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Speaker 1: So finally I decide, Okay, he's had enough. Yeah, and

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Speaker 1: he deserves it because all those How He Does It episodes,

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Speaker 1: he's pranking everybody else. Yes, so I've got him now,

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Speaker 1: I've got him on a string. And I just go like, okay,

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Speaker 1: Howie Mandel, I go JK and he's like, oh, you

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Speaker 1: got me. But then tap on my shoulder is JK. Simmons.

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Speaker 1: Where do you go? I thought I told you to

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Speaker 1: keep my name out your mouth. And I go, oh, no, JK. Simmons,

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Speaker 1: don't beat me up. And he goes, now I'm JK

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Speaker 1: man Simmons.

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Speaker 2: Because you see him in that little shirt. He's very

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Speaker 2: He has very big muscle.

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Speaker 1: His arms are big, and his shirt's small, and that

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Speaker 1: combination can be terrifying. Visually.

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Speaker 2: You never told me what the original prank was though

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Speaker 2: that you told the story, but you never told me

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Speaker 2: what you were doing to how Mandel. You just said

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Speaker 2: that he was scared. Oh, yes, we were pranking him.

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Speaker 2: He was very So I had a loaded gun in

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Speaker 2: his mouth.

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Speaker 1: Geez yeah, yeah, yeah, yeah yeah, loaded with hot sauce.

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Speaker 2: Oh okay, so a nice prank ultimately because when you fire.

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Speaker 1: It, well, because he's eating tacos. What kind of hot sauce?

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Speaker 1: Uh top of tillo? I mean, I like Shi Lula.

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Speaker 1: Unfortunately the placer I just didn't have it. But so

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Speaker 1: I grabbed top to you about all. I go to

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Speaker 1: the bathroom and then I fill up in the yeah,

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Speaker 1: and then I squirt in his mouth and he was like,

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Speaker 1: oh geez, I'm scared because he also was scared that

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Speaker 1: maybe you get too much, be too spicy.

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Speaker 3: So welcome hims guy to kicking fight and dropping names

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Speaker 3: in the red carpet lineback always of this industry.

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Speaker 2: We call show this up because I think I agree

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Speaker 2: with you. Yeah, these people, we don't do it for

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Speaker 2: for them. You know, we should say what we want

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Speaker 2: at the top of the show. If people don't like it,

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Speaker 2: they do listen to the show. I am scared.

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Speaker 1: Sure it is you. You have to be the one that

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Speaker 1: says it. I'm the one who's going directly against their wishes.

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Speaker 1: And some of these guys on this internet are real freaks.

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Speaker 1: They live I mean, I live in my dad's basement,

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Speaker 1: but they really live in their dad's basement, you know

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Speaker 1: what I mean.

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Speaker 2: I've noticed that, yo, Yes, I've noticed that when people

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Speaker 2: are covering this whole controversy.

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Speaker 1: Like in the news, they don't even use the.

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Speaker 2: What up, what up phrase when in the coverage of

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Speaker 2: it because they're so scared reprisal.

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Speaker 1: They don't want to beckon the ire.

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Speaker 2: Yes, they don't want to beckon the ire and so

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Speaker 2: they just say, like that thing they've been saying at

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Speaker 2: the top of the show, well, actually using the W

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Speaker 2: word is just straight up beckoning the eye. Yes, they

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Speaker 2: just say, like, guys don't want them to do that anymore.

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Speaker 2: We're not going to say what it is, but you

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Speaker 2: know they don't want them to do it, Yes, and cowardly.

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Speaker 1: Hey, Bill, and Brian William's gonna go and grow you know, uh,

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Speaker 1: you know he gotta uh maybe uh. I feel like

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Speaker 1: Brian Williams has had Tom Brady h snooping around his

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Speaker 1: balls because they're deflated. Because then that's why he's not

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Speaker 1: brave enough.

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Speaker 2: This is Brian who I expected more, Brian who drew

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Speaker 2: a mohammed cartoon on the air.

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Speaker 1: But then won't say but now we'll say what up?

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Speaker 1: Because he's worried about what will happen to him. Well,

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Speaker 1: and it's because it's because the mean guys who don't

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Speaker 1: like the Muhammad stuff are far away. I feel they

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Speaker 1: do like it, but the or no way. Oh yeah,

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Speaker 1: they like the Mohammed stuff so much. They so much

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Speaker 1: that they don't like anyone else don't want the cartoon. Yeah,

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Speaker 1: they want to have all the cartoons. That's what it is.

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Speaker 1: I read. Yes, they are the only ones allowed to

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Speaker 1: make the cartoons. But so but the what up? What up?

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Speaker 1: People that might be his neighbor. Oh, I mean it's

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Speaker 1: so close to home because it is really this show.

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Speaker 1: As much as we are worldly and have traveled, this

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Speaker 1: is an American, a truly American creation. I mean, you know, yeah,

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Speaker 1: I mean, don't you agree with that American mics? We

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Speaker 1: use American mikes. You hear that m m Those are

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Speaker 1: from the factory. It's getting upset again, Enginea. Brett really

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Speaker 1: doesn't want you to touch the mics in any way.

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Speaker 4: Thanks, thank you. That's true, Brett.

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Speaker 1: I'm making fun of you, but you're right, I'm fucking

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Speaker 1: with you.

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Speaker 2: And Brett, we have you wear American clothes.

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Speaker 4: You have me wear American clothes.

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Speaker 1: One time he tried to come in unique low and

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Speaker 1: we stripped him down in the hallway.

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Speaker 2: Because the thing about like America and apparel and stuff

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Speaker 2: is like, they're not PC. They're not PC, but they

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Speaker 2: have good ethics ands and not being PC just means

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Speaker 2: being in your face. And I think I know a

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Speaker 2: couple of dudes who could relate to that.

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Speaker 1: Hayes me mm hmm.

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Speaker 2: So they sort of got our attention with that, and

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Speaker 2: we had Brett oh wear their little shorts.

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Speaker 1: The ones that kind of sneak up in there. The

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Speaker 1: nice thing about American apparel not a friend to beckon

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Speaker 1: the ire of the public. What did we want to do?

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Speaker 2: That's exactly what I'm about. We wanted to do something

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Speaker 2: we've done. Sometimes a segment called the right stuff. Uh,

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Speaker 2: right is in correct? But that's yes. We're tea to

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Speaker 2: writing is in the with.

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Speaker 1: A pencil writing, so we're talking about writing w r

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Speaker 1: i t E. So the segment's called the right stuff

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Speaker 1: because we want people to do the w r i

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Speaker 1: t E writing the right way r i g h T.

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Speaker 1: So it's the r i g h t stuff, which

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Speaker 1: is a play on what it could be called, which

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Speaker 1: is the right stuff.

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Speaker 2: So the people who ask like, oh, if it's not

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Speaker 2: like right the correct stuff, do you want them to

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Speaker 2: do the wrong stuff. No, we want you to do

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Speaker 2: the correct stuff. It's just not the name of the show.

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Speaker 1: It's not the correct stuff. It's the right stuff, yes, right,

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Speaker 1: And it's writing stuff. It's about writing stuff. This is

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Speaker 1: something you we read all these scripts.

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Speaker 2: Stuff crosses our desk, you know, like you remember Dilbert's desk, Yes,

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Speaker 2: it was always covered in papers.

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Speaker 1: Well yes, well his boss is always stacking up even

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Speaker 1: more too. And it's like, I'm gonna need you to

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Speaker 1: go ahead and come in this week.

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Speaker 2: What he would do his boss? Sometimes he had this hair.

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Speaker 2: I don't have to get it.

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Speaker 1: It looked like a dog do stick out of his ears.

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Speaker 2: Sometimes he would Dilbert would get everything from his inbox

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Speaker 2: into his out box, and his boss would come in

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Speaker 2: and just switch the names on the boxes.

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Speaker 1: So what was now?

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Speaker 2: And I don't even know if that actually was a

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Speaker 2: Dilbert cartoon, but I think you have to agree that that.

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Speaker 1: Yes, I think that might find its way onto some Well,

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Speaker 1: it's aotential Dilbert concept, which we've always talked about, like

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Speaker 1: when you're thinking about office scenarios, is it does it

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Speaker 1: have you know, DP, does it have Dilbert potential? And

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Speaker 1: if it doesn't it's probably not relatable, it's probably not funny.

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Speaker 2: So we get all these scripts to read, and they're

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Speaker 2: mostly something like from the trash, like you read it

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Speaker 2: and you have you like look in the trash to

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Speaker 2: see if it actually came out of the trash, yeaut

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Speaker 2: of your inbox.

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Speaker 1: And occasionally it is a list of ingredients or something

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Speaker 1: and it is like it was a Snickers wrapper. But

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Speaker 1: more often it's a bad script by somebody who doesn't

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Speaker 1: have the right stuff when they're writing stuff.

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Speaker 2: So we wanted to read some of these scripts that

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Speaker 2: we get. This is like what I like to do

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Speaker 2: is read. We read some of the old classics because

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Speaker 2: we get all kinds of scripts, and we.

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Speaker 1: Get sent a lot of scripts from movies that were

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Speaker 1: made and were.

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Speaker 2: Successful, very famous, just for us to read and like

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Speaker 2: see like do you want it?

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Speaker 1: Should we do it again? Yeah? Or is it good?

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Speaker 1: Or was it a mistake that this was probably.

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Speaker 2: Yes, yes, we're we right to make this a classic

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Speaker 2: movie or not?

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Speaker 1: Mm hmm.

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Speaker 2: So we read this one Casablanca. You read this this week?

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Speaker 1: Yeah, I mean I tried to anyway, And.

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Speaker 2: We just want to pick out some sections of this.

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Speaker 2: I don't know if It's like the medium has just

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Speaker 2: developed in such a way so that we're just like

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Speaker 2: doing things better now and they weren't really sure what

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Speaker 2: was happening back then. I think it is now, and

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Speaker 2: I think it is because of fusion.

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Speaker 1: I think it's since that show Medium with Patricia ut

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Speaker 1: Ke where she's investigating crimes that she could kind of

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Speaker 1: see some of the future and ghosts. I do think

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Speaker 1: that since the medium has developed, writing has gotten a

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Speaker 1: lot better because those stories were true classic stories that

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Speaker 1: we everything since that show is kind of been a

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Speaker 1: play on those ideas, Like when they say and so

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Speaker 1: this is pre medium this script and you have to

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Speaker 1: understand that.

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Speaker 2: Like when they say the medium is the message, it's

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Speaker 2: kind of like the show is. The message of the

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Speaker 2: show is make a good show, Like I am.

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Speaker 1: Yeah, the medium, Yes, the medium, show the messages. Hey,

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Speaker 1: here's how you do it, and I'm a good show

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Speaker 1: be like me. Yeah, And that's a hot medium because

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Speaker 1: she is attractive.

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Speaker 2: So we wanted to read a scene, go through the

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Speaker 2: scene machine, which is where do.

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Speaker 1: We have to turn it on? A sea comes out? Yeah,

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Speaker 1: did we forget to turn it on last night before

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Speaker 1: we came in. It's gotta. It takes a long time

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Speaker 1: to worm out. Oh well, Engineer Brett Rat, go ahead

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Speaker 1: and turn on the scene machine. Can you turn on

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Speaker 1: the SEAE machine?

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Speaker 4: Okay, it's on.

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Speaker 2: No, it doesn't sound like that. It doesn't just go on.

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Speaker 2: It does like the whole thing.

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Speaker 1: Yeah, do the whole series. Have to do the whole thing,

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Speaker 1: you gotta. It's not gonna work. Hit the one that's

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Speaker 1: gonna make the whole series of sounds.

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Speaker 4: Engineer breat Okay.

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Speaker 1: No, that's your key. You're just jingling your keys. Bread,

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Speaker 1: We could see that that's your Actually put your hand

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Speaker 1: on the machine, plug it in, and hit the un

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Speaker 1: buttons so we can hear the sound.

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Speaker 2: You need to hear every step. Come on, Brad, do it.

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Speaker 4: Kids, it's uh, it's been a while.

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Speaker 1: Please don't reference other shows.

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Speaker 2: Sneak in a reference, Oh my god makes me so ill.

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Speaker 1: Use your mouth. Use your mouth to do some of

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Speaker 1: the music. You don't use anything but your mouth. Okay, Well,

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Speaker 1: this finally he's starting to plug the machine in. Okay,

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Speaker 1: it'll only be a couple of minutes now and now okay, okay,

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Speaker 1: stop for a drink of water. What happens now?

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Speaker 2: Probably okay, good engineer Sam is here on his motorcycle and.

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Speaker 1: Maybe he can show you the machine.

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Speaker 2: Yeah, how you hear? Sam is gonna really turn on

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Speaker 2: for real?

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Speaker 1: It should be like beeping and stuff.

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Speaker 4: Thanks Sam.

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Speaker 1: Oh yeah, Sam just found Brett very attractive, gave him

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Speaker 1: a nice little whistle, and then it's probably gonna make

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Speaker 1: some beeps. Thank you. Yes, okay, now he's finally on.

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Speaker 1: Okay was that so hard? So this scene begins. It's

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Speaker 1: I have a script. It just came out of the machine.

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Speaker 1: It took a while. Yeah, I just do Okay he

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Speaker 1: said that. You know, it's like, that's a fucking show. People.

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Speaker 1: That's what they like. Love it.

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Speaker 2: They honestly really do like that, and they like to

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Speaker 2: do it themselves.

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Speaker 1: They like to write it down. Yes, that is satisfying

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Speaker 1: writing down an auditory joke. That just is. And I'm

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Speaker 1: using the term joke so good to say, what a

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Speaker 1: generous spirit you have? Oh yeah, I mean Christmas was

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Speaker 1: over a month ago, yet somehow here I am fucking

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Speaker 1: Santa Claus himself using the term joke when let's be frank,

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Speaker 1: it is a reference. They're writing it down. Okay, what

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Speaker 1: do we need? What do we need? See machine is

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Speaker 1: finally twll us what we need to do. Yeah, I

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Speaker 1: gotta do. Don't tell us to do that, please. Okay.

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Speaker 2: This scene takes place in Rick's cafe. We know this

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Speaker 2: is on page fifty, but they don't tell us who

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Speaker 2: Rick is. It's in the main room and it's nighttime. Okay,

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Speaker 2: stage direction. The customers have all gone. The house lights

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Speaker 2: are out, which is like, it's dark. It's totally dark.

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Speaker 2: What are we looking at? What am I gonna see?

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Speaker 2: Am I supposed to put the lens cup back on

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Speaker 2: the camera to shoot this one? It's nighttime and the

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Speaker 2: lights are out of it's supposed to be total darkness.

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Speaker 2: So so say this is a good tip, just at

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Speaker 2: the beginning of a scene and say the lights are

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Speaker 2: on and you can you can see what's happening, or

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Speaker 2: it's sunny out.

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Speaker 1: Uld be daytime. And then we don't even think about

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Speaker 1: the lights.

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Speaker 2: So Rick this, I guess it's his cafe or it's

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Speaker 2: about a cafe about him. Sits alone at a table.

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Speaker 2: There is a glass of bourbon on the table directly

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Speaker 2: in front of him, and another empty glass on the

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Speaker 2: table before an empty chair.

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Speaker 1: Bear in mind, we can't see any of these glasses,

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Speaker 1: Like if it's night timing, the lights are out. Don't

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Speaker 1: describing the glasses.

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Speaker 2: All these details. None of this is going to show

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Speaker 2: up in the movie. So just say, like it's everywhere,

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Speaker 2: it's totally dark. If you're gonna say anything, to say

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Speaker 2: it's totally darker, describe sound.

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Speaker 1: It's dark, everyone's asleep. You go to sleep too. I mean,

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Speaker 1: that's what I mean, That's what they're really saying. So

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Speaker 1: there's all this stuff about the glass and the chair

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Speaker 1: we can't see. There's a bottle nearby. I'm just gonna

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Speaker 1: write it, and he turns out the lights. I have to.

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Speaker 2: You know, you read something, you just have to edit

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Speaker 2: it yourself. So Rick gets up. He turns on all

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Speaker 2: the lights.

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Speaker 1: Too, Yes, punching up, give you notes, and it's just

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Speaker 1: like it's automatic. You can't resist. So now when we're

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Speaker 1: reading the rest is all the lights are on, and

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Speaker 1: you're welcome, Caso blanco.

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Speaker 2: Rick turns on the lights, fills his glass and drinks

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Speaker 2: it quickly. His face is entirely expressionless. That's impossible, okay, that.

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Speaker 1: He would drink that whole thing and his bourbon all

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Speaker 1: going to be making a sort of a p U

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Speaker 1: face like a like a Bernie face, like a like

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Speaker 1: it's like burning his gullet because people are gonna think

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Speaker 1: if he drinks out and it's expressionless, people are going

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Speaker 1: to think that it's it's diet coke. I'm going to think, well, yes,

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Speaker 1: and even that hurts a little bit, Well, it's got physics,

285
00:15:21,600 --> 00:15:24,280
Speaker 1: and so that it's got physics. So it's gonna be

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00:15:24,720 --> 00:15:27,800
Speaker 1: that's going to be making bubbles make a noise. And

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Speaker 1: I would think, is this guy android machine? Because he

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Speaker 1: now can't feel the thing?

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00:15:35,280 --> 00:15:39,320
Speaker 2: You know, but he's not like shorting out either from

290
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Speaker 2: drinking watch from.

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Speaker 1: Or we get too far away from this just I

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Speaker 1: forgot to do it. Can we say one thing about

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Speaker 1: the title Casa Blanca? That's house white, right, yeah, it

294
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Speaker 1: should be white. So I think I'm like, this guy

295
00:15:55,440 --> 00:15:57,200
Speaker 1: must be the president. I don't know if I want

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Speaker 1: to see the president in the dark drinking a whole

297
00:15:59,440 --> 00:16:03,000
Speaker 1: glass of burden. That's pretty scary. And this guy's got

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Speaker 1: his finger on the button. He's drunk in the dark.

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00:16:06,360 --> 00:16:08,400
Speaker 2: No thanks, And he's not even at he's at some

300
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Speaker 2: What is he doing owning a cafe?

301
00:16:11,400 --> 00:16:11,480
Speaker 4: No?

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00:16:11,640 --> 00:16:17,000
Speaker 1: He should be doing the country. God, almighty, okay, great, golly,

303
00:16:17,040 --> 00:16:17,720
Speaker 1: miss Molly.

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00:16:19,200 --> 00:16:22,520
Speaker 2: His face is expressionless. The beacon light from the airport

305
00:16:22,680 --> 00:16:26,040
Speaker 2: sweeps around the room, creating a mood of unreality.

306
00:16:27,760 --> 00:16:35,360
Speaker 1: This we're at the airport. We're making up words unreality airport.

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Speaker 2: And also the idea that there's a light in the

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Speaker 2: room is unreal to.

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Speaker 1: You Jesus great Google.

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Speaker 2: That somehow is surreal to have light shining in a

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Speaker 2: room by.

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Speaker 1: Yeah, who serious? I mean what I mean, I really

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00:16:50,520 --> 00:16:54,720
Speaker 1: am going through something. This is wild to me. This

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00:16:54,840 --> 00:16:57,960
Speaker 1: got made. I mean it must have been a during

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Speaker 1: the era where there's three scripts and they just have

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Speaker 1: to pick one.

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Speaker 2: Three guys wrote this too. I was looking at the beginning,

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Speaker 2: Oh my, if it's one, If it's those two normal guys,

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Speaker 2: and then one guy snuck in at the end.

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Speaker 1: Yeah, I mean, I can't imagine these mistakes getting through

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Speaker 1: three people. Okay.

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Speaker 2: Now that says Sam comes in and stands, hasn't hesitantly

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Speaker 2: beside Rick? Well this part I like, okay, and Sam

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00:17:33,280 --> 00:17:38,840
Speaker 2: says boss no answer. As Rick drinks, so he's I

325
00:17:38,960 --> 00:17:41,200
Speaker 2: get like he's got a ear problem or something, he's

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Speaker 2: got ear infection drinking.

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Speaker 1: I can't hear anything Okay, cool.

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Speaker 2: I'm drinking something. It's impossible for me to hear he's

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Speaker 2: drinking with his.

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Speaker 1: Ears, makes seem more like and machine.

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Speaker 2: Sam goes again, boss, and Rick goes you, and Sam says, Boss,

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Speaker 2: ain't you going to bed?

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Speaker 1: So he's like.

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00:17:57,359 --> 00:18:02,280
Speaker 2: From the south or something, and Rick says, not right now,

335
00:18:02,320 --> 00:18:04,640
Speaker 2: even though it is nighttime. And they already did say that.

336
00:18:05,040 --> 00:18:06,640
Speaker 2: And so this guy who is not going to bed

337
00:18:06,640 --> 00:18:08,760
Speaker 2: even though it's nighttime, and it all comes back to

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Speaker 2: this sort of robot these robotic hints.

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00:18:11,840 --> 00:18:15,320
Speaker 1: Well, yeah, because he's not. He's like got a like

340
00:18:15,520 --> 00:18:17,560
Speaker 1: a charge battery or something.

341
00:18:18,160 --> 00:18:20,359
Speaker 2: And it says, Sam now realizes Rick is in a

342
00:18:20,520 --> 00:18:23,480
Speaker 2: very grim mood because he wants to stay up at

343
00:18:23,560 --> 00:18:25,600
Speaker 2: night like that, like, if you're in a grim mood,

344
00:18:25,680 --> 00:18:26,840
Speaker 2: you actually want to go to sleep.

345
00:18:27,000 --> 00:18:29,840
Speaker 1: No, yes, And that is a symptom of depression. And

346
00:18:29,880 --> 00:18:34,080
Speaker 1: if you're sleeping an unusual amount and you still feel tired,

347
00:18:34,160 --> 00:18:36,600
Speaker 1: I mean, I'm talking ten twelve hours a day and

348
00:18:36,640 --> 00:18:38,200
Speaker 1: you get up and you still feel like you need

349
00:18:38,240 --> 00:18:43,640
Speaker 1: a nap, then see someone and talk about.

350
00:18:43,520 --> 00:18:45,679
Speaker 2: And this is just to get very personal with me.

351
00:18:46,080 --> 00:18:49,080
Speaker 2: I've had this kind of experience where if I like

352
00:18:49,200 --> 00:18:51,800
Speaker 2: if I get road rage or something and I yell

353
00:18:51,800 --> 00:18:54,000
Speaker 2: at somebody on the road and I'm having a bad

354
00:18:54,080 --> 00:18:56,320
Speaker 2: day in the car, I just come home and say

355
00:18:56,359 --> 00:18:57,359
Speaker 2: I just want to go sleep.

356
00:18:57,880 --> 00:19:01,560
Speaker 1: And truly, you do sometimes feel that way, and it's

357
00:19:01,640 --> 00:19:05,639
Speaker 1: not weak to visit an analyst anymore. I feel like

358
00:19:05,720 --> 00:19:09,919
Speaker 1: that's an outdated concept of change. Cheese Mo, And I

359
00:19:10,000 --> 00:19:12,840
Speaker 1: just want to say a lot of your favorite comedians

360
00:19:13,000 --> 00:19:15,600
Speaker 1: go to therapy, and if you just listen to any

361
00:19:15,640 --> 00:19:18,359
Speaker 1: other podcasts, they'll tell you about it.

362
00:19:19,960 --> 00:19:26,680
Speaker 2: Sam says lightly, which it's a lack of understanding.

363
00:19:26,720 --> 00:19:28,120
Speaker 1: I think about what light is?

364
00:19:28,600 --> 00:19:31,200
Speaker 2: Okay, it as said the it's a little parenthetical it,

365
00:19:31,280 --> 00:19:32,720
Speaker 2: Sam says, lightly.

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Speaker 1: Is the person who wrote it an android.

367
00:19:37,840 --> 00:19:40,720
Speaker 2: It all comes back with this guy to thinking light

368
00:19:40,880 --> 00:19:43,720
Speaker 2: is something else, which is not something that you see.

369
00:19:44,119 --> 00:19:46,600
Speaker 1: It's like you hear it. Well if you have computerized

370
00:19:47,640 --> 00:19:49,879
Speaker 1: and you and so it's almost like you're wearing night

371
00:19:49,920 --> 00:19:52,959
Speaker 1: vision goggles at time. Because you're an android machine, you

372
00:19:52,960 --> 00:19:55,960
Speaker 1: wouldn't really know how to write what kind of light there?

373
00:19:56,160 --> 00:19:59,480
Speaker 2: No, because it's all red. You see everything is red.

374
00:20:00,000 --> 00:20:01,600
Speaker 2: I don't know this guy is, but let's.

375
00:20:01,520 --> 00:20:03,440
Speaker 1: Just say that that's probably what happened.

376
00:20:03,920 --> 00:20:07,160
Speaker 2: Sam says lightly, Ain't you planning on going to bed

377
00:20:07,200 --> 00:20:11,560
Speaker 2: in the near future? And Rick says, no, we.

378
00:20:13,119 --> 00:20:13,840
Speaker 1: Are happened.

379
00:20:13,840 --> 00:20:15,560
Speaker 2: I don't want to watch an entire movie about whether

380
00:20:15,640 --> 00:20:17,440
Speaker 2: or not a guy is going to go to bed.

381
00:20:17,920 --> 00:20:20,480
Speaker 1: Well, also, this is your boss, Like if you ask

382
00:20:20,560 --> 00:20:23,359
Speaker 1: him once if he's gone to bed and he says

383
00:20:23,480 --> 00:20:26,560
Speaker 1: no or doesn't hear it, just leave it be. You're

384
00:20:26,600 --> 00:20:28,760
Speaker 1: not his mommy, you work for him.

385
00:20:29,000 --> 00:20:32,040
Speaker 2: I mean, I don't really I hesitate to even say

386
00:20:32,080 --> 00:20:34,560
Speaker 2: the next line, which is Sam says you ever go

387
00:20:34,680 --> 00:20:35,200
Speaker 2: into bed?

388
00:20:35,320 --> 00:20:37,119
Speaker 1: Oh my gosh, Sam.

389
00:20:37,480 --> 00:20:40,080
Speaker 2: And Rick says no, which means now it is for

390
00:20:40,160 --> 00:20:44,240
Speaker 2: real that he is like some kind of mechanical man

391
00:20:44,640 --> 00:20:46,760
Speaker 2: because if he's never going to go to bed ever

392
00:20:47,520 --> 00:20:50,720
Speaker 2: he's no, then he runs it impossible for him to

393
00:20:50,720 --> 00:20:51,240
Speaker 2: be alive.

394
00:20:51,400 --> 00:20:55,560
Speaker 1: I'm last something. And the one thing I'll say, they

395
00:20:55,560 --> 00:20:57,680
Speaker 1: got right. It is kind of true to my little

396
00:20:57,720 --> 00:21:01,080
Speaker 1: cousin engineer Sam, because he is very annoying and asks

397
00:21:01,080 --> 00:21:05,080
Speaker 1: you the same question a lot. So, okay, you're in

398
00:21:05,119 --> 00:21:07,480
Speaker 1: the neighborhood with that, and that's about it.

399
00:21:09,080 --> 00:21:12,560
Speaker 2: So Sam says, well, I ain't sleepy either. It's impossible.

400
00:21:12,560 --> 00:21:16,879
Speaker 2: It's nighttime. Rix says, good, then have a drink. Sam says, no,

401
00:21:17,000 --> 00:21:20,200
Speaker 2: not me, boss, and Rick says, then don't have a drink.

402
00:21:20,640 --> 00:21:22,040
Speaker 2: And it's like, yeah, he just said.

403
00:21:22,280 --> 00:21:26,040
Speaker 1: This is the worst conversation I've ever heard. And this

404
00:21:26,200 --> 00:21:29,280
Speaker 1: is something that people would pay to watch in a

405
00:21:29,320 --> 00:21:32,240
Speaker 1: movie back then. Imagine the kind of conversations that people

406
00:21:32,280 --> 00:21:35,160
Speaker 1: were having in the thirties that they want to say

407
00:21:35,280 --> 00:21:39,760
Speaker 1: they'd never seen a medium, they'd never seen medium. It's

408
00:21:39,880 --> 00:21:42,520
Speaker 1: dynamic conversation, and that show. If somebody asks if you're

409
00:21:42,520 --> 00:21:44,560
Speaker 1: going to bed, it happens once. If it's at night,

410
00:21:44,600 --> 00:21:47,000
Speaker 1: you probably say yes. And then if somebody says I'm

411
00:21:47,000 --> 00:21:48,600
Speaker 1: not having a drink, you know they're not going to

412
00:21:48,680 --> 00:21:50,760
Speaker 1: have a drink and you don't have to tell them.

413
00:21:51,280 --> 00:21:55,640
Speaker 2: Sam says, boss, let's get out of here, and Rick

414
00:21:55,720 --> 00:22:01,040
Speaker 2: says emphatically, no, sir, I'm waiting for a lad and

415
00:22:01,119 --> 00:22:05,800
Speaker 2: Sam says earnestly. And all these little like directions in

416
00:22:05,840 --> 00:22:09,359
Speaker 2: the in the thing, these little parentheses things, it's like,

417
00:22:09,560 --> 00:22:11,960
Speaker 2: just say it, actors, or just have him say like,

418
00:22:12,040 --> 00:22:13,080
Speaker 2: I'm being earnest.

419
00:22:13,200 --> 00:22:16,359
Speaker 1: As a sometime performer as well, actors will tell you,

420
00:22:16,440 --> 00:22:20,840
Speaker 1: I'll tell you how I'm gonna say it loud. The

421
00:22:20,840 --> 00:22:21,760
Speaker 1: camera's got to hear me.

422
00:22:22,160 --> 00:22:26,800
Speaker 2: Sam says, please, Boss, let's go. Ain't nothing but trouble

423
00:22:26,840 --> 00:22:31,040
Speaker 2: for you here, And it's like it's his isn't his cafe?

424
00:22:31,200 --> 00:22:34,679
Speaker 2: And I don't know, President, I don't know. What does

425
00:22:34,720 --> 00:22:37,560
Speaker 2: he have to be? What kind of someone gotta beat

426
00:22:37,640 --> 00:22:38,080
Speaker 2: him up?

427
00:22:38,520 --> 00:22:42,960
Speaker 1: Gorbachev gonna kick in the door, try to fight him.

428
00:22:43,000 --> 00:22:45,520
Speaker 2: This is so crap. I mean, like I don't I

429
00:22:45,600 --> 00:22:48,560
Speaker 2: was barely born when this came out, and so maybe

430
00:22:48,640 --> 00:22:51,520
Speaker 2: it's just like not really remembering what it was like

431
00:22:51,600 --> 00:22:54,720
Speaker 2: back then. I remember none of this, that this is

432
00:22:54,720 --> 00:22:56,520
Speaker 2: the way people talk to each other.

433
00:22:56,960 --> 00:23:01,320
Speaker 1: Yeah, no, that's not my recollection either, although I was

434
00:23:01,359 --> 00:23:07,199
Speaker 1: mostly talking to the goose. Sure, and maybe this is like,

435
00:23:07,680 --> 00:23:09,320
Speaker 1: you know, that was probably my best friend, was the

436
00:23:09,359 --> 00:23:10,280
Speaker 1: goose in the barn.

437
00:23:10,119 --> 00:23:12,560
Speaker 2: And they could also I do remember we had we

438
00:23:12,600 --> 00:23:15,240
Speaker 2: had to use a lot of war code, which I

439
00:23:15,320 --> 00:23:18,800
Speaker 2: don't remember all of And so it's possible that this

440
00:23:18,840 --> 00:23:20,840
Speaker 2: is some kind of like war code that people just

441
00:23:20,960 --> 00:23:23,160
Speaker 2: understood back then and that means something else.

442
00:23:23,280 --> 00:23:27,399
Speaker 1: Okay, giving them the benefit of the doubt what it

443
00:23:27,440 --> 00:23:30,320
Speaker 1: should say instead of earnestly and those little paratheticals. It

444
00:23:30,359 --> 00:23:33,719
Speaker 1: should say speaking in war code for every single line.

445
00:23:33,840 --> 00:23:39,800
Speaker 2: And then Sam goes the thing is, there's nothing of

446
00:23:39,880 --> 00:23:42,160
Speaker 2: trouble for you here, and then Rick says, she's coming back.

447
00:23:42,240 --> 00:23:43,919
Speaker 2: I know she's coming back. We don't know who that

448
00:23:44,119 --> 00:23:46,680
Speaker 2: is he's talking about. There these supposed to be both boys.

449
00:23:46,840 --> 00:23:50,360
Speaker 1: I give up. Let's just say at this point they

450
00:23:50,359 --> 00:23:53,800
Speaker 1: don't have the right stuff. They shouldn't have written righted

451
00:23:54,000 --> 00:23:54,720
Speaker 1: this stuff.

452
00:23:55,480 --> 00:23:58,360
Speaker 2: And that was only one page, and this scene goes

453
00:23:58,440 --> 00:24:04,400
Speaker 2: on for another whole page and there's a song in it.

454
00:24:05,280 --> 00:24:08,560
Speaker 1: Thumbs down. Casa Blanco should have been blocked to Casa

455
00:24:09,800 --> 00:24:13,200
Speaker 1: White House. And if I want to see my American

456
00:24:13,240 --> 00:24:15,840
Speaker 1: president on the screen, I want to see him behaving.

457
00:24:16,560 --> 00:24:19,560
Speaker 2: Like a human, not an android machine. Okay, we have

458
00:24:19,600 --> 00:24:25,000
Speaker 2: a great guest today. Yeah, Betsy Sdero m is that

459
00:24:25,119 --> 00:24:29,680
Speaker 2: it Eh is going to be on the show coming

460
00:24:29,760 --> 00:24:39,120
Speaker 2: right up on Hollywood Handbook. So you know, I look

461
00:24:39,160 --> 00:24:44,159
Speaker 2: at Travvy quiet and I'm like not, I nod, and

462
00:24:44,200 --> 00:24:46,520
Speaker 2: I'm like, go go ahead, do it right.

463
00:24:47,000 --> 00:24:50,200
Speaker 1: And he gets pretty high in the air.

464
00:24:50,240 --> 00:24:53,040
Speaker 2: But as he starts to like get into like backflip

465
00:24:53,680 --> 00:24:56,040
Speaker 2: motion in the air, he doesn't.

466
00:24:55,800 --> 00:24:59,200
Speaker 1: Like get all the way, like he is doubting himself

467
00:24:59,240 --> 00:25:00,080
Speaker 1: and he doesn't you can.

468
00:25:01,520 --> 00:25:01,600
Speaker 5: That.

469
00:25:01,680 --> 00:25:03,520
Speaker 2: He's like thinking about stopping and you have.

470
00:25:03,480 --> 00:25:05,320
Speaker 1: To just like you got to commit bait.

471
00:25:05,320 --> 00:25:08,120
Speaker 2: You actually have to have started the motion before you

472
00:25:08,160 --> 00:25:09,240
Speaker 2: even get him the air.

473
00:25:09,680 --> 00:25:12,399
Speaker 1: And mentally you have to have started the motion. I

474
00:25:12,400 --> 00:25:13,560
Speaker 1: mean that's the secret.

475
00:25:14,240 --> 00:25:17,080
Speaker 2: And so it was too like he does get like

476
00:25:17,119 --> 00:25:18,840
Speaker 2: one eighty in the air, but he kind of landed

477
00:25:18,920 --> 00:25:23,520
Speaker 2: on his chest and here's are it's just like the wind.

478
00:25:23,640 --> 00:25:25,639
Speaker 2: You know, he's like got the wind knocked out of him.

479
00:25:25,880 --> 00:25:28,840
Speaker 2: But it's like, if you can't this is my whole point.

480
00:25:29,240 --> 00:25:32,240
Speaker 2: If you can't do a standing backflip, then you're not

481
00:25:32,600 --> 00:25:37,200
Speaker 2: a gym class hero. Like why why would you call

482
00:25:37,240 --> 00:25:40,399
Speaker 2: yourself that if you can't do, yes, a standing.

483
00:25:40,040 --> 00:25:44,719
Speaker 1: Backflip and do and to speak to that please joke. Ultimately,

484
00:25:45,119 --> 00:25:47,520
Speaker 1: I had an idea of something that I was thinking

485
00:25:47,520 --> 00:25:52,399
Speaker 1: where I was going take a look at my backflip. Oops,

486
00:25:52,400 --> 00:25:54,720
Speaker 1: I can't do one, you know, like that I was

487
00:25:54,760 --> 00:25:57,200
Speaker 1: sort of in that area, you know, but that should

488
00:25:57,240 --> 00:26:00,280
Speaker 1: be what he's singing. Well, ultimately he's going to have

489
00:26:00,400 --> 00:26:02,080
Speaker 1: to because now this is out there.

490
00:26:03,760 --> 00:26:07,840
Speaker 2: Hey, welcome back to Hollywood Handbook and Insider's Guide to

491
00:26:07,920 --> 00:26:10,480
Speaker 2: kicking button dropping names in the red carpet lineback hallways

492
00:26:10,480 --> 00:26:11,080
Speaker 2: of this industry.

493
00:26:11,119 --> 00:26:12,160
Speaker 1: We call show biz.

494
00:26:12,680 --> 00:26:14,919
Speaker 2: So so excited about our guest day, and we do

495
00:26:14,960 --> 00:26:19,520
Speaker 2: a little clap for Betsy Sadero, who's here. Hell, and

496
00:26:19,560 --> 00:26:21,040
Speaker 2: we've been trying to get you on the show for

497
00:26:21,080 --> 00:26:23,560
Speaker 2: such a long time because we have something very special

498
00:26:23,560 --> 00:26:27,919
Speaker 2: in common, of course, which is that the three of

499
00:26:28,040 --> 00:26:35,360
Speaker 2: us were named La Weekly's Best People's Favorite People twenty fourteen.

500
00:26:35,560 --> 00:26:35,760
Speaker 6: Yeah.

501
00:26:35,960 --> 00:26:39,320
Speaker 2: LA Weekly is the magazine of Los Angeles, which is

502
00:26:39,600 --> 00:26:42,920
Speaker 2: the cultural center of America, which is the cultural center

503
00:26:43,000 --> 00:26:43,760
Speaker 2: of the world.

504
00:26:44,480 --> 00:26:47,600
Speaker 1: And so when you think about it, they're really calling

505
00:26:47,680 --> 00:26:50,080
Speaker 1: us the best, most interesting favorite people in the world.

506
00:26:50,200 --> 00:26:53,760
Speaker 2: Yes, and I forget how many people there were. I

507
00:26:53,760 --> 00:26:58,480
Speaker 2: think it was ten, but it could have been seventy.

508
00:27:00,080 --> 00:27:02,399
Speaker 2: It was remember do you remember the exact number.

509
00:27:02,920 --> 00:27:05,639
Speaker 6: It was enough to fill a whole magazine.

510
00:27:05,720 --> 00:27:07,160
Speaker 1: It was us, It was at least three.

511
00:27:07,520 --> 00:27:08,840
Speaker 6: It was definitely us.

512
00:27:08,960 --> 00:27:12,520
Speaker 2: And then there's way Yeah, that's right.

513
00:27:12,440 --> 00:27:15,240
Speaker 1: Swaggy pe was in there. So that's four. That's four,

514
00:27:17,240 --> 00:27:20,320
Speaker 1: and that may have been in or there's a chance

515
00:27:20,359 --> 00:27:24,879
Speaker 1: it was seventy to eighty people. But I but I

516
00:27:24,920 --> 00:27:27,639
Speaker 1: can only think of four. I remember Anthony Hopkins was

517
00:27:27,720 --> 00:27:30,359
Speaker 1: not in there. Yes, I definitely remember that. I remember

518
00:27:30,400 --> 00:27:33,520
Speaker 1: he's very good. I think he's very good. I remember

519
00:27:33,560 --> 00:27:35,119
Speaker 1: thinking he was snubbed. But then when I looked at

520
00:27:35,119 --> 00:27:36,800
Speaker 1: the four of us, I thought, well, he shouldn't take

521
00:27:36,800 --> 00:27:39,359
Speaker 1: any of our spots, right, And so then at that

522
00:27:39,400 --> 00:27:40,920
Speaker 1: point I go, maybe they got it right.

523
00:27:41,359 --> 00:27:41,520
Speaker 4: Well.

524
00:27:41,560 --> 00:27:45,200
Speaker 7: Then he went on Twitter and made his own article

525
00:27:45,680 --> 00:27:47,360
Speaker 7: and was like I'm fine with this.

526
00:27:48,320 --> 00:27:51,200
Speaker 6: Yeah, you know, he's like, I have my own article.

527
00:27:51,480 --> 00:27:54,159
Speaker 2: Article doesn't normally let people do that. It was it

528
00:27:54,200 --> 00:27:56,679
Speaker 2: was just one. It was just within one tweet. What

529
00:27:56,840 --> 00:28:00,439
Speaker 2: was I think what was the whole article? It was

530
00:28:00,480 --> 00:28:04,000
Speaker 2: something like the entire thing. The entire article was like

531
00:28:04,119 --> 00:28:04,919
Speaker 2: I'm the best.

532
00:28:05,400 --> 00:28:06,280
Speaker 6: I think that was it.

533
00:28:07,119 --> 00:28:11,560
Speaker 2: Oh yeah, abused even clothes how much he could have used?

534
00:28:11,600 --> 00:28:14,159
Speaker 1: Well, I think he said first is the worst, Hopkins

535
00:28:14,240 --> 00:28:18,080
Speaker 1: is the best. Yeah, And then he said LA Weekly

536
00:28:18,160 --> 00:28:20,720
Speaker 1: told you all the rest. And I was like, okay,

537
00:28:20,760 --> 00:28:24,439
Speaker 1: well that's a bit of sour grapes, isn't it? And

538
00:28:24,520 --> 00:28:26,880
Speaker 1: so grape pape, grape pape? Remember that cartoon?

539
00:28:27,359 --> 00:28:27,679
Speaker 2: WHOA?

540
00:28:28,119 --> 00:28:31,680
Speaker 1: Don't you guys love old cartoons? Just thinking about them

541
00:28:31,760 --> 00:28:35,040
Speaker 1: and like the specifics of them, like freaking what do

542
00:28:35,080 --> 00:28:38,080
Speaker 1: you think was really in those scoopy snacks? Oh my god,

543
00:28:38,160 --> 00:28:39,760
Speaker 1: I think they're smoking reefer.

544
00:28:40,400 --> 00:28:45,560
Speaker 6: I like how like simple they are like just simp

545
00:28:46,200 --> 00:28:49,520
Speaker 6: but fucked up, but like, yeah, super fucked up.

546
00:28:49,560 --> 00:28:52,120
Speaker 1: Why does Gargamele hate the Smurfs? Like is he tripping

547
00:28:52,200 --> 00:28:53,520
Speaker 1: on shrooms?

548
00:28:53,960 --> 00:28:57,440
Speaker 6: It's like oppression, man, It's all oppression.

549
00:28:57,840 --> 00:29:00,880
Speaker 1: If you think about some of those cartoons, they're messed

550
00:29:00,960 --> 00:29:03,840
Speaker 1: up and kids were watching those. Yeah, I think that's

551
00:29:03,880 --> 00:29:05,040
Speaker 1: why I'm so twisted.

552
00:29:06,440 --> 00:29:10,160
Speaker 2: You know, they they don't even have Saturday morning cartoons anymore.

553
00:29:10,280 --> 00:29:12,480
Speaker 2: I just think that's so sad because you remember when

554
00:29:12,480 --> 00:29:16,400
Speaker 2: a kid used to wake up and eat, get a

555
00:29:16,440 --> 00:29:19,479
Speaker 2: bunch of bananas, like a like a big like a

556
00:29:19,520 --> 00:29:24,240
Speaker 2: big bunch, but still on the vine, and sit down

557
00:29:24,960 --> 00:29:28,280
Speaker 2: and watch all the different grape ape There was the

558
00:29:28,280 --> 00:29:33,200
Speaker 2: one about a shark. Chu, Yeah, there was I think

559
00:29:33,280 --> 00:29:34,440
Speaker 2: you're talking about Jump Joe right.

560
00:29:34,480 --> 00:29:36,920
Speaker 1: A mouse. There was the one with a mouse.

561
00:29:37,000 --> 00:29:39,960
Speaker 2: I know I didn't see that, No, not mighty mouse.

562
00:29:40,000 --> 00:29:41,880
Speaker 2: It was like I would know that was like a

563
00:29:42,720 --> 00:29:44,400
Speaker 2: not a strong mouse.

564
00:29:46,080 --> 00:29:48,600
Speaker 1: Weak, But did he have an ability of any kind?

565
00:29:49,960 --> 00:29:52,640
Speaker 1: Was he clever or fast? I don't even think he

566
00:29:52,680 --> 00:29:56,800
Speaker 1: could talk. Okay, so he's just hanging Yeah. Was he

567
00:29:56,840 --> 00:29:58,960
Speaker 1: the one who ate the cheese with the alcohol in

568
00:29:59,000 --> 00:30:05,040
Speaker 1: it and got drunk? You know what? I do remember that? Well, anyway,

569
00:30:05,600 --> 00:30:09,200
Speaker 1: back then, kids were really using their imaginations. And now

570
00:30:09,280 --> 00:30:12,800
Speaker 1: everyone gets a trophy, and these kids are going to

571
00:30:12,880 --> 00:30:15,520
Speaker 1: grow up to just be, you know, cogs in the

572
00:30:15,560 --> 00:30:20,600
Speaker 1: sort of Dilbert style machine of the American office industry. Yeah.

573
00:30:20,600 --> 00:30:24,440
Speaker 6: I mean they're already like using iPads and stuff. They're

574
00:30:24,480 --> 00:30:26,440
Speaker 6: already like halfway in that office.

575
00:30:27,440 --> 00:30:30,240
Speaker 2: It started with that, with that Delbert cartoon, I think

576
00:30:31,000 --> 00:30:33,360
Speaker 2: is what well, how they sort of snuck it into

577
00:30:33,400 --> 00:30:33,760
Speaker 2: these kids.

578
00:30:33,840 --> 00:30:36,360
Speaker 1: They made that a Saturday Morning cartoon and then they

579
00:30:36,400 --> 00:30:37,840
Speaker 1: phased out cartoons altogether.

580
00:30:38,280 --> 00:30:39,400
Speaker 6: Delbert, goddamn it.

581
00:30:40,640 --> 00:30:46,080
Speaker 8: Well, well, I don't want to bag on though, okay,

582
00:30:46,120 --> 00:30:50,680
Speaker 8: Scott or the concept, because I think he was trying

583
00:30:50,720 --> 00:30:53,720
Speaker 8: to shine a light on some of the hypocrisy and

584
00:30:54,280 --> 00:30:57,080
Speaker 8: funny things that were happening in the office, and I

585
00:30:57,120 --> 00:30:58,520
Speaker 8: think it got used.

586
00:30:58,280 --> 00:30:59,840
Speaker 1: In a negative way. Well, he has a lot of

587
00:31:00,000 --> 00:31:02,200
Speaker 1: interesting things to say about women. Actually, this is great

588
00:31:02,240 --> 00:31:03,920
Speaker 1: that you're here, Oh wow, Oh great?

589
00:31:03,960 --> 00:31:06,240
Speaker 2: Yeah, because he has these points that somebody has a blog,

590
00:31:06,880 --> 00:31:10,120
Speaker 2: and sometimes he'll talk about like, well, if you're if

591
00:31:10,160 --> 00:31:13,160
Speaker 2: you're trying to if you're giving women an advantage over men,

592
00:31:13,560 --> 00:31:15,080
Speaker 2: is that being equal?

593
00:31:15,920 --> 00:31:17,440
Speaker 1: But you know what I mean?

594
00:31:18,160 --> 00:31:21,200
Speaker 6: Or like help here you go, your weak woman?

595
00:31:21,480 --> 00:31:25,120
Speaker 1: Yes? Is that? Is that being equal? Or is it? Yes?

596
00:31:25,200 --> 00:31:26,240
Speaker 1: You don't need that stuff?

597
00:31:26,320 --> 00:31:27,520
Speaker 6: No, I don't need that.

598
00:31:27,640 --> 00:31:28,480
Speaker 1: You're not a baby.

599
00:31:28,600 --> 00:31:31,320
Speaker 6: I'll call that ship out, hardy.

600
00:31:32,120 --> 00:31:34,320
Speaker 7: What do you do a lot of times I just

601
00:31:34,400 --> 00:31:38,680
Speaker 7: I say, get the hell away from you, dick. Like

602
00:31:38,720 --> 00:31:41,080
Speaker 7: if a man tries to like help me out of

603
00:31:41,160 --> 00:31:43,400
Speaker 7: a car or something, sometimes I'll just kick him in

604
00:31:43,400 --> 00:31:43,880
Speaker 7: the nuts.

605
00:31:44,200 --> 00:31:44,720
Speaker 1: That's great.

606
00:31:44,760 --> 00:31:48,640
Speaker 2: I'm so glad to know that, actually, because sometimes, like

607
00:31:49,200 --> 00:31:52,240
Speaker 2: watching you get out of a car, sometimes I'm like,

608
00:31:52,480 --> 00:31:54,800
Speaker 2: I should I help what It takes a long time,

609
00:31:54,920 --> 00:31:55,680
Speaker 2: takes a while.

610
00:31:56,320 --> 00:31:58,360
Speaker 7: Okay, it takes a while for me to get out

611
00:31:58,360 --> 00:31:59,880
Speaker 7: of a car, But do not help me.

612
00:32:00,160 --> 00:32:01,800
Speaker 6: I got this on my own.

613
00:32:02,000 --> 00:32:04,080
Speaker 1: I think it's the way you sit where you sort

614
00:32:04,080 --> 00:32:07,160
Speaker 1: of get Indian style and then you weave the seatbelt

615
00:32:07,280 --> 00:32:11,040
Speaker 1: in through your sort of legs, and I think that

616
00:32:11,080 --> 00:32:12,840
Speaker 1: makes it quite a process to get out.

617
00:32:13,000 --> 00:32:15,400
Speaker 7: Hey, I'm still alive, right, and I get in car

618
00:32:15,480 --> 00:32:16,960
Speaker 7: crashes all the time.

619
00:32:17,400 --> 00:32:22,360
Speaker 1: Well great, I mean, because you're driving with.

620
00:32:22,160 --> 00:32:25,960
Speaker 7: My hands one on the wheel and one on one.

621
00:32:25,760 --> 00:32:27,760
Speaker 1: On the pedals. It's hard hard to.

622
00:32:27,680 --> 00:32:30,320
Speaker 6: See because if I'm Indians, I yeah, yeah.

623
00:32:31,600 --> 00:32:35,920
Speaker 1: Still so yeah, well that's fair. Fair to help me.

624
00:32:36,040 --> 00:32:38,840
Speaker 6: Thank you for the thought, but do not try to

625
00:32:38,840 --> 00:32:39,120
Speaker 6: help you.

626
00:32:39,200 --> 00:32:40,560
Speaker 1: And I haven't and I won't.

627
00:32:40,720 --> 00:32:45,400
Speaker 2: Yeah, are you going, Betsy to the for the Best

628
00:32:45,400 --> 00:32:47,560
Speaker 2: People of twenty fifteen? We hand off the scepter.

629
00:32:48,080 --> 00:32:50,720
Speaker 6: Well, I'll be there that whole thing. Okay, great, I'll

630
00:32:50,760 --> 00:32:50,959
Speaker 6: be there.

631
00:32:51,000 --> 00:32:54,120
Speaker 2: I remember being so scared one day when we were

632
00:32:54,480 --> 00:32:55,360
Speaker 2: on the other end.

633
00:32:55,920 --> 00:32:57,760
Speaker 1: Yes, and I thought, are they going to drop it

634
00:32:57,840 --> 00:32:59,200
Speaker 1: or try to hit me with it because they don't

635
00:32:59,200 --> 00:33:01,920
Speaker 1: want to give it up? Who handed you yours?

636
00:33:04,120 --> 00:33:08,240
Speaker 6: Mine was uh, you know that apparently kid.

637
00:33:11,400 --> 00:33:12,120
Speaker 2: He Jui.

638
00:33:14,400 --> 00:33:18,000
Speaker 6: He gave the sceptor his scept Oh.

639
00:33:17,680 --> 00:33:21,520
Speaker 1: Wow, Tree, Yeah it was Hay. Do you remember who

640
00:33:21,520 --> 00:33:22,800
Speaker 1: gave you? Emitt Smith?

641
00:33:23,080 --> 00:33:23,360
Speaker 6: Oh?

642
00:33:23,440 --> 00:33:26,760
Speaker 1: Yes, oh man. I don't think of him as Los Angeles,

643
00:33:26,760 --> 00:33:27,600
Speaker 1: but he is.

644
00:33:27,560 --> 00:33:31,560
Speaker 2: Or is like notable for twenty thirteen. Yeah, but he is,

645
00:33:31,720 --> 00:33:33,120
Speaker 2: you know, all time leading Russia.

646
00:33:33,200 --> 00:33:36,920
Speaker 1: He still had that yeah year, that title remains. Yeah.

647
00:33:37,000 --> 00:33:39,800
Speaker 1: I got mine from Sherry Stringfield if you remember er.

648
00:33:40,080 --> 00:33:42,120
Speaker 1: She was a nurse who had a bit of a

649
00:33:42,200 --> 00:33:44,800
Speaker 1: romantic involvement with Anthony Edwards character I think.

650
00:33:44,920 --> 00:33:48,920
Speaker 7: Okay, twenty thirteen, Yeah, kind of a slow year for LA.

651
00:33:49,640 --> 00:33:51,880
Speaker 1: Yes, it wound up being that they had to reach

652
00:33:51,880 --> 00:33:54,640
Speaker 1: pretty far a retro. Really, all that happened was the

653
00:33:54,680 --> 00:33:57,760
Speaker 1: apparently kid was on the rise and everybody else was

654
00:33:57,760 --> 00:33:58,960
Speaker 1: sort of a fading star.

655
00:34:00,080 --> 00:34:00,480
Speaker 6: Yeah.

656
00:34:00,960 --> 00:34:03,880
Speaker 2: Yeah, that's the deflet gate go.

657
00:34:05,040 --> 00:34:10,320
Speaker 6: What is So it's about football's being like keep going.

658
00:34:10,560 --> 00:34:12,080
Speaker 1: Yes, yes, you're in the right.

659
00:34:13,440 --> 00:34:16,279
Speaker 6: And I actually I talked about this last or I

660
00:34:16,320 --> 00:34:21,560
Speaker 6: heard about this last night. So the Patriots, right, Yeah,

661
00:34:22,080 --> 00:34:26,240
Speaker 6: defleating Balded that's helping them win or something.

662
00:34:26,400 --> 00:34:29,080
Speaker 2: Yeah, it doesn't have a that's a pretty hot take. Actually,

663
00:34:29,160 --> 00:34:31,320
Speaker 2: that's a much hotter take that I was expecting.

664
00:34:31,640 --> 00:34:33,880
Speaker 1: Yeah, I was sort of hoping that you wouldn't get

665
00:34:33,920 --> 00:34:34,760
Speaker 1: us in hot water.

666
00:34:36,239 --> 00:34:38,680
Speaker 6: Sorry, I had to get you in that hot Well

667
00:34:38,719 --> 00:34:40,440
Speaker 6: we knew when we got in that you didn't pull

668
00:34:40,480 --> 00:34:41,000
Speaker 6: your punches.

669
00:34:41,000 --> 00:34:43,080
Speaker 1: And we've been having this a lot lately with these

670
00:34:43,120 --> 00:34:43,840
Speaker 1: bold women.

671
00:34:44,280 --> 00:34:47,319
Speaker 2: Yes, we've had some very bold women, which we love,

672
00:34:47,440 --> 00:34:49,839
Speaker 2: by the way, Yes, yes, so you heard about this. Yes,

673
00:34:49,920 --> 00:34:52,759
Speaker 2: we did successfully get in a row with you. Uh

674
00:34:52,920 --> 00:34:55,439
Speaker 2: and and a lot of people are talking about it.

675
00:34:55,520 --> 00:35:01,879
Speaker 2: But and it's sort of a controversial thing that we did, Okay, but.

676
00:35:02,040 --> 00:35:04,520
Speaker 1: Well we don't really think of it that way because

677
00:35:04,520 --> 00:35:08,440
Speaker 1: we're just going, who's a great guest who freaks my

678
00:35:08,640 --> 00:35:11,239
Speaker 1: bean in terms of just like really juicing me up?

679
00:35:11,440 --> 00:35:11,640
Speaker 4: You know?

680
00:35:12,480 --> 00:35:17,799
Speaker 1: And I go, is that Croadies.

681
00:35:17,920 --> 00:35:20,960
Speaker 6: Breaks my bean and really deuces me out? Yeah?

682
00:35:21,040 --> 00:35:26,960
Speaker 1: And that's and it's just so happened the past three weeks.

683
00:35:26,960 --> 00:35:29,680
Speaker 1: To answer that question has been a woman, a female

684
00:35:29,960 --> 00:35:33,040
Speaker 1: comedian or actress. And that's fine.

685
00:35:33,320 --> 00:35:35,480
Speaker 6: Now, when you say comedian, do you add the E

686
00:35:35,680 --> 00:35:36,000
Speaker 6: N N E?

687
00:35:36,800 --> 00:35:38,600
Speaker 1: Is that something I mean?

688
00:35:39,320 --> 00:35:39,799
Speaker 6: Not to me?

689
00:35:40,280 --> 00:35:42,719
Speaker 1: I don't spell in my mind when I'm speaking. I

690
00:35:42,840 --> 00:35:44,160
Speaker 1: just shoot from the hip.

691
00:35:44,440 --> 00:35:48,080
Speaker 2: Okay, yes, I mean then an interesting question, Betsy, would

692
00:35:48,120 --> 00:35:52,280
Speaker 2: you say you are a comedian or a female comedian

693
00:35:53,280 --> 00:35:56,560
Speaker 2: or comedian something else or a comedian or something else

694
00:35:57,400 --> 00:35:58,800
Speaker 2: entirely a comedian?

695
00:35:58,960 --> 00:36:01,080
Speaker 1: Okay, and spell it?

696
00:36:02,040 --> 00:36:05,719
Speaker 6: C O E wait? Yeah, C O M E D

697
00:36:05,880 --> 00:36:06,279
Speaker 6: I A N.

698
00:36:06,719 --> 00:36:09,680
Speaker 1: I didn't know there was. I mean That's what I'm doing,

699
00:36:09,719 --> 00:36:10,200
Speaker 1: your model.

700
00:36:11,000 --> 00:36:13,759
Speaker 6: Thank you, you nailed it. Yes, you nailed it. That

701
00:36:13,840 --> 00:36:14,800
Speaker 6: was exactly.

702
00:36:16,600 --> 00:36:17,040
Speaker 4: Do a test.

703
00:36:17,719 --> 00:36:23,560
Speaker 1: Okay, yeah, well that's so of my Betsy. I'm noticing.

704
00:36:23,600 --> 00:36:25,600
Speaker 2: I just can't take my eyes off your key chain,

705
00:36:26,280 --> 00:36:31,160
Speaker 2: which is Marge. It's a baby Marge, and I'm just

706
00:36:31,800 --> 00:36:34,279
Speaker 2: thinking about there is the adult in the clan and

707
00:36:34,320 --> 00:36:40,080
Speaker 2: the decision to where were what were they out of Barts?

708
00:36:40,680 --> 00:36:42,960
Speaker 7: Oh, it was a thing where you like pick a

709
00:36:43,000 --> 00:36:45,919
Speaker 7: box and then whoever is in it, that's what you get.

710
00:36:46,200 --> 00:36:49,200
Speaker 1: Oh man, Okay, I'm sorry.

711
00:36:48,920 --> 00:36:50,920
Speaker 2: Because I would just think to have Bart on the

712
00:36:51,000 --> 00:36:53,279
Speaker 2: key chain. I don't know, it just seems like that

713
00:36:53,320 --> 00:36:54,560
Speaker 2: would be such a cool thing.

714
00:36:55,200 --> 00:36:56,160
Speaker 6: So you hate March.

715
00:36:56,440 --> 00:36:59,560
Speaker 1: No, I just like for no, March is fine.

716
00:36:59,680 --> 00:37:03,240
Speaker 9: You have Bart and she allows you care Bart without

717
00:37:03,280 --> 00:37:06,440
Speaker 9: March to exist, and so you need to have the

718
00:37:06,520 --> 00:37:10,359
Speaker 9: backdrop of March for Bart to just burst off the screen.

719
00:37:10,080 --> 00:37:13,719
Speaker 1: The way he does. But at the same time, if

720
00:37:13,760 --> 00:37:17,080
Speaker 1: I'm gonna single one out to be representing my keys

721
00:37:17,160 --> 00:37:21,080
Speaker 1: to everyone around the table, you're gonna want to go

722
00:37:21,160 --> 00:37:21,799
Speaker 1: with a Bar.

723
00:37:22,080 --> 00:37:24,440
Speaker 6: I would Okay, I'll just keep buying them until I

724
00:37:24,520 --> 00:37:25,120
Speaker 6: get a Bart.

725
00:37:25,640 --> 00:37:27,200
Speaker 1: Yeah, what's the where was the box?

726
00:37:28,400 --> 00:37:28,719
Speaker 7: Where was?

727
00:37:28,840 --> 00:37:29,000
Speaker 6: It?

728
00:37:29,040 --> 00:37:29,120
Speaker 4: Was?

729
00:37:29,239 --> 00:37:33,080
Speaker 7: Like, uh, from a weird store, you know, like a

730
00:37:33,160 --> 00:37:36,400
Speaker 7: store where where it's a lot of like kitschy stuff

731
00:37:36,400 --> 00:37:38,680
Speaker 7: where you're like, oh, this is kind of like bacon,

732
00:37:38,760 --> 00:37:42,040
Speaker 7: band aids and stuff where you're just like, why would

733
00:37:42,080 --> 00:37:43,040
Speaker 7: I ever use.

734
00:37:42,880 --> 00:37:43,880
Speaker 1: This funny store?

735
00:37:43,960 --> 00:37:46,160
Speaker 6: It's a funny store. Oh yeah, that's what I should

736
00:37:46,160 --> 00:37:49,080
Speaker 6: have said. Just it's a funny store. And it's like

737
00:37:49,120 --> 00:37:51,759
Speaker 6: these little mystery boxes and then you pick and and.

738
00:37:51,800 --> 00:37:53,759
Speaker 1: Was that the only thing inside? And did you know

739
00:37:54,040 --> 00:37:54,560
Speaker 1: the only thing?

740
00:37:54,719 --> 00:37:56,719
Speaker 7: Okay, I knew it was a key chain because I

741
00:37:56,760 --> 00:37:59,759
Speaker 7: needed a keychaine because I lost my keys and I

742
00:37:59,800 --> 00:38:00,160
Speaker 7: need that.

743
00:38:00,200 --> 00:38:03,520
Speaker 1: Had the keychain in the chain summoned the keys back

744
00:38:03,560 --> 00:38:03,759
Speaker 1: to you?

745
00:38:04,200 --> 00:38:04,520
Speaker 2: Yes?

746
00:38:04,680 --> 00:38:08,919
Speaker 1: Yeah, no, I have you lost your keys away? There's

747
00:38:08,920 --> 00:38:12,879
Speaker 1: no chain and I'm personifying the keys, and that's it's

748
00:38:12,920 --> 00:38:14,680
Speaker 1: just a sort of humor technique.

749
00:38:14,960 --> 00:38:18,440
Speaker 7: I mean, that should be a Pixar movie. Oh a

750
00:38:19,239 --> 00:38:25,560
Speaker 7: personified you really really sassy key And well.

751
00:38:25,400 --> 00:38:27,640
Speaker 1: What if they're what if it's the seventies swing and

752
00:38:27,840 --> 00:38:29,759
Speaker 1: the chains are in a bowl and they're friends with

753
00:38:29,840 --> 00:38:34,480
Speaker 1: the chain off the key party and they're all in

754
00:38:34,520 --> 00:38:37,640
Speaker 1: the bowl and then they go home with different owners,

755
00:38:37,760 --> 00:38:39,560
Speaker 1: you know, and they go like they miss their dad

756
00:38:39,680 --> 00:38:40,120
Speaker 1: or whatever.

757
00:38:40,600 --> 00:38:45,200
Speaker 2: Key party off the chain and the key part of okay, yes, hey,

758
00:38:45,239 --> 00:38:46,520
Speaker 2: this is a full pitch.

759
00:38:46,640 --> 00:38:49,480
Speaker 6: Sure we go, let's go to Disney right now. I

760
00:38:49,520 --> 00:38:51,640
Speaker 6: could make some calls.

761
00:38:51,480 --> 00:38:53,960
Speaker 1: The quality of the key parties. I don't know. It's

762
00:38:54,000 --> 00:38:57,600
Speaker 1: going way downhill. It's going way downhill. I think it's

763
00:38:57,600 --> 00:38:59,200
Speaker 1: not the ice storm anymore. You know.

764
00:39:00,360 --> 00:39:03,799
Speaker 2: Part of it is like you like the Tesla keys,

765
00:39:03,840 --> 00:39:05,880
Speaker 2: say Tesla on them, and so if I see that

766
00:39:05,960 --> 00:39:10,200
Speaker 2: in the bowl, I want to go home with whoever

767
00:39:10,280 --> 00:39:12,799
Speaker 2: owns that key, you know.

768
00:39:12,960 --> 00:39:15,960
Speaker 1: And well you know who it is, right, I mean,

769
00:39:16,000 --> 00:39:19,160
Speaker 1: you know who pulled up in what And people kind

770
00:39:19,160 --> 00:39:22,439
Speaker 1: of are cheating by putting the name of the car

771
00:39:22,480 --> 00:39:25,960
Speaker 1: on the key. It's not random at that point. Now

772
00:39:25,960 --> 00:39:29,080
Speaker 1: what we should do is get a something that's not

773
00:39:29,160 --> 00:39:31,759
Speaker 1: translucent or that you can't see what you're reaching into.

774
00:39:31,760 --> 00:39:36,400
Speaker 1: A secret box that is excitement. A secret box. Was

775
00:39:36,440 --> 00:39:37,799
Speaker 1: there any of those at the Funny Store?

776
00:39:38,440 --> 00:39:38,640
Speaker 9: Ah?

777
00:39:38,760 --> 00:39:40,600
Speaker 1: Yeah, yeah, that's how you got the keys?

778
00:39:41,040 --> 00:39:42,680
Speaker 6: What you get out of them?

779
00:39:43,120 --> 00:39:45,360
Speaker 1: Were they selling that? I mean, you know, were they.

780
00:39:45,239 --> 00:39:46,200
Speaker 6: Selling a secret box?

781
00:39:46,600 --> 00:39:46,839
Speaker 1: Yeah?

782
00:39:46,880 --> 00:39:49,280
Speaker 7: But it and in the end it was just tissues

783
00:39:49,320 --> 00:39:52,720
Speaker 7: that came out like it was this huge elaborate box

784
00:39:53,040 --> 00:39:56,120
Speaker 7: and then tissues, which I guess is funny.

785
00:39:56,280 --> 00:39:58,520
Speaker 2: Well it's from the Funny Store, so yeah, I would

786
00:39:58,560 --> 00:39:59,320
Speaker 2: say it's funny.

787
00:39:59,360 --> 00:40:01,759
Speaker 1: Yeah, you know what I am cracking up about that?

788
00:40:02,280 --> 00:40:03,400
Speaker 6: Yeah?

789
00:40:03,520 --> 00:40:08,080
Speaker 1: Yeah, that's busting me up. And that's great. It's taking

790
00:40:08,080 --> 00:40:10,760
Speaker 1: me so long to find the Popcorn Gallery song. Yeah,

791
00:40:10,800 --> 00:40:11,760
Speaker 1: well it's hard.

792
00:40:12,080 --> 00:40:15,880
Speaker 2: Just figure to do something. Come up with a long

793
00:40:16,440 --> 00:40:20,120
Speaker 2: game while I find this song. A long game, Yeah,

794
00:40:20,120 --> 00:40:21,719
Speaker 2: Sean is going to play a long game with you,

795
00:40:21,760 --> 00:40:24,680
Speaker 2: and I'm going to find a song to play for

796
00:40:24,680 --> 00:40:27,280
Speaker 2: for a segment we'll do after that. Great, And Brett,

797
00:40:27,280 --> 00:40:29,839
Speaker 2: while that's going on, you passed me the sound cable place.

798
00:40:29,880 --> 00:40:32,640
Speaker 1: I had thought about us just catching up a little bit.

799
00:40:32,800 --> 00:40:35,880
Speaker 1: But you want to do a long game, Well, Brett,

800
00:40:35,920 --> 00:40:39,000
Speaker 1: can you name some comedy bang bang games? People seem

801
00:40:39,040 --> 00:40:39,640
Speaker 1: to love those.

802
00:40:40,200 --> 00:40:42,279
Speaker 2: You have to speak louder because you're up from the mic.

803
00:40:42,640 --> 00:40:45,120
Speaker 2: We've done riddled me this, We've done it, We've done that,

804
00:40:45,280 --> 00:40:46,080
Speaker 2: We've done it.

805
00:40:47,680 --> 00:40:49,960
Speaker 1: Freestyle rap Okay, what's this?

806
00:40:50,520 --> 00:40:50,680
Speaker 3: Oh?

807
00:40:51,320 --> 00:40:52,080
Speaker 1: What is that?

808
00:40:52,080 --> 00:40:55,640
Speaker 5: That's where I play a backing beat and then you

809
00:40:55,680 --> 00:41:00,200
Speaker 5: guys all take turns freestyling over it.

810
00:41:01,680 --> 00:41:02,759
Speaker 1: Do we want to try that?

811
00:41:02,880 --> 00:41:03,000
Speaker 8: Hay?

812
00:41:04,040 --> 00:41:05,919
Speaker 2: We're just trying to figure out because you know this show,

813
00:41:06,000 --> 00:41:07,919
Speaker 2: people like the show comedy Bang Bang.

814
00:41:08,280 --> 00:41:12,719
Speaker 1: Everyone's listening to it, everybody, and it's and we're trying

815
00:41:12,760 --> 00:41:15,160
Speaker 1: to figure out why what the thing is that people

816
00:41:15,239 --> 00:41:18,720
Speaker 1: it is because we feel like we're doing as much

817
00:41:19,040 --> 00:41:21,640
Speaker 1: or more than they are in a lot of instances,

818
00:41:22,360 --> 00:41:27,279
Speaker 1: and people are not hearing our show. So at this

819
00:41:27,280 --> 00:41:29,240
Speaker 1: point we go, well, what's the missing ingredient?

820
00:41:29,320 --> 00:41:29,640
Speaker 6: Yeah?

821
00:41:29,800 --> 00:41:31,280
Speaker 1: Is it one of those games?

822
00:41:31,680 --> 00:41:32,200
Speaker 6: Probably?

823
00:41:32,640 --> 00:41:35,600
Speaker 1: Yeah? Is it the freestyle one? Do we think hayes, Yeah,

824
00:41:35,640 --> 00:41:36,359
Speaker 1: we could try it?

825
00:41:36,440 --> 00:41:39,040
Speaker 6: Okay, okay, yeah, that's freestyle.

826
00:41:39,160 --> 00:41:41,480
Speaker 1: Really you have a rap song, right, you go?

827
00:41:41,760 --> 00:41:42,040
Speaker 4: Yeah?

828
00:41:42,080 --> 00:41:44,440
Speaker 1: Okay? Who's going to go first? Are we not allowed

829
00:41:44,440 --> 00:41:44,759
Speaker 1: to say it?

830
00:41:44,800 --> 00:41:44,920
Speaker 4: Like?

831
00:41:45,040 --> 00:41:47,000
Speaker 2: Do they decide that what if people just start doing

832
00:41:47,200 --> 00:41:49,440
Speaker 2: done it before? What if people to start doing it

833
00:41:49,480 --> 00:41:50,160
Speaker 2: at the same time?

834
00:41:51,200 --> 00:41:51,560
Speaker 6: Idiots?

835
00:41:51,600 --> 00:41:53,120
Speaker 1: It just seems like that would be an issue on

836
00:41:53,160 --> 00:41:57,000
Speaker 1: the show. But it's gonna be too sort of dry

837
00:41:57,040 --> 00:41:59,319
Speaker 1: and predictable if we say who's going first? I think

838
00:41:59,360 --> 00:42:00,400
Speaker 1: we should just feel it.

839
00:42:00,880 --> 00:42:03,120
Speaker 2: I will say I don't if nobody goes.

840
00:42:03,360 --> 00:42:05,280
Speaker 6: I don't want to look or sound dumb.

841
00:42:05,640 --> 00:42:10,640
Speaker 1: Right, No, okay, No, that's death in this business. That's

842
00:42:10,719 --> 00:42:12,040
Speaker 1: absolutely Yeah.

843
00:42:12,160 --> 00:42:17,120
Speaker 6: I don't want to look like a weirdo ever. In

844
00:42:17,160 --> 00:42:18,919
Speaker 6: the world of comedy.

845
00:42:18,560 --> 00:42:22,560
Speaker 1: Please, no looking cool it's about being.

846
00:42:22,840 --> 00:42:26,200
Speaker 2: Slick, yes, so how do they avoid that with this show?

847
00:42:26,280 --> 00:42:27,360
Speaker 6: But that's really funny.

848
00:42:27,400 --> 00:42:30,600
Speaker 2: How does Scott Ackerman still look so cool while playing

849
00:42:30,600 --> 00:42:30,960
Speaker 2: this game?

850
00:42:31,000 --> 00:42:33,560
Speaker 1: That's why John hamm is always on these comedy podcasts

851
00:42:33,600 --> 00:42:37,160
Speaker 1: because he's so funny, because he's so sort of debonair.

852
00:42:37,400 --> 00:42:42,600
Speaker 6: Yeah, and he's Madman is a funny show that cracks.

853
00:42:42,280 --> 00:42:44,880
Speaker 1: Me up because the clothes are so funny.

854
00:42:44,920 --> 00:42:48,480
Speaker 6: They're really funny closed, they're really funny close and.

855
00:42:48,719 --> 00:42:50,000
Speaker 1: Like they fit nicely.

856
00:42:50,480 --> 00:42:57,920
Speaker 6: Yeah, and that's so funny to be like, what fit godny?

857
00:42:58,280 --> 00:42:59,880
Speaker 1: Do you want to play?

858
00:43:00,320 --> 00:43:01,879
Speaker 4: Okay, you see the game?

859
00:43:01,960 --> 00:43:03,680
Speaker 1: I'm just saying do you want to play? Or yeah?

860
00:43:04,040 --> 00:43:06,000
Speaker 4: Scott usually says.

861
00:43:05,800 --> 00:43:06,640
Speaker 1: Why don't you do it?

862
00:43:06,680 --> 00:43:10,080
Speaker 2: Brett show us how to do it once the clip

863
00:43:10,080 --> 00:43:12,239
Speaker 2: and then hear the big expert on the game.

864
00:43:12,239 --> 00:43:13,759
Speaker 1: I would like to hear you do it once and

865
00:43:13,800 --> 00:43:16,279
Speaker 1: then just then we'll know and we'll edit that out,

866
00:43:16,360 --> 00:43:18,239
Speaker 1: but just so we get an example of what would

867
00:43:18,280 --> 00:43:22,680
Speaker 1: sound like, yeah, and look less queasy please than you do. Yeah.

868
00:43:22,920 --> 00:43:41,000
Speaker 10: Okay, we just said, oh yeah.

869
00:43:36,640 --> 00:43:41,280
Speaker 5: Okay, my name is Engineer bro I'm here to say

870
00:43:41,800 --> 00:43:46,560
Speaker 5: I'm engineering in a major way. Scott always starts that

871
00:43:46,600 --> 00:43:47,960
Speaker 5: way his show.

872
00:43:48,080 --> 00:43:48,759
Speaker 1: That's how it does.

873
00:43:49,000 --> 00:43:52,600
Speaker 2: Really part of it is huge, and that happens on

874
00:43:52,640 --> 00:43:53,200
Speaker 2: the his show.

875
00:43:53,600 --> 00:43:55,200
Speaker 4: That's how he always doesn't.

876
00:43:57,360 --> 00:43:59,880
Speaker 5: And I'm here to say, wait, I wants to be

877
00:44:00,160 --> 00:44:02,480
Speaker 5: My name is Wrapping Brett, and I'm here to say

878
00:44:02,760 --> 00:44:05,560
Speaker 5: I'm ready to engineer this Hollywood hand.

879
00:44:07,040 --> 00:44:09,880
Speaker 1: Is it supposed to rhyme? Does it rhyme? Or what happens?

880
00:44:10,000 --> 00:44:12,080
Speaker 4: The cool thing these days is not rhyme?

881
00:44:12,080 --> 00:44:16,440
Speaker 1: I think, Yeah, that's happened with poetry as well. Yes,

882
00:44:16,560 --> 00:44:18,760
Speaker 1: that started to happen with poetry lately.

883
00:44:18,960 --> 00:44:20,799
Speaker 2: Yeah, you guys, is that really?

884
00:44:20,840 --> 00:44:24,960
Speaker 1: People like that? People enjoy listening to that? What do

885
00:44:25,040 --> 00:44:25,879
Speaker 1: we do?

886
00:44:25,920 --> 00:44:26,319
Speaker 4: We do?

887
00:44:26,960 --> 00:44:29,680
Speaker 6: So my name is and I'm here to say.

888
00:44:29,560 --> 00:44:31,319
Speaker 1: You're gonna Are you willing to do that? I don't

889
00:44:31,320 --> 00:44:31,879
Speaker 1: think I can.

890
00:44:32,280 --> 00:44:33,080
Speaker 6: I don't What do you.

891
00:44:33,080 --> 00:44:37,200
Speaker 2: Think to imagine myself doing what Brett just did?

892
00:44:37,760 --> 00:44:42,480
Speaker 1: Uh? Well, And Brett was attached to the beat, I mean,

893
00:44:42,480 --> 00:44:44,919
Speaker 1: he was sutured to it. I don't know that I'd

894
00:44:44,920 --> 00:44:51,480
Speaker 1: be able to find it like that. I guess if

895
00:44:51,520 --> 00:44:53,239
Speaker 1: we all go at the same time, maybe none of

896
00:44:53,320 --> 00:44:55,439
Speaker 1: us will feel Okay, that's.

897
00:44:54,880 --> 00:44:57,040
Speaker 6: Good, that's good, okay, okay.

898
00:44:57,719 --> 00:45:00,000
Speaker 2: Huh my name is Hey?

899
00:45:00,080 --> 00:45:00,600
Speaker 1: His name.

900
00:45:02,480 --> 00:45:07,719
Speaker 2: Show on a Saturday to watch a kid. I like

901
00:45:07,840 --> 00:45:13,120
Speaker 2: the part where but into the jungle and one's name

902
00:45:13,160 --> 00:45:14,680
Speaker 2: is and I forget.

903
00:45:14,320 --> 00:45:25,279
Speaker 1: The the other have to go he's a big and MAS

904
00:45:27,719 --> 00:45:30,439
Speaker 1: have to go to the bathroom a little more than

905
00:45:30,520 --> 00:45:36,480
Speaker 1: I like. Mine's over. Well, hopefully that will result in

906
00:45:36,560 --> 00:45:40,920
Speaker 1: some big listens. It would be no less confusing to

907
00:45:40,960 --> 00:45:42,440
Speaker 1: me than what's already happening.

908
00:45:43,520 --> 00:45:47,640
Speaker 2: Now, let's do the thing that we like to do.

909
00:45:47,960 --> 00:45:52,399
Speaker 2: And when you give me the sound cable, then the

910
00:45:52,440 --> 00:45:54,960
Speaker 2: sound for my computer should be turned up. And so

911
00:45:55,080 --> 00:45:57,800
Speaker 2: now the results you hear the result of what happens instead,

912
00:45:57,840 --> 00:46:01,480
Speaker 2: which is the song was already playing the beginning of

913
00:46:01,520 --> 00:46:05,040
Speaker 2: the silent Do you understand? Do you hear what just

914
00:46:05,080 --> 00:46:08,240
Speaker 2: happened there is the beginning of the song was silent,

915
00:46:08,440 --> 00:46:11,120
Speaker 2: And so when you come in, it's already halfway into

916
00:46:11,120 --> 00:46:14,200
Speaker 2: the song, right right? Do you want to hear the

917
00:46:14,280 --> 00:46:18,160
Speaker 2: whole song? And so part of the signal And I

918
00:46:18,200 --> 00:46:18,759
Speaker 2: can say it.

919
00:46:18,680 --> 00:46:21,120
Speaker 1: It's Betsy who suffers because I actually know the song.

920
00:46:21,280 --> 00:46:25,080
Speaker 2: Yes, Betsy's never curious Betsy's never heard the song, so

921
00:46:25,120 --> 00:46:27,560
Speaker 2: now she's now she has to enter this segment. I'm

922
00:46:27,560 --> 00:46:29,319
Speaker 2: not going to play the beginning. She has to enter

923
00:46:29,400 --> 00:46:32,440
Speaker 2: the segment, and you don't know what to do.

924
00:46:32,560 --> 00:46:33,680
Speaker 6: I don't know what to do.

925
00:46:33,719 --> 00:46:35,160
Speaker 1: We're in the middle of this segment. Well, it's like

926
00:46:35,200 --> 00:46:37,520
Speaker 1: the beginning costs of block of her basically because it's

927
00:46:37,560 --> 00:46:39,440
Speaker 1: like the lights are out and it's at night and

928
00:46:39,480 --> 00:46:41,279
Speaker 1: she's operating completely in the dark.

929
00:46:42,880 --> 00:46:45,440
Speaker 6: I don't want to look or sound like an idiot.

930
00:46:46,800 --> 00:46:48,279
Speaker 1: Well, that dangerous. That's death.

931
00:46:48,719 --> 00:46:48,919
Speaker 6: Yeah.

932
00:46:49,239 --> 00:46:53,120
Speaker 1: In the comedy world, it's I can't do it. Let's

933
00:46:53,120 --> 00:46:56,040
Speaker 1: reach into the popcorn bag. Yes, is super funny, you

934
00:46:56,080 --> 00:46:58,040
Speaker 1: know what I mean? Just to think of an example,

935
00:46:58,160 --> 00:47:01,920
Speaker 1: like the people who I find really funny after you Willard. Okay,

936
00:47:02,120 --> 00:47:06,359
Speaker 1: that's funny because he's edgy, he's cool, he's punk rock,

937
00:47:06,440 --> 00:47:09,640
Speaker 1: he's in good shape, he's been working out. Yeah, and

938
00:47:09,680 --> 00:47:15,040
Speaker 1: I feel like that brings comedy up to the fucking

939
00:47:15,600 --> 00:47:18,799
Speaker 1: in your face level where you can really laugh and

940
00:47:18,840 --> 00:47:21,120
Speaker 1: be like, holy shit, I want to have a beer

941
00:47:21,200 --> 00:47:22,000
Speaker 1: with this dude.

942
00:47:23,640 --> 00:47:26,480
Speaker 2: Let's I'll explain to Betsy what the segment isn't while

943
00:47:26,520 --> 00:47:30,400
Speaker 2: you play the sound drop for the popcorn melik funny.

944
00:47:30,480 --> 00:47:33,800
Speaker 6: Yes, yes, yeah, really funny.

945
00:47:33,880 --> 00:47:42,800
Speaker 1: So let's reach into the bag now, Alix Portman, Yeah, questions,

946
00:47:43,440 --> 00:47:47,320
Speaker 1: it's easy. We'll ask you a question. It's from listen

947
00:47:48,200 --> 00:47:51,400
Speaker 1: and it's a question for you. Okay, is that okay?

948
00:47:52,160 --> 00:47:52,480
Speaker 4: Okay?

949
00:47:52,560 --> 00:47:56,600
Speaker 1: Oh it's uh Katie Higel. Well that's another really funny

950
00:47:56,640 --> 00:48:01,280
Speaker 1: person who happens to be have a sort of sheen

951
00:48:01,440 --> 00:48:05,839
Speaker 1: on them. Oh yeah, don't you think on her skin?

952
00:48:06,440 --> 00:48:10,440
Speaker 1: M Yeah, I am people who glow are funny.

953
00:48:12,040 --> 00:48:15,880
Speaker 6: This question is like Elizabeth Taylor, she was funny.

954
00:48:16,880 --> 00:48:21,840
Speaker 1: I'm losing my ship, cracking up. I'm busting up, laughing

955
00:48:21,880 --> 00:48:24,840
Speaker 1: my whole frigging butt off, like the entire thing, because

956
00:48:25,680 --> 00:48:28,839
Speaker 1: it's gone gone, It's gone gone. How I'm gonna sit down?

957
00:48:29,080 --> 00:48:30,680
Speaker 1: I mean, that's the question you have to ask because

958
00:48:30,719 --> 00:48:34,000
Speaker 1: I And it's and ironically, because I never want to

959
00:48:34,040 --> 00:48:39,120
Speaker 1: look stupid or like a goof. And you've mentioned this, Betsy.

960
00:48:39,239 --> 00:48:41,360
Speaker 1: It's hard because in order for me to enjoy a

961
00:48:41,400 --> 00:48:45,759
Speaker 1: lot of comedians I like Elizabeth Taylor at all, I

962
00:48:45,840 --> 00:48:47,719
Speaker 1: do have to look pretty silly because it's gonna make

963
00:48:47,760 --> 00:48:50,840
Speaker 1: me bust up laugh so hard that I do, Yes,

964
00:48:50,920 --> 00:48:52,680
Speaker 1: that I do have to show up with no butt?

965
00:48:53,400 --> 00:48:56,800
Speaker 6: Yeah, and you try to sit with them butt what.

966
00:48:57,280 --> 00:48:58,120
Speaker 1: You fall off your chair?

967
00:48:58,360 --> 00:49:01,319
Speaker 2: That's exactly kind of Hey, it's like a bottomless pit.

968
00:49:03,120 --> 00:49:06,600
Speaker 1: Mortdecai is funny.

969
00:49:07,320 --> 00:49:09,040
Speaker 2: This question is from I already started to say this

970
00:49:09,120 --> 00:49:11,759
Speaker 2: question is from but I'll say this question is from

971
00:49:12,080 --> 00:49:19,040
Speaker 2: Spunky foonerism uh and he says, Spuds mackenzie, where's the beef?

972
00:49:19,840 --> 00:49:24,280
Speaker 2: Crying Native American man? What are these sentences have in common?

973
00:49:24,680 --> 00:49:28,640
Speaker 2: They're all references and you're already laughing. Yeah, that'sy. We

974
00:49:28,719 --> 00:49:31,880
Speaker 2: aspiring comedians want to know what is the funniest reference?

975
00:49:32,680 --> 00:49:35,360
Speaker 6: Oh, either Spuds mackenzie, where's the beef?

976
00:49:35,440 --> 00:49:38,799
Speaker 1: Or I don't know. I don't think it's a choice, though.

977
00:49:38,960 --> 00:49:41,200
Speaker 1: I don't think it's a multiple choice. Yeah, I think

978
00:49:41,239 --> 00:49:45,120
Speaker 1: it's I think it's from a professional comedian. I think

979
00:49:45,120 --> 00:49:47,399
Speaker 1: you would like you in fact, they say something. These

980
00:49:47,400 --> 00:49:50,160
Speaker 1: are the references. He knows, and he knows he's not

981
00:49:50,239 --> 00:49:54,440
Speaker 1: doing great. Who's this from? Again, Spunky? He's not doing great?

982
00:49:54,640 --> 00:49:59,640
Speaker 6: Okay? I think a really great reference is nine to eleven.

983
00:50:01,920 --> 00:50:03,799
Speaker 2: Yes, because everyone knows about that.

984
00:50:03,880 --> 00:50:06,040
Speaker 6: Everybody knows about it.

985
00:50:06,040 --> 00:50:09,120
Speaker 1: It's just and it's just about It's not really about

986
00:50:09,120 --> 00:50:11,840
Speaker 1: the content of the reference or what it makes you

987
00:50:11,880 --> 00:50:16,840
Speaker 1: think of. It's just do you recognize that it's qcore.

988
00:50:17,200 --> 00:50:20,439
Speaker 6: What are your references? Like, what's your number one?

989
00:50:21,080 --> 00:50:23,600
Speaker 1: Hmmm? Mine's like being a baby.

990
00:50:23,880 --> 00:50:25,160
Speaker 6: Oh that's funny.

991
00:50:25,960 --> 00:50:30,520
Speaker 2: Yeah, just like talking about like not even the experience

992
00:50:30,560 --> 00:50:32,399
Speaker 2: of it, but just like that we all were one,

993
00:50:33,160 --> 00:50:34,320
Speaker 2: just like calling back to that.

994
00:50:34,680 --> 00:50:36,480
Speaker 1: Yeah, something to do that we share.

995
00:50:36,840 --> 00:50:38,040
Speaker 6: Yeah, that's good.

996
00:50:38,200 --> 00:50:39,760
Speaker 1: I'm probably eggs or dogs.

997
00:50:41,480 --> 00:50:45,160
Speaker 2: Everybody, even if they don't eat eggs, they have to

998
00:50:45,200 --> 00:50:47,640
Speaker 2: see them. They definitely know about what's up.

999
00:50:47,840 --> 00:50:50,640
Speaker 1: Yeah, And they might not think they eat eggs because

1000
00:50:50,640 --> 00:50:53,200
Speaker 1: maybe they don't order an omelet for breakfast, but there's

1001
00:50:53,239 --> 00:50:54,120
Speaker 1: eggs in pins.

1002
00:50:53,840 --> 00:50:56,680
Speaker 6: There's eggs in everything, like pecakes.

1003
00:50:56,760 --> 00:50:59,520
Speaker 1: Yeah, so no matter what you had, you go, oh,

1004
00:50:59,560 --> 00:51:01,719
Speaker 1: I don't need it. I don't get eggs. And it's like, well,

1005
00:51:01,800 --> 00:51:04,960
Speaker 1: yes you do, ye and that, and so that reference

1006
00:51:05,000 --> 00:51:09,600
Speaker 1: has layers to it. Mm hmm. I must be a

1007
00:51:09,600 --> 00:51:13,280
Speaker 1: way to combine all of those things and like eggs, dogs,

1008
00:51:13,280 --> 00:51:16,319
Speaker 1: being a baby nine to eleven. Yeah, no, that's a

1009
00:51:16,360 --> 00:51:18,160
Speaker 1: hit show and like a way that's funny.

1010
00:51:18,440 --> 00:51:20,359
Speaker 6: Yeah, I'd watch that show.

1011
00:51:20,400 --> 00:51:22,640
Speaker 1: I guess if it's dogs eating eggs off a baby's

1012
00:51:22,680 --> 00:51:25,600
Speaker 1: stomach the morning of nine to eleven. That's the opening

1013
00:51:25,600 --> 00:51:28,520
Speaker 1: to your pilot or whatever. Oh great, I'm tuning in.

1014
00:51:28,680 --> 00:51:29,440
Speaker 6: Yeah, I'll watch that.

1015
00:51:29,680 --> 00:51:33,280
Speaker 2: Or they're all forced to if like an egg, a dog,

1016
00:51:33,400 --> 00:51:35,759
Speaker 2: a baby in nine to eleven, we're all kind of

1017
00:51:35,760 --> 00:51:36,560
Speaker 2: like forced to live.

1018
00:51:36,600 --> 00:51:37,840
Speaker 1: They're stuck in an elevator.

1019
00:51:37,920 --> 00:51:42,160
Speaker 6: And I would love to watch that show twelve seasons

1020
00:51:42,160 --> 00:51:45,360
Speaker 6: of those four things getting stuck in an elevator. That

1021
00:51:45,480 --> 00:51:46,560
Speaker 6: sounds fantastic.

1022
00:51:46,719 --> 00:51:48,040
Speaker 1: Or what if they have to move back in with

1023
00:51:48,080 --> 00:51:48,840
Speaker 1: their parents?

1024
00:51:48,960 --> 00:51:50,400
Speaker 6: Oh no, it's a basement.

1025
00:51:51,160 --> 00:51:53,760
Speaker 1: How would that that's actually normal? How would that go? Betsy?

1026
00:51:53,840 --> 00:51:56,799
Speaker 1: What's just like? What do we open on? Well?

1027
00:51:56,880 --> 00:51:57,440
Speaker 6: Boy?

1028
00:51:57,480 --> 00:52:00,879
Speaker 7: Well, uh, first of alline eleven.

1029
00:52:00,680 --> 00:52:04,239
Speaker 6: Is just a mess. Fade in, we fade in, And

1030
00:52:04,440 --> 00:52:09,440
Speaker 6: nine to eleven has just destroyed the kitchen. Come boy

1031
00:52:09,680 --> 00:52:12,920
Speaker 6: trying to make a cake for mom and dad's anniversary.

1032
00:52:13,800 --> 00:52:15,560
Speaker 6: But nine eleven.

1033
00:52:15,880 --> 00:52:18,040
Speaker 2: Sounds like a good opportunity for eggs.

1034
00:52:20,000 --> 00:52:23,520
Speaker 6: Naturally, and and nine eleven of course wants to use eggs,

1035
00:52:23,520 --> 00:52:25,600
Speaker 6: and eggs is like, no, i'm your.

1036
00:52:25,520 --> 00:52:32,800
Speaker 1: Friend, that's my girlfriend. Yeah that's cool, Yeah, that's cool.

1037
00:52:33,120 --> 00:52:35,439
Speaker 1: I wonder if even dog is like eating the cake

1038
00:52:35,560 --> 00:52:36,960
Speaker 1: batter or it's done.

1039
00:52:37,160 --> 00:52:40,399
Speaker 6: Yeah, I think dog is definitely eating it. And then

1040
00:52:40,520 --> 00:52:41,359
Speaker 6: baby is just.

1041
00:52:41,440 --> 00:52:43,800
Speaker 1: Crying being a baby.

1042
00:52:43,520 --> 00:52:45,200
Speaker 6: Baby, Yeah, baby, it's just being a baby.

1043
00:52:45,840 --> 00:52:47,320
Speaker 1: The concept of being a big.

1044
00:52:48,080 --> 00:52:51,160
Speaker 6: The concept of being a baby is.

1045
00:52:51,160 --> 00:52:55,840
Speaker 1: Like probably what's the girl on the nerd show? Oh?

1046
00:52:56,080 --> 00:53:01,120
Speaker 2: Yes, yeah, teaching them how to be Yes, kyliek what's.

1047
00:53:01,560 --> 00:53:05,799
Speaker 6: Oh Kyleie cuckoo? Yeah yeah, yeah, yeah she's good.

1048
00:53:06,600 --> 00:53:11,359
Speaker 1: Josh, yeah she's blown up. Now the wedding Reader, oh man, yeah,

1049
00:53:11,520 --> 00:53:13,279
Speaker 1: let's reach into the bag. What a play on the

1050
00:53:13,320 --> 00:53:15,640
Speaker 1: wedding Singer. They made a comedy out of the Wedding

1051
00:53:15,760 --> 00:53:18,320
Speaker 1: Singer and they changed the name. Cool to make a

1052
00:53:18,400 --> 00:53:20,759
Speaker 1: play because like you think of the Wedding Singer, that

1053
00:53:20,760 --> 00:53:23,440
Speaker 1: classic wedding movie, but they're doing a comedic twist on it,

1054
00:53:23,520 --> 00:53:27,440
Speaker 1: the Wedding Ring. But they're otherwise connected.

1055
00:53:27,600 --> 00:53:31,080
Speaker 2: A lot of people think that those movies are related

1056
00:53:31,080 --> 00:53:33,440
Speaker 2: in some way, like they share share characters or anything

1057
00:53:33,480 --> 00:53:33,680
Speaker 2: like that.

1058
00:53:34,239 --> 00:53:38,480
Speaker 1: No, they're they're it's totally different but interesting. Yes, to

1059
00:53:38,560 --> 00:53:41,960
Speaker 1: do a play on a more serious movie, yeah, comedic,

1060
00:53:42,040 --> 00:53:46,800
Speaker 1: and you do it twist. I've been trying to say,

1061
00:53:47,040 --> 00:53:49,680
Speaker 1: do a question. Yeah, you know what I've been interrupting

1062
00:53:49,680 --> 00:53:51,480
Speaker 1: you all day. From now on, I'm letting the show

1063
00:53:51,600 --> 00:53:53,520
Speaker 1: and it's funny. It is fun, and I'm letting the show.

1064
00:53:53,560 --> 00:53:55,239
Speaker 1: Come to the stuff that you're doing is good. But

1065
00:53:55,400 --> 00:53:57,719
Speaker 1: just like I don't know how it is. We have

1066
00:53:57,800 --> 00:53:59,560
Speaker 1: to hit these we have to hit these points.

1067
00:53:59,560 --> 00:54:02,920
Speaker 2: We got them, Yeah, we gotta. And so when I say,

1068
00:54:03,080 --> 00:54:05,200
Speaker 2: like fire lit under the when I say let's reach

1069
00:54:05,239 --> 00:54:06,879
Speaker 2: into the bag, and then, well do we.

1070
00:54:06,840 --> 00:54:09,320
Speaker 1: Have I mean, do we want to have a safe word,

1071
00:54:09,360 --> 00:54:12,719
Speaker 1: a key phrase, some kind of symbol, you give me anything.

1072
00:54:13,640 --> 00:54:17,239
Speaker 2: I guess the safe word should be let's reach into

1073
00:54:17,239 --> 00:54:20,000
Speaker 2: the bag, because that means I want you to let's

1074
00:54:20,040 --> 00:54:21,799
Speaker 2: reach into the bag. I don't know why I would

1075
00:54:21,840 --> 00:54:24,360
Speaker 2: have to use code. I think it's very clear.

1076
00:54:29,200 --> 00:54:31,400
Speaker 1: It's dacks oh, dex Shepard.

1077
00:54:32,239 --> 00:54:39,160
Speaker 2: This question is from Ray joel Ms, Sedaro Monsters University.

1078
00:54:39,200 --> 00:54:42,480
Speaker 2: Why would you teach them? And this is an interesting

1079
00:54:42,760 --> 00:54:47,439
Speaker 2: question because like it just seems like you should be

1080
00:54:48,760 --> 00:54:50,960
Speaker 2: imprisoning them or some monsters.

1081
00:54:51,080 --> 00:54:52,719
Speaker 6: Yeah, why would you teach monsters?

1082
00:54:54,320 --> 00:54:57,439
Speaker 7: I mean but in that world, in that world, man,

1083
00:54:58,080 --> 00:55:00,200
Speaker 7: they need mons. Uh.

1084
00:55:00,880 --> 00:55:08,839
Speaker 6: Oh God, put that.

1085
00:55:08,760 --> 00:55:09,879
Speaker 1: Down, Betsy, you put that down.

1086
00:55:10,840 --> 00:55:12,880
Speaker 6: I can't I can't do that.

1087
00:55:12,960 --> 00:55:18,960
Speaker 11: Oh God, break gut it on of her hands. Okay, Okay,

1088
00:55:19,160 --> 00:55:24,000
Speaker 11: she put her whole hand in her mouth. Okay, I

1089
00:55:24,040 --> 00:55:25,720
Speaker 11: would you got But what was scary?

1090
00:55:30,080 --> 00:55:31,719
Speaker 1: Put your hand in her mouth, that's one thing. But

1091
00:55:31,760 --> 00:55:35,120
Speaker 1: what was in her hand? That's what scared me. That

1092
00:55:35,280 --> 00:55:39,520
Speaker 1: was like scarier than monsters? University, What were you thinking

1093
00:55:39,520 --> 00:55:40,280
Speaker 1: about monsters?

1094
00:55:40,760 --> 00:55:44,440
Speaker 7: Yeah, scared of which one?

1095
00:55:44,960 --> 00:55:45,359
Speaker 1: Which one?

1096
00:55:45,400 --> 00:55:48,520
Speaker 2: Specifically? If you can, if this is okay to ask when.

1097
00:55:48,840 --> 00:55:50,880
Speaker 1: You try to say it slowly so it doesn't scare

1098
00:55:50,920 --> 00:55:51,920
Speaker 1: me right out of my seat.

1099
00:55:52,360 --> 00:56:02,080
Speaker 7: Mine is a monster that's like a bride.

1100
00:56:00,280 --> 00:56:02,120
Speaker 1: Supposed to be such a supposed to be such a

1101
00:56:02,160 --> 00:56:04,520
Speaker 1: happy thing. Is it a bridezilla?

1102
00:56:05,600 --> 00:56:09,520
Speaker 6: Yeah, a giant lizard that's just like a bride.

1103
00:56:10,640 --> 00:56:13,160
Speaker 1: Okay, I know I would never make this because I

1104
00:56:13,160 --> 00:56:16,239
Speaker 1: don't like this stuff, But Bridezilla of Frankingstein? Is that

1105
00:56:16,320 --> 00:56:21,440
Speaker 1: a thing? Is that an area? And we're coming up

1106
00:56:21,440 --> 00:56:22,840
Speaker 1: with some pretty good ideas for movies.

1107
00:56:24,360 --> 00:56:25,600
Speaker 6: We got a lot of pictures.

1108
00:56:25,680 --> 00:56:27,800
Speaker 7: We're writing them down right, and then we're heading to

1109
00:56:28,000 --> 00:56:29,279
Speaker 7: the networks.

1110
00:56:30,760 --> 00:56:33,120
Speaker 1: Networks are dying, the models are changing.

1111
00:56:33,600 --> 00:56:38,600
Speaker 2: It's all and this is what actually, Yes, thank you, Betsy,

1112
00:56:38,760 --> 00:56:42,399
Speaker 2: Can you talk about the new way that we watch

1113
00:56:42,480 --> 00:56:42,839
Speaker 2: these things.

1114
00:56:42,840 --> 00:56:52,160
Speaker 1: And what about with phones? And yeah, wait, what is

1115
00:56:52,200 --> 00:56:55,560
Speaker 1: your computer gonna be in your phone? Like they already

1116
00:56:55,640 --> 00:56:56,400
Speaker 1: in our phone?

1117
00:56:56,480 --> 00:56:59,120
Speaker 2: Man, Our computers are moving into our phones.

1118
00:56:59,200 --> 00:57:02,080
Speaker 7: Yes, get our phones are getting a little bigger. Our

1119
00:57:02,120 --> 00:57:05,439
Speaker 7: computers are getting a little smaller. And then you're gonna

1120
00:57:05,480 --> 00:57:08,880
Speaker 7: be able to watch anything you want on your phone

1121
00:57:09,000 --> 00:57:13,560
Speaker 7: at any time. Ever you can't. There's no more tuning in.

1122
00:57:14,880 --> 00:57:15,719
Speaker 1: No more tuning in.

1123
00:57:15,880 --> 00:57:18,520
Speaker 6: Yeah, I think it's exciting, right.

1124
00:57:18,640 --> 00:57:20,400
Speaker 1: Well, I hope they figure out the back end on

1125
00:57:20,440 --> 00:57:21,000
Speaker 1: that stuff.

1126
00:57:21,160 --> 00:57:24,920
Speaker 6: Oh yeah, that's the scariest part. How we gotta get paid.

1127
00:57:25,680 --> 00:57:28,040
Speaker 1: You do a good thing that I appreciate.

1128
00:57:28,080 --> 00:57:32,479
Speaker 2: When I watch you on my phone, you are sort

1129
00:57:32,480 --> 00:57:34,400
Speaker 2: of like playing as if you're trying to get out

1130
00:57:34,440 --> 00:57:35,040
Speaker 2: of the phone.

1131
00:57:35,560 --> 00:57:40,120
Speaker 7: That's everything I book. I try to get.

1132
00:57:39,920 --> 00:57:43,960
Speaker 2: Out yeah phone, because a lot of people, when I'm

1133
00:57:43,960 --> 00:57:45,640
Speaker 2: watching them on my phone, it's like they don't know

1134
00:57:45,680 --> 00:57:46,760
Speaker 2: they're inside a phone.

1135
00:57:46,840 --> 00:57:50,440
Speaker 6: Yeah, idiots, but you ere.

1136
00:57:50,360 --> 00:57:53,080
Speaker 1: I assume on set you're clawing at the camera. Oh yeah,

1137
00:57:53,600 --> 00:57:54,680
Speaker 1: this phone.

1138
00:57:54,720 --> 00:57:56,919
Speaker 7: Now, then let me get me out of this phone.

1139
00:57:56,960 --> 00:57:59,760
Speaker 7: I get yelled at all the time for it. But

1140
00:58:00,080 --> 00:58:03,440
Speaker 7: it's like, hey, we're in a phone. I'm not gonna

1141
00:58:03,520 --> 00:58:07,560
Speaker 7: like bullshit and lie to the audience.

1142
00:58:07,760 --> 00:58:10,640
Speaker 1: It's truth, and it's truth in the truth.

1143
00:58:11,240 --> 00:58:11,840
Speaker 6: It's truth.

1144
00:58:11,880 --> 00:58:14,760
Speaker 1: And if you remember My Pet Monster, which is a

1145
00:58:14,960 --> 00:58:17,959
Speaker 1: movie I saw when I was little, I think where

1146
00:58:18,040 --> 00:58:21,960
Speaker 1: I believe that in the movie, he watched the movie

1147
00:58:22,000 --> 00:58:24,600
Speaker 1: and the monster came out of the screen, and the

1148
00:58:24,720 --> 00:58:26,560
Speaker 1: entire time you're watching it, you're wondering if the monster

1149
00:58:26,600 --> 00:58:29,560
Speaker 1: will come out of your screen as well. I think

1150
00:58:29,600 --> 00:58:33,280
Speaker 1: that kind of what you're doing is a modern update

1151
00:58:33,320 --> 00:58:35,400
Speaker 1: of that. Or instead of coming out of the TV screen,

1152
00:58:35,400 --> 00:58:37,640
Speaker 1: you're coming out of the phone, and people wonder, am

1153
00:58:37,720 --> 00:58:40,360
Speaker 1: I gonna get to then keep Betsy.

1154
00:58:40,120 --> 00:58:43,320
Speaker 2: I try to let you out. Did you that's destroyed

1155
00:58:43,360 --> 00:58:45,520
Speaker 2: a lot of special a lot of phones.

1156
00:58:45,760 --> 00:58:48,800
Speaker 6: Yeah. Thanks, you're so scared. It's horrifying.

1157
00:58:49,320 --> 00:58:51,480
Speaker 1: Oh so you really do feel like you're in a phone.

1158
00:58:51,640 --> 00:58:55,760
Speaker 7: I'm an actor, Yes, of course I feel it. I'm

1159
00:58:55,800 --> 00:58:57,600
Speaker 7: in the moment of being in a phone.

1160
00:58:59,400 --> 00:59:04,360
Speaker 1: That's Britain, baby that I love those.

1161
00:59:04,240 --> 00:59:08,400
Speaker 2: That's a very good reference, like Rocky.

1162
00:59:07,480 --> 00:59:10,280
Speaker 6: Like the Little Clay Bass. I loved the ship out

1163
00:59:10,320 --> 00:59:11,080
Speaker 6: of those commercials.

1164
00:59:11,080 --> 00:59:11,400
Speaker 1: Those guys.

1165
00:59:11,960 --> 00:59:12,720
Speaker 6: That's a good reference.

1166
00:59:12,800 --> 00:59:14,280
Speaker 1: Yeah, that'd all be in that apartment.

1167
00:59:14,400 --> 00:59:18,280
Speaker 7: That's a reference. Uh that reference way better than nine

1168
00:59:18,280 --> 00:59:23,600
Speaker 7: to eleven. Baby is sad, it's sad, but hey, the

1169
00:59:23,680 --> 00:59:25,200
Speaker 7: bristuff was like funny.

1170
00:59:25,240 --> 00:59:28,320
Speaker 1: I don't know, because it makes me think of like

1171
00:59:28,320 --> 00:59:33,600
Speaker 1: like tailspin or like or like launchpad m quack or something,

1172
00:59:33,640 --> 00:59:37,200
Speaker 1: you know, like crashing plates, you know. And I just

1173
00:59:37,400 --> 00:59:39,840
Speaker 1: love like the cartoons from when we were kids, like

1174
00:59:39,960 --> 00:59:43,880
Speaker 1: Disney Afternoon, like Gummy Berry Juice. It feels like it

1175
00:59:43,960 --> 00:59:45,920
Speaker 1: was a cocaine.

1176
00:59:46,160 --> 00:59:48,040
Speaker 6: Right, jumping all over the place.

1177
00:59:48,160 --> 00:59:52,000
Speaker 7: Now, Yeah, when I do cocaine, all I do is jump.

1178
00:59:53,120 --> 00:59:56,320
Speaker 1: You have to. Yeah, I'm bouncing off my rear end

1179
00:59:56,480 --> 00:59:59,959
Speaker 1: and I haven't left it off. I dunk, you dunk

1180
01:00:00,040 --> 01:00:04,120
Speaker 1: a bunch. Yeah, I do a lot of dunking. That's funny.

1181
01:00:04,120 --> 01:00:05,600
Speaker 1: You'd be good at sports. Mm hmm.

1182
01:00:06,880 --> 01:00:08,600
Speaker 2: Let's reach into the bag and I give you a

1183
01:00:08,680 --> 01:00:13,240
Speaker 2: nice little pause there. So now we just in the show.

1184
01:00:13,320 --> 01:00:32,840
Speaker 1: Come to me. It's fucking Cooglarissa from the Kelodion show.

1185
01:00:33,000 --> 01:00:36,680
Speaker 1: What oh great a reference? Oh what a great? And

1186
01:00:36,760 --> 01:00:40,400
Speaker 1: I do really like, oh yeah, oh well great, Yeah

1187
01:00:40,480 --> 01:00:43,760
Speaker 1: it's sucking that just one step beyond the most obvious

1188
01:00:43,840 --> 01:00:46,000
Speaker 1: name in the title and suddenly you know you're dealing

1189
01:00:46,040 --> 01:00:47,360
Speaker 1: with an actual joke.

1190
01:00:48,640 --> 01:00:51,800
Speaker 2: This is another question from Spunky poonerism should get different,

1191
01:00:52,000 --> 01:00:53,680
Speaker 2: should get different people different questions?

1192
01:00:53,720 --> 01:00:56,440
Speaker 1: Oh yeah, this is a double dip. Yeah, but at

1193
01:00:56,480 --> 01:00:59,320
Speaker 1: the same time, we got to reward the people who

1194
01:00:59,400 --> 01:01:03,840
Speaker 1: ask the good, good questions. And I just realized I

1195
01:01:03,880 --> 01:01:08,200
Speaker 1: was going into a little bit of a and is

1196
01:01:08,240 --> 01:01:09,160
Speaker 1: that a good record?

1197
01:01:09,200 --> 01:01:10,840
Speaker 6: Well, and it will be.

1198
01:01:11,640 --> 01:01:13,040
Speaker 1: This is something that.

1199
01:01:14,480 --> 01:01:17,200
Speaker 2: I like to talk about actually, because when Amy and

1200
01:01:17,240 --> 01:01:21,240
Speaker 2: Tina did that voice, I mean, is that what's is?

1201
01:01:21,360 --> 01:01:22,200
Speaker 1: It's blackface?

1202
01:01:22,280 --> 01:01:22,440
Speaker 2: Right?

1203
01:01:22,640 --> 01:01:25,000
Speaker 1: What's the difference is that it? What do you speak

1204
01:01:25,040 --> 01:01:25,280
Speaker 1: on that?

1205
01:01:25,280 --> 01:01:27,120
Speaker 6: Betsy?

1206
01:01:27,200 --> 01:01:27,360
Speaker 2: Yeah?

1207
01:01:27,400 --> 01:01:29,000
Speaker 1: Could you spearhead this one? You have a lot of

1208
01:01:29,040 --> 01:01:29,919
Speaker 1: opinions on it.

1209
01:01:30,760 --> 01:01:32,160
Speaker 11: I didn't.

1210
01:01:32,400 --> 01:01:36,880
Speaker 6: I don't say I didn't think it was like blackface?

1211
01:01:37,280 --> 01:01:39,240
Speaker 1: Hmmmmm. That's a pretty hot take.

1212
01:01:40,080 --> 01:01:44,120
Speaker 6: So you think I'm getting nervous.

1213
01:01:44,200 --> 01:01:50,120
Speaker 2: That pretending to be a black person as a white person.

1214
01:01:50,600 --> 01:01:54,240
Speaker 1: Is Like, is you think it is cool? Is that

1215
01:01:54,320 --> 01:01:55,360
Speaker 1: the word you would use?

1216
01:01:58,400 --> 01:02:00,280
Speaker 2: We like to bring us on to talk about this stuff,

1217
01:02:00,320 --> 01:02:02,440
Speaker 2: to help us figure out how we feel about it.

1218
01:02:02,520 --> 01:02:04,760
Speaker 1: Well, because Billy Crystal does Sammy Davis when he hosts

1219
01:02:04,760 --> 01:02:08,800
Speaker 1: the Hostars and Golden Globes and they're doing Bill Cosby

1220
01:02:08,840 --> 01:02:12,200
Speaker 1: and so you know one we gotta do the same thing.

1221
01:02:15,120 --> 01:02:17,439
Speaker 1: And in their defense, I'll say this, he talks like that.

1222
01:02:18,320 --> 01:02:22,920
Speaker 1: Betsy wanted this. Sorry, Betsy started, I'm sorry, Betsy. I

1223
01:02:22,920 --> 01:02:24,680
Speaker 1: promised to let the show come to me. You're the

1224
01:02:24,680 --> 01:02:27,680
Speaker 1: star of the show. Right now, you were starting to deliver.

1225
01:02:28,920 --> 01:02:30,080
Speaker 2: I was starting to deliver.

1226
01:02:30,400 --> 01:02:33,840
Speaker 6: Just a big breath of the bottomer. I don't know.

1227
01:02:36,320 --> 01:02:40,560
Speaker 1: That interesting. That's an interesting take, Betsy. Thank you for

1228
01:02:40,600 --> 01:02:44,000
Speaker 1: bringing that up, the spunky, because that did make me

1229
01:02:44,080 --> 01:02:46,280
Speaker 1: really think about some of it, and I decide I

1230
01:02:46,320 --> 01:02:49,720
Speaker 1: am offended. Spunky Foonerism is like listening at home.

1231
01:02:49,600 --> 01:02:57,240
Speaker 2: And be like question, question, geez, give me a break, spunky.

1232
01:02:57,560 --> 01:03:01,080
Speaker 2: Dear Betsy, some people feel that sound engineers are dumb

1233
01:03:01,160 --> 01:03:02,880
Speaker 2: and bad. Can you speak on that?

1234
01:03:04,960 --> 01:03:05,680
Speaker 1: Some people?

1235
01:03:05,720 --> 01:03:08,120
Speaker 2: He said, Brett, some people do feel that way. Brett,

1236
01:03:08,160 --> 01:03:10,240
Speaker 2: you can't deny that some people speak on it. She

1237
01:03:10,280 --> 01:03:12,439
Speaker 2: hasn't let us down once. She's had a hot take

1238
01:03:12,480 --> 01:03:16,200
Speaker 2: on every single thing we brought up. She's hitting it

1239
01:03:16,200 --> 01:03:17,920
Speaker 2: out of the park. Why don't you let her speak

1240
01:03:17,960 --> 01:03:20,760
Speaker 2: before you chime in and say stupid. It is good

1241
01:03:20,760 --> 01:03:24,320
Speaker 2: that you're looking at Brett when you're about to do this,

1242
01:03:25,760 --> 01:03:27,560
Speaker 2: to help make your decision, I find that it does

1243
01:03:27,600 --> 01:03:29,960
Speaker 2: help a lot to take a quick look over at Brett,

1244
01:03:30,360 --> 01:03:31,080
Speaker 2: you know, I.

1245
01:03:31,080 --> 01:03:34,560
Speaker 6: Mean, without them, this wouldn't be a thing.

1246
01:03:37,640 --> 01:03:40,400
Speaker 2: And I agree it is funny Brett that that is

1247
01:03:40,400 --> 01:03:43,360
Speaker 2: a funny joke for her to say, because we've tried

1248
01:03:43,400 --> 01:03:47,200
Speaker 2: many times. We have actually swapped places with Brett just

1249
01:03:47,200 --> 01:03:49,160
Speaker 2: to see what was like going on back there, and

1250
01:03:49,200 --> 01:03:50,800
Speaker 2: we try to see if he could host the show.

1251
01:03:51,200 --> 01:03:53,160
Speaker 2: It turned out that he could not host the show.

1252
01:03:53,800 --> 01:03:57,760
Speaker 2: And what like what's back there is basically like a

1253
01:03:57,960 --> 01:04:01,360
Speaker 2: set from like a like a like a very bad

1254
01:04:01,400 --> 01:04:06,280
Speaker 2: school play. There's there's a board that's like.

1255
01:04:06,360 --> 01:04:07,840
Speaker 1: I think it's a cardboard box.

1256
01:04:07,920 --> 01:04:10,880
Speaker 2: Yes, it's like an old like it's an old fat xbox.

1257
01:04:10,920 --> 01:04:15,600
Speaker 2: And it says it painted sound on it, which fooled

1258
01:04:15,640 --> 01:04:16,400
Speaker 2: me for a second.

1259
01:04:17,000 --> 01:04:20,120
Speaker 1: But and then levers that are frozen in place, mm hmm,

1260
01:04:20,880 --> 01:04:22,960
Speaker 1: and a plus and a minus and they're in the

1261
01:04:23,000 --> 01:04:28,919
Speaker 1: wrong areas and U and some numbers really crazy numbers, Yes,

1262
01:04:29,160 --> 01:04:31,360
Speaker 1: someone who doesn't appear to have a concept of what

1263
01:04:31,560 --> 01:04:35,960
Speaker 1: order they're supposed to be really what a number is? Yes,

1264
01:04:36,040 --> 01:04:39,840
Speaker 1: because some of them are not are not the numerical

1265
01:04:40,040 --> 01:04:42,760
Speaker 1: designs that we are familiar with. Yeah, it looks like

1266
01:04:42,800 --> 01:04:49,920
Speaker 1: the kind of script that there's letters, Yeah, yes, so

1267
01:04:49,920 --> 01:04:54,040
Speaker 1: so friends stuff. It was a funny joke take. So

1268
01:04:54,120 --> 01:04:56,120
Speaker 1: that was a funny hot take. And you had a

1269
01:04:56,160 --> 01:04:58,520
Speaker 1: couple of serious takes on blackface and stuff like that,

1270
01:04:58,600 --> 01:05:01,000
Speaker 1: and then you've had a joke take as well. So

1271
01:05:01,120 --> 01:05:05,880
Speaker 1: it is a cool, uh variety world that we've gotten

1272
01:05:05,920 --> 01:05:08,280
Speaker 1: to dig into. Let's get one more question out of

1273
01:05:08,320 --> 01:05:10,800
Speaker 1: the bag. Okay, I'll see if I can find one. Even,

1274
01:05:10,960 --> 01:05:25,600
Speaker 1: let me play the drop getting sucked into the bag.

1275
01:05:31,160 --> 01:05:39,400
Speaker 1: I'm in another world. I don't recognize anything. D learned

1276
01:05:39,520 --> 01:05:45,040
Speaker 1: and gentlemen in the corner round and it's a boxing match.

1277
01:05:45,040 --> 01:05:46,120
Speaker 1: I'm in a boxing match.

1278
01:05:48,880 --> 01:05:51,440
Speaker 6: In the corner is Amy and Tina.

1279
01:05:52,720 --> 01:06:01,000
Speaker 1: In the other corner, hailing from Betsy. It's fighting Amy

1280
01:06:01,040 --> 01:06:06,520
Speaker 1: and Tina does she does? She look mad about something

1281
01:06:06,560 --> 01:06:09,480
Speaker 1: they did? Heyes? Are you asking the sound drop a

1282
01:06:09,560 --> 01:06:10,360
Speaker 1: question right now?

1283
01:06:11,120 --> 01:06:13,800
Speaker 2: I'm sorry it was such an immersive world.

1284
01:06:14,320 --> 01:06:17,240
Speaker 1: I really apologize for that. I was there. I actually

1285
01:06:17,280 --> 01:06:20,240
Speaker 1: felt like I was there. Mark went above and beyond.

1286
01:06:20,400 --> 01:06:23,040
Speaker 2: Yeah, that's that good old stuff that we used to

1287
01:06:23,840 --> 01:06:24,760
Speaker 2: that we used to get.

1288
01:06:24,880 --> 01:06:27,120
Speaker 1: You know, that's a good sound. Yeah, not just a

1289
01:06:27,200 --> 01:06:30,040
Speaker 1: lazy reference. We actually take you on an adventure with it.

1290
01:06:30,120 --> 01:06:31,360
Speaker 1: I loved when he used to do that.

1291
01:06:31,400 --> 01:06:33,680
Speaker 2: I'm glad we did four. We usually only do three.

1292
01:06:33,720 --> 01:06:34,960
Speaker 1: I don't know why you would say that one for

1293
01:06:35,000 --> 01:06:35,600
Speaker 1: the fourth one.

1294
01:06:35,720 --> 01:06:35,880
Speaker 6: Yeah.

1295
01:06:35,880 --> 01:06:37,480
Speaker 1: I almost wish that was the first one and then

1296
01:06:37,480 --> 01:06:39,680
Speaker 1: we could find out more about this parallel world he

1297
01:06:39,760 --> 01:06:40,280
Speaker 1: went into.

1298
01:06:41,560 --> 01:06:43,200
Speaker 2: But this is gonna be the last one. It's from

1299
01:06:43,280 --> 01:06:49,000
Speaker 2: Ran Ran, who is a woman wearing okay, nice, right,

1300
01:06:50,240 --> 01:06:54,600
Speaker 2: And so the question is, Betsy, what's your favorite BuzzFeed quiz?

1301
01:06:54,640 --> 01:06:56,160
Speaker 1: And what result did you get?

1302
01:06:57,800 --> 01:07:00,640
Speaker 2: I don't do those, but what's your favorite one?

1303
01:07:01,000 --> 01:07:04,760
Speaker 7: Probably anything having to do with food? What kind of

1304
01:07:04,760 --> 01:07:05,400
Speaker 7: food are you?

1305
01:07:05,960 --> 01:07:06,560
Speaker 1: Okay?

1306
01:07:06,760 --> 01:07:09,120
Speaker 6: Right, Yeah, I'd like to say I'm pizza.

1307
01:07:09,880 --> 01:07:12,800
Speaker 1: Oh yeah. But you don't get to say, oh yeah,

1308
01:07:13,680 --> 01:07:16,040
Speaker 1: quiz you can kind of you can kind of tell

1309
01:07:16,040 --> 01:07:18,640
Speaker 1: from the questions sometimes what result you'll guess.

1310
01:07:18,480 --> 01:07:20,880
Speaker 6: Oh yeah, yeah absolutely, And.

1311
01:07:20,840 --> 01:07:23,919
Speaker 1: So like do you have cheese on you? This question

1312
01:07:23,960 --> 01:07:24,840
Speaker 1: would be like, yeah, I do you.

1313
01:07:24,920 --> 01:07:28,760
Speaker 6: Do you want pepperoni on you? And so then you

1314
01:07:28,800 --> 01:07:30,800
Speaker 6: would say yes, and then I'd say absolutely.

1315
01:07:30,840 --> 01:07:33,040
Speaker 1: Is there a Hawaiian version of you? That kind of

1316
01:07:33,040 --> 01:07:35,000
Speaker 1: freaky kind of freaks, people's bead.

1317
01:07:35,760 --> 01:07:38,520
Speaker 6: Freaks, people's bed to make them juice up.

1318
01:07:41,000 --> 01:07:43,080
Speaker 1: And so did you end up getting pizza or did

1319
01:07:43,080 --> 01:07:49,680
Speaker 1: you get something else? You did get pizza, Yeah, yeah, pizza.

1320
01:07:49,200 --> 01:07:53,520
Speaker 2: Any specific kind or just regular pizza pepperoni, because you

1321
01:07:53,520 --> 01:07:54,680
Speaker 2: did say you want to pepper.

1322
01:07:54,560 --> 01:07:55,640
Speaker 6: I said I wanted pepperoni.

1323
01:07:56,480 --> 01:07:59,440
Speaker 1: Was the quiz just what kind of pizza are you?

1324
01:07:59,480 --> 01:08:00,800
Speaker 6: Maybe that that?

1325
01:08:01,640 --> 01:08:01,840
Speaker 1: Yeah?

1326
01:08:02,120 --> 01:08:05,040
Speaker 6: Yeah, it's like are you cheese? Are you pepperoni?

1327
01:08:05,240 --> 01:08:08,200
Speaker 1: Here's a cool question. Here's a cool question they should

1328
01:08:08,200 --> 01:08:10,640
Speaker 1: have had. Does the Ninja Turtles eat you?

1329
01:08:11,320 --> 01:08:11,520
Speaker 6: Now?

1330
01:08:11,680 --> 01:08:13,440
Speaker 1: That's a reference.

1331
01:08:13,080 --> 01:08:15,120
Speaker 6: Right, that's a good one.

1332
01:08:15,600 --> 01:08:19,000
Speaker 1: And then to take the formula, you go one step

1333
01:08:19,040 --> 01:08:22,960
Speaker 1: beyond and just mentioned like bebop oh you know what

1334
01:08:22,960 --> 01:08:24,680
Speaker 1: I mean, because everybody knows the main four turtles. Do

1335
01:08:24,680 --> 01:08:27,120
Speaker 1: you go bebomb a rock steady? Now you're doing an

1336
01:08:27,120 --> 01:08:27,800
Speaker 1: actual joke.

1337
01:08:28,120 --> 01:08:32,679
Speaker 6: Yeah, taking at that next level. I had just one lay.

1338
01:08:34,560 --> 01:08:36,719
Speaker 1: Wait, you had an action figure.

1339
01:08:38,280 --> 01:08:40,640
Speaker 6: I had like all the digit turtle stuff.

1340
01:08:41,960 --> 01:08:45,559
Speaker 1: To listen to this. Forgive me if this is out

1341
01:08:45,560 --> 01:08:47,320
Speaker 1: a band, I don't want Yeah, I don't want to

1342
01:08:47,360 --> 01:08:49,479
Speaker 1: cross the line. I think you're thinking the same thing.

1343
01:08:49,760 --> 01:08:53,600
Speaker 2: It sounds like you're at least at one point in

1344
01:08:53,640 --> 01:08:56,000
Speaker 2: your life or something of a merit.

1345
01:08:57,600 --> 01:08:58,040
Speaker 1: I mean, are we?

1346
01:08:58,760 --> 01:09:00,400
Speaker 6: I mean I was just stupid a kid.

1347
01:09:01,479 --> 01:09:04,160
Speaker 1: Stupid kid, Betsy. You don't have to get the fet here.

1348
01:09:04,160 --> 01:09:05,000
Speaker 1: You don't know, Bessy.

1349
01:09:05,320 --> 01:09:07,240
Speaker 2: I know, and a lot of other podcasts, and a

1350
01:09:07,280 --> 01:09:09,040
Speaker 2: lot of other podcasts you would have to get very

1351
01:09:09,080 --> 01:09:10,040
Speaker 2: upset about being called.

1352
01:09:10,120 --> 01:09:13,000
Speaker 1: Look, we all, we all hear these other podcasts where

1353
01:09:13,040 --> 01:09:15,280
Speaker 1: people have to hide and disguise the fact that they

1354
01:09:15,360 --> 01:09:16,360
Speaker 1: grew up as Nerds.

1355
01:09:17,400 --> 01:09:19,960
Speaker 2: But here, but here, it's okay. We actually think Nerds

1356
01:09:20,000 --> 01:09:20,360
Speaker 2: is cool.

1357
01:09:20,560 --> 01:09:22,559
Speaker 6: Yes, you guys think Nerds is cool.

1358
01:09:22,560 --> 01:09:24,360
Speaker 1: I think Nerds is cool. And we think Nerds is

1359
01:09:24,400 --> 01:09:27,480
Speaker 1: in charge now. And the bullies are pumping our gas

1360
01:09:27,520 --> 01:09:30,920
Speaker 1: and they're all got fat after finishing playing sports.

1361
01:09:30,520 --> 01:09:34,800
Speaker 2: And we like, yeah, yes, all the bullies got knocked

1362
01:09:34,880 --> 01:09:35,320
Speaker 2: up by.

1363
01:09:35,160 --> 01:09:39,839
Speaker 1: The fat pumping our gas. Yeah, and that is pregnant

1364
01:09:39,880 --> 01:09:46,280
Speaker 1: bulliest bullies and trying to punch their own stomach. Yeah,

1365
01:09:46,320 --> 01:09:49,479
Speaker 1: And I feel bad for their kids. And Nerds really.

1366
01:09:50,280 --> 01:09:53,080
Speaker 6: Is the boss now we should pitch that.

1367
01:09:54,880 --> 01:09:57,960
Speaker 1: Is that an area that maybe Hollywood could get excited about.

1368
01:09:58,080 --> 01:10:02,160
Speaker 7: I think like Nerds taking over? Hm uh huh yeah,

1369
01:10:02,439 --> 01:10:05,600
Speaker 7: I think so. And bullying like getting rid of bullies.

1370
01:10:06,600 --> 01:10:09,080
Speaker 1: And nerding being a nerd and nerding out is really

1371
01:10:09,160 --> 01:10:11,719
Speaker 1: just being a fan, isn't it.

1372
01:10:12,920 --> 01:10:14,360
Speaker 6: Just liking something all?

1373
01:10:14,520 --> 01:10:17,480
Speaker 1: Yes, yes, it's it's okay to like something again.

1374
01:10:17,640 --> 01:10:24,200
Speaker 7: Right, Yeah, it's fine world to like something again, Okay,

1375
01:10:24,520 --> 01:10:26,679
Speaker 7: even if maybe in middle school people are like, that's

1376
01:10:26,720 --> 01:10:27,719
Speaker 7: not fucking cool.

1377
01:10:27,840 --> 01:10:31,439
Speaker 6: Who cares? Be yourself like something again?

1378
01:10:31,720 --> 01:10:32,720
Speaker 1: Like what was that for you?

1379
01:10:34,200 --> 01:10:35,439
Speaker 2: Uh?

1380
01:10:36,120 --> 01:10:38,320
Speaker 7: I feel a lot of stuff. I gave up a

1381
01:10:38,320 --> 01:10:40,120
Speaker 7: lot of stuff in middle school, try to be cool.

1382
01:10:41,200 --> 01:10:44,400
Speaker 1: You know, pizza, pizza.

1383
01:10:45,560 --> 01:10:47,200
Speaker 6: I stopped eating pizza.

1384
01:10:47,040 --> 01:10:49,880
Speaker 1: Because people would that's cool.

1385
01:10:50,160 --> 01:10:52,000
Speaker 6: Yeah, it's the digit turtles you lose.

1386
01:10:52,720 --> 01:10:55,479
Speaker 1: And that's a comic and that's a cartoon and that's

1387
01:10:55,479 --> 01:10:58,920
Speaker 1: not for grown ups. Yeah, it's actually is cool. And

1388
01:10:58,960 --> 01:11:01,559
Speaker 1: when people would were like, no one's allowed to eat

1389
01:11:01,600 --> 01:11:05,160
Speaker 1: pizza anymore, and then people would have those pot roast parties.

1390
01:11:05,360 --> 01:11:09,200
Speaker 1: Oh yeah, yeah, like kids are always having pot roast.

1391
01:11:09,360 --> 01:11:13,240
Speaker 2: Yeah, and I was pretending to like that. Very This

1392
01:11:13,360 --> 01:11:16,479
Speaker 2: would get scary for me quickly. It was just beyond

1393
01:11:16,520 --> 01:11:21,479
Speaker 2: what I was equipped for. It that age, I developed sort.

1394
01:11:21,320 --> 01:11:22,599
Speaker 6: Of pretty wild.

1395
01:11:22,840 --> 01:11:24,320
Speaker 1: Yes, they would get very wild.

1396
01:11:24,880 --> 01:11:29,680
Speaker 7: That's like, where, like, I touched my first dick? Is

1397
01:11:29,680 --> 01:11:30,840
Speaker 7: that a pot roast party?

1398
01:11:30,960 --> 01:11:31,320
Speaker 1: That would be?

1399
01:11:31,400 --> 01:11:33,680
Speaker 2: And Brett looks very surprised by that. Did that make

1400
01:11:33,720 --> 01:11:34,760
Speaker 2: you sort of uncomfortable?

1401
01:11:34,760 --> 01:11:37,040
Speaker 6: Did you get your dick touched at a pot roast party?

1402
01:11:38,200 --> 01:11:43,000
Speaker 1: You guys at the same party. Yeah, because you don't know,

1403
01:11:43,120 --> 01:11:44,160
Speaker 1: you don't know whose dick it is.

1404
01:11:44,240 --> 01:11:45,759
Speaker 4: Why I got my dick touched first?

1405
01:11:46,120 --> 01:11:51,120
Speaker 7: Wow, it's nothing like it was not a good touch.

1406
01:11:51,720 --> 01:11:56,559
Speaker 7: It was just kind of more of a like oh my, like, oh.

1407
01:11:55,760 --> 01:11:58,200
Speaker 1: Like, whoa does that sound like what it was?

1408
01:11:58,200 --> 01:11:58,640
Speaker 6: Was that it?

1409
01:11:58,840 --> 01:12:00,599
Speaker 4: Yeah, that's exactly what happened.

1410
01:12:00,920 --> 01:12:06,759
Speaker 7: And oh my gosh, my hand does it look familiar?

1411
01:12:07,400 --> 01:12:13,320
Speaker 4: Well, I can look at it, but I just more

1412
01:12:13,439 --> 01:12:14,680
Speaker 4: remember the feel of.

1413
01:12:14,800 --> 01:12:17,400
Speaker 6: Yeah, I mean we could Yeah, I could just touch

1414
01:12:17,439 --> 01:12:18,160
Speaker 6: a dick right now?

1415
01:12:18,280 --> 01:12:19,320
Speaker 1: Okay, well let's do this.

1416
01:12:19,400 --> 01:12:21,679
Speaker 2: We're pretty much out of time, so while you guys

1417
01:12:21,720 --> 01:12:25,160
Speaker 2: like kind of get this ready, we'll do our the

1418
01:12:25,200 --> 01:12:28,760
Speaker 2: stuff we have to raise on iTunes, right us.

1419
01:12:28,680 --> 01:12:32,000
Speaker 1: On iTunes, and you deal with Bretty figure out and

1420
01:12:32,439 --> 01:12:35,360
Speaker 1: please like us on Facebook. That makes us feel nice

1421
01:12:35,479 --> 01:12:38,240
Speaker 1: talk to us on the forums. ZIP to couple back

1422
01:12:38,240 --> 01:12:40,120
Speaker 1: to the iTunes thing, what rating do you want us

1423
01:12:40,160 --> 01:12:43,519
Speaker 1: to give I think it would be nice too if

1424
01:12:43,520 --> 01:12:46,920
Speaker 1: you like the show, just get to give us a

1425
01:12:47,000 --> 01:12:50,240
Speaker 1: five if you like the show, and you obviously you

1426
01:12:50,280 --> 01:12:52,160
Speaker 1: do because you're listening, and if you don't, keep it

1427
01:12:52,200 --> 01:12:52,719
Speaker 1: to yourself.

1428
01:12:52,760 --> 01:12:54,479
Speaker 2: And the guy who got the pro version of this

1429
01:12:54,520 --> 01:12:58,920
Speaker 2: week is Marshall Mellow. I think a nice prize for

1430
01:12:59,000 --> 01:13:00,960
Speaker 2: him for the pro version. Would you to sort of

1431
01:13:01,000 --> 01:13:03,000
Speaker 2: describe what you're feeling?

1432
01:13:03,360 --> 01:13:06,080
Speaker 6: Okay, uh, what's your name, Marshall.

1433
01:13:05,760 --> 01:13:08,120
Speaker 2: Mellow, Marshall Mellow, Marshall Mellow.

1434
01:13:08,680 --> 01:13:11,679
Speaker 6: Right now I'm feeling the shaft of a dick.

1435
01:13:12,640 --> 01:13:14,839
Speaker 1: And is it normal?

1436
01:13:15,479 --> 01:13:16,320
Speaker 6: Yeah, it's normal.

1437
01:13:17,080 --> 01:13:21,639
Speaker 1: Congratulations, Yeah, very well for you, Brett.

1438
01:13:21,680 --> 01:13:24,240
Speaker 2: Congratulations. That wasn't what I was expecting at all.

1439
01:13:24,800 --> 01:13:25,720
Speaker 6: Really brought me back to.

1440
01:13:28,280 --> 01:13:31,520
Speaker 2: Okay, bye bye bye.

1441
01:13:35,640 --> 01:13:38,639
Speaker 1: This has been an Earwolf Media production Executive producers Jeff

1442
01:13:38,680 --> 01:13:41,639
Speaker 1: Ulrich and Scott Ackerman. For more information, visit earwolf dot.

1443
01:13:41,479 --> 01:13:49,440
Speaker 2: Com, ear Warf Radio, Boom docm

1444
01:13:56,200 --> 01:13:57,040
Speaker 1: The Wolf Did