12:27.320
<v Speaker 1>on communication. It's different than ours and charming and fresh

1:12:27.360 --> 1:12:35.000
<v Speaker 1>and very powerful. Okay, suddenly the stars aligned and both

1:12:35.040 --> 1:12:39.920
<v Speaker 1>sides now is a gigantic kit. You're recording for years,

1:12:40.479 --> 1:12:43.559
<v Speaker 1>but this How does your life change when suddenly you

1:12:43.640 --> 1:12:47.280
<v Speaker 1>have a worldwide hit. I'd like to say that the

1:12:47.360 --> 1:12:54.599
<v Speaker 1>big change was that everybody answered my phone calls. They

1:12:54.680 --> 1:12:58.760
<v Speaker 1>really did, They really did. That That was a big change.

1:12:58.840 --> 1:13:01.040
<v Speaker 1>I didn't. I mean, I started to make some money

1:13:01.120 --> 1:13:04.960
<v Speaker 1>at that point. I gave my mother a trip, my

1:13:05.000 --> 1:13:10.280
<v Speaker 1>mother and father trip to uh to Hawaii that Christmas,

1:13:10.360 --> 1:13:13.400
<v Speaker 1>and so you know, that was I had a little money,

1:13:14.000 --> 1:13:17.240
<v Speaker 1>not a lot, but I've never had a lot of money,

1:13:17.240 --> 1:13:22.320
<v Speaker 1>so that's not a big miss. But it did help.

1:13:22.439 --> 1:13:27.479
<v Speaker 1>It certainly helped was my working because then I could

1:13:27.479 --> 1:13:32.519
<v Speaker 1>pretty much work wherever and did and and have and will.

1:13:33.640 --> 1:13:35.960
<v Speaker 1>But it was a huge thing to have a hit

1:13:36.280 --> 1:13:41.240
<v Speaker 1>in nineteen sixty. You're a single woman with a recording

1:13:41.360 --> 1:13:47.640
<v Speaker 1>contract with history, with a hit record, your upbeat, you're talkative,

1:13:47.960 --> 1:13:52.040
<v Speaker 1>you're beautiful. I would think that you'd be fending off

1:13:52.160 --> 1:13:58.000
<v Speaker 1>men over their basis. I'm also very picky. Well, there

1:13:58.000 --> 1:14:02.240
<v Speaker 1>are two separate issues here. What has been approaching. The

1:14:02.280 --> 1:14:04.160
<v Speaker 1>other issue is whether you open the door or not

1:14:05.280 --> 1:14:08.920
<v Speaker 1>men Even to this day, you know, an attractive woman,

1:14:09.000 --> 1:14:12.080
<v Speaker 1>never mind successful with a personality and optimism, you know,

1:14:12.840 --> 1:14:20.679
<v Speaker 1>men are very aggressive. I yeah, well I've been lucky,

1:14:20.880 --> 1:14:25.400
<v Speaker 1>was guys. I'm also you know, the thing that we

1:14:25.479 --> 1:14:29.479
<v Speaker 1>haven't talked about is that I'm a recovering alcoholic. And

1:14:29.680 --> 1:14:36.240
<v Speaker 1>I was starting in nineteen starting in in uh. When

1:14:36.240 --> 1:14:39.120
<v Speaker 1>I first started, I already knew I was an alcoholic,

1:14:39.200 --> 1:14:42.000
<v Speaker 1>So I figured that that also was a job. The

1:14:42.240 --> 1:14:46.479
<v Speaker 1>job was to drink and to work hard. And if

1:14:46.520 --> 1:14:48.960
<v Speaker 1>I worked hard and I was successful, I had the

1:14:49.040 --> 1:14:52.720
<v Speaker 1>right to drink. Don't you think. So I felt that

1:14:52.760 --> 1:14:56.840
<v Speaker 1>way about it, and I, of course I didn't know

1:14:56.880 --> 1:14:58.960
<v Speaker 1>I had a choice anyway. I didn't have a choice,

1:14:59.160 --> 1:15:02.599
<v Speaker 1>because an alcoholic, an addict who is in their cups

1:15:02.640 --> 1:15:05.960
<v Speaker 1>and in their addiction does not have a choice that

1:15:06.080 --> 1:15:08.519
<v Speaker 1>they know about until they finally know about it, and

1:15:08.560 --> 1:15:11.400
<v Speaker 1>then they have a choice. So this went on for

1:15:11.479 --> 1:15:13.720
<v Speaker 1>the years. All these years were talking about I was

1:15:13.800 --> 1:15:16.320
<v Speaker 1>drinking like a fish all the time, but I showed

1:15:16.400 --> 1:15:19.240
<v Speaker 1>up on time. I did exactly what my father did.

1:15:19.439 --> 1:15:22.519
<v Speaker 1>He never missed a job. He was always on time.

1:15:23.040 --> 1:15:26.400
<v Speaker 1>He was a professional. And that was me. That's where

1:15:26.400 --> 1:15:29.599
<v Speaker 1>I learned to do that, you know, working alcoholic and

1:15:29.680 --> 1:15:32.599
<v Speaker 1>as it was pretty I was pretty much a blackout

1:15:32.680 --> 1:15:39.519
<v Speaker 1>drinker also, So I managed throughout that horrible part of

1:15:39.560 --> 1:15:42.840
<v Speaker 1>it was horrible, But I do know that I developed

1:15:42.880 --> 1:15:45.000
<v Speaker 1>something and I think now that I might have been

1:15:45.040 --> 1:15:50.960
<v Speaker 1>a snob. I think that probably explains my uh situation

1:15:51.040 --> 1:15:54.600
<v Speaker 1>with men. I was very picky. I was also very

1:15:54.400 --> 1:15:59.040
<v Speaker 1>I was always um, very aware of the space that

1:15:59.120 --> 1:16:01.360
<v Speaker 1>I was in a I don't know what happened when

1:16:01.360 --> 1:16:04.640
<v Speaker 1>I was in blackouts. It was very dangerous territory to me.

1:16:05.160 --> 1:16:08.440
<v Speaker 1>For for anybody who's who's a blackout drinker there there.

1:16:08.479 --> 1:16:12.160
<v Speaker 1>We are vulnerable in every way because we don't know

1:16:12.200 --> 1:16:13.840
<v Speaker 1>what we were doing, we don't know who we're with,

1:16:14.000 --> 1:16:16.400
<v Speaker 1>we don't know what happened last night. I would call

1:16:16.520 --> 1:16:18.320
<v Speaker 1>friends and they would say, you know, you told me

1:16:18.360 --> 1:16:21.320
<v Speaker 1>that last night at length, so I don't need to

1:16:21.360 --> 1:16:27.880
<v Speaker 1>hear this again this morning. And uh, but luck was

1:16:27.920 --> 1:16:29.880
<v Speaker 1>with me and I was with a couple of guys.

1:16:29.880 --> 1:16:33.400
<v Speaker 1>I mean, of course, Stephen, Stephen such an angel, and

1:16:33.439 --> 1:16:37.160
<v Speaker 1>we had one of those angelic kind of uh stories,

1:16:37.200 --> 1:16:41.160
<v Speaker 1>which is that we remained friends after the affair, even

1:16:41.200 --> 1:16:45.360
<v Speaker 1>though Sweet Jut Blue Eyes was such a huge hit,

1:16:46.160 --> 1:16:50.040
<v Speaker 1>and that, of course came after I recorded both sides

1:16:50.120 --> 1:16:54.519
<v Speaker 1>Now and it was the album that followed that album.

1:16:54.960 --> 1:16:58.720
<v Speaker 1>And that was when I met Stephen. I didn't know

1:16:58.800 --> 1:17:00.400
<v Speaker 1>he was a fan. He was a and he used

1:17:00.400 --> 1:17:02.800
<v Speaker 1>to go home at night and play my records after

1:17:02.880 --> 1:17:06.799
<v Speaker 1>he'd been to all the basket clubs in the city

1:17:06.840 --> 1:17:10.439
<v Speaker 1>and come home, like Elaine May would say, you know,

1:17:10.560 --> 1:17:15.800
<v Speaker 1>the the the basket wouldn't even come back. Not only

1:17:15.840 --> 1:17:18.000
<v Speaker 1>did it not come back with money, it didn't come

1:17:18.000 --> 1:17:20.759
<v Speaker 1>back at all. And he put on Judy Collins records

1:17:20.760 --> 1:17:23.040
<v Speaker 1>and would put him to sleep, which is I'm not

1:17:23.120 --> 1:17:25.760
<v Speaker 1>sure if that's a compliment, but it helped him get

1:17:25.800 --> 1:17:28.840
<v Speaker 1>through some of these nights. And so David Anderley, who

1:17:28.880 --> 1:17:33.440
<v Speaker 1>was my producer on Who Knows Where the Time Goes? Um,

1:17:33.560 --> 1:17:35.840
<v Speaker 1>he came and played on that album. That's how we met,

1:17:35.880 --> 1:17:39.479
<v Speaker 1>and we fell in love and had this affair, and uh,

1:17:39.640 --> 1:17:43.919
<v Speaker 1>you know, he's one. He's wonderful. He's such a incredible musician.

1:17:44.640 --> 1:17:46.960
<v Speaker 1>And then of course it was heartbreaking because the song

1:17:47.080 --> 1:17:49.120
<v Speaker 1>was so beautiful and it was played every time I

1:17:49.200 --> 1:17:51.840
<v Speaker 1>turned around. I couldn't get away from it. It was

1:17:51.920 --> 1:17:55.519
<v Speaker 1>like a shield of armor in a way. It just

1:17:55.640 --> 1:17:59.760
<v Speaker 1>kind of prevented my movement in any direction. And I

1:17:59.800 --> 1:18:02.040
<v Speaker 1>had in a long affair with Stacy Keach for a

1:18:02.080 --> 1:18:06.360
<v Speaker 1>few years, and then with a couple of other people

1:18:06.520 --> 1:18:10.519
<v Speaker 1>short lived, and then on the brink of losing my

1:18:10.560 --> 1:18:14.280
<v Speaker 1>mind and my career and everything else, I met Lewis

1:18:14.520 --> 1:18:17.160
<v Speaker 1>and I met him, uh four days before I went

1:18:17.160 --> 1:18:22.600
<v Speaker 1>into treatment for alcoholism in nine and with the I

1:18:22.640 --> 1:18:27.439
<v Speaker 1>don't know, some fortunate piece of luck, I went to

1:18:27.479 --> 1:18:31.000
<v Speaker 1>the right place. I was finished, I was done, I

1:18:31.040 --> 1:18:33.679
<v Speaker 1>was wiped out. I had no money, I had no

1:18:34.040 --> 1:18:37.160
<v Speaker 1>way to work. I couldn't sing, I couldn't do anything

1:18:37.200 --> 1:18:41.599
<v Speaker 1>but collapse into the arms of a A and gets over,

1:18:41.800 --> 1:18:45.360
<v Speaker 1>which I did and which I've done. And so then

1:18:45.479 --> 1:18:50.640
<v Speaker 1>the second half of my life actually started. When was

1:18:50.680 --> 1:18:53.840
<v Speaker 1>the first time you heard Sweet Judy Blue Eyes? I

1:18:53.920 --> 1:18:58.599
<v Speaker 1>heard it in a hotel room in May of sixty nine.

1:18:58.720 --> 1:19:01.360
<v Speaker 1>We had we had split up. Well, you know, he

1:19:01.400 --> 1:19:03.240
<v Speaker 1>lives in l A. I live in New York. He

1:19:03.720 --> 1:19:07.000
<v Speaker 1>we had one big, two big problems. He didn't like

1:19:07.240 --> 1:19:09.720
<v Speaker 1>l A and he didn't like therapy, and I was

1:19:09.760 --> 1:19:14.080
<v Speaker 1>in both. I was not about to stay in l A.

1:19:14.960 --> 1:19:18.120
<v Speaker 1>I couldn't. I couldn't handle it. It was really too

1:19:18.200 --> 1:19:21.679
<v Speaker 1>much for me. Hell a, as I said, I would

1:19:21.680 --> 1:19:25.360
<v Speaker 1>be deentified lived there. I really would. I have been

1:19:25.400 --> 1:19:32.040
<v Speaker 1>too much. So so I heard it. He came to UH.

1:19:32.160 --> 1:19:34.640
<v Speaker 1>I was doing a concert in Santa Monica, and he

1:19:34.680 --> 1:19:38.200
<v Speaker 1>came to the hotel some place on on the beach,

1:19:38.960 --> 1:19:43.080
<v Speaker 1>and uh he brought me a birthday present of a

1:19:43.160 --> 1:19:48.360
<v Speaker 1>beautiful Martin guitar, which I have still, and a bunch

1:19:48.400 --> 1:19:51.080
<v Speaker 1>of flowers, and then he said, I have to sing

1:19:51.120 --> 1:19:53.280
<v Speaker 1>you a song. And then he sang me Sweet Judy Boys,

1:19:53.520 --> 1:19:56.919
<v Speaker 1>and we were both sobbing, and when it was finished,

1:19:56.920 --> 1:19:59.200
<v Speaker 1>I said, it is so gorgeous, but it is not

1:19:59.240 --> 1:20:04.240
<v Speaker 1>going to get me. However, we made we've made it

1:20:04.320 --> 1:20:07.040
<v Speaker 1>a point of staying friends and being friends. We liked

1:20:07.080 --> 1:20:09.519
<v Speaker 1>each other, not just having an affair, but we liked

1:20:09.520 --> 1:20:11.960
<v Speaker 1>each other, and we liked each other's music. I like

1:20:12.360 --> 1:20:15.240
<v Speaker 1>his music as well as I liked anybody's music in

1:20:15.320 --> 1:20:20.839
<v Speaker 1>my life. It's spectacularly. He's a spectacular writer and performing

1:20:21.120 --> 1:20:25.320
<v Speaker 1>what a guitar player doesn't get his due unfortunately anyway,

1:20:25.360 --> 1:20:27.439
<v Speaker 1>they don't talk about it a lot, but he is.

1:20:27.520 --> 1:20:30.360
<v Speaker 1>He's one of the best. So we remained friends all

1:20:30.400 --> 1:20:31.920
<v Speaker 1>that time. Every once in a while we see each

1:20:31.920 --> 1:20:34.240
<v Speaker 1>other or we talk, or we have a long back

1:20:34.280 --> 1:20:37.360
<v Speaker 1>back and forth. He'd be in China or Japan or

1:20:37.400 --> 1:20:42.200
<v Speaker 1>something and we'd be texting each other and in in

1:20:42.360 --> 1:20:45.920
<v Speaker 1>about I think about seven years ago, we were we

1:20:45.920 --> 1:20:49.320
<v Speaker 1>were both on a big show in Orlando. It was

1:20:49.360 --> 1:20:54.679
<v Speaker 1>an a a RP huge festival show at the theater

1:20:54.760 --> 1:21:00.280
<v Speaker 1>out there and uh it was unfortunately, um the last show,

1:21:00.520 --> 1:21:02.720
<v Speaker 1>live show that Richie Havens did, So he was on that.

1:21:02.800 --> 1:21:05.680
<v Speaker 1>Richie was on the show c S and n was was.

1:21:06.160 --> 1:21:10.680
<v Speaker 1>I don't think Neil was, I'm not sure, C S C.

1:21:10.680 --> 1:21:12.920
<v Speaker 1>Crosby Stills and Nash was on and we were on,

1:21:13.720 --> 1:21:17.679
<v Speaker 1>and when it was finished, we looked at each other

1:21:17.840 --> 1:21:21.000
<v Speaker 1>and we said, what's the matter with us? Are we

1:21:21.080 --> 1:21:24.240
<v Speaker 1>chopped liver? We should be out there doing our thing together.

1:21:25.840 --> 1:21:30.439
<v Speaker 1>So it took a lot of doing, but in six

1:21:34.120 --> 1:21:37.360
<v Speaker 1>we did a hundred and fifteen shows together over a

1:21:37.400 --> 1:21:41.799
<v Speaker 1>period of a year and a half. They were well.

1:21:42.280 --> 1:21:44.599
<v Speaker 1>Steven says they were the top of his career, that

1:21:44.640 --> 1:21:47.320
<v Speaker 1>they were the best time he ever had on stage.

1:21:47.640 --> 1:21:49.000
<v Speaker 1>And you know, most of the time, if you go

1:21:49.080 --> 1:21:51.840
<v Speaker 1>to a show with two artists, it'll be a half

1:21:51.880 --> 1:21:53.800
<v Speaker 1>and half thing, and then if you're lucky, you'll get

1:21:53.800 --> 1:21:56.000
<v Speaker 1>a song at the end. But maybe not, not if

1:21:56.000 --> 1:21:58.240
<v Speaker 1>they don't not if the artists don't know each other

1:21:58.280 --> 1:22:02.479
<v Speaker 1>too well. So we were on the stage for two

1:22:02.479 --> 1:22:07.719
<v Speaker 1>hours solid together. We each had a solo, but other

1:22:07.800 --> 1:22:10.519
<v Speaker 1>than that, we sang everything together. And each night I

1:22:10.520 --> 1:22:17.280
<v Speaker 1>would be listening to this extraordinary guitar player, unbelievable, and

1:22:17.560 --> 1:22:20.080
<v Speaker 1>I was a girl singer in a rock and roll band.

1:22:20.360 --> 1:22:23.479
<v Speaker 1>I mean, just think of that, as I mean, that's

1:22:23.520 --> 1:22:25.680
<v Speaker 1>the top of the world. I always wanted to be

1:22:25.760 --> 1:22:30.280
<v Speaker 1>a rock and roll singer. I just couldn't play that

1:22:30.360 --> 1:22:34.080
<v Speaker 1>electric guitar. I could not get that together. Okay, will

1:22:34.120 --> 1:22:38.680
<v Speaker 1>it happen again? I don't think so. For me. Yes, anytime,

1:22:38.960 --> 1:22:47.439
<v Speaker 1>any time he has said, well we will see, we'll see.

1:22:47.600 --> 1:22:55.919
<v Speaker 1>Life is long and uh. Anyway, we had a dreamy

1:22:56.000 --> 1:23:01.160
<v Speaker 1>time at best time ever, incredible, incredible time. Okay. Now,

1:23:01.200 --> 1:23:05.080
<v Speaker 1>another interesting thing in your career is you know Bob

1:23:05.200 --> 1:23:07.960
<v Speaker 1>Dylan had all the success and he had the Woodstock years.

1:23:08.040 --> 1:23:10.640
<v Speaker 1>Then he took a left turn with Self Portrait and

1:23:10.680 --> 1:23:14.680
<v Speaker 1>then regained his form with New Morning, which was a

1:23:14.760 --> 1:23:19.160
<v Speaker 1>great record. But you recorded Time Passes Slowly from that album,

1:23:19.160 --> 1:23:22.880
<v Speaker 1>which I love, before that album came out. How did

1:23:22.880 --> 1:23:27.320
<v Speaker 1>that come together? If you remember? I don't know. I

1:23:27.439 --> 1:23:35.280
<v Speaker 1>think maybe UM our mutual lawyer, uh, David Braun, who

1:23:35.360 --> 1:23:40.240
<v Speaker 1>was my lawyer from the first Electra uh contract in

1:23:42.479 --> 1:23:46.320
<v Speaker 1>David represented Dylan for a long long time. In fact,

1:23:46.720 --> 1:23:51.120
<v Speaker 1>when when David Braun went to UM Polygraph, David Brown

1:23:51.400 --> 1:23:56.680
<v Speaker 1>represented everybody, represented Barbara streisand he represented Neil Diamond, he

1:23:56.760 --> 1:24:01.280
<v Speaker 1>represented Bob Dylan, he represented me and but he got

1:24:01.320 --> 1:24:05.639
<v Speaker 1>a job with Polygraph, being the president of polygraph, big mistake.

1:24:06.479 --> 1:24:10.839
<v Speaker 1>All the artists left him, but Dylan stayed, and I stayed.

1:24:11.400 --> 1:24:13.840
<v Speaker 1>And I think Neil over the year's state. I mean

1:24:13.880 --> 1:24:17.880
<v Speaker 1>Neil was at his funeral. I think Neil stayed. But

1:24:19.960 --> 1:24:23.800
<v Speaker 1>David always had an end on what Dylan was recording,

1:24:24.840 --> 1:24:27.960
<v Speaker 1>and I'm sure that that's where it happened. I think

1:24:28.000 --> 1:24:31.960
<v Speaker 1>I had a you know, elite costy. This may be

1:24:32.040 --> 1:24:35.040
<v Speaker 1>a left turn, but what Dylan has been been as

1:24:35.080 --> 1:24:39.040
<v Speaker 1>successful without Albert Grossman as his manager, I don't know.

1:24:39.240 --> 1:24:42.160
<v Speaker 1>I loved Albert, and I think Albert was a brilliant man.

1:24:42.400 --> 1:24:45.759
<v Speaker 1>Is wasn't brilliant man. Unfortunately he's not with us anymore.

1:24:46.320 --> 1:24:50.639
<v Speaker 1>But Dylan, Dylan, He's NonStop. I think this this last

1:24:50.720 --> 1:24:56.480
<v Speaker 1>album is one of the best things they've ever done. Uh.

1:24:56.640 --> 1:25:03.400
<v Speaker 1>The song about Kennedy's murder is really one of the

1:25:03.439 --> 1:25:07.000
<v Speaker 1>finest pieces of art that I've run into in a

1:25:07.040 --> 1:25:11.559
<v Speaker 1>long time. That's pretty that's pretty damned impressive to come

1:25:11.600 --> 1:25:15.200
<v Speaker 1>around that circle. I did an album of of Dylan

1:25:15.320 --> 1:25:19.360
<v Speaker 1>songs and I listened to everything. This was in ninety two.

1:25:19.479 --> 1:25:22.040
<v Speaker 1>I listened to everything you ever made up to that point,

1:25:23.320 --> 1:25:28.840
<v Speaker 1>and uh, you know, in chronicles he writes about why

1:25:29.080 --> 1:25:32.599
<v Speaker 1>he had those ten years of writing those incredible songs,

1:25:32.640 --> 1:25:34.760
<v Speaker 1>and he doesn't know how it happened. He doesn't know

1:25:34.960 --> 1:25:37.920
<v Speaker 1>why it stopped. He doesn't know why it started. I

1:25:38.040 --> 1:25:41.320
<v Speaker 1>have a clue though about it, and I'm not sure

1:25:41.400 --> 1:25:44.479
<v Speaker 1>what he has said, probably said some things about it.

1:25:45.080 --> 1:25:47.080
<v Speaker 1>But when he got to New York and when he

1:25:47.280 --> 1:25:50.320
<v Speaker 1>changed his name to Dylan and he was still homeless,

1:25:50.439 --> 1:25:53.639
<v Speaker 1>he spent a lot of time sleeping on people's couches.

1:25:53.720 --> 1:25:57.920
<v Speaker 1>And I mean Dave En Ronks and and probably David

1:25:58.000 --> 1:26:02.599
<v Speaker 1>Blues and probably who knows, certainly Jack Ramlan, Jack Elliott.

1:26:03.240 --> 1:26:09.880
<v Speaker 1>So he was exposed to people's libraries in a way

1:26:09.920 --> 1:26:14.560
<v Speaker 1>that is not always possible if you're sleeping on somebody's

1:26:14.640 --> 1:26:19.000
<v Speaker 1>couch and there bookcase. And it's interesting in times of zoom,

1:26:19.040 --> 1:26:25.600
<v Speaker 1>you look at people's bookcases behind there, their pictures, newscasters,

1:26:25.640 --> 1:26:28.240
<v Speaker 1>people who are coming in with opinions, and they often

1:26:28.320 --> 1:26:33.080
<v Speaker 1>have book book libraries behind them, and you always peer

1:26:33.120 --> 1:26:34.960
<v Speaker 1>around and look, you know, what's That's why I don't

1:26:35.000 --> 1:26:39.599
<v Speaker 1>do that here. But I think he read a lot.

1:26:39.720 --> 1:26:42.080
<v Speaker 1>I think he I think he was exposed to things

1:26:42.120 --> 1:26:46.200
<v Speaker 1>he hadn't seen, and things ideas he hadn't heard, and

1:26:46.280 --> 1:26:50.960
<v Speaker 1>I think something wild and wonderful got stirred up that

1:26:51.160 --> 1:26:55.439
<v Speaker 1>hadn't been stirred up. And I'm not saying that there

1:26:55.520 --> 1:26:59.920
<v Speaker 1>was anything less about being homeless in Colorado and sleeping

1:27:00.040 --> 1:27:05.320
<v Speaker 1>on the bed of one of our folk music lights

1:27:05.360 --> 1:27:08.439
<v Speaker 1>in those days, but I think it was different. I

1:27:08.439 --> 1:27:13.800
<v Speaker 1>think it jogged him. And do you you mentioned you

1:27:13.880 --> 1:27:17.919
<v Speaker 1>stayed in touch with Steven Stills, those people who haven't passed.

1:27:18.120 --> 1:27:20.920
<v Speaker 1>Do you stay in touch with the writers of the

1:27:21.000 --> 1:27:22.920
<v Speaker 1>songs you've done or that was a moment more of

1:27:22.960 --> 1:27:27.360
<v Speaker 1>a momentary thing. Oh. I've always had relationships with most

1:27:27.400 --> 1:27:30.599
<v Speaker 1>of the people that I've that I've who's material i've

1:27:30.760 --> 1:27:36.240
<v Speaker 1>I've I've worked on if they're on, if they're living, uh,

1:27:36.280 --> 1:27:41.559
<v Speaker 1>And I've had I had a wonderful relationship with with Leonard.

1:27:41.600 --> 1:27:44.479
<v Speaker 1>I mean it was he was so generous and he

1:27:44.600 --> 1:27:48.320
<v Speaker 1>was so kind, and you know, he'd calling read me

1:27:48.640 --> 1:27:51.960
<v Speaker 1>fifty verses of a song before he'd settled on the

1:27:51.960 --> 1:27:57.640
<v Speaker 1>ones that he liked. I I'm a great fan of

1:27:57.640 --> 1:28:00.360
<v Speaker 1>of Jimmy Webb, for instance, who's a good friend and

1:28:00.840 --> 1:28:04.120
<v Speaker 1>just an amazing writer. I have such respect for him,

1:28:04.240 --> 1:28:08.400
<v Speaker 1>and I'm always so moved by his writing. It's tremendous

1:28:09.240 --> 1:28:13.080
<v Speaker 1>and most of the singer songwriters that I've known, I

1:28:13.120 --> 1:28:16.679
<v Speaker 1>certainly knew Joni in the early years much better than

1:28:16.720 --> 1:28:21.360
<v Speaker 1>I do today, but I knew her well and uh

1:28:21.439 --> 1:28:25.080
<v Speaker 1>and people like Farina was a great friend of mine.

1:28:25.520 --> 1:28:29.960
<v Speaker 1>I just was devastated by his death. And you know,

1:28:29.960 --> 1:28:31.960
<v Speaker 1>it's kind of it's dangerous to get too close to

1:28:32.000 --> 1:28:35.559
<v Speaker 1>people because they do leave the planet. Going back to

1:28:35.600 --> 1:28:39.479
<v Speaker 1>the early days, did you feel in competition with Joan Baias,

1:28:40.160 --> 1:28:43.439
<v Speaker 1>Oh God, No, I was very friendly with the whole family.

1:28:43.479 --> 1:28:46.160
<v Speaker 1>You know. Mimi was a good friend her mother. I

1:28:46.240 --> 1:28:49.720
<v Speaker 1>have more I often choked joked to her about this.

1:28:49.880 --> 1:28:53.120
<v Speaker 1>I have more letters from her mother, from big Joan

1:28:53.600 --> 1:28:57.240
<v Speaker 1>fan letters, and I do from her although she's wonderful.

1:28:57.520 --> 1:29:02.759
<v Speaker 1>She came. I sang at her seventy fifth at the Beacon,

1:29:02.800 --> 1:29:05.160
<v Speaker 1>and then she came to my eighties birthday party a

1:29:05.200 --> 1:29:07.719
<v Speaker 1>couple of years ago. We had a great time, great

1:29:07.720 --> 1:29:11.840
<v Speaker 1>time together. No, we love each other. We laugh. Mimi

1:29:12.160 --> 1:29:15.800
<v Speaker 1>was the laugher Memi was hysterical, and she and Dick

1:29:15.880 --> 1:29:19.640
<v Speaker 1>were good friends of mine, very good friends. Well. I

1:29:19.720 --> 1:29:21.640
<v Speaker 1>loved the book that down so long it looks like

1:29:21.880 --> 1:29:24.920
<v Speaker 1>up to me, he really made a huge impact upon me.

1:29:25.360 --> 1:29:28.320
<v Speaker 1>You're so forthcoming and so many aspects of your life

1:29:28.320 --> 1:29:31.839
<v Speaker 1>that therefore you talked about Steve and you talked about alcoholism.

1:29:31.880 --> 1:29:35.000
<v Speaker 1>That a touchy subject for me, but maybe he is

1:29:35.040 --> 1:29:38.840
<v Speaker 1>not for you. You know, your son took his own life.

1:29:39.040 --> 1:29:43.320
<v Speaker 1>You also say that he said he had alcohol issues

1:29:43.320 --> 1:29:46.960
<v Speaker 1>and depression issues. You've also gone on record that you've

1:29:47.000 --> 1:29:51.639
<v Speaker 1>had depression issues. Can you talk a little bit about that. Well,

1:29:51.720 --> 1:29:55.800
<v Speaker 1>this gene that was in both of our families. My

1:29:55.880 --> 1:29:59.760
<v Speaker 1>father was an alcoholic, of course, and his his background,

1:30:00.439 --> 1:30:04.759
<v Speaker 1>his his own father's father took his life. I don't

1:30:04.800 --> 1:30:07.479
<v Speaker 1>say that because I think that that means that if

1:30:07.479 --> 1:30:10.240
<v Speaker 1>it's in the family, then you you'll get it. It's

1:30:10.280 --> 1:30:15.479
<v Speaker 1>not that, but the gene for addiction is certainly in

1:30:15.600 --> 1:30:18.439
<v Speaker 1>the d n A, and we do get it at birth,

1:30:18.479 --> 1:30:22.840
<v Speaker 1>and if we have any luck, it gets into our

1:30:22.880 --> 1:30:27.719
<v Speaker 1>behavior or our behavior brings it into fruition. Perhaps. But Clark,

1:30:28.040 --> 1:30:31.599
<v Speaker 1>when when he when he would turned ten eleven years old,

1:30:31.840 --> 1:30:33.760
<v Speaker 1>I knew there was something off. He was a d

1:30:34.520 --> 1:30:37.400
<v Speaker 1>d H D or he was um. They used to

1:30:37.400 --> 1:30:41.439
<v Speaker 1>have different words for it. Uh. Anyway, he was antagonized.

1:30:41.479 --> 1:30:45.479
<v Speaker 1>He was, he was short tempered, he was, but he

1:30:45.600 --> 1:30:49.919
<v Speaker 1>was brilliant and his his focus. He was a wonderful musician.

1:30:50.880 --> 1:30:54.040
<v Speaker 1>And he would have a short focus at times. But

1:30:54.160 --> 1:30:57.519
<v Speaker 1>I knew he was. I knew in those days in seventies,

1:30:57.560 --> 1:31:00.439
<v Speaker 1>seventy one seventy two, when he first got to New York,

1:31:00.800 --> 1:31:06.439
<v Speaker 1>when he first was exhibiting the tendencies that I now

1:31:06.479 --> 1:31:14.280
<v Speaker 1>associated with alcoholism and getting into trouble, and the schools

1:31:14.320 --> 1:31:18.439
<v Speaker 1>that followed, you know, places like windsor Mountain up in Lennox,

1:31:19.160 --> 1:31:22.240
<v Speaker 1>where the headmaster would say, oh, you know, we really

1:31:22.720 --> 1:31:26.719
<v Speaker 1>we really focused on the drug issues and the substance issues.

1:31:26.760 --> 1:31:28.799
<v Speaker 1>And then two weeks later he'd be in the hospital

1:31:28.840 --> 1:31:33.600
<v Speaker 1>with an overdose. So I mean it was classic alcoholism.

1:31:33.680 --> 1:31:36.960
<v Speaker 1>And had it happened in a later time, most people

1:31:37.000 --> 1:31:39.960
<v Speaker 1>would be saying, and doctors included, you know, this kid

1:31:40.000 --> 1:31:44.439
<v Speaker 1>needs to be in rehab. And I was not sober yet,

1:31:44.840 --> 1:31:48.080
<v Speaker 1>I still had some years to go. So he was

1:31:48.280 --> 1:31:51.439
<v Speaker 1>nineteen when I got sober, and he had actually cleaned

1:31:51.439 --> 1:31:55.679
<v Speaker 1>his life up and and gone. He and his girlfriend

1:31:55.720 --> 1:31:59.599
<v Speaker 1>both had had gotten clean, and they were both both

1:31:59.760 --> 1:32:02.280
<v Speaker 1>at Colombia, and they decided to move up to Ristie

1:32:02.320 --> 1:32:05.000
<v Speaker 1>and they were at school up there, and he was

1:32:05.040 --> 1:32:09.200
<v Speaker 1>in very good shape. And then he came back to

1:32:09.240 --> 1:32:12.400
<v Speaker 1>New York and he sort of fell apart. And I

1:32:12.479 --> 1:32:17.120
<v Speaker 1>went into treatment in seventy eight and he was in

1:32:17.200 --> 1:32:21.719
<v Speaker 1>bad trouble. So it was six years before he came

1:32:21.760 --> 1:32:28.040
<v Speaker 1>and said to me, I okay, I give up or

1:32:28.120 --> 1:32:31.160
<v Speaker 1>I surrender and win, which is actually the way we

1:32:31.200 --> 1:32:33.760
<v Speaker 1>look at it. And he went into treatment in in

1:32:34.280 --> 1:32:37.559
<v Speaker 1>at Hazelden and he was sober for seven years. What

1:32:37.680 --> 1:32:39.360
<v Speaker 1>a life, you know. He had a little girl, He

1:32:39.400 --> 1:32:43.640
<v Speaker 1>had a wife who is now my my daughter in

1:32:43.720 --> 1:32:46.800
<v Speaker 1>law still, who's a widow, but she's still my daughter

1:32:46.800 --> 1:32:49.240
<v Speaker 1>in law, and the mother of my granddaughter who is

1:32:49.280 --> 1:32:52.280
<v Speaker 1>now in her forties. No whore now in her thirties.

1:32:52.320 --> 1:33:00.240
<v Speaker 1>Forgive me, Hollis. And so his his his suicide just

1:33:01.560 --> 1:33:04.920
<v Speaker 1>about destroyed me. And when I say that, because I'm

1:33:04.920 --> 1:33:10.160
<v Speaker 1>giving you the background, because it shouldn't really have almost

1:33:10.240 --> 1:33:15.040
<v Speaker 1>destroyed me, because suicide if you're an alcoholic and you're active.

1:33:15.400 --> 1:33:19.160
<v Speaker 1>But he wasn't active. He was sober, and he relapsed

1:33:20.000 --> 1:33:22.080
<v Speaker 1>and he called me, he said, you know, I'm I'm

1:33:22.080 --> 1:33:24.479
<v Speaker 1>having trouble. I said, I know, and he went into

1:33:24.520 --> 1:33:31.440
<v Speaker 1>another couple of rounds of of going to their retreat

1:33:31.560 --> 1:33:35.000
<v Speaker 1>up there at Hazelton. But they said it they let him.

1:33:35.320 --> 1:33:37.639
<v Speaker 1>I say, they let him loose. But he was an adult,

1:33:37.680 --> 1:33:41.320
<v Speaker 1>he was thirty three years old, so mom really couldn't

1:33:41.400 --> 1:33:45.120
<v Speaker 1>ride in on a white horse and fix it. And

1:33:45.560 --> 1:33:49.600
<v Speaker 1>he drank, and in the conclusion of his life, he

1:33:50.760 --> 1:33:55.320
<v Speaker 1>did the same thing as grandfather on his father's side,

1:33:55.320 --> 1:33:58.120
<v Speaker 1>that he went into a car and turned on the engine.

1:33:59.400 --> 1:34:03.320
<v Speaker 1>And you know, Joan Rivers called me about four days

1:34:03.360 --> 1:34:07.000
<v Speaker 1>after Clark's death and she said, I know what you

1:34:07.040 --> 1:34:09.559
<v Speaker 1>want to do. You want to close your life down.

1:34:10.439 --> 1:34:14.320
<v Speaker 1>I had started to cancel concerts and she said, you

1:34:14.360 --> 1:34:16.800
<v Speaker 1>can't do that because if you do that, you're not

1:34:16.840 --> 1:34:19.479
<v Speaker 1>going to heal. And as you know, she had lost

1:34:19.479 --> 1:34:22.599
<v Speaker 1>her husband to suicide a few a couple of years before,

1:34:24.040 --> 1:34:29.280
<v Speaker 1>and she said, there are no guilts in suicide, which

1:34:29.320 --> 1:34:32.120
<v Speaker 1>I knew on an intellectual basis, but you have to

1:34:32.160 --> 1:34:35.120
<v Speaker 1>talk to other people about it, which I did and

1:34:35.200 --> 1:34:39.360
<v Speaker 1>I got some important, important help from a lot of people.

1:34:40.240 --> 1:34:43.800
<v Speaker 1>And I decided to write a book about suicide, which

1:34:43.840 --> 1:34:51.200
<v Speaker 1>I did. Uh what is it called? I don't remember

1:34:52.960 --> 1:34:55.960
<v Speaker 1>gratitude and grace, I think. But I wanted to get

1:34:56.000 --> 1:34:58.680
<v Speaker 1>down everything that I knew about suicide. Having been an

1:34:58.680 --> 1:35:01.800
<v Speaker 1>attempter at the age of fourteen, I tried to do

1:35:01.920 --> 1:35:07.439
<v Speaker 1>myself in It was all those pills and and I

1:35:07.520 --> 1:35:10.640
<v Speaker 1>was very determined. And I don't I still don't know,

1:35:11.160 --> 1:35:13.880
<v Speaker 1>except that they made me sick at my stomach and

1:35:13.880 --> 1:35:17.840
<v Speaker 1>that I was not going to I was perfectly happy dying.

1:35:17.880 --> 1:35:22.479
<v Speaker 1>I was not happy being sick of my stomach. Um,

1:35:22.680 --> 1:35:27.479
<v Speaker 1>So I think what we need to do. When Clark died,

1:35:27.520 --> 1:35:31.000
<v Speaker 1>there were only two books that really were positive. There

1:35:31.000 --> 1:35:34.240
<v Speaker 1>were no books that were positive except one. The other

1:35:34.320 --> 1:35:39.840
<v Speaker 1>one was called The Savage God, which I would never read.

1:35:39.960 --> 1:35:43.720
<v Speaker 1>I never would have read it until this happened. And

1:35:43.720 --> 1:35:46.960
<v Speaker 1>of course it's all about silly plast's suicide and it

1:35:47.000 --> 1:35:53.640
<v Speaker 1>has not one ounce of solution in it. And the

1:35:53.720 --> 1:35:56.880
<v Speaker 1>other book was by Irish Bolton, who whose book is

1:35:56.920 --> 1:35:59.559
<v Speaker 1>full of solutions, and it's a marvelous book and it

1:35:59.640 --> 1:36:02.040
<v Speaker 1>was very healing. And then I read everything I could

1:36:02.040 --> 1:36:05.040
<v Speaker 1>get ever that it's ever been written. I think about suicide,

1:36:05.880 --> 1:36:08.280
<v Speaker 1>and A wrote about it because I needed to get

1:36:08.280 --> 1:36:10.360
<v Speaker 1>it out of my system. And I think that's really

1:36:10.400 --> 1:36:14.960
<v Speaker 1>the secret to this, you know, suicide. I often say

1:36:15.000 --> 1:36:18.519
<v Speaker 1>that suicide is fascinating if it's not happening to you.

1:36:19.920 --> 1:36:23.720
<v Speaker 1>But on the on the positive side, you go you

1:36:23.880 --> 1:36:27.360
<v Speaker 1>cannot go over it. You have to go through it.

1:36:27.439 --> 1:36:30.080
<v Speaker 1>So you have to go through the feelings, you have

1:36:30.200 --> 1:36:34.240
<v Speaker 1>to go through the experiences. It's it's a it's an

1:36:34.240 --> 1:36:43.320
<v Speaker 1>opportunity to completely overhaul your ideas about what's happened. And

1:36:43.439 --> 1:36:49.599
<v Speaker 1>you can't take it personally because it's not personal. It's

1:36:50.120 --> 1:36:56.200
<v Speaker 1>a universal as as as um Cock. It's not Cocktau.

1:36:56.560 --> 1:37:00.360
<v Speaker 1>It's another writer that starts with a sea who says

1:37:00.520 --> 1:37:05.640
<v Speaker 1>that it is a universal human conundrum because we can

1:37:05.680 --> 1:37:08.920
<v Speaker 1>all get off the planet if we want to, and

1:37:08.960 --> 1:37:11.080
<v Speaker 1>so then the question is do we want to stay?

1:37:12.840 --> 1:37:15.439
<v Speaker 1>And if you haven't had a suicidal thought in your life,

1:37:16.000 --> 1:37:21.040
<v Speaker 1>you're living on some other planet. I think. Well, put now,

1:37:21.360 --> 1:37:24.719
<v Speaker 1>subsequent cleaning up with alcohol, do you still have issues

1:37:24.720 --> 1:37:31.200
<v Speaker 1>of depression? No? No, alcohol is a depressant. Funny, but

1:37:31.320 --> 1:37:34.280
<v Speaker 1>that's the truth. Now, I know you were you a

1:37:34.400 --> 1:37:37.280
<v Speaker 1>drinker before you got to New York and got really

1:37:37.320 --> 1:37:40.840
<v Speaker 1>heavily into the musical lifestyle. Oh yes, I always drank.

1:37:41.000 --> 1:37:43.679
<v Speaker 1>I drank from the age of fifteen, and I drank

1:37:43.720 --> 1:37:46.960
<v Speaker 1>for twenty three years solid, you know I was. And

1:37:47.520 --> 1:37:51.400
<v Speaker 1>did you have other than personal bad experiences, meaning you know,

1:37:51.479 --> 1:37:53.200
<v Speaker 1>you woke up where you didn't know you were black

1:37:53.280 --> 1:37:57.240
<v Speaker 1>out whatever. Did you ever have people who disconnected from you,

1:37:57.280 --> 1:38:00.120
<v Speaker 1>were business opportunities that fell away because of your the

1:38:00.120 --> 1:38:04.920
<v Speaker 1>whole use? Well, I don't know. I was very protected

1:38:04.920 --> 1:38:07.960
<v Speaker 1>in a lot of ways. I had a very strong career,

1:38:08.080 --> 1:38:14.600
<v Speaker 1>I had strong management. I do think that I was distancing,

1:38:16.680 --> 1:38:20.800
<v Speaker 1>but I don't think that that was no. I was

1:38:20.840 --> 1:38:24.320
<v Speaker 1>just getting sicker and sicker and sicker and sicker. And

1:38:24.640 --> 1:38:29.120
<v Speaker 1>it wasn't anybody else's problem but mine. The last year

1:38:29.320 --> 1:38:33.120
<v Speaker 1>of my drinking in seventy seven, I and someone said

1:38:33.160 --> 1:38:39.480
<v Speaker 1>this to me recently. They the guy who wrote um

1:38:39.640 --> 1:38:43.320
<v Speaker 1>Vincent what's his name? Don said to me, you know,

1:38:43.360 --> 1:38:46.360
<v Speaker 1>I was in l A during those years. That year

1:38:47.080 --> 1:38:50.080
<v Speaker 1>I saw a big poster that said that you had

1:38:50.120 --> 1:38:58.400
<v Speaker 1>canceled concerts that year, and yeah, that's a career killer you.

1:38:58.400 --> 1:39:04.439
<v Speaker 1>You canceled forty five shows, so the industry, but it

1:39:04.520 --> 1:39:07.559
<v Speaker 1>was me. I couldn't sing, and in a way that

1:39:07.680 --> 1:39:11.599
<v Speaker 1>was my That was a blessing that that was the problem,

1:39:11.640 --> 1:39:14.240
<v Speaker 1>because if you can't sing, you can't show up. So

1:39:14.320 --> 1:39:16.720
<v Speaker 1>it's not your alcoholism that's in the way. It's the

1:39:16.720 --> 1:39:20.080
<v Speaker 1>fact that you can't think, so you have to cancel.

1:39:20.560 --> 1:39:23.559
<v Speaker 1>And people understand that in the music business, they don't

1:39:24.160 --> 1:39:27.799
<v Speaker 1>get terribly upset. If it doesn't go on for years,

1:39:28.320 --> 1:39:31.439
<v Speaker 1>they don't get upset. If if it had, they do

1:39:31.520 --> 1:39:34.000
<v Speaker 1>get upset. But if it happens for one season or

1:39:34.040 --> 1:39:37.200
<v Speaker 1>two seasons, it's a whole summer, it's a whole spring.

1:39:37.560 --> 1:39:42.400
<v Speaker 1>It's that's not unusual. So thank god that was the

1:39:42.640 --> 1:39:45.760
<v Speaker 1>end of that, because then everything was canceled. And then

1:39:45.840 --> 1:39:47.760
<v Speaker 1>I went into treatment, and then I couldn't work, I

1:39:47.760 --> 1:39:51.479
<v Speaker 1>couldn't sing, and but eventually, slowly, but surely, it all

1:39:51.560 --> 1:39:54.200
<v Speaker 1>came back. Okay, So what was the final straw? Who

1:39:54.320 --> 1:39:57.559
<v Speaker 1>or what got you to go to rehab? I went.

1:39:57.720 --> 1:40:02.479
<v Speaker 1>I had what we call an s gamo I. There

1:40:02.520 --> 1:40:04.280
<v Speaker 1>was a guy in New York who was a very

1:40:04.400 --> 1:40:08.759
<v Speaker 1>big drinker. He's very famous actor, and he was always drinking.

1:40:08.800 --> 1:40:12.280
<v Speaker 1>In His picture would be on the on the daily news,

1:40:13.320 --> 1:40:17.280
<v Speaker 1>falling out of some bar somewhere with blood splashing all

1:40:17.320 --> 1:40:20.080
<v Speaker 1>over his face. He'd been in a big fight, and

1:40:20.160 --> 1:40:22.080
<v Speaker 1>that happened a lot, and I would sit and I

1:40:22.120 --> 1:40:25.200
<v Speaker 1>didn't know him personally, but I thought, oh, that's it. He's,

1:40:25.320 --> 1:40:28.640
<v Speaker 1>you know, somebody's carrying on the tradition here, somebody. And

1:40:28.720 --> 1:40:32.679
<v Speaker 1>I got to know his wife through an exercise class

1:40:32.720 --> 1:40:35.360
<v Speaker 1>that I was in. I didn't know him personally, but

1:40:35.479 --> 1:40:41.920
<v Speaker 1>I knew her, and so one day I said to her, Um,

1:40:42.080 --> 1:40:45.639
<v Speaker 1>what happened. I don't see him, he's not I don't

1:40:45.680 --> 1:40:48.519
<v Speaker 1>see these photographs in the time, in the news or

1:40:48.560 --> 1:40:52.559
<v Speaker 1>the post. What's going on? She said, well, he got sober,

1:40:53.960 --> 1:40:59.040
<v Speaker 1>and I thought, oh, dear God, that's terrible news. Some

1:40:59.160 --> 1:41:03.559
<v Speaker 1>police give up the fight. And she said, would you

1:41:03.600 --> 1:41:06.360
<v Speaker 1>like to talk to him? I said yes, and he

1:41:07.320 --> 1:41:12.439
<v Speaker 1>drink again, and so I I was at the end

1:41:12.439 --> 1:41:15.439
<v Speaker 1>of my rope, really, and so I already I was

1:41:15.439 --> 1:41:17.640
<v Speaker 1>already trying to go to meetings, but I was too

1:41:17.720 --> 1:41:20.519
<v Speaker 1>drunk to really do much about it. So I called him.

1:41:20.600 --> 1:41:24.000
<v Speaker 1>He was on he was on location somewhere in Arizona,

1:41:24.360 --> 1:41:27.120
<v Speaker 1>and he called me back and we spent a couple

1:41:27.200 --> 1:41:29.840
<v Speaker 1>hours on the phone, and he said, I should go

1:41:29.920 --> 1:41:34.040
<v Speaker 1>see this doctor, dr get Low, and I should go

1:41:34.120 --> 1:41:36.320
<v Speaker 1>to these places, these meetings, and so on, and so

1:41:36.360 --> 1:41:39.160
<v Speaker 1>I went to get low and that's how it happened.

1:41:39.200 --> 1:41:42.320
<v Speaker 1>He I sat there and told him my sob story

1:41:42.600 --> 1:41:47.880
<v Speaker 1>and uh he said. He was laughing, and he said, well,

1:41:47.920 --> 1:41:51.240
<v Speaker 1>there's nothing wrong with you. There's nothing wrong with you

1:41:51.280 --> 1:41:55.080
<v Speaker 1>except you're an alcoholic and there is a solution to this,

1:41:55.160 --> 1:41:58.880
<v Speaker 1>and I will help you. And so he got me.

1:41:59.720 --> 1:42:02.040
<v Speaker 1>He want me to call this place where I went

1:42:02.080 --> 1:42:05.680
<v Speaker 1>for treatment at chit Chat. It's called it's called the

1:42:05.720 --> 1:42:08.920
<v Speaker 1>Care and Foundation now and it focuses well, people go

1:42:09.040 --> 1:42:11.559
<v Speaker 1>there and get sober, but it also focuses on the

1:42:11.560 --> 1:42:15.200
<v Speaker 1>family because it is a family illness, and if you're

1:42:15.200 --> 1:42:18.120
<v Speaker 1>in a family with alcoholism, you have it, whether you

1:42:18.200 --> 1:42:22.560
<v Speaker 1>drink or not. It's about the isms, it's about powerlessness.

1:42:22.600 --> 1:42:26.120
<v Speaker 1>It's about about trying to tell somebody else what to

1:42:26.160 --> 1:42:29.160
<v Speaker 1>do and getting nowhere, because you can't get anywhere with

1:42:29.479 --> 1:42:34.400
<v Speaker 1>somebody who's using. You can't keep saying you, look at you,

1:42:34.400 --> 1:42:36.320
<v Speaker 1>you'd be so much better if you didn't do X,

1:42:36.479 --> 1:42:39.639
<v Speaker 1>Y and Z. You just can't do it. It's also

1:42:39.680 --> 1:42:43.479
<v Speaker 1>a self diagnosed disease, and that's the difference. That's why

1:42:43.760 --> 1:42:45.760
<v Speaker 1>the a m A has such a hard time with it.

1:42:47.200 --> 1:42:51.599
<v Speaker 1>And of course, I'm very Doctors know a lot about

1:42:51.920 --> 1:42:58.479
<v Speaker 1>building bridges and bone cures. I mean not the not

1:42:58.600 --> 1:43:02.920
<v Speaker 1>the one that takes bis phosphonates, but putting them back together.

1:43:02.960 --> 1:43:05.280
<v Speaker 1>They know a lot about that. They don't don't know

1:43:05.760 --> 1:43:10.200
<v Speaker 1>squat about most emotional things. And one of the first

1:43:10.200 --> 1:43:13.120
<v Speaker 1>things they don't know is that alcohol is a depressant,

1:43:13.439 --> 1:43:16.000
<v Speaker 1>and that many of these medications that they hand around

1:43:16.040 --> 1:43:22.879
<v Speaker 1>so freely, the uh, you know, the pills for sleeping.

1:43:22.960 --> 1:43:25.160
<v Speaker 1>I had a lot of those, the pills for sleeping

1:43:25.240 --> 1:43:28.680
<v Speaker 1>and the pills for feeling good, and they often have

1:43:28.880 --> 1:43:31.280
<v Speaker 1>different reactions to different people that are not good at

1:43:31.600 --> 1:43:35.280
<v Speaker 1>that are not healthy, that are not up there with

1:43:35.800 --> 1:43:40.920
<v Speaker 1>clean and sober living. So how do you stay sober

1:43:41.040 --> 1:43:43.840
<v Speaker 1>day to time? You just do it one day at

1:43:43.880 --> 1:43:45.519
<v Speaker 1>a time, and you go to meetings every day and

1:43:45.600 --> 1:43:50.519
<v Speaker 1>you have a miracle happen, and it's happening all around us,

1:43:50.880 --> 1:43:57.040
<v Speaker 1>all around us. Okay, what are your two favorite songs

1:43:57.160 --> 1:44:01.639
<v Speaker 1>to sing? My favorite song of all is the most

1:44:01.680 --> 1:44:05.120
<v Speaker 1>recent one that I've written, and a Jimmy Web song

1:44:05.360 --> 1:44:10.400
<v Speaker 1>called the Highwayman. Okay, And in the time you have

1:44:10.520 --> 1:44:14.439
<v Speaker 1>left on the planet, anything specifically you want to do

1:44:14.640 --> 1:44:18.480
<v Speaker 1>whether it be career wise or just personal, go someplace

1:44:18.960 --> 1:44:21.960
<v Speaker 1>you know that you haven't been before. It looks like

1:44:22.000 --> 1:44:24.040
<v Speaker 1>I'm going to go to China, which I've never been

1:44:24.080 --> 1:44:26.160
<v Speaker 1>to in all these years. And I want to go

1:44:26.200 --> 1:44:30.040
<v Speaker 1>back to Japan where I was with Mimi and Arlo

1:44:30.320 --> 1:44:34.960
<v Speaker 1>and uh Bruce Langhorn in nineteen sixty six. And I

1:44:35.000 --> 1:44:37.880
<v Speaker 1>wanted to take a walk in the park today. Okay,

1:44:38.000 --> 1:44:42.160
<v Speaker 1>And you mentioned you know finances, So how are your finances.

1:44:42.280 --> 1:44:48.640
<v Speaker 1>They're fine, They're wonderful. Okay. So you are working primarily

1:44:48.760 --> 1:44:51.400
<v Speaker 1>to work, You're not working for the money is always good,

1:44:51.439 --> 1:44:54.920
<v Speaker 1>but it's not like you literally need the money to live. Well,

1:44:54.960 --> 1:44:59.760
<v Speaker 1>that doesn't matter. There's nothing embarrassing about working. I think

1:44:59.760 --> 1:45:02.000
<v Speaker 1>we're working for a living is one of the highest

1:45:02.040 --> 1:45:05.400
<v Speaker 1>achievements one can have. I don't believe in retirement. I

1:45:05.439 --> 1:45:08.600
<v Speaker 1>think it was invented after the Industrial Revolution so that

1:45:08.720 --> 1:45:12.040
<v Speaker 1>the top end of the management could make it all

1:45:12.200 --> 1:45:15.800
<v Speaker 1>and send the rest of us home. So I don't

1:45:15.840 --> 1:45:18.639
<v Speaker 1>believe in it. And I don't think many artists stopped

1:45:18.680 --> 1:45:25.080
<v Speaker 1>working when they can continue doing their artistic adventures. And

1:45:25.120 --> 1:45:28.080
<v Speaker 1>that's what I'm honest, an artistic adventure, which involves going

1:45:28.120 --> 1:45:32.599
<v Speaker 1>in front of audiences and recreating and creating what makes

1:45:32.640 --> 1:45:35.200
<v Speaker 1>them happy. And I think being part of art is

1:45:35.320 --> 1:45:37.519
<v Speaker 1>part of what keeps the planet awake. I don't know

1:45:37.560 --> 1:45:41.000
<v Speaker 1>why anybody would stay on the planet without art and music.

1:45:41.080 --> 1:45:43.479
<v Speaker 1>I don't know why any of us would stick around.

1:45:44.760 --> 1:45:47.519
<v Speaker 1>You're speaking my language. I feel the same way. You know.

1:45:47.640 --> 1:45:49.840
<v Speaker 1>It's all these people work at these jobs they hate

1:45:50.040 --> 1:45:53.360
<v Speaker 1>so they can watch to go to the movies tonst

1:45:54.240 --> 1:45:56.519
<v Speaker 1>without that. And you know that I don't want to

1:45:56.560 --> 1:45:59.680
<v Speaker 1>get on a soapbox myself. But the fact that we

1:45:59.760 --> 1:46:02.080
<v Speaker 1>live a country where there's no money for the arch's

1:46:02.120 --> 1:46:05.600
<v Speaker 1>no music in the schools is you know, the priorities

1:46:05.600 --> 1:46:08.639
<v Speaker 1>are not right. No, they're not right. And the teachers

1:46:08.680 --> 1:46:12.479
<v Speaker 1>don't get paid enough, and the the the workers in

1:46:12.520 --> 1:46:16.320
<v Speaker 1>the hospitals don't get paid enough. Our educators don't get

1:46:16.640 --> 1:46:20.280
<v Speaker 1>what they should have. And and we have all of

1:46:20.320 --> 1:46:24.919
<v Speaker 1>this abundance, and we cannot take care of the homeless,

1:46:24.960 --> 1:46:28.840
<v Speaker 1>we cannot take care of our medical costs. We what

1:46:29.040 --> 1:46:32.679
<v Speaker 1>is the matter with us? We need to have a rejuvenation. Well,

1:46:32.720 --> 1:46:35.680
<v Speaker 1>you know you're you're speaking my language. Unfortunately, I'm more

1:46:35.720 --> 1:46:40.080
<v Speaker 1>of a glass half empty person than you, But I

1:46:40.120 --> 1:46:45.760
<v Speaker 1>am not optimistic about where we're going. I'm optimistic about today,

1:46:45.840 --> 1:46:50.160
<v Speaker 1>and I'm optimistic about doing the things you know I had.

1:46:50.200 --> 1:46:54.360
<v Speaker 1>And I'm friendly with the Molly John Fast. I don't

1:46:54.400 --> 1:46:57.040
<v Speaker 1>know if you know who she is, but she's she's

1:46:57.120 --> 1:46:59.200
<v Speaker 1>she's my friend Erica's daughter, and I've known it for

1:46:59.200 --> 1:47:02.400
<v Speaker 1>a long time and were talking the other day. I said,

1:47:02.400 --> 1:47:06.599
<v Speaker 1>what do you suggest? What are the two since all

1:47:06.640 --> 1:47:08.800
<v Speaker 1>this trouble is going on, and since we've we're up

1:47:08.840 --> 1:47:16.320
<v Speaker 1>against this incredible wall of greed, insanity, misbehavior. Uh, people

1:47:16.360 --> 1:47:20.719
<v Speaker 1>who are living in some foul dream that they're trying

1:47:20.760 --> 1:47:24.799
<v Speaker 1>to shove on us. You know, they attack the capital

1:47:24.800 --> 1:47:27.519
<v Speaker 1>and call it tourism. What is the matter with us? What?

1:47:27.520 --> 1:47:30.439
<v Speaker 1>What is? What do we do? Individually? She said, Well,

1:47:30.439 --> 1:47:34.680
<v Speaker 1>the first is subscribe to a great newspaper. Well, you

1:47:34.720 --> 1:47:38.280
<v Speaker 1>and I probably do that, Bob, And three or four

1:47:39.160 --> 1:47:43.080
<v Speaker 1>or more get get get a good newspaper into and

1:47:43.120 --> 1:47:47.640
<v Speaker 1>also run for office. And so I am not going

1:47:47.640 --> 1:47:52.360
<v Speaker 1>to run for office, but I'm gonna be as vocal

1:47:52.400 --> 1:47:56.120
<v Speaker 1>as I can, which I've always been anyway, about what's

1:47:56.240 --> 1:48:00.360
<v Speaker 1>going on, to take action. Get a goddamn facts scene,

1:48:00.560 --> 1:48:03.840
<v Speaker 1>for instance, you know you're preaching to the converted. You know,

1:48:03.880 --> 1:48:07.519
<v Speaker 1>I subscribe to four newspapers. I know you know what

1:48:07.600 --> 1:48:10.360
<v Speaker 1>you're going But the frustration I have we grew up

1:48:10.360 --> 1:48:14.200
<v Speaker 1>in a different era where there was a level of cohesiveness.

1:48:14.240 --> 1:48:17.759
<v Speaker 1>Everyone tuned into one of the three networks for the news.

1:48:18.040 --> 1:48:20.719
<v Speaker 1>If you're a news junkie, maybe get newspapers. In addition,

1:48:22.000 --> 1:48:25.880
<v Speaker 1>now you cannot penetrate the other side. You can write

1:48:25.880 --> 1:48:28.640
<v Speaker 1>the truth all day long. So I was of the

1:48:28.760 --> 1:48:34.240
<v Speaker 1>belief that once they got rid of abortion, America would revolt.

1:48:34.720 --> 1:48:37.160
<v Speaker 1>Now the truth is in a number of Southern states

1:48:37.320 --> 1:48:41.040
<v Speaker 1>essentially there is no abortion. You know, there's one, you know,

1:48:41.120 --> 1:48:45.360
<v Speaker 1>one clinic whatever. So the question becomes, what is the

1:48:45.400 --> 1:48:48.400
<v Speaker 1>spark we saw last year with Black Lives Matter? You

1:48:48.439 --> 1:48:51.599
<v Speaker 1>could have a lot of free flowing feelings and emotion.

1:48:51.680 --> 1:48:54.800
<v Speaker 1>One spark can set it off. And it's not like

1:48:54.840 --> 1:48:57.200
<v Speaker 1>I want. You know, maybe I'm a child of the sixties,

1:48:57.800 --> 1:49:00.920
<v Speaker 1>but we're going to need a revel luction if things

1:49:01.000 --> 1:49:04.680
<v Speaker 1>keep going in this way. And the question becomes, you know,

1:49:04.880 --> 1:49:07.600
<v Speaker 1>will that it's so far it's just the minority on

1:49:07.600 --> 1:49:14.040
<v Speaker 1>the other side rising up, Whereas listen, the vaccine thing

1:49:14.800 --> 1:49:19.320
<v Speaker 1>is just insane. It's like I have I got the vaccine.

1:49:19.320 --> 1:49:21.479
<v Speaker 1>It didn't work for me because I have this take

1:49:21.520 --> 1:49:25.080
<v Speaker 1>this medication. I'm still home waiting for the medication last

1:49:25.160 --> 1:49:28.200
<v Speaker 1>for two years, but six months intensely, and so it

1:49:28.240 --> 1:49:30.080
<v Speaker 1>has to wear off so I can have B cells,

1:49:30.080 --> 1:49:32.360
<v Speaker 1>so I can get the N bodies. But without being

1:49:32.920 --> 1:49:37.080
<v Speaker 1>making it a personal thing that I'm still home. If

1:49:37.120 --> 1:49:41.080
<v Speaker 1>you follow this BuzzFeed and they reprinted it in the

1:49:41.120 --> 1:49:46.080
<v Speaker 1>week and CNN people are dying, the delta variant spreads

1:49:46.160 --> 1:49:50.320
<v Speaker 1>faster and your number could come up. And it always happens.

1:49:50.320 --> 1:49:52.800
<v Speaker 1>Oh if I if he knew, we would get a vaccine,

1:49:53.760 --> 1:50:00.080
<v Speaker 1>and you know, it's just it's just I don't understand it.

1:50:00.080 --> 1:50:04.000
<v Speaker 1>It's not to be understood. It's not to be understood.

1:50:04.240 --> 1:50:07.200
<v Speaker 1>But we have to do our work. We have to

1:50:07.320 --> 1:50:11.439
<v Speaker 1>believe in the present and take the actions that we can,

1:50:12.200 --> 1:50:15.479
<v Speaker 1>and we have to let go the anger that comes

1:50:15.560 --> 1:50:19.080
<v Speaker 1>up when we want to smash the windows in and

1:50:19.520 --> 1:50:23.800
<v Speaker 1>trip up and poke into the spikes of the bikers

1:50:23.880 --> 1:50:25.840
<v Speaker 1>on the street that are gonna kill me because they

1:50:25.880 --> 1:50:29.760
<v Speaker 1>don't pay any attention to anything or anybody. I mean,

1:50:29.840 --> 1:50:32.439
<v Speaker 1>let's start with that. You know, the person on the

1:50:32.479 --> 1:50:39.080
<v Speaker 1>scooter last week. Absolutely, I think you know, uh, living

1:50:39.080 --> 1:50:43.320
<v Speaker 1>in southern California where bird scooters started. On a raw

1:50:43.680 --> 1:50:47.880
<v Speaker 1>physics level, it's got a very small wheel, so if

1:50:47.920 --> 1:50:51.759
<v Speaker 1>you hit anything, you're gonna fall and you're gonna get injured. Forget,

1:50:52.479 --> 1:50:56.920
<v Speaker 1>forget somebody else. This is not a good situation for

1:50:57.080 --> 1:51:01.280
<v Speaker 1>a society at large. It isn't. It isn't solutely because

1:51:01.320 --> 1:51:03.559
<v Speaker 1>you can't see. You know. It was one thing to

1:51:03.600 --> 1:51:06.920
<v Speaker 1>go to London and have to look both ways. Right now,

1:51:06.920 --> 1:51:09.360
<v Speaker 1>I'm in New York City enough I look up. I'm

1:51:09.479 --> 1:51:14.080
<v Speaker 1>still in trouble. Listen. Everybody thinks they're in violent until

1:51:14.080 --> 1:51:16.559
<v Speaker 1>it happens to them. And that's another thing, you know,

1:51:18.080 --> 1:51:20.120
<v Speaker 1>you know, Paul Krugen said, the difference between the right

1:51:20.160 --> 1:51:22.320
<v Speaker 1>and the left is the left believes in a social

1:51:23.240 --> 1:51:29.720
<v Speaker 1>welfare and safety net, but bad things ultimately happen to everybody.

1:51:29.880 --> 1:51:31.880
<v Speaker 1>You sit there and you say, well, that's not me.

1:51:32.240 --> 1:51:34.240
<v Speaker 1>You know, they're giving all those people that money, or

1:51:34.240 --> 1:51:37.599
<v Speaker 1>they're doing this whatever. One day, it's gonna be you

1:51:37.880 --> 1:51:40.920
<v Speaker 1>and you're gonna be glad. It's like that building that

1:51:41.080 --> 1:51:46.439
<v Speaker 1>collapsed or Florida. Right there has to be something going on,

1:51:46.560 --> 1:51:49.519
<v Speaker 1>buildings just don't collapse. So we live in a country

1:51:49.560 --> 1:51:52.800
<v Speaker 1>where they keep saying we want less and less regulation. No,

1:51:53.640 --> 1:51:58.160
<v Speaker 1>we want regulation. Generally speaking, the buildings don't fall in

1:51:58.160 --> 1:52:02.840
<v Speaker 1>the United States because of regulation. Rex Chillerson, who worked

1:52:02.920 --> 1:52:07.599
<v Speaker 1>for Trump and was the head of the big company.

1:52:07.600 --> 1:52:10.360
<v Speaker 1>In one of the general waters, he said, it's so

1:52:10.479 --> 1:52:13.519
<v Speaker 1>much easier to deal with foreign countries where there are

1:52:13.600 --> 1:52:15.840
<v Speaker 1>dictators because they don't have any rules. You can get

1:52:15.840 --> 1:52:19.840
<v Speaker 1>a lot done. Well, you know, staying on the same point,

1:52:19.840 --> 1:52:24.520
<v Speaker 1>because I think, you know, I think authoritarianism will ultimately

1:52:24.640 --> 1:52:30.040
<v Speaker 1>triumph for one simple reason. It's easier. Yeah, they had

1:52:30.040 --> 1:52:32.160
<v Speaker 1>a story in the news last week than in China

1:52:32.240 --> 1:52:36.760
<v Speaker 1>they built a ten story building in a day. In

1:52:36.880 --> 1:52:40.920
<v Speaker 1>China they can get things done. We have complete gridlock.

1:52:41.080 --> 1:52:43.479
<v Speaker 1>I mean. And you as a world traveler. Though they

1:52:43.520 --> 1:52:45.800
<v Speaker 1>keep saying America the greatest country in the world, I've

1:52:45.800 --> 1:52:48.400
<v Speaker 1>bet a lot of places where it's really damn good.

1:52:49.360 --> 1:52:51.560
<v Speaker 1>Not that we don't have some great things in America,

1:52:52.800 --> 1:52:55.320
<v Speaker 1>but never mind. Free education, that's a good thing. Okay.

1:52:55.360 --> 1:52:57.320
<v Speaker 1>We could go on about this, and I would like to,

1:52:57.439 --> 1:53:00.720
<v Speaker 1>but we're all at length. Judy, you're wonderful. I mean,

1:53:00.760 --> 1:53:03.120
<v Speaker 1>you know, it's knowing you only from Afar. It's just

1:53:03.240 --> 1:53:06.559
<v Speaker 1>fascinating to actually talk to you because my impression was

1:53:06.600 --> 1:53:12.240
<v Speaker 1>a someone more stayed or not exactly snobbish, but more stayed.

1:53:12.680 --> 1:53:15.560
<v Speaker 1>And then to talk to me, we could literally talk

1:53:16.120 --> 1:53:20.439
<v Speaker 1>all night. You're right, You're absolutely right. Well, I love

1:53:20.479 --> 1:53:25.960
<v Speaker 1>it that you're you're on your your proper paths doing

1:53:26.000 --> 1:53:29.240
<v Speaker 1>what you do because we need you. And it's a

1:53:29.360 --> 1:53:31.880
<v Speaker 1>light that comes out of this kind of work that

1:53:31.920 --> 1:53:35.479
<v Speaker 1>you do that helps everybody get through the rest. Don't

1:53:35.479 --> 1:53:38.200
<v Speaker 1>forget that. Well, listen, you help me out in the

1:53:38.280 --> 1:53:40.920
<v Speaker 1>nature of being a writer, especially because I'm home, you're

1:53:40.920 --> 1:53:43.760
<v Speaker 1>alone a lot, and sometimes you write something or you

1:53:43.840 --> 1:53:47.000
<v Speaker 1>do something and people are talking about it externally, but

1:53:47.040 --> 1:53:50.120
<v Speaker 1>you're in the eye of the hurricane, so you're unaware.

1:53:50.120 --> 1:53:52.280
<v Speaker 1>So when you tell me that, and there are other

1:53:52.320 --> 1:53:55.880
<v Speaker 1>things you said through the podcast that really resonated certainly

1:53:55.920 --> 1:53:59.400
<v Speaker 1>relative to continuing to do the work. So you're open

1:54:00.040 --> 1:54:03.960
<v Speaker 1>when the inspiration. Absolutely, when the inspiration comes, you know

1:54:04.040 --> 1:54:07.479
<v Speaker 1>you have the tool you'll be able to execute. Will

1:54:07.520 --> 1:54:09.639
<v Speaker 1>I be able to write this? What's the first word?

1:54:09.840 --> 1:54:15.519
<v Speaker 1>It's just flows right out. Absolutely, Thank you. It's been great.

1:54:16.120 --> 1:54:19.360
<v Speaker 1>Till next time, My dear, have a beautiful I have

1:54:19.400 --> 1:54:21.400
<v Speaker 1>a friend to says, you know, have a beautiful day.

1:54:21.479 --> 1:54:28.600
<v Speaker 1>Unless you had other plans. Well, hopefully it'll be beautiful. Yeah. Good, Okay,

1:54:28.720 --> 1:54:30.920
<v Speaker 1>Well you've got three hours more than I do in

1:54:30.960 --> 1:54:34.800
<v Speaker 1>your life today. Absolutely well, i'b surely you've had the

1:54:34.840 --> 1:54:38.640
<v Speaker 1>experience of you know, flying over the International dateline. You

1:54:38.880 --> 1:54:43.160
<v Speaker 1>lose two days going that way and you left. Oh yeah,

1:54:43.160 --> 1:54:47.720
<v Speaker 1>that's right, and I'll have that again soon. I'm sure.

1:54:48.040 --> 1:54:51.280
<v Speaker 1>I can't wait. That's what everybody's talking about. I get

1:54:51.320 --> 1:54:53.320
<v Speaker 1>from people here, from people over the world. I can't

1:54:53.360 --> 1:54:57.360
<v Speaker 1>wait to get on a plane to Pace with good thought.

1:54:57.880 --> 1:55:02.000
<v Speaker 1>It's a good thought, all right, thanks again, until next time.

1:55:02.160 --> 1:55:20.160
<v Speaker 1>This is Bob left Sex m