WEBVTT - From the Vault: A Monsterous Feast

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<v Speaker 1>Hey you welcome to Stuff to Blow your Mind. My

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<v Speaker 1>name is Robert Lamb, and we have another vault episode

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<v Speaker 1>for you. Since this is a holiday week for us,

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<v Speaker 1>this is going to be a Monstrous Feast, which originally

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<v Speaker 1>published eleven, twenty one, twenty twenty four. So yes, this

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<v Speaker 1>is our this is our feast themed episode, and it's

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<v Speaker 1>going to get into some questionable recent inventions of the

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<v Speaker 1>culinary variety and also some monstrous dishes of the past.

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<v Speaker 2>Welcome to Stuff to Blow Your Mind, production of iHeartRadio.

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<v Speaker 1>Hey you welcome to Stuff to Blow your Mind. My

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<v Speaker 1>name is.

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<v Speaker 3>Robert Lamb and I am Joe McCormick. Hey, what are

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<v Speaker 3>we talking about today.

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<v Speaker 1>Rob, Oh, we're getting into feasting season here, Joe. So

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<v Speaker 1>we're going to do what we've done in the past,

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<v Speaker 1>devote an episode to food, but not just you know,

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<v Speaker 1>just any food. In the past, we've talked about dangerous foods.

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<v Speaker 1>We did several episodes on that. You can find those

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<v Speaker 1>if you go back into the archives. But this time

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<v Speaker 1>we're going to be talking particularly about some various feast dishes,

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<v Speaker 1>some outrageous feast dishes, and then also some sort of

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<v Speaker 1>related tangential subject matter that's sort of swirling around those dishes.

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<v Speaker 3>Now, I am salivating at the thought of the beauties

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<v Speaker 3>and the grotesqueries to follow.

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<v Speaker 1>Yes, historic dishes of over indulgence, you might call them,

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<v Speaker 1>and such dishes exist throughout the history of human feasting.

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<v Speaker 1>As long as human populations have even periodically experienced surplus

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<v Speaker 1>and or inequality, there's been room for dishes that simply

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<v Speaker 1>go above and beyond what seems reasonable. Decadent delicacies occupied

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<v Speaker 1>the tables of the ancient Romans. We'll mention a few,

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<v Speaker 1>and of course still to this day we find such

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<v Speaker 1>dishes on our tables.

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<v Speaker 3>Okay, but I know you got crankin' on this topic

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<v Speaker 3>because you were interested in one particular example from history, right.

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<v Speaker 1>That's right, one that you know I think I've had

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<v Speaker 1>like a vague familiarity with for a long time because

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<v Speaker 1>I feel like I've seen depictions of it before. I'm

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<v Speaker 1>really struggling to figure out if I've actually seen a

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<v Speaker 1>depiction of this in a film or TV show. But

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<v Speaker 1>it's possible because it's a great way to sort of

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<v Speaker 1>center what's going on in your setting. But yeah, we're

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<v Speaker 1>going to turn to fifteenth century Europe, So the Middle

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<v Speaker 1>Ages are giving way to the first stirrings of the Renaissance,

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<v Speaker 1>and it's just prime time to sew a suckling pig

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<v Speaker 1>and a chicken together and serve it to a bunch

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<v Speaker 1>of nobles and royals. A lot of great things come

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<v Speaker 1>out of the Renaissance, yes, but there are some. There

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<v Speaker 1>are some real clunkers that come out of it as well.

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<v Speaker 1>And this and this, I don't know. This could be

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<v Speaker 1>one of them. I have not tried it, I will

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<v Speaker 1>not be trying it, but it is not impossible that

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<v Speaker 1>some of you out there have tried it. The addition

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<v Speaker 1>question is the cock and trice not to be confused

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<v Speaker 1>with another word that you may find not in a

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<v Speaker 1>menu from a tutor England, but more likely in a bestiary.

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<v Speaker 3>That's right, So this other word is cock a trice

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<v Speaker 3>rather than cock en trice. It's easy to confuse the two.

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<v Speaker 3>They are phonetically similar, spelled similarly, but different things altogether.

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<v Speaker 3>Now I'm not going to go extremely deep here because

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<v Speaker 3>the cockatrice subject will have some overlap with our past

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<v Speaker 3>discussions of the mythical monster known as the basilisk. These

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<v Speaker 3>creatures were in many cases, not all, but in many

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<v Speaker 3>cases treated as the same thing. A cockatrice is sort

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<v Speaker 3>of a loosely defined monster, usually combining Avian and reptilian

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<v Speaker 3>features or associations. Sometimes it is kind of straightforwardly a wivern.

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<v Speaker 3>It's like a dragon with two legs, no little t

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<v Speaker 3>rex arms, just the two legs and then two wings,

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<v Speaker 3>and then a rooster's head. It appears in this form

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<v Speaker 3>or roughly this form in some medieval manuscripts and some heraldry,

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<v Speaker 3>but in other cases it's described as a kind of

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<v Speaker 3>fantastically venomous serpent, or as a serpent that hatches from

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<v Speaker 3>a cock's egg, sometimes after like a cock egg, is

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<v Speaker 3>incubated by a reptile or a toad. Generally, a cockatrice

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<v Speaker 3>is bad news. It is a venomous monster or a

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<v Speaker 3>monster that kills everything around it. Though there is an

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<v Speaker 3>interesting literary history of this word, because if you go

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<v Speaker 3>reading the King James translation of the Bible, you will

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<v Speaker 3>find lots of references to the cockatrice as a kind

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<v Speaker 3>of beast or venomous monster. A couple of examples I

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<v Speaker 3>dug up. One is from the Book of Isaiah, chapter

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<v Speaker 3>fifty nine, verses four to five, which say none calleth

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<v Speaker 3>for justice, nor any pleadeth for truth. They trust in

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<v Speaker 3>vanity and speak lies. They conceive mischief and bring forth iniquity.

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<v Speaker 3>They hatch cockatrice eggs and weave the spider's web. He

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<v Speaker 3>that eateth of their eggs dieth, and that which is

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<v Speaker 3>crushed breaketh out into a viper. Common theme you will

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<v Speaker 3>get in some of the Old Testament books of the prophets, is,

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<v Speaker 3>you know, comparing wickedness and sin and lack of moral

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<v Speaker 3>virtue to venomous animals and predatory animals, dangerous beasts.

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<v Speaker 1>So no hatching cockatrice eggs. That's what I'm taking for

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<v Speaker 1>the scripture.

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<v Speaker 3>That's not a good thing to do. You bring forth iniquity.

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<v Speaker 3>Another good one I found just this one was a

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<v Speaker 3>little pithier. This is from the Book of Jeremiah, chapter eight,

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<v Speaker 3>verse seventeen, again the King James translation. It says, for behold,

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<v Speaker 3>I will send serpents cockatrices among you, which will not

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<v Speaker 3>be charmed, and they shall bite you, saith the Lord.

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<v Speaker 1>Oh wow, let's say to the point.

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<v Speaker 3>They shall bite you. Now. The word cockatrice does not

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<v Speaker 3>appear in later translations of the Bible that are better

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<v Speaker 3>informed about what the original Greek and Hebrew words that

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<v Speaker 3>are being translated usually mean. The English usage of cockatrice

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<v Speaker 3>in the Bible traces back to John Wickliffe's English translation

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<v Speaker 3>of the Old Testament, in which a Hebrew word that

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<v Speaker 3>probably originally referred to like a snake of venomous reptile

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<v Speaker 3>is taken as referring to this strange monster which was

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<v Speaker 3>already sort of in consciousness, in part derived from stories

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<v Speaker 3>that go back to plenty of the Elder and I

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<v Speaker 3>think we've actually talked about these stories before in our

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<v Speaker 3>episodes on the Basilisk. But the cockatrice also has some

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<v Speaker 3>interesting etymological confusion in its history because the English word

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<v Speaker 3>cockatrice is recorded as far back as Late Middle English.

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<v Speaker 3>It's derived from an Old French term cockatrice, which in

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<v Speaker 3>turn comes from the Latin calcatrix. So it's not actually

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<v Speaker 3>related to the English word or the French word cock,

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<v Speaker 3>which meaning like you know, a rooster, which that's the

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<v Speaker 3>imagery we see in like this heraldry, where it's a

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<v Speaker 3>dragon with a rooster's head or somehow a cock's egg

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<v Speaker 3>that is hatched in conjunction with reptile interference. Instead, it

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<v Speaker 3>goes back to the Latin calcatrix, which means she who treads.

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<v Speaker 3>The Latin verb here is calcare, meaning to tread, So

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<v Speaker 3>a calcatrix is a female entity who treads. So there's

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<v Speaker 3>some more word confusion for you, but the main point

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<v Speaker 3>being that a cockatrice is a monster and a cockin

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<v Speaker 3>trice is something completely different. It is the food that

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<v Speaker 3>we're about to talk about.

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<v Speaker 1>Yeah, and I can't promise that the word is just

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<v Speaker 1>going to get any easier to digest, but yeah, the

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<v Speaker 1>cock and trice, to be clear, is a composite dish.

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<v Speaker 1>So in the front you have a suckling pig and

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<v Speaker 1>in the back a turkey or capon. Capon is a

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<v Speaker 1>neutered male chicken. So the result is a feast item

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<v Speaker 1>of intrigue, as if the folks present for the meal

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<v Speaker 1>are being served not an animal of the mundane world,

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<v Speaker 1>but rather some fantastic hybrid that you know belongs, perhaps

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<v Speaker 1>in a bestiary alongside the cock a trice.

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<v Speaker 3>Yeah, make you monsters out of our food, a tradition

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<v Speaker 3>that is not entirely gone. By the way, I'm sure

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<v Speaker 3>many people listening have seen like viral images of this

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<v Speaker 3>sort that get shared around the internet. One that very

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<v Speaker 3>much sticks in my mind is whoever first had the

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<v Speaker 3>idea to make a face hugger from the Alien series

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<v Speaker 3>out of like a turkey's body with some crab legs

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<v Speaker 3>on the side, and then a tail made out of

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<v Speaker 3>like a stuffed sausage.

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<v Speaker 1>Yeah, he's send me that photo. It's quite horrifying.

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<v Speaker 3>Yeah, it makes you want to eat them, you know.

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<v Speaker 1>And you know even you know, vegans and vegetari get

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<v Speaker 1>in on the action as well. I know in my

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<v Speaker 1>household it has become a tradition. On Halloween we make

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<v Speaker 1>a dish that is known by a few different names.

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<v Speaker 1>You and I, I think both know it as feet

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<v Speaker 1>of meat. It has also been called feet loaf. I

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<v Speaker 1>know Amy Sedaris calls it as such, but essentially it

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<v Speaker 1>is meat loafer. In our case, we was like, you know,

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<v Speaker 1>imitation meat that takes the form of one or two

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<v Speaker 1>disembodied bloody feet.

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<v Speaker 3>Beautiful. That's so nice.

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<v Speaker 1>So you know, I can't be too judging about all

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<v Speaker 1>this because I totally do it as well. Now, as

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<v Speaker 1>for the cockin trice here, I looked up some more

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<v Speaker 1>info on this in a book from Terry Breverton called

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<v Speaker 1>The tutor kitchen, and he goes into a little more

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<v Speaker 1>detail here mentions that the way you make one of

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<v Speaker 1>these things is that you first of all, you of

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<v Speaker 1>course butcher the two animals in question, and then once

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<v Speaker 1>you've butchered them, you know you've removed everything. You know,

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<v Speaker 1>you don't need to be part of the finished meal,

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<v Speaker 1>you know how butchering works. You stitch these together, then

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<v Speaker 1>you stuff it as you would often stuff, you know,

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<v Speaker 1>various feast items, as turkeys are still stuffed to this day,

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<v Speaker 1>you know, for Thanksgiving in America. And then you roast

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<v Speaker 1>it on a spit per, you know, the usual treatment

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<v Speaker 1>of the day. Now. Originally the dish, according to Breverton,

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<v Speaker 1>was known as cocka gris in this or perhaps catt agris,

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<v Speaker 1>and this is combining the words for cock and gris

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<v Speaker 1>a suckling pig. That being said, it does I mean,

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<v Speaker 1>I couldn't find much where people are really talking about

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<v Speaker 1>the the the comparison between these two words. It seems

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<v Speaker 1>to me that if the word for the monster cock

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<v Speaker 1>a trice is at all in some form like floating

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<v Speaker 1>around in one's vocabulary, then cock in trice is some

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<v Speaker 1>sort of an allusion to that but I couldn't find

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<v Speaker 1>any hard answers on that. There are also various other

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<v Speaker 1>spellings for the food item here the cock and trice,

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<v Speaker 1>as well as fifteenth century recipes that lay out the

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<v Speaker 1>steps to produce one. And this has long been a novelty.

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<v Speaker 1>It was a novelty when it was served on the

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<v Speaker 1>tables and Tutor England. And you can look around. You

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<v Speaker 1>can find various videos online of modern chefs and you know,

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<v Speaker 1>amateur chefs and streamers recreating it for entertainment purposes and

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<v Speaker 1>for exploration purposes, like there's nothing you know, there's nothing

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<v Speaker 1>you know you know off the board occurring in the

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<v Speaker 1>creation of this dish. I was looking around at various

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<v Speaker 1>people that were either talking directly about it or sometimes

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<v Speaker 1>just invoking it. As an example of the latter, I

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<v Speaker 1>saw a work by a writer by the name of

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<v Speaker 1>Karen Robber who described or raper, who describes it as

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<v Speaker 1>performing meat, which I thought was an interesting phrase, like

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<v Speaker 1>the meat eat in this case is not just here

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<v Speaker 1>for your consumption, one would assume it is also supposed

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<v Speaker 1>to taste good. But on top of that, it is

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<v Speaker 1>like the sheer performance of the presentation, which you know

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<v Speaker 1>that's gonna be president a lot of meals, but like

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<v Speaker 1>it becomes part of the forefront in a case like this.

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<v Speaker 3>Yeah. I might have some different terminology that we could

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<v Speaker 3>apply to this category later in the episode, but I'd

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<v Speaker 3>say I primarily think of this as stunt food.

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<v Speaker 1>Stunt food is good.

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<v Speaker 3>Yeah, Yeah, it's food that's not just to be eaten,

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<v Speaker 3>it's also to be admired as an act.

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<v Speaker 1>Yes. So, Reverenson's book contains numerous other, at least from

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<v Speaker 1>my vantage point, strange Tutor dishes. We can all disagree

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<v Speaker 1>on this, and you know, and ultimately I'm sure there

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<v Speaker 1>are examples of similar dishes in various culinary and cultures

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<v Speaker 1>where it's like totally not weird for you to eat it.

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<v Speaker 3>Oh yeah, I mean what is weird in terms of

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<v Speaker 3>food is totally a matter of social and cultural expectations.

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<v Speaker 3>It's like what's familiar to us.

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<v Speaker 1>Yeah, So when I say it sounds weird to me,

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<v Speaker 1>it's weird because I'm imagining the Tudors eating this. But

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<v Speaker 1>this particular book includes references to such dishes as sliced

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<v Speaker 1>cow tongue, pie, boiled badger, boiled viper, swan with blood,

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<v Speaker 1>and entrail sauce.

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<v Speaker 3>Oh delicious.

0:13:32.280 --> 0:13:35.760
<v Speaker 1>This one really gave my wife pause. Cow's utters in

0:13:35.880 --> 0:13:40.200
<v Speaker 1>mustard sauce. I'm not sure where like that one kind

0:13:40.200 --> 0:13:43.120
<v Speaker 1>of hits in various ways, like when it's the utters,

0:13:43.160 --> 0:13:45.160
<v Speaker 1>but then also the mustard sauce. I really have a

0:13:45.160 --> 0:13:46.320
<v Speaker 1>hard time picturing.

0:13:46.000 --> 0:13:48.760
<v Speaker 3>This cow's utters in sweet and sour sauce I think

0:13:48.760 --> 0:13:49.480
<v Speaker 3>would work better.

0:13:51.080 --> 0:13:56.320
<v Speaker 1>And then also multiple peacock recipes, yes, peacocks.

0:13:56.800 --> 0:13:59.520
<v Speaker 3>Now wait, now that I'm thinking about it, why don't

0:13:59.600 --> 0:14:03.120
<v Speaker 3>any like these fast food chains have a dipping sauce

0:14:03.120 --> 0:14:05.680
<v Speaker 3>for your nuggets that is blood and entrail sauce.

0:14:07.600 --> 0:14:09.880
<v Speaker 1>I mean they could with the right market, you could

0:14:09.920 --> 0:14:11.680
<v Speaker 1>call it that and people would go nuts for it.

0:14:12.240 --> 0:14:15.880
<v Speaker 1>But these peacock recipes, oh my goodness. I think in

0:14:15.920 --> 0:14:19.120
<v Speaker 1>the past I'd run across examples of people eating peacocks

0:14:19.120 --> 0:14:20.840
<v Speaker 1>as a feast food, but I often forget about it

0:14:20.840 --> 0:14:22.720
<v Speaker 1>because I end up. You know, you see peacocks everywhere

0:14:22.760 --> 0:14:26.800
<v Speaker 1>they've spread. They've been introduced rather all over the world

0:14:27.000 --> 0:14:31.160
<v Speaker 1>from the Indian subcontinent, so most of you, I think

0:14:31.160 --> 0:14:34.680
<v Speaker 1>I've probably seen one. You know, they walk around the

0:14:34.720 --> 0:14:37.800
<v Speaker 1>males of the species, the peacocks, you know, look dazzling

0:14:37.880 --> 0:14:39.680
<v Speaker 1>with their feathers, and then of course you have the

0:14:39.680 --> 0:14:42.880
<v Speaker 1>pea hens, the females. More on the particulars in just

0:14:42.920 --> 0:14:48.120
<v Speaker 1>a second, but yes, recipes for this include the gilded peacock.

0:14:48.400 --> 0:14:51.560
<v Speaker 1>This is a sixteen sixty one recipe that calls for

0:14:51.640 --> 0:14:54.880
<v Speaker 1>the spit roasted bird to be covered with gold leaf

0:14:55.360 --> 0:14:59.280
<v Speaker 1>and recovered in the peacock's skin and feathers. After it's

0:14:59.320 --> 0:15:01.880
<v Speaker 1>been for the you butcher it, you set aside those

0:15:01.920 --> 0:15:04.880
<v Speaker 1>gorgeous feathers and its skin, and then you put it

0:15:04.920 --> 0:15:09.240
<v Speaker 1>all back together with gold leaf. Quote for recreation and

0:15:09.280 --> 0:15:14.200
<v Speaker 1>for magnificence. According to doctor John Wex, there's eighteen books

0:15:14.240 --> 0:15:17.600
<v Speaker 1>of the Secrets of Art in Nature from sixteen sixty one.

0:15:18.520 --> 0:15:21.520
<v Speaker 3>That sounds like a book by like John d Or Yeah.

0:15:22.480 --> 0:15:25.520
<v Speaker 1>Yeah, it sounds like it would be alchemical in nature

0:15:25.560 --> 0:15:27.840
<v Speaker 1>and not about eating a peacock.

0:15:27.800 --> 0:15:29.960
<v Speaker 3>Not about how to have fun with peacock corpses.

0:15:30.240 --> 0:15:33.000
<v Speaker 1>Yeah, I mean, I guess it makes sense. If you

0:15:33.000 --> 0:15:35.360
<v Speaker 1>can eat the peacock, you want to admire the feathers. Yes,

0:15:36.040 --> 0:15:40.320
<v Speaker 1>so the pa foul is we may more accurately describe

0:15:40.320 --> 0:15:44.120
<v Speaker 1>these creatures consist of three different species. There are two

0:15:44.320 --> 0:15:48.200
<v Speaker 1>asiatic peacocks native to the Indian subcontinent, and there's also

0:15:48.320 --> 0:15:51.920
<v Speaker 1>a congo p fowl that is apparently actually not a

0:15:51.960 --> 0:15:55.760
<v Speaker 1>true pea fowl. The Indian pfowl is the key species

0:15:55.800 --> 0:15:58.800
<v Speaker 1>for our concerns here, notable for the splendid mating displays

0:15:58.800 --> 0:16:01.200
<v Speaker 1>made by the male peacocks that truly everyone has seen.

0:16:02.120 --> 0:16:05.920
<v Speaker 1>The bird was introduced as a novelty into Europe, traditionally

0:16:06.000 --> 0:16:10.560
<v Speaker 1>held as being introduced by the Macedonian general Alexander the

0:16:10.600 --> 0:16:14.200
<v Speaker 1>Great during the fourth century BCE, but something it might

0:16:14.200 --> 0:16:18.120
<v Speaker 1>have occurred earlier than that. It's an interesting bird in

0:16:18.160 --> 0:16:20.440
<v Speaker 1>its own right, and we could probably devote an entire

0:16:20.480 --> 0:16:23.640
<v Speaker 1>episode to it, no doubt, exploring its place, for example,

0:16:23.680 --> 0:16:26.680
<v Speaker 1>in the history of evolutionary theory, one of the many

0:16:26.720 --> 0:16:30.680
<v Speaker 1>animals that ends up being invoked in scientific discourse of

0:16:30.720 --> 0:16:33.080
<v Speaker 1>the day. Instead of all that, though, I want to

0:16:33.120 --> 0:16:37.800
<v Speaker 1>cut right to some interesting religious contexts for the peacock

0:16:38.280 --> 0:16:41.480
<v Speaker 1>from Indian traditions, and for this I turned once more

0:16:41.520 --> 0:16:45.520
<v Speaker 1>to Krishna's Sacred Animals of India. This is from Penguin Press.

0:16:45.920 --> 0:16:48.680
<v Speaker 1>I'm not going to go through everything that the author

0:16:48.720 --> 0:16:50.680
<v Speaker 1>shares here, but I want to hit some of the

0:16:50.960 --> 0:16:54.040
<v Speaker 1>key points. So first of all, the peacock. This is

0:16:54.040 --> 0:16:55.840
<v Speaker 1>not really religious at all, but the peacock is a

0:16:55.920 --> 0:16:59.280
<v Speaker 1>national bird of India. Getting into religious traditions, the peacock

0:16:59.440 --> 0:17:04.080
<v Speaker 1>is held does the animal form of the sky god Indra. Also,

0:17:04.119 --> 0:17:06.880
<v Speaker 1>it said that Indra granted the peacock its beautiful colors

0:17:07.119 --> 0:17:09.720
<v Speaker 1>after one of them extended its sale to hide him

0:17:09.800 --> 0:17:13.400
<v Speaker 1>during a battle with the demon king Ravna. The peacock

0:17:13.480 --> 0:17:17.440
<v Speaker 1>is an enemy of snakes and represents victory over evil tendencies.

0:17:17.640 --> 0:17:22.639
<v Speaker 1>And this is apparently based on real life because peacocks

0:17:22.640 --> 0:17:25.760
<v Speaker 1>in their natural habitat do eat small snakes. And of

0:17:25.800 --> 0:17:28.000
<v Speaker 1>course this reminds me a little bit of you know,

0:17:28.119 --> 0:17:30.560
<v Speaker 1>talking of what we've talked about concerning the kokatrice and

0:17:30.600 --> 0:17:31.320
<v Speaker 1>the basilisk.

0:17:31.760 --> 0:17:34.080
<v Speaker 3>Oh. I don't think I even mentioned this at the time,

0:17:34.119 --> 0:17:38.040
<v Speaker 3>but some sources say that the cockatrice the monster can

0:17:38.080 --> 0:17:40.960
<v Speaker 3>have a couple of enemies. One is the cry of

0:17:41.000 --> 0:17:44.119
<v Speaker 3>the rooster, so like the rooster's call can sort of

0:17:44.160 --> 0:17:47.800
<v Speaker 3>invalidate the cockatrice's magic or banish it. And then another

0:17:47.880 --> 0:17:50.399
<v Speaker 3>idea is that the weasel is the enemy of the

0:17:50.440 --> 0:17:52.000
<v Speaker 3>cockatrice and can defeat it.

0:17:52.600 --> 0:17:54.720
<v Speaker 1>The peacock is also held to be the vehicle of

0:17:54.720 --> 0:17:59.760
<v Speaker 1>the war god Kartikia. The crown of Lord Krishna often

0:17:59.760 --> 0:18:05.000
<v Speaker 1>features peacock feathers. It's apparently just generally a common symbol

0:18:05.040 --> 0:18:09.080
<v Speaker 1>of beauty throughout Hindu literature, often associated with joy as

0:18:09.119 --> 0:18:13.320
<v Speaker 1>well as Rain and Krishna. The writer here not the

0:18:13.840 --> 0:18:17.760
<v Speaker 1>mythological figure, also mentions that some traditions hold that Sita,

0:18:18.320 --> 0:18:21.119
<v Speaker 1>the love of Rama, was born from the egg of

0:18:21.160 --> 0:18:24.920
<v Speaker 1>a pea hen. He also mentions that the peacock may

0:18:24.960 --> 0:18:29.960
<v Speaker 1>represent compassion and watchfulness in Buddhist traditions, and that in

0:18:29.960 --> 0:18:34.200
<v Speaker 1>Tibetan Buddhism there are also connotations of immortality which will

0:18:34.200 --> 0:18:36.520
<v Speaker 1>come back to in a second and a symbol for

0:18:36.720 --> 0:18:41.199
<v Speaker 1>the universal antidote against the poisonous human emotional states. And

0:18:41.280 --> 0:18:45.199
<v Speaker 1>in Jainism, the peacock feather may ward away evil and

0:18:45.240 --> 0:18:48.480
<v Speaker 1>then finally, he also mentions in passing that peacocks are

0:18:48.520 --> 0:18:51.840
<v Speaker 1>apparently mentioned in the Bible is an import of King Solomon.

0:18:52.280 --> 0:18:55.120
<v Speaker 1>Now during the medieval period in Europe, they were favorite

0:18:55.119 --> 0:19:00.120
<v Speaker 1>inclusions in menageries and gardens, becoming important in European heraldry,

0:19:00.800 --> 0:19:04.640
<v Speaker 1>textiles and art, and of course, they also came up

0:19:04.680 --> 0:19:08.560
<v Speaker 1>as a prized food item. And yet even as this

0:19:08.680 --> 0:19:12.720
<v Speaker 1>exotic bird is selected for the dinner table, it retains

0:19:12.800 --> 0:19:17.400
<v Speaker 1>its novel qualities as well as some of its supernatural

0:19:17.480 --> 0:19:19.600
<v Speaker 1>and symbolic qualities. So you know, I guess, you know,

0:19:19.600 --> 0:19:24.680
<v Speaker 1>on the medieval European table and you know, into Renaissance times,

0:19:24.680 --> 0:19:26.240
<v Speaker 1>it's like you can have it both ways, that the

0:19:26.359 --> 0:19:29.400
<v Speaker 1>animal can be I guess, both symbolic and delicious.

0:19:29.840 --> 0:19:33.879
<v Speaker 3>So like if unicorns actually existed, you could take on

0:19:33.920 --> 0:19:36.720
<v Speaker 3>some of the symbolic I don't know, purity and holiness

0:19:36.720 --> 0:19:38.520
<v Speaker 3>of the unicorn by eating its flesh.

0:19:38.600 --> 0:19:44.640
<v Speaker 1>Maybe oh yeah, they would totally have spit roasted a unicorn. Now,

0:19:44.680 --> 0:19:48.000
<v Speaker 1>some select groups in India also historically ate the bird,

0:19:48.640 --> 0:19:51.840
<v Speaker 1>and we also have accounts that the ancient Romans enjoyed

0:19:51.840 --> 0:19:54.800
<v Speaker 1>peacock meat as well as the ostrich and various other

0:19:54.840 --> 0:19:59.680
<v Speaker 1>items in a Roman work titled on the subject of cooking,

0:20:00.359 --> 0:20:03.040
<v Speaker 1>a work that is attributed to a Roman by the

0:20:03.119 --> 0:20:07.560
<v Speaker 1>name of Apicius, though apparently there are two different Apiciuses

0:20:07.800 --> 0:20:11.280
<v Speaker 1>in the historical record that historians think this might have been.

0:20:11.680 --> 0:20:13.400
<v Speaker 1>So I'm not sure if we know with any degree

0:20:13.400 --> 0:20:17.119
<v Speaker 1>of accuracy, like who this was that wrote this? But

0:20:17.359 --> 0:20:21.000
<v Speaker 1>in on the subject of cooking. This is in translation,

0:20:21.080 --> 0:20:26.840
<v Speaker 1>of course, is stated entrees of peacock occupied the first rink,

0:20:27.119 --> 0:20:30.359
<v Speaker 1>provided they be dressed in such manner that the hard

0:20:30.440 --> 0:20:33.800
<v Speaker 1>and tough parts be tender. The second place in the

0:20:33.920 --> 0:20:40.200
<v Speaker 1>estimation of gourmets have dishes made of rabbit, third spiny lobster,

0:20:40.520 --> 0:20:42.520
<v Speaker 1>fourth comes chicken, and fifth young pig.

0:20:43.359 --> 0:20:43.679
<v Speaker 3>Wow.

0:20:46.000 --> 0:20:50.280
<v Speaker 1>So according to this source, peacock is right at the

0:20:50.280 --> 0:20:53.520
<v Speaker 1>top if you cook it right. And you know modern

0:20:53.520 --> 0:20:56.560
<v Speaker 1>American mainstays of chicken and pig, like, that's just down

0:20:56.600 --> 0:20:59.320
<v Speaker 1>the list. That's after your rabbit and your spiny lobster.

0:21:00.119 --> 0:21:05.879
<v Speaker 3>Beef doesn't even make the list. No love for fish,

0:21:05.960 --> 0:21:06.800
<v Speaker 3>Where's my goat?

0:21:08.720 --> 0:21:13.880
<v Speaker 1>Whoever Apicius was? The delicacies based on peacock tongues are

0:21:13.920 --> 0:21:17.199
<v Speaker 1>also attributed to him. But I wonder if even the

0:21:17.280 --> 0:21:20.800
<v Speaker 1>Romans ever considered such a tudor dish as listed by

0:21:20.920 --> 0:21:24.639
<v Speaker 1>Breverton in his book as redressed peacocks which seem alive,

0:21:25.000 --> 0:21:27.359
<v Speaker 1>and how to make them breathe fire through their mouth.

0:21:29.440 --> 0:21:31.600
<v Speaker 1>This is one of the listings from Tutor England that

0:21:31.640 --> 0:21:34.560
<v Speaker 1>he goes over it. So Basically this is this is

0:21:34.640 --> 0:21:38.919
<v Speaker 1>very similar to the gilded peacock. I'm assuming here it

0:21:38.960 --> 0:21:42.199
<v Speaker 1>amounts though to a complex First of all, you know,

0:21:42.240 --> 0:21:46.280
<v Speaker 1>butchering and then you know, spit roasting of said bird.

0:21:46.720 --> 0:21:50.679
<v Speaker 1>But then it's stuffed and mounted, and its skin and

0:21:50.720 --> 0:21:53.359
<v Speaker 1>its feathers are added back. And then on top of

0:21:53.359 --> 0:21:56.000
<v Speaker 1>everything else, they use some sort of of a fire

0:21:56.040 --> 0:22:01.080
<v Speaker 1>effect created via camphor, a waxy colorlesstance that burns at

0:22:01.080 --> 0:22:06.439
<v Speaker 1>a low temperature, So like some sort of little pyrotechnic

0:22:06.440 --> 0:22:09.720
<v Speaker 1>device inside the peacock's mouth so that as you serve

0:22:09.720 --> 0:22:11.080
<v Speaker 1>it, it is breathing fire.

0:22:11.440 --> 0:22:14.959
<v Speaker 3>Were peacock's thought to breathe fire in life? Or I

0:22:15.000 --> 0:22:16.320
<v Speaker 3>wonder what this is connecting to.

0:22:16.760 --> 0:22:18.119
<v Speaker 1>I mean, I guess it's just it's kind of like

0:22:18.240 --> 0:22:20.639
<v Speaker 1>lighting the candles on a birthday cake, right, or you know,

0:22:20.680 --> 0:22:23.639
<v Speaker 1>a flaming drink. You know, a little fire makes it

0:22:23.720 --> 0:22:26.040
<v Speaker 1>even more exciting. And so yeah, if you're going to

0:22:26.119 --> 0:22:28.399
<v Speaker 1>have an animal with its head on it, why not

0:22:28.480 --> 0:22:29.760
<v Speaker 1>have that head spitting fire?

0:22:30.040 --> 0:22:32.880
<v Speaker 3>Okay, yeah, blow out the peacock, honey. Yeah.

0:22:33.080 --> 0:22:36.400
<v Speaker 1>Now this leads us to another aspect that we kind

0:22:36.400 --> 0:22:39.080
<v Speaker 1>of touched on very briefly. We mentioned how the Romans said, Okay,

0:22:39.080 --> 0:22:41.480
<v Speaker 1>peacock flesh is the best, but you got to dress

0:22:41.520 --> 0:22:44.160
<v Speaker 1>it right, you got to cook it right so that

0:22:44.800 --> 0:22:46.119
<v Speaker 1>you don't have to deal with the heart and the

0:22:46.160 --> 0:22:49.040
<v Speaker 1>tough parts. You can make those parts tender. There does

0:22:49.080 --> 0:22:51.159
<v Speaker 1>seem to be a lot of discussion about just how

0:22:51.359 --> 0:22:55.840
<v Speaker 1>tough peacock meat can be. And this gets into this

0:22:56.000 --> 0:23:01.080
<v Speaker 1>idea that you also see sort of reverberating through even

0:23:01.119 --> 0:23:06.200
<v Speaker 1>ancient literature, the idea that the peacock's flesh did not rot,

0:23:06.359 --> 0:23:07.919
<v Speaker 1>that it was incorruptible.

0:23:08.359 --> 0:23:10.480
<v Speaker 3>This is getting more and more unicorn by the moment.

0:23:10.680 --> 0:23:11.040
<v Speaker 3>It is.

0:23:11.119 --> 0:23:14.240
<v Speaker 1>Really these are attributes you would expect to be applied

0:23:14.520 --> 0:23:17.920
<v Speaker 1>to the unicorn or something like that, and not a peacock,

0:23:17.960 --> 0:23:20.359
<v Speaker 1>which you know, it's like I grew up knowing people

0:23:20.359 --> 0:23:23.199
<v Speaker 1>who had peacocks wandering around their homes like it didn't

0:23:23.600 --> 0:23:26.359
<v Speaker 1>seem weird at all. It didn't seem like a magical creature,

0:23:26.359 --> 0:23:28.280
<v Speaker 1>you know. I mean, it's impressive, but not magical.

0:23:28.600 --> 0:23:31.960
<v Speaker 3>To be clear, this is not true. Peacocks rot when

0:23:31.960 --> 0:23:32.880
<v Speaker 3>they die.

0:23:32.960 --> 0:23:36.720
<v Speaker 1>Right, right, But this idea seems to go back aways.

0:23:37.880 --> 0:23:40.840
<v Speaker 1>I've seen it attributed to Aristotle, but I don't believe

0:23:40.880 --> 0:23:44.199
<v Speaker 1>he ever directly addressed it, though I think there were

0:23:44.240 --> 0:23:47.199
<v Speaker 1>some later authors who then kind of like tried to

0:23:48.200 --> 0:23:49.960
<v Speaker 1>tried to claim that, oh, well, he was aware of

0:23:49.960 --> 0:23:53.440
<v Speaker 1>this belief, and perhaps he's somehow alluding to it. Writers

0:23:53.480 --> 0:23:57.240
<v Speaker 1>such as Plenty and Plutarch would have they also discussed

0:23:57.320 --> 0:23:59.680
<v Speaker 1>the bird's links to traditions of immortality.

0:24:00.119 --> 0:24:01.560
<v Speaker 3>But where we really.

0:24:01.200 --> 0:24:04.520
<v Speaker 1>Find a firm example of this being discussed is in

0:24:04.880 --> 0:24:09.640
<v Speaker 1>the fifth century CE book on the City of God

0:24:09.640 --> 0:24:13.000
<v Speaker 1>against the Pagans, or the City of God, by Augustine

0:24:13.080 --> 0:24:16.040
<v Speaker 1>of Hippo. And I'm going to read for you hear

0:24:16.240 --> 0:24:22.159
<v Speaker 1>from the Marcus Dods translation, for who but God, the

0:24:22.200 --> 0:24:25.879
<v Speaker 1>creator of all things, has given to the flesh of

0:24:25.920 --> 0:24:31.080
<v Speaker 1>the peacock its antiseptic property. This property, when I first

0:24:31.119 --> 0:24:34.360
<v Speaker 1>heard of it, seemed to me incredible. But it happened

0:24:34.400 --> 0:24:37.240
<v Speaker 1>at Carthage that a bird of this kind was cooked

0:24:37.440 --> 0:24:40.960
<v Speaker 1>and served up to me, and taking a suitable slice

0:24:41.000 --> 0:24:44.240
<v Speaker 1>of flesh from its breast, I ordered it to be kept.

0:24:44.600 --> 0:24:47.320
<v Speaker 1>And when it had been kept as many days as

0:24:47.359 --> 0:24:51.440
<v Speaker 1>make any other flesh stinking, it was produced and set

0:24:51.480 --> 0:24:56.240
<v Speaker 1>before me and emitted no offensive smell. And after it

0:24:56.280 --> 0:24:59.719
<v Speaker 1>had been laid by for thirty days and more it

0:24:59.800 --> 0:25:02.639
<v Speaker 1>was still in the same state, and a year after

0:25:03.040 --> 0:25:06.240
<v Speaker 1>the same still except that it was a little more

0:25:06.480 --> 0:25:10.240
<v Speaker 1>shriveled and drier. Who gave to chaff such power to

0:25:10.320 --> 0:25:13.680
<v Speaker 1>freeze that it preserves snow buried under it, and such

0:25:13.800 --> 0:25:16.920
<v Speaker 1>power to warm that it ripens green fruit.

0:25:17.280 --> 0:25:19.240
<v Speaker 3>I don't think I understood that last sentence.

0:25:20.080 --> 0:25:23.000
<v Speaker 1>Well, he's tying it all into the power of God,

0:25:23.040 --> 0:25:28.680
<v Speaker 1>the creator, the chaff and the and the ripening of

0:25:28.720 --> 0:25:32.920
<v Speaker 1>green fruit. That's not directly involved with the peacock's flesh.

0:25:32.119 --> 0:25:35.920
<v Speaker 3>But it's some context of theological observation. Wow.

0:25:36.000 --> 0:25:38.040
<v Speaker 1>Right, And I have to say this may be the

0:25:38.200 --> 0:25:42.919
<v Speaker 1>single most impressive leftovers inspired theological argument or example of

0:25:42.960 --> 0:25:45.680
<v Speaker 1>all time, just hands down. I can't imagine that there's

0:25:45.680 --> 0:25:49.000
<v Speaker 1>a better one out there where like Augustine's Like, yeah,

0:25:48.560 --> 0:25:53.119
<v Speaker 1>I brought some food home from dinner and it did rot,

0:25:53.160 --> 0:25:56.640
<v Speaker 1>and a year later it's still good. What can I say?

0:25:56.760 --> 0:25:57.720
<v Speaker 1>Glory to the creator.

0:25:58.200 --> 0:26:00.720
<v Speaker 3>Imagine if you saw that video on when this was

0:26:00.720 --> 0:26:03.720
<v Speaker 3>of like the McDonald's burger, the wooden't rot that.

0:26:04.920 --> 0:26:08.400
<v Speaker 1>Yeah, I mean similar thing, right, Glory be to God.

0:26:09.000 --> 0:26:14.480
<v Speaker 1>But anyway, the peacock in large part due to this discussion,

0:26:15.520 --> 0:26:18.800
<v Speaker 1>but also you know, trailing off of other cultural and

0:26:18.880 --> 0:26:22.320
<v Speaker 1>religious connections. It becomes a symbol of not mere not

0:26:22.400 --> 0:26:25.080
<v Speaker 1>mere pride as you might expect from watching a peacock

0:26:25.840 --> 0:26:31.280
<v Speaker 1>stroll about, but of Christian eschatology, informed as well by

0:26:31.400 --> 0:26:35.679
<v Speaker 1>medieval ideas concerning their molting and the and also you know,

0:26:35.840 --> 0:26:38.919
<v Speaker 1>very real observations that they eat small snakes, and therefore

0:26:38.960 --> 0:26:41.560
<v Speaker 1>well maybe they're you know, they're killing and eating venomous serpents.

0:26:42.200 --> 0:26:44.760
<v Speaker 1>And so the peacock becomes a symbol of the resurrection

0:26:44.960 --> 0:26:48.840
<v Speaker 1>in early Christian art, you see it in early catacombs

0:26:48.880 --> 0:26:49.920
<v Speaker 1>and so forth.

0:26:50.280 --> 0:26:52.200
<v Speaker 3>And thus we shall dine upon it.

0:26:53.080 --> 0:26:55.399
<v Speaker 1>Yeah, I don't know, it's so interesting that you know,

0:26:55.440 --> 0:26:58.800
<v Speaker 1>a bird like this, you know, you know, it's very spectacular,

0:26:59.000 --> 0:27:02.280
<v Speaker 1>and it can take on all these additional meanings and

0:27:03.320 --> 0:27:05.920
<v Speaker 1>and so forth. But then also, you know, you come

0:27:05.960 --> 0:27:07.320
<v Speaker 1>down to it, it's like, let's put it on the

0:27:07.359 --> 0:27:10.159
<v Speaker 1>dinner table, let's make it look amazing, let's eat it.

0:27:10.760 --> 0:27:13.680
<v Speaker 1>I've never eaten peacock, but I would love to hear

0:27:13.680 --> 0:27:18.320
<v Speaker 1>from anyone out there who has, who can testify to

0:27:18.480 --> 0:27:20.439
<v Speaker 1>the corruptibility of its flash. But also just how does

0:27:20.440 --> 0:27:23.600
<v Speaker 1>it taste if prepared properly? What are your tips for

0:27:23.680 --> 0:27:24.440
<v Speaker 1>cooking peacock?

0:27:24.960 --> 0:27:27.480
<v Speaker 3>Yeah, if it's if it tends to be tougher than

0:27:27.560 --> 0:27:30.480
<v Speaker 3>your normal poultry like chicken or whatever. I would imagine

0:27:30.520 --> 0:27:33.439
<v Speaker 3>it's one of those things they do, like, you know,

0:27:33.480 --> 0:27:37.200
<v Speaker 3>a long cooking time on like maybe some kind of uh,

0:27:37.600 --> 0:27:41.159
<v Speaker 3>you know, peacock equivalent of cocoa van Yeah. Yeah.

0:27:41.240 --> 0:27:43.120
<v Speaker 1>I don't even know where you go to get peacock

0:27:43.240 --> 0:27:46.160
<v Speaker 1>meat officially, because I mean it's not like you can't

0:27:46.160 --> 0:27:47.480
<v Speaker 1>go to like what a fud Rucker is in the

0:27:47.520 --> 0:27:49.840
<v Speaker 1>nineteen nineties and get a peacock burger like you could

0:27:49.840 --> 0:27:53.200
<v Speaker 1>get like an Ostrich burger apparently, but at any rate.

0:27:53.280 --> 0:28:06.000
<v Speaker 3>I bet they got it at Walmart. All right, Well,

0:28:06.000 --> 0:28:07.520
<v Speaker 3>I wanted to come back to something I think we

0:28:08.000 --> 0:28:12.520
<v Speaker 3>alluded to a little bit in terms of extravagant meals

0:28:12.880 --> 0:28:18.200
<v Speaker 3>and performing meats. As you mentioned earlier, Rob, Yes, this

0:28:18.240 --> 0:28:22.560
<v Speaker 3>is the subject of ingastration, which is the culinary term

0:28:23.040 --> 0:28:28.480
<v Speaker 3>for stuffing one animal inside another. At this point, most

0:28:28.520 --> 0:28:31.360
<v Speaker 3>of you out there listening have probably heard of the

0:28:31.400 --> 0:28:36.240
<v Speaker 3>famous or infamous urducin, a three bird roast made of

0:28:36.280 --> 0:28:39.800
<v Speaker 3>a duck, a chicken, and a turkey, and I've seen

0:28:40.040 --> 0:28:43.400
<v Speaker 3>dispute about what order they are stuffed in. Now I

0:28:43.440 --> 0:28:46.600
<v Speaker 3>was reading that it's most often a duck stuffed inside

0:28:46.680 --> 0:28:49.440
<v Speaker 3>the body cavity of a chicken stuffed inside the body

0:28:49.440 --> 0:28:52.360
<v Speaker 3>cavity of a turkey. But sometimes it sounds like the

0:28:52.960 --> 0:28:56.000
<v Speaker 3>duck and chicken rolls are reversed and may just have

0:28:56.080 --> 0:28:58.080
<v Speaker 3>to do with how large each one you've got is.

0:28:59.240 --> 0:29:02.520
<v Speaker 3>But in most descriptions these birds are they're not stuffed

0:29:02.520 --> 0:29:06.160
<v Speaker 3>in whole with the bones at all. The bird carcasses

0:29:06.200 --> 0:29:09.240
<v Speaker 3>are fully deboned beforehand, so you take all the bones

0:29:09.280 --> 0:29:11.600
<v Speaker 3>out and just have the meat in the skin, and

0:29:11.640 --> 0:29:14.800
<v Speaker 3>then there's usually also some form of stuffing to pad

0:29:14.840 --> 0:29:16.240
<v Speaker 3>out the spaces in between.

0:29:16.920 --> 0:29:18.760
<v Speaker 1>I had to be reminded of this, but apparently my

0:29:18.840 --> 0:29:21.560
<v Speaker 1>brother in law made one of these years and years ago,

0:29:22.080 --> 0:29:25.000
<v Speaker 1>and the main surviving detail of it is that he

0:29:25.040 --> 0:29:27.040
<v Speaker 1>had to get up super early in the morning because

0:29:27.080 --> 0:29:29.240
<v Speaker 1>he did have to remove the bones from everything.

0:29:29.680 --> 0:29:33.040
<v Speaker 3>Deboning a whole poultry carcass is I have actually done

0:29:33.040 --> 0:29:35.600
<v Speaker 3>it before. It's a lot of work. Yeah, I'm sure

0:29:35.600 --> 0:29:38.960
<v Speaker 3>if you're an experienced butcher, it's you know, it's pretty easy.

0:29:39.000 --> 0:29:43.080
<v Speaker 3>But to my amateur hands. It was a task, I bet.

0:29:43.480 --> 0:29:45.920
<v Speaker 3>Though I have never made a turducan. This was just

0:29:46.040 --> 0:29:46.600
<v Speaker 3>a chicken.

0:29:46.960 --> 0:29:49.560
<v Speaker 1>I mean, I apparently ate of this tur duncan, but

0:29:50.280 --> 0:29:51.880
<v Speaker 1>this was a long time ago, and I have no

0:29:52.000 --> 0:29:53.600
<v Speaker 1>memories of what it might have tasted like.

0:29:54.360 --> 0:29:56.960
<v Speaker 3>So the tra ducan is something that I suspect is

0:29:57.280 --> 0:30:01.560
<v Speaker 3>referenced for comedy value at least a thousand times as

0:30:01.560 --> 0:30:05.560
<v Speaker 3>often as it is actually eaten. Not only because for

0:30:05.920 --> 0:30:07.640
<v Speaker 3>you know, many people for whom it is not a

0:30:07.640 --> 0:30:11.880
<v Speaker 3>regular part of their dining find in gastration of funny concept. Also,

0:30:12.040 --> 0:30:16.160
<v Speaker 3>I suspect because the word turducan contains the word turd.

0:30:17.080 --> 0:30:19.040
<v Speaker 1>That's true, It's just a funny sounding word.

0:30:19.360 --> 0:30:25.120
<v Speaker 3>Yes. Famously, the American football commentator John Madden talked about

0:30:25.160 --> 0:30:28.640
<v Speaker 3>the idea of a turduckan on some NFL event broadcasts

0:30:28.680 --> 0:30:32.760
<v Speaker 3>around Thanksgiving across the years. You know, I'm not a

0:30:32.760 --> 0:30:34.760
<v Speaker 3>football fan, so I knew nothing about this. I only

0:30:34.760 --> 0:30:36.920
<v Speaker 3>came across this because I was reading about it. But

0:30:37.000 --> 0:30:40.040
<v Speaker 3>I looked up some of these videos and it is

0:30:40.160 --> 0:30:43.240
<v Speaker 3>quite fun. He's Madden is talking about the true ducan

0:30:43.320 --> 0:30:48.880
<v Speaker 3>with an adorable combination of amusement and amazement. It's just like,

0:30:48.960 --> 0:30:51.000
<v Speaker 3>get a loo to this. I'm about to knock your

0:30:51.040 --> 0:30:55.320
<v Speaker 3>socks off. It's a chicken inside a turkey. And I

0:30:55.640 --> 0:30:58.640
<v Speaker 3>found this clip from a It's like some pre show

0:30:58.800 --> 0:31:02.520
<v Speaker 3>chatter for the Eagles versus the forty nine Ers game

0:31:03.080 --> 0:31:06.400
<v Speaker 3>on the Monday before Thanksgiving November two thousand and two,

0:31:06.480 --> 0:31:09.640
<v Speaker 3>and Robbie, I shared this video with you so hopefully

0:31:09.680 --> 0:31:11.960
<v Speaker 3>I can get your reaction to it. But this video

0:31:12.200 --> 0:31:14.880
<v Speaker 3>is one of the most like Year two thousand and

0:31:14.880 --> 0:31:18.800
<v Speaker 3>two things I've ever seen. So the announcer comes on

0:31:19.160 --> 0:31:21.920
<v Speaker 3>and they're like Monday night football pre Thanksgiving brought to

0:31:21.960 --> 0:31:26.320
<v Speaker 3>you by Budweiser, Brood Fresh in America, Touchstone Pictures, the

0:31:26.440 --> 0:31:30.240
<v Speaker 3>Hot Chit coming soon to theaters everywhere, and then there's

0:31:30.240 --> 0:31:33.520
<v Speaker 3>also an there's an ad for Radio Shack and then

0:31:33.600 --> 0:31:37.520
<v Speaker 3>an ad for Chrystler, and the tagline for Chrysler at

0:31:37.520 --> 0:31:42.640
<v Speaker 3>the time was love Equals Drive. Wow.

0:31:43.320 --> 0:31:46.520
<v Speaker 1>Yeah, I watched this video and yes, this was impressive.

0:31:46.560 --> 0:31:48.520
<v Speaker 1>I also am not a football fan. I know of

0:31:48.560 --> 0:31:52.200
<v Speaker 1>Madden from his many video games, but yeah, he gets

0:31:52.200 --> 0:31:52.600
<v Speaker 1>into it.

0:31:52.680 --> 0:31:55.240
<v Speaker 3>Literally, he made so many video games.

0:31:55.440 --> 0:31:58.720
<v Speaker 1>Yeah, yeah, prolific of time for that. Yeah.

0:31:58.800 --> 0:32:01.640
<v Speaker 3>Oh by the way, just important correction to what I

0:32:01.720 --> 0:32:03.880
<v Speaker 3>just said. JJ just chimed in because he watched the

0:32:03.920 --> 0:32:05.680
<v Speaker 3>video also to let us know that it was not

0:32:05.840 --> 0:32:10.000
<v Speaker 3>love equals drive. It was drive equals love. Though I

0:32:10.040 --> 0:32:12.680
<v Speaker 3>think by some principle of mathematics that works out to

0:32:12.720 --> 0:32:13.400
<v Speaker 3>the same thing.

0:32:13.800 --> 0:32:16.640
<v Speaker 1>I think, so right right, sure, it's got it.

0:32:16.680 --> 0:32:22.520
<v Speaker 3>I don't know, mathematicians let us know. But also so

0:32:22.560 --> 0:32:25.200
<v Speaker 3>the funny thing about this video is that Madden is

0:32:25.440 --> 0:32:28.840
<v Speaker 3>extolling the virtues of the tru ducan, Like he explains

0:32:28.920 --> 0:32:30.800
<v Speaker 3>what it is. He's like, yeah, it's you know, you

0:32:30.840 --> 0:32:33.240
<v Speaker 3>put this bird inside this bird and it's so great.

0:32:33.600 --> 0:32:37.680
<v Speaker 3>But then he also demonstrates how a turducan is structured

0:32:38.040 --> 0:32:41.080
<v Speaker 3>by he like brings the camera over to this prepared

0:32:41.240 --> 0:32:44.440
<v Speaker 3>roasted turducan and then just rips it apart with his

0:32:44.600 --> 0:32:46.280
<v Speaker 3>hands to show all the layers.

0:32:46.560 --> 0:32:48.440
<v Speaker 1>Oh my goodness, somebody spent all day on that.

0:32:49.080 --> 0:32:53.280
<v Speaker 3>Yeah. So who actually invented the turducan and win is

0:32:53.360 --> 0:32:56.760
<v Speaker 3>a matter of some dispute. The American Cajun and Creole

0:32:56.840 --> 0:33:00.640
<v Speaker 3>chef Paul Prudam at one point claimed he invented turducan

0:33:01.000 --> 0:33:03.920
<v Speaker 3>at a lodge in Wyoming at some point This probably

0:33:03.960 --> 0:33:06.080
<v Speaker 3>would have been in the nineteen sixties or maybe the

0:33:06.160 --> 0:33:10.360
<v Speaker 3>early seventies, though the first time he published his recipe

0:33:10.400 --> 0:33:12.600
<v Speaker 3>was in a cookbook in the eighties. And then a

0:33:12.640 --> 0:33:15.880
<v Speaker 3>couple of other Louisiana based chefs named Junior and Sammy

0:33:15.960 --> 0:33:19.080
<v Speaker 3>Herbert brothers who ran a butcher shop together in Louisiana.

0:33:19.400 --> 0:33:22.560
<v Speaker 3>They claimed they were the first to create it. So it's,

0:33:22.720 --> 0:33:24.920
<v Speaker 3>as far as I can tell, still in dispute when

0:33:24.920 --> 0:33:29.520
<v Speaker 3>the first authentic turducan was conceived. But part of the

0:33:29.560 --> 0:33:33.120
<v Speaker 3>problem with assigning credit for the invention of the turducan

0:33:33.360 --> 0:33:37.320
<v Speaker 3>is how close does a recipe have to be to count?

0:33:37.560 --> 0:33:40.000
<v Speaker 3>Because if you get a little looser in your criteria

0:33:40.160 --> 0:33:43.280
<v Speaker 3>and you just start looking for examples of birds stuffed

0:33:43.280 --> 0:33:47.320
<v Speaker 3>inside birds and cooked, examples start to go way back

0:33:47.480 --> 0:33:50.360
<v Speaker 3>hundreds or thousands of years into history. It's just the

0:33:50.440 --> 0:33:54.440
<v Speaker 3>question of who specifically did this combination in this order.

0:33:54.880 --> 0:33:56.880
<v Speaker 1>Well, Plus it also comes down to the question are

0:33:56.880 --> 0:33:58.720
<v Speaker 1>you talking about doubles are you talking about triples?

0:33:59.080 --> 0:34:02.680
<v Speaker 3>That's right, So I mentioned the idea of stunt food earlier.

0:34:03.120 --> 0:34:05.360
<v Speaker 3>You know, the cock and trice clearly seems to me

0:34:05.480 --> 0:34:09.160
<v Speaker 3>to be a kind of stunt food. But stuffing meats

0:34:09.200 --> 0:34:13.640
<v Speaker 3>inside meats, stuffing whole animal carcasses inside other animal carcasses

0:34:13.680 --> 0:34:16.520
<v Speaker 3>and then cooking them. That seems to me to be

0:34:16.800 --> 0:34:22.040
<v Speaker 3>like the quintessential stunt food. Like whatever actual unique pleasures

0:34:22.160 --> 0:34:25.360
<v Speaker 3>lie in the eating of three different kinds of poultry

0:34:25.400 --> 0:34:29.160
<v Speaker 3>meat all layered together and then cooked as opposed to

0:34:29.320 --> 0:34:32.319
<v Speaker 3>just you know, served on their own separately, I think

0:34:32.360 --> 0:34:35.440
<v Speaker 3>it's hard to deny that the primary appeal of this

0:34:35.600 --> 0:34:41.040
<v Speaker 3>kind of thing is conceptual novelty. The novelty, the extravagance,

0:34:41.160 --> 0:34:45.200
<v Speaker 3>the expense, and the difficulty imagined in the preparation. It's

0:34:45.239 --> 0:34:47.799
<v Speaker 3>the idea that, like, you didn't have to do this,

0:34:48.000 --> 0:34:51.799
<v Speaker 3>but you did it anyway. And you know, that's an

0:34:51.840 --> 0:34:54.279
<v Speaker 3>interesting thing to think about in food preparation because you

0:34:54.280 --> 0:35:00.200
<v Speaker 3>could represent that appeal in more sympathetic and less sympathetic way.

0:35:00.680 --> 0:35:04.399
<v Speaker 3>So in our cultural context, a more sympathetic view would

0:35:04.440 --> 0:35:07.760
<v Speaker 3>be that it's like an expression of creativity by a cook,

0:35:08.080 --> 0:35:12.040
<v Speaker 3>a desire for a challenge, a desire to delight diners

0:35:12.040 --> 0:35:15.160
<v Speaker 3>and your guests by giving them something new, like you

0:35:15.200 --> 0:35:18.400
<v Speaker 3>may have had poultry before, but not like this. And

0:35:18.440 --> 0:35:21.400
<v Speaker 3>then a less sympathetic view in our cultural context is

0:35:21.440 --> 0:35:24.440
<v Speaker 3>that it's about like showing off. You're showing off your

0:35:24.480 --> 0:35:28.200
<v Speaker 3>skill if you yourself or the cook, or maybe if

0:35:28.320 --> 0:35:31.200
<v Speaker 3>you're hiring the cook or buying this thing. It's about

0:35:31.200 --> 0:35:34.200
<v Speaker 3>showing off your power and wealth. So I want to

0:35:34.239 --> 0:35:36.480
<v Speaker 3>keep that in mind while we turn to one of

0:35:36.520 --> 0:35:40.880
<v Speaker 3>the most interesting antique accounts of in gastration that I

0:35:40.960 --> 0:35:43.600
<v Speaker 3>came across. And this is a story that was in

0:35:43.760 --> 0:35:46.760
<v Speaker 3>a book I found about the evolution of the human

0:35:46.800 --> 0:35:52.440
<v Speaker 3>diet by a University of Edinburgh biologist to name Jonathan Silvertown.

0:35:53.000 --> 0:35:55.960
<v Speaker 3>So the book is called Dinner with Darwin, Food, Drink

0:35:56.040 --> 0:35:59.600
<v Speaker 3>and Evolution, published by the University of Chicago Press in

0:35:59.719 --> 0:36:04.960
<v Speaker 3>twin and so Silvertown tells the story of this particular

0:36:05.080 --> 0:36:09.200
<v Speaker 3>in gastration project as follows. So the year is sixty

0:36:09.239 --> 0:36:13.360
<v Speaker 3>three BCE. This would have been during the Roman Republican period.

0:36:13.600 --> 0:36:17.200
<v Speaker 3>And in sixty three BCE there was a banquet held

0:36:17.239 --> 0:36:20.919
<v Speaker 3>in honor of the Roman statesman Cicero, who is still

0:36:20.960 --> 0:36:23.880
<v Speaker 3>known today for being a great orator and rhetorician, you know,

0:36:23.960 --> 0:36:27.040
<v Speaker 3>great giver of speeches. But he wasn't just a you know,

0:36:27.239 --> 0:36:29.439
<v Speaker 3>it wasn't just style points. For Cicero He was also

0:36:29.480 --> 0:36:33.320
<v Speaker 3>a very important power player in Roman politics at the time.

0:36:33.960 --> 0:36:36.640
<v Speaker 3>The host of this banquet for Cicero was one of

0:36:36.680 --> 0:36:41.400
<v Speaker 3>the richest citizens of Rome, a consul named Servilius Rullus.

0:36:42.160 --> 0:36:44.680
<v Speaker 3>And allegedly, you know that it starts off with some

0:36:44.719 --> 0:36:48.359
<v Speaker 3>appetizers early courses of the feast that went over extremely well.

0:36:48.400 --> 0:36:50.760
<v Speaker 3>The guests were very happy and in fact they burst

0:36:50.760 --> 0:36:55.200
<v Speaker 3>into applause after the appetizer courses. But the real centerpiece

0:36:55.239 --> 0:36:58.319
<v Speaker 3>of the feast would be the porcus troyanis or what

0:36:58.600 --> 0:37:02.960
<v Speaker 3>French authors would later the bore a la troyenne the

0:37:03.000 --> 0:37:06.560
<v Speaker 3>Trojan pig. Now why would it be called that? Your

0:37:06.760 --> 0:37:09.359
<v Speaker 3>mind might already be jumping to the answer, But if

0:37:09.360 --> 0:37:12.080
<v Speaker 3>you stick with me for a second, the description goes

0:37:12.160 --> 0:37:15.200
<v Speaker 3>that this dish is brought out on a giant silver

0:37:15.280 --> 0:37:18.880
<v Speaker 3>plate that takes four slaves to carry. The plate is.

0:37:19.239 --> 0:37:21.560
<v Speaker 3>The plate is huge, and on it there is a

0:37:21.760 --> 0:37:26.680
<v Speaker 3>roasted bore with baskets of dates hanging from its tusks,

0:37:26.760 --> 0:37:30.920
<v Speaker 3>which are still attached. And then it's surrounded by delicate

0:37:30.960 --> 0:37:35.600
<v Speaker 3>little pastries made to look like a brood of little piglets.

0:37:35.960 --> 0:37:39.360
<v Speaker 1>WHOA, it's already getting outrageous and we have all gotten

0:37:39.360 --> 0:37:40.200
<v Speaker 1>inside the pig.

0:37:40.280 --> 0:37:42.920
<v Speaker 3>You haven't even gone in yet. Yeah. Then they cut

0:37:42.960 --> 0:37:46.680
<v Speaker 3>open the roast bore to reveal that inside it there

0:37:46.760 --> 0:37:50.600
<v Speaker 3>is a second roast bore, and then inside the second

0:37:50.680 --> 0:37:54.040
<v Speaker 3>roast bore a third, and so on and so on,

0:37:54.480 --> 0:37:57.759
<v Speaker 3>giving way to smaller and smaller animals until the final core.

0:37:57.840 --> 0:37:59.920
<v Speaker 3>You reach the core, you know, the center of the

0:38:00.080 --> 0:38:03.160
<v Speaker 3>death star. What's down there? It's a tiny, little cooked bird.

0:38:03.640 --> 0:38:04.320
<v Speaker 1>Oh my goodness.

0:38:04.880 --> 0:38:08.400
<v Speaker 3>Now I enjoy cooking a challenging dish. But also this

0:38:08.520 --> 0:38:10.399
<v Speaker 3>is true for a lot of the dishes we've talked

0:38:10.400 --> 0:38:13.400
<v Speaker 3>about today, But for some reason, in this particular example,

0:38:14.200 --> 0:38:17.319
<v Speaker 3>I was just filled with horror imagining this dish made

0:38:17.360 --> 0:38:19.759
<v Speaker 3>by people who were not aware of germ theory and

0:38:19.880 --> 0:38:23.359
<v Speaker 3>did not have like time temperature charts for pasteurization. I'm

0:38:23.400 --> 0:38:26.160
<v Speaker 3>just feeling like that bird in the middle was not

0:38:26.320 --> 0:38:30.440
<v Speaker 3>cooked properly. Yeah, or if it was, everything else was

0:38:30.560 --> 0:38:33.880
<v Speaker 3>dry as heck. But anyway, so this is how you

0:38:33.920 --> 0:38:37.640
<v Speaker 3>get the name Trojan pig. As one Roman author tells us,

0:38:38.040 --> 0:38:41.279
<v Speaker 3>it was stuffed with smaller animals in the same way

0:38:41.280 --> 0:38:43.799
<v Speaker 3>that the Trojan horse of the Iliad was filled with

0:38:43.960 --> 0:38:47.239
<v Speaker 3>armed soldiers and I also like the implication that it

0:38:47.280 --> 0:38:50.319
<v Speaker 3>will launch a sneak attack on your body from the inside.

0:38:50.719 --> 0:38:52.879
<v Speaker 1>Well yeah, yeah, it sounds like it just might.

0:38:53.480 --> 0:38:56.280
<v Speaker 3>By the way, so this is the way that Silvertown

0:38:56.320 --> 0:38:58.480
<v Speaker 3>tells the story in the book, but elsewhere I've seen

0:38:58.480 --> 0:39:01.919
<v Speaker 3>alternate accounts. Apparently there are multiple ancient texts that mention

0:39:02.120 --> 0:39:05.640
<v Speaker 3>versions of this dish, and alternate accounts of the Trojan

0:39:05.640 --> 0:39:09.399
<v Speaker 3>pig describe it as a roast bore stuffed with cased sausages,

0:39:09.800 --> 0:39:11.880
<v Speaker 3>which were said when you cut open the bore to

0:39:11.960 --> 0:39:16.080
<v Speaker 3>spill out of the hog like intestines delicious.

0:39:16.640 --> 0:39:21.160
<v Speaker 1>Okay, maybe it's more amusing if you're like closer to

0:39:21.920 --> 0:39:22.960
<v Speaker 1>your butchery culture.

0:39:23.040 --> 0:39:27.400
<v Speaker 3>I guess, yeah, possibly so. In this book, the author

0:39:27.719 --> 0:39:32.520
<v Speaker 3>frames this within a discussion about the shifting pressures dictating

0:39:32.640 --> 0:39:37.640
<v Speaker 3>how we prepare food when our relationship to food resources changes.

0:39:38.640 --> 0:39:41.480
<v Speaker 3>You know, of course, with wild animals and for most humans,

0:39:41.480 --> 0:39:44.600
<v Speaker 3>for most of the history of our species, the primary

0:39:44.600 --> 0:39:47.160
<v Speaker 3>concern with food has just been making sure you have

0:39:47.440 --> 0:39:51.279
<v Speaker 3>enough access to the nutrients you need to survive. But

0:39:51.640 --> 0:39:55.200
<v Speaker 3>once humans get into a situation where there is what

0:39:55.520 --> 0:40:00.239
<v Speaker 3>feels like a dependable surplus of food, our attitude out

0:40:00.280 --> 0:40:04.680
<v Speaker 3>what food is for changes it becomes less about meeting

0:40:04.760 --> 0:40:08.279
<v Speaker 3>the metabolic energy needs of the body, and food can

0:40:08.320 --> 0:40:12.320
<v Speaker 3>be used for other things to achieve other important goals,

0:40:12.600 --> 0:40:16.399
<v Speaker 3>such as trying to boost social status. And I think

0:40:16.440 --> 0:40:19.400
<v Speaker 3>there's no doubt at all that in most cultures throughout

0:40:19.440 --> 0:40:24.400
<v Speaker 3>history there has been a social status benefit to being

0:40:24.440 --> 0:40:27.120
<v Speaker 3>a good host. That's like a I don't know if

0:40:27.120 --> 0:40:29.239
<v Speaker 3>I can say it's a cultural universal, but it's got

0:40:29.280 --> 0:40:31.560
<v Speaker 3>to be close to universal. Like being a good host

0:40:31.640 --> 0:40:34.839
<v Speaker 3>is widely recognized as a thing that makes you a

0:40:34.920 --> 0:40:38.440
<v Speaker 3>socially respectable person. And one of the ways you can

0:40:38.520 --> 0:40:41.280
<v Speaker 3>approach trying to gain a reputation as a good host

0:40:41.600 --> 0:40:45.880
<v Speaker 3>is by serving elaborate and impressive and delightful meals, not

0:40:45.920 --> 0:40:49.400
<v Speaker 3>only meeting your guest's energy needs, but beyond that giving

0:40:49.440 --> 0:40:53.440
<v Speaker 3>them goostatory pleasure, and then beyond that giving them novelty

0:40:53.480 --> 0:40:57.040
<v Speaker 3>in food, and then beyond that giving them excess just

0:40:57.120 --> 0:40:59.800
<v Speaker 3>for excess's sake, just to show them that you can

0:41:00.080 --> 0:41:04.560
<v Speaker 3>and you're willing to. So there's an interesting relationship here

0:41:04.600 --> 0:41:07.640
<v Speaker 3>that Silvertown points out as sort of a difference between

0:41:08.160 --> 0:41:13.960
<v Speaker 3>satisfying hunger and satisfying the need for status because hunger

0:41:14.120 --> 0:41:18.560
<v Speaker 3>is fundamentally hunger is both limited by some kind of

0:41:18.760 --> 0:41:22.840
<v Speaker 3>physical constraints on the body, but it's also insatiable in

0:41:22.880 --> 0:41:25.480
<v Speaker 3>the long term. So you can eat a meal, but

0:41:25.560 --> 0:41:28.080
<v Speaker 3>you can only eat so much until you're full. Even

0:41:28.080 --> 0:41:30.080
<v Speaker 3>if you've got a big appetite, you know there's going

0:41:30.160 --> 0:41:33.600
<v Speaker 3>to be a limit. And then also on the other end, eventually,

0:41:33.680 --> 0:41:36.760
<v Speaker 3>no matter how much you eat, your satiation will trend

0:41:36.920 --> 0:41:39.960
<v Speaker 3>down towards zero over time. So at some point, even

0:41:40.000 --> 0:41:41.560
<v Speaker 3>if you had a really big meal, you're going to

0:41:41.640 --> 0:41:44.000
<v Speaker 3>need to eat again. You meet the need, and then

0:41:44.040 --> 0:41:47.920
<v Speaker 3>overtime the need recurs. Pressure for social status, on the

0:41:47.960 --> 0:41:51.360
<v Speaker 3>other hand, can be subject to a positive feedback loop.

0:41:51.800 --> 0:41:55.880
<v Speaker 3>Silvertown Rights quote. My three bird roast raises my status

0:41:55.920 --> 0:41:59.080
<v Speaker 3>among my dinner guests, who then feel the need to reciprocate.

0:41:59.360 --> 0:42:02.560
<v Speaker 3>When everybody serving three bird roasts, I have become like

0:42:02.640 --> 0:42:05.120
<v Speaker 3>everyone else. So I go one better and show off

0:42:05.120 --> 0:42:08.279
<v Speaker 3>with a four bird roast. Four bird roasts become the

0:42:08.320 --> 0:42:10.600
<v Speaker 3>new norm, and so I have to go one better.

0:42:11.200 --> 0:42:13.600
<v Speaker 3>And you know, I was thinking about this and thinking

0:42:13.640 --> 0:42:17.359
<v Speaker 3>that they are actually different and more familiar ways This

0:42:17.400 --> 0:42:20.600
<v Speaker 3>can be acted out and socially understood. So we are

0:42:20.640 --> 0:42:25.040
<v Speaker 3>not all like Roman consuls or tutor British aristocrats jockeying

0:42:25.040 --> 0:42:29.600
<v Speaker 3>for political power. But the desire for status can manifest

0:42:29.840 --> 0:42:33.239
<v Speaker 3>to us in ways that seem more benign in our

0:42:33.280 --> 0:42:36.719
<v Speaker 3>cultural environment. So here's an example I'm thinking of. You

0:42:36.800 --> 0:42:40.399
<v Speaker 3>want to host a family Thanksgiving maybe, and you want

0:42:40.440 --> 0:42:42.919
<v Speaker 3>to make sure that the spread is really nice, so

0:42:42.920 --> 0:42:45.040
<v Speaker 3>that the people in your family and your friend group

0:42:45.040 --> 0:42:48.080
<v Speaker 3>who are attending will like you and will have a

0:42:48.120 --> 0:42:50.960
<v Speaker 3>good time, and will enjoy coming to your house at

0:42:50.960 --> 0:42:53.640
<v Speaker 3>the holidays and will want to spend time with you.

0:42:54.640 --> 0:42:58.120
<v Speaker 3>That is perfectly reasonable thing to want, and it feels

0:42:58.120 --> 0:43:01.440
<v Speaker 3>a lot less crass and cutthroat than the historical examples

0:43:01.520 --> 0:43:04.560
<v Speaker 3>you know of these, like Roman politicians. But I think

0:43:04.600 --> 0:43:07.080
<v Speaker 3>it's fair to say that this is still a way

0:43:07.080 --> 0:43:09.520
<v Speaker 3>of using food to boost our social status.

0:43:10.880 --> 0:43:12.799
<v Speaker 1>I think I think that's a good point. I mean,

0:43:12.840 --> 0:43:15.600
<v Speaker 1>it's like we are social animals, like we cannot help

0:43:15.640 --> 0:43:19.080
<v Speaker 1>but engage in those currents, whether it is about the

0:43:19.120 --> 0:43:23.080
<v Speaker 1>grander game of you know, thrones in politics, or if

0:43:23.120 --> 0:43:25.600
<v Speaker 1>it is about a much simpler and maybe more wholesome

0:43:25.640 --> 0:43:28.200
<v Speaker 1>game of just appealing to friends in love.

0:43:28.120 --> 0:43:30.879
<v Speaker 3>With right wanting to be liked and accepted by your

0:43:30.880 --> 0:43:34.240
<v Speaker 3>social circle, by your friends and family. Now to cite

0:43:34.280 --> 0:43:37.120
<v Speaker 3>a I don't want to judge too much, but a

0:43:37.160 --> 0:43:42.640
<v Speaker 3>potentially fine or potentially less wholesome feeling example from today.

0:43:42.680 --> 0:43:47.240
<v Speaker 3>Another variation is not actually physically hosting guests in person,

0:43:47.360 --> 0:43:51.400
<v Speaker 3>but like posting your impressive food creations on social media.

0:43:52.200 --> 0:43:54.319
<v Speaker 3>In that format, you don't actually have to go to

0:43:54.360 --> 0:43:58.680
<v Speaker 3>the trouble of hosting people, but you can still presumably

0:43:58.920 --> 0:44:02.919
<v Speaker 3>impress others and gain social status by digitally showing off

0:44:02.960 --> 0:44:06.920
<v Speaker 3>your turducan or whatever other impressive food creation on the gram.

0:44:07.320 --> 0:44:08.640
<v Speaker 1>Well, you know, it is one of those things that

0:44:08.680 --> 0:44:11.319
<v Speaker 1>I guess is kind of like doubly impressive, because not

0:44:11.400 --> 0:44:14.360
<v Speaker 1>only does it mean you can cook said dish, but

0:44:14.400 --> 0:44:18.520
<v Speaker 1>you also have the talent and skill to properly photograph

0:44:18.640 --> 0:44:21.520
<v Speaker 1>or film it. Those two skills don't always go hand

0:44:21.560 --> 0:44:21.920
<v Speaker 1>in hand.

0:44:22.040 --> 0:44:25.880
<v Speaker 3>Oh they don't. Yeah, yeah, I know. Food photography is

0:44:25.880 --> 0:44:28.279
<v Speaker 3>a real It's a thing people don't appreciate enough because

0:44:28.280 --> 0:44:31.920
<v Speaker 3>they consume like foo food photography all the time and

0:44:32.080 --> 0:44:35.040
<v Speaker 3>like don't realize how disgusting even a lot of really

0:44:35.040 --> 0:44:37.600
<v Speaker 3>good food looks. If you know the light conditions aren't

0:44:37.680 --> 0:44:40.799
<v Speaker 3>right and so forth. Yeah, But anyway, coming back to

0:44:40.840 --> 0:44:44.360
<v Speaker 3>the argument from this book, According to this author Silvertown,

0:44:44.840 --> 0:44:48.600
<v Speaker 3>this is why in a food surplus environment, where our

0:44:48.640 --> 0:44:52.920
<v Speaker 3>investments in food become more about promoting social status than

0:44:52.960 --> 0:44:56.480
<v Speaker 3>about simply satisfying the body's energy needs, there can be

0:44:56.560 --> 0:44:59.600
<v Speaker 3>a tendency to always try to go one better, to

0:44:59.680 --> 0:45:04.080
<v Speaker 3>keep one upping the social expectations, because the need for

0:45:04.160 --> 0:45:08.320
<v Speaker 3>status can have this this zero point adjusted to whatever

0:45:08.320 --> 0:45:11.880
<v Speaker 3>your cultural baseline is, which might feel to you like

0:45:11.920 --> 0:45:15.520
<v Speaker 3>it involves cramming seven chickens inside nine pigs for Thanksgiving

0:45:15.640 --> 0:45:19.280
<v Speaker 3>or whatever. But like you were saying, rob, it cuts

0:45:19.360 --> 0:45:22.799
<v Speaker 3>to a core biological reality about humans, which is that

0:45:23.080 --> 0:45:25.520
<v Speaker 3>we are not sharks. You know, we are a deeply

0:45:25.600 --> 0:45:29.920
<v Speaker 3>social species, and social reputation is nearly as important to

0:45:30.080 --> 0:45:33.359
<v Speaker 3>us as food. It's like barely under food in terms

0:45:33.400 --> 0:45:36.920
<v Speaker 3>of needs. It's core to our well being. And so

0:45:37.040 --> 0:45:40.680
<v Speaker 3>the desire to have a good reputation, to be liked

0:45:40.719 --> 0:45:44.880
<v Speaker 3>by friends and family, and to have you know, to

0:45:44.960 --> 0:45:49.160
<v Speaker 3>have positive social status, that that is something that it

0:45:49.239 --> 0:45:52.600
<v Speaker 3>cuts really deep to the human experience. It's a strong

0:45:52.760 --> 0:45:55.360
<v Speaker 3>need we have, and if you get in a cultural

0:45:55.400 --> 0:45:59.200
<v Speaker 3>situation where you feel like in order to meet those needs,

0:45:59.239 --> 0:46:02.279
<v Speaker 3>to meet that pressure, sure for for reputation and to

0:46:02.320 --> 0:46:04.080
<v Speaker 3>be liked and thought of as a good host, and

0:46:04.120 --> 0:46:08.200
<v Speaker 3>all that that you need to do increasingly impressive and

0:46:08.280 --> 0:46:10.560
<v Speaker 3>possibly even strange creations of food.

0:46:11.160 --> 0:46:11.279
<v Speaker 1>Uh.

0:46:11.680 --> 0:46:14.880
<v Speaker 3>That's you know, it can seem perfectly logical. It's just like,

0:46:14.920 --> 0:46:15.920
<v Speaker 3>this is what I've got to do.

0:46:16.360 --> 0:46:18.320
<v Speaker 1>Yeah, I mean it's I mean, this is the reason

0:46:18.400 --> 0:46:21.600
<v Speaker 1>why we have, you know, religious and mythological tales in

0:46:21.640 --> 0:46:24.960
<v Speaker 1>which it is it is stressed that you were you

0:46:25.000 --> 0:46:27.799
<v Speaker 1>were always good as a host because the people you

0:46:27.840 --> 0:46:30.399
<v Speaker 1>are entertaining they may seem like nobody, but they could

0:46:30.440 --> 0:46:33.480
<v Speaker 1>be gods in disguise, you know. Like that's how that's

0:46:33.520 --> 0:46:36.880
<v Speaker 1>how essential hosting is, uh to the human experience.

0:46:37.200 --> 0:46:37.919
<v Speaker 3>Yeah.

0:46:38.040 --> 0:46:40.200
<v Speaker 1>Now I want to sort of close things out in

0:46:41.120 --> 0:46:44.759
<v Speaker 1>maybe a less cerebral area. I want to talk very

0:46:44.760 --> 0:46:51.680
<v Speaker 1>briefly about tofurky because tofurky is also, I mean, I think, objectively,

0:46:52.120 --> 0:46:55.600
<v Speaker 1>a funny word. It makes me laugh anytime I see

0:46:55.600 --> 0:46:58.760
<v Speaker 1>a package of tofurkey at the store, and that alone

0:46:58.840 --> 0:47:00.080
<v Speaker 1>makes me want to buy it.

0:47:00.200 --> 0:47:03.120
<v Speaker 3>Can I do a ranking of words? Yeah, I'm gonna

0:47:03.120 --> 0:47:06.360
<v Speaker 3>say the least funny word is chicken. Turkey is a

0:47:06.400 --> 0:47:10.520
<v Speaker 3>funnier word than chicken. Tofurkey is a funnier word than turkey,

0:47:10.920 --> 0:47:13.360
<v Speaker 3>and turduck in is a funnier word than tofurkey.

0:47:14.080 --> 0:47:18.520
<v Speaker 1>Yes, I think that ranking is solid, but if you're

0:47:18.560 --> 0:47:21.920
<v Speaker 1>not familiar with tofurke, it is a holiday meat substitute,

0:47:21.960 --> 0:47:27.040
<v Speaker 1>really a feast meat substitute in a limited way. It's

0:47:27.040 --> 0:47:31.080
<v Speaker 1>a blend of wheat, protein and tofu. According to the

0:47:31.120 --> 0:47:35.520
<v Speaker 1>website of the official Tofurky product, like the company Anyway,

0:47:35.560 --> 0:47:38.279
<v Speaker 1>began in nineteen eighty when a teacher and naturalist by

0:47:38.320 --> 0:47:42.320
<v Speaker 1>the name of Seth Tibbott made some from scratch Tempe

0:47:42.480 --> 0:47:44.920
<v Speaker 1>to share it with friends in Portland, and then like

0:47:44.960 --> 0:47:47.239
<v Speaker 1>the company takes off and he eventually gives the world

0:47:47.360 --> 0:47:51.160
<v Speaker 1>tofurkey in nineteen ninety five as a vegan holiday roast,

0:47:51.200 --> 0:47:53.560
<v Speaker 1>which I mean, you know, the mid nineties, Like that's

0:47:53.920 --> 0:47:56.440
<v Speaker 1>as you for a lot of people, like that's early

0:47:56.520 --> 0:48:01.359
<v Speaker 1>in vegan cooking. You know, that's a time period where

0:48:01.360 --> 0:48:05.600
<v Speaker 1>I feel like it's more likely to be the punchline

0:48:05.640 --> 0:48:07.680
<v Speaker 1>on a late night joke. But I guess that's also

0:48:07.719 --> 0:48:10.960
<v Speaker 1>the beauty of the word tofurky. It is just innately

0:48:11.000 --> 0:48:13.360
<v Speaker 1>funny and is therefore going to wind up the subject

0:48:13.400 --> 0:48:16.280
<v Speaker 1>of late night jokes. But essentially what we're talking about

0:48:16.280 --> 0:48:19.800
<v Speaker 1>here is, yeah, a vegan meat substitute loaf filled with stuffing.

0:48:20.320 --> 0:48:22.759
<v Speaker 1>So you know, it does connect to these various traditions

0:48:22.800 --> 0:48:25.879
<v Speaker 1>of big roasts and stuffed meats, but with this meat

0:48:25.880 --> 0:48:30.200
<v Speaker 1>free twist, I still prefer feet of meat, but still

0:48:30.360 --> 0:48:33.680
<v Speaker 1>I admire the toferki and it makes me think, like,

0:48:33.760 --> 0:48:37.719
<v Speaker 1>what additional twists on these traditions we might see in

0:48:37.760 --> 0:48:41.480
<v Speaker 1>the near future, even either with our already robust imitation

0:48:41.560 --> 0:48:44.319
<v Speaker 1>meat capabilities, which really have come a long way since

0:48:44.360 --> 0:48:47.759
<v Speaker 1>the mid nineties. Some phenomenal meat substitutes out there. I'm

0:48:47.760 --> 0:48:50.320
<v Speaker 1>a big fan of several of them. But then also

0:48:50.360 --> 0:48:55.160
<v Speaker 1>we have the ever potential future of vat grown meat.

0:48:56.840 --> 0:49:00.359
<v Speaker 1>I always hear conflicting things about how far that, how

0:49:00.360 --> 0:49:04.280
<v Speaker 1>far off that is in terms of feasibility, but maybe

0:49:04.280 --> 0:49:07.200
<v Speaker 1>not so far off in terms of just pure you

0:49:07.200 --> 0:49:10.719
<v Speaker 1>know meat spectacle. You know, like you could imagine that

0:49:10.960 --> 0:49:15.200
<v Speaker 1>grown whatever being like the extravagant centerpiece, because it's like,

0:49:15.880 --> 0:49:17.960
<v Speaker 1>you know, it's not at the point yet, you know,

0:49:18.000 --> 0:49:20.320
<v Speaker 1>where it can be rolled out to everyone.

0:49:21.040 --> 0:49:22.960
<v Speaker 3>My God though, I mean the creator. Like, if you're

0:49:23.000 --> 0:49:26.320
<v Speaker 3>impressed by cramming together some crab legs and a turkey

0:49:26.360 --> 0:49:28.239
<v Speaker 3>to look like a face hug, or imagine what could

0:49:28.320 --> 0:49:30.600
<v Speaker 3>be done if you can actually like grow the meat

0:49:30.719 --> 0:49:34.160
<v Speaker 3>to a specified mold, you can make all kinds of things,

0:49:34.360 --> 0:49:37.080
<v Speaker 3>and that could also be an interesting uh yeah, like

0:49:37.200 --> 0:49:40.960
<v Speaker 3>a an extravagant kind of You know, it's probably not

0:49:41.080 --> 0:49:43.080
<v Speaker 3>cheap to do that, but if you really want to

0:49:43.080 --> 0:49:46.239
<v Speaker 3>impress your guests, it's like here, you're you're going to

0:49:46.280 --> 0:49:49.839
<v Speaker 3>eat a I don't know, a delicious unicorn head.

0:49:50.680 --> 0:49:53.719
<v Speaker 1>I mean, what do meats and up tasting like when

0:49:53.960 --> 0:49:56.839
<v Speaker 1>they are still on some level biologically meat, but they're

0:49:56.920 --> 0:50:00.640
<v Speaker 1>divorced from the concept of living animals and are subject

0:50:00.680 --> 0:50:04.440
<v Speaker 1>to human tinkering and engineering, Like you know, what strange

0:50:04.560 --> 0:50:07.359
<v Speaker 1>new tastes and forms are possible? I mean, I mean,

0:50:07.840 --> 0:50:10.080
<v Speaker 1>I guess we're pointing out that to certainly, to a

0:50:10.160 --> 0:50:14.520
<v Speaker 1>large extent, humans have already manipulated the taste and form

0:50:14.560 --> 0:50:19.160
<v Speaker 1>of various meats in their domesticated meat animals, but you know,

0:50:19.200 --> 0:50:21.280
<v Speaker 1>this would just take it to the next level potentially,

0:50:21.640 --> 0:50:24.400
<v Speaker 1>mm hmm. It depends, I guess to what extent you

0:50:24.480 --> 0:50:27.279
<v Speaker 1>feel like you have to stay in line with the

0:50:27.280 --> 0:50:32.440
<v Speaker 1>traditions and to what extent you can stray away from them.

0:50:32.800 --> 0:50:35.560
<v Speaker 1>But who knows, there could come a time when on

0:50:35.600 --> 0:50:39.040
<v Speaker 1>the same table you could serve both cock and trice

0:50:39.360 --> 0:50:41.919
<v Speaker 1>and cock a trice right there next to each other

0:50:42.400 --> 0:50:44.520
<v Speaker 1>on silver bladders.

0:50:45.280 --> 0:50:47.920
<v Speaker 3>Yeah. So, hey, folks out there, if you're listening and

0:50:47.960 --> 0:50:50.399
<v Speaker 3>you work in the in the lab grown meatfield, right

0:50:50.480 --> 0:50:52.560
<v Speaker 3>in and let us know, like how feasible is this?

0:50:52.600 --> 0:50:54.279
<v Speaker 3>Could you grow a cockatrice to eat?

0:50:54.960 --> 0:50:57.720
<v Speaker 1>Yeah, and the rest of you out there are pro chefs,

0:50:57.719 --> 0:51:00.880
<v Speaker 1>amateur chefs, et cetera. Right in with your your thoughts

0:51:00.920 --> 0:51:04.839
<v Speaker 1>and experiences with any of the recipes we've discussed in

0:51:04.880 --> 0:51:06.680
<v Speaker 1>this episode, we'd love to hear from you. Send your

0:51:06.680 --> 0:51:07.800
<v Speaker 1>food pictures as well.

0:51:07.640 --> 0:51:10.440
<v Speaker 3>We'll have a look up, especially if they look disgusting

0:51:10.520 --> 0:51:11.360
<v Speaker 3>because of the lighting.

0:51:12.200 --> 0:51:16.719
<v Speaker 1>We will not judge you on that count. A Right,

0:51:17.480 --> 0:51:19.680
<v Speaker 1>We're gonna go ahead and close out this episode, but

0:51:19.760 --> 0:51:21.440
<v Speaker 1>we'll just remind you that Stuff to Blow Your Mind

0:51:21.480 --> 0:51:24.000
<v Speaker 1>is primarily a science and culture podcast, with core episodes

0:51:24.040 --> 0:51:27.000
<v Speaker 1>on Tuesdays and Thursdays and on Fridays. We set aside

0:51:27.040 --> 0:51:29.320
<v Speaker 1>most serious concerns to just talk about a weird film

0:51:29.360 --> 0:51:30.680
<v Speaker 1>on Weird House Cinema.

0:51:31.120 --> 0:51:34.680
<v Speaker 3>Huge thanks as always to our excellent audio producer JJ Posway.

0:51:35.040 --> 0:51:36.719
<v Speaker 3>If you would like to get in touch with us

0:51:36.719 --> 0:51:39.120
<v Speaker 3>with feedback on this episode or any other, to send

0:51:39.200 --> 0:51:43.080
<v Speaker 3>us your interesting holiday creations, to suggest a topic for

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<v Speaker 3>the future, or just to say hi, you can email

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