WEBVTT - Her Return is Worth the Waithe with Lena Waithe... (S3 E5 "No Ifs, Ands or Butts)

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know are

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<v Speaker 1>you a Charlotte. You guys, this is very, very, very exciting.

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<v Speaker 1>We are having the very first return guest. I'm so

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<v Speaker 1>thankful to Missalinate. It's brilliant.

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<v Speaker 2>You back. I'm so honored and grateful to be back

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<v Speaker 2>for my second time, my second appearance.

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<v Speaker 1>You just count down the days so we can get

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<v Speaker 1>you back.

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<v Speaker 2>Let's go. It's my favorite season.

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<v Speaker 1>Oh, it's my favorite season two.

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<v Speaker 2>Season three is my favorite.

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<v Speaker 1>Right, everything jelled.

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<v Speaker 2>Everything jails. That's usually how it goes with the season

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<v Speaker 2>three of shows. But I think for this, this particular series,

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<v Speaker 2>I think something happens about season three, like even for

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<v Speaker 2>me and I was watching it in real time at

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<v Speaker 2>the time and just really experiencing what everybody else was experiencing.

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<v Speaker 2>This this show that was very prolific but was very

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<v Speaker 2>much a product of its time.

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<v Speaker 1>Yes, yeah, yes, indeed, yeah, which you're going to discuss, guys,

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<v Speaker 1>because this episode is called No ifs Ands or Butts.

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<v Speaker 2>Yeah.

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<v Speaker 1>It aired July fifth, in the year two thousand, twenty

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<v Speaker 1>five years ago, so bonkers to me. Yeah, I mean

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<v Speaker 1>it does seem like another lifetime ago. But on the

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<v Speaker 1>other hand, like, would you literally think twenty five years?

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<v Speaker 1>It's like it makes no sense.

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<v Speaker 2>Right, I'm forty one, So I was like, you know,

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<v Speaker 2>in my.

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<v Speaker 1>Twenties, and where were you when you were in your twenties.

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<v Speaker 2>I was still in Chicago, but you know, gearing up

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<v Speaker 2>to come to La got it, but really with the

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<v Speaker 2>desire and to be a television writer. And I've said

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<v Speaker 2>this publicly before, but I think Sex and the City

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<v Speaker 2>really made me want to take it very seriously. And

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<v Speaker 2>I was very charmed and moved by the voiceover for sure,

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<v Speaker 2>the character development, the friendships on the SHO show. I

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<v Speaker 2>think it's why it's on Netflix and everywhere else. And

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<v Speaker 2>we continue to go back, and you guys were able

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<v Speaker 2>to keep going back for different bites at the Apple.

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<v Speaker 2>No pun intended, but uh yeah, I think I was

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<v Speaker 2>sort of really seeing a different kind of TV shows

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<v Speaker 2>because I did grow up on multiicams, you know, whether

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<v Speaker 2>it be Friends, Fresh Prince, you know, Cosby Show, a

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<v Speaker 2>different world. And I think what was so special about

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<v Speaker 2>this was like, oh no, this is like a mini

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<v Speaker 2>movie every week. Yeah, and it is, but it's also

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<v Speaker 2>like a novel. Yeah, And I'm just sort of so

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<v Speaker 2>taken by these characters, and it really was I think

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<v Speaker 2>my Generations, you know Mary Tyllenmore show, and how that

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<v Speaker 2>was so significant for women in the seventies. This, I

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<v Speaker 2>think the two thousands was sort of that was our

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<v Speaker 2>new sort of awakening.

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<v Speaker 1>Absolutely absolutely, and I think for us, like we were

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<v Speaker 1>just in it, and like I was telling you that

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<v Speaker 1>we had Kylon and I guess it won't have aired

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<v Speaker 1>by the time everyone's listening to us, But it was

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<v Speaker 1>super interesting to be reflecting back on it because we

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<v Speaker 1>had never reflected together. We had never talked about it.

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<v Speaker 2>Nothing crazy, you know, we were just.

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<v Speaker 1>In it back then, and we didn't have social media,

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<v Speaker 1>so we didn't have this immediate response in real time,

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<v Speaker 1>which had we aired this particular episode where Samantha decides

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<v Speaker 1>to date a black man for the first time ever,

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<v Speaker 1>which is so bizarre.

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<v Speaker 2>Okay, well the.

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<v Speaker 1>First time she implies it greatly, okay, And I went

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<v Speaker 1>and looked up a few things, like the actress who

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<v Speaker 1>plays the sister who's so great. The actors are also great.

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<v Speaker 1>Her name is Sandra Oakley. She's very good, and she

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<v Speaker 1>was already friends with the guy Ossio high Smith, who

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<v Speaker 1>plays the guy that Samantha dates Shabon. They were already friendly,

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<v Speaker 1>which was so nice, nice, and they were very excited.

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<v Speaker 1>And then she said later, like maybe even just a

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<v Speaker 1>couple days later, she was like, oh, I wish it

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<v Speaker 1>had been a different story. And I feel so bad

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<v Speaker 1>that she felt that, like we just didn't do that. Well,

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<v Speaker 1>I don't think Lena.

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<v Speaker 2>Well, the actress, the actress playing his sister, wished it

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<v Speaker 2>was a different story. I'm curious in terms of how meaning.

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<v Speaker 1>I think basically it was for Vanity Fair. They did

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<v Speaker 1>an article and Vanity Fair about it relatively recently. So

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<v Speaker 1>she was reflecting back on how she was in her

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<v Speaker 1>twenties and she was going to auditions and dancing and

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<v Speaker 1>doing all different things, and it was a big part

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<v Speaker 1>for her. She was excited to get it. She's excited

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<v Speaker 1>to be on our set, and she said our set

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<v Speaker 1>was a very positive experience. I was so happy to

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<v Speaker 1>hear that always wonderful to hear. But then she said

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<v Speaker 1>just the fact. I think the thing she was most

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<v Speaker 1>lamenting was that she and Samantha fight, that it was

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<v Speaker 1>an angry black woman type of a thing that wasn't

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<v Speaker 1>And I think the problem with this episode and I

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<v Speaker 1>can't wait to hear what you have to say. Is

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<v Speaker 1>that for some reason, and I think I know what

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<v Speaker 1>in my memory we were doing or what the idea was,

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<v Speaker 1>we decided to try to tackle the fact that there

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<v Speaker 1>were no people of color in the show, which is

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<v Speaker 1>not how New York City is obviously, but this particular

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<v Speaker 1>group of people, and we had discussed it. It had

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<v Speaker 1>come up different people would bring it up in interview

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<v Speaker 1>situations or whatever, and they would say, like, you do

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<v Speaker 1>do you feel to us, the actors, do you feel

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<v Speaker 1>this is reflective of New York? And we would always

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<v Speaker 1>kind of stammer, you know, and we'd say like, ah,

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<v Speaker 1>you know, we don't write it, and you know, we're

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<v Speaker 1>playing this kind of really specific group of people based

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<v Speaker 1>on real people, and this is what their lives is like,

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<v Speaker 1>which I don't really know if that's true, right because

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<v Speaker 1>I don't really know those people that we were kind

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<v Speaker 1>of playing.

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<v Speaker 2>I mean, to me, it feels very authentic. Actually yeah, yeah,

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<v Speaker 2>okay for white women hang out with each.

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<v Speaker 1>Other, for sure, But what about one removed? Right, like

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<v Speaker 1>my question would be, and we do start, you know,

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<v Speaker 1>soon Sonya Brog is coming on right like soon, it

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<v Speaker 1>does start to loosen up a bit, thank god, But like,

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<v Speaker 1>are you only hanging out? Do you only ever see

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<v Speaker 1>white people? Like if you look back, because now I'm

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<v Speaker 1>watching every episode right like it is kind of amazing,

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<v Speaker 1>Like in restaurants or in bars, it's just white people.

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<v Speaker 2>Well, I it's interesting because there is a level of

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<v Speaker 2>people people don't understand is that there's a uh, there

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<v Speaker 2>are companies that actually do like day player casting or

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<v Speaker 2>extras casting. And so I think what is also happening

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<v Speaker 2>because oftentimes you guys are be in real restaurants and

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<v Speaker 2>sometimes you're I think the place you guys usually go

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<v Speaker 2>is a fictitious place obvious. Yes, yes, it's obviously there

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<v Speaker 2>for that reason. So I think this sort of is

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<v Speaker 2>its own world. I mean, there's another thing about sex

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<v Speaker 2>and the City too, which is very specific. It's something

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<v Speaker 2>I actually really like is that we never meet the

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<v Speaker 2>character's parents and that intentional. It was intentional, and so

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<v Speaker 2>this is it is a fantasy of New York in

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<v Speaker 2>a way. But also what is sort of grappling with

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<v Speaker 2>are all these different topics. And I feel the same

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<v Speaker 2>way about girls. I don't want a black or brown

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<v Speaker 2>character put into the frame for Quota's sake, true, I

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<v Speaker 2>just don't good point. I don't enjoy it. I don't

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<v Speaker 2>like it because either you're doing that to pacify or

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<v Speaker 2>you're doing it in a way where if there's going

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<v Speaker 2>to be some sort of specificity about the character, it

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<v Speaker 2>depends on who's in the writer's room as well. So

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<v Speaker 2>I don't I don't know in terms of for the

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<v Speaker 2>And I know a lot of the writers that were

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<v Speaker 2>on Sex Andicity, you know, I've gotten a chance to

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<v Speaker 2>meet many of them. And yeah, I think for the

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<v Speaker 2>most part, the room was mostly like white women.

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<v Speaker 1>It was all white women at this point except for Michael, right, Yeah, and.

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<v Speaker 2>So that is a reflection of their experiences. And I

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<v Speaker 2>think it would have felt a little false for them

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<v Speaker 2>to say, well, let's let's put a black character in

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<v Speaker 2>here because we think it's the right thing to do.

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<v Speaker 2>I'd rather you do it because it feels organic and

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<v Speaker 2>it feels honest. Well, then question about.

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<v Speaker 1>This episode, because it do feel like at some point

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<v Speaker 1>people pointed it out and we felt uncomfortable about it,

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<v Speaker 1>I guess, right, or like is this their world or

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<v Speaker 1>should it be there? What should we do?

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<v Speaker 2>Do you know what I'm saying? A lot of I mean, look,

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<v Speaker 2>I think there are a lot of people that hang

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<v Speaker 2>out with people that look like them for sure. That's

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<v Speaker 2>just sort of what it is.

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<v Speaker 1>That's true.

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<v Speaker 2>And especially when you look at our society now, people

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<v Speaker 2>are in echo chambers. They only talk to people that

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<v Speaker 2>they agree with.

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<v Speaker 1>That's true.

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<v Speaker 2>And so I think what Sex and the City represents

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<v Speaker 2>are four women that, in my opinion, happened to be white.

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<v Speaker 2>And what's interesting to me about it being Samantha who's

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<v Speaker 2>dating a black guy. And I can't speak for all

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<v Speaker 2>black women. I can speak for myself and that I

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<v Speaker 2>look at Samantha as someone who is a woman of

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<v Speaker 2>the world and who is very free and very open minded,

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<v Speaker 2>and so her dating a black guy doesn't feel out

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<v Speaker 2>of the ordinary. In my opinion, I agree.

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<v Speaker 1>That's why it's weird that it seems like she never

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<v Speaker 1>has based on our reaction, I think.

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<v Speaker 2>Yeah, you guys are like, huh yeah. And it's interesting

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<v Speaker 2>because he's also a man of means influence. He's very handsome,

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<v Speaker 2>and that to me, they're very equally yoked.

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<v Speaker 1>I thought they were fantastic.

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<v Speaker 2>And I think the character, you know, his sister, well,

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<v Speaker 2>I thought the actress plays her is really great. In

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<v Speaker 2>the episode, I get the sort of cringy element of

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<v Speaker 2>them fighting, but you know, look, Samantha says something pretty

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<v Speaker 2>tough to her, so I'm kind of not mad at her.

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<v Speaker 2>Like having a knee jerk reaction. People like we've witnessed

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<v Speaker 2>someone have a knee jerk reaction at a very popular

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<v Speaker 2>award show because of something that kind of startled them.

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<v Speaker 2>So we have these moments where you kind of, you know,

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<v Speaker 2>for lack of a better term, blackout, you know, and

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<v Speaker 2>you kind of do something that you kind of regret.

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<v Speaker 2>So I don't look at it as she was an

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<v Speaker 2>angry black woman. I looked at it as a woman

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<v Speaker 2>who was feeling very attacked and Samantha touched her first. Yeah,

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<v Speaker 2>maybe it wasn't a violence thing, but look, if you

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<v Speaker 2>put your hands, even if it's a finger.

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<v Speaker 1>On meet, I agree, you.

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<v Speaker 2>Know, you know. But here's the thing. I think there

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<v Speaker 2>is an authenticity to what's happening, and that not every

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<v Speaker 2>black woman who has a black brother would have a

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<v Speaker 2>problem with him dating a white woman. But I think

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<v Speaker 2>if you there are probably some black women who would say,

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<v Speaker 2>would I prefer him not be with a white woman? Yes,

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<v Speaker 2>of course, But I think where I sit and again,

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<v Speaker 2>this is Lena Waite's opinion. I think love is so

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<v Speaker 2>hard to figure out and come by. I don't care

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<v Speaker 2>what race, nationality, religion a person is. If they accept

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<v Speaker 2>you for who you are, you accept them for who

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<v Speaker 2>they are, and you both are willing to invest in

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<v Speaker 2>your own spiritual growth and each other's. I'm all for it.

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<v Speaker 2>I agree now that that is you know, that's my opinion,

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<v Speaker 2>but I also have to respect if someone says because

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<v Speaker 2>it's it's a thing we took on on the shot

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<v Speaker 2>we tackled. We're like that was a Season seven, you know,

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<v Speaker 2>where a black man was dating a white woman, and

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<v Speaker 2>it is literally a conversation where Felicia Rashad is at

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<v Speaker 2>the table and saying, this goes all the way back

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<v Speaker 2>to Emmitt till there's a history that is steeped in it.

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<v Speaker 2>And the thing about our past is that it still

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<v Speaker 2>haunts us. And that's why, you know, there's a reason

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<v Speaker 2>why there's a million O. J. Simpson documentaries, you know,

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<v Speaker 2>and and the retelling of it, yes, re examining, re examiner,

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<v Speaker 2>you know what I'm saying. And so it is a

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<v Speaker 2>conversation that will continue.

0:11:58.960 --> 0:12:00.360
<v Speaker 1>Absolutely well, it's so worked out.

0:12:01.400 --> 0:12:03.560
<v Speaker 2>No one, Yes, we have not figured it out. This

0:12:03.640 --> 0:12:06.560
<v Speaker 2>is not a wound that is healed. No. So when

0:12:06.559 --> 0:12:09.360
<v Speaker 2>you look at this episode, it is it is a

0:12:09.440 --> 0:12:14.400
<v Speaker 2>valid one, Okay, And I think it's it's it's it's fair,

0:12:14.679 --> 0:12:19.160
<v Speaker 2>it's fair game. And so this is something that that

0:12:19.320 --> 0:12:21.800
<v Speaker 2>comes up in a racial dating is a thing. I

0:12:21.840 --> 0:12:24.400
<v Speaker 2>have many friends who are the products of inter racial love.

0:12:24.720 --> 0:12:26.280
<v Speaker 1>Absolutely, absolutely, we.

0:12:26.280 --> 0:12:30.440
<v Speaker 2>All do you know, and so yes, look if people want.

0:12:30.320 --> 0:12:32.400
<v Speaker 1>To be upset, but how do we handle it?

0:12:32.440 --> 0:12:35.559
<v Speaker 2>Though? That's my did you handle how did this show handled? Yeah?

0:12:35.600 --> 0:12:37.760
<v Speaker 1>Like I didn't feel like like when I I kind

0:12:37.760 --> 0:12:40.040
<v Speaker 1>of vaguely remember it, and then of course I rewatched

0:12:40.040 --> 0:12:42.480
<v Speaker 1>it and I was like, oh, like, I think also

0:12:42.520 --> 0:12:44.960
<v Speaker 1>because we're trying to do for storylines, as you know,

0:12:45.000 --> 0:12:47.040
<v Speaker 1>we've talked about the structure, you know, the structure is

0:12:47.080 --> 0:12:49.839
<v Speaker 1>always a challenge. And the big the sorry, the big

0:12:50.240 --> 0:12:54.720
<v Speaker 1>big storyline exactly is Aiden and Aiden's new It's very exciting.

0:12:54.760 --> 0:12:57.520
<v Speaker 1>He wants her not to smoke. This is so fascinating

0:12:57.520 --> 0:13:00.000
<v Speaker 1>when you think about their long, long history, right, yeah,

0:13:00.120 --> 0:13:02.480
<v Speaker 1>already wants her not to be doing something she's doing right,

0:13:02.679 --> 0:13:06.280
<v Speaker 1>whether Smokey's good or not. Easton pointed out, he already

0:13:06.320 --> 0:13:10.520
<v Speaker 1>is trying to control her, which is interesting. We either yes,

0:13:10.800 --> 0:13:13.680
<v Speaker 1>both both, let's say listen, but it's interesting, right, So

0:13:13.720 --> 0:13:16.679
<v Speaker 1>that's the main storyline, and so Samantha's is this well,

0:13:16.679 --> 0:13:18.160
<v Speaker 1>I don't even know, and then there's yes, it would

0:13:18.160 --> 0:13:22.040
<v Speaker 1>probably be yeah, And I think I'm the bad kischer

0:13:22.040 --> 0:13:24.920
<v Speaker 1>who's also very bizarre. Weble talking about that, very different

0:13:24.920 --> 0:13:27.320
<v Speaker 1>on the page than what Nicole Hallafson or the director

0:13:27.360 --> 0:13:30.319
<v Speaker 1>had happened, Like the dialogue doesn't match. But that's okay.

0:13:30.600 --> 0:13:33.280
<v Speaker 1>If it were on now, people would be online talking about,

0:13:33.480 --> 0:13:36.080
<v Speaker 1>you know, he didn't do what she said, you know,

0:13:36.200 --> 0:13:37.960
<v Speaker 1>because he's licking my face. But then I have a big,

0:13:38.240 --> 0:13:42.360
<v Speaker 1>big wound on my chin and attacked, but he's just

0:13:42.400 --> 0:13:43.040
<v Speaker 1>licking it.

0:13:42.960 --> 0:13:46.679
<v Speaker 2>Like he was. Okay.

0:13:46.760 --> 0:13:48.440
<v Speaker 1>I mean I know what it was like how I

0:13:48.559 --> 0:13:50.280
<v Speaker 1>remember it feeling or whatever, and it was just like

0:13:50.320 --> 0:13:51.960
<v Speaker 1>a lot. It was wet. It was very wet. There's

0:13:51.960 --> 0:13:54.319
<v Speaker 1>so much wet it's bad. But it wasn't like I

0:13:54.360 --> 0:13:56.680
<v Speaker 1>would have a wound, right, And I'll get to that

0:13:56.720 --> 0:13:58.679
<v Speaker 1>in a second. I know why Michael Patrick did that,

0:13:58.679 --> 0:14:00.840
<v Speaker 1>because he's so bad and some to put things in

0:14:00.840 --> 0:14:04.959
<v Speaker 1>from life but we'll get to this. I think when

0:14:05.000 --> 0:14:07.000
<v Speaker 1>I look back on it, one of the things that

0:14:07.080 --> 0:14:12.000
<v Speaker 1>I think is glaring, Like Samantha says to us at lunch,

0:14:12.360 --> 0:14:16.720
<v Speaker 1>I don't see color. I see conquest, which is like

0:14:16.960 --> 0:14:19.640
<v Speaker 1>a very Samantha's statement, but also like that's a problem

0:14:19.680 --> 0:14:21.320
<v Speaker 1>if you don't see color, because you do see color

0:14:21.320 --> 0:14:23.720
<v Speaker 1>because everything else, you say, she talks about his big

0:14:23.760 --> 0:14:25.800
<v Speaker 1>black cock. You know, she talked, you know, we talked

0:14:25.800 --> 0:14:28.560
<v Speaker 1>about him wearing jewelry, but like Aiden's wearing more jewelry

0:14:29.040 --> 0:14:31.840
<v Speaker 1>than chivone. Do you know what I mean? Is it interesting?

0:14:32.560 --> 0:14:34.160
<v Speaker 2>Well, I mean, is there just because you asked the question,

0:14:34.200 --> 0:14:36.880
<v Speaker 2>how did you guys handle it? Yeah? And I think

0:14:36.960 --> 0:14:41.280
<v Speaker 2>that's a very it's sort of an interesting question because

0:14:42.240 --> 0:14:45.800
<v Speaker 2>it's like it really depends on what you mean by handle.

0:14:46.560 --> 0:14:49.920
<v Speaker 2>And I think with you know, television series, because somebody

0:14:49.960 --> 0:14:52.120
<v Speaker 2>could ask us, like, how do we think we handled

0:14:52.200 --> 0:14:55.600
<v Speaker 2>my characters coming out on a Master of None. Yeah,

0:14:56.080 --> 0:14:59.480
<v Speaker 2>we did not necessarily handle it. What we did was

0:14:59.560 --> 0:15:01.720
<v Speaker 2>we are broached it in a way that made sense

0:15:01.760 --> 0:15:05.680
<v Speaker 2>for us as artists at that time. And so I

0:15:05.720 --> 0:15:08.600
<v Speaker 2>think we kind of get caught up in these ideas

0:15:08.680 --> 0:15:11.560
<v Speaker 2>of what is the right way to handle something? Okay,

0:15:11.680 --> 0:15:14.080
<v Speaker 2>what is the wrong way to handle something? And I

0:15:14.200 --> 0:15:16.800
<v Speaker 2>just don't believe in either of those things.

0:15:16.880 --> 0:15:30.440
<v Speaker 1>Okay, But let me ask you this, So when if

0:15:30.440 --> 0:15:32.600
<v Speaker 1>you bring up your own storyline, like you lived that

0:15:32.680 --> 0:15:36.120
<v Speaker 1>storyline and you were there writing and acting, right, so

0:15:36.160 --> 0:15:41.520
<v Speaker 1>you had your own authority about the experience. And I

0:15:41.520 --> 0:15:46.240
<v Speaker 1>think that's you know, gold, you know what I'm saying.

0:15:46.320 --> 0:15:51.840
<v Speaker 1>And obviously it was and the worthy of it. But

0:15:52.040 --> 0:15:53.960
<v Speaker 1>in our case, what I kind of mean and I

0:15:54.040 --> 0:15:57.160
<v Speaker 1>maybe didn't say it well. I wish if we were

0:15:57.200 --> 0:16:02.560
<v Speaker 1>going to do this that they had gone more in depth.

0:16:02.640 --> 0:16:05.200
<v Speaker 1>Possibly what the actress who played the sister were saying

0:16:05.400 --> 0:16:07.800
<v Speaker 1>was that when they are in the bar, in the

0:16:07.800 --> 0:16:10.840
<v Speaker 1>scene where they get in the fight, that Samantha says

0:16:10.880 --> 0:16:12.800
<v Speaker 1>something to her like why can't you just you know,

0:16:12.880 --> 0:16:14.760
<v Speaker 1>get to know me or let me whatever, let me

0:16:15.880 --> 0:16:17.640
<v Speaker 1>go down the road and see what you think or something,

0:16:17.680 --> 0:16:19.800
<v Speaker 1>and she said, it's a black thing. The sister says,

0:16:19.840 --> 0:16:21.960
<v Speaker 1>it's a black thing, and she was saying something like

0:16:22.000 --> 0:16:26.480
<v Speaker 1>she thought that was like simple and pat, I guess,

0:16:26.560 --> 0:16:32.400
<v Speaker 1>you know, rather than possibly exploring it more, The.

0:16:32.360 --> 0:16:34.920
<v Speaker 2>Truth is, you only have so much real estate on

0:16:34.960 --> 0:16:38.040
<v Speaker 2>the page. And also I think first of all, like

0:16:38.120 --> 0:16:41.000
<v Speaker 2>it's a black thing is was something that was a

0:16:41.040 --> 0:16:43.960
<v Speaker 2>bit of a popular saying for a short beat amongst

0:16:44.280 --> 0:16:47.800
<v Speaker 2>within the black community. And like I remember when I

0:16:47.840 --> 0:16:50.320
<v Speaker 2>was young, I would hear like people say it within

0:16:50.360 --> 0:16:52.520
<v Speaker 2>the black folks to say it, but the way it

0:16:52.600 --> 0:16:55.800
<v Speaker 2>was kind of as a short cut as saying it'll

0:16:55.960 --> 0:16:58.600
<v Speaker 2>I can never make you understand, got it? You know,

0:16:58.720 --> 0:17:01.720
<v Speaker 2>like you will never understand that. Okay, Okay, that's interesting

0:17:02.080 --> 0:17:06.400
<v Speaker 2>And I think you know you don't because also they're

0:17:06.400 --> 0:17:08.040
<v Speaker 2>in the middle of this club, you don't. She doesn't

0:17:08.040 --> 0:17:11.040
<v Speaker 2>want to go down into the history of our you know, nation,

0:17:11.800 --> 0:17:14.280
<v Speaker 2>But she really is sort of telling Samantha like, you

0:17:14.359 --> 0:17:17.680
<v Speaker 2>don't you'll never get in, you know. And and in essence,

0:17:17.880 --> 0:17:20.600
<v Speaker 2>because what I know as a television writer, both characters

0:17:20.680 --> 0:17:25.359
<v Speaker 2>have to be right, and in essence they are because

0:17:25.359 --> 0:17:29.479
<v Speaker 2>Samantha is saying, well, okay, yeah, I'm not black, but like,

0:17:29.520 --> 0:17:31.480
<v Speaker 2>you don't know me. You haven't gotten a chance to

0:17:31.480 --> 0:17:35.240
<v Speaker 2>spend time. And the interesting thing is, as a person

0:17:35.240 --> 0:17:38.760
<v Speaker 2>who really likes the Samantha character, I wouldn't mind hanging

0:17:38.760 --> 0:17:41.159
<v Speaker 2>out with her and getting to know her and vibing

0:17:41.160 --> 0:17:43.480
<v Speaker 2>with her. She's the fun friend. She's the one that's

0:17:43.520 --> 0:17:45.560
<v Speaker 2>not gonna judge you. You're gonna go, You're gonna get

0:17:45.600 --> 0:17:48.959
<v Speaker 2>into some exclusive place. You know, She's a vibe and

0:17:49.040 --> 0:17:52.280
<v Speaker 2>so what what breaks my heart the most about the

0:17:52.440 --> 0:17:56.240
<v Speaker 2>episode is that we don't get to explore Samantha dating

0:17:56.320 --> 0:17:57.080
<v Speaker 2>this black guy.

0:17:57.160 --> 0:17:59.919
<v Speaker 1>I agree also because they are so good together.

0:18:00.880 --> 0:18:02.879
<v Speaker 2>That's what always breks. But that's it's always broken my

0:18:02.920 --> 0:18:05.679
<v Speaker 2>heart about the episode. Interest is not about how it

0:18:05.720 --> 0:18:08.399
<v Speaker 2>was that's a handle per se, but rather like, it

0:18:08.440 --> 0:18:11.439
<v Speaker 2>would have been cool if we could have that actress,

0:18:11.440 --> 0:18:13.480
<v Speaker 2>could have had maybe a three episode art because that's

0:18:13.640 --> 0:18:16.760
<v Speaker 2>how long the relationships last of the city. But and

0:18:16.760 --> 0:18:18.920
<v Speaker 2>then had them break up over something that had nothing

0:18:18.960 --> 0:18:19.640
<v Speaker 2>to do with race.

0:18:19.880 --> 0:18:20.920
<v Speaker 1>That would have been so good.

0:18:21.200 --> 0:18:24.160
<v Speaker 2>But now, look, I think for whatever reason, they didn't

0:18:24.160 --> 0:18:25.760
<v Speaker 2>want to go down their road. And that's fair because

0:18:25.800 --> 0:18:27.919
<v Speaker 2>there wasn't a black writer in the writer's room and

0:18:27.960 --> 0:18:30.720
<v Speaker 2>it does get tricky where if you have black actors

0:18:30.760 --> 0:18:36.560
<v Speaker 2>speaking and there's no black person around, then my for me,

0:18:36.800 --> 0:18:41.080
<v Speaker 2>I'd rather like then don't even deal with race at all, Like,

0:18:41.119 --> 0:18:42.520
<v Speaker 2>don't let that be a part of it. If you

0:18:42.600 --> 0:18:44.320
<v Speaker 2>guys are too scared to like kind of go down

0:18:44.400 --> 0:18:47.800
<v Speaker 2>that road, just let it be, you know whatever, you know.

0:18:47.920 --> 0:18:51.080
<v Speaker 2>And but but because I think they didn't want to

0:18:51.119 --> 0:18:54.879
<v Speaker 2>ignore the glaring fact that this is a black woman,

0:18:55.000 --> 0:18:57.639
<v Speaker 2>that she's got this restaurant, she's talking about Okra and whatnot.

0:18:57.960 --> 0:19:00.520
<v Speaker 2>You got the brother, he's got the Jennifer Lopez party.

0:19:00.920 --> 0:19:05.000
<v Speaker 2>So they're very much sort of culturally you know, intelligent,

0:19:05.040 --> 0:19:07.080
<v Speaker 2>and they know what's going on. They're not unaware of

0:19:07.119 --> 0:19:11.000
<v Speaker 2>who they are, where they come from. I just think

0:19:11.000 --> 0:19:14.199
<v Speaker 2>it's important. I like the episode. I think, yeah, of

0:19:14.200 --> 0:19:15.920
<v Speaker 2>course it maybe you could go back and tweak or

0:19:15.920 --> 0:19:19.920
<v Speaker 2>adjust things, but I just feel like it's a time capsule.

0:19:20.560 --> 0:19:23.119
<v Speaker 2>All entertainment as a time capsule. I don't want to

0:19:23.160 --> 0:19:25.480
<v Speaker 2>go back and say, well, let's fix this for our comfort.

0:19:25.720 --> 0:19:27.720
<v Speaker 1>No, of course, and I mean we can't. So it

0:19:27.720 --> 0:19:29.000
<v Speaker 1>doesn't even matter if we want to.

0:19:29.119 --> 0:19:31.560
<v Speaker 2>And it's reflective. It's reflected. You get to go back

0:19:31.600 --> 0:19:34.159
<v Speaker 2>and reflect and say yeah, okay, because I'm telling you

0:19:34.240 --> 0:19:37.159
<v Speaker 2>it could have been a lot worse. It could have

0:19:37.160 --> 0:19:39.400
<v Speaker 2>been a situation where you look at it and go, okay,

0:19:39.440 --> 0:19:41.199
<v Speaker 2>well we got to talk about this and we talk

0:19:41.240 --> 0:19:45.960
<v Speaker 2>about that. I really do you want to see women fighting, like, no,

0:19:46.160 --> 0:19:53.080
<v Speaker 2>but most reality shows that most people watch involve grown women,

0:19:53.880 --> 0:20:01.160
<v Speaker 2>professional women, well dressed women. Yeah, physically fighting each other.

0:20:01.280 --> 0:20:04.280
<v Speaker 2>It's just so weird, throwing tables, throwing like, you know,

0:20:04.840 --> 0:20:10.160
<v Speaker 2>like drinks, and so that I can't be offended by

0:20:10.280 --> 0:20:14.439
<v Speaker 2>that episode and acts as if that women kind of

0:20:14.480 --> 0:20:16.959
<v Speaker 2>going back and forth at each other isn't something that

0:20:17.080 --> 0:20:21.480
<v Speaker 2>is pushed by some powers that be that are not us.

0:20:21.640 --> 0:20:23.160
<v Speaker 1>That's a good point. That's a good point. I hadn't

0:20:23.160 --> 0:20:24.840
<v Speaker 1>thought about it in that way. I did think about

0:20:24.880 --> 0:20:26.760
<v Speaker 1>the year two thousand a little bit, and that was

0:20:26.840 --> 0:20:30.639
<v Speaker 1>like the Survivor had started was really vague. You know,

0:20:30.720 --> 0:20:33.280
<v Speaker 1>Friends is obviously big er is you know, it's pretty

0:20:33.359 --> 0:20:36.640
<v Speaker 1>much white network television. Sure, and then we're over there

0:20:36.640 --> 0:20:38.280
<v Speaker 1>on HBO. But I think that is one of the

0:20:38.280 --> 0:20:40.640
<v Speaker 1>frustrations that people would express to us at the time

0:20:40.840 --> 0:20:42.119
<v Speaker 1>was you guys are on HBO and you can do

0:20:42.119 --> 0:20:46.720
<v Speaker 1>whatever you want, So why is it so you know white? Basically,

0:20:47.000 --> 0:20:47.720
<v Speaker 1>people would say.

0:20:47.800 --> 0:20:51.480
<v Speaker 2>But here's the deal. Our entertainment, our media is a

0:20:51.520 --> 0:20:53.720
<v Speaker 2>reflection of our society, and we live in what I

0:20:53.760 --> 0:20:57.720
<v Speaker 2>like to call a white leaning society. We live in

0:20:57.760 --> 0:21:00.920
<v Speaker 2>a white leaning society. I'll use the as an example.

0:21:00.960 --> 0:21:03.639
<v Speaker 2>How many women have won Best Lead Actress in a

0:21:03.680 --> 0:21:08.960
<v Speaker 2>Motion Picture. Her name is Halle Berry. How long have

0:21:09.000 --> 0:21:12.960
<v Speaker 2>the oscars been around? Again, we live in a very

0:21:13.080 --> 0:21:21.680
<v Speaker 2>white leaning society, and that's sort of what it is,

0:21:22.200 --> 0:21:26.879
<v Speaker 2>you know, And so I think in two thousand, it's like,

0:21:28.080 --> 0:21:31.480
<v Speaker 2>that's a reality of what TV was. And at the

0:21:31.560 --> 0:21:35.480
<v Speaker 2>same time, I, a young black queer woman in Chicago,

0:21:35.680 --> 0:21:42.080
<v Speaker 2>was watching the show and really felt It's interesting because

0:21:42.280 --> 0:21:43.560
<v Speaker 2>I don't know if the word is to say I

0:21:43.600 --> 0:21:48.960
<v Speaker 2>felt seen. That's not necessarily right, but I felt the

0:21:49.080 --> 0:21:55.399
<v Speaker 2>show's humanity. I felt because I was still living with

0:21:55.440 --> 0:21:58.600
<v Speaker 2>my mom. I was like, I wasn't out in the world.

0:21:59.119 --> 0:22:01.560
<v Speaker 2>But what I was seeing, what you guys are such

0:22:01.560 --> 0:22:06.960
<v Speaker 2>a beautiful job of was saying, your friendships are what

0:22:07.280 --> 0:22:13.280
<v Speaker 2>will determine what your relationships ultimately look like. So good, yeah, yeah, yeah,

0:22:13.359 --> 0:22:14.720
<v Speaker 2>And that was always the point.

0:22:15.000 --> 0:22:15.520
<v Speaker 1>Definitely.

0:22:15.600 --> 0:22:17.800
<v Speaker 2>It's like these men are like they gonna come and go,

0:22:17.840 --> 0:22:22.199
<v Speaker 2>and sometimes women will come and go. It is the

0:22:22.320 --> 0:22:25.680
<v Speaker 2>friendship that sticks, and that is actually a reflection of

0:22:26.240 --> 0:22:28.800
<v Speaker 2>how I still live my life. And it's not about

0:22:28.800 --> 0:22:33.040
<v Speaker 2>putting friendships before my relationships. Because I do understand that

0:22:33.119 --> 0:22:35.960
<v Speaker 2>as well, and that with the characters. When your character

0:22:36.000 --> 0:22:40.400
<v Speaker 2>gets married, they aren't afraid to show us what happens.

0:22:42.000 --> 0:22:45.119
<v Speaker 2>There is a there's an empty chair now, right, and

0:22:45.160 --> 0:22:48.359
<v Speaker 2>they're like, moment for a moment, for a moment, you

0:22:48.400 --> 0:22:51.359
<v Speaker 2>come back, but there, but you're the first of the

0:22:51.400 --> 0:22:56.199
<v Speaker 2>four to transition. And and they also show us what

0:22:56.200 --> 0:22:59.600
<v Speaker 2>happens when one of your friends has a baby right now?

0:22:59.640 --> 0:23:02.040
<v Speaker 2>She got the baby at the damn table, right, And

0:23:02.080 --> 0:23:05.040
<v Speaker 2>you guys are like, what is on? Like what are

0:23:05.040 --> 0:23:10.280
<v Speaker 2>we come on? And she's frustrated, yes and inconvenience yes

0:23:10.800 --> 0:23:13.600
<v Speaker 2>for her yes, And you guys are like, girl, Sam,

0:23:13.640 --> 0:23:16.240
<v Speaker 2>you gotta bro like she got a kid, now, relaxed?

0:23:16.320 --> 0:23:18.560
<v Speaker 2>Right were you at the table? What are you only

0:23:18.600 --> 0:23:20.199
<v Speaker 2>talking about your husband?

0:23:20.359 --> 0:23:20.920
<v Speaker 1>What's going on?

0:23:21.240 --> 0:23:26.399
<v Speaker 2>And it's like, oh my god. Yes, but it's practice.

0:23:26.000 --> 0:23:29.879
<v Speaker 1>It's true, and it's also it's intimacy. It's chosen family, yes,

0:23:29.880 --> 0:23:33.080
<v Speaker 1>and that it is put and what Michael Patrick did

0:23:33.119 --> 0:23:35.280
<v Speaker 1>say at one point too, which I think is also

0:23:35.359 --> 0:23:39.040
<v Speaker 1>like even maybe one layer underneath, it's all about your

0:23:39.040 --> 0:23:42.640
<v Speaker 1>relationship to yourself, you know, and what figuring out who

0:23:42.640 --> 0:23:45.919
<v Speaker 1>you are and what you really want what's true to you, right,

0:23:46.359 --> 0:23:49.040
<v Speaker 1>which I think we've always tried to do, you know,

0:23:49.240 --> 0:23:51.320
<v Speaker 1>in the whole history of all of it. Like someone

0:23:51.359 --> 0:23:52.760
<v Speaker 1>came on the other day and they were saying how

0:23:52.840 --> 0:23:56.679
<v Speaker 1>unhappy they were that Carrie ends and just like that single,

0:23:57.160 --> 0:23:59.199
<v Speaker 1>And I said, well, that's really funny because when we

0:23:59.320 --> 0:24:01.679
<v Speaker 1>ended se in the city and she was not single,

0:24:01.720 --> 0:24:07.159
<v Speaker 1>people were outraged, you know, yeah, just saying people were outraged.

0:24:07.280 --> 0:24:11.120
<v Speaker 1>Some people were outraged. Everyone's going to project their own

0:24:11.320 --> 0:24:12.320
<v Speaker 1>right exactly.

0:24:12.040 --> 0:24:14.000
<v Speaker 2>Right, right, I mean, but and I did. I read

0:24:14.119 --> 0:24:18.920
<v Speaker 2>an article about that, about her, you know, winding up

0:24:19.200 --> 0:24:20.960
<v Speaker 2>on her own. But I also think it's it's a

0:24:21.000 --> 0:24:22.000
<v Speaker 2>statement of the times.

0:24:22.080 --> 0:24:24.640
<v Speaker 1>I do too. Yes, it's the whole thing.

0:24:24.840 --> 0:24:27.720
<v Speaker 2>It's very it's very topical.

0:24:27.880 --> 0:24:30.000
<v Speaker 1>Did you see this woman wrote this article about being

0:24:30.000 --> 0:24:31.359
<v Speaker 1>embarrassed to have a boyfriend.

0:24:32.480 --> 0:24:33.679
<v Speaker 2>Oh my god, it's so good and.

0:24:34.880 --> 0:24:37.280
<v Speaker 1>So you know, on social media it used to there

0:24:37.400 --> 0:24:40.880
<v Speaker 1>was like a whole relationship revealed thing and like so wonderful.

0:24:41.080 --> 0:24:43.840
<v Speaker 1>Still still for sure, but I mean now there's another

0:24:44.000 --> 0:24:47.440
<v Speaker 1>kind of almost like counterprogramming to that going. You know what,

0:24:47.960 --> 0:24:49.880
<v Speaker 1>I am my own woman, I make my own money,

0:24:49.920 --> 0:24:51.359
<v Speaker 1>and I go on trips by myself.

0:24:51.560 --> 0:24:54.080
<v Speaker 2>Well, hello, Tracy Elis Ross. I told her, I said,

0:24:54.080 --> 0:24:56.200
<v Speaker 2>I told Tracy, I said, you are a brand of women.

0:24:57.560 --> 0:24:59.760
<v Speaker 2>Am I divorced? No, I'm Tracy Elis Ross totally.

0:25:00.240 --> 0:25:04.600
<v Speaker 1>And that is the future of like resorts apparently single

0:25:04.760 --> 0:25:05.640
<v Speaker 1>women wellness.

0:25:05.680 --> 0:25:08.959
<v Speaker 2>Well, Tracy has a whole show about it, travel and

0:25:09.080 --> 0:25:11.640
<v Speaker 2>obviously compare that with like Carrie's character, you know, being

0:25:11.640 --> 0:25:13.600
<v Speaker 2>on her own. But I think a big part of

0:25:13.640 --> 0:25:15.160
<v Speaker 2>that is and I know there's a lot of women,

0:25:15.400 --> 0:25:17.040
<v Speaker 2>I want to say, of a certain age. I don't

0:25:17.080 --> 0:25:18.840
<v Speaker 2>know what that age can be. It can be any age.

0:25:18.880 --> 0:25:20.439
<v Speaker 2>But there are a lot of women who are like,

0:25:20.480 --> 0:25:24.480
<v Speaker 2>you know what, I'd rather do this solo. And and

0:25:24.520 --> 0:25:26.560
<v Speaker 2>some of that may have to do with who are

0:25:26.600 --> 0:25:31.040
<v Speaker 2>their options? What what, what's what's coming? You know, are

0:25:31.040 --> 0:25:33.760
<v Speaker 2>some women saying, let me maybe entertain the idea of

0:25:33.880 --> 0:25:37.600
<v Speaker 2>dating a woman or someone who's non binary. But also, again,

0:25:37.640 --> 0:25:40.080
<v Speaker 2>we live in a patriarchal society.

0:25:39.640 --> 0:25:43.520
<v Speaker 1>Right, and we're still like men are the top of

0:25:43.560 --> 0:25:46.160
<v Speaker 1>the pyramid. Yeah, but we're and it's interesting that we're

0:25:46.200 --> 0:25:48.720
<v Speaker 1>like trying to figure out like how how to like

0:25:48.760 --> 0:25:52.240
<v Speaker 1>we're going around in a circuit about how to deal

0:25:52.240 --> 0:25:53.480
<v Speaker 1>with that do you feel.

0:25:53.400 --> 0:25:55.560
<v Speaker 2>Well, you mean in terms of the patriarchal elements.

0:25:56.240 --> 0:25:58.159
<v Speaker 1>I'm a single woman right now. I've got a lot

0:25:58.200 --> 0:26:01.000
<v Speaker 1>of money, thank god. You know, it worked hard. Kids

0:26:01.280 --> 0:26:03.120
<v Speaker 1>don't really need a man, you know what I mean.

0:26:03.520 --> 0:26:04.879
<v Speaker 1>People are so confused by it.

0:26:04.960 --> 0:26:08.280
<v Speaker 2>Well, here's I mean. I think to me, it's it's

0:26:08.320 --> 0:26:10.040
<v Speaker 2>interesting because I was also seeing I didn't get to

0:26:10.040 --> 0:26:12.000
<v Speaker 2>I didn't get a chance to watch. I saw the click,

0:26:12.359 --> 0:26:14.439
<v Speaker 2>the thumbnail and the thing, but I haven't watched the

0:26:14.480 --> 0:26:17.200
<v Speaker 2>video yet, but it was saying are women getting the

0:26:17.240 --> 0:26:20.720
<v Speaker 2>men they deserve? And right, so I saved it. I

0:26:20.760 --> 0:26:22.760
<v Speaker 2>will watch that later because I'm curious what that it's

0:26:22.760 --> 0:26:24.840
<v Speaker 2>a podcast up, I'm like, cure what that conversation is like.

0:26:25.280 --> 0:26:28.160
<v Speaker 2>But the truth is, and not even say person too.

0:26:28.560 --> 0:26:31.439
<v Speaker 2>I don't want to make it so binary, but but

0:26:31.480 --> 0:26:35.440
<v Speaker 2>the truth is, it's a matter of do you want

0:26:35.480 --> 0:26:39.880
<v Speaker 2>to be on your own team or do you want

0:26:39.920 --> 0:26:44.280
<v Speaker 2>to be in a scenario where you're you're on the

0:26:44.320 --> 0:26:47.720
<v Speaker 2>team with someone else, And that is those are two

0:26:48.119 --> 0:26:52.920
<v Speaker 2>very different lifestyles for sure, for sure, and they both

0:26:52.920 --> 0:26:55.800
<v Speaker 2>come with their pros and cons.

0:26:54.400 --> 0:27:09.000
<v Speaker 1>Right when I look back on the show, there's so

0:27:09.160 --> 0:27:12.080
<v Speaker 1>many things like with Steve. Steve in this particular.

0:27:12.359 --> 0:27:15.080
<v Speaker 2>Really good episode for Steve, it's so good, he's so good.

0:27:15.600 --> 0:27:18.320
<v Speaker 1>He's great, isn't he so great? And I really really

0:27:18.320 --> 0:27:20.359
<v Speaker 1>didn't understand at the time how great he was.

0:27:21.040 --> 0:27:24.720
<v Speaker 2>I think I've always liked Steve. He's always he's blue

0:27:24.760 --> 0:27:28.600
<v Speaker 2>collar guy, so solid.

0:27:28.280 --> 0:27:33.720
<v Speaker 1>Real grounded and solid and like like such a big heart,

0:27:33.880 --> 0:27:36.919
<v Speaker 1>Oh my god, huge heart. And Samantha's sorry, Miranda's so

0:27:36.960 --> 0:27:40.000
<v Speaker 1>closed that it's the perfect combination. But then also we

0:27:40.080 --> 0:27:42.480
<v Speaker 1>know what happens, and you can also kind of understand

0:27:42.560 --> 0:27:46.000
<v Speaker 1>what happens, right because he's just like this kind of puppy.

0:27:46.240 --> 0:27:49.920
<v Speaker 2>Big huge hearts and she's like no, no, But again

0:27:49.960 --> 0:27:53.119
<v Speaker 2>that what I love is that that relationship brought out

0:27:53.160 --> 0:27:56.840
<v Speaker 2>so much in both of them. Yeah, you know he opposite. Yes,

0:27:57.080 --> 0:28:00.760
<v Speaker 2>he helped him grow up and he helped her relax.

0:28:00.359 --> 0:28:02.600
<v Speaker 1>Because he is like a child. I mean, he's like

0:28:02.600 --> 0:28:04.720
<v Speaker 1>a child when he's like come to the playground.

0:28:05.280 --> 0:28:09.200
<v Speaker 2>Well, here's the deal, Like, how do we define child?

0:28:09.480 --> 0:28:12.240
<v Speaker 1>Good point? Good point? Good point? But like I felt

0:28:12.240 --> 0:28:15.280
<v Speaker 1>like she was the mommy in that conversation right where

0:28:15.320 --> 0:28:16.800
<v Speaker 1>she's like, well, you're probably not.

0:28:16.720 --> 0:28:20.320
<v Speaker 2>Gonna win, but but here's the and by the way,

0:28:20.359 --> 0:28:22.960
<v Speaker 2>like that's I love that you need to have everybody's

0:28:23.000 --> 0:28:25.760
<v Speaker 2>perspective and also both sizing to be right. And so

0:28:26.440 --> 0:28:29.159
<v Speaker 2>she's probably right, but so was.

0:28:29.160 --> 0:28:31.560
<v Speaker 1>He totally totally I mean, I mean, and that's the

0:28:31.600 --> 0:28:35.160
<v Speaker 1>point I think, really well well done. Where she goes

0:28:35.200 --> 0:28:37.399
<v Speaker 1>and they have that famous scene in front of Magnolia

0:28:37.440 --> 0:28:40.560
<v Speaker 1>Bakery with the cupcakes, and she's like, you know, I

0:28:40.680 --> 0:28:42.480
<v Speaker 1>just seems really stupid.

0:28:43.080 --> 0:28:45.160
<v Speaker 2>She was the worst silly. Yeah, and of course Carrie's

0:28:45.280 --> 0:28:47.760
<v Speaker 2>wasn't that what couples are supposed to do each other? Silly?

0:28:48.240 --> 0:28:51.920
<v Speaker 2>Dream true? True? And will at least be supportive, yeah,

0:28:52.040 --> 0:28:55.560
<v Speaker 2>you know, and the other person, yes, they won exactly silly.

0:28:55.600 --> 0:28:58.000
<v Speaker 2>But what it is is it forces her to grow

0:28:58.560 --> 0:29:00.400
<v Speaker 2>because I love that, Yes she's a she's at her

0:29:00.600 --> 0:29:02.920
<v Speaker 2>you know, her desk, and she's working. And it goes

0:29:02.960 --> 0:29:04.160
<v Speaker 2>back to what I was saying, when you're in a

0:29:04.200 --> 0:29:07.520
<v Speaker 2>relationship with someone, If she wasn't with him, she would

0:29:07.520 --> 0:29:09.960
<v Speaker 2>not have gone outside and gotten some fresh air. She

0:29:10.040 --> 0:29:11.840
<v Speaker 2>had just been in the apartment, you know.

0:29:11.960 --> 0:29:14.800
<v Speaker 1>And she also wouldn't think about what are what.

0:29:14.800 --> 0:29:18.560
<v Speaker 2>It was, dreams, what's possible? It's okay to believe in

0:29:18.600 --> 0:29:22.520
<v Speaker 2>something that seems like it would never happen, right, totally. Yeah,

0:29:22.560 --> 0:29:25.239
<v Speaker 2>So I just think like that to me, is is

0:29:25.320 --> 0:29:27.920
<v Speaker 2>so beautiful and special, and I think it sends a

0:29:27.920 --> 0:29:29.960
<v Speaker 2>really nice message to me too.

0:29:30.000 --> 0:29:32.520
<v Speaker 1>I was really happy I didn't remember any of that storyline,

0:29:32.520 --> 0:29:35.240
<v Speaker 1>I think because I'm not. We're not. We're now all

0:29:35.600 --> 0:29:40.160
<v Speaker 1>a bit siloed storylines, and I just remember I remember

0:29:40.200 --> 0:29:42.360
<v Speaker 1>them having so much stuff and thinking it was good

0:29:42.360 --> 0:29:44.120
<v Speaker 1>at the time because it was such a deep arc.

0:29:44.520 --> 0:29:48.040
<v Speaker 1>I'm always all for that, and we really made use

0:29:48.080 --> 0:29:50.320
<v Speaker 1>of that on the show in a beautiful way of the writers.

0:29:50.560 --> 0:29:52.720
<v Speaker 1>And I love that as a viewer, you know as well,

0:29:52.760 --> 0:29:54.480
<v Speaker 1>like really getting time to.

0:29:54.640 --> 0:29:57.400
<v Speaker 2>See oh yeah, that's all we love Steve and eight

0:29:57.600 --> 0:29:59.760
<v Speaker 2>so obviously eight and being introduced, and later we'll see

0:29:59.800 --> 0:30:02.400
<v Speaker 2>how Aiden and Steve come together and those guys because

0:30:02.400 --> 0:30:04.040
<v Speaker 2>they're very much, you know, kind of kept from the

0:30:04.040 --> 0:30:06.960
<v Speaker 2>same clock. They opened the bar together and all that stuff.

0:30:07.000 --> 0:30:09.640
<v Speaker 1>Oh my god, yes, I forget all these things. It's

0:30:09.720 --> 0:30:10.600
<v Speaker 1>really fun to rewatch.

0:30:10.920 --> 0:30:12.960
<v Speaker 2>I have never rewatched, you understand, most of us we

0:30:13.080 --> 0:30:14.880
<v Speaker 2>like just go back and like have it on. It's

0:30:15.040 --> 0:30:17.160
<v Speaker 2>just like the office, It's like anything else. We are.

0:30:17.600 --> 0:30:20.680
<v Speaker 2>It's this encyclopedia, it's a library, and the fact that

0:30:20.680 --> 0:30:22.560
<v Speaker 2>there's like three chapters of it. It is the show

0:30:23.000 --> 0:30:27.040
<v Speaker 2>the movies, the movie era, which was like huge. Okay,

0:30:27.200 --> 0:30:31.680
<v Speaker 2>I remember the midnight showing at that you know, the Grove.

0:30:32.040 --> 0:30:35.440
<v Speaker 2>Oh wow, grow for the midnight screen at the first

0:30:35.920 --> 0:30:36.800
<v Speaker 2>such a City movie.

0:30:36.840 --> 0:30:40.280
<v Speaker 1>It's so crazy not knowing what to do it exactly, but.

0:30:40.280 --> 0:30:43.560
<v Speaker 2>Not knowing what to expect. I think in terms of society.

0:30:43.840 --> 0:30:49.400
<v Speaker 1>Yeah, like when people go people not people the industry.

0:30:49.440 --> 0:30:52.120
<v Speaker 1>This is what the industry was saying. We were not

0:30:52.160 --> 0:30:55.640
<v Speaker 1>supposed to do well, I know, because they can't ever

0:30:55.720 --> 0:30:57.560
<v Speaker 1>learn that lesson that women want to go to the

0:30:57.600 --> 0:30:59.840
<v Speaker 1>movies and gay men and game.

0:31:00.320 --> 0:31:03.000
<v Speaker 2>Absolutely it was, but it was a really I'll never

0:31:03.200 --> 0:31:09.600
<v Speaker 2>forget that experience going to see that movie and seeing

0:31:10.240 --> 0:31:14.080
<v Speaker 2>seeing the cultural impact amazing because you're like, yeah, who

0:31:14.120 --> 0:31:15.760
<v Speaker 2>is gonna you know? And I wouldn't have minded if

0:31:15.800 --> 0:31:18.600
<v Speaker 2>it wasn't like it's like sex and City fanatics so whatever.

0:31:18.920 --> 0:31:21.840
<v Speaker 2>But it was. It was almost as if everybody that

0:31:22.000 --> 0:31:24.360
<v Speaker 2>was at home, like because you are silo your home

0:31:24.400 --> 0:31:26.520
<v Speaker 2>watching it yourself and talk about it with your friends

0:31:26.520 --> 0:31:28.880
<v Speaker 2>when you have a watch party, depending and I think

0:31:28.960 --> 0:31:32.120
<v Speaker 2>when the movies happened, it was like a freaking Star

0:31:32.160 --> 0:31:34.600
<v Speaker 2>Wars convention. It was like we all were like insane

0:31:36.080 --> 0:31:41.200
<v Speaker 2>in the same place, watching the same thing, and it

0:31:41.240 --> 0:31:43.120
<v Speaker 2>was really cool. It's cool to be around your people.

0:31:43.440 --> 0:31:44.800
<v Speaker 2>And it felt like, you know.

0:31:44.840 --> 0:31:47.560
<v Speaker 1>Absolutely, that's what going to the movies why we can

0:31:47.600 --> 0:31:48.920
<v Speaker 1>never lose it.

0:31:49.120 --> 0:31:51.600
<v Speaker 2>No, you can't, because it's too it's too special.

0:31:51.640 --> 0:31:55.560
<v Speaker 1>It's it's too magical experience dark.

0:31:55.760 --> 0:31:58.640
<v Speaker 2>And y'all gave us, you know, some big movie that

0:31:58.680 --> 0:32:00.160
<v Speaker 2>I know that the word is like you know one,

0:32:00.240 --> 0:32:02.840
<v Speaker 2>but like just some really big movie moments. I mean

0:32:02.880 --> 0:32:06.160
<v Speaker 2>talk about set pieces and like because you do wonder

0:32:06.320 --> 0:32:08.120
<v Speaker 2>what are we gonna do? Like what's it going to be?

0:32:08.640 --> 0:32:13.400
<v Speaker 2>It's like Michael patuc was like, you'll see, don't worry

0:32:13.640 --> 0:32:15.760
<v Speaker 2>and then but obviously then the third chapter and final

0:32:15.920 --> 0:32:18.320
<v Speaker 2>is you know, and just like that, which is to

0:32:18.400 --> 0:32:22.920
<v Speaker 2>have those three eras is pretty it is pretty conic.

0:32:23.200 --> 0:32:26.400
<v Speaker 1>I agree, it is. It's beyond it's beyond anything that

0:32:26.440 --> 0:32:28.920
<v Speaker 1>I can even really sometimes get my own mind around it.

0:32:28.960 --> 0:32:30.800
<v Speaker 1>And I have lived through it. But I also don't

0:32:30.840 --> 0:32:34.560
<v Speaker 1>feel like it's done. I don't don't look at I

0:32:34.560 --> 0:32:37.120
<v Speaker 1>don't I don't look at in my thut, I don't do,

0:32:37.160 --> 0:32:39.600
<v Speaker 1>you know what I mean, Michael's on his own page.

0:32:39.640 --> 0:32:41.760
<v Speaker 1>I don't know. Sarah's on her own page, of course,

0:32:42.000 --> 0:32:47.000
<v Speaker 1>but I don't feel I did feel complete after, you know,

0:32:47.360 --> 0:32:51.160
<v Speaker 1>and just like that or the second movie, we thought

0:32:51.160 --> 0:32:52.360
<v Speaker 1>we were going to do the third.

0:32:52.320 --> 0:32:54.480
<v Speaker 2>Right, and then it kind of turned into and just

0:32:54.520 --> 0:32:56.560
<v Speaker 2>like that, I think time.

0:32:56.960 --> 0:32:58.720
<v Speaker 1>But during that time, I'd see Michael and I'd see

0:32:58.720 --> 0:33:01.400
<v Speaker 1>the girls obviously discussed like what should we do? Should

0:33:01.400 --> 0:33:02.160
<v Speaker 1>we do something?

0:33:02.240 --> 0:33:03.680
<v Speaker 2>You know, I know it's.

0:33:03.520 --> 0:33:08.320
<v Speaker 1>Always exactly and there was always that chance, which was

0:33:08.360 --> 0:33:10.840
<v Speaker 1>exciting and nice. So we still had each other in

0:33:10.880 --> 0:33:12.480
<v Speaker 1>our lives, which is also amazing.

0:33:12.560 --> 0:33:14.400
<v Speaker 2>That's rightful, Yeah, it's the best part.

0:33:14.800 --> 0:33:16.720
<v Speaker 1>But then and now that's true now, and so that

0:33:16.760 --> 0:33:18.120
<v Speaker 1>we did it just like that, and I really thought

0:33:18.160 --> 0:33:20.440
<v Speaker 1>we'd keep going because that's me, right, It's just.

0:33:20.440 --> 0:33:24.360
<v Speaker 2>Me, always, eternal optimus, and you keep going forever.

0:33:24.600 --> 0:33:26.160
<v Speaker 1>I was like, well, why wouldn't we you know what

0:33:26.200 --> 0:33:26.920
<v Speaker 1>I'm saying, like.

0:33:27.960 --> 0:33:30.800
<v Speaker 2>Yeah, I mean, yeah, it's it's a look. I mean,

0:33:30.880 --> 0:33:33.320
<v Speaker 2>we're we're gonna write We're season eight for the Shop.

0:33:33.440 --> 0:33:35.720
<v Speaker 2>I was gonna, you know, it's our final season but

0:33:35.760 --> 0:33:38.800
<v Speaker 2>I think it really was. I definitely was thinking about

0:33:39.520 --> 0:33:42.160
<v Speaker 2>those final interviews that you guys did with for Sex

0:33:42.200 --> 0:33:44.760
<v Speaker 2>and the City the first time around after the sixth yes,

0:33:45.160 --> 0:33:48.640
<v Speaker 2>and I just remember, you know, surgical Parker saying like,

0:33:49.240 --> 0:33:51.720
<v Speaker 2>you want to leave while the party's cresting, you want

0:33:51.760 --> 0:33:54.000
<v Speaker 2>to I was like, what do you say? What are

0:33:54.000 --> 0:33:54.360
<v Speaker 2>you saying?

0:33:54.400 --> 0:33:57.440
<v Speaker 1>Sometimes that I was like, what are you talking about?

0:33:57.520 --> 0:33:58.400
<v Speaker 1>We don't want to know.

0:33:58.600 --> 0:34:01.800
<v Speaker 2>But here's the deal, here's the deal. It was. It

0:34:01.840 --> 0:34:04.880
<v Speaker 2>was hard. It was tough because you think, like, oh damn,

0:34:04.960 --> 0:34:09.399
<v Speaker 2>six seasons, come on, but it felt right. It did.

0:34:09.440 --> 0:34:12.680
<v Speaker 2>It felt it felt because otherwise you don't want to

0:34:12.719 --> 0:34:14.920
<v Speaker 2>go out with the whimper. No, that's true, and you

0:34:15.040 --> 0:34:19.160
<v Speaker 2>want people to gather, and that's true. People get true,

0:34:19.280 --> 0:34:19.920
<v Speaker 2>people get me.

0:34:20.160 --> 0:34:22.400
<v Speaker 1>I think at the time that the show, you know,

0:34:22.800 --> 0:34:25.400
<v Speaker 1>Sarah had her baby and Cynthia had her baby, So

0:34:25.480 --> 0:34:28.080
<v Speaker 1>for me, I was living life with them watching that,

0:34:28.280 --> 0:34:31.879
<v Speaker 1>and that is a huge chapter in life right then.

0:34:31.920 --> 0:34:33.680
<v Speaker 1>I also really did believe that the time that we

0:34:33.760 --> 0:34:35.480
<v Speaker 1>ended the first show that we would make a movie,

0:34:35.719 --> 0:34:38.239
<v Speaker 1>and that was super exciting.

0:34:38.440 --> 0:34:40.640
<v Speaker 2>Right. How much time was that though between it ended,

0:34:40.640 --> 0:34:41.520
<v Speaker 2>It was more time.

0:34:41.360 --> 0:34:43.239
<v Speaker 1>Than it was supposed to be because they had a

0:34:43.280 --> 0:34:46.640
<v Speaker 1>hold on us in our contracts. Oh yes, which was

0:34:46.680 --> 0:34:48.880
<v Speaker 1>part of the negotiation for the final season. You know

0:34:48.880 --> 0:34:51.680
<v Speaker 1>how they like to put everything in together. They're like, well,

0:34:51.719 --> 0:34:54.040
<v Speaker 1>you would like more money, we would like this X

0:34:54.160 --> 0:34:57.839
<v Speaker 1>Y and Z, right, yeah, And I was like, yes, yes,

0:34:57.920 --> 0:35:00.440
<v Speaker 1>I will give you X Y and Z. I ah

0:35:00.960 --> 0:35:03.520
<v Speaker 1>put me on hold to make a movie. Please tell you.

0:35:04.400 --> 0:35:06.040
<v Speaker 1>I'm like, that is no problem.

0:35:06.120 --> 0:35:07.879
<v Speaker 2>That's interesting. So you guys had that.

0:35:07.880 --> 0:35:09.200
<v Speaker 1>That was then it expired.

0:35:09.480 --> 0:35:10.239
<v Speaker 2>Oh yes.

0:35:10.400 --> 0:35:12.359
<v Speaker 1>I had to call brecked On and we talked about

0:35:12.400 --> 0:35:14.480
<v Speaker 1>it a little bit. And because he was in charge

0:35:14.520 --> 0:35:16.840
<v Speaker 1>of HBO at the time, Wow, and he had the

0:35:16.880 --> 0:35:18.280
<v Speaker 1>foresight to think of a film.

0:35:18.600 --> 0:35:19.600
<v Speaker 2>Wow, that's interesting.

0:35:19.680 --> 0:35:22.280
<v Speaker 1>But then and so he commissioned the script for Michael Patrick.

0:35:22.280 --> 0:35:24.560
<v Speaker 1>And Michael Patrick was writing the script, which we knew about, right,

0:35:24.600 --> 0:35:26.759
<v Speaker 1>and so we had a hold in our contract. It

0:35:26.800 --> 0:35:28.480
<v Speaker 1>was I want to say, a year or a year and

0:35:28.520 --> 0:35:31.520
<v Speaker 1>a half, not that long for us to start production, right.

0:35:32.200 --> 0:35:35.920
<v Speaker 1>And I remember Michael calling and telling me the ideas,

0:35:36.320 --> 0:35:39.719
<v Speaker 1>not seeing a script, but hearing the ideas. I was, yeah,

0:35:39.840 --> 0:35:42.920
<v Speaker 1>to Michael, anything you want me to do, I will do.

0:35:43.320 --> 0:35:45.239
<v Speaker 1>I was very, very excited and I thought this would

0:35:45.280 --> 0:35:47.000
<v Speaker 1>just be amazing, even if it was just a small

0:35:47.080 --> 0:35:48.759
<v Speaker 1>culty kind of a movie. You know what I'm trying

0:35:48.800 --> 0:35:51.560
<v Speaker 1>to say, right, Like we didn't know, you know, we

0:35:51.600 --> 0:35:55.120
<v Speaker 1>didn't know, right, But the problem was HBO didn't know

0:35:55.640 --> 0:35:58.359
<v Speaker 1>who was going to finance and or distribute it, right,

0:35:58.440 --> 0:36:01.560
<v Speaker 1>because we were all in Time warn but HBO we

0:36:01.920 --> 0:36:05.799
<v Speaker 1>don't release movies. It ended up being Time a new

0:36:05.880 --> 0:36:10.239
<v Speaker 1>line under Warner Brothers, right, And but that was eventually

0:36:10.400 --> 0:36:13.520
<v Speaker 1>so the first time around when Chris had commissioned the script

0:36:13.480 --> 0:36:18.560
<v Speaker 1>from Michael Patrick, the it the hold expired, got it

0:36:18.640 --> 0:36:22.440
<v Speaker 1>and I was devastated because you want to do thee

0:36:22.600 --> 0:36:25.600
<v Speaker 1>God yes, But then you know, Michael Patrick's not going

0:36:25.600 --> 0:36:28.200
<v Speaker 1>to give up once he's got a creative idea, I know, right.

0:36:28.440 --> 0:36:30.120
<v Speaker 1>So he had a creative idea and he was like,

0:36:30.160 --> 0:36:32.120
<v Speaker 1>we're going to figure it out. But it was hard

0:36:32.320 --> 0:36:34.560
<v Speaker 1>because it had never been done right where you've got

0:36:34.600 --> 0:36:37.040
<v Speaker 1>an ip that has been over here exactly and you're

0:36:37.080 --> 0:36:39.440
<v Speaker 1>wanting to put it over here. So it took Toby

0:36:39.440 --> 0:36:42.280
<v Speaker 1>Emerick saying stepping up to the plate when he did,

0:36:42.520 --> 0:36:45.000
<v Speaker 1>and what Chris said was the turning point was Devil

0:36:45.000 --> 0:36:48.040
<v Speaker 1>ware's part of one did so well. That was one

0:36:48.040 --> 0:36:51.920
<v Speaker 1>of our directors, David Frankel exactly. And Chris was like,

0:36:51.960 --> 0:36:54.960
<v Speaker 1>that's our movie. Why didn't we make our movie?

0:36:55.000 --> 0:36:57.640
<v Speaker 2>We're so stupid out before?

0:36:58.120 --> 0:36:59.960
<v Speaker 1>Isn't that bizarre? It's not how I remember it, but

0:37:00.040 --> 0:37:01.400
<v Speaker 1>that's what Chris told me. And I looked it up

0:37:01.400 --> 0:37:02.320
<v Speaker 1>and I think it's accurate.

0:37:02.440 --> 0:37:04.960
<v Speaker 2>Oh well, yeah, I believe that. Wow.

0:37:05.160 --> 0:37:07.720
<v Speaker 1>Interesting, right, So he was like, why didn't we go ahead?

0:37:07.760 --> 0:37:09.920
<v Speaker 2>We should go I think I think, well, I think

0:37:09.960 --> 0:37:12.000
<v Speaker 2>everything happens exactly the way it's supposed to. But I

0:37:12.040 --> 0:37:14.919
<v Speaker 2>think that amount of time and again I can't put

0:37:14.920 --> 0:37:17.000
<v Speaker 2>my finger on how much time it was from when

0:37:17.000 --> 0:37:18.640
<v Speaker 2>the last episode aired.

0:37:18.719 --> 0:37:21.399
<v Speaker 1>Two thousand and four to two thousand and eight. That's

0:37:21.640 --> 0:37:22.240
<v Speaker 1>four years.

0:37:22.520 --> 0:37:25.000
<v Speaker 2>That to me is such a beautiful amount of time.

0:37:25.080 --> 0:37:26.919
<v Speaker 1>Yeah, that's not too long, not too short.

0:37:27.040 --> 0:37:29.120
<v Speaker 2>Yeah, it's like it really kind of gave people time

0:37:29.160 --> 0:37:32.600
<v Speaker 2>to kind of miss you guys, and you know, and

0:37:32.760 --> 0:37:36.200
<v Speaker 2>obviously and it made sense in terms of where you

0:37:36.200 --> 0:37:39.840
<v Speaker 2>guys left off that Oh yeah, they would be maybe

0:37:39.840 --> 0:37:41.719
<v Speaker 2>thinking about getting married at this point, and this is

0:37:41.719 --> 0:37:44.200
<v Speaker 2>where Samantha would be and this is where Miranda would be.

0:37:44.200 --> 0:37:45.640
<v Speaker 2>It just and also what school is just going to

0:37:45.680 --> 0:37:47.880
<v Speaker 2>get a sense of where are they now? Where's everybody?

0:37:47.920 --> 0:37:50.279
<v Speaker 2>Get the quick like catch up and check it in

0:37:50.480 --> 0:37:52.719
<v Speaker 2>all these and then it's like, you know, for the

0:37:53.360 --> 0:37:55.880
<v Speaker 2>fandom that is the show, everybody sitting in that theater

0:37:56.080 --> 0:37:58.440
<v Speaker 2>is like, oh okay, oh oh you just because you

0:37:58.480 --> 0:38:00.919
<v Speaker 2>have all these ideas of what happened to them once

0:38:00.960 --> 0:38:05.440
<v Speaker 2>you left them. Yeah, that that personally is like just

0:38:05.520 --> 0:38:07.799
<v Speaker 2>like and then of course, of course, because it did

0:38:07.840 --> 0:38:09.280
<v Speaker 2>so well, you're gonna have a sequel.

0:38:09.480 --> 0:38:11.760
<v Speaker 1>Sure, we were supposed to have three. That was the plan.

0:38:11.880 --> 0:38:13.279
<v Speaker 2>The fact that you guys are going to do three

0:38:13.480 --> 0:38:15.560
<v Speaker 2>movies is insane to me.

0:38:15.760 --> 0:38:17.239
<v Speaker 1>I know it is insane, but.

0:38:19.040 --> 0:38:22.120
<v Speaker 2>It's crazy. I would have hung up after the first one.

0:38:22.120 --> 0:38:26.040
<v Speaker 2>After the first movie, I'd be like, that is a wonderful.

0:38:26.200 --> 0:38:29.319
<v Speaker 1>Nobody wants up when you do well the first time.

0:38:29.480 --> 0:38:35.120
<v Speaker 2>But guess what it Yeah. I love that there was

0:38:35.200 --> 0:38:37.080
<v Speaker 2>never a sequel to Bridesmaids.

0:38:38.160 --> 0:38:39.120
<v Speaker 1>Oh that's a good point.

0:38:39.440 --> 0:38:44.520
<v Speaker 2>That's good. And I know that Kristen Wigg and her

0:38:44.560 --> 0:38:49.000
<v Speaker 2>amazing writing partner probably were offered something and I'm sure

0:38:49.040 --> 0:38:53.040
<v Speaker 2>there's a story behind it. I'm sure, But I and

0:38:53.120 --> 0:38:54.719
<v Speaker 2>I think that movie made it on the top one

0:38:54.760 --> 0:38:57.880
<v Speaker 2>hundred movies of the some century. The New York Times

0:38:57.960 --> 0:39:00.880
<v Speaker 2>did whatever, which was cool. And I said to myself,

0:39:00.920 --> 0:39:04.080
<v Speaker 2>and I think the reason why is because they let

0:39:04.160 --> 0:39:07.760
<v Speaker 2>that movie stand. They were like, we're not going back smart.

0:39:07.880 --> 0:39:11.280
<v Speaker 2>It did what it needed to do. That's it. And

0:39:11.280 --> 0:39:12.960
<v Speaker 2>and I'll say, I mean, look, I'm happy that there

0:39:12.960 --> 0:39:15.920
<v Speaker 2>was another movie. We all were, but that's that first

0:39:15.960 --> 0:39:20.080
<v Speaker 2>Sexto the City movie. It can stand on its own

0:39:21.200 --> 0:39:22.600
<v Speaker 2>even if you never seen the show.

0:39:22.760 --> 0:39:23.759
<v Speaker 1>Yeah, it's beautiful right now.

0:39:23.800 --> 0:39:27.640
<v Speaker 2>You can't watch that movie and just say wow.

0:39:27.880 --> 0:39:28.400
<v Speaker 1>I agree.

0:39:28.520 --> 0:39:31.440
<v Speaker 2>That is I agree, and you guys give us a feast.

0:39:31.719 --> 0:39:33.600
<v Speaker 1>I know, I agree. I agree. Michael Patrick did a

0:39:33.600 --> 0:39:35.600
<v Speaker 1>great job with the first one and the second one

0:39:35.640 --> 0:39:37.719
<v Speaker 1>too in a different way. But like, I understand what

0:39:37.719 --> 0:39:39.080
<v Speaker 1>you're saying, but it's really hard.

0:39:39.520 --> 0:39:42.680
<v Speaker 2>I get it. No, no, y'all. It was nuts. It

0:39:42.800 --> 0:39:45.120
<v Speaker 2>was like it was it was everywhere. It was crazy.

0:39:45.160 --> 0:39:46.000
<v Speaker 2>So I get it crazy.

0:39:46.000 --> 0:39:49.960
<v Speaker 1>And it's crazy because we were such a I say this,

0:39:50.000 --> 0:39:51.799
<v Speaker 1>people don't believe me, but we were like the little

0:39:51.840 --> 0:39:52.839
<v Speaker 1>train that could, you know.

0:39:53.160 --> 0:39:55.760
<v Speaker 2>The word, yeah, little engine that could, the little.

0:39:55.600 --> 0:39:57.520
<v Speaker 1>Engine that could. Thank you so much, you're a good writer.

0:39:58.880 --> 0:39:59.080
<v Speaker 2>You know.

0:39:59.120 --> 0:40:02.120
<v Speaker 1>We weren't supposed to ever be successful, you know, but

0:40:02.200 --> 0:40:07.680
<v Speaker 1>we just had like like we were so committed, like

0:40:07.680 --> 0:40:09.719
<v Speaker 1>like we are going to tell these stories.

0:40:09.960 --> 0:40:12.040
<v Speaker 2>But my question is why did people think it wouldn't

0:40:12.200 --> 0:40:13.040
<v Speaker 2>Why did you think that you.

0:40:13.000 --> 0:40:14.799
<v Speaker 1>Were because there was nothing like it.

0:40:15.160 --> 0:40:18.359
<v Speaker 2>There was no is a reason to be success.

0:40:19.040 --> 0:40:21.120
<v Speaker 1>Absolutely, but there was no like you know how the

0:40:21.280 --> 0:40:23.759
<v Speaker 1>process is, Yes, there's no precedent and how they like

0:40:23.800 --> 0:40:25.600
<v Speaker 1>to say like the four quadrant.

0:40:25.120 --> 0:40:28.520
<v Speaker 2>The well, the question becomes waiting to exhale come out

0:40:28.600 --> 0:40:31.040
<v Speaker 2>before the show, because that's kind came up with myself

0:40:31.040 --> 0:40:32.839
<v Speaker 2>on the Red Divine on Legacy Talk.

0:40:33.040 --> 0:40:34.040
<v Speaker 1>Good point where.

0:40:34.880 --> 0:40:37.399
<v Speaker 2>Because I know Girlfriends was like right after you got

0:40:37.760 --> 0:40:41.080
<v Speaker 2>and so there were there were these black women quads,

0:40:41.160 --> 0:40:42.560
<v Speaker 2>you know that sort of.

0:40:42.680 --> 0:40:46.400
<v Speaker 1>I think waiting for exhale.

0:40:45.520 --> 0:40:47.399
<v Speaker 2>Yeah, waiting to extail what year to come?

0:40:47.560 --> 0:40:50.479
<v Speaker 1>I feel like ninety five right before us, right yeah,

0:40:50.560 --> 0:40:52.600
<v Speaker 1>and that was a huge hit. Good point, good point.

0:40:52.840 --> 0:40:55.120
<v Speaker 2>Well, look, I got to give credit to the Red Divine, Yes,

0:40:55.440 --> 0:40:59.200
<v Speaker 2>the great Red Divine. She was like she says it,

0:40:59.640 --> 0:41:01.239
<v Speaker 2>she's a I literally have to talk like what's the

0:41:01.239 --> 0:41:02.799
<v Speaker 2>one with the white girls running around New York City.

0:41:02.800 --> 0:41:10.799
<v Speaker 2>I said sex and Decisions. She's like, yeah, that came Afterway, and.

0:41:10.760 --> 0:41:14.719
<v Speaker 1>I remember that was a big like every huge, huge, you.

0:41:14.680 --> 0:41:18.080
<v Speaker 2>Know what I'm saying. And so I think I think

0:41:18.120 --> 0:41:22.520
<v Speaker 2>that again it goes back to a patriarchal society where

0:41:23.920 --> 0:41:27.160
<v Speaker 2>that women we are, there's no argument about it, are

0:41:27.200 --> 0:41:31.000
<v Speaker 2>seeing as second class citizens in our own nation, our world,

0:41:31.360 --> 0:41:34.080
<v Speaker 2>all over the world. And so the idea for women

0:41:35.160 --> 0:41:40.480
<v Speaker 2>talking about their sexuality, being friends, dating, having real autonomy

0:41:41.320 --> 0:41:43.479
<v Speaker 2>feels like, well, is that going to be Mary telling

0:41:43.520 --> 0:41:47.279
<v Speaker 2>Moore show. They literally had to save it. They were

0:41:47.320 --> 0:41:49.640
<v Speaker 2>putting it on Saturdays and going like, nobody's going to

0:41:49.840 --> 0:41:52.680
<v Speaker 2>stay home and and it's and again, a lot of

0:41:52.719 --> 0:41:56.600
<v Speaker 2>it is there's so much doubt when it comes to us,

0:41:56.760 --> 0:41:59.400
<v Speaker 2>so much, and so we it's so interesting because when

0:41:59.400 --> 0:42:01.400
<v Speaker 2>you say the lunch come like what, why would anyone

0:42:01.440 --> 0:42:03.680
<v Speaker 2>think that makes so much sense? And you know, and

0:42:03.719 --> 0:42:06.200
<v Speaker 2>look again, because we live in a white leaning world. Yes,

0:42:06.239 --> 0:42:10.360
<v Speaker 2>it's it's white women that get that that push, you know.

0:42:11.480 --> 0:42:13.080
<v Speaker 2>But I am grateful for some movies like Set It

0:42:13.120 --> 0:42:17.080
<v Speaker 2>Off and Girls Trip, like The Quads content, the Quads content.

0:42:16.719 --> 0:42:18.359
<v Speaker 1>Thank god, thank god.

0:42:18.480 --> 0:42:22.759
<v Speaker 2>Yeah, you did a trio you know, fantastic. You know,

0:42:22.840 --> 0:42:25.000
<v Speaker 2>it's like that, thank you so much. I mean, any

0:42:25.120 --> 0:42:33.000
<v Speaker 2>version ladies talking, there's always vibe, absolutely enjoy talking about

0:42:33.000 --> 0:42:35.640
<v Speaker 2>their emotions, about dating, all that kind of stuff, and

0:42:35.680 --> 0:42:37.960
<v Speaker 2>so yeah, I think Sex and City made it very popular,

0:42:37.960 --> 0:42:39.560
<v Speaker 2>but I totally get like there was some sort of

0:42:39.600 --> 0:42:43.719
<v Speaker 2>backlash because it's showing women having a voice, not necessarily

0:42:44.239 --> 0:42:47.560
<v Speaker 2>needing a man to approve them, but rather than building

0:42:47.560 --> 0:42:49.960
<v Speaker 2>their own bond and finding their own self love. So

0:42:50.000 --> 0:42:51.720
<v Speaker 2>of course there's going to be a threat to society

0:42:51.719 --> 0:42:53.440
<v Speaker 2>that sees women as as people that need to be

0:42:53.440 --> 0:42:54.200
<v Speaker 2>dependent on men.

0:42:56.040 --> 0:42:59.839
<v Speaker 1>All right, everyone, thanks for joining Lena Waite. Then we

0:43:00.040 --> 0:43:02.360
<v Speaker 1>are going to continue, so please join us later in

0:43:02.360 --> 0:43:05.879
<v Speaker 1>the week for part two with Lena Waite. Wonderful as

0:43:05.920 --> 0:43:09.400
<v Speaker 1>always