1 00:00:00,080 --> 00:00:03,280 Speaker 1: Hello the Internet, and welcome to Season one, thirty five, 2 00:00:03,360 --> 00:00:08,200 Speaker 1: episode one of Days eight Guys Yeah, production of I 3 00:00:08,440 --> 00:00:11,240 Speaker 1: Heart Radio. This is a podcast where we take a 4 00:00:11,240 --> 00:00:16,040 Speaker 1: deep dive into America's share consciousness and say, officially, off 5 00:00:16,079 --> 00:00:21,640 Speaker 1: the top, fuck the Koch Brothers and fux Fox News 6 00:00:23,560 --> 00:00:29,800 Speaker 1: Monday May. My name is Jack O'Brien a k it 7 00:00:29,880 --> 00:00:33,000 Speaker 1: hadn't been for Miles and Jacko out of been quarantine 8 00:00:33,000 --> 00:00:35,640 Speaker 1: a long time ago. Where is the cole brew? Where's 9 00:00:35,640 --> 00:00:39,920 Speaker 1: the taco? Where is the mountain? Miles and Jacko? That 10 00:00:40,080 --> 00:00:45,280 Speaker 1: is courtesy of Douglas the Freshest Uh and I'm thrilled 11 00:00:45,320 --> 00:00:48,200 Speaker 1: to be joined as always buy my co host, Mr 12 00:00:48,320 --> 00:00:56,120 Speaker 1: Miles crap, you you got what I need? Hi droxic 13 00:00:56,320 --> 00:01:03,279 Speaker 1: Clora Quinn. Hi troxic clo queck. Oh baby, you you're 14 00:01:03,360 --> 00:01:10,240 Speaker 1: not the vaccine because you're hydroxy Clora Quinn. That's some bullshit. 15 00:01:10,560 --> 00:01:13,640 Speaker 1: I'll just spend Okay, thank you too, Crispy Meme Donut 16 00:01:13,800 --> 00:01:17,800 Speaker 1: and Angelo at Andrew Thunder for just giving me too. 17 00:01:18,080 --> 00:01:21,400 Speaker 1: Just just great things to work with their shout out 18 00:01:21,400 --> 00:01:24,760 Speaker 1: to Bismarcki. You know, thinking about the shouts out to 19 00:01:24,880 --> 00:01:29,800 Speaker 1: BISMARKI we're thrilled to be joined in our third seat. 20 00:01:29,920 --> 00:01:33,959 Speaker 1: She just rode into frame on a zamboni. It is 21 00:01:34,080 --> 00:01:40,039 Speaker 1: little Zam herself, Jamie Off. This is the story of 22 00:01:40,040 --> 00:01:42,560 Speaker 1: a girl who is and shipped and zam the whole 23 00:01:42,560 --> 00:01:46,880 Speaker 1: world and now it's looking bed on hydrograph. She massacres 24 00:01:46,880 --> 00:01:52,240 Speaker 1: the summer. Then she smiles. Uh, there's mercifully it ends there. Oh, 25 00:01:52,560 --> 00:01:57,800 Speaker 1: Sunny started barking. Okay, it wasn't that. Okay, that's from 26 00:01:58,160 --> 00:02:02,279 Speaker 1: at just t d z A K. I'm sorry, Sonny 27 00:02:02,360 --> 00:02:07,760 Speaker 1: just found out about the Joe Biden gaff. He's hard 28 00:02:07,800 --> 00:02:11,760 Speaker 1: to say. We've stopped hockey politics with the dog. Yeah, 29 00:02:12,000 --> 00:02:16,200 Speaker 1: that's probably smart. We are thrilled to be joined in 30 00:02:16,400 --> 00:02:21,800 Speaker 1: our fourth seat by the hilarious and talented Cody Zigla. 31 00:02:23,919 --> 00:02:26,120 Speaker 1: I don't have a rap, but I gotta say if 32 00:02:26,160 --> 00:02:28,480 Speaker 1: I did, it would not near be nearly as good 33 00:02:28,480 --> 00:02:35,359 Speaker 1: as you guys. Had you guys smoking it my head. 34 00:02:35,400 --> 00:02:41,480 Speaker 1: So we also have ghost writers. Okay, yeah, h Cody, 35 00:02:41,520 --> 00:02:43,919 Speaker 1: how are you doing? Man? How is uh? How is 36 00:02:45,040 --> 00:02:48,760 Speaker 1: you know? I gotta say like I doing bizarrely well, 37 00:02:48,880 --> 00:02:51,880 Speaker 1: like I stopped counting the days one day, like sixty hit, 38 00:02:52,240 --> 00:02:55,720 Speaker 1: but for like the first forty days, like my existence 39 00:02:55,720 --> 00:02:57,600 Speaker 1: wasn't too much different than it normally is as far 40 00:02:57,639 --> 00:02:59,720 Speaker 1: as like just staying in my apartment and not going anywhere. 41 00:03:00,360 --> 00:03:02,480 Speaker 1: Uh So, like that's been pretty normal. The only thing 42 00:03:02,480 --> 00:03:06,720 Speaker 1: that I'm missing is guys. I um, like I missed 43 00:03:06,760 --> 00:03:09,600 Speaker 1: just grabbing like expensive lunches with friends, Like that's the 44 00:03:09,639 --> 00:03:13,640 Speaker 1: one thing, Like just getting getting some sushi, getting some 45 00:03:13,720 --> 00:03:15,839 Speaker 1: like potsa like all. That's the only thing that I've 46 00:03:15,880 --> 00:03:19,160 Speaker 1: really been missing. Like I I've gotten this thing lately 47 00:03:19,160 --> 00:03:21,240 Speaker 1: where I've just been taking drives like once a week, 48 00:03:21,280 --> 00:03:23,880 Speaker 1: like I'll go like the like I'll drive to like 49 00:03:23,919 --> 00:03:26,400 Speaker 1: long Beach out of the pH ill, like drive deep 50 00:03:26,400 --> 00:03:28,440 Speaker 1: into the valley and come back. Like that's been like 51 00:03:28,480 --> 00:03:31,200 Speaker 1: the thing that's been keeping me mentally the most uh 52 00:03:31,760 --> 00:03:34,360 Speaker 1: cleared and anchored over the past, like I guess three 53 00:03:34,360 --> 00:03:37,600 Speaker 1: months at this point, doing happens. Yeah, that used to 54 00:03:37,680 --> 00:03:39,720 Speaker 1: be a thing that people did, I think, in like 55 00:03:40,040 --> 00:03:44,240 Speaker 1: at least based on my deep historical knowledge from Madmen, 56 00:03:44,760 --> 00:03:48,800 Speaker 1: uh and like one other movie, I think people used 57 00:03:48,800 --> 00:03:52,240 Speaker 1: to like go on the Sunday drive together where driving 58 00:03:52,520 --> 00:03:56,760 Speaker 1: was the destination, like people would you drive for pleasure? Uh? 59 00:03:56,800 --> 00:03:59,640 Speaker 1: And I find myself, like coming up with an excuse 60 00:03:59,720 --> 00:04:02,800 Speaker 1: to just like go for a spin around the neighborhood. 61 00:04:03,040 --> 00:04:05,240 Speaker 1: That used to be like the whole thing when like 62 00:04:05,480 --> 00:04:07,560 Speaker 1: in high school, like when we were driving a ship. 63 00:04:07,680 --> 00:04:10,440 Speaker 1: Albums would come out on Tuesdays and you pick up 64 00:04:10,440 --> 00:04:13,480 Speaker 1: a new CD and then you'd go fucking mob around 65 00:04:13,480 --> 00:04:16,960 Speaker 1: in Johnny Jonald's Infinity, you know what I mean, shout 66 00:04:17,000 --> 00:04:19,000 Speaker 1: out to that path of that q X four with 67 00:04:19,120 --> 00:04:21,000 Speaker 1: on twenties and those guys tried to rob us at 68 00:04:21,040 --> 00:04:24,760 Speaker 1: one time, but that was like the activity was merely 69 00:04:24,760 --> 00:04:28,520 Speaker 1: just like music and driving. Yeah, I'm realizing I'm doing 70 00:04:28,520 --> 00:04:31,040 Speaker 1: that again a little bit too, where like like you're saying, Cody, 71 00:04:31,040 --> 00:04:33,640 Speaker 1: I'll take the I'll take the longest way to go 72 00:04:33,880 --> 00:04:37,960 Speaker 1: get something. I that they've dropped the Chronic on Spotify 73 00:04:38,040 --> 00:04:40,080 Speaker 1: like two or three weeks ago, and I put that 74 00:04:40,120 --> 00:04:42,000 Speaker 1: on a drove the Long Beach and man, let me 75 00:04:42,040 --> 00:04:44,440 Speaker 1: tell you, it was a mood. It was a good 76 00:04:44,440 --> 00:04:48,360 Speaker 1: mood voice. The nice thing for me it has been 77 00:04:48,440 --> 00:04:53,880 Speaker 1: that I have never had a driver's license, so there's nothing, 78 00:04:54,400 --> 00:04:59,720 Speaker 1: there's nothing to miss really design Yeah, I walk. I 79 00:05:00,080 --> 00:05:02,120 Speaker 1: only go as far as the Walgreens and then there's 80 00:05:02,120 --> 00:05:05,280 Speaker 1: an invisible force field because you're stuck in your own 81 00:05:05,440 --> 00:05:09,480 Speaker 1: global video TV over here. Cody, you've also been blessing 82 00:05:09,520 --> 00:05:13,840 Speaker 1: the world. Uh. And super producer Daniel who's not here 83 00:05:13,880 --> 00:05:18,240 Speaker 1: today but big Doughboys fan, and he came letting us 84 00:05:18,279 --> 00:05:24,880 Speaker 1: know about the Baja Blast homage. Yeah. First of all, 85 00:05:24,880 --> 00:05:28,320 Speaker 1: like so like, uh, I want to I want to 86 00:05:28,320 --> 00:05:31,839 Speaker 1: set the record Strate, I gave the wrong mix level 87 00:05:32,080 --> 00:05:34,520 Speaker 1: and the dough Boys, I said, one to one it 88 00:05:34,520 --> 00:05:41,080 Speaker 1: should be Mountain Dew blue power rate blue power rate, 89 00:05:41,120 --> 00:05:44,000 Speaker 1: not Gatorade blue power Rate. I'll keep it in the 90 00:05:44,040 --> 00:05:46,360 Speaker 1: Pepsi family. Yeah, Pepsi family. I want about that branding 91 00:05:46,400 --> 00:05:48,520 Speaker 1: with come on a shout out, Kings we stand. Um. 92 00:05:49,360 --> 00:05:53,880 Speaker 1: I will say that even with that ratio, it is 93 00:05:53,960 --> 00:05:57,839 Speaker 1: there is so much high fruit toast corn suit that 94 00:05:57,839 --> 00:06:01,280 Speaker 1: you're putting into your body back like you instantly get 95 00:06:01,320 --> 00:06:04,359 Speaker 1: sleepy and shut down. So like I gotta say, don't 96 00:06:04,400 --> 00:06:06,400 Speaker 1: do it when you have things to do during the day. 97 00:06:06,720 --> 00:06:08,960 Speaker 1: If you're like you know, maybe you like you're like 98 00:06:09,040 --> 00:06:11,080 Speaker 1: actually care about the things that you're putting your body 99 00:06:11,080 --> 00:06:13,640 Speaker 1: and not like me, you just ingest all types of 100 00:06:13,920 --> 00:06:17,320 Speaker 1: organ meats and poison. Um. I will say I would 101 00:06:17,360 --> 00:06:19,400 Speaker 1: not recommend doing it more than once a day, or 102 00:06:19,480 --> 00:06:21,120 Speaker 1: maybe even more than once a week. It's a lot 103 00:06:21,160 --> 00:06:22,840 Speaker 1: of It's like it's a lot of glue coast you're 104 00:06:22,839 --> 00:06:25,279 Speaker 1: putting into your body. But if you're looking for a 105 00:06:25,320 --> 00:06:27,520 Speaker 1: hack and you're like you're not near o Taco bell, 106 00:06:28,360 --> 00:06:31,719 Speaker 1: get that going and will set your life straight. All right? 107 00:06:32,560 --> 00:06:36,400 Speaker 1: Have you tried the Baha blasts Mountain Dew zero that 108 00:06:36,440 --> 00:06:39,040 Speaker 1: they've been singing cans that I didn't even know that? 109 00:06:39,040 --> 00:06:45,480 Speaker 1: That is breaking news? Wait? What is this hit the shell? Well, 110 00:06:45,600 --> 00:06:48,960 Speaker 1: so listen, I've got some breaking news of my own. 111 00:06:49,320 --> 00:06:51,799 Speaker 1: Is I got a bad batch. I got a bunch 112 00:06:51,839 --> 00:06:57,279 Speaker 1: of flat Mountain dew a zero Baha blasts, which is 113 00:06:57,400 --> 00:07:02,240 Speaker 1: very unhappy about. Wait, wait, doan got a bad batch? Properly? 114 00:07:04,560 --> 00:07:07,920 Speaker 1: You should go back to the grocery store now more 115 00:07:07,960 --> 00:07:10,040 Speaker 1: than ever, you should know more than ever, get them 116 00:07:10,080 --> 00:07:13,000 Speaker 1: a piece of my mind and let me let me 117 00:07:13,040 --> 00:07:17,160 Speaker 1: film going off and you open each can. Go you 118 00:07:17,160 --> 00:07:20,760 Speaker 1: hear that nothing. You hear that nothing. You hear that 119 00:07:20,960 --> 00:07:30,840 Speaker 1: nothing carbon. Unfortunately, I have more than enough of good 120 00:07:30,880 --> 00:07:34,880 Speaker 1: batches because I bought out the whole shelf. So flex 121 00:07:35,400 --> 00:07:37,800 Speaker 1: like you seem to be the only person with that problem. 122 00:07:37,840 --> 00:07:40,080 Speaker 1: Everyone else been happy and like Cody said, I came 123 00:07:40,120 --> 00:07:48,480 Speaker 1: here for carbonation obscah. Uh. All right, Cody, we're gonna 124 00:07:48,520 --> 00:07:50,600 Speaker 1: get to know you a little bit better in a moment. First, 125 00:07:50,600 --> 00:07:52,920 Speaker 1: we're gonna tell our listeners what they have to look 126 00:07:52,960 --> 00:07:56,560 Speaker 1: forward to today. We're gonna talk about Joe Biden's interview 127 00:07:56,600 --> 00:07:59,520 Speaker 1: with Charlemagne. Uh. And then we're just gonna talk about 128 00:07:59,520 --> 00:08:03,640 Speaker 1: the pop culture we ingested over the weekend. We're gonna 129 00:08:03,640 --> 00:08:07,160 Speaker 1: talk about Riverdale, We're gonna talk about Capone, We're gonna 130 00:08:07,160 --> 00:08:11,120 Speaker 1: talk about The Last Airbender, all of that plenty more. 131 00:08:11,600 --> 00:08:14,800 Speaker 1: But first, Cody, what is something from your search history 132 00:08:14,880 --> 00:08:18,920 Speaker 1: that's revealing about who you are? I literally the last 133 00:08:18,960 --> 00:08:22,240 Speaker 1: thing that I searched was the word optuse, because I 134 00:08:22,280 --> 00:08:25,640 Speaker 1: was trying to describe a friend to a friend, like 135 00:08:26,160 --> 00:08:28,720 Speaker 1: I have a friend that is uh sort of optuse, 136 00:08:29,000 --> 00:08:31,600 Speaker 1: Like I was trying to describe that person to a friend, 137 00:08:31,600 --> 00:08:34,040 Speaker 1: and I wanted to use it like a very flowery descriptor. 138 00:08:34,440 --> 00:08:36,040 Speaker 1: And the first thing that popped in my head was 139 00:08:36,120 --> 00:08:39,400 Speaker 1: Andy Dufraine from Shotshake rediption when he's like, I don't 140 00:08:39,480 --> 00:08:41,440 Speaker 1: understand how you can be so uptuose, and I was like, 141 00:08:41,760 --> 00:08:44,160 Speaker 1: that's a good word, and we're finally worked that into 142 00:08:44,200 --> 00:08:46,720 Speaker 1: my vocabulary. So then I googled that and then I 143 00:08:46,760 --> 00:08:48,120 Speaker 1: you dropped it, and I felt like that was a 144 00:08:48,120 --> 00:08:51,079 Speaker 1: really cool dude, Yeah you should. That is a very 145 00:08:51,120 --> 00:08:53,480 Speaker 1: cool word. What's like one of those words that you'll 146 00:08:53,520 --> 00:08:56,839 Speaker 1: never forget that sounded so smart that blew your fucking 147 00:08:56,880 --> 00:08:59,000 Speaker 1: heat off, and you're like, I'm gonna over use this 148 00:08:59,120 --> 00:09:01,760 Speaker 1: ship out of this uh predicated I wish thought that 149 00:09:01,800 --> 00:09:05,920 Speaker 1: was word. I'm sorry, but this was all predicated on 150 00:09:06,000 --> 00:09:08,600 Speaker 1: him being a very mean person or like I'm sorry. 151 00:09:08,600 --> 00:09:10,800 Speaker 1: This decision was predicated on the fact that I was 152 00:09:10,800 --> 00:09:12,199 Speaker 1: about to run out of gas. Like I feel like, 153 00:09:12,280 --> 00:09:14,800 Speaker 1: you throw that word into anything and it makes you 154 00:09:14,800 --> 00:09:17,120 Speaker 1: feel like you know what you're talking about. That's one 155 00:09:17,160 --> 00:09:21,040 Speaker 1: of those things too, where like you everyone in the conversation, 156 00:09:21,280 --> 00:09:23,480 Speaker 1: like you can see them sort of react to someone 157 00:09:23,600 --> 00:09:25,400 Speaker 1: like just whipping out a word, but no one's going 158 00:09:25,440 --> 00:09:30,880 Speaker 1: to be like, wow, correctly, we should probably sit on 159 00:09:30,960 --> 00:09:33,080 Speaker 1: what this guy's thinking in like, ponder for a little 160 00:09:33,080 --> 00:09:38,120 Speaker 1: bit what he's talking about. Yeah, yeah, speaking of big, big, 161 00:09:38,120 --> 00:09:42,000 Speaker 1: smart sounding words, we're gonna talk about Riverdale Later. How 162 00:09:42,080 --> 00:09:48,600 Speaker 1: teenagers talk right, all these hot ripped teenagers? Teenagers? Uh, 163 00:09:48,800 --> 00:09:51,760 Speaker 1: what is something you think is underrated? You know what 164 00:09:51,800 --> 00:09:53,800 Speaker 1: I've been thinking a lot about this lately is that 165 00:09:54,000 --> 00:09:58,680 Speaker 1: uh you know, uh ship post Twitter Like I love 166 00:09:59,000 --> 00:10:02,760 Speaker 1: a good garbage meme. Um, it's prickly now since I've 167 00:10:02,800 --> 00:10:06,360 Speaker 1: been extremely logged on for the past like seventy days, 168 00:10:06,440 --> 00:10:09,360 Speaker 1: Like I I tried to avoid any type of like 169 00:10:09,920 --> 00:10:13,960 Speaker 1: serious smart take, but like whenever I see like just 170 00:10:14,000 --> 00:10:16,000 Speaker 1: a bad macro, like I saw one yesterday it really 171 00:10:16,000 --> 00:10:20,240 Speaker 1: got me. Was a picture of someone photoshopped Michael Caine's 172 00:10:20,240 --> 00:10:24,680 Speaker 1: face onto a tangerine and the subtext that, uh, masta 173 00:10:24,720 --> 00:10:28,040 Speaker 1: Waynea turned myself into a tangerine, I'm Tangerine Alfred. And 174 00:10:28,080 --> 00:10:33,440 Speaker 1: I laughed. I laughed genuinely for like three unbroken minutes 175 00:10:33,520 --> 00:10:36,360 Speaker 1: at that stupid, stupid image. And like now I try 176 00:10:36,440 --> 00:10:38,959 Speaker 1: to curate my feet where I only see stupid stuff 177 00:10:39,000 --> 00:10:43,439 Speaker 1: like that. That's like, do you ever gon that subread 178 00:10:43,520 --> 00:10:46,000 Speaker 1: at me? I r l no, But like I I 179 00:10:46,040 --> 00:10:49,400 Speaker 1: gotta go to it. Those memes are absolutely ridiculous. They're 180 00:10:49,440 --> 00:10:52,760 Speaker 1: just they don't make sense. They're so aggressively like nihilistic 181 00:10:52,920 --> 00:10:56,160 Speaker 1: but that's what I want. Like that, and coupled with 182 00:10:56,200 --> 00:10:58,000 Speaker 1: like King of the Hill memes, like whenever they do 183 00:10:58,080 --> 00:11:02,160 Speaker 1: match up with those, like it's sad for me. What 184 00:11:02,360 --> 00:11:07,480 Speaker 1: is uh? What's something you think is overrated? I gotta say, uh, 185 00:11:07,520 --> 00:11:11,280 Speaker 1: it's uh, Like serious Twitter takes have been a lot 186 00:11:11,360 --> 00:11:13,600 Speaker 1: for me lately, I think personally, just because like I said, 187 00:11:13,600 --> 00:11:16,280 Speaker 1: I am so logged on. Uh. There is a tweet 188 00:11:16,280 --> 00:11:18,480 Speaker 1: that I saw, like maybe a couple of months ago 189 00:11:18,559 --> 00:11:21,120 Speaker 1: that said, every day on Twitter, there's a main character, 190 00:11:21,160 --> 00:11:22,800 Speaker 1: and your job is not to be the main character. 191 00:11:23,720 --> 00:11:25,880 Speaker 1: Like ever since I saw that, like that truly, what 192 00:11:26,040 --> 00:11:27,840 Speaker 1: is what it is? Like today it looks like it's 193 00:11:27,840 --> 00:11:30,679 Speaker 1: shaped up to be our boy? Are King Joe Biden? Um? 194 00:11:31,200 --> 00:11:33,400 Speaker 1: This day it was Lana del Rey And before that 195 00:11:33,440 --> 00:11:35,480 Speaker 1: it was like I can't even remember. Like I feel 196 00:11:35,520 --> 00:11:37,600 Speaker 1: like every day I get on there there's something new 197 00:11:37,600 --> 00:11:40,400 Speaker 1: that I have to like do background information for. Like 198 00:11:40,440 --> 00:11:42,160 Speaker 1: first of all, I wake up late. I wake up 199 00:11:42,160 --> 00:11:44,240 Speaker 1: at like eleven o'clock, so like things are already happening 200 00:11:44,520 --> 00:11:46,760 Speaker 1: on the East coast. If you're getting dragged, you've been 201 00:11:46,800 --> 00:11:48,840 Speaker 1: getting dragged for a while. So like I get on 202 00:11:48,960 --> 00:11:51,480 Speaker 1: and like I don't see what's actually happening. I see 203 00:11:51,520 --> 00:11:54,000 Speaker 1: like the the B and C level takes that are 204 00:11:54,000 --> 00:11:56,240 Speaker 1: like they're like joking and talking and talking about it. 205 00:11:56,440 --> 00:11:59,199 Speaker 1: Like now I have to like go to Google research, 206 00:11:59,280 --> 00:12:02,520 Speaker 1: like why are people talking about A O. C In bananas? 207 00:12:02,559 --> 00:12:08,840 Speaker 1: And then like I had to like is a who 208 00:12:08,920 --> 00:12:10,640 Speaker 1: is this cooking lady? And why do I care that 209 00:12:10,679 --> 00:12:14,760 Speaker 1: she's arguing with Chrissy Teagan And now I they're both canceled, 210 00:12:14,840 --> 00:12:18,080 Speaker 1: Like it's it's too much for my senses, it's too 211 00:12:18,160 --> 00:12:22,520 Speaker 1: much for me to take. Yeah, yeah, I think that's 212 00:12:22,520 --> 00:12:25,800 Speaker 1: exactly like a great description of how I'm feeling about 213 00:12:25,800 --> 00:12:29,559 Speaker 1: Twitter lately. I can't do real Twitter anymore. I've like 214 00:12:29,679 --> 00:12:32,200 Speaker 1: found myself resenting it and it's not their fault, but 215 00:12:32,280 --> 00:12:35,240 Speaker 1: like the political people who are like political experts on 216 00:12:35,280 --> 00:12:40,800 Speaker 1: Twitter and doing like there's not a single serious political 217 00:12:41,320 --> 00:12:43,679 Speaker 1: tweet that I've seen in the past year that I 218 00:12:43,720 --> 00:12:48,000 Speaker 1: haven't been like, fuck you man, It's like it's just 219 00:12:48,080 --> 00:12:52,079 Speaker 1: so much energy, just like everyone has. Everyone's two characters 220 00:12:52,160 --> 00:12:54,080 Speaker 1: carry the exact same amount of weight, and you have 221 00:12:54,120 --> 00:12:59,120 Speaker 1: no idea who the adult in the room is. Right. Yeah, um, finally, 222 00:12:59,120 --> 00:13:01,800 Speaker 1: what is the myth something people think it's true, you 223 00:13:01,840 --> 00:13:04,480 Speaker 1: know to be false. Um, I don't think five G 224 00:13:04,720 --> 00:13:07,560 Speaker 1: actually works until I actually get it. I've heard people 225 00:13:07,600 --> 00:13:09,640 Speaker 1: talk about it. I've heard people talk about, oh man, 226 00:13:09,679 --> 00:13:11,920 Speaker 1: these speeds are killing the game right now. I think 227 00:13:11,960 --> 00:13:14,560 Speaker 1: my phone's actually gotten slower. And some could say, you know, 228 00:13:14,600 --> 00:13:16,560 Speaker 1: some of those people, those boot liquors, could say that 229 00:13:16,600 --> 00:13:19,680 Speaker 1: maybe it's throttling on the behalf of horizon. But I 230 00:13:19,720 --> 00:13:21,839 Speaker 1: have to say, like, I don't believe it until I 231 00:13:21,880 --> 00:13:24,920 Speaker 1: see it. Like I would love to have a faster phones. 232 00:13:25,000 --> 00:13:27,080 Speaker 1: I can search up the word up two even quicker, 233 00:13:27,400 --> 00:13:31,199 Speaker 1: or I could look up why Alison Roman's cookbook even faster. 234 00:13:31,280 --> 00:13:35,960 Speaker 1: But until that happens, I don't believe it. Maybe I'm 235 00:13:35,960 --> 00:13:38,800 Speaker 1: waiting for that day. I remember the day I have 236 00:13:38,920 --> 00:13:42,200 Speaker 1: T mobile, and I remember the day LTE arrived, Oh 237 00:13:42,240 --> 00:13:47,439 Speaker 1: my god, and I was like, because it flipped over 238 00:13:47,480 --> 00:13:53,240 Speaker 1: from four G. I'm like l E Spotify downloading these 239 00:13:53,280 --> 00:13:56,560 Speaker 1: songs connected to Wi Fi most of the time, so 240 00:13:56,559 --> 00:13:59,959 Speaker 1: it really doesn't make a difference. But I feel the 241 00:14:00,120 --> 00:14:02,080 Speaker 1: same way where like people talk about five GM, My bro, 242 00:14:02,240 --> 00:14:04,760 Speaker 1: that's so not real to me because I still see 243 00:14:04,840 --> 00:14:08,200 Speaker 1: LT How much faster do we need this information, how 244 00:14:08,280 --> 00:14:10,640 Speaker 1: much faster things need to get. We were fine with 245 00:14:10,800 --> 00:14:14,800 Speaker 1: like you know, the like the BlackBerry curve was like 246 00:14:14,880 --> 00:14:19,400 Speaker 1: the most technology we needed. Like that, Yeah, I had this. 247 00:14:19,480 --> 00:14:22,040 Speaker 1: I had pretty much every iteration of the Sidekick and 248 00:14:22,080 --> 00:14:25,480 Speaker 1: before that, Motorola time Port two way pagers. I had 249 00:14:25,520 --> 00:14:28,640 Speaker 1: the you had that little young in video, the one 250 00:14:28,680 --> 00:14:30,840 Speaker 1: that had pimp in here's a new way to flirt, 251 00:14:30,880 --> 00:14:32,520 Speaker 1: and I listened to the two way alert to go 252 00:14:32,640 --> 00:14:35,200 Speaker 1: do Do Do Do Dud. I had that exact thing, 253 00:14:35,480 --> 00:14:37,000 Speaker 1: and I used to wear it to the All Ages Club. 254 00:14:37,160 --> 00:14:39,720 Speaker 1: My mom had a Patriot because she was she working 255 00:14:39,800 --> 00:14:43,160 Speaker 1: law enforcement, and I felt so important. Whenever the pager 256 00:14:43,200 --> 00:14:45,920 Speaker 1: would be even it would never be for me obviously seven, 257 00:14:46,280 --> 00:14:48,280 Speaker 1: but like whenever the the pager would beep off and 258 00:14:48,280 --> 00:14:51,360 Speaker 1: you only see like call this number, like oh, you know, 259 00:14:51,400 --> 00:14:52,680 Speaker 1: the streets need me. I gotta go out here in 260 00:14:52,920 --> 00:14:57,160 Speaker 1: hand And remember in high school, I got a phone 261 00:14:57,280 --> 00:15:00,480 Speaker 1: that had like a I AM on it and like 262 00:15:00,560 --> 00:15:03,600 Speaker 1: a major game. It was like because I would always 263 00:15:03,640 --> 00:15:06,120 Speaker 1: get hand me down phones from my aunt and so 264 00:15:06,160 --> 00:15:07,960 Speaker 1: I would just like get so it was like my 265 00:15:08,000 --> 00:15:11,320 Speaker 1: first color phone and you could like mess you could 266 00:15:11,400 --> 00:15:14,040 Speaker 1: message someone at a different school. You're like, this ship 267 00:15:14,120 --> 00:15:17,560 Speaker 1: rules but it was so but but it was still 268 00:15:17,640 --> 00:15:19,720 Speaker 1: t nine and the buttons were so loud that you know, 269 00:15:21,400 --> 00:15:24,280 Speaker 1: was like, oh, Tina, so what that was a Sony 270 00:15:24,320 --> 00:15:27,440 Speaker 1: Erickson phone? So I asked something like that. I don't know, 271 00:15:27,480 --> 00:15:29,840 Speaker 1: And it was always like covered in the film of 272 00:15:30,040 --> 00:15:33,520 Speaker 1: like my aunt, I don't even know. So I'm now 273 00:15:35,280 --> 00:15:37,320 Speaker 1: the fact that you're like you're hand me down phones 274 00:15:37,480 --> 00:15:40,000 Speaker 1: always came from your aunt to me. Is she just 275 00:15:40,080 --> 00:15:42,760 Speaker 1: an early adopter? Like she buys every fucking phone? Or 276 00:15:42,760 --> 00:15:44,840 Speaker 1: she breaks so many phones? As you started, like what's 277 00:15:44,880 --> 00:15:48,360 Speaker 1: how it was? It was just like a lower middle 278 00:15:48,400 --> 00:15:50,720 Speaker 1: class chain of command of like you know, it's like 279 00:15:50,760 --> 00:15:53,160 Speaker 1: you have the whole family, like saying, you know, everyone 280 00:15:53,200 --> 00:15:56,600 Speaker 1: gets upgraded at a very specific time, and so if 281 00:15:56,600 --> 00:15:59,200 Speaker 1: I have the oldest phone, my phone's going to break first. 282 00:15:59,200 --> 00:16:00,920 Speaker 1: And I'm a kid, so I'm not trusted with the 283 00:16:00,960 --> 00:16:03,680 Speaker 1: phone that's new. So I'm going to get whatever the 284 00:16:03,800 --> 00:16:07,560 Speaker 1: most recent Like whoever just got the upgrade, I'll get 285 00:16:07,640 --> 00:16:10,680 Speaker 1: their old phone. And my place in line was right 286 00:16:10,720 --> 00:16:15,360 Speaker 1: behind my auntie, Debbie. God thing, I know how that works. 287 00:16:15,720 --> 00:16:19,800 Speaker 1: Yeahs back, I remember you go to like a friend's 288 00:16:19,800 --> 00:16:21,680 Speaker 1: house and like, Yo, your sister has your phone and 289 00:16:21,720 --> 00:16:23,600 Speaker 1: you're like, no, my dad got a new phone, so 290 00:16:23,680 --> 00:16:28,680 Speaker 1: I got my mom And you have to see you 291 00:16:28,680 --> 00:16:30,800 Speaker 1: have to like you have to like wipe the phone 292 00:16:30,840 --> 00:16:35,880 Speaker 1: of like your aunt's text or be like, oh why 293 00:16:35,920 --> 00:16:37,960 Speaker 1: you got that weird like lanyard on. It's like he 294 00:16:38,120 --> 00:16:43,480 Speaker 1: was my mom to get roasted by your friends. Yeah, 295 00:16:44,040 --> 00:16:45,960 Speaker 1: my aunt would get these. She had these like we 296 00:16:46,040 --> 00:16:48,040 Speaker 1: were when you could put like just stickers on the 297 00:16:48,040 --> 00:16:50,320 Speaker 1: front of your phone or whatever, and she would always 298 00:16:50,360 --> 00:16:52,520 Speaker 1: have like it would just be like a tramp stamp 299 00:16:52,560 --> 00:16:55,200 Speaker 1: in the form of a phone sticker and you just 300 00:16:55,240 --> 00:16:57,440 Speaker 1: had to like scrape it off because it was like 301 00:16:57,440 --> 00:17:03,480 Speaker 1: a gemstone butterfly or like gemstone tribal details. Just like 302 00:17:03,760 --> 00:17:08,240 Speaker 1: I can't be associated, but that gemstone butterfly is a 303 00:17:08,240 --> 00:17:15,240 Speaker 1: good name for something. Yeah, that's that's a metal man. Uh, 304 00:17:15,480 --> 00:17:18,320 Speaker 1: that's awesome when you your phone needs a tramp stant 305 00:17:18,560 --> 00:17:22,320 Speaker 1: to that's that's a new level statement. Well that used 306 00:17:22,320 --> 00:17:24,480 Speaker 1: to be just like the flex because we had they're 307 00:17:24,600 --> 00:17:27,720 Speaker 1: like cases weren't so easily like interchangeable back then, like 308 00:17:27,760 --> 00:17:32,200 Speaker 1: everything was so rigid. You would either like archaically attached 309 00:17:32,359 --> 00:17:35,400 Speaker 1: a bulkier piece of plastic to the outside of your 310 00:17:35,400 --> 00:17:37,639 Speaker 1: phone to make it look a different color. Or you 311 00:17:37,640 --> 00:17:40,080 Speaker 1: would do what I do, like try and disassemble it 312 00:17:40,119 --> 00:17:42,479 Speaker 1: and then spray paint it and then put it back together. 313 00:17:42,560 --> 00:17:45,800 Speaker 1: Always got always avoided the warranty, and guess you would 314 00:17:46,240 --> 00:17:48,480 Speaker 1: not have a phone, and so like, yeah, those moss 315 00:17:48,600 --> 00:17:50,840 Speaker 1: carts that would be like put decals on your phones 316 00:17:50,880 --> 00:17:53,760 Speaker 1: were like such a wave back then, because you're like, yo, 317 00:17:53,880 --> 00:17:56,200 Speaker 1: I could put like Notre Dame High School class of 318 00:17:56,240 --> 00:17:58,480 Speaker 1: O three on here. I want to pay four dollars 319 00:17:58,480 --> 00:17:59,959 Speaker 1: for this ranchard sticker for the back of my new 320 00:18:00,040 --> 00:18:04,359 Speaker 1: he has some people think I'm too cool. Right, alright, guys, 321 00:18:04,400 --> 00:18:08,120 Speaker 1: let's get into some breaking news real quick. Joe Biden 322 00:18:08,480 --> 00:18:13,000 Speaker 1: has apologized, you know, in the most heartfelt way possible. 323 00:18:13,160 --> 00:18:16,160 Speaker 1: He said, I shouldn't have been such a wise guy. 324 00:18:16,920 --> 00:18:24,000 Speaker 1: Um so not the game or hate the game, not 325 00:18:24,119 --> 00:18:28,800 Speaker 1: to play or whatever. It's like remarkable. He really cannot 326 00:18:29,040 --> 00:18:33,960 Speaker 1: he cannot be allowed to speak anytime. Everyone's like, where'd 327 00:18:33,960 --> 00:18:35,879 Speaker 1: you go? No one's heard him speaking sixty days and 328 00:18:35,920 --> 00:18:37,720 Speaker 1: the first second he opens his mouth, you're like, oh, 329 00:18:37,800 --> 00:18:40,359 Speaker 1: that's why we don't let him speak. People like a 330 00:18:40,400 --> 00:18:42,040 Speaker 1: little buzzer in the back of his neck whenever he's 331 00:18:42,040 --> 00:18:44,680 Speaker 1: about to say anything, or like he starts leering too 332 00:18:44,720 --> 00:18:46,440 Speaker 1: close to any type of woman, they just like pick 333 00:18:46,480 --> 00:18:48,520 Speaker 1: the button and he gets shocked back and goes like 334 00:18:48,520 --> 00:18:52,520 Speaker 1: a little Joe Wacoma. It's ridiculous. So yeah, people, if 335 00:18:52,640 --> 00:18:56,520 Speaker 1: I mean at this point, I'm sure most people last week, 336 00:18:56,680 --> 00:18:59,959 Speaker 1: but yeah, yeah, most people know that what Joe Biden's 337 00:19:00,200 --> 00:19:03,239 Speaker 1: But let's just a refresher for everybody uh in on 338 00:19:03,280 --> 00:19:06,680 Speaker 1: the show right now of this interaction with Charlemagne the 339 00:19:06,760 --> 00:19:12,320 Speaker 1: god fellow I heart label mate. Can't do that the 340 00:19:12,320 --> 00:19:15,320 Speaker 1: black media. I got to do that to white media 341 00:19:15,320 --> 00:19:17,240 Speaker 1: and black media because my wife has to go on 342 00:19:17,720 --> 00:19:22,560 Speaker 1: at six o'clock. Okay, I'm in trouble. Listen, you gotta 343 00:19:22,600 --> 00:19:25,440 Speaker 1: come see us when you come to New York. VP Biden, Well, 344 00:19:25,720 --> 00:19:28,720 Speaker 1: it's a long way until November. We got more questions, 345 00:19:29,240 --> 00:19:31,280 Speaker 1: You got more questions. Tell me if you have a 346 00:19:31,320 --> 00:19:35,199 Speaker 1: problem figuring out whether you're fremire Trump and you ain't black? 347 00:19:35,560 --> 00:19:43,639 Speaker 1: All right, yes, alright from Joe Biden. Yeah, thank you 348 00:19:43,760 --> 00:19:49,200 Speaker 1: so much, Nubian God Joseph Robinette Biden for telling us 349 00:19:49,720 --> 00:19:51,920 Speaker 1: you know his face was on the original album cover 350 00:19:52,040 --> 00:19:55,440 Speaker 1: for Sounds of Blackness, that album from the nineties. Uh, 351 00:19:55,600 --> 00:19:58,040 Speaker 1: I don't know this is At first I laughed because 352 00:19:58,080 --> 00:20:00,679 Speaker 1: I was like, this is some old school toxic barbershop 353 00:20:00,720 --> 00:20:04,199 Speaker 1: ship that black people would say amongst each other, okay, 354 00:20:04,280 --> 00:20:07,480 Speaker 1: and already acknowledging it as toxic because gate gate keeping. 355 00:20:07,480 --> 00:20:09,679 Speaker 1: This kind of ship is already a losing game. But 356 00:20:10,440 --> 00:20:14,600 Speaker 1: for this man, she was ready for president who relies 357 00:20:14,760 --> 00:20:16,919 Speaker 1: so much on the support of African Americans in this 358 00:20:16,960 --> 00:20:19,959 Speaker 1: country to have no idea about the nuances of like 359 00:20:20,040 --> 00:20:23,320 Speaker 1: internalized white supremacy, self hatred and ship like that just 360 00:20:23,400 --> 00:20:25,199 Speaker 1: and act like, hey, I'm a hey, I'm one of 361 00:20:25,200 --> 00:20:30,359 Speaker 1: the fellas, baby, then you're not black. It's just absolutely ridiculous. 362 00:20:30,440 --> 00:20:33,840 Speaker 1: And it's it's so uh, it's it's one like, it's 363 00:20:33,920 --> 00:20:38,200 Speaker 1: it's not shocking. Like I think that any margin lands troupe, 364 00:20:38,200 --> 00:20:39,840 Speaker 1: particularly BLA people will know that probably a lot of 365 00:20:39,840 --> 00:20:42,600 Speaker 1: white people think this, um. But I feel like we've 366 00:20:42,640 --> 00:20:46,120 Speaker 1: been in this very uh sort of bizarro upside down 367 00:20:46,280 --> 00:20:49,760 Speaker 1: nether world social political landscape for the past four years 368 00:20:49,800 --> 00:20:52,879 Speaker 1: where like people just say the quiet parts so loud, 369 00:20:53,240 --> 00:20:55,119 Speaker 1: and then when you juxtapose that with like what the 370 00:20:55,160 --> 00:20:58,760 Speaker 1: opposition is, where like you have out you know, Nazi supporters, 371 00:20:58,800 --> 00:21:03,240 Speaker 1: neo Nazis, you know, uh fascist, like it's the bar. 372 00:21:03,560 --> 00:21:06,520 Speaker 1: Like comparatively, it doesn't seem as bad because we're not 373 00:21:06,560 --> 00:21:09,359 Speaker 1: in that normal place where like you know, Obama wearing 374 00:21:09,359 --> 00:21:12,400 Speaker 1: a tan suit would send people over the edge. Now 375 00:21:12,400 --> 00:21:14,120 Speaker 1: we're in a place where like Joe Biden can say 376 00:21:14,160 --> 00:21:16,880 Speaker 1: that like you're not well, he can question your blackness 377 00:21:17,160 --> 00:21:20,680 Speaker 1: depending on who you vote for. Doesn't seem as crazy. 378 00:21:21,119 --> 00:21:23,440 Speaker 1: I don't know, it doesn't seem like, it doesn't seem 379 00:21:23,440 --> 00:21:25,160 Speaker 1: as wild because when you look at the other side, 380 00:21:25,200 --> 00:21:30,159 Speaker 1: you have Trump saying take these weird grifter snake old pills. 381 00:21:30,160 --> 00:21:33,560 Speaker 1: And also, uh, Henry Ford was a pretty cool dude 382 00:21:33,560 --> 00:21:37,560 Speaker 1: too because he supported Nazis. It's very strange political landscape 383 00:21:37,560 --> 00:21:39,760 Speaker 1: to be it, and like part of me just thinks 384 00:21:39,760 --> 00:21:40,960 Speaker 1: that it's like I feel like I'm trapping in the 385 00:21:41,000 --> 00:21:43,960 Speaker 1: sketch because like, like who, I don't know, you're such 386 00:21:43,960 --> 00:21:47,199 Speaker 1: a such a hard position because like Joe Biden is 387 00:21:47,240 --> 00:21:49,480 Speaker 1: like like do you have to vote for Like like 388 00:21:49,520 --> 00:21:51,159 Speaker 1: we have to vote for Joe Biden, And like I 389 00:21:51,200 --> 00:21:53,320 Speaker 1: feel like we can ship talk along the way, and 390 00:21:53,359 --> 00:21:54,919 Speaker 1: we had to talk about how much we don't like 391 00:21:55,000 --> 00:21:58,320 Speaker 1: him and how problematic his his like political stances are, 392 00:21:58,359 --> 00:22:00,800 Speaker 1: and like how just bad he is for any type 393 00:22:00,800 --> 00:22:02,960 Speaker 1: of culture. But I feel like we're still walked into 394 00:22:02,960 --> 00:22:05,400 Speaker 1: having support this guy, which makes it chucking it down 395 00:22:05,440 --> 00:22:08,480 Speaker 1: seems so much worse. You know, well's this another like, 396 00:22:08,840 --> 00:22:13,040 Speaker 1: you know, another moment for African Americans who are supporting 397 00:22:13,040 --> 00:22:15,600 Speaker 1: the Democratic Party to just kind of, you know, bite 398 00:22:15,640 --> 00:22:19,280 Speaker 1: your tongue and be like fuck. I mean, like, I 399 00:22:19,320 --> 00:22:22,400 Speaker 1: don't know, at least he was like pound it up 400 00:22:22,440 --> 00:22:25,280 Speaker 1: with Charlemagne when you like, you know, it's like it's 401 00:22:25,320 --> 00:22:28,040 Speaker 1: it's so shitty because the other side of it is 402 00:22:28,080 --> 00:22:30,960 Speaker 1: so dark, right, Like, you know, as as easy as 403 00:22:31,000 --> 00:22:33,240 Speaker 1: it is to laugh at black Trump supporters and be 404 00:22:33,280 --> 00:22:37,880 Speaker 1: like who are they black? I mean, look, the very 405 00:22:37,920 --> 00:22:41,240 Speaker 1: real thing is that there's a level of internalized white 406 00:22:41,240 --> 00:22:44,720 Speaker 1: supremacy and self hatred that people in that get to 407 00:22:44,800 --> 00:22:47,920 Speaker 1: a point where they would say, you know what, I'll 408 00:22:47,960 --> 00:22:50,760 Speaker 1: do everything in my power rather than being a victim 409 00:22:50,800 --> 00:22:53,000 Speaker 1: of these people, I'll do everything in my power to 410 00:22:53,080 --> 00:22:55,800 Speaker 1: be one of the quote good ones in their eyes, 411 00:22:56,000 --> 00:22:58,399 Speaker 1: and that will offer me a level of protection that 412 00:22:58,440 --> 00:23:01,159 Speaker 1: will offer me a level of racial animus that I 413 00:23:01,160 --> 00:23:03,639 Speaker 1: don't usually have to confront when I'm a Democrat or 414 00:23:03,680 --> 00:23:06,399 Speaker 1: something like that. And there's a whole other layer, layer 415 00:23:06,480 --> 00:23:10,400 Speaker 1: of tortured psychology to this. But again I think yes, 416 00:23:10,680 --> 00:23:13,480 Speaker 1: very on a superficial level. Yeah, for what the like, 417 00:23:13,520 --> 00:23:15,840 Speaker 1: what the funk is this? And and most people are 418 00:23:15,880 --> 00:23:19,280 Speaker 1: like here he goes, it's fucking it's gaff city, the 419 00:23:19,320 --> 00:23:23,840 Speaker 1: basement with big tiggat and you know, here he goes. Yeah, 420 00:23:23,960 --> 00:23:26,120 Speaker 1: it is like a survival tactic that is born out 421 00:23:26,160 --> 00:23:28,399 Speaker 1: of like some of the saddest stuff it reminds me of. 422 00:23:28,440 --> 00:23:30,840 Speaker 1: Like so like I'm from the south North Carolina, Like 423 00:23:30,880 --> 00:23:33,040 Speaker 1: I definitely had members of my family that were like 424 00:23:33,040 --> 00:23:35,720 Speaker 1: white passing, and like their whole thing was like yeah, 425 00:23:35,800 --> 00:23:38,560 Speaker 1: like I have to pretend I'm white sometimes one like 426 00:23:38,640 --> 00:23:41,919 Speaker 1: just not get beat up by racist or the cops. 427 00:23:41,960 --> 00:23:44,600 Speaker 1: Also like I can like make more money if they 428 00:23:44,640 --> 00:23:47,040 Speaker 1: think that I'm white, and like it's messed up, like 429 00:23:47,080 --> 00:23:49,359 Speaker 1: I can't bring my family around my job site, like 430 00:23:49,400 --> 00:23:51,480 Speaker 1: I can't mention my family or like any stuff like that. 431 00:23:51,520 --> 00:23:54,040 Speaker 1: But like I do have to, like I do have 432 00:23:54,160 --> 00:23:57,159 Speaker 1: to buy into like its institutionalized racism and whiteness in 433 00:23:57,200 --> 00:24:00,399 Speaker 1: the white supremacy to like thrive, uh, and like it 434 00:24:00,520 --> 00:24:03,159 Speaker 1: is like a weird dark, dark pant space to be 435 00:24:03,280 --> 00:24:05,760 Speaker 1: and like I do sort of like I do pity 436 00:24:05,800 --> 00:24:09,320 Speaker 1: these people in like a weird weird like I mean 437 00:24:09,680 --> 00:24:12,880 Speaker 1: either way, like you've either the self hatred is so real, 438 00:24:13,040 --> 00:24:15,639 Speaker 1: the fear is so real. There's something about it where 439 00:24:15,760 --> 00:24:19,000 Speaker 1: it again there's just all kinds of tragedy. Because but 440 00:24:19,040 --> 00:24:22,440 Speaker 1: then people what about white Trump supporters, Well, white culture 441 00:24:22,520 --> 00:24:25,320 Speaker 1: is the dominant force in this country, so that's not 442 00:24:25,680 --> 00:24:27,919 Speaker 1: This is a subjugated claud This is a history of 443 00:24:27,960 --> 00:24:33,119 Speaker 1: subjugation of cultural servitude, uh, and feeling subhuman that every 444 00:24:33,119 --> 00:24:36,760 Speaker 1: African American to this day has to actually deal with, 445 00:24:36,800 --> 00:24:39,520 Speaker 1: grapple with. And all we have our reminders in our 446 00:24:39,600 --> 00:24:42,199 Speaker 1: legal systems, in our news and things like that that 447 00:24:42,240 --> 00:24:45,280 Speaker 1: reinforced this idea that we may be less than. So 448 00:24:45,440 --> 00:24:48,359 Speaker 1: couple that with someone who looks at a bunch of 449 00:24:48,520 --> 00:24:52,160 Speaker 1: frothing people in red hats at a rally and tell me, ship, 450 00:24:52,359 --> 00:24:54,240 Speaker 1: maybe it's easier for me to put this hat on 451 00:24:54,520 --> 00:24:56,679 Speaker 1: and they pat me on the back. Then you know, 452 00:24:57,280 --> 00:25:00,080 Speaker 1: stand outside talking all this ship because it's the the 453 00:25:00,240 --> 00:25:03,960 Speaker 1: friction can be so much. It's just anyway. But again, 454 00:25:04,200 --> 00:25:06,639 Speaker 1: the gaffs. The gaffs will continue into November, and I 455 00:25:06,640 --> 00:25:08,040 Speaker 1: guess it should be the the battle of who just the 456 00:25:08,080 --> 00:25:10,320 Speaker 1: taste of it, it's gonna be. It's gonna we're gonna 457 00:25:10,320 --> 00:25:11,440 Speaker 1: get to Like I can't wait to see what the 458 00:25:11,440 --> 00:25:15,080 Speaker 1: singularity is of his gaffs. There was there was at 459 00:25:15,160 --> 00:25:17,720 Speaker 1: least a good tweet that was like, did Joe Biden 460 00:25:17,880 --> 00:25:24,120 Speaker 1: learn nothing from the Lana del Rey gaff? Uh? Yeah, 461 00:25:24,160 --> 00:25:27,600 Speaker 1: it's it's a piece of ship clip to watch two 462 00:25:27,640 --> 00:25:29,240 Speaker 1: because it's like I don't want to be in the 463 00:25:29,880 --> 00:25:32,160 Speaker 1: like in the position of being like, oh, this sucks 464 00:25:32,200 --> 00:25:34,639 Speaker 1: for Charlemagne the God because I'm not a fan of his, 465 00:25:34,760 --> 00:25:37,399 Speaker 1: Like look no further than his his track record on 466 00:25:37,760 --> 00:25:41,960 Speaker 1: trans issues is most things, but like it's pretty fucking abysmal. 467 00:25:42,040 --> 00:25:44,159 Speaker 1: But the fact that like he had to get the 468 00:25:44,200 --> 00:25:47,600 Speaker 1: interview back on track after that, like it's just no 469 00:25:47,640 --> 00:25:50,919 Speaker 1: one should have to deal with that ship. It's just absurd. 470 00:25:51,520 --> 00:25:56,639 Speaker 1: And what Biden said is like he's expressing a point 471 00:25:56,640 --> 00:26:01,840 Speaker 1: of view that is incredibly damage within the Democratic Party 472 00:26:01,880 --> 00:26:05,800 Speaker 1: that they can just take black voters like for granted 473 00:26:05,880 --> 00:26:08,760 Speaker 1: that they don't and that they're not gonna have to 474 00:26:08,840 --> 00:26:13,479 Speaker 1: make actual changes. And it's the fact that he would 475 00:26:13,560 --> 00:26:17,520 Speaker 1: just say that is is wild and shows such a 476 00:26:17,640 --> 00:26:21,119 Speaker 1: lack of self awareness and self examination on the on 477 00:26:21,200 --> 00:26:24,639 Speaker 1: the part of Biden and the Democratic Party. There's just 478 00:26:24,680 --> 00:26:27,159 Speaker 1: a darker level to it too, where black people are 479 00:26:27,280 --> 00:26:30,280 Speaker 1: ready are to a certain extent, subjected to a white 480 00:26:30,280 --> 00:26:32,879 Speaker 1: person's gate keeping of what is black or what is 481 00:26:32,920 --> 00:26:37,199 Speaker 1: a threat or what is eloquent or articulate. So I mean, like, 482 00:26:37,280 --> 00:26:39,400 Speaker 1: the more you you know, cut it up and dive 483 00:26:39,440 --> 00:26:43,160 Speaker 1: into it, all there is is just bullshit and it's 484 00:26:43,200 --> 00:26:46,399 Speaker 1: an awful take from a candidate that again we'll have 485 00:26:46,440 --> 00:26:51,680 Speaker 1: to see who fox up worse. Alright, guys, let's take 486 00:26:51,720 --> 00:26:54,520 Speaker 1: a quick break and we'll be back to talk about 487 00:26:54,800 --> 00:27:08,680 Speaker 1: pop culture. And we're back, are you guys? Good to 488 00:27:08,720 --> 00:27:14,200 Speaker 1: start with Riverdale with the where are we with? So 489 00:27:14,280 --> 00:27:17,639 Speaker 1: this was my first time watching any Riverdale. All I 490 00:27:17,720 --> 00:27:22,639 Speaker 1: had was the you know, the headlines in the media 491 00:27:22,680 --> 00:27:26,960 Speaker 1: about like how wow Archie but sexy so edgy. I 492 00:27:27,000 --> 00:27:29,879 Speaker 1: watched the first episode and part of the second. I 493 00:27:30,240 --> 00:27:34,040 Speaker 1: was surprised by how much it was like it reminded 494 00:27:34,040 --> 00:27:37,840 Speaker 1: me of Dawson's Creek and gossip Girl, and like, it 495 00:27:37,920 --> 00:27:42,240 Speaker 1: really seems like it's in that tradition, which are both 496 00:27:42,240 --> 00:27:44,960 Speaker 1: shows that I watched when they were on, including Gossip 497 00:27:45,040 --> 00:27:49,040 Speaker 1: Girl when I was far too old poc also how 498 00:27:49,040 --> 00:27:51,520 Speaker 1: old are you? And Gossip Girl was probably was in 499 00:27:51,640 --> 00:27:56,879 Speaker 1: my thirties, but it was my It was like something 500 00:27:57,480 --> 00:28:01,480 Speaker 1: my wife and my wife and I lived in Missouri 501 00:28:01,520 --> 00:28:05,159 Speaker 1: and we just we had each other and whatever was 502 00:28:05,200 --> 00:28:08,800 Speaker 1: on TV. So we watched a lot of gossips. Yeah, 503 00:28:09,119 --> 00:28:14,359 Speaker 1: I like, yeah, wife watched because I know, you know 504 00:28:14,440 --> 00:28:17,399 Speaker 1: a lot about Gossip Girl because whenever like there's anything 505 00:28:17,440 --> 00:28:21,080 Speaker 1: tangentially tangentially connected to the show, you're always pretty like 506 00:28:21,240 --> 00:28:23,399 Speaker 1: knowledgeable on it. So I talked about how I'm a 507 00:28:23,440 --> 00:28:28,439 Speaker 1: Blair Waldorf and all that stuff. So some thoughts I 508 00:28:28,480 --> 00:28:31,840 Speaker 1: had just along the way. So it really wears its 509 00:28:31,880 --> 00:28:35,879 Speaker 1: postmodernism on its sleeve, to the point that, like I 510 00:28:35,920 --> 00:28:39,840 Speaker 1: asked the question, like ten minutes in are they making 511 00:28:39,880 --> 00:28:43,480 Speaker 1: fun of postmodernism? Like where are they embracing it? Like 512 00:28:43,520 --> 00:28:48,440 Speaker 1: at one point a character walks in and goes, oh, 513 00:28:48,560 --> 00:28:53,520 Speaker 1: thank you Smithers, and Smithers goes, oh, you're welcome. Hermony 514 00:28:53,600 --> 00:28:56,160 Speaker 1: and it's just like, yeah, what the funk? Like goes 515 00:28:56,200 --> 00:28:59,959 Speaker 1: are just such like you're just throwing out pop culture 516 00:29:00,040 --> 00:29:05,640 Speaker 1: reverence left and right. That's like so weird. But yeah, 517 00:29:05,720 --> 00:29:08,640 Speaker 1: I don't know. I thought it was good. I thought 518 00:29:08,640 --> 00:29:12,120 Speaker 1: it was like, you know, heightened writing, which is I 519 00:29:12,160 --> 00:29:16,200 Speaker 1: think always fun. I think more places should do that. 520 00:29:16,320 --> 00:29:20,240 Speaker 1: I don't know why it is always uh teen shows. 521 00:29:20,320 --> 00:29:22,320 Speaker 1: Like that's a question I have coming out of this, 522 00:29:22,400 --> 00:29:27,880 Speaker 1: is why do like the equivalent of like why a TV? 523 00:29:28,360 --> 00:29:30,840 Speaker 1: Like what why are those the shows that get away 524 00:29:30,880 --> 00:29:35,480 Speaker 1: with like writing in heightened English as opposed to you know, 525 00:29:35,560 --> 00:29:38,800 Speaker 1: shows for adults. But I kind of wonder, like I 526 00:29:38,800 --> 00:29:42,960 Speaker 1: don't know, like watching Old Riverdale now just like makes 527 00:29:43,040 --> 00:29:48,040 Speaker 1: my determination to end the horny lighting trend all the 528 00:29:48,120 --> 00:29:51,640 Speaker 1: more strong. It's every teen show in the past five 529 00:29:51,720 --> 00:29:56,160 Speaker 1: years has been lit exclusively by like smart light bulbs 530 00:29:56,160 --> 00:29:59,160 Speaker 1: from Amazon dot com that are blue and purple. That's 531 00:29:59,240 --> 00:30:04,040 Speaker 1: the whole They're called by Phillips Euphoria does the say 532 00:30:04,120 --> 00:30:07,520 Speaker 1: like every teen show has the horny lighting, every single one. 533 00:30:07,520 --> 00:30:10,000 Speaker 1: It's funny. I was like, it's my first time like 534 00:30:10,040 --> 00:30:13,200 Speaker 1: watching the show and I was like, oh wow, they 535 00:30:13,240 --> 00:30:15,600 Speaker 1: were like really lit. This thing very like it's very 536 00:30:15,600 --> 00:30:17,400 Speaker 1: well shot, which I was not expecting for like a 537 00:30:17,440 --> 00:30:20,320 Speaker 1: CW teen drama. But literally, the only note that I 538 00:30:20,360 --> 00:30:22,920 Speaker 1: wrote down was like, why does everyone in Riverdale look 539 00:30:22,960 --> 00:30:27,200 Speaker 1: like this? They're all like supposedly like sixteen year old 540 00:30:27,240 --> 00:30:30,800 Speaker 1: like juniors in high school, but they are all like 541 00:30:31,000 --> 00:30:34,240 Speaker 1: Archie is ripped, like he's got he's got apps that 542 00:30:34,280 --> 00:30:36,920 Speaker 1: I haven't even seen between like he they're like justifications 543 00:30:36,920 --> 00:30:39,440 Speaker 1: that like he had construction for two months and now 544 00:30:39,520 --> 00:30:43,920 Speaker 1: he's like this ripped, chiseled jawed sixteen year old who 545 00:30:44,000 --> 00:30:46,520 Speaker 1: like and also like it's like, yo, this guy is 546 00:30:46,560 --> 00:30:50,160 Speaker 1: twenty eight. Yeah, this guy's twenty eight. He's also two 547 00:30:50,240 --> 00:30:56,320 Speaker 1: now he was he was actually young because he is 548 00:30:56,440 --> 00:31:02,000 Speaker 1: so uh like good looking that I it felt like 549 00:31:02,040 --> 00:31:05,360 Speaker 1: a generational flex to have him and then his dad 550 00:31:05,360 --> 00:31:08,160 Speaker 1: be Luke Perry because they're like, this is your idea 551 00:31:08,200 --> 00:31:11,360 Speaker 1: of a hot guy this year, Like like his jaw 552 00:31:11,400 --> 00:31:14,480 Speaker 1: bone is like bigger than Luke Barry's head. It's wild. 553 00:31:15,360 --> 00:31:18,440 Speaker 1: I also think this guy's good looking. Check he kind 554 00:31:18,440 --> 00:31:26,200 Speaker 1: of looks like Archie is a babe. There's something weird 555 00:31:26,240 --> 00:31:31,240 Speaker 1: about he looks like Homeboy from Dexter, like had had 556 00:31:31,240 --> 00:31:33,400 Speaker 1: a lot of d aging done and started doing like 557 00:31:33,480 --> 00:31:36,920 Speaker 1: high intensity interval training. He does he does have that look, 558 00:31:36,920 --> 00:31:39,160 Speaker 1: but look he like he warned me over he's I 559 00:31:39,160 --> 00:31:40,800 Speaker 1: think he was a babe. I mean maybe it's because 560 00:31:40,800 --> 00:31:44,880 Speaker 1: he's also a football player, a construction looker, and a musician. 561 00:31:45,840 --> 00:31:52,680 Speaker 1: Uh yeah, don't you he's a musician too, Yeah he yeah, dude. 562 00:31:53,080 --> 00:31:55,520 Speaker 1: Like there's like one of the subplots for the pilot 563 00:31:55,560 --> 00:31:59,320 Speaker 1: is that he's also he like apparently slept with like 564 00:31:59,360 --> 00:32:01,720 Speaker 1: his music teacher, which is like no one, no one 565 00:32:01,760 --> 00:32:03,800 Speaker 1: was like, hey, this is like weird. That years that 566 00:32:03,920 --> 00:32:05,960 Speaker 1: this whole situation is weird. But yeah, so he sleeps 567 00:32:06,000 --> 00:32:08,320 Speaker 1: with like his music teacher, and then there's this whole 568 00:32:08,360 --> 00:32:11,520 Speaker 1: subplot where like he's working on like a demo and 569 00:32:11,560 --> 00:32:13,200 Speaker 1: like he's trying to get notes from her to like 570 00:32:13,520 --> 00:32:18,080 Speaker 1: make it better. Yeah. Everyone who hears it is like, whoa, 571 00:32:18,280 --> 00:32:25,360 Speaker 1: that's you. That's fucking amazing, dude. Uh yeah, so Jan's 572 00:32:25,400 --> 00:32:32,240 Speaker 1: assistant hunter in the office, He's like, Yeah. The subplot is, 573 00:32:32,400 --> 00:32:36,520 Speaker 1: first of all, they introduced the teacher who you know, 574 00:32:36,640 --> 00:32:40,080 Speaker 1: does statutory rape on him. They introduce her by having 575 00:32:40,120 --> 00:32:44,240 Speaker 1: her drive by with Lolita glasses. On like they're like, 576 00:32:44,280 --> 00:32:49,160 Speaker 1: ha ha, get it. It's dread frames, the heart frames, 577 00:32:51,080 --> 00:32:53,680 Speaker 1: and she's like sipping on a drink in a way 578 00:32:53,720 --> 00:33:00,200 Speaker 1: that I think the Lolita like movie cover, Like hass 579 00:33:00,320 --> 00:33:03,600 Speaker 1: it's like a direct reference to um and they're like 580 00:33:03,680 --> 00:33:07,640 Speaker 1: get it. But this time she's the rapist. That's fun. 581 00:33:08,080 --> 00:33:11,640 Speaker 1: But then like there's this whole like it's smartly written 582 00:33:11,640 --> 00:33:14,920 Speaker 1: and that the words they say are clearly written by 583 00:33:14,960 --> 00:33:18,720 Speaker 1: somebody who you know, has an English degree, but the 584 00:33:19,280 --> 00:33:24,640 Speaker 1: it's also like dumb in just the things that happened, 585 00:33:24,640 --> 00:33:27,800 Speaker 1: like they witnessed a crime while they were doing a 586 00:33:27,840 --> 00:33:31,160 Speaker 1: statutory rape, and then they're like, well, we can't tell 587 00:33:31,200 --> 00:33:34,560 Speaker 1: anybody we were there, and it's like why don't Why 588 00:33:34,600 --> 00:33:37,120 Speaker 1: doesn't just one of you say you were there, But 589 00:33:37,160 --> 00:33:41,000 Speaker 1: they're like no, everybody will know, and it's just very 590 00:33:41,120 --> 00:33:44,680 Speaker 1: very dumb. Is that the teacher. I feel like that's 591 00:33:44,720 --> 00:33:47,200 Speaker 1: the one episode I've seen where her punishment is they 592 00:33:47,200 --> 00:33:49,400 Speaker 1: tell her to leave town. Yeah, that happens I think 593 00:33:49,440 --> 00:33:53,120 Speaker 1: in a future episode. And this one it's just how 594 00:33:54,160 --> 00:33:56,959 Speaker 1: they're like, oh my god, you're you're a sexual you're 595 00:33:56,960 --> 00:34:01,400 Speaker 1: a sexual predator. Please go yes, I read ahead, and 596 00:34:01,440 --> 00:34:06,360 Speaker 1: they they find out that she has like stolen somebody's identity. Uh, 597 00:34:06,400 --> 00:34:10,360 Speaker 1: and like, so she is somebody who has like skipped 598 00:34:10,400 --> 00:34:13,200 Speaker 1: from town to town. She says it's because she's trying 599 00:34:13,239 --> 00:34:17,520 Speaker 1: to escape an abusive relationship. But that's very textbook like 600 00:34:17,600 --> 00:34:22,920 Speaker 1: sexual predator, like just leaving, like adopting different personalities and 601 00:34:23,000 --> 00:34:25,319 Speaker 1: like going from town to town and they're just like, 602 00:34:25,440 --> 00:34:29,080 Speaker 1: you get out of here, you scamp. How far has 603 00:34:29,280 --> 00:34:32,280 Speaker 1: as any as people watched this show, Like, has anyone 604 00:34:32,280 --> 00:34:35,560 Speaker 1: else seen more than this particular episode. I've seen the 605 00:34:35,560 --> 00:34:38,040 Speaker 1: first season, but it was a while ago. I watched 606 00:34:38,040 --> 00:34:40,760 Speaker 1: it when it was coming out. I've seen assorted episodes 607 00:34:40,800 --> 00:34:42,560 Speaker 1: and the only one I can remember is that they 608 00:34:42,600 --> 00:34:46,800 Speaker 1: solved a sexual predator who statutory is a statutory rapists 609 00:34:46,840 --> 00:34:48,400 Speaker 1: and they just said leave town. And that's like, and 610 00:34:48,480 --> 00:34:51,439 Speaker 1: that's that's all I know about Rifforddalne. So this this show, 611 00:34:51,520 --> 00:34:53,000 Speaker 1: Like there are a couple of writers in the last 612 00:34:53,080 --> 00:34:54,799 Speaker 1: room I was in that were really big fans of 613 00:34:54,800 --> 00:34:57,120 Speaker 1: the show, and they would just talk about it without 614 00:34:57,120 --> 00:34:59,640 Speaker 1: out of context in the room sometimes. But apparently there's 615 00:34:59,680 --> 00:35:02,680 Speaker 1: a point where there's like an underground fighting ring that 616 00:35:02,880 --> 00:35:04,840 Speaker 1: Archie has to go to prison four and like he 617 00:35:04,880 --> 00:35:07,920 Speaker 1: sneaks into prison or like he makes himself go to prison. 618 00:35:08,200 --> 00:35:10,560 Speaker 1: Then he becomes like the number one fighter in this 619 00:35:10,680 --> 00:35:13,400 Speaker 1: underground fighting ring. And then later on in that season 620 00:35:13,440 --> 00:35:17,439 Speaker 1: he fights a bear in winds Yes. Look if I'm lying, 621 00:35:17,440 --> 00:35:19,880 Speaker 1: I'm flying right now, I'm on the ground. Folks, listeners, 622 00:35:20,040 --> 00:35:25,920 Speaker 1: anyone has seen this? This that rules man? Yeah, I 623 00:35:25,920 --> 00:35:28,600 Speaker 1: mean that they kind of set you up for that 624 00:35:28,719 --> 00:35:31,680 Speaker 1: with this first episode where he just does everything I 625 00:35:31,680 --> 00:35:34,920 Speaker 1: I wouldn't like it had he gotten into a fist 626 00:35:34,920 --> 00:35:37,360 Speaker 1: fight with a bear in this episode, I would have 627 00:35:37,560 --> 00:35:42,560 Speaker 1: expected him to win. Justloads the bears skull with the 628 00:35:42,600 --> 00:35:45,600 Speaker 1: first article that popped up when you look up Archie 629 00:35:45,640 --> 00:35:49,919 Speaker 1: Bear episode is Riverdale fans baffled after Archie comes back 630 00:35:49,960 --> 00:35:53,000 Speaker 1: to life after bear attack and manages to sit high 631 00:35:53,040 --> 00:35:59,920 Speaker 1: school exams just days later. It's the greatest show on television? 632 00:36:00,120 --> 00:36:02,799 Speaker 1: Is it at least fun to watch and it's absurdity 633 00:36:02,960 --> 00:36:06,960 Speaker 1: or was it completely just like like soul sucking to watch. 634 00:36:07,040 --> 00:36:09,560 Speaker 1: Let me just read you some of the lines to 635 00:36:09,719 --> 00:36:15,000 Speaker 1: answer that question. Uh so, Betty is uh this like 636 00:36:15,560 --> 00:36:20,560 Speaker 1: type A aspiring, like overachiever. She's just come back from 637 00:36:20,560 --> 00:36:24,040 Speaker 1: her literary internship in New York where she got to 638 00:36:24,120 --> 00:36:28,239 Speaker 1: hang out with Tony Morrison, and Tony Morrison says to her, 639 00:36:29,120 --> 00:36:33,080 Speaker 1: she this line happened. She goes. Tony Morrison says, one 640 00:36:33,160 --> 00:36:41,160 Speaker 1: summer can change everything. High school yearbook inscription Tony Morrison, 641 00:36:41,320 --> 00:36:45,880 Speaker 1: our greatest writers is like, you know, one change, one summer, 642 00:36:45,920 --> 00:36:49,120 Speaker 1: you can change everything, and stay don't ever change. You're 643 00:36:49,120 --> 00:36:53,359 Speaker 1: the best. Uh stay cool. I forgot about that. I'm 644 00:36:53,360 --> 00:36:58,960 Speaker 1: forgot about the whole interaction. Someone calls him justin ginger 645 00:36:59,080 --> 00:37:05,759 Speaker 1: Lake because he wants to sing, okay, hilarious, that is great. Uh, 646 00:37:05,840 --> 00:37:08,840 Speaker 1: you should be this is a line. You should be 647 00:37:08,880 --> 00:37:15,960 Speaker 1: the queen bay of this drab hive, like screams like 648 00:37:16,239 --> 00:37:20,520 Speaker 1: forty year old big like okay, teenagers, teenagers, teenager. That's 649 00:37:20,560 --> 00:37:24,520 Speaker 1: the only line I actually likeikes next to I also 650 00:37:24,680 --> 00:37:27,400 Speaker 1: forgot that that josin the Pussycats that was in this 651 00:37:27,400 --> 00:37:30,439 Speaker 1: show as well, like, which is something that like these 652 00:37:30,440 --> 00:37:32,880 Speaker 1: are because I've never read the Archie comics, but I 653 00:37:32,880 --> 00:37:36,200 Speaker 1: just remember those like old like sixties seventies, like cartoons 654 00:37:36,200 --> 00:37:38,279 Speaker 1: and stuff, and like, I'm watching this and are they 655 00:37:38,320 --> 00:37:41,319 Speaker 1: going to do a spinoff of josin the pussycats. Are 656 00:37:41,360 --> 00:37:43,359 Speaker 1: they building through all my little m c U of 657 00:37:43,400 --> 00:37:47,200 Speaker 1: like Archie Archie universe. It feels like it. It really 658 00:37:47,200 --> 00:37:50,480 Speaker 1: feels like it. What wouldn't I give? Jam is up 659 00:37:50,480 --> 00:37:53,480 Speaker 1: to date? Jam's one of our writers that uh and 660 00:37:53,600 --> 00:37:56,279 Speaker 1: he uh so he's fully up to date. He did 661 00:37:56,280 --> 00:38:00,279 Speaker 1: a little research apparently when they were first discuss saying 662 00:38:00,280 --> 00:38:04,400 Speaker 1: this that the person who wrote this and became I 663 00:38:04,440 --> 00:38:09,880 Speaker 1: think CEO of Archies Archie Comics or whatever the company 664 00:38:09,960 --> 00:38:13,480 Speaker 1: is that like owns that I p um was like 665 00:38:13,600 --> 00:38:16,600 Speaker 1: wrote a play, Like started his career by writing a 666 00:38:16,680 --> 00:38:20,520 Speaker 1: play in which Archie comes out as gay, and he 667 00:38:20,719 --> 00:38:23,840 Speaker 1: got sued by Archie Comics and then ended up writing 668 00:38:23,880 --> 00:38:27,879 Speaker 1: this show and becoming CEO of Archie Comics. Um. But 669 00:38:28,080 --> 00:38:30,520 Speaker 1: he he said, when he first pitched this show to 670 00:38:30,800 --> 00:38:35,160 Speaker 1: uh Universal, the executives were like, wait, but Archie takes 671 00:38:35,160 --> 00:38:38,319 Speaker 1: place in the fifties and he was like, yeah, well 672 00:38:38,360 --> 00:38:41,439 Speaker 1: this is like kind of postmodern. He's like They're like, well, 673 00:38:41,480 --> 00:38:44,840 Speaker 1: what so he goes through a portal to another dimension 674 00:38:45,880 --> 00:38:53,600 Speaker 1: Like that sounds about right, yeah, because their explanation portals 675 00:38:53,640 --> 00:38:59,800 Speaker 1: are huge right now. There was They suggested casting Louis 676 00:39:00,160 --> 00:39:12,960 Speaker 1: k as An older Archie, great around, all around suggestions. God. Um, 677 00:39:13,040 --> 00:39:17,200 Speaker 1: but anyways, five stars, great, great movie. Yeah, I think 678 00:39:17,400 --> 00:39:18,919 Speaker 1: I think I'm actually going to go back and watch 679 00:39:19,000 --> 00:39:21,080 Speaker 1: second episode because they did leave on a pretty good 680 00:39:21,080 --> 00:39:26,520 Speaker 1: cliff finger. I mean, it feels like so absurd that, 681 00:39:26,560 --> 00:39:28,839 Speaker 1: like you know, like it's like with Scandal, like at 682 00:39:28,840 --> 00:39:30,920 Speaker 1: one point it just went off the rails and you're like, 683 00:39:31,000 --> 00:39:32,759 Speaker 1: I don't know, I'm here for it, I guess, and 684 00:39:32,760 --> 00:39:34,560 Speaker 1: then I'll put it to bed. But like these writers 685 00:39:34,560 --> 00:39:37,960 Speaker 1: are having a lot of fun. Yeah, Like it's like, 686 00:39:38,120 --> 00:39:40,480 Speaker 1: damn they It's like every time they're in a problem, 687 00:39:40,480 --> 00:39:42,960 Speaker 1: they always solve it with the day of sex Macina moment. 688 00:39:43,040 --> 00:39:46,520 Speaker 1: But whatever, Alright, I should say that. And by the way, 689 00:39:46,520 --> 00:39:49,120 Speaker 1: it's always a bear in this like the bear comes 690 00:39:49,120 --> 00:39:57,399 Speaker 1: in there shot Jr. Again. Um, but this is uh 691 00:39:57,560 --> 00:39:59,759 Speaker 1: so this isn't the top ten because they apparently just 692 00:39:59,800 --> 00:40:03,200 Speaker 1: for least the fourth season on Netflix. And the big 693 00:40:03,239 --> 00:40:07,000 Speaker 1: news around season four is Skeet all Rich is leaving 694 00:40:07,040 --> 00:40:11,040 Speaker 1: the show. He plays jug Heads Dad and he announced 695 00:40:11,880 --> 00:40:15,640 Speaker 1: dat year old. Yeah, so that's the thing. He announced 696 00:40:15,640 --> 00:40:18,920 Speaker 1: that he's leaving in an i G Live video with 697 00:40:18,960 --> 00:40:22,439 Speaker 1: his girlfriend, who is the same age as the kid 698 00:40:22,440 --> 00:40:27,120 Speaker 1: who plays the son, so shout out to him Ski 699 00:40:27,600 --> 00:40:34,719 Speaker 1: famously real name Brian ray Trout. I mean that is 700 00:40:36,239 --> 00:40:39,200 Speaker 1: it is shocking that like skeet al Rich isn't like 701 00:40:39,400 --> 00:40:41,919 Speaker 1: a morning zoo host. I feel like that's the only 702 00:40:41,960 --> 00:40:47,280 Speaker 1: appropriate job for someone named skeet Ya the bear set 703 00:40:47,360 --> 00:40:58,320 Speaker 1: the bear and then yeah, it's like a shotgun getting pumped. Alright, alright, Oh, actually, 704 00:40:58,400 --> 00:41:01,240 Speaker 1: let's take a quick break and come back with Capone 705 00:41:01,560 --> 00:41:17,440 Speaker 1: and Last Airbender. Hell yeah, and we're back, and let's 706 00:41:17,480 --> 00:41:23,600 Speaker 1: bring in super producer on A. Hosnia because she is 707 00:41:23,640 --> 00:41:27,520 Speaker 1: the person who turned us on to the Capone, the 708 00:41:28,440 --> 00:41:33,120 Speaker 1: new Capone movie with Tom Hardy and uh that Miles 709 00:41:33,280 --> 00:41:36,120 Speaker 1: and Anna are both going to tell us about Capone? 710 00:41:36,400 --> 00:41:39,239 Speaker 1: What what did you guys learn? Real quick? Can I 711 00:41:39,360 --> 00:41:43,839 Speaker 1: say I had no idea that Riverdale was based off 712 00:41:43,920 --> 00:41:51,640 Speaker 1: the Archie comics, And truly I've been around Archie I know, 713 00:41:51,840 --> 00:41:56,440 Speaker 1: and just wait, I have been around people watching it 714 00:41:56,680 --> 00:41:59,040 Speaker 1: and they say the character's names, and every time I'm like, 715 00:41:59,160 --> 00:42:01,399 Speaker 1: isn't that aren't those same? That's so funny they used 716 00:42:01,400 --> 00:42:03,799 Speaker 1: the same I'm not even joking. I literally just thought 717 00:42:03,840 --> 00:42:06,239 Speaker 1: it was a coincidence. That they all had the same names, 718 00:42:06,400 --> 00:42:09,719 Speaker 1: because like it was like impossible that this show had 719 00:42:09,760 --> 00:42:13,680 Speaker 1: anything to do with the Archie stimately never thought about 720 00:42:13,719 --> 00:42:15,879 Speaker 1: it that much. Like I just was always like, that's 721 00:42:15,880 --> 00:42:18,360 Speaker 1: a funny junkhead. Isn't that from that one comic? But 722 00:42:18,480 --> 00:42:21,360 Speaker 1: I just wouldn't think further. I I'm completely with you, 723 00:42:21,520 --> 00:42:23,160 Speaker 1: because like if you just look at it from his 724 00:42:23,200 --> 00:42:26,040 Speaker 1: face value, when you see like this red this ginger 725 00:42:26,320 --> 00:42:28,160 Speaker 1: fist fighting a bear, You're like, there's no way this 726 00:42:28,239 --> 00:42:31,560 Speaker 1: is about the comic about getting like egg creams and 727 00:42:31,560 --> 00:42:36,400 Speaker 1: eating hamburgers. I just thought it was just a standalone, 728 00:42:36,560 --> 00:42:40,520 Speaker 1: like weird teen drama. Like nothing in my mind connected 729 00:42:40,800 --> 00:42:43,040 Speaker 1: any of those dots. Like when I learned that, I 730 00:42:43,120 --> 00:42:46,040 Speaker 1: got upset because I was like, that doesn't add anything 731 00:42:46,080 --> 00:42:49,080 Speaker 1: to this show at all, Like this could just river. 732 00:42:49,760 --> 00:42:53,040 Speaker 1: Everyone who has red hair in this is like a 733 00:42:53,239 --> 00:42:57,080 Speaker 1: person who's never seen a redheaded person's ideal of what 734 00:42:57,160 --> 00:43:00,520 Speaker 1: a redheaded person would be, Like it's like a fake 735 00:43:00,600 --> 00:43:04,000 Speaker 1: red hair. It's so weird. But literally like half of 736 00:43:04,040 --> 00:43:10,120 Speaker 1: the cast as has the same red hair. Yeah yeah, 737 00:43:10,160 --> 00:43:13,720 Speaker 1: but Capone we talked recently about how I talked recently 738 00:43:13,719 --> 00:43:17,360 Speaker 1: about how my theory that people are gonna be obsessed 739 00:43:17,400 --> 00:43:21,880 Speaker 1: with like those thirties criminals, and maybe we'll get our 740 00:43:21,920 --> 00:43:26,600 Speaker 1: own Robin hoods because we're heading into our own depression. 741 00:43:27,440 --> 00:43:29,799 Speaker 1: I don't know that this whole thing started off with 742 00:43:29,840 --> 00:43:32,239 Speaker 1: Anna laughing, being like, I don't know if you guys 743 00:43:32,239 --> 00:43:34,680 Speaker 1: seeing capone I saw She's like, I don't know what 744 00:43:34,760 --> 00:43:37,040 Speaker 1: to think, but she was laughing, so she seemed like 745 00:43:37,080 --> 00:43:40,040 Speaker 1: it was entertaining enough to watch. Jack. You said that 746 00:43:40,080 --> 00:43:43,040 Speaker 1: you read a tweet that said they didn't know if 747 00:43:43,160 --> 00:43:45,600 Speaker 1: Tom Hardy was trying to either win an Oscar or 748 00:43:45,640 --> 00:43:50,719 Speaker 1: a Razzie or do both simultaneously. Yeah, I feel like 749 00:43:50,880 --> 00:43:55,040 Speaker 1: that is probably the most accurate tweet of this of 750 00:43:55,440 --> 00:44:00,440 Speaker 1: what this film is. It like vacillates between like moments 751 00:44:00,480 --> 00:44:02,960 Speaker 1: I'm like, wow, this is interesting to points, I'm like, 752 00:44:03,160 --> 00:44:08,480 Speaker 1: can I turn this fucking bullshit off? That's exactly stupid. 753 00:44:09,120 --> 00:44:13,840 Speaker 1: But yeah, I mean the voice, the voices are honestly, 754 00:44:13,960 --> 00:44:17,319 Speaker 1: I'm a bit of a I'm a Tom Hardy accent head. 755 00:44:17,600 --> 00:44:20,320 Speaker 1: I love I love a Tom Hardy accent. I watch 756 00:44:20,400 --> 00:44:23,120 Speaker 1: his movies because I love his accent. I want to 757 00:44:23,120 --> 00:44:29,640 Speaker 1: see what correct like any you know, Revenant lock Lawless 758 00:44:29,680 --> 00:44:32,239 Speaker 1: all these goddamn films where you're like, what is he 759 00:44:32,400 --> 00:44:36,200 Speaker 1: bringing to the table. But it's fascinating to see this 760 00:44:36,280 --> 00:44:39,920 Speaker 1: actor where it's enjoyable because you know, Tom Hardy is 761 00:44:39,960 --> 00:44:44,160 Speaker 1: having a good time doing this and no one is 762 00:44:44,200 --> 00:44:47,520 Speaker 1: saying cut. They're like, put Tom Hardy to run around 763 00:44:47,520 --> 00:44:51,080 Speaker 1: this Miami mansion and we will, like we will just 764 00:44:51,239 --> 00:44:55,920 Speaker 1: film him like doing Tom Hardy at the fullest. You know, 765 00:44:56,920 --> 00:45:00,479 Speaker 1: I don't know a lot about al Capone. I don't 766 00:45:00,480 --> 00:45:03,960 Speaker 1: know if like this at the end, Like I don't 767 00:45:03,960 --> 00:45:10,239 Speaker 1: know what what's going on. It's crazy. It sounds like 768 00:45:10,280 --> 00:45:14,719 Speaker 1: the Grandma and SpongeBob, but like add like a Brooklyn 769 00:45:14,800 --> 00:45:19,239 Speaker 1: accent that's fading. It's absurd. Yes, So, first of all, 770 00:45:19,480 --> 00:45:22,080 Speaker 1: every it's another. The other instinct thing is it's one 771 00:45:22,080 --> 00:45:25,319 Speaker 1: of those films too where he plays look so al 772 00:45:25,360 --> 00:45:28,200 Speaker 1: Capone like, you know, had syphilis from the time he 773 00:45:28,239 --> 00:45:31,640 Speaker 1: was like in his teens basically and like into until 774 00:45:31,680 --> 00:45:35,200 Speaker 1: death basically. So this is the last year of his 775 00:45:35,560 --> 00:45:40,360 Speaker 1: wild out there. Dude, he's just an absolute mess. He 776 00:45:40,480 --> 00:45:44,040 Speaker 1: can't he can barely see. He's senile, he's having strokes. 777 00:45:44,320 --> 00:45:48,560 Speaker 1: He's literally shifting the bed in ways I've never seen 778 00:45:48,680 --> 00:45:56,640 Speaker 1: in films like The Blasting. Yeah, do you see it? Yes, yes, 779 00:45:58,840 --> 00:46:01,760 Speaker 1: it's not even dropping. It looks like when they're putting 780 00:46:02,040 --> 00:46:04,600 Speaker 1: his stuckle on the side of a building. I got 781 00:46:04,640 --> 00:46:10,920 Speaker 1: this and May CARDLINI w plays May. His wife is like, 782 00:46:10,960 --> 00:46:17,000 Speaker 1: what the fun this poor woman? This poor woman is 783 00:46:17,000 --> 00:46:20,279 Speaker 1: being like, oh no, they don't call him out. You're 784 00:46:20,280 --> 00:46:22,040 Speaker 1: not allowed to call him out. They all call him 785 00:46:22,080 --> 00:46:29,960 Speaker 1: fond and you ship the back come on, and he's like, 786 00:46:32,680 --> 00:46:35,960 Speaker 1: but there's these scenes where like, you know, I've you know, 787 00:46:36,160 --> 00:46:38,919 Speaker 1: my grandmother had dementia, and I've seen if you've seen 788 00:46:38,960 --> 00:46:41,759 Speaker 1: people sort of lose themselves in those kinds of with 789 00:46:41,800 --> 00:46:45,000 Speaker 1: those sorts of afflictions. He does that really well. There 790 00:46:45,000 --> 00:46:48,520 Speaker 1: are moments where like he looks vacant in his eyes, 791 00:46:48,880 --> 00:46:52,200 Speaker 1: he can't put a sentence together. You don't know if 792 00:46:52,239 --> 00:46:55,680 Speaker 1: he's actually hearing what people are telling him. And those 793 00:46:55,680 --> 00:46:58,200 Speaker 1: are the moments I go, damn, this is like really 794 00:46:58,280 --> 00:47:02,000 Speaker 1: well acted. Then the do a scene where Neil Brennan 795 00:47:02,160 --> 00:47:05,279 Speaker 1: plays his lawyer. I'm like, this motherfucker does not need 796 00:47:05,320 --> 00:47:07,920 Speaker 1: to be in this movie. He looks like the fucking 797 00:47:07,960 --> 00:47:12,640 Speaker 1: teacher in South Park what he got because his chin 798 00:47:12,840 --> 00:47:15,800 Speaker 1: turns into like it's jarring to see Neil Brennon in 799 00:47:15,840 --> 00:47:18,359 Speaker 1: this as Neil Brendan. Neil Brennan does take you out 800 00:47:18,360 --> 00:47:20,200 Speaker 1: of the film first, and you're like, yeah, it's like 801 00:47:20,280 --> 00:47:22,640 Speaker 1: that reminds me of when Bobo and Kirk showed up 802 00:47:22,640 --> 00:47:27,000 Speaker 1: in Little Women and you're like, what, hello, my Little Women? 803 00:47:29,239 --> 00:47:32,400 Speaker 1: Little Women? Like here, I'm like, hook him up with 804 00:47:32,440 --> 00:47:37,359 Speaker 1: a better Yeah, there are certain people who can't. Uh. 805 00:47:37,520 --> 00:47:42,120 Speaker 1: This was William Goldman's observation about why his movie The 806 00:47:42,120 --> 00:47:44,640 Speaker 1: Ghost in the Darkness tagged to the box office. He 807 00:47:44,719 --> 00:47:49,920 Speaker 1: was like, Michael Douglas can't play anybody except the present tense, 808 00:47:50,120 --> 00:47:54,000 Speaker 1: and I feel like Neil Brennan and Bobo and Kirk 809 00:47:54,040 --> 00:47:57,719 Speaker 1: are the same. I'm just like, why no, they're just 810 00:47:57,760 --> 00:48:02,560 Speaker 1: somebody from now who's pretending to be from That scene 811 00:48:02,719 --> 00:48:09,239 Speaker 1: is punctuated by a ship joke. Yeah, but it's like 812 00:48:09,320 --> 00:48:13,080 Speaker 1: in the middle of a contentious interview. But here's the thing. 813 00:48:13,280 --> 00:48:15,640 Speaker 1: I do want to shout out all the other actors. 814 00:48:15,680 --> 00:48:18,400 Speaker 1: This is what's weird. They're writing the where they're like 815 00:48:18,400 --> 00:48:20,799 Speaker 1: they're telling the story the ending and I know you said, 816 00:48:20,800 --> 00:48:23,239 Speaker 1: you're like, wait to the ending. I don't know what 817 00:48:23,360 --> 00:48:25,040 Speaker 1: I don't again, I don't know what the funk was 818 00:48:25,080 --> 00:48:28,080 Speaker 1: going on with that ending. My sort of view on 819 00:48:28,120 --> 00:48:31,440 Speaker 1: it is like it's a great airplane movie, like but 820 00:48:31,600 --> 00:48:34,799 Speaker 1: now I feel that overall, I feel like I'm our 821 00:48:34,960 --> 00:48:37,600 Speaker 1: entire existence is like an airplane where we're just sort 822 00:48:37,640 --> 00:48:39,799 Speaker 1: of like, yeah, dude, I got nothing but time, Like 823 00:48:39,840 --> 00:48:42,520 Speaker 1: I'll fucking watch campone, And as I was watching it, 824 00:48:42,760 --> 00:48:45,760 Speaker 1: I think normally like, what a fucking waste of time, 825 00:48:46,160 --> 00:48:49,040 Speaker 1: rather than like I don't have Okay, sure, oh interesting 826 00:48:49,120 --> 00:48:52,359 Speaker 1: and that was stupid looks good for his age still 827 00:48:54,719 --> 00:49:00,120 Speaker 1: with Josh Trnk Right, Yeah, it was in director Drell 828 00:49:00,239 --> 00:49:02,800 Speaker 1: deservedly and this was like how he got out was 829 00:49:02,920 --> 00:49:05,839 Speaker 1: doing the component movie right, like this was like big 830 00:49:05,840 --> 00:49:08,919 Speaker 1: follow up to Fantasy for it feels like a lot 831 00:49:08,960 --> 00:49:11,480 Speaker 1: of I mean, it bears a lot of resemblance to 832 00:49:11,560 --> 00:49:14,400 Speaker 1: that shitty Renee's Elwi Group movie that she Just Got 833 00:49:14,440 --> 00:49:18,080 Speaker 1: an Oscar for too, of like playing a tragic figure 834 00:49:18,360 --> 00:49:20,840 Speaker 1: in the last year of their life in an attempt 835 00:49:20,840 --> 00:49:23,720 Speaker 1: to win an oscar. But what makes me just nervous 836 00:49:23,719 --> 00:49:26,359 Speaker 1: about even hearing what happens in this movie is just 837 00:49:27,040 --> 00:49:31,799 Speaker 1: knowing that Tom Hardy famously does method, so this had 838 00:49:31,840 --> 00:49:36,600 Speaker 1: to have been a fucking nightmare. Everything everywhere. His trailer 839 00:49:36,760 --> 00:49:41,560 Speaker 1: was just stackled, just drop in the deuces everywhere. My favorite, 840 00:49:41,640 --> 00:49:44,200 Speaker 1: my favorite example of just I mean, I don't know, 841 00:49:44,239 --> 00:49:47,120 Speaker 1: I I don't feel one way or another about Tom Hardy, 842 00:49:47,160 --> 00:49:49,479 Speaker 1: but like he he went into there're all these stories 843 00:49:49,480 --> 00:49:51,840 Speaker 1: about how message he was on the set of Mad Max, 844 00:49:52,280 --> 00:49:55,280 Speaker 1: even though it's like it didn't seem necessary for that character. 845 00:49:55,800 --> 00:49:59,359 Speaker 1: And Charlie Saran did like a very sweet interview where 846 00:49:59,360 --> 00:50:01,960 Speaker 1: she was like, yeah, that's what he does personally. I 847 00:50:02,080 --> 00:50:10,600 Speaker 1: just show up and work, Like yeah, that's what it's 848 00:50:10,600 --> 00:50:14,920 Speaker 1: called acting. All right, So would you recommend like actually 849 00:50:15,000 --> 00:50:18,120 Speaker 1: spending Like should I watch this movie if you like 850 00:50:18,320 --> 00:50:23,240 Speaker 1: Tom Hardy and you enjoy watching an absurd Tom Hardy performance, 851 00:50:23,280 --> 00:50:26,240 Speaker 1: like I love an absurd Tom Hardy performance, Yes, watch 852 00:50:26,320 --> 00:50:29,000 Speaker 1: the movie. You will be like blown away how hard 853 00:50:29,040 --> 00:50:32,399 Speaker 1: he commits because there are points where I forget I'm watching, 854 00:50:32,480 --> 00:50:36,000 Speaker 1: like he commits so hard, where like Miles was saying, 855 00:50:36,000 --> 00:50:39,000 Speaker 1: where I'm like, this guy actually is like like I 856 00:50:39,040 --> 00:50:43,319 Speaker 1: think he has lost it. Uh. It feels real in 857 00:50:43,440 --> 00:50:47,160 Speaker 1: moments where you're like this is so depressing, Like I 858 00:50:47,200 --> 00:50:50,040 Speaker 1: feel horrible for this guy. Um, and then there's other 859 00:50:50,040 --> 00:50:52,040 Speaker 1: moments where you're like, wow, Tom Hardy really took it there. 860 00:50:52,239 --> 00:50:54,960 Speaker 1: But if you're a person who likes that I pay 861 00:50:55,080 --> 00:50:57,160 Speaker 1: ten dollars to rent this movie, I don't know if 862 00:50:57,160 --> 00:50:59,160 Speaker 1: you want to do that, because you know, like that's 863 00:50:59,239 --> 00:51:02,600 Speaker 1: up to you. You're not going to advocate anyone spend 864 00:51:02,760 --> 00:51:06,440 Speaker 1: money to see this, but if you have some just 865 00:51:06,560 --> 00:51:09,080 Speaker 1: if you've got ten dollars you want to throw away. 866 00:51:09,160 --> 00:51:11,880 Speaker 1: And I mean that pretty literally, like this is going 867 00:51:12,360 --> 00:51:16,120 Speaker 1: into the trash. Uh why not? I mean it's like 868 00:51:16,239 --> 00:51:21,560 Speaker 1: support Trank's career though, or just yeah, like support. It 869 00:51:21,600 --> 00:51:24,040 Speaker 1: was kind of cool to see Matt Dylan again. He 870 00:51:24,160 --> 00:51:28,360 Speaker 1: kind of looks like he's looking fine. And Linda Cardalini 871 00:51:28,560 --> 00:51:32,400 Speaker 1: is has a great performance. Also, Charmaine Buco is in 872 00:51:32,520 --> 00:51:37,280 Speaker 1: it her real name Katherine Narducci. M the quote about 873 00:51:37,680 --> 00:51:40,839 Speaker 1: Oscar and Razzie at the same time as from Scott Mendelssohn, 874 00:51:40,920 --> 00:51:45,280 Speaker 1: the writer at Forbes, and he also mentioned he also 875 00:51:45,360 --> 00:51:47,319 Speaker 1: wrote in the article where he was talking about this 876 00:51:47,360 --> 00:51:50,920 Speaker 1: movie that Josh Trank has a So Josh Trank is 877 00:51:50,920 --> 00:51:55,040 Speaker 1: the guy who did Chronicle the like found footage superhero 878 00:51:55,080 --> 00:51:59,239 Speaker 1: movie and then he did the Fantastic Four, which is 879 00:51:59,280 --> 00:52:07,160 Speaker 1: like one of the fan fan that one. Yeah, yeah, yeah, 880 00:52:07,200 --> 00:52:10,400 Speaker 1: and he was like, yeah, I'd watched Josh Trank's four 881 00:52:10,480 --> 00:52:14,680 Speaker 1: hour Fantastic Four cut. Apparently he's like got this like 882 00:52:14,880 --> 00:52:18,120 Speaker 1: artists this like a director's cut out there of the 883 00:52:18,200 --> 00:52:23,040 Speaker 1: Fantastic for the like nobody wants to see. Can I can? 884 00:52:23,080 --> 00:52:25,920 Speaker 1: I say that the movie does have an actually a 885 00:52:26,080 --> 00:52:29,719 Speaker 1: very funny critique of law enforcement being like kind of 886 00:52:29,760 --> 00:52:33,720 Speaker 1: trash because they really truly believe al Capone is faking 887 00:52:33,719 --> 00:52:37,240 Speaker 1: all this and it's real up. They like our interview 888 00:52:37,320 --> 00:52:39,200 Speaker 1: being like where did you hide the money? And he's 889 00:52:39,239 --> 00:52:44,759 Speaker 1: like and they're like he's faking it, I know. And 890 00:52:44,800 --> 00:52:47,759 Speaker 1: they're like putting money towards this. You're like, okay, you 891 00:52:47,800 --> 00:52:50,960 Speaker 1: guys are wasting money. This fool is shifting himself. He's 892 00:52:51,040 --> 00:52:54,799 Speaker 1: literally delusional. He can't see, like he's seeing things, he's 893 00:52:54,880 --> 00:52:59,120 Speaker 1: having strokes, he's talking to himself, He's watching Wizards of 894 00:52:59,120 --> 00:53:03,200 Speaker 1: the Yaws and pretend to be the the lion Lion 895 00:53:03,360 --> 00:53:05,839 Speaker 1: like he's not here, and you guys are spending all 896 00:53:05,880 --> 00:53:09,600 Speaker 1: this money being like he buried ten million dollars somewhere 897 00:53:09,600 --> 00:53:13,000 Speaker 1: and you're like, oh, wow, the FBI man, where is 898 00:53:13,000 --> 00:53:17,880 Speaker 1: it at your sypholytic fun I mean not let him live? 899 00:53:17,880 --> 00:53:19,760 Speaker 1: And he was a gangster, but like it was funny. 900 00:53:19,760 --> 00:53:22,239 Speaker 1: The one time his mind did come together was to 901 00:53:22,280 --> 00:53:24,239 Speaker 1: sing the Wizard of Os song. That was the one 902 00:53:24,239 --> 00:53:33,800 Speaker 1: time he's the most coherent anyway, Judy, Judy Extended Universe. Okay, 903 00:53:33,840 --> 00:53:36,600 Speaker 1: so guys, tell us this is one that I don't 904 00:53:36,640 --> 00:53:41,120 Speaker 1: know anything about. Well, Zack, have you seen this whole show? 905 00:53:41,360 --> 00:53:45,080 Speaker 1: This was my first, my first foray into it. Yeah, 906 00:53:45,160 --> 00:53:47,719 Speaker 1: I watched it when it was first airing, like ten 907 00:53:47,880 --> 00:53:50,040 Speaker 1: or fifteen years ago. However long ago it was like 908 00:53:50,040 --> 00:53:52,600 Speaker 1: when I was still in like high school and maybe 909 00:53:52,600 --> 00:53:54,480 Speaker 1: even like college, when it was like coming on, like 910 00:53:54,520 --> 00:53:56,759 Speaker 1: I really enjoyed it, but I haven't thought about it 911 00:53:56,800 --> 00:53:59,319 Speaker 1: since then, like rewatching it and being like, oh, this 912 00:53:59,320 --> 00:54:01,840 Speaker 1: show was like one it's just like beautifully animated, but 913 00:54:01,880 --> 00:54:04,239 Speaker 1: also like the world bidding that they were able to 914 00:54:04,280 --> 00:54:07,640 Speaker 1: do in one twenty two minute episode was so uh 915 00:54:07,680 --> 00:54:10,680 Speaker 1: like inspiring. When you're like there are there are shows 916 00:54:10,680 --> 00:54:13,840 Speaker 1: that will go six seven, eight season. They're like Fantasy 917 00:54:13,920 --> 00:54:16,160 Speaker 1: World or sci fi that like don't even begin to 918 00:54:16,200 --> 00:54:18,000 Speaker 1: touch like the depth that they were able to do 919 00:54:18,080 --> 00:54:21,000 Speaker 1: and you know two minutes. You know, I was a 920 00:54:21,000 --> 00:54:24,040 Speaker 1: big fan of this. Of the of watching this, I 921 00:54:24,120 --> 00:54:27,000 Speaker 1: love I loved it so much that like, yeah, like 922 00:54:27,040 --> 00:54:28,840 Speaker 1: you were saying, I ended up watching I watched like 923 00:54:28,880 --> 00:54:31,719 Speaker 1: three episodes and then I watched another episode from the 924 00:54:31,719 --> 00:54:34,399 Speaker 1: middle of season two that people were like, you won't 925 00:54:34,480 --> 00:54:37,440 Speaker 1: understand the show unless you watch season two episodes seven, 926 00:54:37,800 --> 00:54:41,560 Speaker 1: and they were right. It was a moving episode. But 927 00:54:41,800 --> 00:54:44,439 Speaker 1: it's I just like, I feel like it's so rare 928 00:54:44,560 --> 00:54:47,480 Speaker 1: in like kids shows, and then even more specifically like 929 00:54:47,560 --> 00:54:51,319 Speaker 1: animated kids shows, for like you're it's so often just 930 00:54:51,360 --> 00:54:55,600 Speaker 1: becomes like a really condescending experience. Uh, And this show 931 00:54:55,680 --> 00:54:58,920 Speaker 1: is like so complex and it's beautiful and it's like 932 00:54:59,280 --> 00:55:02,840 Speaker 1: they in the first episode they talk about like losing 933 00:55:02,880 --> 00:55:06,439 Speaker 1: a parent and like just all these really complex heavy 934 00:55:06,480 --> 00:55:10,799 Speaker 1: stuff like war, and like the episode that was recommended 935 00:55:10,840 --> 00:55:13,040 Speaker 1: to me in the middle of season two was like 936 00:55:13,080 --> 00:55:17,960 Speaker 1: a backstory for like main antagonists and had like there 937 00:55:17,960 --> 00:55:21,400 Speaker 1: a backstory that involves like a severe genocide, and you're like, 938 00:55:21,520 --> 00:55:24,680 Speaker 1: this was for children, and this is for people who 939 00:55:25,160 --> 00:55:29,680 Speaker 1: what's air bending exactly? It's I don't know exactly how to. 940 00:55:29,719 --> 00:55:32,320 Speaker 1: I mean, it's just it's mad. It's mad. It's basically 941 00:55:32,360 --> 00:55:34,360 Speaker 1: like yeah, so the way, like this is stuff that 942 00:55:34,400 --> 00:55:36,840 Speaker 1: they sort of dive deeper into as a story the 943 00:55:36,840 --> 00:55:39,279 Speaker 1: show goes along, but basically there are people who are 944 00:55:39,280 --> 00:55:41,719 Speaker 1: born with like special powers that they can like they 945 00:55:41,719 --> 00:55:44,759 Speaker 1: can manipulate like you know earth, water, fire, or the 946 00:55:44,840 --> 00:55:48,520 Speaker 1: air or wind. Yeah, basically like all the elements, and 947 00:55:48,560 --> 00:55:51,600 Speaker 1: like as you go along, you sort of realized that, um, 948 00:55:51,640 --> 00:55:54,319 Speaker 1: everyone every like they're like different tribes across the world, 949 00:55:54,320 --> 00:55:56,880 Speaker 1: and they're sort of like base these things off of 950 00:55:56,880 --> 00:55:59,800 Speaker 1: like their equivalent of spirit animals, Like they're like every 951 00:56:00,080 --> 00:56:02,680 Speaker 1: ribe has like you know, like a totem animal, and 952 00:56:02,760 --> 00:56:05,560 Speaker 1: like for the Airbenders, it's like this these bison that 953 00:56:05,600 --> 00:56:09,080 Speaker 1: can like fly, For like Earthbenders, they're like badgers, Like 954 00:56:09,080 --> 00:56:11,920 Speaker 1: they get deep into it. But like one of the 955 00:56:11,960 --> 00:56:14,040 Speaker 1: things that like I really noticed why watching it was 956 00:56:14,080 --> 00:56:18,400 Speaker 1: like just how diverse people looked, like just skin color wise, 957 00:56:18,440 --> 00:56:21,120 Speaker 1: Like there's like white skinned people, there's like dark skinned people, 958 00:56:21,440 --> 00:56:24,160 Speaker 1: and everyone is like demonstrably like Asian, like like oh, 959 00:56:24,200 --> 00:56:26,239 Speaker 1: these are like you can say that these are Asian 960 00:56:26,280 --> 00:56:29,200 Speaker 1: influenced characters, and it's not just like white skin like 961 00:56:29,239 --> 00:56:32,800 Speaker 1: Asian Asians, they have like dark skinned um like Southeast Asians, 962 00:56:32,800 --> 00:56:35,560 Speaker 1: they have like Inuit representation. Like there's so much that 963 00:56:35,600 --> 00:56:37,480 Speaker 1: they're able to pack in this show in like twenty 964 00:56:37,480 --> 00:56:40,000 Speaker 1: two minutes. That like definitely flew over my head when 965 00:56:40,000 --> 00:56:42,560 Speaker 1: I first watched it, and I definitely wouldn't have appreciated 966 00:56:42,640 --> 00:56:45,400 Speaker 1: as much. But like, I think that I'm definitely going 967 00:56:45,440 --> 00:56:48,040 Speaker 1: to like binge watch the show over the next like 968 00:56:48,080 --> 00:56:52,120 Speaker 1: two weeks and get it. I'm really excited to like 969 00:56:52,200 --> 00:56:54,200 Speaker 1: really dive into it. I did. I did a little 970 00:56:54,200 --> 00:56:55,960 Speaker 1: bit of research because I'm like, who made this show? 971 00:56:56,000 --> 00:56:58,680 Speaker 1: Because it's like it's so I feel like it had 972 00:56:58,719 --> 00:57:02,239 Speaker 1: to have been incredibly difficult to like sell Nickelodeon on 973 00:57:02,280 --> 00:57:06,080 Speaker 1: a really complex, like rich show like this, because there 974 00:57:06,200 --> 00:57:08,359 Speaker 1: was like nothing else. I think part of the reason 975 00:57:08,440 --> 00:57:11,120 Speaker 1: I didn't watch it was as maybe a little too 976 00:57:11,120 --> 00:57:13,120 Speaker 1: old for it when it came out. And also I 977 00:57:13,160 --> 00:57:15,840 Speaker 1: went to Nickelodeon for like SpongeBob, and this is the 978 00:57:15,920 --> 00:57:20,440 Speaker 1: opposite SpongeBob and it but it is, I mean, it's 979 00:57:20,440 --> 00:57:23,760 Speaker 1: still like it's Nickelodeon in the two thousand's. It's it's 980 00:57:23,840 --> 00:57:28,280 Speaker 1: like two white guys that made it. The whole voice 981 00:57:28,320 --> 00:57:30,320 Speaker 1: cast is from what I could tell, the most of 982 00:57:30,360 --> 00:57:33,720 Speaker 1: the voicecast is white too, and I haven't I don't know. 983 00:57:33,760 --> 00:57:36,760 Speaker 1: I was kind of like, I can't find much criticism 984 00:57:36,760 --> 00:57:40,120 Speaker 1: of it in that way, which is I don't I mean, 985 00:57:40,160 --> 00:57:41,960 Speaker 1: I don't really know where to where to fall on it, 986 00:57:41,960 --> 00:57:45,000 Speaker 1: because it seems like they did their homework and they 987 00:57:45,040 --> 00:57:49,640 Speaker 1: tried to build out the world that is like respectful 988 00:57:49,640 --> 00:57:52,840 Speaker 1: and not you know, the ugly side of appropriation. But 989 00:57:52,960 --> 00:57:54,680 Speaker 1: there's I don't know. I want to learn more about 990 00:57:54,680 --> 00:57:56,360 Speaker 1: the production of this show too, because I'm like, how 991 00:57:56,400 --> 00:57:58,600 Speaker 1: did they pull this off? And no one was like, hey, 992 00:57:58,640 --> 00:58:00,400 Speaker 1: wait a second. I think one of the big things 993 00:58:00,400 --> 00:58:02,600 Speaker 1: was that this was like fifteen years ago, so like 994 00:58:02,640 --> 00:58:04,800 Speaker 1: people weren't even like cognitive that Like they did a 995 00:58:04,840 --> 00:58:07,600 Speaker 1: follow up series called The Legend of Core, which I 996 00:58:07,640 --> 00:58:11,240 Speaker 1: think was a little bit better with like casting like 997 00:58:11,360 --> 00:58:13,080 Speaker 1: non white people, but still like I think the main 998 00:58:13,160 --> 00:58:16,760 Speaker 1: character was like a white Whitman. Yeah, yeah, it's literally 999 00:58:16,800 --> 00:58:21,600 Speaker 1: Meg Whitman is. Yeah, the main female character, Jamie. You 1000 00:58:21,640 --> 00:58:26,760 Speaker 1: sound like so like you've you've seen a vision after this, 1001 00:58:27,000 --> 00:58:29,120 Speaker 1: you know, Like I'm like, all right, James's gonna have 1002 00:58:29,160 --> 00:58:31,240 Speaker 1: some kind of take, like even if she likes it, 1003 00:58:31,240 --> 00:58:33,160 Speaker 1: it'll be in dude. But you're but even the way 1004 00:58:33,200 --> 00:58:38,040 Speaker 1: you're like is like in AWE, which is really is 1005 00:58:38,080 --> 00:58:40,240 Speaker 1: all I need to actually start watching because you're like 1006 00:58:40,320 --> 00:58:44,040 Speaker 1: it's a great series. It's like it gets everything like 1007 00:58:44,080 --> 00:58:46,520 Speaker 1: you have, like the emotional stuff. Like also like I'm 1008 00:58:46,520 --> 00:58:48,480 Speaker 1: older now, so like there are things that I appreciate more, 1009 00:58:48,600 --> 00:58:51,640 Speaker 1: especially when it comes to like how families represented and 1010 00:58:51,680 --> 00:58:55,440 Speaker 1: like how like you know, like people if the characters 1011 00:58:55,440 --> 00:58:58,320 Speaker 1: like actually like each other, like brothers and sisters fight 1012 00:58:58,400 --> 00:59:00,480 Speaker 1: that like there's a brother and sister only show that 1013 00:59:00,920 --> 00:59:02,840 Speaker 1: sort of fight the way that brothers and sisters do, 1014 00:59:03,040 --> 00:59:05,080 Speaker 1: like you still love them. But like you're also like 1015 00:59:05,160 --> 00:59:07,720 Speaker 1: I've been around you every day for like thirteen years, 1016 00:59:07,720 --> 00:59:09,680 Speaker 1: Like you really get on my nerves. Like all that 1017 00:59:09,720 --> 00:59:12,480 Speaker 1: stuff is great, and then like all the choreography, like 1018 00:59:12,480 --> 00:59:14,800 Speaker 1: all the animation nerves stuff in me is really impressed. 1019 00:59:14,800 --> 00:59:17,280 Speaker 1: But like like the way they they are there, way 1020 00:59:17,560 --> 00:59:20,360 Speaker 1: the way they're able to animate these really complex martial 1021 00:59:20,440 --> 00:59:25,160 Speaker 1: arts move still to this day like blow me Away. Also, okay, 1022 00:59:25,200 --> 00:59:27,600 Speaker 1: so for the caveman in me, the martial arts scenes 1023 00:59:27,600 --> 00:59:29,480 Speaker 1: are also Lidi or what. Oh yeah, the martial arts 1024 00:59:29,480 --> 00:59:32,960 Speaker 1: scenes are like, yeah, you only see a little bit 1025 00:59:32,960 --> 00:59:34,360 Speaker 1: in this one. You see a little bit of training, 1026 00:59:34,360 --> 00:59:37,360 Speaker 1: but like so there's like the Fire Tribe, the Earth Tribe, 1027 00:59:37,400 --> 00:59:39,840 Speaker 1: the Wind Tribe, and like the Water Tribe, and all 1028 00:59:39,840 --> 00:59:42,600 Speaker 1: of them are based off four very specific different types 1029 00:59:42,640 --> 00:59:45,400 Speaker 1: of martial arts. So like it's cool seeing each of 1030 00:59:45,400 --> 00:59:48,400 Speaker 1: those styles represented in different ways and also seeing how 1031 00:59:48,440 --> 00:59:51,520 Speaker 1: fluid those animators were able to like capture those things 1032 00:59:51,520 --> 00:59:54,360 Speaker 1: were really cool. Um So like definitely the Caveman and 1033 00:59:54,400 --> 00:59:56,920 Speaker 1: you're like, oh, this will rock your caveman, your lizard 1034 00:59:56,920 --> 01:00:00,560 Speaker 1: blind will be very stimulated by watching this show. It's 1035 01:00:00,560 --> 01:00:03,200 Speaker 1: really Yeah, I think I'd like I think what really 1036 01:00:03,280 --> 01:00:05,800 Speaker 1: hit for me is like I don't know, Like, yeah, 1037 01:00:05,840 --> 01:00:08,720 Speaker 1: I I work mostly in animation, and so it's like 1038 01:00:08,720 --> 01:00:12,040 Speaker 1: you're constantly asked to kind of dumb stuff down or 1039 01:00:12,120 --> 01:00:15,800 Speaker 1: make stuff like as broad as possible. Yeah, exactly. And 1040 01:00:15,800 --> 01:00:17,760 Speaker 1: and just the fact that it was like not just 1041 01:00:17,800 --> 01:00:20,200 Speaker 1: an animated show, but an animated show for kids that 1042 01:00:20,320 --> 01:00:22,280 Speaker 1: was able to just really go for the themes that 1043 01:00:22,280 --> 01:00:26,320 Speaker 1: they wanted to. It's like so impressive and cool. Cora 1044 01:00:26,440 --> 01:00:28,840 Speaker 1: and the other one is played by a Janet Varney, 1045 01:00:28,920 --> 01:00:34,240 Speaker 1: not like Whitman. I was very niy no May Whitman 1046 01:00:34,360 --> 01:00:39,760 Speaker 1: plays um qatara. Yeah, yeah, I got it. Was Meg Whitman, 1047 01:00:39,920 --> 01:00:51,400 Speaker 1: not the uh the ceo of wit the and Egg 1048 01:00:52,440 --> 01:01:00,280 Speaker 1: development god and one of the from Scott Pilgrim. But 1049 01:01:00,400 --> 01:01:05,200 Speaker 1: that's like damn, she is multi talented. Him Invisibility, Hi, 1050 01:01:05,640 --> 01:01:10,439 Speaker 1: the ceo of Visibility. Get some quick fits in there. Yeah, 1051 01:01:10,480 --> 01:01:12,200 Speaker 1: but yeah, I loved it. I can't wait to keep 1052 01:01:12,200 --> 01:01:15,560 Speaker 1: watching it. Yeah, you should definitely check out the sequel, uh, 1053 01:01:15,800 --> 01:01:17,720 Speaker 1: Legend of Coors. I think you really dig that as well. 1054 01:01:18,280 --> 01:01:22,880 Speaker 1: Hell yeah, all right, well Zig, it's been a pleasure 1055 01:01:22,920 --> 01:01:26,200 Speaker 1: of having you. Man. Where can people find you? Follow you, 1056 01:01:27,120 --> 01:01:30,040 Speaker 1: experience you? You know, if you want to experience me. Uh, 1057 01:01:30,200 --> 01:01:32,600 Speaker 1: you know, check me out on Twitter, Instagram, at ya 1058 01:01:32,680 --> 01:01:35,480 Speaker 1: for Zig, check out my website, that dude, Zig. If 1059 01:01:35,520 --> 01:01:37,560 Speaker 1: you just want to keep up with me, uh I, 1060 01:01:37,880 --> 01:01:39,680 Speaker 1: my last room is out. So if, like any shore 1061 01:01:39,720 --> 01:01:41,720 Speaker 1: Runners want to hire a new funny writer, hit me 1062 01:01:41,800 --> 01:01:43,720 Speaker 1: up because my manager wants that ten present and I 1063 01:01:43,760 --> 01:01:50,680 Speaker 1: need that money to baby. Yeah, baby, is there a 1064 01:01:50,680 --> 01:01:55,080 Speaker 1: tweet you've been enjoying? Oh uh, it's from a homie 1065 01:01:55,080 --> 01:01:56,880 Speaker 1: and I think a friend of people on this show, 1066 01:01:56,920 --> 01:02:00,200 Speaker 1: Bertie Reid. Um, Yeah, yeah, he's like I just at 1067 01:02:00,200 --> 01:02:02,400 Speaker 1: my first life insurance deposit for my grandmother who died 1068 01:02:02,440 --> 01:02:05,120 Speaker 1: back in January. I feel deeply somber and guilty, but 1069 01:02:05,160 --> 01:02:06,920 Speaker 1: it cheers me up knowing that she'd want me to 1070 01:02:07,000 --> 01:02:09,920 Speaker 1: have a gaming PC with overclockable processors in the G 1071 01:02:10,040 --> 01:02:13,320 Speaker 1: force r t X T A t t I grackys card. Uh. 1072 01:02:13,360 --> 01:02:16,000 Speaker 1: And I saw that, and I laughed very hard because 1073 01:02:16,000 --> 01:02:17,920 Speaker 1: I know he's been going through a hard time. But 1074 01:02:18,040 --> 01:02:22,640 Speaker 1: also that's the most quintessential Peak Brodie comedy tweet. And Uh, 1075 01:02:22,920 --> 01:02:24,840 Speaker 1: when I saw that, I knew, I knew that my 1076 01:02:24,880 --> 01:02:27,120 Speaker 1: boy was back in the game. So like, it hit 1077 01:02:27,200 --> 01:02:30,320 Speaker 1: multiple levels for me. Yeah, his pain turned to flex 1078 01:02:30,320 --> 01:02:34,440 Speaker 1: tweets have been and just like walking around his enormous 1079 01:02:34,480 --> 01:02:39,240 Speaker 1: house now powerful arc. Yeah yeah, Jamie, where can people 1080 01:02:39,240 --> 01:02:42,600 Speaker 1: find you? What's a tweet you've been enjoying? Uh? You 1081 01:02:42,600 --> 01:02:45,760 Speaker 1: can find me on Twitter at Jamie Lofta's help, Instagram, 1082 01:02:45,840 --> 01:02:49,320 Speaker 1: at Jamie christ Superstar I'm gonna shout out and Emily 1083 01:02:49,480 --> 01:02:53,280 Speaker 1: O'sheeda tweet that maybe left because it's so dumb. Uh 1084 01:02:53,560 --> 01:02:57,320 Speaker 1: is it just says more like by Droxy chlora Quin. 1085 01:02:58,200 --> 01:03:03,919 Speaker 1: That's the whole tweet. Got me good love it. That's 1086 01:03:04,240 --> 01:03:07,600 Speaker 1: at Emily Yoshida, who's also on the backloadcast this week. 1087 01:03:07,680 --> 01:03:13,000 Speaker 1: So he and also uh the co host of Nightcall, 1088 01:03:13,120 --> 01:03:16,680 Speaker 1: which is a great show everybody should be listening to. Uh, Miles, 1089 01:03:16,680 --> 01:03:18,440 Speaker 1: where can people find you? And what's the tweet you've 1090 01:03:18,480 --> 01:03:22,400 Speaker 1: been enjoying? Twitter? Instagram, PlayStation Network, Miles of Gray, you know, 1091 01:03:22,520 --> 01:03:24,840 Speaker 1: find the Zekegang posse on Red Dead. I just got 1092 01:03:24,880 --> 01:03:27,040 Speaker 1: g t A five, so I'm probably gonna crew up 1093 01:03:27,080 --> 01:03:31,880 Speaker 1: over there because hit me up man every time. Zeke Gang. Wow, 1094 01:03:32,240 --> 01:03:35,520 Speaker 1: you guys are impressive gamers to say the least. So 1095 01:03:35,600 --> 01:03:37,440 Speaker 1: when I when I send up the flair and you 1096 01:03:37,440 --> 01:03:40,320 Speaker 1: guys assemble, I feel very powerful. So thank you to y'all. 1097 01:03:40,720 --> 01:03:42,840 Speaker 1: Tweet that I like is from Ian Carmel. At Ian 1098 01:03:42,880 --> 01:03:46,600 Speaker 1: Carmel says, politically, I would describe myself as quote very liberal, 1099 01:03:46,800 --> 01:03:49,400 Speaker 1: but also at one point I really liked the movie 1100 01:03:49,440 --> 01:03:58,040 Speaker 1: Boondocks Saints, So like, oh man, I never liked that movie. 1101 01:03:58,120 --> 01:04:01,000 Speaker 1: I just want to play I never seen in the 1102 01:04:01,080 --> 01:04:04,880 Speaker 1: sand it do Yeah, I know that's the one thing 1103 01:04:04,920 --> 01:04:07,160 Speaker 1: I know, like I remember all like I was watching 1104 01:04:07,200 --> 01:04:09,360 Speaker 1: Belly and like King of New York and like white 1105 01:04:09,400 --> 01:04:11,360 Speaker 1: kids were like, I've seen Boondoc Saints. I'm like, I 1106 01:04:11,440 --> 01:04:17,520 Speaker 1: don't know, I've just seen the poster. Yeah, some tweets 1107 01:04:17,640 --> 01:04:22,400 Speaker 1: I've been enjoying. Dennis Hogan tweeted, I you are woke. 1108 01:04:22,440 --> 01:04:25,840 Speaker 1: Boss have discovered that adding x's to words make them 1109 01:04:25,840 --> 01:04:29,080 Speaker 1: more inclusive. So it turns out we're going to be 1110 01:04:29,200 --> 01:04:38,960 Speaker 1: doing some layoffs and then uh. Phil Jamison tweeted, hacker 1111 01:04:39,080 --> 01:04:45,919 Speaker 1: voice as I get into bed. I'm in on Twitter 1112 01:04:45,960 --> 01:04:49,280 Speaker 1: at Jack Underscore. You can find us on Twitter at 1113 01:04:49,360 --> 01:04:53,120 Speaker 1: Daily's Like Guys, We're at the Daily Zeitgeist on Instagram. 1114 01:04:53,160 --> 01:04:55,600 Speaker 1: We have a Facebook fan page on a website Daily 1115 01:04:55,840 --> 01:04:58,760 Speaker 1: like Guys dot com, where we post our episodes and 1116 01:04:58,880 --> 01:05:01,800 Speaker 1: our footnote where we look off to the information that 1117 01:05:01,840 --> 01:05:04,640 Speaker 1: we talked about in today's episode, as well as the 1118 01:05:04,840 --> 01:05:08,520 Speaker 1: song we ride out on miles What is that going 1119 01:05:08,560 --> 01:05:12,040 Speaker 1: to be? Today? This is a track from Dutch R 1120 01:05:12,120 --> 01:05:16,120 Speaker 1: and B soul singer Nicole Bus, who I've not known 1121 01:05:16,120 --> 01:05:20,040 Speaker 1: about until very recent Yeah. Yeah, she's got a great 1122 01:05:20,120 --> 01:05:23,880 Speaker 1: voice and like her album is really good. Like she's 1123 01:05:23,880 --> 01:05:26,400 Speaker 1: got this very like grounded approach to R and B 1124 01:05:26,640 --> 01:05:29,800 Speaker 1: that is like modern, she has swags. She was also 1125 01:05:29,880 --> 01:05:32,560 Speaker 1: kind of a beat maker, so she it's very cool, 1126 01:05:33,280 --> 01:05:35,840 Speaker 1: very cool work from her. But this track is called 1127 01:05:35,880 --> 01:05:38,880 Speaker 1: you Uh, and it's very I like it because hey, 1128 01:05:39,040 --> 01:05:41,080 Speaker 1: like any man in their mid thirties, I love a 1129 01:05:41,120 --> 01:05:44,040 Speaker 1: good woo tang sample. Um, and this is taking a 1130 01:05:44,080 --> 01:05:47,080 Speaker 1: sample of Obviously the charmel is as long as I've 1131 01:05:47,080 --> 01:05:50,760 Speaker 1: Got You, which is the sample from Cream. But so 1132 01:05:51,080 --> 01:05:54,160 Speaker 1: basically you're hearing like this this great track over the 1133 01:05:54,200 --> 01:05:57,080 Speaker 1: Cream beat, but it's done a little bit differently. So 1134 01:05:57,200 --> 01:06:00,360 Speaker 1: check out Nicole Bus to start your week off. Kase 1135 01:06:00,400 --> 01:06:05,120 Speaker 1: Sally Cash does rule everything around us. Yeah. Well, The 1136 01:06:05,200 --> 01:06:07,800 Speaker 1: Daily Zite, guys, is the production of I Heart Radio. 1137 01:06:07,920 --> 01:06:10,320 Speaker 1: For more podcasts for my heart Radio, visit the i 1138 01:06:10,400 --> 01:06:13,880 Speaker 1: heart Radio app, Apple podcast, or wherever you listen to 1139 01:06:13,920 --> 01:06:17,280 Speaker 1: your favorite shows. That is going to do it for 1140 01:06:17,320 --> 01:06:20,080 Speaker 1: this morning. We'll be back this afternoon to tell you 1141 01:06:20,120 --> 01:06:22,600 Speaker 1: what's trending and we will talk to you then bye, 1142 01:06:33,840 --> 01:06:34,160 Speaker 1: and I'm