1 00:00:02,840 --> 00:00:09,239 Speaker 1: Oh and gosh, Lils, this is the last episode of 2 00:00:09,280 --> 00:00:13,880 Speaker 1: Bad Bunny, No Bad Bunny sports y empty. But this 3 00:00:13,960 --> 00:00:16,880 Speaker 1: is the end of our journey. I mean, I'm really 4 00:00:16,880 --> 00:00:20,119 Speaker 1: going to miss him staring at his photo, listening to 5 00:00:20,200 --> 00:00:24,880 Speaker 1: him whisper yeah yeah, yeah, yeah yeah, then leaning in 6 00:00:25,040 --> 00:00:29,040 Speaker 1: for it. Wait, hold on a second, that's on our podcast. 7 00:00:29,080 --> 00:00:31,560 Speaker 1: I don't remember that. Is this like an icons after 8 00:00:31,720 --> 00:00:34,560 Speaker 1: Dark episode that you didn't invite me to? Where have 9 00:00:34,600 --> 00:00:38,800 Speaker 1: you been? Well, Remo. I am happy that these three 10 00:00:38,840 --> 00:00:41,319 Speaker 1: episodes help you ship your status with beneath Goal, But 11 00:00:41,520 --> 00:00:46,280 Speaker 1: we are not done with anjal just yet. Good and 12 00:00:46,520 --> 00:00:50,200 Speaker 1: today's episode is a little different. We have a very 13 00:00:50,800 --> 00:00:55,240 Speaker 1: special guest or even answering questions from you our listeners. Plus, 14 00:00:55,680 --> 00:00:58,440 Speaker 1: you're not going to want to miss this. You're not 15 00:00:58,480 --> 00:01:00,880 Speaker 1: a nun and I'm not an altar boy. You have 16 00:01:01,080 --> 00:01:05,080 Speaker 1: me crazy. Your ass is really naughty. I'm your host, 17 00:01:05,280 --> 00:01:09,920 Speaker 1: Liliana Vostez and I'm Joseph Carrillo And this is becoming 18 00:01:10,080 --> 00:01:13,160 Speaker 1: an Icon, a weekly podcast where we give you the 19 00:01:13,240 --> 00:01:17,000 Speaker 1: rundown on how today's most famous latint stars have shaped 20 00:01:17,400 --> 00:01:21,120 Speaker 1: culture and given the world. Some extras at aar, sit 21 00:01:21,200 --> 00:01:25,640 Speaker 1: back and get comfortable because we are going in the 22 00:01:25,680 --> 00:01:30,840 Speaker 1: only way we know how with Buena leaves some cheesday 23 00:01:31,160 --> 00:01:34,319 Speaker 1: and a lot of opinions as we relive their greatest 24 00:01:34,319 --> 00:01:37,280 Speaker 1: achievements on our journey to find out what makes them 25 00:01:37,480 --> 00:01:49,840 Speaker 1: so iconic. Before we welcome Toises, Joseph, I want to 26 00:01:49,880 --> 00:01:53,240 Speaker 1: know what is something you learned during our Bad Bunny episodes. 27 00:01:54,000 --> 00:01:57,680 Speaker 1: You know, actually I learned a lot of stuff. I 28 00:01:57,800 --> 00:01:59,920 Speaker 1: learned to really love Bad Bunny, and I don't mean 29 00:02:00,280 --> 00:02:03,160 Speaker 1: being silly. I mean how he is a humanitarian and 30 00:02:03,200 --> 00:02:07,360 Speaker 1: also how he really loves Puerto Rico, he stayed true 31 00:02:07,360 --> 00:02:11,800 Speaker 1: to himself, how he liked fashion at a young age, 32 00:02:11,840 --> 00:02:14,639 Speaker 1: and you know he was. I love him more than 33 00:02:14,960 --> 00:02:18,840 Speaker 1: Harry Styles because there is a history about him in fashion, 34 00:02:18,919 --> 00:02:21,760 Speaker 1: trying on his mom's clothes at which you could hear 35 00:02:21,800 --> 00:02:25,399 Speaker 1: back on episode two, what about you tell me thank 36 00:02:25,440 --> 00:02:29,640 Speaker 1: you for the plug, love, the support. I think the 37 00:02:29,760 --> 00:02:33,720 Speaker 1: one thing I learned more about, and it's not really 38 00:02:34,080 --> 00:02:38,040 Speaker 1: necessarily specific to Bad Bunny, but when we talked about 39 00:02:38,040 --> 00:02:40,600 Speaker 1: his SoundCloud days, it really inspired me to take a 40 00:02:40,680 --> 00:02:44,720 Speaker 1: closer look at SoundCloud and really think about the power 41 00:02:44,760 --> 00:02:48,440 Speaker 1: and influence of social media besides just sharing photos and 42 00:02:48,480 --> 00:02:51,000 Speaker 1: like funny videos on TikTok. I think I looked at 43 00:02:51,040 --> 00:02:53,360 Speaker 1: it more as I didn't even know what SoundCloud really 44 00:02:53,560 --> 00:02:57,120 Speaker 1: was until we started researching this episode, and to learn 45 00:02:57,440 --> 00:03:01,680 Speaker 1: that there's so many incredible artists that started on SoundCloud, 46 00:03:01,760 --> 00:03:04,560 Speaker 1: like Chance the Rapper, Oh my god, Lizzo, I didn't 47 00:03:04,600 --> 00:03:08,679 Speaker 1: know that, Billie Eilish and her brother. There's so many 48 00:03:08,840 --> 00:03:11,840 Speaker 1: amazing artists that are putting their music out for free 49 00:03:12,000 --> 00:03:15,160 Speaker 1: and you can support them on SoundCloud. So I joined 50 00:03:15,200 --> 00:03:17,360 Speaker 1: and I've used it to find new cool artists. So 51 00:03:17,400 --> 00:03:20,120 Speaker 1: for me, that's the thing I learned most about. So 52 00:03:20,200 --> 00:03:22,640 Speaker 1: thank you bad Bunny for introducing me to SoundCloud. And 53 00:03:22,919 --> 00:03:24,960 Speaker 1: part of me kind of felt really old and out 54 00:03:25,000 --> 00:03:27,400 Speaker 1: of touch that I didn't know about SoundCloud, But I 55 00:03:27,440 --> 00:03:30,000 Speaker 1: think that's the beauty of a great podcast. It kind 56 00:03:30,040 --> 00:03:31,840 Speaker 1: of teaches you and inspires you to go out and 57 00:03:31,840 --> 00:03:34,440 Speaker 1: take what you learned in an episode and learn more. 58 00:03:34,560 --> 00:03:37,840 Speaker 1: So for me, it was all about SoundCloud and discovering 59 00:03:37,880 --> 00:03:44,080 Speaker 1: new artists and yeah, expanding my musical prowess. I love that, 60 00:03:44,120 --> 00:03:46,280 Speaker 1: And you know what, I actually I actually need to 61 00:03:46,320 --> 00:03:48,560 Speaker 1: get into that because I'm always looking for cool and 62 00:03:48,640 --> 00:03:52,440 Speaker 1: new kind of sounds for you know, the my facial 63 00:03:52,480 --> 00:03:55,720 Speaker 1: sculpts and stuff. Just something different. And it's cool to 64 00:03:55,760 --> 00:03:57,920 Speaker 1: even think that there's like just some cool indie music 65 00:03:57,960 --> 00:03:59,840 Speaker 1: that I don't even really know. So thank you Bad 66 00:04:00,040 --> 00:04:03,480 Speaker 1: Funny totally. And one thing I want to add is 67 00:04:03,840 --> 00:04:07,480 Speaker 1: I had an idea that SoundCloud was all like electronic 68 00:04:07,600 --> 00:04:12,280 Speaker 1: experimental music. Me too, I do I think that it's not. 69 00:04:12,880 --> 00:04:16,000 Speaker 1: You can find country music. Literally, there is a genre 70 00:04:16,400 --> 00:04:20,840 Speaker 1: for every type of listener. So English hymns maybe, Okay, 71 00:04:20,880 --> 00:04:23,400 Speaker 1: I'm not sure that I get to that niche, but 72 00:04:23,520 --> 00:04:26,280 Speaker 1: you know what, I'm sure there is an English hymn 73 00:04:26,400 --> 00:04:29,760 Speaker 1: artist waiting to be discovered on SoundCloud. I'm here for that, 74 00:04:31,320 --> 00:04:33,200 Speaker 1: all right, you guys. We are going to kick off 75 00:04:33,240 --> 00:04:36,360 Speaker 1: with our guests. He's a culture reporter at Time where 76 00:04:36,360 --> 00:04:39,760 Speaker 1: he covers social media, film, television, books, podcast, and today 77 00:04:39,800 --> 00:04:43,320 Speaker 1: he's covering bad Bunny. Welcome to the show, Voices. How 78 00:04:43,320 --> 00:04:47,440 Speaker 1: are you. I'm doing great. Thank you so much for 79 00:04:47,480 --> 00:04:49,840 Speaker 1: having me appreciate it. You already have a cheering section 80 00:04:49,880 --> 00:04:53,880 Speaker 1: in Joseph. It's true. I need fans everywhere I go, 81 00:04:54,040 --> 00:04:57,400 Speaker 1: so thank you very much. Welcome to your fancloud. Now 82 00:04:57,480 --> 00:05:00,440 Speaker 1: we are so excited to chat with you about Bad Bunny. 83 00:05:00,440 --> 00:05:03,159 Speaker 1: We've gotten so many questions over the last few episodes, 84 00:05:03,440 --> 00:05:05,680 Speaker 1: and I think the best place to start is a 85 00:05:05,720 --> 00:05:09,920 Speaker 1: foundation for his genre, which is reggaeton. Where did reggaeton 86 00:05:10,160 --> 00:05:12,960 Speaker 1: come from? Is it Puerto Rican? Is it Dominican? Is 87 00:05:13,000 --> 00:05:17,960 Speaker 1: it all of the things? Is it Caribbean? Is it Mexican? Hey? 88 00:05:18,120 --> 00:05:22,640 Speaker 1: I mean, I mean it's hard to describe exactly where 89 00:05:23,160 --> 00:05:27,800 Speaker 1: the roots of Regeton come from, but I mean it 90 00:05:27,800 --> 00:05:30,919 Speaker 1: really came about from Panama on the late eighties and 91 00:05:30,960 --> 00:05:34,800 Speaker 1: early nineties. And you know, it's more mostly just like 92 00:05:35,160 --> 00:05:38,279 Speaker 1: music of Resistance and has always been, especially when it 93 00:05:38,320 --> 00:05:40,640 Speaker 1: came from Puerto Rico. I love that. I think in 94 00:05:40,680 --> 00:05:42,960 Speaker 1: everything I've read, I have not heard somebody describe it 95 00:05:43,000 --> 00:05:45,479 Speaker 1: like that. So music of Resistance. I want a T 96 00:05:45,600 --> 00:05:51,640 Speaker 1: shirt that says that La musica the Resistance. Now. I 97 00:05:51,720 --> 00:05:54,359 Speaker 1: do want to talk all things Grammys as it relates 98 00:05:54,360 --> 00:05:56,000 Speaker 1: to Benetho, because I know it was the Grammys, but 99 00:05:56,080 --> 00:05:59,080 Speaker 1: it honestly felt like his night. He obviously made history 100 00:05:59,120 --> 00:06:02,440 Speaker 1: with the Album of the Year nomination. Huge for Latin music, 101 00:06:02,520 --> 00:06:05,280 Speaker 1: huge for music just in general. Sometimes I hate when 102 00:06:05,279 --> 00:06:08,200 Speaker 1: we put Latin in front of music because isn't this 103 00:06:08,320 --> 00:06:12,320 Speaker 1: just amazing for the industry period. But what everybody was 104 00:06:12,360 --> 00:06:15,479 Speaker 1: talking about that night, very similar to what everyone was 105 00:06:15,480 --> 00:06:18,560 Speaker 1: talking about when Ricky Martin performed at the Grammys, was 106 00:06:19,000 --> 00:06:22,200 Speaker 1: all of the pride, all of the Latino pride, the 107 00:06:22,240 --> 00:06:25,800 Speaker 1: Puerto Rican pride, like everything that happened in that performance. 108 00:06:26,279 --> 00:06:29,159 Speaker 1: What were your thoughts watching them? Well, I had to 109 00:06:29,200 --> 00:06:31,560 Speaker 1: work for the Grammys. I remember sitting there next to 110 00:06:31,600 --> 00:06:34,080 Speaker 1: my roommate and I didn't know who was going to perform, 111 00:06:34,200 --> 00:06:36,560 Speaker 1: didn't know who's gonna open. But I'm staying there typing 112 00:06:36,600 --> 00:06:39,560 Speaker 1: my words into my laptop and he started, and I 113 00:06:39,640 --> 00:06:42,080 Speaker 1: just remember closing it and being like, I don't have 114 00:06:42,120 --> 00:06:45,400 Speaker 1: time for this right now. I need to watch Bad 115 00:06:45,400 --> 00:06:48,280 Speaker 1: Bunny perform. This is the most important performance of the night. 116 00:06:49,279 --> 00:06:53,160 Speaker 1: And when he started doing this pust laplay obviously about 117 00:06:53,200 --> 00:06:56,920 Speaker 1: going is just the most amazing song on that album. 118 00:06:56,920 --> 00:07:00,680 Speaker 1: But this west Lapaya is like a Mettinge mom mixture 119 00:07:01,480 --> 00:07:05,880 Speaker 1: that my Dominican heart needed and needed to see at 120 00:07:05,880 --> 00:07:08,599 Speaker 1: the Grammys. Does it see that? There was like a 121 00:07:08,600 --> 00:07:10,480 Speaker 1: little tear in my eye and I was like, wow, 122 00:07:11,000 --> 00:07:16,320 Speaker 1: that was just the most like profound moment to see 123 00:07:16,360 --> 00:07:19,800 Speaker 1: someone like perform Medenge in front of all of these 124 00:07:19,880 --> 00:07:22,760 Speaker 1: people who have probably no idea what he said and 125 00:07:22,840 --> 00:07:26,960 Speaker 1: also what this means. Yeah, exactly, Like the most Medenge 126 00:07:27,040 --> 00:07:30,040 Speaker 1: song that they know is probably Samente, which my mom 127 00:07:30,600 --> 00:07:32,920 Speaker 1: is not a fan of, and I totally get it. 128 00:07:33,200 --> 00:07:35,920 Speaker 1: But I'm sorry, did you just tell me your mom 129 00:07:35,960 --> 00:07:39,600 Speaker 1: is not a fan of Elvis Cresbo? Woman, I never 130 00:07:39,600 --> 00:07:43,040 Speaker 1: said Elvis Cresbo. I said that one song Savamente because 131 00:07:43,160 --> 00:07:47,240 Speaker 1: it just as we have a lot more to record 132 00:07:47,240 --> 00:07:50,000 Speaker 1: in this episode, I don't want to kick you out 133 00:07:50,000 --> 00:07:53,240 Speaker 1: of this zoom. Okay, do not come ft Suabamente. That 134 00:07:53,320 --> 00:07:56,680 Speaker 1: song defined an entire generation of women. I am part 135 00:07:56,680 --> 00:07:59,280 Speaker 1: of that generation. It might be an older generation that 136 00:07:59,440 --> 00:08:04,800 Speaker 1: is okay. We are not agist one becoming an icon. No, no, no, 137 00:08:05,000 --> 00:08:06,720 Speaker 1: I mean it's more just the fact that it was 138 00:08:06,760 --> 00:08:08,720 Speaker 1: everywhere and it's one of those songs that were just like, 139 00:08:08,800 --> 00:08:11,840 Speaker 1: oh my god again, can we play anything else? Give me, 140 00:08:11,960 --> 00:08:16,080 Speaker 1: Mark Anthony, give me Like it's kind of cool to 141 00:08:16,120 --> 00:08:19,640 Speaker 1: think that this song is going to be, like you 142 00:08:19,680 --> 00:08:24,120 Speaker 1: know what I'm saying, like that moment, I hope it is. 143 00:08:23,840 --> 00:08:26,080 Speaker 1: It is. Girl, I love to hear that you had 144 00:08:26,120 --> 00:08:30,080 Speaker 1: such an emotional response to him, because what you felt 145 00:08:30,120 --> 00:08:32,079 Speaker 1: in that tier is what I think a lot of 146 00:08:32,160 --> 00:08:33,920 Speaker 1: us feel when we listen to his music and when 147 00:08:33,920 --> 00:08:36,120 Speaker 1: we see his success and we see the impact of 148 00:08:36,240 --> 00:08:39,280 Speaker 1: what he's doing right to change the perception and to 149 00:08:39,400 --> 00:08:43,559 Speaker 1: change our vision, our sometimes narrow vision of Latin music. 150 00:08:44,160 --> 00:08:47,679 Speaker 1: So I totally agree, moister. Since you cover all kinds 151 00:08:47,679 --> 00:08:51,280 Speaker 1: of crazy shit on the internet from fans, what did 152 00:08:51,320 --> 00:08:56,000 Speaker 1: you think about the brody Jenner references to Bad Bunny's 153 00:08:56,040 --> 00:09:00,800 Speaker 1: look at the Grammys? Oh my god, so hot? Wow? 154 00:09:01,120 --> 00:09:04,640 Speaker 1: You said, you know, the devil works hard, but Chris 155 00:09:04,720 --> 00:09:08,880 Speaker 1: Jenner is working over time every single week. I know 156 00:09:09,080 --> 00:09:14,480 Speaker 1: Chris Jenner is a masterful, masterful orchestrator. I'm scared of 157 00:09:14,480 --> 00:09:18,640 Speaker 1: that woman. Don't be afraid. I don't be afraid. How 158 00:09:18,640 --> 00:09:21,280 Speaker 1: would you say the night turned out for Bad Bunny 159 00:09:21,280 --> 00:09:24,920 Speaker 1: at the Grammys? I mean, winning yet another Grammy is 160 00:09:24,920 --> 00:09:27,840 Speaker 1: always a big thing, no matter like who you are. 161 00:09:28,800 --> 00:09:30,920 Speaker 1: I think people wanted him to win Album of the Year. 162 00:09:31,040 --> 00:09:33,120 Speaker 1: I personally wanted him to win Album of the Year. 163 00:09:34,840 --> 00:09:37,680 Speaker 1: But the Grammy has its own issues that they have 164 00:09:37,760 --> 00:09:41,440 Speaker 1: to resolve, and that'll take fifteen twenty more years. Who 165 00:09:41,480 --> 00:09:44,280 Speaker 1: knows how long that'll take. But getting the Grammy for 166 00:09:44,360 --> 00:09:48,600 Speaker 1: the Best Musica Urbana Album, it's still a big feat 167 00:09:48,600 --> 00:09:51,120 Speaker 1: no matter what. Like Grammys are not easy to come by, 168 00:09:51,160 --> 00:09:54,560 Speaker 1: you have to convince a whole voting body of people 169 00:09:54,880 --> 00:09:57,319 Speaker 1: that your album is worth it, and that Bunny was 170 00:09:57,360 --> 00:09:58,760 Speaker 1: able to do it, and it just showed them. In 171 00:09:58,800 --> 00:10:03,520 Speaker 1: addition to Spanish speaking people, non Spanish speaking people also 172 00:10:03,679 --> 00:10:05,640 Speaker 1: love him and the music that he makes and what 173 00:10:05,679 --> 00:10:09,200 Speaker 1: it means to the world as a whole. Zo I 174 00:10:09,240 --> 00:10:11,080 Speaker 1: love that man. Now, can we get a little shady? 175 00:10:11,800 --> 00:10:15,640 Speaker 1: I love that part. Let's definitely get there. Okay, before 176 00:10:15,640 --> 00:10:17,520 Speaker 1: we get a little shady, like real deep in the 177 00:10:17,559 --> 00:10:21,199 Speaker 1: non judy, what did you as a journalist who covers 178 00:10:21,280 --> 00:10:25,760 Speaker 1: Latin music and normal, regular old English music, how do 179 00:10:25,880 --> 00:10:31,559 Speaker 1: we feel about the non English closed captioning at the Grammys? 180 00:10:32,120 --> 00:10:36,400 Speaker 1: Was beneathal pissed? And should we all be pissed? In 181 00:10:36,440 --> 00:10:40,400 Speaker 1: case somebody didn't see it, tell us what happened? Okay, So, 182 00:10:40,480 --> 00:10:43,320 Speaker 1: while he was performing the captions at the bottom for 183 00:10:43,559 --> 00:10:48,080 Speaker 1: close captions said singing in non English, and everybody's just like, 184 00:10:48,280 --> 00:10:51,319 Speaker 1: why didn't they just write Spanish? Why didn't they translate 185 00:10:51,360 --> 00:10:55,120 Speaker 1: it into Spanish like it's all very simple. But Twitter 186 00:10:55,160 --> 00:10:57,800 Speaker 1: did what Twitter does and turned it into discourse, like, 187 00:10:58,120 --> 00:11:01,240 Speaker 1: took it way out of hand and out of context, 188 00:11:01,240 --> 00:11:04,120 Speaker 1: and it went here, there and everywhere. But do I 189 00:11:04,160 --> 00:11:06,800 Speaker 1: think that Bunny was mad? No? No, I don't think 190 00:11:06,840 --> 00:11:09,360 Speaker 1: he cared or even knew that it was happening. Same 191 00:11:09,480 --> 00:11:11,520 Speaker 1: that man has so many other things going on in 192 00:11:11,559 --> 00:11:13,520 Speaker 1: his life that he has to prepare for, and he 193 00:11:13,640 --> 00:11:15,840 Speaker 1: was probably wondering where Kendall was going to be right 194 00:11:15,920 --> 00:11:23,079 Speaker 1: after Jose you need to I'm you really want to 195 00:11:23,080 --> 00:11:28,640 Speaker 1: get to the day you and I together, We're going 196 00:11:28,720 --> 00:11:30,840 Speaker 1: to work through this and then give him what he 197 00:11:30,880 --> 00:11:33,160 Speaker 1: wants at the end. Okay, yes, exactly. It'll be the 198 00:11:33,200 --> 00:11:39,680 Speaker 1: last thing we talk about. So many people were introduced 199 00:11:39,760 --> 00:11:42,080 Speaker 1: to the magic of Bad Bunny through the Grammys, and 200 00:11:42,200 --> 00:11:44,840 Speaker 1: I like to think through becoming an icon. If people 201 00:11:44,840 --> 00:11:48,000 Speaker 1: want to see bad Bunny, where can we see him next? 202 00:11:48,400 --> 00:11:51,160 Speaker 1: He's going to be a Cachella. I'm very excited about that. 203 00:11:51,320 --> 00:11:54,560 Speaker 1: Shut your butt, No, he's not. Yes. One of my 204 00:11:54,559 --> 00:11:56,800 Speaker 1: favorite things about that Bunny is that he uses his 205 00:11:56,840 --> 00:12:01,760 Speaker 1: platform to bring awareness to social issues, especially on the stage. 206 00:12:01,760 --> 00:12:04,480 Speaker 1: So I think that when it comes to Coachella, he'll 207 00:12:04,520 --> 00:12:06,760 Speaker 1: probably do the same thing, because we've already seen him 208 00:12:06,800 --> 00:12:10,600 Speaker 1: do it with Luma, a company that owns the electrical 209 00:12:10,640 --> 00:12:14,040 Speaker 1: good grade for Puerto Rico. He's also done it on 210 00:12:14,120 --> 00:12:17,520 Speaker 1: Jimmy Fallon after her came Maria, and then also he 211 00:12:17,559 --> 00:12:20,400 Speaker 1: went back on Jimmy Fallen to talk about the death 212 00:12:20,440 --> 00:12:23,760 Speaker 1: of a trans woman named Alexa Nabon Luciano in twenty twenty. 213 00:12:24,040 --> 00:12:27,840 Speaker 1: So I think when it comes to Coachella, he's probably 214 00:12:27,840 --> 00:12:29,840 Speaker 1: gonna do something political. I don't know what it is, 215 00:12:30,120 --> 00:12:33,000 Speaker 1: but he's probably gonna point out some sort of injustice 216 00:12:33,080 --> 00:12:37,040 Speaker 1: and I think that is probably one of the smartest 217 00:12:37,040 --> 00:12:40,520 Speaker 1: things he could do in this moment because there's so 218 00:12:40,600 --> 00:12:42,280 Speaker 1: much going on and so much to talk about. So 219 00:12:42,840 --> 00:12:45,800 Speaker 1: I didn't even think of that. Well, damn, he's probably 220 00:12:45,800 --> 00:12:49,480 Speaker 1: planning his political move as we speak. Yeah, I mean 221 00:12:49,480 --> 00:12:52,240 Speaker 1: he's probably in rehearsals, oh for sure. I mean, if 222 00:12:52,240 --> 00:12:54,640 Speaker 1: you watched the Beyonce documentary, I think she started rehearsing 223 00:12:54,679 --> 00:12:57,360 Speaker 1: like almost a year before. I love that documentary. Well, 224 00:12:57,360 --> 00:13:01,160 Speaker 1: she's a virgo. Yeah, I watched that every single I mean, 225 00:13:01,720 --> 00:13:04,560 Speaker 1: don't don't don't start talking about virgos. They will find you, 226 00:13:04,679 --> 00:13:06,520 Speaker 1: They will find you, and we will We will not 227 00:13:06,600 --> 00:13:10,280 Speaker 1: protect you. We will not protect you. Yeah. I think 228 00:13:10,280 --> 00:13:14,439 Speaker 1: he's the first Spanish language artist to headline Coachello. That 229 00:13:14,679 --> 00:13:18,720 Speaker 1: is major. And I know we had Bechella in twenty eighteen, 230 00:13:18,880 --> 00:13:23,680 Speaker 1: but can we call this Bebchella? Oh God, Moises, you 231 00:13:23,679 --> 00:13:25,719 Speaker 1: can quote me in your next article for Time. Oh 232 00:13:25,760 --> 00:13:28,320 Speaker 1: my god, that's how we're famous. I think I will. 233 00:13:28,600 --> 00:13:35,240 Speaker 1: I think you you've done something. We're here be hashtag Bebella. 234 00:13:35,640 --> 00:13:37,960 Speaker 1: We also got to talk a little fashion. Joseph and 235 00:13:37,960 --> 00:13:41,400 Speaker 1: I love fashion. Bad Bunny has a new collaboration with Adidas. 236 00:13:41,600 --> 00:13:45,920 Speaker 1: He's kind of reimagining some Adidas classics. You cannot get them. 237 00:13:45,960 --> 00:13:48,840 Speaker 1: They sold out everywhere. People were so upset. Adidas had 238 00:13:48,880 --> 00:13:51,559 Speaker 1: to cancel orders because they told people they were getting 239 00:13:51,559 --> 00:13:53,520 Speaker 1: the shoes or not getting the shoes. Do you think 240 00:13:53,559 --> 00:13:55,960 Speaker 1: this is a step in the right direction for Bad 241 00:13:56,000 --> 00:13:58,199 Speaker 1: Bunny given his love for fashion? Like, are we going 242 00:13:58,200 --> 00:14:01,640 Speaker 1: to see Bad Bunny Adidas collab like in this way 243 00:14:01,640 --> 00:14:04,239 Speaker 1: that we saw Yeezy? Like could he be what Adidas 244 00:14:04,440 --> 00:14:08,000 Speaker 1: needs right now? Which is a big name with a 245 00:14:08,040 --> 00:14:11,560 Speaker 1: lot of cultural impact with a ton of style and 246 00:14:11,960 --> 00:14:16,120 Speaker 1: social currency boom. The thing with beneath the is that 247 00:14:16,160 --> 00:14:18,440 Speaker 1: he knows his star power and he knows how much 248 00:14:18,520 --> 00:14:25,080 Speaker 1: that translates to dollars, views, ticket sales, all of that. 249 00:14:25,280 --> 00:14:28,560 Speaker 1: So I think diversifying his portfolio when it comes to 250 00:14:28,600 --> 00:14:32,600 Speaker 1: business and partnering with Adidas for a new fashion line 251 00:14:33,520 --> 00:14:37,200 Speaker 1: that will sell out in seconds, not even minutes seconds. 252 00:14:37,280 --> 00:14:40,200 Speaker 1: I think we've seen it with not only Kanye West, 253 00:14:40,240 --> 00:14:42,920 Speaker 1: but also Beyonce with Ivy Party. I was going to say, 254 00:14:42,960 --> 00:14:45,720 Speaker 1: Beyonce is a big one, Yeah, and I think that 255 00:14:46,160 --> 00:14:49,200 Speaker 1: she definitely knew what she was doing partnering with Adidas. 256 00:14:49,320 --> 00:14:52,400 Speaker 1: So I think that with that bunny, he's going to 257 00:14:52,720 --> 00:14:54,840 Speaker 1: sell it out. Everybody's gonna love it. It's going to 258 00:14:54,920 --> 00:14:57,400 Speaker 1: be the biggest thing that people talk about whenever. And 259 00:14:57,520 --> 00:15:02,120 Speaker 1: to be honest, what perfect tiny right, Like what perfect 260 00:15:02,120 --> 00:15:04,400 Speaker 1: diving that this happened, because they're probably like, Hey, we 261 00:15:04,480 --> 00:15:09,440 Speaker 1: have some of Kanye's old shoes, get some paint, let's 262 00:15:09,440 --> 00:15:12,800 Speaker 1: just paint them. I love that you brought up how 263 00:15:12,840 --> 00:15:15,080 Speaker 1: aware he is of his star power and how that 264 00:15:15,120 --> 00:15:18,480 Speaker 1: translates to You're talking like millions, billions of dollars for 265 00:15:18,560 --> 00:15:20,560 Speaker 1: him as a brand right. He is a musician, but 266 00:15:20,600 --> 00:15:25,240 Speaker 1: he is also a very, very viable and lucrative brand 267 00:15:25,360 --> 00:15:28,800 Speaker 1: right now. And I saw something that really surprised me. 268 00:15:29,200 --> 00:15:32,240 Speaker 1: So we all know Bad Bunny is part of WWE, 269 00:15:32,520 --> 00:15:35,840 Speaker 1: and two K released the first look at Bad Bunny 270 00:15:35,880 --> 00:15:38,960 Speaker 1: in WWE two K two three, which is the newest 271 00:15:39,040 --> 00:15:41,680 Speaker 1: WWE video game. We know that gaming is one of 272 00:15:41,680 --> 00:15:45,720 Speaker 1: the fastest growing sectors of media right now. Mooises thoughts, 273 00:15:45,920 --> 00:15:48,560 Speaker 1: is it cheesy as fuck or smart at fuck? I 274 00:15:48,560 --> 00:15:51,120 Speaker 1: think it's smart because he's always talked about how much 275 00:15:51,120 --> 00:15:53,640 Speaker 1: he's loved wrestling, and he's going to be in a 276 00:15:53,720 --> 00:15:56,560 Speaker 1: Marvel movie called Alamoto We're is supposed to come out 277 00:15:56,600 --> 00:15:59,160 Speaker 1: I think later this year next year. But he's always 278 00:15:59,160 --> 00:16:02,560 Speaker 1: talked about how his love for wrestling, So I think 279 00:16:02,560 --> 00:16:05,280 Speaker 1: it's the smartest thing that man could do. He knows 280 00:16:05,320 --> 00:16:08,240 Speaker 1: what he's doing. I agree. I think he definitely has 281 00:16:08,400 --> 00:16:13,040 Speaker 1: all of his business plans all written out, and we're like, Okay, 282 00:16:13,080 --> 00:16:14,760 Speaker 1: we're gonna hit this next, we're gonna do this, and 283 00:16:14,800 --> 00:16:17,400 Speaker 1: we're gonna go into fashion, and he knows what he's doing. 284 00:16:17,920 --> 00:16:20,800 Speaker 1: I just want to say, Yo, those wrestlers, they be 285 00:16:20,840 --> 00:16:25,840 Speaker 1: fucking furious. They are hard for fans, So that is 286 00:16:26,120 --> 00:16:28,520 Speaker 1: the smartest thing for him to do, because you know what, 287 00:16:28,680 --> 00:16:30,800 Speaker 1: they're never going to leave him and they will turn 288 00:16:30,840 --> 00:16:33,160 Speaker 1: on to his music and they might even play him 289 00:16:33,320 --> 00:16:35,960 Speaker 1: in the ring. Yeah. And if you look at the success, 290 00:16:35,960 --> 00:16:39,560 Speaker 1: like if you track the careers of Dwayne Johnson of 291 00:16:39,840 --> 00:16:42,760 Speaker 1: John Cena, let's throw in Bad Bunny into the mix. 292 00:16:42,960 --> 00:16:47,160 Speaker 1: We're having a fan base in the WWE is next 293 00:16:47,440 --> 00:16:50,480 Speaker 1: level business move. That is we call a level up 294 00:16:50,520 --> 00:16:52,840 Speaker 1: in the business that is leveling up on all of 295 00:16:52,920 --> 00:16:56,960 Speaker 1: the levels at once. So yeah, that's like fucking Beyonce's beehive, 296 00:16:57,440 --> 00:17:02,880 Speaker 1: Like it's like that. It's low to Chris for wrestling. Yeah, yeah, yeah, exactly. 297 00:17:02,920 --> 00:17:05,600 Speaker 1: I am here for it. You Bad Bunny, go secure 298 00:17:05,640 --> 00:17:07,439 Speaker 1: the back, go get it, go get it, go get it. 299 00:17:07,480 --> 00:17:09,439 Speaker 1: I'm here for it. I'm just excited to see that 300 00:17:09,520 --> 00:17:11,840 Speaker 1: part of it. I'm excited just to see him. Hopefully 301 00:17:11,880 --> 00:17:15,080 Speaker 1: those little speedos are a little whatever tight number. What's 302 00:17:15,080 --> 00:17:16,960 Speaker 1: good eat, Like, y'all should go look at the trailer 303 00:17:16,960 --> 00:17:20,400 Speaker 1: for the video game. It's it's really really good. I'm here, 304 00:17:20,440 --> 00:17:22,479 Speaker 1: I'm here for it. I love I love seeing beneath 305 00:17:22,480 --> 00:17:25,240 Speaker 1: the shine and just like I love also seeing him 306 00:17:25,280 --> 00:17:28,800 Speaker 1: bring his energy and what he represents into all of 307 00:17:28,840 --> 00:17:34,560 Speaker 1: these different elements. Okay, and if you want to explore 308 00:17:34,720 --> 00:17:37,000 Speaker 1: more experimental, I get the own or somebody that maybe 309 00:17:37,040 --> 00:17:41,200 Speaker 1: hasn't broken out of their SoundCloud days just yet. Give 310 00:17:41,280 --> 00:17:46,040 Speaker 1: me one name that we should be on the lookout for. Okay, one, 311 00:17:46,480 --> 00:17:50,520 Speaker 1: only one, but okay, one person that I love is Arca. 312 00:17:50,800 --> 00:17:54,119 Speaker 1: She's non binary and her pronouns are shed. She is 313 00:17:54,200 --> 00:17:58,119 Speaker 1: this producer musician who is making literally the most interesting 314 00:17:58,200 --> 00:18:01,040 Speaker 1: music I've ever heard in my entire way. T Whoa. 315 00:18:01,320 --> 00:18:04,640 Speaker 1: It's sort of video game mixture of like video game 316 00:18:04,800 --> 00:18:09,920 Speaker 1: slashgathon slash, just all of these different things hyperpop as well. 317 00:18:10,320 --> 00:18:13,480 Speaker 1: It's just I don't even know what hyperpop is. You 318 00:18:13,480 --> 00:18:15,760 Speaker 1: don't know hyperpop is. It has so much to teach 319 00:18:15,800 --> 00:18:20,400 Speaker 1: you that like dirty pop, but like hyper um. Well, 320 00:18:20,440 --> 00:18:22,960 Speaker 1: I would say, like think like Charlie xc oh I 321 00:18:23,080 --> 00:18:28,480 Speaker 1: love ye look at this, well, like early days of 322 00:18:28,640 --> 00:18:31,600 Speaker 1: Charlie XCX mooises. You set me up perfectly for my 323 00:18:31,680 --> 00:18:36,040 Speaker 1: next question because I'm always looking around the room whenever 324 00:18:36,080 --> 00:18:41,119 Speaker 1: it feels a little too male dominated, and the reggaeton 325 00:18:41,280 --> 00:18:43,920 Speaker 1: room has a lot of dudes. In it. Yeah, So 326 00:18:44,280 --> 00:18:48,960 Speaker 1: where are the women in reggaeton. I mean, there's so 327 00:18:49,000 --> 00:18:52,040 Speaker 1: many of them, especially now, Like some of my favorites 328 00:18:52,160 --> 00:18:57,840 Speaker 1: are Nati Natasha, my Dominican Queen she Um. She's been 329 00:18:57,880 --> 00:18:59,720 Speaker 1: working with Daddy Yanki a lot, which I think is 330 00:18:59,720 --> 00:19:04,359 Speaker 1: really great. And obviously Evie Queen, who had mentioned before 331 00:19:04,840 --> 00:19:08,439 Speaker 1: she was one of the first like big back in 332 00:19:08,520 --> 00:19:10,600 Speaker 1: like the early two thousands and she really had to 333 00:19:10,600 --> 00:19:13,960 Speaker 1: fight to make herself known in that space. But I 334 00:19:14,000 --> 00:19:18,440 Speaker 1: mean we also have someone like Paulo Mamummy or Carol 335 00:19:18,480 --> 00:19:21,399 Speaker 1: G whose album is just higher amazing and if you 336 00:19:21,440 --> 00:19:23,920 Speaker 1: haven't had a chance to definitely suggest you gotta listened 337 00:19:23,920 --> 00:19:25,560 Speaker 1: to it. So well, let's talk a little bit about 338 00:19:25,600 --> 00:19:29,080 Speaker 1: Carol G. Because this is major news. Did I read 339 00:19:29,119 --> 00:19:32,480 Speaker 1: that Carol G actually surpassed Bad Bunny and Selena Kinthania 340 00:19:32,600 --> 00:19:36,439 Speaker 1: with a major record, So yeah, Carol G is the 341 00:19:36,480 --> 00:19:39,000 Speaker 1: first woman in history to score a number one album 342 00:19:39,080 --> 00:19:43,879 Speaker 1: on the Billboard two hundred, the first woman in her history. 343 00:19:44,480 --> 00:19:49,119 Speaker 1: Is that true? It is? It's very true. That is crazy. Yeah, 344 00:19:49,160 --> 00:19:53,520 Speaker 1: it's not crazy. If you listen to the album Preach, Bitch, Preach. 345 00:19:54,200 --> 00:19:56,000 Speaker 1: I love that album so much, there's so many good 346 00:19:56,000 --> 00:19:58,720 Speaker 1: songs out there, but it's just recently come out, so 347 00:19:58,760 --> 00:20:00,320 Speaker 1: I haven't had too much time to say with it. 348 00:20:00,440 --> 00:20:04,159 Speaker 1: But anything KLG does, all listen, especially that one collaboration 349 00:20:04,240 --> 00:20:08,320 Speaker 1: with BECKYG. Mommy listen to it over and over again, 350 00:20:08,359 --> 00:20:11,879 Speaker 1: which is just amazing. I listened to us repeat I 351 00:20:11,920 --> 00:20:14,920 Speaker 1: played Thusa for my baby. Oh my god. I mean, 352 00:20:14,960 --> 00:20:16,560 Speaker 1: I go out to the gay bars all the time, 353 00:20:16,600 --> 00:20:19,680 Speaker 1: so they're always playing that song and I'm like, not again, honey, 354 00:20:19,680 --> 00:20:21,640 Speaker 1: it's right when you walk in and you walk out. 355 00:20:21,720 --> 00:20:25,479 Speaker 1: They got that, yes, exactly. By the way, can you 356 00:20:25,480 --> 00:20:27,680 Speaker 1: take me to the gay bars next time? Because none 357 00:20:27,680 --> 00:20:29,439 Speaker 1: of the oars I'm walking into in LA right now 358 00:20:29,480 --> 00:20:31,280 Speaker 1: are playing Thusa when I walk in, so clearly I'm 359 00:20:31,320 --> 00:20:33,520 Speaker 1: going to the wrong places. And that's the problem with LA. 360 00:20:33,880 --> 00:20:38,680 Speaker 1: There's so many problems with this shade. Well, I mean 361 00:20:38,680 --> 00:20:41,000 Speaker 1: everything closes that too, so I'm like, I'm still ready 362 00:20:41,000 --> 00:20:43,520 Speaker 1: to go, yeah, and now you're ye just closing. Now, 363 00:20:43,720 --> 00:20:51,040 Speaker 1: come on, I know we're so lame, so lame. All right, Well, 364 00:20:51,119 --> 00:20:52,600 Speaker 1: let's flip the switch a little bit. We're going to 365 00:20:52,680 --> 00:20:55,720 Speaker 1: get to some listener questions people have sent us really 366 00:20:55,800 --> 00:20:58,160 Speaker 1: fun questions about Bad Bunny, So we want to make 367 00:20:58,160 --> 00:21:00,800 Speaker 1: sure that we get to at least a few of them. Joseph, 368 00:21:00,840 --> 00:21:05,040 Speaker 1: what is our first question? At Sutherland? Charm asked, why 369 00:21:05,240 --> 00:21:09,600 Speaker 1: is Bad Bunny leaving the Beaches of Last for the 370 00:21:09,640 --> 00:21:16,679 Speaker 1: beaches of Malibu? How dare he he's all like Malibu 371 00:21:16,920 --> 00:21:20,520 Speaker 1: Barbie on us. Okay, that's an interesting question. One thing 372 00:21:20,560 --> 00:21:22,280 Speaker 1: to know about me. And if you couldn't already tell 373 00:21:22,320 --> 00:21:25,800 Speaker 1: by my social handles, I'm a big Rihanna stan So. 374 00:21:26,280 --> 00:21:29,680 Speaker 1: I love her. I know everything about her, just say 375 00:21:29,840 --> 00:21:34,840 Speaker 1: and and you know she's an island girl, Like she 376 00:21:34,960 --> 00:21:38,320 Speaker 1: talks about coming from Barbados, growing up there, wanting to 377 00:21:38,400 --> 00:21:41,800 Speaker 1: raise kids there. So when she moved over to La 378 00:21:41,960 --> 00:21:45,560 Speaker 1: everybody's like, what about Barbados? And I think the same 379 00:21:45,600 --> 00:21:48,399 Speaker 1: conversation is happening with that Bunny because people are always 380 00:21:48,400 --> 00:21:51,199 Speaker 1: expecting him to stay in Puerto Rico and not go 381 00:21:51,280 --> 00:21:56,840 Speaker 1: anywhere else, which is literally impossible as a global iconic superstar. Like, 382 00:21:57,760 --> 00:21:59,240 Speaker 1: of course she's going to have a house in La. 383 00:21:59,480 --> 00:22:01,840 Speaker 1: Abi has the house in New York. He probably has 384 00:22:01,880 --> 00:22:04,879 Speaker 1: something here and something that, like it's what celebrities do. 385 00:22:05,160 --> 00:22:07,000 Speaker 1: But I don't think he's going to leave the island 386 00:22:07,040 --> 00:22:11,040 Speaker 1: full time. I don't think that would be something he 387 00:22:11,119 --> 00:22:13,440 Speaker 1: wants to do. I think all of his families there 388 00:22:13,480 --> 00:22:15,520 Speaker 1: and all for most of his fans. But so you 389 00:22:15,520 --> 00:22:20,199 Speaker 1: feel like he's just leaving the beaches of just because 390 00:22:20,240 --> 00:22:22,920 Speaker 1: he's just I mean, obviously he wouldn't just be stuck. 391 00:22:23,200 --> 00:22:28,040 Speaker 1: Or is he chasing Samela Booty? So and I know 392 00:22:28,080 --> 00:22:32,840 Speaker 1: where you're going. I know that, Joseph. Question, let's revisit it. 393 00:22:35,240 --> 00:22:39,280 Speaker 1: But she always is visiting Bad Bunny's twin, Brodie Jenner 394 00:22:39,280 --> 00:22:43,720 Speaker 1: in Malibu because that's her half brother. Oh my god, 395 00:22:44,800 --> 00:22:48,760 Speaker 1: what's our next question, Joseph. Okay, it is from at. 396 00:22:48,800 --> 00:22:54,800 Speaker 1: Her name was Carmen zero six two one will hashtag 397 00:22:55,240 --> 00:22:58,919 Speaker 1: Benito Kardashian beyond the next season of Keeping Up with 398 00:22:59,000 --> 00:23:01,960 Speaker 1: the Kardashians. All right, I guess that's all the time 399 00:23:02,000 --> 00:23:12,439 Speaker 1: we have to do. Also, my secret handle is her 400 00:23:12,520 --> 00:23:16,919 Speaker 1: name was Carmen, Joseph, I just tweeted us. Yeah, okay, 401 00:23:17,000 --> 00:23:20,600 Speaker 1: let's set the stage because not everybody follows internet gossip 402 00:23:20,680 --> 00:23:22,439 Speaker 1: as closely as I think the three of us do. 403 00:23:22,560 --> 00:23:24,320 Speaker 1: So for somebody that's listening to this is going, what 404 00:23:24,359 --> 00:23:27,159 Speaker 1: the hell are they talking about? This? Whole episode. So, 405 00:23:27,840 --> 00:23:31,760 Speaker 1: for the record, Bad Bunny and Kendall Jenner were spotted 406 00:23:31,880 --> 00:23:36,800 Speaker 1: here in La together leaving a restaurant. Additionally, he was 407 00:23:36,880 --> 00:23:39,639 Speaker 1: spotted with a phone case that is the same phone 408 00:23:39,640 --> 00:23:42,440 Speaker 1: case that Kendall Jenner has been using for months now, 409 00:23:42,960 --> 00:23:45,960 Speaker 1: prompting people to think that perhaps she gave him that 410 00:23:46,080 --> 00:23:48,960 Speaker 1: as a gift. So we are connecting a lot of 411 00:23:49,080 --> 00:23:52,760 Speaker 1: very loose thoughts, but the Internet our interest to speak. 412 00:23:52,960 --> 00:23:57,080 Speaker 1: We want to know are they or aren't they? So 413 00:23:57,480 --> 00:24:01,640 Speaker 1: I'm not really as curious about Kendall as I am 414 00:24:01,720 --> 00:24:06,120 Speaker 1: with Where is his girlfriend Gabriela? On his arm? That 415 00:24:06,280 --> 00:24:11,640 Speaker 1: is where I'm at, like literally on his arm. It's 416 00:24:11,680 --> 00:24:14,680 Speaker 1: just too weird to have Kendall. And then they him 417 00:24:14,720 --> 00:24:18,840 Speaker 1: and Gabriella are like, I don't know, something's weird. Are 418 00:24:18,840 --> 00:24:20,680 Speaker 1: they soulmates? Is that what you're trying to say? How 419 00:24:20,960 --> 00:24:22,920 Speaker 1: dare you? First of all, me and him are soulmates, 420 00:24:22,920 --> 00:24:27,600 Speaker 1: so that's just not true. I'm just curious where is she? 421 00:24:27,840 --> 00:24:31,439 Speaker 1: Where is gabriel Where has she been? We don't know 422 00:24:31,480 --> 00:24:35,280 Speaker 1: anything about the specifics of their relationship because they only 423 00:24:35,280 --> 00:24:38,000 Speaker 1: tell us what they want to tell us. And you know, 424 00:24:38,040 --> 00:24:40,800 Speaker 1: there have been rumors that he was seeing this person. 425 00:24:41,000 --> 00:24:43,000 Speaker 1: This person was blown out to go here he was 426 00:24:43,000 --> 00:24:47,879 Speaker 1: seeing courtside with another woman, and whatever, his relationship is 427 00:24:47,880 --> 00:24:50,320 Speaker 1: the least of my concerns. As all, I'll say, as 428 00:24:50,320 --> 00:24:52,600 Speaker 1: long as he continues to make great music, continue doing 429 00:24:52,640 --> 00:24:55,920 Speaker 1: great things. Love. Look, he could be really really modern, 430 00:24:56,080 --> 00:24:58,680 Speaker 1: kind of like the gays where they're in open relationships. 431 00:24:58,840 --> 00:25:02,159 Speaker 1: Maybe he's in an thin relationship. I mean, if he is, 432 00:25:02,280 --> 00:25:05,119 Speaker 1: I would love that for him. You know, respect especially 433 00:25:05,240 --> 00:25:09,480 Speaker 1: that's very taboo within like couples these days, and I 434 00:25:09,560 --> 00:25:11,520 Speaker 1: think that's something that a lot of them could benefit from. 435 00:25:11,600 --> 00:25:14,520 Speaker 1: Honey Heath taboo, Yeah, exactly. And he he loves to 436 00:25:14,520 --> 00:25:17,280 Speaker 1: push the envelope. Hello the Joe Peel solo video, like 437 00:25:17,320 --> 00:25:19,840 Speaker 1: he literally dressin drag and started a lot of different 438 00:25:19,840 --> 00:25:23,040 Speaker 1: conversations about masculinity and what it means to be a 439 00:25:23,080 --> 00:25:25,840 Speaker 1: partner to someone in all of these different music videos, 440 00:25:25,920 --> 00:25:28,240 Speaker 1: especially the metro gunto where he literally got married to 441 00:25:31,080 --> 00:25:35,600 Speaker 1: where this is why we probably living her life. Yeah, well, Mois, 442 00:25:35,640 --> 00:25:37,119 Speaker 1: this is why we love having in TWA. I think 443 00:25:37,119 --> 00:25:38,600 Speaker 1: you bring up such a good point, Like he is 444 00:25:38,640 --> 00:25:42,480 Speaker 1: a conversation starter, right, he is a thought starter. He's 445 00:25:42,800 --> 00:25:45,520 Speaker 1: definitely a thought leader in the Latino community, which is 446 00:25:45,520 --> 00:25:49,719 Speaker 1: like dominated by so much toxic masculinity from every single angle. 447 00:25:49,800 --> 00:25:52,280 Speaker 1: And he did say this about their relationship. He said, 448 00:25:52,760 --> 00:25:54,879 Speaker 1: right now, we are best friends. If she wants to 449 00:25:54,920 --> 00:25:57,239 Speaker 1: have a boyfriend, she can because we're best friends. Just 450 00:25:57,280 --> 00:25:59,040 Speaker 1: as if I wanted to have a girlfriend, I can 451 00:25:59,280 --> 00:26:03,360 Speaker 1: because we're best friends. But neither one of them. Because 452 00:26:03,359 --> 00:26:05,000 Speaker 1: we're best friends, we can do anything we want because 453 00:26:05,000 --> 00:26:07,919 Speaker 1: we're best friends. Of course, neither one of them have 454 00:26:07,960 --> 00:26:12,160 Speaker 1: actually commented beyond that. And like you said, we just 455 00:26:12,280 --> 00:26:16,840 Speaker 1: saw at the Grammys that Gabiella's eyes are literally tattooed 456 00:26:16,880 --> 00:26:21,440 Speaker 1: on beneath those arms. So whatever they have, but let's 457 00:26:21,440 --> 00:26:23,359 Speaker 1: be honest, it's her eyes. I matched it up with 458 00:26:23,400 --> 00:26:26,679 Speaker 1: the video frame, micrmes, it is her eyes. It is 459 00:26:26,680 --> 00:26:30,320 Speaker 1: our job. Yeah, me and the TikTok slews did a matchup. 460 00:26:30,400 --> 00:26:33,280 Speaker 1: We'd ran forensics on it. Those are Gabille's eyes. Okay, 461 00:26:33,320 --> 00:26:35,720 Speaker 1: I like opened her iPhone with a tattoo. It works. 462 00:26:37,320 --> 00:26:39,680 Speaker 1: I just wanted to make that clear because the bad 463 00:26:39,680 --> 00:26:41,640 Speaker 1: Bunny fans will come for me if we don't give 464 00:26:41,680 --> 00:26:45,600 Speaker 1: them all of the information. So just you guys, know 465 00:26:45,720 --> 00:26:47,639 Speaker 1: they're not on the outs. There was no big fallout. 466 00:26:47,640 --> 00:26:49,840 Speaker 1: I think they are in their own place. And by 467 00:26:49,880 --> 00:26:52,959 Speaker 1: the way, not every relationship needs labels to exist and 468 00:26:53,000 --> 00:26:55,040 Speaker 1: be successful. So we can take a page out of 469 00:26:55,040 --> 00:26:57,399 Speaker 1: Bad Bunny's book and let's just not define anything like 470 00:26:57,920 --> 00:27:00,119 Speaker 1: that's the life I live to be honest, Yes I 471 00:27:00,160 --> 00:27:05,399 Speaker 1: am undefined. I know, I know. But if he was 472 00:27:05,480 --> 00:27:11,560 Speaker 1: Kendall Junner's boyfriend, hot fucking damn. Okay, it's that time 473 00:27:11,600 --> 00:27:13,520 Speaker 1: in the show where we want to the little game 474 00:27:13,520 --> 00:27:16,320 Speaker 1: with you boys. As we know you're a very skilled wordsmith, 475 00:27:16,440 --> 00:27:18,679 Speaker 1: just like Bad Bunny, so we wanted to test your 476 00:27:18,680 --> 00:27:22,159 Speaker 1: ability with a little game called lyric or Lie. Joseph 477 00:27:22,200 --> 00:27:24,560 Speaker 1: is going to read a sentence and you decide whether 478 00:27:24,600 --> 00:27:27,240 Speaker 1: it's a real Bad Bunny lyric or just a made 479 00:27:27,320 --> 00:27:30,119 Speaker 1: up line. Okay, Joseph, give it to him. Are you ready? 480 00:27:30,160 --> 00:27:34,560 Speaker 1: Here we go. Okay, I guess I'm ready. Me and me. Okay, 481 00:27:34,920 --> 00:27:37,320 Speaker 1: you're not a nun and I'm not an altar boy. 482 00:27:37,520 --> 00:27:41,320 Speaker 1: You have me crazy. Your ass is really naughty. I 483 00:27:41,400 --> 00:27:45,920 Speaker 1: think that's a Bad Bunny lyric. Oh Okay, I got one. 484 00:27:46,000 --> 00:27:47,960 Speaker 1: It's probably gonna be the only one I get. I'm ready. 485 00:27:48,520 --> 00:27:51,919 Speaker 1: This is my favorite one because this is me. She 486 00:27:52,040 --> 00:27:55,600 Speaker 1: brought her friends. They're not as pretty as her, That's 487 00:27:55,600 --> 00:27:59,320 Speaker 1: why she brought them. It's kind of giving that Drake 488 00:27:59,400 --> 00:28:01,800 Speaker 1: line in work, like if you had a twinn, I 489 00:28:01,840 --> 00:28:04,919 Speaker 1: would still choose you. But I think that this is 490 00:28:05,720 --> 00:28:11,640 Speaker 1: also a bad bunk laring. Oh my god, I love 491 00:28:11,720 --> 00:28:16,240 Speaker 1: that line. If that's my line, bad bunny and co. 492 00:28:16,640 --> 00:28:19,879 Speaker 1: If you guys want to borrow that line, I wrote that, 493 00:28:21,480 --> 00:28:27,879 Speaker 1: oh credit on his next album. I'm obsessed with this line. Okakay, 494 00:28:28,280 --> 00:28:31,639 Speaker 1: in the private jet a fucking the sky today, I 495 00:28:31,720 --> 00:28:35,400 Speaker 1: want a whore a model. Um excuse me? That lyric 496 00:28:35,560 --> 00:28:38,440 Speaker 1: is wild. Yeah, I know. I was like, has he 497 00:28:38,560 --> 00:28:41,320 Speaker 1: said this before? I'm sure he has. This definitely sounds 498 00:28:41,320 --> 00:28:43,000 Speaker 1: like something he would say. What. No, I'm not going 499 00:28:43,040 --> 00:28:45,320 Speaker 1: to influence. He's just kidding. I take it back. I 500 00:28:45,360 --> 00:28:48,080 Speaker 1: feel like it doesn't even make sense, Like I like, 501 00:28:48,120 --> 00:28:50,800 Speaker 1: think about translate that into Spanish, like how did we 502 00:28:50,840 --> 00:28:53,920 Speaker 1: get from? Like what? No, y'all are just handing it 503 00:28:53,920 --> 00:28:55,560 Speaker 1: to me at this place. I don't think this is 504 00:28:55,600 --> 00:29:02,520 Speaker 1: a bad bunch. Okay, let's see, Liana, I knew it. No, God, 505 00:29:02,880 --> 00:29:05,320 Speaker 1: all right, you threw me off with that one. Come on, okay, okay, 506 00:29:05,520 --> 00:29:08,440 Speaker 1: one more, one more? All right? Our love drove into 507 00:29:08,440 --> 00:29:11,440 Speaker 1: Bugatti and you stayed on foot I threw you out. 508 00:29:13,960 --> 00:29:19,800 Speaker 1: Oh my god. Okay, it's not a bad funny. So 509 00:29:20,120 --> 00:29:21,520 Speaker 1: what are you saying? It's a lyric or a lie? 510 00:29:22,120 --> 00:29:28,120 Speaker 1: Oh it's a it's a lie. It's no way. I 511 00:29:28,200 --> 00:29:30,280 Speaker 1: knew I was not going to do good at this game. Okay, okay, 512 00:29:30,360 --> 00:29:33,160 Speaker 1: let's do some Rihanna ones then I'm sure we'll get those. 513 00:29:33,440 --> 00:29:36,760 Speaker 1: Oh yeah, I'll get every single one. Come on, I 514 00:29:36,840 --> 00:29:39,920 Speaker 1: need to read myself. Okay, voices before you go. We 515 00:29:39,920 --> 00:29:43,640 Speaker 1: want to wrap up with a look forward. So if 516 00:29:43,680 --> 00:29:47,680 Speaker 1: you could nominate any one artist as a future icon, 517 00:29:48,080 --> 00:29:51,400 Speaker 1: let's call them icons to watch or icons in the making. 518 00:29:52,000 --> 00:29:59,200 Speaker 1: Who is your pick? Okay? I know some people are 519 00:29:59,320 --> 00:30:03,080 Speaker 1: going to not agree with me, but I am a 520 00:30:03,080 --> 00:30:06,960 Speaker 1: big Hossa La fan, and I think that she is 521 00:30:07,320 --> 00:30:11,360 Speaker 1: making some of the most incredible music too date. She 522 00:30:11,480 --> 00:30:17,080 Speaker 1: fuses page Throne with flamenco hip hop trap. It's just 523 00:30:17,640 --> 00:30:20,600 Speaker 1: awe inspiring sometimes. I went to go see her last 524 00:30:20,640 --> 00:30:23,920 Speaker 1: year at Radio City and blown away by the production 525 00:30:24,480 --> 00:30:29,480 Speaker 1: of the show and how she sings is just getting 526 00:30:29,560 --> 00:30:32,400 Speaker 1: chills just thinking about it. She is just an amazing singer. 527 00:30:32,440 --> 00:30:35,400 Speaker 1: So yes, I think that she has the opportunity and 528 00:30:35,520 --> 00:30:39,160 Speaker 1: the gusto all of the makings of an I coom. 529 00:30:39,360 --> 00:30:43,280 Speaker 1: So wow, that's a really good one. I love that, 530 00:30:43,320 --> 00:30:46,240 Speaker 1: and boy says, thank you so much for being here, 531 00:30:46,400 --> 00:30:49,680 Speaker 1: for sharing your passion, your knowledge, for putting up with 532 00:30:49,840 --> 00:30:54,000 Speaker 1: Joseph and I. Hey, we appreciate this has been so 533 00:30:54,120 --> 00:30:57,360 Speaker 1: much fun. Thank you, thank you. I appreciate it. Guys, 534 00:30:57,360 --> 00:30:59,800 Speaker 1: this was a great time. Yes, and thank you all 535 00:30:59,800 --> 00:31:03,960 Speaker 1: for listening, reviewing, and sharing and supporting Becoming an Icon. 536 00:31:04,120 --> 00:31:08,280 Speaker 1: We appreciate you, and stay tuned for our next icon. 537 00:31:12,200 --> 00:31:15,280 Speaker 1: On the next Becoming an Icon, She's one of the 538 00:31:15,280 --> 00:31:19,000 Speaker 1: most famous artists in the world. She's a singer, a dancer, 539 00:31:19,560 --> 00:31:24,120 Speaker 1: an actress, a force of style. And Glenn Moore our 540 00:31:24,240 --> 00:31:29,080 Speaker 1: next icon, Jennifer Lopez, join us as we take you 541 00:31:29,160 --> 00:31:32,240 Speaker 1: through a career that's so hard to define it can 542 00:31:32,320 --> 00:31:40,239 Speaker 1: only be called iconic. Becoming an Icon is presented by 543 00:31:40,280 --> 00:31:45,040 Speaker 1: Sonoro and Ihearts Michael Kuda podcast Network. Listen to Becoming 544 00:31:45,080 --> 00:31:49,160 Speaker 1: an Icon on the iHeartRadio app, Apple podcast, or wherever 545 00:31:49,320 --> 00:31:50,600 Speaker 1: you get your podcast