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Speaker 1: It's time for the Bobby Bones post show. Here's your host, Bobby.

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Speaker 1: All Right. We have not been able to do many

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Speaker 1: post shows, if any this week, right, Mike, first one

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Speaker 1: of the week. Hey, we're back. Look at celebrate good Times.

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Speaker 1: I've been on the road a little bit. And then

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Speaker 1: when i haven't been on the road, I've been promoting

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Speaker 1: Snake in the Grass. So I'm sorry about that. But

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Speaker 1: we're back today. A seventy nine year old man torches

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Speaker 1: a bunch of cars decades after a dealership sold him

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Speaker 1: a bad jeep. Oh, he held that girl a man

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Speaker 1: excuse upsetting fire to vehicles at two dealerships. This comes

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Speaker 1: from Indiana officials. The seventy nine year old has charges

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Speaker 1: four counts of arson after he was seen on video

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Speaker 1: around one am. The man said he started the fires

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Speaker 1: as a revenge gets the dealership which sold him a

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Speaker 1: jeep with a bad motor in nineteen eighty six. Six

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Speaker 1: right there. Yeah, he's have been holding that one a

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Speaker 1: little bit. They refused to make it right, he said.

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Speaker 1: Quote he said, it's time for the chickens to return

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Speaker 1: to the roost. That's funny. He's like saying sayings on

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Speaker 1: the camera in case he gets out, he's feeling like

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Speaker 1: all the movie sayings. The video footage shows the guy

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Speaker 1: opening the fuel door of a twenty nineteen jeep compass

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Speaker 1: and placing an ignited road flare inside the fuel tube. Yeah,

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Speaker 1: he was trying to let it go the whole thing. Um.

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Speaker 1: That's from Center Daily dot com. While watching the footage,

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Speaker 1: the man identified himself to the police and said, yeah,

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Speaker 1: he was upset he did not get to watch all

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Speaker 1: of the fires that he set because after he saw

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Speaker 1: the damage, he's like, he just jumped out, got out

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Speaker 1: of there. Scammers told a Michigan woman to send four

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Speaker 1: thousand and eight hundred dollars to claim Publishers Clarenhouse prize.

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Speaker 1: That's the thing back in the day, Publishers Clearinghouse. Who's

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Speaker 1: the guy? Go ahead, you tell me, don't nobody say anything.

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Speaker 1: Go ahead, there's Publisher's Clarenhouse Guyed Sullivan. Well, no, Ed

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Speaker 1: Sullivan's a different guy. He was the guy black and

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Speaker 1: white Elvis did a show. Dang h he's Sullivan though,

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Speaker 1: No h, he was um, um my momm the late

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Speaker 1: show guy. What was Johnny Carson's side guy. His name

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Speaker 1: was Ed McMahon. Ed McMahon. Anybody agree with that. I disagree.

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Speaker 1: Ed McMahon never worked for Publishers clearing here. That's a

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Speaker 1: Mandela effect. Everybody thinks it, but it never actually happened.

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Speaker 1: What who wasn't? And I would have thought that too,

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Speaker 1: But I've just heard the story so many times that

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Speaker 1: he didn't because we all think he did. Um nobody.

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Speaker 1: I mean, so Ed McMahon was a spokesperson, but not

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Speaker 1: for Publisher's Clearinghouse. I thought so too, honestly, really, but

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Speaker 1: there's no evidence that edmit Man ever worked for Publisher's Clearinghouse.

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Speaker 1: He worked for another organ was a spokesperson for American

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Speaker 1: Family Publishers and old television commercials. The publishers appears so much,

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Speaker 1: but he was never Publishers Clearinghouse. So he wasn't the Okay,

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Speaker 1: so it was just the word publisher I guess got

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Speaker 1: my my brain jumbled up. But he wasn't the one

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Speaker 1: that would Yeah, he would knock on the door. No,

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Speaker 1: you won. There's a whole check and everything, not him. Wow,

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Speaker 1: But what happened? Do you know what the Mandela effect is? No?

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Speaker 1: Where we think we see things, Mike, will you definition

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Speaker 1: me because I want to say it wrong. But we

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Speaker 1: all think we've seen something one way, the whole everybody

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Speaker 1: earth society. But in reality, it didn't happen that way,

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Speaker 1: and people wonder why. It's like a bunch of the

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Speaker 1: population has a significant event that they all remember wrongly.

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Speaker 1: So did it actually happen that way? We all remember

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Speaker 1: that everyone. That's so weird, and there's a lot of them.

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Speaker 1: So here's the official definition. The Mandela effect is an

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Speaker 1: observed phenomenon in which a large population misremembers a significant

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Speaker 1: event or shares the memory of an event they did

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Speaker 1: not actually occur. And so because of that, they are

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Speaker 1: all these theories as to why that's happened. Did it

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Speaker 1: actually happen and they changed it? And like the specime spectrum,

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Speaker 1: that's so weird. Another one are those bears, you know

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Speaker 1: the bears the book the Bears in the books, Go ahead,

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Speaker 1: lunchbox bears. Do you already know about this though? Are

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Speaker 1: you spoiling it because you know all about this stuff? No,

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Speaker 1: I know what you're gonna say, But I just I

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Speaker 1: just said the name of the book. No. No No, But

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Speaker 1: I'm saying, are you gonna say answers? Because you know

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Speaker 1: the real answer, because answers that you know I said

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Speaker 1: it how I say it? Okay, but even but the

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Speaker 1: last one you knew about. So that's what I'm saying.

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Speaker 1: I'm asking if you know anything, Mandela ish about the

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Speaker 1: burn Steam Bears. No, it's barren Stein whatever, Burnstein. Who cares?

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Speaker 1: It's the what is it barren Stein Bears? So I

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Speaker 1: believe it's the burn Stain Bears, but we all think

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Speaker 1: it's the burn Stein Bears. Oh so it's little things

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Speaker 1: like that. So anyway, I didn't do any research on

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Speaker 1: this before I came, but I've heard podcast about it.

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Speaker 1: There's a uh, what are the other ones there? Kit

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Speaker 1: Kat was one? What about it? Jeffy that the innut

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Speaker 1: butter panut butter? Is it Jeffy or jiff Oh jeff

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Speaker 1: not Jiffy because you're thinking skippy? Am I? Yes, Jiffy lube? Yes?

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Speaker 1: The okay, the guy, the Monopoly guy. Do you wear?

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Speaker 1: What do you what do you wear? Monica? Monica? He

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Speaker 1: never wore a Monica. See, that's crazy. There's no monocle.

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Speaker 1: Eddie lived in a different timeline than all the rest

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Speaker 1: of that's crazy, man. So anyway, look it up, Mandela.

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Speaker 1: You know why It's called Mandela fact because people let

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Speaker 1: go from memory here, people think Nelson Mandela died I

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Speaker 1: believe in prison, right, am I right? He did? Yeah?

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Speaker 1: What he died in prison in the eighties. No, no no, no,

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Speaker 1: I'm talking to Eddie because Eddie said he did. He did.

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Speaker 1: He didn't, But that's what happened. A lot of people

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Speaker 1: did think that for some reason, they were communicated that happened.

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Speaker 1: They misremember it. He didn't. Yes, scob my computers about

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Speaker 1: so so far, Eddie's very susceptible. Eddie lived in a

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Speaker 1: different timeline than right. No, no, no no, no, guys, the

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Speaker 1: Mandela effect is getting me right. That's what December twenty thirteen,

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Speaker 1: Nelson Mandela died, but most people think he died in

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Speaker 1: the eighties in prison. M so, but that's why. That's

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Speaker 1: that he did go to prison though he did for

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Speaker 1: a long time. Yeah, so anyway, published clearing how she

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Speaker 1: got Well, whoa, whoa, whoa pause. One second lunchbox has

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Speaker 1: the Monopoly guy and he's wearing a monocle, probably as

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Speaker 1: a picture. Yeah, it says that he never wore one,

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Speaker 1: but yeah, it's probably a picture like putting a monocle

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Speaker 1: on him, going he never wore a monocle. Okay, they're

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Speaker 1: trying to mess with us. All right, what do you

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Speaker 1: what do you see over there, Lunchbox. Well, they're just

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Speaker 1: saying that it never happened. I'm I just googled it

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Speaker 1: and it pops up a picture says you think that's

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Speaker 1: the guy, but it's not the Monopoly guy that he

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Speaker 1: never had a monocle. So I guess this is a

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Speaker 1: different person that just has a money bag and you

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Speaker 1: associated with monopoly. Hey, Mike, go back some these are

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Speaker 1: some of these really interesting. That's so weird. Keep going,

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Speaker 1: go back. Okay, so here's one. Let's do sketchers. Yep,

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Speaker 1: the shoes spell it s k E T c h

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Speaker 1: E R s H. There's no t in sketchers. Stop

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Speaker 1: it got us again? A s k ec sketchers. This

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Speaker 1: Mandela effected. Maybe you think like sketchy. Maybe that's one,

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Speaker 1: but the sketchers. Give me another one, Mike. I'll let

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Speaker 1: Lunchbox to this because I feel bad about myself. You've

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Speaker 1: missed every one of them. I know. Maybe the screen froze, Mike,

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Speaker 1: unless you're given me one, or maybe it didn't freeze,

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Speaker 1: or maybe i'd remember a freezing, but it's actually going

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Speaker 1: all right anyway. Uh, let's see, so she was scamped?

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Speaker 1: How is she scamp? But we lost our story. Um,

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Speaker 1: a big winner told you have to send a check. Yeah,

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Speaker 1: never pay money to win something. You should never pay

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Speaker 1: That's what happened here. You should never pay money to

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Speaker 1: win something. But like the lottery, you pay money away

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Speaker 1: then to get a ticket to have a chance to win.

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Speaker 1: They don't say you want, but you gotta pay to

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Speaker 1: get your money. Yeah, okay, I got it. And ednye

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Speaker 1: the eyeglass for Monopoly, if you've ever seen it, those

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Speaker 1: are unofficial drawings, not associated with Monopoly. Someone just created it.

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Speaker 1: You know who wears a monocle peanut? That's mister peanut.

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Speaker 1: That's one Looney Tunes lunchbox. Spell it l o o

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Speaker 1: any y tu any It makes almost zero sense. But yes,

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Speaker 1: the cartoon was spelled tunes, as in not not cartoons.

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Speaker 1: But tunes isn't to us? Yeah, yeah, did you just

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Speaker 1: spelled tunes? You think that? No? I just I remember

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Speaker 1: seeing I can see it written on the screen. I

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Speaker 1: just remember it's it's tunes t O O n S right, tunes,

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Speaker 1: it's t U N S which I would have guessed

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Speaker 1: t oo like jaficas of cartoons. Yeah, that's I thought

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Speaker 1: that was the play on words. Give me another one

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Speaker 1: like that. Okay, Um, you know Joe curious. This one,

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Speaker 1: I wouldn't known it either way. Curious George. Did he

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Speaker 1: have a tale? No, I have no idea. Every night

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Speaker 1: you do have a tale like for fun. No, my

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Speaker 1: kids love Curious George and I love Curious George. He

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Speaker 1: doesn't have a tale, though, so he reads a hotel Yeah. Um,

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Speaker 1: okay that show. Amy, hop out of this one with

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Speaker 1: an answer because you'll know it. But the show where

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Speaker 1: four women were in New York and the first word

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Speaker 1: of sex sex in the city, lunchbox, sex and the city.

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Speaker 1: What sex and the city? Okay, Eddie, sex in the city,

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Speaker 1: because that's where they're doing it. It's sex and the city.

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Speaker 1: Eddie thinks they're all just having sex in the city. Well,

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Speaker 1: that's what it's like suburbs, isn't it. Aren't they doing

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Speaker 1: that in the city, Eddie? All right? Next, Eddie lived

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Speaker 1: in a different time, like literally a different You knew

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Speaker 1: sex and the city? Bones, yes, because I don't think

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Speaker 1: it was sex in the city. That sounds like a porno.

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Speaker 1: I think that's what that show was. Um, Oscar the

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Speaker 1: the the meat. Yeah, go oh, Oscar Meyer, go ahead,

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Speaker 1: spell it, uh Meyer amy y e r. Yeah he's

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Speaker 1: an idiot. M A y e r. It is Oscar

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Speaker 1: John Mayer. There there's an a mayor told you in

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Speaker 1: a year, I would have guessed Ei though bones At

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Speaker 1: this point, I'm just trying to be different so I

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Speaker 1: can get it right. Okay, Hey, oh that's good. Uh

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Speaker 1: are doing about fruit loops? Yeah? I know this what

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Speaker 1: I mean? Fruit? Oot? What do you mean two os

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Speaker 1: on the fruit? Nos? F you are f r u

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Speaker 1: I T No, it's fruit with the two os. But

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Speaker 1: a lot of people remember it f r u I

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Speaker 1: T if they're re spelling it taking a test. Yeah,

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Speaker 1: I think this is just like people's radiots. And I'm

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Speaker 1: part of the idiots too. Yeah. Everyone, I don't care

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Speaker 1: about hen any that you go ahead, monopoly man, Pika

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Speaker 1: juice tail, I don't care. Kit Kat hyphen or no hyphen,

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Speaker 1: no hyphens hyphen no, no hyphen there's no hyphen yeah, Kitcat,

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Speaker 1: I don't know what hyphen is. All right, Okay, let's

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Speaker 1: see here minus I mean okay, okay, um fruit of

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Speaker 1: the loom. The logo, what was it fruit grapes? No? No, no,

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Speaker 1: all fruit okay? And is there anything else in the logos? No? No, no,

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Speaker 1: that's not a fruit. Anything that's not a fruit. Yeah.

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Speaker 1: And the logo like a cornucopia, that's all I was thinking, Oh,

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Speaker 1: what's that. Probably it's a bunch of like it's a

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Speaker 1: smorgas board of like the horn looking thing. Yeah, there's no,

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Speaker 1: there's no cornucopia. But a lot of people think there

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Speaker 1: is that horn thing like yeah, h yeah. So anyway,

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Speaker 1: people remember it all wrong, so they have theories about it.

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Speaker 1: You know, who was in Chazam Shack? Nope, never was

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Speaker 1: who What do you mean I don't see that on

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Speaker 1: the screen are you talking about? Don't look it up yet,

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Speaker 1: don't look it. I don't see that on the screen.

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Speaker 1: But can you look that up? Oh? Maybe it was Shack?

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Speaker 1: Who it was in bad? Yeah? Yeah he was. Yeah.

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Speaker 1: I was like, dang, I'm wrong too on that one.

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Speaker 1: He was also a genie somewhere though. What's that Mike? Oh, oh, Kausam, Hey,

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Speaker 1: you're the idiot. No, it's right, Shack was not good

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Speaker 1: Chasamy's right right going on here? Yeah, I don't know.

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Speaker 1: I don't even know what happens u Sho. Is that

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Speaker 1: the movie with the dark haired guy who like a kid? Yeah?

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Speaker 1: What's that one about Shazam? Basically a kid who gets

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Speaker 1: superpowers but then he turns into an adult. That's what

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Speaker 1: it is. Um. I changed when I sleep number last night,

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Speaker 1: and I'm gonna tell you the true that had a

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Speaker 1: pretty good night's sleep. I made it a lot softer

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Speaker 1: last night, like first time in your life in years? Yeah,

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Speaker 1: first time in years. And so I got on it.

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Speaker 1: Let me get it up here, because I did it

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Speaker 1: all my app and I put it down at fifteen.

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Speaker 1: Now a real man does it about sixty. Sixty is

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Speaker 1: pretty hard. So it was fifteen softer like a cloud. Wow,

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Speaker 1: I'm just in it. And so I put it fifteen.

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Speaker 1: I said, let me try this out. And I slept

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Speaker 1: pretty freaking good. And so because maybe that's what your

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Speaker 1: body needs. You just need to feel like you're like

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Speaker 1: relaxing and melting into something so that you can truly

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Speaker 1: relax it. Only I was so tired last night. We

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Speaker 1: were traveling a lot in New York and doing a

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Speaker 1: lot of airplane stuff. We got delayed like five hours

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Speaker 1: six hours on one of the trips was terrible, so

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Speaker 1: I was really tired. And then we got last night,

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Speaker 1: we had done it with a couple of friends. Fell asleep,

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Speaker 1: it says in four minutes. Oh wow, that's cool. And

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Speaker 1: I might sleep all the way through the night once

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Speaker 1: a month, maybe twice a month, maybe on a good month.

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Speaker 1: I was restless for an hour and eight minutes last night,

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Speaker 1: and I actually got five hours of sleep, which is

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Speaker 1: pretty good for me. It's not bad. Yeah, So there

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Speaker 1: you go. And if you get out of the bed

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Speaker 1: at night. I don't know if you guys have a

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Speaker 1: sleep number, but I do, and they there's a light

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Speaker 1: that comes onto the bottom of the bed so you

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Speaker 1: can like make sure you don't kick stuff and it

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Speaker 1: doesn't wake up the other person. Oh that's cool. Yeah.

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Speaker 1: So it's like you go down, it's like a look

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Speaker 1: slight night light under the bottom of the bed so

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Speaker 1: you don't fall or step on something. So but yeah,

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Speaker 1: I turned to my setting. I had a don my

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Speaker 1: app and alone in a few months, but I made

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Speaker 1: my setting IF fifteen pretty good, pretty soft. I felt

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Speaker 1: like I was on a cotton ball. What does Klin do? Forty?

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Speaker 1: My wife does eighty. Wow, she likes a hard match.

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Speaker 1: I mean it's like sleeping on a two by four.

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Speaker 1: I'm like, what are you doing? That's our thing though,

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Speaker 1: Like she likes it, she loves it, and I'm like,

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Speaker 1: what do you do? Oh, I'm a thirty Do you

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Speaker 1: like squish in beside her? That's what's happening. It's like

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Speaker 1: a hill and see Caitlin. Yeah, she's off on her

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Speaker 1: farm and I'm like, hey, yeah, there's a hill right

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Speaker 1: there in the middle of we're gonna roll over if

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Speaker 1: we're gonna go see each other. That's funny. You're like

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Speaker 1: a booboo bear. Like me, I am a booboo bear.

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Speaker 1: Tell you that eighty. I'm like, we go, like when

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Speaker 1: we go back to her parents house, like for holidays

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Speaker 1: wherever we sleep on her old bed. I mean, I

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Speaker 1: wake up in pain because my back hurts so bad

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Speaker 1: because the mattress is so hard. So you need you

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Speaker 1: need to really soft matches. Yes. Scientists say that the

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Speaker 1: existence of the Latonist monster is plausible because that whole channel,

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Speaker 1: and but plausible it means possible, not probable. So they're like,

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Speaker 1: there could be based on the size of where they

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Speaker 1: could swim and live. Not probable, but plausible. So they're

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Speaker 1: now finally saying that, Ah, let's see here, Mike, you

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Speaker 1: are the news. What's the story about Mike on the

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Speaker 1: Oh my gosh, Mike. I mean, there is a news

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Speaker 1: story and Mike is all over the freaking news. And

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Speaker 1: Mike is such an idiot he doesn't even he doesn't

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Speaker 1: even take advantage of it. He doesn't sit there and

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Speaker 1: wave at the camera, he doesn't get up there and

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Speaker 1: get in all over the news. It was like there

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Speaker 1: were some they were doing, some like school supply or

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Speaker 1: like health like packing thing where they were putting toothpaste

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Speaker 1: and toothbrushes and kind of charity drive in a box,

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Speaker 1: and the news is they're covering it, and they're doing

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Speaker 1: a story and you see Mike. Oh there's Mike. There's Mike.

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Speaker 1: There's Mike. There's Mike. There's Mike's wife. And they're interviewing

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Speaker 1: people and Mike is act like he doesn't know what

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Speaker 1: a camera is because he won't look at the camera.

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Speaker 1: He doesn't offer to give him an interview. Who doesn't

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Speaker 1: do anything except for pack the boxes. I think that's

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Speaker 1: probably what most people would do in that situation. Hey, Mike,

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Speaker 1: did you remember seeing the news there? Yeah, that's not

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Speaker 1: the news there. They were just covering it. What was

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Speaker 1: it exactly? It was this organization here in town who

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Speaker 1: was putting together these hygiene kids for homeless kids students,

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Speaker 1: and we were just there to take all the materials

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Speaker 1: and put them into little boxes. And I was working

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Speaker 1: the whole time, so I wasn't being addity to cameras.

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Speaker 1: Why didn't you want to go get on the news?

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Speaker 1: They interviewed like the people who run the organization. They

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Speaker 1: weren't just talking to people. So I was like, you're working, Yeah,

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Speaker 1: you shouldn't be, Like, hey, Miked by Bone show, you

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Speaker 1: want to talk to me about this? You know? You

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Speaker 1: should have let him know? And he didn't even wave.

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Speaker 1: Would you do that? Though? Absolutely you're more you have

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Speaker 1: more pull and reach than the head of that organization.

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Speaker 1: But I don't think it's about reach. Think it's about

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Speaker 1: actually highlighting what they're doing and why they're doing well.

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Speaker 1: He could tell them, but Mike Tribe doesn't know as

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Speaker 1: much about the history of the organization or why, or

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Speaker 1: are the amount of money. He doesn't He probably is

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Speaker 1: just there to do it. And he didn't wave at

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Speaker 1: the camera, like he put his head down, like the

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Speaker 1: camera beyond him, and he'd be like, no, look at it.

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Speaker 1: I gave him one cool shot. They put the camera

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Speaker 1: down the table, so I took the box like right

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Speaker 1: in front of the lens and like pulled it down.

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Speaker 1: That made it on the news, his shot made in

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Speaker 1: his hands. Yeah exactly. But oh man, hey, I'm ticked

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Speaker 1: off that Mike gets on the news for that, like

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Speaker 1: come on, and then he didn't even take advantage of it.

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Speaker 1: Doesn't even you want them to be behind the reporter

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Speaker 1: being like, hey, yes, I hold up a sign. Hey

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Speaker 1: what a Mike d by Bone show. You would have

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Speaker 1: done that. Yes, Eddie's thinking about starting a small business. Guys,

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Speaker 1: I'm serious about this, but lunchbox already he comes that

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Speaker 1: he wants to a small business, and he hasn't told

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Speaker 1: you guys what it is, right me. Yeah, I know

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Speaker 1: you know now? Oh yeah, because you laughed at him.

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Speaker 1: I thought it was a pretty good idea, Amy laughed

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Speaker 1: at Yeah, Sorry that I laughed. It's probably a good idea.

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Speaker 1: Did you know a small business? No? I don't, as

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Speaker 1: he started his small business. No, he does start many things.

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Speaker 1: One though, right, lunchbox. We started our small business of

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Speaker 1: buying the lockers. That's right, And you know, I think

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Speaker 1: that took me getting involved, had to do. But what

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Speaker 1: is your idea? Okay mine, guys. And I stumbled it

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Speaker 1: by accident. I was cutting these sweet potatoes and I

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Speaker 1: started thinking like, oh, these slices are kind of small,

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Speaker 1: maybe I should try to fry them and make chips

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Speaker 1: out of him. Guys. They were delicious, so good that

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Speaker 1: as I was making them, my kids were just eating

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Speaker 1: them and they were gone, gone, I thought. And there

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Speaker 1: is a little farmer's market, you know that every I

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Speaker 1: think it's maybe once a month, like on a Thursday.

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Speaker 1: They get together by my house and you have to

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Speaker 1: buy a little stand, you know, like a venue stand,

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Speaker 1: a tent or whatever. I can take my little fryar.

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Speaker 1: How much of that I'm priced it, I'm prized to

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Speaker 1: how much the venue stand is. But I can take

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Speaker 1: my fryar. Get local, because that's what they're all about.

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Speaker 1: Local sweet potatoes, slice them in front of people, fry them,

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Speaker 1: and sell the bags for like ten dollars each fresh fried, uh,

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Speaker 1: sweet potatoes, and I'll call it sweet Eddies potatoes. So

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Speaker 1: you're just gonna sell sweet potato ships like everybody else

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Speaker 1: who who sells Jackson the local though he gets buying

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Speaker 1: for the local store and here's actually grown local. Well no,

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Speaker 1: I'll just say that. Yeah, the groceries. Who's Jackson and Tara?

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Speaker 1: These are companies I just google sweet But they're not

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Speaker 1: freshly made. Guy, this is fresh like when you're at

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Speaker 1: a carnival, right, don't you like smell in the funnel cake.

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Speaker 1: Oh my gosh, I gotta get me a funnel cake.

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Speaker 1: That's what this is. But like, do you have to

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Speaker 1: do the farmer's market? Do you have to have like

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Speaker 1: like your official like a DBA, like have a license,

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Speaker 1: your food perbet doing business as file when you're c

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Speaker 1: I don't know. I just see people and they're little

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Speaker 1: tents doing bracelets and you know, like but with food,

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Speaker 1: I don't know about a permit, but I mean it

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Speaker 1: could work. Here's the problem. So I tried it at

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Speaker 1: home and I made the sweet potatoes like I said,

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Speaker 1: and I tried to bag them. And the problem is

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Speaker 1: the next day they're all soggy and gross. So it'd

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Speaker 1: have to be like a eat now while they're hot,

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Speaker 1: So you wouldn't even put him in a bag. You'd

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Speaker 1: put them in with those food traces. Yeah, if you

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Speaker 1: make them right there? Can you make them there? Oh

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Speaker 1: for sure? Because I think that's the attraction right long

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Speaker 1: to make well? I mean with my fryar, I can

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Speaker 1: probably make one bag in five minutes, so to keep

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Speaker 1: them fresh and organic but not soggy. Put a lot

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Speaker 1: of preservatives on them to keep them from not melting.

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Speaker 1: That's not very farmer's market that stuff. But that's one

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Speaker 1: customer every five minute. But say fresh local preservatives. Yes,

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Speaker 1: the word is fresh, right, they love that. And organic yeah, fresh, organic, local,

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Speaker 1: low and locally no matter what you say after that, yes, um,

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Speaker 1: are you really going to do it? Or are you

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Speaker 1: just being I'm dead serious? Is the next farmer's market

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Speaker 1: there every weekend? Oh it's not once a month? One

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Speaker 1: by houses over there every weekend? I think mine's every

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Speaker 1: once a month, like on a random Thursday. And it's

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Speaker 1: cool that you can travel every weekend. Yeah. Yeah, here,

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Speaker 1: let's start small. Maybe once a month. I'll start to

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Speaker 1: see how that day goes. And here's what I think

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Speaker 1: is cool is I can get my kids to work

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Speaker 1: and I get one of my boys to run the

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Speaker 1: cash register one of my boys to like do magic tricks,

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Speaker 1: you know, like in front of the Standard. You know,

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Speaker 1: you don't have a cash register right like at the

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Speaker 1: farmers market. Usually you just swipe a card the calculator

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Speaker 1: what the square calculate? Yeah, guys, just put them to work.

409
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Speaker 1: How much it is? How much the venue table invest

410
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Speaker 1: in this business? Would you like to help you physically

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Speaker 1: come out and maybe basically sign a few things. I

412
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Speaker 1: have an idea here that So there's a whole story

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Speaker 1: about how police are saying watch out for people playing

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Speaker 1: a violin in front of stores every see because their

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Speaker 1: acts like to play a violin and they're just getting

416
00:20:56,720 --> 00:20:58,480
Speaker 1: your money. They're like, hey, I need some help. They're

417
00:20:58,520 --> 00:21:00,399
Speaker 1: faking it. Sometimes they have music playing by them that's

418
00:21:00,400 --> 00:21:02,639
Speaker 1: a violin, but they never actually play the violin. So like,

419
00:21:02,720 --> 00:21:07,080
Speaker 1: it's happening everywhere, so don't fall for it right the end,

420
00:21:07,240 --> 00:21:09,959
Speaker 1: right this story that's from CW seven, Michigan. They talk

421
00:21:10,000 --> 00:21:11,879
Speaker 1: about a story right there on news channel three. But

422
00:21:11,920 --> 00:21:13,600
Speaker 1: it's happening all over the country. You guys have seen

423
00:21:13,680 --> 00:21:16,960
Speaker 1: it here. Yes, the idea was, this is Scooba Steve,

424
00:21:17,320 --> 00:21:19,840
Speaker 1: that we send lunchbox to Broadway with with a guitar

425
00:21:20,359 --> 00:21:22,000
Speaker 1: and he can't actually play guitar, but he tries as

426
00:21:22,000 --> 00:21:23,359
Speaker 1: hard as you can say, much money he can make

427
00:21:23,359 --> 00:21:26,960
Speaker 1: in an hour? Yeah, I mean people will give you money.

428
00:21:27,320 --> 00:21:29,600
Speaker 1: He but but you're not really you're playing a little bit.

429
00:21:29,640 --> 00:21:31,840
Speaker 1: You're playing like a string and you're singing country songs

430
00:21:32,080 --> 00:21:34,679
Speaker 1: and you're just seeing what money people give you. If

431
00:21:34,680 --> 00:21:38,360
Speaker 1: you're really trying, you're not begging them for money. You're

432
00:21:38,400 --> 00:21:41,520
Speaker 1: not going you know, it's a bit for the radio

433
00:21:42,280 --> 00:21:44,639
Speaker 1: or hey, you're pretty, but you're just really like I

434
00:21:44,920 --> 00:21:47,720
Speaker 1: feel into burning ring and its if people will drop

435
00:21:47,760 --> 00:21:49,720
Speaker 1: money in your case, how much do you think you

436
00:21:49,720 --> 00:21:53,240
Speaker 1: can make in an hour? Probably bucks? No way. You

437
00:21:53,320 --> 00:21:55,800
Speaker 1: don't think Broadway drunk people are gonna see you playing guitarurnament,

438
00:21:56,119 --> 00:21:57,920
Speaker 1: but you're not really gonna be playing the guitar. Yeah,

439
00:21:58,400 --> 00:22:00,240
Speaker 1: you don't know how to play the guitar. I don't

440
00:22:00,280 --> 00:22:01,719
Speaker 1: think any of those people do. I don't even think

441
00:22:01,720 --> 00:22:04,280
Speaker 1: you can sing the song. Oh, some people do. Going

442
00:22:04,440 --> 00:22:06,720
Speaker 1: down and I'm burning ring of Fire. That's pretty good.

443
00:22:06,720 --> 00:22:08,760
Speaker 1: You're right on. Thank you do like that? Amy? You

444
00:22:08,760 --> 00:22:12,920
Speaker 1: have a new Amy Amy four Things today I do. Yeah,

445
00:22:13,359 --> 00:22:17,679
Speaker 1: it's um all four totally different things. So I've been

446
00:22:17,760 --> 00:22:19,399
Speaker 1: doing a lot of interviews lately, but I took it

447
00:22:19,520 --> 00:22:22,440
Speaker 1: back to like og style, where I do four totally

448
00:22:22,480 --> 00:22:25,000
Speaker 1: different things and it's just me. Lunchbox was in the

449
00:22:25,040 --> 00:22:26,919
Speaker 1: room when I was doing the intro, so he hopped

450
00:22:26,920 --> 00:22:29,720
Speaker 1: in and like talked about a few things and shared

451
00:22:29,800 --> 00:22:33,480
Speaker 1: some you got vulnerable, No no, no. I had to record.

452
00:22:33,680 --> 00:22:35,199
Speaker 1: I had to record a spot and Amy was like, well,

453
00:22:35,200 --> 00:22:36,639
Speaker 1: I need to do a podcast in here, and then

454
00:22:36,680 --> 00:22:37,800
Speaker 1: she was like, well, you want to be on my

455
00:22:38,040 --> 00:22:40,280
Speaker 1: intro and I was like, I guess. And I thought

456
00:22:40,320 --> 00:22:42,960
Speaker 1: the intro would be about two minutes, and with Amy,

457
00:22:44,000 --> 00:22:47,119
Speaker 1: I also thought. I also thought it would be about

458
00:22:47,200 --> 00:22:50,679
Speaker 1: sixty seconds, but it was longer. But we talked about

459
00:22:51,440 --> 00:22:54,480
Speaker 1: like well, gratitude, also holding on tightly to things and

460
00:22:54,600 --> 00:22:57,520
Speaker 1: how to let go, and then the butterfly analogy. So

461
00:22:57,720 --> 00:22:59,399
Speaker 1: check it out today. A new episode of four Things

462
00:22:59,440 --> 00:23:03,440
Speaker 1: with Amy Brown. Tomorrow. Tyler Hubbard, the FGL lead singer

463
00:23:03,480 --> 00:23:05,679
Speaker 1: who doesn't want to be an FGL anymore. He stops

464
00:23:05,680 --> 00:23:07,560
Speaker 1: by the house and we talk about that his solo career.

465
00:23:07,840 --> 00:23:09,600
Speaker 1: I asked him the tough questions that everybody wants to know.

466
00:23:09,680 --> 00:23:11,600
Speaker 1: Do you hate each other. Why did you break? It's

467
00:23:11,600 --> 00:23:13,200
Speaker 1: all up there to be out there tomorrow. I hope

468
00:23:13,200 --> 00:23:16,800
Speaker 1: you check it out. I'm also really close. I have

469
00:23:16,960 --> 00:23:19,879
Speaker 1: been I'm not gonna say avoiding, but I'm trying not

470
00:23:19,920 --> 00:23:21,399
Speaker 1: to put anything else on my plate that I just

471
00:23:21,480 --> 00:23:24,359
Speaker 1: don't really want to do. Now. I believe in my career,

472
00:23:24,440 --> 00:23:26,080
Speaker 1: if I just don't really want to do it, I

473
00:23:26,080 --> 00:23:28,399
Speaker 1: ain't doing it, and I'm not doing anything anymore to go.

474
00:23:28,680 --> 00:23:31,440
Speaker 1: I think this is strategically a wise decision. I like it,

475
00:23:32,160 --> 00:23:34,760
Speaker 1: I ain't doing it, and so I really haven't done

476
00:23:34,760 --> 00:23:36,440
Speaker 1: anything in the sports world. But if there's been this

477
00:23:36,640 --> 00:23:39,240
Speaker 1: one organization that's been pursuing me to do something and

478
00:23:39,320 --> 00:23:40,879
Speaker 1: I couldn't do it, and it couldn't do it, and

479
00:23:40,920 --> 00:23:42,800
Speaker 1: it used to do Fox Sports Radio and I did

480
00:23:42,840 --> 00:23:46,680
Speaker 1: the draft for ESPN and ABC, I couldn't do it.

481
00:23:46,760 --> 00:23:49,160
Speaker 1: I couldn't do it. Finally, I think we're really close

482
00:23:49,480 --> 00:23:52,480
Speaker 1: to me doing something in sports, and that probably gets

483
00:23:52,520 --> 00:23:55,320
Speaker 1: announced next week. We're just just a signature away. Wow,

484
00:23:55,520 --> 00:23:58,439
Speaker 1: I'm a signature away. A big deal? Is? It? Sounds

485
00:23:58,440 --> 00:24:01,760
Speaker 1: like a medium deal. I've been pursuing you for a year,

486
00:24:03,000 --> 00:24:04,879
Speaker 1: but I just don't want to do it if I

487
00:24:04,920 --> 00:24:08,200
Speaker 1: can't do it right, And so maybe Monday I announce

488
00:24:08,240 --> 00:24:11,639
Speaker 1: a little something. But so in that world, I might

489
00:24:11,720 --> 00:24:13,560
Speaker 1: be dipping the toe back in a little bit. So

490
00:24:14,480 --> 00:24:16,359
Speaker 1: we'll let you know about that next week. I think

491
00:24:16,400 --> 00:24:17,800
Speaker 1: that's it. Hey, do we need to do this ide

492
00:24:17,920 --> 00:24:20,800
Speaker 1: image commercial? No, no Legacy Box commercial today? Or can

493
00:24:20,880 --> 00:24:23,119
Speaker 1: we do tomorrow or mon or next week? Or what

494
00:24:24,280 --> 00:24:26,680
Speaker 1: Legacy Box commercial? If so, I need to wrap into

495
00:24:26,680 --> 00:24:28,200
Speaker 1: these commercials. We need it today. Do you need to

496
00:24:28,240 --> 00:24:30,840
Speaker 1: do Legacy Box today or can I wait one of

497
00:24:30,840 --> 00:24:35,200
Speaker 1: the optional ones? Optional? Yeah, optional, I guess optional. Oh yeah,

498
00:24:35,200 --> 00:24:37,160
Speaker 1: you got time, you don't have to do today, Okay,

499
00:24:37,359 --> 00:24:41,480
Speaker 1: all right, Uh we're done, Thank you all. Hope you

500
00:24:41,520 --> 00:24:44,760
Speaker 1: have a great day. That's it, goodbye everybody,