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Speaker 1: I'm a homegirl that knows a little bit about everything

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Speaker 1: and everybody.

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Speaker 2: You know, if you don't lie about that, right, Lauren

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Speaker 2: came in.

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Speaker 3: Hey, y'all, what's up. It's Laura l. Rosa and this

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Speaker 3: is the Latest with Laura Rosa.

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Speaker 1: This is your daily dig on all things pop culture, entertainment, news,

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Speaker 1: and all of the conversations that shake the room. Now,

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Speaker 1: speaking of rooms, you guys will notice we are not

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Speaker 1: in our for all of our viewers, you guys will

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Speaker 1: notice that we are not in our normal Latest with

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Speaker 1: Laura Rosa the podcast studio because we are on location.

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Speaker 3: The Latest is on location.

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Speaker 1: We are here in La And for all of my

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Speaker 1: listeners and viewers, we have a guest. You'll notice that

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Speaker 1: there's a second voice in the room.

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Speaker 2: Greetings and salutations Earth humans.

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Speaker 3: Why you just can't be like, hey, y'all, what's up?

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Speaker 3: DJ Head?

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Speaker 2: Hey y'all, what's up?

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Speaker 3: So DJ Head is joining us.

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Speaker 1: We are here in La, so of course I had

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Speaker 1: to pull up effective immediately all of us.

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Speaker 2: Like the I like the word here. Do you see

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Speaker 2: what I did? Do? Yeah? Don't not coming out of

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Speaker 2: wrap aub more? Please?

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Speaker 3: Don't what made you say that? Though?

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Speaker 2: This might be because you tried to like combined put

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Speaker 2: words together in a in a pattern like way, and

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Speaker 2: so I don't. But I don't want you to be

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Speaker 2: a rappers.

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Speaker 3: You know I been.

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Speaker 2: We need more plumbers and electrician.

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Speaker 3: You think I'm going to do that?

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Speaker 1: No shade to the people that are plumbers electricians, But

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Speaker 1: do I look like I could even get through that

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Speaker 1: as a work as a job.

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Speaker 2: I don't see you plumbing, No, I could see No.

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Speaker 2: Actually I see you, Okay, I see you being more

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Speaker 2: of a plumber than electrician. I think you know, yeah,

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Speaker 2: because plumbing doesn't. I think you have the capability to

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Speaker 2: snake a toilet. I don't think you have the capability

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Speaker 2: of knowing.

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Speaker 3: You think I'm dumb?

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Speaker 2: Which gauge wire?

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Speaker 3: You think I'm dumb? You think I'm dumb?

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Speaker 2: Yes?

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Speaker 3: First of all, I want you to know I know

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Speaker 3: a lot about both of them.

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Speaker 2: All right, Okay, I didn't say I've.

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Speaker 3: Watched people literally build bathrooms my mom with like her

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Speaker 3: own hands, so I know a lot about it A

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Speaker 3: little bit or I'm not stupid.

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Speaker 2: I didn't say you was stupid.

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Speaker 3: But I don't think that I was put on this

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Speaker 3: earth to be either.

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Speaker 2: I just it just firefighters too.

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Speaker 3: No shade to the firefighters, but does.

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Speaker 2: Come on, I think you can put out a fire.

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Speaker 1: All right, and it's your birthday, happy birth?

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Speaker 3: Why can't I rap? No?

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Speaker 1: I seriously, I've always said like I wish. I just

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Speaker 1: said that the other day, like I wish. No, I

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Speaker 1: don't want to do it because I'm not as good

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Speaker 1: as like I would want to be. But I think

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Speaker 1: we was listening to like some old comment. I'm like, yo,

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Speaker 1: I really wish that I had the ability to rap,

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Speaker 1: but like rap like that like a real like like

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Speaker 1: common black thought, like you know, like Foxy, like it

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Speaker 1: got to be like some where you like feel it

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Speaker 1: in your soul, in your spirit.

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Speaker 2: Well, if whatever you choose to do with your life,

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Speaker 2: I support you. Except DJ and like ceremonial things, if

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Speaker 2: you ever have like a graduation.

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Speaker 1: Or a wedding. I just asked head to DJ my wedding, y'all.

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Speaker 1: I was like, yo, we get married. He was like,

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Speaker 1: I don't do weddings.

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Speaker 3: I was like, my wedding is not going to be

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Speaker 3: like oh wedding.

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Speaker 1: This is going to be like a culture phenomena, like

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Speaker 1: they gonna want Part two of a wedding. He like,

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Speaker 1: I don't do weddings because brides are hell. And I'm like,

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Speaker 1: I'm not going to be hell. I'm my hell. I'm

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Speaker 1: so easy going ish, depending on the vibe most of

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Speaker 1: the time.

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Speaker 3: And he was like, all women are hell.

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Speaker 2: Okay, can I tell you the truth about.

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Speaker 1: Honestly, I feel like he wanted to say all black

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Speaker 1: women are hell, but he just support black women.

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Speaker 2: So my whole team is a black women. But that's

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Speaker 2: not just besides the point. Okay, can I just tell

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Speaker 2: you briefly. This is not none to do with the latest,

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Speaker 2: but I'll tell you briefly.

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Speaker 1: Well, hold on before you tell me briefly, we do

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Speaker 1: check in behind the scenes of the ground.

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Speaker 3: We haven't seen each other, we haven't talked.

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Speaker 1: We haven't talked in a while, like normally I'm calling

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Speaker 1: ahead and like he's literally like like coaching.

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Speaker 3: Me through a lot of the things.

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Speaker 2: Out.

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Speaker 1: You know what's crazy. I think you have to really

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Speaker 1: know me to know that I'm like a crash out.

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Speaker 2: Yeah yeah.

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Speaker 1: Like because other than that, I think people think and

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Speaker 1: I love because you're very poised, yes, so, and I

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Speaker 1: love that you know, people are like you know, they

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Speaker 1: see it all together. But I'm like, in real life,

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Speaker 1: I think anybody that's like really passionate about what they

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Speaker 1: do or creative and like passionate at the same time,

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Speaker 1: the elimited crash out that you're willing to do is

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Speaker 1: insane and you need somebody that like gathers you. And

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Speaker 1: this year or last year, twenty twenty five, I feel

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Speaker 1: like God really blessed me with a lot of people

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Speaker 1: in my life that like gather me together. So we're

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Speaker 1: checking it behind the scenes of the grind Head is like,

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Speaker 1: you know, captain, don't crash out, go now tell your story.

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Speaker 2: Okay. So it's just I wasn't talking about the DJ thing.

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Speaker 3: Real quick, Okay.

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Speaker 2: So it's just that people are inconsiderate, which I'm sure. Okay.

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Speaker 2: For instance, like people think radio hosts, they think podcasts

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Speaker 2: all you do is just sit and talk. It's like, oh,

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Speaker 2: you don't understand that there's research. If you have an

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Speaker 2: author on the show, you have to read the book. Yeah,

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Speaker 2: if you have. If I have the cast the Beauty

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Speaker 2: in Black on my show, I have to watch the

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Speaker 2: entire season so that way I can speak to their

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Speaker 2: character arcs.

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Speaker 3: What's your preparation to djail.

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Speaker 2: The DJ whenever someone asked do a wedding. Okay, let's

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Speaker 2: let's run a scenario. Hey, can I ask you asked

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Speaker 2: me can I do your wedding? Right?

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Speaker 3: I'm married and I didn't even finish asking you.

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Speaker 2: Well, they don't want to sit through this. How many hours?

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Speaker 2: How many hours do you? Like, when do you need

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Speaker 2: me to DJ?

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Speaker 3: I don't know the time slot.

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Speaker 2: No, no, no, just to me. How many hours? Do you know?

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Speaker 2: How long? Yeah?

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Speaker 3: Probably for like two hours?

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Speaker 1: So you need me to J for two hours because

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Speaker 1: it's going to be like a like our our reception

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Speaker 1: is going to be like a like a like kind

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Speaker 1: of like almost like a DJ, like you know, it's

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Speaker 1: like multiple sets.

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Speaker 2: Yeah, yes, so two hours? Okay? Bet. So typically when

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Speaker 2: people ask you the DJ, let's say you need for

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Speaker 2: two hours. Let's say it's six to eight right, Okay,

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Speaker 2: that's not necessarily including setup time, that's not including rehearsals,

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Speaker 2: that's not including anything. So when people be like, oh,

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Speaker 2: how much for an hour? I mean how much for

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Speaker 2: two hours? No, you're asking me how much for two weeks?

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Speaker 2: Because I mean and then also the two hours usually

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Speaker 2: comes with with the sound systems and stuff like people

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Speaker 2: don't usually equate that into their into their thing. And

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Speaker 2: what I've also this is all trauma. Yeah. I've also

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Speaker 2: dumping right now is people never include the DJ and

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Speaker 2: the head count for meals. They don't feed you. Well,

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Speaker 2: I have door dashed at a wedding, but don't you have.

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Speaker 1: I just assume this because you're so particular about everything

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Speaker 1: else in your life? Are you very particular about what

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Speaker 1: you eat?

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Speaker 2: I'm pescatarian, okay, and I don't do eggs.

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Speaker 3: All right?

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Speaker 1: Whoa Okay, Well, first of all, it'll be a little

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Speaker 1: bit different over on this side because between me and

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Speaker 1: Bay like we're like like we're producing in events and

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Speaker 1: we do that and have done it for some time,

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Speaker 1: dealing with talent, you.

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Speaker 3: Know what I mean. Like, it's it's it's a little

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Speaker 3: bit different over here.

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Speaker 2: I'm down, down, you're my friend. I'm down to make

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Speaker 2: sure you.

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Speaker 1: Get a little what fish you fish a little fish

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Speaker 1: like you'll get the fish that you need because the prescatary, yes,

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Speaker 1: do you not eat certain fish?

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Speaker 2: I don't need to lopy? What is that? Oh?

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Speaker 3: We won't have to add the wedding.

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Speaker 2: Hey man, listen, niggas be cutting corner.

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Speaker 3: Yo, it's crazy.

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Speaker 2: Niggas be cutting corner.

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Speaker 3: You won't have to do dash at my wedding, Okay,

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Speaker 3: I promise you.

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Speaker 2: All right, I'm down. You in, I'm down.

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Speaker 3: We have this on video.

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Speaker 2: I don't give a fuck I could. I'll back out

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Speaker 2: on video too.

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Speaker 3: They got that is it your birthday? Though?

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Speaker 2: Like?

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Speaker 1: What did you Your birthday just passed? I know you

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Speaker 1: don't celebrate, but hold.

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Speaker 3: On, what is it you do? You celebrate your birthday?

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Speaker 2: Defiance celebrate?

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Speaker 3: Do you acknowledge it in real life?

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Speaker 2: I mean, yeah, the year that the day came.

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Speaker 3: And when the day came, what did you do on

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Speaker 3: the day.

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Speaker 2: I sat in my draws in my office in my house,

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Speaker 2: and I worked, and then I went to go eat

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Speaker 2: with my mom.

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Speaker 3: And so you went out and did something with family.

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Speaker 2: It was kind of like, see women do this thing

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Speaker 2: where they make your shit about them. Like I told her,

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Speaker 2: I don't want to do anything, and she's like, well,

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Speaker 2: I want to take you out for your birthday your mom? Yeah, nigga,

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Speaker 2: what you mean human beings just make Okay, let me

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Speaker 2: ask my mom.

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Speaker 3: That's a day for her too.

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Speaker 2: She had you still, Yeah, but let me ask you

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Speaker 2: a question.

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Speaker 3: That is a head that is so crazy.

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Speaker 2: Let's take Mom's out of it. You're in a great relationship,

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Speaker 2: you have a great guy, make amazing god, great energy,

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Speaker 2: all of the things right, look at you Smith, you

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Speaker 2: discussed me. Okay, let's tell you something.

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Speaker 1: DJ head is like one of the only people I

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Speaker 1: know who consistently is against anything that is like like regular,

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Speaker 1: like if you if it's like relationships, if it's like

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Speaker 1: the like just food, if it's anything that's like regular

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Speaker 1: and easy.

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Speaker 3: He is a complete opposite.

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Speaker 1: Like just saying hello, hi, my name is DJ head'

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Speaker 1: is like hello, intertutural human, like I've never met a

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Speaker 1: person more different.

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Speaker 2: Well, I appreciate you. So let's say your your man's boyfriend,

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Speaker 2: your man's uh that pause, your man's birthday is coming,

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Speaker 2: and he tells you, hey, I'm a big fan of

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Speaker 2: the Lakers. What would you do? Oh, we're gonna go.

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Speaker 3: To a Lakers game, probably Court signed. I probably try

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Speaker 3: to get him back.

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Speaker 2: Okay, why are you going?

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Speaker 3: Because where who else you going with?

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Speaker 2: Well?

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Speaker 1: Oh no, okay, let me okay, so look if no, okay,

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Speaker 1: so I probably would try and find a way to

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Speaker 1: ask if if it's a thing of like does he

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Speaker 1: want to go with the homies or does he like

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Speaker 1: I have to figure that out because I would want

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Speaker 1: it to be a surprise. But I don't give a

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Speaker 1: I'm not going to Sorry, I don't really cuss on

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Speaker 1: the podcast, and you're making me cussed a lot because

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Speaker 1: you're I'm not making you are because why can't I

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Speaker 1: go to the game?

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Speaker 2: I didn't say you couldn't go to the game. I'm saying,

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Speaker 2: why do you want to take him to the game?

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Speaker 3: Because I want to see him enjoy it.

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Speaker 2: It's his birthday, yes, but why do you feel good

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Speaker 2: to see him? Why you want to feel good on

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Speaker 2: his birthday?

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Speaker 1: Because if I feel good, I mean, if he feels good,

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Speaker 1: I feel good, and then we feel good.

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Speaker 2: That's my point. That's my point right there. I'm just saying,

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Speaker 2: your birthday is the one day that you're allowed to

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Speaker 2: be selfish and it's socially acceptable. Why can't my birthday

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Speaker 2: be what I want to do without interference from other humans,

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Speaker 2: regardless of their status in my life. So if I

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Speaker 2: want to sit in my draws and work on my

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Speaker 2: computer in my office with the door closed all day,

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Speaker 2: and I don't want you to pop up in my

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Speaker 2: house and surprise me with balloons and cake. I'm just asking, No, Gina,

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Speaker 2: Gina and my team surprised me at the radio station.

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Speaker 3: Oh yeah, I saw that video with balloon.

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Speaker 2: Balloons and cake.

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Speaker 4: And I'm I'm it's okay to like, I'm not discounting

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Speaker 4: you want to like, if it's his birthday and I

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Speaker 4: love him, I want to make I want to see

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Speaker 4: him be happy.

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Speaker 3: That makes me fuk makes me happy.

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Speaker 2: It's my birthday.

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Speaker 3: I'm assuming I'm doing what makes you happy because I.

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Speaker 2: Know if I told you. Okay, let's say your boyfriend

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Speaker 2: told you, Hey, I want to sit at the house

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Speaker 2: and play call of duty for my whole birthday. I

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Speaker 2: don't want to hear from you. Don't call, don't pull.

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Speaker 3: Up all day.

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Speaker 2: Yeah you cool with that? No, it's his.

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Speaker 3: Birthday, yes, but like we don't even like how I'm gon.

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Speaker 2: Go a whole day with It's his birthday, so basically

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Speaker 2: just all just in black and white. He can't do

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Speaker 2: what he want to do on his birthday. Oh my god,

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Speaker 2: you get what I'm saying.

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Speaker 1: I don't want to ask you like on principle boo,

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Speaker 1: because that's gonna be another three hours. About the systems

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Speaker 1: and the women and breaking down the patriarchy.

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Speaker 2: I'm just saying that it's it's just the way the

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Speaker 2: way things are set up. People are not allowed to

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Speaker 2: do what they want to do for them on in

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Speaker 2: the day is about them. I'm not saying that people

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Speaker 2: shouldn't celebrate you. And I'm very appreciative of my team

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Speaker 2: and my and my mom and everybody. But I'm just

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Speaker 2: saying I never I don't do that anymore. I used

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Speaker 2: to do that. I used to say, don't buy me nothing,

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Speaker 2: don't pull up, don't do I used to set boundaries

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Speaker 2: and people violate them anyway. So now I just let

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Speaker 2: people I put on you see me, I put on

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Speaker 2: the bullshit sash, you know what I'm saying. I put

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Speaker 2: on the little hat.

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Speaker 3: But it don't feel.

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Speaker 1: Good though, to have some like have people in your

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Speaker 1: life that love you to want to celebrate you and

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Speaker 1: and like real people like I mean like not just

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Speaker 1: like people hitting you because they saw you pause. That's

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Speaker 1: all you post on Instagram about, you know, weren't you

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Speaker 1: donating something?

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Speaker 2: Yeah? Every year, So it's funny because every I've been

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Speaker 2: doing that for the last ten years. I know, like

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00:12:15,200 --> 00:12:17,800
Speaker 2: I hit everybody for money and shit like hey, I'm

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Speaker 2: I'm finna go to the skier row or I'm finna

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Speaker 2: donate to the fires or yep, I went to the Honduras,

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Speaker 2: the Doctor Saviie Village. We did a retreat. But I

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Speaker 2: do that every year for my birthday because hey, I

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Speaker 2: don't want it to be necessarily about me, so and

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Speaker 2: I know that people want to celebrate me. So I'm like, oh,

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Speaker 2: this is my time, this is my chance. I got

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Speaker 2: let's I got one hundred k thousand followers. If I

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Speaker 2: get two dollars from out of everybody, I could really

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Speaker 2: like help somebody. So that was my ideology when I

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Speaker 2: started doing that, and then it evolved into I just

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Speaker 2: launched my nonprofit.

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Speaker 1: So congratulations and wait, am I allowed to say congratulations?

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Speaker 3: Or am I making this about me? Like you let

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Speaker 3: me know? Yes, congratulations non profit.

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Speaker 1: So where did you get to with the donations and

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Speaker 1: everything that you were trying to do?

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Speaker 2: See? Actually, I can check it right now.

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Speaker 3: People are still active. People still ask like, what seventy

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Speaker 3: two hours from your birthday?

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Speaker 2: Let me see what's the eighteen So it's like nineteen yeah,

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Speaker 2: four days, no, no, no, the twelve last week.

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Speaker 3: Okay, it was last week, but people are still doing it.

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Speaker 2: People still donating, and it's like it's one dollar, two dollars,

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Speaker 2: you know what I'm saying, Like I'm not even tripping on.

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Speaker 2: I'm at thirteen hundred love it, thirteen hundred from this

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Speaker 2: and then I collected another thousand. So was that like

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Speaker 2: twenty three hundred?

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Speaker 1: So where the listeners for all the low Riders that's

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Speaker 1: our podcast community.

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Speaker 3: Where can they go to.

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Speaker 1: Donate because they're going to hear this and they're gonna

339
00:13:39,760 --> 00:13:41,800
Speaker 1: want to make sure that they're only doing what you

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Speaker 1: want them to do. About your birthday?

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Speaker 2: Go to put your Foot on the Board dot com.

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Speaker 2: That's my website.

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Speaker 3: What is hurt?

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Speaker 1: The video here the explanation of what put your Foot

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Speaker 1: on the Board is because I thought that was a

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Speaker 1: great breakdown too.

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Speaker 2: Yeah, so you want to explain it? Oh no, you

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Speaker 2: put it put the video in. Okay, Yeah, now, I

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Speaker 2: just that's something that I've been wanting to do for

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Speaker 2: I've been working on this non profit for two years.

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Speaker 2: Me and my shout out to my cousin Corey, like

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Speaker 2: she's amazing with this stuff. She pretty much helped me

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Speaker 2: set everything up from a to z and it's it's

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Speaker 2: really hard to do something charitable in the United States. Yeah,

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Speaker 2: because because the people violate and stuff.

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Speaker 3: They also I think the government to this.

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Speaker 1: They want they want to be a part of everything,

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Speaker 1: and they make sure Also I learned when I was

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Speaker 1: I'm still in the process of trying to figure out

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00:14:25,120 --> 00:14:27,360
Speaker 1: nonprofit arn't for Bronco Grande. But when I was first

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Speaker 1: trying to do it, we kept being denied. I think

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Speaker 1: it's like the five.

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Speaker 2: O one C five one three ye.

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Speaker 3: Yeah, we kept getting denied.

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Speaker 1: And then I had a girl reach out to me

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Speaker 1: from the office in Delaware, shout out to Aaron Chambers,

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Speaker 1: who was like, Hey, this happens a lot with black

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Speaker 1: like black owned nonprofits, and she created it literally like

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Speaker 1: her job is to make sure that like black non

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Speaker 1: or black owned nonprofits kind of get over that that line,

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Speaker 1: that threshold, because she says that it happens all the time.

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Speaker 1: And I'm like, with damn, but it's because I think

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Speaker 1: you know the money going.

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Speaker 2: I don't know if they know that we're black. Well

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Speaker 2: you should call brown girl.

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Speaker 3: Yeah, mine is you can't get around Well no, let

377
00:15:06,520 --> 00:15:07,720
Speaker 3: me tell you a lot of people.

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00:15:07,440 --> 00:15:09,640
Speaker 1: Don't think brown grog grinding, and I get this pushback

379
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Speaker 1: all the time. They think that brown gog grinding is

380
00:15:13,240 --> 00:15:17,760
Speaker 1: for everybody brown, and look, I'm not opposed to everybody

381
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Speaker 1: brown feeling like it's a movement of theirs. But when

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00:15:20,240 --> 00:15:22,200
Speaker 1: I created it, it was for black women. The brown

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00:15:22,320 --> 00:15:24,600
Speaker 1: was my skin color. It wasn't me being a brown girl,

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Speaker 1: it was brown skin. It was very specific because I

385
00:15:27,960 --> 00:15:30,920
Speaker 1: don't like the whole people of color thing. I feel

386
00:15:30,960 --> 00:15:34,400
Speaker 1: like our experiences and not that I dislike people anybody else,

387
00:15:34,440 --> 00:15:36,200
Speaker 1: but I'm just being honest about the fact that, like,

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Speaker 1: I don't care if you're whatever you are your experiences.

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Speaker 3: My experience is way different.

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Speaker 1: Especially it's a brown skin black girl, way different than

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Speaker 1: anybody else, Like you know what I mean, from hair

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Speaker 1: texture conversations to people everything.

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Speaker 2: People got very upset when I said that. I tweeted

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Speaker 2: that and I got dragged. Is that what y'all say drag?

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Speaker 3: Yeah?

396
00:15:54,280 --> 00:15:57,720
Speaker 2: I got dragged for like for dirty?

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Speaker 3: Is that how you said drag for dirty?

398
00:16:00,200 --> 00:16:00,840
Speaker 2: Yeah?

399
00:16:01,120 --> 00:16:01,520
Speaker 3: I don't know.

400
00:16:01,680 --> 00:16:04,240
Speaker 2: That's la drag for filthy?

401
00:16:05,320 --> 00:16:08,840
Speaker 3: Fithy, What did you tweet what you tweeted?

402
00:16:09,880 --> 00:16:13,880
Speaker 2: I tweeted, your life is just different when your mama

403
00:16:13,960 --> 00:16:16,600
Speaker 2: black it is. And I was just like because I

404
00:16:17,360 --> 00:16:20,560
Speaker 2: and your dad black eye witness. No, I'm just I

405
00:16:20,600 --> 00:16:22,960
Speaker 2: was just literally speaking on the plight of black women

406
00:16:23,520 --> 00:16:25,440
Speaker 2: specific I mean, I'm a black man, I know what

407
00:16:25,520 --> 00:16:28,560
Speaker 2: it is. But I was just I remember the looks

408
00:16:28,640 --> 00:16:30,960
Speaker 2: that my mom used to get from the whites when

409
00:16:30,960 --> 00:16:32,920
Speaker 2: she would take me place because she couldn't afford child care.

410
00:16:33,320 --> 00:16:35,920
Speaker 2: I remember like I could be under her desk playing

411
00:16:35,920 --> 00:16:37,800
Speaker 2: with my little toy or whatnot. And I remember the

412
00:16:37,840 --> 00:16:40,360
Speaker 2: way the white lady. I wish I could remember that

413
00:16:40,480 --> 00:16:44,880
Speaker 2: lady name. She worked at the Bicycle Club casino in

414
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Speaker 2: off seventeen Freeways.

415
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Speaker 3: It's his birthday, he coming for every white lady that

416
00:16:48,480 --> 00:16:50,320
Speaker 3: ever been at She worked.

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Speaker 2: At the Bicycle Club casino over there off the seventeen Freeway,

418
00:16:53,640 --> 00:16:58,760
Speaker 2: and I think it's in bail, in bail, she just

419
00:16:58,840 --> 00:17:02,000
Speaker 2: looked at my mom with just like discussed just it

420
00:17:02,040 --> 00:17:03,960
Speaker 2: was just not even discussed. It was worse than that,

421
00:17:04,359 --> 00:17:07,360
Speaker 2: like you're just nothing, like you just your bottom feet

422
00:17:07,440 --> 00:17:08,639
Speaker 2: and broke black bitch.

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Speaker 1: You know it's crazy for me my mom because my

424
00:17:11,359 --> 00:17:14,080
Speaker 1: mom is like really light, like skin full of face

425
00:17:14,080 --> 00:17:18,080
Speaker 1: full of hell yeah, face full of freckles, hair, textures

426
00:17:18,119 --> 00:17:20,480
Speaker 1: way different than mine. So when my mom used to

427
00:17:20,520 --> 00:17:22,520
Speaker 1: come to like school, like because I used to always

428
00:17:22,600 --> 00:17:24,800
Speaker 1: I've always been like this, so I was always doing

429
00:17:24,840 --> 00:17:27,000
Speaker 1: like a lot of stuff. Whenever she would come to stuff,

430
00:17:27,000 --> 00:17:29,920
Speaker 1: people would be like, that's not your mom. Like people said,

431
00:17:29,920 --> 00:17:34,560
Speaker 1: literally say to me, it's not your mom.

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Speaker 3: Who you're telling.

433
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Speaker 1: And then I have, like I have like cousins who

434
00:17:38,160 --> 00:17:41,280
Speaker 1: like you know fully you know, fully black, but like

435
00:17:41,600 --> 00:17:44,040
Speaker 1: don't have cousins with like longer hair or different hair

436
00:17:44,080 --> 00:17:46,880
Speaker 1: textures as well too. I remember people being like those

437
00:17:46,960 --> 00:17:49,880
Speaker 1: not your cousins, and I'm like, what, like why do

438
00:17:49,960 --> 00:17:53,520
Speaker 1: we think? But it's that that's why for me, it's

439
00:17:53,560 --> 00:17:56,439
Speaker 1: not like I think when when you say anything about

440
00:17:56,480 --> 00:18:00,239
Speaker 1: being like black, like just supporting black, it's like make

441
00:18:00,280 --> 00:18:02,720
Speaker 1: it like you hate everything else. But for me, I

442
00:18:02,760 --> 00:18:05,639
Speaker 1: think now that I can say it where people can

443
00:18:05,720 --> 00:18:08,280
Speaker 1: hear me, I love being like, yeah, like you know,

444
00:18:08,359 --> 00:18:10,960
Speaker 1: I want all people to have good lives, especially I

445
00:18:11,040 --> 00:18:14,440
Speaker 1: understand if you're not white and your other shit can

446
00:18:14,440 --> 00:18:17,359
Speaker 1: get tough in your own situations. But like my experience

447
00:18:17,400 --> 00:18:19,120
Speaker 1: as a black girl, and I mean like a black

448
00:18:19,160 --> 00:18:21,880
Speaker 1: girl for real, it's a lot different, and they got

449
00:18:21,880 --> 00:18:23,720
Speaker 1: I said that on Brilliant Idiots, and people was pissed

450
00:18:23,720 --> 00:18:25,840
Speaker 1: off at me, and I'm like, oh, no, y'all don't

451
00:18:25,920 --> 00:18:29,080
Speaker 1: understand because like you are, if you're lighter skinned, if

452
00:18:29,119 --> 00:18:31,640
Speaker 1: you're and it's no hate. My mom is a very

453
00:18:31,680 --> 00:18:34,560
Speaker 1: lighter skinned woman with freckles, and you know what I mean, Like,

454
00:18:35,320 --> 00:18:37,280
Speaker 1: it's it's just a different it's just very different.

455
00:18:37,480 --> 00:18:40,640
Speaker 3: So I'm always like, hey, this is how I feel.

456
00:18:40,680 --> 00:18:43,919
Speaker 2: Always experiencing. I always tell people I'm not anti anyone,

457
00:18:43,960 --> 00:18:44,960
Speaker 2: I'm just pro us.

458
00:18:45,400 --> 00:18:48,600
Speaker 1: Yeah, But in the in the way that the world

459
00:18:48,680 --> 00:18:50,840
Speaker 1: is set up, especially with social media today, the minute

460
00:18:50,880 --> 00:18:54,399
Speaker 1: you say I'm pro us and you specify, we can't

461
00:18:54,400 --> 00:18:57,960
Speaker 1: get nothing specific like black girls, who's you know what

462
00:18:58,000 --> 00:19:00,640
Speaker 1: I mean? Hair curls when we sweat, we can't get

463
00:19:00,640 --> 00:19:04,040
Speaker 1: nothing specific because then it's like, oh, you hate everybody

464
00:19:04,080 --> 00:19:04,960
Speaker 1: and people feel away.

465
00:19:05,040 --> 00:19:06,680
Speaker 3: But when you know.

466
00:19:08,119 --> 00:19:10,400
Speaker 2: I'm not even going to yep.

467
00:19:10,920 --> 00:19:14,880
Speaker 1: Yeah exactly. All right, Well let's get into some things.

468
00:19:14,880 --> 00:19:17,919
Speaker 1: We're going to get on into the Latest. Uh, the

469
00:19:17,960 --> 00:19:19,480
Speaker 1: head is going to be joining us for some of

470
00:19:19,520 --> 00:19:23,760
Speaker 1: the topics today. You ready, Oh, I ain't taking you

471
00:19:23,800 --> 00:19:26,000
Speaker 1: nowhere to mess No.

472
00:19:26,160 --> 00:19:29,880
Speaker 2: Remember last I was on the Latest last time, and

473
00:19:30,320 --> 00:19:34,080
Speaker 2: I forgot what we were talking about. Oh was it

474
00:19:34,640 --> 00:19:43,240
Speaker 2: the loss on me? And about some ship? I don't remember, yo,

475
00:19:43,080 --> 00:19:45,359
Speaker 2: about everything that I'm about to say, and I have

476
00:19:45,480 --> 00:19:48,800
Speaker 2: said I stand on that ship. How about that? All right?

477
00:19:48,840 --> 00:19:51,719
Speaker 3: We didn't say you didn't you want to hear apologize

478
00:19:51,720 --> 00:19:54,159
Speaker 3: them before you even started. All right, Gina was supposed

479
00:19:54,200 --> 00:19:56,040
Speaker 3: to be here, by the way, genaviews, I really want

480
00:19:56,080 --> 00:19:57,359
Speaker 3: to do a sit down with her so we could

481
00:19:57,359 --> 00:20:00,280
Speaker 3: talk through career and just how everything like all of

482
00:20:00,280 --> 00:20:02,080
Speaker 3: our stuff kind of like aligned at the same time

483
00:20:02,119 --> 00:20:05,560
Speaker 3: and we were like simultaneously like put in an interview together.

484
00:20:05,640 --> 00:20:07,080
Speaker 1: That's how I met her, and then all of a

485
00:20:07,119 --> 00:20:09,560
Speaker 1: sudden our life just start like changing at the same time,

486
00:20:09,720 --> 00:20:10,320
Speaker 1: and that's how.

487
00:20:10,160 --> 00:20:13,000
Speaker 3: We like bonded, like going through the changes together.

488
00:20:14,400 --> 00:20:16,960
Speaker 1: But gene Views is if you guys have not seen

489
00:20:17,440 --> 00:20:20,560
Speaker 1: effective immediately with DJ Head and GENA Views is a

490
00:20:20,600 --> 00:20:22,919
Speaker 1: show based here out of la which is like, you know,

491
00:20:23,000 --> 00:20:29,040
Speaker 1: pop culture music takes but y'all have taken over. Really yeah,

492
00:20:29,040 --> 00:20:30,800
Speaker 1: I think you guys are because a lot of show

493
00:20:30,920 --> 00:20:33,520
Speaker 1: a lot of people have shows and you know, do

494
00:20:33,640 --> 00:20:35,560
Speaker 1: content and stuff like that. It reviews and critiques and

495
00:20:35,560 --> 00:20:37,480
Speaker 1: stuff but I think for you guys to be new,

496
00:20:37,600 --> 00:20:39,879
Speaker 1: for people to have just gotten too no Gena throughout

497
00:20:39,920 --> 00:20:42,919
Speaker 1: twenty twenty five, you got people place you guy, like

498
00:20:43,160 --> 00:20:45,399
Speaker 1: they listen and they respect your take. You know, like

499
00:20:45,440 --> 00:20:49,359
Speaker 1: that's hard to get respect in a certain genre because

500
00:20:49,400 --> 00:20:51,320
Speaker 1: everybody's doing so much noise.

501
00:20:51,440 --> 00:20:53,440
Speaker 3: I agree, So I think you guys have taken over

502
00:20:53,440 --> 00:20:53,760
Speaker 3: for sure.

503
00:20:53,880 --> 00:20:56,520
Speaker 2: Try to make sure we navigate it properly. I don't

504
00:20:56,680 --> 00:21:00,679
Speaker 2: it be some it's it's it's get into resting in

505
00:21:00,720 --> 00:21:01,439
Speaker 2: the group chats.

506
00:21:01,520 --> 00:21:03,439
Speaker 3: You know what I'm saying, What has your journey been like?

507
00:21:03,720 --> 00:21:05,400
Speaker 1: Because one of the things that I love about you

508
00:21:05,560 --> 00:21:09,320
Speaker 1: is you support Gena so much, right Like it's like

509
00:21:09,320 --> 00:21:12,080
Speaker 1: like people can't play with Gina because the head is coming.

510
00:21:12,320 --> 00:21:14,120
Speaker 1: What is your journey been like? Just kind of it's

511
00:21:14,119 --> 00:21:16,439
Speaker 1: almost like breaking an artist a little bit. It is like,

512
00:21:16,480 --> 00:21:18,240
Speaker 1: what has your journey been like? Just kind of helping

513
00:21:18,240 --> 00:21:20,560
Speaker 1: her as she grows in career and like, you know,

514
00:21:20,720 --> 00:21:22,000
Speaker 1: helping her navigate things.

515
00:21:22,520 --> 00:21:25,960
Speaker 2: I so it's a few things that happened. The first

516
00:21:25,960 --> 00:21:28,880
Speaker 2: thing that happened is I resented the people that came

517
00:21:28,920 --> 00:21:33,679
Speaker 2: before me, and I resented them because I didn't feel

518
00:21:33,880 --> 00:21:36,240
Speaker 2: which feelings yes, did your head has feelings?

519
00:21:36,320 --> 00:21:38,440
Speaker 1: That's another thing, y'all. He don't believe in like feelings.

520
00:21:38,480 --> 00:21:39,480
Speaker 1: He feels like they're.

521
00:21:39,320 --> 00:21:42,800
Speaker 2: Like, well, not just synthesize them, but so.

522
00:21:43,119 --> 00:21:47,320
Speaker 1: This means crazy. He feels like it's like a pill

523
00:21:47,359 --> 00:21:50,000
Speaker 1: you took on accidents.

524
00:21:49,359 --> 00:21:51,280
Speaker 2: When it came to like I felt the way about

525
00:21:51,280 --> 00:21:52,400
Speaker 2: the people that came before me.

526
00:21:52,400 --> 00:21:55,359
Speaker 1: In Gina's life, No before me, like when I was

527
00:21:55,480 --> 00:21:56,439
Speaker 1: when I was coming up.

528
00:21:56,960 --> 00:21:59,639
Speaker 2: And actually, interestingly enough, I don't know if you know

529
00:21:59,680 --> 00:22:01,800
Speaker 2: who to me bad Luck is. I was gonna have

530
00:22:01,840 --> 00:22:04,080
Speaker 2: a convert I want on one conversation with one person

531
00:22:04,080 --> 00:22:07,240
Speaker 2: in particular about how I felt how they handled quote

532
00:22:07,280 --> 00:22:10,120
Speaker 2: unquote the rock when they had the rock right, and

533
00:22:10,240 --> 00:22:12,720
Speaker 2: bad Luck was like, why are you the god? Like

534
00:22:12,760 --> 00:22:14,960
Speaker 2: you don't need to do that anymore, like let it go,

535
00:22:15,000 --> 00:22:16,600
Speaker 2: and I let it go. Did never bring it up.

536
00:22:16,640 --> 00:22:18,600
Speaker 2: He's the guy that I was gonna talk to. Still

537
00:22:18,640 --> 00:22:21,600
Speaker 2: don't know that I was gonna have this uncomfortable conversation

538
00:22:21,640 --> 00:22:24,199
Speaker 2: with him, almost like a father, like hey, nigga, you

539
00:22:24,280 --> 00:22:26,880
Speaker 2: fucked up. Yes you know what I'm saying. But anyway,

540
00:22:28,600 --> 00:22:30,960
Speaker 2: after that, I put that aside. Then the second thing

541
00:22:31,000 --> 00:22:35,479
Speaker 2: that happened was the overwhelming embracement, like embrace that I

542
00:22:35,520 --> 00:22:41,359
Speaker 2: got from Charlemagne, from Sway and Big Boy and DJ DIDs.

543
00:22:41,560 --> 00:22:45,000
Speaker 2: Those are the four people that I mean. Steve Harvey's

544
00:22:45,000 --> 00:22:47,320
Speaker 2: in there too, but I didn't know him. But DJ

545
00:22:47,480 --> 00:22:49,800
Speaker 2: Dinz kind of kicked everything off of me the way

546
00:22:49,840 --> 00:22:52,200
Speaker 2: he just embraced me day one. He let me shadow

547
00:22:52,280 --> 00:22:54,080
Speaker 2: him follow He did it for the Clippers now, but

548
00:22:54,760 --> 00:22:56,640
Speaker 2: back in the day he ran the radio in LA

549
00:22:56,720 --> 00:22:58,359
Speaker 2: and everything, and it was just like, I want to

550
00:22:58,359 --> 00:23:00,879
Speaker 2: do what you do. And then and then when I

551
00:23:00,920 --> 00:23:05,680
Speaker 2: got and then Charlemagne randomly Glasses had my big homa.

552
00:23:05,720 --> 00:23:08,159
Speaker 2: Ge Malone had told I owe.

553
00:23:08,080 --> 00:23:09,320
Speaker 1: Him to sit down to every time I come to

554
00:23:09,400 --> 00:23:11,399
Speaker 1: Lam supposed to sit down.

555
00:23:12,200 --> 00:23:13,879
Speaker 2: G told Charlotte I really wanted to get on the

556
00:23:13,960 --> 00:23:15,800
Speaker 2: radio when they launched the iHeart station here in LA,

557
00:23:15,960 --> 00:23:19,399
Speaker 2: and Charlotte just hit the powers up and was like

558
00:23:19,520 --> 00:23:22,600
Speaker 2: hired eja and I got hired. And you know, he's.

559
00:23:22,400 --> 00:23:25,639
Speaker 1: Always champion for you guys, like effective immediately should be

560
00:23:25,640 --> 00:23:27,000
Speaker 1: like the radio show in LA.

561
00:23:27,720 --> 00:23:32,160
Speaker 2: And then Sway, sent for a decade, has been telling

562
00:23:32,200 --> 00:23:34,560
Speaker 2: everybody that I'm the one. I'm the one. And then

563
00:23:34,600 --> 00:23:37,800
Speaker 2: when I got an iHeart big Boy was like you're

564
00:23:37,800 --> 00:23:40,199
Speaker 2: the guy, and then they just all like embracing. So

565
00:23:40,240 --> 00:23:43,200
Speaker 2: I was like, I remember what that felt like because

566
00:23:43,240 --> 00:23:45,439
Speaker 2: you come up and you're looking up to these people.

567
00:23:46,040 --> 00:23:47,720
Speaker 2: And then so I was like damn, and I just

568
00:23:47,720 --> 00:23:50,119
Speaker 2: couldn't find the right person. I tried a couple of

569
00:23:50,200 --> 00:23:52,760
Speaker 2: times where I was like, I want to do that

570
00:23:52,800 --> 00:23:57,280
Speaker 2: with someone else. Because Charlemagne told me that you're not

571
00:23:57,320 --> 00:24:00,280
Speaker 2: a legend if your treat don't grow fruit. Yeah, so

572
00:24:00,400 --> 00:24:02,560
Speaker 2: I'm like, damn, all right, I want to be a

573
00:24:02,560 --> 00:24:05,239
Speaker 2: fucking legend. But not even it's not self serving. But

574
00:24:05,280 --> 00:24:08,239
Speaker 2: it was more like I remember when people when I

575
00:24:08,320 --> 00:24:10,639
Speaker 2: was like, hey, I'm trying to get your attention, like

576
00:24:10,760 --> 00:24:14,440
Speaker 2: help me look at me, and then it's this black

577
00:24:14,480 --> 00:24:18,080
Speaker 2: girl over here and and our homegirl chart hit me

578
00:24:18,080 --> 00:24:19,840
Speaker 2: in Solace up. One day it was just like, y'all

579
00:24:19,840 --> 00:24:22,320
Speaker 2: need to go help Gena views from Netflix.

580
00:24:22,960 --> 00:24:23,240
Speaker 3: She is.

581
00:24:23,520 --> 00:24:26,040
Speaker 2: She is Jenkins. We've been friends a year.

582
00:24:26,080 --> 00:24:26,840
Speaker 3: Get shout out to her.

583
00:24:26,840 --> 00:24:29,920
Speaker 1: She is when I tell you, she's like I don't

584
00:24:29,920 --> 00:24:32,680
Speaker 1: even know, maybe like a whisper, but she has helped

585
00:24:32,720 --> 00:24:34,679
Speaker 1: me so much on the back end just in what

586
00:24:34,800 --> 00:24:35,239
Speaker 1: I do too.

587
00:24:35,400 --> 00:24:37,720
Speaker 2: That's what we did my circle. People don't know, Like

588
00:24:38,320 --> 00:24:40,359
Speaker 2: there's rumors about my circle, like I'm in a secret

589
00:24:40,359 --> 00:24:44,439
Speaker 2: group chat where a black baller. No, huh yeah. But

590
00:24:46,320 --> 00:24:49,520
Speaker 2: my circle is just really good human beings that want

591
00:24:49,560 --> 00:24:53,200
Speaker 2: to see other people prosper, the good ones, the people

592
00:24:53,240 --> 00:24:56,240
Speaker 2: that's not doing bullshit, you know, taking advantage. But whatever.

593
00:24:56,320 --> 00:25:00,520
Speaker 2: So when the Gena thing happened and I just hit

594
00:25:00,560 --> 00:25:02,719
Speaker 2: her up, I didn't mean me and my team, we

595
00:25:02,760 --> 00:25:05,960
Speaker 2: didn't really know she needed anything. I thought she was

596
00:25:06,040 --> 00:25:07,399
Speaker 2: just booming.

597
00:25:07,200 --> 00:25:09,439
Speaker 3: Even when I met you where she couldn't say it.

598
00:25:09,440 --> 00:25:11,919
Speaker 2: Even when I met you when you were at that

599
00:25:12,040 --> 00:25:14,760
Speaker 2: place and I came over there just before breakers came.

600
00:25:15,200 --> 00:25:19,199
Speaker 1: I was at TMZ and Head came to dom hip Hop,

601
00:25:19,800 --> 00:25:22,040
Speaker 1: so DJ Head was a part of TMZ hip Hop

602
00:25:22,040 --> 00:25:23,639
Speaker 1: and I was working in the newsroom.

603
00:25:23,400 --> 00:25:26,159
Speaker 2: And I didn't even know, Like, I didn't know that

604
00:25:26,200 --> 00:25:27,400
Speaker 2: you felt how you felt there.

605
00:25:28,480 --> 00:25:29,679
Speaker 3: When would I be able to say.

606
00:25:29,720 --> 00:25:32,520
Speaker 2: I'm not saying that, I'm just saying that I'm saying

607
00:25:32,520 --> 00:25:35,760
Speaker 2: from my lens because Salas calls it our male privilege.

608
00:25:35,960 --> 00:25:39,680
Speaker 2: So once I realized that we have male two things happen.

609
00:25:39,760 --> 00:25:42,640
Speaker 2: One is that is when I realized that, oh, these

610
00:25:42,680 --> 00:25:46,159
Speaker 2: women don't actually say anything. They don't. You're not going

611
00:25:46,240 --> 00:25:48,920
Speaker 2: to say, hey I need help, or hey I need guidance,

612
00:25:49,000 --> 00:25:50,680
Speaker 2: or hey I need you to mentor me, or hey

613
00:25:50,680 --> 00:25:52,760
Speaker 2: I need you to throw me a bone or hey,

614
00:25:52,920 --> 00:25:55,919
Speaker 2: you know. But ever since I realized that, I started

615
00:25:55,920 --> 00:25:57,480
Speaker 2: doing that. So I just called Gina one day. I

616
00:25:57,480 --> 00:25:58,679
Speaker 2: was like, Hey, I don't know what you need help with,

617
00:25:58,760 --> 00:26:01,080
Speaker 2: but I'm like, I'm willing to help you do whatever.

618
00:26:01,240 --> 00:26:03,080
Speaker 1: Cause a lot of times it's like number one, you

619
00:26:03,119 --> 00:26:05,120
Speaker 1: just don't know who you can trust, and if you're

620
00:26:05,160 --> 00:26:07,400
Speaker 1: a woman in a certain space, like when I don't

621
00:26:07,400 --> 00:26:10,040
Speaker 1: because with the time when y'all had started TMC hip hop,

622
00:26:10,760 --> 00:26:12,600
Speaker 1: my mom had just gotten to a point where like

623
00:26:12,640 --> 00:26:14,240
Speaker 1: she wasn't having to be in the hospital all the time.

624
00:26:14,280 --> 00:26:15,760
Speaker 1: So I moved it to LA just so I could

625
00:26:15,760 --> 00:26:17,320
Speaker 1: get back to work because I was told if I

626
00:26:17,320 --> 00:26:18,840
Speaker 1: didn't come back in the office, I might not have

627
00:26:18,880 --> 00:26:19,200
Speaker 1: a job.

628
00:26:19,800 --> 00:26:21,160
Speaker 3: So I had to move my mom to LA.

629
00:26:21,320 --> 00:26:24,000
Speaker 1: She did not want to be here, but she came

630
00:26:24,080 --> 00:26:25,800
Speaker 1: because she knew that I needed to go back to work,

631
00:26:25,840 --> 00:26:27,720
Speaker 1: Like she understood how important my job was for us,

632
00:26:28,160 --> 00:26:29,840
Speaker 1: so she came. So I was dealing with that at

633
00:26:29,840 --> 00:26:33,159
Speaker 1: home but I've been on a leave and like you know,

634
00:26:33,280 --> 00:26:34,880
Speaker 1: it was a whole thing of like they had put

635
00:26:34,880 --> 00:26:37,520
Speaker 1: somebody in my seat. It was whatever, But I knew

636
00:26:37,520 --> 00:26:39,520
Speaker 1: and it's cashe McLay shout out to her. She is,

637
00:26:40,720 --> 00:26:42,760
Speaker 1: I believe it's USA today now, and that's my sister.

638
00:26:42,800 --> 00:26:45,760
Speaker 1: But I knew though that I had like an absence

639
00:26:45,760 --> 00:26:48,320
Speaker 1: in the room. So when I came back, I remember

640
00:26:48,359 --> 00:26:50,399
Speaker 1: the first time seeing y'all and we had that meeting

641
00:26:50,400 --> 00:26:52,560
Speaker 1: and everybody was embracing. People didn't think I would come back,

642
00:26:53,000 --> 00:26:54,920
Speaker 1: and I'm like, Okay, when you know that you're needed

643
00:26:55,040 --> 00:26:56,720
Speaker 1: like that, it's like you don't have a choice but

644
00:26:56,880 --> 00:26:58,720
Speaker 1: to go back. Because I used to also feel like

645
00:26:58,800 --> 00:27:01,200
Speaker 1: where else I'm a go, Like unless I'm gonna start

646
00:27:01,200 --> 00:27:02,920
Speaker 1: my own I used to jokingly say, unless I'm gona

647
00:27:02,920 --> 00:27:04,520
Speaker 1: work at the breakast club or start my own show,

648
00:27:04,880 --> 00:27:06,800
Speaker 1: where am I gonna go? Like what job is gonna

649
00:27:06,880 --> 00:27:09,160
Speaker 1: let me come and dress like this and talk to talk?

650
00:27:09,200 --> 00:27:10,840
Speaker 1: How I'll be talking? And I don't want to be

651
00:27:10,880 --> 00:27:14,080
Speaker 1: miserable somewhere else? In all days weren't bad days I had.

652
00:27:14,240 --> 00:27:16,600
Speaker 1: You know, I learned so much from that team too,

653
00:27:16,680 --> 00:27:19,159
Speaker 1: And I was from somewhere, I'm loyal. Like to this day,

654
00:27:19,160 --> 00:27:21,119
Speaker 1: there's still things that like you won't get me to

655
00:27:21,160 --> 00:27:22,760
Speaker 1: say or do or talk about when it comes to

656
00:27:22,840 --> 00:27:25,840
Speaker 1: TMZ because at the end of the day, Harvey gave

657
00:27:25,880 --> 00:27:28,920
Speaker 1: me an opportunity to like really learn how to do

658
00:27:29,040 --> 00:27:33,680
Speaker 1: so much stuff. But seeing y'all in person pissed me off.

659
00:27:34,119 --> 00:27:36,520
Speaker 1: Seeing TMZ hip Hop and person pissed me off because

660
00:27:36,520 --> 00:27:39,439
Speaker 1: I remember when they developed TMZ hip Hop. I literally

661
00:27:39,480 --> 00:27:44,960
Speaker 1: said to them, I'm sitting here like, I'm producing majority

662
00:27:44,960 --> 00:27:47,520
Speaker 1: of the black stories here, most of your hip hop

663
00:27:47,560 --> 00:27:50,040
Speaker 1: contexts or me shout out to a Trent as well.

664
00:27:50,359 --> 00:27:52,720
Speaker 1: I recently heard that he's no longer at TMZ, but

665
00:27:53,119 --> 00:27:55,239
Speaker 1: you know, Trent was hip Hop DX and then they

666
00:27:55,320 --> 00:27:58,040
Speaker 1: hired him to write for TMZ hip Hop, write in

667
00:27:58,119 --> 00:27:59,920
Speaker 1: those stories. And then they started the show with y'all

668
00:28:01,200 --> 00:28:04,320
Speaker 1: and I'm like, but I'm sitting right here, like why

669
00:28:04,359 --> 00:28:07,320
Speaker 1: would you start a whole hip hop basically the black

670
00:28:07,359 --> 00:28:09,880
Speaker 1: side of TMZ And I'm sitting right here and y'all

671
00:28:09,880 --> 00:28:11,720
Speaker 1: don't want to use me at all. And then when

672
00:28:11,720 --> 00:28:13,520
Speaker 1: they did come to me to use me, especially for

673
00:28:13,560 --> 00:28:16,000
Speaker 1: the show, right because they were like, we're trying to find.

674
00:28:16,560 --> 00:28:18,239
Speaker 1: They literally called me in the office and was like,

675
00:28:18,320 --> 00:28:22,959
Speaker 1: we're trying to find host for this show. And I

676
00:28:23,040 --> 00:28:26,040
Speaker 1: was like, so, is this a meeting about me being

677
00:28:26,080 --> 00:28:27,560
Speaker 1: talent for the show or you want me to help

678
00:28:27,560 --> 00:28:30,240
Speaker 1: you find hosts? And they're like, no, we want you

679
00:28:30,280 --> 00:28:34,880
Speaker 1: to help us find talent. And I was like, Okay, Well,

680
00:28:34,920 --> 00:28:36,520
Speaker 1: first of all, that's a slap in the face because

681
00:28:36,520 --> 00:28:39,800
Speaker 1: I'm sitting right here and I've been promised certain things

682
00:28:39,840 --> 00:28:41,680
Speaker 1: that have never come to fruition. She'll supposed to have

683
00:28:41,720 --> 00:28:43,840
Speaker 1: a show with world Star Hip Hop. We shot a

684
00:28:43,840 --> 00:28:46,440
Speaker 1: whole pilot for it that didn't go anywhere. It was

685
00:28:46,440 --> 00:28:48,440
Speaker 1: after Q passed away. They were trying to find a

686
00:28:48,480 --> 00:28:51,640
Speaker 1: face a world Star, so they were positioning me to

687
00:28:51,720 --> 00:28:54,680
Speaker 1: be that. That didn't work out because you know, then

688
00:28:54,720 --> 00:28:57,040
Speaker 1: there was like possibly something at BT, but because of

689
00:28:57,040 --> 00:28:59,520
Speaker 1: the situation that Raquel had done there, which was very

690
00:28:59,560 --> 00:29:01,160
Speaker 1: successful for her, but I don't know what the working

691
00:29:01,200 --> 00:29:03,520
Speaker 1: relationship was with Hardve and BT or whatever. That didn't

692
00:29:03,520 --> 00:29:05,880
Speaker 1: work out. Then we had a little podcast going they

693
00:29:05,920 --> 00:29:08,040
Speaker 1: didn't want to pay me for, so I'm like, y'all

694
00:29:08,080 --> 00:29:11,160
Speaker 1: are tripping. So I'm like, yo, y'all gotta I at

695
00:29:11,200 --> 00:29:13,120
Speaker 1: leasted to be credited as a casting producer.

696
00:29:13,200 --> 00:29:14,520
Speaker 3: If I'm gonna go fund you, I can find you

697
00:29:14,560 --> 00:29:18,520
Speaker 3: talent easy, but credit me like that.

698
00:29:18,560 --> 00:29:20,600
Speaker 1: They didn't want to do that. They just wanted me

699
00:29:20,680 --> 00:29:23,640
Speaker 1: to give them, who were the best talking heads in

700
00:29:23,720 --> 00:29:27,640
Speaker 1: black culture go And I was like, what, So I'm

701
00:29:27,680 --> 00:29:29,720
Speaker 1: coming back into this office and I'm seeing y'all. I'm like, damn,

702
00:29:29,720 --> 00:29:32,280
Speaker 1: so it's you. It's Rodney. Like I'm happy for y'all,

703
00:29:32,320 --> 00:29:35,560
Speaker 1: but I'm like, yo, this is fun, this is crazy.

704
00:29:35,760 --> 00:29:38,160
Speaker 3: That's how goes sometimes and then but to y'all, it's

705
00:29:38,200 --> 00:29:40,360
Speaker 3: just I just have to be like, hey, let me

706
00:29:40,400 --> 00:29:43,000
Speaker 3: know if y'all need anything. Happy to see y'all.

707
00:29:43,600 --> 00:29:46,200
Speaker 2: Yeah, bro, I had any Actually you want me to be,

708
00:29:46,240 --> 00:29:48,560
Speaker 2: I'm gonna tell you some shit you don't know. Rodney

709
00:29:48,640 --> 00:29:50,520
Speaker 2: was the first person to tell me how dope you were.

710
00:29:51,040 --> 00:29:54,040
Speaker 1: I Me and Rodney auditioned together for probably like my

711
00:29:54,080 --> 00:29:57,600
Speaker 1: first two years before no my first year, right before

712
00:29:57,600 --> 00:30:00,480
Speaker 1: I got on TMZ. We auditioned for so many things together.

713
00:30:00,480 --> 00:30:01,680
Speaker 1: One of the things we thought we were going to

714
00:30:01,720 --> 00:30:04,640
Speaker 1: do together because for some reason I would go on auditions,

715
00:30:04,640 --> 00:30:06,120
Speaker 1: he would always end up being the guy.

716
00:30:06,160 --> 00:30:07,840
Speaker 3: I would always end up being a girl like out

717
00:30:07,840 --> 00:30:08,840
Speaker 3: of all the talent.

718
00:30:09,160 --> 00:30:12,560
Speaker 1: Revolt Diddy had a show that they were bringing and

719
00:30:12,600 --> 00:30:14,800
Speaker 1: it was supposed to like basically be like everybody's been

720
00:30:14,800 --> 00:30:16,560
Speaker 1: trying to find that new age one on six in Park.

721
00:30:17,320 --> 00:30:19,720
Speaker 1: It was supposed to be that, and me and him

722
00:30:19,800 --> 00:30:22,080
Speaker 1: ended up being the two people that they like picked,

723
00:30:22,440 --> 00:30:24,120
Speaker 1: but then they decided like not to do the show.

724
00:30:24,160 --> 00:30:25,800
Speaker 1: So we had work together for some time. So when

725
00:30:25,800 --> 00:30:28,520
Speaker 1: I saw that, I'm like, all right, bet, like, yeah,

726
00:30:28,560 --> 00:30:31,400
Speaker 1: he got a job, Like cool, Yeah, no.

727
00:30:31,520 --> 00:30:34,080
Speaker 2: I remember that. But my point, My point is I

728
00:30:34,160 --> 00:30:39,640
Speaker 2: just we don't know. Yeah, And so to what you

729
00:30:39,720 --> 00:30:43,000
Speaker 2: just said, y'all don't say nothing. We can't, right, you

730
00:30:43,040 --> 00:30:45,520
Speaker 2: don't mean a position to say anything. So I don't know.

731
00:30:45,640 --> 00:30:48,240
Speaker 2: For me, I'm just now I just try to overdo it,

732
00:30:48,480 --> 00:30:50,720
Speaker 2: which which is backfired to me at some time.

733
00:30:50,720 --> 00:30:52,520
Speaker 1: At some point, women every think you doing it just

734
00:30:52,560 --> 00:30:54,160
Speaker 1: because like you're interested in them or something.

735
00:30:54,960 --> 00:30:56,880
Speaker 2: I'm not a ladies man. They don't know.

736
00:30:57,000 --> 00:30:59,040
Speaker 1: But I mean sometimes I feel like I feel like

737
00:30:59,120 --> 00:31:02,480
Speaker 1: women our trauma will be like, well, why are you

738
00:31:02,520 --> 00:31:04,200
Speaker 1: trying to help me what you want?

739
00:31:04,440 --> 00:31:06,840
Speaker 2: I think that would be the case normally. I don't

740
00:31:06,840 --> 00:31:08,320
Speaker 2: think that women get that vibe from me.

741
00:31:09,320 --> 00:31:10,960
Speaker 1: I've never gotten that vibe from you. But I just

742
00:31:11,040 --> 00:31:13,400
Speaker 1: know how we can be because we've had to set up.

743
00:31:13,400 --> 00:31:14,160
Speaker 2: You gotta be on guard.

744
00:31:14,280 --> 00:31:15,760
Speaker 3: Yeah, we oh my god all the time.

745
00:31:16,120 --> 00:31:17,720
Speaker 2: Yeah, I don't think that I give that off. Like

746
00:31:18,120 --> 00:31:21,600
Speaker 2: after after I'm me and gena length up, I have called,

747
00:31:21,640 --> 00:31:24,400
Speaker 2: I'll call call like, I'll DM somebody, say you know,

748
00:31:24,440 --> 00:31:26,280
Speaker 2: what's yourself on them? But people be looking at me

749
00:31:26,280 --> 00:31:27,920
Speaker 2: with life. But I don't do it with just women.

750
00:31:28,000 --> 00:31:32,000
Speaker 2: I do with artists, men like I remember, oh three

751
00:31:32,040 --> 00:31:34,520
Speaker 2: Greido would be one of them. More like whoever, Like,

752
00:31:34,560 --> 00:31:36,880
Speaker 2: I'll just find somebody like a man, I think you're

753
00:31:36,920 --> 00:31:40,880
Speaker 2: really dope. DM them. I'll say, hey, you know, here's

754
00:31:40,880 --> 00:31:43,240
Speaker 2: my number, text me, and they text me. I'm like, yo,

755
00:31:43,280 --> 00:31:45,800
Speaker 2: I don't want nothing from you, but I think you're dope.

756
00:31:45,840 --> 00:31:49,000
Speaker 2: I think you're talented. Is there anybody I can introduce

757
00:31:49,040 --> 00:31:51,480
Speaker 2: you to? Is there any resources I can offer to you? Whatever?

758
00:31:51,600 --> 00:31:53,560
Speaker 3: People don't be wanting to do that for no reason.

759
00:31:55,200 --> 00:31:58,200
Speaker 2: I've never done. I don't. I don't have paperwork with Gina.

760
00:31:58,280 --> 00:32:01,400
Speaker 2: I don't have I've never done any paperwork with anybody.

761
00:32:01,400 --> 00:32:04,400
Speaker 2: I don't have paperwork my own manager. We've been fifteen

762
00:32:04,440 --> 00:32:05,400
Speaker 2: years in want a handshake?

763
00:32:05,760 --> 00:32:07,120
Speaker 3: That's crazy, Charlae meane.

764
00:32:07,520 --> 00:32:09,160
Speaker 1: Kind of we had a conversation about that too, like

765
00:32:09,280 --> 00:32:12,120
Speaker 1: just about like a lot of his best relationships have

766
00:32:12,160 --> 00:32:15,040
Speaker 1: been like genuinely just gonna like all right, let's work together.

767
00:32:15,400 --> 00:32:18,520
Speaker 3: Let's just you know what I mean, Like no heavy

768
00:32:19,200 --> 00:32:20,520
Speaker 3: bread lines or none of that.

769
00:32:20,600 --> 00:32:23,240
Speaker 2: There's I don't have one person on paperwork with me.

770
00:32:24,840 --> 00:32:27,240
Speaker 1: How do you protect yourself in a situation like that?

771
00:32:27,320 --> 00:32:29,520
Speaker 1: You just trust that the people are good people to.

772
00:32:29,600 --> 00:32:34,840
Speaker 2: Be a good human And I just the way I

773
00:32:34,880 --> 00:32:40,360
Speaker 2: look at it is if you are genuine, then you

774
00:32:40,440 --> 00:32:44,320
Speaker 2: attract genuine people and even the bad actors. If the

775
00:32:44,320 --> 00:32:47,560
Speaker 2: bad actors exist, then that was a lesson and not

776
00:32:47,640 --> 00:32:51,280
Speaker 2: a loss to me. I know that my lawyers, shit

777
00:32:51,400 --> 00:32:54,120
Speaker 2: people will be like you got to paperwork, yeah, and

778
00:32:54,160 --> 00:32:57,320
Speaker 2: it's like yeah, when I deal with there's certain people,

779
00:32:57,720 --> 00:33:00,160
Speaker 2: and when I deal with entities and companies, yeah, it's

780
00:33:00,160 --> 00:33:02,840
Speaker 2: paperwork and shit. But when it's just hey, I want

781
00:33:02,880 --> 00:33:06,640
Speaker 2: to help you, that's not paperwork because help is to me.

782
00:33:06,760 --> 00:33:10,000
Speaker 2: Help is one direction. It's not a reciprocal thing. I

783
00:33:10,000 --> 00:33:13,200
Speaker 2: don't look for like, for instance, the people like Glasses

784
00:33:13,720 --> 00:33:16,760
Speaker 2: Glasses and his brother Pool. They fed me every day

785
00:33:17,480 --> 00:33:19,720
Speaker 2: for years, so I don't have to do is figure

786
00:33:19,720 --> 00:33:21,360
Speaker 2: out how to eat. I didn't have to figure out,

787
00:33:21,480 --> 00:33:23,360
Speaker 2: I mean, how to pay my bills. I didn't have

788
00:33:23,440 --> 00:33:26,040
Speaker 2: to worry about food every day every day. I'm talking

789
00:33:26,080 --> 00:33:29,239
Speaker 2: about every day for years. They fed me, right, So

790
00:33:30,240 --> 00:33:31,840
Speaker 2: I do that. I would do that now. And the

791
00:33:31,880 --> 00:33:34,560
Speaker 2: interns at the radio station or wherever I have like

792
00:33:34,640 --> 00:33:36,880
Speaker 2: mentees and stuff, and I do the same thing, like

793
00:33:36,920 --> 00:33:39,600
Speaker 2: I'll just get them food or what gross whatever it is,

794
00:33:39,640 --> 00:33:41,720
Speaker 2: because I remember what it was like and I needed

795
00:33:41,760 --> 00:33:45,320
Speaker 2: that thirty dollars. So they asked me the same thing,

796
00:33:45,360 --> 00:33:47,720
Speaker 2: like why you do this? I said, you want like

797
00:33:47,760 --> 00:33:49,320
Speaker 2: how much you want me to pay you back? No,

798
00:33:49,440 --> 00:33:51,360
Speaker 2: what I want you to do? Same thing I told Gina.

799
00:33:51,520 --> 00:33:53,520
Speaker 2: I said, I need you to find the next Gina

800
00:33:54,000 --> 00:33:55,800
Speaker 2: and whatever you feel like I've done for you, I

801
00:33:55,800 --> 00:33:56,560
Speaker 2: need you to do that.

802
00:33:57,240 --> 00:34:01,880
Speaker 1: So when you started like taking to Gina more regularly

803
00:34:02,160 --> 00:34:03,920
Speaker 1: and she's like letting you know she needs help. But

804
00:34:04,000 --> 00:34:08,799
Speaker 1: she was over at no Jumper. What was it that

805
00:34:08,840 --> 00:34:09,360
Speaker 1: she was saying.

806
00:34:09,360 --> 00:34:11,120
Speaker 2: She didn't say she needed help. Gina is not that

807
00:34:11,200 --> 00:34:14,480
Speaker 2: Nigga Jeana's a real West Side nigga. She's not gonna

808
00:34:14,480 --> 00:34:17,960
Speaker 2: tell you she needs help with nothing, so you kind

809
00:34:17,960 --> 00:34:20,600
Speaker 2: of have to just do shit, you know what I'm saying.

810
00:34:20,719 --> 00:34:25,120
Speaker 2: And then when she left that place, we both I

811
00:34:25,239 --> 00:34:27,319
Speaker 2: left my place, well, she got she gotta let go,

812
00:34:27,400 --> 00:34:31,200
Speaker 2: and I left my place. I left iHeart and we

813
00:34:31,280 --> 00:34:33,840
Speaker 2: both are unemployed, and I just went with it. I

814
00:34:33,840 --> 00:34:35,640
Speaker 2: went in a whole year with no job, no inco

815
00:34:36,080 --> 00:34:39,279
Speaker 2: I was just living on my savings and shit. And

816
00:34:39,360 --> 00:34:41,279
Speaker 2: I was just like, We're gonna do something. And our

817
00:34:41,320 --> 00:34:43,759
Speaker 2: manager was like, no, we need to find somebody to

818
00:34:43,760 --> 00:34:46,439
Speaker 2: team up with. We not building nothing from scratch no more.

819
00:34:47,160 --> 00:34:50,000
Speaker 2: And one day me and I had already I never

820
00:34:50,040 --> 00:34:53,200
Speaker 2: said this publicly, but I had already made peace with

821
00:34:53,480 --> 00:34:55,160
Speaker 2: what was going to be the reality. I said, well,

822
00:34:55,160 --> 00:34:57,480
Speaker 2: look this I told I. Don't even think I ever

823
00:34:57,520 --> 00:34:59,759
Speaker 2: told Gina this. I told Sallas. I said, well, look

824
00:34:59,760 --> 00:35:03,560
Speaker 2: this was this is gonna happen. I'm fin around of money, okay,

825
00:35:03,960 --> 00:35:06,920
Speaker 2: So what I'm going to do is so our friend Sparkles,

826
00:35:07,000 --> 00:35:10,080
Speaker 2: she just got a house in the sixties. So I

827
00:35:10,120 --> 00:35:13,800
Speaker 2: told Sallas, I said, hey, I'm finna sell my house.

828
00:35:14,760 --> 00:35:16,200
Speaker 2: I'm gonna make it I'm gonna make some because I

829
00:35:16,200 --> 00:35:17,759
Speaker 2: made a good investment when I bought my house in

830
00:35:17,800 --> 00:35:20,840
Speaker 2: twenty nineteen. I'm finna sell my house and me and

831
00:35:20,880 --> 00:35:22,560
Speaker 2: gin are gonna move in with Sparkle and we're gonna

832
00:35:22,600 --> 00:35:25,120
Speaker 2: turn We're gonna get get a space and turn it

833
00:35:25,160 --> 00:35:27,160
Speaker 2: into a set and we just gonna start shooting the

834
00:35:27,160 --> 00:35:29,759
Speaker 2: YouTube video right. And he was like, that's a bad

835
00:35:29,840 --> 00:35:32,120
Speaker 2: Like what do you mean, Like we need research? I said,

836
00:35:32,160 --> 00:35:34,000
Speaker 2: that's what gonna happen unless you want to get on

837
00:35:34,040 --> 00:35:35,960
Speaker 2: this train and help us do what we try to do.

838
00:35:36,160 --> 00:35:40,720
Speaker 1: Wow, that's a real investment into I mean into yourself.

839
00:35:40,760 --> 00:35:44,440
Speaker 1: But y'all together, like you know what I mean, Like

840
00:35:44,520 --> 00:35:46,880
Speaker 1: there's a to know that she would even be a

841
00:35:46,920 --> 00:35:49,160
Speaker 1: person that like would understand you doing that and kind

842
00:35:49,200 --> 00:35:51,040
Speaker 1: of like understanding to the point where like you know

843
00:35:51,080 --> 00:35:52,919
Speaker 1: something's gonna come out of it, or at least you're

844
00:35:52,960 --> 00:35:55,279
Speaker 1: betting on You're betting on both of y'all at that point,

845
00:35:55,320 --> 00:35:56,040
Speaker 1: not just yourself.

846
00:35:56,560 --> 00:36:00,239
Speaker 3: Yeah, that's a that's a big blind.

847
00:36:01,480 --> 00:36:04,120
Speaker 2: Well. I think I think that she's the future of

848
00:36:04,200 --> 00:36:08,040
Speaker 2: what I've been trying to do and or which I

849
00:36:08,120 --> 00:36:10,399
Speaker 2: think she's the future of what we have here. From

850
00:36:10,400 --> 00:36:14,040
Speaker 2: an LA media perspective. I just want to make sure

851
00:36:14,120 --> 00:36:17,200
Speaker 2: that that continues, because I don't think that we had

852
00:36:17,239 --> 00:36:21,160
Speaker 2: a couple like you know my Debbie Brown yep, but

853
00:36:21,280 --> 00:36:25,400
Speaker 2: we've never had one that really like was the windy

854
00:36:25,719 --> 00:36:30,759
Speaker 2: of this shit where people respected her and and we've

855
00:36:30,800 --> 00:36:35,360
Speaker 2: never had a black woman dominate media from an LA perspective.

856
00:36:36,600 --> 00:36:39,920
Speaker 2: So if I, if I have the opportunity to see

857
00:36:40,239 --> 00:36:42,160
Speaker 2: to see that, to fruition or be a part of

858
00:36:42,200 --> 00:36:45,600
Speaker 2: it in any way, I'm fucking it.

859
00:36:45,600 --> 00:36:49,480
Speaker 1: It's so crazy because I literally remember, like not I

860
00:36:49,520 --> 00:36:52,439
Speaker 1: didn't even I didn't know everything Gina was going through either.

861
00:36:52,560 --> 00:36:54,799
Speaker 1: I really didn't know her well enough to even know.

862
00:36:54,880 --> 00:36:56,640
Speaker 1: I just knew she was working at No Jumper, but

863
00:36:57,080 --> 00:36:59,560
Speaker 1: she did an event for me. I have these events

864
00:36:59,600 --> 00:37:01,640
Speaker 1: which were I want to bring back for the low riders,

865
00:37:01,680 --> 00:37:04,400
Speaker 1: but they're called Bronco grinding meetups, and those meetups and

866
00:37:04,400 --> 00:37:08,160
Speaker 1: you basically bring together like anybody that's like popping in

867
00:37:08,200 --> 00:37:10,600
Speaker 1: their space, but like actually has some substance to share

868
00:37:11,120 --> 00:37:13,279
Speaker 1: and it's you know, people come, they get to hear

869
00:37:13,280 --> 00:37:14,719
Speaker 1: from them, get to meet them, and it's like very

870
00:37:14,760 --> 00:37:17,959
Speaker 1: interactive or whatever. But it was me practicing for having

871
00:37:17,960 --> 00:37:21,399
Speaker 1: a talk show and Gina did the very last one

872
00:37:21,400 --> 00:37:23,799
Speaker 1: that I ever did in LA, and we teamed up

873
00:37:23,920 --> 00:37:27,000
Speaker 1: like BT plus randomly like or BT her randomly wanted

874
00:37:27,000 --> 00:37:29,440
Speaker 1: to team up. We got a whole cast and the

875
00:37:29,480 --> 00:37:31,880
Speaker 1: conversation was just about being a woman in certain spaces.

876
00:37:31,920 --> 00:37:35,480
Speaker 1: And when Gina got on the panel, the way she

877
00:37:35,600 --> 00:37:38,160
Speaker 1: was referencing her referencing her old job at the time,

878
00:37:38,200 --> 00:37:40,480
Speaker 1: which was no jumper, but she didn't even want us to.

879
00:37:40,480 --> 00:37:44,279
Speaker 3: Say the place right. I was like, Oh, she must

880
00:37:44,320 --> 00:37:45,320
Speaker 3: have really went through some stuff.

881
00:37:45,640 --> 00:37:47,680
Speaker 1: And I remember reaching out to her after that event

882
00:37:47,719 --> 00:37:50,239
Speaker 1: and was just like, hey, like I don't know if

883
00:37:50,280 --> 00:37:51,880
Speaker 1: there's a way I can help you, but like I

884
00:37:52,000 --> 00:37:55,040
Speaker 1: understand what you're going through, and then kind of talking

885
00:37:55,040 --> 00:37:56,839
Speaker 1: to her from there, I'm like, Yo, it's crazy how

886
00:37:56,880 --> 00:37:59,279
Speaker 1: like you literally can be going through the same thing

887
00:37:59,320 --> 00:38:02,279
Speaker 1: as somebody and have no idea and the universe just

888
00:38:02,320 --> 00:38:05,160
Speaker 1: kind of like align you'll, because like I randomly just

889
00:38:05,160 --> 00:38:06,799
Speaker 1: did an interview with her at an event I was

890
00:38:06,800 --> 00:38:09,759
Speaker 1: booked at n LA, Like that's how I met her.

891
00:38:09,800 --> 00:38:12,600
Speaker 1: Didn't like had no idea that like our past would

892
00:38:12,640 --> 00:38:15,319
Speaker 1: like kind of do similar things at the same time,

893
00:38:15,480 --> 00:38:18,040
Speaker 1: Like you know what I've experienced over the last like year,

894
00:38:18,520 --> 00:38:20,799
Speaker 1: Genius experienced the same thing. We're just on different coasts

895
00:38:20,800 --> 00:38:23,400
Speaker 1: of the world, so you know, yeah, but that's that's fire.

896
00:38:24,040 --> 00:38:25,160
Speaker 3: We appreciate you for that.

897
00:38:25,960 --> 00:38:28,719
Speaker 2: I appreciate being here. You know. My plan right now

898
00:38:28,920 --> 00:38:32,400
Speaker 2: is to do this for ten years, give her the show,

899
00:38:32,840 --> 00:38:35,240
Speaker 2: and I want to go host like family feud or something.

900
00:38:36,640 --> 00:38:37,279
Speaker 3: You're gonna laugh.

901
00:38:38,239 --> 00:38:40,200
Speaker 2: No. I like the way that Steve Harvey looks at

902
00:38:40,200 --> 00:38:41,439
Speaker 2: people when they say stupid shit.

903
00:38:41,560 --> 00:38:44,080
Speaker 1: Yeah, but you know, he like laughs and all right,

904
00:38:44,080 --> 00:38:47,920
Speaker 1: I'm probably I don't see you, you know, very like

905
00:38:48,080 --> 00:38:49,040
Speaker 1: jolly all right, I go to.

906
00:38:50,800 --> 00:38:52,160
Speaker 2: If it exists, that's what they're saying.

907
00:38:52,280 --> 00:38:54,520
Speaker 1: I'm like, I feel like, in ten years, I don't

908
00:38:54,520 --> 00:38:55,880
Speaker 1: know what's seeing it gonna be anymore.

909
00:38:55,920 --> 00:38:57,680
Speaker 3: A lot of them, the people was leaving and starting

910
00:38:57,680 --> 00:38:58,200
Speaker 3: their own show.

911
00:38:58,440 --> 00:39:00,279
Speaker 2: Yeah, I go do some. I go do some with

912
00:39:00,320 --> 00:39:02,160
Speaker 2: you know, I don't know. I figured. I mean, I'll

913
00:39:02,200 --> 00:39:04,840
Speaker 2: go sit with Mimi Brown or something and do something.

914
00:39:04,960 --> 00:39:07,280
Speaker 3: Shout out to me Brown TV. That's that's another girl.

915
00:39:07,719 --> 00:39:08,960
Speaker 2: That what.

916
00:39:09,360 --> 00:39:11,319
Speaker 1: Yes, we just had a whole day together. She came

917
00:39:11,360 --> 00:39:13,720
Speaker 1: to New York and I was like, oh my god,

918
00:39:13,880 --> 00:39:17,040
Speaker 1: like girl, you we're literally like the same we're going.

919
00:39:17,239 --> 00:39:18,680
Speaker 1: We've been through a lot of the same stuff.

920
00:39:19,120 --> 00:39:19,520
Speaker 2: Is the ship?

921
00:39:19,800 --> 00:39:24,880
Speaker 3: Yeah yes, wow, okay, well we're gonna get into the latest. Okay.

922
00:39:25,000 --> 00:39:29,000
Speaker 1: So speaking of real black girls, Jill Scott. So, Jill

923
00:39:29,040 --> 00:39:31,400
Speaker 1: Scott was caught out in the street, not in like

924
00:39:31,480 --> 00:39:31,880
Speaker 1: a bad.

925
00:39:31,760 --> 00:39:37,040
Speaker 2: Way that I ain't got nothing to do with it, no, no, no,

926
00:39:37,040 --> 00:39:37,719
Speaker 2: no no no.

927
00:39:38,920 --> 00:39:40,759
Speaker 3: You know how people would like do those like on

928
00:39:40,800 --> 00:39:43,920
Speaker 3: the street interviews like oh what do you do for

929
00:39:44,640 --> 00:39:45,120
Speaker 3: the streets?

930
00:39:45,280 --> 00:39:47,040
Speaker 2: Crazy?

931
00:39:47,200 --> 00:39:51,719
Speaker 3: I'm sorry, yeah.

932
00:39:50,760 --> 00:39:53,600
Speaker 2: Yeah maybe that. Okay, hey, but I did see her

933
00:39:53,640 --> 00:39:56,440
Speaker 2: on stage with that. You know what I'm saying with

934
00:39:56,560 --> 00:39:58,919
Speaker 2: what remember that? Remember that? You remember what she did

935
00:39:58,920 --> 00:40:01,759
Speaker 2: on stage? Tell me no, so look it up?

936
00:40:02,960 --> 00:40:06,520
Speaker 1: All right, back to the respectable things. So yes, so

937
00:40:06,560 --> 00:40:10,640
Speaker 1: they they ran up on Jill Scott. It was like

938
00:40:10,680 --> 00:40:15,640
Speaker 1: a content creator and they asked different questions about different topics.

939
00:40:15,680 --> 00:40:19,000
Speaker 1: And one of the questions that they asked was about music.

940
00:40:19,080 --> 00:40:21,560
Speaker 1: And she says that Chris Brown is the king of pop.

941
00:40:21,800 --> 00:40:25,200
Speaker 1: And you know, if people are so divided about Chris Brown.

942
00:40:25,200 --> 00:40:28,960
Speaker 1: So there's been some conversation. Let's take a listen, King

943
00:40:29,000 --> 00:40:29,600
Speaker 1: of King.

944
00:40:36,280 --> 00:40:39,200
Speaker 2: Chris Brown. Interesting, Miss Haldoa.

945
00:40:39,520 --> 00:40:42,280
Speaker 1: So she literally says that right, and then she walks

946
00:40:42,320 --> 00:40:46,399
Speaker 1: off and the clip, of course it picked up when

947
00:40:46,400 --> 00:40:48,640
Speaker 1: a little viral. But Jill Scott's not one to like.

948
00:40:48,680 --> 00:40:49,800
Speaker 1: If that's how she feels, that's.

949
00:40:49,640 --> 00:40:52,240
Speaker 2: How she feels, she's standing on it one hundred.

950
00:40:52,640 --> 00:40:55,560
Speaker 1: But she did end up going to her Twitter because

951
00:40:56,120 --> 00:40:58,600
Speaker 1: it started a conversation because people were upset that she

952
00:40:58,680 --> 00:41:01,240
Speaker 1: was in support of Chris Brown. I think any woman,

953
00:41:01,360 --> 00:41:06,319
Speaker 1: I don't give you black, white, brown, whatever, uh, anytime

954
00:41:06,520 --> 00:41:08,880
Speaker 1: you speak positively about Chris Brown, because of everything that

955
00:41:08,920 --> 00:41:12,359
Speaker 1: happened with him and Rihanna, there's a group of people

956
00:41:12,360 --> 00:41:15,400
Speaker 1: who just don't like it and are never going to

957
00:41:15,160 --> 00:41:17,160
Speaker 1: go Yeah, never going to So she had to get

958
00:41:17,160 --> 00:41:20,240
Speaker 1: on Twitter and she said, oh baby, that BS title

959
00:41:20,320 --> 00:41:21,320
Speaker 1: is a consensus.

960
00:41:21,560 --> 00:41:23,000
Speaker 3: I obviously wasn't in the mood.

961
00:41:23,160 --> 00:41:24,880
Speaker 1: If I was asked again when I had n't been

962
00:41:24,960 --> 00:41:27,920
Speaker 1: up since three am fighting jet lag, I'd say Prince.

963
00:41:28,080 --> 00:41:33,120
Speaker 1: He is everything everything in all caps. Dancer, opulent musician, visionary,

964
00:41:33,160 --> 00:41:37,359
Speaker 1: divine songwriter, showman, keep your war, bigger ones to fight.

965
00:41:37,640 --> 00:41:41,200
Speaker 1: So that the so a part of it is the

966
00:41:41,360 --> 00:41:43,680
Speaker 1: Chris Brown conversation. The other part of it is King

967
00:41:43,680 --> 00:41:46,560
Speaker 1: of Pop, like there's so many other people that others

968
00:41:46,680 --> 00:41:48,520
Speaker 1: feel like it's kind of like the Chris Brown versus

969
00:41:48,520 --> 00:41:50,040
Speaker 1: Michael Jackson conversation.

970
00:41:50,320 --> 00:41:52,560
Speaker 2: Yeah, Chris Brown, Michael Jackson Usher.

971
00:41:52,880 --> 00:41:56,440
Speaker 1: Yeah, Yeah, it's that whole conversation of like people putting

972
00:41:56,520 --> 00:41:58,200
Speaker 1: him in front of those people. And I think a

973
00:41:58,280 --> 00:42:00,600
Speaker 1: lot of times when people mention Chris Brown and conversation,

974
00:42:00,680 --> 00:42:04,560
Speaker 1: it's just for like him right now versus who we

975
00:42:04,680 --> 00:42:07,359
Speaker 1: have out here right now, But people take it in whole.

976
00:42:08,000 --> 00:42:11,040
Speaker 2: So I will say that I don't I can't speak

977
00:42:11,040 --> 00:42:14,400
Speaker 2: on that because I'm not familiar enough with people's numbers

978
00:42:14,800 --> 00:42:17,799
Speaker 2: and I'm not familiar enough with their like accolades.

979
00:42:17,920 --> 00:42:19,840
Speaker 1: But just don't don't go off numbers of accolades, go

980
00:42:19,880 --> 00:42:22,480
Speaker 1: off of like influence and impact.

981
00:42:22,920 --> 00:42:26,560
Speaker 2: If then in in order, it would probably be Michael Jackson,

982
00:42:26,640 --> 00:42:30,759
Speaker 2: Prince Usher, Chris Brown. At that's my knowledge base. Yeah,

983
00:42:30,960 --> 00:42:33,680
Speaker 2: that's what I'm saying. I like, I like information, And

984
00:42:33,719 --> 00:42:36,719
Speaker 2: the only reason I say that for my preference will

985
00:42:36,760 --> 00:42:39,200
Speaker 2: be Chris Brown. That's my preference. See.

986
00:42:39,239 --> 00:42:41,239
Speaker 1: But that's the thing because and when you say that,

987
00:42:41,280 --> 00:42:43,600
Speaker 1: people think that you're saying that he's greater than all

988
00:42:43,640 --> 00:42:44,040
Speaker 1: of the people.

989
00:42:44,080 --> 00:42:46,360
Speaker 2: You just need to know, I'm just going off what

990
00:42:46,400 --> 00:42:49,440
Speaker 2: I saw with my own eyes. I saw Chris Brown

991
00:42:49,560 --> 00:42:52,399
Speaker 2: with my own eyes do some ship that I've never

992
00:42:52,400 --> 00:42:54,839
Speaker 2: seen any other human being do in life. He hit

993
00:42:54,880 --> 00:42:58,960
Speaker 2: the flip, fuck the flip. I saw. I was in Hawaii.

994
00:42:59,719 --> 00:43:02,560
Speaker 2: So here's a fun fact that people don't know when

995
00:43:02,600 --> 00:43:05,800
Speaker 2: TMZ reported when there's a there's a there's this uh

996
00:43:06,640 --> 00:43:10,960
Speaker 2: to say you Hawaiian. So we went to Chris. We

997
00:43:11,000 --> 00:43:13,160
Speaker 2: went to uh Hawaii to do a show with Chris

998
00:43:13,160 --> 00:43:16,120
Speaker 2: Brown me I think glasses. We were like all out

999
00:43:16,160 --> 00:43:18,239
Speaker 2: there deep, a bunch of l a niggas out there

1000
00:43:18,280 --> 00:43:23,080
Speaker 2: with him. So we went to Hawaii and I remember

1001
00:43:23,120 --> 00:43:25,799
Speaker 2: we went to go link up with Chris. Chris was

1002
00:43:25,920 --> 00:43:27,640
Speaker 2: he was going through some at a time, so he

1003
00:43:27,680 --> 00:43:30,800
Speaker 2: was spray painting. That's how he like calms the comments

1004
00:43:30,840 --> 00:43:33,080
Speaker 2: like it's like, you know, stress relief. He likes to

1005
00:43:33,080 --> 00:43:36,319
Speaker 2: do art like he's a he's a dope artist. So

1006
00:43:36,360 --> 00:43:39,160
Speaker 2: he was spray painting the picture. I took a picture

1007
00:43:39,200 --> 00:43:41,799
Speaker 2: of him tagging on the wall where he drew like

1008
00:43:41,880 --> 00:43:44,440
Speaker 2: some the little monsters and the police car and stuff.

1009
00:43:44,480 --> 00:43:46,560
Speaker 2: I took that picture and it went that was like

1010
00:43:46,640 --> 00:43:49,280
Speaker 2: it went viral before viral was a thing like TMZ

1011
00:43:49,440 --> 00:43:53,080
Speaker 2: posted and shiit like that anyway, the point being when

1012
00:43:53,080 --> 00:43:56,000
Speaker 2: we when we're out there for that show, I saw

1013
00:43:56,120 --> 00:44:04,080
Speaker 2: Chris Brown move in choreography without looking at without looking

1014
00:44:04,120 --> 00:44:07,919
Speaker 2: at himself for the dancers, while singing for forty five

1015
00:44:07,960 --> 00:44:11,200
Speaker 2: minutes straight, doing crowd interaction, call and response, and he

1016
00:44:11,280 --> 00:44:14,680
Speaker 2: didn't stop dancing. You know what I'm saying it And

1017
00:44:14,719 --> 00:44:18,359
Speaker 2: it sounded amazing. I don't know. I ain't gonna lie.

1018
00:44:18,400 --> 00:44:20,400
Speaker 2: I was taking some laundry upstairs in my house and

1019
00:44:20,440 --> 00:44:21,520
Speaker 2: I was out. I was winded.

1020
00:44:21,760 --> 00:44:23,839
Speaker 3: Well we I mean, I love you to death, add

1021
00:44:23,880 --> 00:44:24,960
Speaker 3: but I mean we know that.

1022
00:44:25,560 --> 00:44:29,880
Speaker 2: I'm just saying my respect level for people who I

1023
00:44:29,880 --> 00:44:33,319
Speaker 2: think there's a lot of fans in the stands who

1024
00:44:33,360 --> 00:44:34,719
Speaker 2: think that they can be on the court.

1025
00:44:34,800 --> 00:44:39,719
Speaker 3: Now, Oh my god, yes, so to.

1026
00:44:39,719 --> 00:44:42,919
Speaker 2: My I would prefer Chris Brown. But I also saw

1027
00:44:43,040 --> 00:44:46,799
Speaker 2: Usher dance on the wall. Put that in. I saw

1028
00:44:47,000 --> 00:44:50,720
Speaker 2: us he was on a wall, dancing on the side

1029
00:44:50,719 --> 00:44:54,040
Speaker 2: of the wall, like with a cable and he was

1030
00:44:54,120 --> 00:44:56,279
Speaker 2: dancing on a wall. It's on. It was on like

1031
00:44:56,280 --> 00:44:59,279
Speaker 2: the VMA's or something. I saw the ship and that

1032
00:44:59,480 --> 00:45:01,040
Speaker 2: these things like I went to Usher.

1033
00:45:00,840 --> 00:45:02,000
Speaker 3: Show, I went to show too.

1034
00:45:02,040 --> 00:45:04,319
Speaker 1: I went to the the in Vegas, and then I

1035
00:45:04,360 --> 00:45:05,759
Speaker 1: went to the actual tour me too.

1036
00:45:05,840 --> 00:45:09,040
Speaker 3: Yeah, Vegas was better than the actual tour. Yeah.

1037
00:45:09,200 --> 00:45:11,759
Speaker 1: I feel like if you saw Usher on the tour,

1038
00:45:11,840 --> 00:45:14,319
Speaker 1: it was amazing. But y'all have to see him in

1039
00:45:14,360 --> 00:45:16,759
Speaker 1: that like Vegas, like it's his show and he has

1040
00:45:16,800 --> 00:45:18,759
Speaker 1: a time setting that man don't play.

1041
00:45:18,800 --> 00:45:21,239
Speaker 2: So I'm biased. I've never seen Michael Jackson perform. I've

1042
00:45:21,280 --> 00:45:23,640
Speaker 2: never seen him in person. I've never seen Prince perform,

1043
00:45:23,640 --> 00:45:26,080
Speaker 2: never seen him in person. It's a recentcy biased, it's

1044
00:45:26,080 --> 00:45:29,440
Speaker 2: a it's a thing. If i'm my preference would be

1045
00:45:29,520 --> 00:45:32,960
Speaker 2: Chris Brown because I think that Chris Brown does hell

1046
00:45:32,960 --> 00:45:36,839
Speaker 2: of shit, well not well, hell of shit great. Chris

1047
00:45:36,840 --> 00:45:40,080
Speaker 2: Brown can rap, he does art, he can dance like

1048
00:45:40,480 --> 00:45:43,120
Speaker 2: he's a he writes for other people, he can do poetry,

1049
00:45:43,440 --> 00:45:46,359
Speaker 2: he can he's a creative director. He does fashion like

1050
00:45:46,800 --> 00:45:49,080
Speaker 2: Usher is is one of the ghosts, you know what

1051
00:45:49,120 --> 00:45:52,160
Speaker 2: I'm saying. So those two I would look at it

1052
00:45:52,280 --> 00:45:54,440
Speaker 2: in that in that vein, but I don't necessarily know.

1053
00:45:55,200 --> 00:45:57,120
Speaker 2: I don't think I think that's either. I have limited

1054
00:45:57,160 --> 00:45:59,520
Speaker 2: knowledge based because at this moment, people could look at

1055
00:45:59,560 --> 00:46:05,160
Speaker 2: somebody like you know Drake as the king of pop

1056
00:46:05,840 --> 00:46:07,360
Speaker 2: or you know what I mean, Like it depends on it.

1057
00:46:07,440 --> 00:46:09,520
Speaker 1: I think it depends on the age. And yeah, I

1058
00:46:09,560 --> 00:46:10,960
Speaker 1: think it depends on what you're paying attention to.

1059
00:46:11,080 --> 00:46:11,440
Speaker 2: Correct.

1060
00:46:11,640 --> 00:46:14,720
Speaker 1: But so, okay, So when people have the conversation Usher

1061
00:46:15,239 --> 00:46:19,040
Speaker 1: is the new Michael Jackson, don't I I'm sorry, Chris

1062
00:46:19,080 --> 00:46:19,719
Speaker 1: Brown is the new.

1063
00:46:21,160 --> 00:46:23,200
Speaker 2: I don't have an I don't have an argument against that.

1064
00:46:26,040 --> 00:46:28,760
Speaker 2: What I get how people feel about what Chris Brown

1065
00:46:28,800 --> 00:46:32,640
Speaker 2: because I feel I feel I keep my povs to myself.

1066
00:46:32,680 --> 00:46:38,160
Speaker 2: They're not camera, microphone appro radio appropriate. But when you

1067
00:46:38,160 --> 00:46:40,200
Speaker 2: look at what someone has done, and you look at

1068
00:46:40,200 --> 00:46:43,840
Speaker 2: their talent, and you're able to look at it just

1069
00:46:43,840 --> 00:46:47,920
Speaker 2: just with a nuanced perspective. In that way, Chris Brown

1070
00:46:48,080 --> 00:46:50,960
Speaker 2: recently just took himself and put himself in a different

1071
00:46:50,960 --> 00:46:54,600
Speaker 2: class of human beings when when he did Breezy Bowl,

1072
00:46:55,000 --> 00:47:00,399
Speaker 2: because that's an elite echelon of individuals doing stadiums. That's

1073
00:47:00,440 --> 00:47:03,200
Speaker 2: not a normal thing for someone to do stadiums, let

1074
00:47:03,200 --> 00:47:06,040
Speaker 2: alone multiple days. I just came back from South Africa.

1075
00:47:06,080 --> 00:47:09,080
Speaker 2: I was in Johannesburg. There's an aren that mean not

1076
00:47:09,120 --> 00:47:12,279
Speaker 2: a rent. There's a stadium. It's a soccer stadium in Johannesburg.

1077
00:47:12,360 --> 00:47:14,480
Speaker 2: It's one of the biggest. It's the it's I think

1078
00:47:14,480 --> 00:47:17,960
Speaker 2: it's the biggest. The guy told us. The guy told

1079
00:47:18,040 --> 00:47:20,160
Speaker 2: us where. I had a guide out there. The guy

1080
00:47:20,280 --> 00:47:23,360
Speaker 2: told us that it's the biggest stadium in Africa. He

1081
00:47:23,520 --> 00:47:27,640
Speaker 2: sold it out. Chris Brown, No batdolo. You know what

1082
00:47:27,640 --> 00:47:32,200
Speaker 2: I'm saying. He said. People is flying in from Ghana, Egypt,

1083
00:47:32,440 --> 00:47:34,600
Speaker 2: people flying in from all over the continent to go

1084
00:47:34,640 --> 00:47:37,840
Speaker 2: see this man. That's not normal, you know what I'm saying.

1085
00:47:38,239 --> 00:47:40,400
Speaker 2: So I just want those things to be put in

1086
00:47:40,400 --> 00:47:43,560
Speaker 2: perspective when people start to discount or even like not

1087
00:47:43,640 --> 00:47:46,239
Speaker 2: give people their credit, even if you don't like the

1088
00:47:46,239 --> 00:47:47,800
Speaker 2: things that are their transgressions.

1089
00:47:48,040 --> 00:47:49,680
Speaker 1: How do you feel when people put NBA a young

1090
00:47:49,719 --> 00:47:54,279
Speaker 1: Boy in the conversation of Michael Jackson impact wise and celebrity.

1091
00:47:53,760 --> 00:47:59,960
Speaker 2: Wise, impact wise, From an impact perspective, NBA Young Boy,

1092
00:48:00,000 --> 00:48:03,000
Speaker 2: It's something like I've never seen in my life. I've

1093
00:48:03,040 --> 00:48:10,000
Speaker 2: never seen somebody go completely against the gray as consistently

1094
00:48:10,239 --> 00:48:14,280
Speaker 2: as he's had as he has. I have played maybe

1095
00:48:14,520 --> 00:48:17,319
Speaker 2: three NBA Young Boy songs on the radio in my

1096
00:48:17,480 --> 00:48:21,239
Speaker 2: entire career, maybe three and those were one offs. It

1097
00:48:21,280 --> 00:48:23,080
Speaker 2: wasn't like it was in rotation. It was just like, man,

1098
00:48:23,120 --> 00:48:25,080
Speaker 2: we need to play this young boy shit, you know

1099
00:48:25,080 --> 00:48:26,839
Speaker 2: what I mean? Like then I have to go get

1100
00:48:26,880 --> 00:48:29,520
Speaker 2: off YouTube, clean it, make a clean version, you know

1101
00:48:29,520 --> 00:48:34,560
Speaker 2: what I'm saying. Like, but I'm not going to discount.

1102
00:48:34,680 --> 00:48:36,600
Speaker 2: I don't. I'm not into young Boy. I don't. I'm

1103
00:48:36,600 --> 00:48:38,600
Speaker 2: not into I'm old. I'm monk, like I do. You

1104
00:48:38,640 --> 00:48:40,719
Speaker 2: know what I'm saying, Like that that shit all the

1105
00:48:40,760 --> 00:48:44,239
Speaker 2: type should give me a headache now, Like so when

1106
00:48:44,320 --> 00:48:47,000
Speaker 2: it comes to those things, I'm not into it. I'm

1107
00:48:47,040 --> 00:48:49,360
Speaker 2: able to look at it and be like that shit's special.

1108
00:48:50,080 --> 00:48:52,920
Speaker 2: Young boy is definitely special. I wish that he had

1109
00:48:52,960 --> 00:48:56,040
Speaker 2: a different path where he can really maximize and capitalize

1110
00:48:56,400 --> 00:48:59,719
Speaker 2: on his things. Because I remember during COVID I have

1111
00:48:59,800 --> 00:49:03,160
Speaker 2: Poe COVID conversations with like people like Roddy like my

1112
00:49:03,160 --> 00:49:05,399
Speaker 2: little homie, Roddy Rich, Roddy Rich.

1113
00:49:06,320 --> 00:49:09,279
Speaker 1: Yeah, when you say people's names, you'd be like, yeah,

1114
00:49:09,840 --> 00:49:11,840
Speaker 1: like my homie, oh oh who Obama?

1115
00:49:12,040 --> 00:49:14,600
Speaker 3: Like no, just like say the people like all of us.

1116
00:49:14,600 --> 00:49:15,800
Speaker 3: Don't just be talking to these people.

1117
00:49:16,000 --> 00:49:18,800
Speaker 2: I understand. So Roddy Rich had a number one record

1118
00:49:18,800 --> 00:49:21,319
Speaker 2: in the country. Here's a diamond record. That's that's kind

1119
00:49:21,320 --> 00:49:23,440
Speaker 2: of unheard of for a new artist in this generation.

1120
00:49:23,840 --> 00:49:27,000
Speaker 2: Fifty cent did it like all these all these artists

1121
00:49:27,040 --> 00:49:29,040
Speaker 2: did it, but for this generation, he's a diamond record,

1122
00:49:29,040 --> 00:49:31,759
Speaker 2: which is kind of heard of. He didn't get to

1123
00:49:31,760 --> 00:49:35,319
Speaker 2: tour at all. Him and the Baby came out during

1124
00:49:35,360 --> 00:49:38,080
Speaker 2: COVID and they were running it up during COVID, so

1125
00:49:38,120 --> 00:49:41,640
Speaker 2: they didn't get the tour at all, like zero. The

1126
00:49:41,680 --> 00:49:43,680
Speaker 2: first time they got to really move around was when

1127
00:49:43,680 --> 00:49:45,759
Speaker 2: the festivals came back, and that's when the Baby went

1128
00:49:45,760 --> 00:49:48,319
Speaker 2: on the Rolling Loud Run and Roddy was able to

1129
00:49:48,320 --> 00:49:50,239
Speaker 2: get on these made in American and different.

1130
00:49:49,960 --> 00:49:52,320
Speaker 3: Festivals taking them off crazy.

1131
00:49:52,600 --> 00:49:55,759
Speaker 2: So my point is, I remember having a conversations like

1132
00:49:56,239 --> 00:50:00,880
Speaker 2: I didn't get to feel my success young boy. I

1133
00:50:00,920 --> 00:50:03,440
Speaker 2: wish that he got to really maximize and feel his

1134
00:50:03,520 --> 00:50:05,640
Speaker 2: success without the legal troubles. He even be on house

1135
00:50:05,719 --> 00:50:09,120
Speaker 2: arrest he was up in Utah. Like I think if

1136
00:50:09,160 --> 00:50:11,279
Speaker 2: he had a different I think he would be even more.

1137
00:50:11,400 --> 00:50:12,759
Speaker 2: I think he would be bigger.

1138
00:50:12,800 --> 00:50:14,799
Speaker 3: If he got to feel it. Yeah, do you feel

1139
00:50:14,800 --> 00:50:16,000
Speaker 3: like he doesn't appreciate.

1140
00:50:16,000 --> 00:50:19,799
Speaker 2: No, I just don't. I think he just I think

1141
00:50:19,840 --> 00:50:22,160
Speaker 2: he's just troubled youth, and I think we just, you know,

1142
00:50:22,280 --> 00:50:24,319
Speaker 2: we got to figure out a way to help the youth.

1143
00:50:24,360 --> 00:50:26,479
Speaker 2: That's why I fuck with the Boys and Girls Club.

1144
00:50:26,520 --> 00:50:28,399
Speaker 2: I just I believe in them. I believe in the youth.

1145
00:50:28,480 --> 00:50:30,040
Speaker 2: I don't believe in adults anymore.

1146
00:50:31,080 --> 00:50:31,640
Speaker 3: That makes sense.

1147
00:50:31,680 --> 00:50:36,160
Speaker 1: I saw be Dot Brian beat at Bill Miller, formerly

1148
00:50:36,200 --> 00:50:40,719
Speaker 1: of Radar, but I saw him tweet because the RIAA

1149
00:50:40,840 --> 00:50:43,239
Speaker 1: had tweeted about They tweeted the congratulations to and Be

1150
00:50:43,320 --> 00:50:43,759
Speaker 1: Young Boyd.

1151
00:50:43,960 --> 00:50:45,279
Speaker 3: They congratulated him for being the.

1152
00:50:45,239 --> 00:50:47,920
Speaker 1: Most certified rapper of all time with one hundred and

1153
00:50:48,000 --> 00:50:50,240
Speaker 1: twenty six are IAA certified titles.

1154
00:50:50,280 --> 00:50:50,880
Speaker 2: That's crazy.

1155
00:50:50,920 --> 00:50:54,160
Speaker 1: Alongside the release of his new albums Slime Cry today

1156
00:50:54,440 --> 00:50:56,080
Speaker 1: and I want to just put it in perspective. So

1157
00:50:56,640 --> 00:51:00,279
Speaker 1: according to Rolling Stone, with this uh you know, new

1158
00:51:00,320 --> 00:51:04,839
Speaker 1: certification or position positioning, according to RIAA, that means he's

1159
00:51:04,880 --> 00:51:08,160
Speaker 1: made more gold and platinum songs and albums than Kanye West,

1160
00:51:08,520 --> 00:51:10,680
Speaker 1: Drake jay Z, and anyone else in the drama in

1161
00:51:10,719 --> 00:51:14,240
Speaker 1: the genre. Slime Cry, which is the project he just released,

1162
00:51:14,560 --> 00:51:16,880
Speaker 1: is his eighth studio album and a lot of I

1163
00:51:16,880 --> 00:51:19,560
Speaker 1: feel like his last he had a mixtape that he

1164
00:51:19,640 --> 00:51:23,200
Speaker 1: dropped prior to this one, and then now we have

1165
00:51:23,320 --> 00:51:25,960
Speaker 1: Slime Cry. A lot of that time, like you mentioned,

1166
00:51:26,040 --> 00:51:29,320
Speaker 1: he spent fighting legal like he couldn't even really you

1167
00:51:29,400 --> 00:51:31,080
Speaker 1: know what I'm saying, move around, and he comes out

1168
00:51:31,080 --> 00:51:33,680
Speaker 1: on the massive tour, that tour goes crazy.

1169
00:51:34,000 --> 00:51:36,200
Speaker 3: He almost was like like, d I think what was it?

1170
00:51:36,239 --> 00:51:37,040
Speaker 3: He was almost like.

1171
00:51:37,040 --> 00:51:40,279
Speaker 1: The biggest grossing tour in the genre, but now he's

1172
00:51:40,280 --> 00:51:42,919
Speaker 1: just one of but seventy million dollars that tour made,

1173
00:51:43,160 --> 00:51:45,320
Speaker 1: selling more than five hundred thousand dollars tickets.

1174
00:51:45,080 --> 00:51:47,040
Speaker 3: Across forty two shows.

1175
00:51:47,080 --> 00:51:51,799
Speaker 1: Crazy, it's like, and people was making jokes about them

1176
00:51:51,840 --> 00:51:53,640
Speaker 1: videos from the NBA Young Boy Tour and like you know,

1177
00:51:53,719 --> 00:51:55,920
Speaker 1: could you see all the poshesty masted masses and you

1178
00:51:55,960 --> 00:51:58,040
Speaker 1: know what I mean, Like it's a little crazy, but

1179
00:51:58,120 --> 00:52:02,400
Speaker 1: like just impact. Like a lot of artists today are here,

1180
00:52:02,840 --> 00:52:04,680
Speaker 1: you know, their music, they might get spends on the radio,

1181
00:52:04,680 --> 00:52:06,480
Speaker 1: you might dance, sit them on TikTok, but to have

1182
00:52:06,520 --> 00:52:11,160
Speaker 1: people come out like that. I also so he got

1183
00:52:11,160 --> 00:52:13,520
Speaker 1: that production deal where he's going to be like we're

1184
00:52:13,520 --> 00:52:16,080
Speaker 1: about to get like some documentary style footage of the tour,

1185
00:52:16,200 --> 00:52:17,800
Speaker 1: talking about his influence and stuff, because I think a

1186
00:52:17,800 --> 00:52:19,279
Speaker 1: lot of people are trying to understand it.

1187
00:52:19,440 --> 00:52:22,280
Speaker 2: Yeah yeah, I mean, yeahah, you better pay attention.

1188
00:52:22,560 --> 00:52:24,840
Speaker 3: But be that tweeted and he asked. I thought it

1189
00:52:24,920 --> 00:52:25,600
Speaker 3: was a valid question.

1190
00:52:25,640 --> 00:52:28,799
Speaker 1: He did get some pushback because they try to, like,

1191
00:52:28,840 --> 00:52:30,600
Speaker 1: you know, put him in like the oh you're just old,

1192
00:52:30,600 --> 00:52:31,239
Speaker 1: you don't get it.

1193
00:52:31,480 --> 00:52:33,120
Speaker 3: Be that tweeted. Interesting.

1194
00:52:33,200 --> 00:52:37,359
Speaker 1: With this many certifications, why isn't his catalog recognizable outside.

1195
00:52:37,040 --> 00:52:39,279
Speaker 3: Of his fan base? It's a serious question. I think

1196
00:52:39,320 --> 00:52:42,439
Speaker 3: it's a valid question because, like, I can't name off

1197
00:52:42,440 --> 00:52:44,920
Speaker 3: the top the NBA on Boys song some of them

1198
00:52:44,920 --> 00:52:46,560
Speaker 3: if you put them on, I know the song, but

1199
00:52:46,840 --> 00:52:48,040
Speaker 3: I don't know the name of it.

1200
00:52:48,640 --> 00:52:54,400
Speaker 2: Well, okay, I have a counter to that though, I

1201
00:52:54,440 --> 00:53:00,080
Speaker 2: think that his fan base just consumes his shit. Yeah,

1202
00:52:58,760 --> 00:53:02,440
Speaker 2: so else shares a fan base. I think Young Boy

1203
00:53:02,480 --> 00:53:04,200
Speaker 2: shares a fan base with very few people.

1204
00:53:07,000 --> 00:53:07,799
Speaker 3: That's a valid team.

1205
00:53:07,920 --> 00:53:10,960
Speaker 2: So if me and you are pescatarian, we only eat fish,

1206
00:53:11,400 --> 00:53:15,400
Speaker 2: everybody else is eating burgers, we technically have more food,

1207
00:53:15,680 --> 00:53:18,719
Speaker 2: whereas their volume is going to look like it's exponentially more.

1208
00:53:20,760 --> 00:53:23,239
Speaker 1: Do you think that when NBA Young Boy is doing

1209
00:53:23,280 --> 00:53:25,759
Speaker 1: First of all, do you think that it's achievable by

1210
00:53:25,800 --> 00:53:29,920
Speaker 1: another artist again after him, because people didn't think that.

1211
00:53:30,280 --> 00:53:32,879
Speaker 1: People always say to me, how there's no real celebrities

1212
00:53:32,920 --> 00:53:36,200
Speaker 1: today and no real stars, but like he's a super

1213
00:53:36,280 --> 00:53:37,480
Speaker 1: like he's there.

1214
00:53:38,040 --> 00:53:41,600
Speaker 2: Nah, he is. I just I don't think that he

1215
00:53:41,640 --> 00:53:44,440
Speaker 2: makes himself its great. I was just talking to this

1216
00:53:44,480 --> 00:53:45,960
Speaker 2: woman about this. She told me, I need to make

1217
00:53:46,000 --> 00:53:56,080
Speaker 2: myself more appetizing as a companion. And I think that Listen, listen,

1218
00:53:56,640 --> 00:54:00,000
Speaker 2: I think that young boy doesn't care to make himself

1219
00:54:00,480 --> 00:54:02,280
Speaker 2: appetizing looking for either.

1220
00:54:02,120 --> 00:54:02,920
Speaker 3: What is happening?

1221
00:54:03,480 --> 00:54:03,680
Speaker 2: Wait?

1222
00:54:03,719 --> 00:54:05,720
Speaker 3: Can we wait? You can't just stop?

1223
00:54:05,800 --> 00:54:08,399
Speaker 2: She start. I need to make myself basically, I need

1224
00:54:08,400 --> 00:54:11,640
Speaker 2: to make myself palatable to a companion, like appetite, Like

1225
00:54:11,680 --> 00:54:14,359
Speaker 2: I need to make myself. I have hard stances. I'm

1226
00:54:14,360 --> 00:54:15,680
Speaker 2: not complimentary like.

1227
00:54:15,640 --> 00:54:19,399
Speaker 3: You know, also learning how to be a partner, she.

1228
00:54:19,480 --> 00:54:22,880
Speaker 2: Said, Just make myself more desirable to be a companion.

1229
00:54:23,400 --> 00:54:25,919
Speaker 2: What I'm saying is the comparison is I think young

1230
00:54:25,960 --> 00:54:27,920
Speaker 2: boy literally is like me when it comes to that.

1231
00:54:28,000 --> 00:54:30,040
Speaker 2: I don't think he give a fuck. No, he don't,

1232
00:54:30,120 --> 00:54:31,360
Speaker 2: That's what I'm saying. I don't think he give a

1233
00:54:31,400 --> 00:54:34,759
Speaker 2: fuck about making himself marketable for brand deals. I don't

1234
00:54:34,760 --> 00:54:37,799
Speaker 2: think he cares about what we think. I don't think

1235
00:54:37,840 --> 00:54:38,919
Speaker 2: you know what I mean. I don't think he cares

1236
00:54:38,920 --> 00:54:42,360
Speaker 2: about going to the breakfast club. No, that's my point.

1237
00:54:42,480 --> 00:54:44,480
Speaker 3: He especially not after him and Charlotte had their a

1238
00:54:44,480 --> 00:54:45,040
Speaker 3: little back and forth.

1239
00:54:45,160 --> 00:54:47,280
Speaker 2: So my point is I don't think that he actually

1240
00:54:47,320 --> 00:54:51,160
Speaker 2: cares to make himself desirable for beat Out's point, you

1241
00:54:51,200 --> 00:54:51,800
Speaker 2: know what I'm saying.

1242
00:54:51,840 --> 00:54:54,040
Speaker 1: But even if he doesn't care, I think for me,

1243
00:54:54,120 --> 00:54:56,840
Speaker 1: when I saw Beatot's question, it made me think about, like, Okay,

1244
00:54:58,080 --> 00:55:00,560
Speaker 1: if you're trying to duplicate what he has do done,

1245
00:55:00,719 --> 00:55:01,680
Speaker 1: what's the strategy?

1246
00:55:01,760 --> 00:55:02,799
Speaker 2: Then I don't think there is one.

1247
00:55:02,840 --> 00:55:04,640
Speaker 1: You get what I'm saying, Yeah, Because it's like he

1248
00:55:04,760 --> 00:55:07,960
Speaker 1: leans into that bass and he doesn't care. But like,

1249
00:55:08,440 --> 00:55:11,000
Speaker 1: not everybody who leans into that bass and doesn't care

1250
00:55:11,320 --> 00:55:15,200
Speaker 1: gets to where he is at all. There's a lot

1251
00:55:15,200 --> 00:55:17,840
Speaker 1: of people have like Nietzche. I would say, like Jid

1252
00:55:18,120 --> 00:55:20,600
Speaker 1: is it Jed or j I d Well his friends

1253
00:55:20,600 --> 00:55:22,719
Speaker 1: call him j Okay. Well, I would say, like Jed

1254
00:55:22,840 --> 00:55:25,600
Speaker 1: has that, like he leans into his base heavily. Like

1255
00:55:25,680 --> 00:55:27,520
Speaker 1: there's a lot of artists that I can think of

1256
00:55:27,600 --> 00:55:30,719
Speaker 1: right now who have that. But like they're not. The

1257
00:55:30,840 --> 00:55:31,960
Speaker 1: numbers aren't like.

1258
00:55:31,880 --> 00:55:34,360
Speaker 2: An NBA Young Boy, correct. I think it's an anomaly.

1259
00:55:34,440 --> 00:55:37,440
Speaker 2: It's just like it's just like the gn X tour, Like,

1260
00:55:37,880 --> 00:55:39,759
Speaker 2: how do you recreate that? I don't think you can.

1261
00:55:40,200 --> 00:55:43,359
Speaker 2: How do you recreate a battle and then and then

1262
00:55:43,760 --> 00:55:46,200
Speaker 2: and then a platinum a Grammy Award winning single and

1263
00:55:46,200 --> 00:55:48,680
Speaker 2: then an album? And that's some things you just can't

1264
00:55:48,680 --> 00:55:52,400
Speaker 2: plan those things. And that's that's that's the magic of

1265
00:55:52,440 --> 00:55:52,880
Speaker 2: the music.

1266
00:55:53,440 --> 00:55:55,520
Speaker 1: Well, speaking of as we transition, because I feel like

1267
00:55:55,920 --> 00:55:58,480
Speaker 1: I was thinking of like what is who? Who is

1268
00:55:58,480 --> 00:56:01,160
Speaker 1: the artist that I would think of that has done that,

1269
00:56:01,200 --> 00:56:04,640
Speaker 1: like really leaned into their niche, audience space and corner.

1270
00:56:04,920 --> 00:56:08,360
Speaker 1: Tyler Tyler the creator. Okay, yes, Tyler to creator one

1271
00:56:08,400 --> 00:56:12,000
Speaker 1: hundred percent and he's like superstar. But also I feel

1272
00:56:12,040 --> 00:56:14,840
Speaker 1: like Jake Cole is like that too, Yes and no.

1273
00:56:15,840 --> 00:56:18,400
Speaker 2: I think Tyler has I think Tyler is the So

1274
00:56:18,480 --> 00:56:20,520
Speaker 2: if there's a spectrum, I think you got a young

1275
00:56:20,560 --> 00:56:23,560
Speaker 2: boy and this side, Tyler on this side. You see that. Yeah,

1276
00:56:24,040 --> 00:56:26,560
Speaker 2: I think Jake Cole is not on that spectrum. Jake Cole,

1277
00:56:26,719 --> 00:56:27,839
Speaker 2: He's not where they are.

1278
00:56:28,640 --> 00:56:31,920
Speaker 1: Like there's a lot of people in the who care

1279
00:56:32,000 --> 00:56:36,360
Speaker 1: about one of the two A Tyler to creator a

1280
00:56:36,360 --> 00:56:38,080
Speaker 1: An NBA Young Boy, or both of them.

1281
00:56:38,320 --> 00:56:39,960
Speaker 3: That wouldn't be checking for J.

1282
00:56:40,080 --> 00:56:43,160
Speaker 2: Cole. Know what I'm saying is I think Cole wanted

1283
00:56:43,360 --> 00:56:46,040
Speaker 2: to be in Cole. You gotta think Cole did the

1284
00:56:46,080 --> 00:56:47,880
Speaker 2: same thing that Ya did and the same thing that

1285
00:56:47,920 --> 00:56:51,040
Speaker 2: Big Sean did. They went somewhere and rapped for their

1286
00:56:51,040 --> 00:56:56,480
Speaker 2: favorite rapper. They wanted in on the ship and at

1287
00:56:56,520 --> 00:57:00,919
Speaker 2: some point H Cole wanted he wanted the he wanted

1288
00:57:00,960 --> 00:57:04,600
Speaker 2: the rock deal. You get what I'm saying. He wanted

1289
00:57:04,640 --> 00:57:07,800
Speaker 2: he wanted the to work with these producers. He wanted

1290
00:57:07,840 --> 00:57:10,319
Speaker 2: in on them, on the business, on them, on the

1291
00:57:10,360 --> 00:57:12,640
Speaker 2: he got the endorsement deals. He wanted the hoop he

1292
00:57:12,800 --> 00:57:15,080
Speaker 2: he he participates.

1293
00:57:14,120 --> 00:57:15,680
Speaker 3: Works the stuff, the commercial stuff.

1294
00:57:15,680 --> 00:57:19,000
Speaker 2: He wanted it. I don't think if we ever gave

1295
00:57:19,080 --> 00:57:22,880
Speaker 2: Tyler any of those things, Tyler would still be Tyler.

1296
00:57:23,400 --> 00:57:25,840
Speaker 2: Same for young Boy. They don't give a fuck. They're

1297
00:57:25,840 --> 00:57:28,480
Speaker 2: gonna they're gonna do them. And if people come to

1298
00:57:28,520 --> 00:57:30,120
Speaker 2: the party, they come to the part. If they don't,

1299
00:57:30,160 --> 00:57:31,000
Speaker 2: they don't give a fuck.

1300
00:57:31,680 --> 00:57:33,640
Speaker 1: Do you feel like though, because a lot of people

1301
00:57:33,680 --> 00:57:35,480
Speaker 1: we were having this conversation with Marco Plus when he

1302
00:57:35,520 --> 00:57:39,520
Speaker 1: came to the Breakfast club about Jake Cole, just you know,

1303
00:57:39,640 --> 00:57:42,200
Speaker 1: him leaning into his own, his own audience. What Marco

1304
00:57:42,240 --> 00:57:44,160
Speaker 1: Plus called Jake Cole the King of the South, that

1305
00:57:44,240 --> 00:57:46,680
Speaker 1: was a whole That was a crazy conversation.

1306
00:57:47,560 --> 00:57:49,000
Speaker 3: But but he's young.

1307
00:57:49,040 --> 00:57:52,120
Speaker 2: Though he's young, he's no, I'm not discounting Cole. I'm

1308
00:57:52,120 --> 00:57:55,040
Speaker 2: saying that's crazy, just because by the end of.

1309
00:57:54,960 --> 00:57:57,880
Speaker 1: The conversation he didn't think that anymore. Because they you know,

1310
00:57:58,200 --> 00:58:01,360
Speaker 1: sitting next to a t I fan like a Charlemagne

1311
00:58:01,400 --> 00:58:01,560
Speaker 1: and a.

1312
00:58:03,400 --> 00:58:06,080
Speaker 3: Yeah, it's very It was a very argument.

1313
00:58:06,200 --> 00:58:08,440
Speaker 2: Some of the homies from from from Georgia. They would say,

1314
00:58:08,480 --> 00:58:09,680
Speaker 2: Gucci is they can't get the South.

1315
00:58:10,000 --> 00:58:11,720
Speaker 3: Yeah, I mean it depends on who you talk to.

1316
00:58:11,880 --> 00:58:14,280
Speaker 1: Can't get the South and who created trap music is

1317
00:58:14,280 --> 00:58:16,200
Speaker 1: a very It depends on who you're talking to, how

1318
00:58:16,240 --> 00:58:19,640
Speaker 1: old they are, what they digest conversation, you know what

1319
00:58:19,680 --> 00:58:22,160
Speaker 1: I mean. But he when I was watching him talk

1320
00:58:22,200 --> 00:58:24,560
Speaker 1: about j Cole, it just and the reason why I

1321
00:58:24,560 --> 00:58:26,360
Speaker 1: compared him, I brought him into the conversation and be

1322
00:58:26,360 --> 00:58:28,760
Speaker 1: a young boy, because I feel like the people that

1323
00:58:28,840 --> 00:58:31,560
Speaker 1: stay in him stay in him like they you can't

1324
00:58:31,560 --> 00:58:35,400
Speaker 1: tell them nothing about J Cole, right, and back to

1325
00:58:35,400 --> 00:58:37,680
Speaker 1: trying to figure out that strategy with you know J

1326
00:58:37,840 --> 00:58:41,000
Speaker 1: Cole drops you know this to track to fall off

1327
00:58:41,040 --> 00:58:42,520
Speaker 1: is suposed to becoming It's supposed to be like the

1328
00:58:42,600 --> 00:58:45,320
Speaker 1: last of the last. Right when a person like a J.

1329
00:58:45,440 --> 00:58:48,720
Speaker 1: Cole decides to walk away, and walking away if he

1330
00:58:48,760 --> 00:58:51,160
Speaker 1: actually does it, because all represent they retire or whatever

1331
00:58:52,080 --> 00:58:54,200
Speaker 1: when they walk away. A lot of the conversation I

1332
00:58:54,240 --> 00:58:56,920
Speaker 1: feel like he's already starting to have is about just

1333
00:58:56,960 --> 00:58:59,080
Speaker 1: all the things that like didn't go the way.

1334
00:58:58,960 --> 00:59:01,440
Speaker 3: He wanted them to. What does that do for the

1335
00:59:01,480 --> 00:59:03,080
Speaker 3: youth culture who are looking at a J.

1336
00:59:03,200 --> 00:59:04,960
Speaker 1: Cole and are like, like, so we're about to have

1337
00:59:05,000 --> 00:59:07,480
Speaker 1: a bunch of like people who just want nothing to

1338
00:59:07,520 --> 00:59:09,360
Speaker 1: do with their commercialized success.

1339
00:59:09,960 --> 00:59:13,840
Speaker 2: That was my That's my point, Like I have a

1340
00:59:14,000 --> 00:59:16,480
Speaker 2: very and I don't like to come I don't like

1341
00:59:16,520 --> 00:59:18,680
Speaker 2: to talk about cold a lot because it comes off

1342
00:59:18,800 --> 00:59:21,760
Speaker 2: like I'm bashing him or like I'm belittling him, and

1343
00:59:21,760 --> 00:59:23,440
Speaker 2: I'm actually a J Cole, Like I'm a.

1344
00:59:23,440 --> 00:59:27,280
Speaker 1: J Cole god even after he dropped out of the battle, Yes, okay,

1345
00:59:27,280 --> 00:59:29,000
Speaker 1: because people want him about that now too, Like they

1346
00:59:29,040 --> 00:59:30,560
Speaker 1: don't want to hear the fall off because he didn't

1347
00:59:30,640 --> 00:59:32,240
Speaker 1: entertain I'm not a blood sport guy.

1348
00:59:32,680 --> 00:59:34,400
Speaker 2: I don't like. I'm not I don't even like boxing

1349
00:59:34,800 --> 00:59:36,840
Speaker 2: like that because I don't like I don't like people

1350
00:59:36,880 --> 00:59:39,560
Speaker 2: getting hurt. I just don't like. I don't like mma.

1351
00:59:39,680 --> 00:59:41,320
Speaker 2: I'm not a fan of it. I don't You're not

1352
00:59:41,320 --> 00:59:43,160
Speaker 2: gonna see me covering a lot of that. I don't

1353
00:59:43,200 --> 00:59:44,880
Speaker 2: fuck with it because I don't like people getting hurt

1354
00:59:44,920 --> 00:59:48,120
Speaker 2: in general. Right, So when it came to the battle,

1355
00:59:48,560 --> 00:59:51,360
Speaker 2: the sportsman in me, the competitor in me, wanted him

1356
00:59:51,400 --> 00:59:53,800
Speaker 2: to do what he was doing. And then when he

1357
00:59:53,880 --> 00:59:56,120
Speaker 2: dropped out, I'm like, Okay, I respect it because I'm

1358
00:59:56,160 --> 00:59:57,480
Speaker 2: at a point in my life where I was I

1359
00:59:58,120 --> 01:00:00,680
Speaker 2: will fight for my serenity, you know what I'm saying.

1360
01:00:00,680 --> 01:00:03,000
Speaker 2: My piece and everything means everything to me, which way

1361
01:00:03,040 --> 01:00:04,360
Speaker 2: I want to be in my room, in my draws,

1362
01:00:04,480 --> 01:00:10,160
Speaker 2: not being boiled for my purpose. So but when I

1363
01:00:10,200 --> 01:00:12,880
Speaker 2: talk about Cole, I definitely and I would love to

1364
01:00:12,920 --> 01:00:14,800
Speaker 2: have a conversation with him. They don't have to be

1365
01:00:14,840 --> 01:00:17,240
Speaker 2: on a camera or nothing. But when I look at

1366
01:00:17,240 --> 01:00:19,600
Speaker 2: Cole and what he's his contributions and how he's a

1367
01:00:19,640 --> 01:00:22,880
Speaker 2: pri he's navigated his career. I don't think that Cole.

1368
01:00:22,960 --> 01:00:25,800
Speaker 2: I don't look at Cole as a fulfilled individual. I

1369
01:00:26,760 --> 01:00:30,360
Speaker 2: look at Cole as he's he's he was let down by.

1370
01:00:30,200 --> 01:00:31,640
Speaker 3: The music business.

1371
01:00:31,680 --> 01:00:35,400
Speaker 2: He was he was disappointed and he and I said

1372
01:00:35,560 --> 01:00:37,160
Speaker 2: me and Gene was just talking about this on our show,

1373
01:00:37,240 --> 01:00:41,080
Speaker 2: like in his mind, And this is what I believe

1374
01:00:41,280 --> 01:00:44,560
Speaker 2: a lot of artists go through in their mind. I'm dope.

1375
01:00:46,160 --> 01:00:48,520
Speaker 2: These people who I look at are that are also dope,

1376
01:00:48,720 --> 01:00:53,320
Speaker 2: recognize my dopeness. They signed me because I'm dope. The

1377
01:00:53,400 --> 01:00:56,280
Speaker 2: people that they pitched me to love me because I'm dope.

1378
01:00:56,400 --> 01:00:59,680
Speaker 2: The public embraces me because I'm dope, and then I

1379
01:00:59,720 --> 01:01:02,160
Speaker 2: get the go be dope around the world and make

1380
01:01:02,280 --> 01:01:04,600
Speaker 2: and make a living and get rich or be successful

1381
01:01:04,640 --> 01:01:08,280
Speaker 2: being dope. And that's not how this shit works. A

1382
01:01:08,320 --> 01:01:10,960
Speaker 2: lot of times sometimes it goes that way, but a

1383
01:01:10,960 --> 01:01:12,640
Speaker 2: lot of times it doesn't go that way. And I

1384
01:01:12,680 --> 01:01:15,160
Speaker 2: think that a lot of artists have this in their brain.

1385
01:01:15,200 --> 01:01:17,640
Speaker 2: And I got killed online because when we did the

1386
01:01:18,280 --> 01:01:21,280
Speaker 2: we did the Revolt year end wrap up show shot

1387
01:01:21,280 --> 01:01:26,760
Speaker 2: at Elsie, and when we did that, she posted this

1388
01:01:26,840 --> 01:01:29,240
Speaker 2: clip of me talking about how I would like Cole

1389
01:01:29,320 --> 01:01:32,560
Speaker 2: and Drake and even my homie like Kendred. Everybody to

1390
01:01:32,640 --> 01:01:35,920
Speaker 2: talk and talk about the collaborative effort that.

1391
01:01:35,920 --> 01:01:37,600
Speaker 3: It takes to it together at one time.

1392
01:01:37,720 --> 01:01:39,720
Speaker 2: No, I want them to talk in general about how

1393
01:01:39,840 --> 01:01:42,680
Speaker 2: what it takes to win. Because the youth a lot

1394
01:01:42,680 --> 01:01:44,520
Speaker 2: of people coming up. They listen to the Russlers of

1395
01:01:44,520 --> 01:01:47,320
Speaker 2: the world. Russell, say Russell, get on his TikTok or

1396
01:01:47,320 --> 01:01:50,720
Speaker 2: his Instagram and say yes, the rat White Rapper rops

1397
01:01:51,200 --> 01:01:53,400
Speaker 2: Russell get on his Instagram and say yeah. I went

1398
01:01:53,480 --> 01:01:55,400
Speaker 2: on Splice and I downloaded this sample. Then I went

1399
01:01:55,440 --> 01:01:57,200
Speaker 2: in my laptop and I chopped it up. Then I

1400
01:01:57,240 --> 01:01:59,560
Speaker 2: plugged my mic in and I hummed some melodies, and

1401
01:01:59,640 --> 01:02:02,760
Speaker 2: then I uploaded it to tune Core independently, and then

1402
01:02:02,880 --> 01:02:04,880
Speaker 2: I made a million dollars and sold out the Madison

1403
01:02:04,880 --> 01:02:09,880
Speaker 2: Square Guard. That's not reality, not for everybody exactly. And

1404
01:02:09,920 --> 01:02:12,920
Speaker 2: I think the oversimplification of where things are is the

1405
01:02:12,960 --> 01:02:16,240
Speaker 2: reason why people have these falsehoods and this dogma that

1406
01:02:16,320 --> 01:02:19,120
Speaker 2: they believed in. And that's why I think happened to Cold.

1407
01:02:19,160 --> 01:02:20,840
Speaker 2: I think Cole will leave to say like, same thing

1408
01:02:20,840 --> 01:02:23,520
Speaker 2: with ya. I think Yay has a bitterness or jaded

1409
01:02:23,680 --> 01:02:27,520
Speaker 2: towards Jay. I think Cole has a certain jaded or

1410
01:02:27,560 --> 01:02:29,000
Speaker 2: bitterness towards the industry.

1411
01:02:29,160 --> 01:02:31,680
Speaker 1: I think towards jay Z too, And talking about this

1412
01:02:31,720 --> 01:02:35,200
Speaker 1: before we started, I'm like, yo, what like what's the

1413
01:02:35,680 --> 01:02:38,240
Speaker 1: let's get to like breaking down of like what is

1414
01:02:38,280 --> 01:02:39,920
Speaker 1: the upset and the anger?

1415
01:02:39,960 --> 01:02:42,280
Speaker 3: And it's not like it's the hurt.

1416
01:02:42,520 --> 01:02:44,880
Speaker 2: You know what it is because you're a woman and

1417
01:02:44,920 --> 01:02:48,600
Speaker 2: you've experienced the same things, whereas you might oh man

1418
01:02:48,640 --> 01:02:51,760
Speaker 2: I got this job, or oh man, I got this opportunity,

1419
01:02:51,840 --> 01:02:54,480
Speaker 2: or man I might have this thing or this contact.

1420
01:02:54,480 --> 01:02:56,000
Speaker 2: I got this contact me and you have had a

1421
01:02:56,000 --> 01:02:58,240
Speaker 2: conversation and I got this You was like, I got

1422
01:02:58,240 --> 01:03:02,200
Speaker 2: this contact and then either the person is ghost you

1423
01:03:02,320 --> 01:03:04,280
Speaker 2: or they shit on you. Genus had the same thing

1424
01:03:04,320 --> 01:03:06,440
Speaker 2: where she's looking up to this black woman in this

1425
01:03:06,960 --> 01:03:09,960
Speaker 2: big ass off corner office, in this at this network

1426
01:03:10,400 --> 01:03:13,720
Speaker 2: and then she shits on her. That's devastating to someone

1427
01:03:13,800 --> 01:03:16,640
Speaker 2: if you're looking up to the situations that they're in,

1428
01:03:16,680 --> 01:03:18,680
Speaker 2: the rooms that they're in, the opportunities that they have

1429
01:03:18,720 --> 01:03:21,360
Speaker 2: the access. I think that's what happened. Same thing we

1430
01:03:21,440 --> 01:03:23,480
Speaker 2: just we saw. Everybody saw what played out between Yea

1431
01:03:23,560 --> 01:03:29,760
Speaker 2: and Big Sean Big Sean rapped for Kanye, Kanye signed him.

1432
01:03:30,120 --> 01:03:32,280
Speaker 2: You know what I'm saying, Like, that's that's the same

1433
01:03:32,280 --> 01:03:34,280
Speaker 2: thing that would happen, kind of similar with Ja Cole,

1434
01:03:34,360 --> 01:03:36,960
Speaker 2: like oh shit, he's dope, like fuck with us. And

1435
01:03:36,960 --> 01:03:39,480
Speaker 2: then so I think that a lot of times, at

1436
01:03:39,560 --> 01:03:43,360
Speaker 2: least in our generation, in probably one generation below, what

1437
01:03:43,480 --> 01:03:46,800
Speaker 2: happened is they have these dreams of being of that's

1438
01:03:46,840 --> 01:03:49,000
Speaker 2: how it goes, and it don't go that way. Yeah,

1439
01:03:49,160 --> 01:03:51,520
Speaker 2: And I just I wish that more people would talk

1440
01:03:51,560 --> 01:03:54,640
Speaker 2: about it so that way the expectation is not that

1441
01:03:55,040 --> 01:03:56,120
Speaker 2: for the common.

1442
01:03:55,760 --> 01:04:01,400
Speaker 1: Way I want to read when so when he dropped

1443
01:04:01,400 --> 01:04:05,240
Speaker 1: the dis two track two song in the beginning of

1444
01:04:05,280 --> 01:04:08,280
Speaker 1: the video, there's like a letter from him before it starts.

1445
01:04:08,520 --> 01:04:10,480
Speaker 1: It says, for the past ten years, this album has

1446
01:04:10,520 --> 01:04:14,000
Speaker 1: been handcrafted with one intention and personal challenge to myself

1447
01:04:14,320 --> 01:04:16,960
Speaker 1: to create my best work, to do on my last

1448
01:04:17,160 --> 01:04:19,200
Speaker 1: what I was unable to do with my first. I

1449
01:04:19,240 --> 01:04:21,160
Speaker 1: had no way of knowing how much time, focus and

1450
01:04:21,240 --> 01:04:24,040
Speaker 1: energy it would eventually take to achieve this. But despite

1451
01:04:24,080 --> 01:04:26,280
Speaker 1: the countless challenges along the way, I knew in my

1452
01:04:26,360 --> 01:04:28,400
Speaker 1: heart I would one day get to the finish line.

1453
01:04:28,640 --> 01:04:31,120
Speaker 1: I owed it first and foremost to myself, and secondly,

1454
01:04:31,200 --> 01:04:33,360
Speaker 1: I owed it to hip hop the fall off J Cole?

1455
01:04:34,840 --> 01:04:37,120
Speaker 3: Now do you okay?

1456
01:04:37,160 --> 01:04:38,920
Speaker 1: So I read that because you're talking about you know,

1457
01:04:38,960 --> 01:04:42,040
Speaker 1: you want them to talk right, and hopefully when we

1458
01:04:42,120 --> 01:04:44,800
Speaker 1: get the fall off, J Cole will have some conversations,

1459
01:04:44,920 --> 01:04:47,720
Speaker 1: especially if he is going to do what he's alluding to,

1460
01:04:47,840 --> 01:04:50,840
Speaker 1: like this being his last right. I think that, you know,

1461
01:04:50,960 --> 01:04:52,840
Speaker 1: the fans want to hear and I think we deserve

1462
01:04:52,920 --> 01:04:55,360
Speaker 1: to kind of like get the there's a lot that

1463
01:04:55,400 --> 01:04:56,240
Speaker 1: we need to hear from.

1464
01:04:56,400 --> 01:04:57,800
Speaker 3: I feel like we need to hear from him. I

1465
01:04:57,800 --> 01:04:58,760
Speaker 3: think he owes it to us.

1466
01:04:58,800 --> 01:05:02,720
Speaker 1: People will probably argue different, but do you think Jay

1467
01:05:02,760 --> 01:05:06,120
Speaker 1: Cole ever gets to a place where like I've reckoned

1468
01:05:06,200 --> 01:05:08,080
Speaker 1: all of my you know what I mean, Like I've

1469
01:05:08,080 --> 01:05:10,080
Speaker 1: gotten to the place where I'm I'm in an okay place.

1470
01:05:10,120 --> 01:05:13,000
Speaker 1: Because he decided not to entertain the Kendrick Lamar in

1471
01:05:13,320 --> 01:05:15,960
Speaker 1: the drig situation because he said, you know, just mentally

1472
01:05:16,000 --> 01:05:17,600
Speaker 1: where he's at right now, that's just not good for

1473
01:05:17,640 --> 01:05:20,600
Speaker 1: his spirit. So he's had to have been doing a

1474
01:05:20,600 --> 01:05:23,520
Speaker 1: lot of like self like reckoning and conversations or whatever.

1475
01:05:23,600 --> 01:05:26,160
Speaker 1: But then you hear this two track to where he

1476
01:05:26,240 --> 01:05:30,320
Speaker 1: calls he like slights jay Z right. So it's like

1477
01:05:31,720 --> 01:05:33,640
Speaker 1: the hell conversation that's happening in one place, but at

1478
01:05:33,640 --> 01:05:35,880
Speaker 1: the same time, I'm still hearing you come from a

1479
01:05:35,920 --> 01:05:36,960
Speaker 1: place of hurt.

1480
01:05:37,200 --> 01:05:39,640
Speaker 2: I think it's just disappointment. I don't necessarily I won't

1481
01:05:39,640 --> 01:05:41,240
Speaker 2: say it's hurt because I don't know him and I

1482
01:05:41,280 --> 01:05:44,120
Speaker 2: have never had that conversation with him. I would I

1483
01:05:44,160 --> 01:05:46,720
Speaker 2: can say I can tell that Jay Cole is disappointed

1484
01:05:46,800 --> 01:05:51,960
Speaker 2: by something within the confines of the industry. And I

1485
01:05:52,000 --> 01:05:54,800
Speaker 2: don't know what that is specifically, but based on my

1486
01:05:55,320 --> 01:05:57,640
Speaker 2: based on my own personal experiences, I know what that

1487
01:05:57,680 --> 01:06:00,240
Speaker 2: looked like, I know what that feel like. That's what

1488
01:06:00,600 --> 01:06:02,560
Speaker 2: that's my thought. That's my hypothesis.

1489
01:06:02,840 --> 01:06:06,240
Speaker 3: What do you think, like him walking away from like music,

1490
01:06:07,000 --> 01:06:09,760
Speaker 3: does that mean anything to you? Like if this is

1491
01:06:09,800 --> 01:06:11,080
Speaker 3: really his last.

1492
01:06:10,800 --> 01:06:14,800
Speaker 2: Like we ever, I just hope it's amazing. If it's not,

1493
01:06:15,200 --> 01:06:18,400
Speaker 2: it's gonna be a disappointment, like it's gonna suck if

1494
01:06:18,400 --> 01:06:20,920
Speaker 2: it's not. But I really really hope that this is

1495
01:06:21,120 --> 01:06:24,760
Speaker 2: like the Forest Hills Drive that everybody wants to do

1496
01:06:25,160 --> 01:06:27,080
Speaker 2: that I would like it to be. If it's not,

1497
01:06:27,560 --> 01:06:31,760
Speaker 2: I mean, that's it's it's his art. I'm gonna critique it.

1498
01:06:31,840 --> 01:06:34,240
Speaker 2: I'm gonna have my thoughts. But that's what he wanted

1499
01:06:34,240 --> 01:06:34,400
Speaker 2: to do.

1500
01:06:34,480 --> 01:06:36,520
Speaker 3: What did you think of this this two track too?

1501
01:06:36,840 --> 01:06:39,120
Speaker 2: I thought it was dope. I got killed on line

1502
01:06:39,120 --> 01:06:41,520
Speaker 2: because we were giving all these theories about it. He

1503
01:06:41,560 --> 01:06:43,800
Speaker 2: is he getting a divorce? It was like, y'all stupid.

1504
01:06:43,880 --> 01:06:46,320
Speaker 1: Okay, So I thought that too, because but then, I mean,

1505
01:06:46,360 --> 01:06:49,080
Speaker 1: I know he's talking in reverse, but the way he

1506
01:06:49,160 --> 01:06:51,680
Speaker 1: talked about the wedding ring coming off and stuff like that,

1507
01:06:51,760 --> 01:06:54,880
Speaker 1: I'm like, because sometimes your past can be like can

1508
01:06:54,920 --> 01:06:58,000
Speaker 1: be very like you're you're making the same mistakes, so

1509
01:06:58,040 --> 01:07:00,960
Speaker 1: you're thinking back to what you did then. Like I

1510
01:07:00,960 --> 01:07:02,200
Speaker 1: don't know, but I thought that too.

1511
01:07:02,240 --> 01:07:06,320
Speaker 2: When he talk, I don't listen. I don't I have

1512
01:07:06,520 --> 01:07:08,880
Speaker 2: my own opinions, but I don't get I don't. Actually,

1513
01:07:08,960 --> 01:07:12,560
Speaker 2: I'm not invested like that. So if you told me today, hey,

1514
01:07:13,120 --> 01:07:16,800
Speaker 2: I heard that Martians are landing tomorrow, I would entertain

1515
01:07:16,840 --> 01:07:17,440
Speaker 2: the conversation.

1516
01:07:18,480 --> 01:07:20,040
Speaker 3: But you you don't feel like you are a little

1517
01:07:20,040 --> 01:07:21,400
Speaker 3: bit invested because you have to.

1518
01:07:21,560 --> 01:07:23,000
Speaker 1: I mean, you get online and you talk about it,

1519
01:07:23,040 --> 01:07:24,480
Speaker 1: and you talk about it from a place of like

1520
01:07:24,960 --> 01:07:28,320
Speaker 1: not just being like a brainless Like, what.

1521
01:07:28,240 --> 01:07:30,240
Speaker 2: I'm saying is that's not what I'm saying. What I'm

1522
01:07:30,280 --> 01:07:34,320
Speaker 2: saying is I'm going to I'm gonna entertain the conversation

1523
01:07:34,680 --> 01:07:39,280
Speaker 2: of whatever it is. Like if I'm looking at lyrics,

1524
01:07:39,320 --> 01:07:41,280
Speaker 2: I'm going to read into the lyrics and I'm going

1525
01:07:41,360 --> 01:07:44,680
Speaker 2: to try to figure out because they don't talk anymore,

1526
01:07:44,960 --> 01:07:46,400
Speaker 2: you know what I'm saying. So it's left up to

1527
01:07:46,440 --> 01:07:51,800
Speaker 2: your interpretation. So if my interpretation is Lauren is crashing out,

1528
01:07:52,000 --> 01:07:55,200
Speaker 2: that's my interpretation. If Lauren never said anything, and that's

1529
01:07:55,240 --> 01:07:59,040
Speaker 2: something I actually told, I actually told that too. I

1530
01:07:59,080 --> 01:08:00,720
Speaker 2: told her to a couple of artis. I told that

1531
01:08:00,920 --> 01:08:04,360
Speaker 2: to the homies, and I was like, if you when

1532
01:08:04,400 --> 01:08:07,440
Speaker 2: you don't talk, you allow the internet to control your narrative, right,

1533
01:08:07,680 --> 01:08:09,760
Speaker 2: And as long as you're okay with that, then it

1534
01:08:09,840 --> 01:08:10,800
Speaker 2: didn't find.

1535
01:08:11,280 --> 01:08:14,160
Speaker 1: What did you think the part where he's sitting down

1536
01:08:14,200 --> 01:08:16,040
Speaker 1: at the desk and he's talking about that hunger and

1537
01:08:16,120 --> 01:08:18,360
Speaker 1: want to be great in the inspiration because so many

1538
01:08:18,360 --> 01:08:20,559
Speaker 1: people right now are having a conversation even with this,

1539
01:08:21,000 --> 01:08:23,320
Speaker 1: and even when him saying, I'm choosing my piece about

1540
01:08:24,680 --> 01:08:26,400
Speaker 1: you can't say that you're one of the greatest or

1541
01:08:26,400 --> 01:08:27,600
Speaker 1: you can't leave this feel like you're one of the

1542
01:08:27,600 --> 01:08:30,280
Speaker 1: greatest because he didn't entertain that battle. What do you

1543
01:08:30,360 --> 01:08:34,160
Speaker 1: think that j Cole was talking was saying about that

1544
01:08:34,640 --> 01:08:37,320
Speaker 1: battle moment by going back into the time where he

1545
01:08:37,479 --> 01:08:39,040
Speaker 1: felt like, you know, I'm the greatest and I can't

1546
01:08:39,040 --> 01:08:39,479
Speaker 1: be touched.

1547
01:08:39,560 --> 01:08:42,320
Speaker 2: I still think what I said. I think that a lot.

1548
01:08:42,479 --> 01:08:45,920
Speaker 2: I think Cole has it in his mind that because

1549
01:08:46,000 --> 01:08:51,639
Speaker 2: he's dope, he can still be like, you can still

1550
01:08:51,680 --> 01:08:55,000
Speaker 2: occupy that space. I don't necessarily believe.

1551
01:08:54,680 --> 01:08:57,360
Speaker 3: That that he's still one of the greatest, regardless.

1552
01:08:57,000 --> 01:08:59,160
Speaker 2: He is one of the dopest. He's I mean, you

1553
01:08:59,200 --> 01:09:01,280
Speaker 2: can't take that away from from him, but he's not

1554
01:09:01,439 --> 01:09:01,880
Speaker 2: the guy.

1555
01:09:03,280 --> 01:09:06,320
Speaker 1: But if he had entered into this battle and lost,

1556
01:09:06,920 --> 01:09:09,320
Speaker 1: how would that have fared for him? At this point

1557
01:09:09,360 --> 01:09:11,920
Speaker 1: where he's dropping this two track too, could he still

1558
01:09:11,920 --> 01:09:13,800
Speaker 1: say that he believes he's one of the greed I

1559
01:09:13,800 --> 01:09:14,200
Speaker 1: don't know.

1560
01:09:15,720 --> 01:09:20,439
Speaker 2: I think when you I'm a wrestling fan Rick Flair,

1561
01:09:21,120 --> 01:09:24,519
Speaker 2: he says, to beat the man, you gotta beat the man.

1562
01:09:26,200 --> 01:09:29,040
Speaker 2: That's just that's I didn't make the rules that was

1563
01:09:29,080 --> 01:09:29,719
Speaker 2: here before.

1564
01:09:29,520 --> 01:09:35,280
Speaker 3: I got here, gotcha WHOA. This has been a very

1565
01:09:35,280 --> 01:09:36,240
Speaker 3: spirited conversation.

1566
01:09:36,439 --> 01:09:37,000
Speaker 2: Very spirited.

1567
01:09:37,080 --> 01:09:41,120
Speaker 3: Yeah, very spirited conversation. Happy birthday, having k free. He's like,

1568
01:09:41,160 --> 01:09:46,160
Speaker 3: I'm I'm joking. I am joking. All right, y'all.

1569
01:09:46,160 --> 01:09:48,240
Speaker 1: So this has been another episode of the Latest with

1570
01:09:48,320 --> 01:09:51,880
Speaker 1: Lauren Le Rosa. I tell y'all every episode my Low Riders.

1571
01:09:51,880 --> 01:09:54,080
Speaker 1: You guys could be anywhere with anybody talking about all

1572
01:09:54,080 --> 01:09:55,960
Speaker 1: of the things, but you choose to be right here

1573
01:09:56,000 --> 01:09:59,040
Speaker 1: with me. DJ head, thank you for joining the Low Riders.

1574
01:09:59,040 --> 01:10:02,479
Speaker 3: You know it's like eight million US listeners. Now damn

1575
01:10:03,120 --> 01:10:05,320
Speaker 3: ain't that crazy man?

1576
01:10:05,520 --> 01:10:10,320
Speaker 2: Just a bitch? Well and follow effective immediately, yes, tell

1577
01:10:10,320 --> 01:10:11,479
Speaker 2: me so.

1578
01:10:11,520 --> 01:10:14,320
Speaker 1: Give them the website to donate to your nonprofit organization.

1579
01:10:14,640 --> 01:10:17,360
Speaker 1: Where can they follow? Listen all that effective immediately?

1580
01:10:17,360 --> 01:10:19,840
Speaker 2: Give just search effective immediately on YouTube or anywhere you

1581
01:10:19,840 --> 01:10:24,559
Speaker 2: get your podcasts. Please do that, like follow, share all

1582
01:10:24,600 --> 01:10:27,160
Speaker 2: of the things. If you would like to tap into

1583
01:10:27,360 --> 01:10:30,320
Speaker 2: my charity organization, it's called put your foot on the board.

1584
01:10:31,080 --> 01:10:32,960
Speaker 2: Go to put your Foot on the Board dot com

1585
01:10:32,960 --> 01:10:37,000
Speaker 2: for that and then yeah, all things effective immediately. We

1586
01:10:37,080 --> 01:10:37,680
Speaker 2: appreciate you.

1587
01:10:38,000 --> 01:10:39,679
Speaker 3: Yes, and shout out to Ginaviews.

1588
01:10:39,680 --> 01:10:41,439
Speaker 1: She was supposed to be here with us, but the

1589
01:10:41,479 --> 01:10:43,680
Speaker 1: timing didn't work for her, but I promise I've been

1590
01:10:43,720 --> 01:10:46,559
Speaker 1: trying to get Gena Views's voice on this platform. It

1591
01:10:46,640 --> 01:10:48,599
Speaker 1: is going to happen in twenty twenty six. Y'all need

1592
01:10:48,640 --> 01:10:50,439
Speaker 1: to hear her if you have not already. I feel

1593
01:10:50,439 --> 01:10:52,400
Speaker 1: like most of the people who listen to the podcast

1594
01:10:52,479 --> 01:10:54,760
Speaker 1: are pop culture enthusias, so I know they already tapped in,

1595
01:10:54,800 --> 01:10:56,559
Speaker 1: but if not, make sure you head on over to

1596
01:10:56,560 --> 01:10:59,719
Speaker 1: effective immediately. You guys can hear DJ head Gena Views

1597
01:10:59,720 --> 01:11:02,000
Speaker 1: on all the takes and all the topics all the time.

1598
01:11:02,520 --> 01:11:04,640
Speaker 1: Thank you guys for tuning in for another episode. We

1599
01:11:04,720 --> 01:11:08,479
Speaker 1: are on location in La bringing you guys all the

1600
01:11:08,520 --> 01:11:09,760
Speaker 1: things because that is what we do.

1601
01:11:09,920 --> 01:11:11,000
Speaker 2: Yeah, shout out to my God.

1602
01:11:12,320 --> 01:11:13,200
Speaker 3: Yes that's yes.

1603
01:11:13,320 --> 01:11:15,160
Speaker 1: We didn't even get a chance to do that because

1604
01:11:15,160 --> 01:11:17,880
Speaker 1: I talked about the studio. Yes, we are in this

1605
01:11:17,960 --> 01:11:21,559
Speaker 1: amazing studio. It's like fifty parts of a studio in here.

1606
01:11:21,600 --> 01:11:23,920
Speaker 1: Like you can record music, you can listen to music,

1607
01:11:23,920 --> 01:11:26,439
Speaker 1: you can shoot the podcast. Took some shots in the

1608
01:11:26,439 --> 01:11:28,240
Speaker 1: front as well too. There's plaques on the board. I

1609
01:11:28,240 --> 01:11:30,120
Speaker 1: see a lot of Nipsey Hustle plaques on the board,

1610
01:11:30,120 --> 01:11:33,519
Speaker 1: walking in like Kendrick Kendrick as well talk talk to

1611
01:11:33,640 --> 01:11:36,040
Speaker 1: the you know, the audience about where we're shooting at right.

1612
01:11:36,120 --> 01:11:39,000
Speaker 2: Oh this is this is no name studios, it is

1613
01:11:39,200 --> 01:11:44,320
Speaker 2: uh engineers. Go to engineers dot com all independent artists.

1614
01:11:44,320 --> 01:11:46,920
Speaker 2: If you're looking to upload your music, keep one hundred

1615
01:11:46,920 --> 01:11:49,839
Speaker 2: percent of your royalties. They just launched a director consumer.

1616
01:11:50,400 --> 01:11:53,640
Speaker 2: I'm part of the team of engineers. If go do

1617
01:11:53,680 --> 01:11:58,800
Speaker 2: your Google's nix bo LEI you know, h everything that

1618
01:11:58,880 --> 01:12:01,519
Speaker 2: you can bring of from the party to good Kid,

1619
01:12:01,640 --> 01:12:03,200
Speaker 2: mad City, go check it out.

1620
01:12:03,560 --> 01:12:06,000
Speaker 1: Yes, and thank you, you know, to end the ears.

1621
01:12:06,000 --> 01:12:08,519
Speaker 1: I lead it for welcoming us in the studio. He

1622
01:12:08,600 --> 01:12:11,360
Speaker 1: was like, whatever you need, make yourself at home. I

1623
01:12:11,400 --> 01:12:14,120
Speaker 1: went and found the bar. Okay before we started. It's

1624
01:12:14,160 --> 01:12:15,800
Speaker 1: colding here, so I had to like warm up a bit.

1625
01:12:16,080 --> 01:12:18,880
Speaker 1: But I really appreciate you guys for opening this studio

1626
01:12:18,960 --> 01:12:20,640
Speaker 1: up to me to make sure that we've got the

1627
01:12:20,680 --> 01:12:22,320
Speaker 1: episode out. When you do episode from.

1628
01:12:22,240 --> 01:12:25,000
Speaker 2: LS, thank you so much. Thank you.

1629
01:12:25,160 --> 01:12:27,240
Speaker 3: Thanks for being here, y'all. We'll catch you in the

1630
01:12:27,280 --> 01:12:30,040
Speaker 3: next episode. Yeah, tell a friend and tell the friend.

1631
01:12:30,040 --> 01:12:31,639
Speaker 3: The ladies will go on the Rosa come about