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Speaker 1: Hey, guys, welcome to the episode. It's Bobby and Eddie

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Speaker 1: today and I got a few things we're going to

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Speaker 1: talk about.

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Speaker 2: We're going to start with.

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Speaker 1: An artist announcing that were canceling their tour, not because

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Speaker 1: of mental health, not because of physical illness, but because

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Speaker 1: they sold well no tickets, and that was refreshing. We'll

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Speaker 1: talk about that, and then also songs that people are

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Speaker 1: confused by the meaning of. Not so much lyrics that

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Speaker 1: we misunderstand, but mostly when you hear a song, you

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Speaker 1: think it means this, but it means something else. So

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Speaker 1: we're about to do an hour on this. Eddie, welcome

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Speaker 1: back to the show.

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Speaker 2: Yeah. Thanks.

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Speaker 1: We're gonna start with KEI for Sutherland announcing I'm canceling

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Speaker 1: the tour. Yeah, and it's because of He even said

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Speaker 1: very low tickets.

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Speaker 2: He didn't have to say that.

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Speaker 1: I thought that too. I did find it refreshing that

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Speaker 1: he actually said why he canceled, But I did think

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Speaker 1: him saying very low was punching himself in the face

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Speaker 1: of a few too many times.

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Speaker 2: Did you know that there's a name for this for

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Speaker 2: when you canceled because of low ticket sales?

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Speaker 1: We talked about it on this episode on this show.

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Speaker 2: What what's what's what's the name? Blue ticket? Blue ticket?

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Speaker 1: Yeah, yeah, but blue dot fever, Blue dot fever, that's

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Speaker 1: what it is. Yeah, we talked about it. And the

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Speaker 1: reason you weren't on that episode. I was with the

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Speaker 1: Hunt Brothers.

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Speaker 2: No got it.

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Speaker 1: And so the reason is, if you go and you

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Speaker 1: look at the unsold tickets, it's all blue dots because

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Speaker 1: those are still the available seats. So you can go

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Speaker 1: to a show that's selling really well, there will still

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Speaker 1: be blue dots.

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Speaker 2: But just a few.

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Speaker 1: But yeah, too many blue dots.

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Speaker 2: So keep for Sutherland. His band is no idea. The

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Speaker 2: twenty four Boys blues ish like I feel like when

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Speaker 2: we when I when we lived in Austin, I feel

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Speaker 2: like maybe I went to a show where I was

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Speaker 2: invited to a show, and I think maybe a little

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Speaker 2: bit of research, but I don't really remember. I feel

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Speaker 2: like it's rock ish, right.

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Speaker 1: I would imagine it's some kind of guitar based kind

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Speaker 1: of country kind of rock, because it's that's what I

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Speaker 1: think about Billy Bob Thornton too. Yeah, the box Masters, Okay, yeah,

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Speaker 1: like what does that even?

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Speaker 2: Yeah? I mean and there's that was an interesting band

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Speaker 2: because they like would dress up like they were in

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Speaker 2: the fifties. He's still playing music though, who Billy Bull

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Speaker 2: Thornton is. Yeah, there's still a thing.

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Speaker 1: I don't know if it's the box Masters, Oh okay,

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Speaker 1: but he's still doing music.

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Speaker 2: Yeah, I mean I like it when they do. Dennis Quaid,

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Speaker 2: Dennis Quid and the Sharks, he had a little career.

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Speaker 1: Who would buy tickets to that though? And I was

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Speaker 1: thinking of this with Keefer Sutherland because he announced a

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Speaker 1: tour and I admire how open and honest he was

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Speaker 1: about it, because there are a lot of artists where

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Speaker 1: we live in Nashville that cancel shows and blame it

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Speaker 1: on everything but ticket sales. Because that's almost you admitting, ah, man,

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Speaker 1: I'm not as popular as I hoped, and that sucks

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Speaker 1: and that hurts. But who would buy tickets to a

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Speaker 1: Keyfer Sutherland concert.

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Speaker 2: The only time I've ever thought about doing that is

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Speaker 2: because of to see them live, to see that person

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Speaker 2: in live in person. So like Tom Hanks, love Tom Hanks,

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Speaker 2: one of my favorite actors. If he had a band,

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Speaker 2: I'd go see them just to see Tom Hanks.

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Speaker 1: But is it worth it to spend sixty bucks on

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Speaker 1: a ticket and have to watch them for an hour.

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Speaker 2: Yeah, probably not.

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Speaker 1: And you know what, they're probably pretty good, right because

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Speaker 1: a lot of these actors we know them as acting,

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Speaker 1: but had they pursued an artist's career, they probably would

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Speaker 1: have been at least semi successful because those are very

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Speaker 1: like things like there are actors who are really good

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Speaker 1: singers and Hathaways a really good singer. Ryan Gosling was

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Speaker 1: on Mickey mouse Club, really good singer. Justin Timberlake good actor.

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Speaker 2: So it's the arts.

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Speaker 1: All those go together. But I was just thinking, one

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Speaker 1: shout out Keeper Sutherland for being honest, and then two,

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Speaker 1: who are the eleven people that are disappointed because they're

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Speaker 1: not getting to go to a key fer Southerland concert?

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Speaker 2: The ones that bought it in pre sale too.

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Speaker 1: I did see people in comments going I was so

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Speaker 1: excited about seeing the show. So is it only to

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Speaker 1: see a celebrity?

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Speaker 2: I think so. I think that that's a big part

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Speaker 2: because they're not the hits, Like you don't know, I

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Speaker 2: don't they don't have any hits. They don't have any hits.

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Speaker 2: I mean when I saw Dennis Quaid, which I did

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Speaker 2: go see Quay of the Sharks, they were all covers.

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Speaker 1: Mainly that's what you do. I mean, watch a celebrity

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Speaker 1: play covers.

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Speaker 2: Yeah, and it was fun. He played a lot of Elvis,

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Speaker 2: you know, like Beach Boys stuff, and that's fine, old

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Speaker 2: rock and roll stuff.

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Speaker 1: It should be called Dennis Quaid in the covers and

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Speaker 1: it's all covers. Yeah, all these celebrities doing these bands,

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Speaker 1: their band should always be called the covers, So we

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Speaker 1: know it's going to be all cover songs. But I

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Speaker 1: think a lot of them, like Billy Bob Thornton, I

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Speaker 1: think he does kind of take himself seriously as an artist.

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Speaker 2: He does.

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Speaker 1: Can they make it? And they're probably good, But no,

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Speaker 1: I can't imagine there's any music like people that love

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Speaker 1: music and for the sake of music going to show man.

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Speaker 2: I got hired by the box Masters to do, uh

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Speaker 2: did you know this, to like produce a DVD Billy

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Speaker 2: Bob in the box Masters or just a box Billy

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Speaker 2: Bob and the box Masters. And they were playing a

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Speaker 2: show at Stubbs Barbecue, and I was the producer of

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Speaker 2: the whole thing. And so we had delivered all the

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Speaker 2: equipment to the venue and it was early, you know,

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Speaker 2: like two o'clock, and I told the whole all the

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Speaker 2: crew to like just dump everything in the middle and

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Speaker 2: then we'll sort it. We'll sort everything once everything's onloaded

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Speaker 2: from the trucks, cameras, tripods, wires, all of it. And

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Speaker 2: so everything was in the middle of the venue and

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Speaker 2: Billy Bob shows up in a tank top spent like

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Speaker 2: straight like what you would think tattoos so and hair's

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Speaker 2: all messed up, like who put this damn stuff in

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Speaker 2: the middle of my venue? And I was like, oh

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Speaker 2: my gosh, that's that's me, mister Thornton. Who took you?

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Speaker 2: Who hell told you could put all this stuff in

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Speaker 2: the middle of my vent? And I got so scared.

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Speaker 2: He goes, man, I'm just messing with you, man, and

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Speaker 2: he picked up where do you want it? I'll help

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Speaker 2: you move it.

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Speaker 1: That was him messing with you.

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Speaker 2: He scared me so bad. I was like, oh, oh

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Speaker 2: my gosh, I'm pissing the.

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Speaker 1: Talent off, yelling at the unknown documentary producer. Yes, I

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Speaker 1: just don't think there's a single actor I would go

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Speaker 1: to watch a music show from if I didn't know

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Speaker 1: them from music. There are actors who are really good

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Speaker 1: and who have made careers. Jared Leto. Sure, And that

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Speaker 1: was weird at very first too, because you're like, Okay,

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Speaker 1: Jared Leedo's got.

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Speaker 2: A band, but the bank's really good.

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Speaker 1: But you didn't know that until they had a hit,

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Speaker 1: because I'm sure these other bands are really good too

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Speaker 1: because they have a lot of money they can pay

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Speaker 1: great players.

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Speaker 2: Yeah, they're surrounded by talent for sure.

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Speaker 1: So it's like thirty seconds to mars that's Shared Leto's band,

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Speaker 1: and you're like, okay, he's an actor. Is this like

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Speaker 1: a vanity project? And it ended up being really good

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Speaker 1: because they had hits?

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Speaker 2: And is that his brother too that he plays with?

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Speaker 1: It is like con Ol Reeves had dog Starr, but

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Speaker 1: he wasn't the singer. He was the bass player.

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Speaker 2: Oh really, I didn't know that.

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Speaker 1: I'm almost positive that's what he was unless he was

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Speaker 1: the bass player and the singer. I know he played

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Speaker 1: the bass.

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Speaker 2: But but that's like van Halen, right, where like the

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Speaker 2: Star is the guitarist.

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Speaker 1: No, because van Halen is all music.

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Speaker 2: Yeah yeah, I know. What I'm saying is like, yes,

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Speaker 2: you're just the basis, but you're Keanu Reeves. Yeah.

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Speaker 1: People are going just to see Keanu Reeves and Dogstar

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Speaker 1: might have been pretty good. I don't know. I just

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Speaker 1: remember that he had a band, and I always thought

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Speaker 1: he was super cool.

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Speaker 2: Johnny Depp, he has a band.

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Speaker 1: The Pirates of the Caribbean, the Hollywood.

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Speaker 2: Kevin Coosnder I believe had a band.

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Speaker 1: I think he does that thing too. It's just like

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Speaker 1: Max Crosby raps.

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Speaker 2: Does he oh yeah? Does he tour? Does he play shows?

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Speaker 1: No, because he's an NFL player and he's got to

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Speaker 1: constantly train. Yeah, but he wraps and he's pretty good.

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Speaker 1: But when it first starts, you're like, all right, I'm

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Speaker 1: gonna cringe. And he's pretty good. But it's just they

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Speaker 1: get bored.

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Speaker 2: And the rich is that Lillard too, like Dame doesn't

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Speaker 2: he's good? He's good, right, Yeah, he's good.

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Speaker 1: So anyway, big shout out to Keep for Southerlin for

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Speaker 1: announcing that it was low ticket sales, and then to

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Speaker 1: me for going who would even buy those few tickets?

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Speaker 1: And to you for saying it's probably just people that

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Speaker 1: wanted to see the guy from twenty four in the flesh.

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Speaker 1: Next up, I have songs that are confusing because they

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Speaker 1: don't actually mean what people think they mean. And so

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Speaker 1: I made a list of these. I believe I have

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Speaker 1: eight or nine, and I'm gonna start with the police.

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Speaker 1: Every breath you take? Which that song how it sounds.

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Speaker 1: It's a slow song or it sounds like a love song.

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Speaker 1: I mean, people think that that as a wedding song

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Speaker 1: or a slow dance song or I Will Always Love

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Speaker 1: You type of song. But when you listen to it,

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Speaker 1: it's really about a creep watching, yeah, stalking you. It's

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Speaker 1: a creepy, creepy song. The narrator, the singer isn't loving.

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Speaker 1: He's watching and fantasizing and constantly and every and the

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Speaker 1: more you know that and you hear the words of

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Speaker 1: the song, the creepier it is. Because it's not like

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Speaker 1: I'm watching you through the window. It's every breath you take, Yeah,

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Speaker 1: everywhere you go, every step you make, I'll be watching you.

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Speaker 2: Dang dude.

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Speaker 1: It's not like I drive by your house and your

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Speaker 1: cars out front and it looks like you're home. I

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Speaker 1: really wish we could be together. It's every freaking breath

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Speaker 1: you take.

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Speaker 2: It's intense.

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Speaker 1: But because the melody is calm and the song is

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Speaker 1: pretty and Sting is a wonderful singer, it sounds like

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Speaker 1: a love song. Yeah, and sometimes people don't even listen

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Speaker 1: past a hook.

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Speaker 2: No, I couldn't even tell you what the verses.

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Speaker 1: Say because the verses are really what makes it creepy.

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Speaker 2: Oh so it gets worse than the verse.

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Speaker 1: Well, the hook is what really pounds it. But if

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Speaker 1: you just hear the hook, you think it's a love song.

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Speaker 2: And the verses like yeah, I'm breaking in your house

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Speaker 2: now to do bad stuff.

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Speaker 1: The vibe of this song completely overrides the meaning of

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Speaker 1: the song.

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Speaker 2: So around the same idea. Have you ever listened to

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Speaker 2: Crash into Me? Dave Matthews, ma'am, yes, is it on

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Speaker 2: your list?

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Speaker 1: It is not on my list. But that's like a

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Speaker 1: creep song too, super like.

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Speaker 2: Watching you, watching through the window. He's imagining everything that

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Speaker 2: they can.

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Speaker 1: Do, or a voyeuristic I've heard him talking about that interviews,

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Speaker 1: Like people feel like that's a super love song, but

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Speaker 1: it's very voyeuristic, like creep song, like I'm watching you

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Speaker 1: and want you.

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Speaker 2: And it's crazy because when you watch the live stuff,

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Speaker 2: you know, there's like thousands of girls just singing every

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Speaker 2: word of that song.

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Speaker 1: Well, I think about how many people have a first

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Speaker 1: dance at a wedding to the police, every breath you

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Speaker 1: take it's right or you know, some kind of slow

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Speaker 1: dance love song with somebody. Number two is Born in

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Speaker 1: the USA from Bruce Springsteen. I thought this for a

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Speaker 1: long time too.

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Speaker 2: Now.

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Speaker 1: This song came out when I was a child, and

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Speaker 1: I just thought it was a song about freaking red,

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Speaker 1: white and blue, yes, like patriotism. It's actually about a

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Speaker 1: broken system. It's an angry song and it's a bitter

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Speaker 1: story about a broken system, which is the version of

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Speaker 1: the United States that he's singing about. Wow, which is

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Speaker 1: Born in the USA. It's a protest song.

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Speaker 2: Yeah.

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Speaker 1: And so if you look at the actual story of

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Speaker 1: the song, because the song isn't specifically about just a story,

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Speaker 1: it's broader, but there is a story in it. It's

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Speaker 1: about a working guy that's sent to Vietnam and then

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Speaker 1: he comes home and he's abandoned by his country because

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Speaker 1: he has no job, no help, no future.

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Speaker 2: Dang.

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Speaker 1: And that's what it is.

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Speaker 2: Is that what the movie is about too, Because I

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Speaker 2: think there's a movie right called Born in the USA

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Speaker 2: with Tom Cruise on the movie.

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Speaker 1: I've seen Cool Runnings. I've not seen Born in the USA.

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Speaker 2: Oh. Born on the fourth of July. I guess a

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Speaker 2: different song, not the same title, but same concept. You

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Speaker 2: know it is.

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Speaker 1: Yeah, yeah, I've never seen porn. On fourth of July,

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Speaker 1: I saw Independence today, Will Smith, that's.

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Speaker 2: A great breaking Aliens.

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Speaker 1: The whole part of this song is that the chorus

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Speaker 1: again is large and channable, and because it's so channible

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Speaker 1: Born in the US, you kind of don't listen to

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Speaker 1: the rest. And if you were to say, sing it

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Speaker 1: back from the first verse, I don't know that I could.

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Speaker 2: Do you know the first line?

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Speaker 1: Small town in the US say no.

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Speaker 2: Till dog? Is that not it?

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Speaker 1: Do you know the first line? I don't from memory?

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Speaker 2: Nope.

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Speaker 1: And I think it's one of those songs that if

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Speaker 1: it started I can probably sing along with it. But

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Speaker 1: I know it's like the production is so triumphant that

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Speaker 1: it also fits that, Hey, we're America, we rule.

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Speaker 2: That's right. It's just like you pound your fist to it,

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Speaker 2: like you said.

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Speaker 1: And also you latch onto the title born in the USA, right,

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Speaker 1: not the verses? What's the first line? Born down in

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Speaker 1: a dead man's town, Born.

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Speaker 2: Down in a dead Man's down.

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Speaker 1: With a boom boom, the chorus screams pride the verses

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Speaker 1: I guess scream I got screwed.

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Speaker 2: Yeah wow.

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Speaker 1: So I think this may be one of the most

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Speaker 1: misinterpreted songs ever. Yeah, because I spent most of my

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Speaker 1: life misinterpreting it. And I still see people playing it

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Speaker 1: in patriotic situations.

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Speaker 2: Oh yeah, even when there's like a firework display and

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Speaker 2: turn your dial to whatever station they're playing. Born in

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Speaker 2: the USA.

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Speaker 1: My next song is fosh for the people Pumped Up.

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Speaker 2: Kicks, Oh wow.

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Speaker 1: And I was in pop radio. I think I was

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Speaker 1: even an alternative radio doing a little double dose. And

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Speaker 1: I didn't know the meaning of the song. And I'm

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Speaker 1: not somebody who searches out the meeting for all the

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Speaker 1: songs anyway, But I just thought it was a cool,

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Speaker 1: cool vibe.

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Speaker 2: Chill. Uh, give me a little bit of it. Oh

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Speaker 2: the pumped up Yeah, that's it.

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Speaker 1: I was so Born in the USA. In my head

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Speaker 1: it was for We're Still Pumped Up Kicks, and it

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Speaker 1: felt like so Indie. The production of it was so

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Speaker 1: INDI it felt like it was kids, like a chill

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Speaker 1: Indie vibe. But it's the perspective of a kid thinking

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Speaker 1: about violence, like shooting, like shooting up school. Yeah, I

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Speaker 1: mean the song is you're inside the head of an angry,

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Speaker 1: isolated kid who's looking for revenge.

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Speaker 2: Wow.

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Speaker 1: And once you realize it, because again I didn't I

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Speaker 1: don't hear song, it starts the meaning immediately. I just

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Speaker 1: try to sing along with born and yeah. Yeah, once

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Speaker 1: you go and you like read all the lyrics of

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Speaker 1: the song, it starts to feel. It starts feel sad,

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Speaker 1: like real sad, because you know, there are a lot

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Speaker 1: of people feel in this way, and with some of

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Speaker 1: them they actually go through with it, and people lose

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Speaker 1: their lives and some of them they feel this way

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Speaker 1: and luckily people get to them in time. But it's reality.

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Speaker 2: Yeah, the groove is.

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Speaker 1: Playful and light.

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Speaker 2: It is And I wonder what the the you know,

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Speaker 2: the the process is when they're write this or when

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Speaker 2: they record it, Like does everyone know that it's Does

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Speaker 2: the whole band know that it's a sad song about

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Speaker 2: this or do they find out when they start hearing

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Speaker 2: the lyrics of like wait.

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Speaker 1: A second, Yeah, I guess it depends on the the

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Speaker 1: power of who gets to write the songs in the end.

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Speaker 2: Right, And then you think, like, Okay, this is such

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Speaker 2: a serious topic and a sad topic. Do we do

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Speaker 2: sad serious music behind it, and it's like, no, they

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00:15:00,080 --> 00:15:01,000
Speaker 2: went completely opposite.

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Speaker 1: I mean even the chorus is better run, better run

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Speaker 1: faster than my bullet.

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Speaker 2: I know, and I never realized it said.

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Speaker 1: That it is dark storytelling, but again the vibe kind

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Speaker 1: of cancels out, cancels it out because it feels like

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Speaker 1: it's independent, easy listening. Yeah, so that makes the list.

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00:15:18,240 --> 00:15:20,880
Speaker 1: Next up is third Eye Blind semi charm.

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Speaker 2: Life that I can't think of anything. Is it sad too?

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Speaker 1: What do you think the song is about?

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Speaker 2: To have no clue, dude.

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Speaker 1: It is the happiest song. Yeah, everything about this song

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Speaker 1: makes me feel good.

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Speaker 2: I'm trying to pick out lyrics in.

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Speaker 1: It until I lay down in it and you go, oh,

356
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Speaker 1: this song is about addiction. Oh so it's a ninety

357
00:15:44,640 --> 00:15:46,760
Speaker 1: song the do Do Do Anything with Doo Doo do is?

358
00:15:46,760 --> 00:15:51,720
Speaker 1: It's all happy, Yes, and it's addiction, specifically meth and

359
00:15:52,000 --> 00:15:55,040
Speaker 1: the crash after the high no way, and also because

360
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Speaker 1: he sings them so fast, the words he don't really. Yeah,

361
00:16:00,440 --> 00:16:02,880
Speaker 1: it's about chasing a high, losing control. The emptiness that

362
00:16:03,000 --> 00:16:07,480
Speaker 1: follows the song is chaotic on purpose. It's so chaotic

363
00:16:07,520 --> 00:16:10,280
Speaker 1: that maybe you don't really understand the chaos inside of it,

364
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Speaker 1: much like drugs.

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Speaker 2: That's crazy. I don't even think I can listen to

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Speaker 2: it again and think it's sad.

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Speaker 1: They literally say crystal meth in the song. You really

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Speaker 1: I never caught that well because he goes and so

369
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Speaker 1: because of the tempo, the upbeat vibe. Even the music

370
00:16:29,080 --> 00:16:31,120
Speaker 1: videos like them driving over Hills on Funds.

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Speaker 2: You remember the video. I know, I don't remember the video.

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Speaker 1: And so a lot of the nonsensical phrasing feels like

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Speaker 1: the whole song should be about something nonsensical.

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Speaker 2: And the video has nothing to do with drugs.

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Speaker 1: I haven't seen the video in a long time, but

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Speaker 1: I remember them, just like driving over hills and stuff.

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Speaker 2: That's crazy. Man. It's crazy that you have a topic

378
00:16:50,160 --> 00:16:53,040
Speaker 2: on something and then you just take it completely the

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00:16:53,040 --> 00:16:56,600
Speaker 2: opposite direction musically and even visually. If the video doesn't

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Speaker 2: even address it.

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Speaker 1: I think you probably believe if you have a hit,

382
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Speaker 1: you just want the song to live as a hit. Wow,

383
00:17:04,000 --> 00:17:05,800
Speaker 1: and let them understand the me Like if you create

384
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Speaker 1: a chorus that's so good in your record label, you're like,

385
00:17:08,000 --> 00:17:10,399
Speaker 1: I'm not trying to change society. Yeah, we want this

386
00:17:10,400 --> 00:17:11,840
Speaker 1: thing to be played by every radio station. Heck, if

387
00:17:11,840 --> 00:17:13,440
Speaker 1: they know it's about addiction, maybe they don't play it

388
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Speaker 1: at all. We don't want the conversation to be aby

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Speaker 1: that my guys just made a hit.

390
00:17:16,520 --> 00:17:17,600
Speaker 2: We want to catchy song.

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00:17:18,200 --> 00:17:22,560
Speaker 1: Let's see, let's read some lyrics here. And also there's

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Speaker 1: a part that's like she goes around, she goes down

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Speaker 1: on me. Oh, that's this, and I make her smile

394
00:17:27,280 --> 00:17:29,520
Speaker 1: like a drug for you. Do ever what you want

395
00:17:29,520 --> 00:17:30,680
Speaker 1: to do? Coming home with you?

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00:17:31,880 --> 00:17:33,160
Speaker 2: Yeah, I mean that sounds like fun.

397
00:17:33,200 --> 00:17:35,240
Speaker 1: Let me see the crystal meth line here. The sky

398
00:17:35,400 --> 00:17:38,159
Speaker 1: was gold, it was rose. I was taking SIPs of

399
00:17:38,200 --> 00:17:39,040
Speaker 1: it through my nose.

400
00:17:39,760 --> 00:17:40,080
Speaker 2: Wow.

401
00:17:40,560 --> 00:17:42,879
Speaker 1: I wish I could get back there, someplace, back there

402
00:17:43,119 --> 00:17:45,919
Speaker 1: doing crystal Methy'll lift you up until you break. It

403
00:17:45,960 --> 00:17:50,399
Speaker 1: won't stop, I won't come down. I keep stock a

404
00:17:50,520 --> 00:17:54,119
Speaker 1: TikTok rhythm, a bump for the drop. So it's all

405
00:17:54,240 --> 00:17:59,000
Speaker 1: it's all drugs. Wow, that's crazy, man, I'm truly shocked.

406
00:17:59,040 --> 00:17:59,800
Speaker 2: I had no idea.

407
00:18:00,080 --> 00:18:08,439
Speaker 1: By the time you figured it out, you're like, wow, crazy.

408
00:18:08,760 --> 00:18:12,880
Speaker 2: Semi charmed kind of life called simtrom life, semicharm life,

409
00:18:12,880 --> 00:18:14,680
Speaker 2: they may say symmetron kind of life in the song,

410
00:18:14,680 --> 00:18:18,240
Speaker 2: but I think it's called Simatron Life next up hinder

411
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Speaker 2: Lips of an Angel, No clue.

412
00:18:20,960 --> 00:18:25,280
Speaker 1: Do you know the song Hear your Name sinema him'

413
00:18:25,400 --> 00:18:30,480
Speaker 1: through the Lips of an Angel. Yes, So it feels

414
00:18:30,520 --> 00:18:33,600
Speaker 1: like an emotional love song. The title is that of

415
00:18:33,640 --> 00:18:34,600
Speaker 1: an emotional love.

416
00:18:34,400 --> 00:18:37,240
Speaker 2: Song, Lips of an Angel? How can we make this bad?

417
00:18:38,160 --> 00:18:41,240
Speaker 1: It's not really a traditional positive love song. It's about

418
00:18:41,240 --> 00:18:44,600
Speaker 1: a guy actively cheating and enjoying it. Oh okay, So

419
00:18:44,640 --> 00:18:47,359
Speaker 1: he's on the phone with an X. It's really good

420
00:18:47,359 --> 00:18:51,920
Speaker 1: to hear your voice say my name sound So it's

421
00:18:52,000 --> 00:18:55,040
Speaker 1: that right, And so he's on the phone with an

422
00:18:55,040 --> 00:18:59,320
Speaker 1: ex reminiscing his current girl is in the other room.

423
00:19:00,520 --> 00:19:06,159
Speaker 1: My girls in the next room sometimes, I right, And

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00:19:07,000 --> 00:19:09,399
Speaker 1: he's not conflicted enough to even hang up. He just

425
00:19:09,400 --> 00:19:09,679
Speaker 1: wants to.

426
00:19:09,680 --> 00:19:11,879
Speaker 2: Talk to his ex. Dang, that's savage.

427
00:19:12,000 --> 00:19:14,879
Speaker 1: So it sounds emotional and heartfelt. I guess it is,

428
00:19:14,920 --> 00:19:18,040
Speaker 1: but just to the eg Yeah, the chorus is big

429
00:19:18,080 --> 00:19:21,960
Speaker 1: and romantic, and people focus on the feeling. There's really

430
00:19:21,960 --> 00:19:26,199
Speaker 1: no situational awareness of the song. So, yeah, my girls

431
00:19:26,280 --> 00:19:27,840
Speaker 1: in the next.

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00:19:27,600 --> 00:19:29,360
Speaker 2: Room and she has no idea in the whole song.

433
00:19:30,359 --> 00:19:32,360
Speaker 1: I don't I don't unless there's like a secret verse.

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00:19:32,359 --> 00:19:34,560
Speaker 2: There's Norridge Bridge that puts it all together.

435
00:19:34,920 --> 00:19:38,000
Speaker 1: She just walked in, she found me talking to you.

436
00:19:38,240 --> 00:19:39,160
Speaker 2: I'm in trouble.

437
00:19:40,880 --> 00:19:45,280
Speaker 1: It's basically cheating. But this guy's is a love ballad.

438
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Speaker 3: Okay, we interrupt this interview to bring you a message

439
00:19:48,240 --> 00:19:49,000
Speaker 3: from our sponsor.

440
00:19:52,119 --> 00:19:56,680
Speaker 1: This is the Bobby Cast. Next up, You are My Sunshine,

441
00:19:57,000 --> 00:20:01,080
Speaker 1: the nursery wren. Yeah, the lullaby, the lullaby? Yeah, how's

442
00:20:01,119 --> 00:20:02,119
Speaker 1: that bad? Will you?

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00:20:02,119 --> 00:20:02,320
Speaker 2: Guys?

444
00:20:02,320 --> 00:20:03,399
Speaker 1: See that's public domain.

445
00:20:04,400 --> 00:20:08,520
Speaker 2: You are my Sunshine, my only sunshine.

446
00:20:07,880 --> 00:20:09,000
Speaker 1: Before we legally can sing it.

447
00:20:09,080 --> 00:20:10,760
Speaker 2: Oh, oh, that's what you're checking. Yeah it is.

448
00:20:11,119 --> 00:20:13,080
Speaker 1: It is not so we can't sing that's it. But

449
00:20:14,440 --> 00:20:19,080
Speaker 1: it's a sad song about losing someone. Really the verses,

450
00:20:19,320 --> 00:20:22,000
Speaker 1: there are many verses that people don't sing because mostly

451
00:20:22,040 --> 00:20:23,600
Speaker 1: we just sing the first verse.

452
00:20:23,840 --> 00:20:24,440
Speaker 2: They're so bad.

453
00:20:24,440 --> 00:20:28,840
Speaker 1: We are about fear and abandonment and heartbreak, and so

454
00:20:28,960 --> 00:20:31,800
Speaker 1: we really only sing the happy chorus. It kind of

455
00:20:32,119 --> 00:20:35,520
Speaker 1: was repurposed as a kid's song. So would you like

456
00:20:35,560 --> 00:20:37,639
Speaker 1: to hear? I would love to hear These verses also interesting,

457
00:20:37,640 --> 00:20:39,600
Speaker 1: We don't sing the other verses of the national anthem either.

458
00:20:39,800 --> 00:20:43,080
Speaker 1: There are other verses there are, I think so, so.

459
00:20:43,119 --> 00:20:44,760
Speaker 2: The song would really be like a ten minute song.

460
00:20:44,920 --> 00:20:51,280
Speaker 1: Yeah, so you are my sunshine. Second verse, here you go.

461
00:20:52,880 --> 00:20:55,240
Speaker 1: I'll always love you and make you happy if you

462
00:20:55,280 --> 00:20:57,399
Speaker 1: will only stay the same. But if you leave me

463
00:20:57,480 --> 00:21:00,200
Speaker 1: to love another, you'll regret it all someday.

464
00:20:59,720 --> 00:21:02,280
Speaker 2: Oh is that a threat? Dude?

465
00:21:02,320 --> 00:21:09,800
Speaker 1: That's like the police the guy, Yeah, the same. That's weird. Huh,

466
00:21:09,840 --> 00:21:15,480
Speaker 1: that is weird. You are My Sunshine full song? Okay,

467
00:21:15,680 --> 00:21:17,280
Speaker 1: you know I think of Johnny Cash sing it too.

468
00:21:17,840 --> 00:21:20,000
Speaker 2: Did he sing the version of this version of it? Yeah?

469
00:21:20,119 --> 00:21:21,359
Speaker 1: What Brandon? What was lying.

470
00:21:23,080 --> 00:21:23,480
Speaker 2: A killer?

471
00:21:24,520 --> 00:21:26,400
Speaker 1: It can't be that he can't kill her in the song?

472
00:21:27,720 --> 00:21:29,280
Speaker 2: How do you even get back to that hook? If

473
00:21:29,280 --> 00:21:32,800
Speaker 2: you kill her? The USA?

474
00:21:33,600 --> 00:21:36,840
Speaker 1: Okay, here we go. Uh. The other night, Deer, as

475
00:21:36,880 --> 00:21:39,720
Speaker 1: I lay sleeping, I dreamed I held you in my arms.

476
00:21:39,720 --> 00:21:41,959
Speaker 1: But when I woke here, I was mistaken, and I

477
00:21:42,040 --> 00:21:45,160
Speaker 1: hung my head and cried, you are my son shine.

478
00:21:45,240 --> 00:21:46,720
Speaker 2: Okay, so she's dead.

479
00:21:48,000 --> 00:21:50,560
Speaker 4: So you used to work with musicians on call?

480
00:21:50,720 --> 00:21:51,159
Speaker 2: Uh huh?

481
00:21:51,160 --> 00:21:52,240
Speaker 1: We should sing that song.

482
00:21:52,200 --> 00:21:54,840
Speaker 4: And I and I realized what it would say, and

483
00:21:54,880 --> 00:21:57,760
Speaker 4: so I just looped that you are my Sunshine?

484
00:21:57,800 --> 00:22:00,919
Speaker 2: Like four times and that was it. Ever sang the verses.

485
00:22:01,440 --> 00:22:04,359
Speaker 4: I sing it a couple of times. It was like,

486
00:22:04,359 --> 00:22:07,200
Speaker 4: oh man, this is dark, like singing it to kids

487
00:22:07,200 --> 00:22:07,800
Speaker 4: with cancer.

488
00:22:08,040 --> 00:22:10,320
Speaker 1: Yeah, you told me once, dear, you really love me,

489
00:22:11,359 --> 00:22:13,240
Speaker 1: no one else could come between. But now you've left

490
00:22:13,280 --> 00:22:15,560
Speaker 1: me and love another. You have shadowed all my dreams.

491
00:22:15,960 --> 00:22:17,080
Speaker 1: You are my sunshine.

492
00:22:17,440 --> 00:22:22,639
Speaker 2: It's freaking dark. So she Yeah, so they were in love.

493
00:22:23,480 --> 00:22:24,400
Speaker 2: She was the sunshine.

494
00:22:24,440 --> 00:22:26,600
Speaker 1: Please don't take my sunshine away.

495
00:22:27,040 --> 00:22:29,080
Speaker 2: Oh, this is like Joe Leane that he's talking to

496
00:22:29,119 --> 00:22:29,840
Speaker 2: the dude right now.

497
00:22:31,200 --> 00:22:34,480
Speaker 1: Man, we have completely rebranded this song.

498
00:22:34,640 --> 00:22:37,440
Speaker 2: Seriously, seriously. I have a friend of mine that has

499
00:22:37,600 --> 00:22:39,719
Speaker 2: a little girl and he sings it to her all

500
00:22:39,760 --> 00:22:41,520
Speaker 2: the time. I don't know what she tell just sing

501
00:22:41,520 --> 00:22:41,840
Speaker 2: the hook.

502
00:22:42,280 --> 00:22:43,520
Speaker 1: I don't think you should tell him.

503
00:22:43,800 --> 00:22:44,359
Speaker 2: I should tell.

504
00:22:44,320 --> 00:22:46,159
Speaker 1: Him certain white lies are okay.

505
00:22:46,400 --> 00:22:47,760
Speaker 2: Do you know the rest of the song.

506
00:22:48,240 --> 00:22:49,720
Speaker 1: Oh man, I'm a little shaken by that one.

507
00:22:49,800 --> 00:22:50,639
Speaker 2: Yeah. Yeah.

508
00:22:50,720 --> 00:22:54,080
Speaker 1: Number seven is Neon Moon from Brooks and dun Oh.

509
00:22:54,160 --> 00:22:57,920
Speaker 1: I like this, Yeah, Neil Moon. It's a slow dance song.

510
00:22:58,119 --> 00:23:00,399
Speaker 2: Man, you get your best girl and you dance on

511
00:23:00,440 --> 00:23:02,960
Speaker 2: the dance floor with her because it's a very romantic song.

512
00:23:03,880 --> 00:23:08,560
Speaker 1: Yeah, just spend those nights beneath the neon Moon's beautiful.

513
00:23:08,680 --> 00:23:16,040
Speaker 1: It's literally a very lonely isolation. Yeah, and we did

514
00:23:16,119 --> 00:23:17,679
Speaker 1: dance to it at our wedding, but it wasn't our

515
00:23:17,720 --> 00:23:20,679
Speaker 1: first song, right, we knew what the song was about, Like,

516
00:23:20,720 --> 00:23:23,359
Speaker 1: we listened to that song a lot, and I'm friends

517
00:23:23,440 --> 00:23:26,000
Speaker 1: with them Brooks and Dunn and so Ronnie the lead singer,

518
00:23:26,040 --> 00:23:28,840
Speaker 1: sang Neon Moon at our wedding, but he did not

519
00:23:28,880 --> 00:23:30,080
Speaker 1: sing that as our first dance.

520
00:23:30,200 --> 00:23:32,640
Speaker 2: You even have a real neon Moon coming, We have it.

521
00:23:32,600 --> 00:23:35,720
Speaker 1: In our house. That's so still the Neon Moon. So yeah,

522
00:23:35,800 --> 00:23:39,480
Speaker 1: that song is not romantic, and it's not just I

523
00:23:39,520 --> 00:23:42,440
Speaker 1: miss my ex. It's a guy who is stuck emotionally

524
00:23:42,440 --> 00:23:46,040
Speaker 1: frozen in a bar night after night, unable to move. Yeah,

525
00:23:46,080 --> 00:23:49,119
Speaker 1: he spends most every night beneath the light of the

526
00:23:49,760 --> 00:23:52,720
Speaker 1: neon moon that he's sitting at there. So it's the

527
00:23:52,760 --> 00:23:55,119
Speaker 1: same pain over and over again. You can't break the cycle.

528
00:23:55,840 --> 00:23:58,280
Speaker 1: And we danced to that at my wedding. Wow, it's

529
00:23:58,359 --> 00:24:00,440
Speaker 1: very smooth, it's very melodic. Oh yeah, it feels like

530
00:24:00,480 --> 00:24:01,320
Speaker 1: it feels like a love song.

531
00:24:01,359 --> 00:24:02,680
Speaker 2: Still, like a very love song.

532
00:24:02,760 --> 00:24:06,320
Speaker 1: Yes, we did dance to a love song. Though first song,

533
00:24:06,760 --> 00:24:09,480
Speaker 1: your first Oh do you do you know? You were there?

534
00:24:09,800 --> 00:24:13,240
Speaker 2: Was it? Is it forever? Was that your your first dance?

535
00:24:13,320 --> 00:24:15,440
Speaker 1: The first dance was forever?

536
00:24:16,440 --> 00:24:16,640
Speaker 2: Now?

537
00:24:16,760 --> 00:24:20,399
Speaker 1: Brian Wilson. Beach Boys were the original artists. That's not

538
00:24:20,480 --> 00:24:22,120
Speaker 1: the version that we fell in love with.

539
00:24:22,320 --> 00:24:24,000
Speaker 2: Was it Brian or Dennis? Well?

540
00:24:24,040 --> 00:24:26,680
Speaker 1: Brian sang it though I believed, Okay, we could fact

541
00:24:26,720 --> 00:24:27,040
Speaker 1: check that.

542
00:24:27,359 --> 00:24:29,800
Speaker 2: What it was definitely a Beach Boys.

543
00:24:30,920 --> 00:24:33,359
Speaker 1: And then we sang it the Jesse and the Rippers.

544
00:24:33,800 --> 00:24:35,840
Speaker 1: The version that we danced to was the Jesse and

545
00:24:35,840 --> 00:24:38,480
Speaker 1: the Ripper's version before House and Dan and Jay played

546
00:24:38,480 --> 00:24:38,840
Speaker 1: it for us.

547
00:24:38,920 --> 00:24:40,080
Speaker 2: I mean, how cool is that?

548
00:24:40,480 --> 00:24:43,240
Speaker 1: What do you see who sang that? Because that is

549
00:24:43,240 --> 00:24:44,720
Speaker 1: probably right if it's a Beach Boy things.

550
00:24:44,800 --> 00:24:47,600
Speaker 2: Dennis, Yeah, Dennis rest in peace.

551
00:24:48,480 --> 00:24:52,439
Speaker 1: Did Brian write it? I know he co wrote it

552
00:24:52,480 --> 00:24:55,679
Speaker 1: with his friend Greg Jacobson. Dennis did old. Dennis co

553
00:24:55,720 --> 00:24:56,520
Speaker 1: wrote it with Greg Man.

554
00:24:56,560 --> 00:24:58,280
Speaker 2: Dennis was a good writer and that was kind of

555
00:24:58,320 --> 00:25:00,359
Speaker 2: the lot of the conversation later about the Beach Boys

556
00:25:00,440 --> 00:25:02,000
Speaker 2: is that he was a great artist himself.

557
00:25:02,119 --> 00:25:03,080
Speaker 1: Was it a Beach Boys song?

558
00:25:03,560 --> 00:25:03,720
Speaker 2: Yeah?

559
00:25:03,840 --> 00:25:07,280
Speaker 1: Or was it a Dennis solo proze? Beach Boys song. Well,

560
00:25:07,320 --> 00:25:09,280
Speaker 1: Dennis and freaking Keifer Sutherlin could have gone on the

561
00:25:09,359 --> 00:25:09,840
Speaker 1: road together.

562
00:25:10,800 --> 00:25:13,560
Speaker 2: Hey did Did the Beach Boys sing it with Jesse

563
00:25:13,600 --> 00:25:15,320
Speaker 2: and the Rippers in Full House? No?

564
00:25:15,480 --> 00:25:18,679
Speaker 1: Okay, but maybe eventually they did in some because they

565
00:25:18,680 --> 00:25:20,600
Speaker 1: had this whole thing where the Beach Boys did come

566
00:25:20,640 --> 00:25:22,320
Speaker 1: on Full House for a while, so I remember that,

567
00:25:22,400 --> 00:25:25,800
Speaker 1: but no, Jesse played it at his wedding to Becky. Okay,

568
00:25:25,840 --> 00:25:27,320
Speaker 1: he sat down at the piano and played it.

569
00:25:27,680 --> 00:25:29,960
Speaker 2: And then it's cool now full circle that you know,

570
00:25:30,160 --> 00:25:33,200
Speaker 2: Uncle Jesse plays with the Beach Boys when they tour.

571
00:25:33,320 --> 00:25:34,840
Speaker 1: He did then too though for Full House, which is

572
00:25:34,840 --> 00:25:35,720
Speaker 1: why they were on the show.

573
00:25:35,760 --> 00:25:36,160
Speaker 2: Amazing.

574
00:25:36,680 --> 00:25:38,639
Speaker 1: He plays guitar with them now then he played drums.

575
00:25:38,880 --> 00:25:41,760
Speaker 2: He plays. When I saw him, he was playing the drums.

576
00:25:41,840 --> 00:25:44,800
Speaker 1: Yeah, he's very much upfront now now cool playing guitar.

577
00:25:44,880 --> 00:25:46,560
Speaker 1: He could also play some drums as well, but I'll

578
00:25:46,560 --> 00:25:48,240
Speaker 1: see on social media him playing guitar and sings.

579
00:25:48,640 --> 00:25:49,280
Speaker 2: That's so cool.

580
00:25:49,400 --> 00:25:52,159
Speaker 1: Whenever we finished, I mean, I guess we got back

581
00:25:52,160 --> 00:25:55,680
Speaker 1: from a honeymoon. Dan and Jay didn't record that song officially,

582
00:25:55,680 --> 00:25:57,560
Speaker 1: but they gave it us on a thumb drive, so

583
00:25:57,600 --> 00:25:59,640
Speaker 1: we have them. They did a studio version of that song,

584
00:26:00,280 --> 00:26:01,040
Speaker 1: which is super cool.

585
00:26:01,080 --> 00:26:03,000
Speaker 2: So they went in the studio recorded the song, and

586
00:26:03,840 --> 00:26:07,440
Speaker 2: the only version of it is in your possession.

587
00:26:08,080 --> 00:26:12,000
Speaker 1: Yeah, I'll sell it if you're watching, dude, that's.

588
00:26:11,880 --> 00:26:14,480
Speaker 2: Like if they died, that'd be awesome. You released that

589
00:26:14,520 --> 00:26:18,240
Speaker 2: one song. No, no, no no, I just mean the

590
00:26:18,240 --> 00:26:20,920
Speaker 2: fact that was kind of weird too. It sounds bad,

591
00:26:20,920 --> 00:26:23,280
Speaker 2: It sounds bad. What I mean is you're the only

592
00:26:23,320 --> 00:26:26,440
Speaker 2: one that has that version. That's pretty cool. Yeah, it

593
00:26:26,640 --> 00:26:27,880
Speaker 2: was a pretty cool wedding gift for sure.

594
00:26:28,280 --> 00:26:29,720
Speaker 1: We got back from a honeymoon and there was just

595
00:26:29,720 --> 00:26:32,520
Speaker 1: a wooden box with a bow on it, and I

596
00:26:32,520 --> 00:26:34,000
Speaker 1: didn't know what the box was and I opened and

597
00:26:34,040 --> 00:26:35,280
Speaker 1: it was a thumb drive and then I was scared

598
00:26:35,280 --> 00:26:37,280
Speaker 1: to put it in. Yeah, of course, I was just

599
00:26:37,320 --> 00:26:38,960
Speaker 1: gonna put a random thumb drive in.

600
00:26:39,480 --> 00:26:40,200
Speaker 2: It's ransom.

601
00:26:40,240 --> 00:26:44,520
Speaker 1: And then we got a text and so yeah, we

602
00:26:44,600 --> 00:26:47,320
Speaker 1: have that, which is pretty cool. Cool. So those are

603
00:26:47,359 --> 00:26:48,680
Speaker 1: I think seven songs that I found.

604
00:26:49,000 --> 00:26:51,080
Speaker 2: That's that's good. I learned a lot today.

605
00:26:50,800 --> 00:26:53,240
Speaker 1: That I think people confused. The ones that I really

606
00:26:53,600 --> 00:26:55,400
Speaker 1: born in the USA. Took me a long time. Yeah,

607
00:26:55,520 --> 00:26:58,119
Speaker 1: fostered the people pumped up cakes and then third. I blind.

608
00:26:58,119 --> 00:26:59,880
Speaker 1: I knew there were little references, but I didn't realize

609
00:26:59,880 --> 00:27:01,560
Speaker 1: the I had no idea.

610
00:27:01,359 --> 00:27:04,359
Speaker 2: About that one. You are my sunshine mind blown?

611
00:27:04,520 --> 00:27:06,359
Speaker 1: Did you see? They kind of did an expos and

612
00:27:06,440 --> 00:27:09,199
Speaker 1: oh's the mentalist and shared how he does his tricks. No,

613
00:27:10,320 --> 00:27:11,800
Speaker 1: any of you guys see that Mike died?

614
00:27:11,840 --> 00:27:12,800
Speaker 2: Did you So?

615
00:27:12,920 --> 00:27:17,000
Speaker 1: Pablo Torre does a really great podcast investigative journalists, even

616
00:27:17,000 --> 00:27:19,760
Speaker 1: in sports. He is the one that spent time on it,

617
00:27:19,800 --> 00:27:21,560
Speaker 1: and he brought on another guy and they talked about him.

618
00:27:21,880 --> 00:27:24,840
Speaker 1: So there was a clip that went viral. I'm Busting

619
00:27:24,840 --> 00:27:28,040
Speaker 1: with the Boys, Oh's the mentalist And if you're not familiar,

620
00:27:28,080 --> 00:27:30,480
Speaker 1: the guy comes in and goes, hmmm, here's your pin

621
00:27:30,680 --> 00:27:32,720
Speaker 1: code and he holds it up and everybody goes, oh

622
00:27:32,800 --> 00:27:33,919
Speaker 1: my god, did you do that?

623
00:27:34,040 --> 00:27:34,639
Speaker 2: Did you do that?

624
00:27:35,760 --> 00:27:38,919
Speaker 1: And so he's done a bunch of shows and he

625
00:27:39,000 --> 00:27:40,960
Speaker 1: was in with the guys from Busting with the Boys

626
00:27:41,320 --> 00:27:43,680
Speaker 1: and they're doing the bit and he's like, think of

627
00:27:43,720 --> 00:27:47,680
Speaker 1: a player, and so Will Compton's goes okay, got it,

628
00:27:47,760 --> 00:27:53,320
Speaker 1: and os goes Bryce Young and Will's like, yeah, oh no,

629
00:27:53,359 --> 00:27:55,200
Speaker 1: Bryce Hall and Will goes yeah, oh yeah, Brizell. He

630
00:27:55,200 --> 00:27:57,200
Speaker 1: goes yeah, yeah, yeah, yeah. So there's a little mess

631
00:27:57,280 --> 00:28:00,640
Speaker 1: up there, which is the clip that he shows. And

632
00:28:00,680 --> 00:28:09,120
Speaker 1: so it turns out, according to Pablotry, that before the

633
00:28:09,119 --> 00:28:15,080
Speaker 1: show started recording, Oh's handed Will Compton his phone. It's like, hey,

634
00:28:15,080 --> 00:28:16,760
Speaker 1: would you look up a stat for like the player

635
00:28:16,840 --> 00:28:19,960
Speaker 1: that what maybe it was even Will Compton's phone, like

636
00:28:20,000 --> 00:28:22,399
Speaker 1: he loaded up like a site that looked like Google.

637
00:28:22,640 --> 00:28:26,960
Speaker 1: So Will Compton typed in and misspelled. He tried to

638
00:28:27,000 --> 00:28:31,120
Speaker 1: type in Bryce Hall, but auto correct made it Bryce Hall.

639
00:28:31,800 --> 00:28:39,960
Speaker 1: So O's goes Bryce Hall, uh huh. So that gets told.

640
00:28:40,000 --> 00:28:41,520
Speaker 1: And then there was another when he went on the

641
00:28:41,600 --> 00:28:45,840
Speaker 1: view and he said, okay, I got your number on

642
00:28:45,920 --> 00:28:47,720
Speaker 1: your head and I got your pen number and she's like,

643
00:28:47,720 --> 00:28:49,840
Speaker 1: oh my god. And then she was talking about it

644
00:28:49,840 --> 00:28:51,760
Speaker 1: after she said, well, there was time we spent together

645
00:28:52,400 --> 00:28:56,479
Speaker 1: before we went on screen that we never talked about.

646
00:28:57,400 --> 00:28:57,960
Speaker 1: And so.

647
00:28:59,400 --> 00:29:00,560
Speaker 2: It's this weird.

648
00:29:01,800 --> 00:29:04,520
Speaker 1: I know, the guy's not magic, of course, there's some

649
00:29:04,640 --> 00:29:08,160
Speaker 1: trick to it, of course, and so you go, is

650
00:29:08,160 --> 00:29:12,320
Speaker 1: it weird that people are exposing him? But then Pablo's

651
00:29:12,360 --> 00:29:14,960
Speaker 1: explanation was the reason he felt like exposing him is

652
00:29:15,000 --> 00:29:17,440
Speaker 1: because O's apparently did a ted talk going this is

653
00:29:17,440 --> 00:29:20,239
Speaker 1: how mentalism works. You watch body language, you watch and

654
00:29:20,280 --> 00:29:21,640
Speaker 1: in reality.

655
00:29:21,320 --> 00:29:22,600
Speaker 2: He's getting little tricks.

656
00:29:22,800 --> 00:29:25,600
Speaker 1: Yeah, because if you're just out like exposing magicians. I

657
00:29:25,800 --> 00:29:27,600
Speaker 1: like that. That's funny. But I can get where people

658
00:29:27,600 --> 00:29:28,680
Speaker 1: would be upset about that.

659
00:29:28,800 --> 00:29:30,360
Speaker 2: Yeah, I feel like you'd have to have a problem

660
00:29:30,360 --> 00:29:30,720
Speaker 2: with him.

661
00:29:30,800 --> 00:29:32,680
Speaker 1: Like, right, that show on Fox back in the day,

662
00:29:32,800 --> 00:29:34,440
Speaker 1: I watch it on TikTok still today, where they got

663
00:29:34,440 --> 00:29:36,400
Speaker 1: wears the mask. It is like, this is how David

664
00:29:36,400 --> 00:29:39,800
Speaker 1: Copperfield flew across the Grand Canyon. Yeah, that show was awesome,

665
00:29:39,880 --> 00:29:41,560
Speaker 1: and at the end of all those episodes he revealed

666
00:29:41,560 --> 00:29:42,160
Speaker 1: his face.

667
00:29:42,360 --> 00:29:45,680
Speaker 2: And as the magician, You're just like, dude, what the crap? Man, Like,

668
00:29:45,880 --> 00:29:46,920
Speaker 2: that's how I make a living.

669
00:29:47,280 --> 00:29:51,040
Speaker 1: I remember watching that show as a kid, and I

670
00:29:51,080 --> 00:29:53,440
Speaker 1: remember that last episode coming on and they were saying,

671
00:29:53,480 --> 00:29:56,440
Speaker 1: we're gonna reveal who it's been the whole time, And

672
00:29:56,520 --> 00:29:58,200
Speaker 1: I thought it was going to be someone like Troy

673
00:29:58,200 --> 00:30:00,360
Speaker 1: Aikman or I thought it was going to be somebody

674
00:30:00,440 --> 00:30:03,560
Speaker 1: very fair, everybody famous that had insight in for Bill Clinton.

675
00:30:03,600 --> 00:30:05,160
Speaker 1: I don't know who. I thought it was going to be.

676
00:30:05,320 --> 00:30:11,480
Speaker 1: It's and then he he pulled off his mask and

677
00:30:11,520 --> 00:30:13,240
Speaker 1: it was some magician I never heard of before.

678
00:30:14,320 --> 00:30:15,320
Speaker 2: It was just that's funny.

679
00:30:15,400 --> 00:30:17,000
Speaker 1: Yeah, but I really because they had hyped up were

680
00:30:17,000 --> 00:30:19,960
Speaker 1: finally gonna reveal, meaning that the revelation of who it

681
00:30:20,000 --> 00:30:22,360
Speaker 1: was would have to mean something to me, and it didn't.

682
00:30:22,440 --> 00:30:25,960
Speaker 1: It was some guy. I'm sure, I'm sure he was

683
00:30:25,960 --> 00:30:27,960
Speaker 1: a real musician, but I thought it was gonna be

684
00:30:27,960 --> 00:30:31,120
Speaker 1: like Carlton from Fresh Prince or something. Yes, like that

685
00:30:31,360 --> 00:30:34,080
Speaker 1: was it, like he was on the inside. But that

686
00:30:34,120 --> 00:30:36,560
Speaker 1: show is awesome and it still comes across my my

687
00:30:36,600 --> 00:30:39,680
Speaker 1: TikTok sometimes and I watch it in clips. But that's

688
00:30:39,720 --> 00:30:43,400
Speaker 1: the story about Oh's now is that they're revealing his.

689
00:30:43,480 --> 00:30:46,680
Speaker 2: Tactics, and that's that it's not what he has said

690
00:30:46,800 --> 00:30:48,320
Speaker 2: that it's yes, how he gets it.

691
00:30:48,480 --> 00:30:50,960
Speaker 1: None of us thought it was magic. He even says

692
00:30:51,360 --> 00:30:54,000
Speaker 1: it's not magic. He's like, I'm just a mentalist. I

693
00:30:54,000 --> 00:30:57,000
Speaker 1: can read things about you, your eyes, your hands, but

694
00:30:57,320 --> 00:31:00,520
Speaker 1: in reality, according to Pablo Torri, there's a pre interview,

695
00:31:00,600 --> 00:31:03,360
Speaker 1: there's there are things that are happening, and that mess

696
00:31:03,440 --> 00:31:05,600
Speaker 1: up of the brief Young Bryce Young is what caused it.

697
00:31:05,640 --> 00:31:08,880
Speaker 1: Oh yeah, because it was just the auto correct they

698
00:31:08,920 --> 00:31:09,320
Speaker 1: caught it.

699
00:31:10,000 --> 00:31:13,720
Speaker 2: I still like that stuff. Though, right, like mentalist magician stuff.

700
00:31:13,720 --> 00:31:14,680
Speaker 2: That's still fun to watch.

701
00:31:14,920 --> 00:31:16,600
Speaker 1: Yeah, I agree, but I also want to know how

702
00:31:16,600 --> 00:31:18,120
Speaker 1: they do it. Yeah, like I'm not too good to

703
00:31:18,120 --> 00:31:19,520
Speaker 1: be like, let the guy do his thing. Like as

704
00:31:19,560 --> 00:31:21,520
Speaker 1: soon as that episode went up, I was all I

705
00:31:21,560 --> 00:31:22,480
Speaker 1: was just trying to figure it out.

706
00:31:22,520 --> 00:31:27,080
Speaker 2: What's the best one you've done? Like best magic treat? Oh,

707
00:31:27,280 --> 00:31:32,280
Speaker 2: you're gonna do one? Now watch how did you do that?

708
00:31:32,280 --> 00:31:33,880
Speaker 1: That's not my middle finger? Is my ring finger? By

709
00:31:33,880 --> 00:31:36,640
Speaker 1: the way, watching it for those just listening and not

710
00:31:36,680 --> 00:31:39,200
Speaker 1: watching on Netflix. I went into my pocket. Eddie thought

711
00:31:39,200 --> 00:31:41,680
Speaker 1: he was being surprised with magic, and I pull out

712
00:31:41,720 --> 00:31:42,160
Speaker 1: the finger.

713
00:31:42,800 --> 00:31:45,320
Speaker 2: You ever seen the one where you levitate? You ever

714
00:31:45,360 --> 00:31:45,960
Speaker 2: seen that one?

715
00:31:46,360 --> 00:31:48,959
Speaker 1: I've seen Chris Angel do it on television. I know

716
00:31:48,960 --> 00:31:51,520
Speaker 1: how to do it. No you don't, Yes, I do.

717
00:31:52,560 --> 00:31:55,920
Speaker 1: No you don't, Yes, I don't miss. It's not gonna

718
00:31:55,920 --> 00:31:56,680
Speaker 1: look good.

719
00:31:57,320 --> 00:31:59,000
Speaker 2: Well, now that I told you, you're gonna be looking

720
00:31:59,040 --> 00:32:00,680
Speaker 2: for it, I would look for it anyway.

721
00:32:00,840 --> 00:32:02,360
Speaker 1: Obviously you're doing something with your feet.

722
00:32:02,760 --> 00:32:05,959
Speaker 2: No, I levitate in the air. Now, very stand up.

723
00:32:05,960 --> 00:32:06,400
Speaker 2: Here we go.

724
00:32:07,960 --> 00:32:11,240
Speaker 1: Okay, he's standing up, he's walking off camera. Okay, let's

725
00:32:11,240 --> 00:32:14,280
Speaker 1: see what you got he's good. You turn it on him. Okay,

726
00:32:14,400 --> 00:32:16,080
Speaker 1: all right, right, we'll turn it on him.

727
00:32:16,200 --> 00:32:19,120
Speaker 2: Hold one, magicians need to have Magicians need the.

728
00:32:19,040 --> 00:32:24,760
Speaker 1: Angle though, Just okay, go, I got a table in

729
00:32:24,760 --> 00:32:25,080
Speaker 1: front of me.

730
00:32:25,080 --> 00:32:25,400
Speaker 2: Go ahead.

731
00:32:26,400 --> 00:32:31,200
Speaker 1: Yeah, it looks like you're leaning on your toes.

732
00:32:33,200 --> 00:32:33,720
Speaker 2: To see it.

733
00:32:34,240 --> 00:32:37,120
Speaker 1: What No, it looks like you were just leaning on

734
00:32:37,160 --> 00:32:40,400
Speaker 1: your toes. There's a table. There's a table in front

735
00:32:40,400 --> 00:32:46,880
Speaker 1: of me too, Okay, and you go go, oh, that dude,

736
00:32:46,880 --> 00:32:49,320
Speaker 1: that looks pretty good. That one looks pretty good because

737
00:32:49,360 --> 00:32:51,000
Speaker 1: I saw it from one side and that foot came

738
00:32:51,040 --> 00:32:51,520
Speaker 1: off the ground.

739
00:32:52,000 --> 00:32:52,880
Speaker 2: Not do you want me to tell you how he

740
00:32:52,920 --> 00:32:53,240
Speaker 2: did it?

741
00:32:53,880 --> 00:32:56,560
Speaker 1: I think you leaned on one foot. I did that

742
00:32:56,600 --> 00:32:58,400
Speaker 1: one looked pretty GOODNA, be honest with.

743
00:32:58,360 --> 00:33:00,360
Speaker 2: You, and the key is to not go to hi.

744
00:33:00,520 --> 00:33:02,160
Speaker 2: You just want to make it like you're struggling, and

745
00:33:02,200 --> 00:33:03,880
Speaker 2: you made it about an inch and then you're like, oh,

746
00:33:03,920 --> 00:33:04,760
Speaker 2: I can't do it anymore.

747
00:33:05,280 --> 00:33:06,160
Speaker 1: Color me impressed.

748
00:33:06,640 --> 00:33:09,640
Speaker 2: Yes, my friend did that when we were in college

749
00:33:09,800 --> 00:33:11,320
Speaker 2: and it blew my mind, and I bought him a

750
00:33:11,320 --> 00:33:12,640
Speaker 2: case of ber to, So you can tell me how

751
00:33:12,680 --> 00:33:18,480
Speaker 2: he did it and it worked. Oh yeah, that's good.

752
00:33:19,560 --> 00:33:21,320
Speaker 1: Well, we kind of know how os is doing some

753
00:33:21,400 --> 00:33:21,959
Speaker 1: of the stricks.

754
00:33:23,000 --> 00:33:25,600
Speaker 3: Let's take a quick pause for a message from our sponsor.

755
00:33:28,040 --> 00:33:30,160
Speaker 3: Welcome back to the Bobby Cast.

756
00:33:30,640 --> 00:33:32,480
Speaker 1: We forgot Brandon's birthday yesterday.

757
00:33:33,440 --> 00:33:37,600
Speaker 2: Yeah, uh, did you get him anything? I did? Yeah,

758
00:33:37,680 --> 00:33:40,480
Speaker 2: I got him a hug when today.

759
00:33:40,600 --> 00:33:45,520
Speaker 1: Well, I felt bad. It was the worst. And Brandon

760
00:33:45,600 --> 00:33:47,120
Speaker 1: is our close friend for a deco.

761
00:33:47,160 --> 00:33:47,360
Speaker 2: I know.

762
00:33:47,520 --> 00:33:49,560
Speaker 1: Also, it's here in the room. Brandon runs a lot

763
00:33:49,600 --> 00:33:53,560
Speaker 1: of this operation. And I hadn't been on my phone

764
00:33:53,640 --> 00:33:57,120
Speaker 1: for hours, baby, and I'm like, I need to catch

765
00:33:57,160 --> 00:33:58,200
Speaker 1: up on some Instagram story.

766
00:33:58,280 --> 00:34:00,800
Speaker 2: Not calling me baby. You have a baby, baby, yes.

767
00:34:01,360 --> 00:34:04,160
Speaker 1: And Brandon had reposted someone saying happy birthday to him,

768
00:34:04,160 --> 00:34:07,240
Speaker 1: and I was like, oh my god, all day, I

769
00:34:07,280 --> 00:34:09,520
Speaker 1: am a terrible and not only that, dude. We had

770
00:34:09,560 --> 00:34:13,319
Speaker 1: just been together for like two hours because it was

771
00:34:13,680 --> 00:34:16,560
Speaker 1: work because I did a one of these interviews with

772
00:34:16,560 --> 00:34:19,880
Speaker 1: Amy Grant that's coming up awesome. Brandon was right beside me.

773
00:34:20,360 --> 00:34:24,200
Speaker 2: Yeah, Brandon, were you waiting all day? Oh? Okay?

774
00:34:24,280 --> 00:34:28,920
Speaker 1: And I messaged him and I said, dude, I'm so sorry.

775
00:34:30,280 --> 00:34:32,719
Speaker 1: I can't believe that I had to basically see it

776
00:34:32,760 --> 00:34:36,040
Speaker 1: was your birthday on Instagram. I'm not on Facebook. Yeah,

777
00:34:36,960 --> 00:34:40,560
Speaker 1: Like I have a page Facebook, Facebook tells you his birthday.

778
00:34:40,560 --> 00:34:42,239
Speaker 1: I don't even think I follow Brandon on Facebook because

779
00:34:42,239 --> 00:34:44,680
Speaker 1: I don't in Facebook would tell me anybody's birthday.

780
00:34:44,760 --> 00:34:47,720
Speaker 2: Yeah, but don't you specifically put the wrong birthday on Facebook.

781
00:34:47,800 --> 00:34:51,239
Speaker 1: Yeah, that's for people that follow me, right, But I

782
00:34:51,239 --> 00:34:53,279
Speaker 1: don't have a Facebook page. I did that long time ago.

783
00:34:53,680 --> 00:34:55,680
Speaker 1: But I'll randomly get messages on my Facebook page on

784
00:34:55,680 --> 00:34:59,480
Speaker 1: like April six, Do you have a birthday? Face told you.

785
00:34:59,800 --> 00:35:03,480
Speaker 1: But yeah, and then I sent him a you know

786
00:35:03,520 --> 00:35:05,359
Speaker 1: how you can do the apple pey? Yeah, you send

787
00:35:05,400 --> 00:35:06,960
Speaker 1: him money, I said, from our whole family, And I

788
00:35:06,960 --> 00:35:08,080
Speaker 1: sent him one dollar apple pee.

789
00:35:08,239 --> 00:35:10,520
Speaker 2: Oh that's nice, that's perfect. Yeah.

790
00:35:10,560 --> 00:35:11,560
Speaker 1: I felt pretty bad though.

791
00:35:11,680 --> 00:35:13,960
Speaker 2: Yeah, and then you texted me, and I texted Eddie

792
00:35:13,960 --> 00:35:16,320
Speaker 2: and I said, don't forget it's Brandon's birthday. And my

793
00:35:16,400 --> 00:35:17,680
Speaker 2: dad used to do this all the time for like

794
00:35:17,760 --> 00:35:20,120
Speaker 2: my mom or my someone in my family. Hey, don't

795
00:35:20,160 --> 00:35:22,680
Speaker 2: forget it's your sister's birthday. Today. I got one of

796
00:35:22,719 --> 00:35:25,120
Speaker 2: those from Bobby and I'm like, dude, thank you. And

797
00:35:25,160 --> 00:35:28,400
Speaker 2: as soon as I went to my phone to text Brandon,

798
00:35:28,880 --> 00:35:31,600
Speaker 2: it's said on the top, Siri reminds you it's Brandon's

799
00:35:31,640 --> 00:35:38,480
Speaker 2: probably no. Oh no, we're bad. Happy Birthday, Brandon.

800
00:35:39,400 --> 00:35:42,360
Speaker 1: I sent it to him at seven fifty pm, like

801
00:35:42,400 --> 00:35:44,440
Speaker 1: the day's over, I know, and I said, it's your

802
00:35:44,480 --> 00:35:48,200
Speaker 1: freaking birthday today. Dang. He said, yeah. All I wanted

803
00:35:48,239 --> 00:35:50,319
Speaker 1: was Amy Grant making a joke because we had been

804
00:35:50,360 --> 00:35:53,080
Speaker 1: together for the last two hours Amy Grant, and then

805
00:35:53,120 --> 00:35:55,399
Speaker 1: I said, dang, happy birthday. Sorry I had to see

806
00:35:55,400 --> 00:35:57,920
Speaker 1: it on Instagram. That is friendship failure and that's on me.

807
00:35:58,440 --> 00:36:00,439
Speaker 1: And he said, thanks, man, you have a ten week

808
00:36:00,440 --> 00:36:02,279
Speaker 1: old baby. Don't apologize. And then I sent him from

809
00:36:02,280 --> 00:36:03,359
Speaker 1: our family to you one dollar.

810
00:36:04,600 --> 00:36:05,400
Speaker 2: Happy birthday.

811
00:36:06,160 --> 00:36:07,360
Speaker 1: Yeah, sorry about that, dude.

812
00:36:07,640 --> 00:36:08,480
Speaker 4: It's all good man.

813
00:36:08,600 --> 00:36:10,799
Speaker 2: You know. I asked Brandon before when I got here.

814
00:36:10,800 --> 00:36:12,360
Speaker 2: I was like, hey, so what did you do? And

815
00:36:12,400 --> 00:36:14,360
Speaker 2: He's like, I did nothing, like nothing.

816
00:36:15,400 --> 00:36:16,720
Speaker 1: How'd you feel about doing nothing?

817
00:36:18,360 --> 00:36:18,839
Speaker 2: So good?

818
00:36:18,920 --> 00:36:23,920
Speaker 4: We've we've been without our AC for like six days

819
00:36:24,719 --> 00:36:26,799
Speaker 4: and my cars AC went out before that. I got

820
00:36:26,800 --> 00:36:29,560
Speaker 4: that fixed. The next day, our houses AC went out

821
00:36:29,840 --> 00:36:32,080
Speaker 4: and so it's been like eighty two degrees in our

822
00:36:32,120 --> 00:36:36,880
Speaker 4: house like all week. It's just been brutal. And so yesterday,

823
00:36:37,040 --> 00:36:40,560
Speaker 4: right when the podcast started with Amy Grant, my wife

824
00:36:40,600 --> 00:36:42,879
Speaker 4: texted me. She's like, Ace's fixed. It feels so good

825
00:36:42,920 --> 00:36:43,160
Speaker 4: in here.

826
00:36:43,200 --> 00:36:46,799
Speaker 1: I was like, whoa happy birthday to me. Okay, we

827
00:36:46,840 --> 00:36:47,359
Speaker 1: didn't do that.

828
00:36:47,400 --> 00:36:49,600
Speaker 2: We didn't do anything. Yeah, hey, this is what we

829
00:36:49,640 --> 00:36:51,319
Speaker 2: tell him, Brandon. We fixed it for you, man.

830
00:36:51,360 --> 00:36:54,319
Speaker 1: Yeah, man, we we uh invoice us for that.

831
00:36:54,360 --> 00:36:55,760
Speaker 2: Bill. I appreciate you, guys.

832
00:36:56,880 --> 00:36:58,640
Speaker 1: I just I sent two apologies yesterday.

833
00:36:58,840 --> 00:37:00,319
Speaker 2: Oh that was one one. Yeah.

834
00:37:00,360 --> 00:37:02,240
Speaker 1: The other one was to Tracy Lawrence.

835
00:37:02,400 --> 00:37:03,240
Speaker 2: Why'd you apologize?

836
00:37:03,239 --> 00:37:05,560
Speaker 1: The country singer from the nineties? Just in case people

837
00:37:05,560 --> 00:37:07,239
Speaker 1: are wondering who that is a bunch of massive hits,

838
00:37:07,920 --> 00:37:10,680
Speaker 1: I sent him this text. Anybody was just thinking about

839
00:37:10,719 --> 00:37:12,719
Speaker 1: you saw some clips of your show because he does

840
00:37:13,000 --> 00:37:15,600
Speaker 1: a podcast from his bus. I've done it. It's at

841
00:37:15,640 --> 00:37:18,880
Speaker 1: his house. I said, super great to see how strong

842
00:37:18,960 --> 00:37:20,839
Speaker 1: the podcast is. I said, that was my original idea

843
00:37:20,920 --> 00:37:23,720
Speaker 1: for texting. But I'm also going to send an apology

844
00:37:23,760 --> 00:37:25,640
Speaker 1: because I never replied to that above text.

845
00:37:26,960 --> 00:37:30,480
Speaker 2: Okay, So what happened here was you went into the

846
00:37:30,520 --> 00:37:32,920
Speaker 2: text to text him this, yeah, and then you saw

847
00:37:33,200 --> 00:37:34,520
Speaker 2: a text from how long ago?

848
00:37:37,200 --> 00:37:38,800
Speaker 1: Uh, November fourteenth.

849
00:37:38,840 --> 00:37:40,440
Speaker 2: Oh that's tough, and it was.

850
00:37:40,440 --> 00:37:42,839
Speaker 1: About a charity Noel yep.

851
00:37:42,960 --> 00:37:43,920
Speaker 2: So it's the turkey fry.

852
00:37:44,040 --> 00:37:45,080
Speaker 1: Yeah, I'm going to read you the rest of what

853
00:37:45,160 --> 00:37:48,680
Speaker 1: I said. I said that was my original reason for texting,

854
00:37:48,680 --> 00:37:51,000
Speaker 1: but I'm also going to send an apology. The only

855
00:37:51,040 --> 00:37:53,440
Speaker 1: thing I can think of, and this doesn't count as

856
00:37:53,440 --> 00:37:55,120
Speaker 1: an excuse, is that my wife was going through brutal

857
00:37:55,120 --> 00:37:57,080
Speaker 1: pregnancy at that time, So I regret not seeing it

858
00:37:57,120 --> 00:37:59,360
Speaker 1: and prioritizing it, but that is still not an excuse.

859
00:37:59,560 --> 00:38:01,040
Speaker 1: I'm glad I was thinking about you and wanted a

860
00:38:01,080 --> 00:38:03,239
Speaker 1: message you or I'd never I'd never seen it. I

861
00:38:03,280 --> 00:38:04,000
Speaker 1: hope you are well.

862
00:38:04,360 --> 00:38:05,360
Speaker 4: Did you send him a dollar?

863
00:38:05,640 --> 00:38:09,560
Speaker 1: I did not. That had been great, I didn't.

864
00:38:09,480 --> 00:38:11,520
Speaker 2: So so was it. Did he need help from for

865
00:38:11,600 --> 00:38:12,359
Speaker 2: his turkey friend?

866
00:38:12,480 --> 00:38:12,600
Speaker 5: So?

867
00:38:12,680 --> 00:38:18,600
Speaker 1: He said, I hate me for not responding because I

868
00:38:18,640 --> 00:38:22,960
Speaker 1: would have. Absolutely I would have sent money. Or It's

869
00:38:23,000 --> 00:38:24,640
Speaker 1: easy for me to say that, though, is why I'm saying.

870
00:38:24,920 --> 00:38:26,920
Speaker 1: It's weird for me to say I would have, but

871
00:38:26,960 --> 00:38:31,439
Speaker 1: that's easy to say after the fact. But he said, hey, friend, Tracy, here,

872
00:38:32,040 --> 00:38:35,040
Speaker 1: it's our twentieth anniversary. So we're gonna be at the

873
00:38:35,120 --> 00:38:39,400
Speaker 1: Nashville Fairgrounds cooking two thousand turkeys. I'd love for you

874
00:38:39,440 --> 00:38:41,680
Speaker 1: to stop by drop off a turkey, or come and

875
00:38:41,719 --> 00:38:44,560
Speaker 1: take some pictures to show your support. Anything you can

876
00:38:44,600 --> 00:38:48,480
Speaker 1: do would be greatly appreciated. And then he's sent some

877
00:38:48,520 --> 00:38:51,680
Speaker 1: details and dang, I know, I'm gonna have to double

878
00:38:51,760 --> 00:38:52,319
Speaker 1: up next year.

879
00:38:52,440 --> 00:38:54,920
Speaker 2: You have to be there the whole time, fried turkeys everything.

880
00:38:55,600 --> 00:38:59,920
Speaker 1: I have to raise turkeys for him. And so I

881
00:39:00,160 --> 00:39:03,279
Speaker 1: send him that text. I felt bad about it.

882
00:39:03,360 --> 00:39:03,840
Speaker 2: I did you.

883
00:39:04,120 --> 00:39:05,560
Speaker 1: I hope you can tell now like I feel like

884
00:39:05,719 --> 00:39:08,560
Speaker 1: sick about that. And he said, all good, my friend,

885
00:39:08,560 --> 00:39:10,879
Speaker 1: thank you for your kind words. Things are really good

886
00:39:10,880 --> 00:39:13,440
Speaker 1: in my world. Proud for all your success, Stay safe,

887
00:39:13,440 --> 00:39:18,000
Speaker 1: talk soon. Tracy sings a little bit, saying, yeah, it

888
00:39:18,160 --> 00:39:19,239
Speaker 1: is a two apology days.

889
00:39:19,360 --> 00:39:19,560
Speaker 2: You know.

890
00:39:19,840 --> 00:39:23,040
Speaker 1: I don't like really want apology days. Mostly I can

891
00:39:23,040 --> 00:39:25,279
Speaker 1: find a reason why I shouldn't apologize. I can like

892
00:39:25,320 --> 00:39:26,879
Speaker 1: do the little mental gymnastics and be.

893
00:39:26,800 --> 00:39:28,640
Speaker 2: Like, no, it's their fault. And I don't even mean

894
00:39:28,680 --> 00:39:30,880
Speaker 2: to make this worse, but I'm pretty sure his refrigerator

895
00:39:30,920 --> 00:39:33,440
Speaker 2: went out and they lost a bunch of turkeys and

896
00:39:33,440 --> 00:39:35,920
Speaker 2: they had to scramble. Right. Does that sound familiar?

897
00:39:36,760 --> 00:39:39,000
Speaker 1: It does now that you say that too.

898
00:39:39,280 --> 00:39:40,759
Speaker 2: I don't need to rub it in, but dude, that

899
00:39:40,840 --> 00:39:42,319
Speaker 2: was a bad time.

900
00:39:42,360 --> 00:39:44,120
Speaker 1: You know what, though, I think I tried to help

901
00:39:44,160 --> 00:39:44,800
Speaker 1: in that situation.

902
00:39:44,880 --> 00:39:47,640
Speaker 2: Though, Okay, okay, you look back. Hold on, he's telling

903
00:39:47,680 --> 00:39:48,720
Speaker 2: me I sent the text.

904
00:39:49,000 --> 00:39:51,640
Speaker 1: Okay, now I'm gonna call somebody. We'll do it right here,

905
00:39:51,760 --> 00:39:57,560
Speaker 1: because they call Morgan. Let's see here, I'm gonna put

906
00:39:57,560 --> 00:40:04,840
Speaker 1: her on speaker and she may not remember it. She

907
00:40:04,880 --> 00:40:08,239
Speaker 1: also may not answer. So that's my manager, Morgan. Hey,

908
00:40:08,320 --> 00:40:10,600
Speaker 1: so you're on camera right now, so just just so

909
00:40:10,719 --> 00:40:14,320
Speaker 1: you know, okay, okay, So remember last year when Tracy

910
00:40:14,360 --> 00:40:26,719
Speaker 1: Morgan's refrigeration went down to Sorry Lawrence, my bad, my bad,

911
00:40:26,760 --> 00:40:31,719
Speaker 1: my bad. Remember when Tracy Lawrence's refrigeration went out? Yes,

912
00:40:31,800 --> 00:40:35,080
Speaker 1: I did, okay, and then we jumped in. We tried

913
00:40:35,120 --> 00:40:37,120
Speaker 1: to help right like, but we were just late.

914
00:40:37,160 --> 00:40:40,560
Speaker 5: We did. But by the time that I reached out

915
00:40:40,640 --> 00:40:43,680
Speaker 5: to his manager, they had already had like an outpour

916
00:40:44,000 --> 00:40:48,560
Speaker 5: of people coming and donating, so they no longer had

917
00:40:48,640 --> 00:40:49,479
Speaker 5: like a huge need.

918
00:40:49,680 --> 00:40:52,680
Speaker 1: But we did try. Yes, we did go, Hey, we're in,

919
00:40:52,800 --> 00:40:56,080
Speaker 1: we'll help. Yes, absolutely, all right, just make it just

920
00:40:56,080 --> 00:40:58,759
Speaker 1: making sure, yeah, okay, I can feel young later on one.

921
00:40:59,280 --> 00:41:02,120
Speaker 1: I'm just a huge dwa and just I just I

922
00:41:02,200 --> 00:41:05,200
Speaker 1: just wanted to find something good about me, and that's

923
00:41:05,239 --> 00:41:07,359
Speaker 1: all I could think about. So, okay, thank you.

924
00:41:08,239 --> 00:41:10,520
Speaker 5: I have so many questions.

925
00:41:09,680 --> 00:41:13,680
Speaker 2: Are you text Tracy Vagulator? Hey, you know, I try

926
00:41:13,719 --> 00:41:14,040
Speaker 2: to help.

927
00:41:16,880 --> 00:41:18,600
Speaker 4: I love that Tracy Morgan song time.

928
00:41:18,840 --> 00:41:24,120
Speaker 1: No, Tracy Morgan, Tracy Lawrence, my bad, my bad. Okay,

929
00:41:24,160 --> 00:41:29,480
Speaker 1: So Brandon, I'm sorry, Tracy Lawrence, I'm sorry. Yes, and

930
00:41:29,800 --> 00:41:33,279
Speaker 1: he has a great podcast called I think It's Tracy's Roadhouse.

931
00:41:33,000 --> 00:41:35,640
Speaker 2: And so he does it in his bus right out house.

932
00:41:35,640 --> 00:41:38,759
Speaker 1: That's cool, which is cool. Final thing is that I'm

933
00:41:38,800 --> 00:41:40,560
Speaker 1: traveling with the baby for the first time today.

934
00:41:40,680 --> 00:41:41,200
Speaker 2: Wow.

935
00:41:41,400 --> 00:41:44,440
Speaker 1: So I just thought you grab it, put in your backpack,

936
00:41:45,000 --> 00:41:47,719
Speaker 1: get on a plane. No, who knew there were so

937
00:41:47,800 --> 00:41:48,799
Speaker 1: many things when you.

938
00:41:48,760 --> 00:41:50,680
Speaker 2: Travel with the baby.

939
00:41:50,960 --> 00:41:56,080
Speaker 1: Yeah. So we're we're taking like a practice stroller. No, no,

940
00:41:56,960 --> 00:41:59,759
Speaker 1: practice car seat. I don't think there wor practice is in.

941
00:42:00,200 --> 00:42:00,239
Speaker 4: No.

942
00:42:01,040 --> 00:42:02,960
Speaker 1: I think it's a trap, maybe like a travel car

943
00:42:02,960 --> 00:42:05,840
Speaker 1: seat that turns into a stroller. We've never used it before,

944
00:42:05,880 --> 00:42:07,880
Speaker 1: but we have it. Sounds cool, but yeah, but it's

945
00:42:07,920 --> 00:42:09,319
Speaker 1: like a thing to take. You have to take it,

946
00:42:09,560 --> 00:42:12,640
Speaker 1: you have to travel with it. We've taken It's so

947
00:42:12,800 --> 00:42:14,280
Speaker 1: much to move a baby.

948
00:42:14,440 --> 00:42:16,759
Speaker 2: What are you doing for ears? Are you worried about ears?

949
00:42:18,120 --> 00:42:18,880
Speaker 1: I'll just wear apod.

950
00:42:19,000 --> 00:42:25,320
Speaker 2: No. You like, if the baby's ears pop on the plane,

951
00:42:25,480 --> 00:42:26,799
Speaker 2: what do you do? What do you do for that?

952
00:42:27,080 --> 00:42:30,840
Speaker 1: I say, Hey, Caitlin, what's going on with the baby's ears?

953
00:42:31,160 --> 00:42:32,000
Speaker 2: That's up for that?

954
00:42:33,239 --> 00:42:35,640
Speaker 1: I don't know, Okay, I bet you Caitlyn has already.

955
00:42:35,640 --> 00:42:37,400
Speaker 2: Look, I'm sure she's got it all covered.

956
00:42:37,480 --> 00:42:40,960
Speaker 1: She is the one that has handled ninety seven percent

957
00:42:41,000 --> 00:42:43,480
Speaker 1: of all this. But I was packing up and I

958
00:42:43,480 --> 00:42:45,000
Speaker 1: had to leave some room in my suitcase to pack

959
00:42:45,040 --> 00:42:46,400
Speaker 1: some of the stuff for the baby. But it is

960
00:42:46,560 --> 00:42:48,400
Speaker 1: it is quite the experience to travel with the baby.

961
00:42:48,520 --> 00:42:49,800
Speaker 1: First time the baby's ever traveled.

962
00:42:49,840 --> 00:42:50,040
Speaker 2: Though.

963
00:42:50,400 --> 00:42:52,080
Speaker 1: We've gone to the park, we went to the restaurant,

964
00:42:52,160 --> 00:42:55,399
Speaker 1: a restaurant one time that was semi chaotic, a little

965
00:42:55,400 --> 00:42:57,040
Speaker 1: bit that was on me. But we're going to try

966
00:42:57,040 --> 00:43:01,239
Speaker 1: to airplane it up. And good luck, man, I'll be

967
00:43:01,280 --> 00:43:02,719
Speaker 1: praying for you.

968
00:43:02,719 --> 00:43:05,040
Speaker 2: You fly with your kids ever, Yeah, when they were babies.

969
00:43:05,080 --> 00:43:07,200
Speaker 2: When they were babies, yeah, and they were all really

970
00:43:07,200 --> 00:43:09,440
Speaker 2: good flyers. I think only one of them had ear

971
00:43:10,080 --> 00:43:15,279
Speaker 2: popping problems. And you know, I remember we talked about somebody.

972
00:43:15,400 --> 00:43:16,960
Speaker 2: I don't know how it came up. But we talked

973
00:43:16,960 --> 00:43:20,400
Speaker 2: about on the show how somebody had brought everyone lollipops

974
00:43:20,520 --> 00:43:22,839
Speaker 2: around them, you know, like right as soon.

975
00:43:22,760 --> 00:43:25,799
Speaker 1: As they got the baby crying, baby candy.

976
00:43:26,360 --> 00:43:28,680
Speaker 2: Here are some candy. And I remember we did that

977
00:43:29,000 --> 00:43:33,320
Speaker 2: because one baby, one of our babies, did cry almost

978
00:43:33,360 --> 00:43:36,480
Speaker 2: the whole time. And it's tough. But man, once that happens, though,

979
00:43:36,920 --> 00:43:38,799
Speaker 2: you now know that when you get on a flight

980
00:43:38,840 --> 00:43:42,000
Speaker 2: and a baby's crying, you understand. You don't get mad,

981
00:43:42,719 --> 00:43:46,239
Speaker 2: you understand that the parents have no control, and it's

982
00:43:46,239 --> 00:43:49,480
Speaker 2: a it's a terrible feeling to just be like, I'm sorry,

983
00:43:49,480 --> 00:43:52,040
Speaker 2: I'm sorry, sorry, my baby won't stop crying. I thought

984
00:43:52,080 --> 00:43:55,720
Speaker 2: of like calling it a baby bucket. It's an invention.

985
00:43:55,840 --> 00:43:57,720
Speaker 2: It's like a bucket you put over the top.

986
00:43:57,520 --> 00:44:00,840
Speaker 1: Of them, so if they cry, it limits the sound

987
00:44:00,920 --> 00:44:02,560
Speaker 1: going out. And it can even be.

988
00:44:02,560 --> 00:44:04,680
Speaker 2: A two baby bucket.

989
00:44:05,400 --> 00:44:07,360
Speaker 1: You just put it over, Yeah, you put over the

990
00:44:07,360 --> 00:44:10,160
Speaker 1: baby and so it's crying and it does muffle it

991
00:44:10,239 --> 00:44:12,040
Speaker 1: a bit. Yeah, And it can even be a two

992
00:44:12,080 --> 00:44:14,160
Speaker 1: person bucket if it needs to be. You lift up

993
00:44:14,160 --> 00:44:15,880
Speaker 1: the arm arrest and you put it over you and

994
00:44:15,960 --> 00:44:18,279
Speaker 1: the baby in some way. The baby doesn't feel alone

995
00:44:18,320 --> 00:44:20,600
Speaker 1: in the bucket. But is there not something to.

996
00:44:20,640 --> 00:44:23,040
Speaker 2: That you might have something there the baby.

997
00:44:23,080 --> 00:44:24,400
Speaker 1: I didn't put the baby in the buck We're not

998
00:44:24,400 --> 00:44:25,759
Speaker 1: carrying it around in the bucket.

999
00:44:25,480 --> 00:44:26,360
Speaker 2: Other than the trauma.

1000
00:44:26,400 --> 00:44:27,960
Speaker 1: Is there light in the bucket or is it just

1001
00:44:28,000 --> 00:44:30,680
Speaker 1: complete darkness? I haven't got that far along. I got

1002
00:44:30,760 --> 00:44:34,640
Speaker 1: literally just invented this in my head. So wish me luck.

1003
00:44:34,719 --> 00:44:35,439
Speaker 2: Good luck man.

1004
00:44:35,760 --> 00:44:38,560
Speaker 1: All right, thank you everybody for watching, Thank you everybody

1005
00:44:38,560 --> 00:44:42,280
Speaker 1: for listening. Hopefully we learned some stuff, we shared, we felt,

1006
00:44:42,600 --> 00:44:46,160
Speaker 1: we apologized, and happy birthday, Tracy Lawrence. I'm sorry, Brandon.

1007
00:44:46,160 --> 00:44:46,920
Speaker 1: Half birthday next year.

1008
00:44:46,920 --> 00:44:47,719
Speaker 2: We'll get ahead of it.

1009
00:44:49,360 --> 00:44:51,520
Speaker 1: Yes, happy birthday next year. All right, We will see

1010
00:44:51,520 --> 00:44:53,719
Speaker 1: you guys later on this week.

1011
00:44:53,719 --> 00:44:54,320
Speaker 2: Bye, everybody.

1012
00:44:54,640 --> 00:44:56,680
Speaker 3: This has been a Bobby Cast production.