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Speaker 1: All right, Millie, let's throw the old pig skin around,

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Speaker 1: throw the old football around.

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Speaker 2: Here we go.

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Speaker 1: I'm gonna throw you a spiral and here it goes.

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Speaker 2: I dropped it, dude. Sorry, okay, that's okay. I actually

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Speaker 2: don't know how to catch a football. I'm like scared

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Speaker 2: of footballs. Have I told you this?

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Speaker 1: Why are you afraid of? Just throw it back to me.

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Speaker 2: Okay, I don't even know how to do I throw.

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Speaker 1: That's not how I threw it, but thank you. Here

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Speaker 1: you go. Let's just throw it back and forth.

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Speaker 2: Scared again? Okay, okay, why are you afraid of?

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Speaker 3: Why?

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Speaker 2: Why are you afraid of football?

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Speaker 3: Well?

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Speaker 2: I caught it that time, bear, Yeah, good job. I

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Speaker 2: did a little fumbly bumbly. I don't know. I feel like, listen,

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Speaker 2: I played sports my entire life, but I they're all

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Speaker 2: they've all been spherical balls. Like, I don't like this

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Speaker 2: weird almond shape of the balls.

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Speaker 1: It is interesting. I think it's the only like sport.

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Speaker 1: I guess a puck is differently shape, but that's not

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Speaker 1: a ball. You know. A football is odd, isn't it.

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Speaker 2: Well, I'm like, I think it's because it comes in

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Speaker 2: all wonky and I don't know how to catch it,

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Speaker 2: and then I don't know how to throw it. Are

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Speaker 2: you supposed to put your fingers in the little grooves.

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Speaker 1: Here, your fingers on the laces.

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Speaker 2: Hold on, let me try to throw it back. Sorry, sorry, yeah,

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Speaker 2: very bad. Uh well yeah, it's uh.

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Speaker 1: You know, I used to throw the football around with

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Speaker 1: my brothers and my dad a lot. Throwing a spiral

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Speaker 1: is can be tough to get that kind of wrist action.

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Speaker 1: I actually played football for a brief time. God. I

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Speaker 1: think I played flag football in fourth grade and then

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Speaker 1: I played tackle football in fifth grade. And I don't

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Speaker 1: know if you know this, but football is a violent sport,

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Speaker 1: you know, And it was you really have to I

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Speaker 1: know this is a funny thing to say, but you

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Speaker 1: really have to like getting hit and hitting people. And

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Speaker 1: there's a lot of boys who do like that. Yeah,

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Speaker 1: for me, it really rattled me. You know, I'm a poet,

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Speaker 1: I'm a little sensitive guy, so I it was. It

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Speaker 1: was very unenjoyable for me, and I was not good.

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Speaker 1: As you can imagine.

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Speaker 2: You'd rather have it be somebody chasing you down to

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Speaker 2: pull the Garden State movie ticket out of your back

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Speaker 2: pocket versus smashing you to the ground and flattening you. Yes,

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Speaker 2: in this game.

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Speaker 1: I don't quite know what scenario this would be in,

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Speaker 1: but it's some sort of game where Garden State fans

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Speaker 1: try to steal movie tickets out of each other's pockets.

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Speaker 2: Isn't that what flag football is that you basically have

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Speaker 2: to remove a flag from your personage?

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Speaker 1: Yeah?

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Speaker 2: Yeah, okay, yeah.

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Speaker 1: I didn't really love that either, and probably wasn't very good.

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Speaker 1: I mean, I wasn't really good at any sports.

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Speaker 2: But.

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Speaker 1: I did do tackle football for one. All my brothers did,

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Speaker 1: and my dad played all through high school, and my

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Speaker 1: grandpa played, so we have a proud history of football.

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Speaker 1: There's a story my dad was a running back and

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Speaker 1: he got concussed during the game and he said he

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Speaker 1: got hit and the next thing he remembers is, all

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Speaker 1: of a sudden, he's walking to the bus after the game.

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Speaker 1: He doesn't remember anything, and they were like they were

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Speaker 1: like my dad was like, game's over. What happened? And

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Speaker 1: they're like, Kevin, you have the best game of your life.

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Speaker 1: You scored a touchdown. So my dad doesn't remember scoring

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Speaker 1: a touchdown for like playing the rest of this game.

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Speaker 2: So well, I am going to have you as my

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Speaker 2: guide for this episode because we are going to be

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Speaker 2: talking a lot about football, which is a sport that

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Speaker 2: I know pretty much nothing about, which is.

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Speaker 1: Interesting because you're from the South and you got a

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Speaker 1: great college football team in Georgia.

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Speaker 2: But I did that wasn't the college that I went to.

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Speaker 2: I went to a college that did not have a

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Speaker 2: football team, Casey. I also have parents. My father is

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Speaker 2: from Europe, yes, and so the sports that he played

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Speaker 2: were non contact sports like tennis and golf and things

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Speaker 2: of that. He was a runner at one point, so

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Speaker 2: I have the complete opposite heritage that you do because

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Speaker 2: my dad never played stuff like that. And then I

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Speaker 2: never went to a college I had football team. So

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Speaker 2: I'm just I feel like I'm just sort of like

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Speaker 2: outside of this experience of football, which feels like a

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Speaker 2: very American you know, it's like in the fiber of

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Speaker 2: the country and everybody has a thing, and trust me,

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Speaker 2: I know, growing up in the South, the idea that

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Speaker 2: I don't follow college football is almost unheard of.

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Speaker 1: Yeah.

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Speaker 2: So anyway, I that is to say, I'm going to

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Speaker 2: be asking you a lot of questions.

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Speaker 1: Yeah, drop the football again. Yeah, Alredy be a great episode.

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Speaker 1: We're going to be talking about The Longest Yard from

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Speaker 1: nineteen seventy four, and I think there's something you are

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Speaker 1: passionate about this movie.

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Speaker 2: I was gonna say, I don't know football, but I

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Speaker 2: do know Burt Reynolds.

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Speaker 1: So and then we're going to listen to a bunch

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Speaker 1: of voicemails. This is a voicemail heavy episode, so we

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Speaker 1: got a few voicemails to listen to, so that'll be fun.

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Speaker 2: Great, great, great, all right, well listen. I'm excited. This

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Speaker 2: is going to be a very timely episode because we

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Speaker 2: have a super Bowl coming up and I know you'll

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Speaker 2: have a lot to say about that as well. So yep,

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Speaker 2: stay tuned. Everybody. You're listening to Dear Movies, I Love You.

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Speaker 3: Got to.

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Speaker 2: Love me to check the books. Alrighty, you are listening

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Speaker 2: to Dear Movies, I Love You. This is a podcast

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Speaker 2: that is about falling in love with and being in

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Speaker 2: love with the movies. My name is Millie to Jericho,

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Speaker 2: my name is Casey O'Brien. You know what I was

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Speaker 2: thinking just now, we should have had the Softies record

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Speaker 2: a one off football theme where it's like a marching band.

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Speaker 2: It's like.

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Speaker 1: Let's get them on the phone. See if they're veiled.

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Speaker 2: Sure, Rose and Jed. That's like their worst nightmares, coming

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Speaker 2: up with like a football instrumental football anthem that is

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Speaker 2: played by marching band.

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Speaker 1: Well, you know in I think it was like two

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Speaker 1: thousand and eight when the Vikings went to the NFC

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Speaker 1: Championship game, which is the game right before the Super Bowl.

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Speaker 1: They were really good that year. Prince wrote a I

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Speaker 1: wrote and recorded a Vikings song, and I'll try to

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Speaker 1: find it for you. But it's bizarre. It's like a

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Speaker 1: bizarre sports anthem. And I think there was there. I

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Speaker 1: think they played it at the Vikings game and I

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Speaker 1: think people were like, what is this? What is this song?

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Speaker 1: It's called Purple and Gold. Oh, I see, I believe

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Speaker 1: that's what it's called. Anyways, I'll find it for you MILLI.

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Speaker 1: Before we get started, you know, we did How Stella

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Speaker 1: Got Her Grove Back a few episodes ago, and we

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Speaker 1: were talking about ninety Day Fiance a lot I and

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Speaker 1: so I started coming up with, like, oh, what are

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Speaker 1: other movies I could pair with a reality television show?

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Speaker 1: And I came up with three. I thought this would

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Speaker 1: be a really good film festival so how Stella got

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Speaker 1: her groove back niney day Fiance. Obviously those are comparable.

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Speaker 1: But have you seen Triangle of Sadness?

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Speaker 2: Hell? Yeah, I'm a violent manager. What are you thinking?

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Speaker 1: That pairs very nicely with Below Deck? Have you ever

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Speaker 1: seen Below Deck?

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Speaker 3: I have.

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Speaker 1: There's a lot of storylines in Below Deck that happen

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Speaker 1: in the movie Triangle of Sadness. Like, it's very funny,

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Speaker 1: Like there's a part in Triangle of Sadness or one

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Speaker 1: of the what he would you say, atten D's or

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Speaker 1: one of the rich people try to get one of

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Speaker 1: the workers to get in the pool with that that

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Speaker 1: happens in Below Deck. Oh, I'm sure anyways.

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Speaker 3: Uh.

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Speaker 1: And then my last one is Luis Boonwell's the discreete

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Speaker 1: charm of the bourgeoisie. I thought would pair nicely with

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Speaker 1: the Real Housewives. Of course, So, of course, do you

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Speaker 1: have any others to add to this list?

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Speaker 2: I mean, if you had given me a chance to think.

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Speaker 1: About it, maybe next episode.

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Speaker 2: Yeah, But off the top of my head, I don't know.

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Speaker 2: I mean, I guess I would think. I mean, I

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Speaker 2: would probably pair vander Pump Rules with like, I don't know,

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Speaker 2: a porno porno bad porno. No, I don't know. I

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Speaker 2: don't know. Let me think about it. I'll get back

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Speaker 2: to you. If anybody has any ideas, though, you should

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Speaker 2: email us at Dear Movies. Is exactly rightmedia dot com

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Speaker 2: because I kind of love this idea. We should we

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Speaker 2: should get a great, a bigger list.

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Speaker 1: I feel like there's I feel like there's more out there. Couldn't.

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Speaker 1: These are the ones that like just came to my

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Speaker 1: head immediately.

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Speaker 2: But well, and it's funny because I have maintained for

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Speaker 2: a long time that a lot of hardcore cinophiles also

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Speaker 2: have this like secret love of shitty reality TV shows,

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Speaker 2: like kind of a high low thing.

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Speaker 1: Well, if you see Steven Soderberg's end of year watch list,

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Speaker 1: you know he releases what he like watched all year.

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Speaker 1: There's a ton of reality television on there.

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Speaker 2: Yeah, And like I remember back when you were doing

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Speaker 2: Farthouse with Patrick. I loved when you guys like got

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Speaker 2: sidetracked on like The Bachelor and all that stuff. I

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Speaker 2: was I've never seen that show, but I did love

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Speaker 2: like the discourse.

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Speaker 1: So we really would get going go Ham on the Bachelor.

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Speaker 1: I got to get back in the Bachelor world. I

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Speaker 1: kind of have taken off a few years, but I

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Speaker 1: gotta get back in. I love the Bachelor. Well, if

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Speaker 1: there's nothing else, should we open the film diary? Actually,

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Speaker 1: mine's pretty light. It's pamphlet sized. This week minus too,

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Speaker 1: I only watched one movie. Do you want to see

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Speaker 1: what that movie is? Oh?

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Speaker 2: You want me to go first? Sure? Yeah, I mean

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Speaker 2: I'm kind of hesitant to even log it really because

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Speaker 2: we've done an episode about this movie. But the reason

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Speaker 2: why I wanted to say it is because there's been

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Speaker 2: a new development. I have a new side project, even

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Speaker 2: though I told myself I was never going to do

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Speaker 2: side projects in twenty twenty six because I am trying

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Speaker 2: to de escalate my life. Yes, but so I rewatched

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Speaker 2: Aaron Brockovich from two thousand. We just saw so I

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Speaker 2: don't know what few months ago, a few months ago,

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Speaker 2: but listen, I got together with some friends. I was like,

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Speaker 2: I want to watch Eric Rokovic again. It is so well.

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Speaker 2: And here's the thing, Okay, we talked about, you know,

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Speaker 2: our appreciation for Julia Roberts. I went on a tangent

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Speaker 2: about how I think the reason why she's likable is

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Speaker 2: because she's Southern, and I kind of extended that to

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Speaker 2: like generally, actors who are from the South seem cooler

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Speaker 2: and more down to earth and just like nicer than

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Speaker 2: I don't know, somebody that was raised in La Sorry whomever,

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Speaker 2: Gwyneth Paltrow.

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Speaker 1: Or what, Julia Roberts seems cooler than you.

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Speaker 2: Sorry if you grew up in La Timothy Challamey, But

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Speaker 2: I just I don't know. Southern people have a nate

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Speaker 2: charm about them. So I was with my friends Bennet Eddie,

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Speaker 2: who I watched movies with constantly, and they came to

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Speaker 2: my house this time because I got a new sectional couch,

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Speaker 2: which I've never owned a sectional before.

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Speaker 1: Do you know this wow sectional that that that's like

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Speaker 1: so adult and it's just like so comfortable. You know,

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Speaker 1: you can lie down case?

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Speaker 2: Let me can I just go on a little a

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Speaker 2: little uh rant about my love for a giant couch

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Speaker 2: like this, because so I've always lived in one bedroom

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Speaker 2: apartment or very small places. The last house that I rented,

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Speaker 2: the living room was so fucking small that I could

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Speaker 2: only fit like a three seater couch in there, and

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Speaker 2: there was really no other room for anything else. Right,

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Speaker 2: And I'm a person that watches movies constantly, and so

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Speaker 2: a living room set up is super important to me

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Speaker 2: because it's like a majority of my life on a

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Speaker 2: couch watching shit on a TV. This place has to

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Speaker 2: be decent. I can't just like it can't be like

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Speaker 2: a couch from a goddamn hotel six or whatever.

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Speaker 1: Right, But you know the thing about a sectional, it

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Speaker 1: really feels like a hot tub, Like it's like it

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Speaker 1: creates a comfort that is larger than the space itself.

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Speaker 1: You know, yes, but go on.

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Speaker 2: Well and like to me too, as a person that

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Speaker 2: also loves interior design and like, you know, stuff like that,

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Speaker 2: I was always like, well, sexual like because sexuals can

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Speaker 2: be also like super gaudy, you know, talking about your

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Speaker 2: football things where people have like fucking coolers in the

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Speaker 2: arms of sex, you know, and like cup holders and shit.

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Speaker 1: Yes, it's like a nightmare.

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Speaker 2: Right. So I was also like staying away from sexuals

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Speaker 2: because I knew that they were also they could be

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Speaker 2: really tacking. But in this new house that I have,

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Speaker 2: I'm extremely lucky in the layout of it because while

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Speaker 2: I don't I would have a big house for I

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Speaker 2: do have like now a dedicated like a TV screening

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Speaker 2: room almost it's basically like a living room. It's like

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Speaker 2: a room that was created out of a garage at

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Speaker 2: some point, but it's now functions as this like place

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Speaker 2: to watch things, which has been phenomenal, Like it's awesome,

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Speaker 2: and I know that I'm one person and I live alone.

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Speaker 2: But I was like, fuck it, I'm getting my fucking

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Speaker 2: sectional because I can fit one in here finally, and

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Speaker 2: I can have more room to watch shit. And so

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Speaker 2: I bought one. They delivered it. It's in my living

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Speaker 2: room now, and it has changed the fucking game so

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Speaker 2: much so that I'm like, fuck it, I could actually

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Speaker 2: sleep on this thing, Like do I even need to

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Speaker 2: transfer to my bed? Like I'm just laying on this

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Speaker 2: sectional And so cut to my friends are like, what's

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Speaker 2: up with your house? No one's seen it. I'm like,

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Speaker 2: all right, it's finally ready. Let's come over and we'll watch.

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Speaker 1: Sectional has been prepared, yeah, guest.

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Speaker 2: So we gave it a little test run, had two

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Speaker 2: people over. We watched Aaron Brockovich because apparently that's all

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Speaker 2: gay men want to do is watch Aaron Brockovich. And uh,

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Speaker 2: I was like, fuck it, I just watched it, but

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Speaker 2: I'm gonna watch it again. So while we're watching Aaron Brockovich,

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Speaker 2: you know, we all decided, hey, you know, hey, I

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Speaker 2: think we should watch more Julia Roberts movies. And is

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Speaker 2: this the side project? This is the side project? Okay,

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Speaker 2: So I told myself, you know what, We're not only

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Speaker 2: going to watch more Julia Roberts movies. I'm gonna brand

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Speaker 2: this month Julianuary. I like this, And what I'm gonna

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Speaker 2: do is I'm gonna put it out on the internet

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Speaker 2: that January is a month where everybody has to watch

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Speaker 2: Julia Roberts movies. Much like Noir, November Sure, or something

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Speaker 2: of that nature. Julianuary is just a moment in time

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Speaker 2: where people can decompress from the holidays, watch a bunch

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Speaker 2: of Julia Roberts movies, get infused with like the million

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Speaker 2: dollar smile that she.

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Speaker 1: Has, get infused with your sectional couch. You can get

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Speaker 1: confused with that.

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Speaker 2: And so we were like, fuck it, let's not stop

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Speaker 2: at Aaron Brockfitch. I haven't ever seen the Pelican Brief.

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Speaker 2: Maybe it's time to do that because it's Julia Annuary.

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Speaker 1: See, this is the perfect kind of thing too, because

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Speaker 1: after the holidays, people are sad and they need something

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Speaker 1: to look forward to. Yeah, that's easy and comfortable but fun.

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Speaker 1: So I think Julia Annuary is great. Yeah, maybe we

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Speaker 1: can celebrate it on the podcast officially next year.

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Speaker 2: Well that's what I was thinking case, that's why I

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Speaker 2: brought it up. It's my side project that I'm now

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Speaker 2: like forcing upon my co host on the podcast.

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Speaker 1: It's no force. I accept open arms.

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Speaker 2: Well, I'm throwing it out there. This is by the way.

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Speaker 2: I don't know if I should trademark this or what,

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Speaker 2: but I am. I'll send a letter to myself. I'll

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Speaker 2: mail it to myself.

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Speaker 1: You're gonna send a letter, a letter to yourself, and

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Speaker 1: that will copyright it.

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Speaker 2: I'll be like I Milliina Cherco created Julia Anuary rolls

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Speaker 2: off the tongue as you can see, and so yeah,

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Speaker 2: let's just start this tradition now. So yeah, wash Aaron

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Speaker 2: Brockvich at the tail end of January and then you know,

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Speaker 2: next year, definitely going back. Oh it's gonna be crazy,

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Speaker 2: sleeping with the enemy, Mona, Lisa Smile, fucking Pelican brief like.

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Speaker 1: Sweetheart, Nodding, Hills Stick Pizza.

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Speaker 2: Definitely, all the Oceans movies, which that was the thing

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Speaker 2: is that I was trying to sell Eddie on the

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Speaker 2: Ocean's movies. He was like, hell no, and I'm like, no, no, no,

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Speaker 2: She's good in those movies, man, and they're fun.

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Speaker 1: So those are fun movies. Eddie's wrong, Thank you, thank you.

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Speaker 1: You know what quote I always think of from Aaron

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Speaker 1: Brockovic like all the time, like it just enters my head.

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Speaker 1: I'm not talking to you, bitch that.

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Speaker 2: Oh my god, that's why the gays love it? Are

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Speaker 2: you kidding me? That's like exactly the quote that they quoted.

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Speaker 1: It's so good and she delivers it so well, like

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Speaker 1: Julian Roberts is great. I miss her. I want her

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Speaker 1: and more stuff. I guess she's still working.

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Speaker 2: But I know Aaron Brokovic really reminds me that I

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Speaker 2: don't own any clothing that is tied like a almost

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Speaker 2: like a football tied with like leather string. I don't

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Speaker 2: have any clothing that has that feature.

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Speaker 1: And it's something and you need it. Is that what

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Speaker 1: you're saying.

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Speaker 2: No, I've been willing to say I'm not that type

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Speaker 2: of person to own clothing that you must tie together

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Speaker 2: with like a little like I as grammets that is

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Speaker 2: being held together with like a sexy leather tie.

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Speaker 3: No, not me.

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Speaker 1: All right, Well that's great. I love that you rewatched

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Speaker 1: Aaron Brockman.

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Speaker 2: Well I'm done, what about you.

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Speaker 1: I only watched one movie too, and it's called It's

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Speaker 1: a horror movie called Bone Lake from twenty twenty four.

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Speaker 1: It's on Netflix. It's kind of like funny Games. It's

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Speaker 1: this couple who goes on vacation to an airbnb by

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Speaker 1: a lake, and this other couple is like, oh, we

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Speaker 1: also rented it at the same time. Do you just

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Speaker 1: want to share this huge Airbnb together? And this other

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Speaker 1: couple kind of turns out to be sort of villainous

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Speaker 1: and torments the original couple. It was outrageous. In the

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Speaker 1: first thirty seconds of the movie, someone gets an arrow

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Speaker 1: shot through their ball sack. But it was fun. I

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Speaker 1: had a good There's no one you would recognize in it,

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Speaker 1: and I mean it is really a b horror movie,

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Speaker 1: but it was I had a good time. I was

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Speaker 1: entertained throughout the whole thing. That's all that matters. That's

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Speaker 1: all that matters.

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Speaker 2: No, Bone Lake is a really tight name for anything

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Speaker 2: bone I want to start like the hardcore band and

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Speaker 2: call it Bone Lake.

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Speaker 1: I mean I called the movie boner Lake and it is.

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Speaker 1: That would have been an appropriate title too, I think

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Speaker 1: for this movie. Uh, bone Lake. It was shot in Georgia.

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Speaker 1: I know that much. Hell yeah, so.

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Speaker 2: Much like our movie from today. But it's bone Lake.

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Speaker 2: Just sounds real tough. Let me let me throw this

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Speaker 2: out there, let me set this up and see what

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Speaker 2: you think.

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Speaker 1: Okay.

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Speaker 2: Millie de cherco lead guitarist and singer for bone Lake,

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Speaker 2: hell you, has collaborated with members of Tool on a

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Speaker 2: new project that sounds fucking good. Casey, come on one.

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Speaker 1: Bone Lake and slit Nut will be playing at Odds

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Speaker 1: Fest this year.

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Speaker 2: Ah. Did you hear bone Lake on the soundtrack for

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Speaker 2: Queen of the Damned Man? They fucking rule? I love

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Speaker 2: that song anyway.

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Speaker 1: Sorry, Uh, that's all I got so we can close

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Speaker 1: up the film.

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Speaker 2: Close it.

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Speaker 1: All right, we're back. It's time for a main discussion.

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Speaker 1: We're talking about the Longest Yard from nineteen seventy four,

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Speaker 1: the original one, not the Adam Sandler one, which I

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Speaker 1: have never seen. Have you seen the Adam Sandler one?

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Speaker 2: No? And I mean I thought about it. I actually

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Speaker 2: did briefly think about watching it for this, and I

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00:21:57,480 --> 00:21:59,119
Speaker 2: was like no, My Mess with Perfection.

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Speaker 1: Yeah, this is directed by Robert Aldridge, who's like a classic.

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Speaker 1: He's done some classics.

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Speaker 2: Huge fan by the way of Robert Aldridge. Huge. He

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Speaker 2: made some of my favorite movies.

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Speaker 1: Do you list some of them?

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00:22:15,359 --> 00:22:19,840
Speaker 2: God? Where do I start? Kiss Me Deadly? Whatever happened

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00:22:19,840 --> 00:22:24,840
Speaker 2: to Baby Jane? I mean, come on Autumn Leaves, which,

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Speaker 2: by the way, I don't know if I've been on

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Speaker 2: my Autumn Leaves Tangent, which is this kind of like

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Speaker 2: b mid melodrama from the mid fifties starring Joan Crawford

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Speaker 2: and Cliff Robertson. But fuck, I love that fucking movie

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Speaker 2: so much.

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Speaker 4: You know.

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00:22:43,000 --> 00:22:45,160
Speaker 2: It's just like when you watch an old movie. Sometimes

402
00:22:45,240 --> 00:22:47,639
Speaker 2: it may not be like a masterpiece, but it like

403
00:22:47,720 --> 00:22:50,120
Speaker 2: really just fucks with you. And I'm like, I love

404
00:22:50,160 --> 00:22:52,600
Speaker 2: that movie. He directed that one. I mean he didn't.

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00:22:52,800 --> 00:22:56,600
Speaker 2: It doesn't dirty, doesn't Killing of Sister George. I mean, y'all,

406
00:22:56,680 --> 00:23:03,640
Speaker 2: y'all gotta watch that movie. Shit, Hush, hush, Sweet Charlotte.

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Speaker 2: Any like Grand Dom guin, y'all movie, that's him.

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Speaker 1: So that's great. Anyways, awesome, He's awesome. Screenplay by Tracy

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Speaker 1: Keenan Wynn I would say this is a in terms

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Speaker 1: of genre, a comedy, a sports movie, a prison movie.

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Speaker 1: Burt Reynolds is kind of its own genre. Greed.

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Speaker 3: Uh.

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Speaker 1: He's one of the standout actors of this movie, obviously,

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Speaker 1: so I was surprised to see Bernadette Peters in here. Delighted.

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Speaker 2: Yeah, she's got big hair in this movie.

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Speaker 1: She does. Now, Millie, what's your personal connection to this movie.

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Speaker 1: You're the one who suggested we watch this movie, and

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Speaker 1: obviously we're in the football season. But just curious what

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Speaker 1: you think about this.

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Speaker 2: Everybody knows at this point, probably based on my last

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Speaker 2: podcast where we did quite a few Burt Reynolds movies.

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Speaker 2: Maybe we did it. We did at least one. I

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Speaker 2: think there was maybe one or two more. I'm a

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Speaker 2: huge Burt Reynolds fan by design because I'm from Georgia and.

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Speaker 1: I in your genes.

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Speaker 2: Yeah, and I've spent a significant amount of time in

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Speaker 2: the state of Florida as well, which is where my

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00:24:20,320 --> 00:24:23,359
Speaker 2: family lives now, because they used to live in Georgia

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Speaker 2: and now they all live in Florida. Georgia and Florida

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Speaker 2: maybe being the two states that are most closely associated

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Speaker 2: with Burt Reynolds, because you know, Burt Reynolds insisted on

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Speaker 2: making movies down here. That's the thing is that, like

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Speaker 2: it wasn't just a thing where it's like, well, you know,

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Speaker 2: we're down here getting tax breaks and I don't really

435
00:24:40,680 --> 00:24:42,439
Speaker 2: give a shit where I work. No, he was like,

436
00:24:42,560 --> 00:24:45,520
Speaker 2: make them in these you know, make them in this

437
00:24:45,600 --> 00:24:48,240
Speaker 2: part of the world. And I just I think that

438
00:24:48,480 --> 00:24:55,359
Speaker 2: Georgians and Southerners have appreciated that about him and have

439
00:24:55,560 --> 00:24:58,760
Speaker 2: we've kind of made him our god in that way

440
00:25:00,760 --> 00:25:01,199
Speaker 2: we have.

441
00:25:01,560 --> 00:25:06,240
Speaker 5: I dare Southerner to argue with me, like, especially at

442
00:25:06,280 --> 00:25:10,400
Speaker 5: a certain age, like if you're like, you know, if

443
00:25:10,400 --> 00:25:12,320
Speaker 5: you were like at least in your.

444
00:25:12,119 --> 00:25:14,760
Speaker 2: Forties or fifties, you would you know what I'm talking

445
00:25:14,760 --> 00:25:21,480
Speaker 2: about with Burt Reynolds right significantly Smoking the Bandit. We

446
00:25:21,560 --> 00:25:26,159
Speaker 2: did that an episode about it, and I literally could

447
00:25:26,200 --> 00:25:30,919
Speaker 2: not talk more positively about that movie. I've seen it

448
00:25:31,000 --> 00:25:35,560
Speaker 2: so many times. I called it a euphoric Southern masterpiece.

449
00:25:36,240 --> 00:25:41,000
Speaker 2: It is. It's also an a cab classic, which if

450
00:25:41,000 --> 00:25:45,879
Speaker 2: you're into that micro genre where people are fucking with

451
00:25:45,920 --> 00:25:50,399
Speaker 2: the cops, it is a great film and so part

452
00:25:50,440 --> 00:25:54,040
Speaker 2: of like the you know, part of my Burt Reynolds

453
00:25:54,160 --> 00:25:57,360
Speaker 2: love comes from the fact that he also is really

454
00:25:57,359 --> 00:26:01,840
Speaker 2: into football and played football, and being that I don't

455
00:26:01,840 --> 00:26:05,359
Speaker 2: know shit about football is kind of my like conduit

456
00:26:05,440 --> 00:26:08,159
Speaker 2: to the world a little bit. And so whenever I

457
00:26:08,200 --> 00:26:10,439
Speaker 2: think about football, and if I think about it fondly,

458
00:26:10,520 --> 00:26:13,560
Speaker 2: I just think about like nineteen seventies Burt Reynolds type

459
00:26:13,560 --> 00:26:19,280
Speaker 2: of football, which feels sort of like dirty glamorous in

460
00:26:19,359 --> 00:26:21,000
Speaker 2: a lot of ways to me. I don't know if

461
00:26:21,000 --> 00:26:24,360
Speaker 2: that's actually true, but this movie is a big part

462
00:26:24,359 --> 00:26:27,240
Speaker 2: of it. And you know, I actually think this movie

463
00:26:27,280 --> 00:26:31,639
Speaker 2: has a lot to say beyond football. I like the

464
00:26:31,800 --> 00:26:37,520
Speaker 2: kind of the prison politics component of it, which that's

465
00:26:37,560 --> 00:26:41,719
Speaker 2: another kind of like passion of mine is, you know,

466
00:26:41,880 --> 00:26:45,160
Speaker 2: the sort of prison reform angle of things.

467
00:26:45,200 --> 00:26:45,399
Speaker 3: You know.

468
00:26:45,480 --> 00:26:49,440
Speaker 2: I've talked about this before too, with my job and

469
00:26:49,520 --> 00:26:54,919
Speaker 2: my experience receiving prison letters from folks. So you know,

470
00:26:55,000 --> 00:26:56,560
Speaker 2: I don't know, there's a lot going on with this

471
00:26:56,600 --> 00:26:59,960
Speaker 2: movie that I love, but I will say my personal

472
00:27:00,080 --> 00:27:04,959
Speaker 2: connection to it is definitely definitely steeped in the Burt

473
00:27:05,240 --> 00:27:10,159
Speaker 2: reynoldsness of it. So here's another pitch for Burt Reynolds.

474
00:27:10,240 --> 00:27:12,439
Speaker 2: Oh you may not need one, but I feel like

475
00:27:12,480 --> 00:27:17,600
Speaker 2: I need to I need to establish this. Burt Reynolds,

476
00:27:17,800 --> 00:27:21,840
Speaker 2: to me is an archetype of a Hollywood man that

477
00:27:21,920 --> 00:27:25,320
Speaker 2: now we've seen in multiple generations. This is just my

478
00:27:25,359 --> 00:27:29,560
Speaker 2: opinion because at base level, Burt Reynolds is a man,

479
00:27:30,160 --> 00:27:34,800
Speaker 2: but he also is kind of easy breezy with his sexuality,

480
00:27:34,880 --> 00:27:37,760
Speaker 2: and he's also like not afraid to make fun of himself.

481
00:27:38,000 --> 00:27:42,040
Speaker 2: He's got this like charm to him that I feel

482
00:27:42,080 --> 00:27:47,000
Speaker 2: like doesn't scare me as a woman as much as

483
00:27:47,119 --> 00:27:51,960
Speaker 2: some other kind of machoey types from like the seventies

484
00:27:52,160 --> 00:27:56,400
Speaker 2: and eighties, right, and the ways in which I've seen

485
00:27:56,520 --> 00:28:00,760
Speaker 2: his archetype sort of like persist the decades. It's like

486
00:28:00,920 --> 00:28:04,560
Speaker 2: Burt Reynolds is basically like the seventies version of like

487
00:28:04,680 --> 00:28:09,120
Speaker 2: a Patrick Swayzee and a Channing Tatum. I was gonna

488
00:28:09,160 --> 00:28:13,880
Speaker 2: say Channing Tatums and maybe now like a Hudson Williams

489
00:28:14,080 --> 00:28:15,920
Speaker 2: or you know what I mean, like a Connor story

490
00:28:15,960 --> 00:28:20,000
Speaker 2: from Heated Rivalry. Just like a guy who kind of

491
00:28:20,080 --> 00:28:23,760
Speaker 2: has guys guys things about him, but is also not

492
00:28:23,840 --> 00:28:26,600
Speaker 2: afraid to fucking like show his ass and you know,

493
00:28:27,280 --> 00:28:30,679
Speaker 2: literally show his ass, like in Playgirl magazine or whatever.

494
00:28:30,720 --> 00:28:33,880
Speaker 2: You know, and it's like kind of I don't know,

495
00:28:33,960 --> 00:28:36,640
Speaker 2: for the ladies and the gaze as well, Like it's

496
00:28:36,680 --> 00:28:40,080
Speaker 2: like this kind of like he's approachable and he's not

497
00:28:41,240 --> 00:28:45,800
Speaker 2: like he's masculine, but he's also like okay with getting

498
00:28:45,880 --> 00:28:48,720
Speaker 2: naked and showing a little something. Well.

499
00:28:48,800 --> 00:28:51,640
Speaker 1: I feel like Burt Reynolds has this thing and I

500
00:28:51,680 --> 00:28:54,240
Speaker 1: feel like Channing Tatum has this thing too, where it's like, yes,

501
00:28:54,360 --> 00:28:59,440
Speaker 1: we're incredibly handsome, Yes we're manly, but we've also had

502
00:28:59,480 --> 00:29:01,400
Speaker 1: to eat a lot of shit in our lives. Yeah,

503
00:29:01,440 --> 00:29:03,600
Speaker 1: and so we've been humbled kind of by the world,

504
00:29:03,600 --> 00:29:05,960
Speaker 1: and so they just don't give a fuck anymore, you

505
00:29:05,960 --> 00:29:06,480
Speaker 1: know what I mean.

506
00:29:06,640 --> 00:29:10,160
Speaker 2: Yeah, I mean it's like they kind of I say

507
00:29:10,200 --> 00:29:13,840
Speaker 2: this about Patrick Swayze, I definitely say this about Channing

508
00:29:13,880 --> 00:29:17,840
Speaker 2: Tatum and perhaps Hudson Williams and Connor story where they're like,

509
00:29:18,120 --> 00:29:20,720
Speaker 2: okay with the idea that people think that they're just

510
00:29:20,720 --> 00:29:23,320
Speaker 2: like pieces of meat. Does that make I kind of

511
00:29:23,400 --> 00:29:29,000
Speaker 2: embrace that of the the idea that they might be

512
00:29:29,160 --> 00:29:33,959
Speaker 2: like himbos. Maybe that's maybe that's the turbusue. Burt Reynolds

513
00:29:34,080 --> 00:29:40,280
Speaker 2: is a hymbo. I fucking love himbos. I love this Aura.

514
00:29:40,480 --> 00:29:43,240
Speaker 2: I'm like, I love it because it, like I said,

515
00:29:43,240 --> 00:29:45,560
Speaker 2: I think just for me personally as a woman and

516
00:29:45,600 --> 00:29:48,960
Speaker 2: a straight woman. I'm like, this is great. Like I mean,

517
00:29:49,000 --> 00:29:51,400
Speaker 2: and I will say in the longest yard, he's doing

518
00:29:51,440 --> 00:29:55,160
Speaker 2: stuff at the beginning that's definitely not chill. Yeah, but

519
00:29:55,280 --> 00:29:58,280
Speaker 2: I also think that, like that's part of the character

520
00:29:58,840 --> 00:30:01,000
Speaker 2: arc of him, which will talk about later. But it's

521
00:30:01,040 --> 00:30:03,400
Speaker 2: like that's the thing is that he does have that

522
00:30:03,600 --> 00:30:06,720
Speaker 2: like manly seventies like chest hair quality, but he also

523
00:30:07,040 --> 00:30:11,920
Speaker 2: is funny and comes across as like, you know, not

524
00:30:12,080 --> 00:30:14,960
Speaker 2: taking himself too seriously and his you know, playful and.

525
00:30:15,800 --> 00:30:19,040
Speaker 1: Yeah, do you know the singer songwriter m J. Lenderman.

526
00:30:19,640 --> 00:30:24,480
Speaker 1: He's like a new young singer songwriter, southern guy. He's

527
00:30:24,520 --> 00:30:28,520
Speaker 1: real good. But and his lyrics are funny, and he

528
00:30:28,640 --> 00:30:32,080
Speaker 1: has one of his lyrics is I've got a This

529
00:30:32,240 --> 00:30:34,640
Speaker 1: is sort of nonsensical, but it's like I've got a

530
00:30:34,760 --> 00:30:37,280
Speaker 1: houseboat docked at the Himbodome.

531
00:30:38,720 --> 00:30:38,920
Speaker 3: Ah.

532
00:30:39,400 --> 00:30:46,120
Speaker 1: Yes, anyways, that's uh attracted. I think I think he's

533
00:30:46,440 --> 00:30:50,760
Speaker 1: majestic and I it's hard to these actors also feel

534
00:30:50,760 --> 00:30:53,680
Speaker 1: like they've lived lives. They're not just actors. There's like

535
00:30:53,760 --> 00:30:57,440
Speaker 1: something beyond that. They they're bringing real world experience to

536
00:30:57,560 --> 00:30:59,800
Speaker 1: these I think agree.

537
00:31:00,160 --> 00:31:02,760
Speaker 2: I but what about you. I mean, you've never seen

538
00:31:02,800 --> 00:31:03,440
Speaker 2: this movie before.

539
00:31:03,480 --> 00:31:05,160
Speaker 1: Correct, I've never seen this movie before. But I am

540
00:31:05,200 --> 00:31:08,440
Speaker 1: a big football fan. I am a huge football fan.

541
00:31:08,520 --> 00:31:12,120
Speaker 1: I watch the Minnesota Vikings every I watch every game,

542
00:31:12,200 --> 00:31:16,520
Speaker 1: I watch all the playoffs. I follow it intensely. And

543
00:31:16,960 --> 00:31:19,160
Speaker 1: I think it's something sort of funny about me because

544
00:31:19,200 --> 00:31:24,080
Speaker 1: I also like, you know, the Urgmeister Harmonies by Bellatar.

545
00:31:25,400 --> 00:31:29,200
Speaker 1: But I also like football, which is like the most

546
00:31:29,480 --> 00:31:34,800
Speaker 1: masculine American thing, And maybe that's what I kind of

547
00:31:34,840 --> 00:31:35,720
Speaker 1: appreciate about it.

548
00:31:35,800 --> 00:31:37,920
Speaker 2: It's kind of like so.

549
00:31:39,520 --> 00:31:47,280
Speaker 1: Iconic and American or something so pure about it. So

550
00:31:47,480 --> 00:31:51,120
Speaker 1: I love football. And I was going to say your team,

551
00:31:51,200 --> 00:31:54,280
Speaker 1: the Atlanta Falcons and the Minnesota Vikings have a bit

552
00:31:54,320 --> 00:31:56,600
Speaker 1: of a shared history, or not a shared history. But

553
00:31:56,680 --> 00:31:59,959
Speaker 1: there's a very famous game that you guys beat up

554
00:32:00,080 --> 00:32:05,320
Speaker 1: us in in nineteen ninety nine that was like people

555
00:32:05,560 --> 00:32:07,840
Speaker 1: still talk about as like the worst sports moment in

556
00:32:07,880 --> 00:32:08,320
Speaker 1: their life.

557
00:32:08,520 --> 00:32:09,960
Speaker 2: Really like what happened.

558
00:32:10,520 --> 00:32:13,040
Speaker 1: So it was nineteen ninety nine, it was my birthday.

559
00:32:13,040 --> 00:32:15,960
Speaker 1: It was January seventeenth, nineteen ninety nine, we had this

560
00:32:16,280 --> 00:32:20,800
Speaker 1: incredible football team. We were historic, we were amazing. Everyone

561
00:32:20,880 --> 00:32:22,360
Speaker 1: was like, oh, this team's gonna win the Super Bowl.

562
00:32:22,640 --> 00:32:26,800
Speaker 1: It had like famous players like John Randall, Randy Moss,

563
00:32:27,480 --> 00:32:30,760
Speaker 1: Chris Carter, Randall, Cunningham huge.

564
00:32:31,200 --> 00:32:31,880
Speaker 2: I think we were.

565
00:32:32,960 --> 00:32:35,480
Speaker 1: I think we only lost one game that season. We

566
00:32:35,560 --> 00:32:40,120
Speaker 1: were incredible. And our kicker set a record. He didn't

567
00:32:40,280 --> 00:32:44,000
Speaker 1: miss a field goal all season, all regular season, and

568
00:32:44,120 --> 00:32:46,240
Speaker 1: no one had ever done that before. Incredible.

569
00:32:46,360 --> 00:32:46,560
Speaker 2: Wow.

570
00:32:46,880 --> 00:32:51,240
Speaker 1: So to win the game against the Atlanta Falcons, who

571
00:32:51,280 --> 00:32:53,360
Speaker 1: were also really good that season. But to win the game,

572
00:32:55,360 --> 00:32:56,960
Speaker 1: we had to kick a field goal. And like I said,

573
00:32:56,960 --> 00:32:59,880
Speaker 1: our field goal kicker, Gary Anderson, hadn't missed all year.

574
00:33:00,240 --> 00:33:02,680
Speaker 1: Oh boy, he missed the field goal.

575
00:33:02,840 --> 00:33:04,760
Speaker 2: I knew you were gonna say that. I knew you

576
00:33:04,800 --> 00:33:05,440
Speaker 2: were gonna say that.

577
00:33:05,680 --> 00:33:07,600
Speaker 1: And we didn't go to the Super Bowl. And my

578
00:33:07,800 --> 00:33:13,360
Speaker 1: brother Brady, he was like eight at the time, weeping,

579
00:33:14,000 --> 00:33:18,240
Speaker 1: streaming or baby weeping. And it was the middle of winter,

580
00:33:18,800 --> 00:33:22,200
Speaker 1: you know, So there's snow outside and my mom just goes, Brady,

581
00:33:22,280 --> 00:33:26,600
Speaker 1: you gotta go outside. And so Brady runs outside in

582
00:33:26,720 --> 00:33:32,640
Speaker 1: his pajamas and is running around the house crying, screaming.

583
00:33:32,600 --> 00:33:33,640
Speaker 2: Because he's so upset.

584
00:33:33,760 --> 00:33:36,560
Speaker 1: Oh no, so and this is actually a plot line

585
00:33:36,680 --> 00:33:40,040
Speaker 1: on the show How I Met Your Mother? What that

586
00:33:40,760 --> 00:33:44,160
Speaker 1: one of the characters is like tormented by this event. Still,

587
00:33:44,640 --> 00:33:48,080
Speaker 1: so that's our shared football history, which I don't think

588
00:33:48,120 --> 00:33:49,840
Speaker 1: you realized or knew.

589
00:33:50,280 --> 00:33:53,640
Speaker 2: Well, yeah, I'm sad to say. I mean, I like

590
00:33:53,760 --> 00:33:59,040
Speaker 2: the Falcons in theory, sure, but I just don't know

591
00:33:59,160 --> 00:34:02,880
Speaker 2: much about the sport at all. I think I gotta

592
00:34:02,920 --> 00:34:06,440
Speaker 2: be honest, maybe it is because of the Southern appreciation

593
00:34:06,640 --> 00:34:11,120
Speaker 2: for football, that very intense Southern appreciation. I feel like

594
00:34:11,880 --> 00:34:15,440
Speaker 2: that is something the South and the North, like the

595
00:34:15,880 --> 00:34:19,239
Speaker 2: deep North, like your North, have in common. Is this

596
00:34:19,440 --> 00:34:23,360
Speaker 2: like football love? You know, yeah, because it feels like

597
00:34:23,520 --> 00:34:26,840
Speaker 2: it's like a Southern thing. But then also it's a

598
00:34:26,920 --> 00:34:29,160
Speaker 2: it's a Midwestern thing. Yeah, but the Midwest and the

599
00:34:29,320 --> 00:34:33,520
Speaker 2: South is where it really is, especially college football. Yeah,

600
00:34:34,360 --> 00:34:38,759
Speaker 2: that is where right deep love versus like, you know,

601
00:34:38,880 --> 00:34:40,680
Speaker 2: I don't know if you live in Oregon, do you.

602
00:34:40,880 --> 00:34:42,759
Speaker 2: I mean, I'm sure they're football fans in Oregon, but

603
00:34:42,800 --> 00:34:43,880
Speaker 2: you know what I mean, there's a difference.

604
00:34:43,920 --> 00:34:46,879
Speaker 1: I mean, the Oregon Ducks are a very big football team.

605
00:34:47,120 --> 00:34:51,919
Speaker 1: That's the college football team. So there is fandom there,

606
00:34:52,000 --> 00:34:53,719
Speaker 1: but it doesn't seem like it seems like a lot

607
00:34:53,760 --> 00:34:56,359
Speaker 1: of players and like a lot of players come from

608
00:34:56,360 --> 00:35:00,960
Speaker 1: the South and the Midwest, and for you too, look

609
00:35:01,080 --> 00:35:03,880
Speaker 1: like everywhere in between, there's not as much. It's not

610
00:35:03,960 --> 00:35:05,040
Speaker 1: as deep.

611
00:35:05,239 --> 00:35:07,600
Speaker 2: Yeah, I mean, if you can rely on the old

612
00:35:07,719 --> 00:35:11,680
Speaker 2: key and Peel skits for the college football names, it's like,

613
00:35:11,960 --> 00:35:15,360
Speaker 2: that's so good. There's a lot of Southern boys on that. Engel,

614
00:35:15,440 --> 00:35:21,160
Speaker 2: Mccraigleberry and things of that nature. But I don't know,

615
00:35:21,360 --> 00:35:24,399
Speaker 2: like I think obviously being a Southern person, like there's

616
00:35:24,400 --> 00:35:26,239
Speaker 2: a lot of that in my life. Like I mean,

617
00:35:26,280 --> 00:35:28,920
Speaker 2: I just know people whose entire families went to the

618
00:35:28,960 --> 00:35:31,520
Speaker 2: same college and they're all like they go to the

619
00:35:31,560 --> 00:35:39,160
Speaker 2: football games. They're like Alabama and you know whatever, like Georgia, Vanderbilt,

620
00:35:39,320 --> 00:35:43,360
Speaker 2: like all these like teams, right m hm. And I

621
00:35:43,560 --> 00:35:46,799
Speaker 2: just was so I think not that in my life,

622
00:35:46,880 --> 00:35:49,120
Speaker 2: Like I didn't feel connected to that kind of stuff.

623
00:35:49,120 --> 00:35:50,720
Speaker 2: But like I said, I went to George State University,

624
00:35:50,719 --> 00:35:53,440
Speaker 2: which at the time didn't have a football team does now,

625
00:35:54,760 --> 00:35:59,840
Speaker 2: and I just was so scared of college football for

626
00:36:00,280 --> 00:36:02,640
Speaker 2: guys in my life that I just was turned off

627
00:36:02,760 --> 00:36:02,960
Speaker 2: by it.

628
00:36:03,040 --> 00:36:06,040
Speaker 1: All I understand that. Yeah, and.

629
00:36:07,600 --> 00:36:11,360
Speaker 2: Yeah, and so I think that has created this dislike

630
00:36:11,480 --> 00:36:13,520
Speaker 2: of football from me. And I also just was like

631
00:36:13,719 --> 00:36:17,080
Speaker 2: scared of the violence and brutality of it, even though

632
00:36:18,239 --> 00:36:23,520
Speaker 2: I watch other sports that have its own violence sometimes.

633
00:36:23,600 --> 00:36:26,560
Speaker 2: But it's like, you know, I don't know, I get fricked.

634
00:36:26,640 --> 00:36:29,000
Speaker 2: I was a baseball person where I was like, yeah, yeah,

635
00:36:29,000 --> 00:36:31,400
Speaker 2: I don't really touch each other in baseball. There's a

636
00:36:31,440 --> 00:36:34,720
Speaker 2: lot of standing around. But it's it is a violent sport.

637
00:36:34,920 --> 00:36:37,879
Speaker 2: It really that is a huge part of it. Yeah,

638
00:36:38,040 --> 00:36:39,319
Speaker 2: you know, it is like a war.

639
00:36:39,960 --> 00:36:44,000
Speaker 1: But Chuck Klosterman actually has a book coming out it

640
00:36:44,080 --> 00:36:46,840
Speaker 1: might be out now called Football and it's all about

641
00:36:47,360 --> 00:36:50,200
Speaker 1: football in America and like more of it as like

642
00:36:50,239 --> 00:36:53,360
Speaker 1: a cultural institution. Yeah, I'm very interested to read that.

643
00:36:53,719 --> 00:36:55,680
Speaker 2: Well, And it's like, you know, I, like I said,

644
00:36:55,680 --> 00:36:59,200
Speaker 2: I don't I might have my own like feelings about it,

645
00:36:59,360 --> 00:37:02,640
Speaker 2: but I have definitely have had men in my life

646
00:37:02,719 --> 00:37:07,240
Speaker 2: that loved football, and I like I love that for them. Congratulations,

647
00:37:07,360 --> 00:37:09,200
Speaker 2: you got this thing that you love. And it's like

648
00:37:09,320 --> 00:37:12,799
Speaker 2: you follow it and I'm like, you can just teach

649
00:37:12,880 --> 00:37:15,520
Speaker 2: it to teach you know, teach me your ways. But

650
00:37:15,600 --> 00:37:20,080
Speaker 2: it's also like I'm fine with like not being engaged

651
00:37:20,160 --> 00:37:22,960
Speaker 2: with it in that kind of sure call it, like

652
00:37:23,040 --> 00:37:25,960
Speaker 2: in that southern way that everybody down here is.

653
00:37:26,040 --> 00:37:32,600
Speaker 1: But anyway, well, let's get into the movie a little bit, sure,

654
00:37:32,800 --> 00:37:37,319
Speaker 1: shall we? Yeah, so this is the Longest Yard. It's

655
00:37:37,320 --> 00:37:41,719
Speaker 1: about disgraced former football star Paul Crewe the Wrecking Crew,

656
00:37:42,280 --> 00:37:46,799
Speaker 1: played by Burt Reynolds. He's sent to jail for kind

657
00:37:46,800 --> 00:37:49,759
Speaker 1: of going nuts. He like is drunk driving. He like

658
00:37:50,320 --> 00:37:53,520
Speaker 1: hits his girlfriend, he hits a cop. He just kind

659
00:37:53,520 --> 00:37:57,400
Speaker 1: of like loses it. He's sent to Citrus State Prison,

660
00:37:57,520 --> 00:38:00,799
Speaker 1: where the warden Warden Rudolph hasen and played by Eddie

661
00:38:00,840 --> 00:38:05,040
Speaker 1: albert Oh. He's thrilled that Paul Crew is there because

662
00:38:05,200 --> 00:38:07,640
Speaker 1: they have a semi pro football team made up of

663
00:38:07,680 --> 00:38:13,600
Speaker 1: the jail guards and Paul Crewe, former MVP of the NFL,

664
00:38:13,880 --> 00:38:17,680
Speaker 1: can help them, but he says no. He says no

665
00:38:17,800 --> 00:38:18,880
Speaker 1: to them. Let me.

666
00:38:20,560 --> 00:38:24,040
Speaker 2: Say this, you know, part of the joy of living

667
00:38:24,080 --> 00:38:26,080
Speaker 2: in Los Angeles, I think we've both spoken about this

668
00:38:26,320 --> 00:38:31,200
Speaker 2: is going to the new Beverly Cinema on Beverly Boulevard,

669
00:38:32,000 --> 00:38:35,279
Speaker 2: and they would. I feel like every year they have

670
00:38:35,600 --> 00:38:37,720
Speaker 2: like a Burt Reynolds Marathon.

671
00:38:37,960 --> 00:38:38,360
Speaker 1: Amazing.

672
00:38:38,640 --> 00:38:41,560
Speaker 2: Burt Reynolds died in twenty eighteen, right, and I was

673
00:38:41,640 --> 00:38:45,839
Speaker 2: living in LA and I remember everybody at the New

674
00:38:45,920 --> 00:38:50,480
Speaker 2: Beverly Cinema was feeling very down when Burt died. We

675
00:38:50,600 --> 00:38:53,600
Speaker 2: lost an icon and they decided to do like a

676
00:38:53,640 --> 00:38:56,880
Speaker 2: Burt Reynolds Athon basically, and they had done stuff like

677
00:38:56,920 --> 00:38:59,200
Speaker 2: this before. I think they'd actually probably had him there

678
00:38:59,280 --> 00:39:02,400
Speaker 2: at one point when it was still alive, but they

679
00:39:02,760 --> 00:39:05,399
Speaker 2: It was like an entire month of Burt Reynolds movies

680
00:39:05,400 --> 00:39:08,440
Speaker 2: and I went to pretty much every screening and I

681
00:39:08,520 --> 00:39:12,440
Speaker 2: did see the Longest Yard there, I saw White Lightning,

682
00:39:12,760 --> 00:39:15,279
Speaker 2: and I think I was at Smoking the Bandit too.

683
00:39:15,320 --> 00:39:20,320
Speaker 2: But anyway, the New Beverly made a T shirt that

684
00:39:20,920 --> 00:39:22,760
Speaker 2: was basically the Mean Machine jersey.

685
00:39:23,520 --> 00:39:28,200
Speaker 1: Oh and incredible. That's the team of inmates that plays

686
00:39:28,280 --> 00:39:28,760
Speaker 1: the guards.

687
00:39:28,880 --> 00:39:29,080
Speaker 2: Yeah.

688
00:39:29,120 --> 00:39:31,279
Speaker 1: So the inmate team is the Mean Machine. Yeah.

689
00:39:31,480 --> 00:39:34,920
Speaker 2: And it's such a prize possession of mine I still have.

690
00:39:35,080 --> 00:39:37,720
Speaker 2: I was gonna wear it today actually, but I forgot.

691
00:39:38,760 --> 00:39:42,880
Speaker 2: But it was like so lovely to be in like

692
00:39:43,239 --> 00:39:46,360
Speaker 2: the company of people who also like celebrated Burt in

693
00:39:46,480 --> 00:39:51,960
Speaker 2: this movie, specifically because I feel like again there's also

694
00:39:52,120 --> 00:39:55,160
Speaker 2: like a whole they did a whole weekend of Burt

695
00:39:55,400 --> 00:39:58,960
Speaker 2: without the mustache, and I feel like it was this

696
00:39:59,200 --> 00:40:04,000
Speaker 2: movie Deliverance, Yeah, nope, and White Lightning or Gator. I

697
00:40:04,040 --> 00:40:06,480
Speaker 2: think he doesn't have a mustache in those movies, but

698
00:40:06,600 --> 00:40:08,759
Speaker 2: you know what I mean. Like the idea that I'd

699
00:40:08,800 --> 00:40:11,960
Speaker 2: be around freaks for Burt Reynolds where.

700
00:40:11,800 --> 00:40:14,680
Speaker 1: They would like minded free, Oh, they would like program a.

701
00:40:14,719 --> 00:40:17,080
Speaker 2: Weekend where it was all his movies without his mustache

702
00:40:18,080 --> 00:40:21,080
Speaker 2: is fantastic to me. But anyway, well, but speaking to

703
00:40:21,200 --> 00:40:24,480
Speaker 2: Bert's handsomeness, he's handsome with and without the mustache.

704
00:40:25,280 --> 00:40:27,040
Speaker 1: Yeah, but it is a different personality.

705
00:40:27,400 --> 00:40:30,920
Speaker 2: I like. I totally agree, And I'm glad that you

706
00:40:31,000 --> 00:40:32,720
Speaker 2: said that because.

707
00:40:33,120 --> 00:40:36,520
Speaker 1: Because he starts the movie with a mustache, but hish

708
00:40:36,760 --> 00:40:39,839
Speaker 1: he has shaved when he goes to prison, they shave

709
00:40:39,880 --> 00:40:45,120
Speaker 1: it in real time. Yeah. Yeah, pretty intense. How would

710
00:40:45,160 --> 00:40:48,840
Speaker 1: you describe the two personalities, the non mustache and the mustache.

711
00:40:48,960 --> 00:40:51,520
Speaker 2: Well, I think the mustache is less serious. I think

712
00:40:51,560 --> 00:40:55,120
Speaker 2: the mustache is way more free wheeling than without.

713
00:40:56,000 --> 00:40:58,360
Speaker 1: Yes, I feel like you see that Burt Reynolds smile

714
00:40:58,480 --> 00:41:00,279
Speaker 1: with the mustache but with out.

715
00:41:00,680 --> 00:41:03,200
Speaker 2: Yeah, but I also feel like, yeah, he's more solemn.

716
00:41:03,200 --> 00:41:07,839
Speaker 2: I think he's I think he he really like does

717
00:41:08,920 --> 00:41:12,759
Speaker 2: more character, deeper character work without the mustache.

718
00:41:13,400 --> 00:41:17,880
Speaker 1: Yes, yes, yes, yes, So in this movie, you know,

719
00:41:19,360 --> 00:41:25,480
Speaker 1: eventually Paul Crew will coach or help coach this team,

720
00:41:25,920 --> 00:41:29,560
Speaker 1: the prison Guard team, and he says that the best

721
00:41:29,600 --> 00:41:32,719
Speaker 1: way for this because the warden wants this prison guard

722
00:41:32,840 --> 00:41:35,080
Speaker 1: semi pro team to win the championship because they've been

723
00:41:35,120 --> 00:41:38,839
Speaker 1: runner up like seven years in a row. But Paul

724
00:41:38,960 --> 00:41:41,120
Speaker 1: Crew says, you know, the best way to become better

725
00:41:41,280 --> 00:41:43,640
Speaker 1: is to like beat the shit out of a crappier team.

726
00:41:44,120 --> 00:41:47,400
Speaker 1: That's how you get good. And the warden is like, well,

727
00:41:47,440 --> 00:41:49,520
Speaker 1: why don't you put together a little crappy team of

728
00:41:49,600 --> 00:41:54,200
Speaker 1: your own with the inmates here, and you'll play quarterback,

729
00:41:55,719 --> 00:41:59,879
Speaker 1: and so they assemble the team. Now, Millie, you said

730
00:41:59,880 --> 00:42:03,719
Speaker 1: you had some football questions for me. Would you like

731
00:42:03,800 --> 00:42:04,600
Speaker 1: to ask them now?

732
00:42:05,480 --> 00:42:09,479
Speaker 2: Yeah? So, okay, here's something that I've seen this movie

733
00:42:10,840 --> 00:42:14,640
Speaker 2: multiple times. Yeah. Yes. One of the things that I've

734
00:42:14,719 --> 00:42:17,440
Speaker 2: never really asked about or looked into is the idea

735
00:42:17,560 --> 00:42:24,440
Speaker 2: that Paul Crewe essentially has been out of the actual

736
00:42:24,560 --> 00:42:26,560
Speaker 2: game for a while, Like he hasn't.

737
00:42:26,320 --> 00:42:30,560
Speaker 1: He hasn't touched a football in eight years, that's right, and.

738
00:42:31,200 --> 00:42:36,520
Speaker 2: It's because he was kind of shamed from the sport

739
00:42:37,320 --> 00:42:43,520
Speaker 2: because he was caught shaving points. Yes, I don't know

740
00:42:43,600 --> 00:42:45,680
Speaker 2: what that means, and I was hoping that maybe you

741
00:42:45,760 --> 00:42:49,279
Speaker 2: could explain to me what that is and like why

742
00:42:49,400 --> 00:42:51,520
Speaker 2: it's bad, because that's the thing is that a lot

743
00:42:51,600 --> 00:42:55,120
Speaker 2: of the people when he comes to the prison, they're like, oh,

744
00:42:55,200 --> 00:42:58,840
Speaker 2: Paul Cruz here, Fuck, that's crazy. But also he's a

745
00:42:58,960 --> 00:43:02,600
Speaker 2: disgrace because how could you shave points? And that's an

746
00:43:02,600 --> 00:43:05,880
Speaker 2: American sport. N's illegal and bluh blah.

747
00:43:06,600 --> 00:43:11,520
Speaker 1: So football has a long history of sports gambling. I

748
00:43:11,520 --> 00:43:15,040
Speaker 1: would say it is, and it's only become more legal lately,

749
00:43:15,239 --> 00:43:18,520
Speaker 1: but it's been the most bet upon sport I would

750
00:43:18,600 --> 00:43:24,400
Speaker 1: say in history, maybe boxing more, but like football is

751
00:43:25,239 --> 00:43:30,840
Speaker 1: a lot of betting goes along with football. And you

752
00:43:30,880 --> 00:43:36,239
Speaker 1: remember how in baseball Pete Rose got caught gambling on

753
00:43:36,360 --> 00:43:42,840
Speaker 1: games and was banned from baseball forever. And he was

754
00:43:42,880 --> 00:43:45,720
Speaker 1: a manager, so he could like make decisions that affect

755
00:43:45,960 --> 00:43:49,640
Speaker 1: so he would like bet on the game, but he

756
00:43:49,719 --> 00:43:52,279
Speaker 1: could also like affect how the game goes, so he's

757
00:43:52,320 --> 00:43:53,959
Speaker 1: like kind of rigging the system.

758
00:43:53,880 --> 00:43:57,040
Speaker 2: Right, Like, for example, if you know he bet against

759
00:43:57,160 --> 00:43:59,200
Speaker 2: his own team, he would try to get his team

760
00:43:59,239 --> 00:44:00,400
Speaker 2: to lose could.

761
00:44:00,200 --> 00:44:04,640
Speaker 1: Win, Yeah, exactly, And sports and points shaving is similar, Okay,

762
00:44:04,840 --> 00:44:12,000
Speaker 1: So basically, if you bet on a team to win

763
00:44:12,160 --> 00:44:16,879
Speaker 1: by a certain amount of points, he was shaving off

764
00:44:17,000 --> 00:44:23,080
Speaker 1: points to meet that goal. Basically, So like if you

765
00:44:23,160 --> 00:44:26,759
Speaker 1: were if for if someone bet on his team they

766
00:44:26,880 --> 00:44:31,680
Speaker 1: have to lose by three points or whatever, he would

767
00:44:31,800 --> 00:44:36,680
Speaker 1: make he would play badly intentionally so that they would

768
00:44:36,719 --> 00:44:41,799
Speaker 1: get less points. And either he was getting paid by

769
00:44:41,920 --> 00:44:44,440
Speaker 1: like people gambling on this, or he was gambling on

770
00:44:44,520 --> 00:44:47,600
Speaker 1: the games himself, but he could affect the outcome of

771
00:44:47,680 --> 00:44:52,000
Speaker 1: the game, and he shaving is like underperforming so that

772
00:44:52,280 --> 00:44:57,239
Speaker 1: you can affect the score of the game basically, and

773
00:44:57,440 --> 00:44:57,960
Speaker 1: he could.

774
00:44:57,880 --> 00:44:59,880
Speaker 2: Affect that because he's a quarterback.

775
00:45:00,920 --> 00:45:04,160
Speaker 1: Because he's a quarterback, I don't really think anyone else

776
00:45:04,760 --> 00:45:07,919
Speaker 1: This happens in basketball more often, where like a guy

777
00:45:08,080 --> 00:45:13,880
Speaker 1: will intentionally miss baskets to shave points off the score

778
00:45:14,480 --> 00:45:17,920
Speaker 1: to effect to like win a bet. Yeah, but like

779
00:45:18,040 --> 00:45:20,760
Speaker 1: as a quarterback, you're kind of in charge of the points.

780
00:45:21,040 --> 00:45:23,200
Speaker 1: You know, you're throwing the ball, you're handing the ball off.

781
00:45:23,680 --> 00:45:26,279
Speaker 1: So if you're like, oh, I need our team to

782
00:45:26,320 --> 00:45:29,840
Speaker 1: lose by like ten points and we're about we're like

783
00:45:30,680 --> 00:45:34,759
Speaker 1: about to score a touchdown, I will intentionally mess up

784
00:45:36,360 --> 00:45:40,760
Speaker 1: to make sure we don't score to maintain the loss.

785
00:45:41,239 --> 00:45:44,680
Speaker 2: Why y'all gambling anyway? That's gambling is also weird. Gambling

786
00:45:44,840 --> 00:45:47,200
Speaker 2: is a sin. Oh it's lost, just a sin. But

787
00:45:47,280 --> 00:45:49,640
Speaker 2: it's also just like, I don't know, I don't have money,

788
00:45:50,000 --> 00:45:53,160
Speaker 2: so I don't like gambling, but it's you know, I

789
00:45:53,239 --> 00:45:57,120
Speaker 2: have people in my life that dabble in it, and

790
00:45:57,200 --> 00:45:59,759
Speaker 2: I'm just kind of like, Okay, y'all are rich. I

791
00:45:59,800 --> 00:46:01,160
Speaker 2: guess maybe that's fun for you.

792
00:46:01,920 --> 00:46:05,360
Speaker 1: I think they're just desperate, degenerate chunkies.

793
00:46:05,680 --> 00:46:09,399
Speaker 2: Chunkies for a score. No, I I guess that you can't.

794
00:46:09,640 --> 00:46:12,520
Speaker 2: I guess it doesn't work to win more points. I

795
00:46:12,560 --> 00:46:13,440
Speaker 2: mean that's not no.

796
00:46:13,640 --> 00:46:15,680
Speaker 1: I mean that would be like you'd be like the

797
00:46:15,800 --> 00:46:17,360
Speaker 1: most incredible athlete of.

798
00:46:17,360 --> 00:46:21,160
Speaker 2: All the time, so so stupid. I'm like, Okay, well,

799
00:46:21,360 --> 00:46:23,239
Speaker 2: he can shave him all he wants. I guess you can't.

800
00:46:23,320 --> 00:46:26,280
Speaker 2: Add But it's that's right. But it's a huge scandal

801
00:46:26,560 --> 00:46:29,439
Speaker 2: when he comes in to the jail where the people

802
00:46:29,560 --> 00:46:33,120
Speaker 2: don't like him because they think he's a unreliable.

803
00:46:32,640 --> 00:46:38,359
Speaker 1: He dishonored the sport of football. He dishonored it. And yeah,

804
00:46:38,640 --> 00:46:41,320
Speaker 1: there's like a line where it's like, you could have

805
00:46:41,360 --> 00:46:43,960
Speaker 1: been a murderer, you could have been a burglar, you

806
00:46:44,040 --> 00:46:46,719
Speaker 1: could be a bank robber. People would accept you here,

807
00:46:47,520 --> 00:46:51,040
Speaker 1: But to shave points on football gotta be shitting me.

808
00:46:51,280 --> 00:46:56,320
Speaker 1: But that's the thing too, is that this movie was

809
00:46:56,400 --> 00:47:00,719
Speaker 1: filmed in Georgia. Obviously, Yes, it was filmed at a

810
00:47:00,800 --> 00:47:07,120
Speaker 1: real prison, george State Prison actually, which is a a

811
00:47:07,280 --> 00:47:08,719
Speaker 1: max it's one of the.

812
00:47:08,760 --> 00:47:13,440
Speaker 2: Maxes, but it's it's down it's like in actually I

813
00:47:13,480 --> 00:47:20,160
Speaker 2: think it's in Reidsville maybe, but it's like down south.

814
00:47:20,960 --> 00:47:25,040
Speaker 2: And so when you think about that, you're like, oh, well,

815
00:47:26,239 --> 00:47:28,320
Speaker 2: actually I think that they say that the prison is

816
00:47:28,680 --> 00:47:31,200
Speaker 2: is in Florida. I think that a lot of right,

817
00:47:31,400 --> 00:47:33,560
Speaker 2: But it doesn't matter. It's in the south. And so

818
00:47:33,880 --> 00:47:38,960
Speaker 2: it's not, as we just outlined, Uh, it's not out

819
00:47:39,040 --> 00:47:42,120
Speaker 2: of the realm of possibility that these other inmates are

820
00:47:42,600 --> 00:47:46,640
Speaker 2: fucking crazy about football and they would hate a guy

821
00:47:47,440 --> 00:47:49,719
Speaker 2: like that to shave points, Like you could be more.

822
00:47:49,840 --> 00:47:52,319
Speaker 2: You can murder somebody and be chill, But then if

823
00:47:52,360 --> 00:47:56,160
Speaker 2: you shaved points off of a football game, you're a demon.

824
00:47:56,960 --> 00:48:01,960
Speaker 1: So what did you think about the other characters in

825
00:48:02,040 --> 00:48:02,879
Speaker 1: the prison.

826
00:48:03,120 --> 00:48:09,200
Speaker 2: With with Bert? You know, I love these other types,

827
00:48:09,760 --> 00:48:12,680
Speaker 2: these character actors that come in. I mean, first of all,

828
00:48:12,760 --> 00:48:16,360
Speaker 2: I mean there's a lot of fucking good character actors

829
00:48:16,400 --> 00:48:16,919
Speaker 2: in this movie.

830
00:48:17,600 --> 00:48:17,839
Speaker 1: Okay.

831
00:48:19,160 --> 00:48:23,360
Speaker 2: I think one of the most obvious character actors is

832
00:48:23,520 --> 00:48:27,239
Speaker 2: Richard Keel, who you might know from Happy Gilmore. He's

833
00:48:27,360 --> 00:48:31,399
Speaker 2: the very tall guy who has a nail in his head.

834
00:48:32,080 --> 00:48:36,960
Speaker 2: Everybody remembers him from the James Bond movies. Yes, but

835
00:48:37,120 --> 00:48:40,520
Speaker 2: he's like large, He's a large man, and they make

836
00:48:40,560 --> 00:48:42,320
Speaker 2: a joke about that in the movie, of course they do.

837
00:48:43,360 --> 00:48:51,279
Speaker 2: But honestly, my favorite is Caretaker, who is played by

838
00:48:51,360 --> 00:48:55,120
Speaker 2: Jim Hampton, who many people my age know as the

839
00:48:55,320 --> 00:48:56,680
Speaker 2: dad from Teen Wolf.

840
00:49:00,040 --> 00:49:02,400
Speaker 1: He just feels like a good Southern boy, doesn't he.

841
00:49:04,680 --> 00:49:07,399
Speaker 2: I actually think he's maybe a Texan or he's from

842
00:49:07,480 --> 00:49:11,400
Speaker 2: like he's like, he's from Oklahoma, that's right, which is southern,

843
00:49:11,480 --> 00:49:13,320
Speaker 2: but it's a different type of Southern than Georgia.

844
00:49:13,400 --> 00:49:17,040
Speaker 1: That's more like south Southwest, right, Yeah, but.

845
00:49:18,719 --> 00:49:21,440
Speaker 2: I remember him as Michael J. Fox's dad and teen

846
00:49:21,520 --> 00:49:27,680
Speaker 2: wolf who is also a were wolf. So he's my

847
00:49:27,760 --> 00:49:30,879
Speaker 2: favorite character. He's kind of, you know, the little right

848
00:49:30,960 --> 00:49:34,560
Speaker 2: hand he becomes kind of Paul cruz right hand man

849
00:49:34,640 --> 00:49:37,960
Speaker 2: who can get you anything you want in prison, including

850
00:49:39,520 --> 00:49:42,200
Speaker 2: women to sleep with. And one of the women that

851
00:49:42,680 --> 00:49:45,520
Speaker 2: ends up sleeping with Paul in the prison is played

852
00:49:45,560 --> 00:49:50,880
Speaker 2: by Bernadette Peters, and that is a hilarious scene because

853
00:49:50,880 --> 00:49:52,640
Speaker 2: I mean, I don't know if we're going to get

854
00:49:52,640 --> 00:49:58,399
Speaker 2: to that scene, but it's basically like she just kind

855
00:49:58,440 --> 00:50:00,680
Speaker 2: of decides, oh, I want to, like I want to

856
00:50:00,719 --> 00:50:03,799
Speaker 2: sleep with this inmate, and I'm going to give him,

857
00:50:04,120 --> 00:50:04,319
Speaker 2: you know.

858
00:50:04,560 --> 00:50:06,719
Speaker 1: Like I'm a secretary at this jail, and I'm going

859
00:50:06,800 --> 00:50:10,400
Speaker 1: to give him some film footage of them practicing, of

860
00:50:10,480 --> 00:50:12,680
Speaker 1: the other team practicing, so you get an insight scoop.

861
00:50:12,719 --> 00:50:15,360
Speaker 1: But we are also going to have sex. And she

862
00:50:15,440 --> 00:50:17,960
Speaker 1: has this giant it would be a great Halloween costume. Actually,

863
00:50:18,000 --> 00:50:21,640
Speaker 1: her hair is huge. It's like a giant cotton candy thing.

864
00:50:22,280 --> 00:50:26,360
Speaker 2: Yeah, she's great. And then the other guy that wanted

865
00:50:26,360 --> 00:50:29,920
Speaker 2: to briefly because there's actual football players in this movie too,

866
00:50:30,040 --> 00:50:35,839
Speaker 2: by the way, yes, is this character actor named Ed Louder. Yeah,

867
00:50:36,080 --> 00:50:39,040
Speaker 2: he's got a good look. Okay, this is the guy

868
00:50:39,200 --> 00:50:43,120
Speaker 2: that literally has looked the same his entire life. I mean,

869
00:50:43,160 --> 00:50:46,239
Speaker 2: he died in twenty thirteen, but when I saw him,

870
00:50:46,520 --> 00:50:48,640
Speaker 2: like it's almost kind of like you look at him

871
00:50:48,640 --> 00:50:51,040
Speaker 2: in this movie, which was made in nineteen seventy four,

872
00:50:51,640 --> 00:50:54,360
Speaker 2: and he looks effectively the same as he did in

873
00:50:54,520 --> 00:50:55,800
Speaker 2: like his later movies.

874
00:50:56,920 --> 00:50:58,600
Speaker 1: I mean, if you look at a picture of him

875
00:50:58,640 --> 00:51:00,960
Speaker 1: before he died in like twenty thirteen, when he's like

876
00:51:02,640 --> 00:51:05,080
Speaker 1: seventy years old, he looks the exact same he did.

877
00:51:05,000 --> 00:51:07,480
Speaker 2: When he was like twenty nine or whatever. I know,

878
00:51:07,760 --> 00:51:09,920
Speaker 2: that's what is so crazy to me, And I'm like, yo,

879
00:51:10,000 --> 00:51:13,160
Speaker 2: he looked the same age his entire life, but he

880
00:51:13,280 --> 00:51:17,239
Speaker 2: plays one of the like the scariest prison guard out there.

881
00:51:18,239 --> 00:51:21,000
Speaker 2: But I want to go back to this idea of

882
00:51:21,120 --> 00:51:24,759
Speaker 2: like seventies football being yes, because I you know, I

883
00:51:24,840 --> 00:51:29,359
Speaker 2: work in the exploitation world, meaning I program a lot

884
00:51:29,400 --> 00:51:32,600
Speaker 2: of movies that are from the seventies, and there was

885
00:51:32,680 --> 00:51:34,440
Speaker 2: a lot of like I think we talked about this

886
00:51:34,520 --> 00:51:37,920
Speaker 2: with Craig Calcitara when we were talking about like athletes

887
00:51:37,960 --> 00:51:41,440
Speaker 2: that played that were in movies and stuff. There's a

888
00:51:41,480 --> 00:51:43,440
Speaker 2: lot of that in the seventies. I mean obviously with

889
00:51:43,600 --> 00:51:46,200
Speaker 2: like the blaxxploitation era, but then also stuff like this

890
00:51:46,840 --> 00:51:50,000
Speaker 2: where seventies football, I feel like Craig makes this point,

891
00:51:50,440 --> 00:51:54,000
Speaker 2: Seventies football seemed a lot more easy breezy than it

892
00:51:54,120 --> 00:51:54,560
Speaker 2: does now.

893
00:51:55,640 --> 00:51:57,120
Speaker 1: I don't know if you think that, but it's like

894
00:51:57,239 --> 00:52:00,360
Speaker 1: there's a well it is, but it also was like

895
00:52:00,719 --> 00:52:04,239
Speaker 1: so much more violent. Yeah, like it was more dangerous.

896
00:52:04,480 --> 00:52:06,240
Speaker 1: It really it was more easy breezing.

897
00:52:06,440 --> 00:52:08,880
Speaker 2: Well, it feels like a little rough around the edges.

898
00:52:09,000 --> 00:52:16,360
Speaker 2: And then also like just the idea that these guys

899
00:52:16,480 --> 00:52:19,239
Speaker 2: were having the lifestyles where they were just kind of

900
00:52:19,400 --> 00:52:24,160
Speaker 2: like drinking and shit and smoking cigars and they're not like,

901
00:52:24,320 --> 00:52:29,759
Speaker 2: you know, performing at max athlete potential, Like they're not

902
00:52:30,000 --> 00:52:33,919
Speaker 2: like taking their like B twelve shots and shit.

903
00:52:34,040 --> 00:52:36,239
Speaker 1: At this air, it seemed like they were like much

904
00:52:36,360 --> 00:52:38,799
Speaker 1: more like, hey, we're out at the clubs every night.

905
00:52:38,840 --> 00:52:40,640
Speaker 1: They were much more like there's much more of a

906
00:52:40,800 --> 00:52:43,839
Speaker 1: party environment it felt like in football back then, which

907
00:52:43,880 --> 00:52:46,200
Speaker 1: I'm sure still exists, but now it seems like they're

908
00:52:46,239 --> 00:52:49,520
Speaker 1: in the military where they have like such training and

909
00:52:49,600 --> 00:52:52,959
Speaker 1: the yeah diets and not eating night shades or whatever,

910
00:52:53,280 --> 00:52:59,479
Speaker 1: and yeah, exactly so yeah, no, I totally agree. Well,

911
00:52:59,760 --> 00:53:02,839
Speaker 1: you know, the big thing at the end, it's the game.

912
00:53:03,080 --> 00:53:08,279
Speaker 1: It's the inmates versus the guards, and the team looks

913
00:53:08,360 --> 00:53:12,239
Speaker 1: pretty good. The mean Machine, they put a good team together. Yeah,

914
00:53:12,480 --> 00:53:14,880
Speaker 1: you know, a ragtag crew. Well there's a lot of

915
00:53:15,040 --> 00:53:17,319
Speaker 1: like also in the movie. In the world of the movie,

916
00:53:17,320 --> 00:53:19,920
Speaker 1: they're like, yeah, there's a few guys who played professional

917
00:53:19,960 --> 00:53:22,160
Speaker 1: football that happened to be at this prison as well.

918
00:53:22,600 --> 00:53:26,800
Speaker 1: We're inmates here. So but at halftime of the game,

919
00:53:27,880 --> 00:53:30,520
Speaker 1: the warden is like, you gotta lose by twenty one

920
00:53:30,640 --> 00:53:37,160
Speaker 1: points or because sadly we lose Caretaker, beloved Caretaker gets

921
00:53:37,280 --> 00:53:38,560
Speaker 1: killed by this snitch.

922
00:53:39,040 --> 00:53:40,319
Speaker 2: Fuck hate that dude.

923
00:53:40,520 --> 00:53:42,800
Speaker 1: That was dark. I was sad when that happened.

924
00:53:43,080 --> 00:53:45,239
Speaker 2: Yeah, I kid, I missed him.

925
00:53:46,680 --> 00:53:48,680
Speaker 1: But he was like, if you don't lose the game

926
00:53:48,760 --> 00:53:52,040
Speaker 1: by twenty one points, you'll be implicated in Caretaker's murder

927
00:53:52,080 --> 00:53:54,160
Speaker 1: and you'll have to stay in jail for thirty years,

928
00:53:54,719 --> 00:53:57,439
Speaker 1: essentially because he was only supposed to be their eighteen months. Yeah,

929
00:53:58,120 --> 00:54:01,040
Speaker 1: so Paul Crewe start, you know, he does what he

930
00:54:01,080 --> 00:54:02,839
Speaker 1: does best. He starts throwing the game.

931
00:54:04,640 --> 00:54:05,200
Speaker 2: But then.

932
00:54:06,560 --> 00:54:07,840
Speaker 1: You know he had a deal with the war and

933
00:54:07,880 --> 00:54:09,959
Speaker 1: that's like, if we lose by twenty one points after

934
00:54:10,040 --> 00:54:13,200
Speaker 1: we're losing, can you just like let us I don't

935
00:54:13,239 --> 00:54:15,440
Speaker 1: know what what does he say exactly. He's like, let

936
00:54:15,560 --> 00:54:20,080
Speaker 1: us have fun and not like don't try too hard

937
00:54:20,200 --> 00:54:20,520
Speaker 1: or whatever.

938
00:54:21,000 --> 00:54:22,800
Speaker 2: Well, I mean he's like, you know, he kind of

939
00:54:23,320 --> 00:54:27,200
Speaker 2: says to the warden like, you know, you told me

940
00:54:27,280 --> 00:54:29,120
Speaker 2: not to win, but you also told me not to lose.

941
00:54:30,320 --> 00:54:33,160
Speaker 2: And I think that part of like what happens to

942
00:54:33,280 --> 00:54:36,720
Speaker 2: Paul Crewe as he's in the prison and he's learning

943
00:54:36,760 --> 00:54:40,440
Speaker 2: about these guys, and he's learning about the dynamic between

944
00:54:40,520 --> 00:54:45,400
Speaker 2: prisoners and guards, which is that the prisoners are fucking

945
00:54:45,520 --> 00:54:54,240
Speaker 2: brutalized by these dudes and scary Southern prison guards are awful,

946
00:54:54,440 --> 00:54:58,600
Speaker 2: extra awful, yes, extra scary, And I think he begins

947
00:54:58,680 --> 00:55:02,960
Speaker 2: to understand like, oh, like, I know, I set up

948
00:55:03,000 --> 00:55:05,680
Speaker 2: this scenario where I'm just bringing in a bunch of

949
00:55:05,840 --> 00:55:10,280
Speaker 2: lugheads to you know, get beat up by prison guards.

950
00:55:10,840 --> 00:55:13,000
Speaker 2: But now that I'm in it, and I'm like realizing

951
00:55:13,120 --> 00:55:16,520
Speaker 2: this fucking sucks. Like I don't want these guys to

952
00:55:16,880 --> 00:55:18,880
Speaker 2: feel like shit. I want to give them some like

953
00:55:19,000 --> 00:55:22,640
Speaker 2: dignity and you know, and then like so he's basically like,

954
00:55:22,760 --> 00:55:27,560
Speaker 2: at some point, Paul Crue even goes beyond that sentiment

955
00:55:27,760 --> 00:55:32,480
Speaker 2: and says, I not only want them to you know,

956
00:55:33,160 --> 00:55:36,520
Speaker 2: have a little bit of you know, to feel a

957
00:55:36,600 --> 00:55:39,120
Speaker 2: little bit good about what they're doing. I actually want

958
00:55:39,160 --> 00:55:42,040
Speaker 2: to fucking kick these guards in the ass, Like I

959
00:55:42,400 --> 00:55:46,000
Speaker 2: like actively want to shut them down. And there's this

960
00:55:47,280 --> 00:55:53,480
Speaker 2: longtime prisoner who his name is Pop, and he's like

961
00:55:54,040 --> 00:55:56,480
Speaker 2: the lifer, the guy that like has been in the

962
00:55:56,560 --> 00:55:58,879
Speaker 2: jail forever, and he's kind of just like the old

963
00:55:59,000 --> 00:56:02,120
Speaker 2: man who wants to be helpful and sweet, but basically,

964
00:56:02,400 --> 00:56:06,160
Speaker 2: you know, like Pop took a shot at Haysen, who

965
00:56:06,320 --> 00:56:10,840
Speaker 2: was the warden, Eddie Albert, and he's just been in

966
00:56:10,880 --> 00:56:12,880
Speaker 2: the joe forever, and he was basically like, you know,

967
00:56:13,000 --> 00:56:17,880
Speaker 2: he made the calculated risk by fucking with the warden,

968
00:56:18,000 --> 00:56:20,360
Speaker 2: but he did it. And he's like, I don't regret

969
00:56:20,440 --> 00:56:23,680
Speaker 2: it because I fucking hate his ass and that kind Yeah,

970
00:56:23,719 --> 00:56:26,719
Speaker 2: he was like basically, thirty years in prison was worth

971
00:56:26,800 --> 00:56:28,719
Speaker 2: it to punch him one time. Yes, And I think

972
00:56:28,760 --> 00:56:32,319
Speaker 2: that that is something that Paul Crew begins to feel

973
00:56:32,400 --> 00:56:34,320
Speaker 2: very inspired by at a certain.

974
00:56:34,160 --> 00:56:40,600
Speaker 1: Point, Yes, And so he sort of foregoes that rational.

975
00:56:40,760 --> 00:56:43,200
Speaker 1: You know, he's like, you know what, let's fuck these

976
00:56:43,239 --> 00:56:47,319
Speaker 1: guys up, and they end up winning the game. Now,

977
00:56:47,480 --> 00:56:52,080
Speaker 1: for me, personally, thirty years of my life would not

978
00:56:52,160 --> 00:56:55,120
Speaker 1: have been worth it to win that one game. But

979
00:56:55,239 --> 00:56:56,800
Speaker 1: that's you know, I'm not Paul Crewe.

980
00:56:58,280 --> 00:57:01,440
Speaker 2: Well, I mean, I there's a red arc casey for

981
00:57:01,600 --> 00:57:05,200
Speaker 2: him in this movie which is very strong, and it

982
00:57:05,360 --> 00:57:08,200
Speaker 2: may have affected his decision to want to do this.

983
00:57:08,960 --> 00:57:11,640
Speaker 2: There's something about the very end of The Longest Yard

984
00:57:11,760 --> 00:57:19,720
Speaker 2: that feels very prescient and kind of becomes the kind

985
00:57:19,760 --> 00:57:23,560
Speaker 2: of cornerstone of what the movie is actually about, which

986
00:57:23,640 --> 00:57:27,200
Speaker 2: is the prison industrial complex and the brutality of it

987
00:57:27,360 --> 00:57:31,160
Speaker 2: and the power dynamic between prisoners and you know, the establishment.

988
00:57:31,440 --> 00:57:35,320
Speaker 2: You know, so spoiler alert, but this movie was made

989
00:57:35,320 --> 00:57:37,200
Speaker 2: in nineteen seventy four, so I don't give a fuck.

990
00:57:37,680 --> 00:57:40,640
Speaker 2: There's a scene after the game where the warden is

991
00:57:40,880 --> 00:57:45,080
Speaker 2: fucking crazy with anger that Paul Crewe has decided to

992
00:57:45,080 --> 00:57:47,440
Speaker 2: go against his wishes and actually win the game for

993
00:57:47,560 --> 00:57:52,360
Speaker 2: the prisoners, and he's walking across the field and you know,

994
00:57:52,480 --> 00:57:55,480
Speaker 2: the prison warden is sitting there with Canal being like,

995
00:57:55,640 --> 00:57:58,240
Speaker 2: oh my god, Paul Crew's trying to escape, and we

996
00:57:58,560 --> 00:58:02,400
Speaker 2: are going to have to shoot him dead because he's

997
00:58:02,440 --> 00:58:06,520
Speaker 2: trying to escape. And there's this really, really, really tense

998
00:58:06,600 --> 00:58:09,880
Speaker 2: moment where they grab a shotgun from one of the

999
00:58:09,920 --> 00:58:12,560
Speaker 2: guards and it's pointed right at Paul. He's walking across

1000
00:58:12,600 --> 00:58:16,160
Speaker 2: the football field and the warden has like shoot him,

1001
00:58:16,280 --> 00:58:20,120
Speaker 2: kill him, destroy him. And as it turns out, Paul

1002
00:58:20,240 --> 00:58:23,400
Speaker 2: is simply picking up the game ball to bring to

1003
00:58:23,520 --> 00:58:26,200
Speaker 2: him and he's actually not trying to escape. But there

1004
00:58:26,280 --> 00:58:28,880
Speaker 2: was a moment where they almost fucking killed the dude.

1005
00:58:29,640 --> 00:58:33,280
Speaker 1: And I was like, and if Captain Canwer hadn't hesitated

1006
00:58:34,040 --> 00:58:38,120
Speaker 1: and not, he was like decided not or was a

1007
00:58:38,160 --> 00:58:39,200
Speaker 1: little unsure he.

1008
00:58:39,240 --> 00:58:42,200
Speaker 2: Would be dead. But it's like you think about that,

1009
00:58:42,320 --> 00:58:44,360
Speaker 2: and you know, I know that The Longest Yard is

1010
00:58:44,600 --> 00:58:47,320
Speaker 2: you know, a comedy, but if you think about that

1011
00:58:47,440 --> 00:58:50,080
Speaker 2: in terms of just anything that we go through now

1012
00:58:50,840 --> 00:58:54,480
Speaker 2: or have with the police and with you know, people

1013
00:58:54,560 --> 00:58:59,200
Speaker 2: who are in charge of people who are less than them.

1014
00:58:59,480 --> 00:59:06,160
Speaker 2: From a pas our standpoint, yeah, that that moment happens

1015
00:59:07,880 --> 00:59:11,680
Speaker 2: in our lives, like and it's the moment that I

1016
00:59:11,800 --> 00:59:16,720
Speaker 2: think has created so much tragedy over the years with

1017
00:59:16,920 --> 00:59:19,400
Speaker 2: people and I just I don't know, I think about

1018
00:59:19,440 --> 00:59:23,440
Speaker 2: that ending, and I'm just like, fuck, you just tucked

1019
00:59:23,560 --> 00:59:26,760
Speaker 2: that into this movie and it's kind of crazy to

1020
00:59:26,800 --> 00:59:29,880
Speaker 2: think about, and I it is profound to happen at

1021
00:59:29,920 --> 00:59:33,960
Speaker 2: the end of this movie, which you know has its

1022
00:59:34,080 --> 00:59:38,200
Speaker 2: politicalness to it. Yeah, but hadn't really gotten to that

1023
00:59:38,440 --> 00:59:40,560
Speaker 2: point yet, and it was.

1024
00:59:40,720 --> 00:59:43,640
Speaker 1: Yeah, there wasn't a moment like that. Even Caretaker's death

1025
00:59:43,920 --> 00:59:47,240
Speaker 1: is like, it's not funny obviously, but it's it's not

1026
00:59:47,480 --> 00:59:52,600
Speaker 1: as dark or it doesn't it's not, it doesn't. It's

1027
00:59:52,640 --> 00:59:55,000
Speaker 1: not saying as much as that final moment yeah, you

1028
00:59:55,080 --> 00:59:57,000
Speaker 1: know in the film.

1029
00:59:57,160 --> 01:00:01,520
Speaker 2: But to me is in terms of this movie being

1030
01:00:01,560 --> 01:00:04,919
Speaker 2: a sports movie and being in the canon of sports movies,

1031
01:00:04,960 --> 01:00:06,320
Speaker 2: I mean, I think it's one of the best ones

1032
01:00:06,480 --> 01:00:08,120
Speaker 2: for me and my money.

1033
01:00:08,320 --> 01:00:11,040
Speaker 1: I don't know about you, well, I mean I love

1034
01:00:11,640 --> 01:00:16,760
Speaker 1: a kind of like sloppy seventies movie where like it's

1035
01:00:16,960 --> 01:00:18,200
Speaker 1: just like a lot of hanging out.

1036
01:00:18,280 --> 01:00:18,400
Speaker 3: You know.

1037
01:00:18,520 --> 01:00:20,120
Speaker 1: A bunch of the movie is just like, all right,

1038
01:00:20,200 --> 01:00:22,960
Speaker 1: let's do football drills. Oh that guy did something crazy

1039
01:00:23,120 --> 01:00:24,520
Speaker 1: Like That's like a lot of the movie. But it's

1040
01:00:24,600 --> 01:00:28,040
Speaker 1: like so entertaining and it just feels so loose and

1041
01:00:28,240 --> 01:00:31,520
Speaker 1: movies't don't really feel that way anymore. I feel like

1042
01:00:31,640 --> 01:00:33,520
Speaker 1: Richard link Later is one of the last people to

1043
01:00:33,640 --> 01:00:37,080
Speaker 1: kind of have this more loosey goosey type movies like this.

1044
01:00:38,680 --> 01:00:40,560
Speaker 2: Oh one thing I want to ask you then to

1045
01:00:40,720 --> 01:00:44,560
Speaker 2: this point, Yeah, because this movie does have a lot

1046
01:00:44,600 --> 01:00:45,880
Speaker 2: of gameplay.

1047
01:00:45,760 --> 01:00:48,320
Speaker 1: Right, Yeah. And there's a lot of football, And I

1048
01:00:48,400 --> 01:00:51,680
Speaker 1: was watching with Tricia and she was like, what's happening

1049
01:00:51,720 --> 01:00:54,800
Speaker 1: because you really actually have to know football to know

1050
01:00:55,000 --> 01:00:57,720
Speaker 1: like some kind of like plot elements like oh, this

1051
01:00:57,920 --> 01:00:59,439
Speaker 1: means that, you know, I love.

1052
01:00:59,600 --> 01:01:01,800
Speaker 2: Kind of the beginning of that. There's a lot of

1053
01:01:01,960 --> 01:01:05,360
Speaker 2: like dip ticks and trip ticks happening on screen, yes,

1054
01:01:05,480 --> 01:01:09,280
Speaker 2: which feels very seventies movie to me. Yes, But yeah,

1055
01:01:09,320 --> 01:01:11,920
Speaker 2: a lot of gameplay to where, yeah, I think if

1056
01:01:11,960 --> 01:01:13,200
Speaker 2: you're like me and you don't know what the fuck

1057
01:01:13,280 --> 01:01:15,600
Speaker 2: is going on, I mean they do these huddles. I

1058
01:01:15,640 --> 01:01:17,440
Speaker 2: think it's like a recurring kind of runner in the

1059
01:01:17,480 --> 01:01:20,560
Speaker 2: movie where the camera is basically on the ground and

1060
01:01:20,680 --> 01:01:23,840
Speaker 2: it's being the camera is being pointed up to like

1061
01:01:23,960 --> 01:01:28,760
Speaker 2: the heads of the people in the huddle, which I

1062
01:01:28,840 --> 01:01:30,760
Speaker 2: think I don't know if that was established in this

1063
01:01:30,920 --> 01:01:32,960
Speaker 2: movie first, but I feel like I've seen that shot

1064
01:01:33,120 --> 01:01:34,960
Speaker 2: many many times. Yeah, I wonder if this is the

1065
01:01:34,960 --> 01:01:37,960
Speaker 2: first time they did that could be yeah, but you

1066
01:01:38,040 --> 01:01:41,040
Speaker 2: know they're like it's it's going through like pretty intense

1067
01:01:41,120 --> 01:01:43,600
Speaker 2: minute by minute gameplay, and I just kept thinking to myself,

1068
01:01:43,800 --> 01:01:46,200
Speaker 2: you know what, I guess I should ask Casey why

1069
01:01:46,480 --> 01:01:50,680
Speaker 2: what is like the quarterback saying when he's basically like

1070
01:01:51,160 --> 01:01:55,120
Speaker 2: thirty two forty nine, Red did the hut? Yeah, I

1071
01:01:55,200 --> 01:01:58,720
Speaker 2: mean those are those are essentially plays that he's calling out,

1072
01:01:58,920 --> 01:02:01,120
Speaker 2: you know, and the quarterback is sort of the captain

1073
01:02:01,160 --> 01:02:02,680
Speaker 2: of the ship, so they're like looking at what the

1074
01:02:02,760 --> 01:02:05,040
Speaker 2: defense is doing and set up, and he's like all right,

1075
01:02:05,680 --> 01:02:07,920
Speaker 2: based off that and what the coach is kind of prepared,

1076
01:02:08,200 --> 01:02:13,040
Speaker 2: because nowadays the quarterback is a little earpiece and and

1077
01:02:13,120 --> 01:02:15,880
Speaker 2: the coach will say what play he wants, but the quarterback,

1078
01:02:15,920 --> 01:02:18,320
Speaker 2: it's a quarterback's job to get everyone on the same page.

1079
01:02:18,400 --> 01:02:21,960
Speaker 2: So he's yelling out the play to everybody, and it's

1080
01:02:22,000 --> 01:02:24,680
Speaker 2: like a secret code. Sure, you know, to tell the play,

1081
01:02:25,000 --> 01:02:30,200
Speaker 2: but also each team has their own rhythm and cadence

1082
01:02:30,920 --> 01:02:35,320
Speaker 2: of like when they're gonna say, hike the ball, and

1083
01:02:35,720 --> 01:02:39,080
Speaker 2: if they can trick the other team into running like

1084
01:02:40,080 --> 01:02:42,440
Speaker 2: running at them before they say hike, that's a penalty

1085
01:02:42,480 --> 01:02:45,120
Speaker 2: against the other team. So part of it is also

1086
01:02:45,240 --> 01:02:47,600
Speaker 2: some trickery trying to get the other team to commit

1087
01:02:47,640 --> 01:02:50,880
Speaker 2: a penalty. Ah, so you can move forward as well.

1088
01:02:51,040 --> 01:02:57,720
Speaker 2: So okay, in that moment you're saying it's a secret code,

1089
01:02:58,880 --> 01:03:02,840
Speaker 2: is there there isn't like a standard rhythm, Like it's

1090
01:03:02,880 --> 01:03:05,000
Speaker 2: not like you can say like three numbers and then

1091
01:03:05,320 --> 01:03:08,160
Speaker 2: a phrase like grandma's underwear or something like.

1092
01:03:08,320 --> 01:03:11,080
Speaker 1: I think I think each team has their own rhythm.

1093
01:03:11,160 --> 01:03:13,560
Speaker 1: There is sort of a standard rhythm for each team,

1094
01:03:14,320 --> 01:03:17,040
Speaker 1: and so that like the teammates know he's gonna hike

1095
01:03:17,120 --> 01:03:19,040
Speaker 1: it right after he says this, and so they all

1096
01:03:19,120 --> 01:03:22,320
Speaker 1: know to go at this like they pre eminent. They

1097
01:03:22,440 --> 01:03:24,040
Speaker 1: know he's about to say hikes, so they know when

1098
01:03:24,080 --> 01:03:26,360
Speaker 1: to start running, and the other team doesn't know when

1099
01:03:26,400 --> 01:03:30,480
Speaker 1: he's gonna say hike. Basically, yeah, so does that make sense?

1100
01:03:30,680 --> 01:03:32,600
Speaker 2: Sure? Sure? I mean I just didn't know if there

1101
01:03:32,680 --> 01:03:35,240
Speaker 2: was a standard where it's like you say some nonsense

1102
01:03:35,280 --> 01:03:39,360
Speaker 2: CaAl phrase and then two numbers and then hike.

1103
01:03:39,440 --> 01:03:41,080
Speaker 1: Or I don't think there is a standard.

1104
01:03:41,600 --> 01:03:43,400
Speaker 2: I don't know why I said grandma's underwear, and that

1105
01:03:43,480 --> 01:03:52,640
Speaker 2: feels weird. Grandma's underwear thirty two. Man. Yeah, yeah, good thing, Thanks.

1106
01:03:52,520 --> 01:03:55,680
Speaker 1: For telling me that I didn't. You're welcome. One thing,

1107
01:03:55,720 --> 01:03:58,400
Speaker 1: I feel like that wasn't totally I don't know if

1108
01:03:58,440 --> 01:04:01,600
Speaker 1: this is clear to you, but like there's a whole

1109
01:04:01,760 --> 01:04:04,880
Speaker 1: offensive line that's meant to block for the quarterback, and

1110
01:04:05,040 --> 01:04:07,320
Speaker 1: basically when Burt Reynolds is like, Okay, I actually want

1111
01:04:07,320 --> 01:04:09,360
Speaker 1: to win the game, but the team has turned on me.

1112
01:04:10,120 --> 01:04:12,560
Speaker 1: The team is doing nothing, and so he's having to

1113
01:04:12,720 --> 01:04:16,640
Speaker 1: just like run by himself to get these points before

1114
01:04:16,760 --> 01:04:20,000
Speaker 1: the other teams before his own team starts participating again.

1115
01:04:20,240 --> 01:04:22,320
Speaker 1: But I feel like that wasn't like totally clear. That

1116
01:04:22,400 --> 01:04:30,560
Speaker 1: was more of like a gameplay plot, you know. So anyways, well, Milly,

1117
01:04:30,600 --> 01:04:32,480
Speaker 1: do you have anything else to say about The Longest Yard?

1118
01:04:32,840 --> 01:04:36,840
Speaker 2: Two things please? Number one, I'd be remiss if I

1119
01:04:36,880 --> 01:04:39,920
Speaker 2: didn't mention that the country music legend George Jones is

1120
01:04:39,960 --> 01:04:43,720
Speaker 2: in this movie. I didn't see where was he? No

1121
01:04:43,960 --> 01:04:47,400
Speaker 2: minor role as a prisoner reappearance like George Jones? Me too.

1122
01:04:48,960 --> 01:04:52,720
Speaker 2: And then one thing I wanted to mention which I

1123
01:04:52,760 --> 01:04:55,640
Speaker 2: didn't mention when I was talking about the Bernadette Peters character,

1124
01:04:56,280 --> 01:04:59,120
Speaker 2: did you know that her name in this movie is

1125
01:04:59,400 --> 01:05:09,840
Speaker 2: miss Toot. I love it, Miss Tu, Miss tut t

1126
01:05:10,080 --> 01:05:16,600
Speaker 2: o o t. What a fucking last name. That's almost

1127
01:05:16,640 --> 01:05:20,840
Speaker 2: like bone What did I say, Bone Yard? It's almost

1128
01:05:20,880 --> 01:05:25,760
Speaker 2: like bone Lake. I'd be like Bone Lake is playing

1129
01:05:25,840 --> 01:05:32,560
Speaker 2: with Mistoot the electroclash band at Miss the New the

1130
01:05:32,680 --> 01:05:37,400
Speaker 2: Newest Coachella, Miss Too. Doesn't it sound like the name

1131
01:05:37,480 --> 01:05:43,200
Speaker 2: of like Mistut and Chapel Roone are.

1132
01:05:44,520 --> 01:05:48,320
Speaker 1: You could see it? Kim Petris and Miss tut are

1133
01:05:48,720 --> 01:05:51,000
Speaker 1: headlining Pride.

1134
01:05:54,320 --> 01:06:05,520
Speaker 2: You're like incredible at the Escatesey, Wow, that's so good. Goodness, goodness, gracious, well,

1135
01:06:06,360 --> 01:06:08,200
Speaker 2: I loved it. I love this type of movie.

1136
01:06:08,240 --> 01:06:09,720
Speaker 1: Ahead. They don't make them like this, no.

1137
01:06:09,840 --> 01:06:16,120
Speaker 2: Mom, nah nah, they don't. Well, I'm happy that you

1138
01:06:16,280 --> 01:06:18,280
Speaker 2: enjoyed it. That makes me happy knowing how big of

1139
01:06:18,320 --> 01:06:21,000
Speaker 2: a football fan you are that you can like this movie.

1140
01:06:21,520 --> 01:06:35,280
Speaker 1: So yeah, absolutely, all right. Moving on, all right, Millie,

1141
01:06:37,040 --> 01:06:39,000
Speaker 1: we're gonna listen to some voicemails today.

1142
01:06:39,120 --> 01:06:39,960
Speaker 2: Let's go all right.

1143
01:06:40,120 --> 01:06:43,480
Speaker 1: This first one is from our old friend weezer Face.

1144
01:06:43,760 --> 01:06:49,760
Speaker 6: Huh, here we go, Hey, Milli and Casey, it's Weezerface again.

1145
01:06:50,200 --> 01:06:55,080
Speaker 6: I am this time asking for some film recommendations with

1146
01:06:55,200 --> 01:06:59,080
Speaker 6: a caveat this time though, So I know you guys

1147
01:06:59,120 --> 01:07:03,440
Speaker 6: are horror fans just like me, and I'd like some

1148
01:07:03,600 --> 01:07:04,800
Speaker 6: horror recommendations.

1149
01:07:05,520 --> 01:07:07,720
Speaker 2: The caveat is going.

1150
01:07:07,600 --> 01:07:11,160
Speaker 6: Through sort of a heartbreak scenario at the moment and

1151
01:07:11,640 --> 01:07:15,160
Speaker 6: would really like to avoid any movie with like a

1152
01:07:15,360 --> 01:07:19,400
Speaker 6: romance subplot, which is surprisingly hard to find for some reason.

1153
01:07:19,440 --> 01:07:21,000
Speaker 6: When I really just want to tune in to see

1154
01:07:21,040 --> 01:07:23,720
Speaker 6: someone you know, get torn to pieces or a creature

1155
01:07:23,800 --> 01:07:26,720
Speaker 6: feature or something like that, I want to watch people

1156
01:07:27,080 --> 01:07:31,680
Speaker 6: be murdered with no romance storyline tucked into the film.

1157
01:07:32,120 --> 01:07:34,800
Speaker 6: So if you guys have any ideas what films come

1158
01:07:34,880 --> 01:07:37,760
Speaker 6: to mind with that, just hit me up and yeah,

1159
01:07:37,800 --> 01:07:38,760
Speaker 6: thank you, okay, love you by.

1160
01:07:39,680 --> 01:07:45,200
Speaker 1: This is actually a challenging exercise because, like most horror

1161
01:07:45,280 --> 01:07:47,920
Speaker 1: movies have some sort of romantic element in it.

1162
01:07:48,920 --> 01:07:54,000
Speaker 2: Really, I think so. I was because honestly, like when

1163
01:07:54,320 --> 01:07:59,880
Speaker 2: Weezerface was throwing this out there, and thanks again Weezerface

1164
01:08:00,040 --> 01:08:00,920
Speaker 2: for calling in.

1165
01:08:01,440 --> 01:08:04,400
Speaker 1: I mean, I just bought a copy of the Blue

1166
01:08:04,560 --> 01:08:07,960
Speaker 1: Album because I had lost mine. I had to rebuy

1167
01:08:08,040 --> 01:08:09,400
Speaker 1: my copy of the Blue Album this week.

1168
01:08:09,520 --> 01:08:09,640
Speaker 2: Huh.

1169
01:08:10,480 --> 01:08:14,120
Speaker 1: Just want you to know that continue Mially, I was like.

1170
01:08:14,360 --> 01:08:19,080
Speaker 2: Oh, the Exorcist. Yeah, there ain't no fucking romance in that.

1171
01:08:20,479 --> 01:08:24,800
Speaker 1: That is true. That is true? Is there not?

1172
01:08:25,120 --> 01:08:28,280
Speaker 2: Yeah, I would say no. I mean I don't even

1173
01:08:28,360 --> 01:08:33,360
Speaker 2: think that Ellen Burston's character is. I mean, there's priest.

1174
01:08:33,720 --> 01:08:38,519
Speaker 2: No one's falling in love with those priests. Yeah, ellen

1175
01:08:38,560 --> 01:08:41,240
Speaker 2: Burston doesn't have any as she's divorced in that movie.

1176
01:08:41,760 --> 01:08:44,519
Speaker 1: So yeah, Reagan's dad is out of the picture. That's right.

1177
01:08:45,520 --> 01:08:49,960
Speaker 1: So there's one, there's one that's good. But I'm I'm

1178
01:08:50,000 --> 01:08:55,200
Speaker 1: having like a hard time with this. What's another horror

1179
01:08:55,280 --> 01:09:01,240
Speaker 1: movie without a romance element? Hereditary? There's no romance there.

1180
01:09:01,360 --> 01:09:05,400
Speaker 1: I mean there's a married couple, but not romantic.

1181
01:09:05,640 --> 01:09:08,519
Speaker 2: I mean I don't know. I mean I I think

1182
01:09:08,560 --> 01:09:14,519
Speaker 2: there's also a lot of sex and horror movies without romance.

1183
01:09:15,160 --> 01:09:17,519
Speaker 2: So it's like, yeah, but that counts Milly, does it?

1184
01:09:18,400 --> 01:09:18,720
Speaker 1: I think?

1185
01:09:18,800 --> 01:09:18,840
Speaker 3: So?

1186
01:09:19,080 --> 01:09:22,120
Speaker 1: Okay for the Weezer faces prompt, I would say that

1187
01:09:22,200 --> 01:09:23,600
Speaker 1: sort of. So I was trying to think of that

1188
01:09:23,920 --> 01:09:27,559
Speaker 1: the Dissent, But that also has like a plot where

1189
01:09:27,680 --> 01:09:32,559
Speaker 1: like someone's cheating on their husband or like someone's sleeping

1190
01:09:32,640 --> 01:09:35,439
Speaker 1: with another person's husband in that, you know, So like

1191
01:09:36,360 --> 01:09:39,640
Speaker 1: that's a tough one too. So Okay, the caveat is

1192
01:09:39,720 --> 01:09:44,240
Speaker 1: there's no married people. There's no well, I think you

1193
01:09:44,360 --> 01:09:51,000
Speaker 1: could have married people, but just like no love. I

1194
01:09:51,120 --> 01:09:51,920
Speaker 1: guess I don't know.

1195
01:09:52,560 --> 01:09:54,320
Speaker 2: I mean, if you want to even talk about Robert

1196
01:09:54,360 --> 01:09:56,760
Speaker 2: Aldridge and whatever happened to Baby Jane, I mean, there

1197
01:09:56,800 --> 01:10:02,519
Speaker 2: ain't no sure romance in that movie, yeah, right, because

1198
01:10:02,520 --> 01:10:05,400
Speaker 2: I don't feel like either of them have if I'm

1199
01:10:05,439 --> 01:10:08,960
Speaker 2: remembering accurately, I think either Betty Davis nor Jorge Crawford

1200
01:10:09,080 --> 01:10:15,479
Speaker 2: is really fucking in that movie. No one's like, I

1201
01:10:15,600 --> 01:10:17,320
Speaker 2: don't know, dude, I think you're just gonna have to

1202
01:10:17,400 --> 01:10:25,880
Speaker 2: go either really gnarly, like real gnarly. But even in

1203
01:10:26,040 --> 01:10:29,320
Speaker 2: like seventies Italian cannibal movies, there is sex in those

1204
01:10:29,439 --> 01:10:34,560
Speaker 2: movies normally. Yeah. So I think The Exorcist is a

1205
01:10:34,640 --> 01:10:38,519
Speaker 2: really good one, thank you. Yeah, I think that's probably right.

1206
01:10:38,760 --> 01:10:42,559
Speaker 2: Is there romance in like Blair Witch Project or something?

1207
01:10:42,600 --> 01:10:45,479
Speaker 1: Oh that's a good one too, No, there's not, Okay,

1208
01:10:46,520 --> 01:10:48,479
Speaker 1: no romance there. That's a great one.

1209
01:10:48,960 --> 01:10:51,280
Speaker 2: Yeah, I mean, but yeah, it's true because if you

1210
01:10:51,360 --> 01:10:55,920
Speaker 2: think about even in movies like The Silence and the Lambs, right,

1211
01:10:56,439 --> 01:11:00,640
Speaker 2: there's kind of like there's flirtation. Yeah, there's flirtation or

1212
01:11:00,760 --> 01:11:06,599
Speaker 2: sort of like weird vibes between characters if you will. Yeah,

1213
01:11:06,960 --> 01:11:09,599
Speaker 2: but it's yeah, so if you want to remove even

1214
01:11:09,720 --> 01:11:13,400
Speaker 2: those things, yeah, that's interesting.

1215
01:11:14,400 --> 01:11:21,040
Speaker 1: How about the Devil's Backbone? Okay, I feel like that

1216
01:11:21,280 --> 01:11:24,960
Speaker 1: was like at a orphanage. That's a really good and

1217
01:11:25,080 --> 01:11:26,000
Speaker 1: you kind of have to.

1218
01:11:26,200 --> 01:11:31,040
Speaker 2: Like eradicate all monster movies because that's what monster movies

1219
01:11:31,080 --> 01:11:35,360
Speaker 2: are or basically about desire. So that is true. There's

1220
01:11:35,400 --> 01:11:35,880
Speaker 2: a lot.

1221
01:11:36,600 --> 01:11:39,160
Speaker 1: This is actually okay, I think we gave some good

1222
01:11:39,200 --> 01:11:40,439
Speaker 1: ones though I think we did too.

1223
01:11:40,600 --> 01:11:43,599
Speaker 2: But then because when I first heard it the voicemail,

1224
01:11:43,640 --> 01:11:46,280
Speaker 2: I was like, what's the big fucking deal? I just

1225
01:11:46,400 --> 01:11:48,680
Speaker 2: named one? But now I'm like, actually, there's this is

1226
01:11:48,720 --> 01:11:50,240
Speaker 2: a lot more complicated than I thought.

1227
01:11:50,560 --> 01:11:54,679
Speaker 1: So, yeah, you were really dismissive of we your faces question,

1228
01:11:56,200 --> 01:12:00,720
Speaker 1: but I'm glad we came full circle, full circle. All right,

1229
01:12:00,840 --> 01:12:04,200
Speaker 1: let's play the next voicemail. This one's from Gabby.

1230
01:12:04,920 --> 01:12:05,960
Speaker 2: Hi, Millian Casey.

1231
01:12:06,600 --> 01:12:10,960
Speaker 4: My name is Gabby, and I got a little DVD

1232
01:12:11,120 --> 01:12:15,080
Speaker 4: player for Christmas, which is awesome, and so I am

1233
01:12:15,360 --> 01:12:20,920
Speaker 4: rebuilding my DVD collection currently. I have the Uninvited from

1234
01:12:21,040 --> 01:12:25,759
Speaker 4: nineteen forty four, The Haunting the original and the Haunting

1235
01:12:25,800 --> 01:12:29,439
Speaker 4: of Hill House the Extended Director's cut, and Pride and

1236
01:12:29,520 --> 01:12:33,720
Speaker 4: Prejudice from two thousand and four. So I'm curious, what

1237
01:12:33,920 --> 01:12:36,360
Speaker 4: do you all think I should purchase next based off

1238
01:12:36,479 --> 01:12:39,640
Speaker 4: of those current selections?

1239
01:12:40,320 --> 01:12:40,960
Speaker 2: Thanks so much.

1240
01:12:41,760 --> 01:12:44,600
Speaker 1: Seems like she's got some house movies going on.

1241
01:12:44,920 --> 01:12:46,599
Speaker 2: Yeah, I was gonna say, it's a lot of haunted

1242
01:12:46,640 --> 01:12:47,200
Speaker 2: house stuff.

1243
01:12:47,880 --> 01:12:55,000
Speaker 1: So and kind of old timey haunted house.

1244
01:12:54,840 --> 01:13:01,280
Speaker 2: Yeah, uninvited things of that nature, The Haunting Hunting sixties

1245
01:13:01,360 --> 01:13:07,679
Speaker 2: she did. Okay, yes, yeah, I mean, honestly, Amityville Horror

1246
01:13:08,080 --> 01:13:13,080
Speaker 2: the original. You know, what about how Sue? How Sue?

1247
01:13:13,160 --> 01:13:18,519
Speaker 2: Of course, House on Haunted Hill the fifties version with

1248
01:13:18,760 --> 01:13:22,360
Speaker 2: Vincent Price, that's probably the most classic. Yes, what else?

1249
01:13:22,880 --> 01:13:23,400
Speaker 2: What else?

1250
01:13:24,520 --> 01:13:27,479
Speaker 1: There's a lot of haunted house movies. This isn't really

1251
01:13:27,520 --> 01:13:30,519
Speaker 1: a haunted house movie, but it's like a house movie.

1252
01:13:31,280 --> 01:13:35,519
Speaker 1: I feel like Death Becomes Her is a good in

1253
01:13:35,680 --> 01:13:40,679
Speaker 1: her mansion style house movie.

1254
01:13:40,800 --> 01:13:43,000
Speaker 2: You know, I saw that fairly recently in the movie theater.

1255
01:13:43,960 --> 01:13:47,200
Speaker 2: There was a rep screening of it here in Atlanta,

1256
01:13:47,240 --> 01:13:48,760
Speaker 2: and I remember I went with a friend of mine

1257
01:13:49,720 --> 01:13:53,600
Speaker 2: who fucking hated that movie and thought it was. She

1258
01:13:53,680 --> 01:13:56,000
Speaker 2: said that she thought it was the most unfeminist movie

1259
01:13:56,080 --> 01:13:56,840
Speaker 2: she's ever seen.

1260
01:13:58,720 --> 01:14:03,360
Speaker 1: But I was like, wow, I love that movie. What

1261
01:14:03,439 --> 01:14:05,599
Speaker 1: does that say about me? I think it's incredible.

1262
01:14:05,680 --> 01:14:07,840
Speaker 2: Yeah, I don't. I don't know what now that.

1263
01:14:07,920 --> 01:14:11,559
Speaker 1: I'm like, I think gay men might cut her head

1264
01:14:11,600 --> 01:14:12,280
Speaker 1: off for something.

1265
01:14:12,280 --> 01:14:14,880
Speaker 2: That's what I think. Everybody was sitting there like, holy fuck.

1266
01:14:14,920 --> 01:14:16,640
Speaker 2: We were like talking after the movie and like the

1267
01:14:16,760 --> 01:14:19,640
Speaker 2: lobby and all, like she was basically like, God, I

1268
01:14:19,640 --> 01:14:21,519
Speaker 2: hated that movie was so unfeminist. I mean, this is

1269
01:14:21,640 --> 01:14:23,360
Speaker 2: like the most unfeminist movie I've seen in.

1270
01:14:23,360 --> 01:14:23,840
Speaker 1: A long time.

1271
01:14:23,880 --> 01:14:27,120
Speaker 2: And everyone was sitting there being like, wow, do we

1272
01:14:27,200 --> 01:14:28,200
Speaker 2: see the same movie.

1273
01:14:29,479 --> 01:14:31,960
Speaker 1: Well, I'm like, it's not like the movie saying these

1274
01:14:32,000 --> 01:14:33,840
Speaker 1: women are good and what they're doing is good.

1275
01:14:34,760 --> 01:14:35,680
Speaker 2: Yeah, I don't know.

1276
01:14:36,439 --> 01:14:38,599
Speaker 1: I was gonna say, it's been a while since I've

1277
01:14:38,600 --> 01:14:39,479
Speaker 1: seen this movie.

1278
01:14:39,320 --> 01:14:39,400
Speaker 3: But.

1279
01:14:41,040 --> 01:14:43,559
Speaker 1: Rebecca are Rebecca? Yep?

1280
01:14:44,040 --> 01:14:48,360
Speaker 2: Does that in Mandalay I was gonna say, back to

1281
01:14:48,400 --> 01:14:51,400
Speaker 2: Weezer faces question, I feel like, yes, you could not

1282
01:14:52,080 --> 01:14:57,120
Speaker 2: include pretty much any Alpha Hitchcock movies in that, because

1283
01:14:57,960 --> 01:14:59,320
Speaker 2: his movies are all about.

1284
01:15:01,280 --> 01:15:07,320
Speaker 1: Yes, yes they are any other yeah, any other res

1285
01:15:07,479 --> 01:15:10,240
Speaker 1: was that it for the Rex for Gabby.

1286
01:15:10,400 --> 01:15:13,280
Speaker 2: Yeah, and I also think she should just buy Elvira

1287
01:15:13,400 --> 01:15:14,880
Speaker 2: Mistress of the Dark just to have it.

1288
01:15:15,080 --> 01:15:17,800
Speaker 1: Sure, sure, sure, Yeah, that's it.

1289
01:15:18,040 --> 01:15:24,280
Speaker 2: Congratulations on building a you know, a physical media library.

1290
01:15:24,280 --> 01:15:26,519
Speaker 2: I think that's really good and important. So I'm excited

1291
01:15:26,560 --> 01:15:31,280
Speaker 2: for you, Gabby. All right, here's the last one, and

1292
01:15:31,400 --> 01:15:35,800
Speaker 2: this is from Share, not that Share. Damn I thought

1293
01:15:35,840 --> 01:15:36,519
Speaker 2: it was that Share.

1294
01:15:37,280 --> 01:15:41,680
Speaker 3: Hi, Casey and Millie. I'm Shared from Texas and I'm

1295
01:15:41,720 --> 01:15:45,200
Speaker 3: a long time listener, first time caller. I was just

1296
01:15:45,320 --> 01:15:48,439
Speaker 3: sitting in my car just now thinking about how I

1297
01:15:48,600 --> 01:15:50,080
Speaker 3: have a little film gripe.

1298
01:15:50,840 --> 01:15:52,520
Speaker 2: I cannot stand.

1299
01:15:52,479 --> 01:15:58,719
Speaker 3: Whenever people quote movies and conversations. And I'm not talking

1300
01:15:58,760 --> 01:16:01,240
Speaker 3: about like a say hello, my little friend kind of thing.

1301
01:16:01,720 --> 01:16:05,720
Speaker 3: I'm talking about quoting line after line from The Hangover

1302
01:16:06,720 --> 01:16:10,120
Speaker 3: or you know, some sort. It's usually a comparable movie

1303
01:16:10,200 --> 01:16:12,840
Speaker 3: to The Hangover, if you know what I mean. But

1304
01:16:13,040 --> 01:16:17,519
Speaker 3: I just as someone who cannot retain quotes from things

1305
01:16:17,600 --> 01:16:21,479
Speaker 3: like that, I even if I've seen the movie, cannot

1306
01:16:21,560 --> 01:16:26,479
Speaker 3: stand whenever people will be quoting a movie like they

1307
01:16:26,600 --> 01:16:28,400
Speaker 3: have the script embedded in their brain.

1308
01:16:28,840 --> 01:16:29,599
Speaker 2: That's my little film.

1309
01:16:29,680 --> 01:16:32,280
Speaker 3: Great, Thanks a lot, y'all, love you bunches, Shao.

1310
01:16:33,479 --> 01:16:37,280
Speaker 1: I agree with scher Ah, you guys hate. This is

1311
01:16:37,360 --> 01:16:42,160
Speaker 1: a man problem. I would say. I went to high

1312
01:16:42,200 --> 01:16:47,439
Speaker 1: school when Anchorman and Napoleon Dynamite came out, and it

1313
01:16:47,600 --> 01:16:50,280
Speaker 1: was just a riff off every day with all the

1314
01:16:50,360 --> 01:16:54,559
Speaker 1: guys in high school, and I could not remember quotes.

1315
01:16:54,560 --> 01:16:57,200
Speaker 1: I'm like, share, I'm like, I don't remember these things.

1316
01:16:57,560 --> 01:17:02,360
Speaker 1: But yeah, I find that an I a gripe accepted.

1317
01:17:02,880 --> 01:17:06,080
Speaker 1: I mean, I don't know, y'all would hate me. I

1318
01:17:06,160 --> 01:17:07,760
Speaker 1: feel like I quite shut out.

1319
01:17:07,880 --> 01:17:10,439
Speaker 2: But then again, I will say this in my defense.

1320
01:17:11,400 --> 01:17:15,599
Speaker 2: The movies that I quote are usually movies like Robert

1321
01:17:15,680 --> 01:17:18,679
Speaker 2: Aldrich Is the Killing of Sister George, like something that's

1322
01:17:18,840 --> 01:17:24,000
Speaker 2: like nobody has seen and maybe nobody even knows. But

1323
01:17:24,160 --> 01:17:30,479
Speaker 2: I'm such a weird, like brained person where I would

1324
01:17:30,680 --> 01:17:33,040
Speaker 2: like say a quote and maybe not even realize it

1325
01:17:33,160 --> 01:17:34,559
Speaker 2: myself that it's from a movie.

1326
01:17:34,600 --> 01:17:34,920
Speaker 1: I don't know.

1327
01:17:34,960 --> 01:17:38,160
Speaker 2: I feel like I've talked about this recently on an

1328
01:17:38,200 --> 01:17:42,040
Speaker 2: episode where I quote movies constantly, but it's like, I mean,

1329
01:17:42,040 --> 01:17:44,519
Speaker 2: I'm not doing the thing where I'm like doing lines

1330
01:17:44,600 --> 01:17:48,600
Speaker 2: and lines of dialogue all the time, but I do

1331
01:17:48,880 --> 01:17:51,360
Speaker 2: slip in little references all the time.

1332
01:17:52,760 --> 01:17:56,160
Speaker 1: I think what Share is talking about is where you're

1333
01:17:56,240 --> 01:17:59,720
Speaker 1: sitting with a group of men, sure, and they're like

1334
01:18:02,120 --> 01:18:05,880
Speaker 1: saying quotes from The Big Lebowski back and forth, like

1335
01:18:06,160 --> 01:18:08,479
Speaker 1: just not even like just saying them back like that's

1336
01:18:08,560 --> 01:18:11,640
Speaker 1: the conversation. Them just saying quotes back and forth like that.

1337
01:18:13,040 --> 01:18:15,919
Speaker 1: That's I don't like that, and I find that unfunny.

1338
01:18:16,439 --> 01:18:20,280
Speaker 1: There's actually did you ever watch Lady Dynamite, The Maria

1339
01:18:20,360 --> 01:18:24,000
Speaker 1: Bamford Show, Yes, of course. Well there's a part where

1340
01:18:24,080 --> 01:18:26,759
Speaker 1: she goes back, like she recounts going back to Duluth

1341
01:18:27,040 --> 01:18:29,000
Speaker 1: or like when she was like working in an office

1342
01:18:29,120 --> 01:18:32,240
Speaker 1: in Duluth, Minnesota while she was like getting her comedy

1343
01:18:32,280 --> 01:18:35,519
Speaker 1: career off the ground, and there's like a guy in

1344
01:18:35,560 --> 01:18:40,479
Speaker 1: the office who just quotes like movies and TV shows

1345
01:18:40,520 --> 01:18:42,600
Speaker 1: and people are like, you're so funny, you should be

1346
01:18:42,640 --> 01:18:46,439
Speaker 1: a comedian. And then they're like Maria Bamford, They're like, oh,

1347
01:18:46,640 --> 01:18:47,839
Speaker 1: she is actually a comedian.

1348
01:18:47,880 --> 01:18:48,479
Speaker 2: You do comedy.

1349
01:18:48,520 --> 01:18:49,920
Speaker 1: Can you say one of your jokes? And it's like

1350
01:18:50,000 --> 01:18:52,719
Speaker 1: one of her weird Maria Bamford jokes and nobody laughs.

1351
01:18:53,200 --> 01:18:56,439
Speaker 1: But I do feel like there are people who like

1352
01:18:58,280 --> 01:19:02,760
Speaker 1: use like quotes from movies in place of their set

1353
01:19:02,920 --> 01:19:06,200
Speaker 1: like actual sense of humor, and use it to prop

1354
01:19:06,280 --> 01:19:06,920
Speaker 1: themselves up.

1355
01:19:07,120 --> 01:19:14,760
Speaker 2: Sure, sure, yeah, I understand that, and my I want

1356
01:19:14,960 --> 01:19:18,840
Speaker 2: to I want to agree with both you and share

1357
01:19:18,960 --> 01:19:23,439
Speaker 2: about this, But I'm just frightened that I am that

1358
01:19:23,680 --> 01:19:28,639
Speaker 2: person and I don't know it. Hell, maybe I'm out

1359
01:19:28,680 --> 01:19:36,720
Speaker 2: of my element, Donnie, who knows, But I I'm just

1360
01:19:36,880 --> 01:19:40,800
Speaker 2: saying that, like I think, and I think for me,

1361
01:19:41,760 --> 01:19:46,840
Speaker 2: I recognize how many movies I've seen and how much

1362
01:19:46,960 --> 01:19:50,160
Speaker 2: my life is informed by films that like I can't,

1363
01:19:50,960 --> 01:19:57,479
Speaker 2: I cannot be firm on this gripe, like I can't, don't.

1364
01:19:57,560 --> 01:20:01,439
Speaker 2: I'm scared for my own self that I'm gonna be saying,

1365
01:20:01,720 --> 01:20:04,920
Speaker 2: oh man, fuck yeah, I totally get it, fucked dudes,

1366
01:20:04,960 --> 01:20:09,200
Speaker 2: And they're stupid movie lines, and I'm like going again whatever,

1367
01:20:09,680 --> 01:20:12,639
Speaker 2: like saying X, Y and Z and again, like even

1368
01:20:13,080 --> 01:20:16,000
Speaker 2: with movies that people haven't even seen, which is maybe

1369
01:20:16,120 --> 01:20:20,000
Speaker 2: more obnoxious than the hangover movies. Who the fuck knows,

1370
01:20:20,080 --> 01:20:23,200
Speaker 2: But I don't know. I'm just trying not to, you know,

1371
01:20:23,880 --> 01:20:27,000
Speaker 2: cancel myself. I suppose, Okay, you're trying. You're trying to

1372
01:20:27,040 --> 01:20:29,960
Speaker 2: protect yourself a little bit I understand that, but I share,

1373
01:20:30,040 --> 01:20:32,600
Speaker 2: I see you, I hear you. Yes, I accept you,

1374
01:20:32,920 --> 01:20:35,400
Speaker 2: and I agree with you. So all right.

1375
01:20:35,800 --> 01:20:37,519
Speaker 1: Those are all the voicemails we have for today. Thank

1376
01:20:37,520 --> 01:20:40,080
Speaker 1: you for everyone who sent them in. Please feel free

1377
01:20:40,200 --> 01:20:43,240
Speaker 1: to record a voicemail on your phone and email it

1378
01:20:43,320 --> 01:20:43,760
Speaker 1: to our show.

1379
01:20:44,600 --> 01:20:47,960
Speaker 2: We love it, we love it, we love it. Really,

1380
01:20:48,040 --> 01:20:48,760
Speaker 2: it's time to move.

1381
01:20:48,680 --> 01:20:52,599
Speaker 1: On to Employees' Picks, where we recommend a film based

1382
01:20:52,720 --> 01:20:55,679
Speaker 1: on the discussion today. Can you please go first?

1383
01:20:56,439 --> 01:20:59,080
Speaker 2: I will, Uh. I'm going to recommend a movie that

1384
01:20:59,560 --> 01:21:02,800
Speaker 2: if you're a fan, you know exactly what this movie is.

1385
01:21:03,040 --> 01:21:06,160
Speaker 2: In fact, I feel like this movie played actually I

1386
01:21:06,240 --> 01:21:08,680
Speaker 2: don't believe this movie played with the longest yard when

1387
01:21:08,680 --> 01:21:10,040
Speaker 2: I was at the New Beverly. I feel like it

1388
01:21:10,120 --> 01:21:14,479
Speaker 2: played adjacent too. But it's this movie from nineteen seventy

1389
01:21:14,520 --> 01:21:19,080
Speaker 2: seven called Semi Tough, which when I first saw this movie,

1390
01:21:19,320 --> 01:21:21,800
Speaker 2: I was like, nobody in the world has heard of

1391
01:21:21,880 --> 01:21:24,600
Speaker 2: this movie, and I don't know. I was like, this

1392
01:21:24,800 --> 01:21:28,880
Speaker 2: is like such a deeply weird, bizarre film. And I

1393
01:21:28,960 --> 01:21:31,880
Speaker 2: feel like now people are actually like talking about it

1394
01:21:31,960 --> 01:21:33,840
Speaker 2: a little bit more, and I don't know why that is.

1395
01:21:34,640 --> 01:21:38,479
Speaker 2: But it's essentially another Burt Reynolds movie in which he

1396
01:21:38,680 --> 01:21:42,680
Speaker 2: plays a football player. He does have a mustache. He's

1397
01:21:42,800 --> 01:21:45,320
Speaker 2: mustache in this movie, and he's like basically on a

1398
01:21:45,560 --> 01:21:49,640
Speaker 2: professional football team alongside Chris Christofferson. And it's like this

1399
01:21:50,000 --> 01:21:52,640
Speaker 2: weird fucking maybe this is such a seventies thing, but

1400
01:21:52,680 --> 01:21:55,640
Speaker 2: it's they've got this like threes company vibe where like

1401
01:21:56,080 --> 01:22:00,360
Speaker 2: Burt Reynolds and Chris Christofferson are roommates and they with

1402
01:22:01,680 --> 01:22:04,960
Speaker 2: the daughter of the owner of the team, who is

1403
01:22:05,000 --> 01:22:08,639
Speaker 2: played by Jill Klaiburg, and she's phenomenal in this movie.

1404
01:22:08,800 --> 01:22:12,680
Speaker 2: I fucking love Jill Klaiburg so much, and they kind

1405
01:22:12,720 --> 01:22:15,680
Speaker 2: of have this like love triangle thing going on. But

1406
01:22:15,760 --> 01:22:19,560
Speaker 2: then there's also like lots of talk about like self improvement,

1407
01:22:20,080 --> 01:22:24,679
Speaker 2: and there's this whole interesting, extremely famous famous to people

1408
01:22:24,720 --> 01:22:28,919
Speaker 2: who know this movie. Let's just say that extremely famous

1409
01:22:29,920 --> 01:22:38,000
Speaker 2: uh sequence that is essentially the game show host Bert Convey,

1410
01:22:39,000 --> 01:22:41,800
Speaker 2: who was who was the host of wind Loser Draw

1411
01:22:41,920 --> 01:22:44,439
Speaker 2: and like super password and shit, he plays this like

1412
01:22:44,720 --> 01:22:50,360
Speaker 2: fake meditation self improvement guru. And there's this whole sequence

1413
01:22:50,400 --> 01:22:53,160
Speaker 2: where I guess like they go to this one of

1414
01:22:53,240 --> 01:22:56,080
Speaker 2: these like day long seminars of his and everyone's like

1415
01:22:56,160 --> 01:22:58,400
Speaker 2: pissing themselves on the floor, and I mean it's like

1416
01:22:58,920 --> 01:23:03,360
Speaker 2: really bizarre. This movie is very bizarre because it's supposed

1417
01:23:03,400 --> 01:23:05,360
Speaker 2: to be about football but it ends up being about

1418
01:23:05,400 --> 01:23:08,400
Speaker 2: all this other stuff and it's very seventies. And yeah,

1419
01:23:08,560 --> 01:23:12,000
Speaker 2: Bert's very charming. There's a lot of chestear between him

1420
01:23:12,040 --> 01:23:16,120
Speaker 2: and Chris Christofferson in this film. And who doesn't want

1421
01:23:16,200 --> 01:23:21,880
Speaker 2: to be Jill Klayberg being fought over by those two guys.

1422
01:23:22,520 --> 01:23:27,120
Speaker 1: Shit. I love Jill Klaiburg. She an unmarried woman is

1423
01:23:27,160 --> 01:23:28,240
Speaker 1: one of my favorite love.

1424
01:23:28,200 --> 01:23:34,240
Speaker 2: That movie too, and uh yeah, rip Quaid. She's fantastic.

1425
01:23:34,320 --> 01:23:36,439
Speaker 2: But anyway, that's my wreck for this week.

1426
01:23:36,960 --> 01:23:39,519
Speaker 1: This looks great. I want to watch this right now.

1427
01:23:39,800 --> 01:23:43,960
Speaker 1: It even also has former Minnesota Viking quarterback Joe cap

1428
01:23:44,280 --> 01:23:48,040
Speaker 1: in a role yeah as hose Manning whoever.

1429
01:23:47,800 --> 01:23:50,640
Speaker 2: That is well And also like Michael Ritchie directed it,

1430
01:23:50,760 --> 01:23:54,879
Speaker 2: who He's made, He made smile, He made the Candidate

1431
01:23:55,160 --> 01:24:00,240
Speaker 2: with Robert Redford and did like the Bad News Bears stuff,

1432
01:24:00,280 --> 01:24:02,320
Speaker 2: So he's kind of like Michael Richie's a great director

1433
01:24:02,680 --> 01:24:05,519
Speaker 2: and has like his moments of weirdness. He's got weird

1434
01:24:05,600 --> 01:24:10,479
Speaker 2: movies in his filmography, including semi tough, so anyway, you'll

1435
01:24:10,520 --> 01:24:12,120
Speaker 2: love it. I think I think you'll love it.

1436
01:24:12,240 --> 01:24:14,040
Speaker 1: Okay, very good.

1437
01:24:14,439 --> 01:24:14,559
Speaker 3: Uh.

1438
01:24:15,080 --> 01:24:17,760
Speaker 1: I wanted to do kind of another like messy seventies

1439
01:24:17,840 --> 01:24:19,880
Speaker 1: movie where there was football, and for some reason, I

1440
01:24:19,960 --> 01:24:22,560
Speaker 1: was thinking of the movie Mash by Robert Altman. I

1441
01:24:22,680 --> 01:24:26,040
Speaker 1: love Mash. I didn't I never watched the TV show,

1442
01:24:26,160 --> 01:24:30,080
Speaker 1: but the movie is so great and Donald Tutheren and

1443
01:24:30,160 --> 01:24:33,719
Speaker 1: Elliott Gould charming as hell, and there's a funny there's

1444
01:24:33,760 --> 01:24:36,240
Speaker 1: like a section where there's a big football game that's

1445
01:24:36,400 --> 01:24:39,760
Speaker 1: very fun. Oh cool, and it gives kind of a

1446
01:24:39,880 --> 01:24:42,519
Speaker 1: you know when you're kind of like wanting that loose

1447
01:24:42,720 --> 01:24:46,759
Speaker 1: seventies fun movie where there's a I feel like leading

1448
01:24:46,800 --> 01:24:50,000
Speaker 1: guys like Burt Reynolds or even like Donald Sugan, they're

1449
01:24:50,080 --> 01:24:52,800
Speaker 1: kind of like chuckling to themselves, are kind of like

1450
01:24:53,880 --> 01:24:56,240
Speaker 1: like winking at the camera a little bit. Like it

1451
01:24:56,400 --> 01:24:59,680
Speaker 1: just feels like there's like an easy breeziness to these

1452
01:24:59,720 --> 01:25:03,400
Speaker 1: type actors that yeah, I do too. It is intoxicating.

1453
01:25:04,240 --> 01:25:06,280
Speaker 2: I love it and I want to Actually, I haven't

1454
01:25:06,280 --> 01:25:08,639
Speaker 2: seen Mash in a really really long time, so maybe

1455
01:25:08,640 --> 01:25:09,080
Speaker 2: we'll do that.

1456
01:25:09,880 --> 01:25:14,599
Speaker 1: It's so fun, it's so fun. All right, Millie, that's

1457
01:25:14,640 --> 01:25:17,120
Speaker 1: our show. Was that fun for you?

1458
01:25:17,760 --> 01:25:18,280
Speaker 2: I had fun.

1459
01:25:19,320 --> 01:25:21,639
Speaker 1: I had a great time. Okay, great, you know if

1460
01:25:21,640 --> 01:25:23,320
Speaker 1: we didn't talk about the super Bowl at all. Do

1461
01:25:23,360 --> 01:25:24,960
Speaker 1: you have any super Bowl plans? Do you like to

1462
01:25:25,000 --> 01:25:26,720
Speaker 1: do anything during the Super Bowl? Are you even going

1463
01:25:26,760 --> 01:25:27,679
Speaker 1: to watch the Super Bowl?

1464
01:25:28,120 --> 01:25:31,200
Speaker 2: No? I am not unless somebody invites me to a

1465
01:25:31,280 --> 01:25:33,880
Speaker 2: party where I know the snacks are going to be

1466
01:25:34,160 --> 01:25:37,800
Speaker 2: off the charts, then I usually don't watch it at

1467
01:25:37,840 --> 01:25:40,960
Speaker 2: all and don't participate. The last super Bowl party I

1468
01:25:41,040 --> 01:25:47,360
Speaker 2: went to, I went because the host promised that they

1469
01:25:47,400 --> 01:25:51,479
Speaker 2: were going to order the six foot sub sandwich from publics,

1470
01:25:53,360 --> 01:25:56,640
Speaker 2: and I was like, I'm coming. Let me just tell you, like,

1471
01:25:56,960 --> 01:26:01,519
Speaker 2: I have a friend who you know is will host

1472
01:26:01,560 --> 01:26:07,320
Speaker 2: parties that essentially revolve around these feats of food, Like

1473
01:26:08,040 --> 01:26:10,040
Speaker 2: you know how like in your towns you probably have

1474
01:26:10,360 --> 01:26:13,200
Speaker 2: like these, Hey come to the restaurant that serves the

1475
01:26:13,280 --> 01:26:16,760
Speaker 2: ninety six out steak or whatever. He'll do that with

1476
01:26:17,400 --> 01:26:20,439
Speaker 2: pretty good regularity. Like when he hears about like some

1477
01:26:20,880 --> 01:26:24,680
Speaker 2: monster meal that a restaurant offers, he'll order it. Like

1478
01:26:24,840 --> 01:26:26,960
Speaker 2: there was also a time where he had a party

1479
01:26:27,000 --> 01:26:30,320
Speaker 2: where he ordered this. They used to make this giant

1480
01:26:30,400 --> 01:26:32,680
Speaker 2: pizza that was like three foot long or something, and

1481
01:26:32,720 --> 01:26:35,360
Speaker 2: he like, has he had out trouble putting it through

1482
01:26:35,400 --> 01:26:37,680
Speaker 2: the door. They had to like put it sideways at

1483
01:26:37,720 --> 01:26:39,680
Speaker 2: one point, and they were being very careful us and

1484
01:26:39,760 --> 01:26:43,120
Speaker 2: not ruin the pizza. But I was like, I love

1485
01:26:43,240 --> 01:26:45,120
Speaker 2: people like that. I'm like, cool, what am I going

1486
01:26:45,200 --> 01:26:48,320
Speaker 2: to eat a six foot sub and you know on

1487
01:26:48,439 --> 01:26:49,920
Speaker 2: a football thing? Because I don't watch that.

1488
01:26:50,080 --> 01:26:52,200
Speaker 1: I gotta do that. That sounds amazing. I want to

1489
01:26:52,240 --> 01:26:52,920
Speaker 1: be that guy, Casi.

1490
01:26:53,040 --> 01:26:55,720
Speaker 2: I think you easily could be. You just have to,

1491
01:26:55,800 --> 01:26:58,519
Speaker 2: you know, dream it, dream it a little bit.

1492
01:26:58,560 --> 01:27:02,719
Speaker 1: And you can be. It's I love the super Bowl.

1493
01:27:03,320 --> 01:27:06,759
Speaker 1: It's one of my favorite holidays. And I love the food,

1494
01:27:07,120 --> 01:27:09,320
Speaker 1: and I love the thing about football that works really

1495
01:27:09,400 --> 01:27:13,479
Speaker 1: well with this, Like the super Bowl is like there's

1496
01:27:13,560 --> 01:27:17,960
Speaker 1: actually only eleven minutes of gameplay per game and the

1497
01:27:18,040 --> 01:27:21,280
Speaker 1: rest is just kind of wait, hanging around okay, you know,

1498
01:27:21,600 --> 01:27:24,040
Speaker 1: and so it's fun. You don't have to pay super

1499
01:27:24,160 --> 01:27:24,719
Speaker 1: close attention.

1500
01:27:25,920 --> 01:27:29,040
Speaker 2: Well, and like to me, like I think to your

1501
01:27:29,160 --> 01:27:31,639
Speaker 2: point and the earlier point it is to me about

1502
01:27:32,040 --> 01:27:36,000
Speaker 2: the snacks, and I do appreciate, Like I love when

1503
01:27:36,240 --> 01:27:38,599
Speaker 2: I see pictures of people who have made like football

1504
01:27:38,680 --> 01:27:43,519
Speaker 2: stadiums out of snacks, Like they'll make like a model

1505
01:27:43,560 --> 01:27:45,320
Speaker 2: of a football stadium in like the walls, or like

1506
01:27:45,439 --> 01:27:48,560
Speaker 2: sandwiches and shit. Yeah, do you do stuff like that?

1507
01:27:48,680 --> 01:27:51,880
Speaker 1: That's cool? I should I You know, one year we

1508
01:27:51,960 --> 01:27:54,920
Speaker 1: had a super big Super Bowl party and I did

1509
01:27:55,040 --> 01:27:59,240
Speaker 1: get a big football cookie. It was like the shape

1510
01:27:59,240 --> 01:28:03,280
Speaker 1: of a football, and that was good. But I should

1511
01:28:03,320 --> 01:28:05,840
Speaker 1: do I should get more creative and artistic with my snack.

1512
01:28:05,960 --> 01:28:07,519
Speaker 2: That would be funny. I would come to your house

1513
01:28:07,560 --> 01:28:08,840
Speaker 2: for football. If that you're doing.

1514
01:28:10,439 --> 01:28:13,200
Speaker 1: You gotta come to Minneapolis sometime. Let's party.

1515
01:28:14,120 --> 01:28:14,759
Speaker 5: I will.

1516
01:28:16,520 --> 01:28:25,880
Speaker 2: Once things calm down, once Ice leaves. That sounds yeah,

1517
01:28:28,720 --> 01:28:29,880
Speaker 2: all right, So that's our show.

1518
01:28:30,160 --> 01:28:31,680
Speaker 1: If you would like to write in, if you have

1519
01:28:31,720 --> 01:28:34,200
Speaker 1: a question, if you have a gripe, grope or gret

1520
01:28:35,479 --> 01:28:41,679
Speaker 1: or anything, really call in write in at Deer Movies

1521
01:28:42,280 --> 01:28:45,959
Speaker 1: at exactlyrightmedia dot com. And if you leave us a voicemail,

1522
01:28:46,600 --> 01:28:48,360
Speaker 1: leave it under a minute. Please and record it in

1523
01:28:48,439 --> 01:28:52,479
Speaker 1: a nice quiet space. Don't record it at like you know,

1524
01:28:52,680 --> 01:28:55,760
Speaker 1: a monster truck rally and you hear grave digger in

1525
01:28:55,800 --> 01:29:00,640
Speaker 1: the background, you know, so uh yeah, please write in.

1526
01:29:00,960 --> 01:29:02,120
Speaker 1: I love it when you guys, do that.

1527
01:29:03,680 --> 01:29:07,880
Speaker 2: Fantastic. You know. I have to remind everybody that we're

1528
01:29:07,920 --> 01:29:10,760
Speaker 2: on social media, and I always kind of want to

1529
01:29:10,840 --> 01:29:15,799
Speaker 2: do a thing where I have like this entire box

1530
01:29:15,960 --> 01:29:24,600
Speaker 2: full of customized personalized pencils that I made once. I

1531
01:29:24,720 --> 01:29:27,800
Speaker 2: probably have like three hundred of them.

1532
01:29:28,840 --> 01:29:29,040
Speaker 3: I know.

1533
01:29:29,280 --> 01:29:31,240
Speaker 2: I was like, maybe I should hand out pencils for

1534
01:29:31,360 --> 01:29:36,840
Speaker 2: people to follow our Instagram. Maybe I'll enact that at

1535
01:29:36,880 --> 01:29:39,040
Speaker 2: some point, but I really want people to follow us

1536
01:29:39,080 --> 01:29:41,960
Speaker 2: on Instagram because I feel like that's where people seem

1537
01:29:42,040 --> 01:29:46,200
Speaker 2: to be congregating the most. We're also on Facebook. It's

1538
01:29:46,240 --> 01:29:49,120
Speaker 2: at Deer Movies I Love You on both we have

1539
01:29:49,200 --> 01:29:53,200
Speaker 2: a letterboxed handles at ca Celi O'Brien. At M to

1540
01:29:53,280 --> 01:29:55,400
Speaker 2: Jericho you can follow along with us in real time

1541
01:29:55,439 --> 01:29:58,599
Speaker 2: about what we're watching. And also Deer Movies I Love

1542
01:29:58,640 --> 01:30:02,080
Speaker 2: You is on the iHeart Radio app, Apple Podcasts wherever

1543
01:30:02,160 --> 01:30:06,320
Speaker 2: you get your podcasts, rate and review the show. Be nice,

1544
01:30:06,720 --> 01:30:08,400
Speaker 2: be kind, help us out.

1545
01:30:08,800 --> 01:30:09,280
Speaker 1: We need you.

1546
01:30:09,760 --> 01:30:10,559
Speaker 2: Thank you very much.

1547
01:30:10,960 --> 01:30:13,559
Speaker 1: Our reviews of I feel like only Gotten Kinder as

1548
01:30:13,600 --> 01:30:13,880
Speaker 1: a show.

1549
01:30:14,000 --> 01:30:15,800
Speaker 2: I feel like they have to. I don't like to

1550
01:30:15,880 --> 01:30:19,080
Speaker 2: look at them because I I don't know. My heart

1551
01:30:19,160 --> 01:30:20,840
Speaker 2: hurts whenever I look at stuff like that.

1552
01:30:21,120 --> 01:30:25,960
Speaker 1: But yeah, it hurts my feelings. Yeah, you know the

1553
01:30:26,479 --> 01:30:29,760
Speaker 1: back to your pencil thing. The artist Penelope Gazing. She

1554
01:30:29,960 --> 01:30:32,160
Speaker 1: used to sell pens and it would say on the pen,

1555
01:30:33,400 --> 01:30:36,000
Speaker 1: this pen has been in Penelope Gaysin's butt.

1556
01:30:37,920 --> 01:30:42,000
Speaker 2: She's fun. I have a couple of her things, so,

1557
01:30:42,479 --> 01:30:44,880
Speaker 2: oh you do, oh Bashi brand company.

1558
01:30:45,880 --> 01:30:48,759
Speaker 1: I bought a bunch of clothes, like her own clothes

1559
01:30:48,840 --> 01:30:50,280
Speaker 1: she was selling from her one time.

1560
01:30:50,880 --> 01:30:55,000
Speaker 2: Yeah, she is. So. She has made really really fun

1561
01:30:55,240 --> 01:30:58,400
Speaker 2: garments that have no practical use, like where she has

1562
01:30:58,760 --> 01:31:02,439
Speaker 2: made the trench coat for you and for another person

1563
01:31:02,479 --> 01:31:05,160
Speaker 2: to sit on your shoulders and pretend that you're like

1564
01:31:05,200 --> 01:31:07,960
Speaker 2: a really tall person. Have you seen that on her website?

1565
01:31:08,000 --> 01:31:11,720
Speaker 1: No, it's really someone needed to make that trench coat

1566
01:31:11,880 --> 01:31:13,160
Speaker 1: for that. That's so yeah.

1567
01:31:13,400 --> 01:31:16,240
Speaker 2: Or like three legged pants and stuff. I mean it's

1568
01:31:16,320 --> 01:31:19,200
Speaker 2: kind of like hilariously impractical, but some of them, I

1569
01:31:19,280 --> 01:31:20,080
Speaker 2: mean stuff.

1570
01:31:20,240 --> 01:31:22,479
Speaker 1: So, she made a chair one time and it was

1571
01:31:22,560 --> 01:31:24,679
Speaker 1: kind of like a quirky, kind of like Pewey's playhouse

1572
01:31:24,720 --> 01:31:26,720
Speaker 1: style chair. I think it had like a face on

1573
01:31:26,840 --> 01:31:28,320
Speaker 1: it or something, and she was selling it for I

1574
01:31:28,400 --> 01:31:30,720
Speaker 1: don't even remember what it was, but she got all

1575
01:31:30,760 --> 01:31:33,120
Speaker 1: this blowback. They're like, how can you sell a chair

1576
01:31:33,200 --> 01:31:35,960
Speaker 1: for that much? It wasn't like outrageous, you know. It

1577
01:31:36,040 --> 01:31:38,400
Speaker 1: was like maybe six hundred bucks or something. Yeah, and

1578
01:31:38,479 --> 01:31:40,559
Speaker 1: people were like, how dare you sell a chair? It's

1579
01:31:40,600 --> 01:31:42,320
Speaker 1: not worth it? It looks like shit, and like people

1580
01:31:42,360 --> 01:31:45,040
Speaker 1: came after her for that. So then she listed the

1581
01:31:45,200 --> 01:31:48,920
Speaker 1: chair on her website for like five hundred thousand dollars

1582
01:31:49,400 --> 01:31:53,880
Speaker 1: and like you say, like, and then like every time

1583
01:31:53,960 --> 01:31:56,080
Speaker 1: she got a new complaint, the price would go up,

1584
01:31:56,320 --> 01:31:58,000
Speaker 1: and so it would be like it's like up to

1585
01:31:58,080 --> 01:31:59,880
Speaker 1: like a million dollars or something. I wonder if it's

1586
01:32:00,160 --> 01:32:01,040
Speaker 1: on her site anymore.

1587
01:32:01,160 --> 01:32:02,479
Speaker 2: Oh my god. Funny.

1588
01:32:03,560 --> 01:32:06,960
Speaker 1: Anyways, it's neither here nor there. MILLI. Next week, we

1589
01:32:07,080 --> 01:32:10,240
Speaker 1: are talking about the film Sorry to Bother You from

1590
01:32:10,320 --> 01:32:13,080
Speaker 1: twenty eighteen by Boots Riley. I love this movie and

1591
01:32:13,120 --> 01:32:14,280
Speaker 1: I can't wait to watch it again.

1592
01:32:14,960 --> 01:32:17,600
Speaker 2: Yeah. I'm excited too. I think it's like one of

1593
01:32:17,680 --> 01:32:19,759
Speaker 2: these movies that we just wanted to revisit.

1594
01:32:20,320 --> 01:32:24,760
Speaker 1: So yeah, and plus it's Black History Month and so

1595
01:32:24,880 --> 01:32:30,080
Speaker 1: we wanted to honor a great black filmmaker that's doing

1596
01:32:30,160 --> 01:32:32,559
Speaker 1: great work right now. He's got some new stuff coming up,

1597
01:32:32,600 --> 01:32:33,360
Speaker 1: can't wait to see.

1598
01:32:33,400 --> 01:32:35,720
Speaker 2: Yeah, and it's like one of these movies too that

1599
01:32:35,880 --> 01:32:37,560
Speaker 2: we both liked when we saw it and then we

1600
01:32:37,760 --> 01:32:38,880
Speaker 2: like want to revisit it, and.

1601
01:32:38,960 --> 01:32:43,400
Speaker 1: So I'm excited, me too, Me too, all right, Milly,

1602
01:32:44,280 --> 01:32:46,519
Speaker 1: I enjoyed tossing the pig skin around with you today.

1603
01:32:46,720 --> 01:32:48,720
Speaker 2: Yeah see. But though I didn't catch it very well,

1604
01:32:48,960 --> 01:32:55,160
Speaker 2: I enjoyed it too. And thanks for the football knowledge.

1605
01:32:55,280 --> 01:32:57,600
Speaker 2: I literally didn't know any of those things before you

1606
01:32:57,720 --> 01:32:58,080
Speaker 2: told me. So.

1607
01:32:58,280 --> 01:33:02,400
Speaker 1: Anytime, Milly, anytime, all right, Bye bye, everybody.

1608
01:33:02,240 --> 01:33:08,160
Speaker 2: Bye bye. This has been an exactly right production hosted

1609
01:33:08,200 --> 01:33:11,599
Speaker 2: by Me Millie to Cherico and produced by my co host,

1610
01:33:11,760 --> 01:33:12,639
Speaker 2: Casey O'Brien.

1611
01:33:12,840 --> 01:33:16,599
Speaker 1: This episode was mixed by Tom Bryfocal. Our associate producer

1612
01:33:16,680 --> 01:33:20,000
Speaker 1: is Christina Chamberlain, our guest booker is Patrick Cottner, and

1613
01:33:20,120 --> 01:33:21,960
Speaker 1: our artwork is by Vanessa Lilac.

1614
01:33:22,120 --> 01:33:25,000
Speaker 2: Our incredible theme music is by the best band in

1615
01:33:25,080 --> 01:33:26,919
Speaker 2: the entire world, The Softies.

1616
01:33:27,240 --> 01:33:31,120
Speaker 1: Thank you to our executive producers Karen Kilgareff, Georgia hart Stark,

1617
01:33:31,320 --> 01:33:34,120
Speaker 1: Daniel Kramer and Millie to Jericho. We love you.

1618
01:33:34,240 --> 01:33:37,000
Speaker 2: Goodbye, Beker