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Speaker 1: Welcome to another episode of Against the Chronicles podcast, where

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Speaker 1: gainst the Rep Lives, it's your boy Big Steel along

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Speaker 1: with the notorious Hill. There it is man. We just

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Speaker 1: came back on the long trip to Miami, man kicking

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Speaker 1: with the homies nowhere and dj ef Hen.

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Speaker 2: Yeah, it was a it. It was a pretty cool little,

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Speaker 2: uh setup, and I think the interview was you know,

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Speaker 2: it was on point, Yeah for sure.

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Speaker 1: So y'all tuning, y'all, make sure y'all tuning into that,

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Speaker 1: cause it's coming up that Miami. You know what, dough dog,

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Speaker 1: I was ready to get back to the motherfucking crib though.

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Speaker 2: I'm like that anywhere I travel too. You know, this

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Speaker 2: ain't like back in the days.

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Speaker 1: Man.

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Speaker 2: Back in the days, you was you yearned to get

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Speaker 2: out the city, you know, and go see some different shit.

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Speaker 2: But uh, right about now, you know, you got so

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Speaker 2: much shit going on at the home front, and you know,

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Speaker 2: whether you got a wife or girl, and you got

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Speaker 2: kids and you know, shit to take care of. So

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Speaker 2: you know, it's kind of hard.

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Speaker 1: Saying the motherfucker getting old though, No, you just got

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Speaker 1: it's a lot of shit that you gotta take care of. It.

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Speaker 2: It ain't like niggas got handlers and accountants and all

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Speaker 2: that shit. You know, so, and it ain't like being

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Speaker 2: at home. Shit, it's just like you gonna be the

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Speaker 2: fuck at home. Yeah, yeah, you're sleeping on your own shit.

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Speaker 2: But it was cool though, man, It's a blessing. Man

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Speaker 2: and brother showed us a real good time. I neat shit, nigga,

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Speaker 2: do once you do the shit, nigga, I'm ready to

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Speaker 2: get out, Nigga. If I can get a flight out that night,

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Speaker 2: you get me.

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Speaker 1: Yeah.

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Speaker 2: They lucky that motherfucking airlines don't run twenty four seven and.

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Speaker 1: Shit, you want to go do the shit? Be like, nigga,

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Speaker 1: what can we get at? What time? Is it?

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Speaker 2: Twelve one? We done, nigga? Let's see we let's see

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Speaker 2: if we can get on that three o'clock.

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Speaker 1: You're gonna get something eating just he history the head

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Speaker 1: trades to the airport. You know what, though, man, Times

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Speaker 1: have changed the whole lot, man. And one of the

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Speaker 1: biggest changes I'm seeing, man, is I don't know how

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Speaker 1: I do know how I feel about this J Cole

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Speaker 1: and Kendrick shit, man, you know Kendrick through the first

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Speaker 1: shot and me knowing a little homie all that was

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Speaker 1: was just a little slap in the back of the head.

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Speaker 1: That wasn't his full throttle.

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Speaker 2: What you what you say? What you say that what

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Speaker 2: you consider that a form of just dissing or beefing?

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Speaker 2: I don't think there is there two Is there two differences?

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Speaker 2: What you say there's a difference between dissing and beefing?

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Speaker 1: Yeah? That to me, man, that's just this and that's

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Speaker 1: hip hop shit right there, dog, It ain't no beef.

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Speaker 1: You know, them brothers ain't got no problem the world

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Speaker 1: they see each other. It's not on the level of

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Speaker 1: the pocket big shit. It's not nothing like that. This

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Speaker 1: is friendly competition. I'm the number one nigga. I'm about

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Speaker 1: to show what y'all motherfuckers go had to wrap.

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Speaker 2: Yeah, it's it's not on the level of to me,

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Speaker 2: when Lynch Mob was going against you know, above the

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Speaker 2: law and them getting into confrontations or whatever already liked

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Speaker 2: or my my, my situation with quick you know uh.

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Speaker 1: X, people actually got hurt and that you know when

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Speaker 1: that ship was said. So this is rap shit, dog,

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Speaker 1: That's why I didn't see the need for on the policy.

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Speaker 2: How how warranted is is and how healthy is dissing

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Speaker 2: and beefing in the hip hop.

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Speaker 1: Man, I think as long as that ship stay on record, Dog,

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Speaker 1: To be honest, it's just like that's what hip hop

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Speaker 1: was formed on. Man. You used to have what's the

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Speaker 1: homie cool Mold D and what's the other old school

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Speaker 1: cat man? You know you had that ship. You had

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Speaker 1: Cool Mode versus El Cool, Jay l L versus ic T.

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Speaker 1: Nobody died Dog. It was just a bunch of bravado

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Speaker 1: friendly fucking competition. I'm the best. It's almost the same thing.

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Speaker 1: You know, Even though hip hop is not a physical sport,

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Speaker 1: it's a mental sport. Right. If you're a wide receiver,

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Speaker 1: you talking shit to the number one dB on the team.

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Speaker 1: If you're the number one dB on the team, you

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Speaker 1: wanna guard the option, you wanna scar, you wanna guards

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Speaker 1: your opponent's number one receiver? Am I right? Exactly? You

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Speaker 1: know what I'm saying. So you just I think the

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Speaker 1: Homiekendrick just threw a rock out there, like Nigga, I'm

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Speaker 1: that nigga who wants some of him and Drake being

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Speaker 1: low keep going back and forth over years. I'm gonna

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Speaker 1: tell you this, man, I heard Drake got a record already, Dog,

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Speaker 1: but he not ready for that. Boy, Kendrick Lamar is

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Speaker 1: not meet meal. Is Is it healthy for hip hop?

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Speaker 1: Hell yeah, it's healthy for hip hop? Hip hop getting

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Speaker 1: a little man, I'm gonna tell you right now, and

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Speaker 1: this is not no, not to the to the ladies,

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Speaker 1: but it's a bunch of bras putting off the best

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Speaker 1: records writing out Dog.

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Speaker 2: Is that because they're putting out the best records? Or

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Speaker 2: is it because their fan base has become stronger with

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Speaker 2: the with the with with what the females are pushing

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Speaker 2: You get.

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Speaker 1: Me, man, I gotta say this, dog, what you what?

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Speaker 1: You what?

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Speaker 2: You say that it's bona fide, true good hip hop?

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Speaker 2: Or is it because of the women that are at

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Speaker 2: the forefront of of of the hip hop that is

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Speaker 2: being pushed or are coming with the same agenda? You know,

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Speaker 2: I say that the fucking nigga make you pay nigga.

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Speaker 2: Uh my pussy, this, my pussy that.

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Speaker 1: Get a bag. I got this, I got.

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Speaker 2: That as opposed to you know, the Queen Latifa's Yo

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Speaker 2: Yo's money loves the Lady of Rap.

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Speaker 1: It was just a whole nother era. Man. You gotta

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Speaker 1: remember we was in a different ERAa. We was in

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Speaker 1: the so called conscious era, even gainst the rap was

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Speaker 1: conscious rap to an extent. You feel what I'm saying.

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Speaker 1: You know, you know it had a it had a

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Speaker 1: background to it. You feel what I'm saying. I think

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Speaker 1: now though, we in the generation of let's get a bag,

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Speaker 1: let's get high, let's go get to the money, right,

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Speaker 1: That's what they're doing. So that's what they communicating to

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Speaker 1: their peers, right. I think when I'm listening to like,

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Speaker 1: you know, you got the sexy rails, but you also

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Speaker 1: got the glow Realers, right, you feel what I'm saying that, Yeah,

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Speaker 1: the low record, that shit go right there. And she

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Speaker 1: on there talking her ship.

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Speaker 2: She mean I I get props to the females who

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Speaker 2: you can't put it passive. If if a.

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Speaker 1: Broad is sexy and she fine, and that's just what

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Speaker 1: it is. That's just what it is.

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Speaker 2: She if she pushes that, you know, she could want,

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Speaker 2: like you said, she could be on the glow Realer ship.

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Speaker 2: And just the fact that you know, I'm aware of

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Speaker 2: sexy outfit or my hair gonna be this or be that,

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Speaker 2: and it pushes that that i'mbiyance of being a sexy mother.

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Speaker 1: Yeah, And I think you gotta have a balance. I

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Speaker 1: think you know you got the sexy red she do

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Speaker 1: her thing, the kids like her. She do her stuff.

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Speaker 1: You got Glowrilla, and you also got a lot of

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Speaker 1: other bras out that they can spit. I shouldn't call

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Speaker 1: them bras, my bad. You have a lot of other

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Speaker 1: young ladies out there. They can spit, right. But going

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Speaker 1: back to this hip hop, hip hop at this core,

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Speaker 1: man is competitive. You are never gonna be if you

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Speaker 1: if you expect to have a respected hip hop career,

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Speaker 1: it's gonna be defined on what your beefs was. Did

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Speaker 1: you run and tuck your tail and see? It's one

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Speaker 1: thing to lose on a record? Dog?

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Speaker 2: But is that is that hip hop banter of this scene?

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Speaker 2: Or is that beef? That's not beef Dog, that's just

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Speaker 2: this one. I don't think that's beef. I don't think

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Speaker 2: Dot Nimbus running got the homies lined up and waiting

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Speaker 2: for one of these cats laying. I don't think it's

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Speaker 2: nothing like that. I think it's just hip hop. I

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Speaker 2: think it's friendly competition. And I'm gonna tell you like this,

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Speaker 2: I don't understand. I don't understand the whole premise you

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Speaker 2: getting slapped in the back of the head. Let's say,

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Speaker 2: somebody's spit a spitball at you, right, which that's what

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Speaker 2: it was for.

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Speaker 1: Kid, That was a little spitball. Trust me, he didn't

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Speaker 1: go in on them niggas yet he spit a spitball

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Speaker 1: at him. He turned around and spit one back at him.

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Speaker 1: Didn't messed around and say I'm sorry when they got

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Speaker 1: in the hallway. You feel what I'm saying. I don't.

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Speaker 2: I'm not gonna keep stressing on the fact that my

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Speaker 2: nigga said, you know, because again, it ain't beef. So

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Speaker 2: why is motherfucker's tripping off of my bad? You know,

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Speaker 2: I shouldn't have did it. I mean, shit, I don't.

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Speaker 2: I'm not.

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Speaker 1: I don't regret.

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Speaker 2: I mean, I'm not gonna apologize for even the beef

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Speaker 2: that I had in my situation what like. But like

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Speaker 2: I said, I don't think it was good for the

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Speaker 2: city and hip hop because other situations that happened behind it.

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Speaker 1: Yeah, let me ask you this, I'm money you lose

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Speaker 1: during that whole conflict. I don't.

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Speaker 2: I don't, who knows, I've never calculated. But like I said,

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Speaker 2: my goal was never to be my My goal was

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Speaker 2: never to be separated as far as h and the

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Speaker 2: artists is concerned. Now, you know, when we was first

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Speaker 2: coming up and CEMW even before you know, the situation

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Speaker 2: were quick we had, you know, little niggas was dissing

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Speaker 2: each other other, little rap groups and shit like that.

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Speaker 2: It wasn't to the point of where we was ready

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Speaker 2: to go ride on a nigga and shit like that.

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Speaker 1: Understand what makes you and see you in quick situation

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Speaker 1: was a little different, bro than this one right here,

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Speaker 1: because you was a cryp, you a crip and he's

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Speaker 1: a blood and y'all from the same city. It's not

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Speaker 1: even like y'all in the city that's over. It's not

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Speaker 1: like Quick was from guardena somewhere. Use that That's what

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Speaker 1: I said. That's why it's in the same city. That

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Speaker 1: that makes y'all se situating a lot more volatile.

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Speaker 2: But I said that, you know, I think and like

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Speaker 2: I said, you got a lot of that shit to

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Speaker 2: you know, you got a lot of that going on

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Speaker 2: with the youth today. Niggas want to you know, validate

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Speaker 2: their you know, identities and who they are. And as

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Speaker 2: far as you know, I'm from over here, and so

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Speaker 2: a lot of ways to express that because like I said,

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Speaker 2: now you're gonna have niggas all over the world, you know,

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Speaker 2: looking at where you from and whatever and get.

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Speaker 1: The bug of that.

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Speaker 2: But a lot of that comes from just a neighborhood shit.

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Speaker 2: And that goes back to when the crypts and the

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Speaker 2: bloods first started. You know, naturally, you supposed to beef

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Speaker 2: for the blood. You supposed to beef for the crypt

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Speaker 2: That's that's the nature behind the situation.

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Speaker 1: Especially when you're in the same city. Because I guarantee

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Speaker 1: you probably knew a whole bunch of the same bros

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Speaker 1: that you knew. You feel what I'm saying, and vice versa.

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Speaker 1: You feel what I'm saying. You probably knew a whole

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Speaker 1: bunch of women that he may have been acquainted would

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Speaker 1: have known. So now you got that element involved, and

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Speaker 1: you just you got that, You got the bitches, you

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Speaker 1: got the neighborhood, and you got.

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Speaker 2: The It sits right, especially with a nigga showing his

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Speaker 2: loyalty to the neighborhood. Is everything's all of course, Naturally,

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Speaker 2: if I'm being dissed by a blood or I'm being

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Speaker 2: dished by a crip. Your motherfucking mentality is neighborhood first, right.

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Speaker 1: For sure, especially out here. And that's pretty you feel

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Speaker 1: what I'm saying, But that's what That's what mo.

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Speaker 2: It's hard to get away from that because a lot

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Speaker 2: of dudes, even nowadays with the youngsters, you see it.

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Speaker 2: Like I said, you go on YouTube and you see

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Speaker 2: a lot of the young homies. You know, nigga, I'm

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Speaker 2: from here, I'm from there, nigga is it's vocalized, you know,

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Speaker 2: in the records nowadays. Like I was saying, shit, I

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Speaker 2: never said we was crips. That was just automatic shit.

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Speaker 2: When we started to CMW. We didn't yell, you know,

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Speaker 2: I'm from Tragnw and I'm from here and I'm from there.

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Speaker 2: We didn't do that because we was already doing that

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Speaker 2: shit before, so we already had that on our backs.

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Speaker 1: Yeah, this generation though, dog, But.

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Speaker 2: My thing wasn't to get into it to be how

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Speaker 2: they said gangster rapper. Yeah, I was just spending reality.

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Speaker 2: They decided to call it gangster rap because we was

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Speaker 2: cripping in blood. A majority of the MC's coming out

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Speaker 2: of the West Coast were either from a section or

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Speaker 2: affiliated to a section. You give me, so that we

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Speaker 2: got that slapped on it. But I never got into it.

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Speaker 2: I got in it to be a hip hop motherfucker.

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Speaker 2: I liked hip hopping, rapping and shit like that. So

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Speaker 2: that's what it was about. The fact that we was gangbanging.

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Speaker 2: That was separate from it, but people took that role

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Speaker 2: in and then the stories we was telling was always

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Speaker 2: associated with the neighborhoods and what was going on in

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Speaker 2: the city. And then so naturally, you know what I'm saying,

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Speaker 2: you got blood rappers, you got cryp rappers. It's automatic

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Speaker 2: to beef. It ain't even like you said, it's not

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Speaker 2: even dissing. It's going straight to beefing because because you

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Speaker 2: niggas is crips and you niggas is blood and it's

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Speaker 2: always gonna.

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Speaker 1: Be the homies. It's never the two rappers. Really, it's

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Speaker 1: the motherfuckers that surrounding everybody. It's the motherfuckers they run

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Speaker 1: around with you on every day. The may the man

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Speaker 1: came up with you, it's the homies that came up

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Speaker 1: with him. They really out there pushing the line one

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Speaker 1: because you gotta remember, they don't really have no talent,

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Speaker 1: so they weighed strip back It's like, yeah, nigga, this

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Speaker 1: hood on hood This ain't no rap on rap shit.

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Speaker 1: This hood on hood.

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Speaker 2: Shit, especially if it's niggas claiming your neighborhood or niggas

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Speaker 2: you cool with with other you know, neighborhoods that's associated

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Speaker 2: with y'alls shit. Uh, niggas gonna feel like nigga, you

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Speaker 2: might well be this and me.

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Speaker 1: Do you feel me? And just think about it. See,

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Speaker 1: we didn't have the internet back then to hype shit

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Speaker 1: up right now you got the internet component. Like I

266
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Speaker 1: was talking to you about the King Vaughn shit when

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Speaker 1: he got killed. That was two cruise to lot. Yeah

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Speaker 1: you feel what I'm saying that somebody wind up dead

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Speaker 1: dog and then they making records, then they making records

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Speaker 1: about the shit and everything else. Man, it just like

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Speaker 1: it can get in.

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Speaker 2: I'm looking and then I look at situations like that,

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Speaker 2: like a lot of our beef stem because you know,

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Speaker 2: niggas was in the same city and like I said,

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Speaker 2: when you got game shit involvement.

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Speaker 1: But like.

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Speaker 2: I never, I never, I've never had an issue with

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Speaker 2: any any situation outside of where I was from.

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Speaker 1: You get me. I never had beefs with niggas from

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Speaker 1: other states. That's usually because you know what dog Me

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Speaker 1: and you talked about that how you could be revered

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Speaker 1: outside of your city, right, but inside your city, motherfuckers

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Speaker 1: refused to acknowledge you almost or it's almost like you

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Speaker 1: did something wrong with them. They take it so personal.

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Speaker 2: I mean, some dudes, I guess it would have to

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Speaker 2: be you know, niggas who, like I was trying to say,

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Speaker 2: with the respect shit, it's just some niggas who just

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Speaker 2: respect you because of what you do and what you

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Speaker 2: did for you know, hip hop, and you know, and

290
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Speaker 2: they were from different neighborhoods and whatever, but just for

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Speaker 2: the fact that you always represented, you know, a nigga

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Speaker 2: factor in the hood niggas and you always spoke on

293
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Speaker 2: those those those situations and niggas who came from the hood,

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Speaker 2: they'll give you that respect, you know what I'm saying.

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Speaker 2: But it's unfortunate, like you know, they come with the

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Speaker 2: territory of when you decide to start gang banging or

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Speaker 2: being from the neighborhood.

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Speaker 1: Yeah, like I said, with all them situations, they it's

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Speaker 1: always the outside component. It's just like now you have

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Speaker 1: people who are allegedly out of old Boys camp. You know,

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Speaker 1: out of the kids J Cole's camp, they talking shit

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Speaker 1: on the internet of this on on site. You know

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Speaker 1: they doing this. And you know who's to say how

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Speaker 1: deeply involved with them with J Cole they are. It's

305
00:16:45,760 --> 00:16:48,480
Speaker 1: always the outside shit. And you gotta remember we're still

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Speaker 1: dealing with human beings. No matter how much of a

307
00:16:51,360 --> 00:16:56,360
Speaker 1: superstar somebody is. They not immune the catching that bug

308
00:16:56,440 --> 00:16:58,760
Speaker 1: and want to retaliator, not looking soft. You feel what

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00:16:58,800 --> 00:17:01,840
Speaker 1: I'm saying. Shit can kind of get out of hand sometimes,

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00:17:01,880 --> 00:17:04,080
Speaker 1: Like to me, this ain't even that type of thing, man.

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Speaker 1: And I think if it started off being one of

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Speaker 1: them situations in hip hop to where you gotta take

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Speaker 1: the competitive element out of it, out of it because

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Speaker 1: somebody could possibly lose their life, I think that's what's

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00:17:14,760 --> 00:17:17,159
Speaker 1: gonna hurt the game. Though it shouldn't be like that,

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Speaker 1: in my opinion. How do a lot of beef start?

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Speaker 2: I do a lot of distance start, dude? Is it

318
00:17:30,359 --> 00:17:34,160
Speaker 2: because niggas get offended behind shit?

319
00:17:34,560 --> 00:17:37,280
Speaker 1: Or you know how he niggas to get the motherfucker mad?

320
00:17:37,400 --> 00:17:41,239
Speaker 2: Niggas feel like just I mean, but I say that

321
00:17:41,280 --> 00:17:45,400
Speaker 2: about niggas on your home on your home turf. It's

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00:17:45,400 --> 00:17:48,320
Speaker 2: just niggas who generally don't don't don't like you. It

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00:17:48,359 --> 00:17:51,000
Speaker 2: ain't because you got into it with they hood, or

324
00:17:51,400 --> 00:17:56,200
Speaker 2: you fucked one of they bitches, or you know, y'all

325
00:17:56,200 --> 00:17:59,040
Speaker 2: did a move together and a nigga told on you.

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Speaker 2: Now it's just nigga who just I don't like that

327
00:18:02,160 --> 00:18:04,720
Speaker 2: motherfucker Like man, I don't know why.

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00:18:05,000 --> 00:18:09,200
Speaker 1: Let's keep it real. Most rappers have tremendous egos from

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Speaker 1: the beginning, right. If you ever notice, bro, it's hard

330
00:18:14,240 --> 00:18:16,359
Speaker 1: to you know how they talk about everybody want to

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Speaker 1: see certain collaborations happen. Some collaborations will never happen because

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00:18:21,359 --> 00:18:24,280
Speaker 1: of people's egos. You feel what I mean? You gotta

333
00:18:24,320 --> 00:18:27,080
Speaker 1: had a first verse of my producer gotta do or

334
00:18:27,119 --> 00:18:29,760
Speaker 1: I want this split them, the publishing, it's all kinds

335
00:18:29,760 --> 00:18:31,880
Speaker 1: of stuff because everybody always going to try to make

336
00:18:31,920 --> 00:18:35,480
Speaker 1: themselves feel more important than the next man. Right, everybody

337
00:18:35,520 --> 00:18:44,679
Speaker 1: want to be the man? Dog, did I think I

338
00:18:44,840 --> 00:18:48,159
Speaker 1: was better than every nigga who was doing the basically

339
00:18:48,200 --> 00:18:50,600
Speaker 1: the same shit I was doing? Never that.

340
00:18:53,240 --> 00:18:55,600
Speaker 2: It's good to have confidence in yourself done when it

341
00:18:55,640 --> 00:18:59,240
Speaker 2: comes to you making your music and whatever. That's great,

342
00:18:59,800 --> 00:19:03,000
Speaker 2: But uh, some niggas take that confidence like you said,

343
00:19:03,280 --> 00:19:08,840
Speaker 2: uh to the wrong to the wrong place exactly. Niggas

344
00:19:08,920 --> 00:19:12,600
Speaker 2: might take your confidence as as a sign of of

345
00:19:12,600 --> 00:19:16,679
Speaker 2: of threats or he's threatened by your confidence in yourself,

346
00:19:17,119 --> 00:19:20,720
Speaker 2: so I want to knock this nigga down, or you know,

347
00:19:20,840 --> 00:19:23,800
Speaker 2: that's when all this nigga ain't real come in or

348
00:19:24,080 --> 00:19:27,159
Speaker 2: who this bitch thing she is or you know, and

349
00:19:27,200 --> 00:19:31,359
Speaker 2: it just it's all off of niggas feeling you know,

350
00:19:31,800 --> 00:19:35,760
Speaker 2: threatened by yo yo yo come up and your confidence.

351
00:19:36,359 --> 00:19:38,560
Speaker 2: It ain't nothing wrong with that. You got you You're

352
00:19:38,560 --> 00:19:40,520
Speaker 2: supposed to be confident in yourself, of.

353
00:19:40,480 --> 00:19:43,080
Speaker 1: Course, but it's a lot of people that don't like

354
00:19:43,119 --> 00:19:47,000
Speaker 1: to share that spotlight, right, and when you got.

355
00:19:46,800 --> 00:19:48,880
Speaker 2: That dark and it could be niggas who it could

356
00:19:48,880 --> 00:19:50,600
Speaker 2: be niggas who ain't even trying to.

357
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Speaker 1: Rap have that attitude. And it could be the slightest

358
00:19:54,000 --> 00:19:56,480
Speaker 1: little thing, right, it could be the slightest little thing

359
00:19:57,280 --> 00:20:01,720
Speaker 1: like let's say, let's say both fucking because I don't

360
00:20:01,760 --> 00:20:04,040
Speaker 1: know where this shit woul Drake and Kendrick come from. Right,

361
00:20:04,680 --> 00:20:06,800
Speaker 1: it could have been as slight as a motherfucker stepping

362
00:20:06,800 --> 00:20:09,600
Speaker 1: on somebody's shoe, was not saying excuse me right, and

363
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Speaker 1: next thing, you know, a motherfucker got an attitude or

364
00:20:12,680 --> 00:20:15,720
Speaker 1: a motherfucker being played being little niggad, you know what

365
00:20:15,760 --> 00:20:18,280
Speaker 1: I'm saying, Getting that feeling like he tried to play

366
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Speaker 1: me out out there, you feel what I'm saying. So

367
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Speaker 1: you never know where this shit really come from the

368
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Speaker 1: beginning with man, I think on some rap shit, I

369
00:20:26,000 --> 00:20:28,720
Speaker 1: don't Drake is a bad motherfucker dog. Like I'm not

370
00:20:28,720 --> 00:20:30,280
Speaker 1: going to ever sit up here and say Drake is

371
00:20:30,320 --> 00:20:33,359
Speaker 1: weak or whack. But when it comes to that rap

372
00:20:33,400 --> 00:20:36,320
Speaker 1: shit dog, it's a little different than just who got

373
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Speaker 1: the best song writing ability on some shit dog. It's

374
00:20:39,200 --> 00:20:41,720
Speaker 1: about who really go go for the juggler with them bars?

375
00:20:41,760 --> 00:20:44,199
Speaker 1: You feel what I'm saying, Who really go garner the

376
00:20:44,280 --> 00:20:46,600
Speaker 1: attention from the masters to say, oh, now, yeah, his

377
00:20:46,640 --> 00:20:47,040
Speaker 1: shit was.

378
00:20:47,080 --> 00:20:49,640
Speaker 2: Just superior to his and so, and then what happens

379
00:20:49,760 --> 00:20:54,879
Speaker 2: there or like does it get to the status of

380
00:20:56,119 --> 00:20:59,000
Speaker 2: or now if we see somebody, if we see something

381
00:20:59,040 --> 00:21:02,080
Speaker 2: in the club or you know, but you know, they

382
00:21:02,119 --> 00:21:05,520
Speaker 2: on different. They there on that high level, so they

383
00:21:05,560 --> 00:21:07,120
Speaker 2: may have never even cross paths.

384
00:21:07,200 --> 00:21:08,920
Speaker 1: That's what I'm saying. It's never gonna beat them to

385
00:21:09,000 --> 00:21:11,119
Speaker 1: cross past but if this ship is fill out on

386
00:21:11,160 --> 00:21:14,119
Speaker 1: the street, it's gonna be all the surrounding and supporting cast.

387
00:21:14,480 --> 00:21:16,000
Speaker 1: Like you know, it's nigga's up to out here. The

388
00:21:16,080 --> 00:21:19,120
Speaker 1: love Dot. You feel what I'm saying, Right, A whole

389
00:21:19,200 --> 00:21:22,000
Speaker 1: lot of people that just really love that dude. You

390
00:21:22,040 --> 00:21:25,040
Speaker 1: feel what I'm saying, Like, I'm sure it's motherfuckers they

391
00:21:25,160 --> 00:21:25,960
Speaker 1: love Drake.

392
00:21:25,800 --> 00:21:28,920
Speaker 2: Too, right, But I don't think it's unless them two

393
00:21:29,119 --> 00:21:33,919
Speaker 2: had a h a real like. I don't think somebody

394
00:21:34,040 --> 00:21:37,439
Speaker 2: would just like fuck that. We gonna we just we

395
00:21:37,640 --> 00:21:40,760
Speaker 2: just some outsiders and we're gonna go try.

396
00:21:40,560 --> 00:21:44,199
Speaker 1: To do some shit. I don't think their beef is

397
00:21:44,280 --> 00:21:46,440
Speaker 1: that there. They wouldn't be like that because that would

398
00:21:46,480 --> 00:21:51,000
Speaker 1: be bad for hip hop because they like Yeah, because

399
00:21:51,080 --> 00:21:55,359
Speaker 1: contrary to what niggas may think about Dot dog Dot

400
00:21:55,400 --> 00:21:58,359
Speaker 1: is really from Compton. He's you feel what I'm saying.

401
00:21:58,680 --> 00:22:01,159
Speaker 1: He thinks not propect way the game, life and stuff

402
00:22:01,200 --> 00:22:03,000
Speaker 1: like that. But ain't nobody gonna let nobody put a

403
00:22:03,080 --> 00:22:03,480
Speaker 1: hand on that.

404
00:22:04,600 --> 00:22:06,679
Speaker 2: Yeah, But I don't know why would it even go

405
00:22:06,760 --> 00:22:08,679
Speaker 2: to this. It's not gonna eat It's not That's what

406
00:22:08,720 --> 00:22:15,439
Speaker 2: I'm shit is on the rap disk level, I'm I'm

407
00:22:15,600 --> 00:22:18,240
Speaker 2: I feel I'm superior. I don't know if it's to

408
00:22:18,320 --> 00:22:21,080
Speaker 2: get to the point of you know, because it ain't

409
00:22:21,160 --> 00:22:24,119
Speaker 2: like I'm gonna be hanging in the club when y'all

410
00:22:24,119 --> 00:22:27,600
Speaker 2: come to the club and shit like that, Like I'm

411
00:22:27,600 --> 00:22:28,480
Speaker 2: a fucking.

412
00:22:28,800 --> 00:22:31,320
Speaker 1: Like I said, It ain't never the artist or really

413
00:22:31,320 --> 00:22:34,040
Speaker 1: their im media circle. This is all the external shit.

414
00:22:34,720 --> 00:22:37,320
Speaker 1: You know how you always got through niggas who connected

415
00:22:37,359 --> 00:22:40,440
Speaker 1: to somebody through some old far out shit. I get that.

416
00:22:40,520 --> 00:22:42,359
Speaker 1: And the artists don't even know who the fuck they is,

417
00:22:42,400 --> 00:22:44,119
Speaker 1: but they able to come. They may know a nigga

418
00:22:44,200 --> 00:22:47,080
Speaker 1: security you know what I'm saying, so they feel like

419
00:22:47,119 --> 00:22:49,679
Speaker 1: they team such and such as corny as hell, But

420
00:22:49,760 --> 00:22:51,960
Speaker 1: that's where most of the bullshit come from, bro niggas

421
00:22:51,960 --> 00:22:53,359
Speaker 1: who ain't got shit to do with nothing.

422
00:22:53,880 --> 00:22:55,840
Speaker 2: Yeah, but a lot of that shit come from niggas

423
00:22:55,880 --> 00:22:59,639
Speaker 2: who claim in neighborhoods and who fit they not on

424
00:22:59,760 --> 00:23:04,040
Speaker 2: that type of shit. Like I'm I'm I'm dissing on

425
00:23:04,160 --> 00:23:08,399
Speaker 2: some I'm super I'm more superior. I'm not dissing on

426
00:23:08,480 --> 00:23:11,480
Speaker 2: the fact that nigga my hood is better than yours.

427
00:23:12,080 --> 00:23:15,520
Speaker 2: That's where other niggas, some niggas come from that like, nigga,

428
00:23:16,000 --> 00:23:18,600
Speaker 2: my hood is this and the hood is this, and

429
00:23:18,960 --> 00:23:21,800
Speaker 2: we're gonna ride on you niggas because y'all claiming a

430
00:23:21,840 --> 00:23:26,159
Speaker 2: different hood. They're beef doesn't They're They're dissing doesn't start

431
00:23:26,200 --> 00:23:30,160
Speaker 2: from that. They dissing starts from music. Because I'm the

432
00:23:30,200 --> 00:23:33,360
Speaker 2: more superior motherfucker in music.

433
00:23:33,520 --> 00:23:34,360
Speaker 1: I feel.

434
00:23:35,960 --> 00:23:40,480
Speaker 2: Niggas who get into those situations like you talking are

435
00:23:41,520 --> 00:23:45,159
Speaker 2: the side niggas who like you know, you know what

436
00:23:45,320 --> 00:23:49,320
Speaker 2: happens always like we've all had it. Like any nigga

437
00:23:49,320 --> 00:23:52,879
Speaker 2: who was rapping and who came from a neighborhood, you

438
00:23:53,000 --> 00:23:57,840
Speaker 2: got an entourage of neighborhood niggas, not no security, not

439
00:23:58,080 --> 00:24:02,720
Speaker 2: no these they strictly neighborhood niggas. Now, if they go

440
00:24:02,840 --> 00:24:05,679
Speaker 2: out one night and it's so happened to be the

441
00:24:05,800 --> 00:24:09,120
Speaker 2: nigga that we beefing with is performing at a club

442
00:24:09,359 --> 00:24:13,480
Speaker 2: or at a party, that's gonna take off because it's

443
00:24:13,520 --> 00:24:17,879
Speaker 2: beyond the rap shit. It's on some hood shit. Really,

444
00:24:19,560 --> 00:24:23,320
Speaker 2: it's really on some hood shit. Because when you cross

445
00:24:23,400 --> 00:24:26,359
Speaker 2: the boundary, that's what I say, If you cross the

446
00:24:26,480 --> 00:24:33,280
Speaker 2: boundaries of talking about niggas spots or what niggas represent,

447
00:24:33,720 --> 00:24:35,760
Speaker 2: then it becomes more than distance.

448
00:24:35,800 --> 00:24:37,800
Speaker 1: See, I don't know if it ever go there with him,

449
00:24:38,200 --> 00:24:38,919
Speaker 1: and I don't think so.

450
00:24:39,160 --> 00:24:39,240
Speaker 2: Now.

451
00:24:39,640 --> 00:24:44,200
Speaker 1: The thing with a nigga like Drake, he plays so dirty, right,

452
00:24:44,960 --> 00:24:50,040
Speaker 1: he plays real dirty. But he remember that show Leave

453
00:24:50,040 --> 00:24:51,480
Speaker 1: It to Beever. I know a lot of niggas that

454
00:24:51,520 --> 00:24:53,240
Speaker 1: listening show. Ain't that Oh? But you remember that Eddie

455
00:24:53,280 --> 00:24:56,920
Speaker 1: Hasker motherfucker that always played the nice role around motherfuckers.

456
00:24:56,920 --> 00:25:00,840
Speaker 1: That really was a dvous ass nigga. That's Drake, you

457
00:25:00,840 --> 00:25:03,000
Speaker 1: feel what I'm saying. He's like a Disney character, but

458
00:25:03,000 --> 00:25:06,200
Speaker 1: he really evil as fuck, right. He gonna find out

459
00:25:06,280 --> 00:25:08,640
Speaker 1: information on a niggas broad if he can. He gonna

460
00:25:08,680 --> 00:25:11,080
Speaker 1: find out information if you had a mama who filed

461
00:25:11,080 --> 00:25:14,040
Speaker 1: for bankruptcy or used to say a pussy thirty years ago.

462
00:25:14,400 --> 00:25:16,520
Speaker 1: He's the type of nigga that's gonna go investigate that

463
00:25:16,600 --> 00:25:18,919
Speaker 1: shit already. And you know this nigga probably got an

464
00:25:19,000 --> 00:25:21,000
Speaker 1: army your niggas that's writing this shit for him, right,

465
00:25:22,200 --> 00:25:25,119
Speaker 1: And so he's over there piecing up some shit to

466
00:25:25,200 --> 00:25:27,720
Speaker 1: where Kendrick is the nigga that's gonna get his notebook

467
00:25:28,320 --> 00:25:30,119
Speaker 1: and go back to that shit and go be in

468
00:25:30,119 --> 00:25:32,679
Speaker 1: there actually writing some bars for your ass and getting ready.

469
00:25:33,160 --> 00:25:35,719
Speaker 1: I don't know. I don't think Drake can fuck with

470
00:25:35,800 --> 00:25:37,560
Speaker 1: dot on no type of rap level.

471
00:25:39,480 --> 00:25:46,600
Speaker 2: I mean, hopefully it doesn't take a nigga want nigget

472
00:25:50,400 --> 00:25:54,480
Speaker 2: intentionally personal because you can't win a rap this.

473
00:25:55,280 --> 00:25:57,800
Speaker 1: That's what he would do, though, dog like niggas like

474
00:25:58,760 --> 00:26:01,160
Speaker 1: That's why Drake couldn't fuck with the push your Tea

475
00:26:01,200 --> 00:26:03,000
Speaker 1: nigga and push your tee because push your Tea is

476
00:26:03,000 --> 00:26:05,560
Speaker 1: way more grindy than him. He gonna go dig up

477
00:26:05,600 --> 00:26:07,520
Speaker 1: some shit, nigga. I'm gonna talk about your kids. You

478
00:26:07,520 --> 00:26:09,600
Speaker 1: ain't fucking with dick you had with the Porno Tramp.

479
00:26:09,880 --> 00:26:12,760
Speaker 1: I'm gonna talk about this. I'ma go in on your ass.

480
00:26:12,760 --> 00:26:15,200
Speaker 1: You feel what I mean, and he gonna be sold.

481
00:26:16,440 --> 00:26:21,400
Speaker 2: Do you feel that's when it goes from dissing to beefing?

482
00:26:21,880 --> 00:26:24,560
Speaker 2: It could because I'm gonna tell you, because they go

483
00:26:24,640 --> 00:26:28,639
Speaker 2: for your if you like. He didn't mention anything or

484
00:26:28,680 --> 00:26:33,119
Speaker 2: family shit or whatever. No, I'm rapping. I'm dropping lines

485
00:26:33,440 --> 00:26:38,600
Speaker 2: about what I think about your rap shit, what I

486
00:26:38,680 --> 00:26:43,120
Speaker 2: think about how your rap is going and your career

487
00:26:43,240 --> 00:26:46,200
Speaker 2: as far as the music you make. I didn't go

488
00:26:46,320 --> 00:26:50,399
Speaker 2: say nothing about no kids or mama and none of that.

489
00:26:50,720 --> 00:26:54,960
Speaker 2: So why would you feel like, oh, well, now I'm

490
00:26:55,000 --> 00:26:57,640
Speaker 2: finna go and talk about your mama and y'all used

491
00:26:57,680 --> 00:27:00,719
Speaker 2: to be on Section eight and shit like that, because

492
00:27:00,800 --> 00:27:04,160
Speaker 2: go down, tell you now you right now you're ready

493
00:27:04,240 --> 00:27:09,840
Speaker 2: to go into the beef element and it's okay.

494
00:27:10,119 --> 00:27:12,960
Speaker 1: Like to know what though, Dog, I don't know if

495
00:27:13,240 --> 00:27:16,320
Speaker 1: I don't think see DoD is such a real EMC right,

496
00:27:17,320 --> 00:27:19,280
Speaker 1: I don't think he's gonna go there with that shit.

497
00:27:19,320 --> 00:27:21,479
Speaker 1: It's gonna always stay on the rap shit. While I'm

498
00:27:21,520 --> 00:27:27,359
Speaker 1: saying so, why would you know? Because for you to

499
00:27:27,480 --> 00:27:30,600
Speaker 1: be the other motherfucker on the other end of the

500
00:27:30,720 --> 00:27:34,520
Speaker 1: rope and for a nigga to tug you off just

501
00:27:34,560 --> 00:27:40,919
Speaker 1: some strictly dope lines and motherfucking phrases and what metaphors?

502
00:27:41,920 --> 00:27:45,080
Speaker 1: Now you want to take it personal? Drake has always

503
00:27:45,160 --> 00:27:48,400
Speaker 1: been known to do personal shit, like, Dog, I don't

504
00:27:48,480 --> 00:27:52,160
Speaker 1: heard about this man fucking other niggas brawls all kind

505
00:27:52,200 --> 00:27:55,040
Speaker 1: of shit. You feel what I'm saying, he's that type

506
00:27:55,080 --> 00:27:57,360
Speaker 1: of motherfucker. Dog did it go find your egg? That's

507
00:27:57,359 --> 00:28:01,359
Speaker 1: your bitch is weak? Then exactly, Drake, bitches, we told

508
00:28:01,400 --> 00:28:03,760
Speaker 1: she gonna go fucking nigga that you that nigga all

509
00:28:03,800 --> 00:28:07,639
Speaker 1: three of Satan Dog, that nigga Drake is the devil Dog.

510
00:28:08,480 --> 00:28:10,800
Speaker 1: Now it's all fair and love and war. If you

511
00:28:10,880 --> 00:28:13,960
Speaker 1: want to go to war with me then and shit,

512
00:28:14,080 --> 00:28:18,720
Speaker 1: all bets is off. But I be feeling like if

513
00:28:18,760 --> 00:28:22,439
Speaker 1: you want to cross into that person or motherfucking side,

514
00:28:22,840 --> 00:28:25,520
Speaker 1: I mean, because we can rap against each other all day,

515
00:28:26,000 --> 00:28:28,920
Speaker 1: That's what I'm here for. That's why I consider myself

516
00:28:28,960 --> 00:28:31,320
Speaker 1: to be an MC, you know what I'm saying. That's

517
00:28:31,320 --> 00:28:33,840
Speaker 1: why I'm here and hip hop because nigga, we can

518
00:28:33,880 --> 00:28:36,879
Speaker 1: go colorful line for line all day. But when you

519
00:28:36,920 --> 00:28:40,160
Speaker 1: want to cross over to the personal, you want to start,

520
00:28:40,360 --> 00:28:45,040
Speaker 1: you know, talk about mamas and kids and let's go back.

521
00:28:45,600 --> 00:28:47,960
Speaker 1: Let's go back to this right, and it's old as fuck.

522
00:28:48,680 --> 00:28:51,200
Speaker 1: But when Drake had this shit going on with meet Meal,

523
00:28:53,200 --> 00:28:55,560
Speaker 1: he said something about I took your bics on tour

524
00:28:55,600 --> 00:28:57,680
Speaker 1: and she made more money than us, something like that.

525
00:28:57,920 --> 00:29:00,640
Speaker 1: I don't forget, I don't remember the line orbate him,

526
00:29:00,920 --> 00:29:03,320
Speaker 1: but he said some real slick shit in regards to

527
00:29:03,360 --> 00:29:06,760
Speaker 1: that niggas who somebody who was a broad at that time, right,

528
00:29:07,800 --> 00:29:09,960
Speaker 1: like pretty much like nigga, I took you broad on

529
00:29:10,000 --> 00:29:10,640
Speaker 1: the world tour.

530
00:29:10,760 --> 00:29:15,120
Speaker 2: You know what I'm saying, I don't, I don't, I don't, can't.

531
00:29:15,160 --> 00:29:17,680
Speaker 2: I don't get into that shit. Still, I don't be

532
00:29:17,760 --> 00:29:20,880
Speaker 2: unders because like I said, niggas want to get personal

533
00:29:20,880 --> 00:29:22,360
Speaker 2: on the we might as well just fight.

534
00:29:22,520 --> 00:29:24,920
Speaker 1: Then you feel so, you feel so you want them

535
00:29:24,960 --> 00:29:26,760
Speaker 1: type of niggas. If a nigga came with a real

536
00:29:26,800 --> 00:29:29,840
Speaker 1: personal record director that shoot, you go scrap with.

537
00:29:29,800 --> 00:29:32,320
Speaker 2: That nigga, because I'm like, what's all the nigga, I

538
00:29:32,320 --> 00:29:36,480
Speaker 2: don't got time to be doing no motherfucking motherfucking in

539
00:29:36,640 --> 00:29:39,640
Speaker 2: depth personal nigga. Your mama used to do this and that.

540
00:29:40,040 --> 00:29:42,479
Speaker 2: Because you're trying to win a rap battle, nigga, that's

541
00:29:42,520 --> 00:29:45,040
Speaker 2: what these niggas might will get these hands up.

542
00:29:45,120 --> 00:29:47,480
Speaker 1: That's what these niggas is willing to take it though. Dog.

543
00:29:47,520 --> 00:29:50,360
Speaker 1: And again, I don't know what the gripe your's dog,

544
00:29:50,440 --> 00:29:56,360
Speaker 1: I assume, and I guarantee you fucking with somebody like

545
00:29:56,480 --> 00:29:58,600
Speaker 1: Drake He's thoughts. He strikes me as the type of

546
00:29:58,640 --> 00:30:01,160
Speaker 1: nigga that kick somebody off the tour for nothing, for

547
00:30:01,280 --> 00:30:03,360
Speaker 1: not opening the door for him or some ship like that.

548
00:30:03,400 --> 00:30:07,640
Speaker 1: You feel what I'm saying, Mmm, I don't know the man, man,

549
00:30:07,640 --> 00:30:09,480
Speaker 1: but he just you don't like You don't like Drake,

550
00:30:09,560 --> 00:30:13,480
Speaker 1: do you, Man? I'm just pro Kendrick. Just you don't

551
00:30:13,560 --> 00:30:16,560
Speaker 1: like Drake. I hear that. You know what you feeling.

552
00:30:16,920 --> 00:30:20,080
Speaker 1: You don't like Drake. I actually think Drake make phenomenal

553
00:30:20,120 --> 00:30:23,320
Speaker 1: motherfucker music. But I also think he's a devious nigga.

554
00:30:24,800 --> 00:30:26,480
Speaker 1: But it ain't. But it ain't that the name of

555
00:30:26,480 --> 00:30:29,640
Speaker 1: the game. As far as strategist I might meet him,

556
00:30:29,680 --> 00:30:31,680
Speaker 1: he might have the nicest motherfucking the world. I'm just

557
00:30:31,720 --> 00:30:34,720
Speaker 1: saying when it comes to this rap beef ship, he

558
00:30:34,840 --> 00:30:37,280
Speaker 1: seemed like he nice and harmless, but I think he's

559
00:30:37,320 --> 00:30:41,400
Speaker 1: gonna go all in and a and he's a competitive motherfucker.

560
00:30:41,720 --> 00:30:45,000
Speaker 1: I don't have a personal opinion because it's not music

561
00:30:45,080 --> 00:30:47,800
Speaker 1: I listen to. So when it ain't even ship I

562
00:30:47,840 --> 00:30:51,880
Speaker 1: don't listen to, I don't. I have no opinion about it.

563
00:30:51,960 --> 00:30:54,760
Speaker 1: You know, if you want to battle and be clever

564
00:30:54,920 --> 00:30:57,600
Speaker 1: with it and slick, you know, you you gotta praise

565
00:30:57,720 --> 00:31:02,360
Speaker 1: motherfuckers who can be who has the input to th nigga?

566
00:31:02,440 --> 00:31:04,680
Speaker 1: Let me go hide me a private invest That's the thing.

567
00:31:04,680 --> 00:31:07,000
Speaker 1: And to me, it's all about competition. Like I said,

568
00:31:07,000 --> 00:31:09,400
Speaker 1: I Drake got some records. I like, I think Drake

569
00:31:09,520 --> 00:31:11,880
Speaker 1: is a great songwriter, you know, for the shit he

570
00:31:11,960 --> 00:31:13,920
Speaker 1: do write on or whatever, because I heard he got

571
00:31:13,920 --> 00:31:17,880
Speaker 1: a team of writers and even with that, that's his program,

572
00:31:17,920 --> 00:31:19,800
Speaker 1: he still gotta deliver on that shit. You feel what

573
00:31:19,840 --> 00:31:23,080
Speaker 1: I'm saying. But I guarantee you he got some cats

574
00:31:23,120 --> 00:31:26,560
Speaker 1: over there constructing a record specifically for him to go

575
00:31:26,600 --> 00:31:30,200
Speaker 1: at Kendry. That motherfucker is like Ivan Drago. Remember how

576
00:31:30,200 --> 00:31:33,480
Speaker 1: you had Rocky, Yeah, remember the Rocky movie that nigga

577
00:31:33,520 --> 00:31:35,920
Speaker 1: Kate out as the nigga that's Rocky. He going back

578
00:31:35,960 --> 00:31:38,400
Speaker 1: to the to the behind the meat market and Compton

579
00:31:38,400 --> 00:31:40,640
Speaker 1: and beating the rib the big bags of ribs and

580
00:31:40,680 --> 00:31:43,960
Speaker 1: shit and running up motherfucking Rose Frans Boulevard and shit,

581
00:31:44,240 --> 00:31:46,400
Speaker 1: he gonna take it back to the essence on your ass.

582
00:31:46,720 --> 00:31:49,320
Speaker 1: Drake is that nigga that got the photographers around and

583
00:31:49,320 --> 00:31:52,320
Speaker 1: shit like that. A million niggas in the room writing raps.

584
00:31:52,320 --> 00:31:53,280
Speaker 1: Professor is ready.

585
00:31:53,800 --> 00:31:57,920
Speaker 2: I mean like, I'm I'm always for you know, representing

586
00:31:58,000 --> 00:32:05,880
Speaker 2: Compton and whoever's for the city. Are you? Are you

587
00:32:06,200 --> 00:32:09,040
Speaker 2: like nigga? I want some shit to go down with it.

588
00:32:09,200 --> 00:32:12,120
Speaker 2: Hell Man, this is the motherfucking hip hop dog. Hell yeah,

589
00:32:12,160 --> 00:32:14,080
Speaker 2: I love to see that shit the Battle of Clash

590
00:32:14,120 --> 00:32:17,360
Speaker 2: of the Titans. Yep, that's gonna be good for the colchure.

591
00:32:17,400 --> 00:32:19,840
Speaker 2: You know how much in the time where they say

592
00:32:19,880 --> 00:32:22,000
Speaker 2: hip hop record sales is down, Dog, we need to

593
00:32:22,000 --> 00:32:23,800
Speaker 2: bring some excitement back to the colture.

594
00:32:23,840 --> 00:32:25,680
Speaker 1: Dog. This what this? He is right here? This is

595
00:32:25,760 --> 00:32:28,280
Speaker 1: rap shit. That's why I fucked me up. When Ja

596
00:32:28,360 --> 00:32:30,440
Speaker 1: Cole or I'm sorry, I don't want to have nothing

597
00:32:30,480 --> 00:32:32,400
Speaker 1: to do with this. This is out my character. Nigga.

598
00:32:32,440 --> 00:32:34,440
Speaker 1: You didn't do nothing wrong. You wrote a you wrote

599
00:32:34,440 --> 00:32:37,480
Speaker 1: a very mediocre for a minute song or however long

600
00:32:37,520 --> 00:32:39,880
Speaker 1: it was. You didn't do nothing wrong with no need

601
00:32:39,920 --> 00:32:43,600
Speaker 1: to apologize. I don't even know if the apology is valid.

602
00:32:43,640 --> 00:32:45,920
Speaker 1: I just think his record didn't get the response he wanted,

603
00:32:46,000 --> 00:32:48,240
Speaker 1: so he said fuck it. I'm gonna go say I'm sorry.

604
00:32:48,680 --> 00:32:50,440
Speaker 1: If anything, you should be sorry for putting out that

605
00:32:50,480 --> 00:32:53,360
Speaker 1: mediocre as shit in the midst of this the biggest

606
00:32:53,120 --> 00:32:56,360
Speaker 1: confrontation in the last few years of hip hop. I

607
00:32:56,360 --> 00:33:01,600
Speaker 1: think this shit healthy for the motherfucking sport. Dog can't

608
00:33:01,600 --> 00:33:05,840
Speaker 1: have no one nigga just running around dominating who who

609
00:33:05,920 --> 00:33:13,320
Speaker 1: was dominating? Though? You know what, man, I'm taking j

610
00:33:13,480 --> 00:33:15,760
Speaker 1: Cole out the question. He donna say it. He's sorry already.

611
00:33:15,760 --> 00:33:19,360
Speaker 1: He not even in the motherfucker discussion no more. I

612
00:33:19,400 --> 00:33:21,840
Speaker 1: think it's gonna come down. What do you want to

613
00:33:21,880 --> 00:33:22,640
Speaker 1: see happen?

614
00:33:23,080 --> 00:33:23,360
Speaker 2: Do you?

615
00:33:23,640 --> 00:33:24,000
Speaker 1: What do you?

616
00:33:24,240 --> 00:33:27,520
Speaker 2: Because, like I said, it's like that ship that be

617
00:33:27,680 --> 00:33:31,240
Speaker 2: on TV when animals go wrong or when so and

618
00:33:31,280 --> 00:33:35,680
Speaker 2: so like something could like you just said, it could

619
00:33:35,720 --> 00:33:38,040
Speaker 2: be some side niggas who feel like I want to

620
00:33:38,080 --> 00:33:41,240
Speaker 2: step up and do some shit. I'm down for Kendrick,

621
00:33:41,680 --> 00:33:45,400
Speaker 2: I'm down for Drake. Are you feeling like you advocating

622
00:33:45,440 --> 00:33:45,800
Speaker 2: that ship?

623
00:33:46,000 --> 00:33:48,400
Speaker 1: No, I'm not see I ain't saying nothing about nobody

624
00:33:48,480 --> 00:33:49,840
Speaker 1: casting each other bodily harm.

625
00:33:49,920 --> 00:33:53,120
Speaker 2: No, but you said, you said it could be some

626
00:33:53,240 --> 00:33:55,040
Speaker 2: nigga and it ain't gotta beat him too.

627
00:33:55,600 --> 00:33:57,800
Speaker 1: But for the fact.

628
00:33:58,000 --> 00:34:02,560
Speaker 2: That it is, you know, it's it's great for hip hop.

629
00:34:02,920 --> 00:34:08,320
Speaker 2: But just like they said, when when hip hop goes wrong.

630
00:34:08,400 --> 00:34:10,239
Speaker 1: You can't control the motherfucker's on the right.

631
00:34:10,760 --> 00:34:11,160
Speaker 3: You can't.

632
00:34:11,280 --> 00:34:13,439
Speaker 1: You can't control them. So whatever happened with the side

633
00:34:13,520 --> 00:34:16,920
Speaker 1: niggas and all that show, now, I really hope that

634
00:34:16,960 --> 00:34:19,359
Speaker 1: shit don't happen when you want to just keep it

635
00:34:19,400 --> 00:34:21,080
Speaker 1: on the hip hop I would love to keep it

636
00:34:21,080 --> 00:34:23,239
Speaker 1: on the hip hop level. You know what ideally want

637
00:34:23,239 --> 00:34:25,840
Speaker 1: to see it happen. I want to see Drake drop

638
00:34:25,840 --> 00:34:29,120
Speaker 1: a record. Then I want to see Kendrick drop a record.

639
00:34:29,360 --> 00:34:31,200
Speaker 1: Like I'm gonna tell you, you couldn't tell me when

640
00:34:31,200 --> 00:34:33,319
Speaker 1: that ship with Hole and Nas was going down. You

641
00:34:33,440 --> 00:34:38,480
Speaker 1: wasn't paying attention as a nigga. That's an MC. You always.

642
00:34:39,760 --> 00:34:44,080
Speaker 2: Respect the nature of the hunt and definitely when it's

643
00:34:44,120 --> 00:34:46,520
Speaker 2: coming from too lyrical mother fu.

644
00:34:46,640 --> 00:34:49,959
Speaker 1: Hell yeah, I thought that amazing when motherfucker, I'm gonna

645
00:34:49,960 --> 00:34:51,360
Speaker 1: tell you what I said.

646
00:34:51,760 --> 00:34:58,759
Speaker 2: My my situation was different because it wasn't just all

647
00:34:58,840 --> 00:35:01,640
Speaker 2: my nigga gonna make a go this song, eight gonna

648
00:35:01,680 --> 00:35:05,560
Speaker 2: make a song, he gonna make a song. WOOTI wom

649
00:35:06,120 --> 00:35:10,279
Speaker 2: It got to the fact that nigga we ready to

650
00:35:10,360 --> 00:35:11,160
Speaker 2: do some killing.

651
00:35:11,320 --> 00:35:14,160
Speaker 1: See y'all, shit was different, dog, I'm talking about like

652
00:35:14,280 --> 00:35:18,279
Speaker 1: Jay and Nis. I think the Drake and Kendom shit that.

653
00:35:18,320 --> 00:35:21,480
Speaker 2: Level could the Jay and Nos shit because somebody got

654
00:35:21,560 --> 00:35:22,399
Speaker 2: hurt behind that.

655
00:35:24,280 --> 00:35:25,000
Speaker 1: Who got hurt? Me?

656
00:35:25,280 --> 00:35:28,719
Speaker 2: And saying who could it have been Could it have

657
00:35:28,800 --> 00:35:29,520
Speaker 2: turned into a.

658
00:35:29,520 --> 00:35:32,200
Speaker 1: Situation, Yeah, it could have definitely. Man, I'm gonna tell

659
00:35:32,239 --> 00:35:36,320
Speaker 1: you something. When he came out with the condoms in

660
00:35:36,360 --> 00:35:39,160
Speaker 1: the back seat, I'm talking about leaving condoms on the

661
00:35:39,200 --> 00:35:42,200
Speaker 1: baby seat and all that shit. Man, that nigga could

662
00:35:42,200 --> 00:35:43,560
Speaker 1: have snapped the one I'm gonna beat the shit out

663
00:35:43,560 --> 00:35:45,600
Speaker 1: of his gabra. You know, like you don't have this

664
00:35:45,680 --> 00:35:47,600
Speaker 1: nigga in the back of mark. You feel what I'm saying.

665
00:35:48,360 --> 00:35:50,879
Speaker 1: It could have got ugly in that aspect, dog, right,

666
00:35:50,880 --> 00:35:52,399
Speaker 1: because it got real personal, right?

667
00:35:52,640 --> 00:35:54,880
Speaker 2: Or could it have gotten to the point that nigga,

668
00:35:54,960 --> 00:35:57,120
Speaker 2: y'all from over there and we from over here.

669
00:35:57,360 --> 00:36:01,400
Speaker 1: Yeah, I'm pretty sure, Dog, I'm pretty sure any situation

670
00:36:01,880 --> 00:36:04,960
Speaker 1: when you're dealing with the hip hop everybody from somewhere, right,

671
00:36:05,040 --> 00:36:08,400
Speaker 1: no matter how fuck with the rappers gangstere is, it's

672
00:36:08,440 --> 00:36:10,680
Speaker 1: all about the power of his un to rage the neighborhood.

673
00:36:10,680 --> 00:36:14,440
Speaker 1: He from, right, So it's always gonna be the possibility

674
00:36:14,440 --> 00:36:16,359
Speaker 1: of some niggas from the hood stepping out of line

675
00:36:16,400 --> 00:36:18,800
Speaker 1: and just doing some shit that's terrible. You feel what

676
00:36:18,840 --> 00:36:20,760
Speaker 1: I'm saying. It ain't got nothing to do with the records,

677
00:36:20,840 --> 00:36:24,520
Speaker 1: because this shit should all be about. And what I'm

678
00:36:24,680 --> 00:36:27,040
Speaker 1: when you talk about hip hop battles, right, you gotta

679
00:36:27,080 --> 00:36:30,040
Speaker 1: be prepared for anything. A nigga might dig up something

680
00:36:30,080 --> 00:36:33,520
Speaker 1: from your past to some inflammatory that it could fuck

681
00:36:33,600 --> 00:36:35,280
Speaker 1: you up, right, Like, look at this shit that happened

682
00:36:35,280 --> 00:36:36,960
Speaker 1: to Rick Ross and Fifty when the shit when they

683
00:36:37,000 --> 00:36:39,600
Speaker 1: was beef and right, he pulled out that this nigga

684
00:36:39,680 --> 00:36:41,919
Speaker 1: used to work at it as a motherfucking security guard

685
00:36:41,920 --> 00:36:44,640
Speaker 1: of the prison. You feel what I'm saying as a

686
00:36:44,680 --> 00:36:48,040
Speaker 1: motherfucking you know, officer of the law. That shit could

687
00:36:48,080 --> 00:36:52,240
Speaker 1: have been really disastrous for Rose's career. But Rose handled

688
00:36:52,239 --> 00:36:55,040
Speaker 1: that shit like a boss because he always kept on

689
00:36:55,120 --> 00:36:57,440
Speaker 1: record while Fifty wanted to go to the Shenanigans and

690
00:36:57,480 --> 00:36:59,920
Speaker 1: all that shit that nigga Ross said, noah, nigga, come

691
00:37:00,120 --> 00:37:02,360
Speaker 1: back in here. You get this work with these bars,

692
00:37:02,400 --> 00:37:04,920
Speaker 1: fuck all the jokes and all the outside shit. So

693
00:37:05,040 --> 00:37:07,839
Speaker 1: what I was the motherfucker that had a job. It's

694
00:37:07,880 --> 00:37:10,000
Speaker 1: not like the nigga was. It's not like, you know,

695
00:37:10,080 --> 00:37:12,800
Speaker 1: to the general public, they go always paint the picture

696
00:37:12,840 --> 00:37:15,000
Speaker 1: that yeah he was a law enforcement officer. No he wasn't.

697
00:37:15,280 --> 00:37:17,439
Speaker 1: This nigga had a thirty thousand dollars a year job

698
00:37:17,520 --> 00:37:20,120
Speaker 1: watching the motherfucking the prisoners, keeping them niggas in line.

699
00:37:20,160 --> 00:37:22,879
Speaker 1: You feel what I'm saying. So it's like he kept

700
00:37:22,880 --> 00:37:26,000
Speaker 1: it on the records and he came with that when

701
00:37:26,040 --> 00:37:28,840
Speaker 1: he came with mafia music or whatever that shit. That

702
00:37:28,920 --> 00:37:31,680
Speaker 1: shit was hard as a motherfucker. He kept the attention

703
00:37:31,800 --> 00:37:34,160
Speaker 1: on the records. I think as long as niggas, I

704
00:37:34,160 --> 00:37:39,680
Speaker 1: think all that little sideline was that about?

705
00:37:41,640 --> 00:37:44,120
Speaker 2: Like you said, he no, I don't they knew he

706
00:37:44,320 --> 00:37:49,600
Speaker 2: was a correctional officer. But does that does that give him?

707
00:37:49,800 --> 00:37:50,240
Speaker 1: Uh?

708
00:37:50,440 --> 00:37:54,640
Speaker 2: Does that? Does that give him the past? Because he

709
00:37:54,719 --> 00:37:57,759
Speaker 2: was a corrections off everybody? That was the That was

710
00:37:57,840 --> 00:38:00,799
Speaker 2: the situation because you know how people look at when

711
00:38:00,880 --> 00:38:05,960
Speaker 2: niggas say they're from the streets and then you find out,

712
00:38:06,280 --> 00:38:08,080
Speaker 2: so what were you a banger?

713
00:38:08,120 --> 00:38:10,480
Speaker 1: Were you a dope DEALI had a job, man. You

714
00:38:10,520 --> 00:38:13,200
Speaker 1: know how many niggas I noticed, real crips that work

715
00:38:13,239 --> 00:38:15,720
Speaker 1: as long shoremen and all kinds of shit, got jobs

716
00:38:15,719 --> 00:38:18,160
Speaker 1: and pharmacies, all kind of shit. And these niggas is

717
00:38:18,200 --> 00:38:20,600
Speaker 1: full fledged with it. They got jobs. You know this

718
00:38:20,719 --> 00:38:23,120
Speaker 1: eight game on exactly play the best salary.

719
00:38:23,360 --> 00:38:27,440
Speaker 2: How many niggas though you know who were hard crips

720
00:38:27,440 --> 00:38:30,800
Speaker 2: from in Loan Beach and whatever, and they was going

721
00:38:30,880 --> 00:38:35,880
Speaker 2: to the police a situation. Too many niggas, God damn right,

722
00:38:36,400 --> 00:38:40,200
Speaker 2: niggas would have been cable niggas, gas men, long, short men.

723
00:38:40,320 --> 00:38:43,080
Speaker 2: You don't know too many niggas who came from that

724
00:38:43,360 --> 00:38:45,200
Speaker 2: element saying that they.

725
00:38:45,239 --> 00:38:47,560
Speaker 1: Wasn't about that, No, because I knew a lot of niggas.

726
00:38:47,840 --> 00:38:51,000
Speaker 1: Now I knew a few niggas who was hood affiliates,

727
00:38:51,480 --> 00:38:53,920
Speaker 1: right there was like you know, the niggas say cuz

728
00:38:54,000 --> 00:38:56,520
Speaker 1: every other words, they you know, niggas cripp whatever they

729
00:38:56,520 --> 00:38:59,040
Speaker 1: wants to while, but they weren't really full fledged bangers

730
00:38:59,800 --> 00:39:03,000
Speaker 1: that went on the work in law enforcement. Right. I

731
00:39:03,040 --> 00:39:05,359
Speaker 1: know a few niggas like that, but they wasn't real.

732
00:39:06,200 --> 00:39:09,640
Speaker 1: They wasn't real balls out nigga ragging and pocket hanging crips.

733
00:39:09,920 --> 00:39:12,320
Speaker 1: You feel what I'm saying. These niggas went to college.

734
00:39:12,640 --> 00:39:15,520
Speaker 1: They but they from the neighborhood though definitely they from

735
00:39:15,520 --> 00:39:17,799
Speaker 1: the neighborhood and shit, and they claim that neighborhood. But

736
00:39:18,560 --> 00:39:21,440
Speaker 1: they and I call them people members. They're gang members.

737
00:39:21,680 --> 00:39:23,719
Speaker 1: They not the niggas that's gonna come jump in the

738
00:39:23,760 --> 00:39:25,759
Speaker 1: car when it's time to put in some work, right,

739
00:39:25,880 --> 00:39:28,160
Speaker 1: You feel what I'm saying, and they not really giving

740
00:39:28,239 --> 00:39:30,520
Speaker 1: fuck giving the fuck that that nigga over at the enemy,

741
00:39:30,520 --> 00:39:32,319
Speaker 1: They're not about to do all that because they got

742
00:39:32,360 --> 00:39:34,920
Speaker 1: other shit going on in life. You feel what I'm saying, definitely.

743
00:39:35,920 --> 00:39:38,960
Speaker 1: So it's so it's definitely a difference though, which is

744
00:39:39,000 --> 00:39:41,120
Speaker 1: like how you could say most rap niggas are. It's

745
00:39:41,120 --> 00:39:42,799
Speaker 1: a lot of rap niggas that's from the hood that

746
00:39:42,840 --> 00:39:47,640
Speaker 1: ain't necessarily wasn't necessarily just the most dangerous motherfuckers on

747
00:39:47,680 --> 00:39:50,160
Speaker 1: the planet. You know, do you think.

748
00:39:51,400 --> 00:39:55,440
Speaker 2: As we gone, do you think because it's a lot

749
00:39:55,480 --> 00:40:00,080
Speaker 2: of niggas nowadays, you know, who feel like it's a

750
00:40:00,120 --> 00:40:05,160
Speaker 2: faster way to fame and a faster way to uh

751
00:40:05,480 --> 00:40:08,920
Speaker 2: get noticed. It's just my automatic distion niggas.

752
00:40:09,120 --> 00:40:11,719
Speaker 1: Man, I'm gonna tell you, I really think. I think

753
00:40:11,800 --> 00:40:16,080
Speaker 1: that's how it's always been. Man conversation Ruler Nation. If

754
00:40:16,120 --> 00:40:18,239
Speaker 1: you can get a motherfucker to talk about you, dog,

755
00:40:18,680 --> 00:40:21,400
Speaker 1: even if it's in a negative aspect, all the negative

756
00:40:21,400 --> 00:40:23,799
Speaker 1: aspects of you, it can shit, it's gonna bring you

757
00:40:23,880 --> 00:40:26,680
Speaker 1: more attention, you know. The fraid. You know, the addicts

758
00:40:26,840 --> 00:40:30,080
Speaker 1: ain't no such thing as bad publicity. Mm hmm. You

759
00:40:30,120 --> 00:40:33,120
Speaker 1: feel what I'm saying. That's why a lot of motherfuckers

760
00:40:33,120 --> 00:40:34,759
Speaker 1: is really to the point they don't give a fuck

761
00:40:34,800 --> 00:40:37,319
Speaker 1: about what somebody think about them personally as long as

762
00:40:37,360 --> 00:40:39,080
Speaker 1: their lights stay shined on their ass. You know what

763
00:40:39,080 --> 00:40:41,600
Speaker 1: I mean? You feel me.

764
00:40:43,280 --> 00:40:46,160
Speaker 2: Like I said, it's just it's just any difference because

765
00:40:46,200 --> 00:40:52,160
Speaker 2: like I said, niggas having uh, you know, friendly battles,

766
00:40:52,680 --> 00:40:56,439
Speaker 2: you know, to prove they you know, the seniority of

767
00:40:56,480 --> 00:41:00,359
Speaker 2: them feeling themselves. Like I said, I thought, you know,

768
00:41:00,800 --> 00:41:03,400
Speaker 2: Ll Cool J and Kumo D. That was the ship

769
00:41:04,560 --> 00:41:07,280
Speaker 2: was the shit fucking you know that generated excitement.

770
00:41:07,360 --> 00:41:12,040
Speaker 1: Bro. Honestly, I don't like you know why I don't

771
00:41:12,120 --> 00:41:14,920
Speaker 1: like the personal shit because we was here for the

772
00:41:15,000 --> 00:41:16,680
Speaker 1: big and pok ship. You feel what I'm saying that

773
00:41:16,680 --> 00:41:19,560
Speaker 1: ship was. That ship wasn't cool though, it really wasn't

774
00:41:19,600 --> 00:41:23,000
Speaker 1: cool because to me, that got beyond the competition thing.

775
00:41:23,000 --> 00:41:26,279
Speaker 1: It's like, okay, you trying to really just got this man,

776
00:41:26,360 --> 00:41:28,600
Speaker 1: the motherfucker's manhood. Now, you know what I'm saying.

777
00:41:28,719 --> 00:41:33,560
Speaker 2: I think after you know, seeing you know Ll Cool

778
00:41:33,680 --> 00:41:39,560
Speaker 2: J and koom O D or or you know KRS

779
00:41:39,560 --> 00:41:44,000
Speaker 2: and the mc shan shit, you know, and that was

780
00:41:44,040 --> 00:41:47,960
Speaker 2: what I think once our generation because like I said,

781
00:41:48,400 --> 00:41:51,319
Speaker 2: we was niggas from we was we came out of

782
00:41:51,920 --> 00:41:57,040
Speaker 2: gang banging element, you get me. It wasn't like we

783
00:41:57,080 --> 00:41:59,759
Speaker 2: was rapping and then we started to go, oh fuck that,

784
00:42:00,120 --> 00:42:03,279
Speaker 2: we gonna We're gonna just be hood niggas. Now you know,

785
00:42:03,719 --> 00:42:08,000
Speaker 2: we are already some rapping niggas wearing King Gos and whatever whatever,

786
00:42:08,280 --> 00:42:11,000
Speaker 2: because that was the that was what rap hip hop

787
00:42:11,200 --> 00:42:15,280
Speaker 2: was King goos and Adidas suits and you know whatever.

788
00:42:15,760 --> 00:42:21,319
Speaker 2: H But I think when we came in because we

789
00:42:21,320 --> 00:42:28,000
Speaker 2: were products of that real hard gang banging element.

790
00:42:29,600 --> 00:42:32,239
Speaker 1: So you really had goons on your squad.

791
00:42:32,640 --> 00:42:37,120
Speaker 2: Yeah, it was niggas, you know. We I didn't I

792
00:42:37,160 --> 00:42:40,439
Speaker 2: didn't do security or nothing like that because like I said,

793
00:42:40,480 --> 00:42:42,279
Speaker 2: I was still hanging in the neighborhood.

794
00:42:42,360 --> 00:42:45,239
Speaker 1: And see that's the that's the dangerous level though, bro,

795
00:42:46,320 --> 00:42:49,040
Speaker 1: where this shit go to the outside entourage is because

796
00:42:49,080 --> 00:42:52,120
Speaker 1: you always got a different levels of homies. Right, you

797
00:42:52,200 --> 00:42:54,279
Speaker 1: got the homies that's cool, but they really not go

798
00:42:54,440 --> 00:42:56,719
Speaker 1: go out and kick up no unnecessary dust if they

799
00:42:56,760 --> 00:42:59,400
Speaker 1: don't have to, but they will fight. Right then you

800
00:42:59,480 --> 00:43:02,000
Speaker 1: got theigga's who really the goon niggas who's looking for

801
00:43:02,040 --> 00:43:04,160
Speaker 1: a nigga to do something, but they go take it

802
00:43:04,160 --> 00:43:06,040
Speaker 1: from zero to one hundred. You feel what I'm saying.

803
00:43:06,320 --> 00:43:08,279
Speaker 1: They ain't just gonna beat the motherfucker up. They might

804
00:43:08,320 --> 00:43:11,120
Speaker 1: shoot a motherfucker or give the motherfucker a buck fifty

805
00:43:11,160 --> 00:43:13,160
Speaker 1: behind the stage. You feel what I'm saying. Some shit

806
00:43:13,360 --> 00:43:15,000
Speaker 1: that's gonna get a nigga in diet it. You feel

807
00:43:15,000 --> 00:43:17,640
Speaker 1: what I'm saying and result of somebody really getting hurt.

808
00:43:18,040 --> 00:43:20,000
Speaker 1: Like I'm trying to think of the dudes name this

809
00:43:20,080 --> 00:43:22,200
Speaker 1: because I guess Drake got goons. I'm trying to think

810
00:43:22,239 --> 00:43:24,440
Speaker 1: of the one cat's name to be making little threats

811
00:43:24,440 --> 00:43:28,120
Speaker 1: here and there on a from oh Vo, some cat

812
00:43:28,160 --> 00:43:30,120
Speaker 1: from over Yo talk about y'all know what I do

813
00:43:30,200 --> 00:43:33,160
Speaker 1: once I get activated. I hope they don't try to

814
00:43:33,200 --> 00:43:35,759
Speaker 1: go there because that's a lose. I'm gonna tell you something, man,

815
00:43:36,800 --> 00:43:41,319
Speaker 1: And I was telling somebody this man, shit on the

816
00:43:41,320 --> 00:43:45,560
Speaker 1: West Coast get real dangerous. Shit in New York can

817
00:43:45,600 --> 00:43:49,920
Speaker 1: get real dangerous. Shit in Chicago can get real dangerous.

818
00:43:49,920 --> 00:43:53,040
Speaker 1: Shit in Memphis can get real dangerous. So it ain't

819
00:43:53,080 --> 00:43:56,640
Speaker 1: even cool to play because it's goons everywhere. You feel

820
00:43:56,640 --> 00:43:59,480
Speaker 1: what I'm saying, and it's always gonna be that dude

821
00:43:59,520 --> 00:44:01,839
Speaker 1: that's willing to crash out behind some shit. You feel

822
00:44:01,840 --> 00:44:02,160
Speaker 1: what I mean?

823
00:44:02,880 --> 00:44:07,760
Speaker 2: Unto rogers and money make certain niggas feel real superhero

824
00:44:07,920 --> 00:44:16,279
Speaker 2: ish instead of humbling you know, your beginnings and and

825
00:44:16,719 --> 00:44:23,720
Speaker 2: whatever you you know, because everybody had to start from somewhere. Again,

826
00:44:23,840 --> 00:44:26,799
Speaker 2: money and status gives niggas superheroism.

827
00:44:27,440 --> 00:44:27,960
Speaker 1: Uh So.

828
00:44:29,800 --> 00:44:36,480
Speaker 2: That attitude is not always cool, especially when you're dealing

829
00:44:36,520 --> 00:44:39,600
Speaker 2: with motherfuckers who are in the higher status than you are.

830
00:44:44,800 --> 00:44:49,760
Speaker 2: It could really, it could really. Uh that's how always

831
00:44:49,800 --> 00:44:53,360
Speaker 2: the signed nigga end up dead or getting shot or whatever.

832
00:44:55,000 --> 00:44:58,840
Speaker 2: Sometimes humbleness works being a loud, more fast nigga.

833
00:44:58,920 --> 00:44:59,640
Speaker 1: Can you know?

834
00:45:00,200 --> 00:45:02,200
Speaker 2: It can get you in a lot of It can

835
00:45:02,280 --> 00:45:04,760
Speaker 2: put you in a bad situation, especially if you're dealing

836
00:45:04,800 --> 00:45:08,440
Speaker 2: with other niggas who is just miles as loud as

837
00:45:08,480 --> 00:45:11,680
Speaker 2: yours and they just as vocal about the situation too.

838
00:45:12,080 --> 00:45:15,239
Speaker 1: So exactly like like look at this shit man with

839
00:45:15,880 --> 00:45:18,320
Speaker 1: like the like for example, with the King Von and

840
00:45:18,400 --> 00:45:24,640
Speaker 1: Quandorondo shit right, it was somebody got a Quander Rondo's

841
00:45:24,719 --> 00:45:27,759
Speaker 1: camp that that made that crack off, you feel what

842
00:45:27,800 --> 00:45:30,759
Speaker 1: I'm saying, And you know, records get made and all

843
00:45:30,800 --> 00:45:34,400
Speaker 1: that shit, So shit can get ugly. And I guarantee

844
00:45:34,440 --> 00:45:36,520
Speaker 1: you if these little niggas that stopped and sit back

845
00:45:36,560 --> 00:45:39,319
Speaker 1: and think, half the time these motherfuckers fall out us

846
00:45:39,360 --> 00:45:41,040
Speaker 1: over some shit that's this fucking small.

847
00:45:43,080 --> 00:45:49,560
Speaker 2: Yeah, but that ain't that's not the mentality of the

848
00:45:49,560 --> 00:45:54,960
Speaker 2: the young, the young adults, the BG, so to speak,

849
00:45:55,000 --> 00:46:00,279
Speaker 2: the baby gangsters. They are the live wires. They are

850
00:46:00,360 --> 00:46:04,000
Speaker 2: the ones that you know, make it crack off and

851
00:46:04,560 --> 00:46:07,040
Speaker 2: put in the work. And you know, you ain't got

852
00:46:07,040 --> 00:46:13,760
Speaker 2: too many og niggas still rolling around, you know, doing

853
00:46:13,960 --> 00:46:18,960
Speaker 2: you know dirt, especially when you've been around in thirty

854
00:46:19,040 --> 00:46:25,080
Speaker 2: forty years, you kind of on the kickback, peaceful mode,

855
00:46:25,880 --> 00:46:28,320
Speaker 2: especially if you've done done a long time in prison

856
00:46:28,440 --> 00:46:31,320
Speaker 2: or just seeing a lot of shit that's done happen

857
00:46:31,440 --> 00:46:34,800
Speaker 2: throughout your motherfucking years of walking the motherfucking block.

858
00:46:36,640 --> 00:46:38,440
Speaker 1: So it's always the youngsters.

859
00:46:38,480 --> 00:46:44,640
Speaker 2: And just like I say, even me at eighteen nineteen twenty,

860
00:46:46,800 --> 00:46:51,719
Speaker 2: even with rapping, it still was everything.

861
00:46:51,960 --> 00:46:53,080
Speaker 1: You know what I'm saying to.

862
00:46:55,040 --> 00:46:59,480
Speaker 2: You know, still be associated you get me exactly. I

863
00:46:59,520 --> 00:47:03,479
Speaker 2: ain't chack stepping and went to the world of hip

864
00:47:03,520 --> 00:47:07,279
Speaker 2: hoop to where I'm living in Beverly Hills, and I

865
00:47:07,360 --> 00:47:10,759
Speaker 2: only associate with the white collar and the rich and

866
00:47:10,840 --> 00:47:14,680
Speaker 2: all that type of shit. Nigga that just made me

867
00:47:14,800 --> 00:47:16,200
Speaker 2: want to go to the hood more.

868
00:47:16,320 --> 00:47:18,319
Speaker 1: See see look at this. This is what I mean

869
00:47:18,440 --> 00:47:22,040
Speaker 1: by the outside niggas, Right, it's some cat o Vo

870
00:47:22,200 --> 00:47:28,840
Speaker 1: Chubb's taunts Kendrick. You know, O Vo Chubb responds to

871
00:47:28,920 --> 00:47:34,040
Speaker 1: this Drake Goon, Baca threatens Kendrick Lamar Drake's dad, and

872
00:47:34,200 --> 00:47:38,400
Speaker 1: Ovo Stepper Baca go off on Kendrick in future. So

873
00:47:39,440 --> 00:47:43,800
Speaker 1: everybody talking except for Drake. These niggas, Drake's goon, Drake's

874
00:47:43,800 --> 00:47:47,080
Speaker 1: this dimnest niggas that want attention. See, Drake got all

875
00:47:47,120 --> 00:47:49,200
Speaker 1: the attention he need in the world. All he gonna

876
00:47:49,239 --> 00:47:51,200
Speaker 1: do is drop a motherfucking record right and do what

877
00:47:51,239 --> 00:47:53,640
Speaker 1: he gonna do. Right. But if it's some stepping at

878
00:47:53,680 --> 00:47:55,360
Speaker 1: the cur it's not gonna be him doing it. You

879
00:47:55,360 --> 00:47:58,600
Speaker 1: feel what I'm saying. It's not gonna ever be the rapper.

880
00:47:58,719 --> 00:48:01,879
Speaker 1: But you got the niggas that's willing to crash out

881
00:48:01,920 --> 00:48:03,640
Speaker 1: on some shit and they just send the shots. Do

882
00:48:03,680 --> 00:48:06,840
Speaker 1: you think look, shit, Kendrick ain't nothing. I don't think

883
00:48:07,040 --> 00:48:10,840
Speaker 1: dot is five ten. You feel what I'm saying. Do

884
00:48:10,920 --> 00:48:12,719
Speaker 1: you think you actually gonna be able to get to

885
00:48:12,800 --> 00:48:13,799
Speaker 1: him though? Now?

886
00:48:13,840 --> 00:48:17,319
Speaker 2: But that's not even that's not what that even is for.

887
00:48:17,680 --> 00:48:22,680
Speaker 2: That's for I'm gonna let myself be known that.

888
00:48:24,239 --> 00:48:25,279
Speaker 1: I'm I'm with that.

889
00:48:25,520 --> 00:48:27,560
Speaker 2: You know, that's a nigga just wanted to take his

890
00:48:27,680 --> 00:48:28,839
Speaker 2: solo recognition.

891
00:48:29,320 --> 00:48:31,839
Speaker 1: Like you said, they ain't gonna fuck around and get

892
00:48:31,880 --> 00:48:34,600
Speaker 1: hurt sending thrifts to motherfuckers.

893
00:48:36,000 --> 00:48:39,600
Speaker 2: You ain't gonna never run into motherfuckers. It's it's, it's,

894
00:48:39,640 --> 00:48:42,879
Speaker 2: it's it's. It's just like right now, a motherfucker can

895
00:48:43,000 --> 00:48:45,880
Speaker 2: sit up and go nigga, nigga, I nissed nigga and

896
00:48:46,120 --> 00:48:46,440
Speaker 2: see you.

897
00:48:46,400 --> 00:48:48,319
Speaker 1: Know, but that that's you just you just made my

898
00:48:48,360 --> 00:48:51,560
Speaker 1: point though, right, He ain't gotta never run the kto right,

899
00:48:51,600 --> 00:48:54,239
Speaker 1: but you know who he may run into one of

900
00:48:54,239 --> 00:48:56,640
Speaker 1: these little niggas around her that love that man nigga

901
00:48:56,640 --> 00:48:58,719
Speaker 1: with that nigga over Yo Chubbs that was talking all

902
00:48:58,760 --> 00:49:01,520
Speaker 1: that shit. Cuz hold on and you never know, but

903
00:49:01,560 --> 00:49:02,919
Speaker 1: it happened that quick dog.

904
00:49:03,120 --> 00:49:06,000
Speaker 2: But it ain't gonna never be by itself nowhere solo.

905
00:49:06,840 --> 00:49:10,600
Speaker 2: They running a pack, you can't do You can't do

906
00:49:10,719 --> 00:49:13,440
Speaker 2: that with niggas that running packs. They not finna go

907
00:49:13,560 --> 00:49:17,879
Speaker 2: nowhere where any of Kendrick's people finna be you think

908
00:49:17,880 --> 00:49:22,600
Speaker 2: they finish. Drake is on motherfucking private motherfucking airplanes and

909
00:49:23,040 --> 00:49:26,399
Speaker 2: yachts and shit, and only go to motherfucking places where

910
00:49:26,440 --> 00:49:28,480
Speaker 2: the average nigga can't even look in.

911
00:49:29,560 --> 00:49:30,120
Speaker 1: You get me.

912
00:49:30,600 --> 00:49:35,080
Speaker 2: So, all those threats and that that ship it be

913
00:49:35,239 --> 00:49:38,880
Speaker 2: for the it's for your personal gratification. I'm gonna let

914
00:49:39,000 --> 00:49:41,560
Speaker 2: niggas know, Yeah, my my name is O V O

915
00:49:41,800 --> 00:49:46,920
Speaker 2: whatever and I'm with the shits. You get me so, nigga, Okay,

916
00:49:46,960 --> 00:49:50,879
Speaker 2: but it ain't like Kendrick. Finna go okay, let's meet

917
00:49:50,960 --> 00:49:53,880
Speaker 2: up at the park or let's meet up saying it

918
00:49:53,920 --> 00:49:59,080
Speaker 2: ain't always the entourages. Man, I'm gonna say what the

919
00:49:59,120 --> 00:50:02,280
Speaker 2: fuck I want to say, and that's what it's gonna be, because,

920
00:50:02,360 --> 00:50:05,800
Speaker 2: like I said, I'm a man and I'm not scared

921
00:50:05,800 --> 00:50:06,400
Speaker 2: of anyone.

922
00:50:06,600 --> 00:50:09,240
Speaker 1: Let me ask you this. My whole lifestyle is nigga,

923
00:50:09,280 --> 00:50:10,360
Speaker 1: I'm more, let me go.

924
00:50:11,640 --> 00:50:15,160
Speaker 2: I'm I'm not even where you niggas is even thinking

925
00:50:15,200 --> 00:50:16,359
Speaker 2: about surface.

926
00:50:16,080 --> 00:50:18,359
Speaker 1: Ask you this though, but remember the nigga like you had,

927
00:50:18,400 --> 00:50:20,920
Speaker 1: Tim Dogg that did the probably goofy Ship with the

928
00:50:20,920 --> 00:50:26,960
Speaker 1: Fuck Compton record, right, do you? There's no chance that

929
00:50:27,040 --> 00:50:32,040
Speaker 1: he would have ever actually been in the city of Compton, Like, like,

930
00:50:32,120 --> 00:50:35,319
Speaker 1: nobody from Compton was go ever see that nigga unless we.

931
00:50:35,239 --> 00:50:37,360
Speaker 2: Saw ain't a a like one of the Jack the

932
00:50:37,440 --> 00:50:43,520
Speaker 2: Rapper conventions see him in Compton. No, but that's what

933
00:50:43,600 --> 00:50:46,400
Speaker 2: I'm saying. Nobody is ever gonna really get to this nigga.

934
00:50:46,520 --> 00:50:48,279
Speaker 2: And when you do get to him, is it ever

935
00:50:48,320 --> 00:50:50,239
Speaker 2: gonna be worth to actually do something to him? Behind

936
00:50:50,280 --> 00:51:01,439
Speaker 2: him making that goofy Ass record? At that time, rap

937
00:51:01,600 --> 00:51:05,640
Speaker 2: was fresh and new, and I think at that time

938
00:51:05,800 --> 00:51:08,839
Speaker 2: it was still on the even though he was fucking

939
00:51:08,920 --> 00:51:10,760
Speaker 2: Compton and making fun and easy.

940
00:51:10,840 --> 00:51:15,640
Speaker 1: And then hold on that hold on this old one second,

941
00:51:15,640 --> 00:51:23,000
Speaker 1: I'm gonna take this car. Will was cracking with you, man.

942
00:51:23,040 --> 00:51:25,400
Speaker 1: Should we over here recording against the chronicles? Now, Like

943
00:51:25,480 --> 00:51:28,600
Speaker 1: you said, Man, that's a celebrity phone call right there.

944
00:51:28,600 --> 00:51:33,000
Speaker 1: I gotta answer that answer that phone call real quick. Yeah, Yeah,

945
00:51:33,080 --> 00:51:38,000
Speaker 1: that's what's up? Yeah, mans Hey? Will? I know I

946
00:51:38,080 --> 00:51:40,399
Speaker 1: know it's late though, but let me ask you a question, man,

947
00:51:40,480 --> 00:51:43,960
Speaker 1: Me and eight is there having a debate right about rap?

948
00:51:44,560 --> 00:51:46,719
Speaker 1: You know rap? At this I was you know, I

949
00:51:46,760 --> 00:51:50,880
Speaker 1: was telling a wrapping this primal essence. You're gonna have

950
00:51:50,920 --> 00:51:56,479
Speaker 1: to endure some competition, right, It's all about everybody trying

951
00:51:56,480 --> 00:51:59,359
Speaker 1: to get to the number one spot. Do you think

952
00:51:59,360 --> 00:52:01,719
Speaker 1: it's possible? But still has that brand of hip hop

953
00:52:01,760 --> 00:52:04,200
Speaker 1: today man, where everybody take everything so personal.

954
00:52:07,760 --> 00:52:11,040
Speaker 3: Shit, it seemed like everybody taking everything personal right now,

955
00:52:11,160 --> 00:52:12,520
Speaker 3: that's where everybody getting killed.

956
00:52:13,920 --> 00:52:16,040
Speaker 1: So so you think if a motherfucker, a new rapper

957
00:52:16,080 --> 00:52:19,080
Speaker 1: come out with a record and he dissing the motherfucker, right,

958
00:52:19,120 --> 00:52:23,720
Speaker 1: he dissing Drake, he dissing whoever. You think that shit.

959
00:52:23,640 --> 00:52:26,719
Speaker 3: Can depending on who he did, he can get away

960
00:52:26,760 --> 00:52:29,280
Speaker 3: with it and never have to think about nothing.

961
00:52:29,440 --> 00:52:32,560
Speaker 1: But if he if he played that trio game, he.

962
00:52:32,520 --> 00:52:36,520
Speaker 3: Could get hisself put in a box like like.

963
00:52:36,600 --> 00:52:39,560
Speaker 1: Drake, Drake. If you notice Kendrick.

964
00:52:39,239 --> 00:52:44,520
Speaker 3: And j Cole, they're not them dudes and Drake, they're

965
00:52:44,560 --> 00:52:50,640
Speaker 3: not dising kill us, Definite, they dising catch that's on

966
00:52:50,680 --> 00:52:54,360
Speaker 3: their level. Commercial type catch who got way more to loser,

967
00:52:54,440 --> 00:52:57,800
Speaker 3: who are way smarter than the average drill rapper. That

968
00:52:57,800 --> 00:53:01,120
Speaker 3: that's around himself with a whole bunch of killers and gangsters.

969
00:53:01,920 --> 00:53:04,240
Speaker 3: You know them dudes ain't no real killers and gases.

970
00:53:04,840 --> 00:53:09,720
Speaker 3: I mean, come on, man, Jake Cole apologized after two days,

971
00:53:09,760 --> 00:53:13,080
Speaker 3: and you got it and you just just you just

972
00:53:13,160 --> 00:53:17,120
Speaker 3: went upside Kendrick head and then you could have finished him,

973
00:53:17,320 --> 00:53:20,040
Speaker 3: you know, and he apologized.

974
00:53:20,400 --> 00:53:22,120
Speaker 1: That's what I say. I thought that she was weak

975
00:53:22,160 --> 00:53:23,120
Speaker 1: than the motherfucker dog.

976
00:53:23,200 --> 00:53:25,560
Speaker 3: Ain't no where I would apologize. I would have stood

977
00:53:25,640 --> 00:53:29,480
Speaker 3: on that, like, let me hey man, let me get out,

978
00:53:29,600 --> 00:53:31,240
Speaker 3: let me get everything, because first.

979
00:53:31,040 --> 00:53:32,640
Speaker 1: Of all, Kendrick threw the first punch.

980
00:53:32,719 --> 00:53:36,240
Speaker 3: Man, I ain't no where I'm apologizing for socking who

981
00:53:36,280 --> 00:53:37,280
Speaker 3: swung on me first.

982
00:53:37,480 --> 00:53:39,040
Speaker 1: That's what I'm saying.

983
00:53:39,680 --> 00:53:41,359
Speaker 3: I don't care if I don't care if I hit

984
00:53:41,400 --> 00:53:43,040
Speaker 3: him in the head and kidding you pop out of

985
00:53:43,080 --> 00:53:46,880
Speaker 3: his ass. I ain't gonna fucking apologize. He brought that,

986
00:53:47,440 --> 00:53:48,600
Speaker 3: he brought that on his self.

987
00:53:48,920 --> 00:53:51,680
Speaker 1: That's my school see, that's my school of thought, will

988
00:53:51,719 --> 00:53:52,960
Speaker 1: and that's what I was. You know, me and A

989
00:53:53,160 --> 00:53:55,400
Speaker 1: was here having this conversation. I told him, I said,

990
00:53:56,080 --> 00:53:58,959
Speaker 1: this ain't that type of conflict to where somebody could

991
00:53:58,960 --> 00:54:01,279
Speaker 1: possibly die. And I could see if you went on

992
00:54:01,360 --> 00:54:03,920
Speaker 1: there and said something about the man's kids, saying something

993
00:54:03,960 --> 00:54:06,080
Speaker 1: about his mama and this and that, and say, you

994
00:54:06,120 --> 00:54:09,000
Speaker 1: know what I took to so far? Nigga, you responded

995
00:54:09,040 --> 00:54:11,359
Speaker 1: back to somebody's smacking you in the back of your

996
00:54:11,360 --> 00:54:15,799
Speaker 1: head and he swung on them. I'm not gonna poll

997
00:54:15,960 --> 00:54:17,960
Speaker 1: I'm the one that was that was wrong. I didn't.

998
00:54:17,960 --> 00:54:20,520
Speaker 1: I didn't go out starting ship. I was wrong. I

999
00:54:20,520 --> 00:54:22,600
Speaker 1: got a dark through with me and I was minding

1000
00:54:22,640 --> 00:54:25,879
Speaker 1: my own business. Now I'm gonna tell you I think

1001
00:54:26,000 --> 00:54:28,359
Speaker 1: this ship and see what I was telling him. I said,

1002
00:54:28,440 --> 00:54:30,520
Speaker 1: it never beat those guys that go at each other.

1003
00:54:30,560 --> 00:54:33,239
Speaker 1: There's too much money to lose. It'll be one of

1004
00:54:33,280 --> 00:54:36,960
Speaker 1: these so called affiliates that go out and do something stupid.

1005
00:54:37,360 --> 00:54:40,520
Speaker 1: And that's never like you ain't gonna never be able

1006
00:54:40,520 --> 00:54:42,160
Speaker 1: to get the kindred. You ain't gonna never be able

1007
00:54:42,160 --> 00:54:43,480
Speaker 1: to get the drake. So I ain't none of that

1008
00:54:43,480 --> 00:54:47,600
Speaker 1: gonna happen. Damn that ain't even the.

1009
00:54:47,520 --> 00:54:50,080
Speaker 3: Biggest part of the biggest part of it is they

1010
00:54:50,080 --> 00:54:57,040
Speaker 3: don't want to get to each other. It ain't it

1011
00:54:57,080 --> 00:54:59,839
Speaker 3: ain't even that serious. Man, They don't want to get

1012
00:55:00,120 --> 00:55:04,280
Speaker 3: each other like it ain't that serious them dudes.

1013
00:55:05,200 --> 00:55:06,799
Speaker 1: Them dudes, it's just like.

1014
00:55:06,960 --> 00:55:10,919
Speaker 3: The they I ain't gonna say, just like because Pop

1015
00:55:11,080 --> 00:55:11,920
Speaker 3: was a little different.

1016
00:55:12,000 --> 00:55:14,040
Speaker 1: You know, he ain't give a fuck. He just was

1017
00:55:14,920 --> 00:55:17,360
Speaker 1: he was he was. He was a.

1018
00:55:17,440 --> 00:55:19,800
Speaker 3: Big understood He didn't want to get the pope, you

1019
00:55:19,840 --> 00:55:23,480
Speaker 3: know what I'm saying. Like, you know, Pop was a juggernaut.

1020
00:55:23,920 --> 00:55:26,880
Speaker 3: But damn, dudes, they ain't trying to really get to

1021
00:55:27,000 --> 00:55:30,200
Speaker 3: each other like that. And and rightfully so they shouldn't

1022
00:55:30,200 --> 00:55:31,759
Speaker 3: be trying to get to each other like that.

1023
00:55:31,880 --> 00:55:35,640
Speaker 1: Man, sh ain't man, it's it's bigger ship. They got

1024
00:55:35,640 --> 00:55:37,279
Speaker 1: bigger fish to fry. Man.

1025
00:55:37,520 --> 00:55:42,320
Speaker 3: Them dudes got legacies to fulfill and and families and

1026
00:55:42,320 --> 00:55:46,160
Speaker 3: and and major major responsibilities and ship.

1027
00:55:47,440 --> 00:55:48,879
Speaker 1: And they can't be.

1028
00:55:48,840 --> 00:55:55,400
Speaker 3: Getting caught up in the regular old street niggas ships.

1029
00:55:58,160 --> 00:56:01,000
Speaker 3: They need to be sitting back playing that minitary cards

1030
00:56:01,160 --> 00:56:02,120
Speaker 3: being dignitaries.

1031
00:56:02,160 --> 00:56:03,080
Speaker 1: Don't get touched in this.

1032
00:56:03,280 --> 00:56:07,720
Speaker 3: Dignitaries get all the way out of them, out of pocket.

1033
00:56:07,120 --> 00:56:08,640
Speaker 1: And break the cold.

1034
00:56:09,560 --> 00:56:14,640
Speaker 3: Other than that, dignitaries, man, dignitaries go to all the funerals.

1035
00:56:15,320 --> 00:56:17,960
Speaker 1: Hell yeah, well will shit, man, I appreciate you calling

1036
00:56:18,000 --> 00:56:21,520
Speaker 1: me and dog, you gonna be out here. I'm gonna

1037
00:56:21,560 --> 00:56:23,279
Speaker 1: get with you dogs. I want to sit down with

1038
00:56:23,320 --> 00:56:26,560
Speaker 1: you in person, but I'm gonna get with you, that's

1039
00:56:26,600 --> 00:56:32,000
Speaker 1: all for sure. Boy. Well, what's hiding the family? What's up? Eight?

1040
00:56:32,200 --> 00:56:33,160
Speaker 1: All day? People?

1041
00:56:34,120 --> 00:56:34,359
Speaker 3: Man?

1042
00:56:35,000 --> 00:56:40,919
Speaker 1: Man, hold up all day? Head? Yeah yeah, hey, Will,

1043
00:56:41,040 --> 00:56:43,560
Speaker 1: let me ask you this. I'm gonna ask both of

1044
00:56:43,560 --> 00:56:45,440
Speaker 1: you all this for you and eight right here. So

1045
00:56:45,600 --> 00:56:49,239
Speaker 1: if a motherfucker came out with a record, let's say

1046
00:56:49,239 --> 00:56:51,080
Speaker 1: he was from the Third War, back when you was

1047
00:56:51,080 --> 00:56:53,080
Speaker 1: in your prime, when you prime, Will he digging and

1048
00:56:53,120 --> 00:56:55,440
Speaker 1: the ghetto boys and doing your thing, and he come

1049
00:56:55,560 --> 00:56:58,000
Speaker 1: up with this record, he talking cashit ty. When I

1050
00:56:58,000 --> 00:57:00,200
Speaker 1: see Will, I'm gonna smack his say, look at yeah,

1051
00:57:00,640 --> 00:57:04,239
Speaker 1: just on your ass right and you stay happen to

1052
00:57:04,280 --> 00:57:07,880
Speaker 1: see that dudel whooped his Ass'm a touching, I'm a touching.

1053
00:57:08,560 --> 00:57:09,840
Speaker 1: He's gonna smell my cologne.

1054
00:57:12,080 --> 00:57:16,840
Speaker 2: I mean, yeah, back then, ship, especially now especially now.

1055
00:57:17,240 --> 00:57:19,720
Speaker 1: Yeah. Yeah, well I because if.

1056
00:57:21,640 --> 00:57:24,800
Speaker 3: He let me tell you something, bro, that's why I

1057
00:57:24,840 --> 00:57:26,880
Speaker 3: don't be fucking with nobody, because.

1058
00:57:26,680 --> 00:57:28,040
Speaker 1: I already know how I am.

1059
00:57:28,800 --> 00:57:32,040
Speaker 3: So if I don't fuck with nobody, the chances are

1060
00:57:32,960 --> 00:57:36,280
Speaker 3: most people, at least most won'ta fuck with me, I

1061
00:57:36,320 --> 00:57:39,200
Speaker 3: won't have as many incidents if somebody fucking with me.

1062
00:57:39,680 --> 00:57:42,400
Speaker 3: Eventually somebody gonna say my name and fuck with me.

1063
00:57:42,600 --> 00:57:44,040
Speaker 1: I ain't fucking with nobody.

1064
00:57:44,320 --> 00:57:46,680
Speaker 3: But you know how things are today.

1065
00:57:47,080 --> 00:57:50,440
Speaker 1: I see him in traffic. Yeah, man, I don't think that.

1066
00:57:50,680 --> 00:57:52,280
Speaker 1: Just to close it up, I don't think it's gonna

1067
00:57:52,280 --> 00:57:54,840
Speaker 1: get that heavy. And if anything do happening to be

1068
00:57:54,960 --> 00:57:59,280
Speaker 1: the outside forces. The external people don't have shit to

1069
00:57:59,280 --> 00:58:00,200
Speaker 1: do with nothing really.

1070
00:58:00,600 --> 00:58:04,880
Speaker 2: And unfortunately that's a lot of you know, especially when

1071
00:58:05,360 --> 00:58:10,960
Speaker 2: you niggas who are affiliated or homies or whatever, they

1072
00:58:10,960 --> 00:58:17,680
Speaker 2: feel a personal like they feel a personal connection to

1073
00:58:17,800 --> 00:58:23,600
Speaker 2: the nigga and so yeah, nigga giving them money. You know,

1074
00:58:24,000 --> 00:58:27,120
Speaker 2: it could be anything, nigga. You know, I'm sure Drake

1075
00:58:27,320 --> 00:58:31,240
Speaker 2: is Is is covering his niggas back. And you know,

1076
00:58:31,400 --> 00:58:35,120
Speaker 2: the nigga done been do plenty of motherfucking situations and

1077
00:58:35,640 --> 00:58:38,240
Speaker 2: they didn't have plenty of fun and went to plenty

1078
00:58:38,280 --> 00:58:42,840
Speaker 2: of different countries. And you know, so niggas feel that

1079
00:58:42,840 --> 00:58:47,040
Speaker 2: that loyalty. You get me. Niggas feel that loyalty to

1080
00:58:47,120 --> 00:58:50,440
Speaker 2: a nigga, So you know he gonna they gonna voice

1081
00:58:50,440 --> 00:58:52,960
Speaker 2: their opinion, you know, and plus he feel like I

1082
00:58:53,000 --> 00:58:54,920
Speaker 2: got the right to like a nigga.

1083
00:58:54,920 --> 00:58:57,400
Speaker 1: Ain't this in you? Let me ask you. Let me

1084
00:58:57,440 --> 00:59:01,920
Speaker 1: ask you a question about this, about how we reacted stuff.

1085
00:59:02,560 --> 00:59:05,680
Speaker 1: Would you still drop duck Sick if Quick would have

1086
00:59:05,720 --> 00:59:06,600
Speaker 1: came back the next day?

1087
00:59:06,600 --> 00:59:09,360
Speaker 2: In the pologies, Sick was never a song about Quick.

1088
00:59:09,800 --> 00:59:12,680
Speaker 2: So just to clear that the air. I don't know

1089
00:59:12,760 --> 00:59:17,440
Speaker 2: why people think that Duck Sick was ever a DJ

1090
00:59:17,680 --> 00:59:22,160
Speaker 2: Quick disc. Duck Sick was dissing some other niggas out

1091
00:59:22,160 --> 00:59:25,120
Speaker 2: of lynn Wood, who was a little rap crew at

1092
00:59:25,120 --> 00:59:27,680
Speaker 2: the time. That's what I said. I didn't even know

1093
00:59:27,840 --> 00:59:28,880
Speaker 2: Quick at that time.

1094
00:59:29,000 --> 00:59:31,840
Speaker 1: You know what the crazy party was though the niggas

1095
00:59:31,840 --> 00:59:34,360
Speaker 1: out of Lynnwood couldn't even get their own disc record.

1096
00:59:34,360 --> 00:59:36,400
Speaker 1: The niggas always thought it was about Quick.

1097
00:59:36,520 --> 00:59:40,040
Speaker 2: Because that was in the that was in the circuit

1098
00:59:40,080 --> 00:59:43,959
Speaker 2: of you know, niggas was you know, getting getting off

1099
00:59:44,040 --> 00:59:47,640
Speaker 2: and a lot of niggas was on independent little record labels,

1100
00:59:47,680 --> 00:59:51,800
Speaker 2: and you know, so we were up and coming CMW.

1101
00:59:51,920 --> 00:59:54,920
Speaker 2: We had a little twelve inch out and we had

1102
00:59:54,960 --> 01:00:00,680
Speaker 2: a little bullshit dish from another little rap crew and

1103
01:00:03,560 --> 01:00:07,000
Speaker 2: but everybody, I guess, because everybody just it was a

1104
01:00:07,080 --> 01:00:09,560
Speaker 2: disc record and if you listen to it, it sounded

1105
01:00:09,640 --> 01:00:11,120
Speaker 2: like you dissing somebody.

1106
01:00:11,680 --> 01:00:14,560
Speaker 1: So you know what's crazy. If them cats would have

1107
01:00:14,600 --> 01:00:16,480
Speaker 1: knew that it was Demi Shaw was this they they've

1108
01:00:16,480 --> 01:00:19,000
Speaker 1: probably been happy. Oh we got them the respect.

1109
01:00:20,680 --> 01:00:23,560
Speaker 2: I don't know if we actually called their names, y'all,

1110
01:00:24,120 --> 01:00:27,680
Speaker 2: but you know, we talked about the situation. But back

1111
01:00:27,720 --> 01:00:30,280
Speaker 2: then we were just on the friendly disc tip. We

1112
01:00:30,320 --> 01:00:33,320
Speaker 2: wasn't looking at it like, oh, we gonna finna run

1113
01:00:33,360 --> 01:00:36,160
Speaker 2: through these niggas neighborhood and see where they're from and

1114
01:00:36,240 --> 01:00:41,120
Speaker 2: all that. Like I said, even though we was hood niggas, man,

1115
01:00:42,040 --> 01:00:45,000
Speaker 2: I still took in the hip hop element and of

1116
01:00:45,080 --> 01:00:48,600
Speaker 2: all that, and it was just a dish record, you

1117
01:00:48,600 --> 01:00:51,880
Speaker 2: give me. I didn't think anything was gonna come behind it. Now,

1118
01:00:51,920 --> 01:00:54,200
Speaker 2: if niggas wanted to take it to some street shit,

1119
01:00:54,280 --> 01:00:56,880
Speaker 2: on some hood shit, it would have went there. But

1120
01:00:57,640 --> 01:01:00,760
Speaker 2: to me, it was just friendly hip hop in banter.

1121
01:01:01,200 --> 01:01:03,520
Speaker 2: A lot of niggas was dissing each other back in

1122
01:01:03,560 --> 01:01:04,840
Speaker 2: the early rap days.

1123
01:01:05,480 --> 01:01:09,720
Speaker 1: Yeah, real man, Now you know what the crazy part about. Now,

1124
01:01:09,840 --> 01:01:12,439
Speaker 1: Like I said, these artists ain't gonna never face each other.

1125
01:01:13,280 --> 01:01:15,200
Speaker 1: They never go come in contact with each other. Even

1126
01:01:15,240 --> 01:01:18,680
Speaker 1: with the even with the Tupac and Biggie shit, them

1127
01:01:18,760 --> 01:01:21,080
Speaker 1: niggas never actually crossed paths with each other.

1128
01:01:21,240 --> 01:01:25,160
Speaker 2: As long as as our little shit went on, we

1129
01:01:25,200 --> 01:01:29,600
Speaker 2: didn't cross pass but maybe once you get me. It

1130
01:01:29,680 --> 01:01:33,760
Speaker 2: wasn't like, oh, well we know these niggas. You know

1131
01:01:34,280 --> 01:01:37,480
Speaker 2: finna be performing tonight, so we finished. We didn't do

1132
01:01:37,600 --> 01:01:42,000
Speaker 2: that shit. We was like, ain't nothing coming over here

1133
01:01:42,040 --> 01:01:47,680
Speaker 2: to the neighborhood bothering us and our motherfucking careers at

1134
01:01:47,680 --> 01:01:51,880
Speaker 2: that time was in to where promoters wouldn't they would

1135
01:01:51,880 --> 01:01:54,560
Speaker 2: never book us, you give me. It wasn't like a

1136
01:01:54,600 --> 01:01:58,160
Speaker 2: promoter would call and be like, hey, I got DJ

1137
01:01:58,320 --> 01:02:02,400
Speaker 2: Quick on the bill. AMC yate what you I never?

1138
01:02:02,960 --> 01:02:05,800
Speaker 2: I never. We never got booked on the show together.

1139
01:02:06,320 --> 01:02:12,520
Speaker 2: That was later on down the line because of motherfuckers

1140
01:02:12,600 --> 01:02:15,560
Speaker 2: knew that's a sensitive situation.

1141
01:02:15,720 --> 01:02:17,000
Speaker 1: Promoters had common sense.

1142
01:02:17,040 --> 01:02:20,439
Speaker 2: They weren't too especially if it was a promoter from

1143
01:02:20,480 --> 01:02:25,440
Speaker 2: the West Coast or anybody who knew the era of

1144
01:02:25,600 --> 01:02:29,000
Speaker 2: game banging. Hell no, motherfuckers like that get their whole

1145
01:02:29,040 --> 01:02:34,520
Speaker 2: motherfucking club tour up man. Yeah, so we about to

1146
01:02:34,560 --> 01:02:35,520
Speaker 2: go in and check out of here.

1147
01:02:35,600 --> 01:02:37,400
Speaker 1: Dog. We have been up here for a minute man,

1148
01:02:38,440 --> 01:02:39,960
Speaker 1: that's a dope ass T shirt dog.

1149
01:02:40,360 --> 01:02:43,959
Speaker 2: Oh yeah, this is my h It was my people overseas,

1150
01:02:44,200 --> 01:02:47,600
Speaker 2: but uh, we are going through some business right now

1151
01:02:47,640 --> 01:02:51,120
Speaker 2: and I'm about to start supplying that I need money

1152
01:02:51,120 --> 01:02:53,120
Speaker 2: and the God lines over here.

1153
01:02:53,560 --> 01:02:56,960
Speaker 1: So that's what we got cracked. Everybody always asked about

1154
01:02:56,960 --> 01:02:57,960
Speaker 1: them T shirts.

1155
01:02:57,640 --> 01:03:03,600
Speaker 2: Dogs, the gold oil and diamonds, that's what that's for.

1156
01:03:03,960 --> 01:03:06,600
Speaker 2: So you know, you see it and say God, but

1157
01:03:06,760 --> 01:03:10,000
Speaker 2: it's it's gold oil and diamonds.

1158
01:03:10,360 --> 01:03:12,360
Speaker 1: And then we got the I need money. You know.

1159
01:03:12,440 --> 01:03:17,080
Speaker 2: We're gonna have them in short sets, jogger sets, sweats, hoodies,

1160
01:03:17,440 --> 01:03:21,200
Speaker 2: shit for the females. Whatever color, pink, orange, purple. We

1161
01:03:21,320 --> 01:03:24,800
Speaker 2: got this design and we got another design, so we're

1162
01:03:24,800 --> 01:03:28,120
Speaker 2: trying to go with some ship. Once we get a cracking,

1163
01:03:28,160 --> 01:03:30,000
Speaker 2: you're gonna be able to find that at Official eight

1164
01:03:30,160 --> 01:03:33,200
Speaker 2: just like all the other shit Official eight Clothing dot Com.

1165
01:03:33,240 --> 01:03:37,320
Speaker 1: That's dope, man, And we go have our online forum

1166
01:03:37,400 --> 01:03:39,200
Speaker 1: app and all the other good ship be up in

1167
01:03:39,240 --> 01:03:43,680
Speaker 1: about another week gainst the Chronicles dot that for sure.

1168
01:03:43,720 --> 01:03:45,360
Speaker 1: I'm gonna have it to where we can go live

1169
01:03:45,400 --> 01:03:47,760
Speaker 1: from there, man, and we could do content exclusive for

1170
01:03:47,800 --> 01:03:49,920
Speaker 1: our sites. You know what I'm saying they can't be

1171
01:03:50,720 --> 01:03:52,480
Speaker 1: you know that they can't be you know where where

1172
01:03:52,480 --> 01:03:54,120
Speaker 1: maybe they'll be able to get a little glimpse of

1173
01:03:54,120 --> 01:03:57,400
Speaker 1: that Willie de conversation a little bit, you know, just

1174
01:03:57,440 --> 01:03:59,280
Speaker 1: a little bit, you know, a little taste of it. Man.

1175
01:03:59,400 --> 01:04:02,240
Speaker 1: But we go check out of here, man, and we'll

1176
01:04:02,400 --> 01:04:04,680
Speaker 1: see y'all next week. Jeh