WEBVTT - Hitler’s Olympics, Part 1: The Blue-Eyed Tornado

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<v Speaker 1>Pushkin, I think that Hitler is appreciably nearer shooting us,

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<v Speaker 1>and therefore I think we're appreciably nearer replying.

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<v Speaker 2>It's the beginning of the Sycamore War. Just before the

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<v Speaker 2>United States joins the fight. The journalist named Dorothy Thompson

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<v Speaker 2>is speaking to a British television crew. She's standing behind

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<v Speaker 2>a dark wood table, wearing a nipped way suit and blouse,

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<v Speaker 2>one hand perched in her pocket, perfect posture, shoulder length

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<v Speaker 2>hair with a strand of premature white. You can see

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<v Speaker 2>her thinking while she's talking.

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<v Speaker 1>We're very much interested in the part East, We're interested

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<v Speaker 1>in the Pacific, and we're interested in the Atlantic.

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<v Speaker 2>Thompson was a foreign cars despondent in the nineteen twenties Vienna, Berlin, Dublin, Paris.

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<v Speaker 2>This is the heyday of newspapers. Every paper of consequence

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<v Speaker 2>across the Western world had somewhere in Europe, and they

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<v Speaker 2>all knew each other, drank together, descended on war zones together,

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<v Speaker 2>and Dorothy Thompson was the star.

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<v Speaker 1>And as this war becomes more and more becomes more

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<v Speaker 1>and more clear that this war is going to be

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<v Speaker 1>a world war, we come nearer to being actively involved.

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<v Speaker 2>Because these were different times. There was always discussion of

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<v Speaker 2>Thompson's physical beauty, the flawless skin, her radiance. One of

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<v Speaker 2>her nicknames was the blue eyed Tornado. She was brilliant, indefatigable,

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<v Speaker 2>unshakably self assured, and that voice.

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<v Speaker 1>But after all, the ideological basis of this war was

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<v Speaker 1>very well set by mister Nevill Chamberlain at the very

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<v Speaker 1>beginning of it when he said, if I remember correctly,

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<v Speaker 1>if I should think that one man and one nation

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<v Speaker 1>should wish to dominate the world, I should think he

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<v Speaker 1>ought to be stopped. That's the way America feels about.

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<v Speaker 3>It, too.

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<v Speaker 2>Remember that voice. Over the course of the next eight episodes,

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<v Speaker 2>you're going to hear the voices of a lot of

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<v Speaker 2>people from that same era, the long years before the

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<v Speaker 2>Second World War, some more powerful than Dorothy Thompson, more

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<v Speaker 2>self important, more strident, but none who saw the world

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<v Speaker 2>so clearly. Dorothy Thompson is our north star. One of

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<v Speaker 2>my strongest childhood memories was the nineteen seventy six Olympics

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<v Speaker 2>in Montreal, my homeland's first Olympic Games. I was a kid.

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<v Speaker 2>My family didn't have a television, but we rented one

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<v Speaker 2>just for the occasion two rabbit ears on top of

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<v Speaker 2>a grainy black and white set. We put the TV

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<v Speaker 2>in the fireplace because there was no other place for it,

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<v Speaker 2>and I watched everything. The Romanian Nadya Komenitch bewitching the world.

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<v Speaker 2>In gymnastics, my running hero John Walker powering away around

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<v Speaker 2>the final curve to win the men's fifteen hundred meters.

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<v Speaker 2>I still get nervous thinking about that race, Lassie Van's

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<v Speaker 2>improbable double in the five thousand meters and the ten

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<v Speaker 2>thousand meters. Alberto want to rena Cornelia ender don Qurey

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<v Speaker 2>on the women's forby one hundred freestyle relay, maybe the

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<v Speaker 2>greatest swimming race ever. I was a little kid and

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<v Speaker 2>I fell in love with the Olympics, and I've been

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<v Speaker 2>in love ever since. This summer in Paris, I will

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<v Speaker 2>be glued to my television again, and this thing that

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<v Speaker 2>I love and that so many millions of people around

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<v Speaker 2>the world love, would not exist if the Olympics had

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<v Speaker 2>not been held in nineteen thirty six in Adolf Hitler's Germany.

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<v Speaker 2>The modern Olympics started in eighteen ninety six, and if

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<v Speaker 2>you've gone to any of those early games, you'd think

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<v Speaker 2>you were at some kind of side show. They never

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<v Speaker 2>really took off. Forty six countries showed up for the

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<v Speaker 2>nineteen twenty eight Games, Thirty seven showed up with the

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<v Speaker 2>next Games. Only one country applied to hosts the nineteen

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<v Speaker 2>thirty two Games. No one else wanted it. The Olympic

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<v Speaker 2>dream was fading, but then came Berlin. It was the

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<v Speaker 2>Nazis who gave us the Olympics we have today. They

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<v Speaker 2>were really really good at putting on a big show.

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<v Speaker 2>Berlin was the first Olympics to be televised, the first

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<v Speaker 2>to have a torch relay at the opening ceremony, the

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<v Speaker 2>first to create a genuine international star Jesse Owens, the

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<v Speaker 2>first to understand that the Games were a spectacle.

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<v Speaker 4>At first, Hitler himself was opposed to the Olympics.

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<v Speaker 2>The historian David Walachinski.

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<v Speaker 4>It didn't interest in him. It was an international event

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<v Speaker 4>people from all over. But Joseph Gerbels said, no, we

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<v Speaker 4>can use this. This will be good propaganda for us,

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<v Speaker 4>and so they began promoting the Olympics.

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<v Speaker 2>Hitler used the Games to demonstrate his theories of Aryan supremacy,

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<v Speaker 2>to rally the German people to give legitimacy to the

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<v Speaker 2>band of thugs he had gathered about him to make

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<v Speaker 2>the case that Germany was a true world power, and

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<v Speaker 2>the United States went along with all of it. Why

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<v Speaker 2>that's the story of Hitler's Olympics. H I'm Malcolm Gladwell.

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<v Speaker 2>You're listening to Revisionist History, my podcast about things overlooked

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<v Speaker 2>and misunderstood. Welcome to Hitler's Olympics, the story of how

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<v Speaker 2>we ended up with the Nazi Olympics. Over the next

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<v Speaker 2>eight weeks, my colleague bend At A. F. Haffrey and

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<v Speaker 2>I will tell the story of the games behind the

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<v Speaker 2>greatest of all Olympic Games. Not who won what, not

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<v Speaker 2>what's stirring? Come from behind, burst of effort led to

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<v Speaker 2>an improbable victory. Instead, I want to talk about the

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<v Speaker 2>furious machinations leading up to the Olympics and the genuinely

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<v Speaker 2>difficult moral questions that surrounded the Berlin Games, questions that

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<v Speaker 2>I think we're still trying to make sense of. And

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<v Speaker 2>along the way, we're going to introduce you to an

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<v Speaker 2>oddcast of characters, people who tried and largely failed to

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<v Speaker 2>resolve those questions. Heroes and villains, the clear eyed and

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<v Speaker 2>the deluded, the forgotten, and the misunderstood. But we have

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<v Speaker 2>to begin with the person who may have seen the

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<v Speaker 2>problem of nineteen thirty six more clearly than anyone else.

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<v Speaker 2>Dorothy Thompson. Thompson was born in western New York in

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<v Speaker 2>eighteen ninety three, just outside of Buffalo. Her mother died

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<v Speaker 2>when she was Her father was a Methodist minister, but

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<v Speaker 2>a bad one who drifted from church to church. Her

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<v Speaker 2>childhood was hand in mouth. She hated her stepmother. Somehow,

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<v Speaker 2>she ended up at Syracuse University at a time when

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<v Speaker 2>not a lot of women were going to college. After graduation,

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<v Speaker 2>she threw herself into the women's suffrage movement, the great

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<v Speaker 2>social cause of progressives of that generation.

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<v Speaker 3>She was committed, passionate advocate of women getting the vote,

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<v Speaker 3>and when they got the vote in nineteen twenty, soon

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<v Speaker 3>afterwards she wanted to pursue a career as a journalist.

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<v Speaker 2>The historian Sarah church Well, she sailed for Europe, didn't

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<v Speaker 2>have anything lined up in advance. She just packed up

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<v Speaker 2>her bags one day and left.

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<v Speaker 3>Suddenly, here she is exposed to this whole host of

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<v Speaker 3>international and global projects and initiatives.

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<v Speaker 2>She makes her mark right away, goes to Ireland, tracks

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<v Speaker 2>down a leader of the Irish independence movement and gets

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<v Speaker 2>the last interview with him before he dies of a

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<v Speaker 2>hunger strike. Next, she goes to Vienna, where she convinces

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<v Speaker 2>the Philadelphia Public Ledger to highire her as a correspondent.

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<v Speaker 2>Dorothy learns German gets promoted to Berlin bureau chief. Then

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<v Speaker 2>comes another step, and another step, and by the end

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<v Speaker 2>of the nineteen thirties, Thompson's column was read by eight

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<v Speaker 2>to ten million people a day, at a time when

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<v Speaker 2>the population of the United States was one hundred and

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<v Speaker 2>thirty million. She was a fixture on the radio, too,

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<v Speaker 2>toured the country the way rock bands to today. During

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<v Speaker 2>one week in nineteen thirty seven, she turned down seven

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<v Speaker 2>hundred speaking requests seven hundred.

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<v Speaker 3>She was so famous that Catherine Hepburn played her in

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<v Speaker 3>the effectively in the first movie that Hepburn made with

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<v Speaker 3>Spencer Tracy, called Woman of the Year is basically the

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<v Speaker 3>story of a Hollywood version of Dorothy Thompson.

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<v Speaker 2>Dorothy Thompson became such a public figure that quips about

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<v Speaker 2>her were part of the culture. She snips her nails

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<v Speaker 2>with indignation. She's discovered the secret of perpetual emotion, and

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<v Speaker 2>most famously this from Alice Roosevelt Longworth, Ted Bell's daughter,

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<v Speaker 2>who said that Thompson is quote the only woman in

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<v Speaker 2>history who has had her menopause in public and made

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<v Speaker 2>it pay, a line, incidentally that Dorothy Thompson found hilarious.

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<v Speaker 2>This is my favorite Dorothy Thompson's story. One night in

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<v Speaker 2>nineteen twenty six, She's coming back from the opera in

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<v Speaker 2>Vienna when she hears there's been a coup in Poland,

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<v Speaker 2>there's a knight trained to warsaw, and the whole foreign

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<v Speaker 2>correspondent crew is racing niked on it. Dorothy doesn't have

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<v Speaker 2>time to get back to her apartment, so she has

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<v Speaker 2>her secretary fetch her typewriter and a traveling bag. The

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<v Speaker 2>bigger problem is she doesn't have any money for the

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<v Speaker 2>journey and the banks are closed. So who does she call, Remember,

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<v Speaker 2>it's Vienna in nineteen twenty six. Sigmund Freud. Of course,

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<v Speaker 2>he's a good friend. And by the way, everyone who

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<v Speaker 2>is anyone was friends with Dorothy Thompson. So Freud pulls

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<v Speaker 2>a stack of cash out of his safe and sends

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<v Speaker 2>his driver to the train station. Dorothy jumps on the

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<v Speaker 2>train biqu She's made it.

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<v Speaker 3>Oh.

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<v Speaker 2>They crossed the border into Poland and the train tracks

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<v Speaker 2>are blown out. Dorothy jumps out, Hell's a big damler.

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<v Speaker 2>The driver demands a king's ransom, so Dorothy jumps in

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<v Speaker 2>a ford. The second driver refuses to enter Warsaw when

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<v Speaker 2>he hears the gunfire. Meanwhile, the driver of the first car,

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<v Speaker 2>the Damler, runs into heavy gunfire. His car is riddled

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<v Speaker 2>with bullets. The other correspondents witness the attack and they're inconsolable.

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<v Speaker 2>Dorothy's dead. They wire her obituary back to Vienna, but

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<v Speaker 2>Dorothy is not dead. She's left the ford behind and

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<v Speaker 2>is walking the final few miles into Warsaw, still in

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<v Speaker 2>her ball gown and slippers, and legend has it swearing

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<v Speaker 2>like a sailor. Dorothy had everyone's attention. And what was

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<v Speaker 2>she talking and riding about? Over and over again? In

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<v Speaker 2>the nineteen thirties Adolf Hitler. Long before the world became

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<v Speaker 2>obsessed with Hitler, Dorothy Thompson was obsessed with Hitler.

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<v Speaker 3>So yeah, she always saw that Hitler was a thing

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<v Speaker 3>and that he was the one to watch, and that

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<v Speaker 3>you needed to understand where that was going is. She

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<v Speaker 3>read a lot of history, She read a lot of politics.

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<v Speaker 3>She interviewed everybody to try to get a sense of

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<v Speaker 3>what it was that was going on, and so she

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<v Speaker 3>got to the heart of it in a way that few,

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<v Speaker 3>if any, of her of her contemporaries did.

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<v Speaker 2>A journalist once calculated that by the spring of nineteen

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<v Speaker 2>forty she had written a total of two hundred and

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<v Speaker 2>thirty eight thousand words for her column in the Herald Tribune,

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<v Speaker 2>and one hundred and forty seven thousand of those were

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<v Speaker 2>about Hitler. If I ever divorced Dorothy, her husband, once said,

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<v Speaker 2>I'll name Adolf Hitler as correspondent. Hitler Hitler, Hitler. She

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<v Speaker 2>had to meet the man coming up, the first of

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<v Speaker 2>what will be many meetings with Hitler over the course

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<v Speaker 2>of this series. Before we go any further, I want

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<v Speaker 2>to present an idea that will be useful over the

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<v Speaker 2>next nine episodes. It's one of the most famous psychological

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<v Speaker 2>theories of the twentieth century, Leon Festinger's cognitive dissonance. We've

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<v Speaker 2>talked about it before in the show. It's a psychological

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<v Speaker 2>state of discomfort that occurs when a person holds two

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<v Speaker 2>or more conflicting thoughts, beliefs, or behaviors. Chocolate cake is

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<v Speaker 2>bad for me. I desperately want a piece of chocolate cake.

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<v Speaker 2>That's cognitive dissonance. It's a contradiction between what I believe

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<v Speaker 2>and how I behave infesting and believed that cognitive dissonance

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<v Speaker 2>makes us so uncomfortable that we are compelled to resolve it.

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<v Speaker 2>So you change your behavior to align with your belief

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<v Speaker 2>You say, I'm just not going to eat the cake,

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<v Speaker 2>or I'm going to take just one bite, or I'm

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<v Speaker 2>going to go to the gym afterwards, or you change

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<v Speaker 2>your beliefs to align with your behavior. You tell yourself

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<v Speaker 2>I read somewhere that chocolate cake isn't that fattening. Or

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<v Speaker 2>maybe you try and make the world change its mind

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<v Speaker 2>so they can't judge you. You stand up and say,

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<v Speaker 2>this looks like cake, but it's not actually cake. It's

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<v Speaker 2>cocopatter and sweetener and whipped low calorie cream cheese. If

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<v Speaker 2>you go online, you could find a ton of old,

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<v Speaker 2>black and white videos of psychologists working through the implications

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<v Speaker 2>of Festinger's idea.

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<v Speaker 5>Psychological story of decision making doesn't end, however, when a

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<v Speaker 5>decision has been made.

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<v Speaker 2>That's Philip Simbardo, one of the many psychologists inspired by Festinger's.

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<v Speaker 5>Work, the act of making a decision can trigger a

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<v Speaker 5>flood of other prophecies. According to psychologists Leon Festinger, whenever

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<v Speaker 5>we choose to do something that conflicts with our prior beliefs, feelings,

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<v Speaker 5>or values, a state of cognitive dissonance is created in

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<v Speaker 5>us attention. You change what we think and what we do.

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<v Speaker 2>The Berlin Olympics created cognitive dissonance on a grand geopolitical scale.

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<v Speaker 2>Were an ideal, pure competition, unencumbered by politics, high minded,

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<v Speaker 2>an event created for cross cultural understanding, young men and

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<v Speaker 2>women in perfect physical condition coming together from around the world.

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<v Speaker 2>The founder of the modern Olympic movement was Pierre de Coubertin,

0:14:17.240 --> 0:14:20.480
<v Speaker 2>who would always say, the important thing in life is

0:14:20.520 --> 0:14:23.800
<v Speaker 2>not the triumph of the struggle. The essential thing is

0:14:23.880 --> 0:14:27.360
<v Speaker 2>not to have conquered, but to have fought well. That

0:14:27.560 --> 0:14:30.880
<v Speaker 2>was the belief. But in nineteen thirty six, what was

0:14:30.920 --> 0:14:36.640
<v Speaker 2>the action to participate in the Berlin Games meant? Going

0:14:36.680 --> 0:14:40.760
<v Speaker 2>to Germany, competing in a stadium built by Nazi architects,

0:14:41.160 --> 0:14:45.840
<v Speaker 2>being fodder for Hitler's propaganda chief Joseph Goebels, and helping

0:14:45.840 --> 0:14:49.040
<v Speaker 2>to legitimize a regime that had already started on the

0:14:49.120 --> 0:14:52.400
<v Speaker 2>long anti Semitic path that would end in the Holocaust.

0:14:53.760 --> 0:14:57.280
<v Speaker 2>The Berlin Olympics were brutally dissonant, and in each of

0:14:57.320 --> 0:15:00.080
<v Speaker 2>these episodes, Ben and I will follow how a a

0:15:00.080 --> 0:15:04.560
<v Speaker 2>different person resolved the contradiction, starting with someone who pretty

0:15:04.600 --> 0:15:07.280
<v Speaker 2>much said, if there's a problem with the cake, then

0:15:07.360 --> 0:15:13.560
<v Speaker 2>don't eat the cake. Dorothy Thompson. As early as nineteen

0:15:13.600 --> 0:15:17.040
<v Speaker 2>twenty three, Dorothy Thompson had her sight set on an

0:15:17.040 --> 0:15:20.120
<v Speaker 2>interview with Hitler. This was a decade before he'd come

0:15:20.160 --> 0:15:23.160
<v Speaker 2>to power. Early days in Munich after the so called

0:15:23.200 --> 0:15:26.320
<v Speaker 2>beerhal Putsch, when the young Hitler tried to launch a

0:15:26.360 --> 0:15:30.080
<v Speaker 2>coup against the German government. When that failed, he escaped

0:15:30.080 --> 0:15:33.640
<v Speaker 2>to a hideaway in the Bavarian Alps. Thompson followed him there,

0:15:33.840 --> 0:15:36.280
<v Speaker 2>arriving only two hours after Hitler did, but he had

0:15:36.320 --> 0:15:40.120
<v Speaker 2>already moved on. For the next seven years, she pursued

0:15:40.200 --> 0:15:44.040
<v Speaker 2>him to no avail, but then Hitler's party started gaining

0:15:44.080 --> 0:15:47.560
<v Speaker 2>traction his movement grew. He set up office in the

0:15:47.640 --> 0:15:50.520
<v Speaker 2>Kaiserhaf Hotel in Berlin, right across the street from the

0:15:50.520 --> 0:15:53.760
<v Speaker 2>Reich Chancellery. The state of power in Germany. All the

0:15:53.760 --> 0:15:56.800
<v Speaker 2>top Nazis hung out at the Kaiseraff with his grand

0:15:56.840 --> 0:16:00.600
<v Speaker 2>awning wrought iron balconies. They ate in the three story

0:16:00.680 --> 0:16:04.280
<v Speaker 2>dining room under its great glass ceiling. It was luxurious,

0:16:04.640 --> 0:16:07.640
<v Speaker 2>It felt like power. Hitler could look out his window

0:16:07.880 --> 0:16:12.560
<v Speaker 2>at the Reich Chancellery and dream. Hitler had a press

0:16:12.560 --> 0:16:16.960
<v Speaker 2>officer named Ernst Hampstengel. Everyone called him Putsy, which meant

0:16:17.160 --> 0:16:22.320
<v Speaker 2>little fellow, though it translates literally as cute. Putsy was

0:16:22.360 --> 0:16:25.800
<v Speaker 2>half German, half American. His mother was a Sedgewick, one

0:16:25.800 --> 0:16:28.200
<v Speaker 2>of the grand old New England families. He grew up

0:16:28.200 --> 0:16:31.000
<v Speaker 2>in Germany, but went to Harvard, where he was classmates

0:16:31.000 --> 0:16:34.600
<v Speaker 2>with T. S. Eliot and with Theodore Roosevelt's son. One day,

0:16:34.600 --> 0:16:37.280
<v Speaker 2>Putsy ran into Hitler in a bar in Munich, holding

0:16:37.320 --> 0:16:41.240
<v Speaker 2>the crowd's spellbound, and he fell in love. Putsy was

0:16:41.280 --> 0:16:44.200
<v Speaker 2>a great musician, and whenever Hitler got a little lonesome,

0:16:44.400 --> 0:16:46.840
<v Speaker 2>he would have Putsy bang out some Wagner on the

0:16:46.880 --> 0:16:54.760
<v Speaker 2>piano or some other little diddy that he'd written. Many

0:16:54.840 --> 0:16:57.720
<v Speaker 2>years after the war, Putsy wrote his memoirs, which I

0:16:57.760 --> 0:17:02.360
<v Speaker 2>would wholeheartedly recommend, in law part because of passages like this.

0:17:03.000 --> 0:17:06.040
<v Speaker 2>By the time he and Adolf were over to Friend's house.

0:17:06.560 --> 0:17:09.240
<v Speaker 2>They're so good that we had to reenact them.

0:17:09.400 --> 0:17:12.000
<v Speaker 6>I started playing some of the football marches I had

0:17:12.000 --> 0:17:15.439
<v Speaker 6>picked up at Harvard. I explained to Hitler all the

0:17:15.480 --> 0:17:19.560
<v Speaker 6>business about the cheerleaders and college songs and the deliberate

0:17:19.600 --> 0:17:21.720
<v Speaker 6>whipping up of hysterical.

0:17:21.280 --> 0:17:23.480
<v Speaker 2>Enthusiasms sound familiar.

0:17:24.400 --> 0:17:27.520
<v Speaker 6>I told him about the thousands of spectators being made

0:17:27.520 --> 0:17:33.400
<v Speaker 6>to raw Harvard Harvard, Harvard rah rah rah in unison,

0:17:33.680 --> 0:17:37.000
<v Speaker 6>and the hypnotic effect of this sort of thing. I

0:17:37.040 --> 0:17:39.840
<v Speaker 6>played him some of the Sousa marches and my own

0:17:39.920 --> 0:17:42.920
<v Speaker 6>falorah to show how it could be done by adapting

0:17:43.040 --> 0:17:47.160
<v Speaker 6>German tunes, gave them all that buoyant beat so characteristic

0:17:47.200 --> 0:17:51.720
<v Speaker 6>of American brass band music. I had Hitler fairly shouting

0:17:51.800 --> 0:17:55.600
<v Speaker 6>with enthusiasm, that's it, Hanstenger, that is what we need

0:17:55.600 --> 0:17:58.320
<v Speaker 6>for the movement, and he pranced up and down the

0:17:58.400 --> 0:18:02.320
<v Speaker 6>room like a drum major. After that he had the

0:18:02.480 --> 0:18:06.600
<v Speaker 6>SA band practicing the same thing. Rah rah rah became

0:18:07.040 --> 0:18:11.160
<v Speaker 6>z hien z Hei. That is the origin of it.

0:18:11.400 --> 0:18:14.600
<v Speaker 6>And I suppose I must take my share of the blame.

0:18:16.400 --> 0:18:20.280
<v Speaker 2>Putsy ends the war as an adviser to Franklin Roosevelt,

0:18:20.640 --> 0:18:23.240
<v Speaker 2>making him the only person to serve the leadership of

0:18:23.359 --> 0:18:26.000
<v Speaker 2>both sides of the Second World War. But I digress

0:18:26.760 --> 0:18:30.080
<v Speaker 2>so Putsy convinces Hitler that he needs to have more

0:18:30.119 --> 0:18:33.240
<v Speaker 2>of an international profile, so he starts inviting people to

0:18:33.320 --> 0:18:36.159
<v Speaker 2>come and meet Herr Hitler at the kaiser Hoff, the

0:18:36.160 --> 0:18:39.720
<v Speaker 2>New York Times, an Italian journalist, a Japanese journalist, a

0:18:39.840 --> 0:18:45.320
<v Speaker 2>legendary foreign correspondent with the memorable name Hubert Renfro Knickerbocker,

0:18:46.080 --> 0:18:52.120
<v Speaker 2>and finally, Dorothy Thompson. Is she prepared for the interview?

0:18:52.280 --> 0:18:55.679
<v Speaker 2>Of course, she's Dorothy Thompson. When he was in prison

0:18:55.720 --> 0:18:59.159
<v Speaker 2>in nineteen twenty four, years before the kaiser Hoff, Hitler

0:18:59.160 --> 0:19:02.080
<v Speaker 2>had written his men off Testo Mine Kamf. It was

0:19:02.080 --> 0:19:05.240
<v Speaker 2>a best seller in Germany, and trust me, Dorothy Thompson

0:19:05.400 --> 0:19:09.080
<v Speaker 2>had read Mine Kamf in the German all seven hundred

0:19:09.240 --> 0:19:14.240
<v Speaker 2>nutty pages of it, including passages like with Satanic joy

0:19:14.240 --> 0:19:17.040
<v Speaker 2>in his face, the black haired Jewish youth lurks in

0:19:17.080 --> 0:19:20.639
<v Speaker 2>wait for the unsuspecting girl, whom he defiles with his blood,

0:19:21.080 --> 0:19:24.720
<v Speaker 2>thus stealing her from her people. There's a lot of

0:19:24.720 --> 0:19:28.159
<v Speaker 2>stuff like this in Mine comp it was, and it

0:19:28.240 --> 0:19:32.040
<v Speaker 2>is Jews who bring the Negroes into the Rhineland, always

0:19:32.040 --> 0:19:35.480
<v Speaker 2>with the same secret thought and clear aim of ruining

0:19:35.520 --> 0:19:40.479
<v Speaker 2>the hated white race by the necessarily resulting bastardization, throwing

0:19:40.520 --> 0:19:44.359
<v Speaker 2>it down from its cultural em political height, and himself

0:19:44.440 --> 0:19:49.400
<v Speaker 2>rising to be its master. Dorothy Thompson knows just who

0:19:49.480 --> 0:19:51.800
<v Speaker 2>she's going to meet when she walks into the Kaiserhof.

0:19:52.840 --> 0:19:56.000
<v Speaker 2>She walks through the marble lobby, waits and puts his's office.

0:19:56.520 --> 0:19:58.240
<v Speaker 2>She would say later that there was a lot of

0:19:58.359 --> 0:20:01.760
<v Speaker 2>fussiness of the final preper for the interview. She was

0:20:01.800 --> 0:20:05.280
<v Speaker 2>limited to three questions, which she had to submit twenty

0:20:05.280 --> 0:20:08.800
<v Speaker 2>four hours in advance. Hitler did not like thinking on

0:20:08.840 --> 0:20:12.399
<v Speaker 2>his feet. Before the interview, she spots Hitler going to

0:20:12.440 --> 0:20:15.560
<v Speaker 2>his rooms, accompanied by someone who she says, looks like

0:20:15.680 --> 0:20:20.800
<v Speaker 2>al Capone. She waits for an hour. Finally she's ushered in.

0:20:21.240 --> 0:20:24.280
<v Speaker 2>She would say later, I was a little nervous. I

0:20:24.400 --> 0:20:30.920
<v Speaker 2>considered taking smelling salts. Understand that's a joke. Dorothy Thompson

0:20:31.119 --> 0:20:33.919
<v Speaker 2>wasn't afraid of anyone. This was the woman who marched

0:20:33.920 --> 0:20:37.359
<v Speaker 2>into Warsaw wearing her ball room slippers. We don't have

0:20:37.400 --> 0:20:39.399
<v Speaker 2>a recording of the interview, but I want you to

0:20:39.480 --> 0:20:43.879
<v Speaker 2>imagine it. Her voice, her presence, those piercing blue eyes,

0:20:44.480 --> 0:20:48.480
<v Speaker 2>Hitler's never met her before. And Hitler, to put it nicely,

0:20:48.800 --> 0:20:52.520
<v Speaker 2>did not exactly have relationships of any real meaning with women,

0:20:52.960 --> 0:20:57.439
<v Speaker 2>unless you count photo opportunities with little German girls. So

0:20:57.560 --> 0:21:01.320
<v Speaker 2>maybe he's the nervous one because he just starts babbling.

0:21:04.280 --> 0:21:06.879
<v Speaker 2>Thompson would later write up the interview in an essay

0:21:06.920 --> 0:21:13.080
<v Speaker 2>called I Saw Hitler. He is formless, almost faceless, a

0:21:13.119 --> 0:21:16.520
<v Speaker 2>man whose countenance is a caricature, a man whose framework

0:21:16.560 --> 0:21:24.159
<v Speaker 2>seems cartilaginous without bones. He is inconsequent and voluble, ill poised, insecure.

0:21:24.480 --> 0:21:29.040
<v Speaker 2>He is the very prototype of the little man ouch.

0:21:30.200 --> 0:21:33.560
<v Speaker 2>A lock of lank hair falls over an insignificant and

0:21:33.640 --> 0:21:37.600
<v Speaker 2>slightly retreating forehead. The backhead is shallow, the face is

0:21:37.640 --> 0:21:40.760
<v Speaker 2>broad in the cheekbones. The nose is large, but badly

0:21:40.800 --> 0:21:45.480
<v Speaker 2>shaped and without character. His movements are awkward, almost undignified,

0:21:45.840 --> 0:21:49.639
<v Speaker 2>and most unmartial. There is in his face no trace

0:21:49.680 --> 0:21:54.920
<v Speaker 2>of any inner conflict or self discipline. I mean, how good,

0:21:55.160 --> 0:22:00.760
<v Speaker 2>how true, how vicious is this? And then she backhands him,

0:22:00.920 --> 0:22:04.280
<v Speaker 2>And yet he is not without a certain charm, but

0:22:04.359 --> 0:22:07.960
<v Speaker 2>it is the soft, almost feminine charm of the Austrian.

0:22:08.560 --> 0:22:12.760
<v Speaker 2>The eyes alone are notable, dark gray and hyperthyroid. They

0:22:12.760 --> 0:22:20.680
<v Speaker 2>have the peculiar shine which often distinguishes geniuses, alcoholics, and hysterics.

0:22:23.160 --> 0:22:26.080
<v Speaker 2>When Hitler becomes Chancellor of Germany a year later, one

0:22:26.119 --> 0:22:28.600
<v Speaker 2>of the first things he does is kick Dorothy Thompson

0:22:28.600 --> 0:22:32.280
<v Speaker 2>out of the country because he's been humiliated by a woman.

0:22:33.240 --> 0:22:35.320
<v Speaker 2>I think the thing that really sticks in his craw

0:22:35.800 --> 0:22:38.439
<v Speaker 2>is the line that follows that little bit about geniuses,

0:22:38.880 --> 0:22:46.520
<v Speaker 2>alcoholics and hysterics. There is something irritatingly refined about him.

0:22:46.760 --> 0:22:49.480
<v Speaker 2>I bet he crooks his little finger when he drinks

0:22:49.520 --> 0:23:02.200
<v Speaker 2>a cup of tea. Is adolf with aspirations of being

0:23:02.200 --> 0:23:06.280
<v Speaker 2>a badass dictator, and Dorothy Thompson has him drinking tea

0:23:06.840 --> 0:23:11.520
<v Speaker 2>like your grandmother. Now you might say it's not surprising

0:23:11.600 --> 0:23:14.480
<v Speaker 2>she looks at Hitler this way. He's Hitler. But the

0:23:14.520 --> 0:23:16.919
<v Speaker 2>truth is that lots and lots of people who go

0:23:17.000 --> 0:23:19.879
<v Speaker 2>to see him in those years don't see the real Hitler.

0:23:20.359 --> 0:23:23.440
<v Speaker 2>Like the Canadian Prime Minister William Lyon Mackenzie King. Here

0:23:23.520 --> 0:23:27.719
<v Speaker 2>is his diary entry after meeting Hitler. My sizing up

0:23:27.720 --> 0:23:29.760
<v Speaker 2>of the man as I sat and talked with him,

0:23:30.080 --> 0:23:32.879
<v Speaker 2>was that he is really one who truly loves his

0:23:33.400 --> 0:23:37.280
<v Speaker 2>fellow man and his country, and would make any sacrifice

0:23:37.280 --> 0:23:39.600
<v Speaker 2>for their good. That he feels himself to be a

0:23:39.640 --> 0:23:45.119
<v Speaker 2>deliverer of his people from tyranny. It gets worse. His

0:23:45.240 --> 0:23:48.280
<v Speaker 2>face is much more prepossessing than his pictures would give

0:23:48.320 --> 0:23:52.520
<v Speaker 2>the impression of It's not that of a fiery, overstrained nature,

0:23:53.000 --> 0:23:57.680
<v Speaker 2>but of a calm, passive man, deeply and thoughtfully in earnest.

0:23:58.200 --> 0:24:00.600
<v Speaker 2>His eyes impressed me most of all. There was a

0:24:00.680 --> 0:24:05.879
<v Speaker 2>liquid quality about them which indicate keen perception and profound sympathy.

0:24:07.600 --> 0:24:12.680
<v Speaker 2>Dorothy Thompson saw the particular sheen of geniuses, alcoholics and hysterics.

0:24:13.400 --> 0:24:18.960
<v Speaker 2>King saw keen perspective and profound sympathy. I'm sorry, I

0:24:19.000 --> 0:24:21.879
<v Speaker 2>can't resist. Here's a little more from the diary entry.

0:24:22.600 --> 0:24:25.320
<v Speaker 2>As I talked to him, I could not but think

0:24:26.200 --> 0:24:29.800
<v Speaker 2>of Joan of Arc. Joan of Arc I would point

0:24:29.840 --> 0:24:32.399
<v Speaker 2>out that Mackenzie King was the longest serving Prime minister

0:24:32.440 --> 0:24:35.120
<v Speaker 2>in Canadian history. He did as much to shape twentieth

0:24:35.160 --> 0:24:38.840
<v Speaker 2>century Canada as anyone. He's not some naive, but he

0:24:38.880 --> 0:24:40.440
<v Speaker 2>sits down next to Hitler for an hour and a

0:24:40.480 --> 0:24:46.440
<v Speaker 2>half and totally loses his marbles. He is particularly strong

0:24:46.640 --> 0:24:50.119
<v Speaker 2>on beauty, love's flowers, and will spend more of the

0:24:50.200 --> 0:24:53.320
<v Speaker 2>money of the state on gardens and flowers than on

0:24:53.440 --> 0:24:59.680
<v Speaker 2>most other things. It was really, really easy to be

0:24:59.720 --> 0:25:03.240
<v Speaker 2>sed by Adolf Hitler. The German people were seduced by

0:25:03.240 --> 0:25:07.040
<v Speaker 2>Adolf Hitler. Even Neville Chamberlain, the British Prime Minister, would

0:25:07.040 --> 0:25:08.120
<v Speaker 2>be seduced by him.

0:25:08.760 --> 0:25:09.359
<v Speaker 1>This morning.

0:25:10.760 --> 0:25:16.480
<v Speaker 7>I had another talk with the German Chancellor Hey Hitler.

0:25:16.080 --> 0:25:18.760
<v Speaker 2>In nineteen thirty eight, when everyone was worried that Hitler

0:25:18.800 --> 0:25:22.359
<v Speaker 2>was going to invade Czechoslovakia. Hitler looked Neville Chamberlain in

0:25:22.400 --> 0:25:25.320
<v Speaker 2>the eye and said, I'm not going to invade anyone anymore,

0:25:25.840 --> 0:25:28.679
<v Speaker 2>and Chamberlain, a politician of more than twenty years at

0:25:28.680 --> 0:25:30.760
<v Speaker 2>that point, believed him.

0:25:31.240 --> 0:25:34.880
<v Speaker 7>We regard the agreement signed last night and the Anglo

0:25:34.960 --> 0:25:38.880
<v Speaker 7>German naval agreement a symbolic of the desire of our

0:25:39.040 --> 0:25:42.439
<v Speaker 7>two peoples never to go to war with one another again.

0:25:46.119 --> 0:25:49.520
<v Speaker 2>But who isn't seduced by Hitler? Dorothy Thompson.

0:25:50.240 --> 0:25:52.480
<v Speaker 3>I mean, look, let's just not underestimate just how smart

0:25:52.560 --> 0:25:52.879
<v Speaker 3>she was.

0:25:53.200 --> 0:25:54.520
<v Speaker 2>Sarah church well again.

0:25:54.520 --> 0:25:58.520
<v Speaker 3>But her intelligence was emotional intelligence as well, and I

0:25:58.560 --> 0:26:01.879
<v Speaker 3>think she saw earlier than anybody else I've read. She

0:26:02.040 --> 0:26:06.639
<v Speaker 3>understood that Hitler was an emotional movement. She was very

0:26:06.760 --> 0:26:09.919
<v Speaker 3>alert to when she was being emotionally manipulated. We may

0:26:09.960 --> 0:26:12.639
<v Speaker 3>want to trace that back to her childhood being raised by,

0:26:12.680 --> 0:26:14.760
<v Speaker 3>as you said, you know, a kind of ineffective preacher,

0:26:14.800 --> 0:26:17.639
<v Speaker 3>a bad preacher. She was onto it. You know, she

0:26:17.720 --> 0:26:21.639
<v Speaker 3>knew when people were trying to manipulate her, and she

0:26:21.760 --> 0:26:22.719
<v Speaker 3>was allergic to it.

0:26:23.119 --> 0:26:24.800
<v Speaker 2>This makes me think there should be a kind of

0:26:24.800 --> 0:26:27.680
<v Speaker 2>a you know how people. This is a weird analogy,

0:26:27.760 --> 0:26:30.879
<v Speaker 2>but there's all this kind of literature about the particular

0:26:30.960 --> 0:26:35.040
<v Speaker 2>ways in which children of alcoholics make sense of their

0:26:35.119 --> 0:26:38.640
<v Speaker 2>childhood there growing up with someone who was emotionally unpredictable.

0:26:39.240 --> 0:26:41.760
<v Speaker 2>I think there's a parallel thing with Preacher's kids. You

0:26:41.760 --> 0:26:44.840
<v Speaker 2>grew up with someone whose job it is on a

0:26:44.880 --> 0:26:48.159
<v Speaker 2>weekly basis to reach out and connect to an intimate

0:26:48.160 --> 0:26:51.320
<v Speaker 2>group of people, and you're sitting in the church observing

0:26:51.359 --> 0:26:55.520
<v Speaker 2>that every Sunday. For it's like a It's a really

0:26:55.560 --> 0:26:59.000
<v Speaker 2>interesting education for a child to see your father up.

0:26:58.920 --> 0:27:01.880
<v Speaker 3>There, right, It's like, yeah, the Wizard of Oz. Right,

0:27:01.960 --> 0:27:04.560
<v Speaker 3>you constantly see the man behind the curtain, and so yeah,

0:27:04.600 --> 0:27:08.320
<v Speaker 3>I think that you are. Yeah, you're onto them, She

0:27:08.480 --> 0:27:12.880
<v Speaker 3>writes in and I saw Hitler, that she could see

0:27:12.880 --> 0:27:15.760
<v Speaker 3>that it was starting to become a religion, that he

0:27:15.880 --> 0:27:17.720
<v Speaker 3>functioned like a religious leader.

0:27:18.240 --> 0:27:20.800
<v Speaker 2>Now, if you are Mackenzie King and you go and

0:27:20.800 --> 0:27:23.119
<v Speaker 2>see Hitler and see a man who just wants to

0:27:23.160 --> 0:27:25.760
<v Speaker 2>plant lots of flowers, then of course you're going to

0:27:25.840 --> 0:27:28.600
<v Speaker 2>send a team of athletes to the Nazi Olympics. You

0:27:28.720 --> 0:27:32.080
<v Speaker 2>change your beliefs to make them consistent with your actions.

0:27:32.560 --> 0:27:35.240
<v Speaker 2>You stand up and say this looks like cake. It's

0:27:35.280 --> 0:27:39.000
<v Speaker 2>not actually cake. It's coco patter and sweetener and whipped

0:27:39.000 --> 0:27:42.960
<v Speaker 2>localorie cream cheese. But if you're honest with yourself, you

0:27:43.000 --> 0:27:46.200
<v Speaker 2>can't do that. If you're Dorothy Thompson, you say, there's

0:27:46.240 --> 0:27:49.360
<v Speaker 2>a conflict here between the kind of things the Olympics

0:27:49.359 --> 0:27:53.239
<v Speaker 2>stood for and what the Nazi Party stood for, and

0:27:53.320 --> 0:27:56.800
<v Speaker 2>for her, the correct path to resolving that conflict is

0:27:56.840 --> 0:27:59.600
<v Speaker 2>to change our behavior. When she writes up her interview

0:27:59.640 --> 0:28:03.240
<v Speaker 2>with Hitler, Thompson has a crucial paragraph at the end and.

0:28:03.480 --> 0:28:05.199
<v Speaker 3>So yeah, so she says, take the Jews out of

0:28:05.240 --> 0:28:09.080
<v Speaker 3>his program and it collapses. She says, it's based entirely

0:28:09.280 --> 0:28:12.760
<v Speaker 3>on a hatred of the Jewish people. And she says,

0:28:12.840 --> 0:28:15.399
<v Speaker 3>and the argument is simple, and she sees straight to

0:28:15.440 --> 0:28:18.280
<v Speaker 3>the heart of it, which is the Jews are responsible

0:28:18.280 --> 0:28:19.000
<v Speaker 3>for everything.

0:28:21.800 --> 0:28:25.240
<v Speaker 2>She read that passage in Mankomff about black haired Jewish

0:28:25.240 --> 0:28:28.800
<v Speaker 2>youth raping German girls, and she doesn't explain it away

0:28:29.400 --> 0:28:33.480
<v Speaker 2>or ignore it or creates some elaborate rationalization about how

0:28:33.480 --> 0:28:36.240
<v Speaker 2>he doesn't really believe that anymore, that he was young

0:28:36.280 --> 0:28:39.400
<v Speaker 2>and those were different times, blah blah blah. No. Dorothy

0:28:39.480 --> 0:28:43.480
<v Speaker 2>Thompson says that Minkomf is exactly what Hitler stands for,

0:28:44.200 --> 0:28:46.920
<v Speaker 2>and we have to watch out because the German public

0:28:47.240 --> 0:28:48.400
<v Speaker 2>are starting to agree.

0:28:49.360 --> 0:28:51.560
<v Speaker 3>She says, you know right. In that same section, she

0:28:51.680 --> 0:28:54.560
<v Speaker 3>says that the reason for his appeal is that the

0:28:54.600 --> 0:28:59.160
<v Speaker 3>people listening to him have somebody to blame. They have

0:28:59.240 --> 0:29:01.920
<v Speaker 3>an outlet for their resentment and their frustration.

0:29:02.920 --> 0:29:06.200
<v Speaker 2>It's nineteen thirty two. Hitler isn't even in power yet,

0:29:06.480 --> 0:29:09.400
<v Speaker 2>and one of the most famous journalists in America is

0:29:09.520 --> 0:29:12.640
<v Speaker 2>laying it all out. There's a monster lurking on the

0:29:12.640 --> 0:29:15.600
<v Speaker 2>ground floor of the KAISERHF and he has a dangerous

0:29:15.640 --> 0:29:18.760
<v Speaker 2>obsession with the Jews. We can't sign up for his

0:29:18.840 --> 0:29:22.720
<v Speaker 2>propaganda show, we can't go to the Olympics, and what

0:29:22.800 --> 0:29:39.240
<v Speaker 2>happens we go. I'd never heard of Dorothy Thompson before

0:29:39.280 --> 0:29:42.960
<v Speaker 2>we started this project, but midway through, like everyone else,

0:29:43.200 --> 0:29:45.520
<v Speaker 2>I fell in love with her. And I think my

0:29:45.640 --> 0:29:48.240
<v Speaker 2>favorite of the many things she wrote is an article

0:29:48.480 --> 0:29:52.160
<v Speaker 2>in Harper's magazine in nineteen forty one, a few months

0:29:52.200 --> 0:29:56.600
<v Speaker 2>before Pearl Harbor It begins. It is an interesting and

0:29:56.640 --> 0:29:59.680
<v Speaker 2>somewhat acar parlor game to play at a large gathering

0:29:59.680 --> 0:30:03.840
<v Speaker 2>of one acquaintances, to speculate who, in a showdown would

0:30:03.840 --> 0:30:07.640
<v Speaker 2>go Nazi. Going Nazi, of course, is the easiest way

0:30:07.680 --> 0:30:11.600
<v Speaker 2>to resolve the cognitive dissonance of the Berlin Games. I

0:30:11.640 --> 0:30:14.440
<v Speaker 2>have come to know the types the born Nazis, the

0:30:14.520 --> 0:30:18.080
<v Speaker 2>Nazis whom democracy itself has created, the certain to be

0:30:18.160 --> 0:30:22.920
<v Speaker 2>fellow travelers, And so she lays out the types. Here

0:30:22.960 --> 0:30:25.640
<v Speaker 2>is her, mister b a man of his own class,

0:30:26.000 --> 0:30:30.360
<v Speaker 2>graduate of the same preparatory school and university, rich, a sportsman,

0:30:30.720 --> 0:30:34.280
<v Speaker 2>owner of a famous racing stable, vice president of a bank,

0:30:34.640 --> 0:30:37.400
<v Speaker 2>married to a well known society belle. He is a

0:30:37.400 --> 0:30:41.520
<v Speaker 2>good fellow and extremely popular. But if America were going Nazi,

0:30:41.920 --> 0:30:46.160
<v Speaker 2>he would certainly join up and early. Why mister B

0:30:46.360 --> 0:30:49.640
<v Speaker 2>has risen beyond his real abilities by virtue of health,

0:30:49.960 --> 0:30:53.680
<v Speaker 2>good looks, and being a good mixer. He married for money,

0:30:53.840 --> 0:30:55.960
<v Speaker 2>and he has done lots of other things for money.

0:30:56.440 --> 0:30:58.640
<v Speaker 2>His code is not his own, It is that of

0:30:58.680 --> 0:31:03.040
<v Speaker 2>his class, no worse, no better. He fits easily into

0:31:03.040 --> 0:31:09.040
<v Speaker 2>whatever pattern is successful. That is his sole measure of value. Success.

0:31:09.480 --> 0:31:13.200
<v Speaker 2>Nazism as a minority movement would not attract him as

0:31:13.240 --> 0:31:17.760
<v Speaker 2>a movement likely to attain power. It would. We're going

0:31:17.840 --> 0:31:21.240
<v Speaker 2>to meet a real mister B, and another Thompson type too,

0:31:21.400 --> 0:31:26.320
<v Speaker 2>a mister C, who she describes like this. Mister C

0:31:26.520 --> 0:31:28.920
<v Speaker 2>is not a born Nazi. He is the product of

0:31:28.960 --> 0:31:34.240
<v Speaker 2>a democracy hypocritically preaching social equality and practicing a carelessly

0:31:34.640 --> 0:31:38.920
<v Speaker 2>brutal snobbery. He is a sensitive, gifted man who has

0:31:38.960 --> 0:31:43.640
<v Speaker 2>been humiliated into nihilism. He would laugh to see heads roll.

0:31:44.480 --> 0:31:46.400
<v Speaker 2>We're going to meet the perfect mister C, as well

0:31:47.000 --> 0:31:49.480
<v Speaker 2>A lot of people in that brief window before the

0:31:49.520 --> 0:31:52.400
<v Speaker 2>Olympics and before the war that would engulf the world

0:31:53.040 --> 0:31:58.200
<v Speaker 2>went Nazi. How did that happen? That's the real story

0:31:58.200 --> 0:32:06.320
<v Speaker 2>of the Games, Behind the Games. Welcome to Hitler's Olympics.

0:32:11.080 --> 0:32:14.560
<v Speaker 2>Over the next eight episodes, we'll meet all kinds of

0:32:14.560 --> 0:32:17.120
<v Speaker 2>people from the lead up to the nineteen thirty six Games.

0:32:17.880 --> 0:32:23.160
<v Speaker 2>We'll talk about Charles Cheryl, diplomatic athlete, internationalist, man of parts,

0:32:23.600 --> 0:32:27.760
<v Speaker 2>the ranking American member of the International Olympic Committee. Ben,

0:32:28.000 --> 0:32:30.840
<v Speaker 2>Is it not safe to say that we became obsessed

0:32:30.920 --> 0:32:34.400
<v Speaker 2>with Charles Cheryl? Is this project?

0:32:35.000 --> 0:32:35.200
<v Speaker 1>Ben?

0:32:36.640 --> 0:32:38.600
<v Speaker 2>I believe the only two people in the history of

0:32:38.600 --> 0:32:41.680
<v Speaker 2>mankind to maintain a Charles Cheryl text chain.

0:32:41.960 --> 0:32:46.040
<v Speaker 8>Certainly technologically and circumstantially, that's got to be true.

0:32:46.200 --> 0:32:49.600
<v Speaker 2>We'll spend some time with Avery Brundage, a champion athlete,

0:32:49.800 --> 0:32:52.840
<v Speaker 2>a self made millionaire who saw in the nineteen thirty

0:32:52.840 --> 0:32:56.680
<v Speaker 2>six Games a chance to expel his personal demons and

0:32:56.800 --> 0:32:59.080
<v Speaker 2>seize control of the entire Olympic movement.

0:33:00.080 --> 0:33:05.280
<v Speaker 8>Rarely encountered someone so single minded and who also has

0:33:05.320 --> 0:33:07.719
<v Speaker 8>such a profound lack of self awareness.

0:33:08.160 --> 0:33:11.600
<v Speaker 2>Then there's Jesse Owens, winner of four gold medals, the

0:33:11.640 --> 0:33:14.760
<v Speaker 2>African American star of the nineteen thirty six Games.

0:33:15.440 --> 0:33:18.720
<v Speaker 3>That was the beginning to the end of a very

0:33:18.760 --> 0:33:19.440
<v Speaker 3>long dream.

0:33:19.960 --> 0:33:22.400
<v Speaker 2>I'm sure you've heard of Jesse Owens, but we're going

0:33:22.480 --> 0:33:25.280
<v Speaker 2>to tell you a story about Owens but you haven't heard.

0:33:25.840 --> 0:33:29.240
<v Speaker 2>And then the strange tale of a very proper German

0:33:29.320 --> 0:33:33.200
<v Speaker 2>law student named Heinrich Krieger who embarked on an epic

0:33:33.280 --> 0:33:37.960
<v Speaker 2>fact finding mission to Arkansas. This is almost a comic

0:33:38.040 --> 0:33:41.160
<v Speaker 2>notion to someone's coming from this, from the cradle of

0:33:41.280 --> 0:33:45.280
<v Speaker 2>European civilization to Fadville in the early nineteen thirties. I mean,

0:33:45.320 --> 0:33:47.200
<v Speaker 2>it's like, I don't know how he ended up there.

0:33:47.480 --> 0:33:51.880
<v Speaker 2>I truly don't. Billy Garland a real estate tycoon with

0:33:51.920 --> 0:33:55.200
<v Speaker 2>a grand vision, lots of counts and barons and assorted

0:33:55.200 --> 0:33:59.240
<v Speaker 2>European aristocrats who in the nineteen thirties used the Olympic

0:33:59.280 --> 0:34:01.960
<v Speaker 2>movement to cling to their past glory the way a

0:34:02.080 --> 0:34:05.960
<v Speaker 2>toddler clings to a teddy bear. Not to mention side

0:34:05.960 --> 0:34:09.319
<v Speaker 2>trips to a small town in Alabama, a lesson from

0:34:09.360 --> 0:34:12.920
<v Speaker 2>a legendary triple jumper, and a seminar on a crucial

0:34:13.320 --> 0:34:18.520
<v Speaker 2>but all but forgotten Supreme Court case called Giles v. Harris.

0:34:19.320 --> 0:34:21.440
<v Speaker 2>But in the next episode, we start with a man

0:34:21.480 --> 0:34:25.600
<v Speaker 2>who claims, among other things, to have invented the crouching start.

0:34:26.360 --> 0:34:30.399
<v Speaker 2>Charles Hitchcock. Cheryl are mister b.

0:34:32.040 --> 0:34:34.799
<v Speaker 6>I have led the happiest life of anybody you ever

0:34:34.880 --> 0:34:36.759
<v Speaker 6>met in your life.

0:34:46.920 --> 0:34:51.040
<v Speaker 2>Religionous History is produced by Ben n Daph Haffrey, Tolly Emlin,

0:34:51.280 --> 0:34:55.319
<v Speaker 2>and Nina Bird Lawrence. Our editor is Sarah Nix. Fact

0:34:55.400 --> 0:35:00.920
<v Speaker 2>checking by Arthur Gomperts and Jail Goldfein, Original scoring by

0:35:00.960 --> 0:35:05.520
<v Speaker 2>Luis Garra, mastering by Flaw Williams, Sarah Buger and Jake Gorsky.

0:35:06.040 --> 0:35:10.840
<v Speaker 2>Engineering by Nina Bird Lawrence. Our executive producer is Jacob Smith.

0:35:11.320 --> 0:35:15.960
<v Speaker 2>Special thanks to Karen Chakerji, special thanks to rufus Wright

0:35:16.400 --> 0:35:19.560
<v Speaker 2>for reading us our putsy in this episode, and a

0:35:19.600 --> 0:35:22.680
<v Speaker 2>big thank you to Jacob Goldstein for introducing us to

0:35:22.760 --> 0:35:26.800
<v Speaker 2>Dorothy Thompson. I'm Malcolm Gladwell.