1 00:00:00,880 --> 00:00:03,720 Speaker 1: On the be Dol cast. The questions asked if movies 2 00:00:03,760 --> 00:00:07,400 Speaker 1: have women in um, are all their discussions just boyfriends 3 00:00:07,400 --> 00:00:11,600 Speaker 1: and husbands or do they have individualism? The patriarchy? Zef 4 00:00:11,720 --> 00:00:15,800 Speaker 1: in best start changing it with the beck Del cast 5 00:00:16,640 --> 00:00:24,520 Speaker 1: and they all said, oh, I was about so covers 6 00:00:24,840 --> 00:00:35,880 Speaker 1: up cast? Do do do? No? Judi dench Um. Well 7 00:00:36,159 --> 00:00:44,040 Speaker 1: here we are welcome to the Bechtel cast or is 8 00:00:44,080 --> 00:00:51,159 Speaker 1: it the beck Dol Cats? So we're talking about cats 9 00:00:51,280 --> 00:00:57,920 Speaker 1: twenty nineteen, the famously bad Tom Hooper joint, Tom Hooper, 10 00:00:57,960 --> 00:01:02,880 Speaker 1: don't listen to her. We liked it. This actually works 11 00:01:02,880 --> 00:01:05,600 Speaker 1: out great, Caitlin, because you've been waiting for a movie 12 00:01:05,640 --> 00:01:09,320 Speaker 1: like this to come along for so long. The cat facts, 13 00:01:09,360 --> 00:01:14,399 Speaker 1: the cat the cat fact with Caitlin, what the cat facs? 14 00:01:15,480 --> 00:01:17,760 Speaker 1: I don't know what you mean. I've never heard this before. 15 00:01:17,920 --> 00:01:22,320 Speaker 1: You're talking about But if I said something about the 16 00:01:22,400 --> 00:01:24,200 Speaker 1: same fact every time, that's the joke. She does the 17 00:01:24,240 --> 00:01:29,319 Speaker 1: same fact every time. I think hundreds of times at 18 00:01:29,360 --> 00:01:33,800 Speaker 1: this right, I would remember that. Okay, guys, I'm joking, 19 00:01:33,800 --> 00:01:41,040 Speaker 1: Oh my god, wow, But yes, you're right, um. The 20 00:01:41,080 --> 00:01:45,360 Speaker 1: most important cat fact in the world is that cats 21 00:01:45,520 --> 00:01:48,000 Speaker 1: have eight nipples and that's cat facts with Caitlin. I 22 00:01:48,160 --> 00:01:52,680 Speaker 1: love to hear it. It's music to my ears. Um, 23 00:01:52,960 --> 00:01:57,440 Speaker 1: my name is Jamie Longs, my name's Cats Cat Cat 24 00:01:58,120 --> 00:02:09,720 Speaker 1: Cat durand I'm Jamie, Jamie, Jamie Jim. Oh. We don't 25 00:02:09,760 --> 00:02:13,600 Speaker 1: have to be thrilled about that, but it's true. Um, 26 00:02:13,600 --> 00:02:16,440 Speaker 1: this is the Veteal Cast. This is our movie podcast 27 00:02:16,520 --> 00:02:21,520 Speaker 1: about the portrayal of women in film. Yes, for this episode, 28 00:02:21,560 --> 00:02:26,200 Speaker 1: it will be about the portrayal of female coded cats. 29 00:02:26,720 --> 00:02:28,840 Speaker 1: The cats gender each other. I mean we just have 30 00:02:28,919 --> 00:02:31,280 Speaker 1: to kind of take the cat's words for it. We 31 00:02:31,320 --> 00:02:36,720 Speaker 1: don't see any junk to Jason Derulo's dismay. Klen I 32 00:02:36,720 --> 00:02:40,040 Speaker 1: went to a holiday party at Madame Tussod's, which, first 33 00:02:40,040 --> 00:02:41,600 Speaker 1: of all, I don't even think that it's a brag. 34 00:02:41,639 --> 00:02:44,480 Speaker 1: I think that that's just kind of unfortunate. Um. But 35 00:02:44,960 --> 00:02:50,560 Speaker 1: and Jason Drulo has a prominently displayed wax figure and 36 00:02:51,360 --> 00:02:53,120 Speaker 1: he they do not take his bulge out at the 37 00:02:53,120 --> 00:02:58,000 Speaker 1: wax Museum. It's there. It's to the left, and and 38 00:02:58,080 --> 00:03:00,400 Speaker 1: his wax figure is mid jump. I don't know what 39 00:03:00,400 --> 00:03:03,280 Speaker 1: he's jumping towards. I don't know what it's a reference to. 40 00:03:03,560 --> 00:03:06,440 Speaker 1: He's jumping towards his role in Cats. Jason Derulo is 41 00:03:06,480 --> 00:03:11,360 Speaker 1: famously obsessed with his own penis and it really it 42 00:03:11,440 --> 00:03:14,040 Speaker 1: really comes alive and the Madam two sides, so that 43 00:03:14,040 --> 00:03:18,959 Speaker 1: this is that that that's a paid advertisements in Hollywood. 44 00:03:18,960 --> 00:03:23,320 Speaker 1: You gotta check it out. Jason Drulis Dick is huge there, right, 45 00:03:23,680 --> 00:03:26,160 Speaker 1: and that did not pass the Bechdel tests? But why 46 00:03:26,160 --> 00:03:28,359 Speaker 1: what does the Bedel test? Well, gee whiz, I'm glad 47 00:03:28,400 --> 00:03:31,720 Speaker 1: you asked um. It is a media metric created by 48 00:03:31,800 --> 00:03:35,240 Speaker 1: cartoonist Alison Bechdel, sometimes called the Bechdel Wallace test, in 49 00:03:35,320 --> 00:03:43,520 Speaker 1: which two female identifying characters or cat ticktors. Now you're right, 50 00:03:43,560 --> 00:03:49,440 Speaker 1: you're right. They must have jelical names, and they must 51 00:03:49,680 --> 00:03:54,200 Speaker 1: me out to each other about and it can't be 52 00:03:54,240 --> 00:03:58,080 Speaker 1: about rum Tum Tugger or Gus the theater cat or 53 00:03:58,360 --> 00:04:01,200 Speaker 1: Mr Mustaphili even if you want to talk, and and 54 00:04:01,400 --> 00:04:05,680 Speaker 1: it can't even be about Skimble Shanks. And most movies 55 00:04:05,760 --> 00:04:08,960 Speaker 1: can't get through a conversation without bringing up Skimble Shanks. 56 00:04:09,000 --> 00:04:13,320 Speaker 1: The real life. It's a huge problem facing Hollywood today. 57 00:04:13,440 --> 00:04:16,360 Speaker 1: I don't know if it's internalized misogyny, but skimble Shanks 58 00:04:16,440 --> 00:04:21,039 Speaker 1: is my top cat. I know, I know the optics 59 00:04:21,040 --> 00:04:27,000 Speaker 1: are bad, but Skimble the rail way cat, I can't 60 00:04:27,000 --> 00:04:30,960 Speaker 1: resist him. I've seen the movie now in theaters three times, 61 00:04:31,000 --> 00:04:35,240 Speaker 1: same together, once together at once. The second time I 62 00:04:35,240 --> 00:04:39,480 Speaker 1: saw it was with a big group of mostly comedians, um. 63 00:04:39,520 --> 00:04:41,919 Speaker 1: And one of them was friend of the cast, Daniel 64 00:04:42,000 --> 00:04:44,760 Speaker 1: Radford of the Cats. Friend, I'm so sorry, friend of 65 00:04:44,800 --> 00:04:49,520 Speaker 1: the Cats. She was our guest on the Fifth Element episode. UM, 66 00:04:49,560 --> 00:04:53,680 Speaker 1: and I just wanted her to share her her takes 67 00:04:53,839 --> 00:04:58,000 Speaker 1: on the film Cats. So I we recorded a little, 68 00:04:58,440 --> 00:05:02,200 Speaker 1: just a little sound clips from her side, and uh, 69 00:05:02,520 --> 00:05:07,279 Speaker 1: let's let's play that now. I'm here with Daniel Radford. 70 00:05:07,360 --> 00:05:11,120 Speaker 1: She was our guest on the Fifth Element episode and 71 00:05:11,240 --> 00:05:17,040 Speaker 1: we just saw Cats together, and uh, here are Danielle's takes. 72 00:05:19,200 --> 00:05:21,200 Speaker 1: First of all, this is now made it into my 73 00:05:21,279 --> 00:05:23,720 Speaker 1: top five bad movies. I love it so much. I 74 00:05:23,760 --> 00:05:25,960 Speaker 1: did cry. I laughed at all the wrong parts. Hey, 75 00:05:26,040 --> 00:05:29,200 Speaker 1: all of these actors reserved better. Beat that aggressive gray 76 00:05:29,240 --> 00:05:31,560 Speaker 1: cat who thinks he's in charge. Needs to stop coming 77 00:05:31,600 --> 00:05:35,160 Speaker 1: at me so much. Um, Judy Dench looks like it 78 00:05:35,240 --> 00:05:38,680 Speaker 1: looks like the cowardly lion, and I cannot unsee it. Um. 79 00:05:38,800 --> 00:05:42,719 Speaker 1: Francesco the Ballet was great, But why did they sweeten 80 00:05:42,800 --> 00:05:46,039 Speaker 1: her audio and they didn't sweeten Tata's audio? Um, I 81 00:05:46,080 --> 00:05:51,000 Speaker 1: have a conspiracy theory. I will not announce it. Um. 82 00:05:51,000 --> 00:05:53,520 Speaker 1: Oh my god, what else? Um? Cats is literally I'm 83 00:05:53,520 --> 00:05:56,360 Speaker 1: going to watch this um every Christmas. This is going 84 00:05:56,400 --> 00:06:00,479 Speaker 1: to be my Christmas story. Oh. Also, I didn't believe 85 00:06:00,520 --> 00:06:01,800 Speaker 1: it was going to be as horny as it was. 86 00:06:01,839 --> 00:06:06,000 Speaker 1: It was so so so horny. Like literally, it's a 87 00:06:06,000 --> 00:06:08,000 Speaker 1: shame that they had to like photoshop at all the 88 00:06:08,040 --> 00:06:16,120 Speaker 1: dicks because because Victoria was looking forward dick um like 89 00:06:16,240 --> 00:06:22,000 Speaker 1: Mr Mrs dig especially. Yeah, they were really I I did. 90 00:06:22,040 --> 00:06:23,920 Speaker 1: I cried. I cried a whole bunch and I laughed 91 00:06:23,920 --> 00:06:26,600 Speaker 1: a whole bunch because it's really ridiculous. This is one 92 00:06:26,640 --> 00:06:29,000 Speaker 1: of those movies where in every bad movie, there is 93 00:06:29,080 --> 00:06:32,080 Speaker 1: one actor who knows what movie they're in exactly. It 94 00:06:32,240 --> 00:06:37,520 Speaker 1: just Elma knows exactly what movie he's in. He knows exactly. 95 00:06:37,600 --> 00:06:40,760 Speaker 1: There's no point where he just goes and then disappears. 96 00:06:41,560 --> 00:06:45,839 Speaker 1: He goes, he knows what movies he's in, and he's 97 00:06:45,880 --> 00:06:49,960 Speaker 1: having the greatest of times, and God bless him and 98 00:06:50,040 --> 00:06:55,040 Speaker 1: God bless America. Also, Um, you didn't have to do 99 00:06:55,080 --> 00:06:58,120 Speaker 1: that accent, babe, Oh yeah, that song is actually not 100 00:06:58,160 --> 00:07:00,240 Speaker 1: really done in an accent. And then like you don't 101 00:07:00,320 --> 00:07:04,760 Speaker 1: have to do that. And also there's just like way 102 00:07:04,800 --> 00:07:08,640 Speaker 1: too many members of like this, like dames and surs 103 00:07:08,640 --> 00:07:12,320 Speaker 1: in this. Just everything, this entire cast deserved better, and 104 00:07:12,360 --> 00:07:16,400 Speaker 1: they all acted. Jennifer Hudson acted her ass off in this, 105 00:07:16,960 --> 00:07:21,160 Speaker 1: and like she clearly goes to the Viola Davis school 106 00:07:21,200 --> 00:07:23,840 Speaker 1: of acting. Words just sucking snut running down your face 107 00:07:24,360 --> 00:07:27,720 Speaker 1: and I get it, um, But also like no one 108 00:07:27,800 --> 00:07:30,680 Speaker 1: told you, who told you to act this hard? And 109 00:07:30,880 --> 00:07:34,680 Speaker 1: the disappearing and reappearing of shoes on people and the disappearing, 110 00:07:34,720 --> 00:07:37,720 Speaker 1: reappearing hands. I think we saw the cut before they 111 00:07:37,760 --> 00:07:40,400 Speaker 1: sweetened it, um and fixed it, and I'm so glad 112 00:07:40,440 --> 00:07:41,760 Speaker 1: we did. And I think those are my takes. I 113 00:07:41,760 --> 00:07:43,600 Speaker 1: can really talk about cats for an hour, and I 114 00:07:43,640 --> 00:07:47,280 Speaker 1: probably will when Screen Junkies comes back from break. Thank you, 115 00:07:47,360 --> 00:07:53,480 Speaker 1: Danielle um okay, thanks thanks Thanelle. A friend of the 116 00:07:53,480 --> 00:07:55,760 Speaker 1: cast and a friend of the cats. Indeed indeed and 117 00:07:56,080 --> 00:08:02,040 Speaker 1: icon um well of let's get into it our guest today. 118 00:08:02,280 --> 00:08:07,080 Speaker 1: She is an animal expert. She is pro bird rights 119 00:08:07,120 --> 00:08:11,800 Speaker 1: on Twitter. She's host of Creature Feature Podcast. It's Katie Golden. Hey, 120 00:08:11,800 --> 00:08:15,920 Speaker 1: there are you guys coming into Hard? I've got a 121 00:08:16,640 --> 00:08:23,760 Speaker 1: I got a cold. I watched damn It. Yeah, coming 122 00:08:23,800 --> 00:08:26,080 Speaker 1: to see see what I mean. I'm coming into twenty 123 00:08:26,200 --> 00:08:29,320 Speaker 1: twenty so hard. I just jumped back a whole year. 124 00:08:29,840 --> 00:08:32,920 Speaker 1: Yeah so UM. For those of you who don't know me, 125 00:08:33,040 --> 00:08:37,760 Speaker 1: my voice doesn't normally sound so beautifully low and and 126 00:08:37,840 --> 00:08:41,520 Speaker 1: gritty like an action hero. I'm a little I like it, husky, 127 00:08:41,640 --> 00:08:44,000 Speaker 1: it's it's it's really nice. I actually like it better 128 00:08:44,040 --> 00:08:46,640 Speaker 1: than my normal voice because now I can like say 129 00:08:46,679 --> 00:08:52,280 Speaker 1: things like darling that just is not working for you. Um. 130 00:08:52,320 --> 00:08:56,480 Speaker 1: And I spent my time being sick by watching cats, 131 00:08:56,880 --> 00:09:01,840 Speaker 1: um and sinking a about them and the detail on 132 00:09:01,920 --> 00:09:07,559 Speaker 1: their hairy bodies. Before we really jump into it, gals, 133 00:09:08,240 --> 00:09:12,120 Speaker 1: which cat do you most identify this? You know, Jamie, 134 00:09:12,200 --> 00:09:14,480 Speaker 1: that's a really good question. I think it's something that 135 00:09:14,520 --> 00:09:16,480 Speaker 1: we all have to confront. It's the same. It's it's 136 00:09:16,520 --> 00:09:19,560 Speaker 1: the Sex and the City quiz of our Which cat 137 00:09:19,600 --> 00:09:24,520 Speaker 1: from cats are you? I feel like I'm exposition cat. Oh, 138 00:09:24,600 --> 00:09:27,720 Speaker 1: you're the the one that no one knows because they're like, 139 00:09:27,760 --> 00:09:30,040 Speaker 1: you're like, what is his name? He talks so much, 140 00:09:30,080 --> 00:09:32,520 Speaker 1: talks a lot, but he doesn't even like every cat 141 00:09:32,600 --> 00:09:35,920 Speaker 1: gets an introduction song except for him. I can see 142 00:09:35,960 --> 00:09:38,880 Speaker 1: it's that guy. Yeah, yeah, I'm the cat that cannot 143 00:09:38,880 --> 00:09:42,200 Speaker 1: be ignored. That's I'm a Skimble shanks. I love Skimble. 144 00:09:42,480 --> 00:09:44,840 Speaker 1: He's my favorite part. I've been listening to the sound drag. 145 00:09:45,000 --> 00:09:50,559 Speaker 1: I like that he has these tight, tight, impossibly tight 146 00:09:50,640 --> 00:09:55,679 Speaker 1: overalls because they had they had a chance to not 147 00:09:55,840 --> 00:09:59,000 Speaker 1: show us one of the male cat's packages, and they're like, 148 00:09:59,040 --> 00:10:00,400 Speaker 1: you know what, No, We're going to you the brave 149 00:10:00,480 --> 00:10:03,840 Speaker 1: choice and give him skin tight overalls, which is weird 150 00:10:03,880 --> 00:10:08,679 Speaker 1: because they deny drul Oh. But then they give it 151 00:10:08,720 --> 00:10:13,520 Speaker 1: to Skimble. We can see a little bit, we can 152 00:10:13,559 --> 00:10:16,160 Speaker 1: and also like his his butt is just like two 153 00:10:16,160 --> 00:10:19,960 Speaker 1: eggs in a handkerchief. Eggs and a handkerchief that will 154 00:10:20,000 --> 00:10:23,640 Speaker 1: hunt me until I die. You're welcome. You can kind 155 00:10:23,679 --> 00:10:27,199 Speaker 1: of tell this movie is made up of famous people 156 00:10:27,720 --> 00:10:32,640 Speaker 1: and professional ballerinas and the divide whenever you don't know 157 00:10:32,679 --> 00:10:37,160 Speaker 1: who it is, it's a famous ballet dancer basically, or 158 00:10:37,280 --> 00:10:40,640 Speaker 1: dancer in general, because Skimball is a dancer. He's a 159 00:10:40,679 --> 00:10:44,120 Speaker 1: tap boy, he's a he's a he's a tapper um. 160 00:10:44,280 --> 00:10:47,160 Speaker 1: And then you've got Francesca Hayward who's like one of 161 00:10:47,200 --> 00:10:50,439 Speaker 1: the main dancers, a principal dancer in the Royal Ballet 162 00:10:50,520 --> 00:10:53,720 Speaker 1: and London. And then yeah, whenever you don't know who 163 00:10:53,800 --> 00:10:56,240 Speaker 1: it is, it's just it's a it's a European dancer. 164 00:10:56,880 --> 00:11:01,080 Speaker 1: That's just it's just the rule. Except for Mr must Files. 165 00:11:01,120 --> 00:11:03,400 Speaker 1: He's just some guy that I think is hot. And 166 00:11:03,440 --> 00:11:06,840 Speaker 1: he spent half of the movie near tears, which I 167 00:11:06,880 --> 00:11:12,040 Speaker 1: thought it was an honorable acting job, but also kind 168 00:11:12,080 --> 00:11:15,959 Speaker 1: of like it really also represented the audience. I felt 169 00:11:15,960 --> 00:11:17,880 Speaker 1: like he was sort of the you know, the what 170 00:11:18,040 --> 00:11:20,080 Speaker 1: is it like when you're it's like the self insert character? 171 00:11:20,280 --> 00:11:23,120 Speaker 1: Oh just see like the avatar that you're paying and 172 00:11:23,120 --> 00:11:26,080 Speaker 1: I know where it's that's supposed to be Victoria the 173 00:11:26,120 --> 00:11:28,719 Speaker 1: cat because she has no personality, but I'm most I 174 00:11:28,760 --> 00:11:31,680 Speaker 1: guess that's the cat I most identified with is because 175 00:11:31,679 --> 00:11:35,760 Speaker 1: he was near tears the whole time. Mr m And 176 00:11:35,800 --> 00:11:37,319 Speaker 1: he has a good I want to make my cat 177 00:11:37,320 --> 00:11:40,520 Speaker 1: a jacket like that. That's good. He's got a good jacket. 178 00:11:40,520 --> 00:11:42,520 Speaker 1: I would actually kind of like that jacket for myself. 179 00:11:43,040 --> 00:11:45,200 Speaker 1: I do it. He's got he's got one of my 180 00:11:45,200 --> 00:11:49,040 Speaker 1: favorite songs. I think that's my favorite. Which one is? 181 00:11:49,040 --> 00:11:56,120 Speaker 1: Is that my career is? I got rum Tom Tugger 182 00:11:56,200 --> 00:11:58,680 Speaker 1: is also up there in terms of I mean, he's 183 00:11:58,679 --> 00:12:02,640 Speaker 1: a curious cat. I would that in general, to get 184 00:12:02,720 --> 00:12:05,920 Speaker 1: into the gender discussion right off the bat, the songs 185 00:12:05,960 --> 00:12:10,720 Speaker 1: are generally better for the male cats or that that's subjective. 186 00:12:11,120 --> 00:12:14,200 Speaker 1: And of course Jennifer Hudson gets memory the classic. True, 187 00:12:14,640 --> 00:12:17,280 Speaker 1: but I think that that's like the only for me. 188 00:12:17,920 --> 00:12:21,800 Speaker 1: We don't hardly get to know any female cats at all. 189 00:12:21,920 --> 00:12:25,240 Speaker 1: Most there's Jenny, any dots, there's Jenny, and there's Victoria, 190 00:12:25,280 --> 00:12:27,480 Speaker 1: who like I think, Okay, well, I guess if we're 191 00:12:27,480 --> 00:12:30,000 Speaker 1: breaking it down, the male cats that we get to 192 00:12:30,080 --> 00:12:35,320 Speaker 1: know are bust for Jones, Rumtum Tugger, he's curious male cats. 193 00:12:35,360 --> 00:12:39,400 Speaker 1: By here, here's my my animal knowledge chiming in here. 194 00:12:39,679 --> 00:12:44,520 Speaker 1: Male cats are called Tom's Tom's okay, and neutered female 195 00:12:44,520 --> 00:12:50,880 Speaker 1: cats are called queens. I love it. Sorry, not not unter. Sorry, 196 00:12:51,160 --> 00:12:55,760 Speaker 1: unneutered is males unspaced? Okay? So would you say you 197 00:12:55,840 --> 00:12:58,800 Speaker 1: have some cat facts, then those are well, those that's 198 00:12:58,840 --> 00:13:00,960 Speaker 1: it though, those are these are the only cat pacts 199 00:13:01,000 --> 00:13:04,559 Speaker 1: you get if you have any questions about the accuracy 200 00:13:04,600 --> 00:13:08,120 Speaker 1: of the cats in the movie. Um, but should cats 201 00:13:08,160 --> 00:13:13,800 Speaker 1: be wearing suits and have human penis bulges? Well, just 202 00:13:13,880 --> 00:13:17,760 Speaker 1: in your professional opinion, human penis bulges, Well no, I 203 00:13:17,800 --> 00:13:20,240 Speaker 1: mean the problem with the penis bulges is they're not 204 00:13:20,480 --> 00:13:23,680 Speaker 1: barbed enough, like they're not spiking enough. That's the problem 205 00:13:23,840 --> 00:13:26,400 Speaker 1: is that if you're gonna so the cats penis is 206 00:13:26,520 --> 00:13:30,400 Speaker 1: sheathed normally. So that's why you don't see cats bounding 207 00:13:30,440 --> 00:13:33,800 Speaker 1: around with big flopping wieners hanging out their sheet. Um, 208 00:13:33,960 --> 00:13:37,240 Speaker 1: and that means they they're sort of retractable thing. And 209 00:13:37,559 --> 00:13:40,880 Speaker 1: but once when the cat penis is unsheathed, when they 210 00:13:40,880 --> 00:13:44,680 Speaker 1: have drawn their penis as for a duel, Um drawn 211 00:13:44,720 --> 00:13:47,680 Speaker 1: my penis like one of your French girls drama penis 212 00:13:47,720 --> 00:13:50,440 Speaker 1: like one of your fresh gills, and um, it is 213 00:13:50,480 --> 00:13:54,240 Speaker 1: covered in little barbs and uh, they're very weird looking. 214 00:13:54,280 --> 00:13:57,560 Speaker 1: They're kind of cool. Um. And the cat mating thing 215 00:13:57,720 --> 00:14:00,480 Speaker 1: is is a whole trip. I don't know how detail 216 00:14:00,520 --> 00:14:03,320 Speaker 1: do you want. I mean, we'll get to it. Yeah, 217 00:14:03,559 --> 00:14:05,680 Speaker 1: we can get into that later. But to get to 218 00:14:06,240 --> 00:14:09,600 Speaker 1: just for the breakdown of how many male songs versus female. 219 00:14:10,440 --> 00:14:13,360 Speaker 1: James Cordon gets a song, Jason Derulo gets a song 220 00:14:13,840 --> 00:14:15,480 Speaker 1: you just held, but does not get his own song. 221 00:14:15,559 --> 00:14:17,720 Speaker 1: Mcavity doesn't get his own song. I would say that 222 00:14:17,720 --> 00:14:20,640 Speaker 1: that's more Taylor Swift song. Ian mcellan gets his own song. 223 00:14:20,760 --> 00:14:25,400 Speaker 1: That's three. Mr Mustafs gets his own song. Monku Strap 224 00:14:25,640 --> 00:14:31,120 Speaker 1: who is position cat, and then Uh Skimble shanks there 225 00:14:31,200 --> 00:14:34,600 Speaker 1: up to six. We've got Mungo Jerry shares a song 226 00:14:34,640 --> 00:14:38,160 Speaker 1: with Rumpled t so, uh, they're the most boring cats famously. 227 00:14:38,680 --> 00:14:42,040 Speaker 1: And there's Growl Tiger who gets a short and bad song. 228 00:14:42,280 --> 00:14:45,160 Speaker 1: Is he the barge cat? Yeah, he's he's the boat cat. 229 00:14:45,520 --> 00:14:48,080 Speaker 1: So we've got we've got eight male cats songs. And 230 00:14:48,080 --> 00:14:50,320 Speaker 1: then for the female cats, we've got Judy Dench has 231 00:14:50,320 --> 00:14:52,680 Speaker 1: a song. Jennifer Hudson of course has a song that 232 00:14:52,720 --> 00:14:55,720 Speaker 1: she sings arguably five hundred times. Taylor Swift has a 233 00:14:55,760 --> 00:14:59,760 Speaker 1: song for Tusca Hayward who's Victoria, has a song, and 234 00:15:00,040 --> 00:15:02,520 Speaker 1: and you have Rumble Teaser gets together. So it's like 235 00:15:02,560 --> 00:15:05,840 Speaker 1: it's sumal Teazer gets point half of us half. Yeah, 236 00:15:06,240 --> 00:15:08,600 Speaker 1: so it's seven and a half male, four and a 237 00:15:08,640 --> 00:15:12,920 Speaker 1: half female. Okay, Yeah, So not it's not. Oh oh, 238 00:15:13,000 --> 00:15:15,280 Speaker 1: did I say Rebel Wilson? I did say rebels. Oh, 239 00:15:15,320 --> 00:15:17,400 Speaker 1: I don't know if you do. Maybe it's five sorry, 240 00:15:17,560 --> 00:15:21,080 Speaker 1: Judy Dench, Jennifer Hudson, Taylor Swift, Rebel Wilson, Frances so 241 00:15:21,080 --> 00:15:23,440 Speaker 1: five and a half versus seven and a half. It's 242 00:15:23,480 --> 00:15:28,800 Speaker 1: basically like a real world um income disparity, right right right. Anyway, 243 00:15:29,000 --> 00:15:31,440 Speaker 1: here's the thing is, they played around with gender a 244 00:15:31,480 --> 00:15:36,120 Speaker 1: little bit by making old old dute Judy Dench isn't 245 00:15:36,160 --> 00:15:41,760 Speaker 1: old Dute typically a male in the Broadway productions. Yes, um, 246 00:15:42,080 --> 00:15:49,760 Speaker 1: I did some WICKI PDA research and read that the 247 00:15:49,920 --> 00:15:55,600 Speaker 1: role of Old Deuteronomy was first played I believe by 248 00:15:55,800 --> 00:16:02,280 Speaker 1: Brian Blessed or blessed or blessed uh some pronunciation um, 249 00:16:02,320 --> 00:16:05,000 Speaker 1: And that was in the West End in the early eighties. 250 00:16:05,440 --> 00:16:09,040 Speaker 1: Then the character was played by Ken Page on Broadway 251 00:16:09,160 --> 00:16:14,560 Speaker 1: in two, and then also played by an actor named 252 00:16:14,680 --> 00:16:21,720 Speaker 1: Quentin Earl Darrington when the Broadway production was revived in 253 00:16:22,840 --> 00:16:27,200 Speaker 1: So it seems like historically Deuteronomy has been played by 254 00:16:27,400 --> 00:16:31,520 Speaker 1: mostly male actors, and we can we can touch more 255 00:16:31,600 --> 00:16:35,280 Speaker 1: on that a little later on. We need to take 256 00:16:35,440 --> 00:16:38,160 Speaker 1: a break, We need to take a little cat nap, 257 00:16:38,680 --> 00:16:48,480 Speaker 1: but then we'll be right back. Now it's time for 258 00:16:48,680 --> 00:16:53,840 Speaker 1: the recap or is it the recat? It's three cats, 259 00:16:53,880 --> 00:16:58,000 Speaker 1: the recats, the recats of the cats of the Cats movie. 260 00:16:59,520 --> 00:17:04,720 Speaker 1: Here to say this property has a story is being generous, 261 00:17:04,760 --> 00:17:06,600 Speaker 1: but I will do my best. I think it's like 262 00:17:06,800 --> 00:17:09,439 Speaker 1: more of a like, it's just it's more of a 263 00:17:09,480 --> 00:17:13,160 Speaker 1: listical then it is a kind of ahead of its 264 00:17:13,200 --> 00:17:17,600 Speaker 1: time in that regard. True BuzzFeed Home Cats is allistical. 265 00:17:18,680 --> 00:17:21,080 Speaker 1: Ten Okay, what would you call if cats were realistical? 266 00:17:21,160 --> 00:17:25,760 Speaker 1: What would you call it? Oh? My gosh, these ten cats, 267 00:17:26,000 --> 00:17:30,800 Speaker 1: ten essential cats for ten cats that will make you scream, Yes, 268 00:17:32,320 --> 00:17:35,520 Speaker 1: for a disease. Eight will scare you, alright because you 269 00:17:35,600 --> 00:17:38,240 Speaker 1: got to have that like click baby. Yeah. Number eight 270 00:17:38,240 --> 00:17:40,399 Speaker 1: will shock you and that's you just elbow when he 271 00:17:40,400 --> 00:17:44,479 Speaker 1: gets naked. Cat. Um. I just retweeted a tweet from 272 00:17:44,760 --> 00:17:47,280 Speaker 1: at the Patrick Walsh that I thought was really funny. 273 00:17:47,640 --> 00:17:50,800 Speaker 1: Uh he said that, Um, not sure why cats didn't work. 274 00:17:50,840 --> 00:17:54,720 Speaker 1: It follows a classic three X structure. Act one, cats 275 00:17:54,880 --> 00:17:59,520 Speaker 1: introduce themselves. Act two, cats continue to introduce themselves. Act 276 00:17:59,600 --> 00:18:05,520 Speaker 1: three unclear, which just about sums up the story. But 277 00:18:06,800 --> 00:18:09,439 Speaker 1: there's definitely movies that are worse offenders of continuing to 278 00:18:09,440 --> 00:18:14,280 Speaker 1: introduce characters like two thirds into the movie. I mean, 279 00:18:14,359 --> 00:18:17,200 Speaker 1: we'll sometimes that makes sense for the story with catch 280 00:18:18,920 --> 00:18:23,840 Speaker 1: Nick Jonah shows up late. Well, that's a twist, that's 281 00:18:23,880 --> 00:18:29,200 Speaker 1: an important is an important reveal. I know that after 282 00:18:29,280 --> 00:18:32,000 Speaker 1: he's turned into dust, we never really see him again. 283 00:18:33,560 --> 00:18:40,400 Speaker 1: Sky Skimble, Okay, here's the cats. A cat gets abandoned 284 00:18:40,480 --> 00:18:45,240 Speaker 1: by a mean human and dumped onto the mean streets 285 00:18:45,280 --> 00:18:51,600 Speaker 1: of London. Jump in with some music to that thank you, 286 00:18:51,720 --> 00:18:54,200 Speaker 1: thank you so much. Um. Then a bunch of other 287 00:18:54,240 --> 00:18:58,480 Speaker 1: cats approach her. We find out her name is Victoria eventually, 288 00:18:58,600 --> 00:19:02,000 Speaker 1: and they're all singing about jelical cats. That's who they are. 289 00:19:02,400 --> 00:19:04,640 Speaker 1: That's a club. Who they are. They're in the gelical 290 00:19:04,720 --> 00:19:07,399 Speaker 1: Cat Club. What is a jelical cat? What makes you 291 00:19:07,440 --> 00:19:10,560 Speaker 1: eligible to be a jelical cat? What are the characteristics 292 00:19:10,560 --> 00:19:12,359 Speaker 1: of a jelical cat? We still don't know. By the 293 00:19:12,480 --> 00:19:16,600 Speaker 1: end of the movie, they give you many examples. Romantical cats, 294 00:19:16,640 --> 00:19:21,320 Speaker 1: pedantical cats, critical cats, parasitical cats, allegorical cats, metaphorical cats, 295 00:19:21,320 --> 00:19:27,760 Speaker 1: statistical cats, mystical cats, political cats, hypocritical cats. There's a 296 00:19:27,800 --> 00:19:29,520 Speaker 1: lot of different kinds of cats. I really don't think 297 00:19:29,520 --> 00:19:32,359 Speaker 1: they could have explained themselves. And they're all jellical cats. 298 00:19:32,400 --> 00:19:35,359 Speaker 1: They're all jelical cats. They're kind of just ntrue wid 299 00:19:35,359 --> 00:19:39,720 Speaker 1: webber or or ts eliot. Uh, just whipped out a thesaurus, 300 00:19:39,800 --> 00:19:43,680 Speaker 1: thunked it down. They're like, let's fucking do this everything cats, 301 00:19:43,760 --> 00:19:53,120 Speaker 1: hysterical cats, eric the oratorical cats, delfic oracle cats, practical cats, 302 00:19:53,240 --> 00:19:56,240 Speaker 1: dramatical cats. I can honestly listen to you do that 303 00:19:56,280 --> 00:19:59,720 Speaker 1: all day, Jamie. This is my state of the Union scheme. 304 00:20:00,480 --> 00:20:03,320 Speaker 1: Thank you. All right, So I'm so sorry. We do 305 00:20:03,400 --> 00:20:06,360 Speaker 1: know what a jelical cat is. They call you become one. 306 00:20:06,520 --> 00:20:10,679 Speaker 1: How you're eligible to become How you can't have a 307 00:20:10,680 --> 00:20:13,920 Speaker 1: butt hole? Like that's the number one rule. You cannot 308 00:20:14,280 --> 00:20:15,960 Speaker 1: if you don't have if you you don't have a 309 00:20:15,960 --> 00:20:18,640 Speaker 1: butt hole, good news, you're yeah, where are these cats pooping? 310 00:20:19,480 --> 00:20:22,439 Speaker 1: There's a litter box in London on the streets. The 311 00:20:22,480 --> 00:20:24,199 Speaker 1: only way that this movie could have been worse is 312 00:20:24,240 --> 00:20:27,240 Speaker 1: if we saw one of the cats poop. I'm sorry, 313 00:20:27,240 --> 00:20:31,760 Speaker 1: did you say worse? I would I would be so happy. 314 00:20:31,800 --> 00:20:35,439 Speaker 1: I love it so much so, but the idea of 315 00:20:35,480 --> 00:20:38,359 Speaker 1: the jelical cats is they're basically like a group of 316 00:20:38,400 --> 00:20:41,040 Speaker 1: goth teenagers, right, They're just like a group of friends 317 00:20:41,200 --> 00:20:44,080 Speaker 1: that all want to die like that's and then they 318 00:20:44,119 --> 00:20:47,520 Speaker 1: have some like matriarch that's like I decide who gets 319 00:20:47,600 --> 00:20:50,359 Speaker 1: to die, and so like it's sort of like the 320 00:20:50,400 --> 00:20:53,320 Speaker 1: mid Summer thing where it's like, you know, we have 321 00:20:53,520 --> 00:20:57,359 Speaker 1: this ritual, someone dies and we all dance and kind 322 00:20:57,400 --> 00:21:01,080 Speaker 1: of rub up against each other. Yeah. Yeah, interesting. Why 323 00:21:01,160 --> 00:21:05,240 Speaker 1: wasn't Midsummer more like cats? I would have I would 324 00:21:05,240 --> 00:21:07,960 Speaker 1: have loved a little cat's energy in midsummer, just just 325 00:21:08,200 --> 00:21:15,760 Speaker 1: hairy bodies, not as throwing. A couple of songs, and 326 00:21:15,800 --> 00:21:17,399 Speaker 1: there are a lot of songs and a lot of 327 00:21:17,400 --> 00:21:19,040 Speaker 1: them are about jellical cats. And I still don't know 328 00:21:19,040 --> 00:21:20,879 Speaker 1: what they are. Okay, they tell you a lot of 329 00:21:20,880 --> 00:21:23,040 Speaker 1: different types of cats, but I don't think that they're 330 00:21:23,240 --> 00:21:25,119 Speaker 1: implying that those cats are there. I don't think the 331 00:21:25,160 --> 00:21:28,200 Speaker 1: political cat is there. I don't think that skeptical cat 332 00:21:28,359 --> 00:21:31,359 Speaker 1: is there. And I think they're just alluding to past. 333 00:21:32,840 --> 00:21:34,760 Speaker 1: Maybe they've they're just ones that have been sent to 334 00:21:34,840 --> 00:21:38,920 Speaker 1: the heavy side. Layers could be yes, right, So jelical 335 00:21:38,960 --> 00:21:43,240 Speaker 1: cats um and then there's Exposition Cat. He's one of 336 00:21:43,280 --> 00:21:47,760 Speaker 1: the cats that you're like, oh, he's sexy underneath all that, right, yeah, 337 00:21:47,960 --> 00:21:51,520 Speaker 1: like because he does look like more man than cat, 338 00:21:54,440 --> 00:21:57,640 Speaker 1: look more cat than person. He excws a little more 339 00:21:57,640 --> 00:22:02,240 Speaker 1: person than cat. Right. Mr mustaffs that actor looks like 340 00:22:02,280 --> 00:22:05,159 Speaker 1: a cat. Yeah, and he's my crush now, he's my 341 00:22:05,200 --> 00:22:09,440 Speaker 1: new crush. Lori Davidson. Sure, okay, so this is but 342 00:22:09,840 --> 00:22:14,320 Speaker 1: Exposition Cat. He's like, here, Victoria, let me show you around. 343 00:22:14,600 --> 00:22:17,919 Speaker 1: So we meet, we see some cats, and then we 344 00:22:17,960 --> 00:22:22,719 Speaker 1: meet Idris elba cat okat And then what ends up 345 00:22:22,760 --> 00:22:27,680 Speaker 1: happening is that mccavity starts, uh just magically poof disappearing 346 00:22:28,359 --> 00:22:31,640 Speaker 1: the jelical cats and they end up on a barge 347 00:22:31,680 --> 00:22:34,359 Speaker 1: because he wants to be he's eliminating his competition. But 348 00:22:34,400 --> 00:22:36,800 Speaker 1: he does things. But but in the I don't remember 349 00:22:36,840 --> 00:22:38,560 Speaker 1: how it happens in the musical. I've never seen a 350 00:22:38,560 --> 00:22:43,119 Speaker 1: professional production, so I've only seen mccavity just guide the 351 00:22:43,160 --> 00:22:47,040 Speaker 1: cat off stage to say I've got you. But Idris 352 00:22:47,040 --> 00:22:52,280 Speaker 1: Elba vapor turn them to death. He turns them into dust, 353 00:22:52,440 --> 00:22:54,800 Speaker 1: and he says things. He says a little catchphrase before 354 00:22:55,040 --> 00:23:01,720 Speaker 1: he does things like or one time he just goes 355 00:23:03,760 --> 00:23:07,119 Speaker 1: tell me later he says his own name. He's like, 356 00:23:09,400 --> 00:23:12,840 Speaker 1: he's just always giving it, and I think he like 357 00:23:13,000 --> 00:23:16,160 Speaker 1: his performance is incredible, if only it weren't so hard 358 00:23:16,200 --> 00:23:18,880 Speaker 1: to watch. I think that's a common theme, like everyone 359 00:23:19,000 --> 00:23:21,760 Speaker 1: was giving it, they're all, but they just they didn't 360 00:23:21,800 --> 00:23:24,439 Speaker 1: know it was in the context of something that they 361 00:23:24,480 --> 00:23:26,760 Speaker 1: should not have tried hard at. I want to I 362 00:23:26,800 --> 00:23:29,880 Speaker 1: wonder how he felt when he saw how because it's 363 00:23:29,920 --> 00:23:32,680 Speaker 1: like none of these people could have known what they 364 00:23:32,720 --> 00:23:35,240 Speaker 1: were going to look like when it's over. They simply 365 00:23:35,480 --> 00:23:38,159 Speaker 1: had no way of knowing. And so how did he 366 00:23:38,280 --> 00:23:40,760 Speaker 1: feel when they're like, do you like this? This is 367 00:23:40,800 --> 00:23:43,640 Speaker 1: what we did? And like it's kind of too late 368 00:23:43,680 --> 00:23:45,720 Speaker 1: to say anything, because I guess that they finished editing 369 00:23:45,760 --> 00:23:49,160 Speaker 1: in this movie the day it came out, Like yeah, 370 00:23:49,520 --> 00:23:52,199 Speaker 1: so even if Idris Elba had notes, they're like, thanks 371 00:23:52,200 --> 00:23:58,400 Speaker 1: for sharing. Anyways, it's out. Yeah. I have to imagine 372 00:23:58,440 --> 00:24:01,760 Speaker 1: that most of the cast were not necessarily thrilled with 373 00:24:02,080 --> 00:24:05,280 Speaker 1: the renderings of the cats. That's an anagram of cast 374 00:24:06,359 --> 00:24:12,479 Speaker 1: cats cats of cats, well like Bechtel cast. And then 375 00:24:12,520 --> 00:24:20,840 Speaker 1: I said Bechtel cats exactly exactly now, we're talking great. Okay, 376 00:24:21,000 --> 00:24:24,200 Speaker 1: So mccavity, the thing about him is that he's bad. 377 00:24:24,560 --> 00:24:27,240 Speaker 1: He's a bad cat, and they and I guess that 378 00:24:27,280 --> 00:24:30,480 Speaker 1: this was like part of the intended original text of T. S. 379 00:24:30,520 --> 00:24:34,680 Speaker 1: Eliott as well. But he's based on what's his name is, 380 00:24:34,720 --> 00:24:38,879 Speaker 1: Sherlock Villain? Oh, Moriarty, Moriarty to the point where in 381 00:24:38,920 --> 00:24:42,719 Speaker 1: the movie there's that poster that says Moriarty and then 382 00:24:42,800 --> 00:24:44,560 Speaker 1: mcavity is standing on top of it and he goes 383 00:24:45,440 --> 00:24:50,080 Speaker 1: and then it says mcaley and we're like, I get it. No, 384 00:24:50,240 --> 00:24:53,440 Speaker 1: I understood at the beginning. Yeah, so I guess that T. S. 385 00:24:53,480 --> 00:24:59,280 Speaker 1: Eliott was both the racist, misogynist, classist anti semite who 386 00:24:59,640 --> 00:25:02,560 Speaker 1: loved Sherlock Holmes as well. Okay, so there you go. 387 00:25:02,720 --> 00:25:06,640 Speaker 1: There you have it. Mcavity, mccavity, he's bad. But then 388 00:25:06,680 --> 00:25:10,320 Speaker 1: we meet Mr Mustapholes and he's good, good, he's so cute. 389 00:25:10,320 --> 00:25:12,920 Speaker 1: He's cute, he's cute. He's got a crush. Yeah, he's 390 00:25:12,960 --> 00:25:18,919 Speaker 1: got a crush Ontle Victoria Matt he's cute. If she 391 00:25:19,000 --> 00:25:24,280 Speaker 1: drops something, he's like, here it is. That's very attentive 392 00:25:24,320 --> 00:25:27,399 Speaker 1: to her needs. And then we find out about another 393 00:25:27,480 --> 00:25:29,920 Speaker 1: cat who we won't meet yet, but we we learn 394 00:25:29,960 --> 00:25:37,240 Speaker 1: about old Deuteronomy and she she's throwing she every I 395 00:25:37,280 --> 00:25:40,159 Speaker 1: guess every year. Is this an annual thing, Yes, the 396 00:25:40,280 --> 00:25:43,560 Speaker 1: jellical ball, in which she will make the jellical choice 397 00:25:43,600 --> 00:25:48,240 Speaker 1: about which jellical cat she will select to be reborn 398 00:25:48,440 --> 00:25:51,080 Speaker 1: into a new life and go to a place called 399 00:25:51,119 --> 00:25:53,439 Speaker 1: the heavy Side Layer, which is heavy. So this is 400 00:25:53,560 --> 00:25:56,800 Speaker 1: the movie about cats that want to die, yes, and 401 00:25:56,840 --> 00:25:59,400 Speaker 1: go to heaven with the assumption that they'll come back 402 00:25:59,480 --> 00:26:03,080 Speaker 1: to life, which in so far we don't hear that 403 00:26:03,119 --> 00:26:07,879 Speaker 1: the cats confirming. And then she came back. Yeah, it 404 00:26:08,200 --> 00:26:10,119 Speaker 1: seems like maybe they might just well, they wouldn't I 405 00:26:10,119 --> 00:26:12,280 Speaker 1: guess they wouldn't go back to like the mean streets 406 00:26:12,320 --> 00:26:15,240 Speaker 1: of London. They would just shot somewhere else, like yeah, 407 00:26:15,280 --> 00:26:18,680 Speaker 1: and like a rich person's house, like a fancy feast, 408 00:26:19,240 --> 00:26:21,480 Speaker 1: Like the cupboards are full of fancy feats. So they're like, 409 00:26:21,520 --> 00:26:24,120 Speaker 1: you won't be reincarnated as a jelical So we're kind 410 00:26:24,119 --> 00:26:27,320 Speaker 1: of not worried. We're just assuming things in the fall again, 411 00:26:27,400 --> 00:26:33,119 Speaker 1: what is a jelical cat? What those ones? Okay, those 412 00:26:33,200 --> 00:26:35,800 Speaker 1: one But we're like, okay, so we're jumping ahead here. 413 00:26:35,800 --> 00:26:39,480 Speaker 1: But at the end, Judy Dench cat is like Victoria, 414 00:26:40,000 --> 00:26:42,840 Speaker 1: you really are a jelical cat, And it's like, well 415 00:26:42,880 --> 00:26:45,200 Speaker 1: what about her? That just means that she's been hanging 416 00:26:45,200 --> 00:26:48,639 Speaker 1: out with them for six hours and hasn't gotten killed. 417 00:26:48,880 --> 00:26:51,240 Speaker 1: Like is that it? Also, do they hang out every day? 418 00:26:52,240 --> 00:26:54,480 Speaker 1: Seem like they live together. Well, some some of the 419 00:26:54,560 --> 00:26:57,440 Speaker 1: jelical cats seem to be like street cats. But then 420 00:26:57,480 --> 00:27:00,360 Speaker 1: you've got Jenny any Dots, who like seems to live 421 00:27:00,400 --> 00:27:02,840 Speaker 1: in like a cushy life in a house. But then 422 00:27:02,880 --> 00:27:04,600 Speaker 1: she I think like she kind of has this double 423 00:27:04,680 --> 00:27:09,000 Speaker 1: life where sometimes she she ventures out is out is out? 424 00:27:09,280 --> 00:27:11,760 Speaker 1: I don't. I don't an indoor outdoor cat. It seems 425 00:27:11,760 --> 00:27:14,080 Speaker 1: like Busta for Jones is kind of in and out 426 00:27:14,119 --> 00:27:17,480 Speaker 1: of homes as well. I don't know she's intruding or 427 00:27:17,480 --> 00:27:20,320 Speaker 1: if he's like just a row. Sometimes people just have 428 00:27:20,359 --> 00:27:22,680 Speaker 1: like a cat that isn't theirs, but it comes over. 429 00:27:22,920 --> 00:27:26,160 Speaker 1: My friend Martha has a cat that's not actually her cat, 430 00:27:26,240 --> 00:27:28,200 Speaker 1: but it hangs out in her house all the time. 431 00:27:28,480 --> 00:27:33,800 Speaker 1: That's really nice. That's really nice. So anyway, what's the 432 00:27:33,840 --> 00:27:37,560 Speaker 1: story so old Deuteronomy? She's gonna make a jellical choice, 433 00:27:37,720 --> 00:27:41,520 Speaker 1: and I guess now that's the plot. We meet Rebel 434 00:27:41,560 --> 00:27:44,200 Speaker 1: Wilson cat Jenny any Dots. She is one of the 435 00:27:44,280 --> 00:27:48,560 Speaker 1: jelical cat, vying to be the jelical choice. She sings 436 00:27:48,560 --> 00:27:58,760 Speaker 1: a song, she's like a sadest like torturing mice, Perkeley 437 00:27:58,880 --> 00:28:03,359 Speaker 1: cockroaches that she eats. It's a lot. And I don't 438 00:28:03,359 --> 00:28:06,000 Speaker 1: know how like faithful this is to the source material, 439 00:28:06,040 --> 00:28:09,440 Speaker 1: but I did really resent sort of how Rebel Wilson 440 00:28:09,600 --> 00:28:12,360 Speaker 1: and James Corden are just like it seems like most 441 00:28:12,359 --> 00:28:14,560 Speaker 1: of their direction is like, all right, so you're fat, 442 00:28:14,880 --> 00:28:19,000 Speaker 1: and that's hilarious, and then that was restlessly fat shame 443 00:28:19,080 --> 00:28:23,120 Speaker 1: throughout and it's just it's just it's an insulting it's 444 00:28:23,160 --> 00:28:26,440 Speaker 1: insulting to the actors. It's insulting to the audience as well. 445 00:28:26,480 --> 00:28:31,000 Speaker 1: It's just insulting the conversation to be had about that. 446 00:28:31,840 --> 00:28:35,359 Speaker 1: What what a mess. Then we meet Jason Derulo cat 447 00:28:35,600 --> 00:28:42,240 Speaker 1: a k rama is cat. He commits, he commits, and 448 00:28:42,320 --> 00:28:45,760 Speaker 1: he's a great job. He okay, Jason Derulo is doing 449 00:28:45,960 --> 00:28:50,680 Speaker 1: an Idris Elba impression the whole movie. Um. And then 450 00:28:50,720 --> 00:28:53,280 Speaker 1: things get very dramatic all of a sudden because Jennifer 451 00:28:53,320 --> 00:28:57,120 Speaker 1: Hudson cat shows up. Her name is Grizabella, and she 452 00:28:57,280 --> 00:28:59,120 Speaker 1: used to be a nice cat who everyone liked, but 453 00:28:59,200 --> 00:29:03,720 Speaker 1: then she got involved with Macavity in some capacity and 454 00:29:04,040 --> 00:29:05,840 Speaker 1: it's not clear what, but I would assume in a 455 00:29:05,920 --> 00:29:10,600 Speaker 1: Taylor Swifty kind of just like she assists him in 456 00:29:11,040 --> 00:29:18,000 Speaker 1: committing crimes. Is not not there someone check on Taylor 457 00:29:18,040 --> 00:29:23,160 Speaker 1: Swift's lungs. But the other cats have kind of turned 458 00:29:23,160 --> 00:29:26,760 Speaker 1: their backs on her, and it seems a little correct, 459 00:29:26,760 --> 00:29:30,640 Speaker 1: man if you disagree, but it seems like it's maybe 460 00:29:30,680 --> 00:29:33,200 Speaker 1: a little gender the way they position it. It always 461 00:29:33,200 --> 00:29:38,440 Speaker 1: seems like the female identified cats are more viscerally angry 462 00:29:38,480 --> 00:29:42,600 Speaker 1: with Grizabella than male cats. Everyone doesn't like her, but 463 00:29:42,680 --> 00:29:46,360 Speaker 1: there's like, I think two or three female cats that 464 00:29:46,400 --> 00:29:49,680 Speaker 1: we see, like after her two or three times, and 465 00:29:49,720 --> 00:29:52,120 Speaker 1: I'm just like, this is woman on woman violence, and 466 00:29:52,200 --> 00:29:55,680 Speaker 1: we don't I agree with cutting women against each other. 467 00:29:55,760 --> 00:29:59,400 Speaker 1: They're pretty antagonistic towards Victoria too, because in a scene 468 00:29:59,600 --> 00:30:02,040 Speaker 1: that arguably passes the Bechdel test. Although I don't know 469 00:30:02,080 --> 00:30:04,160 Speaker 1: if we ever learned those cats names, one of them 470 00:30:04,200 --> 00:30:08,080 Speaker 1: is like, what's your name? In Victoria's like, but she 471 00:30:08,120 --> 00:30:10,400 Speaker 1: doesn't respond. Right away, and then she's like, well, cat 472 00:30:10,440 --> 00:30:14,120 Speaker 1: call your tongue, right, they're a little antagonistic towards other women, 473 00:30:14,720 --> 00:30:19,920 Speaker 1: and you're like, um, excuse me, female cats supporting female cats, 474 00:30:20,000 --> 00:30:23,960 Speaker 1: which we later see with Victoria and Grizabella saying goodness, goods, 475 00:30:24,280 --> 00:30:26,360 Speaker 1: but there is they do. They do have that little 476 00:30:26,440 --> 00:30:31,200 Speaker 1: gendered woman. That's true to mean, female cats are the 477 00:30:31,600 --> 00:30:35,120 Speaker 1: like the most ordery, like you know, one eyed, you know, 478 00:30:35,320 --> 00:30:39,160 Speaker 1: fighting ears, nibbled off cats tend to be females. And 479 00:30:39,760 --> 00:30:42,760 Speaker 1: it's the barge cat to me. And this is no 480 00:30:42,920 --> 00:30:45,440 Speaker 1: no shade on the actor who played the barge cat 481 00:30:45,680 --> 00:30:47,600 Speaker 1: to me, I would have loved that role to have 482 00:30:47,640 --> 00:30:52,760 Speaker 1: been played by my childhood cat, Mittens because she was 483 00:30:53,600 --> 00:31:00,480 Speaker 1: a um, indomitable grump, total grouch and could just steamroll 484 00:31:00,520 --> 00:31:04,080 Speaker 1: anything in her path. She was, to use a someone 485 00:31:04,120 --> 00:31:10,640 Speaker 1: antiquated a little bit sexist term, she was a battle axe. Okay, alright, Um, 486 00:31:10,840 --> 00:31:14,640 Speaker 1: So after Grizabella SLINKs away, although like Victoria is curious, 487 00:31:14,640 --> 00:31:18,080 Speaker 1: she's like, who's that? What's her deal? Yeah? Victoria is 488 00:31:18,120 --> 00:31:20,680 Speaker 1: like what's going on there? And no one oppresent the explanation, 489 00:31:20,880 --> 00:31:23,240 Speaker 1: and then you cut to Jennifer Hudson, who as you said, 490 00:31:23,360 --> 00:31:25,280 Speaker 1: thinks maybe she might be winning an oscar for this, 491 00:31:25,680 --> 00:31:32,400 Speaker 1: and she's oh, she's crawling away on all four cross cats, 492 00:31:32,440 --> 00:31:35,360 Speaker 1: looking over her shoulder, tears streaming down her face, and 493 00:31:35,400 --> 00:31:37,680 Speaker 1: You're like, they didn't even finish the CG on her. 494 00:31:39,080 --> 00:31:43,040 Speaker 1: This this just like this looks. This looks it's a lot. 495 00:31:43,480 --> 00:31:46,120 Speaker 1: It is a lot, but I love it. And she leaves, 496 00:31:46,240 --> 00:31:51,080 Speaker 1: and who appears but James Cordon cat Busta for Jones. Yeah, 497 00:31:51,400 --> 00:31:54,960 Speaker 1: and he basically knows the movie he's in. I think so, 498 00:31:55,520 --> 00:31:59,080 Speaker 1: and we'll talk about that song. But he seems to 499 00:31:59,160 --> 00:32:01,760 Speaker 1: basically he's like a musical theater guy, so it kind 500 00:32:01,760 --> 00:32:03,680 Speaker 1: of makes sense that he's like, well, this movie isn't 501 00:32:03,680 --> 00:32:07,280 Speaker 1: going to be good, but I'll be in it, right. 502 00:32:07,760 --> 00:32:11,320 Speaker 1: And then mccavity makes Jenny any Dots and bust Of 503 00:32:11,400 --> 00:32:15,080 Speaker 1: for Jones disappeared. What's your favorite my I think one 504 00:32:15,120 --> 00:32:18,760 Speaker 1: of my my favorite mccavity, well, I guess Skimble is 505 00:32:18,800 --> 00:32:23,240 Speaker 1: my favorite cat disappearing because he just likes twirling up 506 00:32:23,280 --> 00:32:28,680 Speaker 1: into the areas song. But Jenny any Dots being turned 507 00:32:28,680 --> 00:32:31,920 Speaker 1: into dust is pretty funny too, because he like beckonser 508 00:32:32,080 --> 00:32:34,520 Speaker 1: over and she's in her she did that thing where 509 00:32:34,520 --> 00:32:37,240 Speaker 1: she unzipped her suit and then but then he's like, 510 00:32:37,920 --> 00:32:41,400 Speaker 1: your name should be in lots and she's like, yeah, 511 00:32:41,440 --> 00:32:44,680 Speaker 1: I know, I'm really good, and he's like, yeah, your 512 00:32:44,720 --> 00:32:47,760 Speaker 1: face should be on posters and that he points to 513 00:32:47,840 --> 00:32:50,960 Speaker 1: his own wanted bust. Yes, it is. It makes no 514 00:32:51,040 --> 00:32:52,760 Speaker 1: sense that the cats don't know who he is or 515 00:32:52,840 --> 00:32:54,320 Speaker 1: to look out for him, because they know who he 516 00:32:54,400 --> 00:32:57,360 Speaker 1: is and they, I know, everyone seems to know who 517 00:32:57,400 --> 00:33:00,120 Speaker 1: mccavity is and that he's bad. But then suddenly when 518 00:33:00,160 --> 00:33:02,320 Speaker 1: they come face to face with him, they're like, is 519 00:33:02,360 --> 00:33:05,360 Speaker 1: this nice cat? It doesn't make I'm like, is that 520 00:33:05,440 --> 00:33:07,720 Speaker 1: maybe a part of the magic? He's like Jedi mind 521 00:33:07,760 --> 00:33:11,120 Speaker 1: tricking them or some could be. That's the only way 522 00:33:11,120 --> 00:33:13,640 Speaker 1: it can make sense to me, because otherwise their animosity 523 00:33:13,680 --> 00:33:16,560 Speaker 1: towards Grizabella doesn't make any sense because they're only magic 524 00:33:16,600 --> 00:33:20,360 Speaker 1: Grizabella because of her association with mcavity, who they must 525 00:33:20,400 --> 00:33:23,320 Speaker 1: hate enough to know what he looks like, especially because 526 00:33:23,360 --> 00:33:27,480 Speaker 1: he's around. He shows up quite a bit between there 527 00:33:27,520 --> 00:33:30,000 Speaker 1: and his bar and the posters of his face all 528 00:33:30,040 --> 00:33:35,320 Speaker 1: over the point your face should be on a post 529 00:33:37,280 --> 00:33:39,600 Speaker 1: and then she looks at it and then it's like, oh, 530 00:33:39,720 --> 00:33:44,440 Speaker 1: that's who you are. And then he goes and then 531 00:33:44,480 --> 00:33:47,560 Speaker 1: she vanishes, and then she turns into dust and reappears 532 00:33:47,720 --> 00:33:54,360 Speaker 1: on Yes, so I guess he's also a jelical cat, 533 00:33:54,440 --> 00:33:57,400 Speaker 1: which like, how is he eligible to be a jelical cat? 534 00:33:57,600 --> 00:34:00,400 Speaker 1: But he's rounding up his competitors because he wants to 535 00:34:00,400 --> 00:34:03,440 Speaker 1: be chosen to be reborn. Well, that's another gender thing 536 00:34:03,440 --> 00:34:05,600 Speaker 1: where you're like, oh, I guess that it does make sense. 537 00:34:05,600 --> 00:34:08,200 Speaker 1: It old Deuteronomy is originally a male cat, and this 538 00:34:08,440 --> 00:34:12,279 Speaker 1: in the original production, it's a patriarchy, because that would 539 00:34:12,280 --> 00:34:15,480 Speaker 1: explain why Grizabella got tossed out of the jelical cast. 540 00:34:15,560 --> 00:34:18,640 Speaker 1: But for some reason, the Cavity can stay even though 541 00:34:19,080 --> 00:34:22,200 Speaker 1: he's the actual source of the problem. But Grizabella has 542 00:34:22,239 --> 00:34:25,839 Speaker 1: been extradited from Jelicles even though like it was just 543 00:34:25,880 --> 00:34:28,680 Speaker 1: her association to this guy who's still a jelical I'm 544 00:34:28,719 --> 00:34:30,839 Speaker 1: sure that someone smarter than me can be Like, it's 545 00:34:30,880 --> 00:34:34,879 Speaker 1: like an American politics when blah blah blah, it's that right. 546 00:34:35,560 --> 00:34:39,399 Speaker 1: It's that she's kind of been lewinskied basically, which means 547 00:34:39,440 --> 00:34:41,160 Speaker 1: that she's going to find have a second act on 548 00:34:41,239 --> 00:34:45,120 Speaker 1: social media Grizabella is going to be like, stop the bullying, 549 00:34:45,239 --> 00:34:47,160 Speaker 1: and we can't wait for it. I can't wait for it? 550 00:34:47,200 --> 00:34:50,920 Speaker 1: Is it that old Deuteronomy is has the final say? 551 00:34:51,000 --> 00:34:55,080 Speaker 1: And who gets she seems to be able to like, yeah, 552 00:34:55,160 --> 00:34:58,560 Speaker 1: she's like knighting them and being like you're a jelical cat. 553 00:34:58,920 --> 00:35:02,319 Speaker 1: You're not anymore? Like why can't she doesn't seem yeah, 554 00:35:02,320 --> 00:35:07,239 Speaker 1: take away mccavity's jelical status. She seems kind of powerless 555 00:35:07,280 --> 00:35:08,800 Speaker 1: to do it, which is kind of confused, and he 556 00:35:08,880 --> 00:35:12,560 Speaker 1: then he sends her on the plank later spoilers the plank. 557 00:35:12,800 --> 00:35:16,840 Speaker 1: Also the barge has a plank, of course it does. Okay, 558 00:35:16,880 --> 00:35:21,080 Speaker 1: So then Victoria meets to cat Burglars, Rumble Teaser and 559 00:35:21,200 --> 00:35:25,560 Speaker 1: Mungo Jerry and might I say the boring ones, the 560 00:35:25,680 --> 00:35:29,680 Speaker 1: ones I don't care about boring? Yeah, And they're nefarious 561 00:35:29,719 --> 00:35:32,200 Speaker 1: because they take her into this nice house and steal 562 00:35:32,200 --> 00:35:34,080 Speaker 1: a bunch of jewelry and then leave without her, and 563 00:35:34,080 --> 00:35:37,319 Speaker 1: she's like kind of stuck on something and Mr Mustaffs 564 00:35:37,360 --> 00:35:40,040 Speaker 1: has to come and save her because even female cats 565 00:35:40,080 --> 00:35:42,720 Speaker 1: need to be saved. And then there's a moment where 566 00:35:42,960 --> 00:35:45,399 Speaker 1: I swear like we were sitting in there there there's 567 00:35:45,400 --> 00:35:46,920 Speaker 1: a moment during that first of all, where you hear 568 00:35:46,960 --> 00:35:48,680 Speaker 1: a dog and I'm like, what did dogs look like 569 00:35:48,719 --> 00:35:51,680 Speaker 1: in this world? I wanted to because they've established that 570 00:35:51,800 --> 00:35:55,719 Speaker 1: every and every living creature on this planet is humanoid, 571 00:35:55,760 --> 00:35:59,560 Speaker 1: because the mice and the cockroach. The cockroach is humanoid. 572 00:35:59,719 --> 00:36:03,560 Speaker 1: I mean probably trees are humanoid. To the dogs, show 573 00:36:03,640 --> 00:36:06,239 Speaker 1: me the dog. The dog would have been so horrible. 574 00:36:06,320 --> 00:36:11,560 Speaker 1: Alfred Molina behind the door, like bark. Just imagine imagine 575 00:36:11,600 --> 00:36:16,280 Speaker 1: this universe. Birds humanoid, fish humanoid just like human fish, 576 00:36:16,760 --> 00:36:22,600 Speaker 1: and everything's humanoid. It's the implications are mind boggling. It's yeah, 577 00:36:22,680 --> 00:36:26,719 Speaker 1: it's an uncanny world. Snakes humanoid, really long humans. I 578 00:36:26,760 --> 00:36:29,360 Speaker 1: don't like it. But there at the end of that scene, 579 00:36:29,360 --> 00:36:33,399 Speaker 1: when yes, the Victoria has to be saved by Mr 580 00:36:33,520 --> 00:36:35,879 Speaker 1: Musta Files, there's a moment where I'm pretty sure it's 581 00:36:35,880 --> 00:36:38,319 Speaker 1: like heavily convinced, like you're supposed to think he has 582 00:36:38,320 --> 00:36:42,640 Speaker 1: a cat boner. They do they like nuzzle against and 583 00:36:42,680 --> 00:36:47,840 Speaker 1: then he goes oh, and you're like no, a barbed 584 00:36:47,960 --> 00:36:53,840 Speaker 1: penis begins to una like no, oh, it was not good. Okay. 585 00:36:53,840 --> 00:36:57,399 Speaker 1: So then then this is when Judy Dench cat old 586 00:36:57,440 --> 00:37:02,520 Speaker 1: Deuteronomy shows older are one on me, and when she enters, 587 00:37:02,560 --> 00:37:06,920 Speaker 1: the whole theater erupts into it's such a dramatic unveiling 588 00:37:06,960 --> 00:37:11,000 Speaker 1: and then everyone's like like, oh, it's very exciting. And 589 00:37:11,000 --> 00:37:14,080 Speaker 1: then also as soon as she shows up, Ian McKellen 590 00:37:14,200 --> 00:37:17,239 Speaker 1: cat is also suddenly there. He doesn't get entrithy, just 591 00:37:18,080 --> 00:37:22,000 Speaker 1: hi um. Then there's a big dance number, and then 592 00:37:22,000 --> 00:37:26,560 Speaker 1: Grizabella shows up again and Victoria. She sings the same song, 593 00:37:27,320 --> 00:37:30,960 Speaker 1: and Victoria kind of like extends in alive branch because 594 00:37:31,120 --> 00:37:33,000 Speaker 1: she's the one who's like, well, everyone else hates you, 595 00:37:33,080 --> 00:37:35,920 Speaker 1: but she's still like the other cat, she's nice. And 596 00:37:35,960 --> 00:37:39,120 Speaker 1: then but Grizabella SLINKs off again and now it's time 597 00:37:39,160 --> 00:37:43,160 Speaker 1: for the jelical ball and Ian McKellen the cat ak 598 00:37:43,400 --> 00:37:45,840 Speaker 1: Gus the theater cat. He sings a song. Then we 599 00:37:45,840 --> 00:37:48,520 Speaker 1: get a song from Skimble Shanks the Railway cat. If 600 00:37:48,520 --> 00:37:51,720 Speaker 1: you're getting if you're getting whiplash, this isn't Caitlin's fault. 601 00:37:51,800 --> 00:37:56,520 Speaker 1: It's that's the movie. Is a new cat being introduced 602 00:37:56,560 --> 00:37:58,880 Speaker 1: in singing a song about themselves. Like that's like the 603 00:37:58,920 --> 00:38:02,319 Speaker 1: whole movie is like it's like I'm bibbili bop the 604 00:38:02,360 --> 00:38:04,959 Speaker 1: shnibibily cat, and it's like he does a little dance 605 00:38:05,000 --> 00:38:07,600 Speaker 1: and a little song, and then it's like I'm some 606 00:38:07,880 --> 00:38:12,040 Speaker 1: bibilie and I'm the cat that eats ass, and then 607 00:38:12,040 --> 00:38:15,120 Speaker 1: the song and then another one. But but it is 608 00:38:15,760 --> 00:38:20,480 Speaker 1: still to spring the cat's defense forces out because I 609 00:38:20,520 --> 00:38:22,480 Speaker 1: know that former guest Lindsay Ellis is going to make 610 00:38:22,480 --> 00:38:24,399 Speaker 1: an amazing video about this, and we will we will 611 00:38:24,440 --> 00:38:28,399 Speaker 1: all feel so stupid for having said these things. But 612 00:38:28,719 --> 00:38:32,400 Speaker 1: it's grounded in the narrative in that when skimble Shanks 613 00:38:32,840 --> 00:38:36,840 Speaker 1: is shaking his package around, it's because in that theory, 614 00:38:37,440 --> 00:38:40,839 Speaker 1: he's presenting his case to be the gelical choice. That's 615 00:38:40,840 --> 00:38:44,440 Speaker 1: the theory. While you're hearing everything. Yes, so it actually 616 00:38:44,480 --> 00:38:50,000 Speaker 1: makes a lot of it actually is very narratively sound. Yes, um. 617 00:38:50,040 --> 00:38:52,520 Speaker 1: But so they both sing their songs, but mccavity shows 618 00:38:52,560 --> 00:38:55,280 Speaker 1: up again and makes both of them disappear. That's also 619 00:38:55,320 --> 00:38:58,760 Speaker 1: when Taylor Swift Cat shows up. Her name, I guess 620 00:38:58,800 --> 00:39:04,160 Speaker 1: is bomb Ballerina. She gets the all super high, super 621 00:39:04,239 --> 00:39:07,799 Speaker 1: high on cat and the nip which little note about cat, 622 00:39:07,840 --> 00:39:11,400 Speaker 1: and it doesn't just make cats high. It actually is 623 00:39:11,400 --> 00:39:15,359 Speaker 1: thought to act as like a fake cat pheromone. So 624 00:39:15,640 --> 00:39:18,760 Speaker 1: the fact that the cats are like undulating in the movie, 625 00:39:18,840 --> 00:39:23,399 Speaker 1: like they're all horny as heck is accurate. Good, that's 626 00:39:23,400 --> 00:39:26,880 Speaker 1: a good cat nip facts about but not about catney. 627 00:39:28,080 --> 00:39:32,840 Speaker 1: Not about cat nipples right right, which also gets cat horny. 628 00:39:32,920 --> 00:39:35,239 Speaker 1: But you know, but what are you gonna do? So 629 00:39:35,760 --> 00:39:38,920 Speaker 1: mccavity shows up and he's like, well, old dude, it 630 00:39:38,960 --> 00:39:42,480 Speaker 1: looks like I'm the only jelical cat left. I guess 631 00:39:42,520 --> 00:39:45,839 Speaker 1: you have to choose me, and she's like, never, I 632 00:39:45,920 --> 00:39:50,720 Speaker 1: only choose cats who deserve a new life, and your bad. 633 00:39:51,440 --> 00:39:53,759 Speaker 1: And then and then she's on the bar, and then 634 00:39:53,760 --> 00:39:56,239 Speaker 1: they're like Judy Dench. She walks the plank, and then 635 00:39:56,320 --> 00:39:59,520 Speaker 1: I guess she's on the plank for what is the 636 00:39:59,719 --> 00:40:03,440 Speaker 1: t minutes that Mr mustaf Les is trying to summon her. 637 00:40:03,960 --> 00:40:06,960 Speaker 1: I want to see, like the uncunt version of Elba, 638 00:40:07,120 --> 00:40:11,759 Speaker 1: just being like, so your hind right, we should keep 639 00:40:12,000 --> 00:40:15,680 Speaker 1: cutting back to old Deuteronomy. On the plank, she does 640 00:40:15,719 --> 00:40:20,160 Speaker 1: like I haven't changed my mind, and then he's like, 641 00:40:20,280 --> 00:40:26,960 Speaker 1: all right, walk one step further. So then it was 642 00:40:27,200 --> 00:40:32,040 Speaker 1: right we cut back to the theater where Victoria is like, 643 00:40:32,400 --> 00:40:35,719 Speaker 1: my boyfriend's a magical cat. He can get old dude 644 00:40:35,760 --> 00:40:37,799 Speaker 1: drawn me back, and I know that that's bad that 645 00:40:38,000 --> 00:40:41,440 Speaker 1: like she is there to like pump him, give him 646 00:40:41,600 --> 00:40:45,160 Speaker 1: enough like ego to make Judy dench up here. But 647 00:40:45,200 --> 00:40:48,239 Speaker 1: I've been that cat before. I've been like, this is 648 00:40:48,280 --> 00:40:53,160 Speaker 1: my boyfriend. He's really good at magic. And then he 649 00:40:53,239 --> 00:40:56,399 Speaker 1: proceeds to be horrible at magic. That was a very 650 00:40:56,440 --> 00:40:59,799 Speaker 1: triggering passage for me. But then we get one of 651 00:40:59,800 --> 00:41:05,120 Speaker 1: the songs in the production magical Mr Mustafel, and then 652 00:41:05,160 --> 00:41:07,960 Speaker 1: we see Mr Musa fills. I think that Mr mustafs. 653 00:41:08,040 --> 00:41:10,359 Speaker 1: He tries to make her appear three times, but it's 654 00:41:10,360 --> 00:41:12,359 Speaker 1: like he like, I'm gonna come, No, I'm not, I'm 655 00:41:12,360 --> 00:41:14,359 Speaker 1: gonna come. No, I'm not. I'm gonna come. No, I'm not. 656 00:41:16,160 --> 00:41:19,480 Speaker 1: And tail as old as time love to see it. 657 00:41:19,560 --> 00:41:22,720 Speaker 1: And then and he needs he needs Victoria to encourage 658 00:41:22,800 --> 00:41:26,560 Speaker 1: him before he can finally to get Look, the magical 659 00:41:26,800 --> 00:41:30,600 Speaker 1: wand is not in his hand. Let me tell you, well, 660 00:41:30,680 --> 00:41:33,680 Speaker 1: maybe sometimes it is, but it's the one we're looking at. 661 00:41:34,719 --> 00:41:36,719 Speaker 1: It's his penis, is what I'm trying to say. Is 662 00:41:36,760 --> 00:41:40,160 Speaker 1: the wand is his penis. Victoria gets some horny for 663 00:41:40,280 --> 00:41:43,600 Speaker 1: magic and honey gets horny for old dute. Old duke 664 00:41:43,680 --> 00:41:46,520 Speaker 1: comes back. I like that. You do see a man 665 00:41:46,719 --> 00:41:51,000 Speaker 1: with almost no confidence in himself, because that's rare. And 666 00:41:51,040 --> 00:41:54,640 Speaker 1: then Victoria sees Grizabella outside and she's like, come in 667 00:41:54,680 --> 00:41:57,560 Speaker 1: here and sing. Victoria is like, it is better be 668 00:41:57,760 --> 00:42:01,400 Speaker 1: the last time you sing memory, because it's the fourth time, 669 00:42:02,080 --> 00:42:06,399 Speaker 1: and she does it. An old Deuteronomy is like, wow, Grizabella, 670 00:42:06,600 --> 00:42:09,319 Speaker 1: that was so good. You're the jelical choice. And you 671 00:42:09,360 --> 00:42:14,719 Speaker 1: know what, old dude o Grizabella an apology, yeah, and 672 00:42:14,800 --> 00:42:17,319 Speaker 1: doesn't give one. She should be like, I am so 673 00:42:17,400 --> 00:42:20,480 Speaker 1: sorry I kicked you out of the jelicals. That was 674 00:42:21,120 --> 00:42:25,680 Speaker 1: sexiest of me. I I, old dude, have internalized misogyny. 675 00:42:25,840 --> 00:42:28,960 Speaker 1: It's hard for me to untrain myself from these things. 676 00:42:28,960 --> 00:42:31,359 Speaker 1: But I need to make teach an old cat new 677 00:42:31,400 --> 00:42:36,880 Speaker 1: tricks and and and then she's like, I just remembered 678 00:42:36,960 --> 00:42:42,040 Speaker 1: I should have kicked out my cavity dot. I'm so sorry, 679 00:42:42,320 --> 00:42:48,400 Speaker 1: you may die and she just hot air balloon to heaven. 680 00:42:49,239 --> 00:42:54,520 Speaker 1: And then she's like Victoria, Wow, good instinct on thinking 681 00:42:54,560 --> 00:42:57,640 Speaker 1: that Grizabella was good. You're a jelical cat now, so 682 00:42:57,719 --> 00:42:59,640 Speaker 1: I guess why she's a gelical cat because she did 683 00:42:59,640 --> 00:43:02,560 Speaker 1: a good right. So I guess that means Victoria is 684 00:43:02,600 --> 00:43:06,160 Speaker 1: eligible to die next year at the next ball, and 685 00:43:06,200 --> 00:43:10,480 Speaker 1: a lot of that breaks Victoria. And then there's the 686 00:43:10,600 --> 00:43:13,600 Speaker 1: five minute scene where Judy Dench breaks the fourth wall 687 00:43:13,960 --> 00:43:17,000 Speaker 1: and then ends the movie with the most profound line 688 00:43:17,040 --> 00:43:20,960 Speaker 1: I've ever heard in cinema, because she says, most importantly, 689 00:43:21,440 --> 00:43:25,319 Speaker 1: a cat is not a dog. And we were like, 690 00:43:26,680 --> 00:43:30,719 Speaker 1: what blew me away? It's weird. That is one of 691 00:43:31,040 --> 00:43:32,799 Speaker 1: we have to take a quick break. That's the end 692 00:43:32,840 --> 00:43:34,399 Speaker 1: of the movie. We have to take a quick break, 693 00:43:34,440 --> 00:43:36,480 Speaker 1: and then we have to really get a lot of 694 00:43:36,480 --> 00:43:47,280 Speaker 1: discussion infa we're back my mom. Wow wow wow wow. 695 00:43:47,920 --> 00:43:53,120 Speaker 1: Um okay, so context corner for cats. For for a 696 00:43:53,200 --> 00:43:57,680 Speaker 1: play with no plot, there's a fair amount of context. 697 00:43:58,040 --> 00:44:01,960 Speaker 1: So this is an Andrewoid Webber musical. Um. It originally 698 00:44:02,000 --> 00:44:05,400 Speaker 1: came out in one. He was allowed to do this 699 00:44:05,440 --> 00:44:08,520 Speaker 1: because Evida had been very successful. Jesus Christ Superstar had 700 00:44:08,520 --> 00:44:11,560 Speaker 1: been very successful. Not not just anyone could have gotten 701 00:44:11,560 --> 00:44:14,960 Speaker 1: this mate because it doesn't make any sense. But it's 702 00:44:15,280 --> 00:44:20,160 Speaker 1: adapted from an old book of T. S. Eliott poems 703 00:44:20,280 --> 00:44:24,200 Speaker 1: called Old Possums Book of Practical Cats, which was published 704 00:44:24,239 --> 00:44:26,960 Speaker 1: in the nineteen thirties. So most of the lyrics in 705 00:44:27,040 --> 00:44:30,840 Speaker 1: this entire musical are direct T. S. Eliott poems or 706 00:44:30,960 --> 00:44:34,280 Speaker 1: poems that have been modified slightly. But all the characters 707 00:44:34,480 --> 00:44:36,800 Speaker 1: the letters from his wife, right, because like his wife 708 00:44:36,840 --> 00:44:40,600 Speaker 1: was like um said something in some letter. Whereas like cats, 709 00:44:40,760 --> 00:44:42,759 Speaker 1: when cats did, they go up up, up up to 710 00:44:42,800 --> 00:44:47,000 Speaker 1: the heavinside layer. So the heaven side layer is referenced 711 00:44:47,080 --> 00:44:49,640 Speaker 1: once in the book of poems, but it like they 712 00:44:49,680 --> 00:44:53,400 Speaker 1: expand on the idea of it through letters. Um. But 713 00:44:53,480 --> 00:44:56,279 Speaker 1: basically it was a book of children's poetry written by T. S. 714 00:44:56,280 --> 00:44:58,920 Speaker 1: Eliott that Andrew Lord Webber really liked as a child. 715 00:44:59,440 --> 00:45:02,520 Speaker 1: And all the character names come from T. S. Eliott, 716 00:45:02,560 --> 00:45:06,480 Speaker 1: like he effectively wrote the play. Basically, all the I 717 00:45:06,640 --> 00:45:09,160 Speaker 1: P Is T. S. Eliot's And he just didn't live 718 00:45:09,239 --> 00:45:13,319 Speaker 1: long enough to prevent this from happening, is basically, and 719 00:45:13,360 --> 00:45:16,160 Speaker 1: so Andrew Lie Webber uses his blank check as very 720 00:45:16,200 --> 00:45:21,040 Speaker 1: successful composer to get this made. Um T. S. Eliot. 721 00:45:21,120 --> 00:45:26,799 Speaker 1: It is extremely worth mentioning that he was notoriously I mean, 722 00:45:26,840 --> 00:45:29,400 Speaker 1: he was every kind of bigoted it was possible to be, 723 00:45:29,719 --> 00:45:32,240 Speaker 1: and it shows and all of his most famous works, 724 00:45:32,320 --> 00:45:36,319 Speaker 1: including some things in Cats that um, for the most part, 725 00:45:36,360 --> 00:45:38,759 Speaker 1: have been edited out, but over the years that wasn't 726 00:45:38,760 --> 00:45:42,239 Speaker 1: always true. Um. But he I think is most famously 727 00:45:42,320 --> 00:45:45,000 Speaker 1: deeply anti Semitic. But there's a lot of racism in 728 00:45:45,080 --> 00:45:47,239 Speaker 1: his work. There's a ton of misogyny in this work. 729 00:45:47,280 --> 00:45:49,720 Speaker 1: I was wondering about that aside and the thing about 730 00:45:49,760 --> 00:45:52,919 Speaker 1: like the global bangers in the movie that was really weird. Yeah, 731 00:45:52,960 --> 00:45:55,200 Speaker 1: and he's also deeply like he came from money, like 732 00:45:55,239 --> 00:45:58,640 Speaker 1: he just had every privilege it's possible to have and 733 00:45:58,920 --> 00:46:01,200 Speaker 1: doesn't give a funk about anyone except people who are 734 00:46:01,239 --> 00:46:04,759 Speaker 1: exactly like him. Uh, you know, rich white straight men. 735 00:46:05,280 --> 00:46:09,840 Speaker 1: So uh, he is bad. Uh. And there there's that 736 00:46:09,920 --> 00:46:13,799 Speaker 1: whole like academic like there are some academic analysts that 737 00:46:13,840 --> 00:46:17,480 Speaker 1: will like do the mental gymnastics necessary to justify it, 738 00:46:17,520 --> 00:46:21,200 Speaker 1: but there's really no excusing it. Um. It's not especially 739 00:46:21,239 --> 00:46:24,120 Speaker 1: present in this book, but but there was for the 740 00:46:24,160 --> 00:46:27,240 Speaker 1: most part Andrew laid Webber. He has he's a member 741 00:46:27,239 --> 00:46:30,160 Speaker 1: of the British Conservative Party, so we can't stand him 742 00:46:30,160 --> 00:46:33,759 Speaker 1: in that regard. But he has um historically gone to 743 00:46:33,840 --> 00:46:37,960 Speaker 1: bad for queer people and people of color in his 744 00:46:38,200 --> 00:46:42,840 Speaker 1: musicals extended Universe. So there are some ideas between T. S. 745 00:46:42,880 --> 00:46:46,080 Speaker 1: Eliott Andrew laid Webber that are directly conflicting. And Andrew 746 00:46:46,120 --> 00:46:49,000 Speaker 1: loud Webber does a fair amount to steer his way 747 00:46:49,120 --> 00:46:51,640 Speaker 1: around stuff. I don't agree with the casting of this 748 00:46:51,680 --> 00:46:55,359 Speaker 1: movie in some ways, but um, in general, Um, through 749 00:46:55,400 --> 00:46:58,680 Speaker 1: the years, Cats has been kind of fluid in terms 750 00:46:58,760 --> 00:47:04,239 Speaker 1: of gender race. They're fucking cats, Katie. You mentioned the 751 00:47:04,280 --> 00:47:08,160 Speaker 1: gender of Old Deuteronomy has changed through various adaptations. There 752 00:47:08,200 --> 00:47:12,280 Speaker 1: are some cats that were originally played by white actors 753 00:47:12,280 --> 00:47:14,759 Speaker 1: that are later played by black actors, and uh and 754 00:47:14,920 --> 00:47:18,440 Speaker 1: vice versa, and angel Wee. Webber has a fairly good 755 00:47:18,680 --> 00:47:22,480 Speaker 1: track record of going to bat for actors that aren't 756 00:47:22,480 --> 00:47:25,640 Speaker 1: just the straight white actors. So there's that. But um, 757 00:47:26,080 --> 00:47:29,120 Speaker 1: there was a song that was removed, only removed from 758 00:47:29,200 --> 00:47:37,360 Speaker 1: Cats in that says a blatant slur um towards Asian people, 759 00:47:37,520 --> 00:47:40,440 Speaker 1: and that was a line taken directly from T. S. 760 00:47:40,480 --> 00:47:43,640 Speaker 1: Eliott um and the number it was a growl tiger 761 00:47:43,760 --> 00:47:49,000 Speaker 1: number that was removed. So in any case, there were 762 00:47:49,040 --> 00:47:54,919 Speaker 1: at very least adaptation changes made. And I think that 763 00:47:54,920 --> 00:47:59,880 Speaker 1: that's like basically the background you need is. We can 764 00:48:00,080 --> 00:48:03,600 Speaker 1: blame Andrew lid Webber for making it scary, but all 765 00:48:03,640 --> 00:48:07,200 Speaker 1: the things that are problematic are generally t s eliott 766 00:48:07,200 --> 00:48:12,320 Speaker 1: I p okay, and let us talk about these problematic things, 767 00:48:12,400 --> 00:48:14,680 Speaker 1: because I mean, this is one of those movies where 768 00:48:14,680 --> 00:48:18,040 Speaker 1: it's just like so nonsensical that it's almost sort of 769 00:48:18,040 --> 00:48:22,480 Speaker 1: hard to analyze on any meaningful level because it's just like, well, 770 00:48:23,080 --> 00:48:26,719 Speaker 1: none of it makes sense. And they're also cats, so like, 771 00:48:27,360 --> 00:48:29,840 Speaker 1: how much can we talk about the representation of women? 772 00:48:30,000 --> 00:48:33,640 Speaker 1: And yet I insisted we do this? Well, I mean, 773 00:48:34,160 --> 00:48:38,319 Speaker 1: Victoria needs rescuing. Victoria needs rescuing. She is maybe the 774 00:48:38,360 --> 00:48:41,759 Speaker 1: most passive protagonist of any movie I've ever seen in 775 00:48:41,800 --> 00:48:46,120 Speaker 1: my entire life, and the fact that she is a 776 00:48:46,160 --> 00:48:49,520 Speaker 1: female character, you know, means we just have an extremely 777 00:48:49,719 --> 00:48:52,960 Speaker 1: passive female protagonists. It's also wild that they had to 778 00:48:53,000 --> 00:48:56,000 Speaker 1: add in a song for her for this movie. She 779 00:48:56,040 --> 00:49:01,840 Speaker 1: didn't even have a like the song like beautifuckers, that 780 00:49:02,000 --> 00:49:06,080 Speaker 1: song that sucks being about being haunted. No, I had 781 00:49:06,160 --> 00:49:08,400 Speaker 1: no idea what they were talking about that song, Like, 782 00:49:08,400 --> 00:49:11,000 Speaker 1: like what I gathered from it, it it was like sucks 783 00:49:11,040 --> 00:49:13,520 Speaker 1: for you that you were kicked out of this jellical group, 784 00:49:13,600 --> 00:49:17,640 Speaker 1: but like they like me, so um yeah, but she 785 00:49:17,960 --> 00:49:21,160 Speaker 1: like that song was written for this movie because so 786 00:49:21,640 --> 00:49:24,880 Speaker 1: she didn't even have that much originally. She was truly 787 00:49:24,960 --> 00:49:28,839 Speaker 1: like nothing nothing, and the direction for her like she's 788 00:49:28,960 --> 00:49:32,160 Speaker 1: she is definitely that actor or ballet dancer. She's a 789 00:49:32,280 --> 00:49:36,319 Speaker 1: great ballet dancer, super talented. Not criticizing her at all, 790 00:49:36,320 --> 00:49:39,040 Speaker 1: but the direction for her seemed to be basically like 791 00:49:39,360 --> 00:49:42,600 Speaker 1: look wide eyed, innocent and sexy at all times. And 792 00:49:42,640 --> 00:49:46,200 Speaker 1: that's like, yeah, problem, especially because she's not really given 793 00:49:46,280 --> 00:49:49,520 Speaker 1: much to do, like she doesn't do anything except lift 794 00:49:49,600 --> 00:49:53,400 Speaker 1: up Mr mustapholes, and I mean she does. I do 795 00:49:53,640 --> 00:49:56,960 Speaker 1: like generally how she is the only cat willing to 796 00:49:57,160 --> 00:49:59,759 Speaker 1: like talk to Grizabella and bring her in, Like I 797 00:49:59,800 --> 00:50:02,480 Speaker 1: think that that women lift up other women and healthy 798 00:50:02,560 --> 00:50:05,480 Speaker 1: women and then old dude. I like the choice of 799 00:50:05,480 --> 00:50:07,239 Speaker 1: old dupe being a woman in this and that she 800 00:50:07,320 --> 00:50:09,680 Speaker 1: gives Grazi Balla the second chance, and that you get 801 00:50:09,719 --> 00:50:12,799 Speaker 1: the matriarchy through Judy Dench, And I think that those 802 00:50:12,840 --> 00:50:18,360 Speaker 1: are all cool choices controversial slash straight up bad editing. 803 00:50:18,440 --> 00:50:23,320 Speaker 1: CG choice was that so Francesca Hayward is a black woman, 804 00:50:23,800 --> 00:50:26,160 Speaker 1: but you would never know that based on how she's 805 00:50:26,160 --> 00:50:29,600 Speaker 1: stylized in the movie. She's essentially I mean, there's been 806 00:50:29,640 --> 00:50:32,640 Speaker 1: there's a million articles on this that will have more 807 00:50:32,719 --> 00:50:35,400 Speaker 1: cogent thoughts than the two seconds I have to summarize this. 808 00:50:35,760 --> 00:50:38,399 Speaker 1: But basically, when the trailer for this movie came out 809 00:50:38,480 --> 00:50:42,640 Speaker 1: in July, a lot of people were like upset because 810 00:50:42,719 --> 00:50:46,080 Speaker 1: because this movie has a black female lead, but you 811 00:50:46,080 --> 00:50:50,280 Speaker 1: would never know it, particularly because she's a ballet dancer 812 00:50:50,320 --> 00:50:53,000 Speaker 1: and she's not recognizable to the general public. So like 813 00:50:53,200 --> 00:50:55,160 Speaker 1: we I didn't find out that she was a black 814 00:50:55,200 --> 00:50:58,040 Speaker 1: woman until before the third time I saw it, and 815 00:50:58,640 --> 00:51:02,759 Speaker 1: and uh, you know, the the pushback on that was like, well, 816 00:51:02,800 --> 00:51:04,439 Speaker 1: you're not supposed to be able to tell the race 817 00:51:04,440 --> 00:51:07,479 Speaker 1: of any of the cats, but that's not true. Calm 818 00:51:07,560 --> 00:51:11,520 Speaker 1: down there, Stephen Colbert. It's very it's like it's not true. 819 00:51:11,680 --> 00:51:14,839 Speaker 1: And even with I hate that. I hate that when 820 00:51:14,880 --> 00:51:18,080 Speaker 1: they use that excuse for like, oh, we literally don't 821 00:51:18,120 --> 00:51:20,920 Speaker 1: see race, like nice, try, like you still have to 822 00:51:21,040 --> 00:51:24,799 Speaker 1: do good representation, and you can identify the race of 823 00:51:25,000 --> 00:51:27,320 Speaker 1: almost any other cat in the entire maybe you should 824 00:51:27,320 --> 00:51:31,120 Speaker 1: see Taylor Swift is not a like snow white cat, 825 00:51:31,160 --> 00:51:33,120 Speaker 1: but you can still see in the way that she's 826 00:51:33,239 --> 00:51:35,960 Speaker 1: edited the bottom of her face, you can tell what 827 00:51:36,040 --> 00:51:40,560 Speaker 1: ethnicity she is. So it's like a shitty argument, and 828 00:51:40,600 --> 00:51:43,640 Speaker 1: it is whitewashing a black female character. Yeah, because yeah, 829 00:51:43,680 --> 00:51:46,280 Speaker 1: and then like Jennifer Hudson, Idris Alba, and Jason Drulo 830 00:51:46,360 --> 00:51:49,560 Speaker 1: are all like visibly black. Also, that's kind of messed 831 00:51:49,640 --> 00:51:52,239 Speaker 1: up too, because like with with You, just like one 832 00:51:52,239 --> 00:51:53,799 Speaker 1: of the lyrics of the song is that he's a 833 00:51:53,800 --> 00:51:56,920 Speaker 1: ginger cat, like he's got like, you know, ginger coloration 834 00:51:57,120 --> 00:51:59,279 Speaker 1: of the cat, and then that he doesn't. That was 835 00:51:59,320 --> 00:52:03,600 Speaker 1: a weird big in the musical. Cavity has been played 836 00:52:03,600 --> 00:52:06,080 Speaker 1: by a black man before, but it's still a ginger cat, right, 837 00:52:06,640 --> 00:52:10,120 Speaker 1: because that's how they describe them. I mean, it's okay 838 00:52:10,200 --> 00:52:12,359 Speaker 1: if you don't do that, but then why didn't Then 839 00:52:12,480 --> 00:52:14,360 Speaker 1: how come the argument is like, oh, well, you know, 840 00:52:14,400 --> 00:52:16,080 Speaker 1: it's just like they're all just cats. But then like 841 00:52:16,160 --> 00:52:19,560 Speaker 1: you changed that, you didn't change Victoria. It doesn't make 842 00:52:19,600 --> 00:52:22,600 Speaker 1: sense the casting of this movie. I mean it's a 843 00:52:22,719 --> 00:52:25,279 Speaker 1: very diverse cast. I think that it's just again it's 844 00:52:25,320 --> 00:52:27,440 Speaker 1: like an issue of just like a very white behind 845 00:52:27,440 --> 00:52:31,640 Speaker 1: the scenes crew that if not thinking critically or hard 846 00:52:31,719 --> 00:52:35,200 Speaker 1: enough about the choices that they're making because you're casting 847 00:52:35,560 --> 00:52:38,960 Speaker 1: uh you know, like the only two true outliers from 848 00:52:39,000 --> 00:52:42,760 Speaker 1: the gelical world are two black characters. You've got Idris 849 00:52:42,800 --> 00:52:47,080 Speaker 1: Elba as Macavity and then you have Jennifer Hudson as Grizabella. 850 00:52:47,200 --> 00:52:52,160 Speaker 1: So so it's like the it's like the optics, I 851 00:52:52,200 --> 00:52:54,400 Speaker 1: wouldn't be shocked if they're like, yeah, no one thought 852 00:52:54,400 --> 00:52:56,400 Speaker 1: of it. So a lot of things seem to slip 853 00:52:56,400 --> 00:53:00,279 Speaker 1: through the cracks with this movie. Yeah, um, to talk 854 00:53:00,320 --> 00:53:06,600 Speaker 1: about the body shaming of some of the cats, Rebel 855 00:53:06,640 --> 00:53:11,759 Speaker 1: Wilson cat and James Cordon cat, they're both plus size actors, 856 00:53:11,880 --> 00:53:16,240 Speaker 1: and then uh, I think at least James Cordon has 857 00:53:16,239 --> 00:53:19,720 Speaker 1: like a fat suit on, um, making him appear bigger 858 00:53:19,760 --> 00:53:22,440 Speaker 1: than he for sure, for sure. So this is again 859 00:53:22,480 --> 00:53:25,799 Speaker 1: it's just like an adaptation issue, I think, where it's 860 00:53:25,840 --> 00:53:29,880 Speaker 1: like when you're writing about a chubby cat and a poem, 861 00:53:29,920 --> 00:53:33,279 Speaker 1: it's very different than shaming a famous actor for their 862 00:53:33,320 --> 00:53:36,640 Speaker 1: size and you know, kind of forcing them to make 863 00:53:36,680 --> 00:53:40,480 Speaker 1: fun of themselves in a way that feels dated and 864 00:53:40,560 --> 00:53:44,560 Speaker 1: like uncomfortable and unfair. Um, so like you don't have 865 00:53:44,600 --> 00:53:47,719 Speaker 1: to adapt it that way, and and and because this 866 00:53:47,800 --> 00:53:51,719 Speaker 1: is like the sinister spiral of adaptations of it's like 867 00:53:52,239 --> 00:53:56,399 Speaker 1: poem to musical to movie. You can change how it's 868 00:53:56,440 --> 00:54:01,680 Speaker 1: presented in the musical too, but they don't. I don't, right, 869 00:54:01,840 --> 00:54:03,920 Speaker 1: And and just to be clear, the issue is that 870 00:54:04,080 --> 00:54:08,360 Speaker 1: like there should be a much wider array of body 871 00:54:08,520 --> 00:54:11,719 Speaker 1: size is represented in across all movies. So the fact 872 00:54:11,719 --> 00:54:13,920 Speaker 1: that you have like plus size actors in this movie 873 00:54:14,040 --> 00:54:18,120 Speaker 1: is great. The problem is they're just like those characters 874 00:54:18,200 --> 00:54:23,920 Speaker 1: are characterized as being shown constantly eating. Rebel Wilson is 875 00:54:23,960 --> 00:54:27,640 Speaker 1: a gumby cat, which I guess just laziness, sits around, 876 00:54:27,680 --> 00:54:31,680 Speaker 1: does nothing. They're just like always stuffing their faces. And 877 00:54:31,680 --> 00:54:34,640 Speaker 1: they're also the first two cats to be captured. Maybe 878 00:54:34,640 --> 00:54:37,399 Speaker 1: that's just because they're the first two cats jelical cats 879 00:54:37,400 --> 00:54:41,160 Speaker 1: will get introduced. But it's just like it sends a 880 00:54:41,160 --> 00:54:43,799 Speaker 1: message also, it makes me think, so like remember that 881 00:54:43,880 --> 00:54:47,439 Speaker 1: really disturbing scene where Rebel Wilson, the Rebel Wilson cat 882 00:54:47,520 --> 00:54:52,120 Speaker 1: like unzips her skin and there's a dress, the tight 883 00:54:52,200 --> 00:54:55,719 Speaker 1: cocktail dress under her skin and then more for under 884 00:54:55,760 --> 00:55:00,239 Speaker 1: the dress, which everyone's freaked out about. I've been thinking 885 00:55:00,280 --> 00:55:02,040 Speaker 1: about why they would do that and why they wouldn't 886 00:55:02,040 --> 00:55:04,440 Speaker 1: give her like you know how like you just Elbow's 887 00:55:04,480 --> 00:55:06,920 Speaker 1: character and old old dude, like it's like a furry 888 00:55:07,000 --> 00:55:09,560 Speaker 1: coat in like sort of like fluffiness, and then that 889 00:55:09,560 --> 00:55:12,719 Speaker 1: would be much less traumatizing to see her character off. 890 00:55:12,960 --> 00:55:16,040 Speaker 1: I think twice it becomes a plot point. And I 891 00:55:16,080 --> 00:55:18,239 Speaker 1: think the reason that they had to do that is 892 00:55:18,280 --> 00:55:22,200 Speaker 1: because they want to accentuate the fact that she's fat. 893 00:55:22,360 --> 00:55:26,280 Speaker 1: And I think that was a way of like humiliating 894 00:55:26,280 --> 00:55:29,919 Speaker 1: her in a way like the character. Does that make sense, Yeah, 895 00:55:30,040 --> 00:55:32,080 Speaker 1: I I don't really know like how it's portrayed in 896 00:55:32,120 --> 00:55:34,120 Speaker 1: the original musical, so I don't even I mean that 897 00:55:34,160 --> 00:55:36,759 Speaker 1: could be something that's either being played down or up 898 00:55:36,840 --> 00:55:39,920 Speaker 1: in either direction. I'm not totally sure. But it doesn't 899 00:55:39,960 --> 00:55:42,239 Speaker 1: come off well at all. And it's just like it's 900 00:55:42,280 --> 00:55:45,400 Speaker 1: not fair to the actors. Both James Gordon and Rebel 901 00:55:45,440 --> 00:55:48,680 Speaker 1: Wilson have had to like play in a way that 902 00:55:48,760 --> 00:55:51,400 Speaker 1: mocks their own size for years and years. It's really 903 00:55:51,480 --> 00:55:54,799 Speaker 1: it's really insulting. Yeah, and and it's not a joke 904 00:55:54,880 --> 00:55:59,160 Speaker 1: that anyone is laughing at anymore. Like it's just it's uncomfortable. 905 00:55:59,760 --> 00:56:02,560 Speaker 1: I feel like we I want to be optimistic and 906 00:56:02,600 --> 00:56:06,240 Speaker 1: say largely as a society have kind of like moved 907 00:56:06,280 --> 00:56:10,120 Speaker 1: past that, and like the fat acceptance movement has done 908 00:56:10,200 --> 00:56:13,440 Speaker 1: so much work that seeing like a goofy movie that 909 00:56:13,520 --> 00:56:15,800 Speaker 1: doesn't need to do this. There's so many dumb things 910 00:56:15,840 --> 00:56:19,320 Speaker 1: you can do with Rebel Wilson and James Corden. They're comedians, 911 00:56:19,360 --> 00:56:24,040 Speaker 1: like they're uniquely qualified to make anything funny. And then 912 00:56:24,080 --> 00:56:26,359 Speaker 1: just to be like, Nope, your body is the joke. 913 00:56:26,400 --> 00:56:29,040 Speaker 1: We're not going to change the source material at all. Sorry, 914 00:56:29,120 --> 00:56:31,600 Speaker 1: Like and just any time that there's like a refusal 915 00:56:31,640 --> 00:56:34,360 Speaker 1: to adapt something like that is just it's just lazy. 916 00:56:34,480 --> 00:56:38,000 Speaker 1: It just sucks. It's like what you're gonna like take 917 00:56:38,040 --> 00:56:40,839 Speaker 1: a bunch of steps backwards in any progress that's been 918 00:56:40,880 --> 00:56:44,520 Speaker 1: made for fan service or to like have a more 919 00:56:44,960 --> 00:56:48,799 Speaker 1: faithful adaptation like who cares, No one cares. But then 920 00:56:48,840 --> 00:56:51,240 Speaker 1: it's I mean it's an impossible christen their part, because 921 00:56:51,520 --> 00:56:53,719 Speaker 1: if I'm Rebel Wilson and someone is like do you 922 00:56:53,719 --> 00:56:56,840 Speaker 1: want to be in Cats? I'm like whatever it takes. 923 00:56:56,920 --> 00:57:02,240 Speaker 1: So so it's it just it Yeah, where it's definitely 924 00:57:02,239 --> 00:57:04,640 Speaker 1: it's an issue. It's the refusal to adapt. It is 925 00:57:04,719 --> 00:57:08,600 Speaker 1: so it's glaring and it and it makes the best 926 00:57:08,640 --> 00:57:12,080 Speaker 1: movie less the best. And while there have been strides 927 00:57:12,320 --> 00:57:17,360 Speaker 1: made in the body positivity movement and there's less fat 928 00:57:17,400 --> 00:57:20,360 Speaker 1: shaming than there was in the past, it's still a 929 00:57:20,400 --> 00:57:24,400 Speaker 1: huge issue. And I think, particularly in Hollywood, there's still 930 00:57:24,440 --> 00:57:28,240 Speaker 1: a refusal to cast plus size actors and things. It's 931 00:57:28,240 --> 00:57:30,440 Speaker 1: getting a little better, but like, and the types of 932 00:57:30,480 --> 00:57:33,000 Speaker 1: parts that plus size actors get tended to be the 933 00:57:33,040 --> 00:57:36,920 Speaker 1: same stock characters that this doesn't strive from stray cats 934 00:57:39,360 --> 00:57:42,480 Speaker 1: at all. A thing that Rebe Wilson has to deal 935 00:57:42,520 --> 00:57:44,760 Speaker 1: with a lot in most of the movie she gets 936 00:57:44,800 --> 00:57:47,520 Speaker 1: cast in is that she's made to be also very clumsy, 937 00:57:47,640 --> 00:57:50,720 Speaker 1: like constantly falling or like getting hit in the head. 938 00:57:50,760 --> 00:57:53,640 Speaker 1: And yeah, we're like, so her most famous character's name 939 00:57:53,680 --> 00:57:57,560 Speaker 1: is fat Amy. It's like it's ridiculous, um, But in 940 00:57:57,600 --> 00:58:00,480 Speaker 1: this movie, I mean no exception where she's like falling 941 00:58:00,600 --> 00:58:02,640 Speaker 1: all the time, She like falls off the chair and 942 00:58:02,680 --> 00:58:06,760 Speaker 1: she's they're just like both her and James Cordon cat 943 00:58:06,800 --> 00:58:10,040 Speaker 1: are are like clumsy, just kind of bumbling on. That's 944 00:58:10,640 --> 00:58:12,600 Speaker 1: that's kind of a trope that has to do, like 945 00:58:12,640 --> 00:58:15,360 Speaker 1: a sort of size of trope worts like oh if 946 00:58:15,360 --> 00:58:19,560 Speaker 1: you're if you're fat, you're like doofy clumsy or your gluttonous, 947 00:58:19,840 --> 00:58:23,840 Speaker 1: you're greedy, and like like the James Cordon character embodies 948 00:58:23,880 --> 00:58:25,800 Speaker 1: some of that, where he's like he's greedy, he's gluttonous, 949 00:58:25,840 --> 00:58:28,880 Speaker 1: he's like, you know, sort of like a prima donna 950 00:58:29,000 --> 00:58:31,760 Speaker 1: and like the same. It's just it was just bad. 951 00:58:31,920 --> 00:58:34,160 Speaker 1: It's it's and it's too bad too, because it's like, 952 00:58:34,200 --> 00:58:37,240 Speaker 1: I mean, obviously, like I understand why they would take 953 00:58:37,360 --> 00:58:42,200 Speaker 1: these roles in this amazing, perfect, built to succeed movie. Uh, 954 00:58:42,240 --> 00:58:44,800 Speaker 1: And James Cordon, to his credit, has done a fair 955 00:58:44,840 --> 00:58:48,640 Speaker 1: amount of like good activism for plus size people, and 956 00:58:48,760 --> 00:58:51,400 Speaker 1: so it's just it just sucks that they're subjected to this. 957 00:58:51,480 --> 00:58:55,040 Speaker 1: It's because like it's not it doesn't read well to anybody, right, Well, 958 00:58:55,040 --> 00:58:57,680 Speaker 1: you look at like the roles that plus size people get, 959 00:58:57,760 --> 00:59:01,920 Speaker 1: and it's like pretty every everyone who's been prominent has 960 00:59:01,960 --> 00:59:03,880 Speaker 1: had to take a role where like the main joke 961 00:59:04,040 --> 00:59:06,320 Speaker 1: is that you're big, and it's just like it's it's 962 00:59:06,360 --> 00:59:10,920 Speaker 1: cringe e for audiences in general, Like it's just bad. 963 00:59:11,960 --> 00:59:17,360 Speaker 1: You can say something I liked Old Dude in general. 964 00:59:17,480 --> 00:59:20,120 Speaker 1: I like old Dude. I like how Judy Dench plays 965 00:59:20,120 --> 00:59:24,680 Speaker 1: her too seriously. I like but I but I did 966 00:59:24,840 --> 00:59:29,480 Speaker 1: like that. Well, it seems like Grizabella's character was originally 967 00:59:29,560 --> 00:59:33,960 Speaker 1: supposed to be pretty agist, and her whole character is 968 00:59:34,000 --> 00:59:37,760 Speaker 1: built around like the quote unquote, like the indignities of aging, 969 00:59:37,840 --> 00:59:42,160 Speaker 1: the feeling of irrelevant female beauty fading, and like these 970 00:59:42,240 --> 00:59:45,440 Speaker 1: things that are real. And I think we're even reeler 971 00:59:45,560 --> 00:59:49,440 Speaker 1: in n but it's kind of uncritical of them. But 972 00:59:49,480 --> 00:59:51,960 Speaker 1: then she's redeemed. It's kind of confusing. But for in 973 00:59:52,080 --> 00:59:54,520 Speaker 1: terms of old Dude, I like that um old dude 974 00:59:54,880 --> 00:59:58,640 Speaker 1: is allowed to be just as freaky sexual as all 975 00:59:58,680 --> 01:00:01,520 Speaker 1: the other cats. I loved the orgy with old Dude. 976 01:00:01,720 --> 01:00:04,600 Speaker 1: I loved that right because they go into the theater 977 01:00:05,120 --> 01:00:08,040 Speaker 1: and they have a massive orgy and they rub against No, 978 01:00:08,200 --> 01:00:11,160 Speaker 1: it's not even like I mean, okay, I'm exaggerating a 979 01:00:11,200 --> 01:00:13,919 Speaker 1: little bit. They don't literally have sex, but they rub 980 01:00:14,000 --> 01:00:16,920 Speaker 1: up against each other. Old due Old Dude gets in 981 01:00:16,960 --> 01:00:20,360 Speaker 1: there and like they they're rubbing up against her, and 982 01:00:20,440 --> 01:00:23,320 Speaker 1: it's like this kind of pan sexual cat orgy, and 983 01:00:23,320 --> 01:00:27,760 Speaker 1: I'm it's we have a pan sexual cat orgy. I'm 984 01:00:27,800 --> 01:00:31,080 Speaker 1: here for representation. We've needed for decades, but it is cool. 985 01:00:31,080 --> 01:00:33,800 Speaker 1: I mean, I feel like I agree with them. You're 986 01:00:33,800 --> 01:00:35,520 Speaker 1: making a very good point. I'm kind of being silly, 987 01:00:35,560 --> 01:00:37,120 Speaker 1: but I agree with that. Yeah, oh yeah, just like 988 01:00:37,160 --> 01:00:40,000 Speaker 1: that that people over a certain age, particularly women over 989 01:00:40,040 --> 01:00:43,040 Speaker 1: a certain age, are not afforded, aren't allowed to be 990 01:00:43,080 --> 01:00:45,400 Speaker 1: sexual in any way, and everyone in this movie is 991 01:00:45,480 --> 01:00:48,800 Speaker 1: too sexual. Judy Dench included. Did you see Judy Dench's 992 01:00:48,840 --> 01:00:51,560 Speaker 1: cute little like leg thing where she's sitting in her basket. 993 01:00:51,880 --> 01:00:54,040 Speaker 1: She was sitting in the basket like sort of that 994 01:00:54,160 --> 01:00:56,320 Speaker 1: they paint me like one of your French cats post 995 01:00:56,720 --> 01:00:58,760 Speaker 1: that she does the leg kick and she's like, I'm 996 01:00:59,280 --> 01:01:03,160 Speaker 1: screw Like, yeah, everyone, we all screamed, We all screamed 997 01:01:03,160 --> 01:01:06,919 Speaker 1: for Judy Dene's cat legs. But she, she and Ian 998 01:01:07,000 --> 01:01:09,439 Speaker 1: McKellen are are just as horny as the next cat 999 01:01:09,480 --> 01:01:13,040 Speaker 1: on the block. So that's I thought. I love I 1000 01:01:13,120 --> 01:01:17,040 Speaker 1: love a horny cat, Judy Dinch. She really fun fact 1001 01:01:17,080 --> 01:01:20,840 Speaker 1: about Judy Dench is that she was so excited to 1002 01:01:20,880 --> 01:01:22,680 Speaker 1: be in this movie because she was originally supposed to 1003 01:01:22,720 --> 01:01:26,040 Speaker 1: play I think either Grizabella or Victoria in the original 1004 01:01:26,080 --> 01:01:28,800 Speaker 1: production of Cats, and then she got hurt and she 1005 01:01:28,840 --> 01:01:31,080 Speaker 1: couldn't do it, but she's been a cat's stand for 1006 01:01:31,120 --> 01:01:35,640 Speaker 1: all these years. And then Mr Webber was Lord Webber 1007 01:01:36,240 --> 01:01:39,440 Speaker 1: was like, damn, will you be my old dude? And 1008 01:01:39,480 --> 01:01:43,040 Speaker 1: she said yes, yes, yes can I kick? Like it 1009 01:01:43,160 --> 01:01:47,560 Speaker 1: was good for her? Good um. One of the adaptations 1010 01:01:47,600 --> 01:01:52,280 Speaker 1: that I liked in Cats. And that's why anytime that 1011 01:01:52,440 --> 01:01:55,440 Speaker 1: someone's like, I can't change the Jenny any Dut song, 1012 01:01:55,560 --> 01:01:58,480 Speaker 1: I can't change Busta for Jones song. And then you're like, 1013 01:01:58,520 --> 01:02:00,360 Speaker 1: but you changed a lot of stuff in good Bye. 1014 01:02:00,360 --> 01:02:02,600 Speaker 1: You took out the racist song we need we needed 1015 01:02:02,680 --> 01:02:05,920 Speaker 1: that and changed that I really liked as they changed 1016 01:02:06,000 --> 01:02:09,520 Speaker 1: old Deuteronomy, who who has been played by all genders 1017 01:02:10,080 --> 01:02:13,600 Speaker 1: um throughout the years. The production I saw, by the way, 1018 01:02:13,600 --> 01:02:15,840 Speaker 1: the most recent production I saw, a friend of the cast, 1019 01:02:15,880 --> 01:02:21,800 Speaker 1: friend of the Cats, Corey Johnson played old and incredible. 1020 01:02:22,160 --> 01:02:25,400 Speaker 1: It was and I had completely forgotten. And then Corey 1021 01:02:25,480 --> 01:02:27,840 Speaker 1: is like, I'm old dude, and like, I don't know 1022 01:02:27,880 --> 01:02:30,280 Speaker 1: what that means. And she she's like, she's like, it 1023 01:02:30,320 --> 01:02:31,720 Speaker 1: seems like I'm never going to come out, and then 1024 01:02:31,720 --> 01:02:34,520 Speaker 1: I do. I was like, all right, and that's exactly 1025 01:02:34,800 --> 01:02:36,840 Speaker 1: and they it was in time. It was at the lyrics. 1026 01:02:36,880 --> 01:02:38,920 Speaker 1: It was like a tiny theater, and so there's just 1027 01:02:39,000 --> 01:02:43,760 Speaker 1: Corey like walking really slowly to the center of this stage. 1028 01:02:43,760 --> 01:02:46,440 Speaker 1: She's wearing this huge cape and you're just like, what 1029 01:02:46,840 --> 01:02:51,440 Speaker 1: is happening? It was, It was so great. Corey is 1030 01:02:51,440 --> 01:02:54,960 Speaker 1: a better old dude than Judy Dench. But if it 1031 01:02:55,080 --> 01:02:58,439 Speaker 1: is nice for the for the big feature adaptation, UM 1032 01:02:58,800 --> 01:03:01,360 Speaker 1: to see them make the choice to have it be 1033 01:03:01,400 --> 01:03:04,800 Speaker 1: a matriarchy. UM. I think that there are a few 1034 01:03:04,800 --> 01:03:07,160 Speaker 1: things that make a little bit less sense when it's 1035 01:03:07,160 --> 01:03:12,720 Speaker 1: a matriarchy, UM, like Grizabella being extradited and Macavity not. 1036 01:03:13,760 --> 01:03:16,800 Speaker 1: But in general, I think it's a good choice. Yes, 1037 01:03:16,920 --> 01:03:20,960 Speaker 1: I liked it, Yes, indeed. Um, well you've got your list, Um, 1038 01:03:21,480 --> 01:03:23,480 Speaker 1: I just let me let me go through my I 1039 01:03:23,520 --> 01:03:30,800 Speaker 1: brought a notebook to hear the pages turning at a ce. Um, 1040 01:03:30,880 --> 01:03:33,240 Speaker 1: let me just go through and see what very stupid 1041 01:03:33,320 --> 01:03:38,040 Speaker 1: jokes I wrote down. Gus the theater cat. Um, he 1042 01:03:38,200 --> 01:03:40,680 Speaker 1: sings a song about the good old days and how 1043 01:03:40,800 --> 01:03:42,560 Speaker 1: maybe it would be nicer if we return to the 1044 01:03:42,560 --> 01:03:44,760 Speaker 1: good old days. So I'm he's a maga cat, is 1045 01:03:44,800 --> 01:03:49,080 Speaker 1: what I'm saying. Yeah, he's an okay boomer cat by 1046 01:03:49,080 --> 01:03:52,360 Speaker 1: the way, who is running tech at the Jellical Ball, Isaac, 1047 01:03:53,720 --> 01:03:56,320 Speaker 1: I think your boyfriend I whever he's rinning. Techi's anting 1048 01:03:56,320 --> 01:03:59,920 Speaker 1: tech everywhere, including the Jellical Ball, and he didn't get 1049 01:04:00,000 --> 01:04:03,920 Speaker 1: hate on time for it. I like the other choice 1050 01:04:03,920 --> 01:04:06,959 Speaker 1: that you're like, whose idea was this? Um was during 1051 01:04:07,360 --> 01:04:10,800 Speaker 1: Magical Mr. Mstaffs when Jason to Rula starts like going 1052 01:04:10,840 --> 01:04:19,640 Speaker 1: falsetto Oh yeah, it's like madocal bistrostoffle Like, I feel 1053 01:04:19,640 --> 01:04:22,200 Speaker 1: like they only did like one take and then we 1054 01:04:22,200 --> 01:04:24,040 Speaker 1: were like, oh, Jason, you weren't supposed to do that, 1055 01:04:24,080 --> 01:04:25,880 Speaker 1: but we only had the one take, so let's just 1056 01:04:26,160 --> 01:04:28,080 Speaker 1: move on. We were talking about this at the theater, 1057 01:04:28,240 --> 01:04:30,880 Speaker 1: but it's so most actors you could tell, like the 1058 01:04:30,920 --> 01:04:33,360 Speaker 1: famous people were not there more than they had to be. 1059 01:04:33,720 --> 01:04:36,160 Speaker 1: But Jason Derula seemed to be there every day. He's 1060 01:04:36,200 --> 01:04:38,960 Speaker 1: in the background of every shot. He's like there. He's 1061 01:04:39,000 --> 01:04:41,040 Speaker 1: in so many things that you're like, wouldn't have missed him, 1062 01:04:41,080 --> 01:04:44,560 Speaker 1: but he's just like like he's just back there. He 1063 01:04:44,920 --> 01:04:51,840 Speaker 1: loves cats. He loves cats. What else did you let's see? Um? Oh? 1064 01:04:51,960 --> 01:05:00,040 Speaker 1: That um? What song is that? Run? Amy? Right? I 1065 01:05:00,120 --> 01:05:03,600 Speaker 1: just can't stop thinking read it. Um, the like hip 1066 01:05:03,600 --> 01:05:07,480 Speaker 1: hop cats who wear the sneakers the boy cats that 1067 01:05:07,680 --> 01:05:11,640 Speaker 1: they were wearing Mike, Yeah, I think that that was 1068 01:05:11,680 --> 01:05:15,080 Speaker 1: added for the movie. I don't really have anything else 1069 01:05:15,120 --> 01:05:17,080 Speaker 1: to say about it. But they come up a couple 1070 01:05:17,080 --> 01:05:20,760 Speaker 1: of times. They're on the there on Skimble's train, They're 1071 01:05:20,760 --> 01:05:24,240 Speaker 1: in the bed at Skimbles on Skimbles train, the sneakers, 1072 01:05:24,400 --> 01:05:30,840 Speaker 1: sneakers in the bed whatever. Um, there's a bunch of 1073 01:05:30,880 --> 01:05:36,480 Speaker 1: like really stupid cat puns, which look, I think if 1074 01:05:36,520 --> 01:05:38,480 Speaker 1: they had just tried a little harder, they could have 1075 01:05:38,560 --> 01:05:41,479 Speaker 1: gotten some better things. I like when Wilson says, don't 1076 01:05:41,480 --> 01:05:44,200 Speaker 1: mess with the crazy cat lady and then she beats 1077 01:05:44,240 --> 01:05:47,280 Speaker 1: up growl tiger. I have to admit I like that part. 1078 01:05:48,080 --> 01:05:56,320 Speaker 1: That was fine. There's the whole like cat tongue joke. Um. 1079 01:05:56,400 --> 01:05:58,560 Speaker 1: I think Rebet Wilson says, like who let the cat 1080 01:05:58,600 --> 01:06:01,960 Speaker 1: out of the bag? That one wasn't very good when 1081 01:06:02,160 --> 01:06:04,240 Speaker 1: they didn't cut any of the improv that they do, 1082 01:06:05,280 --> 01:06:07,080 Speaker 1: Like you just get to feel like Tom Hooper's on 1083 01:06:07,080 --> 01:06:08,840 Speaker 1: the other side of the camera, like say something about it, 1084 01:06:09,200 --> 01:06:12,160 Speaker 1: say something about a cat. I don't know how he talked. 1085 01:06:12,200 --> 01:06:15,560 Speaker 1: I know he's brittish us like something about a cat. 1086 01:06:17,440 --> 01:06:20,240 Speaker 1: James corn is like a cat, and then he's like, 1087 01:06:20,240 --> 01:06:24,440 Speaker 1: all right, it stays oh, and then James Cordon lands 1088 01:06:24,480 --> 01:06:26,720 Speaker 1: on his cat balls. Do you remember that part? He 1089 01:06:26,800 --> 01:06:31,960 Speaker 1: doesn't on his cat testicles? But then someone else is 1090 01:06:32,000 --> 01:06:36,240 Speaker 1: accused of being neutered. I forget who that is. Oh um, 1091 01:06:36,440 --> 01:06:40,160 Speaker 1: is that Jason Derillo? Yeah, Rebel Wilson does some improvised 1092 01:06:40,160 --> 01:06:44,040 Speaker 1: line about like has he he he just has he 1093 01:06:44,160 --> 01:06:46,880 Speaker 1: not been neuted or something because he's making everyone he's 1094 01:06:46,920 --> 01:06:50,200 Speaker 1: doing like a falsetto, and she thinks that like he's 1095 01:06:50,200 --> 01:06:52,720 Speaker 1: like a eunuch cat. I thought that it was because 1096 01:06:52,760 --> 01:06:56,440 Speaker 1: he's been making everyone horny. My read was that he 1097 01:06:56,480 --> 01:06:59,000 Speaker 1: was singing. Because no, she says something like he's singing 1098 01:06:59,040 --> 01:07:02,320 Speaker 1: so high as if he's been neutered the way that 1099 01:07:02,400 --> 01:07:05,840 Speaker 1: like they used to cast right, young boys just don'ts 1100 01:07:05,960 --> 01:07:09,560 Speaker 1: and it's just Jason Deruloh under all that. They're like, no, 1101 01:07:09,720 --> 01:07:13,440 Speaker 1: he's just a soprano. Is Jason Deruloh? Yeah? I don't know. 1102 01:07:13,520 --> 01:07:16,720 Speaker 1: There was also every time I watch it and all 1103 01:07:16,720 --> 01:07:20,800 Speaker 1: the female cats become violently horny when Jason Derulo comes 1104 01:07:20,800 --> 01:07:23,760 Speaker 1: on the scene. I'm like, there's some commentary there, but 1105 01:07:24,440 --> 01:07:27,280 Speaker 1: I'm too horny to figure out what it is. So 1106 01:07:27,400 --> 01:07:29,120 Speaker 1: you know, if anyone has a read on that, feel 1107 01:07:29,120 --> 01:07:31,720 Speaker 1: free to share. I haven't. I haven't been able to 1108 01:07:31,720 --> 01:07:35,280 Speaker 1: calm myself down enough to analyze that passage. Yeah, I 1109 01:07:36,720 --> 01:07:39,240 Speaker 1: can't make heads or tails, like is that sexist? But 1110 01:07:39,320 --> 01:07:44,120 Speaker 1: also I'm horny heads tales of it. I found some 1111 01:07:44,200 --> 01:07:47,400 Speaker 1: other bad puns from the movies. Someone says, look what 1112 01:07:47,480 --> 01:07:51,160 Speaker 1: the cat dragged in, and then someone says, oh, I 1113 01:07:51,160 --> 01:07:53,600 Speaker 1: think this is Rebbe Wilson. She says, stop milking it. 1114 01:07:56,000 --> 01:07:58,600 Speaker 1: And then I think there's like a sign that it's 1115 01:07:58,600 --> 01:08:02,280 Speaker 1: supposed to be like for a casino, but it says catsino. 1116 01:08:04,040 --> 01:08:06,840 Speaker 1: There's all this. I wish I'd paid more like close 1117 01:08:06,880 --> 01:08:08,520 Speaker 1: attention to the sign. I'm pretty sure all the signs 1118 01:08:08,520 --> 01:08:14,080 Speaker 1: are cat adjacent because there's like, yeah, because there's that 1119 01:08:14,600 --> 01:08:17,400 Speaker 1: iconic scene that we somehow haven't brought up where there 1120 01:08:17,400 --> 01:08:24,160 Speaker 1: at the milker curious. It makes sense when you take 1121 01:08:24,200 --> 01:08:27,080 Speaker 1: in the scope of the song. Rum tongue Tuger is indecisive. 1122 01:08:27,160 --> 01:08:30,040 Speaker 1: He wants what he can't have, but there's this moment 1123 01:08:30,240 --> 01:08:33,160 Speaker 1: he's walking out of the bar the milk bar. He's like, 1124 01:08:33,280 --> 01:08:35,559 Speaker 1: no more milk. He's done. Who's that four? Is that 1125 01:08:35,640 --> 01:08:37,599 Speaker 1: four cats? Or is it for It seems like it's 1126 01:08:37,640 --> 01:08:44,320 Speaker 1: for humans. It says like milk all night log in London. Um. 1127 01:08:45,280 --> 01:08:47,400 Speaker 1: But he walks out, he's like, no more milk and 1128 01:08:47,439 --> 01:08:50,040 Speaker 1: then he gets two steps out and he goes, no, 1129 01:08:51,960 --> 01:09:02,040 Speaker 1: it's not sung, it's just screamed. It's good neg Oh 1130 01:09:02,160 --> 01:09:05,439 Speaker 1: my god. How about your list? My list? Okay, I'm 1131 01:09:05,479 --> 01:09:09,439 Speaker 1: going to make a more detailed graphic about this, um 1132 01:09:09,840 --> 01:09:14,080 Speaker 1: if you're welcome for the betel cast official accounts. So 1133 01:09:14,320 --> 01:09:16,080 Speaker 1: a lot of people have been saying that this movie 1134 01:09:16,200 --> 01:09:19,479 Speaker 1: is going to be a midnight screening classic like Rocky 1135 01:09:19,520 --> 01:09:22,280 Speaker 1: Horror or The Room or The Room, and with those 1136 01:09:22,280 --> 01:09:24,320 Speaker 1: when you go to those movies, there's specific things we're 1137 01:09:24,320 --> 01:09:26,439 Speaker 1: supposed to yell at the screen, specific things we're supposed 1138 01:09:26,479 --> 01:09:28,880 Speaker 1: to do when certain things happen, which means there will 1139 01:09:28,920 --> 01:09:31,000 Speaker 1: be a system devised for this movie. Maybe we can 1140 01:09:31,000 --> 01:09:34,120 Speaker 1: get ahead of it and contribute to history. Let's do it. 1141 01:09:34,520 --> 01:09:37,040 Speaker 1: This is not that this is mainly just a list 1142 01:09:37,080 --> 01:09:40,080 Speaker 1: of things I list I wrote down on my phone 1143 01:09:40,160 --> 01:09:42,479 Speaker 1: because you're allowed to have your phone out during this movie, 1144 01:09:42,960 --> 01:09:45,360 Speaker 1: no one gets mad at you. So I made a 1145 01:09:45,360 --> 01:09:47,519 Speaker 1: list on my phone during my second viewing of the 1146 01:09:47,560 --> 01:09:49,640 Speaker 1: movie of just things that we're getting reactions that I'm like, 1147 01:09:49,760 --> 01:09:52,280 Speaker 1: we could figure this out. I'll try. I'll try to 1148 01:09:52,320 --> 01:09:54,439 Speaker 1: crystallize that a little more for social media. But I 1149 01:09:54,720 --> 01:09:56,720 Speaker 1: can't feel free to jump in thank you. So this 1150 01:09:56,800 --> 01:09:59,840 Speaker 1: was made during them. Okay, when cats wear hats, you 1151 01:10:00,000 --> 01:10:02,599 Speaker 1: can scream. I mostly just added places you can scream. 1152 01:10:03,240 --> 01:10:07,400 Speaker 1: When cats where hats, you can scream. Anytime a new 1153 01:10:07,439 --> 01:10:11,800 Speaker 1: cat start a song, you can yell who is that? Um. 1154 01:10:11,840 --> 01:10:14,400 Speaker 1: When a cat disappears into dust, you have to drink. 1155 01:10:14,920 --> 01:10:17,479 Speaker 1: When each elbows on screen, you can yell his career 1156 01:10:17,520 --> 01:10:21,240 Speaker 1: may never recover. Um, let's see, there has to be 1157 01:10:21,280 --> 01:10:23,040 Speaker 1: some sort of rule with the with the when the 1158 01:10:23,080 --> 01:10:26,400 Speaker 1: mice and the and the cockroach, there has to be 1159 01:10:26,479 --> 01:10:29,800 Speaker 1: something right. There has to be something there. Oh, when 1160 01:10:29,880 --> 01:10:31,640 Speaker 1: rum Tom Talker comes on screen, you have to go 1161 01:10:31,840 --> 01:10:37,200 Speaker 1: Jess and that has to happen obviously, Um, something about 1162 01:10:37,200 --> 01:10:41,599 Speaker 1: pussy jokes. I just run that time. Um, oh, milk, 1163 01:10:41,880 --> 01:10:44,720 Speaker 1: there has to be something there. When Grizabella starts to 1164 01:10:44,760 --> 01:10:48,120 Speaker 1: crawl in the ground, you can yell drama queen. Uh. 1165 01:10:49,520 --> 01:10:52,840 Speaker 1: When James Cordon's song is ending, you can yell your 1166 01:10:52,960 --> 01:10:58,559 Speaker 1: move fallon you fucking zick. Oh. Uh. When James Cordon's 1167 01:10:58,560 --> 01:11:00,479 Speaker 1: cat noubles come out, you can say show me the 1168 01:11:00,520 --> 01:11:06,519 Speaker 1: other four, sweetie. Um during the other four six sorry 1169 01:11:06,520 --> 01:11:09,960 Speaker 1: the other I'm so sorry, I was drunk. Um during 1170 01:11:10,360 --> 01:11:14,080 Speaker 1: Mungo Jerry and Rubble Teaser Ugo, p everyone leaves at theater. 1171 01:11:15,560 --> 01:11:18,160 Speaker 1: Let's see do something when the cats get horny but 1172 01:11:18,160 --> 01:11:22,439 Speaker 1: they don't get bonners. Um. Oh this is okay, this 1173 01:11:22,520 --> 01:11:26,519 Speaker 1: is a half developed thought. But whenever Ian McKellen is 1174 01:11:26,640 --> 01:11:29,320 Speaker 1: on screen and doing something that's a little weird, um, 1175 01:11:29,400 --> 01:11:31,400 Speaker 1: you just pretend that he did one take of everything. 1176 01:11:32,160 --> 01:11:35,000 Speaker 1: So whenever he goes my mom mama, you could be like, wow, 1177 01:11:35,040 --> 01:11:39,759 Speaker 1: he had one take. Great. If you get in quiet moments, 1178 01:11:39,800 --> 01:11:43,000 Speaker 1: you can just say regular volume lame is was pretty good. 1179 01:11:44,720 --> 01:11:47,200 Speaker 1: Whenever Judy Dent is talking and no one is listening, 1180 01:11:47,240 --> 01:11:49,920 Speaker 1: you can just be like, what are you talking about? 1181 01:11:50,640 --> 01:11:53,000 Speaker 1: Like when she's like staring out the window at Grizabella 1182 01:11:53,040 --> 01:11:56,479 Speaker 1: and Victoria becoming friends and she's just talking about she's 1183 01:11:56,520 --> 01:12:01,360 Speaker 1: like something about a cat days going to happened soon, 1184 01:12:01,520 --> 01:12:04,040 Speaker 1: and you're just like shut up. You can yell shut 1185 01:12:04,120 --> 01:12:07,000 Speaker 1: up at any at any time, you can ye shut 1186 01:12:07,120 --> 01:12:10,840 Speaker 1: up um at any time, you can yell what year 1187 01:12:10,960 --> 01:12:13,479 Speaker 1: is it? Oh? And here's my favorite one. This is 1188 01:12:13,520 --> 01:12:15,920 Speaker 1: something that my friend John Milstein did while we were 1189 01:12:15,920 --> 01:12:20,280 Speaker 1: seeing the movie. But so you know, during Um Skimble 1190 01:12:20,320 --> 01:12:23,160 Speaker 1: Shanks the Railway Cats song, at one point he starts 1191 01:12:23,160 --> 01:12:25,679 Speaker 1: to tap and he starts slow, and then it gets 1192 01:12:25,760 --> 01:12:28,920 Speaker 1: kind of faster. So okay, so once he starts to tap, 1193 01:12:28,960 --> 01:12:31,960 Speaker 1: you can go, oh, then he'll table a faster and 1194 01:12:31,960 --> 01:12:34,439 Speaker 1: then you go oh. And then when he starts to 1195 01:12:34,479 --> 01:12:38,680 Speaker 1: really go, you go, oh, here we go. That's the 1196 01:12:38,720 --> 01:12:41,479 Speaker 1: most satisfying thing. If anyone has anything to add to 1197 01:12:41,720 --> 01:12:44,800 Speaker 1: the Midnight Cat screening rules, I'm going to try to 1198 01:12:44,800 --> 01:12:47,000 Speaker 1: be crowdsourcing them online. So if we can really pull 1199 01:12:47,040 --> 01:12:49,200 Speaker 1: something together, I think anytime there's like a cat, a 1200 01:12:49,240 --> 01:12:54,519 Speaker 1: bad cat, pun something, oh, absolutely something, there's enough. There's enough. Yes, 1201 01:12:55,520 --> 01:12:57,760 Speaker 1: well that that's a great list. Thank you so much 1202 01:12:57,920 --> 01:13:01,880 Speaker 1: for curating that. You can also boom. Mr Mustapole says 1203 01:13:01,920 --> 01:13:05,080 Speaker 1: he continues to fail there when he goes and then 1204 01:13:05,120 --> 01:13:08,240 Speaker 1: you got and then he just starts to say he 1205 01:13:08,280 --> 01:13:12,400 Speaker 1: keep singing. It's well, I never was there ever a 1206 01:13:12,400 --> 01:13:16,200 Speaker 1: cat so clever as magical, Mr Mustapolis. There's never a 1207 01:13:16,200 --> 01:13:18,960 Speaker 1: cat that I want to hook up with in real 1208 01:13:19,080 --> 01:13:31,400 Speaker 1: life as much as oh no again. Um, well, does 1209 01:13:31,479 --> 01:13:35,880 Speaker 1: cats pass the Bechtel test? I believe it does. Yeah, 1210 01:13:35,920 --> 01:13:38,200 Speaker 1: I think so. I believe it does. I think it's 1211 01:13:38,200 --> 01:13:43,240 Speaker 1: a few times with Grizabella and Victoria they talk about 1212 01:13:43,280 --> 01:13:50,519 Speaker 1: things like loneliness and female beauty being fleeting there. Yeah, 1213 01:13:50,560 --> 01:13:55,000 Speaker 1: and then also old Deuteronomy and Victoria she's like, do 1214 01:13:55,040 --> 01:13:57,479 Speaker 1: you want to come to the jocal ball my favorite 1215 01:13:57,479 --> 01:13:59,839 Speaker 1: thing that passes the Bechtel test? What is the exact 1216 01:14:00,000 --> 01:14:03,240 Speaker 1: reason where it's like, like Victoria's like, I'm astray, I'm 1217 01:14:03,280 --> 01:14:07,200 Speaker 1: alone in the world, and old dudes like, oh that sucks. Pause. 1218 01:14:07,760 --> 01:14:10,120 Speaker 1: Do you want to see me make the jellical choice? 1219 01:14:10,280 --> 01:14:16,040 Speaker 1: You're like okay. She basically is like anyways, sorry, but 1220 01:14:16,520 --> 01:14:21,920 Speaker 1: more importantly it passes. Yeah. Um so yeah, we've got 1221 01:14:22,000 --> 01:14:25,360 Speaker 1: We've got not that much interaction, at least not spoken 1222 01:14:25,400 --> 01:14:29,920 Speaker 1: interaction between female characters. I do like how the female 1223 01:14:29,960 --> 01:14:33,000 Speaker 1: cats do nozzle each other. That's good. I could have 1224 01:14:33,120 --> 01:14:36,080 Speaker 1: used a little more like male characters nozzling each other, 1225 01:14:36,160 --> 01:14:38,680 Speaker 1: because I think that would have been I think the 1226 01:14:39,040 --> 01:14:44,160 Speaker 1: um fight the toxic Mr must and Skimble Shanks should nuzzle. Yeah, 1227 01:14:44,320 --> 01:14:48,720 Speaker 1: God damn it. Why doesn't Skimble get black Skimbles a 1228 01:14:48,760 --> 01:14:52,519 Speaker 1: career man. He doesn't have time for a relationship. She's 1229 01:14:52,560 --> 01:14:56,160 Speaker 1: on this train every night. He's got he's got a 1230 01:14:56,200 --> 01:15:01,559 Speaker 1: cat in every city. He's like a touring comedian. Oh 1231 01:15:01,760 --> 01:15:05,120 Speaker 1: all right, so our nipple scale, our our five cat nipples? 1232 01:15:05,600 --> 01:15:09,560 Speaker 1: Uh was zero to five nipples based on its representation 1233 01:15:09,760 --> 01:15:16,600 Speaker 1: of female cats. Oh geez, I guess like I was 1234 01:15:16,640 --> 01:15:22,360 Speaker 1: gonna go to nipples three because I got horny, okay 1235 01:15:23,240 --> 01:15:28,280 Speaker 1: nipples and to James cordon arials. Okay, yeah, I think 1236 01:15:28,320 --> 01:15:31,760 Speaker 1: I'll go with I don't know. I guess it's two 1237 01:15:32,600 --> 01:15:38,400 Speaker 1: between all of the just like the extremely passive female protagonists. 1238 01:15:38,439 --> 01:15:41,240 Speaker 1: But then also you have like female characters lifting each 1239 01:15:41,240 --> 01:15:44,519 Speaker 1: other up and there's a matriarchy. But like again, like 1240 01:15:44,880 --> 01:15:48,880 Speaker 1: this is one of those movies that it's just so trichy, 1241 01:15:49,200 --> 01:15:55,880 Speaker 1: the meo triarchy. It's too outlandish to really apply any 1242 01:15:55,960 --> 01:16:01,920 Speaker 1: sort of like feminist criticism to Celis video job. I know, 1243 01:16:02,600 --> 01:16:04,880 Speaker 1: I'll just go two point five right down the middle 1244 01:16:04,960 --> 01:16:08,120 Speaker 1: because I don't know what else to do. But it 1245 01:16:08,280 --> 01:16:10,800 Speaker 1: is a blast to watch if you're with friends and 1246 01:16:11,320 --> 01:16:15,160 Speaker 1: a big group of people just laughing, laughing it up. Yeah, 1247 01:16:15,640 --> 01:16:18,600 Speaker 1: it's and I love it. It has problematic elements. I 1248 01:16:18,640 --> 01:16:22,120 Speaker 1: wish that more had been adjusted for the adaptation, but 1249 01:16:22,800 --> 01:16:27,519 Speaker 1: you know, I I three nipples. I don't care to 1250 01:16:27,560 --> 01:16:30,640 Speaker 1: explain myself at this time. Three cat nipples. They're all 1251 01:16:30,760 --> 01:16:36,360 Speaker 1: going to skambles of course. Okay, how about you? Yeah, 1252 01:16:36,840 --> 01:16:40,599 Speaker 1: Like I said, I'd give it like maybe two cat nipples, 1253 01:16:40,680 --> 01:16:44,560 Speaker 1: and like a James Cordinary like a Yeah, it's not 1254 01:16:44,720 --> 01:16:48,640 Speaker 1: a good movie. It's not a good movie philosophically. It 1255 01:16:48,680 --> 01:16:52,840 Speaker 1: doesn't really do a good job socially or in the 1256 01:16:53,160 --> 01:16:56,280 Speaker 1: terms in any way a movie really should do. The 1257 01:16:56,360 --> 01:16:59,920 Speaker 1: reason I'm giving it some nipples is I think every 1258 01:17:00,320 --> 01:17:03,600 Speaker 1: everyone acted their little cat hearts out, and I appreciated that, 1259 01:17:03,760 --> 01:17:08,320 Speaker 1: even though it was misplaced and the sheer. There's something 1260 01:17:08,400 --> 01:17:10,559 Speaker 1: to be said about a movie that is so bizarre 1261 01:17:10,680 --> 01:17:14,080 Speaker 1: and bad that it becomes this lightning rod that I 1262 01:17:14,320 --> 01:17:17,920 Speaker 1: think I do value, Like I think that it's it 1263 01:17:18,120 --> 01:17:21,680 Speaker 1: has you know, all these conversations are now happening, So 1264 01:17:21,880 --> 01:17:27,639 Speaker 1: that's in a way that's art true. Yeah, Well, Okay, 1265 01:17:27,880 --> 01:17:30,599 Speaker 1: thanks for joining us, Thanks for having me. Where can 1266 01:17:30,640 --> 01:17:33,120 Speaker 1: people find you online? You can find me at pro 1267 01:17:33,280 --> 01:17:35,760 Speaker 1: bird Writes on Twitter, where I make the case for 1268 01:17:36,120 --> 01:17:38,640 Speaker 1: a world of birds and and i'd actually like to 1269 01:17:38,920 --> 01:17:41,960 Speaker 1: I'm going to start making a Bird's musical um with 1270 01:17:42,200 --> 01:17:45,760 Speaker 1: you know, such characters as Mr Cheap Cheap Beep Beep, 1271 01:17:45,880 --> 01:17:49,439 Speaker 1: the Musical Bird and um. You can find me at 1272 01:17:49,520 --> 01:17:53,360 Speaker 1: Katie Golden and I host Creature Feature, a podcast about 1273 01:17:53,760 --> 01:17:56,840 Speaker 1: the animal and human world and how hey, we ain't 1274 01:17:56,880 --> 01:17:59,639 Speaker 1: so different after all. In fact, sometimes we look exactly 1275 01:17:59,720 --> 01:18:07,439 Speaker 1: like hats and move around and rubber nipples everywhere. Oh yes, 1276 01:18:07,760 --> 01:18:10,120 Speaker 1: check out Creature Future podcast. It's right here in this 1277 01:18:10,240 --> 01:18:14,000 Speaker 1: network and it's great. You can find us all over 1278 01:18:14,080 --> 01:18:15,920 Speaker 1: the place. Most importantly, we're gonna be going on tour 1279 01:18:16,400 --> 01:18:21,759 Speaker 1: very soon. Yes, we'll be in San Francisco on the second, 1280 01:18:22,520 --> 01:18:26,519 Speaker 1: we will be in Brooklyn on and we will be 1281 01:18:27,000 --> 01:18:29,679 Speaker 1: in Philadelphia on the We can go to our website 1282 01:18:29,680 --> 01:18:32,000 Speaker 1: pecktel cast dot com and click on live to see 1283 01:18:32,040 --> 01:18:34,920 Speaker 1: more stuff about that and other shows we're doing. Uh, 1284 01:18:35,160 --> 01:18:38,879 Speaker 1: you can find us online wherever, not hard, don't overthink 1285 01:18:38,920 --> 01:18:43,240 Speaker 1: it and just search pecktel Cats and he'll he'll definitely 1286 01:18:43,320 --> 01:18:45,799 Speaker 1: find us. You'll find us, or you'll find some sinister 1287 01:18:46,000 --> 01:18:54,080 Speaker 1: impostor like my Cavity not the cavity drunk here. Uh 1288 01:18:54,800 --> 01:18:57,640 Speaker 1: uh signed for our patreon ak Matreon at Patreon or 1289 01:18:57,840 --> 01:19:02,200 Speaker 1: is it our k cat treat our Patreon, which actually 1290 01:19:02,240 --> 01:19:08,080 Speaker 1: just um that's Patreona calm slash back to cast cat 1291 01:19:08,560 --> 01:19:12,120 Speaker 1: cast uh. And we're doing what movies this one month? 1292 01:19:12,160 --> 01:19:16,439 Speaker 1: We're doing We're doing a net flanuary whatever were we 1293 01:19:16,520 --> 01:19:22,479 Speaker 1: calling it? Janet? And either way it sucks. If we're 1294 01:19:22,520 --> 01:19:28,400 Speaker 1: doing we're doing. The episodes are great. We're doing um 1295 01:19:28,600 --> 01:19:34,040 Speaker 1: someone great and um kissing both. So look out. Joey 1296 01:19:34,160 --> 01:19:36,439 Speaker 1: King just got hit in the head with the golden 1297 01:19:36,479 --> 01:19:39,360 Speaker 1: globe the other day. One of my favorite most recent celebrities. 1298 01:19:39,840 --> 01:19:42,280 Speaker 1: I didn't see that. So she was in this mini 1299 01:19:42,360 --> 01:19:46,120 Speaker 1: series that was scary Act with the Act with Patricia Arquette. 1300 01:19:46,200 --> 01:19:49,160 Speaker 1: Tricia Arquette won a golden globe and then accidentally bonked 1301 01:19:49,400 --> 01:19:52,280 Speaker 1: poor Joey. She has some great picks. I'd like to 1302 01:19:52,320 --> 01:19:56,320 Speaker 1: plug Joey King's Instagram. She has a million billion followers, 1303 01:19:56,400 --> 01:19:58,280 Speaker 1: but always good to help. If you want to see 1304 01:19:58,360 --> 01:20:00,439 Speaker 1: her head bonked, that's where you can and catch it 1305 01:20:01,120 --> 01:20:04,000 Speaker 1: um and public dot com slash at the back to 1306 01:20:04,040 --> 01:20:06,760 Speaker 1: the last for we need to we should do a 1307 01:20:06,920 --> 01:20:11,040 Speaker 1: cat's shirt, the Bital cats cat and then it's us 1308 01:20:11,120 --> 01:20:15,040 Speaker 1: but we're uncanny. You look like cats. Okay, I'll get 1309 01:20:15,080 --> 01:20:20,320 Speaker 1: to work right away to the rab Oh my god. Wow. Okay, 1310 01:20:20,479 --> 01:20:22,560 Speaker 1: thanks everyone, Ama