WEBVTT - Episode 268 w/ Miss Jones

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<v Speaker 1>Welcome to Drink Champs, the production of The Black Effect

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<v Speaker 1>and I Heart Radio and his drinks motherfucking podcast. He's

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<v Speaker 1>a legendary queen's rapper, He's is your boy in No

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<v Speaker 1>r E. He's a Miami hip hop pioneer. What Up

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<v Speaker 1>is d J e Fn? Together they drink it up

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<v Speaker 1>with some of the biggest players in the most professional,

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<v Speaker 1>unprofessional podcast and yet number one sorts for drunk fast drinks.

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<v Speaker 1>Motherfucking days. New year' z, that's time for Drink Champs.

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<v Speaker 1>Trick up, motherfucking up? Would it good? Be holes? Would

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<v Speaker 1>it be? It's your boy? What Up is d j

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<v Speaker 1>e FN and his drink chest motherfucker? Yea? And right

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<v Speaker 1>out When when we started the show, the FN, we said,

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<v Speaker 1>we wanted you know this, this radio stations, and there's

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<v Speaker 1>other podcasts for you know, up and coming and new people.

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<v Speaker 1>But we wanted to interview legends, We wanted to interview

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<v Speaker 1>season people, wanted to interview people who have this luxurious

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<v Speaker 1>long list of stories and just of being a part

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<v Speaker 1>of the game. This is not only not only a hero,

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<v Speaker 1>but a hometown hero. She has dominated music. Then went

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<v Speaker 1>on and you know dominated radio, which was a very

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<v Speaker 1>hard Field, not only for a black woman before a

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<v Speaker 1>woman period at that time. Then you know, now she

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<v Speaker 1>got a podcast too and everything. I think she's an

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<v Speaker 1>episode forget but forget what everisode, But I've been I'm

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<v Speaker 1>checking it out. She got rolled down with them. I

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<v Speaker 1>did not know this, but um, in case you don't

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<v Speaker 1>know who we talked about, we talking about the motherfucker

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<v Speaker 1>lest just miss motherfucking Joe. So so I was wondering

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<v Speaker 1>who you're talking about. So, um, you know, because what's

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<v Speaker 1>been going on? What's been going on with you? Later?

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<v Speaker 1>So first off, I broadcast Okay, wow, okay, so this

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<v Speaker 1>is just like it's gonna suck me up juice, that's

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<v Speaker 1>what That's what it is. Okay, ingenious, gen Okay, now

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<v Speaker 1>now snoop got in the glow. This is not in

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<v Speaker 1>the glow. No, no, no, this is something different out

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<v Speaker 1>the glow. Okay. And and it's infused with lavender. It

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<v Speaker 1>looks sexy. It looks sexy. Yeah, thank you, well, thank so.

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<v Speaker 1>Let's let's just take it right from the beginning, right um,

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<v Speaker 1>because at first it was artists. It's about being an artist, right,

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<v Speaker 1>so um, and listen for people that don't know a

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<v Speaker 1>story of Projects is one of the craziest places in

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<v Speaker 1>the world, not just queens in the world. So take

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<v Speaker 1>us from there, coming from a story. So, I was,

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<v Speaker 1>you know, always singing in the house, always trying to

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<v Speaker 1>do talent shows and things like that, and um, and

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<v Speaker 1>eventually I wanted to go into high school for it,

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<v Speaker 1>taking it seriously, and then I went to Syracuse University

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<v Speaker 1>for it. It became he went to art schools like

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<v Speaker 1>to high school. Yeah, I went to the Fame school

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<v Speaker 1>music and amazing experience, but well they taught you was

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<v Speaker 1>really classical singing. And I always wanted to be R

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<v Speaker 1>and B. So when I graduated, I met ron g

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<v Speaker 1>h and so I started singing on his mixtapes and

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<v Speaker 1>at that time I started hearing Yeah it was nobody

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<v Speaker 1>was doing it. It was a smooth out the beginning

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<v Speaker 1>of hip hop R and B. Yeah. Wow. So let

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<v Speaker 1>me ask you something because I just um seen Trick Daddy, right,

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<v Speaker 1>Trick Daddy is going viral because Rick Daddy said, Beyonce

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<v Speaker 1>Cas sang all right, and it reminded me of something

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<v Speaker 1>I thought. I heard you say. I thought, yeah, we know.

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<v Speaker 1>I'm so sorry. IM okay, So here's my things technically

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<v Speaker 1>maybe Mary's not the most perfect singer. Who the fuck

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<v Speaker 1>is my issue with Mary? Because everybody knows that I've

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<v Speaker 1>had an issue, and I'm realizing now it probably shouldn't

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<v Speaker 1>be Mary as much as it should be towards Diddy,

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<v Speaker 1>because when Ron and I started this whole mix tape singing,

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<v Speaker 1>that was how we got our deal with steps On Records.

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<v Speaker 1>The whole album was that singing on hip so people

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<v Speaker 1>understand who don't know, singing on hip hop beats, right,

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<v Speaker 1>which was the normal? The normal at the time. Mary's

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<v Speaker 1>first album, you remember, was all like jazzy songs, a

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<v Speaker 1>couple of dance songs, but it was remixed to sound

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<v Speaker 1>like a mix tape. Diddy had gone to Ron and

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<v Speaker 1>asked Ron to do my stuff for Mary. Ron said, know,

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<v Speaker 1>because Jones's Miss Jones. It's my artist, and that's the

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<v Speaker 1>style I'm using for her. Did he went behind his

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<v Speaker 1>back like they just recently started speaking again, Yeah, okay, yeah, yeah,

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<v Speaker 1>So he took the whole style. And because you know,

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<v Speaker 1>my label, steps Son, they didn't have a lot of money.

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<v Speaker 1>They didn't have yeah, but really really under and so

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<v Speaker 1>um uh, what's the whatever label? M C A whatever?

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<v Speaker 1>Was right. Yeah, a whole lot of lawsuits later. But

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<v Speaker 1>so Uptown had the money, m c A had the money,

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<v Speaker 1>and they already had proven success, so it's just like

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<v Speaker 1>put it in the machine and let's just keep it.

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<v Speaker 1>So they actually beat us to the punch, and so

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<v Speaker 1>I always wound up looking like I was trying to

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<v Speaker 1>sound like her. But the people in the streets know,

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<v Speaker 1>the people that are the mixtape heads know, and now

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<v Speaker 1>that I'm back out like they're really really feeling away

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<v Speaker 1>and they're like, you need to get your recognition and

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<v Speaker 1>get flowers for that. Yeah, it didn't work out music.

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<v Speaker 1>You flipped it and did it in radio, but that

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<v Speaker 1>so was it in ther time like that, Um, you

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<v Speaker 1>tried to get somebody for a feature and uh music

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<v Speaker 1>and then they fronted on you. But then they had

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<v Speaker 1>to come back and see your ass at the radio.

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<v Speaker 1>We're not playing not playing today. I'm excited to have

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<v Speaker 1>you here, by the way, so you know, so to

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<v Speaker 1>be here, has it ever been somebody who like you?

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<v Speaker 1>You reached out, you said, yo, let me get it

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<v Speaker 1>on the record. They didn't get on the record for

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<v Speaker 1>whatever reason, and then they came back to the rail

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<v Speaker 1>station and either needed a favor or how was that?

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<v Speaker 1>Or how about someone I slept with and wanted a feature?

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<v Speaker 1>And like, okay, okay, so I would have slept with

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<v Speaker 1>him anyway, just to be clear. He wasn't like an

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<v Speaker 1>asshole like that stuff, you know. But but to his defense,

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<v Speaker 1>I was never like considered a hot R and B artist,

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<v Speaker 1>and at that time they wanted heat matches heat. So

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<v Speaker 1>he would go get with john Nae into a song

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<v Speaker 1>and I'm like, am I not want it hard enough? Like?

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<v Speaker 1>What can I do it? When you would come so

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<v Speaker 1>later on when I'm like rocking in radio, I was kind,

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<v Speaker 1>but it wasn't just a bust of rhym just coming

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<v Speaker 1>up to NORML. No, he's not. We'll get back and

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<v Speaker 1>let bust. You know, win Buster can come bust. You

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<v Speaker 1>probably didn't know that I love himself, but yeah, that's

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<v Speaker 1>the one that comes to mind the media because you

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<v Speaker 1>did write about him in the book I did. I

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<v Speaker 1>didn't hear about that, but okay, moving just didn't know.

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<v Speaker 1>I told you that's like to take a shot. Shot

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<v Speaker 1>on the shot and hold on, I got it's my dream. Okay,

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<v Speaker 1>that's what that's I need to shot glass. No, I'm

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<v Speaker 1>saying her bottle. I want to just Yeah, I'm gonna

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<v Speaker 1>I'm watermelon. I'm gonna do a watermelon. I'm gonna do

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<v Speaker 1>a watermelon because I'm gonna start it on slow. But

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<v Speaker 1>you know what I mean, Oh my god, this is

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<v Speaker 1>this guy, this guy, this guy to get it. So

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<v Speaker 1>another thing is not another thing? Is? I think The

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<v Speaker 1>first time I ever heard Stephen A. Smith on the

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<v Speaker 1>actual radio was actually show Yeah, rolling, first time I

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<v Speaker 1>ever heard of him on the radio. It's like, she

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<v Speaker 1>really I because I got a whole list, So how

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<v Speaker 1>is that to see? You know? First off, what did

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<v Speaker 1>Stephen A. Smith get to do to get on the

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<v Speaker 1>mix of jo Joan show? He was just amazing easy

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<v Speaker 1>so so he was writing for the Philadelphia Paper and No.

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<v Speaker 1>So you know, it's crazy. I automatic thought it was

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<v Speaker 1>New York both from Queen's No, but he so it

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<v Speaker 1>was when I got fired from Philly and came back

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<v Speaker 1>to Hot ninety seven. But I remembered him from writing

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<v Speaker 1>on the Philly papers from when I was down in Philly,

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<v Speaker 1>and he was always like an amazing writer and always

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<v Speaker 1>had these great relationships like behind the scenes with so

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<v Speaker 1>when we were looking for a co host, I didn't

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<v Speaker 1>want to go normal co host comedian route. I wanted

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<v Speaker 1>somebody that could bring a different and he's very opinionated.

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<v Speaker 1>If you haven't known that, A so was Stephen at

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<v Speaker 1>the time. Was he a sports commentator or he wasn't.

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<v Speaker 1>He was just a commentator period. I think he I

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<v Speaker 1>don't know if he was a sports commentator, but I

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<v Speaker 1>know he wasn't to the level of which he has become,

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<v Speaker 1>you know what I mean. And so we brought him on.

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<v Speaker 1>But it was great because he could talk about everything.

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<v Speaker 1>He could talk about the music and he's from Queens

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<v Speaker 1>and so he talks about life issues and it was great.

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<v Speaker 1>But he always wanted that that sports thing was his thing,

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<v Speaker 1>and Hot probably wasn't gonna pay him what he would

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<v Speaker 1>have wanted. And you know, he's the I believe he's

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<v Speaker 1>the most paid sportscaster there is there is. Now did

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<v Speaker 1>you ever see did you see that coming from the beginning? Well,

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<v Speaker 1>ESPN's just ESPN or just ESPN? Okay, bad? I thought

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<v Speaker 1>it was yeah, so did you see that coming? Did not?

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<v Speaker 1>Because you know what I remember, I didn't because he's

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<v Speaker 1>very humble and that he never got rid of that

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<v Speaker 1>house in will Emboro. He always said, I'm never letting

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<v Speaker 1>this go, this house go, because you just never know.

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<v Speaker 1>And I just thought that was like real, that's like,

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<v Speaker 1>that's how we when we grow up, the way we

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<v Speaker 1>grow up, you always hold an one to that. But also, um,

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<v Speaker 1>he has a he has an incredible work ethic, So

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<v Speaker 1>I'm not surprised and I'm happy for him. He and

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<v Speaker 1>I interviewed Rick James the day before he died. Wow

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<v Speaker 1>the shot hold on, hold on, okay, wait a minute,

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<v Speaker 1>you and Stephen. I can't even picture this, by the way,

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<v Speaker 1>because I'm picturing. I can't imagine who Stephen A was.

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<v Speaker 1>I can only picture who I wake up every day

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<v Speaker 1>right now. So now p us to the side. It's you, Stephen.

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<v Speaker 1>And obviously this is not zoom. This is not zoom.

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<v Speaker 1>This is okay. And actually Rick j was he in

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<v Speaker 1>the studio? Was he? I think he was on the

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<v Speaker 1>phone from l A. Okay, okay, did go. But he

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<v Speaker 1>was like before he died, either the day or two

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<v Speaker 1>days or what I remember is the next day I

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<v Speaker 1>was in a c and Stephen called me with the

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<v Speaker 1>news and was like, we just interviewed this nigga. He

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<v Speaker 1>did not sound like he, I mean, how do you sound?

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<v Speaker 1>But we were like and I said, you realize that

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<v Speaker 1>forever moment for us, me and you, And he was like,

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<v Speaker 1>it's a fun up moment, but you're right, that will

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<v Speaker 1>go down in the books. So we might have even

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<v Speaker 1>done Rick James's final interview, and I never went back

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<v Speaker 1>to Ebro or High nighty seven and say is it

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<v Speaker 1>our cod Life goes on, People move on, you know,

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<v Speaker 1>people die every day. Yeah, to talk to James, Yeah,

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<v Speaker 1>And it was just another day on the show for us,

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<v Speaker 1>And you just never know that's impactful. What was your

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<v Speaker 1>at hot what was your first what was your favorite interview?

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<v Speaker 1>When Nas and um when when Summer Jam, when jay

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<v Speaker 1>Z did whatever he I can't remember because perfectly and

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<v Speaker 1>Angie and Flex would not let well, I guess the

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<v Speaker 1>station was told do not let Nas. Allegedly the station

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<v Speaker 1>has said don't let nods come up there bashing Jack Well.

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<v Speaker 1>The brmor was it was Mike Kaiser. Do you remember

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<v Speaker 1>Mike Cousin? You have some good No, just that I

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<v Speaker 1>reached out for a sponsorship. I was promised one and

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<v Speaker 1>I'm still waiting mine. Oh yeah, okay, all right, cool,

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<v Speaker 1>let's get to this I can continue that Kaiser had

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<v Speaker 1>a heavy hand and what that was the rumor. The

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<v Speaker 1>rumor was that Nas is gonna come out and Mike

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<v Speaker 1>Kaiser had people set up supposed to hang jay Z.

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<v Speaker 1>He supposed to hang in the middle of the wall.

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<v Speaker 1>I have no factual proof. Remember I said the rum

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<v Speaker 1>with no they was gonna hang like like I looked

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<v Speaker 1>like like a dummy, a dummy of him. So the

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<v Speaker 1>rumor has it was def jam White Kaiser was the

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<v Speaker 1>corporate that's and was great. The rumor has it was

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<v Speaker 1>he had people set up to pull the plug. So

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<v Speaker 1>if of of if Nas was to be able to

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<v Speaker 1>do that, that's the rumor. Did you hear that very moment.

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<v Speaker 1>I don't know. I did hear the rumors the nursing.

0:13:40.720 --> 0:13:43.560
<v Speaker 1>I don't know if that was even nas is play.

0:13:44.280 --> 0:13:47.120
<v Speaker 1>But what I do know is that whatever transpired that night,

0:13:48.640 --> 0:13:52.000
<v Speaker 1>Nas was insulted and no one would give him an outlet,

0:13:52.320 --> 0:13:55.040
<v Speaker 1>and he went to power. He might have, but he

0:13:55.160 --> 0:14:00.400
<v Speaker 1>came to me, Okay, I'm always the black sheet. And

0:14:00.559 --> 0:14:04.199
<v Speaker 1>so when Angie's like, no, I can't do that, and

0:14:04.320 --> 0:14:06.160
<v Speaker 1>Flex is like, oh yeah, because he just he just

0:14:06.280 --> 0:14:09.520
<v Speaker 1>Angie too. Okay, we'll continue. So that was my mote,

0:14:09.600 --> 0:14:13.560
<v Speaker 1>I think for just off top. And this was in person. Okay,

0:14:13.600 --> 0:14:16.160
<v Speaker 1>he came to let him come. He was the only

0:14:16.240 --> 0:14:18.320
<v Speaker 1>one where he was the black sheet, used the black seat.

0:14:18.360 --> 0:14:20.440
<v Speaker 1>He was basically bad. He went to another stage and

0:14:20.480 --> 0:14:23.080
<v Speaker 1>said sucked him, you know what I mean, and because

0:14:23.080 --> 0:14:26.040
<v Speaker 1>he was frustrated and come on, that's QB. I'm a story.

0:14:29.960 --> 0:14:32.080
<v Speaker 1>So so all right, so just just this is described

0:14:32.120 --> 0:14:34.760
<v Speaker 1>this interview. So he's piste off. He didn't get a

0:14:34.840 --> 0:14:37.480
<v Speaker 1>chance to perform at Summer Jack. He goes to this

0:14:37.560 --> 0:14:39.240
<v Speaker 1>other stage and he says, whatever. But now this is

0:14:39.320 --> 0:14:42.560
<v Speaker 1>his first time explaining himself to not only you, but

0:14:42.680 --> 0:14:45.360
<v Speaker 1>to try State Area and New York. So what was

0:14:45.480 --> 0:14:47.800
<v Speaker 1>his explanation why he didn't remember? I think at that

0:14:47.880 --> 0:14:50.240
<v Speaker 1>point we were he was. He wasn't shock, I wasn't shot,

0:14:50.280 --> 0:14:52.960
<v Speaker 1>and I think his mind was just spinning about what

0:14:53.200 --> 0:14:58.120
<v Speaker 1>his reaction should But you know, Nas is very very

0:14:58.160 --> 0:15:00.600
<v Speaker 1>I don't want to say, calculating, but he's a thinker.

0:15:01.080 --> 0:15:04.640
<v Speaker 1>He's not a reactive person. And as as as it

0:15:04.720 --> 0:15:08.160
<v Speaker 1>might seem like he's just reacting, he's always got the

0:15:08.240 --> 0:15:11.760
<v Speaker 1>next three steps ahead. So he's talking, but he's still

0:15:11.880 --> 0:15:16.520
<v Speaker 1>keeping it the best chess player and so no one

0:15:16.640 --> 0:15:21.040
<v Speaker 1>knew that Ether was coming. No one knew were you

0:15:21.160 --> 0:15:22.880
<v Speaker 1>were you at having seven? When did you have battle

0:15:22.920 --> 0:15:26.560
<v Speaker 1>of beats between and takeover? I was you were I was?

0:15:27.880 --> 0:15:32.800
<v Speaker 1>Can you describe that? I mean the suck sides. Everybody

0:15:32.960 --> 0:15:36.360
<v Speaker 1>was clearly made made his choice, and he was on

0:15:36.600 --> 0:15:39.320
<v Speaker 1>our side. He was on because k is my people

0:15:39.440 --> 0:15:42.200
<v Speaker 1>like me and Kay, Like when I used to not

0:15:42.320 --> 0:15:44.440
<v Speaker 1>show up for my Sunday night show, I would call

0:15:44.560 --> 0:15:46.520
<v Speaker 1>him to feel in. So I feel like me and

0:15:46.640 --> 0:15:49.840
<v Speaker 1>him we saw things alike. I mean no disrespect to

0:15:49.920 --> 0:15:52.200
<v Speaker 1>anybody at the station because I love and the door

0:15:52.400 --> 0:15:56.160
<v Speaker 1>Flex and Angie Flex started me in radio so to speak.

0:15:56.720 --> 0:16:01.000
<v Speaker 1>Um produced one of those mixtapes on my very first

0:16:01.080 --> 0:16:03.600
<v Speaker 1>album that was never released. So I have loved but

0:16:04.240 --> 0:16:06.920
<v Speaker 1>they had their loyalty and rightly so you know, I

0:16:06.960 --> 0:16:09.120
<v Speaker 1>don't know what their relationship with Jay was, but clearly

0:16:09.160 --> 0:16:13.200
<v Speaker 1>it was solid and you know, accounted for. And I

0:16:13.360 --> 0:16:16.560
<v Speaker 1>have mine for Nas because Nas. Had it not been

0:16:16.640 --> 0:16:19.000
<v Speaker 1>for Nas talking to me, I wouldn't have done this

0:16:19.040 --> 0:16:24.920
<v Speaker 1>sugar Hill. Yeah, not to mention, we used to hang like,

0:16:25.000 --> 0:16:26.360
<v Speaker 1>we used to go out there and just be on

0:16:26.400 --> 0:16:28.080
<v Speaker 1>the benches, you know what I mean when he was

0:16:28.160 --> 0:16:31.200
<v Speaker 1>in town. But even after that, when he became huge,

0:16:31.760 --> 0:16:34.560
<v Speaker 1>he never acted huge to me. He always like coming

0:16:34.600 --> 0:16:39.840
<v Speaker 1>in drones. What you're doing? Wow, this is this is great? Right? Yeah,

0:16:39.880 --> 0:16:41.640
<v Speaker 1>it's a lot. I don't even really because you don't

0:16:41.720 --> 0:16:45.960
<v Speaker 1>realize that it's history because you're just right. Yeah, and

0:16:46.120 --> 0:16:47.840
<v Speaker 1>let's not let it fly over people's head. You're talking

0:16:47.840 --> 0:16:51.720
<v Speaker 1>about Azy Sugar classic record. Yeah, thank you, that's classic,

0:16:52.120 --> 0:16:54.880
<v Speaker 1>the biggest record of my career. So um, all right,

0:16:54.920 --> 0:16:56.680
<v Speaker 1>so you would do this interview after this? Now, how

0:16:56.840 --> 0:17:00.440
<v Speaker 1>is your your co workers? Because how did it? They saw?

0:17:00.880 --> 0:17:03.640
<v Speaker 1>Let's be clear because nas is not just a regular

0:17:04.119 --> 0:17:08.359
<v Speaker 1>interview like he is. It was and that's this time

0:17:08.400 --> 0:17:11.960
<v Speaker 1>it's him a jack, So is how is it coming

0:17:11.960 --> 0:17:15.520
<v Speaker 1>to work the next day? Co workers saying MS Jones,

0:17:15.600 --> 0:17:21.160
<v Speaker 1>you ain't loyal the always. Everyone knows, I'm crazy. Everybody knows.

0:17:22.040 --> 0:17:25.160
<v Speaker 1>When Wendy and Angie had the fight, I picked Wendy side.

0:17:25.200 --> 0:17:28.119
<v Speaker 1>They really literally had to fight fish fight. Really he

0:17:30.359 --> 0:17:34.399
<v Speaker 1>but I can't pinch this win machine that used to

0:17:34.440 --> 0:17:36.720
<v Speaker 1>be outside the room. Yeah, it was right over there

0:17:37.520 --> 0:17:42.960
<v Speaker 1>before the bathroom. Yeah, to the point I was all

0:17:43.320 --> 0:17:45.200
<v Speaker 1>I was forced to take a side from the moment

0:17:45.280 --> 0:17:49.040
<v Speaker 1>I got in that building, and at that time it

0:17:49.040 --> 0:17:50.840
<v Speaker 1>sounds like some high school ship. No I mean by

0:17:50.920 --> 0:17:53.600
<v Speaker 1>that time, let me just tell you something, um and

0:17:53.720 --> 0:17:57.480
<v Speaker 1>god bless because I wanted to sound crazy, but um,

0:17:58.440 --> 0:18:01.199
<v Speaker 1>we actually needed power on because it was like, how

0:18:01.240 --> 0:18:02.760
<v Speaker 1>did they seven had I don't want to say too

0:18:02.800 --> 0:18:09.359
<v Speaker 1>much proper because they were It wasn't how did they

0:18:09.400 --> 0:18:11.199
<v Speaker 1>say it probably wouldn't be no me. So what I'm

0:18:11.240 --> 0:18:13.359
<v Speaker 1>trying to say is, but it wasn't no balance. But

0:18:13.440 --> 0:18:16.440
<v Speaker 1>what I mean is if I did something wrong or something,

0:18:16.560 --> 0:18:18.440
<v Speaker 1>I would just be bad and that was it. It

0:18:18.440 --> 0:18:21.119
<v Speaker 1>wouldn't have nothing like. So did you think at one

0:18:21.160 --> 0:18:24.320
<v Speaker 1>point that like the station was just too powerful? Because

0:18:25.000 --> 0:18:26.720
<v Speaker 1>it's really it was really the truth. At one point

0:18:26.760 --> 0:18:29.280
<v Speaker 1>it flects didn't play your record, you were dead included

0:18:29.720 --> 0:18:32.960
<v Speaker 1>you had a chance. Maybe Clue would Clue maybe, but

0:18:33.119 --> 0:18:35.160
<v Speaker 1>Clue only had the money like mixtape, it was only

0:18:35.240 --> 0:18:38.159
<v Speaker 1>one day a week. So what do you think that

0:18:38.440 --> 0:18:41.600
<v Speaker 1>it was too much power at that time? Absolutely, how

0:18:41.640 --> 0:18:46.760
<v Speaker 1>they play my ship, but the rules of the rules

0:18:46.880 --> 0:18:48.320
<v Speaker 1>you need to get out of lay down and so

0:18:50.119 --> 0:18:52.960
<v Speaker 1>not for nothing. When power of power one O five

0:18:53.040 --> 0:18:56.600
<v Speaker 1>started three weeks prior, or, like a month prior. I

0:18:56.640 --> 0:18:59.359
<v Speaker 1>had just gotten fired off A Starring Buck Wild. So

0:18:59.640 --> 0:19:02.679
<v Speaker 1>I was excited at the prospect of a Power one

0:19:02.720 --> 0:19:06.359
<v Speaker 1>on five. And I was in conversation with my former

0:19:06.400 --> 0:19:11.960
<v Speaker 1>boss from Hot who started Power, Steve Smith, and and

0:19:12.040 --> 0:19:14.320
<v Speaker 1>we were in conversation about me coming across the street

0:19:14.400 --> 0:19:17.240
<v Speaker 1>and shocking New York with yeah, she's fired from the

0:19:17.280 --> 0:19:19.920
<v Speaker 1>Starring Buck but now she's doing this over here. But

0:19:20.000 --> 0:19:23.920
<v Speaker 1>I had a noncompete contract. Oh yeah, yeah, yeah, so

0:19:23.960 --> 0:19:27.439
<v Speaker 1>I can't work in New York because it's too close

0:19:27.520 --> 0:19:30.800
<v Speaker 1>to Hot ninety seven. Power was too close, and and

0:19:30.920 --> 0:19:33.800
<v Speaker 1>so they threatened to sue they were they were looking.

0:19:33.880 --> 0:19:36.320
<v Speaker 1>Hot ninety seven was looking because they didn't like when

0:19:36.359 --> 0:19:40.240
<v Speaker 1>Power came into the market. They didn't know. Yeah, I

0:19:40.359 --> 0:19:44.800
<v Speaker 1>think there was even something about, uh not stolen, but

0:19:44.920 --> 0:19:49.720
<v Speaker 1>a hijack U r L. I think I think. Please

0:19:49.760 --> 0:19:52.800
<v Speaker 1>don't if I'm wrong. I think we might have gotten

0:19:52.840 --> 0:19:57.200
<v Speaker 1>the power Power one on five dot com. You are around,

0:19:57.680 --> 0:20:06.360
<v Speaker 1>I believe you remember, so yeah yeah, yeah, so okay, yeah, yeah, okay, wow, yeah,

0:20:06.400 --> 0:20:08.359
<v Speaker 1>this is this is this guy weird, this guy real? Okay,

0:20:09.720 --> 0:20:13.399
<v Speaker 1>all right, So I no, no, no, no, okay, So

0:20:13.440 --> 0:20:18.480
<v Speaker 1>why'd you get fired from Starting Buck? That's that's my question. Yeah,

0:20:18.720 --> 0:20:21.159
<v Speaker 1>let's get shot too. Come on, let's go, let's go,

0:20:21.320 --> 0:20:24.119
<v Speaker 1>let's go, let's go. Okay, yeah, because this is all right,

0:20:24.200 --> 0:20:26.560
<v Speaker 1>let's just be clear to people who don't know, Starring

0:20:26.640 --> 0:20:31.240
<v Speaker 1>Buck Wild was the wildest show at the time, wild wildest.

0:20:31.280 --> 0:20:33.720
<v Speaker 1>They were doing ship They did Alia Skip. We asked

0:20:33.720 --> 0:20:35.600
<v Speaker 1>about that. You ain't having to do with the La Ski, right. I.

0:20:35.800 --> 0:20:37.399
<v Speaker 1>I was there in the room, and that was the

0:20:37.480 --> 0:20:39.720
<v Speaker 1>beginning of my firing. But I didn't. I mean, I

0:20:39.800 --> 0:20:42.159
<v Speaker 1>kind of knew I had to pick a side. Right,

0:20:42.520 --> 0:20:46.440
<v Speaker 1>Let's take a shot and then we're gonna talk about that. Okay, Bottle.

0:20:51.200 --> 0:20:53.280
<v Speaker 1>So what he was saying, Okay, song Buck, how did

0:20:53.320 --> 0:20:55.280
<v Speaker 1>you get fired from Starbuck? Because that was that heavy

0:20:55.320 --> 0:21:03.439
<v Speaker 1>poor that's the Dominican pot. So Starring Buck were writing

0:21:03.560 --> 0:21:08.920
<v Speaker 1>for Source I think okay, yeah, no, wait, it was

0:21:09.720 --> 0:21:12.479
<v Speaker 1>one of them. It was some magazine. They were writers,

0:21:15.320 --> 0:21:17.760
<v Speaker 1>and then they submitted their stuff to Tracy, who was

0:21:17.800 --> 0:21:22.240
<v Speaker 1>the UM program director at the time, just to see,

0:21:22.320 --> 0:21:24.440
<v Speaker 1>you know, if she might be interested in that type

0:21:24.440 --> 0:21:27.280
<v Speaker 1>of material. Tracy Clarity, right, Basic Clareny. She was the

0:21:27.320 --> 0:21:31.320
<v Speaker 1>Boys and so ed Lover and Dr Dre the biggest

0:21:31.359 --> 0:21:34.679
<v Speaker 1>probably morning show, well until Starring Buck came, but at

0:21:34.720 --> 0:21:36.600
<v Speaker 1>that time they were the biggest. They had just left

0:21:37.000 --> 0:21:39.640
<v Speaker 1>and they were constantly hid was trying to find a replacement.

0:21:40.600 --> 0:21:42.920
<v Speaker 1>There were a lot of shows in between, so before

0:21:42.960 --> 0:21:45.119
<v Speaker 1>Starring they went to l A or some ship and

0:21:45.160 --> 0:21:49.000
<v Speaker 1>they got like a two million, but then it didn't last. Okay,

0:21:51.640 --> 0:21:55.080
<v Speaker 1>So I was on I was school. It was me

0:21:55.160 --> 0:21:58.840
<v Speaker 1>and fat Man School first, right, and then Tracy said

0:21:58.880 --> 0:22:01.400
<v Speaker 1>in one of our meetings, I have this this group

0:22:01.480 --> 0:22:03.560
<v Speaker 1>of writers, this team of writers, and they want to

0:22:03.600 --> 0:22:06.399
<v Speaker 1>write for your thing. That's how they came in this

0:22:06.560 --> 0:22:08.840
<v Speaker 1>right now, I know the play because I'm from Queens.

0:22:10.920 --> 0:22:14.760
<v Speaker 1>I didn't know that. I still don't like, Yeah, sure

0:22:14.840 --> 0:22:17.000
<v Speaker 1>you want to be a writer, you want to get

0:22:17.040 --> 0:22:19.440
<v Speaker 1>in here, but I have no power, Like I'm just

0:22:19.520 --> 0:22:22.520
<v Speaker 1>happy to have a job. So they're writing for us.

0:22:22.640 --> 0:22:26.600
<v Speaker 1>The material that he wrote probably was great material for him,

0:22:27.200 --> 0:22:28.800
<v Speaker 1>but it didn't work for me. In fat Man School,

0:22:29.000 --> 0:22:31.520
<v Speaker 1>you know, put your hands up, we're happy. We're like

0:22:32.400 --> 0:22:38.520
<v Speaker 1>who specifically fat Man people? Well, well it was really stared,

0:22:39.640 --> 0:22:43.080
<v Speaker 1>really like a slip star. Yeah, I'm gonna throw my

0:22:43.119 --> 0:22:47.800
<v Speaker 1>shoe at you. I killed that, I kill if I

0:22:47.920 --> 0:22:53.040
<v Speaker 1>just killed that. So Star was writing material for Fat

0:22:53.119 --> 0:22:56.840
<v Speaker 1>Man Scoop and I that was not on brands, That's

0:22:56.880 --> 0:22:59.680
<v Speaker 1>what I'll call it, not on brands. But he was

0:22:59.720 --> 0:23:02.080
<v Speaker 1>still you know, he was developing his relationship with Tracy

0:23:02.160 --> 0:23:04.000
<v Speaker 1>all the while me and School for just trying to

0:23:04.040 --> 0:23:07.320
<v Speaker 1>find our way and maintain something. But we kind of

0:23:07.400 --> 0:23:09.560
<v Speaker 1>sense that they weren't investing in us because they never

0:23:09.680 --> 0:23:11.760
<v Speaker 1>made the title of the show Fat Maian Scoop and

0:23:11.760 --> 0:23:13.440
<v Speaker 1>Miss Jones or the shows about the school. It was

0:23:13.440 --> 0:23:16.000
<v Speaker 1>a hot night seven morning show. These are things that

0:23:16.040 --> 0:23:18.359
<v Speaker 1>people need to pay attention to when they're working, and

0:23:18.400 --> 0:23:21.320
<v Speaker 1>they're trying to make pay attention to labeling brands if

0:23:21.320 --> 0:23:23.000
<v Speaker 1>you can pay attention to Like Joe butten, he started

0:23:23.040 --> 0:23:25.960
<v Speaker 1>his podcast, it was named named his podcast later and

0:23:26.040 --> 0:23:28.600
<v Speaker 1>now his podcast called the Joe Bloody Podcast. You could

0:23:28.640 --> 0:23:35.840
<v Speaker 1>have seen he was, He's going all all, all all

0:23:35.920 --> 0:23:37.680
<v Speaker 1>the views and the acclaim that he named it. But

0:23:37.800 --> 0:23:40.600
<v Speaker 1>so we knew they weren't invested in us. So one

0:23:40.680 --> 0:23:45.040
<v Speaker 1>day Tracy calls me in her office after the show

0:23:45.160 --> 0:23:47.200
<v Speaker 1>went off, me and Fat Maian School and she's like,

0:23:47.400 --> 0:23:51.200
<v Speaker 1>close my door. Alright, so we're making a change, staring

0:23:51.240 --> 0:23:53.080
<v Speaker 1>buck Wild. They're gonna be taking over the morning show,

0:23:53.960 --> 0:23:56.320
<v Speaker 1>and I want you to be there with them. And

0:23:56.359 --> 0:23:58.520
<v Speaker 1>I'm like, what about Scoop? She goes, Scoops going to

0:23:58.760 --> 0:24:02.240
<v Speaker 1>either overnight or mid days, but he doesn't know, and

0:24:02.320 --> 0:24:06.560
<v Speaker 1>if you tell him, you're fired, And she's like, you

0:24:06.680 --> 0:24:10.040
<v Speaker 1>have to think about yourself, Jonesy, which in hindsight now

0:24:10.960 --> 0:24:14.840
<v Speaker 1>being grown and being stung and trying to play good

0:24:15.000 --> 0:24:18.399
<v Speaker 1>and still getting sucked over. She was right. I did

0:24:18.560 --> 0:24:20.600
<v Speaker 1>need to look out for myself and not tell Scoop

0:24:20.680 --> 0:24:23.119
<v Speaker 1>to play. So literally, just me, just stop you right there.

0:24:23.320 --> 0:24:27.119
<v Speaker 1>Did you tell Scoop to play? I did not tell Scoop.

0:24:27.160 --> 0:24:34.720
<v Speaker 1>I'm sorry I never came up. But but but to

0:24:34.800 --> 0:24:40.320
<v Speaker 1>the point, Scoop knew my story and that as soon

0:24:40.400 --> 0:24:42.920
<v Speaker 1>as I came home from college, my mom died like

0:24:43.000 --> 0:24:46.720
<v Speaker 1>two weeks later. My dad died freshman year, so I

0:24:46.800 --> 0:24:48.720
<v Speaker 1>had nothing. I was literally in those streets all the

0:24:48.880 --> 0:24:50.800
<v Speaker 1>years that y'all heard me singing or mix tapes and

0:24:50.880 --> 0:24:54.520
<v Speaker 1>doing radio filling in fighting for my life. So I

0:24:54.560 --> 0:24:57.280
<v Speaker 1>think school understood. You know, I didn't have a backup plan.

0:24:57.920 --> 0:24:59.520
<v Speaker 1>I had to do what I had to do, really,

0:24:59.600 --> 0:25:01.160
<v Speaker 1>or I could have been in the streets for real

0:25:01.440 --> 0:25:04.520
<v Speaker 1>or drug dealer's girlfriend. Sometimes I wonder it might not

0:25:04.600 --> 0:25:13.760
<v Speaker 1>have been such a bad thing too, so I didn't

0:25:13.800 --> 0:25:18.560
<v Speaker 1>tell school. Next week. It's like, um, this whole big

0:25:18.680 --> 0:25:22.240
<v Speaker 1>takeover of publicity starring Buck Wild, Okay, let me ask

0:25:22.240 --> 0:25:25.280
<v Speaker 1>you something to do. What's starring at other stations prior

0:25:25.359 --> 0:25:27.560
<v Speaker 1>to that? No, they was this is their first gig.

0:25:27.720 --> 0:25:31.240
<v Speaker 1>They took over the morning they did, and with the

0:25:31.320 --> 0:25:33.800
<v Speaker 1>help of the Hot ninety seven engine. But what was

0:25:33.880 --> 0:25:35.760
<v Speaker 1>It had to be one episode that stood out? What

0:25:35.960 --> 0:25:38.359
<v Speaker 1>was the episode that stood up that that made them

0:25:38.400 --> 0:25:41.600
<v Speaker 1>say let's give them the job? No, there was no episode.

0:25:41.640 --> 0:25:47.440
<v Speaker 1>Itship she built right, you know how if you if

0:25:47.520 --> 0:25:50.000
<v Speaker 1>I get if I get into you and you feel

0:25:50.040 --> 0:25:53.200
<v Speaker 1>me as a person and you know I'm talented, the

0:25:53.320 --> 0:25:56.119
<v Speaker 1>rest is just not a sign of paperwork. We'll figure

0:25:56.160 --> 0:25:58.560
<v Speaker 1>the rest of the ship out, and why not give

0:25:58.600 --> 0:26:00.560
<v Speaker 1>a chance, you know what I mean? And I think

0:26:00.600 --> 0:26:04.359
<v Speaker 1>Tracy wanted to take Hot ninety seven maybe climax. She

0:26:04.480 --> 0:26:07.280
<v Speaker 1>knew she needed to do something different to get the

0:26:07.400 --> 0:26:10.240
<v Speaker 1>white boy listeners. No disrespect, love our white boys. But

0:26:10.359 --> 0:26:14.800
<v Speaker 1>she wanted to hit Z one hundred people because Night seven,

0:26:14.800 --> 0:26:16.439
<v Speaker 1>even though it was a pop station or chirman as

0:26:16.480 --> 0:26:19.120
<v Speaker 1>I call it, it was really hip hop in the hood.

0:26:19.680 --> 0:26:22.960
<v Speaker 1>The only way to be taken seriously and crap through

0:26:23.160 --> 0:26:29.200
<v Speaker 1>was to get some of those good listeners. And that

0:26:29.520 --> 0:26:32.680
<v Speaker 1>is what starring Buck Wilde were able to do. And

0:26:32.760 --> 0:26:35.200
<v Speaker 1>I say, now, I was the feature in MS. Jones.

0:26:35.240 --> 0:26:37.119
<v Speaker 1>I did my little straight man stuff, but it was

0:26:37.680 --> 0:26:41.640
<v Speaker 1>his content and his perspective on the content, his spin

0:26:41.760 --> 0:26:51.280
<v Speaker 1>on it. So let me, Actually, you said you didn't

0:26:51.280 --> 0:26:52.960
<v Speaker 1>have anything to do with the Liyah thing, but what

0:26:53.240 --> 0:27:00.560
<v Speaker 1>how was that atmosphere like what we described all? Jay

0:27:00.600 --> 0:27:02.360
<v Speaker 1>Z says a part of it in his round. He says,

0:27:02.359 --> 0:27:05.560
<v Speaker 1>stars mag I won't grant him an interview, but he

0:27:05.680 --> 0:27:09.200
<v Speaker 1>did do so I did something something, um so any

0:27:09.200 --> 0:27:13.960
<v Speaker 1>of you remix with Aaliyah And what happened was Starbuck

0:27:14.040 --> 0:27:17.280
<v Speaker 1>while Elia did a car crash. She died in a

0:27:17.320 --> 0:27:19.879
<v Speaker 1>plane crash, and then you know that Rocks. None of

0:27:19.960 --> 0:27:23.240
<v Speaker 1>us had ever died like that was like the first Yeah,

0:27:23.320 --> 0:27:25.720
<v Speaker 1>that was really the first peers, you know what I mean.

0:27:26.320 --> 0:27:34.120
<v Speaker 1>It was tragic and of a sudden and shot let's

0:27:35.119 --> 0:27:40.159
<v Speaker 1>but basically, um, star and did a skin. It was

0:27:40.280 --> 0:27:45.000
<v Speaker 1>more the writer, the writer in the room mentally comedy,

0:27:45.000 --> 0:27:48.399
<v Speaker 1>I'm assuming the writer in the this is this is

0:27:48.440 --> 0:27:50.720
<v Speaker 1>the definition of too soon. You know how many people

0:27:50.760 --> 0:27:54.080
<v Speaker 1>say to this is how the definition got invented. Was

0:27:54.160 --> 0:27:57.679
<v Speaker 1>everyone was like, you know, forget it. Even comedians like comedy.

0:27:57.720 --> 0:28:01.520
<v Speaker 1>Back then, I didn't believe into Yeah, well, I don't

0:28:01.520 --> 0:28:03.720
<v Speaker 1>tell he doesn't believe me. Too soon. Still to this day,

0:28:04.160 --> 0:28:08.600
<v Speaker 1>they'll they'll make a joke about another comedian while he's

0:28:08.640 --> 0:28:11.359
<v Speaker 1>going through it, like you know, Kevin Harderson great example

0:28:11.359 --> 0:28:12.760
<v Speaker 1>of that. He was going through it with his wife,

0:28:13.119 --> 0:28:15.480
<v Speaker 1>and a lot of the comedians still still gave it

0:28:15.520 --> 0:28:17.800
<v Speaker 1>to him. You know, then you have so because you

0:28:17.880 --> 0:28:20.040
<v Speaker 1>have to stay true to what it is. So I

0:28:20.119 --> 0:28:22.320
<v Speaker 1>think that was that was the meaning that too soon

0:28:22.560 --> 0:28:25.919
<v Speaker 1>for me? And so they were. I kept seeing them

0:28:26.000 --> 0:28:30.880
<v Speaker 1>running in and out. We watched you watch this drink

0:28:30.960 --> 0:28:39.360
<v Speaker 1>Chance look Ahead. There was a lot of going in

0:28:39.440 --> 0:28:41.520
<v Speaker 1>and out of the studio that morning, and I knew

0:28:41.520 --> 0:28:44.480
<v Speaker 1>they were up to something. BA hasn't Dame Das called

0:28:44.600 --> 0:28:48.600
<v Speaker 1>up That was later. That was later this morning when

0:28:48.640 --> 0:28:50.760
<v Speaker 1>the song was about to be playing. There was a

0:28:50.840 --> 0:28:53.720
<v Speaker 1>lot of in and out of the studio starting to

0:28:53.760 --> 0:28:57.080
<v Speaker 1>go out the studio that much like that, he stayed in.

0:28:57.680 --> 0:28:59.680
<v Speaker 1>He used to always stay there and Reese, who was

0:29:00.040 --> 0:29:01.800
<v Speaker 1>of our writers at the time, he would come in

0:29:02.040 --> 0:29:05.240
<v Speaker 1>with whatever he had. This morning, there was the both

0:29:05.280 --> 0:29:06.680
<v Speaker 1>of them, So I knew something was coming, but I

0:29:06.720 --> 0:29:08.800
<v Speaker 1>didn't know. But I'm not stupid, so I figured what

0:29:08.800 --> 0:29:11.120
<v Speaker 1>it would be. You don't even understand what they're about

0:29:11.120 --> 0:29:14.800
<v Speaker 1>to play. You have no idea at And how soon

0:29:15.000 --> 0:29:16.800
<v Speaker 1>was it though? This was the next day. I think

0:29:20.880 --> 0:29:26.600
<v Speaker 1>this was Monday, something like that, like she passed on Monday,

0:29:27.440 --> 0:29:29.400
<v Speaker 1>going in and out, and I'm knowing, I'm sensing, and

0:29:29.760 --> 0:29:32.320
<v Speaker 1>then I hear a little bit of and I'm like,

0:29:32.480 --> 0:29:34.560
<v Speaker 1>don't do it. I told Star, don't do this is

0:29:34.560 --> 0:29:37.840
<v Speaker 1>what he says. MS. Jones knew. I knew you was

0:29:37.960 --> 0:29:40.240
<v Speaker 1>up to something involving that, but I know the lengths

0:29:40.280 --> 0:29:42.040
<v Speaker 1>that you was gonna go nigger because you wouldn't know.

0:29:42.640 --> 0:29:45.040
<v Speaker 1>I can't be a part of that. Even if I

0:29:45.200 --> 0:29:48.240
<v Speaker 1>wanted to ride with you, I can't. I can't do it.

0:29:48.880 --> 0:29:52.640
<v Speaker 1>So the next it was like we're halfway through the show,

0:29:52.720 --> 0:29:55.479
<v Speaker 1>maybe close to the end. They play the sound effects

0:29:55.600 --> 0:30:01.400
<v Speaker 1>of a car crashing and a female voice screaming like

0:30:01.520 --> 0:30:04.560
<v Speaker 1>as if it's a shrill. It's like a shrill of

0:30:04.640 --> 0:30:10.800
<v Speaker 1>someone perishing by fire, Like do you want like, yeah, no,

0:30:11.000 --> 0:30:14.040
<v Speaker 1>that's the plane. But then did you hear that the voice?

0:30:14.240 --> 0:30:18.400
<v Speaker 1>It was like a don't remember? Okay, and so um

0:30:18.920 --> 0:30:21.440
<v Speaker 1>and so you're thinking real quick in the moment, and

0:30:21.520 --> 0:30:24.200
<v Speaker 1>the MIC's are on, what do I do? What do I?

0:30:24.480 --> 0:30:28.720
<v Speaker 1>There's like so I said, I separated myself from the situation.

0:30:28.800 --> 0:30:33.800
<v Speaker 1>I did, and so I didn't appreciate it, and the

0:30:34.000 --> 0:30:38.760
<v Speaker 1>phones got turned out, and I walked off the show

0:30:39.480 --> 0:30:41.720
<v Speaker 1>and Tracy came in. I don't think she knew quite

0:30:41.800 --> 0:30:43.880
<v Speaker 1>the impact of what was going to happen or what

0:30:44.040 --> 0:30:48.200
<v Speaker 1>was happening. But within thirty minutes, I think like sev

0:30:49.160 --> 0:30:53.400
<v Speaker 1>of the Hot ninety seven advertisers had called and pulled out.

0:30:53.600 --> 0:30:56.000
<v Speaker 1>She's on one phone and Judy is on another phone,

0:30:56.040 --> 0:30:58.960
<v Speaker 1>and they're trying to stop the bleeding, and and and

0:31:00.440 --> 0:31:04.320
<v Speaker 1>and so Tracy called me in her office at some

0:31:04.480 --> 0:31:07.680
<v Speaker 1>point and like broke me down, and I was like,

0:31:07.840 --> 0:31:09.880
<v Speaker 1>you know, I don't care what happens. You don't leave

0:31:09.920 --> 0:31:12.400
<v Speaker 1>your co host and you don't walk off the show.

0:31:14.040 --> 0:31:25.520
<v Speaker 1>I'm crying. Thank you for anticipating um so um so.

0:31:25.600 --> 0:31:27.680
<v Speaker 1>It was like mixed emotions because first she was telling

0:31:27.720 --> 0:31:31.600
<v Speaker 1>me you're fucked up basically, not those exact words, for

0:31:31.760 --> 0:31:34.920
<v Speaker 1>leaving Stars and letting him take all the heat. But

0:31:35.000 --> 0:31:37.160
<v Speaker 1>I'm like, bit, I didn't even think that. That wasn't

0:31:37.200 --> 0:31:40.080
<v Speaker 1>my that wasn't one of my skates. But I got it.

0:31:40.200 --> 0:31:43.600
<v Speaker 1>And so again here's Shawnzy going against the grain of

0:31:43.680 --> 0:31:47.760
<v Speaker 1>hot ninety seven. Three hours later, after I'm home, she

0:31:47.960 --> 0:31:53.120
<v Speaker 1>calls and goes, I'm suspending Star. The people want you.

0:31:54.520 --> 0:31:58.000
<v Speaker 1>I need you to fill in and like, help clean

0:31:58.080 --> 0:32:00.920
<v Speaker 1>this up, make this go away. Let me Actually, that's

0:32:00.920 --> 0:32:05.080
<v Speaker 1>another example of actually, now when you come in that day,

0:32:05.200 --> 0:32:07.720
<v Speaker 1>when you fill in, do you apologize on his behalf?

0:32:07.800 --> 0:32:10.840
<v Speaker 1>I did not. They did not want me to read

0:32:10.960 --> 0:32:13.440
<v Speaker 1>to even talk about. Right, was this the stupidest thing

0:32:13.600 --> 0:32:18.320
<v Speaker 1>everyone's mind. Everybody's waiting and having the person to get

0:32:18.360 --> 0:32:20.000
<v Speaker 1>to the moon. They want to see, what the hell

0:32:20.040 --> 0:32:23.800
<v Speaker 1>your first words is exactly? But we're trained puppies that

0:32:23.920 --> 0:32:29.200
<v Speaker 1>whenever catastrophe happened tsunami, you're told to not listen. Now

0:32:29.960 --> 0:32:33.720
<v Speaker 1>tsami after that, big up dj N because dj MB

0:32:33.800 --> 0:32:36.280
<v Speaker 1>had to let the people know that that Jonesy was

0:32:36.360 --> 0:32:39.680
<v Speaker 1>not in the building. It was not. This is two

0:32:39.720 --> 0:32:42.880
<v Speaker 1>controversy situations. There's a lot listen to and there's something

0:32:42.960 --> 0:32:50.040
<v Speaker 1>that you don't even know that fool kings in the building,

0:32:50.120 --> 0:32:54.080
<v Speaker 1>go do it um. And so at that point I

0:32:54.240 --> 0:32:56.560
<v Speaker 1>come in and I start doing the show, and I'm

0:32:56.600 --> 0:32:58.880
<v Speaker 1>trying to, you know, just do the show, and I

0:32:58.960 --> 0:33:01.239
<v Speaker 1>can't talk about anything because they're trying to work out

0:33:01.280 --> 0:33:07.800
<v Speaker 1>getting the advertisers back and stuff. Two airplanes decide to

0:33:07.960 --> 0:33:15.400
<v Speaker 1>fly into twins towers. Now the pressure is intent to

0:33:15.560 --> 0:33:17.120
<v Speaker 1>night seven. Don't know what to do about start They

0:33:17.160 --> 0:33:19.640
<v Speaker 1>don't know where the direction that they need to take

0:33:19.960 --> 0:33:22.960
<v Speaker 1>to stop the bleeding and make this go away. The

0:33:23.040 --> 0:33:29.680
<v Speaker 1>two planes took that ship away because when eleven happened. Sorry, Leah,

0:33:30.160 --> 0:33:35.040
<v Speaker 1>this is the leading story. Yeah, it's like erased everything.

0:33:35.120 --> 0:33:39.760
<v Speaker 1>It's like start off. So be it not for I

0:33:39.840 --> 0:33:42.160
<v Speaker 1>don't even know, like be it not for nine eleven?

0:33:43.680 --> 0:33:47.400
<v Speaker 1>Start might there might have been a different outcome right now,

0:33:47.520 --> 0:33:49.440
<v Speaker 1>still not be so Startom had nothing to do with that.

0:33:49.640 --> 0:33:52.680
<v Speaker 1>Oh no, that was all It's not me, but it

0:33:52.800 --> 0:33:55.800
<v Speaker 1>was my it was my on my watch. Yeah, that

0:33:55.880 --> 0:34:03.600
<v Speaker 1>was years later, and and and and so here's the thing. Yeah,

0:34:04.680 --> 0:34:09.800
<v Speaker 1>nine eleven happened. We we we everybody, the America shifts gears.

0:34:10.200 --> 0:34:13.560
<v Speaker 1>The focus is no longer, no longer racist, right exactly,

0:34:18.040 --> 0:34:21.479
<v Speaker 1>although they've forgotten about this gorgeous, smart, intelligent black girl

0:34:21.760 --> 0:34:24.880
<v Speaker 1>that died in a plane crash that just got tossed away.

0:34:25.640 --> 0:34:28.719
<v Speaker 1>Now we're all one, come out and help, you know.

0:34:29.360 --> 0:34:32.960
<v Speaker 1>And so you know when that happened, Start got an

0:34:32.960 --> 0:34:35.400
<v Speaker 1>opportunity to be responsible and do the right thing. He got,

0:34:35.520 --> 0:34:37.560
<v Speaker 1>he got like a second chance. But here's what's funny

0:34:37.560 --> 0:34:39.920
<v Speaker 1>about that, because didn't jay Z drop an album on

0:34:40.160 --> 0:34:44.239
<v Speaker 1>nine eleven as well? Did he? Yeah? Yeah, on that

0:34:44.600 --> 0:34:47.719
<v Speaker 1>on that one album was it Blueprint on that day

0:34:48.360 --> 0:34:50.560
<v Speaker 1>of nine eleven, So you would think it would like

0:34:51.320 --> 0:34:53.880
<v Speaker 1>even it out offset, Yeah, off set it to a

0:34:53.880 --> 0:34:56.640
<v Speaker 1>little I'm asking, I'm just I wasn't even a wall.

0:34:56.800 --> 0:35:00.279
<v Speaker 1>Anything's gonna offset nine eleven. Offset, you know, like the

0:35:00.480 --> 0:35:03.800
<v Speaker 1>bounce of of of Aaliyah's disrespect because once again it

0:35:03.880 --> 0:35:07.120
<v Speaker 1>was disrespectful to a dead person like that album had

0:35:07.200 --> 0:35:11.680
<v Speaker 1>to already be in the right. You have two years.

0:35:14.840 --> 0:35:17.960
<v Speaker 1>You couldn't go back in a change the line, PolyGram

0:35:18.080 --> 0:35:20.520
<v Speaker 1>or Polly Door or whoever, it is, that's printing. So

0:35:20.680 --> 0:35:23.640
<v Speaker 1>that was that honestly, was just probably the stars lining up.

0:35:23.719 --> 0:35:27.799
<v Speaker 1>So let me bouncing around. Did Jay and Dame ever

0:35:27.880 --> 0:35:31.279
<v Speaker 1>take that person with you when the lah? Never? I

0:35:31.360 --> 0:35:35.279
<v Speaker 1>mean so they were my after that, they were my champions.

0:35:35.440 --> 0:35:39.160
<v Speaker 1>They're like Dame showed up to my birthday party? Are line? Yeah,

0:35:39.200 --> 0:35:41.759
<v Speaker 1>I was on the good side and he they've they've

0:35:41.760 --> 0:35:44.239
<v Speaker 1>always they put me in their movies. That of a

0:35:44.360 --> 0:35:50.399
<v Speaker 1>Dynasty for Soldiers, thank you st right, Yeah, we're Kevin

0:35:50.440 --> 0:35:53.040
<v Speaker 1>Hart before Kevin Hart was like really really so you know?

0:35:53.640 --> 0:35:57.560
<v Speaker 1>And so I didn't Sometimes should be happening so fast,

0:35:57.640 --> 0:36:01.840
<v Speaker 1>you don't know the right thing to And I just

0:36:02.160 --> 0:36:04.759
<v Speaker 1>did what I knew. I couldn't be a part of

0:36:04.880 --> 0:36:06.600
<v Speaker 1>I knew what that outcome would look like if I

0:36:06.640 --> 0:36:11.080
<v Speaker 1>had stayed in that chair. So I bounced. I abandoned things.

0:36:11.160 --> 0:36:14.600
<v Speaker 1>I have abandonment issues, so I leave when I don't.

0:36:16.000 --> 0:36:17.719
<v Speaker 1>Let's give on another shot. Didn't want to about when

0:36:17.800 --> 0:36:23.600
<v Speaker 1>do you win to try to kill you? Okay, you

0:36:23.760 --> 0:36:27.960
<v Speaker 1>gotta finish it, so now you can keep playing. You're

0:36:28.160 --> 0:36:32.560
<v Speaker 1>saying something. I have some friends from um, you know

0:36:32.680 --> 0:36:36.440
<v Speaker 1>Queen's flip. Yes that I work with that came down here,

0:36:36.560 --> 0:36:43.080
<v Speaker 1>but I want to shout out absolutely, yeah, no problem good.

0:36:45.680 --> 0:36:49.200
<v Speaker 1>This is DJ G Money. He does the Queen's flip

0:36:50.160 --> 0:36:54.200
<v Speaker 1>me on his back to bring me back this whole time.

0:36:54.239 --> 0:36:57.279
<v Speaker 1>Come on five, we're gonna bring you in at the end,

0:36:57.280 --> 0:36:58.719
<v Speaker 1>but we're gonna give us, give us five now, come on,

0:36:58.800 --> 0:37:06.839
<v Speaker 1>come on, come on one bro. Yeah, man down here,

0:37:08.040 --> 0:37:10.800
<v Speaker 1>this family his family. I just have to show some

0:37:10.920 --> 0:37:15.560
<v Speaker 1>part family. Yeah, you're gonna bring you in that there. Yeah, yeah,

0:37:15.560 --> 0:37:17.120
<v Speaker 1>that's like. I like this. I like this. I'm like,

0:37:17.200 --> 0:37:19.680
<v Speaker 1>what were you talking about, tsunamy. You want to know

0:37:19.760 --> 0:37:22.080
<v Speaker 1>what you're talking about? So I heard something about this

0:37:22.440 --> 0:37:24.120
<v Speaker 1>and that's when you we're gonna talk about when you

0:37:24.120 --> 0:37:31.440
<v Speaker 1>win trying to get a killer. Okay, So there's another

0:37:31.520 --> 0:37:35.479
<v Speaker 1>parody song situation. Yes, what's with morning shows and parody songs.

0:37:35.560 --> 0:37:38.879
<v Speaker 1>It's a big deal and radio sometimes they've been doing

0:37:38.960 --> 0:37:42.439
<v Speaker 1>that right right, So remember now we're trying to get

0:37:42.560 --> 0:37:45.000
<v Speaker 1>that Z one hundred. So that's what it is, trying

0:37:45.000 --> 0:37:46.960
<v Speaker 1>to compete with that and get that audience. So she

0:37:47.360 --> 0:37:50.160
<v Speaker 1>still do these songs parodies to these days if you

0:37:50.239 --> 0:37:52.120
<v Speaker 1>look at right. But I mean we're talking about like

0:37:52.239 --> 0:37:54.160
<v Speaker 1>stuff just like you know everyone is pleasing to her

0:37:54.160 --> 0:37:57.520
<v Speaker 1>wreck right now. Everybody don't want to fit nobody right now.

0:37:57.719 --> 0:37:59.880
<v Speaker 1>It's called flip in a minute, you know, right, So

0:38:00.080 --> 0:38:03.520
<v Speaker 1>go back to Ratchet, your mother, your father, kids, and

0:38:03.680 --> 0:38:08.960
<v Speaker 1>going back to Tai. What happens to described to people,

0:38:09.200 --> 0:38:12.239
<v Speaker 1>this was like the world's worst tsunami that at least

0:38:12.280 --> 0:38:15.520
<v Speaker 1>we picked you mad. People died, people died. So this

0:38:15.600 --> 0:38:18.320
<v Speaker 1>song comes out, and what is the song? Do you

0:38:18.360 --> 0:38:22.799
<v Speaker 1>remember how the song? At this point, so Starr had

0:38:22.880 --> 0:38:26.800
<v Speaker 1>fired me, I'm in Philly. I'm doing great in Philly.

0:38:26.840 --> 0:38:28.719
<v Speaker 1>Big shout out to Philly health. When you shall Star

0:38:28.840 --> 0:38:32.759
<v Speaker 1>fired you now Star? No, no, no, it was Star okay,

0:38:33.280 --> 0:38:40.120
<v Speaker 1>So after you do know it was the least it

0:38:40.239 --> 0:38:43.440
<v Speaker 1>was so so after that he rebounded. Ratings went back

0:38:43.480 --> 0:38:46.239
<v Speaker 1>up after not allowed how much time is this now? What?

0:38:46.480 --> 0:38:48.480
<v Speaker 1>I don't know what year the leads it was. It

0:38:48.680 --> 0:38:51.760
<v Speaker 1>was close enough that you knew he was still salty

0:38:51.800 --> 0:38:53.799
<v Speaker 1>about me abandoning him on the show. So he knew

0:38:53.800 --> 0:38:55.400
<v Speaker 1>when he came back he was gonna fire you evention

0:38:55.600 --> 0:38:58.759
<v Speaker 1>probably And then when he fired before he fired me,

0:38:59.080 --> 0:39:01.240
<v Speaker 1>Tracy had already come to me with a new contract.

0:39:01.680 --> 0:39:03.640
<v Speaker 1>We had already agreed to on the amount. I was good,

0:39:03.880 --> 0:39:06.960
<v Speaker 1>but under that show or yeah under that show, No,

0:39:07.120 --> 0:39:09.520
<v Speaker 1>under that show. And she knew I had just bought

0:39:09.560 --> 0:39:11.520
<v Speaker 1>a new apartment. I had just gotten. I bought a

0:39:11.560 --> 0:39:15.760
<v Speaker 1>new apartment on one sixteenth at Lennox. That apartment building

0:39:15.760 --> 0:39:18.440
<v Speaker 1>it called I think it's a Renaissance, no the whatever

0:39:18.480 --> 0:39:20.279
<v Speaker 1>it is just on the Corta Lenox and won sixth team.

0:39:20.520 --> 0:39:22.719
<v Speaker 1>I had just gotten it, and I was so excited.

0:39:23.239 --> 0:39:26.080
<v Speaker 1>She knew this ain't the time to be firing a nigga,

0:39:26.719 --> 0:39:31.319
<v Speaker 1>but Star I renegotiated and maybe part of the new

0:39:31.480 --> 0:39:33.800
<v Speaker 1>terms where that he got to decide who would be

0:39:33.880 --> 0:39:36.480
<v Speaker 1>on his show, because going in, she put me on

0:39:36.560 --> 0:39:40.200
<v Speaker 1>the show because she knew starring buck Wild needed someone familiar,

0:39:40.280 --> 0:39:43.759
<v Speaker 1>that had been there, someone that could actually read and

0:39:44.000 --> 0:39:47.440
<v Speaker 1>articulate and has a relationship with artists. Those the background

0:39:47.480 --> 0:39:50.560
<v Speaker 1>of the artist starring buck Wild were anti artists. For

0:39:50.640 --> 0:39:52.719
<v Speaker 1>those of you that don't know, they didn't know. They

0:39:52.800 --> 0:39:55.000
<v Speaker 1>might have known a lot, but the artist didn't necessarily

0:39:55.040 --> 0:39:57.719
<v Speaker 1>funk with that. The good thing about Jonesie is that

0:39:58.080 --> 0:40:04.800
<v Speaker 1>everybody loves Jonesie to make some molay to that. So

0:40:05.160 --> 0:40:10.160
<v Speaker 1>I was there. I served the purpose after that Aliat thing.

0:40:11.120 --> 0:40:14.000
<v Speaker 1>My purpose didn't much matter because he rebounded and then

0:40:14.080 --> 0:40:16.560
<v Speaker 1>renegotiated with him, and then she said started on once,

0:40:16.600 --> 0:40:20.600
<v Speaker 1>you wouldn't show anymore. I said, you're my boys. I'm

0:40:20.640 --> 0:40:23.359
<v Speaker 1>not working for Star. She's like, yeah, well, but meet

0:40:23.400 --> 0:40:26.359
<v Speaker 1>with him, talk to him, you know, just make him think.

0:40:26.440 --> 0:40:28.319
<v Speaker 1>Do whatever you have to do. It is what she said,

0:40:28.320 --> 0:40:30.600
<v Speaker 1>do whatever you have to do to remain a part

0:40:30.680 --> 0:40:34.160
<v Speaker 1>of that show. I was in Atlantic City the next weekend.

0:40:34.200 --> 0:40:36.640
<v Speaker 1>I came home early. Me and my girlfriend Shire recent

0:40:36.760 --> 0:40:38.799
<v Speaker 1>changing faces. Do you mind if I stroke you are

0:40:39.800 --> 0:40:41.520
<v Speaker 1>so we're not in Atlantic say, I'm like, bitch, we

0:40:41.560 --> 0:40:43.480
<v Speaker 1>gotta go home because I gotta kiss up the Star.

0:40:44.239 --> 0:40:46.680
<v Speaker 1>I pulled up to his building. He comes out. He's like, yeah,

0:40:47.280 --> 0:40:49.319
<v Speaker 1>it's not me, it's the other guys on the show.

0:40:49.440 --> 0:40:53.399
<v Speaker 1>They don't think that you're loyal. They don't want you around. Yeah.

0:40:54.000 --> 0:40:56.920
<v Speaker 1>So basically, he doesn't give me my job back, and

0:40:57.400 --> 0:41:00.680
<v Speaker 1>I'm like jobless with this new apartment and arleum, and

0:41:00.680 --> 0:41:04.280
<v Speaker 1>I don't know what I'm going to do. Wendy gets worried.

0:41:04.320 --> 0:41:06.359
<v Speaker 1>Everyone got worried. The Stop is gonna fire me Before

0:41:06.400 --> 0:41:11.400
<v Speaker 1>I did, Wendy calls now at that point, Kevin her

0:41:11.520 --> 0:41:15.360
<v Speaker 1>husband or her ex husband now it was called the Shots.

0:41:15.520 --> 0:41:18.240
<v Speaker 1>He did not want me and Wendy to remain friends

0:41:18.880 --> 0:41:21.359
<v Speaker 1>because he always thought I was a threat. So she's

0:41:21.400 --> 0:41:25.319
<v Speaker 1>whispering on the phone, Jumps, I know you just got

0:41:25.480 --> 0:41:28.600
<v Speaker 1>let go, and I know you need a job. Call

0:41:28.719 --> 0:41:31.160
<v Speaker 1>this person and that person in Philly. Tell them that

0:41:31.239 --> 0:41:35.279
<v Speaker 1>Wendy told you to call. And I wound up. Yeah,

0:41:36.239 --> 0:41:38.160
<v Speaker 1>so that's why I say, despite them trying to have

0:41:38.280 --> 0:41:45.160
<v Speaker 1>me murdered, I can't be but so mad because but

0:41:45.800 --> 0:41:49.920
<v Speaker 1>so that's what before. So Leanna get back to the

0:41:49.960 --> 0:41:58.640
<v Speaker 1>mid Okay to the murder A lot of ship because

0:41:59.560 --> 0:42:03.279
<v Speaker 1>songs like murder, I said, soul. It was like what

0:42:03.880 --> 0:42:06.120
<v Speaker 1>a lot of people are experienced right now. There's an

0:42:06.160 --> 0:42:09.320
<v Speaker 1>a hate bill that went around and so Tracey. So

0:42:10.120 --> 0:42:14.480
<v Speaker 1>so it's kind of out of order. So Wendy did that.

0:42:15.239 --> 0:42:19.120
<v Speaker 1>I went to Philly. I'm in Philly. Rocket Star is

0:42:19.280 --> 0:42:23.120
<v Speaker 1>calling my phone, harassing me on my voicemail. Yeah, you

0:42:23.239 --> 0:42:25.320
<v Speaker 1>think you're doing something down in Philly, but I'm about

0:42:25.320 --> 0:42:27.719
<v Speaker 1>to come for you. They're about to have me syndicated

0:42:27.760 --> 0:42:29.360
<v Speaker 1>in Philly, and I'm gonna take you down. He's on

0:42:29.400 --> 0:42:31.600
<v Speaker 1>my voice boil saying these things. Yeah, that's how people

0:42:31.719 --> 0:42:40.319
<v Speaker 1>was back and a basic yourself to jail back then.

0:42:40.719 --> 0:42:44.799
<v Speaker 1>So eventually I do wind up coming back to New York.

0:42:44.960 --> 0:42:47.600
<v Speaker 1>And when I come back to New York, Tracy again,

0:42:48.080 --> 0:42:52.239
<v Speaker 1>she's hired. Do you remember Opi and Anthony. She hired

0:42:52.280 --> 0:42:56.200
<v Speaker 1>their producer, Rick Delgado. So if you know Opie and Anthony,

0:42:56.480 --> 0:42:58.640
<v Speaker 1>you know that star Buck wall ain't got shipped on

0:42:58.719 --> 0:43:02.320
<v Speaker 1>the antics that those two they had, for example, a

0:43:02.440 --> 0:43:04.640
<v Speaker 1>couple having sex, and I think it was the same

0:43:04.840 --> 0:43:07.920
<v Speaker 1>somebody who yeah, one of the cathedrals. I don't even

0:43:07.920 --> 0:43:11.560
<v Speaker 1>know the name of the continue, but yeah, he's so bad,

0:43:12.640 --> 0:43:16.080
<v Speaker 1>and so she hired so bad and so he was.

0:43:16.440 --> 0:43:20.359
<v Speaker 1>Now my come back to New York, Jones is coming back.

0:43:20.600 --> 0:43:22.560
<v Speaker 1>I've never met this man. She hired him to be

0:43:22.640 --> 0:43:27.640
<v Speaker 1>my producer. Now, I am nine months pregnant with Jalen.

0:43:27.680 --> 0:43:35.320
<v Speaker 1>Big shout out to Jaylen my son. Okay, okay, And

0:43:36.400 --> 0:43:39.759
<v Speaker 1>I'm pregnant and so I'm grateful to have a job.

0:43:40.480 --> 0:43:45.960
<v Speaker 1>And um so I'm home because I had just had him.

0:43:45.960 --> 0:43:50.520
<v Speaker 1>In December, tsunami happened, if we call a tsunami. Sorry me,

0:43:50.760 --> 0:43:57.080
<v Speaker 1>Envy and those of and like January February, I was

0:43:57.280 --> 0:44:02.400
<v Speaker 1>home nursing him. But what Hot nineties seven did to

0:44:02.480 --> 0:44:05.200
<v Speaker 1>accommodate me at that time because they wanted me really

0:44:05.239 --> 0:44:07.759
<v Speaker 1>bad to come back because now starts across the street

0:44:07.760 --> 0:44:09.120
<v Speaker 1>at Power one on five and what's it called the

0:44:09.200 --> 0:44:11.600
<v Speaker 1>MS Jones Show or Jones Spirit? It was called MS

0:44:11.640 --> 0:44:15.239
<v Speaker 1>Jones Miss Jones in the Morning. Yeah, So when I

0:44:15.400 --> 0:44:17.600
<v Speaker 1>told them that I needed, I'll do your show, but

0:44:17.680 --> 0:44:19.600
<v Speaker 1>I can't be coming all the way like come on.

0:44:20.160 --> 0:44:25.279
<v Speaker 1>Like they set up what was now Zoom ten years

0:44:25.320 --> 0:44:28.600
<v Speaker 1>ahead of time. They paid like ten tho dollars a

0:44:28.680 --> 0:44:33.760
<v Speaker 1>month for me to have a TV at home where

0:44:33.760 --> 0:44:36.919
<v Speaker 1>I could nurse Jalen and I could see DJ Envy

0:44:37.600 --> 0:44:42.359
<v Speaker 1>Miss Info. Yeah, this is before the technology was even

0:44:42.480 --> 0:44:48.239
<v Speaker 1>like accessible to people. And so Rick Delgado came up

0:44:48.280 --> 0:44:52.480
<v Speaker 1>with this tsunami song thing, and so he's like through

0:44:52.560 --> 0:44:55.680
<v Speaker 1>the TV, he's telling me, I came up with this idea.

0:44:55.719 --> 0:44:59.080
<v Speaker 1>I'm gonna play it whatever whatever. He plays it. And

0:44:59.160 --> 0:45:01.160
<v Speaker 1>this is sad to say, how asleep at the wheel

0:45:01.200 --> 0:45:03.920
<v Speaker 1>people be, but he played it in the six o'clock

0:45:03.960 --> 0:45:07.560
<v Speaker 1>hour six o'clock make doesn't really give a fuck because

0:45:07.560 --> 0:45:10.240
<v Speaker 1>they're either getting off work or still sleepy and getting

0:45:10.280 --> 0:45:22.279
<v Speaker 1>to work ahead. And so Dr Jeff, who you know

0:45:22.520 --> 0:45:24.440
<v Speaker 1>from Love and Hip Hop, but he was on my

0:45:24.520 --> 0:45:27.200
<v Speaker 1>show first. He came in at eight o'clock. Yeah, he

0:45:27.320 --> 0:45:29.759
<v Speaker 1>came in at eight o'clock every whatever morning that was.

0:45:30.600 --> 0:45:33.160
<v Speaker 1>And we're talking about the tsunami song because this info

0:45:33.360 --> 0:45:35.120
<v Speaker 1>was like she was like, I shouldn't have done that.

0:45:35.640 --> 0:45:38.040
<v Speaker 1>I'm telling y'all. She really was the adult in the room.

0:45:38.840 --> 0:45:42.080
<v Speaker 1>And so we're like, alright, but whatever, and I'm not there.

0:45:42.120 --> 0:45:44.200
<v Speaker 1>I'm seeing through a TV and I'm like, the show

0:45:44.280 --> 0:45:46.200
<v Speaker 1>gotta keep going. They did it, but we gotta keep going.

0:45:46.600 --> 0:45:48.479
<v Speaker 1>Dr Jeff comes in and goes, what are y'all talking about?

0:45:49.239 --> 0:45:53.560
<v Speaker 1>Can I hear the song? We played the song in

0:45:53.640 --> 0:45:56.440
<v Speaker 1>the eight o'clock hour, which we find out later on

0:45:56.640 --> 0:46:01.040
<v Speaker 1>is the most listen to hour, So him asking, what

0:46:01.120 --> 0:46:02.480
<v Speaker 1>are you talking about? Let me hear it is? This

0:46:02.600 --> 0:46:07.239
<v Speaker 1>is on the air. Oh yeah, so Rick plays that motherfucker.

0:46:08.400 --> 0:46:11.720
<v Speaker 1>And when I tell you they come to salespeople come running.

0:46:11.960 --> 0:46:13.880
<v Speaker 1>I'm watching through the TV and I'm saying, I'm like,

0:46:13.960 --> 0:46:17.280
<v Speaker 1>what's going on? And I'm home but I'm still present.

0:46:20.800 --> 0:46:24.600
<v Speaker 1>It's like, I know it's going down like it was

0:46:24.640 --> 0:46:27.320
<v Speaker 1>different because I couldn't be there physically to manage it.

0:46:27.680 --> 0:46:30.840
<v Speaker 1>I'm home now, I'm a mom, I'm soft and pink.

0:46:31.160 --> 0:46:34.000
<v Speaker 1>I'm not with the ships. But I got with a

0:46:34.040 --> 0:46:37.080
<v Speaker 1>real quick because the boss then was Barry Mayo. Tracy

0:46:37.200 --> 0:46:40.240
<v Speaker 1>is now gone, Barry Mayo brought me back. He drives

0:46:40.520 --> 0:46:42.960
<v Speaker 1>from New York all the way to will and borrow

0:46:43.120 --> 0:46:46.839
<v Speaker 1>big shout out to your partner, Capone, Yeah, exactly, hang

0:46:46.880 --> 0:46:51.880
<v Speaker 1>out a little and he says, we got a problem.

0:46:52.640 --> 0:46:56.479
<v Speaker 1>So I'm like, what's going on? He's like, the world

0:46:56.600 --> 0:46:58.400
<v Speaker 1>is mad and they want your head on the platter.

0:46:59.800 --> 0:47:03.520
<v Speaker 1>And I'm like, why my head? Well, you played the song, bitch,

0:47:03.600 --> 0:47:07.040
<v Speaker 1>I'm here. How am I playing the song? So what

0:47:07.200 --> 0:47:11.279
<v Speaker 1>the play was? I believe he was in trouble because

0:47:11.320 --> 0:47:15.759
<v Speaker 1>now he is cooperate. Who approved that he's the he's

0:47:15.760 --> 0:47:20.680
<v Speaker 1>the GM okay okay, right? And and earlier that morning

0:47:20.760 --> 0:47:23.439
<v Speaker 1>came out later on big shout out to DJ Envy

0:47:23.520 --> 0:47:26.719
<v Speaker 1>and research that he came into the studio after it

0:47:26.960 --> 0:47:30.040
<v Speaker 1>was played and was like, y'all, it's sick motherfucker's but

0:47:30.080 --> 0:47:35.720
<v Speaker 1>that was funny as how Allegedly, but Tsunami didn't go away.

0:47:36.160 --> 0:47:38.280
<v Speaker 1>It didn't go over well and it did not go away.

0:47:38.600 --> 0:47:42.120
<v Speaker 1>And so that was the a community at first, or

0:47:42.239 --> 0:47:44.719
<v Speaker 1>this was just anybody who was just at first it

0:47:44.840 --> 0:47:49.200
<v Speaker 1>was everybody. Everybody was it was too sensitive, it was

0:47:49.480 --> 0:47:54.920
<v Speaker 1>very it was wildly offensive, it was distasteful, it was shameful,

0:47:55.520 --> 0:47:57.480
<v Speaker 1>and it was just not where we needed to be.

0:47:57.880 --> 0:48:00.520
<v Speaker 1>There was no need, like there's a ship we could

0:48:00.520 --> 0:48:03.080
<v Speaker 1>have found that was funny. But again you're dealing with

0:48:03.200 --> 0:48:07.960
<v Speaker 1>Opi and Anthony's producer. This is what they do, said

0:48:08.520 --> 0:48:20.120
<v Speaker 1>Anthony opening Anthony's producer Rick Delgado, op Opie Opie Opie

0:48:20.160 --> 0:48:22.880
<v Speaker 1>and Anthony's producer, Rick Delgado. This is right up the

0:48:22.960 --> 0:48:25.040
<v Speaker 1>lane of the ship that they that they did. So

0:48:25.239 --> 0:48:27.800
<v Speaker 1>he knew he was hired to get with the ships.

0:48:30.440 --> 0:48:33.640
<v Speaker 1>So now everyone's blaming me because now the phones are

0:48:33.719 --> 0:48:39.319
<v Speaker 1>ringing of the average McDonald said, by and now I'm

0:48:39.360 --> 0:48:42.560
<v Speaker 1>going to power. See before they didn't have another station

0:48:42.640 --> 0:48:48.640
<v Speaker 1>to go to when Aaliyah happened. Power wasn't it wasn't

0:48:48.640 --> 0:48:52.920
<v Speaker 1>even invent uh what's the word, right, It wasn't created then.

0:48:53.200 --> 0:48:55.080
<v Speaker 1>So it's like, al right, take your money, by bitch,

0:48:55.120 --> 0:48:59.680
<v Speaker 1>where you're gonna put it now? There's another street and

0:49:00.160 --> 0:49:05.160
<v Speaker 1>guess what, they're open. They're willing to give you right

0:49:05.360 --> 0:49:07.719
<v Speaker 1>and they just ate that ship up and stars on

0:49:07.800 --> 0:49:12.480
<v Speaker 1>the radio going, oh, those tsunami and sensitive bastards down

0:49:12.560 --> 0:49:15.200
<v Speaker 1>the block, bring your money here. Your money is good

0:49:15.280 --> 0:49:20.120
<v Speaker 1>with us. Will never insult your community. He was not

0:49:20.160 --> 0:49:24.640
<v Speaker 1>apartment No, he was at power then. So he's highlighting it.

0:49:24.719 --> 0:49:27.120
<v Speaker 1>He's like, remember remember what they said about you guys.

0:49:27.200 --> 0:49:31.960
<v Speaker 1>Like he's just twisting, twisting, twisting it. And so now

0:49:33.440 --> 0:49:35.680
<v Speaker 1>corporate at Hot on the seven has to make a decision.

0:49:36.320 --> 0:49:39.319
<v Speaker 1>Now I'm newly back. I just came back like three

0:49:39.400 --> 0:49:43.840
<v Speaker 1>months prior. And so they sent the lawyer. This is

0:49:43.920 --> 0:49:47.040
<v Speaker 1>what happens, boys and girls, when when you've gone too

0:49:47.120 --> 0:49:50.520
<v Speaker 1>far at your job. They got the white boys, the lawyers.

0:49:50.719 --> 0:49:55.520
<v Speaker 1>They came in overnight and they met secretly with everybody

0:49:55.640 --> 0:50:01.080
<v Speaker 1>on my show individually by themselves to get the story

0:50:01.280 --> 0:50:06.239
<v Speaker 1>of what the funk happened. So me, this info is

0:50:06.239 --> 0:50:08.319
<v Speaker 1>piste off. Like no one's talking to her because we're like, oh,

0:50:08.440 --> 0:50:11.240
<v Speaker 1>fuck you, you're probably the one that told the agents

0:50:11.320 --> 0:50:16.040
<v Speaker 1>to come and boycott us, envy and research her name,

0:50:16.040 --> 0:50:17.920
<v Speaker 1>miss Tag. But she was like, I call her research

0:50:17.920 --> 0:50:21.480
<v Speaker 1>because he was like, our full research department, um are

0:50:21.520 --> 0:50:25.879
<v Speaker 1>being interviewed. And the story was that miss Jones sung

0:50:26.000 --> 0:50:31.080
<v Speaker 1>on the song and because it's her show, she's responsible

0:50:31.120 --> 0:50:34.520
<v Speaker 1>for this. So when the lawyers spoke to Envy and

0:50:34.880 --> 0:50:38.560
<v Speaker 1>and Research, they said, so they're asking the questions and

0:50:38.600 --> 0:50:40.160
<v Speaker 1>they're like, yeah, Rick did the song. They're like, well,

0:50:40.160 --> 0:50:43.120
<v Speaker 1>who's singing on the song because it says Rashwan this

0:50:43.239 --> 0:50:46.640
<v Speaker 1>DJ Envy Tasha and we know that's miss Jones and

0:50:48.640 --> 0:50:52.080
<v Speaker 1>Rick made him do it. We know this all right,

0:50:52.120 --> 0:50:59.440
<v Speaker 1>but maybe he didn't. We didn't. Maybe he didn't, but

0:50:59.680 --> 0:51:03.480
<v Speaker 1>but were voices from that show on that song. So

0:51:03.760 --> 0:51:06.320
<v Speaker 1>when he said and the Jones, you know, she was

0:51:06.400 --> 0:51:09.320
<v Speaker 1>singing too, and he was like, Envy and Research were like,

0:51:09.840 --> 0:51:13.040
<v Speaker 1>the Jones she hasn't been here since November and they're like,

0:51:13.120 --> 0:51:15.719
<v Speaker 1>wait a minute, what how has she not? We hear

0:51:15.760 --> 0:51:18.120
<v Speaker 1>her every day. So and he's like, we have the

0:51:18.200 --> 0:51:21.320
<v Speaker 1>system where she logs on the morning and she pops

0:51:21.360 --> 0:51:25.560
<v Speaker 1>up on the TV screen. They would have fucking fired

0:51:25.640 --> 0:51:34.440
<v Speaker 1>the pregnant in research. She did too, because she confirmed it.

0:51:34.560 --> 0:51:38.160
<v Speaker 1>So the lawyers are now like, this ain't what Barry

0:51:38.320 --> 0:51:43.960
<v Speaker 1>Mayo told us. Allegedly so I'm thinking and the people

0:51:44.080 --> 0:51:46.640
<v Speaker 1>that love me are thinking that Barry Mayo, who was

0:51:46.680 --> 0:51:50.560
<v Speaker 1>the GM, was trying to sacrifice me for his letting.

0:51:50.719 --> 0:51:54.240
<v Speaker 1>That whole thing happened, and once I'm fired, he saved.

0:51:54.680 --> 0:51:57.640
<v Speaker 1>No one asked, right, and then you know, they don't

0:51:57.680 --> 0:52:01.920
<v Speaker 1>let you talk about it again. It's right. So I

0:52:02.960 --> 0:52:06.400
<v Speaker 1>knew that what was about to happen, and well, Jalen's

0:52:06.440 --> 0:52:08.520
<v Speaker 1>dad at the time told me he saw the play.

0:52:09.880 --> 0:52:13.560
<v Speaker 1>My sister is a real big producer in daytime television.

0:52:13.640 --> 0:52:18.600
<v Speaker 1>She has like five Emmy Awards and like five hundred nominations.

0:52:19.080 --> 0:52:23.400
<v Speaker 1>She produces The View. Before that, she produced Nancy Grace

0:52:23.440 --> 0:52:29.120
<v Speaker 1>and Johnny Cocker. She saw my name on the news

0:52:29.280 --> 0:52:32.400
<v Speaker 1>because America knew about the tsunami song. It was bigger

0:52:32.400 --> 0:52:34.880
<v Speaker 1>than New York, it was bigger than Nino Brown. It

0:52:35.000 --> 0:52:38.959
<v Speaker 1>was international news and everybody hated the Stones because that's

0:52:39.000 --> 0:52:42.040
<v Speaker 1>what they were being given as responsible for the tsunami song.

0:52:42.360 --> 0:52:48.240
<v Speaker 1>And no, no, no, just tsunami. My sister called Nancy

0:52:48.280 --> 0:52:50.799
<v Speaker 1>Grace because she's like, I know TV, I know how

0:52:50.960 --> 0:52:54.880
<v Speaker 1>narratives are painted if there's no one countering that, and

0:52:54.960 --> 0:52:58.160
<v Speaker 1>Hot ninety seven is not defended. My sister Nancy Grace said,

0:52:58.280 --> 0:53:01.440
<v Speaker 1>tell her to call Mel Sacks. He's the best attorney.

0:53:01.840 --> 0:53:03.839
<v Speaker 1>I hope she has the money, but he's the only

0:53:03.920 --> 0:53:07.520
<v Speaker 1>one that can fix her. At that time, little Kim

0:53:07.600 --> 0:53:10.840
<v Speaker 1>was in a little trouble and her attorney was Mel Sacks.

0:53:11.840 --> 0:53:15.439
<v Speaker 1>I called Mel Sacks. He had already known. Really he's

0:53:15.920 --> 0:53:18.960
<v Speaker 1>deceased since then. He's like, come to my office. I

0:53:19.080 --> 0:53:23.359
<v Speaker 1>need fifty grand and I will fix this. We get

0:53:23.400 --> 0:53:26.399
<v Speaker 1>the fifty grand. We go to his office. Kim's coming

0:53:26.480 --> 0:53:28.480
<v Speaker 1>out of the elevator. I'm going in and he goes, oh,

0:53:28.600 --> 0:53:30.400
<v Speaker 1>miss Jones and miss Jones because her real name is

0:53:30.480 --> 0:53:33.160
<v Speaker 1>Kimbla Jones. I tell him what happened. He's like, I

0:53:33.160 --> 0:53:36.799
<v Speaker 1>already know, I'm gonna I can fix this, and um,

0:53:37.280 --> 0:53:40.120
<v Speaker 1>I just need your your money, and um, he said,

0:53:40.120 --> 0:53:42.560
<v Speaker 1>you know what's gonna happen. First of all, no one's

0:53:42.560 --> 0:53:44.120
<v Speaker 1>gonna want to be on the on the hook for

0:53:44.200 --> 0:53:47.960
<v Speaker 1>firing a black pregnant woman. But when they find out

0:53:48.800 --> 0:53:52.520
<v Speaker 1>that you weren't even on the song, so we had

0:53:52.600 --> 0:53:55.680
<v Speaker 1>to tell them that the Tasha that was on the

0:53:55.760 --> 0:53:59.680
<v Speaker 1>song singing wasn't me. Researched his first name, Miss Tasha

0:54:00.800 --> 0:54:04.080
<v Speaker 1>I'm Tarsha, She's Tasha. She was the one that was singing,

0:54:04.160 --> 0:54:06.120
<v Speaker 1>but she was singing it because Rick del Gotto told

0:54:06.160 --> 0:54:08.600
<v Speaker 1>her Rick hadn't stepped up. Rick cut has put all

0:54:08.640 --> 0:54:11.800
<v Speaker 1>this ship and smashed and then I was trying to

0:54:11.840 --> 0:54:13.839
<v Speaker 1>keep his job and I get it, but we all

0:54:13.920 --> 0:54:15.600
<v Speaker 1>went through hell. So I think at that point, me

0:54:17.320 --> 0:54:19.680
<v Speaker 1>is a white man, me Vy and and and and

0:54:19.840 --> 0:54:22.600
<v Speaker 1>Tay and because she's on my reunion show, we bonded

0:54:23.320 --> 0:54:26.719
<v Speaker 1>based on Nicholas was about to like cancel us for real,

0:54:26.840 --> 0:54:29.640
<v Speaker 1>for real. And the Asians they don't stop, like when

0:54:29.680 --> 0:54:31.840
<v Speaker 1>they're passionate and they feel like you sucked them around,

0:54:32.520 --> 0:54:35.400
<v Speaker 1>they don't stop. They don't stop, they don't stop. They

0:54:35.440 --> 0:54:40.000
<v Speaker 1>don't stop. So the lawyers, my lawyer Mel talked to

0:54:40.880 --> 0:54:44.160
<v Speaker 1>John lou who was then like the Asian communities person,

0:54:44.719 --> 0:54:47.360
<v Speaker 1>he's the one that gears the mom and told that

0:54:47.880 --> 0:54:51.600
<v Speaker 1>him she's not the one hating and the seven realizes

0:54:51.640 --> 0:54:53.239
<v Speaker 1>that she's not the one, and they're willing to bring

0:54:53.320 --> 0:54:55.879
<v Speaker 1>her back. But we know once they bring her back,

0:54:56.160 --> 0:54:58.520
<v Speaker 1>you were gonna have your people boycott, and at that

0:54:58.600 --> 0:55:01.839
<v Speaker 1>point they're gonna have to let her go. John Luis said,

0:55:01.840 --> 0:55:05.120
<v Speaker 1>I know it wasn't you. Alleged All this ship is alleged,

0:55:05.640 --> 0:55:08.400
<v Speaker 1>but it's true. I know it wasn't you. I appreciate

0:55:08.760 --> 0:55:11.560
<v Speaker 1>you even meeting with me. And if you go back

0:55:11.600 --> 0:55:13.560
<v Speaker 1>to work, you don't have to worry. You don't have

0:55:13.600 --> 0:55:15.520
<v Speaker 1>to work. We ain't gonna So I went back. It

0:55:15.640 --> 0:55:17.120
<v Speaker 1>was a Thursday. It was a very or Friday. It

0:55:17.120 --> 0:55:18.759
<v Speaker 1>was a very calculated move to have me come back

0:55:18.760 --> 0:55:20.560
<v Speaker 1>on a Friday. For those of you that don't know,

0:55:20.800 --> 0:55:24.040
<v Speaker 1>Friday news cycle gets tossed in the garbage because who

0:55:24.120 --> 0:55:28.880
<v Speaker 1>reads a newspaper Friday on Saturday? So if something happens

0:55:28.920 --> 0:55:31.200
<v Speaker 1>on Friday, you won't your ways a strip club or

0:55:31.280 --> 0:55:33.600
<v Speaker 1>the car wash, at least getting the haircut. You ain't

0:55:33.640 --> 0:55:35.960
<v Speaker 1>reading the paper. So I got on air Friday. I

0:55:36.080 --> 0:55:39.200
<v Speaker 1>apologize in the early hour because you know, niggas ain't

0:55:39.239 --> 0:55:41.799
<v Speaker 1>listening at six o'clock hour. But it's tuna a thing.

0:55:42.560 --> 0:55:44.799
<v Speaker 1>And then when people started tuning in and hearing me back,

0:55:45.520 --> 0:55:48.680
<v Speaker 1>of course we got some phone calls. Oh, but the

0:55:48.800 --> 0:55:51.800
<v Speaker 1>Asians didn't do their thing, and I was able to

0:55:51.880 --> 0:55:55.480
<v Speaker 1>live to see another day. And you all got into

0:55:55.560 --> 0:55:58.359
<v Speaker 1>it because we did, because I felt like I felt

0:55:58.400 --> 0:56:00.480
<v Speaker 1>it was just so hypocritical of me. Excuse me the

0:56:00.520 --> 0:56:07.359
<v Speaker 1>same thing? What the fucking I so you got mad

0:56:07.400 --> 0:56:12.040
<v Speaker 1>at her? I was, I'm so bitch. That was so

0:56:12.239 --> 0:56:19.840
<v Speaker 1>bad info. I'm sorry. I apologize. That's that's that's This

0:56:19.960 --> 0:56:21.440
<v Speaker 1>is a part of our show is called quick Time

0:56:21.480 --> 0:56:25.040
<v Speaker 1>with Slime. We're just gonna actually quick question and you

0:56:25.280 --> 0:56:27.279
<v Speaker 1>you can pick one or the other, but if you

0:56:27.320 --> 0:56:30.160
<v Speaker 1>pick both, you gotta take a shot. It's it's okay,

0:56:30.640 --> 0:56:34.320
<v Speaker 1>it's it's okay, it's okay. Are you ready? What's the loss? Alright,

0:56:35.200 --> 0:56:38.600
<v Speaker 1>there's no losing. There's no losing losing, Okay. I don't

0:56:38.600 --> 0:56:39.719
<v Speaker 1>know where you go with this one. I think I

0:56:39.800 --> 0:56:41.239
<v Speaker 1>know you go with this one. No, I was on

0:56:41.400 --> 0:56:44.800
<v Speaker 1>jay Z Okay, that was a dope. I don't know

0:56:44.960 --> 0:56:46.759
<v Speaker 1>this one. She was quicker than quick Time. I don't

0:56:46.760 --> 0:56:51.400
<v Speaker 1>know this one. Carty or Nicky? Oh I did? I

0:56:51.520 --> 0:56:54.359
<v Speaker 1>wasn't really. I know you're gonna go with this one.

0:56:55.200 --> 0:56:59.640
<v Speaker 1>Mary Jay or Tony Braxton or Tony Braxton, Mary j

0:56:59.800 --> 0:57:11.040
<v Speaker 1>or b Mary h very all right. Nineties hip hop

0:57:11.320 --> 0:57:15.520
<v Speaker 1>or two thousand nineties damn pretty pretty dispersal. Yeah, yeah,

0:57:15.600 --> 0:57:23.040
<v Speaker 1>nineties alright, Drake Champs or Joe Button Podcast, Drink Check Money.

0:57:27.760 --> 0:57:38.720
<v Speaker 1>I can't lie this one, Flex or DJ Clue. Okay,

0:57:38.760 --> 0:57:43.640
<v Speaker 1>So here's the thing. There's a lot of ship in

0:57:43.680 --> 0:57:48.280
<v Speaker 1>the play right now with my career, and Flex is

0:57:48.400 --> 0:57:53.320
<v Speaker 1>very powerful. The clue is like envies boy boy and

0:57:53.480 --> 0:58:01.560
<v Speaker 1>envy kind of cobo. Let's go to we's the bottom league.

0:58:02.000 --> 0:58:06.600
<v Speaker 1>You know that's not a bad both, that's bad. They

0:58:06.720 --> 0:58:12.560
<v Speaker 1>both stood yeah, thank you, Right, they're differently, just so

0:58:12.680 --> 0:58:14.680
<v Speaker 1>you know, I would have went both. Yeah, yeah, yeah,

0:58:15.160 --> 0:58:22.840
<v Speaker 1>come on, I love both. All right, Hello, where were at?

0:58:23.560 --> 0:58:26.800
<v Speaker 1>All right? All right, this one? I think it's fairly easy.

0:58:27.840 --> 0:58:32.960
<v Speaker 1>Podcast on radio? Podcast? Alight? What you thought I was

0:58:32.960 --> 0:58:35.160
<v Speaker 1>gonna say radio? It definitely did. So here's the thing.

0:58:35.480 --> 0:58:38.560
<v Speaker 1>Radio gives a lot more money, faster, but they bind

0:58:38.640 --> 0:58:41.760
<v Speaker 1>you up like your runaway Slane. Right, what you're doing

0:58:41.800 --> 0:58:44.280
<v Speaker 1>on podcast? On it and you can be who you

0:58:44.400 --> 0:58:46.480
<v Speaker 1>are facts and how you want to do it and

0:58:46.560 --> 0:58:50.760
<v Speaker 1>how you want to execute it. Okay, I think you're

0:58:50.800 --> 0:58:54.360
<v Speaker 1>taking a shot for the next couple of ones. All right,

0:58:55.200 --> 0:59:01.360
<v Speaker 1>til next on tupop. Okay, all right, I didn't I

0:59:01.360 --> 0:59:04.320
<v Speaker 1>didn't expect that. Yeah, you know, Boxy or a little kid.

0:59:10.720 --> 0:59:12.240
<v Speaker 1>I don't think neither one of them funk with me,

0:59:13.200 --> 0:59:15.960
<v Speaker 1>So can I say neither? I still gotta take a shot.

0:59:18.960 --> 0:59:21.200
<v Speaker 1>And I don't want to get it to that you

0:59:21.880 --> 0:59:25.840
<v Speaker 1>have I feel didn't even by the story you hold

0:59:25.840 --> 0:59:29.920
<v Speaker 1>on by the way. By the way, this is the

0:59:30.040 --> 0:59:35.280
<v Speaker 1>first neither we've ever had. Yeah, that's the first neither. No, really,

0:59:35.840 --> 0:59:37.560
<v Speaker 1>I'm not gonna I'm thinking I'm taking the extra shot

0:59:37.640 --> 0:59:40.400
<v Speaker 1>just because I only said I've never heard the one

0:59:40.440 --> 0:59:44.280
<v Speaker 1>to say neither. Yeah, that's the first neither. And I

0:59:44.360 --> 0:59:47.000
<v Speaker 1>have reason. It's just not someone we don't get into

0:59:47.040 --> 0:59:51.200
<v Speaker 1>the reason. I'm not just like this. So I lose

0:59:51.280 --> 1:00:05.000
<v Speaker 1>with neither. I've never heard neither with me. So okay,

1:00:05.960 --> 1:00:08.240
<v Speaker 1>this is I think it's fairly easy. But I could

1:00:08.280 --> 1:00:20.160
<v Speaker 1>be fooled. New Yorker Philly, who come poor. I respect

1:00:20.240 --> 1:00:25.760
<v Speaker 1>that because because of course I'm a New Yorker to

1:00:25.840 --> 1:00:28.680
<v Speaker 1>the core. Yes, I love the fact that I'm a

1:00:28.800 --> 1:00:33.520
<v Speaker 1>queen's girl. It's just something special about mother. I'm so

1:00:33.720 --> 1:00:35.919
<v Speaker 1>proud to be a queen's girl. But when New York

1:00:36.360 --> 1:00:39.520
<v Speaker 1>let me like like you let me have a threesome,

1:00:40.600 --> 1:00:45.720
<v Speaker 1>and I liked it, Okay, Sattle Filly gave me so

1:00:45.960 --> 1:00:50.479
<v Speaker 1>much love I'm like, what's her name on the shot? Okay, yeah,

1:00:50.880 --> 1:00:56.200
<v Speaker 1>you're watching you watch all right? This one. I don't.

1:00:56.520 --> 1:01:00.120
<v Speaker 1>I'm over the air, Queen O t for and you

1:01:00.240 --> 1:01:07.200
<v Speaker 1>like like U or Jail Scott Jelly from Philly. I

1:01:07.280 --> 1:01:23.320
<v Speaker 1>respect that, Eva, Missy to you do know you already

1:01:23.400 --> 1:01:35.760
<v Speaker 1>sapped you, Sorr. I need to just listen. I'm not

1:01:35.840 --> 1:01:37.960
<v Speaker 1>gonna lie. I need to get into neither because I've

1:01:38.000 --> 1:01:41.360
<v Speaker 1>never had to be, never had this. I respect that. Okay,

1:01:41.440 --> 1:01:44.640
<v Speaker 1>all right, all right, I like where you're going with you?

1:01:45.200 --> 1:01:52.360
<v Speaker 1>All right? Cool? So there a couple of left, Okay,

1:01:55.880 --> 1:02:09.640
<v Speaker 1>Kanye for real beautiful, I'm definitely in the air with

1:02:09.720 --> 1:02:21.120
<v Speaker 1>this one. Puff or dre mm hmm huff because even

1:02:21.200 --> 1:02:25.400
<v Speaker 1>though you want to know why, because even though he

1:02:25.560 --> 1:02:27.680
<v Speaker 1>drapped my whole ship made me have to work a

1:02:27.840 --> 1:02:35.360
<v Speaker 1>lot harder, I had to work a lot harder and

1:02:35.400 --> 1:02:38.720
<v Speaker 1>reinvent myself in radio. They'll become a success at the

1:02:38.880 --> 1:02:42.040
<v Speaker 1>end of that success. Did he did a reality show

1:02:42.120 --> 1:02:46.720
<v Speaker 1>with me for free? And that look? Even though the

1:02:46.720 --> 1:02:49.560
<v Speaker 1>show didn't happen, that look created another look for me.

1:02:49.680 --> 1:02:52.760
<v Speaker 1>So I feel like, did he gave me reparations? That's

1:02:52.840 --> 1:02:55.360
<v Speaker 1>that's fine, that's fine, it makes it more any reason,

1:02:55.440 --> 1:03:00.960
<v Speaker 1>not Drake reasoning. I just Dre was never very like

1:03:02.320 --> 1:03:06.120
<v Speaker 1>warm like Diddy's personality was always like come on Jones,

1:03:06.560 --> 1:03:10.760
<v Speaker 1>come on Joseph. How much he would call up and

1:03:10.840 --> 1:03:14.440
<v Speaker 1>be like really with me like that very petty, He's

1:03:14.480 --> 1:03:17.440
<v Speaker 1>very petty. The petty is real love. I'm here for

1:03:17.520 --> 1:03:22.000
<v Speaker 1>the petty right? Oh? How did he seven? A power

1:03:24.960 --> 1:03:28.640
<v Speaker 1>hot on seven? I would spect your maturity? I see like,

1:03:32.520 --> 1:03:35.680
<v Speaker 1>I think it'll still be petty petty van Taro, but no, no, no, no,

1:03:36.120 --> 1:03:40.800
<v Speaker 1>I'm petty white because petty white, you're not petty petty,

1:03:40.800 --> 1:03:43.000
<v Speaker 1>petty petty. I could be petty patty, and I could

1:03:43.000 --> 1:03:45.400
<v Speaker 1>be all those things. But here's what you don't realize. Okay,

1:03:46.200 --> 1:03:50.200
<v Speaker 1>Howard one oh five is clear channel that fired me

1:03:50.280 --> 1:03:55.360
<v Speaker 1>in Philly, so fuck you, oh my bad on that one.

1:03:56.680 --> 1:04:00.520
<v Speaker 1>And then you fired me because allegedly I said some

1:04:00.640 --> 1:04:03.520
<v Speaker 1>things about some woman's daycare that cost her her business.

1:04:04.000 --> 1:04:07.120
<v Speaker 1>And then we find out years later that she lied

1:04:07.640 --> 1:04:10.920
<v Speaker 1>and went to prison, and you never cleared my name.

1:04:11.760 --> 1:04:15.800
<v Speaker 1>So I'm not fond of you because you never know

1:04:15.880 --> 1:04:20.400
<v Speaker 1>it might be an opportunity over there night seven. Okay,

1:04:20.440 --> 1:04:26.000
<v Speaker 1>this is the last one loyalty or respect loyalty, because

1:04:26.080 --> 1:04:30.680
<v Speaker 1>respect can be premised by if someone's loyalty, they're gonna

1:04:30.680 --> 1:04:32.760
<v Speaker 1>respect you. It don't matter, right, it don't matter what

1:04:32.880 --> 1:04:35.600
<v Speaker 1>it is. It's it's I'm down for what. I'm down

1:04:35.680 --> 1:04:38.200
<v Speaker 1>for you because I'm down for you. I'm not respecting

1:04:38.240 --> 1:04:40.280
<v Speaker 1>you because you've done this. So I respect you because

1:04:40.320 --> 1:04:43.360
<v Speaker 1>you've not done that. I'm loyal whether you're a ship

1:04:43.440 --> 1:04:48.320
<v Speaker 1>back or whether you're a rock star. That's respect. So

1:04:48.440 --> 1:04:50.400
<v Speaker 1>now you're you're hold on, hold up, hold up. She

1:04:50.520 --> 1:04:52.800
<v Speaker 1>has a two part story, Oh you want to go

1:04:53.280 --> 1:05:00.040
<v Speaker 1>really small me and mony love. I want look a

1:05:00.120 --> 1:05:02.240
<v Speaker 1>moody love. She had beef with Pock a little bit

1:05:02.720 --> 1:05:11.600
<v Speaker 1>not that night. Okay, okay, tell me this good might

1:05:11.680 --> 1:05:20.920
<v Speaker 1>saying too much. Let's tell the story. She gave me

1:05:21.000 --> 1:05:26.320
<v Speaker 1>some and I'm a brother just like your brother. Let's go.

1:05:26.400 --> 1:05:32.480
<v Speaker 1>Let's let me set on the drink chair. And so

1:05:32.640 --> 1:05:34.560
<v Speaker 1>you know, they just don't answer my calls when they

1:05:34.640 --> 1:05:38.400
<v Speaker 1>know I'm like with people, and it's like I will

1:05:38.440 --> 1:05:41.240
<v Speaker 1>never because you're always having me on the mic. So

1:05:41.440 --> 1:05:43.560
<v Speaker 1>you text me, I hear what it is and I

1:05:43.720 --> 1:05:45.680
<v Speaker 1>call you that. Okay, but let's get into this Tupox story,

1:05:45.720 --> 1:05:48.240
<v Speaker 1>what happened? It was just so so so. It was

1:05:48.360 --> 1:05:52.400
<v Speaker 1>the Biggie Platinum party. Remember Biggie had gone. Classic legend.

1:05:52.720 --> 1:05:57.600
<v Speaker 1>Tupac was a Biggist platinum party. Whoa, whoa. You start

1:05:57.640 --> 1:06:02.040
<v Speaker 1>out with, Yeah, okay, everybody was there. You were told

1:06:02.440 --> 1:06:04.760
<v Speaker 1>the invitation came to your record label. You were told

1:06:05.800 --> 1:06:08.840
<v Speaker 1>black time. This is the first time that niggas was

1:06:08.880 --> 1:06:12.200
<v Speaker 1>not allowed to have the Baggie can I we had

1:06:12.280 --> 1:06:15.640
<v Speaker 1>Feathers was sequence and this is like niggas just like, well,

1:06:15.760 --> 1:06:19.760
<v Speaker 1>we're going Hollywood. This is black Hollywood. That was black Hollywood.

1:06:19.880 --> 1:06:22.320
<v Speaker 1>This is social media being created, right, and you got

1:06:22.440 --> 1:06:25.160
<v Speaker 1>nigga media a little bit into my mind. Yeah, I

1:06:25.160 --> 1:06:27.200
<v Speaker 1>think I kind of did. I'll take credit for a

1:06:27.600 --> 1:06:30.000
<v Speaker 1>part of it at least because you would hear something myself.

1:06:30.200 --> 1:06:32.480
<v Speaker 1>He was like the first Twitter, first Facebook was like

1:06:32.560 --> 1:06:34.480
<v Speaker 1>the first DM, like hitting you on the private nils

1:06:34.480 --> 1:06:37.440
<v Speaker 1>the d M right by the fault. I didn't want

1:06:37.440 --> 1:06:39.480
<v Speaker 1>to be that, but niggas had that one line number,

1:06:39.720 --> 1:06:42.920
<v Speaker 1>like you know, I didn't suck that bench kick out

1:06:42.920 --> 1:06:46.400
<v Speaker 1>out the studio. But so pop came and it was

1:06:46.520 --> 1:06:48.600
<v Speaker 1>kind of like and Pemony were friends at that time.

1:06:49.440 --> 1:06:52.880
<v Speaker 1>So we went to the party together and everybody. Everybody

1:06:53.080 --> 1:06:55.040
<v Speaker 1>was at that party. You I'm sure you were at

1:06:55.080 --> 1:07:03.800
<v Speaker 1>that party, Kaye. But I heard about the party. Definitely

1:07:04.000 --> 1:07:05.960
<v Speaker 1>got a new exactly she's talking about. This was in jail.

1:07:05.960 --> 1:07:14.000
<v Speaker 1>I'm sorry, it's okay. One morning, so Pop came and

1:07:14.120 --> 1:07:17.560
<v Speaker 1>we're in the crow. We're walking and it's like the

1:07:17.680 --> 1:07:20.560
<v Speaker 1>music stops. Everyone else he was in music, but I'm

1:07:20.600 --> 1:07:22.520
<v Speaker 1>with money, and he stopped and he looks at us,

1:07:22.600 --> 1:07:26.520
<v Speaker 1>and then so like we just we know what the

1:07:26.560 --> 1:07:29.320
<v Speaker 1>look means and we figure it out. It was a

1:07:29.360 --> 1:07:39.440
<v Speaker 1>good name, that was it. Jalen. I'm sorry, I forget

1:07:39.520 --> 1:07:48.720
<v Speaker 1>that he's in here, but so has some relations. Three

1:07:48.760 --> 1:07:52.320
<v Speaker 1>of us talking about three three of us just talked

1:07:52.360 --> 1:08:08.320
<v Speaker 1>for a long time. Hoys, just going on. They was

1:08:08.400 --> 1:08:16.519
<v Speaker 1>reading books. Man, No, I'm not I'm not not beautiful. Yeah,

1:08:17.040 --> 1:08:20.840
<v Speaker 1>one topic, one time. Okay, that's a beautiful thing. Okay,

1:08:20.920 --> 1:08:22.920
<v Speaker 1>let's move in on. So, Whendy, when you're trying to

1:08:22.960 --> 1:08:25.840
<v Speaker 1>murder you, where was you at when you got the news?

1:08:25.920 --> 1:08:28.559
<v Speaker 1>You're sitting around You're getting two ways because I imagine

1:08:28.960 --> 1:08:34.040
<v Speaker 1>news on the murder. Yeah you got the news because no, yeah,

1:08:34.240 --> 1:08:36.360
<v Speaker 1>so so I'm in a room. Okay, let's just be clear.

1:08:37.000 --> 1:08:42.120
<v Speaker 1>Is this after Pocket Big died? That I know where

1:08:42.160 --> 1:08:43.800
<v Speaker 1>we're talking about it? Like it is in such a

1:08:44.000 --> 1:08:46.760
<v Speaker 1>slight situation right now, right, but let's just be clear,

1:08:47.400 --> 1:08:51.639
<v Speaker 1>after Pocket Big die, this is a very serious thing

1:08:52.080 --> 1:08:55.599
<v Speaker 1>to even have this implication, right, So I'm just asking

1:08:55.640 --> 1:08:58.760
<v Speaker 1>you because niggers are following through on threats. I mean,

1:08:58.960 --> 1:09:04.200
<v Speaker 1>Pocket Biggest ambles up that the stress is being correct delivered.

1:09:04.760 --> 1:09:10.000
<v Speaker 1>So you're away and you're thinking it's a joke. What

1:09:10.320 --> 1:09:11.639
<v Speaker 1>do you? What do you? What is your first thoughts

1:09:11.680 --> 1:09:14.120
<v Speaker 1>when they said yo turning the TV? Sister? I think

1:09:14.120 --> 1:09:16.840
<v Speaker 1>if someone called you and they said, YO, should read

1:09:16.880 --> 1:09:27.040
<v Speaker 1>some change your faith? My bestie she calls, and I'm like,

1:09:27.080 --> 1:09:32.840
<v Speaker 1>who's calling? Because everyone we gotta break out our Kelly too?

1:09:32.840 --> 1:09:36.680
<v Speaker 1>By anyway, um so wait what go back to that

1:09:38.680 --> 1:09:43.760
<v Speaker 1>conversations along conversation, So the phone is ringing, but when

1:09:43.800 --> 1:09:46.840
<v Speaker 1>people know you on vacation, they're not calling. The phone

1:09:46.920 --> 1:09:49.280
<v Speaker 1>keeps ringing and ringing and ringers. I'm like, did somebody die?

1:09:49.280 --> 1:09:51.400
<v Speaker 1>I pick up the phone. She goes, bitch, are you

1:09:51.479 --> 1:09:54.479
<v Speaker 1>all right? And I'm like, what happened? That motherfucker? Windy.

1:09:54.800 --> 1:09:57.000
<v Speaker 1>They're trying to put a head out on you, bitch.

1:09:57.520 --> 1:09:59.640
<v Speaker 1>So she goes turn on the news. So I'm in

1:09:59.680 --> 1:10:02.960
<v Speaker 1>a roo but with my new husband, and I see

1:10:03.000 --> 1:10:07.040
<v Speaker 1>a split screen that reminds me of the tsunami and

1:10:07.120 --> 1:10:09.040
<v Speaker 1>it's my face, but now it's Wendy's face and it

1:10:09.120 --> 1:10:16.320
<v Speaker 1>says rival DJ puts plots murder, hit on competition, like

1:10:16.479 --> 1:10:21.439
<v Speaker 1>she was just helping you prior, prior to Biggie and

1:10:21.560 --> 1:10:28.800
<v Speaker 1>pox um, you know, untimely death death. I would have

1:10:28.800 --> 1:10:31.599
<v Speaker 1>took it as a joke after Biggie and pox Death.

1:10:31.960 --> 1:10:34.280
<v Speaker 1>I don't think this should be taken lightly. So but

1:10:34.600 --> 1:10:37.320
<v Speaker 1>tell me how you're taking it. So I'm because I'm

1:10:37.320 --> 1:10:39.320
<v Speaker 1>out of the country and I don't know rub I

1:10:39.360 --> 1:10:45.840
<v Speaker 1>didn't know our floors beautiful asked places. But it's not

1:10:46.040 --> 1:10:48.720
<v Speaker 1>makes you wanted to be threatened that like, don't be

1:10:48.800 --> 1:10:56.439
<v Speaker 1>threatening the rubles An America couldn't go down in the rumor.

1:10:56.479 --> 1:11:05.200
<v Speaker 1>You need to go visit the rue. She gotastic and

1:11:05.240 --> 1:11:13.679
<v Speaker 1>it's over. We do because I can't get the pulse

1:11:13.840 --> 1:11:16.439
<v Speaker 1>of if the ship is real and not. And my

1:11:16.640 --> 1:11:19.720
<v Speaker 1>husband he's like at the time, my husband, he's all

1:11:19.840 --> 1:11:22.240
<v Speaker 1>he's always laid back and Cooley's I'll take care of

1:11:22.320 --> 1:11:25.200
<v Speaker 1>it when we get back, don't worthy we are, We're good.

1:11:26.640 --> 1:11:29.160
<v Speaker 1>So we get back. But the whole rest of the vacation,

1:11:29.200 --> 1:11:31.160
<v Speaker 1>I'm like, is this real? Is it's real? And come

1:11:31.200 --> 1:11:33.639
<v Speaker 1>to find out, it's real. So envy once again. Envy

1:11:33.640 --> 1:11:38.000
<v Speaker 1>to the rescue dudes in karate class. We respect you

1:11:41.880 --> 1:11:45.000
<v Speaker 1>karate class and my mom and I don't know, I

1:11:45.040 --> 1:11:46.760
<v Speaker 1>just feel like he's gonna garate class. It's okay, him

1:11:46.800 --> 1:11:49.320
<v Speaker 1>and Joe Biden together, light skinned people get together like this.

1:11:49.840 --> 1:11:54.519
<v Speaker 1>I'm sorry, No, it's okay. My memory serves me well.

1:11:54.800 --> 1:11:58.120
<v Speaker 1>And be cold when I got back, or we're on

1:11:58.200 --> 1:12:00.040
<v Speaker 1>the show together and he goes, by the way, it

1:12:00.600 --> 1:12:03.280
<v Speaker 1>after this all morning mixed by the way, Jones, Kevin said,

1:12:03.320 --> 1:12:07.040
<v Speaker 1>don't believe that bullshit, y'all. Good. No, you don't get

1:12:07.080 --> 1:12:10.880
<v Speaker 1>to say don't believe that bullshit when Lisa Evers just

1:12:11.000 --> 1:12:16.479
<v Speaker 1>did a full full thing works by the way, by

1:12:16.600 --> 1:12:19.760
<v Speaker 1>the way, reporting on it and said, I have a

1:12:19.840 --> 1:12:23.000
<v Speaker 1>thirty page document that if you google it it still

1:12:23.040 --> 1:12:25.280
<v Speaker 1>comes up. Yeah, this is not this is not funny.

1:12:25.320 --> 1:12:26.960
<v Speaker 1>I know we laughed about a little bit, but I

1:12:27.000 --> 1:12:30.519
<v Speaker 1>don't think this is funny, did you get to the bottom. No,

1:12:30.800 --> 1:12:35.240
<v Speaker 1>I didn't because you about it because at that at

1:12:35.280 --> 1:12:39.439
<v Speaker 1>that time, so this is when the downward spiral of

1:12:39.520 --> 1:12:46.840
<v Speaker 1>the Miss Jones enterprise began. So, my, my, this is

1:12:46.920 --> 1:12:49.040
<v Speaker 1>relationship with NY seven is coming to an end, which

1:12:49.120 --> 1:12:51.280
<v Speaker 1>is fine because I was only supposed to be there

1:12:51.320 --> 1:12:53.200
<v Speaker 1>three or four years, but they asked me to stay

1:12:53.200 --> 1:12:55.880
<v Speaker 1>an extra year because they needed to get Big Boy.

1:12:56.479 --> 1:12:59.840
<v Speaker 1>He wound up taking over Big Boys. My friend, as

1:12:59.840 --> 1:13:03.120
<v Speaker 1>we New York Radio at that time, when we listened

1:13:03.320 --> 1:13:06.439
<v Speaker 1>to Big Boy giving traffic about last sea we did,

1:13:07.600 --> 1:13:13.560
<v Speaker 1>we did not like California California traffic. I'm sorry, and

1:13:13.600 --> 1:13:15.439
<v Speaker 1>I street a big Boy. Look. I would literally show

1:13:15.479 --> 1:13:17.960
<v Speaker 1>you the pages right now, literally speaking right now. But

1:13:18.320 --> 1:13:21.040
<v Speaker 1>when he took over and he was giving it, he

1:13:21.080 --> 1:13:23.560
<v Speaker 1>took old. He was giving us the same show that

1:13:23.600 --> 1:13:26.000
<v Speaker 1>he was giving to California. Get mad at him though,

1:13:26.040 --> 1:13:30.639
<v Speaker 1>that's corporate ship. No, I'm mad at him because better

1:13:30.760 --> 1:13:34.479
<v Speaker 1>like give New York New York Steve Harvey, and you

1:13:34.560 --> 1:13:36.680
<v Speaker 1>better start giving New York New York. I'm coming for that,

1:13:36.840 --> 1:13:40.759
<v Speaker 1>y'all right, So this is so great. So they asked

1:13:40.800 --> 1:13:42.720
<v Speaker 1>me to stay an extra year while they could get

1:13:42.840 --> 1:13:46.200
<v Speaker 1>him all the way together. I don't have a problem. See,

1:13:46.240 --> 1:13:48.920
<v Speaker 1>everybody thinks I got fired from Hot nighty seven people

1:13:49.000 --> 1:13:51.000
<v Speaker 1>came with your podcast and said, that's not true, right.

1:13:51.800 --> 1:13:55.480
<v Speaker 1>I gave them an extra year because I was syndicated

1:13:55.560 --> 1:13:57.880
<v Speaker 1>in Philly and New York didn't not. So when y'all

1:13:57.960 --> 1:14:00.679
<v Speaker 1>was listening to me, when Wendy put there all that stuff,

1:14:01.200 --> 1:14:04.040
<v Speaker 1>I was already one Philly. They wanted me to come back.

1:14:04.360 --> 1:14:08.439
<v Speaker 1>So I'm like, ill, rather than go ninety five north

1:14:08.520 --> 1:14:10.920
<v Speaker 1>to New York, let me just stop. Is there any

1:14:11.000 --> 1:14:13.360
<v Speaker 1>point where you just really thought that that was real? Though,

1:14:13.479 --> 1:14:16.360
<v Speaker 1>Like I feel like she thinks it's real. I was

1:14:16.400 --> 1:14:21.560
<v Speaker 1>going through so much internal turmoil within my marriage and

1:14:22.240 --> 1:14:24.840
<v Speaker 1>UM and the station in Philly that I was about

1:14:24.840 --> 1:14:28.799
<v Speaker 1>to be driving ninety five south too, that I couldn't

1:14:28.840 --> 1:14:32.240
<v Speaker 1>even I couldn't even be present to it because I'm

1:14:32.280 --> 1:14:38.000
<v Speaker 1>trying to The article says ratings usually pulls out hit.

1:14:39.080 --> 1:14:41.200
<v Speaker 1>I'm like, that's white people ship, Like do we even

1:14:41.280 --> 1:14:44.160
<v Speaker 1>do that? And so when NB said I saw Kevin

1:14:44.240 --> 1:14:46.280
<v Speaker 1>in the club this weekend and he said, don't worry

1:14:46.320 --> 1:14:48.240
<v Speaker 1>about it. It's all good. They're not trying to kill you.

1:14:48.400 --> 1:14:55.360
<v Speaker 1>I'm like, Kevin is Wendy's ex husband. I'm like, okay, okay, like,

1:14:55.439 --> 1:14:57.640
<v Speaker 1>don't worry about it, Like we took the hit off right,

1:14:57.720 --> 1:15:01.720
<v Speaker 1>like they're not coming tonight. So oh and then my

1:15:02.040 --> 1:15:05.519
<v Speaker 1>husband was like, I got you, and he was somewhat

1:15:05.680 --> 1:15:07.800
<v Speaker 1>in the street, so when he said I got you,

1:15:07.960 --> 1:15:10.960
<v Speaker 1>I'm like, okay, he got me. They're gonna figure whatever

1:15:11.040 --> 1:15:14.760
<v Speaker 1>it was. But again my life, I was transitioning out

1:15:14.800 --> 1:15:16.600
<v Speaker 1>of New York radio, so I really didn't give a

1:15:16.640 --> 1:15:18.320
<v Speaker 1>funk all that much. And at the end of the day,

1:15:18.640 --> 1:15:21.679
<v Speaker 1>ain't nobody coming that close to me, even without my husband.

1:15:22.320 --> 1:15:24.160
<v Speaker 1>That's not going to get some pushback, like I'm not

1:15:24.280 --> 1:15:26.880
<v Speaker 1>no fucking roll over. It wasn't because at one point

1:15:27.000 --> 1:15:30.599
<v Speaker 1>I apologize to come. But it was you, Angie, Steph Lover,

1:15:31.320 --> 1:15:34.200
<v Speaker 1>and Wendy all of the same station. What's that one

1:15:34.240 --> 1:15:36.519
<v Speaker 1>time we all bugging? I think Steph wasn't there every

1:15:36.600 --> 1:15:43.240
<v Speaker 1>time with you and Yeah, and arguably what turns out

1:15:43.320 --> 1:15:45.960
<v Speaker 1>to be that's like the most powerful for women in

1:15:46.000 --> 1:15:50.160
<v Speaker 1>the radio. Yeah. I actually have a T shirt um

1:15:50.320 --> 1:15:54.600
<v Speaker 1>inspired by Redman's T shirt that says she goes Sjonesy,

1:15:55.080 --> 1:16:04.720
<v Speaker 1>Wendy and Angie, that's it. I'm my name's I don't

1:16:04.760 --> 1:16:07.679
<v Speaker 1>put ye on there. But was there a specific reason

1:16:07.760 --> 1:16:09.160
<v Speaker 1>why she would put a hit out on you that,

1:16:09.240 --> 1:16:10.960
<v Speaker 1>you know? Because I think it was Kevin. I think

1:16:11.000 --> 1:16:13.400
<v Speaker 1>it was her husband, Kevin, because again, Wendy is the

1:16:13.479 --> 1:16:15.639
<v Speaker 1>one that called me to tell me how to get

1:16:15.640 --> 1:16:19.960
<v Speaker 1>a job in Philly. She made the calls sense, But

1:16:20.080 --> 1:16:21.800
<v Speaker 1>it makes all the sense in the world when your

1:16:21.920 --> 1:16:26.240
<v Speaker 1>husband is controlling and dominating and telling you, Wendy, don't

1:16:26.280 --> 1:16:28.920
<v Speaker 1>be friends with Jones. She wants to be what you

1:16:29.000 --> 1:16:32.120
<v Speaker 1>want to be if you want empire. He was trying

1:16:32.160 --> 1:16:35.439
<v Speaker 1>to protect his you know what I mean, his empire.

1:16:35.520 --> 1:16:38.080
<v Speaker 1>We see where he is now and it ain't with Wendy.

1:16:38.720 --> 1:16:42.480
<v Speaker 1>But he was manipulating. In my opinion, he was manipulating

1:16:42.560 --> 1:16:44.200
<v Speaker 1>her because she was the one that had the power,

1:16:44.960 --> 1:16:53.719
<v Speaker 1>you know, and she so again, I was so removed

1:16:53.960 --> 1:16:55.760
<v Speaker 1>because I'm like, yeah, yeah, yeah, yeah, but I'm not

1:16:55.800 --> 1:16:57.880
<v Speaker 1>even gonna be in New York much longer because y'all

1:16:57.920 --> 1:17:01.639
<v Speaker 1>niggers don't know I'm leaving big boys coming. I'm out

1:17:01.680 --> 1:17:03.519
<v Speaker 1>of here. I'm back in Philly. So I didn't really

1:17:04.160 --> 1:17:07.400
<v Speaker 1>I didn't care like that, But was it any time,

1:17:07.439 --> 1:17:09.840
<v Speaker 1>and it was like yo, because you know, at the

1:17:09.920 --> 1:17:13.400
<v Speaker 1>end of the day, I mean, let me be careful.

1:17:13.520 --> 1:17:17.439
<v Speaker 1>How I say, that's serious? But us point a lot

1:17:17.479 --> 1:17:20.120
<v Speaker 1>of people were, you know, when he's husband was a

1:17:20.200 --> 1:17:23.400
<v Speaker 1>different type of character. So wasn't any point where you

1:17:23.560 --> 1:17:25.800
<v Speaker 1>felt like that it was like time to protect your

1:17:25.840 --> 1:17:33.200
<v Speaker 1>lifetime from queens. I could call you, I could come on,

1:17:34.000 --> 1:17:38.640
<v Speaker 1>I could call from Queens, like I don't know that

1:17:38.720 --> 1:17:42.040
<v Speaker 1>even Kevin was really outside, but I know south side

1:17:42.080 --> 1:17:47.280
<v Speaker 1>the outside. I never felt right. But the record what

1:17:47.479 --> 1:17:51.600
<v Speaker 1>happened is and because I was so side tracked with

1:17:51.680 --> 1:17:54.080
<v Speaker 1>the other ship, like you know, like it was bigger

1:17:54.120 --> 1:17:58.320
<v Speaker 1>ship when we circle back, but when I circle back

1:17:58.400 --> 1:18:02.000
<v Speaker 1>to So for all those years, I never reached out

1:18:02.040 --> 1:18:04.160
<v Speaker 1>to Wendy personally to say, bitch, why are you trying

1:18:04.160 --> 1:18:06.559
<v Speaker 1>to kill me? Or nothing like that. I was home.

1:18:07.120 --> 1:18:10.000
<v Speaker 1>I stepped back after clear channel power one oh five,

1:18:10.120 --> 1:18:11.880
<v Speaker 1>but it was power ninety not it. Philly fired me.

1:18:12.439 --> 1:18:15.639
<v Speaker 1>I said, I've had enough for cosmic Yeah, fick shout

1:18:15.640 --> 1:18:18.600
<v Speaker 1>out to them. I had had enough. I'm tired of

1:18:18.680 --> 1:18:22.599
<v Speaker 1>fighting ex husbands. I'm tired of fighting radio stations because

1:18:22.640 --> 1:18:25.200
<v Speaker 1>I had to sue them. I had to sue Radio one,

1:18:25.320 --> 1:18:28.200
<v Speaker 1>which is TV one by the way, and and and

1:18:28.479 --> 1:18:31.599
<v Speaker 1>so when you feel like you're you're a married woman

1:18:31.720 --> 1:18:35.679
<v Speaker 1>and you're fighting corporations and you don't have the support

1:18:35.760 --> 1:18:37.920
<v Speaker 1>in your marriage, you don't have the support and your

1:18:38.000 --> 1:18:42.479
<v Speaker 1>fast I had to tap out. I had left, and

1:18:42.600 --> 1:18:47.360
<v Speaker 1>I left, and I put all that ship and to

1:18:47.800 --> 1:18:49.920
<v Speaker 1>get off your phone praising you. I put all that

1:18:50.000 --> 1:18:59.519
<v Speaker 1>ship and said, yeah, that's it. That's it. So I

1:18:59.600 --> 1:19:02.200
<v Speaker 1>put all let and believe me. It was a struggle

1:19:02.200 --> 1:19:04.519
<v Speaker 1>because I'm like, no, I'm gonna do and I actually did.

1:19:04.680 --> 1:19:07.680
<v Speaker 1>When I left, I started my own online station. It

1:19:07.800 --> 1:19:09.759
<v Speaker 1>was a twenty four hour station. I was doing mornings,

1:19:09.800 --> 1:19:11.960
<v Speaker 1>I was doing sales, I was doing marketing. I was

1:19:12.040 --> 1:19:16.639
<v Speaker 1>doing everything. And then Hurricane Sandy happened in New York.

1:19:16.720 --> 1:19:19.639
<v Speaker 1>Now it was in Jersey. We were on Jersey Shore. Oh,

1:19:20.240 --> 1:19:27.280
<v Speaker 1>y'all got fun. Destroyed all of my equipment, all of

1:19:27.320 --> 1:19:30.320
<v Speaker 1>my investment, all of everything. And at that point, I said,

1:19:31.920 --> 1:19:34.240
<v Speaker 1>God must be trying to tell me sit your ass

1:19:34.320 --> 1:19:37.680
<v Speaker 1>down and just raise your kids. Stop trying to be

1:19:37.920 --> 1:19:41.640
<v Speaker 1>uh on the radio. Oh I'm miss showns and and

1:19:42.880 --> 1:19:45.879
<v Speaker 1>put it in perspective because I can't outdo a hurricane.

1:19:46.680 --> 1:19:52.760
<v Speaker 1>So that changed me. Like I was, I've had to

1:19:53.560 --> 1:19:58.200
<v Speaker 1>tap into something else and not move with an ego

1:19:58.280 --> 1:20:00.560
<v Speaker 1>because a lot of times artists and people in the

1:20:00.600 --> 1:20:04.680
<v Speaker 1>public eye everything. It's the destruction. But we are conditioned

1:20:04.760 --> 1:20:07.080
<v Speaker 1>to if we don't care about our parents. You need

1:20:07.160 --> 1:20:09.080
<v Speaker 1>to ego to be an entertainment business. You need it,

1:20:09.400 --> 1:20:12.759
<v Speaker 1>but you had to control it. And it's hard because

1:20:12.840 --> 1:20:16.439
<v Speaker 1>you don't. You don't know when enough is enough or

1:20:16.479 --> 1:20:18.640
<v Speaker 1>when not enough, could have been more or should have

1:20:18.720 --> 1:20:20.560
<v Speaker 1>been more. I could have got that part if I

1:20:20.600 --> 1:20:26.880
<v Speaker 1>had just put ties up a little more. So it

1:20:27.040 --> 1:20:30.560
<v Speaker 1>wasn't ready. I'm sorry, I take it, I got it,

1:20:31.040 --> 1:20:36.120
<v Speaker 1>i got questions, I'm looking, but I checked out. So

1:20:36.280 --> 1:20:41.160
<v Speaker 1>for the last thirteen years I was home, no parts

1:20:41.200 --> 1:20:44.360
<v Speaker 1>of any industry and no parts of any anything. And

1:20:44.439 --> 1:20:49.000
<v Speaker 1>I have also an illness that some people paid attention

1:20:49.080 --> 1:20:53.920
<v Speaker 1>to throughout the years. It's called amelia blastoma and it's

1:20:53.920 --> 1:20:57.519
<v Speaker 1>an aggressive tumor and mine happens to be in my jaw.

1:20:58.120 --> 1:20:59.800
<v Speaker 1>So if you notice I'm a little puffy are on

1:20:59.840 --> 1:21:02.400
<v Speaker 1>this side, and I'm a little twisty, it's because the

1:21:02.439 --> 1:21:05.600
<v Speaker 1>tomb I've been fighting since I was thirteen when I

1:21:05.760 --> 1:21:08.479
<v Speaker 1>was told you'll never have a career in singing because

1:21:08.520 --> 1:21:10.920
<v Speaker 1>your jaw won't allow it. The strength of your your

1:21:11.040 --> 1:21:13.160
<v Speaker 1>joy is weak. You want You'll never have a career

1:21:13.320 --> 1:21:15.760
<v Speaker 1>radio because that requires talking all the time. You know.

1:21:16.280 --> 1:21:18.519
<v Speaker 1>I fought through it, but it kind of took me.

1:21:18.760 --> 1:21:20.280
<v Speaker 1>It took me down, and I had to have like

1:21:20.360 --> 1:21:23.800
<v Speaker 1>three more surgeries after I left radio. It was a lot.

1:21:24.280 --> 1:21:27.800
<v Speaker 1>It was I went through a a lot personally. It

1:21:27.960 --> 1:21:32.040
<v Speaker 1>was a lie and and and it was it was

1:21:32.120 --> 1:21:34.240
<v Speaker 1>a lot. And it wasn't all good, Like it was

1:21:34.360 --> 1:21:40.320
<v Speaker 1>dark and I'm so I'm between. I got smart because

1:21:40.320 --> 1:21:43.639
<v Speaker 1>I got tired of selling houses and trying to get

1:21:43.760 --> 1:21:49.120
<v Speaker 1>I'm halfway between both. Um, Yeah, it was a lie.

1:21:50.439 --> 1:21:53.160
<v Speaker 1>It was a lot. But but the beauty of it is,

1:21:54.479 --> 1:21:57.719
<v Speaker 1>you know that energy that's naturally built inside of us artists.

1:21:58.439 --> 1:22:00.760
<v Speaker 1>When we can't put it here in a on or

1:22:00.840 --> 1:22:03.880
<v Speaker 1>we can't do a podcast or radio show, maybe we

1:22:03.960 --> 1:22:07.519
<v Speaker 1>put it into our kids. And my son goes to

1:22:07.680 --> 1:22:10.719
<v Speaker 1>like the number one prep boarding school in the world,

1:22:11.840 --> 1:22:15.719
<v Speaker 1>and he's a three sports scholar athlete. He's varsity football,

1:22:15.800 --> 1:22:20.400
<v Speaker 1>varsity wrestling, varsity discus. I don't know what you throw

1:22:20.520 --> 1:22:24.200
<v Speaker 1>some ship. He's throwing shape like he's throwing you can

1:22:24.240 --> 1:22:25.560
<v Speaker 1>growing up better than me. I don't know what the

1:22:25.840 --> 1:22:33.880
<v Speaker 1>discus is for the years, but you hear how he

1:22:33.960 --> 1:22:44.080
<v Speaker 1>talks like, yeah talking. So I'll put it into him

1:22:44.560 --> 1:22:48.839
<v Speaker 1>and my other son, and and I'm pleased with the result.

1:22:49.080 --> 1:22:53.599
<v Speaker 1>And y'all watch Power. What's the son's name that goes

1:22:53.640 --> 1:22:56.760
<v Speaker 1>to show that's the one that killed people? Yeah? Yeah,

1:22:57.000 --> 1:23:05.880
<v Speaker 1>the sun. What's his name? His son in Power? Well

1:23:05.960 --> 1:23:12.000
<v Speaker 1>tard the boarding school that he goes to the same

1:23:13.240 --> 1:23:21.320
<v Speaker 1>is the killing though, right, it probably him too. We

1:23:21.400 --> 1:23:23.240
<v Speaker 1>can't see you to college. They kill me. We gotta

1:23:27.479 --> 1:23:30.840
<v Speaker 1>put that into my kids. And and he's great. And

1:23:30.960 --> 1:23:33.240
<v Speaker 1>my younger son is about to be off to the

1:23:33.320 --> 1:23:36.760
<v Speaker 1>same situation. And so now I have both arms swinging free,

1:23:37.200 --> 1:23:43.320
<v Speaker 1>and I'm like, let's go. Well, congratulations to you. I

1:23:43.360 --> 1:23:46.200
<v Speaker 1>got couple more. I got couple more. I got che

1:23:46.320 --> 1:23:49.880
<v Speaker 1>cheets right here. No, it's good, it's good, Okay, all right, dad,

1:23:50.080 --> 1:23:52.280
<v Speaker 1>this is this is all right. I gotta ask this.

1:23:52.760 --> 1:23:55.560
<v Speaker 1>He said. Recently, you were detained for threatning one of

1:23:55.640 --> 1:24:00.400
<v Speaker 1>your kids classmates. That's reading. It's out and the thing

1:24:00.920 --> 1:24:05.960
<v Speaker 1>tell me what it says. Please you started talking about

1:24:05.960 --> 1:24:08.880
<v Speaker 1>this in your podcast. Okay, I thought it was on

1:24:08.960 --> 1:24:12.160
<v Speaker 1>the blog. I'm like, you put it out there, okay, okay,

1:24:12.800 --> 1:24:15.360
<v Speaker 1>because COVID happened, and now I can't go back into court.

1:24:15.520 --> 1:24:18.559
<v Speaker 1>But I got I got lawyer's stuff. So his brother,

1:24:20.600 --> 1:24:25.559
<v Speaker 1>you see him shake, get his right his brother something.

1:24:25.640 --> 1:24:29.599
<v Speaker 1>So his brother, little brother. He's twelve, but he runs

1:24:29.720 --> 1:24:31.880
<v Speaker 1>with a total different crowd of people that he runs with,

1:24:32.640 --> 1:24:35.120
<v Speaker 1>and so I'm not aware of what's going on. I

1:24:35.200 --> 1:24:37.720
<v Speaker 1>had to get a call on my or text. You're

1:24:37.760 --> 1:24:43.679
<v Speaker 1>a fucking bad mother. Your fucking son is fucking terrorizing us.

1:24:44.080 --> 1:24:51.320
<v Speaker 1>You need to fucking kill yourself. Your my other son's

1:24:51.760 --> 1:24:58.479
<v Speaker 1>enemy's at twelve year old. No, it was a eleven

1:24:58.600 --> 1:25:02.400
<v Speaker 1>year old girl. But I'm in bed watching Power and

1:25:02.520 --> 1:25:06.400
<v Speaker 1>I'm like, who wants the smoke? Like I didn't realize

1:25:06.439 --> 1:25:08.120
<v Speaker 1>it was a twelve year old, and I fucking go

1:25:08.360 --> 1:25:11.519
<v Speaker 1>all the way in and I'm like, she can get whatever,

1:25:16.280 --> 1:25:22.600
<v Speaker 1>and saw her mom so that her mom was like

1:25:24.080 --> 1:25:26.120
<v Speaker 1>But I called the mom and I was like, your

1:25:26.200 --> 1:25:28.960
<v Speaker 1>daughters out of control because she shouldn't be texting an adult.

1:25:29.880 --> 1:25:32.880
<v Speaker 1>She always needs his ass beat. So I owned that.

1:25:33.600 --> 1:25:36.439
<v Speaker 1>But what I felt we were good. She goes and

1:25:36.479 --> 1:25:39.599
<v Speaker 1>files and policia for it and says she she threatened

1:25:39.640 --> 1:25:44.400
<v Speaker 1>to take my daughter over her knee. So now it's

1:25:44.439 --> 1:25:48.439
<v Speaker 1>not just a case of mere a terroristic threat, but

1:25:49.040 --> 1:25:52.400
<v Speaker 1>it's her daughter against my son. But she didn't realize

1:25:52.439 --> 1:25:55.120
<v Speaker 1>that her daughter texted him and said, I will murder

1:25:55.160 --> 1:25:58.720
<v Speaker 1>you with my bare fucking hands. So I told him screenshot,

1:25:59.080 --> 1:26:01.080
<v Speaker 1>or maybe I told you screen. Trying for your brother,

1:26:02.360 --> 1:26:04.479
<v Speaker 1>I called him at boarding school. I'm sorry with Jalen,

1:26:04.520 --> 1:26:08.200
<v Speaker 1>I fail you because he had nothing to do with it.

1:26:08.280 --> 1:26:10.920
<v Speaker 1>He's trying to study and so he but I don't

1:26:10.960 --> 1:26:13.400
<v Speaker 1>know how to do technology. So he saved it. When

1:26:13.439 --> 1:26:15.640
<v Speaker 1>we got before the judge. We showed the judge, he's like,

1:26:15.720 --> 1:26:18.040
<v Speaker 1>oh he's in the good. The little bit is in

1:26:18.120 --> 1:26:20.960
<v Speaker 1>the bad. And mom, your old school, Like get it,

1:26:21.160 --> 1:26:22.960
<v Speaker 1>but you still got to show up at court. And

1:26:23.000 --> 1:26:27.559
<v Speaker 1>then COVID happened. So court hasn't happened. But here's the thing.

1:26:28.240 --> 1:26:30.840
<v Speaker 1>I'm old school, and I will suck you up from

1:26:30.880 --> 1:26:37.400
<v Speaker 1>my kids. Positive energy called creed positive. That's my gun. Yeah,

1:26:37.479 --> 1:26:43.960
<v Speaker 1>it's like, what is it called sage? Keep going? I

1:26:44.080 --> 1:26:48.559
<v Speaker 1>do sage when your dad leaves. Okay, this it's nice.

1:26:48.960 --> 1:26:52.240
<v Speaker 1>So yeah, But the thing is, I like, we live

1:26:52.280 --> 1:26:54.519
<v Speaker 1>in the suburbs, but I can't change who I am.

1:26:55.000 --> 1:26:57.040
<v Speaker 1>And I don't care if my son and my son

1:26:57.200 --> 1:27:00.920
<v Speaker 1>is bad, he's bad, but he don't just like I

1:27:01.040 --> 1:27:04.800
<v Speaker 1>feel like some people just take our round boys. They're

1:27:04.840 --> 1:27:08.840
<v Speaker 1>so fast to take them to the system, like so fat,

1:27:08.880 --> 1:27:12.080
<v Speaker 1>like they're still kids first, don't look at them like

1:27:12.120 --> 1:27:14.759
<v Speaker 1>they're just oh those are They don't get the benefits.

1:27:14.800 --> 1:27:16.439
<v Speaker 1>They don't get the benefits out of being a kid.

1:27:16.680 --> 1:27:19.160
<v Speaker 1>So I pushed back and port back and and I

1:27:19.280 --> 1:27:21.320
<v Speaker 1>do it all again if I had to, so At

1:27:21.320 --> 1:27:24.599
<v Speaker 1>won't point you in funk flex did pompee right when

1:27:24.680 --> 1:27:29.800
<v Speaker 1>Remy was Remy was beating with Fat Joe? Whoa, I

1:27:29.840 --> 1:27:37.880
<v Speaker 1>don't know? Go absolutely yeah. I had no idea. Oh

1:27:37.960 --> 1:27:39.920
<v Speaker 1>I had no idea. Can you break that down? So

1:27:40.080 --> 1:27:42.559
<v Speaker 1>for the record, I love Fat Joe because it had

1:27:42.600 --> 1:27:46.360
<v Speaker 1>it not been for Fat Joe, I would I would

1:27:46.360 --> 1:27:49.280
<v Speaker 1>have not been on punch record, punished record, stand up

1:27:49.280 --> 1:27:55.640
<v Speaker 1>and say that. And I love Joey because even when

1:27:55.720 --> 1:27:58.479
<v Speaker 1>we like he's just you know, you can have a

1:27:58.520 --> 1:28:01.439
<v Speaker 1>conversation why so so what happened? I just bring it

1:28:01.479 --> 1:28:04.600
<v Speaker 1>down for Lem and Remy were in something. Remy is

1:28:04.760 --> 1:28:11.320
<v Speaker 1>my bitch, but listening listening and Remy like, um she

1:28:11.560 --> 1:28:19.880
<v Speaker 1>was she was Oftentimes women in the industry do not

1:28:20.360 --> 1:28:25.800
<v Speaker 1>get supported by our brothers, and um, this was an

1:28:25.840 --> 1:28:28.360
<v Speaker 1>incident that might have been a difference of opinion or

1:28:28.840 --> 1:28:34.600
<v Speaker 1>a money thing or whatever. It was a miscommunication. But

1:28:34.720 --> 1:28:40.479
<v Speaker 1>again has all the power at the radio station in nights.

1:28:40.960 --> 1:28:44.080
<v Speaker 1>But now, but at this time, tell me exactly what

1:28:44.280 --> 1:28:46.360
<v Speaker 1>what what was it that they were they were I

1:28:46.400 --> 1:28:48.160
<v Speaker 1>don't know what the beef was, but I know that

1:28:48.439 --> 1:28:51.880
<v Speaker 1>when you beef with Flex and Flex owns the night,

1:28:52.880 --> 1:28:55.200
<v Speaker 1>you gotta come the morning because I'm the black sheet.

1:28:55.520 --> 1:28:59.360
<v Speaker 1>So Remy came to you and Remy started talking that

1:28:59.520 --> 1:29:04.280
<v Speaker 1>you know, and then I remember the situation. I don't

1:29:04.280 --> 1:29:07.000
<v Speaker 1>want the exact content, right, So was this the first

1:29:07.040 --> 1:29:10.559
<v Speaker 1>time that Ribby said something that she was displeased about

1:29:10.600 --> 1:29:12.400
<v Speaker 1>fat Joe? Was the first time all your show? Because

1:29:12.400 --> 1:29:14.800
<v Speaker 1>they used to always cut everybody dropped it on my show?

1:29:15.280 --> 1:29:18.200
<v Speaker 1>And then I deal with the describe what happened. She

1:29:18.360 --> 1:29:20.680
<v Speaker 1>was piste off and she's not refined Remy as we

1:29:20.760 --> 1:29:23.479
<v Speaker 1>see her now, she was like, no funk that he's

1:29:23.479 --> 1:29:25.680
<v Speaker 1>trying to do this. He's not doing that. Where's my

1:29:25.840 --> 1:29:27.760
<v Speaker 1>this and where's my that? And you're supposed to be

1:29:27.840 --> 1:29:30.840
<v Speaker 1>fat Joe. And it was ugly, was big, it was bad,

1:29:31.080 --> 1:29:34.640
<v Speaker 1>and it was on morning radio. Morning radio is the

1:29:35.080 --> 1:29:38.639
<v Speaker 1>top watch listened to. I tell people this whole time.

1:29:39.320 --> 1:29:41.200
<v Speaker 1>If you don't want it to get back, don't bring

1:29:41.280 --> 1:29:44.600
<v Speaker 1>it to morning radio. But back then, you know, I

1:29:44.760 --> 1:29:47.479
<v Speaker 1>rock niggers asleep and make me feel comfortable. And Remy

1:29:47.560 --> 1:29:49.240
<v Speaker 1>was my friend, so I didn't have to rock her.

1:29:49.400 --> 1:29:52.760
<v Speaker 1>I just said, bitch, calm, tell your story. But Fat

1:29:52.880 --> 1:29:56.680
<v Speaker 1>Joe is going to flex and flexes. Also he's the

1:29:56.760 --> 1:29:59.120
<v Speaker 1>king of Knights, so it becomes a battle and I'm

1:29:59.160 --> 1:30:05.080
<v Speaker 1>not backing down. So ultimately, you know, you think flex

1:30:05.160 --> 1:30:08.280
<v Speaker 1>had me like let go early atting on a seven?

1:30:09.560 --> 1:30:12.599
<v Speaker 1>Is that what you're saying when you're asking because get

1:30:12.680 --> 1:30:19.639
<v Speaker 1>their shots? Thank you, Glory, I'm asking you. He's the reason. Okay,

1:30:19.680 --> 1:30:21.679
<v Speaker 1>So here's the thing, because I asking at one point

1:30:21.680 --> 1:30:24.560
<v Speaker 1>you last place really didn't go on each other. But

1:30:24.680 --> 1:30:26.560
<v Speaker 1>I didn't that really, I didn't just put you on

1:30:26.640 --> 1:30:30.160
<v Speaker 1>two together. But I wouldn't with another shot too, obviously

1:30:30.960 --> 1:30:33.320
<v Speaker 1>I went that with that hold on? Is that what

1:30:33.439 --> 1:30:37.519
<v Speaker 1>you think happened. Yeah, because when I was leaving Hot

1:30:38.000 --> 1:30:42.200
<v Speaker 1>even though what a shot. That's right, that's right here

1:30:42.240 --> 1:30:47.599
<v Speaker 1>Sunny we got Mr Sunny now Sunny Dunny, Mr Dank,

1:30:47.640 --> 1:30:52.479
<v Speaker 1>you appreciate you. It's odd because on my leaving of

1:30:53.520 --> 1:31:03.560
<v Speaker 1>seven shot ye French so alright cool? So Jalen. So

1:31:03.800 --> 1:31:08.000
<v Speaker 1>is my son Jalen. He's frea and he speaks it yeah, yes, yes, yes,

1:31:08.600 --> 1:31:10.719
<v Speaker 1>and he speaks it with his grandma like he from birth.

1:31:11.800 --> 1:31:25.760
<v Speaker 1>You just gassing a grandmother conversations. I don't know what's happening. Yeah, yeah, yeah, yeah, yeah,

1:31:26.000 --> 1:31:31.479
<v Speaker 1>that's him. Thank you, Mrs Sunny. Yeah, we're talking about so.

1:31:33.000 --> 1:31:38.760
<v Speaker 1>Upon my leaving, it was your idea to take the shot.

1:31:40.479 --> 1:31:43.200
<v Speaker 1>I didn't drink nothing on the plane. Good, that's good.

1:31:43.320 --> 1:31:45.760
<v Speaker 1>Bitch next to me ordered zinfandel, right, and then she

1:31:45.840 --> 1:31:51.519
<v Speaker 1>looked at me like I was gonna judge. It's just

1:31:51.600 --> 1:31:56.280
<v Speaker 1>saving for drink Champ So I was. I knew when

1:31:56.320 --> 1:31:57.760
<v Speaker 1>I left Hot I was gonna be in Philly. I

1:31:57.840 --> 1:32:02.639
<v Speaker 1>was good. B Et started meeting with me before my departure,

1:32:02.880 --> 1:32:06.479
<v Speaker 1>Reginald Hudland. He was like, we would love to do

1:32:06.560 --> 1:32:09.920
<v Speaker 1>a show with you. I said, I'm leaving Hot. We

1:32:09.960 --> 1:32:13.240
<v Speaker 1>don't care. We want to film the departure. I said, Okay,

1:32:13.320 --> 1:32:16.519
<v Speaker 1>here's what you don't know. I'm pregnant. That's a bonus.

1:32:17.200 --> 1:32:19.479
<v Speaker 1>We love babies. Can we come into the delivery room

1:32:19.479 --> 1:32:23.320
<v Speaker 1>and document? And I'm like, I don't even want my

1:32:23.400 --> 1:32:26.599
<v Speaker 1>husband there. Of course you can come. So they start

1:32:26.680 --> 1:32:29.320
<v Speaker 1>coming up to Hot ninety seven the last few weeks

1:32:29.360 --> 1:32:31.960
<v Speaker 1>of me being on there, and the rumor is that

1:32:32.320 --> 1:32:36.040
<v Speaker 1>maybe Flex talked to Ebro and said it may not

1:32:36.160 --> 1:32:39.120
<v Speaker 1>be a great idea for the company to be doing

1:32:39.200 --> 1:32:41.360
<v Speaker 1>this when she's about to leave. And I get it.

1:32:42.200 --> 1:32:47.439
<v Speaker 1>I get it to Ed Bregnitt, So that could That's

1:32:47.479 --> 1:32:50.080
<v Speaker 1>the only thing that I ever could feel that maybe

1:32:50.200 --> 1:32:53.439
<v Speaker 1>Flex it because other than that, he was always a supporter.

1:32:53.920 --> 1:32:57.719
<v Speaker 1>He was always he always has great advice and he's

1:32:57.800 --> 1:33:01.800
<v Speaker 1>always like umo. Flex is my brother and I love him.

1:33:01.920 --> 1:33:03.960
<v Speaker 1>But Flex is a company man. He's going down with

1:33:04.040 --> 1:33:07.720
<v Speaker 1>the ship. Yeah, like he's he said that he doesn't care.

1:33:07.840 --> 1:33:10.559
<v Speaker 1>He'll take less money out to seven to stay to seven,

1:33:11.040 --> 1:33:13.840
<v Speaker 1>just to be and look, he's whether the storm. He's

1:33:13.840 --> 1:33:16.120
<v Speaker 1>still working. After all these years. My ass I've been fired.

1:33:16.160 --> 1:33:18.920
<v Speaker 1>Wet her fire hired, Bring her back bringing back fire

1:33:18.960 --> 1:33:22.560
<v Speaker 1>her fire Bringer back. So obviously there's something to that.

1:33:24.120 --> 1:33:27.479
<v Speaker 1>What do you think when Angie laugh Because like like

1:33:27.600 --> 1:33:30.080
<v Speaker 1>Angie and Flex was like they were like the two

1:33:30.640 --> 1:33:35.560
<v Speaker 1>like staples of Hotland. I think that had it not

1:33:35.720 --> 1:33:39.519
<v Speaker 1>been for Envy leaving and Angie might still be at

1:33:39.560 --> 1:33:43.000
<v Speaker 1>hot Whoa because every leaving and making it work, because

1:33:43.040 --> 1:33:45.360
<v Speaker 1>it's not like I just left. Envy left and made

1:33:45.400 --> 1:33:48.280
<v Speaker 1>it work and showed the possibility. And he saw the

1:33:48.320 --> 1:33:50.760
<v Speaker 1>painting on the canvas when it was a blank. A

1:33:50.840 --> 1:33:53.640
<v Speaker 1>lot of people they want they believe it could be

1:33:53.720 --> 1:33:55.719
<v Speaker 1>better on the other side, but they're not quite ready

1:33:55.760 --> 1:33:59.040
<v Speaker 1>to take that move. And he's a risk taker. He

1:33:59.160 --> 1:34:01.760
<v Speaker 1>took the move, you know. And the other side is

1:34:02.160 --> 1:34:05.040
<v Speaker 1>Ebro wasn't willing to give Envy what he knew he deserved.

1:34:05.960 --> 1:34:10.960
<v Speaker 1>Now Envy had all that money from Star, Damn good,

1:34:12.280 --> 1:34:17.400
<v Speaker 1>Queen's get the money. He's exactly to say, like, alright, cool,

1:34:17.720 --> 1:34:21.080
<v Speaker 1>just be clear. There was a bad joke again on

1:34:21.400 --> 1:34:24.320
<v Speaker 1>the morning shows we have. I don't want to repeat

1:34:24.360 --> 1:34:27.920
<v Speaker 1>what allegedly to start it with me, Okay, No, so

1:34:28.280 --> 1:34:33.639
<v Speaker 1>Star started talking about you Jalen being a bastard child,

1:34:34.240 --> 1:34:37.680
<v Speaker 1>and then Power was running commercials all weekend about how

1:34:38.200 --> 1:34:42.200
<v Speaker 1>this whore had this bastard child, and he was asking

1:34:42.320 --> 1:34:45.040
<v Speaker 1>people at the hospital you were born in to send

1:34:45.200 --> 1:34:54.040
<v Speaker 1>our medical records. We're sorry, man, We're sorry again. Yeah, sorry, sorrow. Shot.

1:34:58.680 --> 1:35:02.080
<v Speaker 1>That was a lot of sorrow. I'm going myself. I

1:35:02.200 --> 1:35:06.560
<v Speaker 1>got so wait we got weight to No, no, we

1:35:06.640 --> 1:35:10.120
<v Speaker 1>got again. It was he was in the bastard you got,

1:35:10.200 --> 1:35:13.080
<v Speaker 1>you got your shot. No, mama, to the heavy poor,

1:35:14.000 --> 1:35:16.120
<v Speaker 1>to the heavy poor. Okay, that's cool. It in two

1:35:16.320 --> 1:35:21.040
<v Speaker 1>instead of one. Holy ship, because I don't know what's

1:35:21.040 --> 1:35:24.880
<v Speaker 1>gonna get Wait, because it's because there's a lot. And

1:35:24.960 --> 1:35:27.240
<v Speaker 1>again you're told don't talk about that on the air.

1:35:27.640 --> 1:35:33.240
<v Speaker 1>Let it go and don't Okay, So he pat commercials

1:35:33.479 --> 1:35:42.240
<v Speaker 1>and promos. Wait as I so he had commercials saying

1:35:42.360 --> 1:35:46.720
<v Speaker 1>what about your son, about me being a like a

1:35:46.800 --> 1:35:50.200
<v Speaker 1>whore having a child out of wedlock and that he's

1:35:50.360 --> 1:35:54.679
<v Speaker 1>down syndrome, and to send the people at the hospital

1:35:54.760 --> 1:35:57.120
<v Speaker 1>where he was born, please send the medical records and

1:35:57.120 --> 1:35:59.680
<v Speaker 1>I'll give you money. I'll say, allegedly, because you have to.

1:35:59.800 --> 1:36:03.679
<v Speaker 1>Now I think I think hip hop beefs is nothing

1:36:03.680 --> 1:36:10.320
<v Speaker 1>because I think radio I mean that I would have

1:36:10.520 --> 1:36:12.559
<v Speaker 1>this ship is wild man. I would have no idea,

1:36:12.600 --> 1:36:14.840
<v Speaker 1>Like the way you just broke it down, I had

1:36:14.920 --> 1:36:16.840
<v Speaker 1>no idea I gonna leave you. There was a murder

1:36:16.960 --> 1:36:21.080
<v Speaker 1>hit on you. Now I believe not so much before. No,

1:36:21.280 --> 1:36:24.240
<v Speaker 1>now I'm believing because it's is getting deep down my family.

1:36:26.120 --> 1:36:28.040
<v Speaker 1>It was a lot. And so the whole weekend, like

1:36:28.160 --> 1:36:31.120
<v Speaker 1>Somber told you about the news cycle on Friday, no

1:36:31.280 --> 1:36:34.679
<v Speaker 1>one's reading, so no one's everyone's hearing, but no one's

1:36:34.720 --> 1:36:38.439
<v Speaker 1>like calling and complaining because people advertisers that would, they're

1:36:38.479 --> 1:36:43.320
<v Speaker 1>on their dots. So this story comes out, Star Wars

1:36:43.400 --> 1:36:45.559
<v Speaker 1>coming up with this and then wait, wait, wait, wait,

1:36:45.680 --> 1:36:47.960
<v Speaker 1>So I'm sorry, there's something you said that they just

1:36:48.120 --> 1:36:51.200
<v Speaker 1>resonate with me. It's the advertisers that are not going

1:36:51.240 --> 1:36:54.480
<v Speaker 1>to hear it. It's not necessarily the listeners, it's the advertisers.

1:36:55.680 --> 1:36:57.400
<v Speaker 1>So they're playing promos over the week. I didn't I

1:36:57.400 --> 1:37:00.679
<v Speaker 1>didn't catch that at first. Now you get to play.

1:37:01.840 --> 1:37:04.759
<v Speaker 1>And so the commercials are playing, they're playing all weekend,

1:37:05.160 --> 1:37:07.599
<v Speaker 1>and people are barbecuing and they're hearing these promos because

1:37:07.600 --> 1:37:10.040
<v Speaker 1>everyone's tuned into power and hot and hot and power.

1:37:11.080 --> 1:37:15.000
<v Speaker 1>And he's saying he's saying that my son is down syndrome,

1:37:15.040 --> 1:37:18.920
<v Speaker 1>which even if he were, it's still like a kid, like,

1:37:19.000 --> 1:37:21.720
<v Speaker 1>don't be talking about kids. They didn't ask to be.

1:37:22.000 --> 1:37:24.840
<v Speaker 1>This is after he did everything, or this is before,

1:37:25.040 --> 1:37:27.040
<v Speaker 1>this is before, this is what started in all right,

1:37:27.080 --> 1:37:29.280
<v Speaker 1>So he basically got away with this. This is the

1:37:29.320 --> 1:37:31.600
<v Speaker 1>reason why he kept going with it. Is that what

1:37:31.680 --> 1:37:35.640
<v Speaker 1>we're saying. Well, and they after that weekend and they

1:37:35.880 --> 1:37:38.400
<v Speaker 1>heard it and came in once again to my defense.

1:37:39.200 --> 1:37:43.560
<v Speaker 1>I was like, how dare he talk about Jalen and

1:37:43.720 --> 1:37:46.800
<v Speaker 1>you like that? And the station run commercials and promos

1:37:49.520 --> 1:37:53.000
<v Speaker 1>who's doing that? And it's hot a hot still and

1:37:53.120 --> 1:37:55.960
<v Speaker 1>the defendant this is such an ill story, like this

1:37:56.160 --> 1:38:00.320
<v Speaker 1>is so is at hot night seven and stars kicking

1:38:00.400 --> 1:38:02.800
<v Speaker 1>my back and my son's back and calling him about

1:38:04.400 --> 1:38:08.840
<v Speaker 1>crypt blood shy. I was a blood I didn't know

1:38:09.000 --> 1:38:19.040
<v Speaker 1>it well and didn't it was going down. But because

1:38:19.120 --> 1:38:23.000
<v Speaker 1>again but because radio was the beast was bigger than

1:38:23.080 --> 1:38:27.160
<v Speaker 1>even hip hoppy, I'm I'm just going going, going, so

1:38:27.600 --> 1:38:30.599
<v Speaker 1>and he's like, why isn't Jalen's dad saying something. I'm like, well,

1:38:30.640 --> 1:38:32.320
<v Speaker 1>I had a meeting with him and the uncle's and

1:38:32.400 --> 1:38:34.880
<v Speaker 1>they feel that me ignoring him is the best thing

1:38:34.960 --> 1:38:37.920
<v Speaker 1>to do, and he goes, fuck that. He goes on

1:38:38.000 --> 1:38:43.120
<v Speaker 1>the mic the next break and breaks start down. Star

1:38:43.360 --> 1:38:46.920
<v Speaker 1>now has his ammunition because all along Ebro have been

1:38:46.960 --> 1:38:50.720
<v Speaker 1>telling me and Envy don't respond. Stars just trying to

1:38:50.760 --> 1:38:54.479
<v Speaker 1>get a reaction, don't do it. And he said, fuck you.

1:38:55.400 --> 1:38:59.120
<v Speaker 1>Somebody needs to stand up for Jones, and he goes in,

1:39:00.120 --> 1:39:03.080
<v Speaker 1>r goes back, and he goes back start. So now

1:39:03.160 --> 1:39:06.160
<v Speaker 1>it's bigger than meeting No Brown and they're going back

1:39:06.200 --> 1:39:10.080
<v Speaker 1>and forth with each other, and Star went up further

1:39:10.160 --> 1:39:13.320
<v Speaker 1>than he should have gone and said something about Andy's

1:39:13.400 --> 1:39:16.880
<v Speaker 1>daughter wiping her as pennies and taking a bite out

1:39:16.920 --> 1:39:21.639
<v Speaker 1>of it, allegedly. And but but because we had gone

1:39:21.680 --> 1:39:26.639
<v Speaker 1>through tsunami and the wife has is of Asian descent,

1:39:28.040 --> 1:39:31.599
<v Speaker 1>we knew to play. So Envy went to the same man,

1:39:32.200 --> 1:39:33.840
<v Speaker 1>or had his wife go to the same man, John

1:39:33.920 --> 1:39:37.920
<v Speaker 1>Lou and said, look at this man and what he's

1:39:37.920 --> 1:39:41.960
<v Speaker 1>saying about my kids. Their mother's Asian. They're like, if

1:39:42.000 --> 1:39:44.640
<v Speaker 1>you want to fight us for tsunami, bitch, stand up

1:39:44.720 --> 1:39:48.880
<v Speaker 1>the same way. And he did, and Starr had to

1:39:48.920 --> 1:39:51.559
<v Speaker 1>get fired and and we got like millions and millions

1:39:51.600 --> 1:39:56.240
<v Speaker 1>of dollars and sorry, Jalen, your dad made a bad call.

1:39:56.960 --> 1:40:00.880
<v Speaker 1>Could have been us. It's all right, we're coming back now,

1:40:00.880 --> 1:40:04.280
<v Speaker 1>a right to come back, come back, coming back, and

1:40:04.400 --> 1:40:07.320
<v Speaker 1>so we're back. And so that's what happened. That's what

1:40:07.479 --> 1:40:11.920
<v Speaker 1>fueled that whole envying and star and people think, oh,

1:40:12.080 --> 1:40:14.200
<v Speaker 1>Envy's a snitch. You're not a snitch when you're protecting

1:40:14.240 --> 1:40:16.360
<v Speaker 1>your children, because there are a lot of crazies out

1:40:16.400 --> 1:40:19.720
<v Speaker 1>here that will hear someone say something and it's a

1:40:19.760 --> 1:40:22.559
<v Speaker 1>clarion call to let me go and shoot his daughter,

1:40:22.880 --> 1:40:24.680
<v Speaker 1>or let me go in the white mannaise between her

1:40:25.000 --> 1:40:28.080
<v Speaker 1>ask and all those things. So Envy he did, I

1:40:28.160 --> 1:40:32.200
<v Speaker 1>feel the responsible thing. And after that start got fired

1:40:33.520 --> 1:40:37.360
<v Speaker 1>from Power one oh five. And then soon thereafter I

1:40:37.439 --> 1:40:40.360
<v Speaker 1>think I left, and then and the wound up where

1:40:40.360 --> 1:40:42.439
<v Speaker 1>he wound up. But then he wound up at Power,

1:40:42.600 --> 1:40:45.240
<v Speaker 1>and I don't even know how he got here, but

1:40:45.760 --> 1:40:48.720
<v Speaker 1>that's what happened. At what point, do you guys all

1:40:48.800 --> 1:40:52.600
<v Speaker 1>feel that or do you ever feel that y'all are

1:40:52.680 --> 1:40:56.720
<v Speaker 1>just pawns in these corporate people's game. Never because the

1:40:56.800 --> 1:41:00.200
<v Speaker 1>money is so good, because y'all just fighting. They're fighting, You'll,

1:41:06.000 --> 1:41:09.040
<v Speaker 1>it's understood though the fight is is they're just it's

1:41:09.439 --> 1:41:14.640
<v Speaker 1>the corporations are are vuying for advertisement and then you

1:41:14.760 --> 1:41:16.600
<v Speaker 1>guys are taking it to the streets. Well to the

1:41:16.680 --> 1:41:21.120
<v Speaker 1>point of us us not getting corporate money, like the

1:41:21.200 --> 1:41:25.040
<v Speaker 1>corporate is we were minding our busin is having our kids.

1:41:25.280 --> 1:41:29.960
<v Speaker 1>You're the one calling them autistic and down syndrome, like

1:41:30.439 --> 1:41:33.519
<v Speaker 1>you're saying the other hosts right when I'm trying to say,

1:41:33.600 --> 1:41:36.479
<v Speaker 1>like why are they going that low? Why y'all have

1:41:36.600 --> 1:41:38.720
<v Speaker 1>to respond like at the end of the day, these

1:41:38.800 --> 1:41:42.519
<v Speaker 1>companies and nobody's saying nothing about the executive due at

1:41:42.520 --> 1:41:46.000
<v Speaker 1>the top his kids by cousin, you know, that would

1:41:46.000 --> 1:41:50.080
<v Speaker 1>be shut down so that they probably knew this. Oh

1:41:50.200 --> 1:41:52.720
<v Speaker 1>this is great ratings. Oh this is great. But we're

1:41:52.800 --> 1:41:54.559
<v Speaker 1>caught up in emotion, do you know what I mean?

1:41:55.280 --> 1:41:59.559
<v Speaker 1>Like we're protecting our image or our children or our kids.

1:42:00.640 --> 1:42:03.880
<v Speaker 1>We don't want them like you you protect your kids

1:42:04.600 --> 1:42:06.760
<v Speaker 1>and you're not thinking of oh but this is really

1:42:06.800 --> 1:42:09.479
<v Speaker 1>employed by corporate Well you can't at that point. I'm

1:42:09.520 --> 1:42:12.120
<v Speaker 1>just saying before you get to that point, like why

1:42:12.240 --> 1:42:14.559
<v Speaker 1>is everybody even allowing it to get to that point?

1:42:14.720 --> 1:42:17.160
<v Speaker 1>That's a good point. I think we need another shot

1:42:20.800 --> 1:42:28.400
<v Speaker 1>Peter Rosenberg. We had Peter Rosenberg. Peter Rosenberg asked me,

1:42:28.560 --> 1:42:32.040
<v Speaker 1>asked me what you read books with him too? I

1:42:32.120 --> 1:42:36.519
<v Speaker 1>saw him on your shower and he said, he said that,

1:42:38.120 --> 1:42:40.600
<v Speaker 1>you know, he felt like you didn't like him. He

1:42:40.680 --> 1:42:44.759
<v Speaker 1>feelt like he said, he was an implant for Hebro

1:42:45.840 --> 1:42:48.040
<v Speaker 1>and he admitted to it. He admitted to that ship,

1:42:48.200 --> 1:42:52.120
<v Speaker 1>he said, and without knowing he was bitch. You knew

1:42:52.120 --> 1:42:55.320
<v Speaker 1>you wanted to be on air, nothing else. You knew

1:42:55.360 --> 1:42:58.240
<v Speaker 1>you wanted to be on the morning show. But I'm

1:42:58.320 --> 1:43:02.800
<v Speaker 1>from Queens and I knew you wanted to be You

1:43:02.880 --> 1:43:05.400
<v Speaker 1>don't know the m play. I saw the play. I

1:43:05.520 --> 1:43:10.960
<v Speaker 1>saw the play. I newdn't want it, and so Abril

1:43:11.080 --> 1:43:16.160
<v Speaker 1>brought him. I said, who wouldn't want? Who wouldn't want?

1:43:16.240 --> 1:43:20.120
<v Speaker 1>The one the morning shot? And so when Abril brought

1:43:20.200 --> 1:43:23.839
<v Speaker 1>him to my attention, I asked, he Bro, what's this background?

1:43:24.080 --> 1:43:27.120
<v Speaker 1>Because again it's all business. I want to win. So

1:43:27.280 --> 1:43:30.639
<v Speaker 1>whoever you bring in short of them doing a tsunami song,

1:43:31.080 --> 1:43:34.080
<v Speaker 1>I'm here for. When he brought him in and I

1:43:34.160 --> 1:43:40.640
<v Speaker 1>interviewed him, his credentials didn't necessarily match up with the

1:43:40.760 --> 1:43:47.600
<v Speaker 1>position because he was making like college doovers like, what

1:43:47.800 --> 1:43:51.680
<v Speaker 1>is it called parodies? Parodies? He's doing college parodies right,

1:43:52.200 --> 1:43:54.439
<v Speaker 1>And I'm at a point in my because by this

1:43:54.520 --> 1:43:56.360
<v Speaker 1>time our show has been on for at least two

1:43:56.400 --> 1:44:00.320
<v Speaker 1>or three years. I need next level parody. It's got

1:44:00.360 --> 1:44:03.400
<v Speaker 1>me in trouble. So as I'm talking to him and

1:44:03.439 --> 1:44:06.959
<v Speaker 1>I'm interviewing him, and of course there's a raised eyebrow.

1:44:07.760 --> 1:44:12.439
<v Speaker 1>So after Tsunami, let me just explain that me and

1:44:12.640 --> 1:44:17.160
<v Speaker 1>the and and Tay had become like this because we

1:44:17.240 --> 1:44:21.360
<v Speaker 1>realized that the evil was hired. Is Evil hired after that?

1:44:21.400 --> 1:44:24.479
<v Speaker 1>Because Abril had been hired when tsunami happens, like the

1:44:24.640 --> 1:44:27.160
<v Speaker 1>Empty like he used to play pool all the time.

1:44:27.200 --> 1:44:32.600
<v Speaker 1>He was like the empty, great guy, I have no

1:44:32.720 --> 1:44:39.280
<v Speaker 1>bad stories, like pop is like cool, No, he's good

1:44:39.960 --> 1:44:45.280
<v Speaker 1>by the time he's the Empty's empty? Actually no, yeah,

1:44:45.320 --> 1:44:48.200
<v Speaker 1>he's empty. And John Demic is the p d okay,

1:44:48.560 --> 1:44:51.600
<v Speaker 1>so he comes. So he comes because the tsunami, the

1:44:51.680 --> 1:44:55.040
<v Speaker 1>tsunami thing rocked my morning show so badly that we

1:44:55.200 --> 1:44:59.679
<v Speaker 1>needed someone that was completely uninvolved in our shenanigans. Ebro

1:45:00.200 --> 1:45:03.280
<v Speaker 1>enters to be and then we hired Todd Lynn and

1:45:03.320 --> 1:45:06.840
<v Speaker 1>then we hire Garfield the comedian, just to have a

1:45:06.920 --> 1:45:09.040
<v Speaker 1>lot of ship going on, so you guys, forget about

1:45:09.560 --> 1:45:11.920
<v Speaker 1>all the bad things that were attached to us before

1:45:12.760 --> 1:45:16.080
<v Speaker 1>corporate comes to him and says, you can't be p

1:45:16.240 --> 1:45:19.680
<v Speaker 1>D or m D and beyond the morning show make

1:45:19.720 --> 1:45:22.080
<v Speaker 1>a decision. Because so all right, so let me just

1:45:22.160 --> 1:45:27.760
<v Speaker 1>ask you something. He's coming from California when he came out.

1:45:27.880 --> 1:45:30.439
<v Speaker 1>I was in Philly. Tracy did that? I know what

1:45:30.479 --> 1:45:32.800
<v Speaker 1>I'm asking you was he owned a station in California.

1:45:33.000 --> 1:45:35.559
<v Speaker 1>He was in the UH some something in the Bay

1:45:35.600 --> 1:45:37.720
<v Speaker 1>Area and still be in the empty and still being

1:45:37.760 --> 1:45:39.760
<v Speaker 1>the p No, no, no, he no, he'd been quit

1:45:39.880 --> 1:45:41.800
<v Speaker 1>that when Tracy Colton to come to New York. He

1:45:41.920 --> 1:45:44.840
<v Speaker 1>was done with that. He was in the office at

1:45:44.880 --> 1:45:47.120
<v Speaker 1>HoTT in the seventh but he stepped up when they

1:45:47.200 --> 1:45:49.560
<v Speaker 1>wanted us off the air for Tsunami. So it is

1:45:49.600 --> 1:45:53.120
<v Speaker 1>that weird because you know, this is the like Tracy

1:45:53.200 --> 1:45:57.600
<v Speaker 1>Clarity didn't do that, these other pds didn't do that.

1:45:57.840 --> 1:46:00.479
<v Speaker 1>Is that weird? I'm sorry, I'm I asking that you're not.

1:46:01.760 --> 1:46:08.000
<v Speaker 1>Actually I'm sorry, because it's totally weird. It's we that's

1:46:08.000 --> 1:46:11.240
<v Speaker 1>your program director becomes part of your morning This is

1:46:11.760 --> 1:46:14.559
<v Speaker 1>exactly what he was talking about if you come to us,

1:46:14.880 --> 1:46:26.320
<v Speaker 1>you know, the morning. But at that point we were

1:46:26.400 --> 1:46:30.640
<v Speaker 1>so desperate and concerned about salvaging our show, and we

1:46:30.760 --> 1:46:33.640
<v Speaker 1>knew that Ebro had done radio in the sack that

1:46:33.760 --> 1:46:40.840
<v Speaker 1>We're like, we just need bot conferences by sacrament Sacramento. Sorry, sorry, um.

1:46:41.160 --> 1:46:43.880
<v Speaker 1>He had done successful radio and Sacramento. So we just

1:46:43.960 --> 1:46:47.120
<v Speaker 1>needed competent bodies in the room that we could trust

1:46:47.720 --> 1:46:51.200
<v Speaker 1>to keep the engine moving forward. But it came a

1:46:51.320 --> 1:46:55.120
<v Speaker 1>point where corporate came to him and said, you're great

1:46:55.160 --> 1:46:57.560
<v Speaker 1>in mornings, and you're great as a program director, but

1:46:57.720 --> 1:46:59.920
<v Speaker 1>you need to pick a side. Nigga, what you wanna?

1:47:00.680 --> 1:47:02.799
<v Speaker 1>So he said to me, it's up to Miss Sjans

1:47:03.680 --> 1:47:08.960
<v Speaker 1>And I said, I wonder if this is bad. I

1:47:09.040 --> 1:47:11.000
<v Speaker 1>wanted things would have been different had I not said this.

1:47:12.760 --> 1:47:16.400
<v Speaker 1>I wonder what you're about to say. He said, it's

1:47:16.479 --> 1:47:18.599
<v Speaker 1>up to miss Jones. You want me on your show,

1:47:18.640 --> 1:47:22.000
<v Speaker 1>you want me to go back to the office. Okay,

1:47:22.080 --> 1:47:26.400
<v Speaker 1>let's just be clear. This is very big moment. But

1:47:26.479 --> 1:47:29.800
<v Speaker 1>you're about the answer. So I want you to We're

1:47:29.840 --> 1:47:36.439
<v Speaker 1>saying Spanish is coming because I want you to be

1:47:36.600 --> 1:47:40.200
<v Speaker 1>clear what we said. You're saying that there was a

1:47:40.400 --> 1:47:44.719
<v Speaker 1>time were evil had a chance to go back behind

1:47:44.880 --> 1:47:50.240
<v Speaker 1>the deaths or be in front of the microphole. Name

1:47:50.400 --> 1:47:55.360
<v Speaker 1>the microphone name, And he said it depends on UPTI

1:47:55.360 --> 1:47:59.160
<v Speaker 1>miss Jones whatever she wants. And what did you say?

1:48:01.320 --> 1:48:05.960
<v Speaker 1>You're more useful to me in the back office, so

1:48:06.160 --> 1:48:13.800
<v Speaker 1>I can know what the white boys are thinking. But

1:48:14.040 --> 1:48:21.600
<v Speaker 1>had Ebro. But had Ebrol told me his sincere intention

1:48:22.000 --> 1:48:27.400
<v Speaker 1>or desire to do radios. Well, he brought in Rosenberg

1:48:27.840 --> 1:48:30.280
<v Speaker 1>and we saw that play. It's the let me throw

1:48:30.320 --> 1:48:32.479
<v Speaker 1>you off a big boy, And I'll put Rosenberg with

1:48:32.560 --> 1:48:34.439
<v Speaker 1>Cipher because I know that's going to fail, and then

1:48:34.479 --> 1:48:38.240
<v Speaker 1>I'll slide in. It will be me and Rosenberg and

1:48:38.360 --> 1:48:41.920
<v Speaker 1>that's where they are now. But had he told me,

1:48:43.520 --> 1:48:47.400
<v Speaker 1>but sometimes men don't want to admit to women a

1:48:47.560 --> 1:48:55.640
<v Speaker 1>sense of power over. Do you know if I'm a

1:48:55.760 --> 1:48:58.880
<v Speaker 1>woman and I have maybe part of your faith in

1:48:59.000 --> 1:49:02.360
<v Speaker 1>my hands, that's like a play that you kind of

1:49:02.439 --> 1:49:06.519
<v Speaker 1>have no control in. Women tend to be sometimes emotional.

1:49:07.479 --> 1:49:11.880
<v Speaker 1>Jonesy even more so. I'm not sure he felt comfortable

1:49:11.920 --> 1:49:13.639
<v Speaker 1>telling me that he really wanted to do morning radio

1:49:14.600 --> 1:49:17.200
<v Speaker 1>alongside me, or maybe he just wanted to take it over.

1:49:18.080 --> 1:49:21.240
<v Speaker 1>But the point is he brought Rosenberg in under the

1:49:21.360 --> 1:49:25.360
<v Speaker 1>guise of being a producer for me when all along,

1:49:25.840 --> 1:49:32.400
<v Speaker 1>says Regal, what's the do name? I thought about the

1:49:32.479 --> 1:49:46.519
<v Speaker 1>dream but Anthony all right, so he broke in. He

1:49:46.680 --> 1:49:54.040
<v Speaker 1>brought in, He brought in Rosenberg. Well, even if he

1:49:54.120 --> 1:49:57.200
<v Speaker 1>wasn't going to be utilized as a spy, he damn sure,

1:49:57.200 --> 1:50:02.320
<v Speaker 1>I wasn't gonna be produced. Well, that's what Rosenberg. But

1:50:02.520 --> 1:50:05.840
<v Speaker 1>that's how they He's like, Miss Joe's ready. He did.

1:50:05.960 --> 1:50:08.000
<v Speaker 1>He picked you up. Now I saw him. I said,

1:50:10.439 --> 1:50:16.439
<v Speaker 1>thank you, Peter Man one dye. Never wanted to like you,

1:50:16.560 --> 1:50:20.320
<v Speaker 1>by the way, but you have integrity. But but I

1:50:20.400 --> 1:50:23.880
<v Speaker 1>saw the play. I'm from Queen, you know, so I

1:50:24.040 --> 1:50:28.000
<v Speaker 1>knew you don't have producer credit. Ebro is the only

1:50:28.080 --> 1:50:29.880
<v Speaker 1>one co signing you. Evil is the only one that

1:50:30.000 --> 1:50:33.679
<v Speaker 1>knows you. And here you go. If Ebrol had said

1:50:33.840 --> 1:50:36.040
<v Speaker 1>that I have interested, if Ebrol had just told me

1:50:36.560 --> 1:50:40.280
<v Speaker 1>he wanted to do mornings, nig come on, you wrote

1:50:40.320 --> 1:50:43.040
<v Speaker 1>when I starting Soonami, come on, you saved me. Come on.

1:50:43.760 --> 1:50:45.439
<v Speaker 1>But he was like, oh, what's up to miss Jones?

1:50:45.720 --> 1:50:48.640
<v Speaker 1>So here I go. Well, Nigga, I need somebody in

1:50:48.680 --> 1:50:51.880
<v Speaker 1>the back office and tell me, what's going there? When

1:50:51.920 --> 1:50:54.200
<v Speaker 1>he actually picked you? You you picked him in the

1:50:54.240 --> 1:50:57.639
<v Speaker 1>back office. Was that something that he was like, Oh damn,

1:50:57.720 --> 1:51:01.240
<v Speaker 1>it's Joe's I didn't pick him. I think you said

1:51:01.280 --> 1:51:03.160
<v Speaker 1>you because you had a choice. You had a choice.

1:51:03.439 --> 1:51:05.320
<v Speaker 1>Oh at that point? Oh yeah, Well I don't know

1:51:05.479 --> 1:51:08.360
<v Speaker 1>what do you think? I don't know what you were

1:51:08.400 --> 1:51:10.760
<v Speaker 1>doing whatever he might have been doing with Rosenberg in

1:51:11.120 --> 1:51:13.920
<v Speaker 1>all honesty, but what should I have done? I don't

1:51:13.960 --> 1:51:16.120
<v Speaker 1>know how to better have played that because I'm feeling

1:51:16.200 --> 1:51:19.160
<v Speaker 1>like me and Ebral were cool, like Ebrol knows like

1:51:19.240 --> 1:51:20.960
<v Speaker 1>he knows all that, he knows where the body is

1:51:20.960 --> 1:51:23.120
<v Speaker 1>a burn with me. So if you're feeling that you

1:51:23.200 --> 1:51:25.240
<v Speaker 1>want to do mornings, nigga telling me because they asked

1:51:25.280 --> 1:51:28.080
<v Speaker 1>Corporate wants me to give them an answer, and he's like, no,

1:51:28.600 --> 1:51:33.920
<v Speaker 1>it's completely your decision. Actually, he's the p D at

1:51:33.960 --> 1:51:38.320
<v Speaker 1>the time, and and and I didn't feel ever like

1:51:38.520 --> 1:51:40.439
<v Speaker 1>he was my p D. I was felt like Ebral

1:51:40.520 --> 1:51:43.880
<v Speaker 1>always made me feel like we were like creative equals.

1:51:46.280 --> 1:51:48.519
<v Speaker 1>So I'm feeling like he would have told me because

1:51:48.560 --> 1:51:50.720
<v Speaker 1>I used to tell him stuff that I need that

1:51:50.760 --> 1:51:54.000
<v Speaker 1>billboard or Ebron, you know, can I get this, So

1:51:54.120 --> 1:51:55.760
<v Speaker 1>I figured he would have told me if he really

1:51:55.800 --> 1:51:59.880
<v Speaker 1>wanted to land on mornings, but he never did. And

1:52:00.120 --> 1:52:04.280
<v Speaker 1>so I'm seeing Rosenberg. You are coming out of nowhere, bitch, please,

1:52:06.400 --> 1:52:19.200
<v Speaker 1>I'm no by So let's just say yeah, exactly, another

1:52:19.280 --> 1:52:24.680
<v Speaker 1>drink a shot, not bit. This is the one you

1:52:24.760 --> 1:52:28.639
<v Speaker 1>want to talk to yourself too, But this is your show,

1:52:29.640 --> 1:52:34.800
<v Speaker 1>jes No, you're helping me figure out my life. You are.

1:52:35.000 --> 1:52:36.479
<v Speaker 1>You are figuring it out on your own. You just

1:52:36.560 --> 1:52:39.679
<v Speaker 1>talk to yourself, and it's amazing my therapist that I'd

1:52:39.680 --> 1:52:41.040
<v Speaker 1>be having a lot of ship in my head. I

1:52:41.120 --> 1:52:42.920
<v Speaker 1>just need to sort it out. So can I come

1:52:42.960 --> 1:52:46.920
<v Speaker 1>here like once a month in your let's do it?

1:52:47.000 --> 1:52:48.400
<v Speaker 1>One of the people you put on? I got. I

1:52:48.439 --> 1:52:51.200
<v Speaker 1>gotta note of this ship. Hold on, I love it.

1:52:51.600 --> 1:52:54.280
<v Speaker 1>I'm trying to get checks out of the hold on. Yeah,

1:52:55.080 --> 1:52:58.920
<v Speaker 1>who who you holding over? Bro? Why you didn't tell me?

1:52:59.320 --> 1:53:03.800
<v Speaker 1>Bro in the mean produce a way better than Rosenberg.

1:53:03.880 --> 1:53:06.200
<v Speaker 1>Let me tell you on the meantime. Hold in the meantime,

1:53:06.240 --> 1:53:08.240
<v Speaker 1>I was trying. I have like three different numbers. I'm

1:53:08.240 --> 1:53:11.160
<v Speaker 1>only love right, So the one I decided to text

1:53:11.840 --> 1:53:16.120
<v Speaker 1>FaceTime on drink shop with Mrs Jones. Cool, we're talking

1:53:16.160 --> 1:53:24.880
<v Speaker 1>about Tupac stories present, wrong number. Motherfucker will never that's one.

1:53:25.439 --> 1:53:34.559
<v Speaker 1>That's one of those things. Yeah, she gave Rosenberg, Donnell Rollers,

1:53:35.240 --> 1:53:45.120
<v Speaker 1>Stephen A. Smith, Mike Show, Toddling, Yeah, and all nother

1:53:45.200 --> 1:53:47.840
<v Speaker 1>motherfucker's is working and I'm trying to get back in.

1:53:48.520 --> 1:53:50.639
<v Speaker 1>They all you got, damn you let to both your boss,

1:53:51.040 --> 1:53:58.120
<v Speaker 1>you gotta they gotta come, they go. But whoa, all right?

1:53:58.200 --> 1:54:01.559
<v Speaker 1>All right? We spoke about Stephen A. Smith, Donnell Rolls.

1:54:01.880 --> 1:54:05.160
<v Speaker 1>You worked the Donnelle before he met Chappelle? M hm?

1:54:05.600 --> 1:54:08.680
<v Speaker 1>Or did he meet Chappelle? He just wasn't lit. He

1:54:08.840 --> 1:54:11.599
<v Speaker 1>just can't. How do met Donaille? Roll? No, I think

1:54:12.520 --> 1:54:16.120
<v Speaker 1>he wasn't actually Larry then. I think he had been

1:54:16.120 --> 1:54:21.360
<v Speaker 1>actually Larry then. I don't think no. And so Danelle

1:54:21.479 --> 1:54:24.519
<v Speaker 1>has a so I love comedy, I love laughing, I

1:54:24.600 --> 1:54:28.719
<v Speaker 1>love but Donnelle has a very specific and direct sort

1:54:28.760 --> 1:54:33.480
<v Speaker 1>of comedy and it didn't always translate on radio and

1:54:33.680 --> 1:54:39.760
<v Speaker 1>morning radio more specifically, because just like late night talk

1:54:40.240 --> 1:54:43.080
<v Speaker 1>is different than the view and talk and all those

1:54:44.600 --> 1:54:47.920
<v Speaker 1>you have to I can't describe it, but that's just

1:54:48.040 --> 1:54:51.240
<v Speaker 1>a certain element you have to know what works for

1:54:51.680 --> 1:54:56.320
<v Speaker 1>that day part. And so Donelle, as talented as he

1:54:56.440 --> 1:54:59.320
<v Speaker 1>might have been for maybe a nighttime show, I just

1:54:59.360 --> 1:55:03.040
<v Speaker 1>didn't feel like it. Always showed up for mornings and

1:55:03.160 --> 1:55:06.000
<v Speaker 1>then he would get upset. He would get mad and

1:55:07.400 --> 1:55:10.640
<v Speaker 1>me and he would take bets about whether or not

1:55:10.880 --> 1:55:15.280
<v Speaker 1>he could read copies without making the stakes, and that

1:55:15.520 --> 1:55:20.640
<v Speaker 1>didn't help the club to this day. Serious serious, I

1:55:20.680 --> 1:55:26.560
<v Speaker 1>think from you guys, because is like partners with him

1:55:27.240 --> 1:55:29.440
<v Speaker 1>right for angels, I think the one excluded from the

1:55:29.520 --> 1:55:37.400
<v Speaker 1>beef get to you, you said, Dondell, you and interview

1:55:37.520 --> 1:55:41.000
<v Speaker 1>was the first person who put Donnell continued about that.

1:55:41.320 --> 1:55:43.400
<v Speaker 1>And so like he would come, he would show up

1:55:43.440 --> 1:55:46.880
<v Speaker 1>to work and like we try to let him do

1:55:47.000 --> 1:55:49.160
<v Speaker 1>his thing in the confines of we still got to

1:55:49.160 --> 1:55:51.160
<v Speaker 1>do a show. It's not like us a one man

1:55:51.840 --> 1:55:55.400
<v Speaker 1>stand up. He would get upset. He would get really

1:55:55.520 --> 1:55:59.680
<v Speaker 1>like like upset, upset, like like it's like just In

1:55:59.760 --> 1:56:05.280
<v Speaker 1>Bereen breaks. Yeah, very emotional, but very talented, and most

1:56:05.440 --> 1:56:09.160
<v Speaker 1>artists are emotional. So I got it. But nigga, it's

1:56:09.160 --> 1:56:11.800
<v Speaker 1>a four hour show. I'm not sure. Let's just get

1:56:11.840 --> 1:56:14.440
<v Speaker 1>the fucking white people's checks. Why are you going all out?

1:56:16.320 --> 1:56:19.920
<v Speaker 1>And so he looked at it as maybe a woman

1:56:20.480 --> 1:56:22.920
<v Speaker 1>telling him what he should be doing as opposed to

1:56:23.000 --> 1:56:26.120
<v Speaker 1>what he was doing, or Jones, and who the fuck

1:56:26.160 --> 1:56:28.320
<v Speaker 1>is she? She's not. I don't know, well I know.

1:56:28.840 --> 1:56:33.920
<v Speaker 1>All's I know is that day he did something and

1:56:34.120 --> 1:56:37.880
<v Speaker 1>it wound up melting down and Ebro couldn't fix it,

1:56:38.000 --> 1:56:40.720
<v Speaker 1>and Envy who's the fixer. He's like the Olivia Pope

1:56:40.760 --> 1:56:44.440
<v Speaker 1>of radio. Couldn't fix it. He walked off the show

1:56:44.480 --> 1:56:47.480
<v Speaker 1>and that was it, and I was like, good ricks. Now,

1:56:47.560 --> 1:56:56.080
<v Speaker 1>in hindsight, great talent. Never said anything personally bad to

1:56:56.200 --> 1:57:00.600
<v Speaker 1>me or offensive to my family. It just didn't work

1:57:00.680 --> 1:57:03.560
<v Speaker 1>for what we were already under the thing of tsunami.

1:57:03.640 --> 1:57:05.200
<v Speaker 1>We were trying to build back, we were trying to

1:57:05.240 --> 1:57:08.160
<v Speaker 1>prove ourselves were trying and I can't have somebody fighting

1:57:08.200 --> 1:57:10.200
<v Speaker 1>with me every day when I'm telling you what we

1:57:10.280 --> 1:57:14.680
<v Speaker 1>need to be doing for the people Donna Rawlins and me.

1:57:14.920 --> 1:57:20.120
<v Speaker 1>So I fired him. I fired him. I'm not sure

1:57:20.120 --> 1:57:21.800
<v Speaker 1>if we made noise for that. Just say no, you

1:57:21.800 --> 1:57:28.160
<v Speaker 1>don't make noise for the firing. Come on, we're not

1:57:28.280 --> 1:57:31.720
<v Speaker 1>making noise for firing something. I'm sorry even though you

1:57:31.840 --> 1:57:37.840
<v Speaker 1>did it. He got me back though, three weeks ago,

1:57:38.200 --> 1:57:44.920
<v Speaker 1>me and Wendy. Three weeks ago, we went to Dona

1:57:45.080 --> 1:57:48.360
<v Speaker 1>Rawlins did Carolines opened up for the first time the company,

1:57:48.680 --> 1:57:51.160
<v Speaker 1>and she called the gust Chelsey, this is why you

1:57:51.240 --> 1:57:54.560
<v Speaker 1>need to move back to New York. Dona Rawlins. Wendy's

1:57:54.680 --> 1:58:04.720
<v Speaker 1>calling you after the murder hit. So everything best, That's

1:58:04.760 --> 1:58:08.880
<v Speaker 1>what Andy said, and he's like, whenever I go to

1:58:09.000 --> 1:58:11.920
<v Speaker 1>Wendy's house, He's like, okay, we'll just call me and

1:58:12.000 --> 1:58:14.560
<v Speaker 1>even I gotta it might be the last time, right,

1:58:15.840 --> 1:58:17.760
<v Speaker 1>he said, you feel I feel like you're my daughter

1:58:17.840 --> 1:58:22.880
<v Speaker 1>going to the prom. I'm on waiting like. So she

1:58:23.080 --> 1:58:27.880
<v Speaker 1>calls and she's like, Caroline is open open. This is

1:58:27.880 --> 1:58:30.200
<v Speaker 1>why you need to move to New York. I want

1:58:30.240 --> 1:58:38.600
<v Speaker 1>to go see do and how long will it take

1:58:38.600 --> 1:58:41.360
<v Speaker 1>for you to get here? So I'm like, it's your

1:58:41.440 --> 1:58:44.400
<v Speaker 1>lucky day, bitch, because it's Thursday, and Thursday I hate

1:58:44.480 --> 1:58:47.720
<v Speaker 1>my show with Queen's Flip Me and Miss Jones on

1:58:47.840 --> 1:58:52.360
<v Speaker 1>the Queen's Flip. Um, I'm drinking a lot whatever whatever

1:58:52.560 --> 1:58:56.640
<v Speaker 1>we beg Yeah, already in the city. She don't know

1:58:56.680 --> 1:58:59.520
<v Speaker 1>I'm already in New York. So she's like, my driver's

1:58:59.560 --> 1:59:01.400
<v Speaker 1>down still airs like, you know when you get here.

1:59:01.840 --> 1:59:05.160
<v Speaker 1>So we go to Carolines. When we get there, we're

1:59:05.160 --> 1:59:07.240
<v Speaker 1>a little late, like a lot of late. But so

1:59:07.720 --> 1:59:09.560
<v Speaker 1>they asked, do you want to sit here or do

1:59:09.560 --> 1:59:12.320
<v Speaker 1>you want to sit up front? You know, I'm up front, bitch,

1:59:12.560 --> 1:59:15.360
<v Speaker 1>I've been at home for like So she's like, let's go.

1:59:15.640 --> 1:59:18.120
<v Speaker 1>We sit up front and Donnell Rowlands stops the show

1:59:18.200 --> 1:59:23.320
<v Speaker 1>to go is that Ms Jones my former boss that

1:59:23.440 --> 1:59:27.560
<v Speaker 1>fired me? When your boss shows up to your new gig?

1:59:29.080 --> 1:59:33.360
<v Speaker 1>So he got me, he got me. I mean he

1:59:34.160 --> 1:59:36.280
<v Speaker 1>made a few jobs, but I was like, just make

1:59:36.320 --> 1:59:40.280
<v Speaker 1>sure you're funny tonight, nigga. He didn't go hard. Thank

1:59:40.320 --> 1:59:46.200
<v Speaker 1>you for not going hard because Wendy about Wendy, but

1:59:46.320 --> 1:59:48.400
<v Speaker 1>he said, well, so people will go with how do

1:59:48.480 --> 1:59:50.400
<v Speaker 1>you doing? With everybody in the audience was going how

1:59:50.440 --> 1:59:51.840
<v Speaker 1>are you doing? When we So by the time we

1:59:51.920 --> 1:59:53.800
<v Speaker 1>set at our table, which is right in front of

1:59:53.840 --> 1:59:59.520
<v Speaker 1>the same so he's like, hen Wendy Williams. So everyone

1:59:59.640 --> 2:00:03.360
<v Speaker 1>stands off and they're applauding, and they can't believe it

2:00:03.560 --> 2:00:09.000
<v Speaker 1>because last they heard she was trying to all right,

2:00:09.040 --> 2:00:11.360
<v Speaker 1>but let's be clear, that's the crowd of how they

2:00:11.480 --> 2:00:15.080
<v Speaker 1>feel how do you feel with your ex murder? So

2:00:15.280 --> 2:00:21.640
<v Speaker 1>mea when so so so I said that wrong together.

2:00:24.520 --> 2:00:27.320
<v Speaker 1>I did not mean like that. But even if this

2:00:27.480 --> 2:00:30.520
<v Speaker 1>is allegedly, if it's not allegedly, this is a story

2:00:30.600 --> 2:00:34.840
<v Speaker 1>that brewed in the goddamn public eye. And you said,

2:00:34.880 --> 2:00:37.240
<v Speaker 1>I believe that. Let's be honest, I said, but I

2:00:37.360 --> 2:00:39.360
<v Speaker 1>felt at the time that my husband, who I told you,

2:00:39.480 --> 2:00:41.520
<v Speaker 1>was in the streets and he was cool. He was

2:00:41.560 --> 2:00:43.920
<v Speaker 1>like he died it right, And I never heard anything

2:00:43.960 --> 2:00:47.080
<v Speaker 1>anymore blowback. Him and keV knew each other. Well, they

2:00:47.160 --> 2:00:52.120
<v Speaker 1>got to know whoever my ex husband knew that touched keV.

2:00:53.000 --> 2:00:56.440
<v Speaker 1>Supposedly keV was touched and the problem was touched. Like

2:00:56.480 --> 2:00:59.840
<v Speaker 1>stop it right, I'm sorry, I don't know what tested me,

2:01:00.280 --> 2:01:10.640
<v Speaker 1>and let's stop it. Let's stop it right right. You

2:01:10.760 --> 2:01:14.800
<v Speaker 1>need to stop it, man, I've been stopped in a

2:01:14.880 --> 2:01:30.200
<v Speaker 1>long time, teacher, you know. So it really fully forgives

2:01:30.880 --> 2:01:34.280
<v Speaker 1>Wendy even thinking a long no, I didn't. Here's what happened.

2:01:34.800 --> 2:01:37.960
<v Speaker 1>So long. I love your artist. No funk her because

2:01:38.960 --> 2:01:46.080
<v Speaker 1>no no fun her, because no funk Wendy. Because here's

2:01:46.120 --> 2:01:50.320
<v Speaker 1>the thing. So after all these years, right, she never

2:01:50.520 --> 2:01:53.880
<v Speaker 1>bothered after Kevin did all that ship that he did,

2:01:54.400 --> 2:01:56.600
<v Speaker 1>and you knew what Kevil you do. Kevin's come back.

2:01:57.760 --> 2:02:00.120
<v Speaker 1>I told Wendy the day I met Kevin, because she

2:02:00.360 --> 2:02:03.640
<v Speaker 1>asked me to come and prove him. And when she

2:02:03.840 --> 2:02:07.200
<v Speaker 1>got out of the car to go into the store. No,

2:02:07.360 --> 2:02:09.800
<v Speaker 1>he wasn't, but he was like, yeah, I said, you know,

2:02:09.880 --> 2:02:14.000
<v Speaker 1>Wendy's gonna be big one day. She can't have regular

2:02:14.080 --> 2:02:18.600
<v Speaker 1>nigger handling. You need to step it up, he said,

2:02:18.720 --> 2:02:20.480
<v Speaker 1>I know. And when she blow up, I'm gonna be

2:02:20.600 --> 2:02:23.520
<v Speaker 1>right there. You ain't got to tell me twice what

2:02:23.640 --> 2:02:28.280
<v Speaker 1>that looks like. But I told Wendy, and I guess

2:02:28.320 --> 2:02:31.160
<v Speaker 1>she was like, it doesn't matter. Jones, he probably had

2:02:31.200 --> 2:02:40.040
<v Speaker 1>so much more. I'm marrying him, and so you know,

2:02:40.280 --> 2:02:41.960
<v Speaker 1>as a friend, you're like, you don't want to be

2:02:42.040 --> 2:02:44.600
<v Speaker 1>that bitch that's be like, no, don't fucking marry him

2:02:44.800 --> 2:02:48.400
<v Speaker 1>page No. So I was actually at the engagement party,

2:02:49.320 --> 2:02:52.640
<v Speaker 1>and so he put wedges between us throughout the years.

2:02:53.080 --> 2:02:55.400
<v Speaker 1>You know, whatever I did, she was on BLS. She

2:02:55.440 --> 2:02:59.160
<v Speaker 1>would take jabs whatever her and star enemy of my

2:02:59.360 --> 2:03:04.560
<v Speaker 1>enemy is my friend. Everybody tore me down. But after

2:03:05.600 --> 2:03:10.520
<v Speaker 1>her divorce, which is recent, and her mom passed away,

2:03:10.600 --> 2:03:15.840
<v Speaker 1>which is also recent. Yeah, and then I came back

2:03:16.320 --> 2:03:19.480
<v Speaker 1>on the scene in February. So I'm on i G

2:03:19.720 --> 2:03:24.240
<v Speaker 1>Live and someone asked about the murder and I'm telling them.

2:03:24.960 --> 2:03:33.280
<v Speaker 1>Someone added, Mr c don't ask me why what theams?

2:03:35.040 --> 2:03:38.360
<v Speaker 1>So somebody in that live, some random person added him.

2:03:38.440 --> 2:03:41.480
<v Speaker 1>Next thing I know, he's requesting to be camped up.

2:03:42.400 --> 2:03:48.560
<v Speaker 1>That's okay that and so I camped him up. He's like,

2:03:49.080 --> 2:03:51.520
<v Speaker 1>what happened with what you'all talking about Wendy? And I

2:03:51.640 --> 2:03:55.400
<v Speaker 1>told him, I said, I never got resolved, like why

2:03:55.440 --> 2:03:59.360
<v Speaker 1>would you let that nigga and like influence you to

2:03:59.480 --> 2:04:04.760
<v Speaker 1>have me taken out? Because even if he wasn't ve children,

2:04:05.400 --> 2:04:10.000
<v Speaker 1>saying like keV influence Mrs Mrs Mr was down. No,

2:04:10.200 --> 2:04:12.560
<v Speaker 1>he knew no, no, we all knew what seven what

2:04:12.640 --> 2:04:14.280
<v Speaker 1>Kevin Wendy was doing because they might be less at

2:04:14.320 --> 2:04:19.600
<v Speaker 1>the time. And so I said, anybody trying to get

2:04:19.760 --> 2:04:22.520
<v Speaker 1>in favor with Kevin or Wendy could have taken that

2:04:22.720 --> 2:04:26.440
<v Speaker 1>murder thing seriously and killed me or my kids just

2:04:26.520 --> 2:04:31.400
<v Speaker 1>trying to get someone down with them fired by whatever

2:04:31.840 --> 2:04:34.160
<v Speaker 1>was talking somebody to say, what are you doing all day?

2:04:34.280 --> 2:04:40.520
<v Speaker 1>Like you know, doing right? Right? Anybody. So he said, um,

2:04:41.760 --> 2:04:44.400
<v Speaker 1>a lot of ships that Wendy. A lot of ship

2:04:44.520 --> 2:04:47.320
<v Speaker 1>was Kevin and not so much Wendy. He said, when

2:04:47.360 --> 2:04:49.480
<v Speaker 1>obviously Mr C is saying when I did what I

2:04:49.600 --> 2:04:53.600
<v Speaker 1>did with the transvest sides, and allegedly it was all Kevin.

2:04:54.080 --> 2:04:56.920
<v Speaker 1>Wait that get involved in this, because he's on the

2:04:57.040 --> 2:04:59.520
<v Speaker 1>live saying he's trying to explain to me that it

2:04:59.560 --> 2:05:03.640
<v Speaker 1>wasn't Dy, was more Kevin. That Kevin was pushing Wendy

2:05:03.920 --> 2:05:10.640
<v Speaker 1>to push that whole transsexualstor whatever the funker was narrative, Yeah,

2:05:11.000 --> 2:05:15.840
<v Speaker 1>because because listen, you'll get it. When Wendy went to

2:05:15.880 --> 2:05:20.680
<v Speaker 1>Blast She's opposite of Hot ninety seven, keV allegedly wanted Mr.

2:05:20.800 --> 2:05:23.920
<v Speaker 1>She to keep riding with Wendy season the contract at

2:05:24.000 --> 2:05:27.680
<v Speaker 1>Hot so he can't. keV gets mad. So now Kevi

2:05:27.880 --> 2:05:30.800
<v Speaker 1>hates Mr C. Let me put a battery and my

2:05:30.960 --> 2:05:38.240
<v Speaker 1>wife's back to talk about Mr She talk about put

2:05:38.280 --> 2:05:45.840
<v Speaker 1>that out right. So she used to say dj U,

2:05:46.760 --> 2:05:50.560
<v Speaker 1>which we know dj is dj Mr C, and she

2:05:50.600 --> 2:05:53.160
<v Speaker 1>would say all the stuff. But to the point when

2:05:53.200 --> 2:05:55.760
<v Speaker 1>he came on that live that night with Me and

2:05:55.920 --> 2:05:59.680
<v Speaker 1>Queens Flip, he said, a lot of that ship was

2:05:59.720 --> 2:06:02.200
<v Speaker 1>not Andy was Kevin, and I know it's easy to

2:06:02.360 --> 2:06:04.800
<v Speaker 1>like blame Wendy now because she's going through this whole

2:06:04.840 --> 2:06:08.760
<v Speaker 1>public humiliation about blah blah. But I think if you

2:06:08.840 --> 2:06:11.880
<v Speaker 1>and Wendy would talk, y'all could find some resolve and

2:06:12.000 --> 2:06:14.480
<v Speaker 1>either decide to be friends again or to walk away.

2:06:15.680 --> 2:06:17.600
<v Speaker 1>So he said, do you want me to call her?

2:06:17.640 --> 2:06:21.560
<v Speaker 1>And I'm like, sure, whatever. He calls her, and he

2:06:22.000 --> 2:06:24.160
<v Speaker 1>and and I guess it was a great conversation because

2:06:24.200 --> 2:06:26.040
<v Speaker 1>he calls me and goes, I don't know you was

2:06:26.080 --> 2:06:28.760
<v Speaker 1>at her engagement party. She wants to talk to you.

2:06:29.200 --> 2:06:31.200
<v Speaker 1>She's like, oh, Joe, I want to say, oh my god,

2:06:31.240 --> 2:06:32.680
<v Speaker 1>oh my god. So he goes, so I gave her

2:06:32.680 --> 2:06:36.880
<v Speaker 1>your number, she's gonna call so me, I call Endy.

2:06:37.640 --> 2:06:41.320
<v Speaker 1>Mike Sewan and like Wendy's supposedly gonna call me by

2:06:41.360 --> 2:06:44.760
<v Speaker 1>blah blah blah. As we're talking, she beats in on

2:06:44.880 --> 2:06:47.440
<v Speaker 1>the other line, so I clicked all It's just like,

2:06:48.240 --> 2:06:51.840
<v Speaker 1>oh my god, Jos, I've missed you so much. How

2:06:51.920 --> 2:06:53.920
<v Speaker 1>are you what's going on? And then we talked for

2:06:54.000 --> 2:06:57.200
<v Speaker 1>like three hours, and then two days later she calls

2:06:57.240 --> 2:06:59.760
<v Speaker 1>and she's like, bitch, I'm on my way to your house,

2:07:00.040 --> 2:07:03.160
<v Speaker 1>and I'm like, bitch, you ain't got my address, Just

2:07:03.360 --> 2:07:06.000
<v Speaker 1>like bitch I needed because we're close, So give her

2:07:06.000 --> 2:07:08.440
<v Speaker 1>the address. She pulls up to my house and we

2:07:08.600 --> 2:07:12.600
<v Speaker 1>sit there for like four hours. No in Jersey where

2:07:12.600 --> 2:07:15.760
<v Speaker 1>I live now. She pulls up to the house. He's

2:07:15.800 --> 2:07:18.400
<v Speaker 1>at boarding school, but he still has my ring app

2:07:18.640 --> 2:07:22.160
<v Speaker 1>on his phone, so he sees every man, every woman

2:07:22.360 --> 2:07:26.920
<v Speaker 1>coming in and out of mommy's house. Yeah, so he's like, yo,

2:07:28.040 --> 2:07:30.880
<v Speaker 1>is that aunt Wendy? And she comes in and we

2:07:31.080 --> 2:07:35.600
<v Speaker 1>talk and and it just was like it's even though,

2:07:37.080 --> 2:07:43.360
<v Speaker 1>because when that phone murdering, it's not murdering. Yeah. Yeah,

2:07:43.600 --> 2:07:45.480
<v Speaker 1>I ain't gonna lie. When I google that ship, I

2:07:45.720 --> 2:07:48.080
<v Speaker 1>was like, show shot because I remember it back in

2:07:48.160 --> 2:07:50.960
<v Speaker 1>the days when I had to google you because get

2:07:51.000 --> 2:07:53.400
<v Speaker 1>my friend and I love you just cause you don't

2:07:53.400 --> 2:07:56.680
<v Speaker 1>know people. Yeah. So when I looked at it, I

2:07:56.800 --> 2:07:58.840
<v Speaker 1>was like, damn, but what did they get that I

2:07:59.040 --> 2:08:03.720
<v Speaker 1>really did? One of the Andy won't and he's like, oh, yeah, okay, whatever,

2:08:03.960 --> 2:08:06.080
<v Speaker 1>I still got my I Wendy Vy won't let it go.

2:08:06.800 --> 2:08:10.200
<v Speaker 1>He's like, damn, I don't want to ask this question.

2:08:10.880 --> 2:08:14.880
<v Speaker 1>People need more friends like Envy. Yeah, big, by the way,

2:08:16.840 --> 2:08:21.280
<v Speaker 1>but because the next week she invited me to spend

2:08:21.320 --> 2:08:24.920
<v Speaker 1>the night at her house, and you did. He said,

2:08:25.920 --> 2:08:29.920
<v Speaker 1>you call me at the first sign of she's trying

2:08:29.960 --> 2:08:33.920
<v Speaker 1>to get you to take something on one or be

2:08:34.080 --> 2:08:36.560
<v Speaker 1>with somebody you ain't interested in. And I think it's

2:08:36.600 --> 2:08:39.720
<v Speaker 1>probably obvious now that she she personally wasn't trying to

2:08:39.840 --> 2:08:42.200
<v Speaker 1>kill you. Yeah. No, And she said that it was

2:08:42.280 --> 2:08:45.720
<v Speaker 1>an afterthought, which I would have thought this conversation. I

2:08:45.760 --> 2:08:48.040
<v Speaker 1>actually did say we did, but it wasn't. It wasn't

2:08:48.080 --> 2:08:50.840
<v Speaker 1>like she led with it, which I would have appreciated

2:08:50.920 --> 2:08:53.040
<v Speaker 1>more for her to lead with it, by the way, Jones.

2:08:53.320 --> 2:08:56.240
<v Speaker 1>But it was, by the way Jones. You know, Kevin

2:08:56.320 --> 2:08:58.360
<v Speaker 1>was never really trying to kill you. He was just angry.

2:08:59.000 --> 2:09:01.440
<v Speaker 1>So he said, when's this report come out in the

2:09:01.520 --> 2:09:08.000
<v Speaker 1>New York Times. I this wasn't like two thousand, maybe

2:09:08.080 --> 2:09:13.000
<v Speaker 1>nine or ten. And the lawyer representing Wendy's intern that

2:09:13.120 --> 2:09:18.440
<v Speaker 1>was suing Wendy and Kevin, Kenneth Johnson, Kenneth, I forget

2:09:18.480 --> 2:09:21.280
<v Speaker 1>his name. He called and said, I just want to

2:09:21.360 --> 2:09:23.480
<v Speaker 1>let you know that Wendy, her husband was trying to

2:09:23.600 --> 2:09:29.520
<v Speaker 1>murder you. That's pretty Kenneth Thompson, but he was representing

2:09:29.560 --> 2:09:32.400
<v Speaker 1>the girl that was suing Wendy and Kevin. So I said,

2:09:32.480 --> 2:09:36.480
<v Speaker 1>Fitch Wild, when you tell me intentuality to my clients, Yeah,

2:09:37.640 --> 2:09:44.600
<v Speaker 1>that's he sucked me around so much in this it's bad. Really,

2:09:47.760 --> 2:09:50.520
<v Speaker 1>Why don't we stay? Why do we are saying in

2:09:50.640 --> 2:09:58.360
<v Speaker 1>these songs they want kid with the press relation, We

2:09:58.560 --> 2:10:01.080
<v Speaker 1>just want our case because when they and Kevin by

2:10:01.120 --> 2:10:05.040
<v Speaker 1>the way, they're coming to get you tonight. So and again,

2:10:05.120 --> 2:10:07.720
<v Speaker 1>I'm in my own personal turmoil with my own life.

2:10:07.760 --> 2:10:09.520
<v Speaker 1>So I'm like that because I'm not on the scene

2:10:09.520 --> 2:10:12.920
<v Speaker 1>at that point. I'm like whatever, whatever. But when we met,

2:10:12.960 --> 2:10:18.520
<v Speaker 1>when she came to my house, she cried, and she

2:10:18.600 --> 2:10:21.160
<v Speaker 1>come to the house with bodyguards and bodyguards staying outside.

2:10:21.240 --> 2:10:27.160
<v Speaker 1>She's she didn't have no, no, it was it should

2:10:27.200 --> 2:10:29.000
<v Speaker 1>have been because she didn't know what she was walking into.

2:10:29.680 --> 2:10:34.120
<v Speaker 1>It was just a driver and me and pop up.

2:10:34.360 --> 2:10:36.680
<v Speaker 1>And so I'm in the house sweating like a freaking

2:10:36.760 --> 2:10:40.720
<v Speaker 1>and I'm clean, sweeping tables, like is a little part

2:10:40.760 --> 2:10:43.200
<v Speaker 1>of you saying you know what? This bit to kill me?

2:10:43.200 --> 2:10:45.000
<v Speaker 1>I'm sorry, no, no, no, no, no, I'm just saying

2:10:45.120 --> 2:10:47.280
<v Speaker 1>she felt she's I never thought that she would ever

2:10:47.360 --> 2:10:49.960
<v Speaker 1>be built. Because anyone that saves you when you need

2:10:50.040 --> 2:10:54.000
<v Speaker 1>a job, your life is in jeopardy. That that to me,

2:10:54.280 --> 2:10:56.880
<v Speaker 1>that proceeded anything anyone could have ever told me, which

2:10:56.880 --> 2:10:59.120
<v Speaker 1>is why people say, now, why are you her friend?

2:10:59.240 --> 2:11:01.960
<v Speaker 1>Because when I was about to like not know where

2:11:02.000 --> 2:11:03.800
<v Speaker 1>I was going to get a check from. All right,

2:11:03.840 --> 2:11:09.520
<v Speaker 1>but this is after because you lived, right, she walks

2:11:09.560 --> 2:11:11.880
<v Speaker 1>in your house. This is the first thing she says,

2:11:12.200 --> 2:11:16.040
<v Speaker 1>that's bullshit. No, she starts showing me how her titties

2:11:16.080 --> 2:11:18.360
<v Speaker 1>sit out without a pencil dropping underneath. That's what you

2:11:18.400 --> 2:11:20.760
<v Speaker 1>guys talking about. No, I didn't say anything. She walks

2:11:20.800 --> 2:11:23.760
<v Speaker 1>in and she goes, kids on, Wenday's here, and then

2:11:23.840 --> 2:11:26.720
<v Speaker 1>she twirls around like wonder Wendy, and she goes look

2:11:26.760 --> 2:11:30.720
<v Speaker 1>at my body and she's and then she goes, come in, Jones,

2:11:30.840 --> 2:11:33.240
<v Speaker 1>bring it in, and then we hug and she's like,

2:11:33.920 --> 2:11:36.240
<v Speaker 1>what are we drinking? What are we doing? And I'm like,

2:11:36.480 --> 2:11:39.080
<v Speaker 1>you want the Hennessy. She's like all day, So we're

2:11:39.120 --> 2:11:43.200
<v Speaker 1>going to live room. So does she Wendy would do

2:11:43.280 --> 2:11:45.600
<v Speaker 1>great on drink champs? Yes, she would do great. Yeah,

2:11:45.640 --> 2:11:53.080
<v Speaker 1>I have her one stop it up. This is story.

2:11:53.200 --> 2:11:57.120
<v Speaker 1>So she's like, so it's kind of like it feels

2:11:57.160 --> 2:11:59.320
<v Speaker 1>like someone you haven't spoken to, but you pick right

2:11:59.360 --> 2:12:02.760
<v Speaker 1>up where you left off. So she's talking about but

2:12:02.800 --> 2:12:04.640
<v Speaker 1>it's a lot of people ain't speaking to and I

2:12:04.680 --> 2:12:07.040
<v Speaker 1>can pick up where I left off. They don't got

2:12:07.080 --> 2:12:09.760
<v Speaker 1>an article about murder. They didn't got to murdering your buddy,

2:12:10.200 --> 2:12:16.080
<v Speaker 1>just murders. Just go too, Hong. You don't want us

2:12:16.080 --> 2:12:25.440
<v Speaker 1>to stop for one second? Right there, right there, all right,

2:12:25.480 --> 2:12:28.080
<v Speaker 1>I might as well. We got fat in me on

2:12:28.160 --> 2:12:33.360
<v Speaker 1>the phone. Hold on around, hold on, holo, holo, hold

2:12:33.440 --> 2:12:40.400
<v Speaker 1>hold on, hold on with miss Joe. Joe he's here,

2:12:40.520 --> 2:12:44.680
<v Speaker 1>live on the phone. Yes, yes, he's alive on the phone. Here,

2:12:44.720 --> 2:12:47.440
<v Speaker 1>come over here, come over here. You know you see

2:12:47.440 --> 2:12:49.440
<v Speaker 1>I got my college in on. You know, you know,

2:12:50.240 --> 2:12:52.640
<v Speaker 1>you know you know. You don't ask you you don't

2:12:52.640 --> 2:12:54.240
<v Speaker 1>ask me for no calls for your car show. But

2:12:54.280 --> 2:12:57.400
<v Speaker 1>it's okay, all right, you know I'm about to you

2:12:57.440 --> 2:13:05.080
<v Speaker 1>know what. But look, miss motherfucking Jones, are you in

2:13:05.160 --> 2:13:12.440
<v Speaker 1>your car show right now? Goddamnit? He gets he getting

2:13:12.440 --> 2:13:14.320
<v Speaker 1>too much money, miss Jones. He get so much money.

2:13:14.440 --> 2:13:21.400
<v Speaker 1>I'm looking up, yo. Let me tell you something, Miss Jones.

2:13:21.560 --> 2:13:25.080
<v Speaker 1>Picked you up so beautiful. She's so much respects you,

2:13:25.200 --> 2:13:27.680
<v Speaker 1>she so much loves you, and we respect you when

2:13:27.720 --> 2:13:30.040
<v Speaker 1>we love you. But I just really wanted you to

2:13:30.360 --> 2:13:36.320
<v Speaker 1>understand and get your flowers too, because you need to.

2:13:39.040 --> 2:13:48.400
<v Speaker 1>Julian life good. God, damn, it makes something. You're good

2:13:48.440 --> 2:13:50.080
<v Speaker 1>looking at it. You know, we love you, man, you

2:13:50.120 --> 2:13:51.680
<v Speaker 1>know you know what. We're gonna make sure she get

2:13:51.720 --> 2:13:57.960
<v Speaker 1>back to having fun. Oh, hold on, hold on, hold on.

2:13:58.080 --> 2:14:00.400
<v Speaker 1>I wear flowers. I would like flowers. I don't want

2:14:00.400 --> 2:14:02.800
<v Speaker 1>to give flowers. I give my flowers and I wear flowers,

2:14:03.080 --> 2:14:05.000
<v Speaker 1>but I don't like to give it myself. But yeah,

2:14:05.040 --> 2:14:06.880
<v Speaker 1>we thank you so much. I mean, we appreciate you,

2:14:06.960 --> 2:14:10.520
<v Speaker 1>my brother. What love makes some knowing? Yeah, come on,

2:14:11.040 --> 2:14:19.160
<v Speaker 1>come on, come on, come on listen, No, listen, this

2:14:19.320 --> 2:14:23.120
<v Speaker 1>is like the biggest podcast in the world, and so listen.

2:14:23.240 --> 2:14:27.240
<v Speaker 1>I have been like so excited when I reached out

2:14:27.560 --> 2:14:30.680
<v Speaker 1>to you and asked. It was because it was like

2:14:30.880 --> 2:14:32.920
<v Speaker 1>six months or not six months, like three months of

2:14:33.000 --> 2:14:36.720
<v Speaker 1>me saying I can get on drink cham that's gonna

2:14:36.880 --> 2:14:42.400
<v Speaker 1>term you're crazy. You never not now. Just so you know,

2:14:43.800 --> 2:14:45.960
<v Speaker 1>we made this platform for for us. You know what

2:14:46.000 --> 2:14:48.320
<v Speaker 1>I'm saying to think about this. We love to do artists,

2:14:49.000 --> 2:14:50.880
<v Speaker 1>but some of them, you know, their last two years

2:14:51.000 --> 2:14:54.160
<v Speaker 1>one year and they leave and you know we we

2:14:55.000 --> 2:14:58.120
<v Speaker 1>invented the idea of a hip hop union and the

2:14:58.200 --> 2:15:00.920
<v Speaker 1>hip hop union bees. It's like somebody put it in there.

2:15:01.320 --> 2:15:04.320
<v Speaker 1>They work and they you know, they blessed, sweat and tears,

2:15:04.400 --> 2:15:07.160
<v Speaker 1>and then after after ten years, your bills should be

2:15:07.240 --> 2:15:09.280
<v Speaker 1>taken care of. Your whole thing. So this this is

2:15:09.360 --> 2:15:12.280
<v Speaker 1>with me and my partner. You're telling an amazing job

2:15:12.560 --> 2:15:14.120
<v Speaker 1>if it is trying to do it. And this is

2:15:14.240 --> 2:15:21.600
<v Speaker 1>the like, this is the grammy of hip hop. Because

2:15:22.280 --> 2:15:24.920
<v Speaker 1>I want to reiterate something that I said earlier, was

2:15:25.360 --> 2:15:29.560
<v Speaker 1>you like kind of invented social media. Like in my opinion, Uh,

2:15:31.200 --> 2:15:33.560
<v Speaker 1>most things that happened in the hip hop people will

2:15:33.560 --> 2:15:35.520
<v Speaker 1>have to call you and if they couldn't care you,

2:15:35.640 --> 2:15:39.120
<v Speaker 1>they would d M you, which is the private line.

2:15:42.920 --> 2:15:46.640
<v Speaker 1>But how is that because I won't point if if

2:15:46.680 --> 2:15:48.560
<v Speaker 1>it didn't happen on your show, it just didn't happen.

2:15:49.120 --> 2:15:54.040
<v Speaker 1>What happened maybe okay, okay, well let's just focus on you.

2:15:55.120 --> 2:15:58.840
<v Speaker 1>I like it all right, So at won't point you

2:15:58.920 --> 2:16:01.200
<v Speaker 1>know things happened to your show? Was that like a

2:16:01.320 --> 2:16:04.000
<v Speaker 1>crutch or was that like because because sometimes people get bad.

2:16:04.120 --> 2:16:07.120
<v Speaker 1>Artist is very sensitive. So there hasn't been a time

2:16:07.160 --> 2:16:09.840
<v Speaker 1>where artists you reported something to an artist who got

2:16:09.880 --> 2:16:16.640
<v Speaker 1>sitisenive on you always, always, always Beyonce's mom, she wanted

2:16:16.680 --> 2:16:19.240
<v Speaker 1>to fight me a child. No I'm not a child,

2:16:19.400 --> 2:16:21.400
<v Speaker 1>but she wanted to fight me. She came to me

2:16:21.600 --> 2:16:27.400
<v Speaker 1>in the studio and soss, okay, you must have got

2:16:27.480 --> 2:16:29.040
<v Speaker 1>a really piston up. What did you What did you do?

2:16:30.800 --> 2:16:38.240
<v Speaker 1>She seems like I kind of like, what is it?

2:16:38.280 --> 2:16:43.000
<v Speaker 1>COMPARI and so one day and and and so Beyonce

2:16:43.280 --> 2:16:45.320
<v Speaker 1>was coming up to the station, but Ebro with them

2:16:45.320 --> 2:16:48.160
<v Speaker 1>didn't tell me because they knew that I would either

2:16:48.520 --> 2:16:53.200
<v Speaker 1>try and like I was unpredictable because you did say

2:16:53.440 --> 2:16:55.480
<v Speaker 1>Mary j. Blast can't say you did say that at

2:16:55.520 --> 2:16:58.840
<v Speaker 1>one point. A lot of times she can't. I love

2:16:58.879 --> 2:17:02.560
<v Speaker 1>her own power, but it doesn't nowadays. You don't have

2:17:02.640 --> 2:17:04.880
<v Speaker 1>to be able to sing. And that's what I learned.

2:17:05.440 --> 2:17:09.480
<v Speaker 1>It's not about singing. It's about emotion. Good sing, good thing.

2:17:11.800 --> 2:17:15.280
<v Speaker 1>I'm clapping up, very skeptic, right, It's about emotion. You

2:17:15.320 --> 2:17:16.960
<v Speaker 1>don't have to be technical. You have to be the

2:17:17.040 --> 2:17:20.199
<v Speaker 1>best singer right to be successful, to have a great record,

2:17:20.560 --> 2:17:23.240
<v Speaker 1>because you're who you are, the emotion, the way you

2:17:23.360 --> 2:17:28.600
<v Speaker 1>conveying the friend right, she sells the brand of black girl,

2:17:28.879 --> 2:17:34.879
<v Speaker 1>hurt and love. That's saying, that's it. You win, Jesus,

2:17:37.160 --> 2:17:51.959
<v Speaker 1>it's time to be the queen. Flip. It's very hot

2:17:52.040 --> 2:17:54.039
<v Speaker 1>over there. I'll just let you know. He'll be fine.

2:17:55.160 --> 2:18:00.600
<v Speaker 1>She just said. Mary Jakes cast saying pushing it. You're

2:18:00.600 --> 2:18:05.000
<v Speaker 1>pushing it, you're pushing it. Well, I mean that doesn't

2:18:05.040 --> 2:18:10.440
<v Speaker 1>mean that she's not a great artist. Isn't a great singer?

2:18:11.360 --> 2:18:16.880
<v Speaker 1>Macy Gray Okay, well it depends I think for her

2:18:16.959 --> 2:18:19.160
<v Speaker 1>vocal into her voice or not that. No, it's a

2:18:19.200 --> 2:18:22.440
<v Speaker 1>different type of voice. But so it's Mary. If you're

2:18:22.480 --> 2:18:25.040
<v Speaker 1>into it, you're into it. It doesn't matter. And the song,

2:18:25.360 --> 2:18:28.959
<v Speaker 1>the brand is consistent. Mary's brand is consistent throughout the years.

2:18:29.000 --> 2:18:31.720
<v Speaker 1>You know, if you're hurting in love, put on a

2:18:31.760 --> 2:18:35.040
<v Speaker 1>married song. She wins by the fall. You know, I've

2:18:35.080 --> 2:18:36.800
<v Speaker 1>been hurting in love for a little tough. So I love.

2:18:38.320 --> 2:18:45.920
<v Speaker 1>I saw your gorgeous wife, not recently but back to day. Like, yeah,

2:18:51.360 --> 2:18:55.320
<v Speaker 1>so as you think that you were married is because

2:18:55.480 --> 2:18:58.480
<v Speaker 1>of what you mentioned earlier where you felt like Papa

2:18:58.560 --> 2:19:01.400
<v Speaker 1>was kind of like, is it just that all? Here's

2:19:01.440 --> 2:19:06.280
<v Speaker 1>the thing when I picked you again, so I'm sorry

2:19:06.440 --> 2:19:09.199
<v Speaker 1>I cut you off. Now it's fine. But ahead, Mary

2:19:09.280 --> 2:19:11.320
<v Speaker 1>and I have no beat. Like when we see each other,

2:19:11.440 --> 2:19:15.520
<v Speaker 1>She's like, you want some wine? Did made? Is one

2:19:15.560 --> 2:19:19.480
<v Speaker 1>of the first. We don't have those conversations. We don't

2:19:19.480 --> 2:19:21.720
<v Speaker 1>have those conversations. And one day and I don't have

2:19:21.800 --> 2:19:24.320
<v Speaker 1>those conversations. So here's the interesting thing when I when

2:19:24.400 --> 2:19:27.160
<v Speaker 1>you try to Bertie, it's a little different. I don't know. Sorry,

2:19:27.160 --> 2:19:36.240
<v Speaker 1>I went to murdership. Murder already died. It's murder happens.

2:19:36.800 --> 2:19:39.000
<v Speaker 1>Was like, I swear to God, you don't need my sister.

2:19:39.040 --> 2:19:40.720
<v Speaker 1>I love you. So when I googled you and it

2:19:40.879 --> 2:19:43.480
<v Speaker 1>kept coming up, I was like, damn, I had to

2:19:43.600 --> 2:19:45.840
<v Speaker 1>I swear off. I wanted to excluded it from the interview,

2:19:46.040 --> 2:19:49.480
<v Speaker 1>but I kept googled it. Every it leaves. It leaves

2:19:49.640 --> 2:19:52.880
<v Speaker 1>when wanted murder, and it leaves now because she and

2:19:52.959 --> 2:19:55.600
<v Speaker 1>I are like out in these streets together every chance,

2:19:55.680 --> 2:20:01.480
<v Speaker 1>as pictures and stuff like that. And here's the thing, Mary,

2:20:02.440 --> 2:20:05.240
<v Speaker 1>Mary's like, Mary is unaware of I guess how I

2:20:05.360 --> 2:20:12.640
<v Speaker 1>feel like, um, sab Judah does these celebrity boxing matches

2:20:12.879 --> 2:20:15.200
<v Speaker 1>and he wants me and married a fight. Oh that

2:20:15.600 --> 2:20:18.280
<v Speaker 1>that's never gonna happen, obviously, But so I've challenged her.

2:20:18.320 --> 2:20:20.120
<v Speaker 1>I was like, come get these boys, bitches what she

2:20:20.200 --> 2:20:24.640
<v Speaker 1>wanted to be and I'm not I need to stretch

2:20:24.800 --> 2:20:26.760
<v Speaker 1>and like lose weight and all these things. But it

2:20:26.879 --> 2:20:29.000
<v Speaker 1>was fun. But I think she's shut down my I

2:20:29.160 --> 2:20:32.640
<v Speaker 1>G page. She shut it down. Probably not. I'm just

2:20:32.760 --> 2:20:35.320
<v Speaker 1>running with it. But I don't have a problem with her.

2:20:35.480 --> 2:20:37.240
<v Speaker 1>She really don't have a problem with me because she's

2:20:37.240 --> 2:20:39.920
<v Speaker 1>come to my show in Philly. We like, we're good.

2:20:40.400 --> 2:20:43.320
<v Speaker 1>She's not that complex. It's just me with this whole

2:20:43.959 --> 2:20:46.920
<v Speaker 1>I have a thing, like I have a thing. So

2:20:47.080 --> 2:20:50.560
<v Speaker 1>you don't think that if she's questioned and taken back

2:20:50.560 --> 2:20:54.160
<v Speaker 1>because it's easy for someone to have a career and

2:20:54.280 --> 2:20:56.720
<v Speaker 1>in the beginning of their career not acknowledged certain people

2:20:56.760 --> 2:20:59.480
<v Speaker 1>that are around their peers, right, but after they've had

2:21:00.160 --> 2:21:02.880
<v Speaker 1>huge career, they could look back and say, yes, this

2:21:03.080 --> 2:21:05.600
<v Speaker 1>person was on the forefront of this, They were the

2:21:05.680 --> 2:21:08.040
<v Speaker 1>pioneer of this. They were before me and this. You

2:21:08.080 --> 2:21:09.920
<v Speaker 1>don't think she do that, right? Now, get her asked

2:21:09.959 --> 2:21:15.600
<v Speaker 1>on your show and find out, because here's the better question.

2:21:15.879 --> 2:21:19.440
<v Speaker 1>After you guys will competing in music. She's never capable

2:21:19.720 --> 2:21:24.360
<v Speaker 1>miss your own show ever. You never interview to come.

2:21:25.200 --> 2:21:28.360
<v Speaker 1>But she came on my show and Philly, Okay, that's

2:21:28.400 --> 2:21:30.120
<v Speaker 1>your show. But what does that mean? I think she

2:21:30.200 --> 2:21:33.120
<v Speaker 1>didn't realize that it was Jonesy because in Philly they

2:21:33.160 --> 2:21:36.160
<v Speaker 1>called me Jones. New York calls me miss Jones. No,

2:21:36.400 --> 2:21:39.760
<v Speaker 1>she realized she probably Martest. No, we played. She made

2:21:39.760 --> 2:21:43.480
<v Speaker 1>me drinks. Okay, yeah, I'll be drinking girl. I know

2:21:43.640 --> 2:21:50.040
<v Speaker 1>it's Joseph Jozi. I don't know. I'm married right there.

2:21:50.120 --> 2:21:57.440
<v Speaker 1>I think I think Mary exactly new who exactly you were? Okay? Well,

2:21:57.480 --> 2:21:59.920
<v Speaker 1>and I took it okay, but I still talk my

2:22:00.280 --> 2:22:02.920
<v Speaker 1>I played too much. They all know Mary Faith Faith

2:22:02.959 --> 2:22:06.000
<v Speaker 1>not speaking to me now, Mary Faith, Lauren, they all

2:22:06.080 --> 2:22:08.360
<v Speaker 1>know I played too much, but it's who I am.

2:22:08.920 --> 2:22:13.360
<v Speaker 1>Let's let's go with Laura. Who got be for Lauria? No,

2:22:13.480 --> 2:22:17.280
<v Speaker 1>I really don't have beef with Lauren. But Faith is

2:22:17.400 --> 2:22:22.360
<v Speaker 1>mad because she came on my podcast and it was

2:22:22.440 --> 2:22:24.680
<v Speaker 1>all going good and then I got silly and I

2:22:24.840 --> 2:22:27.200
<v Speaker 1>was like, who is better? In bad too Papa Bibi,

2:22:28.320 --> 2:22:33.680
<v Speaker 1>Oh my god, and the record scraps like what She's like,

2:22:34.240 --> 2:22:40.840
<v Speaker 1>I wouldn't know why you asked my head too, but

2:22:42.320 --> 2:22:46.440
<v Speaker 1>so like I just be playing too much. Nori helped me. No,

2:22:46.680 --> 2:22:53.000
<v Speaker 1>I can't row this one. That one was terrible. You

2:22:53.080 --> 2:22:56.360
<v Speaker 1>really are is bad. It was bad. But to the

2:22:56.440 --> 2:23:00.320
<v Speaker 1>point did she take a humorous well in that monte?

2:23:00.560 --> 2:23:02.360
<v Speaker 1>She actually was like, I didn't have sex with him

2:23:02.360 --> 2:23:04.160
<v Speaker 1>and I we carried on faith on our show. Was

2:23:04.360 --> 2:23:09.560
<v Speaker 1>super candid. She waspen she said straight up, she didn't,

2:23:10.959 --> 2:23:12.680
<v Speaker 1>but I had to ask her. She said a lot

2:23:12.760 --> 2:23:16.560
<v Speaker 1>of but I had to ask because that's what I'm

2:23:16.600 --> 2:23:19.120
<v Speaker 1>known for doing. How could I not ask? And she

2:23:19.280 --> 2:23:21.040
<v Speaker 1>was fine, she like. We kept on with the interview,

2:23:21.040 --> 2:23:23.080
<v Speaker 1>and then later that night I got an email that

2:23:23.240 --> 2:23:27.760
<v Speaker 1>CCTs Stevie J and me, how dare you ask me

2:23:27.840 --> 2:23:31.880
<v Speaker 1>those questions? That was disrespectful of my husband. My husband

2:23:31.920 --> 2:23:35.280
<v Speaker 1>would not appreciate you having asked those questions. My husband

2:23:35.360 --> 2:23:38.000
<v Speaker 1>is up. Stevie, get out of face email and go

2:23:38.160 --> 2:23:42.039
<v Speaker 1>to bed. I have a Stevie J. Satday night email

2:23:42.080 --> 2:23:48.039
<v Speaker 1>to me. But I apologize to the Jordan's ship. Yes,

2:23:48.360 --> 2:23:53.880
<v Speaker 1>I was ready for little did you get a show.

2:23:56.720 --> 2:24:00.440
<v Speaker 1>I see I seen one in room. Yeah. Yeah, if

2:24:00.480 --> 2:24:04.160
<v Speaker 1>you made a tragedy, I watched it all, Bro, I

2:24:04.200 --> 2:24:07.320
<v Speaker 1>appreciate watch it. B It means a lot of flip

2:24:07.400 --> 2:24:09.080
<v Speaker 1>got it the last he's going to people cribs. You're

2:24:09.080 --> 2:24:12.840
<v Speaker 1>not heavy because look at what you just did after

2:24:12.920 --> 2:24:15.400
<v Speaker 1>that Mary story and faith backing up and yeah, I

2:24:15.440 --> 2:24:17.200
<v Speaker 1>don't want sev J coming in with them. Okay, but

2:24:17.280 --> 2:24:21.760
<v Speaker 1>here's here's another deal. I ask you little Kim or Foxy? Yeah,

2:24:22.000 --> 2:24:26.280
<v Speaker 1>he said neither, right, You're the first person to ever

2:24:26.440 --> 2:24:29.640
<v Speaker 1>say neither. Come on, let's do a shot. I let

2:24:29.680 --> 2:24:38.040
<v Speaker 1>your style shot a porn ready. Ah, you said, this

2:24:38.200 --> 2:24:41.440
<v Speaker 1>is the for lack of a crater term, especially our time,

2:24:41.800 --> 2:24:44.920
<v Speaker 1>especially at the time you came out. You were on

2:24:45.800 --> 2:24:50.120
<v Speaker 1>a Z number one single, your own one, everybody's record

2:24:50.160 --> 2:24:57.160
<v Speaker 1>many A. Yeah, how can how can you say little

2:24:57.320 --> 2:25:00.560
<v Speaker 1>Kim Foxy Brown and not picked either? And I would like,

2:25:00.640 --> 2:25:03.039
<v Speaker 1>you know what, I love them both, but I would

2:25:03.040 --> 2:25:07.920
<v Speaker 1>like your gud honest opinion. So that's the thing. Yes,

2:25:08.480 --> 2:25:11.080
<v Speaker 1>we all, as much as we may not want to admit,

2:25:11.200 --> 2:25:13.160
<v Speaker 1>we know that Biggie was the best writer for Kim

2:25:14.160 --> 2:25:18.640
<v Speaker 1>and was big passed away the level of lyricality kind

2:25:18.680 --> 2:25:21.800
<v Speaker 1>of waned. I love that word. I've never heard of liberality.

2:25:22.200 --> 2:25:27.280
<v Speaker 1>I mean, I don't even take the word. That's hall.

2:25:27.440 --> 2:25:32.360
<v Speaker 1>That was all Google it. Make it a word, make

2:25:32.400 --> 2:25:36.400
<v Speaker 1>it a word. It waned after he passed away, like

2:25:36.520 --> 2:25:39.760
<v Speaker 1>we waited and waited and waited for her specifically to stay. Yeah,

2:25:39.959 --> 2:25:42.800
<v Speaker 1>and I don't know that and maybe we just had

2:25:42.879 --> 2:25:46.520
<v Speaker 1>bigger expectations because it was he writing for her. But

2:25:46.640 --> 2:25:51.840
<v Speaker 1>when she finally did for me. If it's a wordy,

2:25:52.360 --> 2:25:59.879
<v Speaker 1>go ahead, Jonesy, it just it felt all right, that's you, right,

2:26:00.640 --> 2:26:06.920
<v Speaker 1>So I just and Foxy, it's personal, it's personal. Well,

2:26:07.640 --> 2:26:12.000
<v Speaker 1>she's just she's just nasty. She's just meaning for no

2:26:12.160 --> 2:26:18.720
<v Speaker 1>reason to me or back then like just like irrational

2:26:20.080 --> 2:26:23.480
<v Speaker 1>and I can't do it. I can't do I don't

2:26:23.520 --> 2:26:26.080
<v Speaker 1>care how much of flow is good and who you

2:26:26.120 --> 2:26:29.600
<v Speaker 1>are feeling? It was that sorry, so sorry. I don't

2:26:29.600 --> 2:26:32.440
<v Speaker 1>know of course it online, but who what was like

2:26:32.720 --> 2:26:37.400
<v Speaker 1>easy was like her quiet man? Or you did a

2:26:37.440 --> 2:26:40.320
<v Speaker 1>record where eazy that did that anything had anything to

2:26:40.400 --> 2:26:45.600
<v Speaker 1>do with it an epiphany head. I had no idea

2:26:48.080 --> 2:26:52.800
<v Speaker 1>it's a legend that would make sense. I didn't know

2:26:52.959 --> 2:27:00.080
<v Speaker 1>that girl. I hadn't. I didn't heard that both. That

2:27:00.600 --> 2:27:06.160
<v Speaker 1>makes the exactly I'm clear to allow Nori. That's this

2:27:06.440 --> 2:27:09.440
<v Speaker 1>is Allegendly we have a Z on the show. He's

2:27:09.480 --> 2:27:12.680
<v Speaker 1>been supposed to. He's got a new album coming, so

2:27:12.840 --> 2:27:16.560
<v Speaker 1>he needs to come. Yeah, me to, He's supposed to come,

2:27:16.600 --> 2:27:18.080
<v Speaker 1>my mind, but he's like Jones, do you know the

2:27:18.160 --> 2:27:22.240
<v Speaker 1>creative process? That would make sense because I never knew why.

2:27:22.560 --> 2:27:26.480
<v Speaker 1>She just is always those ways to me. This was

2:27:27.000 --> 2:27:29.640
<v Speaker 1>so look at the timeline. Was it after that? It

2:27:29.920 --> 2:27:34.080
<v Speaker 1>was because because I was on the Firm album. I

2:27:34.200 --> 2:27:39.760
<v Speaker 1>did a song on the Firm album. Yeah, but after

2:27:39.879 --> 2:27:49.160
<v Speaker 1>I'm like, white, Wow, thank you Noram can give me that.

2:27:53.480 --> 2:27:57.240
<v Speaker 1>You gave me my closure that I needed. Wow. Whoever

2:27:57.280 --> 2:28:01.680
<v Speaker 1>thought it would have come on drink Champ Allegedly it

2:28:01.840 --> 2:28:16.040
<v Speaker 1>happens this way. You're up, We're okay, you're Punt. This

2:28:16.280 --> 2:28:19.879
<v Speaker 1>is super alleged. Leave everything that is not allegedly as

2:28:19.920 --> 2:28:22.480
<v Speaker 1>me and Pun was like he was my love story.

2:28:23.640 --> 2:28:28.480
<v Speaker 1>Yeah we never foxed, but we could have, but we

2:28:28.640 --> 2:28:32.400
<v Speaker 1>did it. Jesus, but we that's a love story. That's

2:28:32.440 --> 2:28:35.119
<v Speaker 1>like you're in love with him without So here's the thing.

2:28:36.320 --> 2:28:46.760
<v Speaker 1>When I met Pun, the exact story. That was really

2:28:46.920 --> 2:28:49.880
<v Speaker 1>sad when he died, but so the I go lie,

2:28:50.000 --> 2:28:55.080
<v Speaker 1>y'all was sorry to the situation, but nice to see y'all.

2:28:55.120 --> 2:28:58.200
<v Speaker 1>Y'all was cute together, like like he would like rub

2:28:58.360 --> 2:29:03.600
<v Speaker 1>your nose, like your nod. Yeah. Yeah. Han would come

2:29:03.640 --> 2:29:07.040
<v Speaker 1>to my house every night of the week after like

2:29:07.200 --> 2:29:13.760
<v Speaker 1>seven pm and just be. He would be. He would share,

2:29:14.080 --> 2:29:15.760
<v Speaker 1>I'm sorry, this is this is something you know what

2:29:15.800 --> 2:29:18.240
<v Speaker 1>it's twenty years twenty five years later. Do you think

2:29:18.600 --> 2:29:20.160
<v Speaker 1>was in love with you? I know that he was.

2:29:21.920 --> 2:29:26.960
<v Speaker 1>I think so too. Why do you think that? No? Stop,

2:29:32.360 --> 2:29:41.600
<v Speaker 1>I meant no, But honestly, I'm so sorry because you

2:29:41.640 --> 2:29:43.480
<v Speaker 1>know it's it's People can be offended by this part

2:29:43.520 --> 2:29:45.960
<v Speaker 1>of the interview, but it's okay, and I apologize. But

2:29:46.320 --> 2:29:48.879
<v Speaker 1>I never see him blush when I see him around.

2:29:48.959 --> 2:29:52.360
<v Speaker 1>You see him blush, and it was like blussing right now.

2:29:56.720 --> 2:29:58.840
<v Speaker 1>He was good to me. He was good to me

2:29:58.959 --> 2:30:02.400
<v Speaker 1>without me maybe even like I never I just was

2:30:02.480 --> 2:30:06.320
<v Speaker 1>able to be regular Tarsha from a stormy up and

2:30:06.400 --> 2:30:11.360
<v Speaker 1>he didn't judge me. No. I just remember how my

2:30:11.440 --> 2:30:15.320
<v Speaker 1>brother thought about her, like I seard, no, that's serious.

2:30:15.920 --> 2:30:18.959
<v Speaker 1>And he's the guy from the Bronx. I'm you know her,

2:30:19.200 --> 2:30:21.879
<v Speaker 1>I'm her brother. So when I heard him talking about her,

2:30:22.000 --> 2:30:24.600
<v Speaker 1>I couldn't. I could not stop him because it was

2:30:24.760 --> 2:30:29.360
<v Speaker 1>so respectful, it was so lovable, and it was so like,

2:30:29.600 --> 2:30:31.560
<v Speaker 1>you know, I'm sorry because I can see her face

2:30:31.680 --> 2:30:38.480
<v Speaker 1>right now, Okay, alright, cool, because I could, I couldn't

2:30:38.480 --> 2:30:41.120
<v Speaker 1>physically see that. I can really see when he was

2:30:41.200 --> 2:30:44.800
<v Speaker 1>around you, like he felt comfortable, he lowered his thing,

2:30:45.440 --> 2:30:48.760
<v Speaker 1>and you know, I posized anybody's hurt from what I'm saying.

2:30:50.000 --> 2:30:52.560
<v Speaker 1>But I could see that he had a certain part

2:30:52.640 --> 2:30:57.360
<v Speaker 1>of his heart for you. And did you did you

2:30:57.480 --> 2:31:01.160
<v Speaker 1>know that? I did? Okay? And but but again he

2:31:01.280 --> 2:31:04.200
<v Speaker 1>was always married. Was it reciprocal? Like did you feel

2:31:04.240 --> 2:31:07.039
<v Speaker 1>the same way I did? Because he didn't want nothing

2:31:07.120 --> 2:31:11.240
<v Speaker 1>from me, He didn't need anything. It was pure emotion,

2:31:11.280 --> 2:31:14.000
<v Speaker 1>and he met me where I was like, he always

2:31:14.320 --> 2:31:16.960
<v Speaker 1>was available to me in the midst of his busy.

2:31:17.920 --> 2:31:20.800
<v Speaker 1>He always at the end of the night, that driver

2:31:21.000 --> 2:31:25.920
<v Speaker 1>would bring him West End Avenue, Apartment two. K you know,

2:31:26.000 --> 2:31:30.199
<v Speaker 1>it's the great shot Western Avenue at that time. Relax,

2:31:30.280 --> 2:31:41.560
<v Speaker 1>kick yourself, I knew, okay, okay, so so you know,

2:31:42.000 --> 2:31:47.960
<v Speaker 1>and yeah, so he was at the height, and when

2:31:48.000 --> 2:31:51.280
<v Speaker 1>you're at the height, it's hard to get people to

2:31:51.879 --> 2:31:54.800
<v Speaker 1>receive you where you are. But he knew I didn't

2:31:54.800 --> 2:31:57.640
<v Speaker 1>want nothing from him but those laughs. And he knew

2:31:57.680 --> 2:31:59.920
<v Speaker 1>I was dealing with some mental ship from the person

2:32:00.000 --> 2:32:03.720
<v Speaker 1>Novice with at the time, and he pulled me up

2:32:03.760 --> 2:32:08.400
<v Speaker 1>out of that and he did a remix on for

2:32:08.520 --> 2:32:10.720
<v Speaker 1>my album because he knew the label was about to

2:32:10.800 --> 2:32:13.480
<v Speaker 1>drop me, and he said, if I do this remix,

2:32:14.160 --> 2:32:16.160
<v Speaker 1>not only will they keep you, but they'll send you

2:32:16.240 --> 2:32:18.880
<v Speaker 1>on tour with me, and I'll threaten them if they don't.

2:32:20.040 --> 2:32:22.600
<v Speaker 1>And that happened, and Motown got me a tour bus.

2:32:23.240 --> 2:32:25.640
<v Speaker 1>Next thing, I knew, I was the most unworthy R

2:32:25.720 --> 2:32:28.160
<v Speaker 1>and B artist on tour with Fat Joe and Big Punt.

2:32:29.000 --> 2:32:36.520
<v Speaker 1>Yeah yeah, yeah yeah. And then and then when all

2:32:36.560 --> 2:32:38.400
<v Speaker 1>this ship happened at Many seven and I needed to

2:32:38.480 --> 2:32:41.560
<v Speaker 1>move from that apartment to Harlem, who gave me first

2:32:41.680 --> 2:32:47.000
<v Speaker 1>month's last month security. We've never heard this, We need

2:32:47.080 --> 2:32:49.760
<v Speaker 1>you to save yeah yeah yeah, Big Punt gave me

2:32:49.879 --> 2:32:53.160
<v Speaker 1>first months last month security. Come up to my office,

2:32:53.240 --> 2:33:00.440
<v Speaker 1>the check will be there. And I never I always

2:33:00.520 --> 2:33:02.640
<v Speaker 1>knew it was like you know, I knew it was

2:33:02.640 --> 2:33:05.560
<v Speaker 1>a deeper love, like you know, I'm too young to

2:33:05.680 --> 2:33:09.560
<v Speaker 1>like identify what it actually is, but I'm old enough

2:33:09.600 --> 2:33:13.959
<v Speaker 1>to know there's something there that's like, it's beautiful. Yeah,

2:33:14.520 --> 2:33:18.440
<v Speaker 1>we kept it clean. It's never physical, which is which

2:33:18.520 --> 2:33:20.520
<v Speaker 1>is like we need to make that clear. You know,

2:33:20.720 --> 2:33:23.360
<v Speaker 1>we never had sex, we never kissed, we never did anything.

2:33:24.120 --> 2:33:29.120
<v Speaker 1>But there was a high level of intimacy without the sex,

2:33:30.160 --> 2:33:36.440
<v Speaker 1>which is I understand. I'm trying to promote that. I'm

2:33:36.480 --> 2:33:43.440
<v Speaker 1>sorry that that was real. That was real. That's real

2:33:43.480 --> 2:33:46.360
<v Speaker 1>because you know, thank you. Normy's my brother. No one

2:33:46.400 --> 2:33:49.280
<v Speaker 1>ever spoke for his side until now. No I knew,

2:33:49.320 --> 2:33:51.160
<v Speaker 1>I knew, I knew how he felt about it. I'm sorry.

2:33:51.440 --> 2:33:54.879
<v Speaker 1>I know they're gonna hate me, like the family they

2:33:54.959 --> 2:33:58.920
<v Speaker 1>got bigger. But that's that's real ship, man, I was.

2:33:59.120 --> 2:34:01.360
<v Speaker 1>I saw it, like, you know, this is my sis.

2:34:01.920 --> 2:34:04.560
<v Speaker 1>So I'm saying it back like and I'm looking at

2:34:04.600 --> 2:34:07.680
<v Speaker 1>like damn and like he would go involve and beyond

2:34:07.800 --> 2:34:11.880
<v Speaker 1>to make like you know whatever, like you just go

2:34:12.000 --> 2:34:14.080
<v Speaker 1>to the Miss Jones says like where are we going?

2:34:14.280 --> 2:34:17.920
<v Speaker 1>Like let's go. I'm like okay, and I just to

2:34:18.040 --> 2:34:22.600
<v Speaker 1>this day. I had no idea he put me down

2:34:22.879 --> 2:34:28.080
<v Speaker 1>on his publishing. Wait wait like his regularly, like all

2:34:28.160 --> 2:34:31.480
<v Speaker 1>his publishing, I get checks on songs should not be said,

2:34:31.520 --> 2:34:33.920
<v Speaker 1>wait now whole a minute. Who have been waiting? And

2:34:34.040 --> 2:34:38.320
<v Speaker 1>I ain't trying to sunk up my ship? But it's done.

2:34:38.400 --> 2:34:43.640
<v Speaker 1>It's done. It was his choice, right right, Yeah, absolutely,

2:34:44.040 --> 2:34:50.520
<v Speaker 1>he put me down like I live, Jalen, you live

2:34:51.240 --> 2:35:00.600
<v Speaker 1>off of the royalties of big pun. I just I

2:35:00.680 --> 2:35:03.119
<v Speaker 1>knew how he looked at her. I knew how he saw.

2:35:03.600 --> 2:35:05.240
<v Speaker 1>I didn't know anything else, and I didn't want to

2:35:05.280 --> 2:35:08.160
<v Speaker 1>know anything else. It wasn't my business. But I could

2:35:08.200 --> 2:35:09.960
<v Speaker 1>never take away from how he looked at us, how

2:35:10.000 --> 2:35:14.640
<v Speaker 1>he saw, how he treated up every single, single single moment.

2:35:14.720 --> 2:35:16.720
<v Speaker 1>So now we get a little deep, it's gonna be

2:35:16.720 --> 2:35:19.560
<v Speaker 1>a little weird. But what how did you feel like

2:35:19.600 --> 2:35:22.640
<v Speaker 1>when he passed away? Like you know, I passed out

2:35:22.640 --> 2:35:24.240
<v Speaker 1>at the funeral and they had to pick me up

2:35:24.320 --> 2:35:27.760
<v Speaker 1>off the floor. Definitely remember that it was it was

2:35:28.720 --> 2:35:31.000
<v Speaker 1>we had just come off tour and it was like

2:35:31.080 --> 2:35:40.400
<v Speaker 1>two months later, and yeah, it wasn't a lot of pain.

2:35:43.240 --> 2:35:48.320
<v Speaker 1>It was in a lot of pain more than physically.

2:35:48.760 --> 2:35:51.400
<v Speaker 1>That's what fox me up. When I went to the casket,

2:35:52.440 --> 2:35:54.240
<v Speaker 1>that's what the brothers told me. They said, he's he

2:35:54.400 --> 2:35:57.440
<v Speaker 1>was in pain. I never see him physically in pain.

2:35:57.560 --> 2:35:59.800
<v Speaker 1>I never I saw him. You know, I saw him

2:36:00.320 --> 2:36:03.840
<v Speaker 1>go to sleep like and later on I figured out

2:36:03.879 --> 2:36:07.960
<v Speaker 1>that was knocking. But I've never seen him fully in pay.

2:36:08.080 --> 2:36:11.800
<v Speaker 1>So you know, if you could give me some that

2:36:11.920 --> 2:36:14.000
<v Speaker 1>you saw him and so he used to I mean,

2:36:14.760 --> 2:36:18.040
<v Speaker 1>we used to have conversations about his relationship with his mom,

2:36:19.160 --> 2:36:22.680
<v Speaker 1>his relationship with his mom. Well, boys relationships with their

2:36:22.760 --> 2:36:25.840
<v Speaker 1>mom's told you, men, it's how you. I loved how

2:36:25.879 --> 2:36:31.320
<v Speaker 1>you looked, and said, boys relationship with their moms at

2:36:35.160 --> 2:36:38.320
<v Speaker 1>when you're young, that's what forms your relationship with women.

2:36:38.360 --> 2:36:43.400
<v Speaker 1>Your relationship with your mom. Go ahead. He just used

2:36:43.400 --> 2:36:45.879
<v Speaker 1>to discuss and open up about his relationship with his mother.

2:36:46.879 --> 2:36:49.200
<v Speaker 1>At that time. It wasn't the greatest and you know,

2:36:49.520 --> 2:36:52.440
<v Speaker 1>maybe they needed time to grow, but he didn't live

2:36:52.600 --> 2:36:55.600
<v Speaker 1>beyond that. So they were still trying to figure things out.

2:36:56.200 --> 2:37:00.720
<v Speaker 1>And I was never I wasn't judged men. So because

2:37:02.080 --> 2:37:09.959
<v Speaker 1>like us as people of color, we are born into trauma.

2:37:11.280 --> 2:37:18.080
<v Speaker 1>We're born into trauma and it becomes ordinary. We face trauma.

2:37:18.520 --> 2:37:21.280
<v Speaker 1>We dress up for the wake and the funeral and

2:37:21.400 --> 2:37:23.959
<v Speaker 1>then after like three days, we have to go back

2:37:24.040 --> 2:37:28.600
<v Speaker 1>to work with school like nothing has happened. And this

2:37:28.840 --> 2:37:31.279
<v Speaker 1>is how we're raised, and we grow and it becomes

2:37:31.400 --> 2:37:36.119
<v Speaker 1>normal and you don't see that their ship that wasn't addressed,

2:37:36.360 --> 2:37:39.280
<v Speaker 1>and so we go through life and then you get

2:37:39.360 --> 2:37:43.280
<v Speaker 1>older and that ship that's not been addressed, you just

2:37:43.480 --> 2:37:48.800
<v Speaker 1>carry it. So he was dealing with a lot of pain.

2:37:49.160 --> 2:37:51.680
<v Speaker 1>So I just want to actually straight up, I'm just

2:37:51.800 --> 2:37:55.680
<v Speaker 1>being honest because this is something a question I cannot

2:37:56.120 --> 2:38:00.320
<v Speaker 1>get answered. He told you he was in pain. Wow.

2:38:01.440 --> 2:38:05.400
<v Speaker 1>And he told me why. He told me what happened

2:38:05.560 --> 2:38:08.200
<v Speaker 1>leading up to and he discussed the weight gain and

2:38:08.280 --> 2:38:13.600
<v Speaker 1>what prompted that, and he told me when I met Pun,

2:38:14.320 --> 2:38:22.200
<v Speaker 1>he was not overweight. He was like yeah, he was

2:38:22.480 --> 2:38:29.640
<v Speaker 1>swelt like like Verry and he and he um. So

2:38:29.760 --> 2:38:32.160
<v Speaker 1>I didn't meet the overweight Pun. I met that Pun

2:38:32.320 --> 2:38:34.760
<v Speaker 1>and he liked me then, but I didn't know he

2:38:34.879 --> 2:38:37.120
<v Speaker 1>liked me then. He was in a talent show at

2:38:37.160 --> 2:38:40.080
<v Speaker 1>the Victoria Theater theater up in Harlem, and he had

2:38:40.200 --> 2:38:43.120
<v Speaker 1>jumped off the stage. I was a judge and was

2:38:43.360 --> 2:38:46.520
<v Speaker 1>doing his song to me. But I saw the talent then,

2:38:47.120 --> 2:38:49.640
<v Speaker 1>so I'm giving it up just because he was talented.

2:38:50.200 --> 2:38:53.560
<v Speaker 1>He remembered, he remembered, I met you blah blah blah

2:38:53.560 --> 2:38:56.880
<v Speaker 1>blah blah blah blah. And then some accident happened in

2:38:56.959 --> 2:39:02.640
<v Speaker 1>the lawsuit and yeah, so you know. But so he

2:39:02.720 --> 2:39:04.720
<v Speaker 1>would share that with me, and I don't judge, because

2:39:04.760 --> 2:39:06.720
<v Speaker 1>I just don't judge, Like who then am I to judge?

2:39:07.400 --> 2:39:11.640
<v Speaker 1>But we used to have barbecues at my Manhattan apartment, Brandy.

2:39:12.560 --> 2:39:19.600
<v Speaker 1>Everybody would come and he would ask that I'm put

2:39:19.760 --> 2:39:22.160
<v Speaker 1>his plate to the side because he knew that people

2:39:22.200 --> 2:39:25.760
<v Speaker 1>would be watching him while he was eating, and he

2:39:25.840 --> 2:39:28.240
<v Speaker 1>didn't want that. You don't want that distraction. You don't

2:39:28.280 --> 2:39:33.160
<v Speaker 1>want that, you know. And and I got it because

2:39:33.440 --> 2:39:36.240
<v Speaker 1>fuck them, I'll put your plate to the side. But

2:39:36.320 --> 2:39:39.640
<v Speaker 1>I don't know that he had that type of transparency

2:39:39.959 --> 2:39:43.240
<v Speaker 1>with a lot of other people, and he knew he

2:39:43.280 --> 2:39:46.080
<v Speaker 1>could trust me with it, because again I ain't judging,

2:39:46.959 --> 2:39:50.880
<v Speaker 1>So I think that encourages the love. It was intimacy

2:39:51.040 --> 2:39:56.440
<v Speaker 1>without sex, without physicality, without oh I'm a fuck, It

2:39:56.560 --> 2:40:00.680
<v Speaker 1>was none of that stuff. It's just it was other people.

2:40:01.959 --> 2:40:06.640
<v Speaker 1>There's always other people. We talked about a few circle back.

2:40:07.280 --> 2:40:11.280
<v Speaker 1>I'll never tell you, but so you know. So it

2:40:11.400 --> 2:40:16.080
<v Speaker 1>was like um and and and he took me on

2:40:16.240 --> 2:40:18.960
<v Speaker 1>his back struggling r and B artists and put me

2:40:19.040 --> 2:40:22.920
<v Speaker 1>on his song, came on my song to a street remix,

2:40:23.640 --> 2:40:28.640
<v Speaker 1>made motown, get me a tour, bus, hotel rooms, um

2:40:28.959 --> 2:40:33.280
<v Speaker 1>uh everything, street team, everything. And if it hadn't been

2:40:33.360 --> 2:40:37.040
<v Speaker 1>for Pun, I probably would have never experienced going on tour.

2:40:42.200 --> 2:40:45.640
<v Speaker 1>I was beautiful man. For me, that like the outside

2:40:45.680 --> 2:40:48.800
<v Speaker 1>looking in, you know, I was never like and you

2:40:48.879 --> 2:40:51.520
<v Speaker 1>guys conversation. I just see you guys just like you

2:40:51.560 --> 2:40:55.840
<v Speaker 1>guys are like pomp heads. You know. I didn't know,

2:40:56.040 --> 2:40:58.760
<v Speaker 1>you know, I do. I knew it was. It was

2:40:58.840 --> 2:41:01.720
<v Speaker 1>something respect. You know, it's because an outsider, which is

2:41:01.840 --> 2:41:05.640
<v Speaker 1>close to perm. Yeah. And I was just like, all

2:41:05.680 --> 2:41:07.000
<v Speaker 1>right when I see that, I was just like I

2:41:07.240 --> 2:41:11.800
<v Speaker 1>always felt back. It was a special it's a special commodity.

2:41:11.879 --> 2:41:17.360
<v Speaker 1>What is that? Yeah? But oh man, this is so

2:41:17.480 --> 2:41:20.040
<v Speaker 1>let's go. Let's let's up about you right there. What's up?

2:41:20.080 --> 2:41:22.880
<v Speaker 1>What's up? Man, queens flip that's the day of the show.

2:41:23.280 --> 2:41:26.280
<v Speaker 1>Put the script podcast, the script podcast. Okay, so how

2:41:26.360 --> 2:41:32.840
<v Speaker 1>did you get started? Yeah, let's keep you up. Drink

2:41:33.440 --> 2:41:37.760
<v Speaker 1>pretty your family to your family, pretty much. We love

2:41:37.800 --> 2:41:41.320
<v Speaker 1>what you're doing. You too, So let's it's um that's

2:41:41.360 --> 2:41:43.240
<v Speaker 1>the beginning of the podcast. Yeah, I mean, so me,

2:41:43.400 --> 2:41:45.960
<v Speaker 1>me and Queens Flip is you know, good friends for

2:41:46.080 --> 2:41:48.840
<v Speaker 1>like fifteen plus years now. So I met him. He

2:41:49.000 --> 2:41:51.840
<v Speaker 1>was doing music. He was rapping DJ it was wrapping.

2:41:51.920 --> 2:41:57.960
<v Speaker 1>He was rapping. He was wrapping some songs on YouTube. Sorry, Flip, sorry, Flips,

2:41:59.240 --> 2:42:01.480
<v Speaker 1>it's gonna be bad. He might be a little mad,

2:42:01.520 --> 2:42:08.800
<v Speaker 1>but but he's always mad, you know. So like so

2:42:08.840 --> 2:42:11.680
<v Speaker 1>like many people who who know Queen's Flip, when you

2:42:11.760 --> 2:42:13.640
<v Speaker 1>first meet him, it's kind of like he gives you

2:42:13.760 --> 2:42:16.520
<v Speaker 1>like a little test or I called the test flight.

2:42:16.560 --> 2:42:18.840
<v Speaker 1>Everybody who's he's close to he kind of like presses

2:42:18.879 --> 2:42:20.000
<v Speaker 1>you a little bit. When I first met him, he

2:42:20.040 --> 2:42:22.320
<v Speaker 1>kind of pressed me about playing song, and we had

2:42:22.440 --> 2:42:24.600
<v Speaker 1>like a little I'm like yea, you know, like like

2:42:24.680 --> 2:42:26.240
<v Speaker 1>it out of here? Yeah, do you have big tapes

2:42:26.840 --> 2:42:29.600
<v Speaker 1>hit me? Yeah? Yeah? Makes say but he wanted hit

2:42:29.640 --> 2:42:33.680
<v Speaker 1>song played at this Uh at Rochester had a Rochester Day,

2:42:34.120 --> 2:42:36.240
<v Speaker 1>Rochester Day and Queens, so he wanted to get his

2:42:36.320 --> 2:42:40.360
<v Speaker 1>song played. Yeah, so you want to get his song played? Uh?

2:42:41.000 --> 2:42:43.200
<v Speaker 1>I wasn't d J my friend was DJ said like,

2:42:43.200 --> 2:42:44.880
<v Speaker 1>you'll tell you man to play the record. I'm like, yeah, bro,

2:42:45.040 --> 2:42:47.000
<v Speaker 1>like come on, he's pressing me. So from this is

2:42:47.000 --> 2:42:49.280
<v Speaker 1>when we kind of first started to get cool back then.

2:42:49.360 --> 2:42:51.840
<v Speaker 1>But the podcast started because um, I had my own

2:42:51.920 --> 2:42:55.680
<v Speaker 1>radio show that that got uh like serious satellite all

2:42:55.720 --> 2:42:57.080
<v Speaker 1>dover to the row. He was a call his radio

2:42:57.160 --> 2:42:59.200
<v Speaker 1>like type of ship was on DTAX. We actually interview

2:42:59.440 --> 2:43:02.240
<v Speaker 1>on dtver the So I don't want to you on DTF.

2:43:02.320 --> 2:43:04.960
<v Speaker 1>We interview years ago, So that that show stopped, and

2:43:04.959 --> 2:43:07.360
<v Speaker 1>then um people kept saying, yo, you want flip do

2:43:07.440 --> 2:43:08.880
<v Speaker 1>you do your own show? That's your man, right, he

2:43:08.959 --> 2:43:11.520
<v Speaker 1>going viral, going crazy? You and his personality is kind

2:43:11.560 --> 2:43:14.560
<v Speaker 1>of different. It'll mesh, you know what I'm saying. So

2:43:15.000 --> 2:43:18.320
<v Speaker 1>we did our first episode about four years ago. Who

2:43:18.440 --> 2:43:20.320
<v Speaker 1>was that with? So our first episode, you know, he

2:43:20.320 --> 2:43:21.680
<v Speaker 1>wanted to come out of the gate. You know. His

2:43:21.800 --> 2:43:24.680
<v Speaker 1>idea was the make some noise and and get a

2:43:24.720 --> 2:43:29.400
<v Speaker 1>little crazy. Not yet the gangsters came a little later.

2:43:29.600 --> 2:43:32.560
<v Speaker 1>Episode one we have we had a girl uh give

2:43:32.680 --> 2:43:35.280
<v Speaker 1>a little bit of you know, yaw ya on camera

2:43:40.320 --> 2:43:44.040
<v Speaker 1>without crashing. Yeah. Episode one, you know, because we felt like,

2:43:44.160 --> 2:43:48.400
<v Speaker 1>you know, the podcast game is going crazy right now.

2:43:48.480 --> 2:43:50.320
<v Speaker 1>We got people like you know, Charlotte Magne, these other

2:43:50.360 --> 2:43:52.880
<v Speaker 1>guys who are doing shows, Envy, you know, they're doing

2:43:52.920 --> 2:43:54.840
<v Speaker 1>their podcast who we kind of wanted to make a

2:43:54.920 --> 2:43:57.560
<v Speaker 1>name for ourselves. So we started out by by interviewing

2:43:57.600 --> 2:44:00.960
<v Speaker 1>the guy, um while he was to give what the

2:44:01.000 --> 2:44:02.840
<v Speaker 1>guy was receiving, we did to do with him and

2:44:03.200 --> 2:44:08.400
<v Speaker 1>see if wait wait wait wait a second, a second.

2:44:09.040 --> 2:44:11.320
<v Speaker 1>So that was the game. That was like episode one.

2:44:11.920 --> 2:44:14.200
<v Speaker 1>Y'all set it up like you're gonna get head while

2:44:14.240 --> 2:44:17.040
<v Speaker 1>we give you the interview, or did it happen that

2:44:17.200 --> 2:44:20.760
<v Speaker 1>the guy? So I we interviewed the escort, right, and

2:44:21.360 --> 2:44:25.480
<v Speaker 1>escort as the guy the girl. The girl John walked

2:44:25.520 --> 2:44:27.680
<v Speaker 1>in and then he walked in and we let them

2:44:27.720 --> 2:44:29.400
<v Speaker 1>set up, let them get comfortable, and left the room.

2:44:29.440 --> 2:44:31.760
<v Speaker 1>Came back in the room and we started asking her

2:44:31.760 --> 2:44:34.400
<v Speaker 1>and asking him how good she was, and you know,

2:44:34.560 --> 2:44:37.320
<v Speaker 1>just to see what if she's performing to the to

2:44:37.440 --> 2:44:42.120
<v Speaker 1>the her ability to see what I'm saying, drink pal.

2:44:46.760 --> 2:44:50.880
<v Speaker 1>You know. We went from there to Eddie that is

2:44:50.920 --> 2:44:53.720
<v Speaker 1>he gonna have to step it up, man, let me

2:44:53.800 --> 2:45:00.080
<v Speaker 1>tell you step it up. From there. From there, you know,

2:45:00.160 --> 2:45:01.800
<v Speaker 1>we had a bunch of the guests on the show,

2:45:01.840 --> 2:45:05.280
<v Speaker 1>and then um, somebody stabbed somebody that we got we

2:45:05.400 --> 2:45:07.920
<v Speaker 1>got to beamy. We have Bammy on the show. Right,

2:45:08.160 --> 2:45:11.120
<v Speaker 1>we have Bammy and we had uh shake Davis, we

2:45:11.240 --> 2:45:14.120
<v Speaker 1>had Supreme something to show some people like that. And

2:45:14.200 --> 2:45:16.880
<v Speaker 1>then we realized that the oldiest wanted to see those

2:45:16.879 --> 2:45:20.359
<v Speaker 1>stories hit those stories. So we started interviewing all the um'

2:45:21.600 --> 2:45:28.880
<v Speaker 1>I mean, yeah, we we had we had Kevin y'alla.

2:45:30.080 --> 2:45:31.760
<v Speaker 1>But the crowd, you know, the crowd is funding. I

2:45:31.800 --> 2:45:35.320
<v Speaker 1>think we had our first like NYC Blood. Uh the

2:45:35.560 --> 2:45:37.720
<v Speaker 1>o g s on our showing. The numbers went crazy.

2:45:38.200 --> 2:45:39.720
<v Speaker 1>So after that's all right, this is we gotta go.

2:45:39.760 --> 2:45:41.600
<v Speaker 1>We gotta talking the street. But doesn't that kind of

2:45:41.640 --> 2:45:44.800
<v Speaker 1>commit you to that, like once you you wanted, don't

2:45:44.840 --> 2:45:48.560
<v Speaker 1>you gotta commit it to be doing everyone? Because now, alright, cool,

2:45:48.680 --> 2:45:52.439
<v Speaker 1>this guy says, I'm the NYC Blood ship just familiar,

2:45:52.720 --> 2:45:55.840
<v Speaker 1>but this is why I said I'm the first YC Blood. Yeah,

2:45:56.440 --> 2:45:58.640
<v Speaker 1>And then this one said I'm the first NYC creb.

2:45:59.200 --> 2:46:01.960
<v Speaker 1>Like what does that bring y'all that that well, I mean,

2:46:02.040 --> 2:46:06.080
<v Speaker 1>you know, we don't know who's official, right because we

2:46:06.360 --> 2:46:09.120
<v Speaker 1>weren't there and writers and when everything he first started.

2:46:09.200 --> 2:46:12.040
<v Speaker 1>So we get the first guy and then he co

2:46:12.200 --> 2:46:13.800
<v Speaker 1>signs the next guy like, yeah, I was there with

2:46:13.879 --> 2:46:17.920
<v Speaker 1>him Brooklyn cav got a coach signs, so you go

2:46:18.040 --> 2:46:19.640
<v Speaker 1>that way. But of course my phone wasn't going crazy.

2:46:19.720 --> 2:46:22.440
<v Speaker 1>For the rest of the world, Like everyone is saying anybody,

2:46:22.800 --> 2:46:25.520
<v Speaker 1>how how tough you are. There's always someone who says

2:46:25.600 --> 2:46:29.640
<v Speaker 1>he pussy right. There's always someone tough about how rich

2:46:29.720 --> 2:46:31.520
<v Speaker 1>you are. There's always someone to say you bro, that's

2:46:31.520 --> 2:46:34.720
<v Speaker 1>the fact. Pussy you guys always someone to say that

2:46:34.840 --> 2:46:40.280
<v Speaker 1>you don't get nothing went to But you understand what

2:46:40.280 --> 2:46:43.480
<v Speaker 1>I'm saying. So so how do you balance that because

2:46:43.480 --> 2:46:45.680
<v Speaker 1>I can't. Yeah. I mean, you know, like I said,

2:46:45.680 --> 2:46:47.600
<v Speaker 1>we have we had guys like like like killing Cab

2:46:47.680 --> 2:46:49.560
<v Speaker 1>and you know O G Nooking, you know, so be

2:46:50.760 --> 2:46:52.440
<v Speaker 1>we had them, we had them confirmed. I right, this

2:46:52.480 --> 2:46:54.720
<v Speaker 1>guy's valot, this guy's valid, and then you know we

2:46:55.040 --> 2:46:58.480
<v Speaker 1>try to go to uh, there's always somebody that Yeah,

2:46:58.560 --> 2:47:00.520
<v Speaker 1>but I think I thought I was left him because

2:47:00.520 --> 2:47:02.080
<v Speaker 1>it's now as everybody want to get the ball once

2:47:02.320 --> 2:47:04.600
<v Speaker 1>because you said you said the numbers weren't crazy, so

2:47:05.320 --> 2:47:07.840
<v Speaker 1>it would allude to that. That's what inspires you to

2:47:07.920 --> 2:47:12.119
<v Speaker 1>keep going, Like, at what point does the numbers going crazy?

2:47:12.200 --> 2:47:16.040
<v Speaker 1>Not like it becomes detrimental to what, you know, to

2:47:16.280 --> 2:47:18.680
<v Speaker 1>the platform. I mean, you know, like like I said,

2:47:18.680 --> 2:47:20.280
<v Speaker 1>at a certain point, we kind of just slowed down

2:47:20.360 --> 2:47:22.480
<v Speaker 1>with it. We felt like everyone in New York wanted

2:47:22.480 --> 2:47:25.960
<v Speaker 1>to get their story heard, and everyone that gays do y'all. Yeah,

2:47:26.120 --> 2:47:29.240
<v Speaker 1>It's like I was so happy that they came to you.

2:47:31.360 --> 2:47:33.280
<v Speaker 1>I was so happy. I was like, oh, yeah, go

2:47:33.360 --> 2:47:37.040
<v Speaker 1>to these Yes, yes, because I've watched it everything. He

2:47:37.080 --> 2:47:38.560
<v Speaker 1>took it. We took it. And then I think we

2:47:38.600 --> 2:47:41.080
<v Speaker 1>went from there. So we started interviewing people who just

2:47:41.160 --> 2:47:43.400
<v Speaker 1>came home that did twenty thirty years and did they

2:47:43.440 --> 2:47:46.200
<v Speaker 1>hit their story about whether they was accused you know,

2:47:46.440 --> 2:47:50.360
<v Speaker 1>uh fALS somebody that always refused their story of course,

2:47:50.600 --> 2:47:55.120
<v Speaker 1>of course, of course. But you know, we went from

2:47:55.160 --> 2:47:56.880
<v Speaker 1>there and just started growing and just getting different guests,

2:47:56.920 --> 2:47:58.560
<v Speaker 1>and you know, we kind of ran We ran SMS Jones.

2:47:59.160 --> 2:48:01.920
<v Speaker 1>You know what I'm saying, something down a whole new

2:48:02.280 --> 2:48:05.320
<v Speaker 1>uh uh show with miss Jones. They got a whole

2:48:05.360 --> 2:48:09.520
<v Speaker 1>new show. Yeah, Queenslip and Jones Thursday, So it's on

2:48:09.640 --> 2:48:12.080
<v Speaker 1>Thursday nights. He calls it me and Miss Jones, I

2:48:12.240 --> 2:48:15.200
<v Speaker 1>call it the King and I and we just like

2:48:15.240 --> 2:48:17.680
<v Speaker 1>the group, The King and I remember the Nobody. Remember

2:48:17.680 --> 2:48:19.440
<v Speaker 1>the King and I. I thought that was dope. That

2:48:19.560 --> 2:48:21.760
<v Speaker 1>group was dope. Well it was the artist. It was

2:48:21.840 --> 2:48:28.640
<v Speaker 1>one artist at right. But no flip flip Thursday nights

2:48:29.120 --> 2:48:31.520
<v Speaker 1>nights and let me ask yourself, because you say you've

2:48:31.520 --> 2:48:34.480
<v Speaker 1>got something on Monday, that's my reunion job, Miss Jones,

2:48:34.600 --> 2:48:37.600
<v Speaker 1>reunion if you want, where did you drop your audio

2:48:37.800 --> 2:48:40.680
<v Speaker 1>of that? So we tape it Sunday night me dj

2:48:40.959 --> 2:48:46.880
<v Speaker 1>n V from the Breakfast club. Like Sean, Yeah, sometimes Ebro,

2:48:47.080 --> 2:48:51.400
<v Speaker 1>you know, he's shakes, he's the reporter, he's the edge

2:48:51.400 --> 2:48:53.600
<v Speaker 1>of the ship. No, he comes on the show, but

2:48:53.680 --> 2:48:56.920
<v Speaker 1>he's like after he caught COVID, he like fell back

2:48:57.160 --> 2:49:00.440
<v Speaker 1>and I didn't want to push and like the core

2:49:00.520 --> 2:49:04.120
<v Speaker 1>of the show is me Enva, Mike, Sean. Anyway, so

2:49:04.240 --> 2:49:11.640
<v Speaker 1>we do every Sunday. Last week we had every Week's

2:49:11.680 --> 2:49:14.520
<v Speaker 1>really a good guy man, please me, please, still gotta

2:49:14.520 --> 2:49:17.320
<v Speaker 1>stop coming to his house. He gotta stop. So so

2:49:17.440 --> 2:49:19.400
<v Speaker 1>I just want to tell you that Envy has not

2:49:19.520 --> 2:49:21.680
<v Speaker 1>shown up for the last two weeks because he thinks

2:49:22.040 --> 2:49:27.080
<v Speaker 1>that I'm down with Flip in these skits. Yes, okay,

2:49:28.080 --> 2:49:31.720
<v Speaker 1>that's that's that's Flip and Envy is playing these skits out.

2:49:32.280 --> 2:49:38.080
<v Speaker 1>I'm not there, bro, I don't do So they knew

2:49:38.200 --> 2:49:41.800
<v Speaker 1>of each other, but their main connection is me. So

2:49:41.920 --> 2:49:45.000
<v Speaker 1>I'm like Envy, he's good, and Flip wanted this first

2:49:45.080 --> 2:49:47.800
<v Speaker 1>from beating. So I introduced that we don't believe this,

2:49:47.840 --> 2:49:51.039
<v Speaker 1>Miss Jones will be an earnest. Well, we see Flip

2:49:51.560 --> 2:49:54.360
<v Speaker 1>up over the game, but here's what happens. And he said,

2:49:54.600 --> 2:49:58.960
<v Speaker 1>come come for the verse on Wednesday at three, right,

2:50:00.200 --> 2:50:04.600
<v Speaker 1>Flip shows up Monday at one, So I believe that point. Yeah,

2:50:06.040 --> 2:50:09.360
<v Speaker 1>and then he showed up early, like early with the

2:50:09.440 --> 2:50:13.320
<v Speaker 1>bullshit and so but now it's funny, like I look

2:50:13.360 --> 2:50:15.880
<v Speaker 1>forward to the Envy and and and Flips gets in.

2:50:16.000 --> 2:50:18.800
<v Speaker 1>I don't know, but Envy's like, oh, he showed me

2:50:18.879 --> 2:50:21.800
<v Speaker 1>phone records. You're talking to him twenty minutes before he

2:50:21.879 --> 2:50:25.080
<v Speaker 1>breaks in my house. He brought a mariachi band and

2:50:25.160 --> 2:50:32.879
<v Speaker 1>you didn't say nothing. And so I'm just trying to like, yeah, honest,

2:50:33.040 --> 2:50:35.000
<v Speaker 1>can I have a bottle to go? You could have

2:50:35.200 --> 2:50:42.320
<v Speaker 1>this bottle to go for you right there, I am,

2:50:44.400 --> 2:50:46.440
<v Speaker 1>But do you want to wanting to drink right here,

2:50:46.640 --> 2:50:51.320
<v Speaker 1>Like I said, I sip because it just black because

2:50:51.320 --> 2:50:54.160
<v Speaker 1>I was doing the said a little bit, which, yeah,

2:50:54.160 --> 2:50:58.640
<v Speaker 1>because I was doing the then I need to sip

2:50:58.720 --> 2:51:05.080
<v Speaker 1>a bit. Listen, this is this is blackways. I'll have

2:51:05.200 --> 2:51:07.720
<v Speaker 1>a sad Yeah you can take that to go. Yeah

2:51:08.760 --> 2:51:20.240
<v Speaker 1>the whole cop oh the better. So so what was wanted?

2:51:20.640 --> 2:51:23.760
<v Speaker 1>What was your interview? You'll wish your did what we

2:51:23.800 --> 2:51:29.320
<v Speaker 1>didn't do. I think it could be politically direct right there, man, easy,

2:51:29.800 --> 2:51:35.600
<v Speaker 1>I know, I know, I know because on the podcast

2:51:35.760 --> 2:51:39.160
<v Speaker 1>right if you see like flippers, the one that's I'm

2:51:39.160 --> 2:51:40.680
<v Speaker 1>the one that's kind of like mellow. So a question

2:51:40.720 --> 2:51:42.480
<v Speaker 1>like that for me is like to answer that as

2:51:42.560 --> 2:51:44.880
<v Speaker 1>like tough. But you know, we here, we drink chance man,

2:51:45.000 --> 2:51:52.040
<v Speaker 1>um haven't been here. This is your drinks, that's your shot.

2:51:55.680 --> 2:52:02.080
<v Speaker 1>That's two different things. There's an interview did that I

2:52:02.160 --> 2:52:06.119
<v Speaker 1>couldn't get here because the guests because the guests didn't

2:52:06.120 --> 2:52:11.320
<v Speaker 1>want to to be heir it okay? Who um? Terry Woods,

2:52:12.080 --> 2:52:16.959
<v Speaker 1>the author, the book author, Why what does she write?

2:52:16.959 --> 2:52:19.040
<v Speaker 1>She wrote, black Man? She wrote true to the game,

2:52:19.200 --> 2:52:24.440
<v Speaker 1>true to the game. That's the people because wait a minute,

2:52:25.560 --> 2:52:28.080
<v Speaker 1>he would you better say, I mean you asked me

2:52:28.120 --> 2:52:31.160
<v Speaker 1>what an interview? We regret that we did. So she

2:52:31.320 --> 2:52:34.640
<v Speaker 1>comes to the part I regret it because we couldn't

2:52:34.680 --> 2:52:37.320
<v Speaker 1>hear it. What happened something? I think it was a

2:52:37.360 --> 2:52:41.840
<v Speaker 1>great show. It was a great time. Um uh. After

2:52:42.440 --> 2:52:45.119
<v Speaker 1>after the interview, she called and felt like we asked

2:52:45.160 --> 2:52:48.120
<v Speaker 1>the crazy questions and she didn't like the questions whatever

2:52:48.200 --> 2:52:52.400
<v Speaker 1>she didn't want Can you give me a example of

2:52:52.480 --> 2:52:54.320
<v Speaker 1>garth the crazy questions? But we can be kind of

2:52:54.320 --> 2:52:55.840
<v Speaker 1>asked a lot of the same questions we all, I guess,

2:52:55.920 --> 2:52:58.000
<v Speaker 1>like you know about when it came up and you know,

2:52:58.440 --> 2:53:01.040
<v Speaker 1>uh not like drink chance where he was like, did

2:53:01.080 --> 2:53:07.480
<v Speaker 1>you eat? As I be honest, I don't actually we asked,

2:53:07.520 --> 2:53:12.400
<v Speaker 1>I be honest. You eat a lot of EA ain't

2:53:12.400 --> 2:53:14.520
<v Speaker 1>gonna come, but you eat asked. I'm gonna pick either,

2:53:14.800 --> 2:53:23.920
<v Speaker 1>but you've ate asked, never asked before. The night is

2:53:23.959 --> 2:53:38.560
<v Speaker 1>still young? Yeah, Mary, I tell you carry on now.

2:53:38.640 --> 2:53:47.480
<v Speaker 1>I jumped always come on you big now now crazy

2:53:47.680 --> 2:53:50.880
<v Speaker 1>right now? I think I think one of the questions

2:53:50.920 --> 2:53:55.440
<v Speaker 1>we asked her was uh because her whole come up

2:53:55.480 --> 2:53:57.640
<v Speaker 1>when she was grinding like that, we asked her did

2:53:57.680 --> 2:54:00.680
<v Speaker 1>she sleep with anybody? On the way up and she

2:54:00.760 --> 2:54:03.080
<v Speaker 1>said no. We asked her again, but we done to

2:54:03.080 --> 2:54:05.160
<v Speaker 1>all our guests. We asked some questions about their past

2:54:05.240 --> 2:54:06.520
<v Speaker 1>and who they you know, who they slept but when

2:54:06.520 --> 2:54:08.320
<v Speaker 1>they you know, did this without of that? But she

2:54:08.440 --> 2:54:10.520
<v Speaker 1>kind of. But we had a great interview. It was great,

2:54:10.560 --> 2:54:12.880
<v Speaker 1>We had fun. She left, she was happy, but um,

2:54:13.120 --> 2:54:15.000
<v Speaker 1>I said, regretted because like, you know, I feel like

2:54:16.320 --> 2:54:17.800
<v Speaker 1>I wanted to put that show up. It was it

2:54:17.879 --> 2:54:19.120
<v Speaker 1>was a good time, was good in view. We had

2:54:19.120 --> 2:54:21.840
<v Speaker 1>a good time. She she felt away afterwards that we

2:54:21.959 --> 2:54:24.280
<v Speaker 1>were coming at her and we were talking down the

2:54:25.000 --> 2:54:28.560
<v Speaker 1>of the advocate. For one second. I've been in this

2:54:28.640 --> 2:54:32.120
<v Speaker 1>gate twenty two years. No one's ever asked me who

2:54:32.160 --> 2:54:34.240
<v Speaker 1>I slept with. And I think asking a woman that

2:54:34.440 --> 2:54:37.440
<v Speaker 1>is he's the crazy. I'm so sorry. So I'm just

2:54:37.480 --> 2:54:42.480
<v Speaker 1>trying to but I asked her that three times. This

2:54:42.600 --> 2:54:45.960
<v Speaker 1>is my sister, and I said that three times. She

2:54:46.120 --> 2:54:48.400
<v Speaker 1>didn't even think of that to ask me back, Well,

2:54:48.440 --> 2:54:51.920
<v Speaker 1>you didn't ask that, No, I asked, no, not asked directly.

2:54:52.040 --> 2:54:55.080
<v Speaker 1>I just said, you know, and that's what I'm saying.

2:54:55.320 --> 2:54:59.640
<v Speaker 1>So you don't think that's like advantage of sometimes like

2:55:00.080 --> 2:55:03.039
<v Speaker 1>but like all right, so, because like, so if I would.

2:55:03.240 --> 2:55:05.280
<v Speaker 1>What I'm saying is, I'm write a couple of the

2:55:05.360 --> 2:55:07.680
<v Speaker 1>Queze Flip Show y'all and y'all don't think. I don't

2:55:07.680 --> 2:55:10.040
<v Speaker 1>think you'all would ask me that we would? And why

2:55:10.080 --> 2:55:13.560
<v Speaker 1>would you ask her that you wouldn't ask him a shot?

2:55:14.560 --> 2:55:17.800
<v Speaker 1>We actually we don't ask You don't ask you what fun?

2:55:17.920 --> 2:55:22.240
<v Speaker 1>So I'm telling you you shot you be talking about

2:55:22.240 --> 2:55:25.640
<v Speaker 1>this ship I've been watching, Yeah, and then who ima who?

2:55:25.720 --> 2:55:29.160
<v Speaker 1>I pushed it so but you never you never blow

2:55:29.320 --> 2:55:33.039
<v Speaker 1>so one thing like you said, you asked me, that's fun?

2:55:33.080 --> 2:55:34.800
<v Speaker 1>You asked me joining at three time you said, yeah,

2:55:35.480 --> 2:55:37.280
<v Speaker 1>she won't I feel like she won't leave him, and

2:55:37.360 --> 2:55:40.880
<v Speaker 1>be like, oh no, in three different ways. Ask me

2:55:41.160 --> 2:55:43.160
<v Speaker 1>why he tried to keep that I know how to

2:55:43.240 --> 2:55:45.800
<v Speaker 1>do it. Yeah, but but she won't feel the way though.

2:55:45.800 --> 2:55:47.520
<v Speaker 1>You know, I don't think you leave here feeling the way.

2:55:47.720 --> 2:55:51.240
<v Speaker 1>Do what I'm saying, I'm so will you asked when

2:55:51.240 --> 2:55:56.440
<v Speaker 1>you said you'll ask, I asked you did you do? She? Actually? Yeah,

2:55:56.560 --> 2:55:58.920
<v Speaker 1>she would know what I'm saying. When he said to

2:55:59.400 --> 2:56:01.640
<v Speaker 1>Tebry what yeah, you said you let it too, that

2:56:01.760 --> 2:56:04.720
<v Speaker 1>you asked her. Yo, You're sleeping somebody to get to

2:56:04.760 --> 2:56:10.560
<v Speaker 1>the top. But in those words, I like that, she responded.

2:56:11.040 --> 2:56:13.080
<v Speaker 1>She responded that question. The whole interview was done. We

2:56:13.200 --> 2:56:15.720
<v Speaker 1>did the whole interview and we left, and it shows up.

2:56:15.879 --> 2:56:18.520
<v Speaker 1>She's like, you had a great time. This was dope laughing,

2:56:18.800 --> 2:56:19.920
<v Speaker 1>you know. And then I guess she went home and

2:56:19.959 --> 2:56:22.560
<v Speaker 1>thought about it. She went home and spoke to somebody

2:56:23.280 --> 2:56:27.240
<v Speaker 1>and it said, don't use it. Yeah, I can't post

2:56:27.280 --> 2:56:30.920
<v Speaker 1>it up. YadA, I don't. I don't appreciate what you

2:56:30.959 --> 2:56:35.240
<v Speaker 1>guys did. You guys, you guys conduct a bad show, YadA, YadA.

2:56:35.280 --> 2:56:37.720
<v Speaker 1>Don't give us all these bad reviews. I'm gonna form

2:56:37.800 --> 2:56:41.240
<v Speaker 1>potius to her, like, yo, right the show comes out,

2:56:41.360 --> 2:56:43.520
<v Speaker 1>they're telling you bad show. Didn't come out yet, So

2:56:43.520 --> 2:56:45.280
<v Speaker 1>how did they telling you bad review? Well, she's seen

2:56:45.360 --> 2:56:47.440
<v Speaker 1>bad reviews as far as like, she feels like, we

2:56:47.520 --> 2:56:49.720
<v Speaker 1>don't conduct a good show, we don't ask good questions

2:56:49.760 --> 2:56:52.320
<v Speaker 1>and things like that. When we already did the whole

2:56:52.320 --> 2:56:53.760
<v Speaker 1>interview and she told us that we had to shad

2:56:53.760 --> 2:57:00.160
<v Speaker 1>a good time, she signed a release. No, no, just

2:57:00.240 --> 2:57:06.840
<v Speaker 1>kid came side. At least right now, let listen be great,

2:57:10.280 --> 2:57:13.600
<v Speaker 1>you guys says it's good. Yeah, yeah, listen, hold on,

2:57:16.120 --> 2:57:19.480
<v Speaker 1>you know that's real, and it happened sometimes, Like I said,

2:57:19.760 --> 2:57:22.520
<v Speaker 1>happens all the time. It happens all the time, and

2:57:22.680 --> 2:57:25.600
<v Speaker 1>women starting faith and she would staring chair herself with me.

2:57:26.120 --> 2:57:28.160
<v Speaker 1>So I was even though that question I asked it

2:57:28.240 --> 2:57:30.040
<v Speaker 1>was a little distasteful. She knew it was a show,

2:57:30.680 --> 2:57:34.320
<v Speaker 1>but she was surprised that I wasn't more jonesy with her.

2:57:34.400 --> 2:57:37.520
<v Speaker 1>But I feel like that was Stevie j more so.

2:57:37.760 --> 2:57:40.240
<v Speaker 1>So you don't know, and you would not have know.

2:57:40.840 --> 2:57:43.199
<v Speaker 1>Would I have known if it was an outside influence

2:57:43.280 --> 2:57:46.640
<v Speaker 1>that after the fact said fall backccess, don't let that

2:57:47.560 --> 2:57:50.880
<v Speaker 1>interview come out. I love you, man, this is a

2:57:50.920 --> 2:57:53.360
<v Speaker 1>great contact. Man. I can't, I can't, I can't be

2:57:53.400 --> 2:58:00.200
<v Speaker 1>asked the boy question was great, a little full though.

2:58:05.040 --> 2:58:09.280
<v Speaker 1>You know this is great. Thanks for joining us for

2:58:09.320 --> 2:58:12.040
<v Speaker 1>another episode of Drink Champs hosted by Yours truly, d

2:58:12.200 --> 2:58:14.560
<v Speaker 1>J E, f N and n O R E. Please

2:58:14.600 --> 2:58:16.800
<v Speaker 1>make sure to follow us on all our socials. Let's

2:58:16.840 --> 2:58:20.440
<v Speaker 1>at Drink Champs across all platforms. At the Real Noriegan,

2:58:20.520 --> 2:58:24.400
<v Speaker 1>I g at Noriega on Twitter, Mine is at Who's Crazy?

2:58:24.600 --> 2:58:27.480
<v Speaker 1>On I g at d J E f N on Twitter,

2:58:27.879 --> 2:58:30.400
<v Speaker 1>and most importantly, stay up to date with the latest releases,

2:58:30.800 --> 2:58:34.000
<v Speaker 1>news and merch by going to drink champs dot com.

2:58:37.480 --> 2:58:40.520
<v Speaker 1>For more podcasts from My Heart Radio, visit the iHeart

2:58:40.640 --> 2:58:44.120
<v Speaker 1>Radio app, Apple podcast, or wherever you listen to your

2:58:44.160 --> 2:58:44.840
<v Speaker 1>favorite shows.